[ { "id": 209401, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 58, "title": "RAS-1982", "content_text": "36 \n\nJ. H. HAAN \n\nThe assertion of selfgovernment \n\nIn some Western countries, especially Great Britain, the 19th century was the heyday of progress in parliamentary government. In Britain the 1832 Reform Act had substantially increased the number of voters, as well as redistributed them in favour of commerce and industry; the 1835 Municipal Corporations Act provided for the first time a uniform basis upon which local government was to be run, that is, through councils elected by ratepayers. By later acts (1865, 1884, 1918 and 1928) the parliamentary franchise was gradually widened, till the principle of taxation as a basis for voting rights disappeared. \n\nThe foreigners mainly British and Americans \n\n+ \n\n+ \n\n44 \n\n+ \n\n· \n\n- who came \n\nto Shanghai in the very early years were self-conscious of the fact that they ought to govern themselves, without in any way being subjected to a higher authority like their compatriots in Hong Kong. Although the 1845 Land Regulations provided for this self-government through article XII (about the building of roads and other public works: \"The Consul (i.e. the British consul — JH) will be requested by the various renters to urge the propriety of assembling together and publicly consulting about and contributing towards the necessary expenses incurred therein, .\") and through article XX (about taxation: \"the several contributors will request the Consul to appoint three upright merchants to deliberate upon and determine the amounts to be subscribed by them .\"), it was nevertheless thought advisable by some residents to express very clearly that local government rested upon a consensus of the foreign merchants themselves. The motive for these strong words was the fear of interference from Hong Kong with regard to the right to vote. At a Public Meeting of May 29, 1852, a resolution was moved which in its original form read: \"That this meeting consider the legal opinion of the Attorney General of Hong Kong respecting the qualifications of voters at this Meeting unnecessary, as the action of the body of landrenters is not governed by Law but by mutual agreement\", but after some discussion it was passed in the following form: \"That this meeting consider the action of the body of Landrenters with reference to Roads and Jetties is only governed by mutual agreement\",13", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209406, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 63, "title": "RAS-1982", "content_text": "41\n\nbe recognized, but as many qualifications as possible should be enumerated\".25 But the landowners would not accept this, the hub of the matter being forcefully expressed by Mr. Hogg that a substantial enlargement of the voting qualifications \"would in fact admit a class that now lived on the property holders and might then outvote them on every important question\" and even if Mr. Winchester made any efforts to tempt his superior (the British minister Alcock) into liberalizing the franchise, he was unsuccessful. The final text of this article read: \"Every foreigner, either individually or as a member of a firm, residing in the Settlement, having paid all taxes due and being an owner of land of not less than five hundred taels in value, whose annual payment of assessment on land and houses shall amount to the sum of ten taels or upwards, or who shall be a householder paying on an assessed rental of not less than five hundred taels per annum and upwards shall be entitled to vote in the election of the said members of the Council and the public meetings.\n\nAlthough it should be borne in mind that over the years rentals increased substantially, whereas the figures in the Land Regulations were not altered, so that more tenants became eligible for the vote, great disappointment was voiced at the time in a rather harsh comment of the North China Herald in which it was stated that \"the Municipal Government has hitherto been conducted on quasi-feudal principles... the extreme difference between the election qualifications (under discussion in Shanghai and those under discussion in Britain) is sufficiently striking. While we have with difficulty gained a £250 franchise (viz Taels 700, the minimum rent which gave a tenant the right to vote — JH), large numbers at home are dissatisfied with a £10 standard and are agitating for a reduction to £6, while we fix the payment of £6 per annum in taxes as necessary qualifications, at home the payment of a £6 rental is thought to be established as entitling the householder to a vote. We see no reason why the outer many should not enjoy a voice and vote as well as the fortunate few\"20\n\nBut however valid the objections of the critics were, these remained the foundations upon which the franchise in the Shanghai International Settlement was based.", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209411, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 68, "title": "RAS-1982", "content_text": "46\n\nJ. H. HAAN\n\nlay in the Land Regulations. In those of 1845 article XX declared that \"the several contributors (of taxes, etc JH) will request the Consul to appoint three upright merchants to deliberate upon and determine the amount to be subscribed by them\". And the 1854 Land Regulations stipulated in article X “meeting of renters of land.. to appoint a committee of three or more persons to levy the said rates and dues ..\". \n\nWith 10 out of the 29 articles of the Land Regulations of 1869 referring to the Municipal Council, this set of Regulations were far more elaborate as to the election and functioning of the Municipal Council than their predecessors. This was mainly caused by the problems several councils had faced in the 1860s as a result of which it was decided to strengthen the powers of the executive. Article XIX laid down the qualifications for a Municipal Council member: \"And no one shall be qualified to be a member of the said Council unless he shall pay an annual assessment, exclusive of licenses, of fifty taels, or shall be a householder paying on an assessed rental of one thousand two hundred taels per annum\". \n\nFrom this it is clear that the qualification for membership of the Council was even more restrictive than that for voting (the threshold for Council membership as suggested by the Commission of 1865-66 was even higher at Taels 1800, but this was changed by the foreign ministers). This was in sharp contrast to the earlier constitutions by which it was theoretically, and even in practice, possible for non-landrenters to sit on the Municipal Council, whereas only landrenters had the vote, thereby indicating that, at that time, the qualification for membership of the Council was more liberal than that for the franchise. In the records of the Settlement's early history (until 1865) two cases have come to light in which a non-landrenter was elected as a member of the Municipal Council, but in both cases there was some opposition from part of the foreign community. \n\nAt the Public Meeting of June 14 1851 three gentlemen were proposed for membership of the executive then still called the Committee of Roads and Jetties, a name it kept until 1854 — William Seton Brown, Clement D. Nye and Edward Langley,37 viz:", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 210258, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 229, "title": "RAS-1984", "content_text": "208\n\nJ.H. HAAN\n\nThese were the following:\n\nI.\n\nII.\n\nA Committee (the Defence Committee) \"to consider any propositions laid before them for the defence, draining, lighting and general improvement of the Settlement\", appointed on January 3, 1862.\n\nA Committee (the Assessment Committee) \"to assess the value of foreign property in concert with the Municipal Council\", appointed September 8, 1862.\n\nIII. A subcommittee of members from the Defence Committee and the Assessment Committee \"to consider the modifications (of the Land Regulations which had been proposed by the foreign consuls — JH) and to report upon them to the community\", appointed September 8, 1862.\n\nIV. A Committee \"to confer with the Treaty Consuls, and recast the Land Regulations in some such form as may meet the support of the foreign and Chinese authorities\", appointed March 31, 1863.\n\nV.\n\nThe \"Hongque Provisional Committee of Roads and Sanitary matters\", appointed May 29, 1863 (Hongque, or Hongkew, was what was briefly called the American Settlement until it was merged with the British Settlement in 1863).\n\nVI. The \"Hongque Provisional Committee of Ways and Means\", appointed May 29, 1863.\n\nVII. The \"Hongque Committee of Assessment\", appointed September 21, 1863.\n\nVIII. A Committee to study the possibilities of a Charter of Incorporation; appointed June 29, 1864.\n\nIX. A Committee \"to consider the method of government best adapted to the requirements of the community and that the interests of all classes be taken into consideration\", appointed...", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 211237, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 298, "title": "RAS-1987", "content_text": "273\n\nperson who has really done it is James in his two books, and with a bit of luck we will see more of this in the future.\n\nJames Hayes\n\nI think we had better go over to questions. Who would like to open?\n\n(Pause)\n\nPatrick How much of the raw information that has been accumulated so far is being studied? Has anybody analysed any of the information, or has this yet to be done?\n\nJH - No, I don't think so, apart from David and perhaps Dr. Alice Ng. Do you know of anyone else in the Chinese University who is using it?