[
    {
        "id": 204319,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 87,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n83\n\ncolour, and as No-cha stirred it up in the stream heaven and earth were shaken and the river trembled. This river was called Chiu-wan Ho (Nine-bend River) and was situated at the mouth of the Eastern Sea. Ao Kuang (#), the dragon-king of the Eastern Sea, surprised at this unexpected earthquake, ordered his inspector-yaksha, Li Kên (R), to go at once and find out the cause. When the yaksha reached the river he saw that the river was red and a child was bathing there, dipping his red silk gauze in the water. He cleft the water asunder and shouted angrily: \"What prompts you, little child, to make the river red and the crystal palace shake?\" No-cha turned back and saw a monster coming out of the water, a monster whose face was as blue as indigo, whose hair was as red as cinnabar, whose mouth was big with long projecting teeth and who had in his hand a halberd. No-cha scolded, \"You monster, how can you speak like a human being?\" The yaksha was exasperated and said, “I am an appointed officer. How dare you insult me?\" He jumped up to the bank and brandished his halberd towards No-cha. No-cha was naked and could only jump aside. Then he took off the bracelet from his right arm and hurled it in the air. This bracelet was a precious weapon bestowed on the Immortal T'ai-I by the Patriarch Yüan-shih T’ien-tsun of the Jade Palace of Abstraction to protect the Chin-kuang Cave where T'ai-I dwelt. It fell upon the head of the yaksha and his brains spilled on the ground. No-cha ignored his corpse but smiled and said, \"He has stained my precious weapon!\" He sat himself again on the rock, smiling and washing the bracelet. The crystal palace was shaken again and even more violently. When Ao Kuang was vexed the soldiers came back to report, “Yaksha Li Kên was killed by a child on the bank.\" The dragon-king was frightened, \"Li Kên was appointed by the Jade Emperor; who dared to murder him?” Saying this he summoned his men, intending to go himself. No sooner had the dragon-king finished his words than Ao Ping (F), his third son, requested permission to go for the father. So, Ao Ping, at the head of a troop of sea-warriors, mounted his water-cleaving monster, and with his trident in his hand, left the palace. The form of the breaking waves was so furious that the river seemed to rise several feet. No-cha stood up and marvelled, \"This is a flood!\"... (Ch.12)\n\nIn Ch.48 of the prompt-book Tung-yu-chi (\"The Eight Saints or The Voyage to the East\") when the Eight Immortals were crossing the Eastern Sea, Lü Tung-pin (SM) initiated an idea, \"During our crossing would it not be fine for each of us to throw one precious thing into the sea so that our divine power may be revealed?\" Therefore, \"When the dragon-king of the Eastern Sea was holding a meeting in his crystal palace, he",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 204320,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 88,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n84\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nsaw a dazzling light penetrating into his palace making the walls transparent. He dispatched his son, Prince Mo Chieh (E), with a group of mariners to go around in the sea to investigate.”\n\n26\n\nThis Mo Chich, probably a re-incarnation of Bimbisara, who was a king of Magadha () converted by Sakyamuni and who died and was re-incarnated as a son of Vaisravana, has been changed into Ao Ping in the above quotation from the Fêng-shên Yen-i, and has lost his original Buddhist flavour. Comparing this short paragraph from the Tung-yu-chi with the composition and description of the corresponding paragraphs in the Fêng-shên, we can see the artistic superiority of the latter.\n\nThe combat between No-cha and Ao Ping, the third son of the dragon-king, has a tragic end. No-cha put his foot on Ao Ping's neck and struck the latter's forehead with his bracelet, thus killing him. No-cha pulled out the sinews of the little dragon and went back, saying he would make a good belt of it for his father to fasten his cuirass on. The dragon-king, hearing of the death of his son, went to see Li Ching, and put the latter in a very embarrassing position. Li Ching, being ignorant of his son's prodigious feats, denied his guilt. But No-cha came out and apologized for what he had done, and told the dragon-king that his son's sinews were intact. The dragon-king was exasperated and told Li Ching that he would lodge a complaint at the court of the Jade Emperor against father and son. The story continues:\n\nAfter No-cha had calmed his parents he went to the Chin-kuang Cave and told his master, the Taoist Immortal T’ai-I, of his adventure. The master ordered him to unfasten his coat, drew spells on his bosom, and told him what to do the next morning. \"After that,\" the master said, \"you may go back to Ch'en-t'ang Pass. If anything unusual happens, you must tell your parents that I shall be responsible for your misdeeds.” The next morning No-cha reached the Pao-tê Gate (F),27 the gate of heaven. After a while he saw the dragon-king approaching wearing his celestial robes, but because of the magic spells on No-cha's bosom, the dragon-king could not see him. No-cha was so angry that he strode forward from behind and dealt the dragon-king with his bracelet such a heavy blow that immediately he fell to the ground. (Ch.12)\n\n•\n\n26 No. 9, Fu-shuo Jên-hsien Ching (MA), The Tripitaka in Chinese,\n\n27 Ch. 39, Hsi-yo-chi of the \"Four Travels\", the Pao-tê Kuan (OH) is the Gate in heaven where Li Ching dwells.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 204321,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 89,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961).\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nISSN 1991-7295\n\n85\n\nNo-cha then partially pulled off the celestial robe of the dragon-king and revealed the scales under his left ribs. He tore off some forty or fifty of the dragon-scales and the dragon-king was wounded and suffered a violent pain. He begged his assailant to spare his life. No-cha said, “If you want me to spare your life you must give up your law-suit against me before the Jade Emperor, and follow me back to Ch'ên-t'ang Pass.\" The dragon-king could not free himself and yielded to No-cha. Transforming himself into the shape of a small black snake, he hid in No-cha's sleeve and they descended from heaven. (Ch.13)\n\nSome references can be cited here for comparison and we can see how clever the author was in composing his ingenious and complicated plot which surpasses all the materials he made use of.\n\nIn the prompt-book Ch'in Ping Liu-kuo P'ing-hua (\"The Annexation of the Six States by the Emperor of Ch’in”), chüan 2, there is a sentence, \"to fasten the cuirass he should use the sinews of the old dragon.\" In the Ta-T’ang San-tsang Ch’ü-ching Shih-hua (\"Tripitaka's Search for Buddhist Sutras\"), chuan 2, (7), the Monkey-monk (Hou Hsing-chê) pulled out the sinews from a dragon with nine heads for a belt to hold the cuirass.\n\nAccording to the Min Shu (M), there was a Taoist priest named Yu Chên-chai (2) living in the epoch of Hung Wu, who was called upon by an old woman:\n\nShe was a female-dragon... and was to be struck to death by lightning on account of her failure in regulating the rains. She begged him to save her life. Yü said, “Can you transform yourself to a small shape so that I may hide you in my alms-bowl?\" The dragon followed his advice and transformed herself into a snake wriggling into the bowl.\n\nThe story of No-cha goes on as follows:\n\nOne day as the weather was excessively hot, he felt restless and annoyed, and ascended the tower over the city-gate. On the weapon-stands he found a wonderful bow called ch'ien-k'un kung (the cosmic bow) and three arrows called chên-t'ien chien (heaven-shaking arrows) which he appreciated very much, and did not know that they were left by the Yellow Emperor and since then no one had been strong enough to use them. He was so glad of this discovery and he seized the bow and shot an arrow toward the south-west. With a startling sound the sky was covered with red mist and auspicious clouds floated around. (Ch.13)\n\nIn chuan 13, in the chapter of the \"Competition in Martial Exercises for the Hand of Yasodhara\" of Abhiniskramana-sutra (DATE · #), we have the following paragraph:",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 204323,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 91,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n87\n\nended in a fierce hand-to-hand conflict. At last T'ai-I hurled his powerful weapon, a lamp-shade of nine fire-dragons, into the air, which fell on the goddess and rendered her senseless. T'ai-I clapped his hands and immediately a flame rose up in the shade, and she died in the roaring blaze. The dragon-kings of the Four Seas now got a warrant from the Jade Emperor to arrest No-cha's parents. No-cha, with secret instructions from his master T'ai-I, rushed back to Ch'ên-t’ang Pass. When he saw the dragon-kings, he shouted in a terrific voice:\n\n\"It was I who killed Li Kên and Ao Ping and I should forfeit my life. How can you molest my parents?\" After this, he spoke to Ao Kuang, \"I am not to be slighted. I am an avatar of Ling-chu Tzu, the Intelligent Pearl. By the command of Yüan-shih I have descended to this world to fight for the establishment of the coming dynasty. I am determined to rip open my stomach, pluck out my intestines and pick out the bones, to return to my parents what I got from them. Are you satisfied with that?\" To this Ao Kuang agreed, and No-cha did as he had just said: he fell down to the ground and his souls dispersed. His corpse was put into a coffin and was ordered by his mother to be buried. (Ch.13)\n\nWe learn from the commentaries and the expository notes of the Ch'an school (or in Japanese Zen) of Chinese Buddhism that there are many historical and hereditary \"cases\" (Kung-an or in Japanese koan) handed down from generation to generation by the learned priests of this school of contemplation as material for their followers to study and to reflect upon. Most of these \"cases\" are metaphysical and to some extent mystical, and as cultivation in meditation involves some experiences which are not subject to communion between the learner and the Patriarch or the predecessors, it has relation with Tantrism.29 The story related in the Fêng-shên about No-cha (Nata) quoted above is one of the cases which appear in chüan 2 of the Wu-têng Hui-yüan (EK), a work written by Monk P'u-chi (#) of the Sung dynasty, and is retold in chüan 2 of the Chih-yüeh Lu (f), edited by Ch'ü Ju-chi (W) of the Ming dynasty. It runs as follows:\n\nPrince Nata, rending himself asunder, gave his flesh back to his mother and his bones to his father, and then manifesting\n\n20 Nan Huai-chin (RM), Ch'an-hai Li-ts'ê (THU), Ch. 15, \"Ch'an School and Tantrism\" (RANER), pp. 205-211, Ching Ming Hsüeh Shê (W204), Taipei, 1955. cf. Daisetz Teitaro Suzuki ( Kil), Essays in Zen Buddhism, Second Series, p. 94, London, Luzac, 1933.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 204331,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 99,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n95\n\nB\n\n(c) The T'ao T'ien-chün ( or Celestial Master T'ao), one of the four attendant-generals forming the retinue of the Premier Wên T'ai-shih in the Fêng-shên Yen-i is an invention of the author of the Fêng-shên for a particular reason.3\n\nIn any one of the earlier works before the Fêng-shen, whether Taoist canonical texts or popular literature, we can find the other three T'ien-chün but not this one. This fact strengthens the hypothesis that this particular character was created with a purpose. But he appears also in Wu Ch'êng-ên's Hsi-yu-chi. (Ch.4 etc.)\n\n(d) Yin Chiao () in his transformed figure is an ugly and evil god. \"His face was as blue as indigo, and he had long projecting teeth\" (Ch.63, Fêng-shên Yen-i). He was canonized as the T'ai-sui (✯ the God of the Cycle) in Ch.99 of the Feng-shên. Now in Wu's Hsi-yu-chi there is a line of verse, \"The other had a blue face and protruding teeth as ugly as the T'ai-sui.”\n\n(56)\n\n(e) In Wu's Hsi-yu-chi, when Sun Wu-k'ung ( the Monkey) was repelled by Hsüan-tsang (), he thought of “going to the islands (hai-tao ) but he was rather ashamed to meet those immortals in the three fairy-lands (san-tao chu-hsien l)\". (Ch.57) This is probably influenced by the islands and the immortals there (hai-tao tao-yu fă‡) in Chs.38, 47 and 59 of the Fêng-shễn. In Ch.59 of the Feng-shên when Lü Yüeh (BG) was defeated by the troops of Chiang Tzu-ya, he fled to the islands as his last resort.\n\n(f) In Wu's Hsi-yu-chi (Ch.60), the Demon-king of Oxen (Niu Mo-wang 4E) rode on a \"water-proof golden-pupiled monster\" (Pi-shui Chin-ching Shou HR). I think this name was invented after the \"fire-spitting golden-pupiled monsters\" (Huo-yen Chin-ching Shou ) ridden by Chêng Lun, Chiên Ch'i and Ch'ung Hei-hu in the Fêng-shên Yen-i.\n\n(g) In Ch.61 of the Wu's Hsi-yu-chi there are the \"four great Vajras\" (MAI) which are no doubt an adaptation of the “four great heavenly kings\". One of their dwelling-places is in the Chin-hsia Tung ( Golden Clouds Cave) of Mt. K'un-lun. In fact this Chin-hsia Tung is exactly the name of the grotto where the Yü-ting Chên-jên (EMRA Immortal of the Jade Urn) lives in the Fêng-shên Yen-i, and Mt. K'un-lun is the sacred mountain of the Promulgating Sect.\n\n37 Ibid., pp. 251-55.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 204414,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 46,
        "title": "RAS-1962",
        "content_text": "37\n\nTHE BUDDHIST CAREER\n\nA lecture delivered on October 30, 1961\n\nHOLMES WELCH, M.A.\n\nFirst I think I should tell you a little bit about what I have been doing. Last spring I was awarded a grant by the Social Science Research Council to find out how Buddhist monasteries in China used to operate before 1950, what the monks did from day to day, and why. This is a subject on which almost nothing has been published: the best sources of information are the monks themselves. There are about 200 of them in Hong Kong, most of whom are not natives of the Colony, but come from all parts of China: from the northeast, northwest, the central provinces, and the south. Unfortunately all but a few left the mainland ten years ago or more, and their memories are beginning to fade. Furthermore, some are in their seventies or eighties and not only have fading memories, but it is a question how much longer they will be here to talk to. Their knowledge, unless it is recorded now, will be lost to all future students of China. That is one of the reasons I am doing what I am.\n\nIt is not an easy job to interview these monks. First, they speak in a baffling variety of dialects and accents. Second, they find it hard to understand why I should be asking them so many questions. Furthermore, they are not accustomed to answering questions about the practical side of monastic life. They are accustomed to expounding the sutras and the dharma, or Buddhist law. I have done only six months of interviewing so far and many points are still obscure.\n\nMany points are still obscure. What I am giving you today, therefore, is not in the nature of conclusions, but a kind of interim field report.\n\nThe subject of my talk is the Buddhist career. By that I mean the stages that a Buddhist went through in following his religion. Not everyone went through all these stages; in fact, almost no one did. But I shall describe them all, one by one, so that you can see what the possibilities were. I shall disregard the great majority of Chinese, for whom Buddhism was just one\n\nAL.\n\nMr. Holmes Welch is currently engaged in a study of Buddhist organisations in modern China. He is author of a book on the history of the Taoist movement, The Parting of the Way.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
        "rank": 0
    },
    {
        "id": 204427,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 59,
        "title": "RAS-1962",
        "content_text": "50 \n\nT. Y. LI \n\nThe seal originated from jade tablets used by the Emperor and members of his Court in religious rituals. Later, seals were used to seal articles in the same way as we use sealing-wax nowadays. The only difference is that in those days, a ball of clay was used to receive the impression made by a seal. Writings on slips of wood or bamboo were bundled and sealed. Valuables were placed in a sack which was tied by string and again sealed in the same way. Naturally, these seals had to be small. Paper or silk for writing was not in popular use until long after the Han period (206 B.C.-221 A.D.), and it was then that vermilion ink was first used for seals. This practice has continued to the present day. \n\nThe Ancient Seals. \n\nThe so-called ancient seals were discovered at a much later period. They were thought to belong to the Chou Dynasty (1122-221 B.C.), or possibly earlier, but there is a lack of historical evidence to support it. The form of this class of seal is most variable. The size ranges from a fraction of an inch to a few inches square. The shape is mostly square, but many odd and strange shapes are also found. The engraving may be intaglio or relief. Many characters are difficult to decipher. The matrix was of bronze, though a few were of jade. The decorations are simple but elegant. They are the \"platform\" or \"nose\" type with an \"eye\" or \"hole\" provided for a cord to go through it. \n\nSubsequently, in the late Chou or Warring States Period (481-221 B.C.), a type known as Small Seals is found. The size is usually about one inch square. The shape may be oblong, oval, or round. The style of engraving is either intaglio or relief. Many characters are difficult to read because during the Warring States Period, each feudal state developed their own writing, and these were afterwards prohibited by the Emperor of the Chin Dynasty (221-206 B.C.). Hence, they became obsolete. However, their style is delicate, graceful, and well-balanced. They are all made of bronze with simple decoration, as in the ancient seals. \n\nAfter the First Emperor of the Chin Dynasty united the feudal states (221-206 B.C.), China was once more under one Government. Great reforms were carried out in many things, among which was the standardization of Chinese characters. A form known",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
        "rank": 0
    },
    {
        "id": 204430,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 62,
        "title": "RAS-1962",
        "content_text": "CHINESE SEALS\n\n51\n\nas Small Seal was proclaimed by the Government in place of the previous existing irregular characters which were known as Big Seal characters 大篆 or ch'ou wen 籀文,\n\nIt was during the Chin Dynasty that the term sist 鉥 was restricted to mean the Emperor's seal and official or personal seals were known as yin 印. The Chin seals are usually cut in intaglio, with cross or vertical dividing lines and a line at the margin. The size is about 1 inch square and the shape is usually square. The personal seals were more or less of the same style as the later Chou type.\n\nThe Royal Seal was said to be made of jade with eight Chinese characters cut in relief ****, with dragons carved on it as decoration. Official and personal seals were made of bronze with simple decoration.\n\nThe Han Dynasty (206 B.C.-221 A.D.) followed the short-lived Chin (221-206 B.C.). This was the golden age of seal making. During the Han Dynasty, a form of calligraphy was specially proclaimed for seal making. This is a cross between the small seal character of the Chin and the later Li 隸 character. It is regular, simple and upright, most suitable for seal making. The different types of Han seals 印 were most numerous, the chief of which were the official seals, personal seals and miscellaneous seals. The engraving may be in intaglio, relief or both in the same seal. Han seals exist to the present day in abundant numbers and their style is studied and copied up to this moment.\n\nThe decoration on Han seals was more elaborately made in that different ranks of officials possessed seals of different decoration; such as camel, horse, tortoise, tiger, leopard, bear, sheep, rabbit, lizard and etc. Even the colour of the cord signified different ranks. Personal seals might have decorations such as a tortoise or other animals.\n\nAs for the matrix of the seal, records show that Han seals were made from gold, silver, bronze or jade according to the rank of the official. Royal seals were made from jade. Personal seals might be made from precious stone, precious metal, bronze or gilt bronze. Ivory or horn of rhinoceros were also used.\n\nAfter the Han Dynasty, the art of seal making suffered a great set-back during the Sui (600 A.D.), T'ang (618-907 A.D.),",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
        "rank": 0
    },
    {
        "id": 204561,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 42,
        "title": "RAS-1963",
        "content_text": "PRINTING IN CHINA\n\n37\n\nin the desert beyond Tun-huang, which Lao Kan subsequently dated around A.D. 98 or a little later. This confirms the date of 105 given for the announcement of the invention to the throne in the biography of Ts'ai Lun in the Hou Han shu. The technical processes included:\n\n(a) the fashioning of seals out of metal, stone, and clay;\n\n(b) the taking of rubbings (or inked squeezes) of inscriptions on bronze and stone.\n\nSeveral bronze seals have been found in Shang sites, and many later ones made of bronze, ivory, horn, stone, pottery, jade, and iron. They were cut both in relief and in intaglio. Known as yin, the seals were generally small; their purpose was a proof of genuineness. (The woodblock, yet to appear, was large and its purpose was reduplication.)\n\nAs to inked rubbings, these make their appearance during the 5th and 6th centuries; by 649 three professionals were appointed to the T'ang court. They were called T'a shu shou. Chinese scholars love to own copies of prized inscriptions; so the making of rubbings became a popular pastime.\n\nBy the year 640, after the T'ang had consolidated the empire, and achieved victories everywhere, except in Korea, China entered upon a period of material prosperity and cultural advance. It is small wonder that in the ensuing century printing should have developed. The demand must have been very great for elementary texts, dictionaries, copies of the canon, histories, Buddhist sutras, almanacs, etc.\n\nOne must mention here the interesting hypothesis of Robert Shafer [Journal of the Oriental Society, v. 80, No. 4 (Oct.-Dec. 1960), pp. 328-329] that the printing block originated in Tibet. This may be true; but was it first used for literature, or for some other purpose, such as textiles? The authors of both the Chiu T'ang shu (196 A/la) and the Hsin T'ang shu (216 A/lb), writing of the early years of the Tang dynasty, state categorically that the Tibetans had no writing. So do the writers of the Tibetan annals, covering the years 650-747, found by Pelliot at Tunhuang. (Cf. the translation of J. Bacot and Ch. Toussaint in Documents de Touen-Houang relatifs à l'histoire du Tibet.)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
        "rank": 0
    },
    {
        "id": 205148,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 104,
        "title": "RAS-1966",
        "content_text": "FOREIGN RELATIONS OF BUDDHISM\n\n48 Ts'en, Hsü-yün ho-shang nien-p'u, Hong Kong, 1962, pp. 21-22.\n\n49 Ts'en, Hsü-yün, pp. 40-43.\n\n99\n\n50 Ts'en, Hsi-yün, pp. 47-48. I have been unable to get confirmation of this story in Thailand; nor have I been able to confirm the related episode, in which Hsü-yün on his way to Bangkok that year met an Englishman who had been British consul in Teng-yüeh and Kunming and who gave Hsü-yün 3,000 pounds Sterling towards the expense of transporting a set of the Tripitaka back to Yunnan. The records of the Foreign Office in London do not appear to reveal who this may have been.\n\n51 White marble images from Burma and Thailand, termed in Chinese \"jade buddhas\" (yi-fo) have been popular in China during the past century. In the late 1890's a set of such images was made in India for a Chinese monk from P'u-t'o Shan, who spent the better part of three years at Oudh overseeing the work. So popular were these particular images that when they arrived in Shanghai, they were kept on exhibit in nearby Woosung at the request of the authorities as a large number of Chinese visit them daily, which was quite profitable for the railway.\" See Journal of the North China Branch of the Royal Asiatic Society, 31 (1896-1897), 203. These may well have been the jade buddhas installed during the reconstruction of the Fa-yü Ssu on P'u-t'o Shan,\n\n52 Ts'en, Hsi-yün, p. 66.\n\n53 Cheng-lien, Ch'ang-chou T'ien-ning ssu-chih, Shanghai, 1948, 7:102. Cf. Chou Hsiang-kuang, History of Chinese Buddhism, Allahabad, 1955, p. 214,\n\n54 See Eastern Buddhist, 3.3 (October-December, 1924), p. 274. This is the earliest instance I have encountered of a Chinese Buddhist going abroad to study Theravada. Unlike Huang Mao-lin he is not stated to have had the goal of spreading Mahayana as well.\n\n55 For example in 1916 the head of the Chi-le Ssu, Pen-chung, led a group of his Refugee disciples to Ku Shan to receive the lay ordination: they numbered five out of the six upasakas and forty out of the 114 upasikas. This information comes from the 1916 ordination yearbook.\n\n56 See Yüan-ying fa-shih chi-nien k'an (Memorial volume for Yüan-ying), Singapore, 1954, pp. 13-14.\n\n57 However, they came from around Amoy rather than around Foochow, where Ku Shan was located.\n\n58 Chinese Year Book 1937, p. 74.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
        "rank": 0
    },
    {
        "id": 205650,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 192,
        "title": "RAS-1968",
        "content_text": "GULLAND, W. G.\n\nTHE LIBRARY\n\n187\n\nChinese porcelain; with notes by T. J. Larkin. London, Chapman & Hall, 1902-11. 2 vols.\n\nHACKNEY, Louise Wallace, and YAU, Chang-foo.\n\nA study of the Chinese paintings in the collection of Ada Small Moore, London, Oxford Univ. P., 1940.\n\nHALL, D. G. E.\n\nA history of south-east Asia. 2nd ed. London, Macmillan, 1964, reprinted 1966.\n\nHANSFORD, S. Howard.\n\nChinese jade carving. London, Lund Humphries, 1950.\n\nHARRISSON, Tom.\n\nHistory, science, the arts and nature in Sarawak (1960-61) and (1961-62). [Kuching, Government Printing Office, 1961-62].\n\nReprinted from Sarawak's annual report, 1961 and 1962.\n\nHENDERSON, Norman K.\n\nThe education of handicapped children; recent trends and research, with implications for Hong Kong. Hong Kong, University Press, 1964.\n\nHENDERSON, Norman K.\n\nEducational developments and research, with special reference to Hong Kong. Hong Kong, University Press, 1963.\n\nHENDERSON, Norman K.\n\nStatistical research methods in education and psychology. Hong Kong, University Press, 1964.\n\nHERRFAHRDT, Heinrich.\n\nSun Yatsen, der Vater des neuen China: ein Beispiel west-östlicher Begegnung. Hamburg, Drei-Türme-Verlag, 1948.\n\nHEWLETT, Sir Meyrick.\n\nForty years in China. London, Macmillan, 1943.\n\nHEYWOOD, G. S. P.\n\nRambles in Hong Kong. 2nd ed. Hongkong, Kelly & Walsh, 1951.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
        "rank": 0
    },
    {
        "id": 205654,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 196,
        "title": "RAS-1968",
        "content_text": "THE LIBRARY\n\n191\n\nLANG, Olga.\n\nPa Chin and his writings; Chinese youth between the two revolutions. Cambridge, Mass., Harvard U.P., 1967. (Harvard East Asian series, 28)\n\nLANYON-ORGILL, Peter A.\n\nAn introduction to the Thai (Siamese) language for European students. Victoria, B.C., Curlew P., 1955.\n\nLAUFER, Berthold.\n\nArchaic Chinese jades collected in China by A. W. Bahr, now in Field Museum of Natural History, Chicago, described by Berthold Laufer. New York, privately printed for A. W. Bahr, 1927.\n\nLAUFER, Berthold.\n\nIvory in China. Chicago, Field Museum of Natural History, 1925.\n\nLAUFER, Berthold.\n\nJade; a study in Chinese archaeology and religion. 2nd ed. South Pasadena, Perkins, 1946.\n\nReprint of original ed., publ. by the Field Museum of Natural History, Chicago, 1912.\n\nLESLIE, Donald, and DAVIDSON, Jeremy.\n\nAuthor catalogues of western sinologists. Canberra, Dept. of Far Eastern History, Research School of Pacific Studies, Australian National University, 1966. Mimeographed.\n\nLIN, Yu-t'ang (***)\n\nThe gay genius: the life and times of Su Tungpo. New York, John Day, 1947.\n\nLIN, Yu-t'ang (***)\n\nThe importance of living. New York, Reynal & Hitchcock, 1937 reprinted 1938.\n\nLIN, Yu-t'ang (††364)\n\nMoment in Peking: a novel of contemporary Chinese life. Shanghai, Kelly & Walsh, 1939.\n\nLIN, Yu-t'ang (#*#*)\n\nWith love and irony. Garden City., N.Y., Blue Ribbon, 1945.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
        "rank": 0
    },
    {
        "id": 205656,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 198,
        "title": "RAS-1968",
        "content_text": "THE LIBRARY\n\nMICHAEL, Franz H., and TAYLOR, George H.\n\n193\n\nThe Far East in the modern world. London, Methuen, 1956.\n\nMILLARD, Thomas F.\n\nConflict of policies in Asia. New York, Century, 1924.\n\nMORSE, Hosea Ballou.\n\nThe international relations of the Chinese Empire. [London, Longmans Green, 1910-1918 reprinted 1961] 3 vols.\n\nNACHBAUR, Albert.\n\nMon carnet de Chine: 1920, 2ème volume [only] [Pekin, Nachbaur, 1920?].\n\nNOTT, Stanley Charles.\n\nChinese jade throughout the ages: a review of its characteristics, decoration, folklore and symbolism. London, Batsford, 1936.\n\nOLIPHANT, Laurence.\n\nNarrative of the Earl of Elgin's mission to China and Japan in the years 1857, 58, 59. Edinburgh, Blackwood, 1859.\n\nOLIVER, Frank.\n\nSpecial undeclared war. London, Jonathan Cape, 1939.\n\nOUDENDYK, William J.\n\nWays and by-ways in diplomacy. London, Davies, 1939.\n\nPEFFER, Nathaniel.\n\nThe Far East; a modern history. Ann Arbor, Univ. of Michigan P., 1958. (University of Michigan history of the modern world)\n\nPOLO, Marco.\n\nThe travels of Marco Polo, rev. from Marsden's translation, and ed. with introd. by Manuel Komroff. London, Jonathan Cape, 1928 reprinted 1930.\n\nPOPE-HENNESSY, Una.\n\nEarly Chinese jades. London, Benn, 1923.\n\nPOULIK, Josef.\n\nPrehistoric art, including some recent cave-culture discoveries, and subsequent developments up to Roman times. Photographs and graphic arrangement by W. and B. Forman. Tr. by R. Findlayson Samsour. London, Spring Books, 1956.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
        "rank": 0
    },
    {
        "id": 205771,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 77,
        "title": "RAS-1969",
        "content_text": "TUNG KWU ISLAND\n\n71\n\nit was chipped on each edge to take a rope or rattan band, indicating later use as either a net-sinker or a hammer; perhaps both, as it seems water-worn. The material is a welded tuff, a very common rock type in Hong Kong.\n\nFrom shore below sand cliff at south end of isthmus, which had been cut through: hand hoe, found below the original centre of the sandbank, roughly chipped from a pebble of banded rhyolite, and showing slight signs of wear at the acute angles of the trapezoid formed by its outline.\n\nRounded stone of hard welded tuff, worked into shape by pecking to make a rolling-stone of the type used in the Polynesian game known as 'LAFO' in the Uvea and Tonga islands, or the game of bowls practised in the Hawaiian islands. This rolling-stone was found on the west beach about 20 yards from where the hand hoe lay, and near the sand cliff.* It appears slightly roughened at the centre of each smooth side, possibly to give a better grip. This is not the only rolling-stone found on the Colony's beaches: another in my collection comes from Castle Peak, and is close in shape and size to the specimens shown in the British and Honolulu museums.\n\n3. Found loose: exact find position not known:\n\nStone of pentagonal shape, sides unequal, with signs of hammering at the long point and on one edge. The side between the point and the worn edge has been flaked to some degree of sharpness, while the other sides are left flat. The rock resembles a fine-grained grit, and must have been imported.\n\nTwo small stones shaped like the point of a knife, one of a fine-grained shale, the other of a thin-bedded shale with lenticles of grit. The former shows edges polished and curved so as to meet at a point, now broken off. Possibly used as grave goods. Semi-circular stone of gray shale with pinkish stains, chipped on outer edge, and with inner edge hollowed out by chipping or pecking. The shape is very roughly that of the ritual jade (#), the image of the god of the North in the belief of Chou times.\n\nStone axe polisher of white muscovite-bearing sandstone, originally used for arrow straightening and polishing; four of its five used sides have been slightly worn hollow,\n\nStone adze, half-shouldered, with one side polished flat from butt to edge, and showing chipping on its edge caused by use; made from a fine-grained hard gray shale,\n\n*It can be seen in the centre of Plate 3.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
        "rank": 0
    },
    {
        "id": 205936,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 16,
        "title": "RAS-1970",
        "content_text": "10\n\nwilling help has been of great value to me as President and to\n\nthe Council generally.\n\n13th May, 1970.\n\nLectures in 1969 comprised:-----\n\n20 January\n\nDr. M. W. M. Lau\n\n24 February\n\nJ. R. JONES\n\nThe F. A. Nixon Collection of Nestorian Crosses and the Fr. Finn Collection of Finds on Lamma Island\n\nDr. Morris I. Berkowitz\n\nThe Effects of Resettlement on the Plover Cove Villagers\n\nProf. P. G. O'Neill\n\nThe No Theatre of Japan Today\n\nMr. K. M. A. Barnett\n\nRemoving Some Barriers to Comprehension\n\nAspects of Hong Kong Marine Fauna\n\n11 March\n\n8 April\n\n15 April\n\nDr. Lamarr B. Trott\n\n28 April\n\nAnnual General Meeting.\n\n5 May\n\nMr. Holmes H. Welch\n\n24 May\n\n\"The Role of Religion in Chinese Life\n\n9 June\n\n11\n\n23 June\n\nA Tour of Old Shau Kei Wan organized by\n\nMr. J. W. Hayes.\n\nDr. Hugh D. R. Baker\n\nThe Chinese Lineage Village: A Pyramid of Kinship\n\nDr. R. K. Murton\n\nWild Life in Hong Kong\n\n29 September\n\nMr. J. C. Y. Watt\n\n23 October\n\n17 November\n\nThe Use of Jade in Old China\n\n\"Look Around\" Tour on Hong Kong Island\n\norganized by Mr. J. W. Hayes.\n\nMr. G. E. Johnson\n\nFrom Rural Committee to Spirit Medium Cult",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 205941,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 21,
        "title": "RAS-1970",
        "content_text": "15 to 94 (bound in 75). New exchanges were initiated during the year with the Historical Society of Dan Kook University, Seoul, and the Hong Kong Archaeological Society. As the result of an appeal to members for issues of the Hong Kong Naturalist to complete our set, two missing issues were acquired from the Diocesan Girls' School. We are very grateful for these, but we are still looking for some 17 other issues.\n\nShortage of accommodation for the Library of the Branch remains a problem which threatens to become increasingly serious as the stock grows. Not only does the University of Hong Kong Library house the overflow of books and periodicals which cannot be accommodated at the British Council in Gloucester Building, but also the large and growing stock of back numbers of the Branch's journal are stored at the University. This cannot continue indefinitely, and it seems probable that the Branch will have to make alternative arrangements within two or three years.\n\nUse of the Library continues to be relatively light, though some slight improvement has been observed. Also some of the books kept for the Branch at the University Library were consulted.\n\nAs it is intended to produce a complete, revised catalogue of the contents of the Library during the coming year, no supplementary list of publications is included with this report.\n\nHong Kong, 11th May, 1970.\n\nDear Mr. Hayes,\n\nH. A. RYDINGS,\n\nHon. Librarian.\n\nNow I have received your photostat copy of the Diary of Events and Progress on Shameen.\n\nAs I suspected, the diary of events is compiled by H. Staples-Smith, who was for many years one of the leading members of the Firm of Deacon & Co., Shameen. I knew him when I first came out to Canton. He was a devoted member and churchwarden of Christ Church and I used to have breakfast in his house after the early service in days soon after I was ordained. He was always most interesting about the early days in Shameen, and I am very glad to have this record. It is of course only a very small side-light on the history of Canton as a whole, but it is well worth having because these memories soon fade and much of the material is probably unobtainable elsewhere.\n\nAgain with many thanks for your help.\n\nYours very sincerely,\n\nGILBERT BAKER,\n\nBishop of Hong Kong and Macao.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 206111,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 191,
        "title": "RAS-1970",
        "content_text": "186\n\nNOTES AND QUERIES\n\nthe small pre-war Yuk Wong (or Jade King) Temple, recently reconstructed, and to some open ground now occupied by a theatrical matshed erected for the Tam Kung festival where Wai Chau and Cantonese opera will be performed for the traditional five nights and four days. This is organised by the people of Ah Kung Ngam, and a small booth on the left-hand side of the road (going in) is plastered with large sheets of orange paper on which the names of all subscribers to this free opera have been written. Up to the war of 1941 and again after the Liberation, up to 13 years ago, my local informants say that puppet plays were held here, but the greater resources of a larger population have now enabled the local people to have opera troupes instead. Both Wai Chau and Cantonese opera are performed, and I was promised the former for the day of our visit.* Among the principal organisers are an old Hoklo fisherman of 75 who has lived at Ah Kung Ngam for nearly sixty years and two middle-aged Hakka men whose families have been settled there for 3-4 generations.\n\nAccording to the old Hoklo fisherman who first came to Ah Kung Ngam about 1911-1912, the Yuk Wong Temple was then 'a broken house with an incense burner'. He goes on to say that it was restored pre-war by a big subscriber.\n\nWalking back from Ah Kung Ngam (and later on, in passing by bus through Shau Kei Wan) the visitor will notice the abandoned quarry sites on the hillsides. The official yearly reports of the Hong Kong Government in the later 19th century (styled Blue Books) show that the Shau Kei Wan quarries were then much more important than any elsewhere on the Island and rivalled those in Old British Kowloon. We note, for instance, that there were 72 quarries operating there in 1872, 49 in 1881, and 51 in 1891.\n\n*The subject of the Wai Chau opera was taken from the San Kuo or Romance of the Three Kingdoms, one of the most famous novels in Chinese literary history. The episode which was the subject for this particular play, entitled \"An Expedition for Revenge\", can be read in English between pages 597-607 of volume 1 of C. H. Brewitt-Taylor's translation of the novel in two volumes published by Kelly & Walsh, Limited, Shanghai: Hong Kong: Singapore, 1925.\n\n†The old man is right in thinking it was before his time. A list of temples in CSO No. 296/95, an old Secretariat file now kept in the Registrar General's Department, lists three trustees, all named Cheung, for the Yuk Wong temple at \"A Kung Ngam\".",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 206472,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 20,
        "title": "RAS-1972",
        "content_text": "14\n\nDR. F. I. TSEUNG\n\nHowever, scientific medicine has made such rapid progress that the art of feeling the pulse as a diagnostic method has lost much of its practical value. At the present time, it can only be regarded as an interesting fact in medical history, one of China's contributions to medicine in the past.\n\nIn his handbook Prescriptions for Emergencies, Ko Hung described small-pox in the following words:\n\nRecently there are persons suffering from epidemic sores which attack the head, face and trunk. In a short time they spread all over the body. The sores have the appearance of hot boils containing some white matter. While some of these pustules are drying up, a fresh crop appears. Patients who recover are disfigured with purplish scars which do not fade until after a year. The people say that it was introduced in the reign of Chien Wu (£) when the king was fighting the Huns () at Nan-yang ($). The name 'Hunpox' (✓) was given to it.\n\nBefore the Han dynasty, the Chinese healing art was entirely indigenous. In the Tang dynasty, following close on the heels of the introduction of Buddhism into China, came Indian ideas and therapeutic measures. The Taoists also exercised influence by inventing a system of charms for curing diseases. In this dynasty there were two very outstanding medical men, namely Sun Szu-mo (EL) and Wong Tao (£) who published two important works called Thousand Gold Remedies (Chien Chin Fang ✓✓) and the Medical Secrets of an Official (Wei Tai Pi Yao ✓✓✓✓). These two famous medical works sum up the advances and medical thought of all the previous dynasties.\n\nThus, in the Thousand Gold Remedies, it was pointed out that cholera was caused by eating food which was contaminated and was not due to the evil influences of demons as generally believed by the public at that time. In the same book is mentioned the use of catheterisation for retention of urine. It is significant to note that the Medical Secrets of an Official as well as the Thousand Gold Remedies recommend the use of thyroid gland for the treatment of goitre.\n\nOrganotherapy, formerly much ridiculed by foreigners, but now hailed as a valuable modern discovery, has been known to every Chinese house-wife. The common practice of administering kidney for backache, lungs for consumption and cough, brain for nervous",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206602,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 150,
        "title": "RAS-1972",
