[
    {
        "id": 204637,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1963",
        "page_number": 118,
        "title": "RAS-1963",
        "content_text": "CHBUNG CHAU \n\n105 \n\nBecause of their loose organisation and lack of proper safeguards, these associations often ran into trouble over money. To quote an elder's reminiscences from the manuscript note book of the Tung Kwun association (which the present Chairman has kindly allowed me to see and use), compiled about 1928 but referring to the previous sixty years, \"in the past there were upright managers, but there were also embezzlers, who appropriated public funds without authority. When X was in charge of our association's funds he reported that he had lost the account books, so nothing could be audited. It was through my persuasion he produced fifty dollars to end the matter\". Similarly, he records how, on the death of a leading member who had been instrumental in purchasing new property for expanding the association, the members asked his family for the accounts and title deeds in his possession. The relatives refused to part with them unless a payment was made first. Members naturally refused, \"which is why no title deeds or accounts are available from the early period\". \n\nThe manuscript also contains interesting material which illustrates difficulties faced by conscientious managers, e.g. \"This house was originally the property of X. Unfortunately he was murdered and the body could not be found. His relative Y donated the house to the association. At first no tenant would take it and the fabric deteriorated. In the second year of the Hsuan-t'ung reign (1910-11) repairs were suggested, but there were no funds. Loans of five and ten dollars were raised from district members at 1 per cent interest. I loaned over a hundred dollars interest free, but it was still insufficient, so the association joined a ten dollar (share) money association and drew the necessary balance. \n\nThe repair then started and the front is now let for $5.50 per month and the rear for $4 per month.\" \n\nThere was also the lighter side. Speaking of the annual dinner party on the 15th day of the first moon an elder recalled \"this year there were 28 tables with over 220 people. The caterer was X and the cost was $7.20 per table. The food was no good and those present were dissatisfied and there was a lot of grumbling.\" \n\n27 A search was made for this and the Ser Yap tablet but, though hot on the trail of the first named with what appeared an infallible clue, a digging party regrettably drew a blank, \n\n28 In the Crown Rent Rolls the association is termed kung sor 2 in Chinese and \"club\" in English. An inscription on one of the stone lions outside the Pak Tai temple, the largest on the island, states that it was donated by the Wai and Chiu Chau community in 1861. Mr. LEUNG Yau \n\n, born on Cheung Chau in 1875, attended the Wai-Chiu school, in the association's premises for two years (1885-86). \n\n2o There was also a shrine in the Po On study. The tablet states that \"a small fixture, known as the Tun Sin temple ('promote charity') has also been placed at one side of the hall, where wooden tablets bearing the names of the organisers are placed therein in commemoration of their devotion to the cause, irrespective of their parentage and place of origin.\"",
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    {
        "id": 205143,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 99,
        "title": "RAS-1966",
        "content_text": "94\n\nHOLMES WELCH\n\nI have not heard of other monasteries in China that had such wide-spreading or deep-rooted connections overseas as Ku Shan. It may have been unique. But it was extremely common for monks and lay pilgrims to go back and forth between overseas Chinese communities and the \"famous mountains” at home. Even at Wu-t'ai Shan near the Inner Mongolian border, one could find pilgrims from Singapore. In 1936, when Tai Chi-t'ao was on his way back from Europe, he stopped in Manila to lay the cornerstone of a new Buddhist temple sponsored by a group of overseas Chinese who, since 1930, had been serving as Philippines distributor for a Buddhist publishing house in Soochow. Here as elsewhere in southeast Asia, Buddhism was a link with the motherland.\n\nNOTES\n\n1 James Troup, \"On the tenets of the Shinshiu or 'True Sect' of Buddhists,\" Transactions of the Asiatic Society of Japan, 16 (June 1886), 14-16.\n\n2 Takada, Giko, Chusi shukyo daido renmei nenkan (Yearbook of the Great Harmony Religious Alliance of Central China), Shanghai, 1943, p. 10. I am obliged to Dr. Ho Kuan-chung for making this book available to me.\n\n3 Yang Jen-shan, Yang Jen-shang chü-shih i-chu (Works of upasaka Yang Jen-shang), Peking, 1923, 1:5. This temple appears to have gone out of existence at some later date, since the Nanking branch of Honganji mentioned by Takada (see preceding note) was set up in 1938. A Japanese temple in Changsha was noted by Hackmann in 1911 (German Scholar in the East, London, 1914, p. 108). This is also unlisted by Takada.