\n\nPH - No. To answer my own question, I think the problem is, it is probably too early, actually. When you are doing this sort of work, you start from a fixed point and work out. I was at one fixed point in Sha Tin because I was District Officer and could put the “squeeze\" on people who were reluctant to discuss! There were other fixed points in Sai Kung, and there have been other fixed points elsewhere, but the compact nets around these various fixed points don't link up. There are still lots of blank spaces, like the map of Africa in the 19th Century. This includes almost the whole of the western New Territories. I doubt if we have even dipped our toe in water in more than a tenth of the New Territories yet. If you read James's recent book carefully with this in mind, you will see how patchy the information is on the area; lots from Lantau and Cheung Chau and bits from here and bits from there, and huge blank areas where there is nothing at all.\n\nJH That's right, simply because if one is going to do anything, especially if you are a civil servant lucky enough to have a job that takes you to a part of the New Territories, you can only work there. I was never in a position where I could go to work anywhere else. I concentrated on the areas that were accessible to me and where I had contacts. That's the way it has had to be built up.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211238, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 299, "title": "RAS-1987", "content_text": "274\n\nI suppose I should mention one thing. The Geography and Geology Department of the University of Hong Kong has long had a programme of geographic studies, not just for a higher degree but for BA degrees, and there is quite a lot of good information tucked away there. Also, there is a map library at Hong Kong University which probably contains quite a lot of material on this region and on Guangdong generally.\n\nDF - A long time ago, I remember, someone talked about wanting to make a map of the coast-line of Hong Kong. It always seemed to me that this is one of the essential things you have got to have, but you need a geographer. Was it ever done?\n\nJH I think someone has done it for the urban area. A person called Hudson wrote a PhD thesis about 1971 on reclamation, but no one has done it for the New Territories, where the amount of land which has been reclaimed from the sea in many places is quite considerable, particularly on the western side, in Deep Bay on the Pearl river. Charles Grant, the Professor of Geography at Hong Kong University, has written an article on this subject.\n\nPH But it is the western side which none of us here tonight knows at all well. The whole of the traditional economy of the marsh villages is totally unknown. Nobody really knows how the kei wai and the oyster beds were managed. You can find out how they are managed now, but I don't think we know anything about how the villagers worked them say 70 years ago.\n\nJH It all goes to show that the variety of situations, both social and economic, in relatively such a small area as the New Territories is truly amazing, even in the areas that I know reasonably well, never mind those that I still don't know; which, as you've said, are the majority.\n\nPH When we were working in Shatin, we came across a phenomenon which interested me very greatly, one of the many things about which I would like to do more. This is, those villagers who did not have enough land to live on but had a speciality, a trade, a single knowledge which the other villagers nearby didn't have, and which they could trade for rice. In Shatin there were", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211239, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 300, "title": "RAS-1987", "content_text": "275\n\n―\n\nabout a half-dozen villages that subsisted to a large extent on a single trade. One village had people who knew how to cut wood into planks; only one village in the whole of the Shatin area knew how to cut wood into planks. If you needed planks, you went and got a villager or pair of villagers from that village. They came to your village, cut up the planks and went back with a sack of rice. This sort of economy usually came from mountain villages without land but with a speciality. Masons represent another such trade. We know they existed, but we know very little about them or how such an economy worked.\n\nNext speaker: parts of China?\n\nWhat collecting work has been done on other\n\nJH - I can't speak for the Mainland, but a great deal of collecting work has been, and is being, done on Taiwan. We are fortunate, too, that on Taiwan as in north and central China, Japanese scholars during the Ch'ing period, and then right up to the 1940s, were doing a great deal of work on rural China. They were working in different areas, they didn't necessarily have the opportunities that we are having now, and they weren't seeking answers to the same questions. For instance, the village handbooks which seem to us to play such a major part in the transmission of management knowledge and techniques in our villages don't seem to be known to the Japanese researchers who worked in the north. I say this with some hesitation, but I have asked a good friend of mine who doesn't mind making enquiries if he would look in the main libraries in Tokyo; and so far he hasn't come up with anything, despite the enormous amount of work the Japanese did on China.\n\nPH - One of the most interesting things coming from the work that has been done in Hong Kong is that the traditional village life in the New Territories was radically different from that spelt out in the classic works on Chinese peasant life. The question that remains to be answered is, I suggest, ‘Is the Hong Kong traditional village life that we can see more typical, or are the classic studies more typical?' Or do you, in fact, have a whole range of situations over the whole of China of which none can be really classed as \"typical\", other than in the area from which they come?\n\nPage 300\n\nPage 301", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211240, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 301, "title": "RAS-1987", "content_text": "276\n\nA lot of work on local history is being done in Taiwan, and the only thing that I can say about it is that the local life they describe is exceedingly peculiar compared with the New Territories. What's coming out from Taiwan does not represent the same society at all; and I'm sure that the researchers in Taiwan are as eminently honest as we are. It seems you've got a divergence, but then we all know (for instance) that local Cantonese think that Chiuchaus are “barbarians” anyway, and the same goes for the Taiwanese. So almost certainly, there is a substantial cultural 'divide' between this part of Canton and Taiwan.\n\nNext speaker — Who wrote these classic works, and when?\n\nPH— Some of the classic works were written in the 20's, many of them are dated in the 30's, and some are as late as the 1940's. They were almost all by anthropologists, who were also people with a major political connection. In other words, they were senior figures in the KMT or they were people connected with the Communist party at the time; and their books were almost written in major cities of China like Shanghai, Nanking or Peking with a few in Canton. The villages that were being studied were close to, sometimes within walking distance of, those cities which themselves are situated in the most fertile parts of China. Hong Kong, as you know, is only a city by pure chance, being very mountainous and a poor and remote area. My own guess is that what you see in Hong Kong is probably more likely to be closer to the truth; in that two thirds of rural China is mountainous, poor, and far from the major cities. But whilst I wouldn't like to put my hand on my heart and say that it was true for the major areas at the doorsteps of the big cities, I think it is worth stressing that the work we are doing shows that one shouldn't try to say that all Chinese village life was this or that, because it almost certainly was not.\n\nDF— But the unity of China was not skin-deep.\n\nPH— The unity of China was not skin-deep, no, but some of the cultural and managerial practices were. At least, they differ from district to district.\n\nJH\n\nThe impression we get, if we in Hong Kong now have to", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211241, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 302, "title": "RAS-1987", "content_text": "277\n\nembark on more self-management in preparation for 1997, is that the people of Guangdong (if our New Territories are anything to go by) are absolutely 100% suited to this by reason of their capacity for it, demonstrated for centuries in the villages here and across the way. We are on to a good thing, I would think!\n\n—\n\nJH In drawing these proceedings to a close, perhaps I should add that this work does spill over into the urban area. Elizabeth [Sinn] and Patrick have been able to galvanize — that is probably the right word — the Tung Wah Hospital to do something about its records. The Po Leung Kuk is also now doing something to preserve its records. Indeed, today the SCMP has a very interesting photograph of the new lady chairman of the Kuk, Mrs. Lee, looking over her records.\n\nI should not forget to mention the work of the Hong Kong Museum of History which, David has said, is going to have an exhibition of historical inscriptions and is going to publish them too. They were going to do it last year, but realised that if they do it badly, all the scholars of Hong Kong will jump on them, particularly the elderly experienced Chinese scholars, and so they are being very cautious and rightly so. The exhibition will be held this year and perhaps even next, but no matter. They do give us a great deal of support, and we are very fortunate in this.\n\nAlso, I don't think we should hit the Universities too hard, because one can't expect everyone to be interested in local history. The important thing is that they get to know what we are doing and give us support, and that the institutions themselves become more broad-minded about what may be local history but in fact has a much wider contest and larger implications than the term \"local history\" would suggest. That's what we want from the Universities.