        "content_text": "144\n\nLINDA F. SULLIVAN\n\nmust build a shelter from the natural world. Yet as he builds, he is always careful to consider the way in which nature will affect his life and is careful to bring a little bit of it into his home. Finally, there is a persistent desire to maintain the privacy of his family, and of his inner thoughts.\n\nNOTES\n\n1 George B. Cressey, China's Geographic Foundations, A Survey of the Land and Its People, (New York: McGraw-Hill Co., Inc., 1934), p. 12.\n\n2 T. R. Tregear, A Geography of China, (London: University of London Press, 1965), p. 31.\n\n3 Ibid., p. 211.\n\n4 The reasons for vertical cleavage in the loess region are as yet only hypotheses. Tregear (p. 212.) states that the most probable theory is that originally the region was covered with steppe grass which was successively buried by the loess dust storms from the Northwest and then fresh grass would grow. The decayed grass left minute vertical hollow tubes in the soil along which cleavages were formed.\n\n5 Ibid., p. 61.\n\n6 Liu Tun-chen, A General Discussion of Chinese Houses, (People's Republic of China: Architectural Engineering Publishing Company, 1957), plate No. 1-8, p. 11-16.\n\n7 Bulletin of the Society for Research in Chinese Architecture, (V, 1).\n\n* Liu, Op. cit., plate No. 56, p. 29.\n\n9 Ibid., plate No. 93, p. 42.\n\n10 Ibid., plate No. 73, p. 36.\n\n11 Ibid., plate No. 45, p. 25.\n\n12 Ibid., plate No. 44, p. 25.\n\n13 Ibid., plate No. 69, p. 35.\n\n14 Ibid., plate No. 71, p. 36.\n\n15 Colin Penn, \"Chinese Vernacular Architecture,\" Royal Institute of British Architects, October, 1965.\n\n16 Ibid.\n\n17 Hsieh T'ing-yu and Kuo Ch'ang-ch'eng, The Hakka Chinese Origin and Folk Songs, (San Francisco: Jade Mountain Press, 1969).\n\nTheir\n\n18 Chinese Architecture: A Simple History, Volume 1, The Old Architecture of China: A Simple History, (China Industrial Publishing Company, 1963).\n\n19 Ibid., plate No. 105, p. 45.\n\n20 Ibid., plate No. 118, p. 48ff.\n\n21 Ibid., plate No. 119 & 120, p. 48ff.\n\n22 Maurice Freedman, Chinese Lineage and Society: Fukien and Kwang-tung, (New York: Humanities Press, Inc., 1966), p. 1.\n\nJaco\n\n23 Wong Chung Hong, \"Walled and Moated A Hong Kong Village,\" Arts of Asia, Vol. No. 4, July-August 1971, p. 22.\n\n24 Ibid., p. 26.\n\n25 Ibid.\n\nPage 150\n\nPage 151",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206603,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 151,
        "title": "RAS-1972",
        "content_text": "TRADITIONAL CHINESE REGIONAL ARCHITECTURE\n\nBIBLIOGRAPHY\n\n145\n\nBulletin of the Society for Research in Chinese Architecture. V, 1.\n\nChinese Architecture: A Simple History. Volume 1: The Old Architecture of China: A Simple History. China Industrial Publishing Company, 1963.\n\nBoyd, Andrew. Chinese Architecture and Town Planning (1500 B.C. · A.D. 1911). London, 1962.\n\nCressey, George Babcock. China's Geographic Foundations: A Survey of the Land and Its People, New York: McGraw-Hill Book Company, Inc., 1934.\n\nFreedman, Maurice. Chinese Lineage and Society: Fukien and Kwangtung. New York: Humanities Press, Inc., 1966.\n\nGutkind, E. A. Revolution of Environment. London: Broadway House, 1946.\n\nHsieh, Ting-yu and Kuo, Ch'ang-ch'eng. The Hakka Chinese-Their Origin and Folk Songs. San Francisco: Jade Mountain Press, 1969.\n\nKulp, Daniel H. Country Life in South China: The Society of Familism. Volume 1: Phenix Village, Kwangtung, China, New York: 1925,\n\nLiu Tun-chen. A General Discussion of Chinese Houses. (PAREMM). People's Republic of China: Architectural Engineering Publishing Company, 1957.\n\nPenn, Colin. \"Chinese Vernacular Architecture.\" Royal Institute of British Architects. October, 1965.\n\nSkinner, William. \"Chinese Domestic Architecture.\" Review of Liu Tun-chen, A Short Study of the Chinese House. Royal Institute of British Architects. November, 1957.\n\nSmith, Arthur H. Village Life in China: A Study in Sociology. Fleming H. Revell, Co., 1899.\n\nTa Chen, Emigrant Communities in South China: A Study of Overseas Migration and Its Influence on Standards of Living and Social Change. New York: 1940.\n\nTregear, T. R. A Geography of China. London: University of London Press, 1965.\n\nWong Chung Hong. \"Walled and Moated-A Hong Kong Village.\" Arts of Asia. Vol. I, No. 4, July-August 1971.\n\nWu, Nelson I. Chinese and Indian Architecture. New York: George Braziller, 1967.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206612,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 160,
        "title": "RAS-1972",
        "content_text": "ARCHAEOLOGY IN H.K. AND SOUTH CHINA\n\n163\n\nquartz and jade, and stone beads, adzes and lance heads were discovered. Some of the pottery bore makers' marks, which seemed in some cases to resemble archaic Chinese characters. To deal with the problems raised by these and the ornaments on much of the pottery, the chief of which was a symbol resembling a long f and showing several variations, Prof. Shellshear invited the collaboration of the late Father Finn, S.J., a distinguished scholar in the Regional Seminary at Aberdeen, Hong Kong, and a lecturer at the University of Hong Kong. Father Finn devoted himself thenceforward to a careful study of this site and its culture, and published thirteen papers in the Hong Kong Naturalist on the subject, basing his work on a profound study of archaeological literature in neighbouring countries, Japan, China, Indo-China, the Straits and elsewhere.*\n\nThis study was greatly aided by the decision of the Hong Kong Government to have the site excavated at its own expense. In five weeks' work about half the undug portion of the sandbank was excavated to a depth of 6 to 7 feet, and some thousands of pottery fragments, a large number of other objects of stone, quartz, jade, bronze and even two or three partly of iron, were unearthed. Father Finn conducted this excavation, and included the description of the results in his articles.\n\nFather Finn also worked at other sites on Lamma and Hong Kong islands, and during visits to St. John's Island (where St. Francis Xavier died), and the Swabue district near Swatow, discovered more sites. The latter district gave very interesting and important results, which have recently been outlined in a paper by Father Maglioni in the Hong Kong Naturalist.\n\nIn 1932 Professor Shellshear brought the facts then known about Hong Kong's prehistory before the scientific world at the Prehistorians' Congress at Hanoi, whose proceedings were published by the École Française d'Extrême Orient as the Praehistorica Asiae Orientales (Hanoi, 1932). Father Finn summed up the results of his work at the Lamma Island site at the Manila Congress of the same body in 1935.†\n\n* A list of publications on local pre-history that includes those mentioned at various places in this article can be found at the end.\n\n† Whose proceedings were not published. I have Mr. Schofield's notes and can make them available to anyone who may wish to consider filling a gap in our published records.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206623,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 171,
        "title": "RAS-1972",
        "content_text": "ARCHAEOLOGY IN H.K. AND SOUTH CHINA\n\n165\n\nthey have revealed a new province of culture, which from its leading characteristics as well as its geography can be seen to link the Chinese classical culture with that of the Archipelago and the Pacific Islands, generally referred to as 'Indonesian'. The reciprocal influence of these two cultures has never been adequately studied, for only in a region on their respective boundaries, such as the China Coast, can this be done.\n\nThese characteristics may be summed up as: 1. use of stone adzes, chiefly rectangular and stepped; 2. working stones with circular borer to make rings, and with stone saws to cut stone implements; 3. pottery made on the turn-table, in both coarse and fine qualities built up by the ribbon technique and decorated with cord, mat and geometrical patterns; 4. lance heads of shale or slate; 5. cylindrical stone beads; 6. rings of hard stone used as ornaments; 7. cultivation, probably by growing grain in cleared patches of jungle; 8. fishing and boatbuilding; 9. cloth-making. The later form of this culture has in addition these features: 10. casting of bronze weapons and tools; 11. use of ceremonial objects of jade, especially in burials; 12. hard, high-fired pottery stamped with the f pattern; 13. leadless glaze, green and brown, applied to pottery.\n\nSecond, they demonstrate the flow of Chinese culture to the south and its replacement of the native culture, in which can be seen traces of the ancient Chinese culture of the Shangs.\n\nThird, they show that this native culture formed part of a culture-province which included not only the Chinese coast provinces but Japan, Manchuria, Formosa and Annam, and whose remoter connexions extend landwards into E. India and N. Asia, and seaward as shown by the adze forms into the Archipelago, the Philippines, and the furthest Polynesian islands. For instance, a highly polished adze with a large tang, of very distinctive form, is found in Hong Kong, the Philippines, Hawaii, Tahiti, New Zealand and Hervey Islands.\n\nFourth, light is thrown upon the ancient trade routes of S.E. Asia. Painted pottery, which was not, it seems, made on the China Coast, was imported from Tongking, probably along the West River. Bronze and jade of Chinese workmanship was imported from the Yangtse valley, by which of the three possible routes is uncertain. The Swabue people produced quantities of shale lance-heads, harpoons, arrow heads and rings, sometimes very delicately worked,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206624,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 172,
        "title": "RAS-1972",
        "content_text": "166\n\nW. SCHOFIELD\n\nand exported them to Hong Kong. Even a scrap of tin, perhaps smelted from ore obtained on the Kwangtung coast, was found during excavation at one site where bronze axes were cast. At the same time, the bead trade, so active in Malaya and the great islands, and even in the Philippines, appears to have passed South China by, for the only beads found are either of jade or of soft greenish local stone used as a substitute. This bead trade is in fact coextensive with Indian influence in the Archipelago.\n\nFifth, these finds raise the vast question of the immigrations of the Polynesians and Indonesians from Asia into the Pacific, and the routes they followed. Having regard to the distribution of anthropological types today, we cannot suppose that any large number of Polynesians ever visited the China coast; but there is the strongest probability that tribes of the types of those inhabiting Hainan, Formosa, the Philippines and Borneo frequented the coast, and perhaps started from it to their present seats. It may be possible eventually to prove that survivors of these peoples still live on the coast; personally, I am disposed to regard the Tan Ka or boatpeople of the Kwangtung coast as such survivors. Certain tribes of the interior, the Yui or Yao, and the Siapo of Foochow, may be similar remnants.\n\nThe archaeology of the historic periods has, inevitably, been comparatively neglected in the attractions of unearthing ancient and unknown cultures. Pottery of types familiar to archaeologists in Canton, and attributed to the Han and the Six Dynasties period (100 B.C. to 600 A.D.), has been found at several Hong Kong sites: urns probably of pre-T'ang date (615 A.D. or earlier) have been unearthed at Sheung Shui near the border and elsewhere; and pottery and porcelain of Sung, Yuan and later dynasties can be found everywhere, especially near villages. Forts and watch-posts are to be seen on islands and promontories, and walled towns and villages are frequent inland; such fortifications are, however, post-mediaeval, and the oldest are late Ming, designed for coast defence against Japanese pirates. Of megalithic remains, such as are known as near as the Laos country in Indo-China, no trace exists. No ancient porcelain kilns, such as exist in North and Central China, were ever started within the Colony, though one small establishment for making rice bowls and cooking pots has been found. In one road cutting a mass of broken porcelain of early Ming date, much",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206631,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 179,
        "title": "RAS-1972",
        "content_text": "THREE CHINESE DEITIES\n\n173\n\nborn a lump of formless flesh which so horrified his father, King Chou, that he ordered it to be abandoned outside the city walls. The lump was recognised as an Immortal, the caul split open and the child removed. He was cared for by a hermit and brought up and nursed by one of the eight Immortals, Ho Hsien Ku († plikt). When he came of age, Ho revealed to him his identity and that his mother, as punishment for bearing such a \"monster\", had been thrown from a high window. Yin then determined to destroy the Imperial concubine who was the Royal favourite and by her calumnies had caused both the death of his mother and his ejection from the city. Yin was presented with two magic weapons by the Goddess T'ien Fei (Ait), a gold club and battleaxe. After the big battle between the forces of Shang and Chou, Yin destroyed the Imperial concubine and was rewarded by the Jade Emperor for his bravery and for his filial piety with the titles of T'ai Sui and Marshal Yin (†). Yin Ch'iao means \"Yin (who was deserted in) the suburbs\". His child's name, so Doré records, whilst living with Ho Hsien Ku was Chin No Cha (4). This adds further confusion to the legends surrounding No Cha, another deity and one who appears with great frequency in Chinese legends and fairy tales.\n\nAnother of the legends in The Deification of the Gods tells of Yin Ch'iao first on the side of his father, the wicked King Chou, and then later, switching sides, and fighting with the good King Wu. Yin Ch'iao was decapitated by a general during the battle after being enclosed by the Buddha Jan Teng () between two mountains leaving only his head protruding. He was deified by Chiang Tze Ya (†††), as described in the 99th chapter of The Deification of the Gods during the general elevation of the gods and also given the presidency of the Ministry of Time. In another novel of the same era as the Deification, the Sou Shen Chi (†††2) the Jade Emperor (11) conferred on Yin the title of T'ai Sui, Marshal Yin (★★K) for his services in combating evil.\n\nYet another story describes a jealous rival of Yin Ch'iao's mother who, as a concubine to the King, caused him to order the execution of Yin Ch'iao, his son, for plotting treason. He was saved by the magic of Ch'ih Tsing Tze (T).\n\n2 Record of Research into the Gods (part of the T'ao Tsang).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206640,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 188,
        "title": "RAS-1972",
        "content_text": "182\n\nCo-location of deities\n\nKEITH STEVENS\n\nIn Fukienese temples in Singapore and Malaya, the T'ai Sui images are often seen with Hsuan Tien Ta Ti (***) or with the Goddess of Mercy (##). In Cantonese and Amoy temples there, the T'ai Sui images are occasionally to be seen with the medical deities Lu Tung Pin (†) or Hua To ($) and in one temple with T'ai Shang Lao Chün (LB).\n\nIn another Fukienese temple in Singapore a triad occupying the centre altar was said by the temple keeper to be three of the Nine Emperors (g). Two were positively identified, one as the second brother of the main deity Chiu Hwang ( ). He is black skinned, bare footed, with one foot on a fire wheel, has protruding eyes, black beard, and his hair is wound into a top knot. His two arms are at his side, otherwise he is very similar to Fa Chu Kung (✯✯2). The second identified image is on the right of the main deity, and he is, without doubt, Wang Tien Kung (1A). The third unidentified image on the left of the main deity could easily be T'ai Sui. He is black faced and bearded, a standing general in armour, holding a bell in his left hand and a sword in his right; he has three eyes, ear tufts of hair, and wears a Taoist crown.\n\nIn one Fukienese temple in Taipei, Yin Ch'iao was seen together with Ch'ü Kung Chen Jen (AA). (Plate 19)\n\nIn North China in Kalgan his second brother Yin Hung ( *) is a special deity said to save people from the \"fifteen bad deaths\". He sits on the opposite side of the central deity, the Jade Emperor (11), from Yin Ch'iao. Both brothers are naked and, surprisingly, have claws, beaks and wings. Grootaers10 says that Yin Ch'iao is never to be seen except as an attendant to the Jade Emperor. It would appear that either the local god maker in Kalgan did not know the identification features of Yin Ch'iao and has confused him with the Thunder God; or that there is a local legend which we do not know about; or thirdly that Grootaers misidentified the two attendants of the Jade Emperor.\n\nC. B. Day bought a hand-painted scroll in Hangchow, depicting five Buddhist figures and six Taoist ones. This pantheon chart included T'ai Sui Ti Chün ( *#*#) together with the San Kuan\n\n10 W. A. Grootaers, Rural Temples around Hsüan Hua (Folklore Studies vol. 10).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206643,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 191,
        "title": "RAS-1972",
        "content_text": "THREE CHINESE DEITIES\n\n185\n\nthe newly dead. Mara has a cleft head, ear-pressing tufts and protruding eyes. His skirt can be made of leaves and on occasions he has a staff in his right hand.\n\nTHE CULT OF FA CHU KUNG\n\nBackground\n\nThe localised cult of Fa Chu Kung appears to have originated in the areas of An Chi and Ying Ch'uen in Fukien Province and has been carried by emigrants to their new homes in Taiwan and South East Asia. Fa Chu Kung is renowned amongst his devotees for his ability to cure any illness, and is believed to be capable of such potent magic that many Chinese are fearful even to mention his name. In addition it is claimed in some areas that he is able to cause and stop rain at will, and in one Cantonese temple in Kuala Lumpur he is specifically prayed to for confirmation that a marriage in process of being arranged will be successful. A Fukienese temple keeper in Singapore, who was not too fearful to discuss the deity, confided that Fa Chu Kung is the powerful leader of a large group of gods which includes the Northern Emperor Hsuan Tien Ta Ti and has very many disciples. He also claimed that Fa Chu Kung is able to transform himself into anyone or anything and that Chinese spirit mediums can only approach other gods through Fa Chu Kung. Therefore Fa Chu Kung's goodwill and agreement are always necessary before any petition or prayers may be offered to any god apart from the supreme deity, the Jade Emperor.\n\nRecognition Features\n\nFa Chu Kung is more often to be found as a minor deity on an altar dedicated to another god rather than the main deity on an altar or of a temple. His image is very easy to recognise. The basic recognition features are his shiny black face and body, his unkempt hair and slightly protruding eyes; his unsheathed sword is held at the ready in his right hand and a red snake curls round his neck and shoulders and over his left arm. His black feet are bare and are resting on fire wheels, and finally his left hand is making a magical sign. This is made by his whole left hand stretched forward at waist level and pointing vertically with his index and little finger; his thumb and the other two fingers are pressed to the palm. The whole hand is twisted to face the right. Most images have all these",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206714,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 262,
        "title": "RAS-1972",
        "content_text": "Plate 19. In Taipei in a Fukienese temple General Yin Ch'iao with six arms together with two images of Ch'u Kung Chen Jen, 1970.\n\nPlate 20. T'ai Sui holding a scroll on the altar of Hung Chun Lao Tsu in Johore Bahru. The second daughter of the Jade Superior is the large deity. In a Ch'ao Chou temple, 1969,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206793,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 70,
        "title": "RAS-1973",
        "content_text": "64\n\nCHIU LING-YEONG\n\nof tusks (ivory), hides, feathers (kingfisher) and hairs (skins) and that of fish, salt, clams and oysters can, on the one hand, meet the needs of the treasury and, on the other hand, satisfy the demands of the Chiang-hui region.27\n\nIt was due to the opening of the Ta-yü Ling Pass which enabled the Persians and Arabs to transport their goods from Canton to other centres without any difficulty. The convenience of transportation also enabled Persians and Arabs to move from one place to another; thus they were no strangers to many of the cities.\n\nIn the capital, life was more colourful than in any other cities. In T'ang times, there were two great markets in Ch'ang-an, the Tung-shih (the Eastern Market) and Hsi-shih (the Western Market). The Hsi-shih was also known as Chin-shih (the Gold Market), and the Tung-shih was also known as Chün-ming-men (the Bright Spring Gate).28 The Hsi-shih was more or less treated as the foreign settlement in the capital. There you could find all kinds of bazaars situated by the side of the main road. Wineshops employed exotically beautified Western girls with blue eyes and golden hair to serve their customers with rare wines in cups of amber or agate. Sweet singing and seductive dancing were also introduced in order to increase their sales.29 These blue-eyed and golden-haired beauties confounded our versatile poets. Li Po, on more than one occasion, dedicated his works to these beauties, like:\n\nThe zither plays \"The Green Paulownias at Dragon Gate',\n\nThe lovely wine, in its pot of jade, is as clear as the sky.\n\nAs I press against the string, and brush across the studs, I'll drink with you, milord;\n\nVermilion will seem to be grass-green when our faces begin to redden.\n\nThe Western houri with features like a flower\n\nShe stands by the wine-warmer, and laughs\n\nWith the breath of spring,\n\nDances in a dress of gauze!\n\n'Will you be going somewhere, Milord, now, before you are drunk.'30\n\nThe presence of these beautiful girls was the principal cause of the intoxication of many of these poets whose work enables us to trace the activities of the foreigners in China. In the T'ang period,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206843,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 120,
        "title": "RAS-1973",
        "content_text": "114 \n\nSUNG HOK-P’ANG \n\nto Kam T'in he was much taken by it, considering the people were more friendly and honest than those of his own country, and it was said that he came to live there in the 6th year of Hoi Po (HT) A.D. 973 of Sung dynasty. During the 8th year of Shing Fa (APC) A.D. 1472 of Ming dynasty when the Kam T'in people revised their family tree, they added a note which cast doubt on the veracity of this, and instead they were inclined to believe that Tang Foo (#) the great grandson of Tang Hon Fat was really the first to come to Kam Tin, and that he transferred the bones of his father, grandfather and great-grandfather to Kwangtung from Kiangsi. Be that as it may, and although there is no actual proof that one or other was the original Tang to settle in Kwangtung, Tang Hon Fat remains a \"first ancestor\" as his is the oldest Tang grave near Kam T'in. It can be found at Ah Kai Shaan (Y), Waang Chau (H) village.\n\nSix generations after Tang Hon Fat there were two brothers, Kwai (3) and Sui (). Kwai had two sons called Yuen Ying (* ) and Yuen Hei (†), both of whom left Kam T’in and founded branches of the family elsewhere. Sui had three sons, Yuen Ching (元祯), Yuen Leung (元亮) and Yuen Woh (元和). The first and last of these also left for other districts but Yuen Leung remained behind, and the Tangs in Kam T’in to-day are his direct descendants. These five cousins were known as the \"Five Yuens\", and after their death their descendants who by then were scattered in various parts of China built an Ancestral Hall, common to all the Yuens, called To Hing T'ong (*). It is at the South gate of the district city of Tung Koon (✯✯), on the Kowloon-Canton railway not far from Sheklung (). In the hall Tang Hon Fat has been given premier place, but the \"Five Yuens\" are venerated in the same way as he and Tang Yue are, as being \"first ancestors”.\n\nAs mentioned before, Tang Foo, the great grandson of Tang Hon Fat is said to have found the sites for the graves of his father, grandfather and great-grandfather, himself. They were all acknowledged as being lucky places by the \"fung shui\" men, who were, of course, consulted. That of Tang Hon Fat is called Yuk Nui Paai T'ong (£#*) jade girl reverence; and his son's grave which is on Yuen Long Hill (₪), is called Kam Chung Fau Tei () gold bell cover ground. The grave of Tang Foo's father is called Poon Yuet Chiu T'aam (#AM) half moon shine lake,\n\nPage 120\n\nPage 121",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206847,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 124,
        "title": "RAS-1973",
        "content_text": "118\n\nSUNG HOK-P'ANG\n\n() as they were called, with themselves ruling almost independently of the Emperor. When the Five Dynasties ended, and the Sung dynasty began, the emperor Sung T'aai Tso (in), in the 3rd year of Kin Loong (1) A.D. 962 made an attempt to unite China and break the power of the generals. He sent certain able and trustworthy men from his own court at the capital, to be responsible for the different districts. They were appointed for three years only, and were called Ling (†). A year later, in the 1st year of K'in Tak () A.D. 963 more civil officers were appointed to take charge of the “Chau” (#) which in the Sung dynasty were as large as provinces although later on they became as small as districts. These officers were called Chau Sui (H}}) or T'ung P'oon (*), and had full power to control the military administration and civil administration of their own Chau. Such officers were under, and reported directly to the capital, and were independent of the generals of the feudatory states, and on an equal footing with them. Thus the generals were gradually deprived of their power, and little by little their armies were taken from them until they were no longer a menace to the crown. It will be seen then, that Tang Foo was a man of considerable importance in his time, having been firstly a \"Ling\" of a district, and then a “Sui” of Naam Hung Chau.\n\n[2]\n\nKwai Kok Shaan where Tang Foo built his school is one of the five famous hills of San On, and is mentioned in the book of \"To Shue Chaap Shing\". The name was originally Kwai Kok (±✩), Kwai meaning sceptre made of jade; but later it was changed to Kwai Kok (⇓), being the Chinese name for olea fragrans, a flower that is considered to be very lucky. There is an old saying, Shim Kung Chit Kwai (#), \"eager to break a branch of the Kwai from the Palace in the Moon.\" Shim Kung means Toad's Palace. According to an old Chinese legend the moon was inhabited by a toad, who was originally Sheung Ngoh () the wife of a feudal prince and famous archer named Ngai (#) who lived in the time of the Emperor Yiu (4) B.C. 2357. Ten suns are said to have been in the sky at that time, and the heat was so great that all the grass was burnt up. The emperor commanded Ngai to shoot the suns down which he did, and as each sun was inhabited by a large",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206852,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 129,
        "title": "RAS-1973",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN\n\nthe Emperor Sung Kwong Tsung (***). After her death her eldest son Lam (†) took a letter that she left behind to Sung Kwong Tsung, who ordered that honours should be paid to the dead princess, the name of Wong Kwu bestowed on her, and a thousand Chinese acres of cultivated land given to Lam, the income from which to be spent on her grave for customary rites and worship. The To Shue Tsaap Shing which was written in the 4th year of Yung Ching (£) of Ts'ing dynasty, A.D. 1726, mentions the fields as being still used for this purpose.\n\nThe princess was very famous for her humility. When she first came to Kam T'in she willingly helped to do the servants' work in the house, and showed no pride in her high birth. There are two sentences referring to her in a poem written by the poet Kan Sz Leung (MA) which run:—\n\n1. 金枝玉葉無人偶,\n\n2. 凄絕農家執箕帚。\n\nwhich roughly translated read:\n\n1. Gold branch jade leaves no one dare to make a pair with.\n\n2. Sad utmost farmer family hold dustpan and broom.\n\nWhen the princess became very old a site for her grave was chosen by a famous \"fung shui\" man named Lai Paak Shiu (16 #). He selected a hill called Sz Tsz Shaan (#) in Shek Tseng (#) near Shek Lung, which was supposed to resemble a lion, but he first asked her if she would prefer to be buried on the lion's head or its tail. She asked what difference it would make, and she was told that if her grave was on the head her descendants would be very great men; but if on the tail they would be more humble people, perhaps officers of low degree, and, although prosperous, none would succeed to high rank. The princess at once said, “I do not want my descendants to become great. They could never be as high as an Emperor's daughter, and yet even I was in danger of my life. I wish them to enjoy the red rice and the shiny scale fish (the unhusked rice and herrings, farmers' food). If they have that they should be content.\" So she was buried on the lion's tail, and two more sentences were written about her,\n\n1. 紅米之飯錦鰍魚,\n\n2. 田家風味甘有餘。",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206875,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 152,
        "title": "RAS-1973",
        "content_text": "146\n\nNOTES AND QUERIES\n\nIt is not surprising therefore to encounter an image of Hai Jui on an altar. One such image is in the nunnery on the Pasir Panjang coast road in Singapore in which most of the nuns are of Ch'aochow origin. He is prayed to for strength of purpose and for his ability to obtain support from the Spirit World without demanding a fee or putting the devotee under an obligation.\n\nIn the nunnery, which incidentally contains a mixture of Buddhist and T'aoist folk religion images, is a seated, whey-faced image of Hai Jui, holding a sceptre in his right hand. He is wearing Mandarin robes, a scholar's hat and has a long black beard. He has two anonymous assistants, one on either side of him. The one standing on his left is carrying his official seal wrapped in a red cloth, whilst the one on his right bears his sheathed sword (photograph at Plate XI). The nuns referred to the image as the Duke Hai Jui (##2). He was known to be a good spirit (††).\n\nColonel Burkhardt in his Chinese Creeds and Customs recounts how, during the Ming Dynasty, the Eastern Dragon King who in cooperation with the Northern Dragon King controlled rainfall, was dismissed for dereliction of duty. The Jade Emperor (1) the Supreme Being both of the Spirit and the Human World, appointed Hai Jui in his stead.\n\nSo here we have the story of the incorruptible minister, in a garbled version as known to the Ch'aochow nuns in Singapore; the image in their nunnery, and the modern drama which triggered off the greatest upset in China since the communists came to power; all linked by the shade of Hai Jui who without a doubt made an indelible impression upon, amongst others, the Ch'aochow peoples of eastern Kwangtung Province over the four centuries since his death.\n\nAshford, Kent, 1973.\n\nKEITH G. STEVENS\n\n* V. R. Burkhardt, Chinese Creeds and Customs, published by South China Morning Post Hong Kong, Volume 2 (1955) page 161.\n\nANOTHER VOLONTIERI MAP?\n\nThe following Note with Map are taken from the publication Les Missions Catholiques No. 239 of 20th May 1875, and were brought to my attention by Mr. H. A. Rydings.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206995,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 66,
        "title": "RAS-1974",
        "content_text": "60\n\nCAROLE MORGAN\n\nOther ceremonies involving dogs are mentioned in the Chou Li, the Chou Book of Rites (a utopian picture of Chou society compiled from late Chou, Chin and Han sources in the 1st Century B.C.). In the nu (（）) sacrifice to drive away pestilence, a dog was dismembered and his remains buried in front of the main gates of the capital.10\n\nThe ba (*) sacrifice to ward off evil required the participation of the Emperor himself. Riding in a jade chariot it was his duty to crush a dog under the wheels of his carriage. An analysis of the character ba clearly shows what took place in the ceremony. The term ba is written with the radical for cart and a phonetic element (（）) which originally meant an animal whose legs had been bound. It was the duty of a specially appointed official to supply a dog of one colour and without blemishes for the sacrifice.12\n\nAccording to one author, Schindler, the origin of using dogs as sacrificial animals dates back to a primitive cult in honour of a dog-shaped god of vegetation whose worship later became amalgamated with that of Shang Ti, god of agricultural production and reigning deity of the Shang pantheon.13 The fact that alone among domestic animals dogs and horses were buried (dogs being wrapped in reed mats and horses in sheets) gives some support to this theory.14\n\nIn Chou times, horses too were used as sacrificial victims. In the ma (（）) ceremony horses were used as chthonic sacrifices to the Earth Goddess;15 and Ssu Ma Ch'ien tells us that Duke Hsiang of Ch'in (776-766 B.C.) sacrificed a red colt to the White Emperor of the West.16 In such cases the horse to be sacrificed was first shot with an arrow and then buried.17\n\nBut as horses became more valuable the practice of using them as sacrificial victims gradually died out. By 103 B.C. Ssu-Ma Ch'ien informs us all live horses had been replaced by wooden statuettes except in cases such as the chiao (*) sacrifice, celebrated by the Emperor himself, during which he informed his ancestors that he was about to undertake a punitive expedition.18\n\nHorses, however, were not only used as sacrificial animals, they were also entitled to a cult of their own.\n\nAccording to the Chou Li it was the duty of an official, the Hsiao Jen, to sacrifice in Spring to the ma tsu (（马祖）), the ancestors of horses. It was the duty of the same official to honour the \"tamer",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207195,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 266,
        "title": "RAS-1974",
        "content_text": "260\n\nLIST OF MEMBERS\n\nORDINARY MEMBERS:\n\nO'HARA, Randolph\n\nO'H WARD, Dr. & Mrs. F. A.\n\nOTTWAY, Mrs. Joy\n\nOXLEY, C. W. B.\n\nPARKIN, Mrs. Elise\n\nPARRINGTON, Miss June\n\nPAUL, Mr. & Mrs. Anthony M.\n\nPAYNTER, J. L.\n\nPERESYPKIN, Oleg P.\n\nPICKFORD, J. B.\n\nPORDES, F.\n\nPOW, Hugh J.\n\nPRESCOTT, Jon. A.\n\nPRYOR, Dr. E. G.\n\nc/o The City Hall Library, Edinburgh Place, H.K.\n\nFlat 58, 140, Pokfulam Road, H.K.\n\n216, Windsor House, H.K.\n\nDistrict Office, Sai Kung, Sai Po Kong Government Offices, 692, Prince Edward Road, Kowloon.\n\n12, Peak Mansions, H.K.\n\nArts Faculty Office, University of Hong Kong, Pokfulam, H.K.\n\n9, Jade House, 47C, Stubbs Road, H.K.\n\nCanadian Trade Commission, P.O. Box 126, H.K.\n\nP.O. Box 1382, H.K.\n\nE/M Dept., Public Works Department, Caroline Hill, H.K.\n\n209, Gloucester Building, H.K.\n\nSchool of Physiotherapy, Queen Elizabeth Hospital, Kowloon.\n\n67B, Perkins Road, Jardine's Lookout, H.K.\n\nColony Planning Division, Crown Lands & Survey Office, Murray Building, H.K.\n\nHistory Department, University of Hong Kong, Pokfulam, H.K.\n\nQUESTED, Mrs. R. K. I.\n\nREYNOLDS, W. A.\n\n19, Middleton Towers, 140, Pokfulam Rd., H.K.\n\nRICKETT, Mr. & Mrs. E. A.\n\n35A Shouson Hill Road, Deep Water Bay, H.K.\n\nRIFKIN, Miss S. B.\n\nRITCHIE, D. J.\n\nROBERTSON, Mrs. A. G.\n\nROBERTSON, Mrs. W. G.\n\nROGERS, R.\n\nROPER, C. W.\n\nROSE, Miss Patricia\n\nRUDANT, Jacques\n\nSALMON, Mrs. P. A.\n\nAmerican Consulate General, 26, Garden Road. H.K.\n\nFlat A-4, 45, Repulse Bay Road, H.K.\n\n5A, Hatton House, 15, Kotewall Road, H.K.\n\nPark Mansions, 4 Mile Taipo Road, Taipo.\n\n1st floor, Kowloon.\n\nThe Chartered Bank, 10, Granville Road, Kowloon.\n\nPolice Headquarters, Arsenal Street, H.K.\n\nc/o Diocesan Girls' School, 1, Jordan Rd., Kowloon,\n\nFrench Trade Commission, 1505-7 Hang Seng Bank Bldg., 77 Des Voeux Rd., C., H.K.\n\n40, Plantation Road, The Peak, H.K.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207318,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 86,
        "title": "RAS-1975",
        "content_text": "78\n\nHELGA WERLE\n\npart, and even the music was streamlined by her. There are up to date eight plays in their repertoire: Pa-pao kung-chu† ± princess Pa-pao; T'ao-hua huo tu*; also called Su Liu-niang*; Shih yü-cho£; The Jade-bracelet; Ch'en San Wu-Niang: Tze Liang Chi : Tang Po-hu tien ch'iu-hsiang唐伯虎點秋香(三笑姻緣); Shou Shu-yüan搜書院; and Tze Lang-chu辭郎洲.\n\nHere is the content of two of these operas as they were performed by Hsiao Nan-ying in Hong Kong in 1975.\n\nSTABBING LIANG CHI (✯✯M✯)\n\nLiang Chi, a treacherous prefect, passes through the streets and his guards catch a man who roamed about instead of retiring at the approach of the prefect. When questioned, it turns out that he is a fortune-teller. The prefect dismisses his entourage and encourages the fortune-teller to look at his face and tell his fortune. After some hesitation he talks professional terminology about Liang's eyes and physiognomy and asks him about his age. 63 was the answer. Then he would be stabbed in the next 3 days; but if he could avoid it he would be very successful thereafter. If he wants to avoid it—and he asked the lord to go backwards 3 steps—then he should not go out of his house and not see anyone from outside for 3 days.\n\nThe fortune-teller, although afraid, was rather satisfied with the prospect to see this wretched lord killed.\n\nAfter this the fortune-teller wished to get out of the house as fast as possible, but the lord called his housekeeper and ordered him to feed the fortune-teller,\n\nThe gates were locked and orders given, and then the lord planned to enjoy these 3 days of unexpected leisure. As he had just got a new lady in his residence, he gave orders that she should serve him the wine that night.\n\nThe new lady (performed by Hsiao Nan-ying) was in fact the daughter of a fisherman whom the lord had killed with an arrow. The fisherman's daughter had come instead of another, in order to avenge her father. When she was summoned, she knew that this was her chance to fulfill her vows. She took a hair pin from her hair, and decided that she would stab him with it. The ladies-in-waiting brought a crown and gorgeous red garments to dress her for",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207321,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 89,
        "title": "RAS-1975",
        "content_text": "NOTES ON CHIUCHOW OPERA \n\n81 \n\nuntil the 12th month. Then it is the ferryman's turn again and he happily goes on, \"In the 13th month.\" but T'ao-hua catches him, \"Haha! You have lost because there is no 13th month”. They argue but he cannot win, and now they realise that the current has taken the boat too far downstream. This is a most delightful scene, a fully choreographed dance with the music based on Chiuchow folk tunes. The music and the dance are fresh and cheerful. This opening shows characteristic features of Chiuchow opera; it is beautiful, lighthearted and full of songs and dances. \n\nAct II \n\ntakes place in the garden of the Kuo family's mansion in Hsi-lu. Hsi-lu is the native place of Mrs. Su who is of the family Kuo. As she has only one daughter Liu-niang she always sends her to Hsi-lu to study and to play in the company of her cousin Kuo Chi-ch'un, with whom she has fallen in love. Liu-niang decided to declare her love to him today. She carefully drops a jade-pendant, and when she hears his steps, hides and lets him search for a while, and then throws a flower at him. He now expresses his understanding of the purpose of this meeting, but she of course denies it, blushing with embarrassment. He finds the jade-pendant, and realises how earnest she is about her feelings. So he cannot hold back any longer the news that he is leaving to sit for the civil examination; but they vow that when he comes back they will happily stay together like two butterflies. T'ao-hua appears and watches this scene, and jeers at them. The young lady takes a pin from her hair and asks T'ao-hua to act as go-between, then she hurries away. T'ao-hua gives the pin as a betrothal gift to the cousin, and asks him to take up the question of marriage seriously after his return. Then she follows her young lady. \n\nAct III \n\nThe eldest member of the Su clan visits Mr. and Mrs. Su, and urges them to think of marrying off their daughter. He has a very good match in mind, namely the son of the Yang family who is not only very well-to-do and young but has already passed the District Civil Examination and can call himself Hsiu-tsai (elegant talent). Mr. Su is indeed very pleased to hear of these prospects, and agrees wholeheartedly to this match. \n\nAfter the eldest of the Su clan has left, Mrs. Su accuses her husband of dealing with such an important matter too lightly; agree-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207547,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 315,
        "title": "RAS-1975",