\n\n4. Franke, “Die Propaganda des japanischen Buddhismus in China”, Ostasiatische Neubildungen, Hamburg, 1911, p. 159. This article by Franke is the source of most of the information given in the text, pp. 2-4.\n\n5 This episode is also referred to in Yin-shun, T'ai-hsü tashih nien-p'u, Hong Kong, 1950, p. 35-36, where thirteen monasteries in Hangchow alone were said to have become affiliated with the Honganji. More investigation is needed.\n\n6 Takada, p. 14.\n\n7 There were twenty-six Chinese delegates, according to Yin-shun, T'ai-hsü, p. 203. The official head of the Chinese delegation and Chinese vice-chairman of the conference was Tao-chieh, under whom T'ai-hsü had studied twenty years before (Yin-shun, T'ai-hsü, p. 26 ff). T'ai-hsü may be pardoned, perhaps, for giving people the impression that he was himself the chief of the delegation. (See, for example, Young East 1.6 (November 8, 1925), 177; T'ai-hsü Lectures on Buddhism, Paris, 1928, p. 14,\n\n8 Young East 1.6 (November 8, 1925), 179-180.\n\n9 This and other information given here on the East Asian Buddhist Conference comes largely from Young East 1.6 (November 8, 1925), 176-177.\n\n10 Tokiwa Daijo, Shina bukkyo shiseki kinen shu (Buddhist Monuments in China, Memorial Collection), Tokyo, 1931, p. 203.",
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    },
    {
        "id": 205146,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 102,
        "title": "RAS-1966",
        "content_text": "FOREIGN RELATIONS OF BUDDHISM\n\n97\n\n38 I have heard this from many informants. See also Reichelt, The Transformed Abbot, London, 1954, p. 156, and J. B. Pratt The Pilgrimage of Buddhism, New York, 1928, p. 311. A Buddhist monk once explained to me that although it was true that Jesus had risen after three days, no one should think he had done this \"just by becoming a Christian\". He had performed religious exercises (hsiu-hsing) and that was how he had achieved resurrection. There was no attempt on the part of this monk to deny the miracle of resurrection, only to fit it into the Buddhist scheme.\n\n39 Rev. Joseph Edkins, The Religious Condition of China, London, 1859, p. 75. In 1875 Timothy Richard, when he was baptising converts in Shantung, found that there was no building convenient to the river where they could change their clothes before and after. He explained his problem to the monk in charge of the Buddhist temple there who \"readily consented\" to lend some of its rooms for this purpose. See Richard, Forty-five Years in China, New York, 1916, p. 95. In 1879 the largest lama temple in Peking allowed a colporteur of the National Bible Society of Scotland to run a bookstore within the temple, where on several days a week Christian books were sold. See C. F. Gordon Cumming, Wanderings in China, London, 1888, pp. 4-9.\n\n40 Harry A. Franck, Roving Through Southern China, New York, 1925, pp. 575-576.\n\n41 In the early 1890's De Groot reported: \"It has often happened to the author of these lines that when he was taking his meal in one of the monasteries where he was staying, he was visited by monks who were curious to see how he ate and what he ate: but it was enough for them to smell the odour of his roast of pork or his leg of mutton and they would be forced to make a hasty exit from the room: they felt overcome by nausea. Such strict vegetarianism, it goes without saying that when non-vegetarian lay people came to stay sometimes in a monastery they are not allowed to have their food prepared in the monks' kitchen. There are small separate kitchens for them, where their own servants can stew things up for them.\" (Le Code du Mahayana en Chine, Amsterdam, 1893, p. 103). In 1908, when Boerschmann stayed on P'u-to Shan, he grew tired of the vegetarian fare and sent his cook to smuggle in some chickens (Pu-t'o Shan, Berlin, 1911, p. 166). In these and other instances the monks are portrayed as tacitly or even gleefully cooperating in getting meat onto the foreigner's bill of fare. It seems more likely that their cooperation, when it was forthcoming (and often it was refused), was reluctant and indignant. There was a compelling practical reason for this. If Chinese pilgrims saw meat being eaten on the premises of a monastery, many of them would take their patronage elsewhere. This was understood by early Western travellers like A. J. Little (Mount Omi and Beyond, London, 1901, pp. 75, 81, and 83). Little also provides an example of the Westerner's tendency to haggle (pp. 68, 83). The meanest bit of haggling was probably perpetrated by Mrs. C. F. Gordon Cumming. In 1879 she visited the Tien-t'ung Ssu, one of the model monasteries of China. After she and her party had enjoyed an \"excellent dinner,\" they were asked to give the equivalent of English tenpence, Mrs. Cumming offered eight pence. When the offer was accepted, she tipped the waiter tuppence halfpenny, and noted that he \"grinned with delight. Can I give you a better proof that we have reached a spot where foreigners are almost unknown?\" (Wanderings in China, London, 1888, p. 291). Mrs. Cumming was quite mistaken, of course, about foreigners being unknown: probably more had stayed at T'ien-t'ung than at any other monastery.\n\nEven today Westerners with plenty of dollars in their pocket take pride in doing the poor Chinese shopkeeper out of a few cents, partly to show their savoir faire and partly out of fear of being cheated themselves. But the monastery was not a shop, and this sort of behaviour was regarded as most inappropriate there.\n\n42 W. E. Soothill, Timothy Richard of China (London, 1924), pp. 162-163.",
