[
    {
        "id": 209607,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 264,
        "title": "RAS-1982",
        "content_text": "242\n\nCARL T. SMITH\n\n1 Dec. 1852 - first performance of amateurs under new management.\n\n12 Feb. 1853 — Victoria Amateurs.\n\n\"Twice Killed\" farce (John Oxenham, 1837) \"Slasher and Crasher\" farce (J. M. Morton, 1848)\n\n19 Mar. 1853 meeting at Victoria Theatre for purpose of forming a Corps Dramatique to arrange for another performance at an early date.\n\n20 Apr. 1853 \"Animal Magnetism\" farce (Mrs. E. Inchbald, 1758)\n\n\"A Kiss in the Dark\" farce\n\n19 May 1853 last night of season of Victoria Amateurs.\n\n\"Time Tries All\" dramatic drama (J. Courtney, 1848) \"Toothache, or The Prince and the Chimney Sweep\" farce\n\n1853/54 27 Oct. 1853\n\nMeeting at Victoria Theatre of those interested in theatricals to make arrangements for the coming season. (I found no notice of any performance for this season).\n\n1860/61 3 Jan. 1861 \"Still Waters Run Deep\" (T. Taylor, 1855)\n\n1861/62\n\n1862/1863\n\n29 Jan. 1861 new theatre, Hong Kong Amateur Theatre, performance by officers and gentlemen who have organized this establishment:\n\n\"A Bachelor of Arts\" (P. Hardwicke, 1853) \"A Nice Firm\" (T. Taylor, 1853)\n\n25 Feb. 1861 performance of Gentlemen Amateurs Mon. last.\n\n28 Mar. 1861 theatrical season drawing to close. Appreciation to the Committee. Difficult to see how the Amateur Theatrical Company could have managed without aid from the garrison.\n\nDec. 1861 - first performance of season:\n\n\"Cool as a Cucumber\" (M. W. B. Jerrold, 1851) \"The State Secret\" (A. Snodgrass, 1821, or T. E. Wilks, 1836) in same commodious erection as served so well for last year's performances,\n\n23 Jan. 1862 second public performance of Hong Kong Amateur Theatre:\n\n\"Not a Bad Judge\" comic drama (J. R. Planche, 1848) \"The Critics\" facetious tragedy (Sheridan, 1779)\n\n1862 season\n\n\"Cramond Brig\" (W. H. Murray, 1826)\n\nDec. 1862 The theatre a reproduction of last year's design. \"Uncle Zachary\" comic drama (John Oxenford, 1860) \"Fearful Tragedy in Seven Dials\" (Charles Selby, 1857)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209609,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 266,
        "title": "RAS-1982",
        "content_text": "244\n\n1870/71\n\nP\n\n1871/72\n\n1872/73\n\n1873/74\n\n—\n\n1874/75\n\n—\n\nCARL T. SMITH\n\n25 Nov. 1867 first performance of season at Club Lusitano Theatre:\n\n\"All that Glitters is not Gold\" comedy (J. M. Morton, 1851)\n\n\"Cox and Box, married and settled\" farce (F. C. Burnard and J. M. Morton, 1867)\n\n19 Dec. 1867 Hong Kong Amateur Theatrical Society second performance:\n\n\"Romeo and Juliet\" burlesque\n\n\"Little Toddlekins\" farce (J. Mathews, 1852)\n\n4 Nov. 1870 Amateur Dramatic Club first performance of season at Theatre Royal, City Hall.\n\n\"Diamond Cut Diamond\" farce (W. H. Murray, 1838) \"Orpheus and Eurydice\" burlesque (H. J. Bryon, 1863)\n\n20 Apr. 1871 \"I've Written to Brown\" farce (T. J. Williams, 1859) burlesque by Francis Talfourd.\n\n28 Apr. 1871 \"Ici, en Parlais Francais\" (T. J. Williams, 1859)\n\n\"Shylock, or the Merchant of Venice Preserved\" burlesque (F. Talfourd, 1853) also given in 1867.\n\n-\n\n26 Jan. 1872 - \"The Two Bonnycastles\" farce (J. M. Morton, 1851)\n\n\"Masanielle\" burlesque (R. B. Brough, 1857)\n\n21 Feb. 1872 - \"The Rifle and how to use it\" farce (J. V. Bridgeman, 1859)\n\n11 Apr. 1872 \"Castles in the Air\" comedy (T. W. Robertson, 1854)\n\nInstead of \"Castles\", the production may have been \"Caste\" by T. W. Robertson (1867)\n\n3 Jan. 1873 - \"Locked In\" farce (J. P. Wooler, 1870)\n\n\"The Cricket on the Hearth\"\n\n13 Feb. 1873 \"Kenilworth, or Ye Queen, Ye Earl and Ye Maiden\", burlesque\n\n13 Apr. 1873 \"The Blighted Being\" farce (T. Taylor, 1854)\n\n\"Checkmate\" comedy (Andrew Halliday, 1869)\n\n30 Oct. 1873\n\n1853)\n\n\"Plot and Passion\" (T. Taylor and J. Lang, 1853)\n\n15 Nov. 1873 \"The Spitalfield Hospital\" farcical comedy\n\n\"Not such a Fool as she Looks\" (H. J. Bryon, 1868)\n\n2 Mar. 1874 —— \"A Romantic Idea\" (J. R. Planche, 1849)\n\n\"The Steeple Chase\" (J. M. Morton, 1865)\n\n5 Apr. 1875 - \"Ticket of Leave Man\" (T. Taylor, 1863)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 211842,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 257,