        "content_text": "NOTES AND QUERIES \n\n307\n\ncommitted suicide'.... \"This spirit, honoured at Foochow under the name of Wu Tai Yuan Shuai is the same as Lei Hai-Ch'ing (*) of the T'ang dynasty worshipped in several cities in Fukien. The character Hsieh (), crab, has approximately the same sound locally as Hai () the sea, and the willow branches symbolize Verdure, Ch'ing (†). Lei Hai-Ch'ing was a musician and is popularly referred to in the district as Marshal. He died cursing robbers, and for that reason temples were erected to him. Thus the young scholar become apotheosized owing to this play on words having the same or similar sounds. He is represented as attended by two male and two female instrumentalists holding respectively a mandolin, a lute, a violin and a tambourine. To evoke the spirit, his image is placed on a raised platform, its forehead is dabbed with red, it is prayed to and candles and incense burnt before it. The priests kneel in front of it, and then rise, skipping about with dishevelled hair and staring eyes. Crying out that the Spirit has come they scratch their tongues and write charms with the blood. When incense has been lit in the four corners of the room everyone can ask the spirit for what he wants, and the answer is explained by the accompanying musicians. He is frequently prayed to remove abscesses, boils etc. from children'. \n\nI can confirm the latter from medium practices in Singapore, and looking back to the sighting in Ipoh referred to earlier he is also a deity worshipped for a cure for mental diseases in children. \n\nThe following legends were told to me by devotees :— \n\na) Tien is the deification of a rich patron of actors in Foochow city (or Soochow) who lived in the fifteenth century. b) As a handsome child, the youngest son of three, he constantly played pranks on others. An ugly sister-in-law in a fit of pique drew a crab around his open mouth whilst he was asleep, and as a result his soul which had left his body to roam was unable to return. He complained to the Jade Emperor (1) who out of pity adopted him and allowed his soul to inhabit his body again. His mouth was open, incidentally, because he was an unwanted child, thrown out as a babe and suckled by animals! \n\nc) Prince T'ien of Foochow lived for pleasure. He was once sleeping with the wife of a local businessman and awoke to \n\nPage 315\n\nPage 316",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207568,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 336,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n\"A THOUSAND PEAKS AND MYRIAD RAVINES, by CHU-TSING LI, Zurich Artibus Asiae, 1974 (Vol. 1, pp. xi + 319, Vol. 11, 104 plates, signatures and seals, maps)\n\nIn studying the history of Chinese art, particularly that of painting, Professor Chu-tsing Li of the University of Kansas is an active scholar. Formerly his main field of study was the Yuan Dynasty (1280-1368); and for this period his thorough studies on Chao Meng-fu (1254-1322), Tsao Chih-po (1272-1355) and Hsueh Ch'uang (active ca. mid-14th century), as well as a general, but extensive, study about a group of artists active in the late Yüan period in Soo-chou area, are all highly regarded. However, in studying the history of Chinese painting, he seems now no longer to confine himself to individuals of the Yuan Dynasty but has begun to focus on other aspects of the later periods of Chinese art history, c.f. his latest monographs on Ting Yun-peng and Chin Nung (1687-1765). Following this, his latest publication; A Thousand Peaks and Myriad Ravines, a voluminous work in two volumes, deals, with the exception of one painting by a late Yüan artist, many different types of Chinese paintings of either Ming or the Ch'ing Dynasties. It was published in 1974.\n\n5\n\nBeginning from the late 19th century, when private collecting of Chinese art reached its climax, in the East as well as the West, a detailed illustrated catalogue, more commonly edited by a specialist in the field rather than by the collector himself, was published. A few examples for ancient Chinese bronzes are those essential works contributed by Professors Kosaku Hamada,1 Yoshito Harada,2 and Sueji Umehara3 in Japan, and those works by Professors Bernhard Karlgren,4 Gustav Ecke, and Chen Meng-chia in America or other countries; all well-edited bronze catalogues on private collections. For archaic Chinese jade, the catalogue produced by Professor Alfred Salmony is also well known. In addition to those cited which always deal with a specific subject of Chinese art, there are also some catalogues characterized by dealing with more than two branches of Chinese art in the one publication, or separately devoted to Chinese art and art objects in another Asiatic country. For the former, the over-sized catalogues about the famous collection",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207581,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 349,
        "title": "RAS-1975",
        "content_text": "340\n\nBOOK REVIEWS\n\nChinese bronze is again by Prof. S. Umehara and was separately published in Kyoto in 1961.\n\n2 The Senoku Seisho is sub-divided according to nature of bronzes, into two parts. The first part dealing with ritual vessels is by Prof. K. Hamada while the next part, devoted to Chinese bronze mirrors, is edited by Prof. Yoshito Harada.\n\n3 In addition to these catalogues about the Sumitomo collection, in 1951 Prof. S. Umehara has also edited Kakkaku Kikkin Senshu (Selected specimens of the Chinese Bronze collection in the Hakkaku Art Museum), an illustrated and descriptive catalogue on Chinese bronzes housed in a private museum possessed and financed by Mr. Jihei Kano in Kobe.\n\n4 For instance, among his various studies on ancient Chinese bronzes, there are three catalogues. The first, \"Bronzes in the Hellström Collection\", is in the Bulletin of Museum of Far Eastern Antiquities (hereafter abbreviated as BMFEA) (1948, Stockholm), No. 20, while the second, \"A catalogue of the Chinese Bronzes in the Alfred F. Pillsbury Collection\" was published in Minneapolis in 1951. The third, \"Bronzes in the Wessen Collection”, is in BMFEA, (1958, Stockholm), No. 30.\n\n5 For instance, his Fruhe chinesische Bronzen aus der Sammlung Trautmann (1939, Peking).\n\n6 For instance, the Chinese Bronzes from the Buckingham Collection, (1946, Chicago), jointly edited by M. C. Chen and Charles F. Kelley.\n\n7 Alfred Salmony (1890-1958): Archaic Chinese Jades from the Edward and Louis B. Sonnenschein Collection (1952, Chicago).\n\n8 W. Perceval Yetts (1878-1957): The Georg Eumorfopoulos Collection: Catalogue of the Chinese and Corean Bronze, Sculpture, Jade, Jewellery, and Miscellaneous objects (1929-32, London).\n\n9 Howard Hansford: The Seligman Collection of Oriental Art, Vol. I, (1957, London).\n\n10 Yoshito Yonezawa: Painting of the Ming Dynasty, (1956, Tokyo).\n\n11 Osvald Siren: Chinese painting, Vol. VII, (1958, London).\n\n12 Victoria Contag: Chinese Masters of the 17th Century (1969, London).\n\n13 The date of Hsuan-ho hua-p'u is not known. But a general date, 1120, the second year of the Hsuan-ho era during the reign of the Emperor Hui-tsung of the Northern Sung Dynasty, associated with its preface, is normally considered to be the date of completion of its compilation. Regarding its authorship, it has been previously suggested by scholars in the Ch'ing Dynasty, such as Wang Wan, as having been edited by Emperor Hui-tsung himself, and by Chou Chung-fu as being by Tsai Ti, and by Pien Yung-yu as being by Hu Kuan. But according to Yu Shao-sung, a 20th-century specialist on the historiography of Chinese art, none of these old identifications are reliable. Instead, a possible editor of this imperial catalogue is perhaps an anonymous eunuch of the Northern Sung palace. For detailed discussion see his Shu-hua shu-lu chieh ti (hereafter abbreviated SHSLCT), \"A Collection of Summary of content and Studies of Titles of Books on Chinese calligraphy and painting\", (1931, Peking).\n\n14 Although it carries a preface by the author, this book is undated. In general, as Yu Shao-sung has suggested (SHSLCT Chuan 12, p. 9), Hsu Hsin must have lived in the transitional period of Ming and Ch'ing but the book itself is written in early Ch'ing.\n\n15 See Yen-Tzu chun-chiu, Nei pien, 10th chapter of the Tsa-hsia section. This book is generally regarded as a work of the 6th century B.C.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207719,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 107,
        "title": "RAS-1976",
        "content_text": "A HAWAIIAN KING VISITS HONG KONG, 1881\n\nEditor\n\nTIN-YUKE CHAR*\n\nJournal of Royal Asiatic Society, Hong Kong Branch\n\nSir:\n\nI am submitting a manuscript for publication in your Journal on King Kalakaua of Hawaii and his visit to Hong Kong in 1881. It gives a clear explanation why Hong Kong was chosen as the principal embarkation port for the Chinese labor recruitment to Hawaii. The strict administration of British regulations on emigration, the designation of an honorary Hawaiian consul in Hong Kong, and the reasonable contract between employer and employee signed in Hawaii, as documented in an appendix, all give a better understanding of the good treatment of our Chinese immigrants to Hawaii compared with the abuses in Peru and Cuba.\n\nThe first reigning monarch to make a trip around the world was King David Kalakaua of the Kingdom of Hawaii. The year was 1881. King Kalakaua, born November 16, 1836, reigned for twenty-three years (1874-1891) until his death in San Francisco on January 20, 1891.† He had already had his first experience travelling abroad in November 1874 when he called on President Ulysses S. Grant in Washington and addressed the United States Congress in fluent English. As a result of this visit, the Hawaiian government was\n\n* Mr. Char was born in Hawaii in 1905 and has had a colorful life combining business and education. A graduate of McKinley High School in Honolulu, he received his B.A. degree from Yenching University in Peking and his M.A. from the University of Hawaii, and pursued graduate studies at Columbia University. He then taught, both in Hawaii and in China. In 1938, Mr. Char and his family returned to Hawaii as refugees from the Japanese military invasion of Canton. He spent the next thirty years in the insurance business. In 1952, he became the first person in Hawaii to gain the national professional designation of CPCU (Chartered Property and Casualty Underwriter) in the field of insurance. Always active in community affairs, Mr. Char served on the boards of the Chinese Chamber of Commerce, the Hawaii Congress of Parents and Teachers, the Nuuanu YMCA, and the Board of Underwriters of Hawaii (insurance), among others, and is currently a member of a number of historical societies, including the Hawaii Chinese History Center. Upon retirement in 1969 as president of the Continental Insurance Agency of Hawaii, Mr. Char spent a year on the campus of Chung Chi College, a division of the Chinese University of Hong Kong, as a volunteer in student counseling and placement service. Since then, he has devoted his time to historical research and writing.\n\nMr. Char is also the author of The Hakka Chinese: Their Origin and Folk Songs and Chinese Proverbs, both published by the Jade Mountain Press of San Francisco in 1969, and The Char Family Genealogy Book, privately published in Honolulu in 1970.\n\n† See Plate 15.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 207919,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 307,
        "title": "RAS-1976",
        "content_text": "292\n\nNOTES AND QUERIES\n\nCHINESE PRESERVED MONKS (肉身塑像)\n\nThe preservation by both Taoists and Buddhists of the bodies of famous monks and abbots by lacquering, varnishing or coating and embalming in clay was not as uncommon as one would think. It is only too easy to see how after the death of a particularly wise and beloved abbot, his presence would be badly missed throughout the monastic community. They would begin to venerate his memory and perhaps even a cult might emerge. Again we can visualise that his contemporary detractors, should there have been any, would eventually die and their prejudice, jealousy or even dislike perhaps, would fade in time. The opposite however, would be true of the memory of his wisdom, piety and gentleness. Another major motive for the preservation of such saints and very religious monks was the very mundane desire to obtain more funds for the religious institution by exhibiting the body to the faithful. In some monasteries such mummies were kept in private apartments hidden from public gaze. They had been members of a community, so their brethren claimed, and only other members had the right to see them. Most monks were cremated after death and their ashes retained in reliquaries in their monastery.\n\nSome of the more famous \"preserved monks\", or 'fleshy bodies' which is a direct translation from the Chinese, displayed or kept for personal reverence, were to be found in the following temples and monasteries:\n\nPai Sui Kung on Chiu Hua Shan, Anhui\n\nTsu Shih T'ien on O Mei Shan, Szechuan\n\nTien T'ai Ssu in the Western Hills near Peking\n\nYuch Lin Ssu in Chekiang\n\nNan Hua Ssu in Northern Kwangtung\n\nTien An Fu below T'ai Shan in Shantung\n\nHui Chu Ssu in Pao Hua Shan, Kiangsu.\n\nThere is also one such in the Temple of Ten Thousand Buddhas above Sha Tin, Hong Kong.\n\nA Danish architect, J. Prip Møller1 spent a considerable time in the early thirties touring around many monasteries throughout China in his research into monastery construction. He referred on several occasions to 'fleshy bodies' set up as images in monastery",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 207922,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 310,
        "title": "RAS-1976",
        "content_text": "NOTES AND QUERIES\n\n295\n\nThere was a 'fleshy body' in Anking in Central China. It had been placed in a large earthenware k'ang filled with willow charcoal and left for three to four years. The corpse was then gilded and set up beside an image of the Buddha, Sakyamuni7.\n\nThe shrivelled and varnished body of a Taoist priest named Sun (), who died in 1703 aged 94, was enshrined in a glass case in the Grotto of the Immortals in the east side of the lower Court of the Temple of either the Jade Emperor or, as stories vary, of the Three Sovereigns on T'ai Shan in Shantung. He had lived in the temple nearby for some sixty years under the religious title of Chen Ch'ing and was known as \"the Immortal\". Apparently he felt divinely inspired, and slowly starved himself to death; he became just skin and bone sitting cross-legged. He had requested his fellow priests not to inter him but instead to leave him in a vacant room. This they did, and he remained withered but not decayed as a relic for future generations of believers. One could see, apparently, only the bare bones of his arms and legs. His face had been replaced by a mask in his likeness and all that remained on his hands was skin and nails.\n\nIt was not only monks who had their bodies preserved. In 1878 Reverend MacKay, a missionary in Taiwan, wrote of a Chinese girl who died of consumption not far from Tamshui, North of Taipei. Someone in the neighbourhood more gifted than the rest announced that a goddess was present, and her wasted body immediately became famous. She was given the title of the Virgin Goddess, (Sien Lu Niu in Fukienese) and a small temple was erected and dedicated to her. Her body was immersed in salt and water for some time, and then placed in a sitting position in an armchair with a red cloth around her shoulders and a wedding cap on her head. Seen through the glass of the case in which she was placed she looked to MacKay, with her black face and teeth exposed, very much like an Egyptian mummy. Before many weeks had passed, hundreds of sedan chairs were to be seen bringing worshippers, especially women, to her shrine, and rich men sent presents to adorn the temple. Another preserved body of a female was exhibited in a temple near Fenchow in Szechuan. She was a Buddhist devotee who died there in a sitting position: being Tibetan she was particularly worshipped by the local aborigines?.\n\nThe most recent example of a 'fleshy body' has been the mummification of the corpse of the Buddhist monk, Yueh Chi Fa Shih",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 208233,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 272,
        "title": "RAS-1977",
        "content_text": "256\n\nLIST OF MEMBERS\n\nORDINARY MEMBERS:\n\nPARR, M. J. · · · PARRINGTON, Miss J.\n\nPARRY, R. H. ·\n\n+\n\nPAUL, Mr. & Mrs. A. M.\n\nPEACOCK, B.\n\nPERESYPKIN, O. P.\n\n+\n\n+\n\nWardley Ltd., G.P.O. Box 8983, Hong Kong. Arts Faculty Office, University of Hong Kong, Pokfulam Road, Hong Kong. The Marine Dept., 102 Connaught Road, C., Hong Kong.\n\n9, Jade House, 47C Stubbs Road, Hong Kong.\n\nMuseum of History, Star House 4/Fl., Kowloon, P.O. Box 1382, Hong Kong.\n\nPETERS, Mr. & Mrs. R. K. 15, Magazine Gap Road, Hong Kong.\n\nPICKFORD, J. B.\n\nPNIEWSKI, T. J.\n\nPORDES, F.\n\nPRENTICE, E. PRESCOTT, J. A.\n\nPRYOR, Dr. E, G. -\n\nQUESTED, Dr. R. K. I. -\n\nRAM, Mrs. J.\n\n-\n\nREID, A. J. H.\n\nREYNOLDS, Prof. W.. A.\n\nRICHARDS. Mr. & Mrs. S. F.\n\nRIBEIRO, Mrs. S.\n\nRIELY, Miss C. C. -\n\nRIGG, Mrs. J. R.\n\n·\n\nE/M Department, Public Works Dept., Caroline Hill, Hong Kong.\n\n'Serious Music', Radio Hong Kong, Broadcast Drive, Kowloon.\n\n47/50 Gloucester Road, Lap Heng Building 1/F, Hong Kong.\n\nFlat 7, 94C Pokfulam Road, Hong Kong. 67B Perkins Road, Jardine's Lookout, Hong Kong.\n\nColony Planning Division, Crown Lands & Surveys Office, Murray Building, Hong Kong.\n\nDept. of History, University of Hong Kong, Pokfulam Road, Hong Kong.\n\n80 Kennedy Road, Lee Building, Hong Kong.\n\nKleinwort Benson (H.K.) Ltd., Wing Lung Bank Building 9/FL, 45 Des Voeux Road C, Hong Kong.\n\n19, Middleton Towers, 140 Pokfulam Road, Hong Kong.\n\nDept. of Geography & Geology, University of Hong Kong, Pokfulam Road, Hong Kong.\n\nFar Eastern Economic Review, P.O. Box 160, Hong Kong.\n\nROBERTSON, Mrs. A. G. - 5A, Hatton House, 15 Kotewall Road, Hong Kong.\n\nROBERTSON, Mrs. W. G. Park Mansion, 4 Mile Tai Po Road 1/Fl., Kowloon,\n\nRODGERS, R. D. -\n\nB1 Harbour View Mansions, 11 Magazine Gap Road, Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208340,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 64,
        "title": "RAS-1978",
        "content_text": "48\n\nKEITH STEVENS\n\ndecorated with a large dragon across her bosom, and the \"bird\" hat with its representation of a small bird, wings outstretched, lying on top. She holds a raised fly switch in her right hand and her girdle is grasped in her left hand (the latter pose is usually reserved for male images). She is seated on a dragon throne.\n\nPerhaps readers can offer their views on the use of impersonal images on family altars and further examples of the practice in other parts of China?*\n\nNOTES\n\n1 Lao Tzu—the philosopher generally believed to have founded Taoist philosophy.\n\n2 Erh Lang (#) often identified with Yang Chien (##) the nephew of the Jade Emperor, the supreme Taoist deity.\n\n3 The Five Thunder Magic () is used in Taoist folk religion as the ultimate threat; a magic of destruction brought about by Taoists against those who broke the rules or opposed the Taoists.\n\n4 Lei Kung (2) the God of Thunder.\n\n5 usually read Wei, is read Yu in this surname.\n\n6 The image of Kuan Ti, the God of Loyalty and one of the most popular of deities throughout China also contained a slip which noted that it had been dedicated in the autumn of 1789 in the same area in Wo Kang as the images in illustration 2 and 4. The slip tells us that Devotee Pan Mu-shih, together with his wife, two sons and two daughters-in-law offered sacrifices to the deities in the City God shrine in the local temple, reporting that he and his whole family had had the image of Kuan Ti carved by a scholar. This they respectfully presented to have its eyes opened before the Gods so that it would be able to rid their dwelling of evil spirits and bring them blessings. The latter part of the text on the slip says that, \"Your Honour Kuan Ti is the cleverest, most faithful and righteous in the world both past and present. You are a true spirit, a wonderful inspiration and have the ability to suppress demons. To show you our sincere respect we shall now dress you up, worship you every morning and evening with incense and further, offer you Spring and Autumn sacrifices each year....\n\n7 The provenance of three further images in the shipment, in better condition, is unclear though possibly they came from one of the areas in Hunan or Kiangsi from which the others originated. Of these three, two are versions of Yao Wang (1) the King of Doctors, who is easily recognisable by his tiger and dragon, one below and the other above him, and the small red pearl he holds aloft between his fingers. The third image is Yao Wang's aide, a middle-aged man standing carrying a herbalist's case slung over his shoulder and a furled umbrella in his hand.\n\n* Mr. Stevens has made a further discovery in the matter of ancestral images: see the Notes and Queries section at p. 206.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208396,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 120,
        "title": "RAS-1978",
        "content_text": "104\n\nFREDRIKKE S. SCOLLARD\n\nArchaeological excavations to date have failed to uncover any flambe wares in Yangjiang Xian of the above-described type. In 1955, excavations instead indicated that pottery produced in Yangjiang Xian in the Song period (A.D. 960-1279), belonged to the green celadon tradition. Furthermore, even more recent discoveries in the vicinity of Shiwan town in Nanhai Xian at a location called Ji Shi (†), Northern Song (A.D. 960-1127) “dragon kilns” (i.e. sloping tunnel-like kilns) are found built on top of earlier Tang dynasty (A.D. 618-906) \"mantou kilns” (i.e. round bun-shaped kilns). (Figures 1 & 2.) In association with the Northern Song kilns have been discovered shards with an early type of blue flambe glaze. As the date of these shards is much earlier than the Southern migration of the Honan potters in the Southern Song period, the discoveries raise the possibility that this blue flambe glaze was an indigenous development and not stimulated by influx of Northern potters and techniques. Combined with the earlier excavation in Yangjiang Xian, where no flambe glaze of the Song period was found, archaeologists in Guangdong now seriously question the historical connection of Shiwan village in Yangjiang Xian with the present Shiwan village in Nanhai Xian.\n\nIn addition to the above discoveries, archaeological finds reveal a succession of kilns from the Tang site of Ji Shi (*) to the present day village of Shiwan as, over the centuries, the potters moved down the river closer and closer to Fushan municipality (†) which by the Ming and Qing periods (A.D. 1368-1912) had developed into an important commercial and handicraft centre.\n\nAs it developed, Fushan was no elite or scholastic art centre, but rather an unpretentious city of craftsmen with the pervasive idea that beautiful things could be made from waste materials. The town is said at one time to have had a population of over 300,000 which supported over 240 different types of business. The artists were famed for their skill in turning commonplace and useless materials into godlike creations. Clay and papier mache were moulded to look like old pottery, copper and jade; sesame seeds created figurines; silkworm cocoons made decorative flowers and grass. Every year at the time of the autumn festival, a competition was held in Fushan in which people vied to make the best \"autumn colours\" (i.e. paper handicrafts), not for the purpose of gaining fame or making money, but rather simply for the enjoyment of the people.*\n\nPage 120\n\nPage 121",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208489,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 213,
        "title": "RAS-1978",
        "content_text": "NOTES AND QUERIES \n\n197 \n\nleg down and right leg bent, and with round protruding eyes fixed on the horizon. \n\nNews of his sainthood quickly spread throughout Chuan Zhou, as did the word that he now had great spiritual powers. A small temple was built for him and his fame slowly spread far and wide. He helped and advised people, in their dreams, and his popularity was such that the title of King was awarded him. He did not always answer people's prayers himself as he had a small staff of spirits as assistants. One day a very elderly couple were promised a child by a spirit assistant in his absence. When Guo returned and heard of the rash promise he realized there was only one way to fulfil it and had himself reincarnated as their child. His temple fell into disuse, and for 21 years it lay empty. A fortune teller told the old couple that their only child would pass the Imperial examinations with very high marks. Whilst a student, “Guo” (though not now of the Guo family) cured the Emperor's mother who was very ill and for this he was given the title of Guang Ze Zun Wang.* He was warned, however, never to touch anything black as this would result in his death. The award of a 1st Class Civil Examination result required him to attend the Imperial Palace at the Capital in scholar's clothes, and as he had been created a magistrate his uniform was black! He donned it, returned to Nan An in triumph but because he had touched black, dropped dead on his return. \n\nA beggar asked \"Guo's” mother for money. When she replied that she had none and was in mourning for her recently dead son, the beggar said that he had just seen “Guo” riding a white horse, and moreover \"Guo\" had promised him a stated amount of money which he had told the beggar was under his pillow. When \"Guo's” mother looked there was the exact money! \"Guo's\" mother then knew he had not died but had returned to his temple. She followed, instituted prayers and incense burning before the deity who now bore the title of Guang Ze given to him by the Emperor. \n\nA Taoist priest's daughter fell in love with the image of Guang Ze in the temple and said she wanted to marry him. The image heard her and from then on, each day whilst the daughter was washing the family's clothes in the stream, she saw a jade bangle lying on red linen in a bowl floating near her. On her mother's \n\n*This literally means the Saintly King of the Wide Marsh.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208666,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 123,
        "title": "RAS-1979",
        "content_text": "96\n\nREVS. J. SMITH AND WM. DOWNS\n\ndried fruit and cream of wheat for Father Bauer from his personal supply. Efforts are also being made to have Fathers Bauer and Benson either repatriated or sent to Shanghai for better medical care, as the medicines and equipment here are wholly inadequate for proper treatment. Father Walter improved.\n\n19-Due to our increased flour rations, we have two scones and coffee for breakfast (the coffee, of course, from our own private store). For tiffin, we had one WHOLE sweet potato, cooked lettuce, meat gravy, one small piece of bread, and, of course, rice!\n\nSunday. Masses now at 8:15 and 9:30 and 10:00, with Father Haughey preacher at all three and the Bishop as usual in the afternoon. His Excellency is giving a very splendid course of scriptural sermons and they are being well received. An old man (British) died in Tweed Bay Hospital, of dysentery.\n\n20-Another death, from tuberculosis, in the Hospital. At the monthly meeting of the American community, the question of the forthcoming credit of $105.00 was discussed; also the question of repatriation. The authorities are alleged to have dropped the remark that there are some now in the Camp who should not be here!!! A few Norwegians allowed to leave for Hong Kong; also the two American women previously mentioned. The Hong Kong News, our only English paper now, fails to arrive in Camp, which causes the usual rumors and speculation. Later, we learned that Tokyo was bombed today by American fliers.\n\n21-About 9 o'clock today, the neutral Maryknoll Sisters, Sister Paul, with Sisters Famula, Marie Regis and Ann Mary, received word that they may leave for Hong Kong by 12 o'clock. At that time, they bade goodbye and got on the food truck returning to the city. Now that the ice has actually been broken, and people are being dis-interned, our hopes are high, as we think that perhaps we are the ones \"who should not be in the Camp.\" Meals seem to be improving slightly, with a duck egg occasionally. Today we had two small pieces of bread, a little stew, spinach, which together with our side of alfalfa, made a fair meal. Canteen open again.\n\n22-Mr. Albert Simmons, Catholic, and former resident of Erinvile near Stanley, died of heart failure, brought on, the doctors say, by malnutrition. Burial took place at 6 p.m. in the local cemetery, where the row of new graves is steadily lengthening.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 208679,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 136,
        "title": "RAS-1979",
        "content_text": "THE MARYKNOLL MISSION, HONG KONG 1941-46 \n\n109\n\n20- Another community meeting but no further developments on repatriation. At 11 o'clock this morning we were agreeably surprised to learn that Sister Paul and Sister Corazon were on \"The Hill\" and that we could go up and see them. Again Sister Paul moved the adamant hearts of the Japanese and secured permission to enter the Camp to say goodbye to her departing Sisters. We learn that our own names have been handed in to the Foreign Office in Hong Kong for release from the Camp, and our hopes are high. We also learn that Father Tennien is in Chungking, and that Father Briggs and Father Hater are both quite ill. Since Sister Paul and her Sisters have been in Hong Kong, we have been enabled to receive weekly parcels of foodstuffs, and this has helped a great deal. For some weeks a league of softball has been in progress, and today the last game of the season was played between the British and Americans, the score being 15 to 6 in favor of the latter. A Stanley Cup was fabricated by Camp artisans and presented to the winners.\n\n22-The first anniversary of our newly ordained Maryknollers, and they enjoy a Camp lunch at the Maryknoll Sisters' apartments at 7:00 p.m. The repatriation ship, the Asama Maru has been further delayed. Due to some circumstance or other, our rice ration on the 23rd and 24th was very meager, but Father Meyer came to the rescue with his toasted rice which he has been saving for such a rainy day.\n\n25-Rumor hath it that our papers or forms are now on “The Hill,” and that we may get final word any day now to pack up and leave for Hong Kong. Mr. Gunn, an American, and seven others, British and Portuguese, are advised they may leave Camp tomorrow.\n\n26-We were delighted today to receive a visit from His Excellency, Bishop Valtorta, who asked permission to come out and say goodbye to the repatriates. He could remain but a short time, and bade the rest of us to have hope, as he felt we would be released in due time. He is also trying to secure the release of the Canadian Sisters. The Asama Maru is now scheduled to leave on the 30th, the repatriates going on board the 29th. The British are still incredulous about repatriation of the Americans. There is now some talk about possible repatriation of British women and children and old men, but nothing definite.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 208731,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 188,
        "title": "RAS-1979",
        "content_text": "CHINESE RELIGION REDISCUSSED\n\n161\n\npresent day Taiwan, I may point out the cult of the Golden Mother of the Jade Pool and the cult of Kuan Ti focussing on divinatory writing and the publication of morality books.\n\nHaving discussed the great variety of temples according to the first criterium: religious affiliation, the other two criteria mentioned (nature of deities enshrined, and ownership) do not need much attention, since they have already been co-discussed. However, the second criterium needs some elaboration: distinction of temples according to the nature of the deities enshrined. In a few cases there can be no mistaken identity although this criterion by itself is insufficient to determine the temple type. The clearest cases are when the Buddhist Holy Ones are the main objects of worship; Buddhas Sakyamuni, Amitabha or Amita, the Buddha of Healing (rather than 'Medical Buddha' as Baity calls him on p. 126), bodhisattvas Kuan-yin (Avalokitesvara), P'u-hsien (Samantabhadra), Maitreya, Wen-shu (Manjusri), to name the principal ones. In most instances these temples are essentially Buddhist. However, one has to be very careful: the mutual absorption of cult objects by various religions has often blurred the origins; in many Matsu temples (community temples of the folk religion) there is a secondary shrine behind the central hall, in which Kuan-yin is enthroned on the central altar. However, the iconography has been changed: this Kuan-yin does not have the appearance of traditional Buddhist sculpture but appears as another deity of the folk religion. Therefore such temples are still essentially folk religious temples, and the dissonant appearance of Kuan-yin should not deceive the observer.\n\nThe same principal applies to the cult of Ti-tsang (Ksitigarbha). Although originally a bodhisattva, his cult has become so popular that he has been absorbed into the folk religion: his image can be found in many community temples throughout Taiwan, mostly on a secondary altar in the central hall. But once again he has lost the typically Buddhist iconographic appearance.\n\nWhat is the difference between Taoist and popular deities? The most distinctively Taoist Holy Ones are those one does not often see in the temples: their images, painted on scrolls, are in the possession of Taoist priests and brought to the temples or temporary roadside shrines by them for special occasions: such as rituals for the dead or the great chiao festival. Besides those there",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 208732,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 189,
        "title": "RAS-1979",
        "content_text": "162\n\nJULIAN F. PAS\n\nare, of course, an enormous number of deities mentioned and described in Taoist ritual texts, of whom the common people do not even know the names. They belong to the esoteric tradition of Taoism and are only known to Taoist priests. But besides those, the majority of deities worshipped in the temples belong to the popular religion, although many border cases may exist of mutual absorption between the three traditional religions and the popular religion. Some of the most ‘popular' deities of Taiwan religion belong to the popular or community religion: examples are Matsu, Kuanti, the earth god(s), the Wang-Yeh gods, the city god(s), Prince Nat'o or T'ai-tzu, Pao-sheng ta-ti and even the so-called supreme god of Taoism, Yü-huang Ta-ti. A number of originally Taoist or Buddhist deities have been absorbed into the folk religion and have become part of it: Kuan-yin and Ti-tsang wang for the Buddhist side; the kitchen god, Yü-huang (Jade Emperor), the 8 Immortals for the Taoist side.\n\nAccording to the third criterium mentioned above, ownership of a temple, several categories exist greatly coinciding with the division based on the other two criteria. Temples may be government-owned (Confucian temples); owned by the local community on the neighborhood or town levels (these are the community temples); or privately owned, either by individuals, families, sectarian groups or monastic institutions.\n\nFinal sub-section of Chapter Three. After this long digression, I had better return to my book review. In this last part of Chapter Three the author discusses the 'genesis of temples'. Although strictly speaking there is a difference between temple and cult, between temple and deity worshipped in it, still the two should be discussed together. In fact there is a special chapter on the Genesis of Gods. However, since the author prefers to discuss the genesis of temples separately, we had better follow him. He distinguishes several ways of temple development:\n\n(A) by process of fen-shen or \"splitting bodies\" (p. 125). The reason of the spread and construction of new temples is the god's efficacy.\n\n(ii) by process of proselytization or a conscious effort on the part of the believers to spread the cult. This applies to Buddhist temples (and Christian churches).\n\n(iii) by transformation of a private home or temple into a community temple.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 208757,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 214,
        "title": "RAS-1979",
        "content_text": "RELIGIOUS LIFE IN PRESENT-DAY TAIWAN \n\n187 \n\nThis may at first appear as a tautology: all religions are naturally human. However, in contrast again with the Judaeo-Christian and Islamic traditions, in which God is seen as the Absolutely Holy and Transcendent One, the Chinese worshippers in the folk-religion conceive of their deities and relate to them in very human or humanistic terms. This can be explained in many different ways. One aspect is the magico-religious treatment of the gods, just mentioned, but there are several other angles to look at this complex phenomenon. The Chinese deities are often man-made: created by the people, and sometimes in the past appointed by the imperial government. Many gods and goddesses are actually apotheosized historical figures of special reputation or virtue who after their death proved to possess spiritual powers to assist the suffering people. There exists even the conception that the whole Chinese pantheon (not including the Buddhas-bodhisattvas) is modelled after the imperial government: they present a mirror-image of this world with the emperor — the Jade Emperor at the top. Underneath him are the various boards or ministries, the provincial governors, district and city officials down to the lowest rank of neighborhood inspectors. The humble Tu-ti-kung or Earth-spirits are thus the lowliest rank in the divine hierarchy. Gods and goddesses can be promoted or fired just like humans; in cases of mismanagement or misconduct they are sent into exile or otherwise punished. Man's imagination sees this whole spiritual world as operating by virtue of rules and relationships characteristic of his own this-worldly society. Perhaps the most striking manner to illustrate the humanity of the Chinese religion is that it is so evidently utilitarian. The gods and goddesses are worshipped by the people mainly and perhaps exclusively to obtain divine assistance in various difficult or important circumstances. These may be of individual significance or may relate to social concerns: family and community. But most often the blessings requested belong to the sphere of this life: health and wealth, fertility and progeny, position, success in business, cures of diseases (often in the past: epidemics) and overall protection against evil forces, evil spirits who threaten to destroy human happiness. Concern with the after-life may also be a motivation of religion, but then life after death is seen as a continuation of life on earth. The deceased are imagined to have the same needs as in this world: food, shelter and clothing are their most important concerns. Therefore, the ancestor cult is utilitarianistic in two ways: if it is not intend-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 208819,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 276,
        "title": "RAS-1979",
        "content_text": "ORDINARY LOCAL MEMBERS\n\nMORGAN, Ms. V. Elaine, The Library, University of Hong Kong, HONG KONG.\n\nMORITZ, Mr. Frederick A., 4B, Sea and Sky Court, 92 Stanley Main Street, Stanley, HONG KONG.\n\nMORTON, Mr. R. J. McK., Legal Aid Department, 19/F Sincere Building, 173 Des Voeux Road C., HONG KONG.\n\nMOYLE, Mr. G. C., 64 Mile Taipo Road, NEW TERRITORIES.\n\nMULLOY, Mr. G. N., Flat C, 1 Homestead Road, The Peak, HONG KONG.\n\nNEWBIGGING, Mr. D. K., 35 Mount Kellett Road, The Peak, HONG KONG\n\nNG, Dr. Margaret N., Arts Mansion 5/F, Flat C, 43 Wongneichong Road, Happy Valley, HONG KONG\n\nNG, Miss Tonia, H.K. Tourist Association, Connaught Centre, 35/F, HONG KONG.\n\nNGUYET, Mrs. Tuyet, c/o Arts of Asia, 1309 Kowloon Centre, 29-43 Ashley Road, KOWLOON.\n\nO'HARA, Mr. Randolph, c/o The City Hall Library, Edinburgh Place, HONG KONG.\n\nOJEDA, Mr. J. de, Spanish Consul General, 1403 Melbourne Plaza, 33 Queen's Road Central, HONG KONG.\n\nONG, Dr. Guan Bee, Dept. of Surgery, University of Hong Kong, HONG KONG.\n\nORR, Mr. I. C., Room 506 Central Govt. Offices, Main Wing, Lower Albert Road, HONG KONG.\n\nOUTCH, Mr. W. T., c/o Essex Asia Ltd., 118 Austin Road, Tsim Sha Tsui, KOWLOON.\n\nOXLEY, Mr. C. W. B., District Office, Sai Kung, Sai Po Kong Govt. Offices, 792 Prince Edward Road, KOWLOON.\n\nPALMER, Mrs. R. M., 2 Old Peak Road, 2/F Front, HONG KONG.\n\nPARR, Mr. M. J., c/o Wardley Ltd, G.P.O. Box 8983, HONG KONG.\n\nPARRINGTON, Miss June, Arts Faculty Office, University of Hong Kong, HONG KONG.\n\nPARRY, Mr. Roger H., c/o The Marine Department, 102 Connaught Road C., HONG KONG.\n\nPAUL, Mrs. Anne Carse, 9 Jade House, 47C Stubbs Road, HONG KONG.\n\nPEACOCK, Mr. I. R., 5A Manhattan Tower, 63 Repulse Bay Road, HONG KONG.\n\nPERESYPKIN, Mr. Oleg P., P.O. Box 1382, HONG KONG.\n\nPICKARD, Mrs. Jane, Flat A6, 14 Shouson Hill Road, HONG KONG.\n\n249",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 208995,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 157,
        "title": "RAS-1980",
        "content_text": "NOTES AND QUERIES \n\nA HAKKA WEDDING IN HONG KONG, MAY 1979 \n\nDuring our visits to the market in Sai Kung, we had made the acquaintance of a lady in charge of a haberdashery shop, a Mrs. Ho and her daughter Ling. Knowing of our interest in Chinese customs and culture, they invited Josephine, myself and my husband to attend the wedding of her nephew which was to take place in their village in the Sai Kung peninsula the following Saturday. We met that morning in the market to pick up Mrs. Ho and Ling and then drove out to Tong Ha Yeung, a small village past Pak Tam Au, at 10 a.m. \n\nWe arrived about 10:30 to find a feast already in progress. A row of five Hakka houses facing the main road had the area in front, which was in previous years used for drying rice, now occupied with square wooden tables with benches on four sides. Above the tables was a canvas awning supported on bamboo poles to keep off the sun, and as it turned out, the rain too. The relatives of the bride and groom, and the villagers from the surrounding 7 villages had already assembled and were in the middle of a sizeable meal of beef, pork, tripe, rice and soft drinks, eaten to the accompaniment of \"Grease\" played loudly on a cassette player. \n\nThe food was being cooked in two huge woks which had been built into a clay brick oven with a roaring wood fire going underneath. Several men were tending the fire and cooking the food. The woks, which had been built at the entrance of the village under the awning, had been prepared yesterday, and would be dismantled tonight after the celebrations were over. \n\nRichard and I had taken great care in the choice of our clothes, knowing that certain colours are considered unlucky, such as white, the colour of mourning, and blue. ... However, no one else there, at least of the younger generation, had taken notice of this custom as most were dressed in blue jeans, white shirts or tee-shirts, etc. Of the middle-aged women like Mrs. Ho, they were wearing their best clothes, Mrs. Ho in a brown silk jacquard sam fu which had a centre front opening fastening with frogs, and a set of jade earrings, ring and bracelets. The older women were in the customary black cotton sam fu, often with an apron, and a black cotton bau tow.\n\n¦\n\n!",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209024,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 186,
        "title": "RAS-1980",
        "content_text": "154\n\nNOTES AND QUERIES\n\nnumerous minor grades excel those of other places in their colour, fragrance and taste. Chu Yi-chuen of Sau Shui remarks, \"There is no fixed standard as to which place in Fukien and Kwangtung produces the best quality of lychee, but in my opinion “Kwa Luk” from Kwangtung tops all.\" The three most outstanding selections of \"Kwa Luk” are \"Siu Fa Shan”, “Luk Law Yi” and \"Kau Kei Wan”.\n\nA species named \"Sheung Shu Wai\", literally \"being carried (wai) by the Minister (Sheung Shu)\", originated from a minister Cham Man-kang who brought back a pip of lychee from Windy Pavilion. Most lychees fall into this category. The most valuable lychee tree whose fruit is priced scores of times more than others is the one growing in the West Garden located outside West Gate of the County Seat. In fact, there were other lychee trees which were as good as, or even better than, that tree. Another species called “Crystal Ball\" of Cha Kong is of the same grade as \"Kwa Luk”, and also on the list of the delicious lychees are \"Sai Kok\" (rhino's horn), \"Kwai Mei” (taste of osmanthus), \"Nor Mai Chee\" (like glutinous rice), \"Sung Ka Heung\" (fragrance of Sung Family), \"Chun Fung Yuk” (jade offered to emperor) and Ho Pau (wallet).\n\n(translation by District Office, Tsuen Wan)\n\n3. By chance, I heard recently of the existence of at least one tree of the special type of “Kwa Luk” mentioned in the opening paragraph from the father of a friend. This gentleman, a Hakka from Ng Wah District, served pre-war in the provincial administration of Kwangtung at Canton. He had a friend Mr. Wong Ping-kwan (*A), who was the district magistrate (*) of Tsang Shing at that time (about 1937-38). This official used to send a parcel of this special lychee to his superiors in Canton. The fruit came from trees in the courtyard and gardens of his office in Tsang Shing. It was not for sale, and although my friend said he had heard of some being available on the market in recent times, he was sure they were not the genuine article.\n\nHong Kong.\n\nDecember, 1979.\n\nJAMES HAYES",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209055,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 217,