\n\nRevd Carl Smith But the University of Hong Kong has just cancelled its proposed lectureship in Hong Kong Studies. This, I believe, indicates how much it really cares for ‘local history'.\n\nJH — Yes, so I hear, and it is regrettable and short-sighted if true.\n\nFinally, ladies and gentlemen, thank you all for coming to us tonight.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211771, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 186, "title": "RAS-1989", "content_text": "161\n\nspare time to the amusement of their fellow residents. Moreover, as has been said before, the community was small, and the critic had after all to live with his actor-neighbours who would no doubt know about his identity.\n\nThus, \"A Stranger\" wrote, about George Colman's Heir at Law (April 21 1851): “Zekiel Homespun was inimitable; we had no idea there was a Gentleman in Shanghae who could take the difficult part so well.) The simplicity, humour and serious earnestness which it displays in some parts were brought out and sustained in a manner that we have scarcely seen equaled, except by some of the leading actors of our Metropolis\". And again: “Constant playgoers as from childhood we have been we have rarely, indeed never, ‘assisted' at a more agreeable evening than that of Wednesday the 16th instant [i.e. February 16 1859]. The performances [of J.M. Morton's Whitebait at Greenwich and Thomas Morton's Sink or Swim] passed off with the utmost eclat due to the talent and exertions of the actors\". Sometimes the author felt it even necessary to apologize for any criticism he uttered: \"We do this, not in the invidious character of critics upon amateur performances or still less as tinctured with the slightest disposition to find fault, but in order that the excellent materials which have been combined in the troupe should be made as much of as possible. Indeed it is the very appreciation of the talents displayed on Thursday [sic; this should be Wednesday January 23 1856– JH] which prompts the expression of these remarks. We are sure that neither the performers nor the audience would thank us for the undiscriminating and therefore worthless praise which usually satirize amateur performances\". But even in this case the critic only had made some comments on the costumes that were used in one of the pieces (cf. Calendar, 23.1.1856). Mild remarks were the severest criticism dished out; about one of the actors on June 2 1859, **we may perhaps be permitted to take an exception to his brogue, which, however good as an assumption, scarcely denoted one to the manner born\"; and about another on the same evening; \"his humour seems better fitted for low than for eccentric comedy\".\n\n10\n\nOnly when it came to the choice of pieces was the paper not always undividedly positive. Writing about John Maddison Morton's Done on Both Sides (February 10 1858) not much enthusiasm was shown: “We have witnessed, we confess, better farces on the same stage and we are inclined to believe that as actors may sometimes not come up to the play, it occasionally happens that plays are not altogether worthy of the", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211782, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 197, "title": "RAS-1989", "content_text": "172\n\nstationed in Shanghai during the 1860s were nearly always open air ones. But sometimes a theatrical company co-operated with one of the bands, like the Amateur Burlesque Company on June 29, 1864. Otherwise, performances took place on the Bund, or Embankment, along the river, which was the favourite promenade of the foreigners as well as the most prestigious section of the Settlement. Records have come down to us of concerts by the French 101st regiment in March 1861 (“By permission of Colonel Pouget [who was the commanding officer of the regiment JH] we are authorised to state that the band of the 101st regiment will perform every Sunday and Thursday (weather permitting) before the headquarters of General De Montauban at Messrs Rémi, Schmidt & Co. [this was in the French Concession JH] between the hours of 3 and 4”*. Further concerts by the Rhenish Band and the band of the 67th regiment in June and July 1864 provided entertainment which “the residents evidently appreciated (...) large numbers (...) congregating during the performances”.67\n\nProfessional musicians\n\nFrom time to time professional musical artists visited Shanghai, and, as with the travelling dramatic companies, 1864 and 1865 were a golden age for the public. In the first decades of the twentieth century Shanghai was honoured with recitals by, to name just a few, Feodor Chaliapine, John MacCormack, Fritz Kreisler and Amelita Galli-Curci, but during the fifties and sixties it was only the lesser gods that came to the city. In fact, hardly any one of the artists in this period can be traced in contemporary reference works. This does not mean, of course, that they could not have been capable musicians able to provide enjoyment during an evening. That such was not always the case, though, has already been shown by the criticism drawn by the performance of Prof. Shonbrun, which led the Herald to state that \"in this remote place we have so few opportunities of hearing really good music that we hunger for it and can ill brook disappointment\".68 But then there were Messrs Desvachez and Grossi whose concert in February 1865 had \"called for favourable comment at the hands of our music critic\".69\n\nYet, bearing in mind the conditions of travel in the 19th century, it is amazing enough that European musicians were at all willing to undertake an Asian tour with only very uncertain financial prospects.\n\n\"The first public concert (properly so called) that has ever been given", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211784, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 199, "title": "RAS-1989", "content_text": "174\n\nunfortunate that practically always only their stage names are known, making it impossible for us to identify any well known local citizens who were maybe also active in the municipal administration or social clubs. Not all pseudonyms were as transparent as Mr. Beverley Newcome, Mr. Circular Roller and Mr. Pickwick, nor so ludicrous as **Mr. Caput as Head Manager, Mr. Work-em-hard as stagemaker and Mr. Llanfair P.G. as the stagesweeper,” but we can never be sure about the real identity of most actors. Still, in a few cases the true names of participants were given (see: Calendar, 13.2.1863, 26.3.1863). With the managers of the companies things stood no better: the names have come to us of a Mr. Doldrum, Horatio Buskin and Peter Proteus, but they are mentioned here merely for curiosity's sake. In some instances the performers were nothing loath to adopt the names of well known contemporaries. Thus the orchestra at a theatrical night was reputedly conducted by the “Veteran Melodist Sir George Smart,” who indeed was a conductor, organist and composer (1776-1867), certainly not in Shanghai but in Britain, where he had conducted, among other performances, the first performance of Beethoven's Ninth Symphony in 1826. Another example was the appearance of \"our old friend Mr Bravo Rouse\". Rouse, always nicknamed Bravo Rouse, had been the originator of the Grecian Saloon in 1838, the precursor of the music hall.77\n\n**76\n\nOne feature that should be highlighted is the absence of ladies on the stage until 1876. On April 18 of that year Shanghailanders witnessed their first amateur actress in T.W. Robertson's School.” Before that, however, there may have been attempts to break the male monopoly in the theatre, to judge from a short remark in the local satirical magazine **Puck, or the Shanghai Charivari”** in 1873: “We hear that the actresses of the Dramatic Club bitterly resent the movement that has lately been made by the ladies of Shanghai in the direction of amateur theatricals as they consider their rights infringed. We however think differently; the presence of these fair debutantes if of more frequent occurrence [my emphasis — JH] would tend to inspire the male actors, and while we should certainly have fewer sticks on the stage, we might have more matches”. Not that Shanghai in this respect lagged behind the amateur dramatic societies in other Far Eastern ports: Yokohama introduced women in 1878, Hong Kong in 1879 and Singapore in 1884.82\n\n20\n\nAs far as Shanghai is concerned the reason for the lack of women on the stage is not difficult to find. Their general paucity in the Settlement", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211785, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 200, "title": "RAS-1989", "content_text": "175\n\nwas enough to account for that. In addition quite a few women were the wives of missionaries, and in religious circles suspicions about the theatre in general and the role of females in particular often still lingered on. This was indeed so conspicuous that the list of \"contributors\" in the first issue of \"Puck\" (April 1, 1871!) mockingly included: “Our Dramatic Critiques will be undertaken by the Missionary Body who are so frequently absent from the Performances and will therefore be impartial judges of the merits of the Performances\". And then, of course, it may just have been possible that the taipans did not like to see their wives before the footlights with other men.\n\nReading about the early Thespian evenings one may nonetheless be fooled into thinking that women had in fact taken their place on the stage. In the circumstances it was only natural that the \"actresses” should be called \"Miss\" or \"Mrs.