        "title": "RAS-1989",
        "content_text": "232\n\nnot heard before and of which the best that can be said is that they are decidedly original. They seemed an imitation of the noise of braying of donkeys, but still they elicited great applause from the gallery [which was generally not regarded as very complimentary JH] perhaps from a certain feeling of sympathy. An amateur played Weber's \"Aufforderung zum Tanz\" with a \"perfect feeling\". To conclude the evening Mme SIMONSEN sung the \"Valse de concert\" (composer unmentioned) in which \"she displayed her powers more than in any other piece she has sung\" (SCR 22.5.1865).\n\n24.5.1865 (Wedn)\n\nH. MAYHEW: \"The Wandering Minstrel“ (1834)\n\nT: Farce (1 act)\n\nJ.P. PLANCHE: \"The Knights of the Round Table” (1854)\n\nT: Drama (5 acts)\n\nC: Amateurs of the Shanghai Mounted Rangers\n\nF: Music by the Band of the 67th Regiment; prologue read by Capt. Markham\n\nTh: Lyceum Theatre (1)\n\n―\n\nR: In lieu of the old time favourites, Messrs Brushwood, Pickwick, Newcome and Mrs. Nesbit had come new faces. Most foreigners had not yet made Shanghai their permanent place of residence, so turnover in the theatre too was rather high. Tonight could be admired Mr. SMALLWEED who, in the Knights of the Round Table, as \"the blameless king shewed a keen appreciation of his part and while he delivered the burlesque passages with much humour, proved by the taste with which he pronounced the prophetic eulogium on the Queen of England that he need not necessarily confine himself to broad burlesque in order to gain well-merited applause\"; Mr. Edmund (also a member of the Amateur Burlesque Company) won golden opinions as Launcelot, whereas Mr. PEEKT as Merlin \"displayed much cleverness in personating feeble old men\". In The Wandering Minstrel \"Mr. R.T. Larff, better known to the theatrical world as Mr. Wynnge (did this mean that he had two stage names? JH) sustained the reputation he has already gained as a low comedian and makes us the less deplore the absence of the well known and inimitable Brushwood” (last recorded performance 10.5.1860). Of course the female roles were taken by men, which led, as it always does, to some ridiculous scenes: \"The company possesses great strength in the important particular of lady performers. The only drawback which, however, is immaterial in burlesque, lies in the great height and muscular development of the fair ones\". Yet Miss Mary MIDDLESEX \"bore away the palm for natural feminine get-up\" and \"nothing could excel the dash which Kate COVENTRY threw into the part of the vivandière\", (NCH 27.5.1865). That not all patrons were equally pleased became evident from the Shanghai Commercial Record (5.6.1865) when it wrote: \"an allusion which was considered too personal led to a corresponding in our columns\" (i.e. the \"Shanghai Recorder\" which to the great regret of all historians treating the history of foreign Shanghai can no longer be found). At the end of the evening a number of toasts were proposed, among others to \"Alabaster, to whose exertions much of the success of the company was due\". This was a reference to Chaloner Alabaster (1831-1890), the British vice-consul who was also active in the North China Branch of the Royal Asiatic Society. In conclusion the Herald reported that \"the arrangements were excellent and notwithstanding the warmth of the evening and the crowded state of the theatre, the air within the walls did not become oppressively hot. Punkahs were slung over the front seats and during the temporary pauses kept up a current of air\",\n\n27.5.1865 (Sat)\n\nPerformance by Mr. Benjamin Seare. Programme unknown (reading, etc)\n\nTh: Lyceum Theatre (1)\n\nR: Both the Herald and the Record agreed that Mr. SEARE \"is possessed of great talent\"",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211844,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 259,