        "title": "RAS-1980",
        "content_text": "BIBLIOGRAPHY OF TAOISM\n\n185\n\n(A), object of worship by the Taoist priesthood. The common people consider Yü-huang Ta-ti, or the Jade Emperor as the supreme head of the divine hierarchy, whereas the Taoist priests worship as their highest creative powers the Three Pure Ones, the Celestial Worthy of the Original Beginning, the Celestial Worthy Ling-Pao and the Celestial Worthy Tao-Te.\n\nAs a religious organization, Taoism is divided into several sects, each of which has its own emphasis or specialty, roughly corresponding with five major areas of Taoist concern: good conduct, study of classic literature, alchemy (in modern times rather \"inner\" alchemy, or the search for longevity by \"nourishing one's vital energy\"), magical and religious rites, and finally divinatory practices.\n\nThe philosophical ideas of Lao-tzu and Chuang-tzu slowly permeated Chinese society. \"In office a Confucian, in retirement a Taoist\" became the tag of the scholar-official and even his Confucianism, after the thirteenth century, was to a large extent philosophical Taoism in disguise (H. Welch, The Parting of the Way. Boston, Beacon Press, 1957, p. 158). The Neo-Confucians borrowed the Taoist concept of an underlying unity, which \"does\" nothing (i.e., does not make any purposive effort) but accomplishes everything. They took the old Confucian concept of the Rites, li, and extended it to include the laws of nature as well as of man. They also adopted the Taoist goals of minimizing desires, returning to the purity of one's original nature, and identification of the individual with the universe.\n\nThrough the centuries, the Taoist influence on Chan Buddhism, which appealed particularly to intellectuals, flourished in China from the T'ang through the Sung dynasties and in Japan from the time of the Sung until today. The Japanese call it Zen, which \"rejects verbal teaching, disregards logic, discards morality, and regards Heaven and Earth as unkind. It sees no value in good deeds. The only way to be saved is to do nothing about it. Zen believes that salvation, in fact, is a return to our original nature, that no one else can do it for us, and that doing it makes us into the most ordinary and wonderful people\" (H. Welch, The Parting of the Way, p. 159).\n\nBecause the Chinese and Japanese cultures were considered in Japan to be essentially the same, due to the pan-Asian concept dobun doshu (same script, same race), Taoism spread from China...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209602,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 259,
        "title": "RAS-1982",
        "content_text": "237\n\nAnd then a good old China Hand you'll Be.\n\nSuch references brought drama down to the daily life of the theatre goer in Hong Kong.\n\nHOME GROWN PLAYWRIGHTS\n\nThe Hong Kong Daily Press in 1894 published a play by Henry E. Pollick entitled \"Soso: A Drama of the Day\". It does not seem to have been staged in Hong Kong.\n\n\"The Cook: an Idyll of the Peak\" was produced at the Theatre Royal in 1912. It was written by R.M. Crosse, of the Royal Artillery. The plot revolved around a search for a cook when a mess of the 445th Regiment, comfortably stationed at the Peak, had to replace their competent cook who had disappeared a few days before the expected arrival of the Brigadier General.\n\nTwo years later Mr. Crosse wrote another more ambitious piece which he characterized as \"a musical stunt in two acts\" entitled \"The Idol's Eye\". The first act was set in England at a garden party. The second act's setting was the How Kwik monastery in the Province of Kwangtung. One of the principal characters Lai On is the \"boy\" of an official in the Chinese Maritime Customs. He penetrated into the monastery to secure the Idol's jade eye by the pretext of becoming a novice. In case any should have been put off from attending by the problem of the language a Chinese character might use, they were informed that “Lai On speaks both grammatical and ‘Pidgen' English during the piece. Grammatical English is used where Lai On would naturally talk and think in Chinese. 'Pidgen' is reserved for his conversation with foreigners\". The How Kwik monastery scene enabled Mr. Crosse to introduce Chinese religious ceremonies and temple music into the play.\n\nAt the time, the public was being captivated by musicals with an Oriental setting, and Mr. Crosse, who was soon to return to England, hoped to have his work produced there. I do not know if he was successful.\n\n† Pollick may not have been a resident of Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209619,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 276,
        "title": "RAS-1982",
        "content_text": "254\n\nthe prefectural capital, for more advanced studies. During the last quarter of the 19th century, when deliberate efforts to prepare for the civil examinations began to fade, there still existed within the village some of these special small classes taught by the more prestigious teachers in their own homes. This practice continued even after the abolition of the civil examinations. Liao Chung-nan [Liu Chung-nam], a siu-tsai of the late Ch'ing, taught a small class of about ten at his own house at and after the turn of the century, charging a higher fee than the normal school fees paid for classes held in the study halls. His classes remained as prestigious classes for the rich well into this century.\n\nThe curriculum and method of teaching both in the study halls and in the private classes were typical of Chinese traditional education. There was no division of classes by academic standard. Instruction was given individually or in groups of four or five by rotation. Progress depended largely on the individual or the liking of the teacher. Normally teaching would start with the well-known primers, the San-tzu-ching,70 Ch'in-tzu-wen* and Pai-chia-hsing‡. Two other popular primers were the Hsiao-ching and the Yu hsueh ku-shih ch'iung-lin****. Brighter students would proceed to the Four Books and even the Five Classics after a year or two. There was also much emphasis on teaching the students rhymed couplets, other simple poetic forms, and the correct way of writing polite letters and other formal documents. Books for this kind of teaching, some printed but most hand-written, have been found in several villages alongside the standard primers used in the village schools. Rhymed couplets were useful, we were told, to reinforce recognition of characters for their sound and meaning and also for teaching students to compose couplets, this being a form of literary activity popular in the villages of the region.\n\nShortly after the setting up of British rule in 1898, a government officer described Sheung Shui as \"a village of scholarship and agriculture”.11 Perhaps he was impressed by the grand looking ancestral hall and the number of study halls in the village. The many wooden boards hung in these halls recording",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209899,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 158,
        "title": "RAS-1983",
        "content_text": "136\n\nSources on population are given in Marjorie Topley and James Hayes, \"Notes on Temples and Shrines of Tai Ping Shan Street Area\" in Topley (ed), op cit, pp. 123-141, at p. 124.\n\n20 Topley, op cit, p. 139.\n\nThese and other details are given in Topley, op cit, pp. 123-125 and 136-139.\n\n* See note 5 above. Whilst the Kung sor is still in existence a school building (R) on the other side of the temple has been pulled down. See the photograph p. 72, 58 in the Urban Council's 1982 publication, The Hong Kong Album.\n\nFor a historical account of this area see Revd. Carl T. Smith's note on \"The Five Terraces\" with Li Po Lung Path, in \"Programme Notes for Visits to Older Parts of Hong Kong Island (Urban Areas),\" in JHKBRAS 14(1974) pp. 197-199.\n\n+\n\n+\n\nThere is a possible confusion here. If the three powers of nature are intended it would be, without A. If truly 三聖公 it could refer to Yao, Shun and Yû or Yü, Chou Kung and Confucius (W.F. Mayers, The Chinese Reader's Manual, (Shanghai, American Presbyterian Mission Press, 1874) pp. 301-302.)\n\nI am grateful to liaison staff of the City District Office, Western, who obtained the information on this shrine for me in 1974.\n\nThe 1841 estimate comes from the first Hong Kong census of May 1841. The remaining figures, taken from later census returns and other sources, can conveniently be found in Hayes 1983, p. 253 note 21.\n\n10 Tung Tai Kai and its eastern adjunct Ah Kung Ngam together had four temples. There were large Tin Hau and Tam Kung temples in the Street. To its front, built on rocks in the sea and therefore known as the Hoi Sum Temple (or temple in the sea), was another smaller, older Tin Hau temple which for long has been completely hemmed in by squatter boats. On the east was the fourth of these temples, dedicated to Yuk Kung (Jade King). Tablets and other dated material inside the temples, together with other information, show that they date as far back as the 1860s, 1905, the 1890s and the 1840s respectively, at the least. See my note \"Visit to Old Shau Kei Wan --- 24th May 1969\" in JHKBRAS 10(1970), pp. 183-88.\n\n* Sessional Papers 1901, No. 39/1901, p. 18, Table XII. Like most of the Shau Kei Wan villages, the residents were mainly stonecutters. For the quarries see JHKBRAS 10(1970) p. 186 in the Note cited above (note 36).\n\n* Information from Mr. Walter Schofield, Hong Kong Civil Service 1911-38.\n\n* Sessional Papers 1901, No. 39/1901, p. 18, Table XII.\n\n* See Endacott's History of Hong Kong. p. 293 and Edward Szczepanik The Economic Growth of Hong Kong (London, Oxford University Press, 1958) p. 114.\n\nIt will be obvious that this article could not have been written without the assistance of many people. I gratefully acknowledge their assistance here. I also wish to thank Dr. Patrick Hase, editor of this Journal, for much encouragement and good advice in its presentation.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 210297,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 268,
        "title": "RAS-1984",
        "content_text": "37. Ten Zo:\n\na. Nu Rai Fo Chu\n\nb. 6 paths and 4 species Kit\n\nc. The Heaven Honorific of origin 元始天線\n\nd. Dragon kings of the 4 seas 14.\n\ne. Male and female orphan spirits 男女孤魂\n\nf. The great Jade Emperor LAWS\n\n38. the City God WP!\n\n39. The Earthgod\n\n40. Chi-zo k\n\n41. T'ien Hau APE\n\n42-43. Generals Han and Ha\n\n44-45. T'ien Hau\n\n46. Kwan T'I IPEXY\n\n47-48. Kwan Ping and Chau Chan PPT-MAT\n\n49. Kwan T'I MÝ\n\n50-51. Kwan Yin (Kannon) 19:*\n\n52-54. The Earthgod sitt laY\n\n55-57. Tzi Nan Kung W E\n\n58. The Lord of the Heaven A^ L\n\n6 paper-made tablets were hung on a paper-made 5 colours lantern.\n\nIt was a Japanese term (see Soo, 1981: 59-60). Most of the informants\n\n247\n\ndid not know what it was and no one talked about it, and no offering was made to it, either.\n\nH Decoration, except the roof, was the same as the Ming-che.\n\nH\n\nRJapanese Earthgod\nRT'ien Hau's Guardmen,\nRThe substitutes of T'ien Hau.\nRThe main God of the Temple.\nRThe guardmen of Kwan T'i.\nRSubstitute of Kwan T'i\nRThe Goddess of Mercy and her substitute.\nRThe god and his substitutes.\nQThe name was a Temple's name. The god of the temple was Lu Tzu ( ) 56 and 57 were his substitutes.\n\nIn addition there was 4 paper-made messenger-and-horses (f†). One of them was burnt after every 'Reporting' ritual and the 'Thanking' ritual of the last day.\n\nNotes:\n\nQ = Incense bowl(s) and offerings only\n\nR = Porcelain Statue\n\nT = paper-tablet\n\nH = paper-made house\n\nF = paper-made figure\n\nP = painting\n\nL = paper-made lantern",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 210986,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 48,
        "title": "RAS-1987",
        "content_text": "23\n\nLa Pléiade was wide open to classical Chinese literature, which benefited from the Maoist vogue.\n\nThe Maoist mirage met nevertheless with reservations and condemnations from various quarters — from the conservative Catholic right-wing and also from the pro-Moscow French Communist Party, which was hardly surprising, but also from two more specific groups, rather influential among intellectuals. The academic sinologists, on one hand, were very critical of the pro-Maoist fashion; with very few exceptions, they were well aware of the simplistic naivety of the new sinophiles. Yet, one should wonder whether their open hostility towards the fashionable intellectuals was not, after all, a kind of defensive reaction against what sinologists considered to be trespassing on their professional estate! On the other hand, pro-Maoist intellectuals were harassed pitilessly by a radical and very vociferous group, the young situationists, whose overall attack against established cultural values of every kind had been an important contribution to the May '68 movement. Thus, an unexpected anti-Maoist alliance was formed between respectable sinologists and sniping situationists, which was to make a lasting impact in France and in which the Canberra academic scene also became involved.\n\nLooking at this strange, erratic, very emotional love affair at a distance, some fifteen or twenty years later, how should we react — including myself? The whole affair was certainly a strange combination of affectation and naivety, of misinformation and self-complacency, which deserves blame and regret and nothing else. We were definitely lacking intellectual rigour, caution, and integrity. Not only did we satisfy ourselves with a rosy picture of China, which was conveyed to us by visitors on short-term and carefully controlled tours, but we made this rosy picture an essential ingredient of our social prestige, our publishing careers, our popularity with the media. We failed completely to assess properly our responsibility towards French public opinion and especially towards those for whom China understandably meant hope, determination, the ability to shape one's own future. I am not sure that self-criticism was something George Ernest Morrison was quite familiar with. But I am pleased that the present Morrison Lecture gives me a convenient occasion for expressing such regret.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211054,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 115,
        "title": "RAS-1987",
        "content_text": "90\n\nese pronounced exactly like Wang) after becoming a hermit at Mt. Luofu. Thus the foundation for a subsequent merger of the two \"Yerens” was created. According to Soymie, \"Le Lo-feouchan\", pp. 110-111, another immortal of the mountain, Wang Tijing, was also occasionally referred to as Huang Yeren. Today, however, he seems to be totally disconnected from the \"Yeren\" figure,\n\n21 Su Dongpo Ji [collected works of Su Dongpo], Shanghai, Shangwu Yinshu Guan (Commercial Press), 1933, Vol. 2, p. 58. In this volume there are numerous references (poems as well as letters and essays) to Luofu. Su Dongpo was exiled to Huizhou from the Song capital, and went to Luofu Mountain soon after (in 1094) arriving in Huizhou (this probably indicates the fame of Luofu among men of letters and politicians). What attracted him, no doubt, was the name of Ge Hong. Su is said to have spent about two years (of his four years in Huizhou) in Luofu. (Source: Luofushan Fengwuzhi, p. 105).\n\n22 Guangdong Xinyu, Hong Kong, Zhonghua Shuju (Chung Hwa Book Company), 1975 (reprint), pp. 729-730.\n\n23\n\nThe reference is in Tan Cui's work Chuting Baizhu Lu (Records of precious pearls from Chuting [old name of Guangzhou], reprinted in October 1982 by Guangdong Renmin Chubanshe). This work contains a rather detailed account of Luofu Mountain and most (possibly all) of the temples which existed in the mountain in the 18th century.\n\n24 According to the Luofushan Fengwuzhi, the original temple at Luofu was built in 405 A.D., and was called Ge Hong Ci. Later in the early Tang, a large one called Ge Xian Ci was built. Another source (Lingnan Gu Jin Lu or Records of old and present Lingnan [Guangdong], edited by Xu Xu, well-known Guangzhou-based scholar, Hong Kong, Shanghai Book Company, 1984) states that a small temple was built at Luofu in 742 A.D., called Ge Xian Ci. During the Song dynasty, a Taoist temple was built, called the Duxu Guan, later renamed the Chongxu Guan. The deities worshipped in the central shrine of the temple (they have superseded Ge Hong, perhaps from as early as the Southern Han dynasty) are the three gods residing in the 35th (San Qing Tian) of the 36 heavens (Tianbao Jun, Taishang Daojun and Taishang Laojun). They are the mightiest among the \"shenxians\" (the fairies and saints [immortals]). They are normally understood by worshippers to be the Jade Emperor and his two closest officials.\n\n25 We learned this from the interviews at Luofu, especially from an interview with Mr. Zhang Zongquan, the presiding Taoist at a smaller temple, the Jiutian Guan (devoted to Beidi, the \"northern emperor\"), on the plain near the mountain several kilometres from the main temple. Mr. Zhang had been an officer in the anti-Japanese forces of the area in the 1930's. The provincial Fengwuzhi (Guangdong Fengwuzhi, Guangzhou, Huacheng Chubanshe, 1985, p. 151) also mentions worship of Ge Hong together with worship of Huang Yeren and the mute tiger often mentioned in folk-tales. This account refers to the situation prior to the restoration.\n\n26 See the picture of the Red Pine Fairy in Zhongguo Shenhua Chuanshuo Cidian (Dictionary of Chinese myths and legends), Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1985, p. 185.\n\n21 One Taoist whom we interviewed (see note 25) dismissed the importance of the differences in the biographies of the two Huangs with the remark that the spirit of Huang Chuping entered (or could enter) into the person of the later Huang Yeren. He was the only one we met who explicitly used this strategy to rationalize the merger of the two Huangs into one figure at the Chongxu Guan. It is possible that",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211293,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 9,
        "title": "RAS-1988",
        "content_text": "27 \n\nMay \n\n9 \n\n30 \n\nJune \n\n10-13 \n\n27 \n\nJuly \n\n11 \n\nAugust 1 \n\nOctober 1 \n\n17 \n\nNovember 1 \n\n26 \n\nDecember 1 \n\n10 \n\nJanuary 6 \n\n21 \n\nFebruary 24 \n\n25 \n\nMarch \n\n4 \n\n10 \n\n17 \n\n\"Women in China\" (lecture: Dr. Maria Jaschok) Cocktail Party for New Members \n\n\"Britain and Vietnam, 1948-1955\" (lecture: Prof. Mary Turnbull) \n\nVisit to Foshan (organiser: Dr. Michael Lau) \n\n\"Fortune & Safe Passage: Chinese Paper Folk Art (Kam Fa)\" (lecture: Dr. Janet Lee Scott) \n\n1 \n\n\"Ancestors\" (lecture: Mr. Frank Ching) \n\n\"Pirates in the Pearl River Delta\" (lecture: Prof. Dian Murray) \n\nVisit to Fung Ping Shan Museum, Hong Kong University (organiser: Dr. Michael Lau) \n\n**Introduction to Chinese Musical Instruments\" (lecture: Prof. Tong Kin-woon) \n\nChinese Dinner for Members \n\nTour of Central Police Station and Royal Hong Kong Police Museum (organiser: Mr. Geoffrey Roper) \"Jade Carving\" and \"Chinese Costume\" (joint lecture: Mrs. Sydney Fung and Mrs. Valery Garrett) \n\nWalk around Western District (organiser: Dr. James Hayes and others) \n\n\"Influenza: the Asian Connection\" (lecture: Prof. K. F. Shortridge) \n\nIntroduction to New Territories Villages (tour: organiser Dr. Patrick Hase) \n\n**Shanghai Entrepreneurs in Hong Kong\" (lecture: Prof. Wong Siu-lun) \n\nTour of Kowloon Walled City (organiser: Dr. James Hayes) \n\nTour of Country Parks (organisers: Dr. James Hayes and Mr. K. C. Iu) \n\n\"The Tale of the Norma Bell\" (lecture: Mr. John Chetwynd-Chatwin) \n\nAnnual General Meeting and Dinner \n\nWe are grateful to all speakers and organisers, and following last year's innovation have continued the practice of inviting them to attend the Annual Dinner as guests of the Society. It is gratifying to report that eleven of them have accepted our invitation this year. In addition, we \n\nvili",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211407,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 123,
        "title": "RAS-1988",
        "content_text": "Table 1: Genealogy of the Chan Family\n\nChan Tak Youg (Violet's great grandfather)\n\nChan Jok Jun\n\nGeorge, Harry, Henry\n\nChan Jok Chiu (b. 1845) m (1) Au (Violet's grandparents)\n\n(2) Leong\n\nYung Kam in Yim (First Paternal Aunt)\n\nGeorge Goon Hop (adopted) m (1) Auyoung\n\n(2) Liu\n\n  \n    Gladys Yung Hoy m Lan Kwai\n  \n  \n    Claudia in George Murphy\n    David, Michael\n  \n  \n    Calvin m Barbara\n    Jennifer, Jason, Jeffrey\n  \n  \n    Kwock Wah m Mona Lew\n    Paula, Donna, Marcha, David, Jonathan\n  \n  \n    Lorna (adopted) m\n    Lawrence, Paul, Yolanda, Twila-dawn, Keith, Robin\n  \n\nChan Ping Wing (First Paternal Uncle) m Ching (Concubine: \"Small Aunt\")\n\nChan Po Ling m (1) Auyoung\n\n(2) Kan (Concubine: Kam)\n\n  \n    Linda, Judy, Lillian, Robert, Chi Fai, Anthony, m Dorothy (5 daughters)\n  \n  \n    Rosita, m Robert Ting (1 child)\n  \n\nChan Ping I (Second Paternal Uncle) m Auyoung\n\nToby in Louise Dung\n\n  \n    Melody m Johnson Chen, Carol m John Lee, Sonja in Tai Min Wan, Jade m Eddy Lin, Lloyd m Deborah, Lena m Jeffrey Lu\n  \n\nHelen m Tong\n\nCharles (children)\n\nGeorgette m Lu Bing Leong (daughter) Moo Yun\n\nTing Cheong (2 sons, 2 daughters)\n\nMoo Sau\n\nChan Ping Yip m Jong (Violet's parents)\n\nRuth\n\nViolet m John Lew m\n\nMe Yuk\n\n  \n    Helen m (1) Edmund Tin Wai Tong\n  \n  \n    Edmund Yee Sing m (1) Susan Loui\n    Kevin\n  \n  \n    (2) Gertrude Kristiansen\n    Syrilyn, Clayton\n  \n  \n    (2) Tso-yu Fu\n    Lynnette Wen-chu\n  \n  \n    Russell m (1) Lila Kung\n    Dora m Tso-chien Shen\n  \n  \n    Eugene m Nancy Chun\n    Wendell, Celia\n  \n  \n    (2) Susan Carter\n    Russell\n  \n  \n    Gilbert m Christine Liao\n    Warren, Tabitha\n  \n\ndaughter m Leong Ting Bau (Second Paternal Aunt)\n\nYung Yik m Auyoung (Third Paternal Aunt)\n\nSuk Jun, m So (4 sons, 3 daughters)\n\nSuk Num, (3 daughters, 1 son), Suk Chiu, (2 sons, 2 daughters) Chan Ping Lim (d. 1903) (Fourth Paternal Uncle)\n\nChan Jok Sau\n\nL-6 sons (including Dai Mec, Ngit Chiu and Dai Geng)\n\nChan Jok Sui\n\nNgit Chiu (adopted) d 1924 in Honolulu\n\nChan Jok King\n\nJu Dai, Dai Geng (adopted)\n\n99",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211421,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 137,
        "title": "RAS-1988",
        "content_text": "113\n\nat MIT, he travelled around the country to observe and learn more before returning to the University of Washington, where, after another year of study, he received a M.S. degree in 1925, specializing in Aquaculture. He returned to China, becoming Director of the Kwangtung Fisheries Experiment Station in 1929, and later Director of the Chekiang Fisheries Experiment Station. In 1946, he became President of the Taiwan Fisheries Corporation. His comprehensive knowledge and experience in the field of aquaculture made him a leading and respected authority of national and international renown,\n\nIn Canton on March 1928, Toby married Louise Dung Yuk Bow, a vivacious beauty from Grass Valley, California. Stricken with Parkinson's Disease and gradually weakened by it, she died on 27 January 1971. While I was teaching in Canton, Toby and Louise welcomed me as an immediate member of their family and I spent many weekends in their home - I am grateful for this hospitality to this day. They had six children, five daughters and one son:\n\nMelody Wil married Johnson C. J. Chen\n\nCarol Kit married John Lee\n\nSonia Cíl married Tai Min Wan\n\nJade Ef married Eddy Lin\n\nLloyd married Deborah\n\nLena ft married Jeffrey Lo\n\nThe girls leaned towards the arts like their mother, and Lloyd, an ichthyologist, towards science like his father.\n\nCousin Helen Moo Ching married a nephew of Tong Siu Yee (T'ang Shao-i) Hill, a Chinese diplomat during the late Ch'ing and one time Prime Minister of the Republic of China. Her married life was spent in Peking where her husband was head of the Postal Savings Bureau. After his death she moved south and finally retreated to Taiwan where she died in 1974 of cancer.\n\nCharles Ting Hing began his career in banking but switched to dentistry. He was married twice, both times to non-Chinese girls, and had children by both of them. He died in Shanghai in 1978.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211427,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 143,
        "title": "RAS-1988",
        "content_text": "119\n\nof wine, the man sprayed it all over the area as a purification ritual before he removed bone by bone and wrapped each with a piece of white cloth amidst burning incense. He labelled the bones as he went along in order that the remains would be in their proper positions when reburied in a sitting position in a large urn. Father learned that 90 percent of the bones were intact because the burial area was dry.\n\nStep-Grandmother was exhumed at a later date but I was not present. A pair of jade bracelets and a jade ring were recovered. After storing them in a large handkerchief for years, Mother finally threatened to throw them away as they were stained, probably discoloured by the absorption of body fluids. Thereupon I salvaged them, soaked them in alcohol for several days, kept one of them for myself and let Helen have the other. Dora would have none of it. Because the ring broke into pieces, we threw it away. Surprisingly, with wear, the yellowish stains disappeared and the bracelets became greener and greener, acquiring a beautiful sheen and revealing their original beauty. I gave mine to Dora when she learned to appreciate it and kept for myself a white jade bracelet, one of a pair that had been buried with Paternal Grandmother in China and shared with us by First Uncle's concubine. These bracelets are much treasured by us. The Chinese believe that funeral jade is a charm against harm, but for me, wearing the bracelet brings me closer to my ancestors.\n\nFirst Paternal Aunt Yim\n\nFirst Paternal Aunt Ai, whose maiden name was Chan Yung Kam $32, was born in 1861 (?) and was the eldest of my Grandfather Chan's seven children. She was married to Yim Mow Chow also known as Yim Goon Chan, of How Chang Villaget. She was mother substitute to my father after Grandmother Chan's early death. Aunt Yim left China with my father in 1892, landing first in San Francisco before transferring to a whaling vessel for Honolulu to join Uncle Yim who had emigrated earlier to Hawaii. At one time, he repaired watches for a living, but during the Honolulu Chinatown fire of 1900, he was employed as a clerk in Sing Chan 14, a plumbing shop.\n\nSince Aunt Yip did not have children, they adopted George Goon Hop, reported to be the infant son of a Japanese barber, whose wife had become emotionally disturbed at childbirth. George was born",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211433,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 149,
        "title": "RAS-1988",
        "content_text": "125\n\nOne of Grandfather's ancestors was a petty official, a position which afforded him an opportunity to grant favours and to receive gifts of appreciation in return. The gifts included an eye agate, a cockroach of black jade, and a woman of white jade which were handed down as heirlooms in the family. Uncle Jong Tin Yau was given the cockroach, but it could not be located after his death. Uncle Jong Tin Suk inherited the eye agate. Mother was given the piece of white jade—a carved reclining female figure with bound feet, undraped except for an apron. Her head rests on a block pillow and in her hands is a palm fan. Mother was the 5th or 6th generation to own it.\n\nWhile working in Sam Heong, a suburb of Shekki, Grandfather met and married Grandmother, who was surnamed Chang. Little is known of her background, although she did confide in Mother that she had been married previously. I do not know whether she was widowed or she had merely deserted her first husband. In any event, it was reported that she had had children. Re-marriage for women was not acceptable, especially in cases where the men had been bachelors. This might have been the source of conflict between Grandmother and Grandfather's family.\n\nA son, Tin Yau Kišlí, was born to them on 17 August 1878. According to Mother, he was nine years older than she. When he was seven, Grandmother brought him to join Grandfather in Hawaii. She had to pawn her jewellery to pay for the passage. When they arrived in Honolulu on the 15th day of the 8th month, the day of the Moon Festival, she learned that Grandfather had already left for China. Having fulfilled his contract, he was now ready to repair his ancestral home and to bring his wife and child back to Honolulu. Because it took sailboats several months to cross the Pacific in those days, communication between him and Grandmother had been inadequate. As a result, Grandmother had to live in the home of a friend, Lau Tim, to await Grandfather's return.\n\nUpon arrival at Shekki, Grandfather was greeted with tales of Grandmother's infidelity. More likely than not the source of this gossip had been Seventh Aunt. It took Grandfather some time to get over his anger, but eventually he returned to Honolulu, and two more children were born to my grandparents. My mother, Jong Hung, was born on 23 April 1887, in a small community known as Jow Tim Yard HJ,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211591,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 6,
        "title": "RAS-1989",
        "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nHON. TREASURER'S REPORT\n\nHON. LIBRARIAN'S REPORT\n\nARTICLES:\n\nDan Waters\n\nLIBRARIES\n\n138 1937. vii\n\nAR\n\nIn the Steps of Lu Pan: Reminiscences of Building in Hong Kong\n\nK.J.P. Lowe\n\nHong Kong, 26 January 1841: Hoisting the Flag Revisited\n\nKeith Stevens\n\nThe Jade Emperor and his Family, Yu Huang Ta Ti\n\nKeith Stevens - Fukienese Wang Yeh (Ong Ya [Hokkien])\n\nP.H. Munro-Faure\n\nThe Kiukiang Incident of 1927\n\nA.D. Blackburn\n\nHong Kong, December 1941 July 1942\n\nChan Ka-yan\n\nJoss Stick Manufacturing: A Study of a Traditional Industry in Hong Kong\n\nP.H. Hase\n\nCheung Shan Kwu Tsz, An Old Buddhist Nunnery in the New Territories and its Place in Local Society\n\nJ.H. Haan\n\nThalia and Terpsichore on The Yangtze, Survey of Foreign Theatre and Music in Shanghai 1850-1865\n\nFred Dagenais\n\nJohn Fryer's Early Years in China: I. Diary of His Voyage to Hong Kong\n\nChan Wing-hoi\n\nThe Dangs of Kam Tin and Their Jiu Festival\n\nxxi\n\nxxiii\n\n8\n\n18\n\n34\n\n61\n\n77\n\n94\n\n121\n\n158\n\n252\n\n302\n\nNOTES AND QUERIES:\n\nE. Sinn\n\nNotes on the Robert Hart Papers at the University of Hong Kong Library\n\n376\n\nP.H. Hase\n\nA Song from Sha Tau Kok on the 1911 Revolution\n\n382\n\nP.H. Hase\n\nThe Mutual Defence Alliance (Yeuk) of the New Territories\n\n384\n\nP.H. Hase - More on The Man the Emperor Decapitated\n\n388\n\nIssei Tanaka\n\nThe White Tiger\n\n389\n\nKeith Stevens - British Chinese Labour Corps Labourers Buried in England\n\n390\n\nAnthony Siu Kwok-kin\n\nThe History of Hong Kong: From A Village to A City\n\n391\n\nAnthony Siu Kwok-kin\n\nHistorical Records\n\nAnthony Siu Kwok-kin\n\nBOOK REVIEWS\n\nTai Yu Shan from Chinese\n\n394\n\nA Tung Lo Wan\n\n399\n\n400\n\nV",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211626,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 41,
        "title": "RAS-1989",
        "content_text": "16 \n\nthe Narrative of an Eventful Six Months in China (London, 1875).\n\n20 A. Cunynghame, The Opium War, being Recollections of Service in China (London, 1844).\n\n21 A. Murray, Doings in China: being the Personal Narrative of an Officer Engaged in the late Chinese Expedition (London, 1843).\n\n27 \n\nThe United Service Journal, 1841, part 2 (July 1841), p. 307.\n\n23 C. Smith, Chinese Christians: Elites, Middlemen, and the Church in Hong Kong (Hong Kong, 1985), p. ix.\n\n24 Chinese Repository, 10 February 1841, p. 119.\n\n25 Ibid., 11 November 1842, p. 579.\n\n26 \n\nThe Canton Press of Saturday, 30 January 1841.\n\n27 Ibid., 13 February 1841.\n\n28 \n\nThe Canton Register of 16 February 1841.\n\n* \n\nFor general information on the Sassoons, see C. Roth, The Sassoon Dynasty (London, 1941) and S. Jackson, The Sassoons (London, 1968).\n\n30 \n\nK. N. Vaid, The Overseas Indian Community in Hong Kong (Hong Kong, 1972), p. 15.\n\n31 For further information, see the centenary volume by [J. Steuart], Jardine Matheson and Co., 1832-1932 (Hong Kong, 1934) and M. Keswick ed., The Thistle and the Jade: a Celebration of 150 years of Jardine, Matheson and Co. (London, 1982).\n\n32 JMA, C5/6, 65.\n\n31 \n\nSee J. Y. Wong, 'The Cession of Hong Kong: a Chapter of Imperial History'. The Journal of the Oriental Society of Australia, 11 (1976), 52-3 and ibid., Anglo-Chinese Relations, 1839-1860 (Oxford, 1985), p. 51.\n\nH. B. Morse, The International Relations of the Chinese Empire 1 (London, 1910), p. 624.\n\n35 Wong, Anglo-Chinese relations, p. 52.\n\nJ6 JMA, C5/6, 51.\n\n37 \n\nSee the report by the missionaries in The Canton Press of 27 February 1841, reprinted from one in the Canton Register of 18 February.\n\n38 C. Smith, Chinese Christians, op. cit. p. 173.\n\n39 \n\n40 \n\nVaid, The Overseas Indian Community, op. cit. p. 22.\n\nFor further information on the Madras Native Infantry, see J. B. R. Nicholas, 'Madras Native Infantry, c. 1845', Tradition, 42 and 43.\n\n42 \n\nSee The Canton Press of 16 January 1841.\n\nSee B. Mollo, The Indian Army (Poole, 1981), pp. 64-5. For further information on the Bengal Native Infantry, see F. G. Cardew, A Sketch of the Services of the Bengal Native Infantry to the year 1895 (Calcutta, 1903) and A. Bharat, The Bengal Native Infantry, 1796-1852 (Calcutta, 1962).\n\n43 P. Fay, The Opium War, 1840-2 (Chapel Hill, 1975), p. 208.\n\n44 \n\nVaid, The Overseas Indian Community, op. cit. p. 22.\n\n45 Mollo, The Indian Army, op. cit. p. 50.\n\n46 \n\nIndia Office Library and Records, London, China Medal 1842 and Bengal Army Lists.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211628,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 43,
        "title": "RAS-1989",
        "content_text": "18\n\nTHE JADE EMPEROR AND HIS FAMILY\n\n玉皇大帝\n\nYU HUANG TA TI\n\nKEITH STEVENS\n\nThe Jade Emperor, also known as the Lord of Heaven (T`ien Kung), is the chief deity of the pantheon of the Cheng I sect of Taoism. He is only a secondary deity of the Taoist Lungmen sect. He was worshipped China-wide as the supreme ruler of the Heavens, and even of some of the Underworld. In folk religion, he is worshipped as the protector of all mankind, having replaced Lao Tzu in that role and as head of the Taoist faith, possibly because people were uncomfortable taking their problems to a philosopher. According to a majority of Taoists his earthly mouthpiece was Chang T'ien Shih, The Heavenly Master and his descendants.\n\nAlthough he is well known to both Chinese and to interested foreigners, what is not so well known are the ramifications of his family and the extent to which several of its members have their own cults.\n\nThe development of the supreme deity in China is far from clear. In earlier times the all-seeing, all-powerful, unseen god was Shang Ti who even now is occasionally referred to as the all-highest. Not only is the term Shang Ti used by Protestants for the Supreme Deity, God, but also the late Chairman Mao in his statement that, at the age of 72, “he was soon going to see God“, used this expression.\n\nHoward Smith, a missionary in China for 24 years, describes how the Chou dynasty (ca 1050-256 BC) founded its government on religion and transformed 'Shang Ti', probably originally a term used for the deified spirits of the imperial ancestors under the previous dynasty, the Shang, into a high God, independent and supreme, He added \"The importance of this change cannot be over-emphasised. When this supreme deity finds the rule of an emperor abhorrent, whenever a king fails, by persistent misrule, in his duties to God, then God rejects him and seeks out a suitable substitute.\" The transfer of the mandate of Heaven, based on the belief in a supreme deity, carried with it strong ethical implications, and continued down to the last dynasty, which fell in 1911.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211629,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 44,
        "title": "RAS-1989",
        "content_text": "19\n\n2\n\nGoullart in his description of the monastery in Kiangsi in which he spent several holidays, describes in one hall 'Shang Ti smiling benevolently and enigmatically from his canopied throne'. He then refers, in his description of another temple, to the Jade Emperor and speaks of him as Shang Ti. There are various explanations offered as to why this deity is called the Jade Emperor. One suggests that the reference in the Book of Changes to '. . . heaven being the ruler, and is... jade' is its origin; Goullart however gives, in translation, an invocation from the abbot to Shang Ti in which he refers to him by title as 'the Mightiest Emperor over all Heavenly Kings, who lives in the Jade Hall of the Western Heaven'. This, surely, is a clue. The supreme deity, Shang Ti, lives in the Jade Hall, hence his title the Jade Emperor. This title is a relatively recent development in Chinese chronology having only become prominent during the 11th century AD. However, popular recognition of and interest in the cult became apparent during the Manchu (Ch'ing) dynasty.\n\nThe title of the sovereign divinity of the Chinese State religion until 1911 was Huang T'ien Shang Ti, the First Rank Supreme Deity in the 17th century regulations of the Ch'ing dynasty. Shang Ti, as the All-highest, was never portrayed in image form, and in a number of temples in South-East Asia the title of Huang T'ien Shang Ti is still given for the supreme deity, usually carved on plaques, and in one temple in Singapore an image of the Jade Emperor even bore a vertical slip of paper inscribed with this title.\n\nMany Chinese myths and legends involve the Jade Emperor; those surrounding his origins are shrouded in mystery and probably his genesis will never be known. China has a rich popular tradition incorporating local tales from every corner of the vast empire, and it is no wonder that numerous and varied explanations have been given by devotees of how and when the Jade Emperor became the senior deity. The earliest known reference to him is from the T'ang but he could have existed long before that. Since then it has commonly been believed that he was either an incarnation of, or given the task of Supreme Deity by Yuan Shih T'ien Chun, the senior deity of the Taoist trinity, the Three Pure Ones (San Ch'ing). His popularity declined somewhat during the Ming. Although a Taoist deity, his image is to be found on altars in several Buddhist temples and some Buddhists even claim that he is really just an adaptation of Indra. To the man in the street all Buddhist, Taoist and folk religion deities are his subordinates, and well timed worship will",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211630,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 45,
        "title": "RAS-1989",
        "content_text": "20 \n\nsecure a writ of pardon for a soul in the Underworld. Buddhists have occasionally accused the Taoists of stealing him from their pantheon. The Buddhist Indra, known as Yu Ti (**玉帝**), literally The Jade Emperor, was, they say, adopted by Taoists to counter Buddhist power. Others suggest that the Jade Emperor was a creation of a Chinese emperor to help maintain the authority and stability of his rule. In one popular version the Sung emperor Chen Tsung (**宋真宗**) in AD 1012, in order to divert his ministers from an unfortunate treaty he had been obliged to sign with some barbarian tribes, announced with great pomp that he had been visited in a dream by an immortal with a letter from the Jade Emperor. In the letter the Jade Emperor explained that he was sending one of the emperor's ancestors in person. The Sung emperor then claimed that a dazzling deity appeared before him in a dream and informed him that he was the Jade Emperor, Master of Heaven and Earth, and the Incarnation of Tao. Later the emperor, having announced that the visit had taken place, ordered that thereafter the Jade Emperor, “one of his ancestors\", was to be treated as a major deity. The next year, in 1013, the Jade Emperor's image was cast and placed in a special temple, the Jade Palace (**玉皇殿**) where it was worshipped by the whole court. One hundred years later, the Sung emperor Hui Tsung (**宋徽宗**) built an even more magnificent temple for the Jade Emperor and thereafter the image was portrayed in imperial robes.\n\nH. Y. Feng3 claimed that the earliest reference to the Jade Emperor was in a poem by Han Yu (768-824), a Confucian scholar who wrote, admiring plum blossom, \"Riding clouds we came together to the home of Yuh Huang', proving, he states, that the Sung emperor's claims were after the fact. However, state recognition by emperor Chen Tsung made the Jade Emperor an important deity in the pantheon.\n\nA Fukienese legend describes the Jade Emperor as being born to a queen who conceived miraculously after a visit by T'ai Shang Lao Chun (Lao Tzu) in a dream. When this prince in due course became king, he ruled with great compassion and concern, and was a model ruler who later devoted part of his life to religion and attained sainthood. This was, however, many centuries before the Sung emperor Chen Tsung popularised the cult.\n\nAnother popular version explains how the Jade Emperor appeared in his visible manifestation to a Sung emperor and told him that he, The Jade Emperor, was the manifestation of the power and thought of Tao,\n\nPage 45\n\nPage 46",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211631,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 46,
        "title": "RAS-1989",