\", but what should we think about the glowing term in which one of them, a “Mrs Nesbit” (was this stage name a pun on the rather well-known British actress Louisa Nisbett?) was described on more than one occasion:\n\n“The acting of our charming favourite Mrs. Nesbit, as Mrs. Lullaby [in Henry Danvers' A Conjugal Lesson, on March 26, 1857 – JH] left nothing to be desired. It was perfect of its kind and were it not that she gave a too vivid, and, it may be, truthful portrait of that dread of club-haunting bachelors like ourselves, the matrimonial chamber, we could on the instant have made Mrs. Nesbit the offer of our hand”.* Stronger even, on February 16, 1859:\n\n#\n\n\"But where shall we find words to express our admiration of Mrs. Nesbit, that beautiful Nesbit, who, blessed with an incomparable modiste, displayed so many feminine graces, such latent charms, as effectually to revive the enthusiasm of our younger days and cause us to run round the stage door in the hope of once more beholding so fair a 'genius of the lamps'.\n\n* 34\n\nAnd in an epilogue to the evening of May 26, 1864, the ladies were again put under the spotlight:\n\n\"But stay! The Ladies' praises must be sung. These Belles were surely meant to be well rung. There's Wiggins, Lizzie, Baby, only choose.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211786, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 201, "title": "RAS-1989", "content_text": "176\n\nOr perhaps Miss Durable might suit your views. Such beauty on a stage is rarely seen\n\nHow well too they contrived their Crinoline! Oh! Bachelors give up your wretched lives.\n\nAnd take these beauteous damsels for your wives\". 85\n\nWith hindsight it is of course easy enough to see the wit and irony of these lines and for contemporaries they must have been crystal clear.\n\n96\n\nNot many other accounts have been left to us, but some photographs of a French amateur performance in the early seventies have been published, and there is the following amusing description of a staging on board H.M.S. Scout, when she lay in Shanghai in 1861, of J.M. Morton's farce \"Lend me Five Shillings\" by one of the participants:\n\nJimmy Towers and I, being the only ladies, had to go ashore to be measured for our clothes which we thought was great fun and I must say Towers who was a handsome boy, when made up and after judicious padding and paint made a most bewitching Julia. I, being rather thin, had to be padded up also and as the sun had taken such liberties with my complexion it required a great deal of paint and labour to make me presentable, and as it was a ballroom scene we had low-neck dresses and bare arms. However we were a success and I believe that those who came off shore never knew that Towers was not really a girl. A discussion then arose as to what to wear under our dresses, and it was decided that white duck trousers were admirably fitted to represent an important article of feminine attire. This, as the sequel proved, was quite correct. The play went on well, until getting too near the footlights I had to turn quickly to prevent my clothes catching fire [candles were used JH] and being unable to manage my crinoline properly, it flew in the air and a young wretch right behind remarked in a voice loud enough for anyone to hear: 'Look at her drawers'. This of course raised a great laugh at my expense\". (see also Appendix III, p. 91-93.)\n\n―\n\nDespite the often benevolent attitude of the local paper, the actors were well aware of their limitations, as witness the prologue by Peter Proteus on February 18, 1857:\n\nAnd tho' our Acting may not be the best\n\nApprove what's pleasing and forgive the rest\n\nRememb'ring what we all must e'en confess", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211790, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 205, "title": "RAS-1989", "content_text": "180\n\nTOT\n\nconcerts. For the performance on the first night, February 16 1859, the artists had prepared a drop scene representing \"a most romantic spot on the banks of the Lago Maggiore\". Italy obviously continued to stimulate the imagination.\n\nF.\n\nBut whatever its qualities a long lifetime was not allotted to this theatre; after the last night in June 1859 it was pulled down, and once more a new shelter for Thalia had to be secured. Where it stood, we have no idea; even a proper name was not given, but on February 15 1860 the opening night of the season took place.\n\nG.\n\nDuring the Taiping ravages of the years 1860-1861, numerous Chinese fled to the Settlement and a huge building speculation developed, everyone trying to get rich by erecting the most flimsy structures for the refugees. Because of this it cannot have been easy for the amateurs to rent a godown to set up a new theatre in 1863. But, as usual, they succeeded in their efforts and another Theatre Royal enriched the streets of Shanghai, though which one it is impossible to say. There is, however, an interesting description of the interior in the Herald of February 14, 1863:\n\n\"The audience part of the house consists of a dress circle and pit, the former enclosed with scarlet decorations, and the latter arranged with rows of good strong forms. The proscenium is plainly ornamented, with two 'guardian angels' on each side, and surrounded by a design having the flags of all nations combined round the British crown with the motto Unitate Fortior' underneath. These we understand were painted by a gallant captain [Hamilton, of one of the military regiments – JH] besides the drop scene, which is exceedingly well done and represents, if we are not mistaken, the Lake of Lucerne embosomed in the mighty Alps. The house was well lit up and the footlights were brilliant”.\n\nH.\n\nThe capacity of the house was given as about two hundred and fifty.\n\nThe following season, 1863-1864, saw, on February 10 1864, the opening", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211804, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 219, "title": "RAS-1989", "content_text": "194\n\n6.5.1852 (Thur)\n\nJ.M. MORTON: \"Attic Story\" (1842)\n\nT: Farce (1 act)\n\nR.B. PEAKS: \"The Haunted Inn\" (1828)\n\nT: Farce (2 act)\n\nC: Amateurs\n\nF: Music, i.a. selections from Mozart's “Le Nozze di Figaro\" and other operas. Epilogue.\n\nTh: New Theatre Royal (A)\n\nN: Last performance of the season\n\nR: Again there was a new drop scene. \"A View near Palermo, a very pleasing view of an Italian villa with the bay and hills in the background\". The pieces were \"well performed and excited much merriment, especially the mistakes of the Attic Story\" (NCH 8.5.1852).\n\n27.1.1853 (Thur)\n\nD. BOUCICAULT & C. MATHEWS: \"Used Up\" (1846)\n\nT: Comedietta (2 acts)\n\nG.A.A. BECKETT: \"The Turned Head\" (1834)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: Imperial Theatre (B)\n\nN: First performance of the season\n\nR: After not a little uncertainty about the state of affairs respecting the theatre, finally the management for the new season was laid in the hands of Horatio BUSKIN (a compound pseudonym: Horatio, from Hamlet; Buskin, the boot worn by Greek actors) who succeeded \"Doldrum\".\n\nFor a \"very good attendance graced by many of the beau sexe\" the evening \"came off with great éclat\" (NCH 22, 29.1.1853).\n\n23.3.1853 (Wedn)\n\nJ.M. MORTON: \"Betsey Baker\" (1851)\n\nT: Farce (1 act)\n\nW. BROUGH: \"Apartments\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Prologue; comic songs\n\nTh: Imperial Theatre (B)\n\nR: In the presence of the British Superintendent of Trade and Governor of Hong Kong, Sir George Bonham, Betsey Baker turned out to be \"a most decided and palpable hit, received throughout with shouts of laughter and applause\". Bonham was in Shanghai on his way to Nanking which had been taken by the Taipings on March 19. The Rebellion had a profound effect on the foreign community and although the Taipings enjoyed for some time a lot of sympathy, on this occasion they were satirised in a **most original and witty Prologue**: \"The Manager appeared before the curtain, in a state of intense excitement, informing the audience of mutiny in the corps! Dreadful consequences!! No performance!!! What could be done!? Then arose such a \"Row and Bobbery\" [Bobbery: an Anglo-Indian word meaning 'noise, disturbance' - JH] led by those who were in the secret and poor Horatio BUSKIN could scarcely be heard amidst the crash of broken glass and was almost unable to face the shower of oranges aimed at his devoted head. An amiable conspirator elevating himself on a bench expressed most loudly and eloquently his indignation at this state of affairs; however, after a parley with the Manager, he proposed a compromise, and the curtain was drawn up exposing the corps evidently in a state of 'Rebellion'. Fortunately they would listen to reason and the 'refractory members' agreed to 'go on' for this occasion, and the Manager retired with...", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211805, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 220, "title": "RAS-1989", "content_text": "195\n\nhis alarm allayed amidst the warmest applause from the audience for his clever and successful \"sell\". In addition the editor wrote that this Prologue afforded H. E. more valuable hints how to treat the Rebellion than all the suggestions that have been submitted to him since his arrival. Apparently Bonham was \"so much delighted that we are not without hopes a report on the performances may form the subject of his first despatch from Shanghae”. So much for modesty. As regards the performances themselves, the writer had it in confidence from a tall whiskered male who occupied a front seat disguised in a dress coat, that although Hong Kong theatre is now more conveniently lit up in the Victoria Theatre in acting Shanghae would not suffer by comparison\". \"That treaty port chauvinism was not lacking even at that early stage was made clear when the visitor insisted that our Head Actor has been brought from Hong Kong”. Despite his earlier lukewarm praise he must have made some sour remarks too, for the editor wrote that \"except as to the heroine, his critical skill was evidently at fault in discriminating the excellences of the other performers in Betsey Baker; and all he could be got to say regarding Apartments was something about Mr. and Mrs. Keeley having many worse imitators” (Robert Keeley, 1793-1869; and Mrs. Keeley (Mary Ann Coward), 1806-1899: famous British actors). (NCH 26.3.1853).