        "title": "RAS-1989",
        "content_text": "234\n\nin 1846 and kept by the London Missionary Society. (NCH 25.11.1865; SCR 24.11.1865).\n\n14.12.1865 (Thur)\n\nJ.M. MORTON: \"Woodcock's Little Game” (1864)\n\nT: Farce (1 act)\n\nJ.P. PLANCHE: \"Faint Heart never won Fair Lady\" (1839)\n\nT: Comedy (1 act)\n\nC. SELBY: \"The Boots at the Swan\" (1842)\n\nT: Comedy (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Prologue spoken by Edward Lawrance and Mr. Groom\n\nTh: Lyceum Theatre (1)\n\nN: First performance of the season by the S.V.C.\n\nR: Again only stage names were used in the review.\n\nIn Morton's piece, Woodcock's Little Game, Woodcock was played by Mr. DOLEFUL who had \"evidently elaborated the part with great care.\" His only drawback was \"a certain monotony in gesture\". Another central character was Mrs. Colonel Carver, \"inimitably performed by Mrs. St. CHAWLES. The majestic lady's make-up was characteristic and costly and many of her attitudes and tones reminded us of Miss Snowdon [Mary Jane Chippendale, 1837-1888; but she made her debut only in 1863 JH] whose imposing personation of similar female parts has assisted so many Haymarket triumphs\". Exceptionally some slight attention was also paid to the staging when the critic wrote about the second scene that the \"occasional glimpses of the whirling waltzers and partners-seeking promenaders were skilfully managed\". In Faint Heart never won Fair Lady Mr. DOLEFUL again took a leading part, that of Ruy Gomez. However, the Herald was not inclined to accept this gentleman's reading of the character without some exception, as a greater prominence might have been given to the comic element. Lightness, vivacity and élan are indispensable in all characters written, as this one was, for Charles Mathews. However, as he had appeared in a humorous part before, Mr. DOLEFUL was perhaps anxious to show his versatility\". Travesty abounded: \"The most difficult part was essayed by Miss SOFTLY [as Charles, the King of Spain, a role cast for an actress JH]. For a man to play a lady's part is hard, for a lady to play a man's part is not easy, but for a man to play a man's part as a lady would play it is hardest of all. Charles II, the mischievous, frolicsome schoolboy at large, newly awaking to a sense of royal responsibility, has been a favourite part with some of our cleverest and prettiest actresses and Miss SOFTLY held her own when compared with these formidable competitors\"\n\nAbout the Boots at the Swan the reporter confessed that \"we are inclined to think this piece has been acted enough\" (but hardly in Shanghai where it was on the boards for the first time). \"The elaborate mimicry of the inimitable ROBSON made the deaf Boots as popular with the London public as Sam Weller had been before him, but a peculiar talent alone can render Jacob Earwig interesting to an audience ten thousand miles away from the little theatre in Wych Street* (i.e. the Olympic Theatre in London). (Henry Morley wrote about Robson in this part, 1857: \"Mr. Robson, although deaf, is humorously wide awake. He is the Boots who is brisk and alive to all the humour of the street, who would be preternaturally knowing if he could but hear what people say. In word and look and action he is more the gamin than the simpleton. The extravagance of a most laughable farce is heightened by him to the utmost and there is not a long face to be seen while he is busy on the stage\"\n\n***\n\n136)\n\nBut, to continue with the Herald: \"FUNNYDOG, the new low comedian, is a valuable accession to the company. His stable yard dress, wooden attitude and imperturbable face formed a perfect study for Leech and Cruikshank, and the finish with which he played the long, and we confess to us tiresome, drunken scene shows",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    }
]