        "content_text": "21\n\nto be regarded as such by mankind and to be revered only as the representation of that power. However, over the centuries, he has developed into a god in his own right, depicted as a gilded image of an emperor sitting on a throne, and is accepted by the masses as the ruler of the Heavenly bureaucracy.\n\nIn T'aishan in Shantung province it was claimed that the Jade Emperor in mortal life had been merely a learned doctor of medicine who had lived during the 12th century AD at the Sung court in Kaifeng. He attended the emperor Hui Tsung during a serious illness and saved his life with a miraculous cure. He was known as Chang Yu-huang, but, on his death, he, like many a hermit, was deified by imperial decree.\n\nBritish representatives met the imperial representative, Li Hung-chang in 1876 in the temple (Yuh Huang T'ing) dedicated to the Jade Emperor to the west of Yent'ai (Cheefoo) in Shantung province to arrange the Chefoo Convention. Another incident involving the British in North China and connected with the Jade Emperor concerned Sir Meyrick Hewlett of the China Consular Service at the turn of the century during the clearing up after the siege of the British Embassy during the Boxer Rebellion. He found in the house of Sir Ernest Satow, HM Ambassador in Peking, a tablet with a background of sky-blue, framed in rich gold and inscribed with the four characters in gold — 'Huang T'ien Shang Ti'. Prince Ch'ing identified it as an item from the Temple of Heaven which had been missing for more than a year. When Sir Ernest asked how to restore it to its rightful place, the Prince begged the Ambassador not to send it round to his palace as should it be placed in the entrance he could neither leave nor enter his home without kowtowing twenty-seven times before it. Another more enlightened official helped out by bearing it off at dead of night in a Peking cart to the vaults of a European bank where it awaited a favourable day for restoring it to the Temple of Heaven. Some thirty-five years later, Sir Meyrick, paying his farewell visit to Peking, visited the Temple of Heaven and asked the attendants whether he could see the tablet, kept with the other tablets sacred to the emperors of the Ch'ing dynasty in a small temple opposite the Altar of Heaven. They replied that this was quite impossible, since even in post-imperial Kuomintang days no-one was allowed to see it. Sir Meyrick related the story of its recovery, upon which the attendants agreed to show him the tablet together with the tablets to the 28 Major Constellations, to Thunder and Lightning, and to the other forces of nature, but said that the tablets to the emperors were all lost after their",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211632,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 47,
        "title": "RAS-1989",
        "content_text": "22\n\nremoval to T'ai Miao.\n\nIn Tainan in southern Taiwan an elderly temple keeper claimed that the heads of the five major religions, Confucius, Lao Tzu, The Buddha, Christ, and Mohammed gathered and chose Kuan Yu (otherwise known as Kuan Kung, the Patron deity of loyalty) to be raised in succession as the 18th Jade Emperor. He assumed the throne at Chinese New Year in AD 1864 and still occupies the throne.\n\nAlthough the Jade Emperor is concerned with running the bureaucracy of the spirit world and with meting out justice, he delegates many of his day-to-day responsibilities to his ministers and judges. It is accepted by devotees that he is the arbiter during disagreements between the gods. His rule is conceived of as similar to a reigning Chinese emperor, he being the heavenly ruler with the Chinese emperor the terrestrial ruler. Most people believed that the emperor of China was his terrestrial equal. Despite the large pantheon the Jade Emperor commands, containing an inordinate number of Buddhas and bodhisattvas, The Five Emperors, Kings/Judges of the Underworld, major gods and all the deified spirits (shen), in Chinese mythology he is frequently duped and outwitted, as indeed the Chinese well knew that their emperors were. One only has to remember the story of Ch'i T'ien Ta Sheng, better known in the West as Monkey to see how gullible he can be. This does not mean that he was not feared. The Jade Emperor's forces include his powerful spirit armies, capable of destroying anyone or anything, which he can unleash upon anyone who offends him.\n\nAn English missionary in the nineteen thirties after 36 years in North China wrote \"Lao T'ien Yeh is the Supreme God, the popular equivalent of Shang Ti of the Classics. He is not represented by any image or other symbol nor are there any temples in his honour, nor is he the object of popular worship. But built into the outer wall of the house, beside the doorway, there is commonly a little shrine in which thank offerings are placed at harvest time. When you inquire what people know about him, the usual answer is 'He sends the wind and the rain and ordains life and death, and to him the Kitchen God makes his annual report'\"*.\n\nIt is well known that the Jade Emperor personally receives reports from each and every Kitchen God during the period from the 12th day of the final lunar month until the Lunar New Year's Day, and from these",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211633,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 48,
        "title": "RAS-1989",
        "content_text": "23\n\nhe examines each human's conduct and adds his comments to the records kept on each person against the day when that human will die and be summoned to enter the Courts of the Underworld for judgement.\" A temple dedicated to the Jade Emperor on Coal Hill in Peking was where the living emperor of China prayed for rain during long droughts, requesting the Jade Emperor to instruct the Dragon King to cause rain to fall.\n\nReverend Hutson in Szechuan recorded his observation that lanterns hanging before the altars of Yuh Huang were taken home by childless couples and a new lantern presented in its place if a son was born to them. These lanterns were also hung in orchards and elsewhere to secure a good crop.\n\nThe Jade Emperor is a puritanical god, offended, for example, by the sight of a pregnant member of the family attending a sacrifice. In some places women are not permitted to worship him. As supreme Sovereign of the universe he is rarely approached directly, and usually only receives devotional offerings. Worship is therefore performed with great care, and his image and altar is treated with the greatest solemnity. The common man is loath to approach him unless he has little choice. The main reason for doing so is to obtain a prediction of fate; he knows that he cannot always change it, but if the common man is aware of what is in store he can plan ahead.\n\nThe Jade Emperor is only approached directly, with great trepidation, when the plea being submitted by the devotee is of the greatest import, or when the Jade Emperor's underlings have failed to come up with the goods, and devotees' expectations have not been achieved; under normal circumstances pleas are submitted to the Jade Emperor through lesser deities. In a small temple in an immigrant community in Kowloon, the Jade Emperor, their only main deity, is approached by devotees for remission of punishment for their sins in return for promises of future good deeds. The devotees have to submit their pleas to the Jade Emperor through the temple keeper. He in turn voices their pleas to an unnamed invisible bodhisattva (pusah) who approaches the Jade Emperor on their behalf.\n\nIn many parts of China the Jade Emperor was considered too holy, too awesome, and too powerful to be represented by an image, and only a tablet bearing his title was permitted to be placed on the altar (see Plate 1). In other parts, amongst the Fukienese in particular, he is believed to reside in the ash of the main incense pot on his altar (the main altar)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211634,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 49,
        "title": "RAS-1989",
        "content_text": "24 \n\nand not even a tablet is permitted. Images of the Jade Emperor seen in Taiwan, Hong Kong, Macau and in South-East Asia are all very similar, portraying him as a bearded, usually gilded, image of an official seated on a throne, with a jade tablet clasped in both hands before his chest (see Plates 2 and 3). His head-dress is not a crown in the western sense, but a classic hat, the mien (mian) the rectangular mortar board cap from which is suspended, front and back, thirteen red cords bearing green, red and blue beads and descending almost to the level of his eyes. Thirteen indicates his supreme rank. This, it should be noted, is the typical standard image of a great number of official deities other than the Jade Emperor, and the only way one can categorically identify his image is to see it on his altar, or to find that it bears an original inscription describing it as the image of the Jade Emperor.\n\nHis image is placed as high on the altar as possible, even to the extent of placing it on as many as three to four tiers; his image, even more than most, must never permit his feet to be touching the ground. In a number of places he is considered to be too holy and too powerful to be portrayed by an image; his title only being recorded on a tablet which occupies the centre of his altar. Images of the Jade Emperor are to be seen not only on the main altars of temples dedicated to him but also, in a small number of instances, on secondary altars in temples dedicated to lesser deities. In Suifu in Szechuan, Graham in 1928 counted nineteen images of the Jade Emperor on altars in the town. The images were placed on the first floor of the temples whereas other gods were normally on the ground floor.\n\n7\n\nGrootaers noted that the cult of Yuh Huang was well represented in the sanctuaries built in high spots in the city of Hsuan Hua (south of Chang Chia Kou [Kalgan] and northwest of Peking). The earliest was dated 1535 AD. Yuh Huang was better known there as Hao T'ien Shang Ti and his image portrayed him as a bearded scholar with a mortar board cap.\n\nIn many folk religion temples in Ch'aochou (Teochew) communities his tablet stands in the front centre of the altar table nearest the main entrance, and in front of the main altar, with only an image of the Third Prince on his altar table standing between the Jade Emperor's tablet and the entrance. The altar of the Jade Emperor is referred to as the T'ien Kung T'an (Tiangong Tan). On his birthday, the 9th of the first lunar month, large sacrificial offerings to T'ien Kung are placed on this special altar",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211635,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 50,
        "title": "RAS-1989",
        "content_text": "25\n\nwhich is reserved exclusively for the occasion. The offerings must include red pork and two long stems of bamboo in leaf; these are laid out on special tables placed on small stools so that they do not touch the ground and be defiled.\n\nThe Jade Emperor's image has been noted on altars in nine temples in Hong Kong and in two in Macau. It is also to be seen on numerous altars throughout South-East Asia and in Taiwan. In Taiwan his image appears alone or with two or three attendants on a number of secondary altars and even on side altars. In Hong Kong he is the main deity in six of the nine temples and is the major deity on a secondary altar in the other three.\n\nThe most fascinating image of the Jade Emperor in Hong Kong is to be seen in the upper level hall of the Monastery of the Ten Thousand Buddhas in Shatin where he is flanked by two of his ministers. In a large number of temples in which he is the main deity the Jade Emperor is supported in this way by the two stellar deities, each in his own secondary altar flanking the main altar with the Jade Emperor. They are the Lord of the Northern Bushel and the Lord of the Southern Bushel, Nanpei Tou (jjdk-1-). There are also a number of images of attendants flanking the image of the Jade Emperor, and on occasions the Civil and Military Judges (Wenwu P'ankuan).\n\nHe is the main deity in a tiny temple near Shaukiwan on Hong Kong island, a tiny image in a small single-room temple occupied by one elderly lady, the temple keeper. The original occupants were refugees from Yunnan province in the early fifties, dead these many years. By the mid-seventies the temple was being kept spotlessly clean by the elderly lady who had been an amah to a long-departed English family. She explained that she had to earn her keep somehow, especially as her husband had already 'long time gone topside'.\n\nIn Penang people will tell you that the small red shrine outside their shop or house is dedicated to the Jade Emperor even though neither his name nor title is recorded anywhere.\n\nSupporting the Supreme Deity is a Board or Ministry of Thirty-Six Ministers, with duties to supervise junior celestial officials and clerks, whose images are rarely to be seen on altars though on temple murals all thirty-six are frequently portrayed. Their role is to control and run",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211636,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 51,
        "title": "RAS-1989",
        "content_text": "26\n\nthe destinies of mankind on behalf of the Jade Emperor.\n\nImages of four of his 36 ministers are to be seen with him on several altars. They are:\n\nHsu Chenjen (許眞人)\n\nSa Chenjen (薩眞人) both on his right hand, and\n\nChang Chenjen (張眞人)\n\nKo Chenjen (葛眞人) both on his left hand.\n\nTheir collective title is Hsu Lung Chang Ko Ssu Chenjen (許呂張葛四眞人).\n\nPopular versions of the deification of the Jade Emperor are no more than an echo of the stories related by tea house story tellers who, in turn, came by many of the stories from the Ming dynasty book containing a collection of myths describing the wars which ended in the fall of the Shang dynasty and its replacement by the victorious Chou, \"The Deification of the Gods' (Feng Shen Pang). The collection, also known as the Feng Shen Yen I, describes the appointment of the Jade Emperor by Chiang Tzu-ya, the Prime Minister of the Chou, in about 1180 BC. Chiang had appointed the majority of the heroes who had lost their lives in the wars to overthrow the Shang tyrant to fill vacancies in the bureaucracy of the spirit world with only one post left unfilled, that of the Supreme Deity, the Jade Emperor, which Chiang had been reserving for himself. When he was offered the post, with customary courtesy he paused and asked people to 'wait a second' (Teng lai) whilst he considered. However, having called out \"Teng lai', an opportunist, Chang Teng-lai, hearing his name, stepped forward, prostrated himself and thanked Chiang for creating him the Jade Emperor. Chiang Tzu-ya, stupefied, was unable to retract his words. However, in tense anger he quietly cursed Chang Teng-lai, ‘Your sons will become thieves and your daughters prostitutes!' Chang Teng-lai became the Jade Emperor but was unable to prevent the curse from working. The sons, in the Feng Shen Pang, planned to steal Buddha's lotus throne, but omniscient Buddha trapped them with his fingers and enslaved them under a pagoda. Despite this human origin, and his apparent lack of qualifications for the post of Supreme Deity in the pantheon, he is above all other spirits in the Taoist and folk religion pantheon and is a distant deity to whom all others must pay their respect.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211637,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 52,
        "title": "RAS-1989",
        "content_text": "27\n\nOne of the unique features of the cult of the Jade Emperor is the extent to which members of his immediate family also appear on altars. In Taiwan and South-East Asia in Fukienese community temples, some of the daughters of the Jade Emperor are portrayed in image form on altars both with their father and alone, and prayed to in their own right. The Jade Emperor is said to have sons and four, or according to others, seven daughters. Temple keepers, when asked, without exception denied that the sons and daughters were approached by devotees who hoped for indirect but preferential treatment of their requests from the Jade Emperor.\n\nGraham in Suifu noted two statues in Jade Emperor temples portraying his daughters. (Regrettably Graham did not provide characters, simply giving their titles as Yin Fei U Nu and U Giang U Nu (the U Nu probably being Yuh Nu)).\n\nThough his daughters did not become prostitutes in the ordinary sense of the word, many amusing and ribald stories are told about them. The Jade Emperor's seventh daughter, Chang Ch'i-chieh (A) [Chang the seventh sister] chose to marry a woodcutter who, from the description in the legend, must have been not far off mentally defective. He did not even understand what a wife was. She overcame the woodcutter's mother's natural reluctance to see a beautiful and intelligent young woman throwing away her life to marry her idiot son. Ch'i Chieh was a good wife and all went well. However, unfortunately, she came to the notice of a rich and handsome young man who was determined to have her. She arranged to marry him in exchange for a very large bride-price to be paid to the idiot and, being an immortal, she punished the rich man severely on their wedding night. He promptly changed his mind and released her, whereupon she returned to the idiot who was now rich, and bore him a son. She then returned to Heaven having fulfilled the curse, but at the same time, she had punished the wicked and rewarded the filial, if idiot son.\n\nIn one temple only, small images of the mother and two wives of the Jade Emperor stand alone in a small shrine behind the main altar on which stands the image of the Jade Emperor himself. This temple layout in Silat Avenue in Singapore is very rare as the consort of the Jade Emperor, according to several different god carvers, is never portrayed on the altar. However, Graham, in Suifu in Szechuan in 1928, noted an image of the Jade Emperor's mother on the side altar in his temple, called Yuh Huang.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211638,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 53,
        "title": "RAS-1989",
        "content_text": "28\n\nSheng Mu (玉皇聖母)\n\nOne of the more interesting arrangements is the main hall of the Temple of the Jade Emperor in Tainan. The Jade Emperor occupies the main altar with the San Kuan (Three major Taoist deities) immediately before him. On his left hand is his son, referred to as the Fourth Heir Apparent (Yu Huang Ssu Tien Hsia F) (see Plate 4) but without any personal name, and on his right is his grandchild, the Third Princess (San Kung Chu Niang, see Plate 5). According to the temple keeper she is the younger sister of the Jade Emperor's heir Yuh Huang T'ai Tzu, and her annual festival is celebrated before her altar on the 15th day of the third lunar month. The other children of the Jade Emperor are not represented. An image of the Jade Emperor's third daughter (see Plate 7), a princess whose name is not given, is the main deity on an altar in a temple in Pai Sha on the Pescadores Islands. On the same altar are four other princesses, said to be her sisters, but again without names. These four are lesser deities.\n\n10\n\nMrs. Goodrich was told by her Peking informant that Yen Kuang Niang-niang, the deity who watches over eyesight, was the sixth daughter of the Jade Emperor. Her image in the Temple of the Eastern Peak in Peking portrayed her carrying images of eyes in her hands. She has to be worshipped by a pregnant mother or her child will be born with incurable eye trouble.\n\nIn another temple on the Pescadores, the Lung Tu Temple in Makung, the Third Prince of the Jade Emperor is the main deity on one of the major altars. He is flanked by smaller images of the First, Second, Fourth, and Fifth Princesses (Ta, Erh, Ssu, Wu Kung Chu). This Third Prince Yu Huang San T'ai Tzu should not be confused with Na Cha, who is also referred to as the Third Prince (Nacha San T'ai Tzu). The third son of the Jade Emperor is portrayed as a seated, beardless, middle-aged man holding an unsheathed sword vertically before his chest and with his left hand raised to shoulder height making a mystic sign. He is wearing a high, round-topped cap with a bead-screen, and has four flags signifying his military rank in a rack across his back.\n\nThis same deity, Yu Huang San T’ai Tzu, has been noted with an image of the Taoist deity, the Saintly Mother (Sheng Mu) on a side altar in the main hall of a large folk religion temple in Manila.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211639,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 54,
        "title": "RAS-1989",
        "content_text": "29\n\ndedicated to Pao Kung, the Lenient Judge, and also in a Buddhist temple in Beverley Hills on Cebu where he has behind him a small image of the Jade Emperor's second son Erh T'ai Tzu (...). The whole group of the Jade Emperor's family, though only the two sons (the second one and the third) are portrayed, is referred to as Chiu Chung T'ien Lao Tsu (LICEEM).\n\nA rural temple on the island of Penang contains three images on its secondary altar identified as the Three Sons of the Jade Emperor. They are referred to as San Yuan T’ai Tzu (SAT).\n\nAnother rural folk religion temple at Bukit Mertajam on the Malaysian mainland opposite Penang contains an image of the Jade Emperor's Fourth Daughter (Ti Ssu Kung Chu Pч2) on one side of the main deity on the altar, the Jade Emperor himself, with an aide to the princess on the other side of the Jade Emperor. The aide is known as Meng Yen Hua (夢燕花),\n\nAn unusual image, of a farmer standing holding a hoe over his shoulder, stands on a private altar belonging to a Hakka petty businessman in Kranji, Singapore. The businessman explained that it portrayed one of the sons of the Jade Emperor and had been brought from eastern Kuangtung province last century; it has been prayed to for good crops ever since. He is known as Li Po Kung Kung (#22).\n\nIn one group in Singapore, on a Taoist altar in Lorong How Sun, the Jade Emperor is attended by four of his seven daughters. The first is Hsien Chi Niang Niang (瑄姬娘娘), the second is Kuan Yin, the third is T'ien Hou and the fourth is Nu Wa. All but the eldest are well known deities from early Taoism and Buddhism in their own right. Hsien Chi Niang Niang has only been noted twice, both times in Singapore, on altars where she is said to be the eldest daughter of the Jade Emperor. She is portrayed standing on rocks, holding a fly whisk in her right hand.\n\nAgain in Singapore, on a private altar, a Buddha figure, gilded and seated in a lotus position, was identified as Han Hsien Fu Tsu (#\n\nbili), and said to be a daughter of the Jade Emperor (see Plate 8). She has three identifying features apart from her Buddhist five-leaf crown. These are a small dragon crawling over her left knee, a vase balanced on her right knee and her palms held facing together before her chest with her fingers making a mystic sign. This image has also been seen",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211640,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 55,
        "title": "RAS-1989",
        "content_text": "30\n\non an altar in a folk religion temple in Pongol in northern Singapore.\n\nIn the Feng Shen Yen I, mythical tales known to most Chinese, Yang Chien is described as the nephew of the Jade Emperor. Yang, also known as Erh Lang in some stories and in some temples, was a mythical general fighting for the legendary Shang (Yin) dynasty during the wars of the 12th century BC.\n\nAnother popular romance of the Ming, the Journey to the West, better known as the story of Monkey, tells of the incident when a heavenly being was exiled to Earth for re-incarnation as a punishment for assaulting one of the Jade Emperor's daughters. By mistake he entered the womb of a sow and was born half-man and half-pig and is now best known as Piggy, one of Monkey's assistants.\n\nThe Jade Emperor's festivals are celebrated on his birthday, the 8th and 9th of the first lunar month, and on the 6th of the eleventh lunar month, the anniversary of his ascension. In parts of Taiwan he is also feasted on the 24th of the sixth lunar month, and in South-East Asia on the 6th of the fourth, and fifth of the eighth lunar months. Though it is not a date on which humans especially revere the Jade Emperor, all the gods of Heaven assemble on the 19th of the first lunar month to pay their respects to him.\n\nHe is offered a feast on his birthday which includes duck and chicken, but must include pork. These offerings are placed on a table in the open, before the front entrance to the courtyard, together with candles and the large-size sticks of incense. Two whole sugar canes with leaves intact are especially popular offerings in Fukien communities to celebrate the escape of Fukienese who hid amongst the fields of cane to avoid being killed by an enemy. The survivors offered such canes to the Jade Emperor in thanks and the custom has persisted.\n\nIn general, routine offerings before the altar of the Jade Emperor consist of the standard three sticks of smouldering incense. However, offerings of a vegetarian feast are made to him in Hong Kong on the first day of the lunar new year, accompanied by the burning of spirit money. Not all families perform this ritual, many Hoklo and Hakka families prefer only to offer the basic vegetarian meal.\n\nThe Jade Emperor is usually accompanied on the altar by images of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211641,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 56,
        "title": "RAS-1989",
        "content_text": "31\n\naides and guardians. His two major aides, according to a Taiwanese temple keeper, are major deities in their own right:\n\nT'ai I Chiu K'u T'ien Tsun (AZREF) and Lei Yin P'u Hua T'ien Tsun (LEO).\n\nHe has a senior deity as his personal messenger, Teh Chih Chiangchun (特赤將軍)\n\nA Buddhist priest guiding a visitor around his temple in Chia I county in Taiwan, in which the Jade Emperor was the main deity on a side altar in a side hall pointed out that he had four bodyguards:\n\nThe Marshals Wen (溫), Ma (馬), K'ang (康) and Chao (趙) with blue, white, red and black faces respectively.\n\nThe full title of the Jade Emperor is:\n\nHao T'ien Chin Kuan Yu Huang Shang Ti (昊天金阙玉皇上帝) or T'ien Ti San Chieh Shih Fang Wan Ling Chen Tsai (天帝三界十方万灵真宰). This is possibly best translated as The True Lord of Heaven, Earth and Mankind, in all areas and of the Mystical Spirits.\n\nThe following are the short titles by which the Jade Emperor is known:\n\nYu Ti (玉帝)\n\nYu Huang T'ien Kung (玉皇天公)\n\nT'ien Kung (天公)\n\nT'ien Kung Tsu (天公祖)\n\nT'ien Kung Yeh Yeh (天公爷爷)\n\nT'ien Shang Ti (天上帝)\n\nTien Ti (天帝)\n\nHe is also known as:\n\nYu Huang Ta T'ien Tsun Hsuan Ch'iung Kao Shang Ti (玉皇大天尊玄穹高上帝)\n\nYu Ch'ing Shang Ti (玉清上帝)\n\nHao T'ien Shang Ti (昊天上帝)\n\nShang Ti (上帝)\n\nLao T'ien Yeh (老天爷) North China",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211642,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 57,
        "title": "RAS-1989",
        "content_text": "32\n\nHuang T'ien Shang Yi (LR)\n\nSan Chieh Yu Huang Ta Ti (三界玉皇大帝)\n\n(The San Chieh altar before a temple entrance in Fukienese and Ch'aochou communities, represents the Supreme Deity, T'ien Kung (The Jade Emperor). It is a trinity of Heaven, Earth and Mankind, and the altar is usually higher than normal altars.)\n\nYuan Chih T'ien Tsun (X) (Taiwan)\n\nYu Huang Chih Tsun(玉皇至尊)\n\nYu Huang Ta T'ien Tsun (X) (Taoist)\n\nCh'ing Ching Tzu Jan Chiao Wang Ju Lai (a**=**)\n\nSome temple keepers claim that Yuan Shih Tien Tsun is an incarnation or alternative title for the Jade Emperor. Though Yuan Shih T'ien Tsun is often claimed to be the Supreme Emperor of the Beginning of time, he is primarily a member of the Trinity, the San Ch'ing (), and its first member. He is the First Principle, he has no beginning and no end, is the source of truth and his doctrine leads to Immortality. He dwells in the Kunlun Mountains and was possibly a deity invented by the Taoists to counter the then growing influence of Buddha. His image appears with that of the Jade Emperor on a number of temple altars, thus highlighting the difference between the two deities.\n\nMost of the information related above about the Jade Emperor is reasonably well known; however, the question of the images of the children of the Jade Emperor is a subject which appears not to have been investigated before. Most of the children, numbering up to seven daughters and four sons, appear on altars with their father, in groups on their own or individually alone as deities in their own right. Temple keepers without exception did not know why the particular son or daughter was represented on the altar in their temple though some suggested that the children were really well known major deities such as T'ien Hou and Kuan Yin. However, it is understandable that individual members of the Jade Emperor's family who are referred to on a number of occasions in the legendary history, the Feng Shen Yen I, together with mythical apotheosised heroes from the same legends whose images appear on Chinese altars, should themselves also appear on Chinese altars.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211643,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 58,
        "title": "RAS-1989",
        "content_text": "NOTES\n\n33\n\n1\n\nChinese Religions; D Howard Smith, Weidenfield and Nicolson, 1968.\n\nThe Monastery of Jade Mountain; Peter Goullart, John Murray, 1961.\n\nThe Origin of Yuh Hwang, H. Y. Feng, Harvard Journal of Asian Studies, 1936, p. 242-250.\n\n4\n\n\"Religion in the villages of North China\"; Rev. A. J. J. Murray, Religion, No. 16. July 1936, p. 18-25.\n\nLao T'ien Yeh was one of the titles given to the Jade Emperor in North China.\n\nIn Min Hsien in North-West China, where hailstorms are very prevalent during harvest time, peasants used to believe they occurred when the Jade Emperor was angry and the actual hail itself was produced on his instructions by the Mountain Gods.\n\nD. C. Graham, \"The Temples of Suifu”, Chinese Recorder, Vol. 61, 1930, p. 108-120.\n\nK\n\n\"Rural temples around Hsuan Hua\", Folklore Studies, XI, 1951.\n\n1\n\nop. cit.\n\nThe Jade Emperor's heir is very rarely seen on altars, but the author has an image of him, described on the base as \"The Imperial Heir\" (XRF). See Plate 6.\n\nA. S. Goodrich, \"The Peking Temple of the Eastern Peak\", Monumenta Serica, (Nagoya) 1964.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211661,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 76,
        "title": "RAS-1989",
        "content_text": "51\n\nAnother version of this legend claims that it was the T'ang emperor Kao Tsu (618-626 AD) who wished to test the 'pope's' powers by hiding 360 of his most elite literati (and not failed scholars) in the basement where they were required to play music. The 'pope' was instructed to stop the unidentified noise in the cellar and having waved his magic sword all sounds ceased. The 360 were all found dead, decapitated. The 360 complained to Yen Lo Wang, the ruler of the Underworld on their arrival at his Court who criticised the emperor and required him to appease the dead literati. This the emperor did by appointing them all to be Wang Yeh and by ordering a magnificent Buddhist mass to be said for their souls.\n\nIn some versions the detail of the test set by the emperor for the Taoist 'pope' suggests that the imagination of the tea-house story tellers was stretched to the limit. In one, when the music reached its crescendo the emperor ordered the 'pope' Chang to put a stop to it. Chang replied that the only way he could do so was by killing the makers of the music but the emperor insisted. Chang sprinkled rice and salt on the floor, struck it with magic sword or wand and all 360 were instantly decapitated. After their souls had appeared before Yen Lo Wang in the Underworld demanding to be restored to life and Yen Lo had explained that this was not possible, the spirits of all 360 were confined to a box and cast into the waves of the sea. Found later by a fisherman on the foreshore, the box was opened and the spirits released. They returned to haunt the emperor who thereupon ordered that they should be deified as Wang Yeh. He also decreed that they should be revered in all parts of the empire. The spirits separated and went their ways with five going to Fukien where they have been worshipped ever since.\n\nA version heard in rural Singapore claimed that Chang T'ien Shih was told by some immortals that other immortals, heavenly ones who played music and wrote poetry, were in fact demons in disguise and that they should be destroyed. Chang, who could not resist a challenge, drew his sword and killed a mere 36 at one blow. Chang was later horrified to hear that the 36 were not demons at all but genuine immortals, and immediately sped to the Court of the Jade Emperor in Heaven to apologise and request that the 36 should be deified. The Jade Emperor granted his request and the 36 were sent to all parts of China to serve as pestilence deities. This legend in one form or another is possibly one of the best known legends about pestilence deities amongst the Chinese.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211662,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 77,
        "title": "RAS-1989",
        "content_text": "52\n\nA second legend also tells of five scholars, again during the T'ang dynasty, on their way to the capital to take the imperial examinations when they overheard demons plotting to poison a village well with pestilence pills. The villagers themselves would not believe the scholars so the five jumped into the well and polluted it with their corpses. The Jade Emperor was impressed by their self-sacrifice and appointed them Pestilence Wang Yeh. This story was originally specifically told by people from Ch'uanchou in Fukien.\n\nA third legend claimed that five men, Li, Chih, Wu, Chu and Fan became blood brothers in order to serve the man who, after his military campaign, established the T'ang dynasty and became its first emperor, Kao Tsu. The five were appointed to various offices of state, served the country well, and after they died were appointed Celestial Inspectors, known colloquially as Pestilence Princes, Wen Wang (HE).\n\nTwo further legends date the origins of the Pestilence Wang Yeh to the Ming, some four hundred and sixty years after the T'ang. The first tells of 36 literati ordered by an early Ming emperor to travel forth beyond the borders of China to tell the world about China's greatness and in particular about the history of the great Tang dynasty. On one of the voyages all 36 were lost in a storm at sea and according to one of the surviving sailors, an auspicious pink cloud drifted over the roaring waves and celestial music was heard as the 36 were borne aloft. The emperor ordered a new ship to be built to be called the Ship of the Wang Yeh into which was placed a tablet for each of the 36 together with a decree personally written by the emperor requiring the officials at every port where the ship docked to welcome and honour the spirits of the dead literati.\n\nYet another local legend claims that towards the end of the Ming era five literati, Chih, Li, Chu, Hsing and Chin, on their way to invigilate at the local imperial examinations at Ch'uanchou fell ill and died of plague. They lost their lives in the service of the people of the town and have been worshipped ever since as the Five Excellencies (Wu Fu Wang Yeh).\n\nIn a popular story teller's tale, the Feng Shen Pang, recorded during the Ming dynasty, Lu Yueh, a Taoist with his four disciples fought for the last of the Shang dynasty against the Chou forces, using germ warfare (pestilence weapons). All five were on the losing side and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211768,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 183,
        "title": "RAS-1989",
        "content_text": "158\n\nTHALIA AND TERPSICHORE ON THE YANGTZE A SURVEY OF FOREIGN THEATRE AND MUSIC IN SHANGHAI 1850-1865\n\nJ. H. HAAN\n\n\"Thanks for the merry laugh that cheered our hearts\n\nFor loud applause that bade us top our parts. For mirth, that taking all things for the best\n\nMade even a blunder seem a clever jest'.\"*\n\nThus an epilogue to an evening of theatrical entertainment in 1852 that was given for the foreign community of Shanghai, and it sums up nicely the attitude with which generally speaking the efforts of the local amateurs were greeted. What happened on the stage in this outpost of Western civilisation may not have been very exciting or very daring but still it seems interesting enough to go into in more detail than has been done before now.2\n\n1. Some notes on foreign life in Shanghai\n\nUntil the first Anglo-Chinese War of 1839-1842, foreigners were severely limited in China. In fact only one port, Canton, was open for external trade and merchants had to reside part of the year in the so-called foreign factories. After the war several treaties were concluded with Western nations (England, France, United States) in which the right of foreigners to settle themselves in a number of cities on the China Coast was granted.\n\nAmong these cities was Shanghai, and it was not long before a predominantly British community came into being. A Foreign Settlement was delimited, Land Regulations (a kind of constitution) were issued in 1845 and 1854, a Municipal Council of foreign merchants was formed as early as 1846,3 houses in colonial style were built, roads and a race course laid out, a drainage scheme begun and a home-like church erected. To the south of the Settlement the French had their own Concession, while to the north an American settlement gradually developed. Problems abounded, sometimes caused by the obstructions of foreign residents;\n\nOrdinary reference notes are indicated thus: (1); notes in which additional information is supplied thus: (1x).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211799,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 214,
        "title": "RAS-1989",
        "content_text": "AN EPILOGUE\n\nBy a lady, on the night of May 6 1852\n\n“Most courteous friends, whose presence here has been\n\nThe inspiration of our Mimic Scene\n\nSo ready to be pleased, so slow to chide\n\nMethinks your patience has been often tried\n\nBy dull forgetfulness, by blundering guesses\n\nLost cues, spoiled jokes, ill fitting scenes and dresses.\n\nThanks for the merry laugh that cheered our hearts\n\nFor loud applause that bade us top our parts.\n\nFor mirth, that taking all things for the best\n\nMade even a blunder seem a clever jest.\n\nFor kindness that made all our labour less\n\nAnd added double value to success.\n\nAccept with these our brief adieux we pray\n\n'T is thought expedient why I need not say\n\n(A lady's never asked to give a reason)\n\nTo close our Theatre for the busy season!\n\nWe trust we only part awhile however\n\nTo meet you here ere long, as kind as ever\n\nWhen we again your tried support may claim\n\nAnd prove that to deserve it is our aim.”\n\n189",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211953,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 368,
        "title": "RAS-1989",
        "content_text": "Ching Lok Ancestral Hail\n\nFaan Posts\n\nSite for fetching water\n\nFaan Posts\n\nN\n\nMau Ging Tong) Ancestral Hail\n\nJau & Wong Temple\n\nSite for posting the name list\n\nPaak Mou Seung Wing used as kitchen\n\nGeneral Gods\n\nJade Emperor & City God\n\nFaan Posts\n\nA\n\n8\n\nSite for offering to gods\n\nGuardian Gods Yau-Saan Daai Si Wong Gwon Yam\n\nCompartment for villages\n\nCompartment for villages\n\nC\n\nAncestral altar\n\n0\n\nPuppet altar Theatre\n\nA-B-C-D Main paang Later used for opera\n\n(Map taken from Tanaka 1989)\n\nThe Kam Tin Jiu Festival Ground\n\n343",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211954,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 369,
        "title": "RAS-1989",
        "content_text": "344\n\npolice. A cluster of smaller temporary structures were built to house the paper images of the Jade Emperor, the City God, the Daai-Si Wong and Baak Mou-Seung. The Daai-Si Wong, also known as Gwai-Wong (King of Ghosts) is a transformation of the goddess Gwun-Yam, who has a fierce appearance befitting his role in the ritual: to oversee the ghosts when they come for the offerings. The Baak Mou-Seung, literally the White Unpredictable, is one of the two Unpredictables, both members of the Underworld bureaucracy who take peoples' spirits when they are to die. Further away from the main paang was a larger structure for general gods, which was to house most of the gods invited from local temples and shrines.\n\nDecked out with many fa-paai banners from the villagers and outsiders, the main structure had several partitions. At the entrance in front were two huge paper images of two armed gods, who served as the supernatural guardians of the paang. Beside them were two horses with attendants, and a pair of lions. Furthest from the entrance was a stage divided into three sections, all facing the entrance. The middle one is the Taoist altar where the priests performed many of their rites. To the right was the altar for the Dang ancestors Hung-Yi and his two wives. On the left side was the puppet stage, on which plays were performed. On both sides of the central area of the paang were rooms for each of the five gu villages/groups of villages, plus Ying Lung Wai. On the same rows were two rooms for the guards for the festival site, one for guards drawn from the young men of Bak-Bin and the other from those of Naam-Bin. Nearer the front on the right side was a temporary altar for Gwun-Yam.\n\nOn the left side was a large partition dedicated to four separate groups of paper images, many with pottery/ceramic heads. The area was known as the yau-saan, a place to harbour ghosts. Each of these groups was divided into three levels. Two large groups depicted the ten Kings of the Underworld on the topmost level. Under the Kings on the middle level were ten shops, each with signs indicating the business: barber's, brothel, sundry goods shop, pawnshop, second-hand clothing, department stores (two), tailors, porters, and “cool” drinks. On the lower levels were some devils, ghosts under torture in the Underworld, and many shoppers. The subjects of the two other groups were more difficult to identify. One of them was labelled Zizhu Lin, “Purple Bamboo Grove”, the place associated with the Goddess Gwun-Yam. She and her male and female attendants were recognizable among the images on the topmost",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211955,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 370,
        "title": "RAS-1989",