\n\n5.5.1853 (Thur)\n\nG.A.A. BECKETT: \"Siamese Twins\" (1834)\n\nT: Farce (1 act)\n\nR. BUTLER: \"The Irish Tutor\" (1822)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of the Susquehanna\n\nTh: Imperial Theatre (B)\n\nN: Final performance of the season\n\nR: The close of the season by the amateurs who called themselves the \"Lily Troupe\" for a \"bumper house\"; with some “admirable music by the Band of Susquehanna\" — a steamer belonging to the U.S. Japan Squadron. (NCH 7.5.1853).\n\n8.3.1854 (Wedn)\n\nJ.M. MADDOX: “A Fast Train! High Pressure!! Express!!!\" (1853)\n\nT: Farce\n\nW.B. BERNARD: “A Practical Man\" (1849)\n\nT: Farce\n\nC: Amateurs\n\nP: Music\n\nTh: Tac Ming Theatre (C)\n\nR: At the start of the evening a, for part of the audience at least, unexpected treat was in store: “On the rising of the curtain a ludicrous incident quite upset our friend BUSKIN. He was set down to enact \"Colonel Jack Delaware\" (in A Fast Train — JH) but a storm met him as soon as he appeared on the stage and he was fairly hissed off when a stranger leapt over the footlights and announced his intention of supporting the character. The curtain dropped and after a short delay the volunteer Yankee came forward, dressed in the most extravagant fashion and took up the part with great spirit\". Was the leading actor-manager really taken by surprise? This could hardly be, and it must be assumed that it was, like the \"rebellion\" before, a set up. At any rate the \"interloping Yankee was enrolled in Buskin's company. The musical department was sustained by \"Messrs Thalberg and Koenig with their usual talent and success\". Both these noms de théâtre were after well known musicians: Sigismund Thalberg (1812-1871), a Swiss pianist and composer; and Friedrich Koenig, a German violinist. (NCH 11.3.1854).", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211812, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 227, "title": "RAS-1989", "content_text": "202\n\nByeplay showed that, although his first appearance here, it is by no means his first attempt at acting\". But another anti-French jibe was added when he wrote: \"Mrs. NESBIT and Miss DEXTER play indifferently and we are rather proud of it — for as they only profess to play English female characters it was no wonder that they did not feel at home\". These acid comments drew forth a letter from \"Another Man on the Bund\" in the Herald of May 2 in which a counterweight was offered: \"Are we to take the opinion of this would-be orator in preference to the unanimous opinion of the rest of the community? What meant those thunders of applause repeated again and again in a manner that has never been heard in Shanghai and the repeated calls at the fall of the curtain; are we to believe that a piece that has had an almost unprecedented run in both England and America and in the former country was played by the express command of Her Majesty at her own palace is worthless or so bad because condemned by 'The Man on the Bund?' (...) My own and the general opinion outside is that The Man on the Bund at the time of writing the above was either labouring under a severe attack of bile or intensely disgusted that the acknowledged best performance ever given here should have been given without the assistance of himself or his darling Peter Proteus\". After, at any rate his disappointment about Still Waters, in A Capital Match Mr. BRUSHWOOD restored \"The Man on the Bund\" to his comfort and equanimity, nay more, utterly overturned our critical gravity and made us laugh like the veriest schoolboy at a favourite pantomime\". Mr. Beverly NEWCOME made his debut and he appeared to be quite at home in the naval character and we admired his style almost as much as the widow did. And the widow; none other than Mrs. NESBIT. It was also the occasion on which the critic showed his disapproval of the new interior of the theatre: \"'On entering the Thespian temple, I observed that there had been a change in the decoration of it - I cannot add improvements. The same taste which had furnished me with a posting bill streaked all over with lightning threatened to overwhelm me with a fall of flowers and garlands from the roof and treat me as if I were a prima donna or the boeuf gras of a Parisian festival\". Yet, thinking about Mrs. Nesbit, he continued ironically: \"What will a man not undergo when a woman is on the tapis! So, in imminent danger of being garlanded, like the Ass of Silenus [attendant of Bacchus usually represented as riding on an ass, drunken and crowned with flowers — JH] in a classic fresco, I took my seat and, unfolding my portentous play bill, began to scan it over at my leisure\". (NCH 25.4.1857).\n\n8.10.1857 (Thur)\n\nM. BARNETT: \"The Serious Family\" (1849)\n\nT: Comedy (3 acts)\n\nB.N. WEBSTER: \"The Golden Farmer\" (1832)\n\nT: Domestic drama (2 acts)\n\nJ.S. COYNE: \"Binks the Bagman\" (1843)\n\nT: Farce (1 act)\n\nC: The \"Union Theatrical Company of the U.S.S. San Jacinto\"\n\nTh: On board ship\n\nN: More entertainment had been given by the crew of this ship, but this is the only one which has been recorded.\n\nR: Specially noticed was the prison scene in The Golden Farmer wherein the robber \"takes a tender farewell of his beloved wife and infant daughter Louisa. It brought moisture to the eyes of many\". Could it be of laughter, bearing in mind the ruling travesties? (NCH 10.10.1857). The San Jacinto was a U.S. warsteamer with a crew of 218.\n\n29.12.1857 (Tue)\n\nEntertainment by Mr. George Henri, a conjurer and ventriloquist. Th: Theatre Royal (C)", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211813, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 228, "title": "RAS-1989", "content_text": "203\n\n21.1.1858 (Thur)\n\nEntertainment by Mr. George Henri.\n\nR: As there appeared no review of Mr. George HENRI's miracles on December 29 there is some doubt as to whether they were indeed performed on that date: perhaps they were postponed to January 21. Then the Herald showed itself “so astonished that had he asked us what we wished him to do next we should have requested him to produce Yeh before our eyes\". This alluded to Yeh Ming-ch'en, the Chinese Imperial Commissioner for Foreign Affairs who had played a major role in the second Anglo-Chinese war. He had been captured on January 5 1858 and taken to Calcutta by the British. (NCH 23.1.1858).\n\n9.2.1858 (Tue)\n\nT.J. DIBDIN: \"The Birthday” (1799)\n\nT: Comedy (3 acts)\n\nC. DANCE: \"The Dustman's Belle\" (1846)\n\nT: Comedy (2 acts)\n\nJ. KENNEY: \"Raising the Wind\" (1803)\n\nT: Farce (2 acts)\n\nC: Officers of H.M.S. Pique\n\nTh: On board ship\n\nR: The description of the circumstances under which the Herald's reporter was drawn to the \"Pique\" (a British frigate with crew of 350) is too vivid for the reader to forgo: Tuesday last was a depressing day for a melancholic tempered man, and even we, not constitutionally sad, felt its influence. The morning dawned through an atmosphere in which rain and mist were struggling to see which should do its worst to make everything look disagreeable. As the day moved on, the rain gained the ascendancy and pelted down most pitilessly; overhead the sky looked dull and murky; underfoot the soil of Shanghai, mingling lovingly with the weeping clouds, produced a mixture as tenacious as the grasp of a miser, and dirty as the soul of a time-serving parasite. The mail, with the usual fatality which crowds one mishap upon another, though overdue, had not arrived. To take the gun was simply to commit a felo de se in a sea of mud; and to hum a snatch of a tune was as great an exertion as to dance an Irish jig in fetters, or laugh at the present Sir R. Peel's facetiousness.* In this desolate mood we were plunged, when suddenly a bright recollection flashed upon us. We rose hastily from our chair and consulted a paper which had been lying neglected in a corner: it was the Pique's playbill. The sight of the 'Birthday', the 'Dustman's Belle' and 'Raising the Wind' acted like a charm upon us, and a few minutes afterwards we had crossed the Bund, escaped the insidious dangers of those man-traps of jetties which the Municipal Council are daily suffering to grow more and more like that bridge with many pitfalls invented in the vision of Mirza (this is a reference to \"The Vision of Mirza\" by Joseph Addison, first published in \"The Spectator\" in 1711 and reprinted in 1856 – JH); and committed the safety of our person to a China-boatman and his magnified eggshell. The rain pelted, but we laughed at it; the gusts blew spitefully, but we clutched the tighter and defied them; the darkness did its best to mislead us, but the bright glow from a sailor's pipe guided us with more trustworthiness and safety than a beacon light under certain auspices could have done, and we reached the Pique in safety. Here we found all light, bustle and tiptoe expectation. The main deck had been cleared of its grim everyday tenants - the cold frowning implements of old Mars and their room occupied by the flimsy, but joy-inspiring fripperies of Thespis. We passed along row after row of happy, eager faces and took our seat in front, amongst the guests whom the ship's company of the\n\n* Sir Robert Peel (1822-1895), diplomat and politician; popular in social life and gifted with \"rare powers of irony, but also \"absence of dignity\" and a \"want of moral fiber in his volatile character\" (Dictionary of National Biography, Vol. 44, p. 223-224).", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211816, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 