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    },
    {
        "id": 205285,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 47,
        "title": "RAS-1967",
        "content_text": "40\n\nL. CARRINGTON GOODRICH\n\nChinese by Mi-t'o-hsien tu, a monk from Tokhara in central Asia, who lived at Ch'ang-an (then capital of China) from 680 to 704, after which he returned home. These are the years when the Empress Wu (reigned 684-704) ruled the land. This fact\n\n武后 is important as the Empress foisted certain strange characters upon her Chinese subjects. One at least of these appears in the sutra:  for (heaven; the elements sun, moon, and earth appearing inside an old form for ); this helps to establish the genuineness of the text. Now the stupa seems to have been erected at the same time as the temple itself, which was completed in 751. Unfortunately no date has so far been found on the text, as was the case in the above-mentioned Diamond Sutra of 868. There seems little reason to doubt the mid-8th century attribution, however, as the calligraphy of the scribe who brushed out the characters for the woodblock is like that of other literary remains of mid-T'ang provenance (found at Tun-huang and elsewhere), and the scholars reporting the discovery assert that the artifacts found together with the text showed no sign of a disturbing hand.\n\nIf then the date of 751 or earlier may be accepted, Korea has revealed evidence for printing which pre-dates the evidence from Japan. As may be recalled, the exact dates for the printing of the charms distributed by the Empress Shōtoku are not exactly known but they run between 764 and 770. (See the discussion in my revision of Thomas Francis Carter, The Invention of Printing in China and its Spread Westward, 2nd edn., Columbia University Press 1955, chapter 7.) Add to this another remarkable fact: both the Japanese empress and the unknown individual responsible for the printing at Pulguk sa made use of the same sutra. They must have considered that it had unusual powers. The main difference between the texts is that the Korean made much more use of it. His runs to twenty feet or more as against eighteen inches in the Japanese examples. The width of the two texts is almost identical (2 inches). These measurements may be compared with the sutras printed about two centuries later; one group, found in the pagoda of a monastery at Hu-chow (Chekiang) bearing a date equivalent to 956, and others found in the Thunder Peak Pagoda near Hangchow, dated 975. The first measured 2.5 inches in width (inner portion 1.95 ins.), length not specified; the second 2.8 inches wide and 6 feet 9 inches long. Incidentally the items dated 956 were also dhāranīs taken from the sutra translated by Mi-t'o-hsien.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
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    },
    {
        "id": 206110,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 190,
        "title": "RAS-1970",
        "content_text": "NOTES AND QUERIES \n\n185 \n\nNot far from the main Tin Hau Temple, on rocks formerly in the sea but now built around and beyond by boat squatters' huts, is another smaller temple to the same goddess. This is known locally as the Hoi Shum Temple, or 'Temple in the Midst of the Sea'. It has interestingly decorated pillars and altar slabs, and a half-obliterated inscription shows that it was constructed in 1845, four years after the British occupation of Hong Kong Island. However, the tablet states that, like the Tam Kung Temple, (see below) there was an open air altar to Tin Hau for some time before local people subscribed for the temple building. Nowadays this temple seems neglected and little used, perhaps because it may have been patronised mostly by smaller sampan fishermen who have now been forced into land employment by economic factors. \n\nFurther along the street, is Ah Kung Ngam-Grandfather's (or Ancestor's) Rocky Hill. This used to be a lonely place by the shore. In the 1901 census it had a population of 213 of whom 159 were males-probably mostly quarrymen and land-based fishermen. Here is situated the large temple to Tam Kung. This was built in 1905. At first sight this late date is rather curious, because old residents of Ah Kung Ngam state that Shau Kei Wan people venerate this god above Tin Hau and his festival is the event of the year for local residents, land and sea alike, celebrated both in Shau Kei Wan proper and round the corner in Ah Kung Ngam.