        "content_text": "345\n\nlevel. The rest of the group (on the middle level) included a scene from the story of the Baishe Zhuan, the legend of the love between a snake-turned beauty and a virtuous scholar. The episode represented was that of the monk exercising his supernatural power to kill the lady, so as to free the scholar from the seduction of the demon. The other group bore the sign Wudan Shan, at once one of the famous mountains of China and a well-known place for Taoism. The top level of the group included the Jade Emperor. On the lower levels of these two groups were a temple, runners escorting a sedan chair, and the scene of the Eight Immortals Turning the Sea Upside Down.\n\n51\n\nDecorated with embroidery hangings, the Taoist altar had at its centre portraits of the Three Pure Ones and on either side the Heavenly Master and Taai-Yut Jan-Yan. Further from the centre were portraits of four minor “generals\", named “dragon\", \"tiger\", \"fire\" and \"water\". On the inner walls of the partitions hung pictures of the ten Kings of the Underworld. There was also a backroom to the altar, where the priests stayed between rites. Hanging in this room was an umbrella-shaped object with many charms trailing from it. There were, a priest told me, 28 in all, one for each of the 28 sau constellations. It was called the luo-tian, which meant, he said, the same as xian-tian, the Taoist primordial heaven.\" In the room was a temporary altar set up for the Three Pure Ones, plus a place with two red slips of paper saying \"May Tao be popular with people\" and “Good Luck in the rites\".\n\n52\n\nOn the day before the seven-day period of rites, the villagers decorated the room for their own gu in the main paang. Before each of the rooms stood a Luk Gwok flag, which was the same as the flag used in the Cantonese opera of the same name to announce the identity of a player; and a lo-gu ga; i.e. “drum and gong holder\". Hanging from the top of the opening were mechanical \"hanging puppets\". Inside near the front was a heung-on incense burner set of the siu-cheng type. The tables inside were decorated by toi-wai embroidery that hung from the edges. Hanging from the \"ceiling\" were similar pieces of embroidery known as waang-mei.\n\nSome of the villages put on displays in these rooms of relics of their illustrious ancestors. In the room for Shui Mei was the screen presented to Dang Git-Sau by relatives and friends to congratulate him on the occasion of his 61st birthday, which I mentioned previously. In the room for Wing Lung Wai was a series of scrolls presented in 1919 to celebrate",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211960,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 375,
        "title": "RAS-1989",
        "content_text": "350\n\nworld by first fixing them in the arms of a mounted paper horse rider known as gung-chou, who served as a messenger, and then burning the three (horse, rider, and memorial) together. The other form, known as bong, was posted in a rite on the main day of the festival on a wall, and remained there until the conclusion of the ritual.\n\nThe scripture chanting/Repentance session took place before the Three Pure Ones three times a day. The manual used was the common Jade Emperor's Repentance Scripture. The sessions were very short. The one I timed lasted only fifteen minutes. The other daily rite was the procession of offerings, which started at the Taoist altar with worship of the Three Pure Ones, then visited all the five faan posts, all the temporary altars and the Jau and Wong Temple, the guardian gods of the paang, and the yau-saan. The procession included flags and banners, and was preceded by a man holding a \"spirit summoning flag\". At each spot it stopped at, the priests briefly chanted and made offerings.\n\nThe other (and longer) rites involved a lot of chanting and singing, which, in many cases, nobody could hear clearly. The amplified music of the puppet theatre drowned out any other sound. The only exception was a scholar of religion from the Chinese University of Hong Kong who had the high priest carry a wireless microphone for him and who could therefore listen to the priests' words from a headphone radio and compare them with the manual. My descriptions of the Taoist rites, therefore, are often interpretations of what I saw and heard on the basis of past experience and manuals. 63\n\nE. The Participants List in the Taoist Rites\n\nOf the elements of the rites, the villagers probably knew most about the Memorials in their different forms. The women villagers in general knew less about the festival (or they pretended to). When I asked some elderly ladies at the ritual site what da-jiu was all about, they explained that it was heui-lok promised to Jau and Wong, to commemorate them. They suggested that I should ask elderly men instead. It was men who knew more about these things. The knowledge was handed down from one generation to another. But I overheard, during the opening rite, the same group of elderly ladies asking themselves how many priests were reading the Memorial (the one to be burnt). They observed that there was too much noise for them to hear the reading. They explained to me that the names of all the villagers (yan-hau) were being read. The priests\n\nPage 375\n\nPage 376",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212035,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 450,
        "title": "RAS-1989",
        "content_text": "Plate 1. A main altar on the first floor of the San Feng Kung in Kaohsiung, southern Taiwan, containing a tablet to the Jade Emperor, but no image.\n\nPage 450\nPage 451",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212036,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 451,
        "title": "RAS-1989",
        "content_text": "Plate 2. Image of the Jade Emperor,\n\nthe main deity in the Hsing Hsin Kung, Tai Pei.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212037,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 452,
        "title": "RAS-1989",
        "content_text": "Plate 3. The image of the Jade Emperor amongst a number of other major deities in a side hall of the Kuan Tu temple at Pei Tou, Taipei.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212038,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 453,
        "title": "RAS-1989",
        "content_text": "Plate 4. Image of the eldest son of the Jade Emperor, known as the Imperial Heir. (from the author's collection).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212039,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 454,
        "title": "RAS-1989",
        "content_text": "1\n\n墨重畫法 \n\nPlate 5. Image of the Third Daughter of the Jade Emperor, in the Main Hall of the Jade Emperor Temple, Tainan.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212040,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 455,
        "title": "RAS-1989",
        "content_text": "敬\n\nPlate 6. Image of the Fourth Son of the Jade Emperor in the Main Hall of the Jade Emperor Temple, Tainan.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212041,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 456,
        "title": "RAS-1989",
        "content_text": "Plate 7. The Image of the Third Daughter of the Jade Emperor in the Lung Te Temple on Pai Sha Island in the Pescadores.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212042,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 457,
        "title": "RAS-1989",
        "content_text": "UTA\n\nPlate 8. The image of Han Hsien Fu Tsu, said to be a daughter of the Jade Emperor, on a private altar in Singapore. This is an Amoy carving.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212158,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 100,
        "title": "RAS-1990",
        "content_text": "77\n\nexalt the magical power of the tree god.'\n\nOn the 23rd day of the first lunar month in 1925 just west of Suifu in Szechuan province some Chinese saw a beggar lying on the ground. They returned very shortly after to find the beggar had disappeared completely, the ground where he had lain was bone dry and his imprint on the wet grass stood out. They realized that he must have been an Immortal and built a small shrine dedicated to him. Once a year thereafter, on the 23rd of the first month anniversary local people held a special festival to celebrate his disappearance.\n\nInnumerable stories are told of the creation of such new deities. These tend to have the following common factors:\n\na. a human dies under unusual circumstances and his spirit is 'found' to have special and supernatural characteristics.\n\nb. An image is carved and placed on an altar as a direct result of the god's behaviour or action. Usually the deity has appeared in a dream, or in a more tangible form as a piece of wood sometimes rough, at other times shaped (a gate or door) — floating in the sea, on a lake or a river, and manifesting supernatural characteristics.\n\nAlthough in theory the deification of a dead soul requires the joint authority of the supreme Taoist deity, the Jade Emperor and the terrestrial emperor of China, there have been a large number of minor deities in particular who owe their deification to the common people, voting with their feet, going to shrines to offer up incense and oil. And just as gods fade and disappear because of lack of support from devotees who have found other and apparently more potent deities, so the creation of new gods springs from a natural but unusual happening such as was the case of the small boy in Singapore, who, as we shall see later, was killed in 1963 by lightning.\n\nCults spring up whenever the spirit of a dead person responds to public devotions and offerings and grants devotees their requests. The deceased need not be from the distant past. An image of Chiang Kai-shek, who only died in 1976, has been seen on at least one major altar in Taiwan, against the wishes of the Kuomintang government, though they would appear to have turned a blind eye. Sun Yat-sen, one of the Republic's greatest worthies, has also been seen in both image and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212159,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 101,
        "title": "RAS-1990",
        "content_text": "78\n\nicon form on minor altars in Taiwan. These icons are understandable as portraits of Sun the 'Father of the Nation' appear with those of Chiang Kai-shek in offices, schools, barracks etc. where they were bowed to each morning as a sign of respect. Among the less literate and more superstitious it is not difficult to see how this has led to such icons appearing on altars with incense burnt before them.\n\nIn the mid-1960s, the Kuomintang organised a political demonstration in Cambodia on the 15th day of the seventh lunar month, the middle of the month during which Hungry Spirits return to the human world for thirty days. During the demonstration public sacrifices to the spirits of the victims of the communists in China were performed. There was also talk of deification of one or two but this came to nothing.\n\nIt has not been unknown for outstanding living persons to have a sanctuary built in their honour. The magistrate of Ch'ing-ho district in Hopei was such a man. He brought about a substantial reduction in taxes and other government levies and thus lightened the financial burden on a hard pressed people. In 1886, two years after he had been transferred to administer another district, the grateful populace of Ch'ing-ho built a shrine in his honour.\n\nIn Singapore in 1970 a new cult was founded near Woodlands on the northern tip of the island when the deity, Wu T'ien Chu, appeared to a Singapore Fukienese man in a dream. The deity explained to the Fukienese that he, Wu T'ien-chu [The Military Master of Heaven], was a mighty deity who had chosen the Fukienese man to become the 'Master Warrior' of his cult. He required a new bungalow to be converted into accommodation for the founder with the lounge becoming the altar hall. He told the Fukienese man that he would protect his devotees, cure their illnesses and bring them good fortune. A statue of the deity was carved in the likeness of the spirit as he appeared in the founder's dream and placed on the altar. The founder, the Fukienese man, explained that with his wide knowledge of all religions he encourages devotees from every nation and creed to worship in his temple. He explained that the world's most powerful deity is the Jade Emperor, with Sakyamuni, The Buddha, as his deputy. Next in seniority is Kuan Yin followed by Wu T'ien-chu who has a great many assistants and warriors under his charge, none of whom is ever portrayed in image form. He continued that the four pillars of the cult are \"the four gods (shen) of other religions, Buddha, Christ, the Pope and Mohammed”.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212160,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 102,
        "title": "RAS-1990",
        "content_text": "79\n\nHe repeated that his shrine catered for believers from all religions and added that his spirit medium is a Roman Catholic religious novice. Wu T'ien-chu, whose festival is celebrated annually on the 13th day of the ninth lunar month, is portrayed by an image of a seated mandarin with a red and a blue demon, one under each of his feet.\n\nExamination of the legends surrounding local deities who lived or died in the vicinity of present-day cult temples, or who are worshipped in one of their branch temples, reveals that they can be either distinguished citizens or ordinary people, often nonentities, but all now characterised as shen (spirits).\n\nA great many heroes and worthies, and tens of millions of ordinary people, live and die and are never deified, and those who are have been identified as such by their possession of ‘ling' (supernatural power) which can increase or wane depending upon a number of circumstances. 'Ling' can fade until the deity is deemed powerless by devotees and ignored or deposed, or the 'ling' can be renewed by ritual means.\n\nIt is readily understandable that major heroes of antiquity, revered nationwide for many centuries, are now worshipped for their accumulated power. They were powerful in life and since death their ability to protect and guide devotees has been well authenticated to the satisfaction of devotees. However, lesser deities, local heroes and worthies and especially the spirits of ordinary people, have to ‘earn' their deified status by result, and cults grow, wither and disappear entirely depending upon their ability to provide an adequate response to devotees' pleas and requirements. Some have become major deities within comparatively large communities; in Taiwan, for example, several have become the patron deities of immigrant groups from an individual county back on the mainland.\n\nWhereas it is reasonably clear why charismatic local heroes and worthies came to be deified, usually by public acclaim (though some have achieved sanctification by wealthy families pushing their ancestor's case) it is less simple to understand why some ordinary people and not others have been deified. It is even more perplexing why a few local thugs who originally had nothing going for them have also been deified. An excellent example of this is the cult of Liao Tien-ting in Pa Li, across the Tanshui River from Tanshui town in northern Taiwan. Liao, who was killed in about 1920, is now honoured with",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212336,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 278,
        "title": "RAS-1990",
        "content_text": "255\n\nThe Hong Kong Guide 1893 (republished 1982)\n\nHughes, Richard, Borrowed Place Borrowed Time, Hong Kong and its Many Faces\n\n(London 1968, reprinted 1976)\n\nHunter, W.C., The \"Fan Kwac\" at Canton Before Treaty Days 1825-1844 (republished 1965)\n\nHutcheon, Robin, The Blue Flame, 125 Years of Town Gas in Hong Kong (1987) Hutcheon, Robin, Wharf. The First Hundred Years, 1886-1986 (1986)\n\nIngrams, Harold, Hong Kong (London, 1952)\n\nJardine, Matheson & Company... an historical sketch (undated)\n\nJarrell, Old Hong Kong\n\nJones, Stephanie, Two Centuries of Overseas Trading. The Origins and Growth of the Inchcape Group) (England, 1986)\n\nKing, Frank H.H., The History of the Hong Kong and Shanghai Banking Corporation, vols. I to IV\n\nLawrence, Anthony, and Frederick Amentrout, The Taipan Traders\n\nLiu Kwang-ching, Anglo-American Steamship Rivalry in China 1862-1874 (Harvard 1962) Luff, John, Hong Kong Cavalcade (1968)\n\nLuff, John, The Hidden Years, Hong Kong 1947-1945 (1967)\n\nLuff, John, The Hong Kong Story (circa late 1960s) MacMillan, Alistair, Seaports of the Far East (1925)\n\nMorris, Jan, Hong Kong, Xianggang (England, 1988) Murray, Simon, Legionnaire (England, 1980)\n\nPeak Tramway. 1888–1988\n\nPresent Day Impressions of the Far East and Prominent and Progressive Chinese at Home and Abroad, Managing Director W.H. Morton-Cameron, Editor-in Chief W. Feldwick (1917)\n\nRoyal Asiatic Society, Hong Kong Branch, journals, various\n\nThe Thistle and the Jade. A Celebration of 150 Years of Jardine. Matheson & Co. Editor Maggie Keswick (London, 1982)\n\nTwentieth Century Impressions of Hong Kong. Shanghai, and Other Treaty Ports of China, Editor in Chief Arnold Wright (1908)\n\nWong Siu-lun, Emigrant Entrepreneurs: Shanghai Industrialists In Hong Kong (1988)\n\nUNPUBLISHED BOOKS\n\nBook 1, The Canton Dispensary 1828-1838 Book II, The Hong Kong Dispensary 1841-1862 Book III, A.S. Watson and Company 1862-1886\n\nCOMPANY BROCHURES, LEAFLETS AND MAGAZINES\n\nA.S. Watson & Co., Limited\n\nBrief History: The Hong Kong and Shanghai Banking Corporation\n\nChina Light and Power Co. Ltd. (annual reports)\n\nDeacon's\n\nThe Elements of Power, China Light & Power\n\nHistory of Hong Kong & China Gas Co. Ltd\n\nHong Kong Bank Group Magazines\n\nHong Kong Land 1889/1989\n\nHong Kong's Noonday Gun (Jardine)\n\nHutchison Whampoa Limited (annual reports)\n\nInchcape: The International Services and Marketing Group A Pictorial History of Hong Kong Electric Standard Chartered News",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212502,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 56,
        "title": "RAS-1991",
        "content_text": "36\n\nKong, Capital Communications Lid\n\nHo, Ping-ti 1966a. Zhongguo huiguan shilun (On the history of Landsmannschaften in China). Taibei, Shihuo Chubanshe.\n\n1966b. The Geographical Distribution of Hui-kuan (Landsmannschaften) in Central Upper Yangtze Provinces. In Tsing Hua Journal of Chinese Studies 5/2 120-52\n\nHonig, Emily. 1992. Creating Chinese Ethnicity Subet People in Shanghai 1850-1980. New Haven and London, Yale University Press.\n\nHunter, William C 1882 'Fan Kwae' at Canton Before Treaty Days, 1825-1844, London Kegan Paul, Trench & Co\n\nKing, Frank H. H. 1983. edited. Eastern Banking Essays in the History of the Hongkong and Shanghai Banking Corporation London, Athlone Press\n\nKeswick, Maggie 1982. The Thistle and the Jade: A Celebration of 150 Years of Jardine, Matherson & Company London, Octopus.\n\nLai, Chi-kong. 1992 The Qing State and Merchant Enterprise: the China Merchants' Company, 1872-1902. In Jane K. Leonard (edited) 139-56.\n\nLee, Pui Tak. 1990 Kindai Chugoku ni okeru kōsho Kigyō no rekishi teki tenkai Kanyahyōkōshi wo jirei toshite (The historical Origins of Commercial and Industrial Enterprises in China, the Case of Han-yeh-p'ing Coal & Iron Company Limited, 1896-1991) M Litt. Thesis. University of Tokyo.\n\nLeonard, Jane K 1992. edited; To Achieve Wealth and Security, the Qing Imperial State and the Economy, 1644-1911. Ithaca, East Asia Program, Cornell University\n\nLeung, Yuensang 1982 Regional Rivalry in Mid-nineteenth Century Shanghai. Cantonese vs Ningpo Men. In Ch'ing-shih wen-t'i: 4/8; 29-50.\n\n1986. The Shanghai-Tientsin Connection. Li Hung-chang's Political Control over Shanghai during the Late Ch'ing Period In Chinese Studies 4/1 315-31\n\n1990 The Shanghai Taotai: Linkage Man in a Changing Society, 1843-90 Singapore. National Singapore University Press\n\nLiu, Kwang-ching 1979 Credit Facilities in China's Early Industrialization The Background and Implications of Hsu Jun's Bankruptcy in 1883. In Modern Chinese Economic History 499-509, Edited by Chiming Hou Taibei, Institute of Economics, Academia Sinica\n\n1982 A Chinese Entrepreneur In Maggie Keswick (edited) 103-30.\n\n— 1990. Jinshi Shixuang yu Xincheng Qiye (The new thoughts and modern enterprises) Taibei, Lianjing Chuban Shiye Gongsi\n\nMann, Susan Jones 1972. Finance in Ningpo the 'Ch'ien Chuang', 1750-1880 In W E. Willmott (edited) 47-78\n\n1974 The Ningpo Pang and Financial Power at Shanghai In Mark Elvin & G. William Skinner (edited) 73-96\n\n— 1976. Merchant Investment, Commercialization, and Social Change in the Ningpo Area In Reform in Nineteenth-Century China 41-8. Edited by Paul A, Cohen Cambridge and Massachusetts, Harvard University Press.\n\nMcElderry, Andrea Lee 1992 Guarantors and Guarantees in Qing Government-Bussiness Relations In Jane K. Leonard (edited) 119-38\n\n1993 Guarantors in China's Treaty Ports the Evolution of Employee Bonding Unpublished paper presented at the 34th International Congress on Asian and North African Studies, Hong Kong\n\nMei, June 1979 Socioeconomic Origins of Emigration Guangdong to California, 1850-1882 In Explorations in Economic History 7/4 451-73\n\nQing Xu Yuzhi xiansheng ruḥ zixu nianpu (Chronological autobiography of Xu Run) Reprinted in 1981\n\nQuan, Hansheng 1972 Zhongguo Jingjishi luncong (Collected essays on Chinese economic",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212573,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 127,
        "title": "RAS-1991",
        "content_text": "107\n\nis unacceptable to many Chinese. In China, therefore, organs are often obtained from executed criminals.\n\nIn this study the three sisters cried bitterly when informed an autopsy would be carried out on their mother's body. They were relieved when the authorities relented. The three blamed themselves because the mother was alone at the time of the heart attack. A soothsayer, however, said that nobody could have saved her. If she had been taken straight to hospital at the onset she would have died just the same. Because of her age and the hour of death it was prophesied the deceased would go to heaven.\n\nThat the dead person had not eaten that evening before death was construed as a good omen. Missing the meal signified she has left everything behind for her children. However, she was in the habit of drinking from a special mug. This had disappeared. It was assumed she had taken it with her. That three months before death she had given a friend a piece of jade and had told her: 'I may not be here for your next birthday,' was repeated frequently by mourners.\n\nIn her early thirties, influenced by eldest daughter, mother had been baptised a Catholic. But the attractions of a combination of native Taoism, Buddhism and folk religion were too great. By the 1960s, mother was no longer practising Christianity. She never expressly told relatives why she left the Church. It was probably because, to a very Chinese person who spoke no English, Catholicism was too western; in spite of the Church adopting a few Chinese customs, such as three bows to a deceased's photograph and the 'last glance' at a funeral. Many quote the saying: 'One Christian more is one Chinese less.'\n\nA few hours after death, the mother's spirit, which left the body as visible vapour, was in limbo wandering about'. Depending upon deeds performed on earth there are six possible 'destinations': hell, heaven, and becoming an animal, a ghost, a human again or a buddha. Everybody possesses a number of spirits, one of which first descends into hell (described as dark and yin) to await sentencing by 10 judges. There the spirit is tried, punished and purged. Those who have committed excessive evil spend longer in purgatory before going to heaven (seen as bright and yang). People can later be reborn as children, or, if sinful, as animals.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212578,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 132,
        "title": "RAS-1991",
        "content_text": "112\n\n20\n\nA one-inch diameter, ancient bronze-coin, costing $60, with a 1/4-inch square hole in the centre (a pearl or jade object is sometimes used instead), had been placed in the mouth of the corpse. This practice can be traced back to Liangzhu culture in ancient China 3,900 to 4,900 years ago. The purpose of this talisman is to deter evil, to prevent body spirits escaping before purification and to safeguard the corpse against rapid decay.\n\nIt was expected that the dead person's spirit would come to the funeral parlour. There were two bowls of peanut oil with a wick made from dried seaweed in the farewell room, 'to lead her on her way'. A packet of cooked rice and a pair of chopsticks lay on the floor to placate fierce dogs which she would meet three weeks after death on the road to heaven. Possessions she treasured, such as special clothes, a cassette of Chinese songs and her handbag with knickknacks, including magnifying glass, cigarettes, lipstick, compact and a piece of jade, were placed in the coffin. Coffin jade, which has been reclaimed after many years of burial, is valued for 'protective' properties. For practical reasons keys and a notebook, which contained telephone numbers, were not placed in the casket. Nor were spectacles. Cremation would splinter them and they could injure the corpse although there seems to be a contradiction here with the magnifying glass.\n\nAlso at the back of the hall, on the left of the altar, was a stove around which relatives and close friends, including children, folded 'gold' and 'silver ingots' out of tin-foil. These imitation bars, together with pieces of paper resembling bank notes (a tale has it that a little boy once found one and went to the bank to try to cash it), were burned continuously until midnight. Money is needed by the dead, among other purposes, to bribe officials to obtain good positions in the after-world. Five Buddhist nuns with shaved heads and colourful robes chanted prayers. One had a series of initiation, incense stick burn marks on her scalp.22\n\n21\n\nChinese children take part in funerals, and, with the extended family, it is important they 'farewell the dead'. This appears in no way traumatic. With English funerals children tend not to participate. Certainly with the author's generation (pre-World War II) death was a taboo subject for the young.\n\nA Chinese saying has it:",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212590,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 144,
        "title": "RAS-1991",
        "content_text": "124\n\nniches. If this happened, one bowed and apologised aloud to the spirits.\n\nThe ceremony was conducted by a Taoist brother who carefully poured the ashes through a white cloth folded in the neck of a funnel. The deceased's gold bracelet together with a piece of jade were also deposited in the urn. The top was tied on with red ribbon. Her name was written on the outside of the urn with red paint, 'free hand' (without butt of hand resting on anything). The Taoist painted fine characters although he professed to have had little schooling. After mourners bowed three times flowers were arranged in vases. Paper rosettes were burned. Also, two tables were placed in front of the two niches and a feast, including fruit, cakes and rice wine, was laid out. The two urns, each covered in white cloth, were then inserted in their respective niches, the doors were sealed with plaster and more joss sticks and yellow rosettes were burned. The six mourners then lined up, recited Buddhist prayers and received lucky packets. It was necessary for the Chinese candles to burn out before bowing goodbye and leaving the columbarium for a late, 4.00 pm, vegetarian 'lunch'.\n\nSixth Tsat\n\nAlthough official ceremonies ended with the fifth, the family paid a further visit to Ching Chung Koon, where the ashes are kept, on the sixth tsat. Joss sticks in clusters of three (one each for heaven, earth and mankind), paper 'gold bars' and a large rosette made up of coloured paper were burned. These eight-inch squares of yellow paper had been 'blessed' by an old woman. She meticulously burnt a hole in the centre of each single sheet with a joss stick. Also, single joss sticks were placed in all vases for other souls in that room of the temple.\n\nCharity\n\nAt this stage, the three daughters were informed by a fortune teller that, for their mother to enter kik lok shai kaai (extremely happy world) it would help if they performed some charitable deeds. A donation of $2,000 was made to a poor, elderly watchman to help with medical expenses. 'Give to a charitable organisation, with heavy overheads, there is no telling where the money goes,' one daughter said.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212593,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 147,
        "title": "RAS-1991",
        "content_text": "127\n\nwhere offerings are burned. In another dream the deceased said money was wasted. Excessive food was placed on the altar. Conversely, in another dream she complained that people were hon (cold) and foo (bitter) because they did not put out enough for her to eat. But she was pleased with the arrangements for her funeral.\n\nA friend was told in a dream to go to the home of the deceased to collect a piece of jade which she wished her to have. Another person dreamt that the deceased instructed the young to respect their elders more. In another dream an associate had been informed by the dead person that the maid had wiped her face, first with a cold and then with a hot towel. The previous morning, it transpired, the maid had, in fact, wiped the deceased's picture, first with a wet and then with a dry cloth.\n\nIn another dream the dead woman told a friend she was staying in the house of the Chan family and that she was to be reincarnated as a boy. \"He\" would be easy to recognise, playful and would turn a somersault in front of \"her\" eldest daughter. The eldest daughter later dreamt that the deceased, who seemed neither happy nor sad, appeared. She then disappeared and a little boy stood in her place.\n\nSurvey\n\nDuring 1992 and 1993, the author questioned 122 Hong Kong Chinese men and women to ascertain whether they believe in reincarnation. This sample can be divided roughly into two. Most of the first section of interviewees (but not all) had completed secondary studies. Generally, they live in housing estates and work at white or blue-collar level, similar to the bulk of the population in Hong Kong. Of this group of 46 persons, 35 said in a convincing way that they believed in reincarnation, eight did not and three \"did not know\".\n\nThe interviewees in the second group work in the professions or at senior management level. They had all received university or college education and most had studied or worked for periods overseas. Of this better-educated group of 76, 35 said they believed, 25 did not, and 16 \"did not know\".\n\nThe conclusions emerging from this survey were not only that the better-educated and the western-educated are less likely to believe, but that men are less likely to believe than women. In six cases women admitted they believed in reincarnation although they were Christians.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212658,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 212,
        "title": "RAS-1991",
        "content_text": "193\n\nto and honouring the memory of Wang Te-lu, an Imperial fleet commander who helped clear the Straits of Formosa of pirates during the early years of the nineteenth century. The Wang Clan Temple in T'ai-pao village in Chia I county in central Taiwan was an elegant building first built during the late 19th century by the proud clan whose surname Wang Te-lu bore. It was rebuilt in 1979, this time a modern metal frame construction retaining the comparatively small single hall in which there is but one altar on which stands one large multi-ancestor tablet and three ancestral tablets. The flanking walls bear texts, with Wang Te-lu referred to in a number of the captions as Wang Ta-jen, i.e. His Excellency Wang, and paintings of Wang Te-lu stage left and of his primary wife stage right.\n\nAlthough we know little about Wang's early life apart from what has been retrieved from local folk memory which, as with all family recollections, is highly subjective and probably exaggerated out of all reality, we do have official records of the highlight of his life. This \"five minutes of glory\", depicted in a painting hanging in his Memorial Chapel illustrating the incident, was his victory over pirates who had been causing immense and terrible problems up and down the coasts of the southern provinces of Chekiang, Fukien and Kuangtung since the late 1790s. One pirate fleet in particular had sailed the Fukien coast under its dreaded Fukienese leader, Ts'ai Ch'ien. The Chinese Imperial naval commander, Li Ch'ang-keng, commanding the joint fleets of Fukien and Chekiang province, determined to suppress them, successfully defeated the pirates on a number of occasions but was killed in action in 1808, following which his two subordinate admirals, of whom Wang was one, were entrusted with continuing the task. Wang, in charge of the Imperial Fukien fleet, together with the Chekiang fleet under Admiral Ch'iu, fought the major battle in September 1808 near the Tai-chou islands off the Chekiang coast. The pirate fleet was destroyed with Ts'ai Ch'ien going down with his ship.\n\nWang was born and named Te-lu, literally meaning \"To become prosperous and happy\", in 1771, the thirty-fifth year of the emperor Ch'ing Ch'ien Lung, in Kiangsi's provincial city of Nanch'ang, and in later years acquired the courtesy name of Pai-ch'u, literally \"All Honours are concentrated within Him\"; and the literary name, Yü-feng, literally meaning \"The Jade Peak\". He died at the age of 71 in 1842 on the Pescadores, an archipelago in the middle of the Straits of Formosa, and having been borne in honour back to Taiwan, was buried in Hsin-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212740,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 49,
        "title": "RAS-1992",
        "content_text": "34\n\nhad a head of steam and wrote several pages of detailed description on one particular theme, usually with an educational value aimed at foreigners in China. One in particular was his portrayal of a Chinese banquet, consisting not only of various menus, but seating plans, courtesies and the role of the servants.\n\nHis Promotion of Western Education\n\nSince 1868, Mesny claimed, he had had an inclination to do something towards dispelling some of the gross darkness that prevailed amongst the Chinese. In 1870 he established a small day school for boys and girls in a temple called the Yu-huang Kung [The Temple of the Jade Emperor], which served as a club house for the people of the Hu-kuang provinces who resided in Kuei-yang. He imported some school books which he considered suitable and paid a Chinese teacher to teach the children during the four years of his residence in Kuei-yang.\n\nMesny in later years had interviews with senior Chinese mandarins with a view to promoting western sciences and other subjects of study for examinations in China. He also claimed that he had persuaded a Chinese Viceroy to submit a memorial on educational reform to the throne and that this was the start of such reform. The reforms were abolished by the Empress Dowager in 1898.\n\nMesny and Women\n\nDespite the genuinely colourful life he led in China, his experiences living with the Taiping rebels, his service with the Szechuan Force în Kueichou and his treks across much of the country; when we come to his descriptions of his love life with Chinese ladies, although they may have been real and authentic, for the most part they read like episodes out of a modern pulp novelette. This may be due to a possible inability to describe them without a modicum of exaggeration or 'editing' or, though unlikely, they may have been figments of his imagination. There is little doubt that he was red-blooded and normal, and as a single man in foreign parts with few if any women of his own race or culture it was the understood thing for expatriate westerners to have a local female partner. He frequently wrote of pretty women at the roadside during his journeys across China who attracted him or, more to the point, were attracted by him. However, the exact measure of his intimacy with any but his wives is destined to remain tantalizingly obscure.\n\nCorrected minor OCR errors, reformatted text into paragraphs, and corrected \"în\" to \"in\" for consistency and correctness.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
        "rank": 0
    },
    {
        "id": 212767,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 76,
        "title": "RAS-1992",
        "content_text": "61\n\nNovember 1862\n\n1863 March\n\n1863 May 1864 April\n\n1864\n\n1864-1865\n\n1867 Winter\n\n1867\n\nhis junk and three others\n\nCaptured at Fu-shan-chan by Taiping rebels. Mesny held first in Soochow and Chang-shu, then at Pao-ying the Taiping camp, and finally in Nanking\n\nRescued by Adkins, the British Consul at Chin-kiang aboard HMS Slaney and taken back to Chin-kiang\n\nJoined Chinese Imperial Customs Service, Hankow\n\nResigned from Customs Service after fourteen months Involved in cotton broking\n\nEstablished the Hankow Horse Bazaar, a private hotel in Hankow, and set up Hupei Iron and Brassworks, Han-yang Romantic interlude with a Chinese widow in Hankow Mesny called on Tso Tsung-tang during the latter's visit to Hankow and was appointed his French and English Secretary, and was further offered the opportunity to accompany Tso on his campaign to the Northwest. Mesny also claimed that he had made recommendations to Marquis Tso Tsung-tang for a number of undertakings to help modernise China\n\nSold the Huper Iron and Brassworks to officials of the Viceroy of Szechuan province\n\nMesny's trek to war\n\n1868 June\n\nLate July or early August Late August\n\nSeptember\n\nLeft Hankow, after five year's residence, for Szechuan to become a drill instructor with the Szechuan Force\n\nArrived Chungking\n\nDeparted Chungking for Kueichou to join the Szechuan Force suppressing the Miao rebellion: he accepted employment as a military instructor (wu-chiao hsi)\n\nArrived Niu-ch'ang, the headquarters of the Szechuan Force in Kueichou\n\nSeptember 1868-May 1874 Involved in the military campaigns to suppress the Miao\n\nThe Advance: Late Summer 1868-March 1869\n\n1869\n\nPromoted Colonel, awarded the Star of China and the Flowery Plume The Retreat: Summer 1869-Summer 1870 1870/1871\n\n1871\n\n1872\n\nHelped form a joint stock company in Kuei-yang to \"recover mercury\"\n\nThe Withdrawal: mid-August 1870-Lunar New Year 1871\n\nca 1873\n\n1873\n\n1874 Spring\n\nEstablished a small day school for poor boys and girls in the Jade Emperor temple in Kuei-yang, importing suitable books and paying a Chinese teacher, a struggling student painter, Chin Yü-t'ang Siege of Hsin-ch'eng in upper Kueichou (Mesny involved in preparations for the siege during 1871)\n\nWent to Szechuan with General Chou Ta-wu\n\nPromoted Major-General and awarded the Ying-yung Pa-t'u-lu Left Kueichou for Szechuan: Margary expected to meet Mesny in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
        "rank": 0
    },
    {
        "id": 213070,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1993",
        "page_number": 138,
        "title": "RAS-1993",
        "content_text": "119\n\nhe was asked to come down from his cave to pray for rain. As he arrived the clouds opened and sufficient rain fell ending the lengthy drought. The grateful populace insisted that he should stay with them and many wanted to build him a house. However, he returned to his cave which he named Clearwater Cliff [Ch'ing-shui Yen] from the brook that flowed from a rock just outside his cave. Henceforth he was known as the Patriarch of Clearwater He died at the age of 65\n\nA third story, common to a number of deities, tells of Ch'en killing with his bare hands a large man-eating snake which lived in a cave on Ch'ing-shui cliff. He himself died in the struggle and turned black In another version he is said to have a black face following an incident in which a demon unsuccessfully tried to smoke Ch'ing-shui out of his cave, or in another variation the demons tried to cook him alive in his cave. He stepped out alive, arrested the demons and imprisoned them for ever in his cave He was later deified by the Jade Emperor Ch'ing-shui is also said to have been hermit in a cave called Ch'ing-shui in a cliff on the P'eng-lai mountain near Anhsi where, on his death, devotees built a shrine dedicated to him on the ridge above the cave.\n\nThe story told about his unusual nose has one or two variations but in general it relates how a robber cut off the nose from his main image in a fit of anger. It was picked up by one of the devotees who tried to reattach it but without warning, the nose disappeared After a short search someone noticed that it was now reattached. It is now said that whenever the deity is angered the nose disappears until his anger dissipates During the Franco-Chinese War [1884/1885] following the defeat of the French at Keelung in northern Taiwan, part of the invading force retreated to the old centre at Tamsui. The French troops were again repulsed by the Chinese under Sun Kai-hua who was assisted by local Chinese from the Manka district [now down-town Taipei] who brought along an image of their patron deity, Ch'ing-shui Tsu-shih. This led to a fifty year struggle in the law courts between the Chinese of Tamsui and those in the Manka as the Tamsui people had held on to the image refusing to return it. The Manka Chinese won in the end. The image is also known as the Drop-nose saint [Lo-pi Tsu-shih] after the nose on the image in the temple fell off every time something bad was said in his presence\n\nHe is famous for his extraordinary powers and is said to have been able to have conjured up rain during his lifetime whenever there was a",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302",
        "rank": 0
    },
    {
        "id": 213233,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 55,
        "title": "RAS-1994",
        "content_text": "34\n\nthe Hong Kong and Shanghai Bank, succeeding the partners of the firm who had occupied a board seat since 1872. Some of the 1914 partners were still with the firm in 1929, Adalbeert Korff and Karl Lindemann of Bremen, Adolf Widmann and Dr. A. Korff of Shanghai and C.G. Melchers of Hong Kong. At that time the head office was in Bremen with branches in China at Shanghai, Hankow, Tientsin, Tsingtau, Canton, Swatow and Hong Kong, as well as being represented in the United States by Melchers, Inc., of New York.\n\nSchellhass and Co\n\nEdward Schellhass opened an office in Hong Kong in 1861. Within a year or so Ludwig Beyer joined him as a partner. Among their trading interests were arms and ammunition. Their permit to ship munitions was canceled in 1865 for failing to make a return to the Harbour Master (GG 7 Jan. 1865). Edward Schellhass's connection with the firm ceased sometime between 1878 and 1884.\n\nIn 1863 Hermann Melchers was an assistant in the company but he left in 1866 to open the first office of Melchers and Co. in Hong Kong. A Frederick T. Schellhass established himself as a general commission agent in Hankow in 1862 and the following year he was authorised to sign for Melchers and Co. at Hong Kong (CM 23 Apr. 1863).\n\nLudwig Beyer is listed as a principal of Bourjau, Hubener and Co. in the 1861 Macau Directory with offices at 35 Praia Grande. The next year he was an assistant in Eduard Schellhass's firm in Hong Kong. He soon became a partner. His interest in the firm ceased in 1886 (DP 1 Jan. 1887). For some years he was Consul for the Netherlands in Hong Kong.\n\nCarl Emil Bade after serving sometime as a clerk in the company became a partner in 1869/70. He was in charge of the Shanghai office but retired from the firm in 1877 (DP 1 Jan. 1878). Peter Julius Rudolph D. Buschmann - usually known as Rudolph - was a clerk in the company from 1873 to 1878. In the latter year he was admitted a partner (DP 1 Jan. 1878). He was sent to the Shanghai office but returned to Hong Kong in May to marry Johanna Elise Hinsch of Wandsbach, Germany. The marriage took place at the residence of Ludwig Beyer (DP 22 May 1878). Mr. Buschmann served as the Hong Kong Consul for the Netherlands and for Sweden and Norway. A relative, Carl Otto Bernhard Buschmann",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213385,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 207,