231, "title": "RAS-1989", "content_text": "206\n\n(...) Our first favourite was Captain Copp. This is a glorious character and was performed faultlessly [by Benjamin BLUSTER-JH]. From the first moment we made his acquaintance until we took a reluctant leave of him, our heart was kept in a continuous glow by his honest face, his blunt, sea-faring manner; his rugged but kindly touches of feeling, harmonically blended together as they were by his ceremonial bursts of good humoured jollity. Every time he broke out with his favourite stave\n\n'In the time of the Dump\n\nWhen Old Admiral Trump'\n\nwe felt a strong inclination to hear more of it and were scarcely pleased with Mary for stopping it so abruptly. (...) Mary's taste in the choice of a lover was unexceptionable - a compliment which cannot be said with truth, of pretty girls generally. The page who was the favoured suitor deserved his good fortune: he played well and sung sweetly. It is some time indeed since we heard on the stage or elsewhere a song given with so much taste and expression (...). No wonder the pretty Mary melted under the influence of the mellow tones of such a music master\". And Mary? She was played of course by Mrs NESBIT who \"as usual placed before us a lively picture of the piquant and coquettish, but withal modest and pretty niece of the host of the 'Grand Admiral'; and she looked so enticing as to make some of those who were present and near us wish that they too were actors provided there was plenty of kissing in the play and such a delightful subject as herself to practice upon”. (NCH 20.3.1858). Again it should be stressed that all female characters were portrayed by men, which, paradoxically, probably allowed the critic to write in such a vein!\n\n5.5.1858 (Wedn)\n\nJ. COURTNEY: \"Time Tries All\" (1848)\n\nT: Drama (2 acts)\n\nJ.S. COYNE: “Urgent Private Affairs\" (1856) T: Farce (1 act)\n\nW.B. RHODES: \"Bombastes Furioso\" (1810) T: Burlesque tragic opera (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Highflyer\n\nTh: Theatre Royal (C)\n\nN: Third and final performance of the season\n\nR: For a house that was \"crowded to the doors\" the curtain rose on a new drop scene **of a light and pretty character\". Once more Mrs. NESBIT could be admired, in Time Tries All, as Laura Leeson and \"too much credit could not be extended on her for the manner in which she brought before us the wilful, pettish but withal warm-hearted woman\". As her husband, Mr. Leeson, \"Mr. ROLLER was most successful; he has made for himself a 'spécialité' in this line of characters which it would be difficult to surpass or to replace. Mr. PICKWICK played the role of Matthew Bates and by **his judicious, quiet acting gained considerable and well-merited applause\". Mr. TINTINNABULUM (who also sung a \"pretty Irish ballad\") as the Hon Mr. Yawn \"was capital and exercised the propensity with which his cognomen so plainly gifts him with such arts as to make many of the audience strenuously follow his example\"; whereas Miss Fact and Mr. Tact found fit representatives in Miss WALTERS and Mr. BRUSWOOD. Some of the actors again appeared in the closing piece; Bombastes Furioso when Mr. Beverley NEWCOME impersonated General Bombastes, “a creditable performance, but the role was evidently not so well suited to the powers of that gentleman as other parts in which we have seen him\". King Artaxominous was taken by Mr. PICKWICK, Furbos by Mr. TINTINNABULUM and Destafina by Mrs. NESBIT. Concluding, the reviewer was \"especially pleased with the scenery of this and other", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211818, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 233, "title": "RAS-1989", "content_text": "208\n\n12.10.1858 (Tue)\n\nConcert by Mr. Martin Simonsen\n\nN: No review was published.\n\nMr. Simonsen had also visited Hong Kong; there he had given his last recital on September 20, 1858 (CM 23.9.1858).\n\n16.2.1859 (Wedn)\n\nT: Comedy (2 acts)\n\nJ.M. MORTON: \"Whitebait at Greenwich\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Highflyer\n\nTh: Theatre Royal (E)\n\nR: For the first night of the amateur season \"a very numerous audience was collected and the presence of nearly all the beauty and fashion (we allude to the eccentricities [what may these have been? - JH] of masculine as well as to the elegancies of feminine costumes) of Shanghai imparted to the front benches a very brilliant appearance, which was further enlivened by the smiling faces of two or three laughing cherubs whom we detected nestling under the maternal wing\". For the occasion the drop pictured \"a very faithful (our travels in Italy enable us to state) representation of a most romantic spot on the banks of the Lago Maggiore\". Sink or Swim was found to be a \"dull plagiarism upon our old favourite 'Used Up'\" but it passed off with the utmost special due to the talents and exertions of the actors\", among whom \"Mr. PETREL's Mr. Scampley struck us as well conceived, a swindling roué's impertinence dashed by a sense of uneasiness\", Mr. FARREN (again a stage name after a London actor: William Farren, 1786-1861) sustained Lord Yawnley \"admirably\" and Mr. PICKWICK displayed as Adam Stirling all \"the quaint humour of his immortal ancestor\". Miss WALTERS, however, was thought to have been less fit for the part of Mrs. Stirling. She did not upon all occasions evince that grave decorum which usually characterises the British matron\". Morton's Whitebait at Greenwich was, as on January 23, 1856, a hit. This time Mr. PICKWICK took the part of Benjamin Buzzard in a \"quiet and most natural style of acting\". Mr. Phunago BRUSHWOOD - \"an actor of the Keeley-Robinson school, possessing a racy humour of his own\" played John Small and it was \"a gem of low comedy\". Of course there was Mrs. NESBIT, as well as Miss WALTERS whose portrayal of the servant maid came off much better than her Mrs. Stirling: \"we do not wonder at Mr. Buzzard's having been caught by her saucy face and bright complexion\" (NCH 19.2.1859). (Robert Keeley, 1793-1869, and Frederick Robson, 1821-1864, were both well known low comedians in Britain).\n\n22.2.1859 (Tue)\n\nConcert by Prof. Shonbrun, piano, and some local amateurs.\n\nTh: Theatre Royal (E)\n\n+\n\nR: The concert was given in the (New) Theatre Royal of the amateur dramatic corps, but acoustically it was not very satisfactory. No wonder that many of Mr. SHONBRUN's best efforts and most brilliant passages did not fully reach the audience\", an audience which was not very numerous in the first place, which too has its influence on the sound. For the following concert it was foreseen that \"a small scene will be erected and the wings closed in\".\n\nFor the time being the critic refrained from any strictures on the soloist, except that he hoped that \"on the next occasion Mr. Shonbrun will lead us to a higher class of pianoforte music than that put forward on Tuesday last\". It will come as no surprise that there was a eulogy on the amateurs who participated: \"the tenor solos were given with taste and genuine voice and the recall with which he was unanimously favoured was well merited\". (NCH 26.2.1859).\n\nT", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211835, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 250, "title": "RAS-1989", "content_text": "225\n\n\"Lady Audley's Secret\", for which HED lists the following authors: C.H. HAZLEWOOD (1863), G. ROBERTS (1863) and W.E. SUTER (1863).\n\nC: Shanghai Amateur Burlesque Company\n\nTh: N.N. (I)\n\nR: For the first time we have at our disposal another source than the \"North China Herald\" for reviews of the Shanghai theatre, viz. the \"Shanghai Commercial Record\". In general, though, the reports were in the same vein as those in the Herald had been, but sometimes more information was given and different accents set. Hardly so for tonight's pieces: they \"reflected great credit on the talent of the performers and their endeavour to provide for the amusement of their fellow exiles has we are sure been highly appreciated\" (SCR 7.1.1865). The Herald only published an announcement (NCH 24.12.1864).\n\n11.1.1865 (Wedn)\n\nD. BOUCICAULT: \"The Octaroon\" (1859)\n\nT: Drama (4 acts)\n\nC: Thorne (travelling) Company\n\nTh: Lyceum Theatre (1)\n\nR: Sometimes the availability of two sources does not make it easier to make a judgement about the truth of things. What to think e.g., of the following reports on the Thorne Company: The Herald was short in its weekly summary of 14.1.1865: \"The Thorne Company have given a successful representation of the Octoroon at the Lyceum Theatre and announce a second performance for this evening\" (i.e., Saturday). In contrast, the Shanghai Commercial Record reported in its issue of January 25: \"We have had another theatrical troupe here, calling themselves the Thorne Troupe. But whether it is that Shanghai has had too much of this class of entertainment lately, or that the pressure of the times is so great that people do not care to attend the Theatre, we cannot say. Both these causes combined probably to render the patronage bestowed on the Thorne Troupe extremely small. Indeed, when they opened on Wednesday evening last [this should read January 11 - JH] it was literally to an empty house for we hear there was actually no one present to view the performance. The company, as well they might be, were so disgusted that they left next day for San Francisco where we sincerely trust they will be more successful\" Cf. however, Survey, note $2.\n\n14.1.1865 (Sat)?\n\nAs above?\n\n4.2.-10.2.1865\n\nConcert by Mr. Desvachez and Signor Enrico Grossi. Th: Town Hall of the French Concession\n\nR: The violinist DESVACHEZ returned to Shanghai, this time accompanied by the bass singer Enrico GROSSI who had earlier, in December 1863, performed with the Faylor Company in Macao (see BGM 14.12.1863). The concert had called for favourable comment at the hands of our music critic” — indicating that a more detailed review had appeared in the North China Daily News (NCH 11.2.1865).