* However, this is partly explained by the tablet commemorating the construction of the temple. This states that for an unstated number of years there had been an image of Tam Kung (brought over from Kowloon) but no structure. This temple contains major shrines to two other gods, Wong Tai Sin and Lung Mo, the Dragon Mother. There are models of a sailing junk and a dragon boat inside the building, the former apparently dating back to 1905, and the latter to 1961. \n\nAt the far end of Ah Kung Ngam, having passed timber and boat yards on the sea front and squatter and ordinary factories of all kinds on the other side of the road we come eventually to \n\n* This is equally so at the present day. A night visit to the area at this year's festival showed opera performances on land and sea and many dinner parties in progress, whilst the amount of debris at the temple after the day's worshipping had to be seen to be believed.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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    },
    {
        "id": 206485,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 33,
        "title": "RAS-1972",
        "content_text": "NINETEENTH CENTURY WATER-COLOURS OF CANTON\n\n27\n\na loss to them as well as to ourselves, from shells fired by the Navy\". On the other hand, Mr. Loch, Lord Elgin's attaché with the attacking forces, reported back to Lord Elgin on 5th January 1858 that \"by the bombardment being continued till 9 o'clock instead of ceasing at 6 o'clock a.m., as was originally intended, we came under the fire of our own shells from the ships\".12\n\nOnce Canton was taken, the Artillery company formed part of the garrison. The authors of the official history of the Royal Marine Artillery make no reference to the \"Jingal pic-nic\" incident, but do mention a sortie against the Chinese on June 2nd 1858, in which Major Schomberg took part. Col. Fisher also relates this incident, in which the British forces lost several men and suffered from the extreme heat, but again does not give the names of the officers concerned.\n\nFor the rest of the summer after the voyage to the Peiho (not mentioned in The Royal Marine Artillery), Major Schomberg seems to have spent his time amusing himself as best he could in Canton. In September the garrison was enlivened by the visit of \"poor Albert Smith\" as Col. Fisher calls him. Their visitor, who seems to have been permanently suffering from stomach trouble and the heat, was taken on a round of the sights, including the Honan Temple (picture number XXXIII), and on 12th September 1858, notes that he had dinner with \"Captain\" Schomberg.\n\nFisher comments that apart from horse-racing \"cricket was one of the first sports we introduced; and the Tartar parade-ground at the foot of the heights formed really a very good ground\". Major Schomberg was not much of a cricketer, and the \"Hong Kong Register\" for the 9th March 1858, reports that in a match played in Canton between two military teams he scored a duck in both innings.\n\nThe Royal Marine Artillery gives the date of Schomberg's return to England as January 1859, which fits in well with the date on the last of the paintings: curiously, there is no mention of his name on any of the lists of passengers in Hong Kong newspapers for that month, but this may be because he returned on a troop-ship.\n\nIn later life Schomberg went on to be Deputy Adjutant General of the Royal Marines. He was made a general in 1877 and was knighted in 1896. He died at the age of eighty-six in 1907.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
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    },
    {
        "id": 206881,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 158,
        "title": "RAS-1973",
        "content_text": "152\n\nNOTES AND QUERIES\n\nThe making of verses was a gentlemanly pursuit in early Victorian days, encouraged of course by the system of classical education which emphasised translation from Latin and Greek and hence a detailed knowledge of the rules—or mechanics—of prosody. Mercer received such a traditional education: he was educated at Exeter College, Oxford, where he took a B.A. degree, and for a time was at the Inner Temple, though he did not take the Bar examination. When he came to Hong Kong as his uncle's private secretary, he sought solace from the chores of day-to-day colonial administration in his poetic exercises and the result was Under the Peak.\n\nThere are five poems in this book—‘a string of sonnets’—which refer specifically to Hong Kong. They are, respectively: The Peak; The Bay; The Triads' Cave; The Water Fall; The Temple on Taplichow; The Pic Nic Cottage at Heong-Kong; and The Chinaman's Grave on the Lonely Hill Side. According to Mercer's note on the poem, The Triads' Cave, ‘a cavern romantically situated, has now disappeared before the utilitarian demand for granite. It was long the chosen resort of the members of the infamous San hop hwai, or Triad Society', where:\n\nThe robber horde oath-bound to mutual aid\n\nWould plan foul murder and unpitying raid\n\nO'er midnight counsel in their secret den?\n\nThe gem among these sonnets is without doubt The Chinaman's Grave, and should be given in extenso:\n\nOh Chow, or Wong! or by whatever name\n\nMen call'd thee, or the Gods may call thee now,\n\nWhy so extravagantly vast thy claim\n\nTo mortuary earth upon the brow\n\nOf yon fair hill? If all men spread as thou\n\nNo room for things created would be found\n\nThroughout the Seric land, but all the ground\n\nWould teem with graves, and well might it be said\n\nThat living ones were push'd from off their stools\n\nBy men all useless, now that they are dead\n\nAnd vanish'd. Did Confucius leave no rules\n\nTo bind a soul's ambition by the tomb?\n\nThen let survivors show themselves no fools,\n\nBut dig thy bones up to make elbow-room",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