        "title": "RAS-1994",
        "content_text": "195\n\nBirch, John Grant, Travels in North and Central China, London Hearst and Blackett, 1902\n\nBishop, Isabella Lucy, The Golden Chersonese and the Way Thither, London J Murray, 1883\n\nThe Yangtze Valley and Beyond, New York Putnam, 1900\n\nBlackburn Chamber of Commerce, Report of the Mission to China of the Blackburn Chamber of Commerce, 1896-7, Blackburn North East Lancashire Press, 1898\n\nBlakiston, Thomas Wight 1832-1891, Five Months on the Yang-Tze and Notices of Present Rebellions in China, London J Murray, 1862\n\nBland, John Otway Percy, Houseboat Days in China, London Heinemann, 1919\n\nBoardman, Eugene, Christian Influence Upon the Ideology of the Taiping Rebellion, 1851-1864, Madison University of Wisconsin Press, 1952\n\nBohr, Paul Richard, Famine in China and the Missionary Timothy Richard as Relief Administrator and Advocate of National Reform, 1876-1884, Cambridge (Mass) Harvard University Press, 1972\n\nBoone, Murel, The Seed of the Church in China, Edinburgh St Andrews Press, 1973\n\nBraam Houckgeest, Andreas Everard van, An Authentic Account of the Embassy of the Dutch East India Company to the Court of the Emperor of China in the Years 1794 and 1795 (Subsequent to that of the Earl of Macartney) from the journals of..., London printed by R Phillips, 1798\n\nBradford, Ruth, \"Maskee?\" The Journal and Letters of Ruth Bradford 1861-1872, Hartford The Prospect Press, 1938\n\nBredon, Juliet, Sir Robert Hart: The Romance of a Great Career, London Hutchinson, 1909 (New York Dutton, 1909)\n\n—, Peking, Shanghai Kelly and Walsh, 1931 (Hong Kong reprint Oxford University Press)\n\nBruce, Clarence D., In the Footsteps of Marco Polo, Edinburgh Blackwood, 1907\n\nBryson, Mary Isabella, The Land of the Pigtail, London The Sunday School Union, 1905\n\nBurland, Cottie Arthur, The Travels of Marco Polo (with photographs by Werner Forman), London Joseph, 1971\n\nCable, Mildred, Through Jade Gate and Central Asia, with an introduction by Rev John Stuart Houghton, London Constable, 1927",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213418,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 14,
        "title": "RAS-1995",
        "content_text": "I Jul 95\n\n19 Aug 95\n\n23 Sept 95\n\n18 Nov 95\n\nTraditional Trades and Crafts of Hong Kong - HK Museum of History (Exhibition)\n\nHeaven's Embroidered Cloths A Thousand Years of Chinese Textiles (Exhibition) - HK Museum of Art\n\nLife Under the Japanese Occupation 1941-45 (Exhibition) - HK Museum of History\n\nExhibition of Chinese Folk Art - HK University Museum and Art Gallery\n\nNew Territories Temples and Da Jiu at Kam Tin\n\n26 Nov 95\n\n16 Dec 95\n\nJade Exhibition - HK University Museum and Art Gallery\n\n13 Jan 96\n\nPrince of Wales Barracks and former HMS Tamar Site\n\n20 Jan 96\n\nVillages of the north eastern New Territories\n\n10 Feb 96\n\nWalk through the deserted villages of Sai Kung\n\n9 Mar 96\n\nMaritime Silk Route (Exhibition) - HK Museum of History\n\n16 Mar 96\n\nOrganic Farm on Lamma Island\n\nVisits outside Hong Kong:\n\n22/23 Apr 95\n\nDapeng, Xin'an County\n\n2/3 Feb 96 14/17 Mar 96\n\nBocca Tigris Forts of the Pearl River\n\nTemples of northern Taiwan\n\nSuch activity demands some very dedicated organisers and besides those already mentioned in the Activities Committee we are particularly grateful to Dr. Joseph Ting, Dr. Anthony Siu, Mr. John Wilson, Mr. Philip Bruce, Dr. Patrick Hase, Mr. David Sheil and Dr. Michael Lau for their help. Sometimes not all members can obtain places on these outings and I would like to say that we are quite willing to run the trip again provided we can find someone to assist in organising it. In fact, if any member is willing to propose any trip to somewhere of interest the Society will always be prepared to consider it.\n\nThere is one other activity to which I would like to draw your",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 213782,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 134,
        "title": "RAS-1996",
        "content_text": "105\n\nIn the Southern Song period the first ancestor (“29th generation\" in the Xus' genealogy, who lived, again, in Jiangxi Province, had the names of Er Shi Jiu (29) Lang, whose grandsons moved to Fujian “at the end of Song dynasty\". The genealogy consistently includes langming designation only when more than one name is given for an ancestor. The first of such examples is a 39th generation ancestor. Although no date is given for him, he was probably a century earlier than a 43rd generation ancestor who lived during the Yongle years (1403-1424). Some segments of this Xu clan had ordination names, with the exception of about five consecutive generations during early Ming dynasty, during a period that spans about 20 generations ending in early Qing. Another Xu genealogy, related to the Xu clan above, using another system of numbering generations, named three ancestors in the 2nd, 3rd and 4th generations with ordination names, the last, a sorcerer/curer widely respected among his kinsmen even long after his death, lived between Wanli and Zhengtong (1436-1619).\n\n65\n\nFor the period between Song and Yuan we have more examples. The Fourth Genealogy of the Hes of Shixing names many ancestors with ordination names; among the earliest were a Wu Lang who moved to Fujian from “[Jiang]Nan ji[di] Luzhou” sometime between the times of Song Jiezong (1086-1100) and Yuan Chengzong (1295-1307). I have already mentioned another genealogy of the He, in which the sons and daughters of the founding ancestor Weitai were all claimed to be “immortals”, at least four generations before an ancestor who moved between 1086 and 1307. L. Hade, to whom many genealogies of the Li surname trace, had several sons with ordination names, whose birth dates were given in one genealogy as 1329-1333. During the Ming the Yaos of Shixing Pingyang Tang had names in the lang style since the first ancestor named in the genealogy who lived near the end of Song. During the Ming there was an ancestor who had an ordination name designated as such, who moved to Shixing of Nanxiong in 1451. Similarly the Miaos had many names in the ordination name styles since their move to the present Guangdong province, with one for an ancestor who died around 1452 designated as such.\n\nNew ordination names probably stopped being included in genealogies early in the Qing dynasty. I have already mentioned the case of the Xus. For this last period there were examples in several Hakka genealogies from the New Territories of Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213787,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 139,
        "title": "RAS-1996",
        "content_text": "110\n\nand their brothers several generations earlier than the one with whom the last part of the genealogy starts counting generations from one.\n\nThe above shows that celebration of Fengchao is connected with ordination names. It is not meaningful to ask if all those who celebrate the rite had ordination names in their genealogies—in any case, as mentioned before, all Hakka genealogies I examined, except short excerpts, contain ordination names. There is a similar problem in asking if all lineages with ordination names in their genealogies celebrated Fengchao. One may ask, however, the following question: if two lineages trace to the same ancestors who are the only ones who had ordination names, and one of the lineages celebrates Fengchao, would the other celebrate Fengchao too? There are some cases in the New Territories of which we may ask this question: e.g., Ping Yeung and Ting Kok, So Lo Pun and Lai Chi Wo, Shuen Wan and Wu Kau Tang. At this stage of research, I cannot answer the question for any of those pairs.\n\nAccording to the memorial for the ritual of Fengchao, it is dedicated to ancestors. Chao is also written as Zuchao, zu meaning \"ancestor\". Elsewhere in the memorial, it is written as shangzu, “early ancestors”. Many of the sessions in the ritual are named in the memorial. They were for maintenance of an “immortal army” which seemed to be under the control of the ancestors. When a priest read the memorial to demonstrate his rendering, he added zugong (\"ancestors\") before bingma (\"army\") in the passage, indicating that he does think of the army as belonging to the ancestors. He compared the army to \"policemen\", and told me that they were to guard the village to prevent entry of outsiders. The rites were to remedy possible loss of soldiers and horses due to lack of provisions; loss of the wuhua qihao flags of the army; and the loss of yingsuo stations [garrisons?]. One major feature is petitioning the Jade Emperor and his subsidiaries for issuance of a Zhaobing Pai order for recruitment of soldiers.\n\nThe rite I witnessed was performed inside the ancestral hall, with the exception of a session to “pacify the kitchen god” at the kitchen stove of the bridegroom's house. At the ancestral altar of the hall, the priest hung a picture showing the Three Pure Ones and gods peculiar to the popular tradition, including the Three Ladies. Three temporary spirit",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213797,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 149,
        "title": "RAS-1996",
        "content_text": "120\n\n24\n\nН\n\nTou To Wang, Changsha Wang and various Muowang \"demons\" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975)\n\nFor example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil\n\nBut Muowang \"Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection\n\nEven then the Jade Emperor's native place, according to the same document, was \"Puo Xi\" which could have been Persia too\n\nSee Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province\n\n\"See Lagerwey for the present situation\n\n\"The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC\n\n\"See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all\n\nTh\n\nInteresting information is found in John Lagerwey was not mentioned, instead \"John Keupers\", \"A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan\", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun\n\n-\n\nSee for example the San Jiao Shou Shen Da Chuan\n\nMin Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe\n\nYuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988\n\n14\n\nALL\n\nOp eit pp 1181, 1429\n\n+",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213818,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 170,
        "title": "RAS-1996",
        "content_text": "142\n\nround, and is about a yard in diameter. At last we entered into a better looking sort of a house, and found only two women in it. One ran away, but the other stopped and asked me politely to take some tea. So we asked for some water and when I told her our Saviour's religion said that whoever gave a cup of cold water to one of Christ's disciples would not lose their reward. She said \"yes I know that, I know your holy book I am a Christian and have received the holy washing ceremony.\" I am a disciple, and scholar of Mr Winness: every Sunday he teaches me, and tells me all the holy doctrines.\" She gave us some pretty flowers out of her garden, and we went on very much gratified with this little event. Between one and two we returned home, and found the others had returned long before.\n\nThe people of the village had assembled, and made a fierce noise outside, and presently the elders came up into the parlour to settle the dispute. They made a long palaver, five of them, about the new part added to the Mission house. On the opposite hill was a tomb, and the corner of the new part of the house had been built about a foot and a half too high, so that it was higher than the tomb, and that when people stood on the tomb, they could just see the top of the house, above them. Now this was a serious matter they said: for the descendants of the man in the tomb, had one of them very sick, entirely through that corner of the house being so high; and while the peace of the ancestors was disturbed, the whole family would all suffer sickness and death. Fancy five old grey bearded Chinamen talking such superstitious nonsense.\n\nI have since heard that soon afterwards they came again, and demanded 100 dollars as the compensation for the injury done to the family. And at last agreed to take 10 dollars, and let the house remain, (and of course cause the death and sickness of the family)!! This is about all their religion is worth. Religion with them is merely a custom, and a dead letter. About 3 o'clock we started and bade goodbye to our hospitable German friends, and pushed on for the river. No incidents worthy of note occurred, except shooting two birds as they flew over head and which my man secured, and I had them for dinner next day at home.\n\nWe got on board our ship, which had been able to come up the river and discharge its cargo, about sun-down, and after a while got",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213898,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 250,
        "title": "RAS-1996",
        "content_text": "224\n\nMy doubts about the purely utilitarian nature of hou fu stones were reinforced at the Diamond Hill cemetery. Space at this burial ground is at a premium and plots are often so tiny that stones, where they exist, are jammed together at the back of graves, which relegates them to the role of token boundary markers. Given the overcrowding at Diamond Hill, the discovery of a tomb which by virtue of its size and age had little in common with its neighbours was unexpected. The tomb belonged to the Liang family and was probably built at a time when graves were not yet piled up on top of each other. Not only was the Liang plot a good deal larger than that of the surrounding graves, but the family had clearly tried to ensure that it would always remain so. Set into the ground was a plaque which announced \"Domain of the Liang [family's] funeral abode\". (Liangzhai shanjie). More unusual still was a stone in front of the tomb which bore the words \"quantu\" or \"front of the grave\". What is relevant in this connection is that one expects to see such a stone in front of other graves, since it is both the logical counterpart of hou tu and a confirmation of its marker function, but that is not the case. For reasons that will become apparent below, the stone is unique.\n\nBut the tomb's most remarkable feature was located at the back of the grave. Here a small-scale replica of the main tomb, adorned with the usual inscription (Liangshan Houtu), had been erected. In view of the special nature of the Liang tomb, it was reasonable to assume that the structure represented a shrine to Houtu.\n\nBy installing a plaque, a quantu stone and a shrine, the Liang had attempted to reproduce, above ground, a funerary document called diquan. This was a land contract, written on a durable surface (clay, stone or jade) which included a plot's exact measurements. As of the first century BC, diquan were interred with the deceased to attest his or her ownership of the land in which s/he was buried. According to A. Seidel:\n\n\"From the third century on, the religious character [of the contracts] becomes more pronounced; supernatural beings start to appear as sellers of the land or as witnesses.\n\n(A. Seidel, \"Traces of Han Religion in Funeral Texts found in Tombs\" in Dokyo to shukyo bunka, ed. by Akizuki Kan`ei Hirakawa)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213994,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 63,
        "title": "RAS-1997",
        "content_text": "29\n\nway while working\n\nMore accidents happen when scaffolding is being dismantled than when being erected. Most trades have their written and unwritten rules and, with bamboo scaffolding, it is generally accepted that, whoever erects a scaffold, then the same scaffolders should also dismantle it. The argument is that the craftsmen who put it up know the peculiarities of the scaffold and they are in the best position to take it down. There have been disputes between main contractors and scaffolding subcontractors resulting in the latter walking off the job. In the end, in most cases, the main contractor had to relent as no-one else was prepared to take the scaffold down.*2\n\nDeities\n\nFor all employers and employees in the building industry, Lu Pan is worshipped as a general deity. His birthday is celebrated on the 13th day of the Sixth Moon. In addition, the patron saint for bamboo scaffolders, performers in opera troupes, goldsmiths and silversmiths, and incense and funeral-paper shop staff, also worship Wah Kwong (Hua Kuang). He is sometimes described as the God of Fire.* As one mature scaffolder proudly told the author, 'We have three sz foo masters [sic].' He included, of course, Yau Chao Shi, who was mentioned at the start of this paper, as well as Lu Pan and Wah Kwong.\n\nThe last is said to have defied the Heavenly Jade Emperor's order to destroy all bamboo opera stages on earth as punishment for an opera performance that had insulted his Majesty. As a result, Wah Kwong gained the undying gratitude of scaffolders. It is important to remember that Wah Kwong is a powerful, cleanshaven god with a third eye in his forehead. He often has a piece of gold in his hand. He is a destroyer of demons and is rarely prayed to by individuals, but, more likely, by groups. There is a temple dedicated to Wah Kwong in Tai O, a small market town and fishing port to the west on Lantau Island. There is also an effigy of Wah Kwong Sz Foo in the Lit Shing Kung (“temple”), adjacent to the Man Mo Temple, in Hollywood Road.*34 Master Wah Kwong's birthday is observed on the 28th day of the Ninth Moon,*35 The author has, however, been told by scaffolders that the birthday of Wah Kwong is on the 18th day of the Ninth Moon. The author has, however, been told by scaffolders that the birthday of Wah Kwong is\n\n75",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214016,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 84,
        "title": "RAS-1997",
        "content_text": "50\n\nin pairs on Min [Fukienese] community altars as offerings to the Jade Emperor, whose birthday is celebrated the following day and who had persuaded Yang to call off the pursuit.\n\nAn image categorically identified as the Seventh Son, Yang Yen-ssu has only been observed in one temple, in Medan in Sumatra, where it stands alone on a separate side altar simply marked, Yang Ch'i Yeh. He is portrayed as a black-bearded general, standing dressed in long yellow robes and holding a long staff but without any unique features. In a temple near Taichung where he is depicted together with the rest of his brothers he is inexplicably portrayed with a ferocious, decorated face and a bird's beak mouth. His black skin is decorated with a white [opera-style] face pattern, whilst the beak with a red edging is under a human nose. His eyes are staring, round and bulging, and he is holding an unsheathed sword at the ready. All in all, an extraordinary image which, whilst accepted and labelled as the Seventh Son by the temple staff, is completely out of character.\n\nFinally, in Seremban in central Malaysia, the temple keeper of a small rural temple pointed out a small standing figure of a soldier in armour at the rear of a crowded secondary altar. The image has no unique characteristic and could be any soldier/deity. The temple keeper identified him as Yang Sung-pao, a T'ang general who had been the protector of a Sung emperor. In Seremban he was also known as the Venerable Golden Lion, Chin-shih Ta-jen, as well as the Great General, Ta Chiang-chün.\n\nThe Eighth Son, Yang Pa Yeh, has only been noted on two altars in northern China despite the two Yang Family Daughters being numbered Eight and Nine, Yang Pa Chie and Yang Chiu Mei. These two daughters were involved in several battles fighting alongside the Sixth Son.\n\nPost Script\n\nChinese characters carved into a roadside rock beside the modern main road from the Fen River plain in northern Shansi to Inner Mongolia proclaimed that the nearby old temple had been dedicated to Wu Lang, the Fifth Son of the Yang. This was confirmed by a local peasant. The temple was in a col between two mountains, itself several thousand",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214239,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 97,
        "title": "RAS-1998",
        "content_text": "60\n\nconcrete images of Thai Buddhas, the [Chinese] Jade Emperor and Siva with the tiger. Temple staff of the three religions attend to their own altars and help devotees as and when required.\n\nThe most widespread Buddhist images seen throughout China which are obviously not Chinese deities are the four major guardians in the entrance hall to Buddhist establishments, the Defenders of the Faith. These and other similar minor guardian deities are former gods of Indian folklore and include the giant guardian deities known in Chinese as Wu-shih, such as those whose images stand outside the main hall of the Jinci in Taiyuan. A further two are the traditional guardians of Buddhist temple gates dating from at least the 8th century. The one [facing the gate] on the right hand is opened-mouthed and coloured vermilion, whilst the guardian on the left has a closed-mouth and is the colour of charcoal. Both are made of stucco. In China they are known as the two generals Heng and Ha, the Blower and the Snorter. In legend they fought with secret weapons; one blew a deadly yellow gas from his mouth with a ha! and the second snorted a white beam of light from each nostril with a heng! which vaporised his enemies. They can also be seen guarding the entrances to Japanese Buddhist temples where they are known as Kongo Rikishi. All of these guardians are undeniably foreign in form in comparison with the gilded images of the standard Buddhas which are now not even considered by Chinese devotees to be anything but Chinese.\n\nWe know who the Deva are, when they were placed in their present temples, both in Taiwan and the Western Hills, but not why. From our various sources it would seem that these Sinicised Indian deities are celestial protectors. We can guess that the concept was imported at a comparatively late stage but who, individually, sponsored them and had the images made is now lost in time. It is interesting to note that present day monks in the Western Hills have little idea of their origins and were apparently completely disinterested in the subject.\n\nIn the cave-tunnel in the comparatively modern temple in Taiwan, however, the images were, to the religious specialists there, simply Buddhas of Yore, the principal ones who preceded Sakyamuni.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214240,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 98,
        "title": "RAS-1998",
        "content_text": "61\n\nAppendix A\n\nDETAILS OF THE DEITIES WITH SINICISED SANSKRIT NAMES\n\nWHOSE IMAGES APPEAR IN THE GROUPS IN THE TWO TEMPLES IN THE WESTERN HILLS OF PEKING\n\nAND THE ONE IN NORTHERN TAIWAN\n\n1] Brahma [Mahabrahman] usually known in Chinese as Fan T'ien 梵天\n\nBrahma is the ancient Vedic creator and the Soul of the Universe, an impersonal being, chief of the Hindu gods and celestial spirits and the first in the Hindu trinity. He is usually paired with Indra [see Ti Shih below] though married to Sarasvati. It is believed that the Vedas sprang from Brahma's head.\n\nHe is known in China by several titles including Ta Fan T'ien-shen and Fan Wang as well as Ta Fan T'ien Wang. In India his image varies from place to place but frequently he is portrayed with four arms and four faces or heads. Over the centuries his worship slowly declined in favour of Vishnu and Shiva.\n\nHis image has been noted in a number of folk religion temples in China where he is considered to be one of the forms of the Jade Emperor. In several Buddhist monasteries he has been noted as one of the two attendants flanking Sakyamuni Buddha, the other attendant being Indra.\n\nIn a number of temples in southern China he has been represented as a bearded middle-aged man, standing, wearing long flowing robes, and either the standard Hanlin-style Chinese literati cap or the tiny Taoist crown. He can also be portrayed carrying a stylised incense-stick holder which looks very similar to the long-stemmed tobacco pipe. In some temples in central China he was depicted riding a swan.\n\nIn the Ta Pei Ssu in the Western Hills he is portrayed as an imperial minister, standing with a tablet held in both hands before his chest and dressed in a colourfully decorated robe and Ming decorated leather.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214241,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 99,
        "title": "RAS-1998",
        "content_text": "62\n\nbonnet. He has a Chinese face, white moustache and beard and rather hooded eyes.\n\nHowever, in the Pi-yun Ssu, also in the Western Hills, his modern image depicts him in what appears to be a sarong held up by a long blue bow, and with a bare chest. His shoulders are covered with a decorated blue robe down to his knees, parted revealing his bare chest, and an unusual bonnet which appears to have a pair of short wings extending out beyond his ears. He has a squat nose, large mouth and is holding his right hand making a mystic sign at chest height. His left hand grips an incense-stick holder at waist height. He looks marginally less Chinese than the other images but does not look Indian.\n\nPaired with Indra, he stands in prime position at the head of one of the two rows of fourteen Deva.\n\n2] Indra, known in Chinese as Ti Shih and Yin-t'o-lo\n\nHe is the greatest of the Vedic deities with the dual function of weather and war god, known also as Sakra Devanam. He has been adopted by Buddhists as representative of secular powers, protector of the religious body but inferior to any Buddhist saint. He is said to have taken an oath to defend Buddhism during a former incarnation and was reborn as the King of the Yakshas.\n\nAlthough some Chinese Buddhists identify Indra as the Taoist supreme deity, the Jade Emperor, Brahma is much more commonly accepted as a form of the Jade Emperor.\n\nHis image is present in both the Ta Pei Ssu and in the Pi-yun Ssu, and in both he is completely Chinese with no hint whatsoever of foreign origins. He is standing, an ancient minister, dressed in colourful decorated Chinese robes and imperial bonnet, with pink flesh, a black moustache and goatee, and with both hands held together before his chest, fingers pointing upward.\n\nIn Hong Kong he has been paired with Brahma on altars and is portrayed carrying a golden bowl somewhat similar to an incense pot. He is depicted in a form and dress virtually identical with that of Brahma,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214244,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 102,
        "title": "RAS-1998",
        "content_text": "65\n\nhand holding a precious object including a rosary, cudgel, jar, spear, pagoda, golden arrow, halberd, or bell, etc. and it is therefore not surprising that the images of Chun-t'i on the altars of both Buddhist and folk religion temples portray her with eight or eighteen arms and hands, the main two hands being held palms pressed together before the chest in prayer. The uppermost hands hold discs of the Sun and Moon respectively and the remainder, individually, hold various attributes including a seal of office, a sword, shield and fly switch. She is variously represented with three heads though predominantly she is depicted with one head with three faces one of which is that of a sow. Chun-t'i again often has a third eye in the centre of her forehead, usually a Taoist form but attributed to her Indian origin as a metamorphosed caste mark. She is generally portrayed sitting on a lotus throne in the same posture adopted by the Buddha and, in one of her poses, also by Kuan Yin P’u-sa. According to Werner the legend explaining the third face being that of a sow and the creatures supporting the lotus also being pigs relates how one of the abbesses of the Semding monastery in Tibet in whom the goddess Chun-t'i was believed to be successively incarnated, had an excrescence resembling a sow's ear at the back of her head.\n\nIn northern and central China in Tantric Buddhist temples, the Lamaist goddess Maritci, portrayed in a chariot drawn by seven pigs is identified as Chun-t'i; in the south however, where Tantric Buddhism hardly penetrated, images identified as Chun-t'i are said by priests, should devotees enquire, to be the Brahmanic cult of Maritci. However, in Tibetan and Mongol [Tantric] Buddhism Tou-mu is a common deity with her three eyes and many arms; she is considered to be an incarnation of Avalokitesvara, the bodhisattva known throughout China as Kuan Yin and this doubtless explains the confusion with Kuan Yin in central and southern China. She has been identified as Tou-mu Yuan-chün, the main deity in the T'ai Sui Hall in the Jade Emperor temple in Tainan, where she is flanked by two Tantric aides, Ch'ieh-ch'ih and Yao Ya.\n\nIn her Taoist form she is portrayed seated on a lotus, again of Indian origin, which in a number of temples rests on the back of a tortoise which in turn rests on three or seven pigs. Most likely this is no more than a reflection of the tale in the Feng-shen Yen-i in which one of the disciples of Tou-mu, Shui-huo Tung-tzu, who changed into a tortoise, bore off Tou-mu to the Western Heavens.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214256,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 114,
        "title": "RAS-1998",
        "content_text": "77\n\ning stick of incense before each with a perfunctory bow, the Four are looked upon as mere soldier guardians with a fifth, Wei T'o [see 21 above], their commander.\n\nThe group of Four are the product of the Mahayana school of Buddhism with additions from the Tantric school. Their original Buddhist title in Sanskrit is usually Dvarapala, though others claim that they are the Chin-kang Shou, derived from the Sanskrit \"Vajrapani', the Thunderbolt Bearer, the Great Protector.\n\nThey are responsible for the security of temples, protecting them from demonic attack and also preventing evil spirits from sneaking in. In Taoist temples, where they have different individual identities, they normally stand in the side wings of the main hall, such as in the Jade Emperor Hall at the Monastery of Ten Thousand Buddhas at Shatin in the New Territories of Hong Kong.\n\nThose in Buddhist temples are the Diamond Kings whilst those in Taoist and folk religion temples are Celestial Kings [T'ien-wang]. They are easily recognisable by their stature, location and by the collocation with the others in the group; also, because each usually holds a unique identifying symbolic object, a furled umbrella or a rodent, etc. They stand with defiant stares and have faces in colours identifying the direction for which they are responsible. The Buddhist Four guardians all wear the bodhisattva's five-leaf crowns with minute Buddhas inscribed on the central leaf, and flying scarves forming a nimbus behind and above their heads and shoulders. Many have demons, thieves, liars and adulterers underfoot. The Taoist Four, who also have demons underfoot, generally wear military helmets.\n\nA manifestation of Vaisravana, the protector of the North and one of the Four Chin-kang, appeared during his journey to aid Hsuan Tsang, the Buddhist monk who trekked from China to India and back to obtain Buddhist scriptures. For this reason Vaisravana was later revered by devotees, alone and in his own right, and over the years became associated with General Li Ching.\n\nAll four of the Mo-li brothers, the Taoist identities of the Four Temple Guardian Generals, are included and represented in the sets of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214257,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 115,
        "title": "RAS-1998",
        "content_text": "78\n\nthe Twenty-four Heavenly Lords. The Four, said to be brothers, are believed to have been born during the 11th century BC and are now protectors of Mi-lo Fo. The 16th century novel, Feng-shen Yen-i, describes the popular myths surrounding the defeat of the four Mo-li brothers during the legendary wars of the 12th century BC who fought with their magical weapons but whose main weapon was the white rat which devoured all enemies. However, Yang Chien, the nephew of the Jade Emperor and son of Li Ching [the General with the Pagoda] was swallowed by the white rat but once inside it he ate the rat's heart and at the same time transformed himself into the white rat which was unsuspectingly put back into its bag by one of the Mo-li brothers. Yang Chien stole out whilst the Four brothers were in a drunken sleep and stole the magic umbrella, whilst Na-cha who had fought and defeated them broke their magic jade ring. The Four lost heart, were defeated and slain. The war was followed by their canonisation by Chiang Tzu-ya who appointed them to the posts of the Heavenly Kings, controllers of the elements, from whom people sought protection from calamities.\n\nThere are standard images of all four of the Great Celestial Kings in both the Ta Pei Ssu and the Pi-yun Ssu.\n\nThere has been a certain amount of confusion over the colours, names, and titles of these guardians; even their characteristics and attributes vary from monastery to monastery. Confusion has arisen over the centuries due to non-Buddhist and even pre-Buddhist factors, with every combination to be seen, such as the General of the North with the Umbrella, the General of the West with the Rat or Mongoose, and so on. The most frequently noted observations are as follows:\n\n  \n    Taoist Titles\n    Symbol\n    Characteristics\n    Buddhist title\n    Sanskrit title\n  \n  \n    Mo-li Ch'ing\n    Magic weapons or Sword/lance or Jade Ring or Parasol\n    black face or black beard\n    Ch'ih-kuo T'ien-wang\n    Dhrtarastra 持國天王 or 東方大王\n  \n  \n    \n    [colours: blue/green] or Lyre/lute",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214263,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 121,
        "title": "RAS-1998",
        "content_text": "84\n\nShan is one of the five sacred mountains of China and is located in Shantung. It is believed to be inhabited by many divinities both male and female with T'ai-shan Yeh the primary deity for most pilgrims to the mountain even though the main deity in the temple on the peak is the Jade Emperor. Temples dedicated to the Lord of T'ai-shan were to be found in all parts of China, where he was regarded as the guardian of life and death.\n\nAs the Supreme Lord of the Underworld he has a very large bureaucratic organisation responsible to him for the maintenance of the Book of Life, the register of the due date on which the soul of every living soul must be summoned to appear before the Judges of the Underworld. Popular belief claimed that the entrance to the Underworld was to be found in one of the temples at the base of the mountain. The arrest and escort of souls is carried out by lictors and runners from the yamen of the local City Gods who drag each soul before the local City God, together with the biography and report on the soul prepared by the local Earth God [T'u-ti] who has carried out the first, very preliminary interview to ensure that the right soul has been arrested and is ready for onward despatch. Again, after verification of the identity of the soul the City God endorses the Earth God's report and if available adds any further information on the soul he might possess, and sends the soul under escort to the First Court of the Underworld where the process of purging the soul of all sin commences. After the soul has passed through all Ten Courts and been fully purged of its sins, it is then despatched either to the Western Heaven [Celestial Paradise] or for rebirth in an incarnation to be decided upon depending upon the weight of sins incurred during the previous incarnation.\n\nIn parts of China and in Taiwan, the alter ego is Tung-yüeh Ta-ti with Yen-lo Wang being the senior and chief of the Ten Judges who are under his charge. This dual role played by both Tung-yüeh Ta-ti and Yen-lo Wang is a further complication and a confusion which appears to be insoluble. The former is not only the Supreme deity of the Underworld but also the Judge of the Seventh Court whilst Yen-lo Wang is not only the senior Judge in charge of all Courts but also the Judge of the Fifth Court. The latter has been explained as Yen-lo Wang having ten different forms, as Judges in each of the Ten Courts. This, however, would mean that T'ai-shan Yeh of the Seventh Court would also be a form of Yen-lo Wang.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214265,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 123,
        "title": "RAS-1998",
        "content_text": "86\n\npray to him for the blessing of a son. However, in Cholon [Saigon] his image, seen in several temples are known as Tzu-wei Ta-ti but identified as T'ai-sui, the god of the planet Jupiter and of Time, though in the major Jade Emperor temple in Cholon images of both T'ai Sui with his bell and Tzu-wei astride his lion stand side by side.\n\nHis standard image in Cantonese communities portrays him as a clean-shaven youth with large round protruding eyes, astride or sitting side-saddle on a reclining mythical beast, possibly a stylised lion. He is holding a seal aloft in his right hand, a talisman bearing the inscription \"The Star looks Straight On\" R. He also has a unique feature, a flag pole behind him on to which is fixed a sheathed sword. The youth holds a conch shell in his left hand and is dressed in only trousers and a cape which hangs round his neck and down his back. He is wearing shoes and has neck-length hair which is held in place by a tiara from which two objects, like insects' feelers, protrude upwards.\n\nIn yet another tale, an extraordinary and complicated legend, an emperor had eighteen robes specially embroidered for the Eighteen Lohan. These were being delivered by a trusted minister who reached their palace in the Western Heavens only to find seventeen Lohan. He sought the eighteenth and found him dead in the kitchen crawling with big fat lice. As this Lohan was the god of the star Tzu-wei and this star represented the emperor of China, the minister knew immediately that the emperor had died since his departure and the spirit of the dead Lohan had been incarnated as the new emperor. The minister was puzzled - what he should do? Finally, he placed the cape around the body of the dead Lohan and returned to Earth bearing a box from the other Lohan which would, they assured him, prove that he had accomplished his mission. When, after months of travel, he reached home, the new emperor opened the box and out flew a crane up into the sky and back to the stars. Artists customarily depict this in their portrait of Tzu-wei.\n\n39] Lei Shen The Spirit of Thunder\n\nLei Shen is portrayed and named as such in only one of the two temples, the Pi-yun Ssu. The problem is that Lei Shen, as such, has been noted on remarkably few altars. Lei Kung, the God of Thunder is",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214316,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 174,
        "title": "RAS-1998",
        "content_text": "138 \n\nLegends surrounding the birth, life and death of Xu Sun are numerous, complicated and tangled stories. Just before his birth his mother is said to have dreamed that a golden phoenix dropped a pearl from its beak into her hand. A popular story claims that he was born either in Henan province or at Nanchang in Jiangxi, ca AD 240 where he lived out his life as a saintly doctor. Xu Sun passed the imperial examinations, became a prefect of a district and distinguished himself by his benevolence. According to some versions, his popularity was due to his power and ability to heal diseases using secret preparations. Others claim that he was an official who, having served in Sichuan province, died in about AD 293 or AD 374 when still only in his fifties. In another version, a typical mythological finale to a virtuous and extraordinary life, he died at the great age of 134 and was borne off to Heaven 'together with his wives, children, dogs, chickens and beasts'. \n\nMembers of the Daoist Jingming sect claim that he was the founder of the cult with its centre at the temple dedicated to him in Nanchang city. This no longer exists; however, a temple dedicated to him in the small town of Xi Shan [Western Hill] some twenty miles south-west of Nanchang, is the present cult centre. A large notice before his altar in the temple informs devotees that he lived during the Eastern Jin [317-420 AD] and during a twenty year struggle managed to solve the problem of annual flooding in the province and that he should be revered mainly for his success in water conservancy in northern Jiangxi, particularly around the Boyang Lake. The notice also claims that he lived for 136 years. \n\nHis cult centre in Xi Shan is now a bustling temple complex with two main halls and some four lesser halls set in large grounds. The two large main halls, side by side, are dedicated one to Xu and the other to the Jade Emperor. The inside walls of the hall dedicated to Xu are lined with some twenty or so anonymous minor perfected lords whilst the Jade Emperor's hall is lined by sixteen guardian generals, again unnamed. The Jade Emperor is flanked by four major Daoist deities, the philosopher Lao Zi; the founder of the Heavenly Master sect Zhang Daoling; the doctor of the Eight Immortals Lü Dongbin and the Northern Emperor, Zhen Wu. The main altar in Xu's hall bears two images of Xu, one tall gilded statue of Xu standing, and a smaller, portable image of him sitting swathed in red robes. Neither has any unique characteristic and he is depicted with a black beard, pink face and holding a tablet in both hands before his chest. He is attended by two youthful attendants.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 175,
        "title": "RAS-1998",