\n\n15.2.1865 (Wedn)\n\nAnnual Volunteer Concert by the Volunteer Band and the \"Shanghai Amateur Quartet Club**.\n\nTh: Shanghai Club\n\nR: The Commercial Record of 22.2.1865 gave the following impression of this concert: \"The Volunteer Band was assisted by the Shanghai Amateur Quartette Club and several gentleman amateurs. The large room in the Club House was lent for the occasion and we were glad to see it well filled. The gay uniforms of the Shanghai Mounted Rangers, mingled with the more sober dress of the Volunteers gave the room a very gay", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211841, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 256, "title": "RAS-1989", "content_text": "231\n\nattitude to such interpolations, 13.2.1863). The qualities of most players have already been touched upon; others were JOHN EDOUIN, “a capital dancer\"; his sister ROSE EDOUIN who, in burlesques, was \"not to be overlooked; there is a style about her which commands and her gesture is sufficiently theatrical to impose upon her audience where a little less or a little more demonstration might have failed.\" Mr. W.B. GILL whose acting was not \"thoroughly under command\", nevertheless had \"his place marked out for him and we hope some day to see him take up a leading position as a low comedian\". On the other hand Mr. ANDREWS was a useful actor who is careful in his parts does not do more than he needs to do\". The Company had had tolerably good houses and their departure was regretted for it was felt that Shanghailanders had seen \"perhaps the best company East of the Cape\". It went on to Foochow, Amoy and other southern ports. (SCR 5.5.1865).\n\n6.5.-12.5.1865\n\nTwo concerts by Mr. and Mme Simonsen (violin and singing resp.)\n\nTH N.N.\n\nR: For the first time since August 1863 Martin SIMONSEN came to the port, with his wife who was a singer, after recitals in Hong Kong. Rather disappointingly the first two concerts “did not draw very large houses\", but \"they were warmly applauded by all who listened to the spirit-stirring sounds of Mr. SIMONSEN's violin and the melting tones of Mme SIMONSEN's voice\", (NCH 13.5.1865).\n\n8.5, 1865 (Mon)\n\nPELHAM HARDWICKE: (= C. MATHEWS) \"A Bachelor of Arts\" (1853) T: Comic drama (2 acts)\n\nJ.M. MORTON: \"The Two Bonny Castles\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTh: Lyceum Theatre (1)\n\nR: According to both the Herald and the Record the pieces went off successfully (NCH 13.5.1865; SCR 22.5.1865).\n\n17.5.1865 (Wedn)\n\nConcert by Mr. and Mme Simonsen\n\nTh: Lyceum Theatre (1)\n\nR: In order to draw more people the admission charge at the Lyceum Theatre had been reduced to $3 with the result that a \"full audience was present” (NCH 20.5.1865). No programmes of these concerts were published.\n\n20.5.1865 (Sat)\n\nConcert by Mr. and Mme Simonsen, with the Band of the 67th Regiment.\n\nProgramme:\n\n\"Kathleen Mavourneen\" (song), **No not I** (song), C.A. de BERIOT: “Air varié”, N. PAGANINI: \"Carnival of Venice\", C.M. von WEBER: \"Aufforderung zum Tanz”, \n\n'Monastery Bells\", \"Valse de concert\" (song).\n\nTh: Lyceum Theatre (1)\n\nR: This was the last concert given by the SIMONSENS in Shanghai. According to the Shanghai Commercial Record it was a great success. Mme SIMONSEN sung the song \"Kathleen Mavourneen\" which \"literally “brought down the house\" (this must have been an exaggeration), after which she gave with great effect a very charming little skittish song “No not I'\". Her husband repeated some of the pieces he had performed seven years earlier (October 1858); Paganini's \"Carnival of Venice\" (with which the critic was \"not so much pleased\") and the variations by De Bériot. In addition \"he introduced one or two movements [into the Carnival of Venice? – JH] which we have", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211842, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 257, "title": "RAS-1989", "content_text": "232\n\nnot heard before and of which the best that can be said is that they are decidedly original. They seemed an imitation of the noise of braying of donkeys, but still they elicited great applause from the gallery [which was generally not regarded as very complimentary JH] perhaps from a certain feeling of sympathy. An amateur played Weber's \"Aufforderung zum Tanz\" with a \"perfect feeling\". To conclude the evening Mme SIMONSEN sung the \"Valse de concert\" (composer unmentioned) in which \"she displayed her powers more than in any other piece she has sung\" (SCR 22.5.1865).\n\n24.5.1865 (Wedn)\n\nH. MAYHEW: \"The Wandering Minstrel“ (1834)\n\nT: Farce (1 act)\n\nJ.P. PLANCHE: \"The Knights of the Round Table” (1854)\n\nT: Drama (5 acts)\n\nC: Amateurs of the Shanghai Mounted Rangers\n\nF: Music by the Band of the 67th Regiment; prologue read by Capt. Markham\n\nTh: Lyceum Theatre (1)\n\n―\n\nR: In lieu of the old time favourites, Messrs Brushwood, Pickwick, Newcome and Mrs. Nesbit had come new faces. Most foreigners had not yet made Shanghai their permanent place of residence, so turnover in the theatre too was rather high. Tonight could be admired Mr. SMALLWEED who, in the Knights of the Round Table, as \"the blameless king shewed a keen appreciation of his part and while he delivered the burlesque passages with much humour, proved by the taste with which he pronounced the prophetic eulogium on the Queen of England that he need not necessarily confine himself to broad burlesque in order to gain well-merited applause\"; Mr. Edmund (also a member of the Amateur Burlesque Company) won golden opinions as Launcelot, whereas Mr. PEEKT as Merlin \"displayed much cleverness in personating feeble old men\". In The Wandering Minstrel \"Mr. R.T. Larff, better known to the theatrical world as Mr. Wynnge (did this mean that he had two stage names? JH) sustained the reputation he has already gained as a low comedian and makes us the less deplore the absence of the well known and inimitable Brushwood” (last recorded performance 10.5.1860). Of course the female roles were taken by men, which led, as it always does, to some ridiculous scenes: \"The company possesses great strength in the important particular of lady performers. The only drawback which, however, is immaterial in burlesque, lies in the great height and muscular development of the fair ones\". Yet Miss Mary MIDDLESEX \"bore away the palm for natural feminine get-up\" and \"nothing could excel the dash which Kate COVENTRY threw into the part of the vivandière\", (NCH 27.5.1865). That not all patrons were equally pleased became evident from the Shanghai Commercial Record (5.6.1865) when it wrote: \"an allusion which was considered too personal led to a corresponding in our columns\" (i.e. the \"Shanghai Recorder\" which to the great regret of all historians treating the history of foreign Shanghai can no longer be found). At the end of the evening a number of toasts were proposed, among others to \"Alabaster, to whose exertions much of the success of the company was due\". This was a reference to Chaloner Alabaster (1831-1890), the British vice-consul who was also active in the North China Branch of the Royal Asiatic Society. In conclusion the Herald reported that \"the arrangements were excellent and notwithstanding the warmth of the evening and the crowded state of the theatre, the air within the walls did not become oppressively hot. Punkahs were slung over the front seats and during the temporary pauses kept up a current of air\",\n\n27.5.1865 (Sat)\n\nPerformance by Mr. Benjamin Seare. Programme unknown (reading, etc)\n\nTh: Lyceum Theatre (1)\n\nR: Both the Herald and the Record agreed that Mr. SEARE \"is possessed of great talent\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211844, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 259, "title": "RAS-1989", "content_text": "234\n\nin 1846 and kept by the London Missionary Society. (NCH 25.11.1865; SCR 24.11.1865).\n\n14.12.1865 (Thur)\n\nJ.M. MORTON: \"Woodcock's Little Game” (1864)\n\nT: Farce (1 act)\n\nJ.P. PLANCHE: \"Faint Heart never won Fair Lady\" (1839)\n\nT: Comedy (1 act)\n\nC. SELBY: \"The Boots at the Swan\" (1842)\n\nT: Comedy (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Prologue spoken by Edward Lawrance and Mr. Groom\n\nTh: Lyceum Theatre (1)\n\nN: First performance of the season by the S.V.C.\n\nR: Again only stage names were used in the review.\n\nIn Morton's piece, Woodcock's Little Game, Woodcock was played by Mr. DOLEFUL who had \"evidently elaborated the part with great care.