        "content_text": "139\n\nThree of the four lesser halls, though as large as the Jade Emperor Hall and Xu Hall or nearly so, are dedicated one to the Three Matrons of fertility and childcare; one hall to the wife of Xu, whose personal names were Heshi, known as the Palace of the Consort - Furen Gong - in which her image stands on the uppermost tier of three with the Lord of Time and his sixty minions, the Tai Sui, occupying the lower two tiers; a third hall to Guan Gong, the patron deity of loyalty and honour, and patron of soldiers; whilst the fourth hall, much smaller, is virtually empty apart from a single, small pottery image of a wealth god. This spread of cults within one temple is typical of the majority of the larger temples throughout Chinese communities.\n\nAll of the images within the temple complex are of comparatively recent manufacture, certainly since the early 1980s. The original images were destroyed during the years 1949-1976, during one or more of the political campaigns against superstition or social reform, mostly during the first days of the Cultural Revolution in 1966 when the temple was gutted. Some of the new images have been well made, artistically finished in paint on plaster and concrete. Others are crude, poorly finished and eyesores for posterity. The image of Xu, however, is one of the better ones and far from crude workmanship.\n\nThe grounds and halls on the day we were there in the Autumn of 1998 were seething with devotees, many of whom had travelled some distance to pay their respects to the deities. Long strings of firecrackers were being let off and amidst the deafening racket and the palls of smoke from these and burning offerings, the whole area was what Chinese know as re'nao, excitement and noise.\n\nAcross the road, however, in the comparatively small, enclosed and dilapidated garden, silence reigned and not a soul was to be seen. On the far side of the square artificial lake in the centre of the garden is a lengthy row of small, weathered and battered modern images, all unnamed, which on closer examination appeared to be many of the emperors of China since time immemorial. A Nine Dragon Spirit Screen stretches out behind them. Of greater interest were the half a dozen small rooms, similar to horse boxes with half-doors, which lined the rest of the far side, each containing a small tableau of life-size simple and gaudily painted plaster and cement figures. These were identified as episodic scenes from the life of Xu, ranging from his miraculous birth,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 215060,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 156,
        "title": "RAS-2000",
        "content_text": "113\n\nTHE CELESTIAL MINISTRY OF TIME\n\n太歲\n\nKEITH STEVENS AND JENNIFER WELCH\n\nIntroduction\n\nBelief in a Celestial bureaucracy was universal throughout China, particularly within peasant and the less literate urban communities and it is still believed in by devotees not only within China itself but also in Taiwan and the Chinese communities throughout South-east Asia. The Celestial bureaucracy is headed by the Ruler of Heaven, the Jade Emperor, with the various functions of the officials of the celestial departments being performed within the confines of numerous ministries, though possibly the former term of boards might be better, ranging from the Ministries of Water, Finance and Literature to the Ministry of Public Works, each with the aim of protecting or doing good for mankind. One such ministry is the Ministry or Board of Time.\n\nTaisui\n\nThe President of the Celestial Ministry of Time, the deity Taisui is possibly better known in English as the Ruler of the Year and the God of the Sexagenary Cycle. He is generally thought of as the Supreme Ruler of the Year and of the Seasons. He is one of the fiercest gods in the pantheon who must be placated whenever ground is disturbed for any reason, and is well known as the deity who strikes down any who offend him. In popular belief he is thought of as demonic and, if not regularly placated, he is at least to be avoided. His cult is comparatively commonplace, though the manifold forms it takes in temples throughout China, as well as the disparate names and titles of members of the Ministry, make an interesting picture. Taisui is not only the President but is also the name of the Ministry itself.\n\nIt is accepted by most Chinese that a number of factors control human lives; these include geomancy and astrology. Geomancy, in Chinese fengshui, concerns location whilst astrology is concerned with the auspicious or inauspicious nature of dates and times, and involving the stellar deity Taisui in particular.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215066,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 162,
        "title": "RAS-2000",
        "content_text": "119\n\ninside each annual Farmer's Almanac whether it be printed in Taiwan, Hong Kong or Singapore, is of the Spring Ox and the youthful ox herd. The youth, usually armed simply with a willow wand, the symbol of rain, was connected with fertility, good harvests and happiness. Popular belief also claimed that Mang Shen's clothing was intentionally misleading. One shoe meant a balanced rainfall, two shoes meant poor rain, possibly drought and no shoes meant a good and adequate rainfall. If he was dressed in mourning it would be a good year, whereas if he wore light clothing a cold year could be expected. [Similar rituals involving the Spring Ox have been observed as far afield as Inner Mongolia (Wm. Grootaers: Chahar: Peking Catholic University: Monumenta Serica: 1948), Sichuan (Mrs Pruen: The Western Provinces of China: 1906), the Rev. Milne in Beijing and Ningbo in the mid 1840s] and in illustrations within provincial guide books of the 1990s in Shanxi and Shaanxi.\n\nTaisui on Altars\n\nAlthough Taisui is only very rarely the main deity in a temple he has been seen as a lone deity in a wayside shrine, and is frequently the sole deity on a temple's secondary altar. However, in southern Chinese communities, especially Hunan and Guangdong, he is portrayed by sixty individual images in serried rows on a secondary altar, and in one temple in Lukang, on the west coast of Taiwan, all sixty are depicted in a modern temple mural in four rows of fifteen.\n\nNormally Taisui whether as one or sixty images exclusively occupies the altar dedicated to him. However, two temples, provinces apart, have their rows of sixty Taisui, rising row on row, but with different deities, neither apparently connected with Taisui, standing in the superior position on the very top tier of the altar. The first is in Tainan in southern Taiwan where a new hall, built onto the side of the first floor main hall of the large Jade Emperor Temple, is entirely dedicated to Taisui apart from the painted wooden doors and three unconnected images on the top row. The main deity in this instance is Doumu Yuanjun, also known as Zhunti Pusa, the Bodhisattva of Light [or the Dawn]. She is worshipped by Chan [Zen] Buddhists as a merciful goddess and has been assimilated by Chinese religion as the deity Doumu with many of her devotees regarding her as a bodhisattva in her own right, a powerful deity 'who prolongs life and helps avoid",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215071,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 167,
        "title": "RAS-2000",
        "content_text": "124\n\nHong, was a special deity said to save people from the 'fifteen bad deaths.' Images of both Yin Hong and Yin Jiao flanked that of the Jade Emperor on the latter's altar. The brothers were portrayed, rather surprisingly, sitting naked and with claws, beaks and wings. Grootaers writing about the Kalgan district of northern China, said that Yin Jiao was never seen on altars except as an attendant of the Jade Emperor.\n\nIn a small folk religion temple at the roadside in Kuala Selangor an image of Taisui has a tiger sitting beside him and when asked the reason for this the temple custodian explained that Taisui keeps a tight control over the tiger who would otherwise eat people's luck. A similar image, holding a bell in his right hand and with a pair of tigers, stands on the Taisui altar in a temple in Cholon [Saigon].\n\nIn Ningbo in the 1890s the Gods of Time, of the year, months, days and hours were, according to one missionary, all represented with long black moustaches, and with the central one seated beneath a triple scarlet umbrella richly embroidered in gold representing the highest emblem of authority.\n\nSixty images [presumably Taisui, though the observer did not actually spell it out] ranged down the side walls of the Temple of the Three Emperors in the Native City in Shanghai in 1906, with twenty-six on one side and thirty-four on the other. Paper 'shoes' representing silver sycee [money] were burnt as offerings.\n\nOther images of Taisui have been referred to in all parts of China by western travellers in groups of sixty. One traveller, Grainger, noted all sixty in one temple in Chengdu, the capital of Sichuan province in 1921, were worshipped for rain and called 'The Spirits of the Rain Dragon of the Year' [Dangnian Xingyu Longshen].\n\nThe Legend of Taisui\n\n19\n\n18\n\nThe story of Yin Jiao begins with him being born a lump of formless flesh which so horrified his father, King Zhou E, that he ordered it to be abandoned outside the city walls. The lump was recognised as an immortal, the caul split open and the child removed. Cared for by a hermit he was brought up and nursed by one of the Eight Immortals, He Xiangu. When he came of age he was told about his birth and about",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215072,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 168,
        "title": "RAS-2000",
        "content_text": "125\n\nthe death of his mother who had been defenestrated on orders from her husband, King Zhou, as punishment for bearing such a 'monster.' Yin Jiao was determined to destroy not only his father but also the Imperial Concubine, Da Ji, the Nine-tailed Fox Spirit and current royal favourite who had caused the death of Yin's mother by her calumnies. Yin was presented with two magic weapons by the Goddess Tian Fei, a gold club and a battle-axe, and after the final great battle between the forces of the declining, sinister and corrupt Shang dynasty and the victorious future Zhou dynasty at Wan Xian Chen, Yin Jiao fought first on the side of his father, King Zhou. Later, after switching sides and fighting for the good King Wu, he was unfortunately decapitated by a general during the battles having been sandwiched by the Buddha Randeng between two mountains. He was deified during the general deification at the end of the war by Jiang Ziya, the future Prime Minister of the new dynasty, on the authority of the Jade Emperor. Yin Jiao, at the end of the novel, having been sent by Heaven to bring dread calamity down on to King Zhou because of his blasphemies and evil ways, volunteered to be the executioner of his father and his father's concubine, Da Ji. He was proclaimed Prince Jingming and was rewarded by the Jade Emperor for his bravery and filial piety with the titles of Taisui, Marshal Yin and with the presidency of the Ministry of Time. In the novel, the full title of Yin Jiao, the younger son of the evil King Zhou of the Shang dynasty, is Dou Lei Taisui Yin Yuanshuai.\n\nRC\n\nand as one of the Twenty-four Heavenly Lords he is also referred to as Yin the Heavenly Lord (Yin Tianjun).\n\nAn entirely different story is given in another novel, the Shenyi Jing which tells of Jin Chong, the son of Pan Gu the creator of the world, who lived in the mountains of Shandong province. Jin was canonised as Taisui by Fu Xi, a primeval ruler and sage, the first of the three emperors of the legendary period, for his many good deeds and was made responsible to Heaven for supervising the activities of all the spirits and demons. Few Chinese would appear to know this story.\n\nDoré, who refers to Taisui as the Patron of the Harvests, explains that Yin Jiao's baby name whilst living with He Xiangu was Jin Nazha. This adds further confusion to the legends surrounding Li Nazha [the Third Prince - San Taizi], a very popular deity who appears with great frequency in Chinese legends and fairy tales.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215101,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 197,
        "title": "RAS-2000",
        "content_text": "154\n\nA close-up of a recently renovated temple doorway of the Jade Emperor Temple in Tainan showing deities of the 24 Solar Periods on the doors leading to the Taisui Hall.\n\nFrom top right reading across we have:\n\nSpring Begins\n\nVernal Equinox\n\nSpring Showers\n\nQing Ming\n\nAwakening of the Insects Grain Rains",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215110,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 206,
        "title": "RAS-2000",
        "content_text": "163\n\nto teach him a lesson. In yet another rendition it is suggested that he had the crab painted on his forehead by his fellow pupils as a joke whilst he was asleep and who, at the same time, stuck two willow branches behind his ears. When he woke up his chagrin was so great that he committed suicide. Another story maintains that he was a most beautiful child and his sister-in-law in a fit of jealousy painted a crab around his mouth whilst he slept preventing his soul from returning [meaning that he died as a result because Chinese know only too well that one's soul roams far and wide whilst one is asleep]. The Jade Emperor took pity on him and, so the story goes, adopted him as one of his sons, or in another version, allowed his soul to return to his body. In yet another legend he was a Suzhou man who supported troupes of actors. Another legend, related in a Chaozhou temple in Indonesia, tells of a boy who had been working in the fields, stomach empty and very hungry. He fell asleep at the side of the field whereupon a small crab crawled into his open mouth giving him sufficient sustenance to continue. He grew up to be a good farmer, a good neighbour who helped protect his community and who loved music more than anything else. He was, however, conscripted into the army and sent north to fight the Xiongnu [Huns] of central Asia, where he rose in rank until as a marshal and undefeated he returned to his home in Fujian province. He was deified after death as a local community protector. One of the major factors of his victories over the Xiongnu had been the impressive uniforms he had provided for his men which completely over-awed the central Asian barbarians. These uniforms became the stuff of actors' outfits and because of his love for music, and as the crab had saved his life, his image has the crustacean painted around his mouth and he is now the patron of actors and musicians [Photograph 10].\n\nThe legend of the Marshal Tian, better known as San Tian Dou Yuanshuai, the third of the three Tian brothers, another form of this deity, has also been confused by devotees somewhere along the line with the well-known legend of the 360 musicians and the Pestilence Wangye. In the Tian Brother's story they were said to be musicians engaged by the Xuan Zong emperor as his music masters. The emperor, whilst sick, dreamed that their playing had restored him to good health which on waking he found to be true. He then ordered them to stop a plague which was ravaging Fujian province, which again they did and were deified by the Celestial Master Zhang, the Daoist deity.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215126,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 222,
        "title": "RAS-2000",
        "content_text": "हुण \n\n179 \n\nThis God is said to be deified General Guo Ziyi, the distinguished loyal Tang commander whose successes in battle led to the final victory over the rebels holding one of his grandsons. He is a popular member of a trio of deities. The other two are the God of Long Life with his domed head and the God of Wealth with his jade sceptre.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215141,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 237,
        "title": "RAS-2000",
        "content_text": "PATRON DEITY OF PROSTITUTES\n\nZHU BAJIE\n\n豬八戒\n\n195\n\nKEITH STEVENS\n\nZhu Bajie is better known to Westerners as Piggy or Pigsy. He is one of the three assistants to the Tripitaka [the Chinese monk, Xuanzang] who, in 629 AD, together with the Monkey King [Qitian Dasheng], set out with the monk as his escort and aides on his hazardous and enthralling trek to India to collect the sacred Buddhist scriptures. These were the heroes of the romance the Journey to the West. He is also known by his name in religion - Zhu Wuneng - Seeker after Strength.\n\nIn the story Pigsy was the former Superintendent of Navigation of the Milky Way, banished to be reincarnated on Earth for assaulting one of the daughters of the Jade Emperor. Unfortunately a mistake was made and he entered the womb of a sow and was born half-man and half-pig. He was ordained a priest by Guan Yin and is portrayed on altars and in murals as a composite deity, a human with the head of a pig. He carries a five-toothed rake as a defensive weapon which he used to good effect during the long and arduous journey escorting the pilgrim monk, Xuanzang.\n\nAlthough he is usually regarded China-wide as the epitome of gluttony, in Taiwan he is also revered by prostitutes who call on his divine title Shoushou Ye, offering him incense and chants morning and evening whilst calling on him to bring them rich guests, foolish and witless, to be fleeced. An image, one of a number on loan from devotees, depicts him sitting holding a virtually nude woman in his arms alone on one of the side altars in the City God Temple in Chia I.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215143,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 239,
        "title": "RAS-2000",
        "content_text": "197\n\nA WALK ALONG HARLECH AND LUGARD ROADS, THE PEAK, AUGUST, 201\n\nBARBARA PARK\n\nThe Hindustan Gentians, Bottlebrush Ginger and Buttercup Orchids are in flower near Lugard Road as I write. They hide in the shadows, avoiding discovery by all but the eagle-eyed (including the author). What a delight is this road, providing shade, flora, fauna and views to please all but the truly jaded!\n\nThe road was completed in 1924, and the photographs below provided by Mr. Doug Franklin, are much appreciated. Doug lived at No. 34 Lugard Road, during the time his father was Editor of the South China Morning Post, which I believe was in the 1950s.\n\nPhotograph No. 3 shows Doug's house, and readers will be astonished to see the barrenness of the slopes thereabouts, which are now very heavily wooded. It appears from this photograph that Mr. Franklin Senior planted the Livistona Chinensis palms which now majestically grace the property.\n\nThe oldest house on the road is No.27, built in 1911, which previously housed the Swire Mess. This is a grand two-storey dwelling, much restored by the late Mr. Bob Lusher, in which the staircase from the old Hong Kong Club stands proudly. Younger are Nos. 28, 32 and 34, all built around the early 1930s. No. 28 was built by Mr. Lennox Godfrey Bird, senior partner of the architectural practice of Palmer and Turner (still a prominent firm to this day) as his own residence. No. 32 (Dragon Lodge) has had very mixed fortunes over the years, and I am assured by a former resident that the ghosts are very much in residence, and have caused her some distress.\n\nNo. 30, the apartment house known as Hirst Mansions, was built by the General Electric Company of the U.K., post-war, to provide accommodation for its senior staff, the last of whom, Mr. Alastair Murray, left Hong Kong during the 1980s.\n\nNo. 25, built as a colonial mansion, and formerly owned by Dr. H. Wen, has been abandoned, and presumably will be demolished, a sad fate for such a beautiful dwelling. The same fate appears about to befall",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215336,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 113,
        "title": "RAS-2001",
        "content_text": "dressed in robes and a scholar's tile cap. The eyes are rounder than those of Guan Gong and they have a pink face, though they are sitting holding an open book in the left hand as does Guan Gong. The other versions are, in general, standard seated scholar-officials, with black beards and holding, in one case a seal in his left hand, and in the others a sword or fly switch in his right. In four of the images he is wearing Daoist robes decorated with the bagua signs. In every temple his image is flanked by two anonymous military attendants.\n\nImages of the Plum Blossom Immortal have no unique characteristics and vary considerably from temple to temple. Two depict him seated, and at first glance looking somewhat like Guan Gong, dressed in robes and a scholar's tile cap. The eyes are rounder than those of Guan Gong and they have a pink face, though they are sitting holding an open book in the left hand as does Guan Gong. The other versions are, in general, standard seated scholar-officials, with black beards and holding, in one case a seal in his left hand, and in the others a sword or fly switch in his right. In four of the images he is wearing Daoist robes decorated with the bagua signs. In every temple his image is flanked by two anonymous military attendants.\n\nHis festival is celebrated annually on the 20th of the ninth lunar month and his full title copied off one of the temple notice boards is Shangqing Sanwu Mei Xian Yuan Zhangui dongxian Zhang Dadi 上清三五梅仙院斬鬼洞仙張大帝,\n\nd] The Loyal and Fierce Marquis, Zhonglie Houwang 忠烈侯王, was a secondary image on the main altar in a rural hut-temple in Singapore. He was paired with Wenzhou Houwang 溫州侯王 and sat on an ornamental chair on Wenzhou Houwang's left hand side, holding in his right hand a jade-like sceptre identical with the one Wenzhou Houwang is holding in his right hand [May the State Prosper and the People Enjoy Peace]. Little was known about Zhonglie Houwang apart from a hazy memory from one of the temple elders that he had been a famous village headman many, many years earlier, his personal names now lost in time.\n\ne) A page in a loose-leaf book kept by the temple custodian in a small atap1 Hainanese temple in Lorong Ah Soo in Singapore listed the titles of the five deities [*] and nine minor spirits or aides [#] revered by devotees, some understood to be portrayed in image form on the temple altars whilst the majority were simply known by their titles and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215345,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 122,
        "title": "RAS-2001",
        "content_text": "70\n\nHaving been deified by popular acclaim he is now prayed to for fair and just decisions in the Spirit World. He cannot be bribed or corrupted and is approached by people who feel that they have had a wrong done to them which cannot otherwise be righted without aid from the Spirits.\n\nHe is a popular hero of historical significance. He went through his official life in defiance towards his superiors whose moral values were in question. Permanently fired by zeal, a high point in his career was when he stood up for right against the Emperor. The memorial he submitted to the Jiaqing Emperor criticised the Emperor's lifestyle and attitude, and accused him of being directly responsible for the evil times. Hai Rui had bought his own coffin and had bade farewell to his family before submitting it. He was imprisoned and many times the Emperor considered ordering his death. Instead he was released at the death of the Emperor and was re-employed only to be impeached once more. He returned to Hainan in forced retirement, prior to being employed again for the last time during which he died in Nanjing. Whilst in Hainan Hai Rui memorialised the throne on the subject of clashes between Chinese immigrants and the native aborigines on Hainan. Three uprisings in 1501, 1541 and 1550 had taken more than ten thousand Chinese soldiers months to subdue, and Hai Rui's proposal that a road be built through tribal territories to bring the whole area under control was not undertaken.\n\nHai Rui's ancestry included non-Chinese blood from the northern borders, though memories of him tend to reflect his time in Nanjing and his birthplace, Hainan where he spent his time in exile. Legend relates that he was sent to serve in the Chaozhou area of southern Fujian as a Confucian instructor at the local magistracy. He solved many problems for the locals and was very popular. Chaozhou devotees of his cult today tell of a group of corrupt officials and tyrannical landlords who oppressed the people. They were opposed by Hai Rui who was at that time still only a lowly official. He courageously opposed the minister who supported the officials and according to legend he committed suicide to make the point to the Emperor.\n\nIn the 1960s the then mayor of Peking, Wu Han, first wrote an essay in which the target of his thinly veiled criticism of the 'Emperor as being self-opinionated and unreceptive to criticism' would have been",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215346,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 123,
        "title": "RAS-2001",
        "content_text": "71\n\nobvious to any Chinese with an ounce of nous. Two years later he wrote a play, Hai Rui Dismissed, purporting to be about Hai Rui. This was seen as a covert attack on Mao Zedong's purge of Marshal Peng Dehuai who had openly blamed Mao for the 1959 famine. The purge of the Peking hierarchy led by Yao Wenyuan, a Communist political writer in 1965 [who was later one of the Gang of Four], is usually seen as the overture to the Cultural Revolution in China, Hai Rui being used as a symbol for Peng Dehuai, Mao's fallen rival.\n\nIn a Hainanese community temple dedicated to the Jade Emperor near Bukit Mertajam in northern Malaysia two images flanked the main deity, on his left hand his Fourth Daughter and on his right Luo Yanhua, about whom nothing more is known other than she is claimed to be a unique Hainanese deity. Her image has not been seen or recorded anywhere else, hand, and aide to the Fourth Daughter.\n\nAlthough Lishan Laomu is primarily a Chaozhou local folk religion cult goddess she is also worshipped widely in Hainanese temples where she is regarded as a Hainanese cult. Lishan Laomu is her more popular title rather than Lishan Shengmu, though considering the ambiguities in legend, title and the initial character, it is open to question whether we might have more than one deity here. Three different characters for Li, all homophones, have been noted. The first means black, the second pear, and the third black horse. The first is the more popular version in central Malaysia and Hong Kong. The second appears to be the character preferred by the Hainanese, and the third has only been encountered in Taiwanese temples. She was referred to in a Saigon Hainanese temple as either Yimei Niangniang 懿美娘娘 or Yide Niangniang 懿德娘娘.\n\nAn elderly lady temple keeper in Kowloon approached the deity and \"introduced\" me to Lishan Shengmu as ‘a foreigner who wished to disperse the mists of his ignorance.' She told me that Miss Fan, a Daoist nun, had been summoned by Tian Hou to Heaven to be trained to become an Immortal and is now a caring spirit known as Lishan Shengmu, the Saintly Mother [or Matron] Lishan.\n\nIn an interesting but typical misconception an odd title of a deity was noted in a temple in Lincoln Road in Singapore where the custodian who claimed to be Hainanese also claimed that all the deities were",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215354,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 131,
        "title": "RAS-2001",
        "content_text": "79\n\nگر\n\nA common saying and not specifically linked with this deity.\n\nIt was explained that there are three Laoye [San Laoye] of whom Da Laoye is the senior.\n\n\"Wilmott WE: The Political Structure of the Chinese Community in Cambodia. The Athlone Press: London 1970.\n\n13\n\nThe phrase 'shuiwer' in Cantonese is a slang expression [slow water] for 'business is slow.'\n\nThe important fact was that all 108 had either reached their prescribed time of death and were therefore deified as saints [shen] by the Jade Emperor OR they died their violent death before their due date and were roaming ghosts who had to be pacified and placated. Here we have some devotees regarding them as spirits and asking advice and others who look upon them as dark spirits who require propitiatory offerings and no more.\n\nMa Yuan was the second general to be awarded the title of the Fupo, Wave Conqueror for the pacification of the southern region. The first was Lu Bode who, during the Earlier Han (ca. 120 BC), had subjugated large areas of what today is Guangdong province.\n\nXianfeng is a title which has been noted in connection with three entirely unconnected deities.\n\n* Henry BC: The Cross and the Dragon: Canton: 1883.\n\n10\n\n$7\n\nMeesny, William: Tungking: Noronha: Hong Kong: 1884,\n\nZhonglic was a common posthumous title used during the early Qing.\n\n12\n\natap is the generic name for the wooden-sided huts with the dried-leaf roof so common in Singapore and Malaysian rural areas until the 1970s. Atap consists of the dried leaves of the nipa palm.\n\n19 lit. Office Keepers.\n\n20 This is the only title which has been noted elsewhere though probably not identical with the Hainanese deity. General Gan is one of the Eight Bodyguard Generals, known as The Day Patrolling General",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215638,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 415,
        "title": "RAS-2001",
        "content_text": "367\n\nTEA AND OPIUM:\n\nSOME FURTHER NOTES ON MACARTNEY'S\n\nROLE1\n\nDAVID AKERS-JONES\n\nMacartney's audience with the Emperor Qianlong recorded in the journal which the former wrote actually took place on 14th September 1793 (not on the 30th) at Jehol (Chengde) which is now about five hours journey by 'bus from Beijing. It took the Embassy six days. Macartney himself travelled in a post chaise which he had taken to China especially to ride about in, 'drawn by four little Tartar ponies.' His cavalcade amounted to seventy people of which forty composed the guard. He says that about two hundred porters were required to carry their baggage.\n\nThe great circular yurt where the audience subsequently took place is described in the journal as follows:\n\nThe Emperor's tented pavilion which is circular I should calculate to be about twenty or twenty-five yards in diameter and is supported by a number of pillars, either gilded or damasked according to their disposition....\n\nMacartney then gives a colourful account of the audience.\n\nHe was seated in an open palanquin carried by sixteen bearers attended by numbers of officers bearing flags, standards and umbrellas, and as he passed we paid him our compliments by kneeling on one knee, whilst all the Chinese made their usual prostrations. As soon as he had ascended his throne I came to the entrance of the tent, and, holding in both my hands a large box enriched with diamonds in which was enclosed the King's letter, I walked deliberately up, and ascending the side-steps of the throne, delivered it into the Emperor's own hands, who, having received it, passed it on to the Minister, by whom it was placed on the cushion. He then gave me as the first present from him to his Majesty the ju-eu-jou or giou-giou (a white jade sceptre) as the symbol of peace and prosperity, and expressed his hopes that my Sovereign",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215667,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 444,
        "title": "RAS-2001",
        "content_text": "396\n\nheal up, but hope to resume filing about Thursday. Another bullet grazed side without doing any damage,\n\nAfter the Second World War he spent some months in India reporting the growing agitation for independence and spent six months travelling in China in 1948, reporting the progress of the Chinese civil war for The Times. In between specific assignments he was stationed in Singapore, where he lived with his Czech wife, Maria, and their two children.\n\nOn Thursday, 29 June 1950, a few days after the outbreak of the war in Korea, Mr. Morrison was telegraphed by The Times and asked if he would be willing to cover the war for the paper. He never hesitated. He flew to Hong Kong on Sunday 2 July and spent the night with Han Suyin. The following day he bade farewell to Han Suyin and flew to Tokyo, and thence to Korea. Han Suyin never saw him again. His first report was published in the paper on July 10. On Saturday, August 12 he was killed, along with Colonel M. K. Unni Nayar, and Christopher Buckley.\n\nCABLE & WIRELESS LTD\n\nIan Morrison's cable to The Times agreeing to go to Korea\n\nHan Suyin, circa 1952",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 216076,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 375,
        "title": "RAS-2002",
        "content_text": "309\n\nDuring their drive north to eliminate the War Lords and unify China under the Republic, the Nationalist [KMT] forces entered Zhenjiang in March of 1927 and at the same time took over the Concession. Most westerners left for Shanghai whilst those who remained lived aboard hulks on the River or as close to the River as they could get. Even the British Consul was withdrawn to Shanghai where he continued to carry out his Zhenjiang duties. Eventually, in 1929, bowing to the inevitable the Zhenjiang Concession was finally retroceded to Chinese control and the treaty port, as such, was no more.\n\nGerald Yorke travelled to China in 1931 planning to spend a couple of years travelling around China and studying, to satisfy a childhood dream. Not long after his arrival, as Reuter's correspondent, he joined a party chosen by the Chinese Government to inspect the dyke systems of the Yangzi and Huai river valleys which had just been rebuilt as a result of the disastrous floods in 1931. During the tour with the party they departed from Shanghai and reached Zhenjiang early the next morning. They were greeted on the hulk by a band which played valiantly out of tune. After motoring through the town to a public garden they were entertained at a European luncheon. The weather was cold but presuming that any entertainment would be indoors an under-dressed Yorke froze in the open pavilion. A Shandong medicinal wine was served with the first course; appetising dishes came hot from the kitchen, all of which sat on the table waiting for the Chairman of the Provincial Reconstruction Committee to finish his welcoming speech. When the tepid lunch was over they were each given a pamphlet describing the flood protection work done and the reconstruction planned for the future, a perfect example of how provincial officials wasted their time and country's money by publishing, with their portraits next to the title-page, an account of rather more than they have done and of what they would like one to think they are going to do.\n\nThe afternoon was spent sight-seeing at the monastery on Silver Island [Jin Shan], with its hundred or so monks and its ancient fir tree in the outer courtyard. The tree had but one branch still alive, its trunk bound in iron and its base enclosed in marble - a symbol of the passing of classical Chinese culture. The monastic treasures were all displayed, the bronze vessel from the Zhou dynasty, a drum from the Han, and a jade belt belonging to a former statesman, possibly Ming. There was also a small hexagonal column inscribed with the Daode Jing, the Daoist classic which had surprised Yorke as he had not expected to see a Daoist classic in a\n\nPage 375\n\nPage 376",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216098,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 397,
        "title": "RAS-2002",
        "content_text": "331\n\nTram with an open-neck shirt and an off-white, wet-wash Saigon-linen suit. He had a necktie in his pocket to put on for meetings. He carried a Hong Kong (rattan) basket: no briefcase for him. One thing you did not do, in those days, was to mention the expiry of the lease and the hand back of the Territory to China in 1997, I did once, at a reception, and regretted it. You could hear a pin drop. It really was a 'borrowed place on borrowed time.'\n\nWhen I arrived conscription was still in force and every able-bodied British subject had to serve. If you were young, in your twenties, you usually joined the Regiment (the Volunteers). People like me, in my thirties, served in the Special Constabulary (in 1959 it became the Auxiliary Police). Those over 40 were drafted into Essential Services, such as air-raid warden duties. New recruits such as me, in the police European contingent, did three months basic training and 10 days at camp every year. At the latter the European contingent was grouped with the Portuguese and Eurasian contingent. There was a separate camp for Chinese. This was said to be largely for language reasons. Of course we all turned out during the five days of the 1956 riots. These were sparked when a junior civil servant pulled down a Nationalist flag, on the \"Double Tenth\" (10 October), from a Shek Kip Mei resettlement block in north Kowloon. The riots were very much Communists against Nationalists. Later, triads stepped in and took advantage of the situation.\n\nRoutinely, we Special Constables went on street patrol a couple of nights a month and raided opium dens and brothels. One of the interesting places we enjoyed going to was Circular Path, to the south of Queen's Road Central. With urban renewal this path has now disappeared. It contained, among other accommodation, a number of back-street workshops where reputedly stolen jade items and the like were \"re-worked.\"\n\n**\n\nI remember being on police patrol in Central, in April 1956, when we received news that the twice knighted, grand old man, Sir Robert Ho Tung, had passed away. He was 93, although for much of his life he did not enjoy good health. A Eurasian, he had \"gone the Chinese way.\" With his fabulous wealth he lived the life of a Chinese gentleman. It is sometimes said, 'All rivers which run into the China Sea turn salty.' In other words, all ethnic groups living in China get assimilated sooner or later.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216154,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 453,
        "title": "RAS-2002",
        "content_text": "387\n\nenvironment (mostly the burning of fossil fuels to produce oxides of nitrogen and sulphur) or from something in the museum, such as the wood or paint imperceptibly deteriorating and emitting gases.\n\nTo reduce the amount of pollution, conservators test materials, chemically, to see if they are emitting pollutants. There are measures to reduce the amount of pollution emitted such as painting or encasing the material with impermeable sheeting. To get around these problems the latest generation of display cases are made of metal and glass. At the time of writing these cases can be seen at the Museum of Art exhibiting gold and jade artefacts in the first floor exhibition gallery. The cases can only be opened with a special lock, the air within the case is cleaned and the humidity controlled to a set level, with machinery that is inside the case, below the artefacts.\n\nInsects are a source of constant needed vigilance for us; discretely placed around the museums are traps similar to those bought at supermarkets and they monitor fauna. An insect outbreak at a museum is a matter of serious concern because the food source is often likely to be an artefact. Also because insects inside museums are not subject to natural selection, i.e. survival of the fittest, having regard to the amount of food available, they are likely to thrive at the artefact's expense.\n\nConservators also have a key role in teaching curators the basics of conservation.\n\nActive conservation\n\nWe call controlling the above problems preventative conservation, but we also have to do active preservation work on particular artefacts. This is hard to describe succinctly as conservators get such a variety of artefacts to work upon, suffering from a wide range of problems and which can only be cured by applying one of many different methods. This is one reason that the author finds his profession so enjoyable.\n\nConservators have a very influential role in the history of an artefact being worked upon and the profession has developed a range of professional ethics. Some of these are:\n\n2 But the author has probably broken most of these rules though, at one time or another.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216319,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 78,
        "title": "RAS-2003",
        "content_text": "27\n\nalso in this hall that one is most likely to see the resident monks performing ceremonies which include chanting and the use of musical instruments such as cymbals and drums.\n\nA second long barracks-like hall hidden behind the first one is known as the Jade Buddha Hall (Yu Fo Dian), and contains other side chapels which are usually kept closed and only opened on special occasions. One of these is a chapel which contains an unusual Reclining Jade Buddha (Yu Wo Fo) like the one at the Jade Buddha Temple (Yu Fo Si). Above this chapel is a second floor with another image inside a glass case, and windows looking down on the gardens of Longhua Park next door.\n\nThe monks' residence is in a separate set of buildings in a back corner of the complex and is off limits to visitors. Through the windows of the second floor can be seen their private library stacked with books.\n\nApproximately 90 resident monks live here now, with another 30 student monks in apprenticeship. The temple's current abbot is Master Ming Yang. The monks of Longhua supposedly belong to the Chan Zong sect (Zen) of Chinese Buddhism. However, the vast array of gilded effigies here, representing the whole Buddhist pantheon of deities, makes one wonder about the accuracy of this claim or the status of Chan Buddhism in China today. Chan was originally an iconoclastic sect which prohibited use of images of any kind. At least one resident foreign monk was noticed living here in January 2004, made obvious by his large crooked nose, white skin, and wide girth, as well as his lateness for morning prayers.\n\nColor photos of Longhua Temple can be seen in the author's Vol. I of his New Yangzi River series, entitled Shanghai and the Yangzi Delta, published by Times Publishing Ltd. of Singapore in 2004.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    },
    {
        "id": 216513,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 272,
        "title": "RAS-2003",
        "content_text": "224\n\njade, spices, ceramics, horses and so on of the old days. This book is enormously revealing in the understanding that it provides about the cultural melting pots that extend today from western China to the Mediterranean Sea. We are in as much need today of the understanding that travellers along the Silk Road gained about the cultures they encountered as were those travellers of the past.\n\nELIZABETH KENWORTHY TEATHER\n\nThis point is the focus of Chung, Tan (ed.) (1994). Dunhuang Art: Through the Eyes of Duan Wenjie. New Delhi: Indira Gandhi National Centre for the Arts/ Abhinav Publications.\n\nTing, J.S.P. (ed.) (1996). The Maritime Silk Road. 2000 years of Trade on the South China Sea, Hong Kong: Urban Council.\n\nEbery, P.B. (1996). The Cambridge Illustrated History of China. Cambridge: Cambridge University Press. See P. 120.\n\nI found the WorldWideWeb an invaluable source of maps to clarify the historical geography of the Silk Road. Readers may like to try searching Google for 'Bactria,' for example.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]