\" His only drawback was \"a certain monotony in gesture\". Another central character was Mrs. Colonel Carver, \"inimitably performed by Mrs. St. CHAWLES. The majestic lady's make-up was characteristic and costly and many of her attitudes and tones reminded us of Miss Snowdon [Mary Jane Chippendale, 1837-1888; but she made her debut only in 1863 JH] whose imposing personation of similar female parts has assisted so many Haymarket triumphs\". Exceptionally some slight attention was also paid to the staging when the critic wrote about the second scene that the \"occasional glimpses of the whirling waltzers and partners-seeking promenaders were skilfully managed\". In Faint Heart never won Fair Lady Mr. DOLEFUL again took a leading part, that of Ruy Gomez. However, the Herald was not inclined to accept this gentleman's reading of the character without some exception, as a greater prominence might have been given to the comic element. Lightness, vivacity and élan are indispensable in all characters written, as this one was, for Charles Mathews. However, as he had appeared in a humorous part before, Mr. DOLEFUL was perhaps anxious to show his versatility\". Travesty abounded: \"The most difficult part was essayed by Miss SOFTLY [as Charles, the King of Spain, a role cast for an actress JH]. For a man to play a lady's part is hard, for a lady to play a man's part is not easy, but for a man to play a man's part as a lady would play it is hardest of all. Charles II, the mischievous, frolicsome schoolboy at large, newly awaking to a sense of royal responsibility, has been a favourite part with some of our cleverest and prettiest actresses and Miss SOFTLY held her own when compared with these formidable competitors\"\n\nAbout the Boots at the Swan the reporter confessed that \"we are inclined to think this piece has been acted enough\" (but hardly in Shanghai where it was on the boards for the first time). \"The elaborate mimicry of the inimitable ROBSON made the deaf Boots as popular with the London public as Sam Weller had been before him, but a peculiar talent alone can render Jacob Earwig interesting to an audience ten thousand miles away from the little theatre in Wych Street* (i.e. the Olympic Theatre in London). (Henry Morley wrote about Robson in this part, 1857: \"Mr. Robson, although deaf, is humorously wide awake. He is the Boots who is brisk and alive to all the humour of the street, who would be preternaturally knowing if he could but hear what people say. In word and look and action he is more the gamin than the simpleton. The extravagance of a most laughable farce is heightened by him to the utmost and there is not a long face to be seen while he is busy on the stage\"\n\n***\n\n136)\n\nBut, to continue with the Herald: \"FUNNYDOG, the new low comedian, is a valuable accession to the company. His stable yard dress, wooden attitude and imperturbable face formed a perfect study for Leech and Cruikshank, and the finish with which he played the long, and we confess to us tiresome, drunken scene shows", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212124, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 66, "title": "RAS-1990", "content_text": "no Kankyo [Village Festival in China: Background of Local Theatres] (1989). The Jiao festivals studied by Tanaka are as follows:\n\n \n Communities\n Year\n \n \n Cheung Chau\n 1979\n1979, 1983\n \n \n Recorded in\n 1981:74-99\n1985:227-302\n \n \n Ha Tsuen\n 1981\n \n \n \n 1985:199-226\n \n \n Hung Hom, Kowloon *1\n 1978-80\n \n \n \n 1981:771-780\n \n \n Kam Tin\n 1985\n \n \n \n 1989:915-996\n \n \n Lam Tsuen\n 1981\n \n \n \n 1985:359-528\n \n \n Leung Shuen Wan, Sai Kung\n 1980\n \n \n \n 1981:99-113\n \n \n Lin Fa Tei *2\n 1967\n \n \n \n 1985:558-572\n \n \n Lung Yeuk Tau\n 1983\n \n \n \n 1985:609-720\n \n \n Sha Tin, Kau Yeuk\n 1985\n \n \n \n 1989:1041-1112\n \n \n Sha Tin, Tai Wai\n 1987\n \n \n \n 1989:977-1040\n \n \n Sha Tin, Tin Sam\n 1986\n \n \n \n 1989:1040\n \n \n Tai Po Tau\n 1985\n \n \n \n 1985:121.131-138\n \n \n Tuen Tsz Wai\n 1986\n \n \n \n 1989:817-913\n \n \n Yuen Long\n 1983\n \n \n \n 1985:139-198\n \n \n 43\n \n\n*1: From the context, this festival, held on the 14th of the seventh moon, can be best seen as a ghost festival organized by the Hoklo dialect group.\n\n*2: Tanaka did not attend this festival. Analysis of the festival was mostly based on the 1967 account collected by H. Baker.\n\nSee map for the location of places.\n\nJH Tanaka, Ritual Theatres, 5.\n\n班 Tanaka, Lineage and Theatre, 11.\n\n40\n\nfbid., i-ii.\n\n41 Tanaka, Village Festival, i-iij.\n\n42\n\nFaure, David, The Structure of Chinese Society: Lineage and Village in the Eastern New Territories, Hong Kong (Hong Kong: Oxford Univ. Press, 1986), 81.\n\n4.3 Segawa, Masahisa, \"Daa Chiu: matsuri ni arawareru Hon Kon no mura no sugao” [Da Jiao: facets of villages in Hong Kong as shown in the festivals] Kikan Minzoku Gaku Ethnography Quarterly 33 (1985): 21-35.\n\n14\n\nSegawa, Masahisa \"Ta-tsiu [Da-Jiao], feuds, and village alliances: the case of Pat Heung\" (unpublished manuscript, 1991).\n\n45 Choi, Chi-cheung, “Chi o urai ekibyo o harau taihei shinsho\" [Jiao festival: to wash: the land and remove illness] Kikan Minzoku Gaku 40 (1987): 90-105.\n\n4\n\n40\n\nChoi, Jiao festival\", 1046.\n\n47 Choi, \"Kinship\", 147-149.\n\n4#\n\nThough Tanaka wrote that only a few communities in the New Territories celebrated the festival during his seven and a half years' observation (Tanaka, Lineage and Theatre, 608), we are still unclear as to how many communities continue to celebrate it. For instance, the Cheung Long Wai case was not mentioned by any informants. It was known only by an occasional visit to the village. A likely source is the Police since theoretically every festival celebrated in Hong Kong has to receive permission from the police for security measures. The district offices in the New Territories are another source of information. Certainly there were in the past other celebrations which have now ceased for one reason or another (e.g. at Sha Tau Kok, Shuen Wan and Ta Kwu Leng).\n\n49 Segawa, \"Daa Chiu', 35.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213392, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 214, "title": "RAS-1994", "content_text": "Gordon-Cumming, Constance Frederica, Wanderings in China, Edinburgh Blackwood, 1888\n\nGraham, Gerald S. The China Station Wan and Diplomacy 1830-1860, London Oxford University Press, 1978\n\nGraham, Dorothy, Through The Moon Door the Experiences of an American Resident In Peking, New York JH Sears, 1926 (Bj19j/A2/926g)\n\nGray, John Henry, Walks in the City of Canton, Hong Kong De Souza, 1875\n\nGray, Mrs John Henry, Fourteen Months in Canton, London Macmillan, 1880\n\nGreen, Owen Mortimer, The Foreigner in China, London Hutchison, 1942\n\nGreenberg, Michael, British Trade and the Opening of China 1800-42, Cambridge the University Press, 1951\n\nGriffith, Robert, China fu - China fydd, etc, London Gwasq Livingston, 1935\n\nGue, Caroline, China 13 (An Account of Travel to Treat Trachoma), London Faber and Faber, 1964\n\nGumpach, Johannes von, The Burlingame Mission, a Political Disclosure on the Position and Influence in China of Robert Hart As Confidential Advisor of the Tsungli Yamen, the Dispersion of the Lay-Osborn Flotilla, the Policy of the United States in China, Shanghai, London and New York, 1872\n\nGutzlaff, Charles (Gutzlaff, Karl Frederick), Journal of Three Voyages Along the Coast of China in 1831, 1832, and 1833, London Frederick Westley and A H Davies, 1834\n\nChina Opened, or a Display of the Topography, History, Customs, Manners, Arts, Manufactures, Commerce, Literature, Religion, Jurisprudence, etc of the Chinese Empire. London Smith Elder and Co. 1838\n\nHall, Josef Washington, In the Land of the Laughing Buddha, New York Putnam, 1924.\n\nHao, Yen-p'ing, The Comprador in Nineteenth Century China Bridge Between East and West, Cambridge (Mass) Harvard University Press, 1970\n\nChanging Chinese View of Western Relations 1840-95, Cambridge History of China, vol 11, 142-201\n\nHarkness Ruth, The Baby Giant Panda, New York Garrick and Evans, 1938 (Yale copy entitled The Lady and the Panda, an Adventure)\n\nHarris, George L, The Mission of Matteo Ricci, SJ a Case Study of an Effort at Guided Cultural Change in China From Sixteenth Century, Monumenta Serica XXV 1-168 (1966)", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213800, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 152, "title": "RAS-1996", "content_text": "123\n\nbis being implication and subsequent death. One version says that as a result of 'pollution' by pregnancy of which his mother was unaware the bamboo horse on which he rode failed, causing a half-day delay in his arrival at court. As a result the Emperor was convinced of accusations that he had rebellious migntions. The other version, in a rather obscute passage, is that some method was devised by his enemies at court to show his magical power to the Emperor. The method worked and the Emperor was convinced by the accusation by his enemies. The Emperor ordered destruction of the fengshui of the lineage. Upon his return home he died suddenly. According to genealogy the Emperor wept upon hearing about bis death and ordered execution of the official responsible for the destruction of the Cheng's fengshui. The story bears striking similarity to stories in Faute op cup 229, about Huo Zhen and his sister Wu.\n\nL\n\n2. Those are Fa Xuan in the 10th generation, Wan Yi Lang, Wan Er Lang, Fa Xing, Xian Yi Lang, Ning Yi Lang to Ning Wu Lang, and a Nian San Lang in the 12th generation, Gao Yi(1) Lang to Gao San(3) Lang, Zheng Si(4) Lang, Qian Wu(5) Lang, and Zheng Shi(10) Lang in the 13th generation, Fa Tang, Tong San(3) Lang, Pin San Lang and Fa Wen in the 14th generation.\n\nAccording to the genealogy his father died soon after arrival in the county and his young age was the reason given for an important event in the history of the family.\n\n**Reproduced in Sin, op cit, plate 4**\n\n\"The same ancestors were traced to by the Chens of Lok Keng.\n\n76 In the same interview he also said: 1312 generations. I did not ask about the apparent discrepancy.\n\nJH\n\nIN\n\nIn a telephone conversation with the Hakka Buddhist funeral ritual expert Mr. Zhang on 5th March 1991, JH learned that Mr. Miao died years ago. His assistant Mr. Zheng Tangsheng moved to Hong Kong, lived in Tai Po, and died before Mr. Miao.\n\nTelephone conversation 5th March 1991\n\nZhang Zupu, Chonghua Juhu Lusuo 1993, reprinted from Zhongyuan Zazhi 1980.\n\n10. The document reproduced in ZEILS indicates that a new name given to a troubled child in the rite does not resemble the ordination names seen in genealogies.\n\n* The author does not explain the meaning of \"faona\", \"old house\". Some of them were probably a kind of ancestral hall as he mentioned that money was collected from different branches for the celebration and where there was a wealthy ancestral trust money can be drawn for that purpose. See also a reference later to Nelson's article about a kind of ancestral hall known as \"shengung\".\n\n*2 Voc, 3, under Ankong\n\n14\n\nUntitled volume by Guangdong Sheng Xiju Yanjiu She, prefaced 1980, pp. 132-138.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 } ]