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    {
        "id": 206892,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 169,
        "title": "RAS-1973",
        "content_text": "NOTES AND QUERIES\n\nVISIT TO THE SUKHOTHAI SITES IN THAILAND\n\n163\n\nThe first overseas tour of the Hong Kong Branch of the Royal Asiatic Society went to Thailand from 1-6 February 1973. Twenty members took part.\n\nThe purpose of the tour was to visit the historical sites of Sukhothai, Srisachanalai and Kampengpetch in the centre of the country; these are the abandoned cities of the Sukhothai kingdom which asserted its independence from the Khmers about 1220, reached its apogée under Ramkamheng (r. ± 1275—1317), and declined after the foundation in 1350 of Ayuthia, which subjugated the northerly kingdom in 1378, when the Sukhothai king, Mahadharamaraja II, transferred the capital to Pitsanuloke to reign as a vassal of Ayuthia. The Sukhothai kingdom is famous for its export celadons which in recent years have found their merited place in world porcelain collections for their originality and texture.\n\nHowever, the tour first stayed in Bangkok and, using a converted rice barge, saw some old temple paintings in Dhonburi and Nonthaburi.\n\nWat Chalermprakiad on the Chao Phrya River is a picturesque and half-ruined temple built by King Rama III in memory of his mother. The temple is surrounded by a double wall, the inner one having square towers with circular openings showing the strong Chinese artistic and architectural influences in Siam during that king's reign (1824-1851). The building to the right of the central edifice is in a state of total ruin, but still has its original doors and windows with their lacquer and mother-of-pearl exteriors and their lotus-painted red and blue interiors. Those of the main building, which is in a far better state of preservation, are predominantly red and green. There is excellent stucco work over the doors and windows and broken porcelain is used for characteristic decoration on the roof lines. The rustic setting of the temple, with its teak kuti or monks' houses surrounded by rain trees and breadfruit trees dominated by the tapering white chedi in the centre, left a strong impression of dignified serenity.\n\nWat Po Bang O, off Klong Bangkrouay, is a small old temple also in rural surroundings which has interesting examples of original 18th century paintings with some 19th century overlay showing",
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    },
    {
        "id": 207042,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 113,
        "title": "RAS-1974",
        "content_text": "The Monuments of Vientiane and Luang Prabang\n\n107\n\nOn the return journey one can stop at the village on the bank opposite to Luang Prabang which contains one of the most interesting temples in the whole of Laos, Vat Chieng Men. Its doorways are among the best examples of the carving modelled with a mixture of mahogany sap and ash which hardens in the air; peacocks, perhaps a reminder of the Mon hamsa, decorate the outer arch of each door which is triple tiered and deeply recessed. The ceiling is coffered and carved, and the altar contains a fine Buddha statue. The surrounding buildings are simple kuti, or monks' dwellings, and the whole temple blends harmoniously into the jungle background of the mountain at the very wall of the temple. Not least of the attractions of this temple is the walk to get there from the river bank; one goes along a path through the village where children play, mothers chatter and sell bananas and dogs look suspicious but wag their tails. As everywhere in Laos, the scene may be unsophisticated but it is not wanting in humanity and charm.\n\nReaders of this note should not think that the tour did nothing else but visit temples. A silk-weaving village was seen, a Meo settlement, and the making of silver; the royal palace dancers performed specially for the group and the final evening included a specially-arranged baci blessing ceremony with a Lao dinner.\n\nThe principal point of the tour was to absorb something of the restful atmosphere of Luang Prabang through its not magnificent but charming temples, its unhurried way of life and its noble simplicity. Vientiane provides a more modern contrast, but remains a quiet provincial town rather than a frenzied capital of the twentieth century. Laos might have the lowest income per capita in the world and its problems may be enormous, but it is not lacking in dignity and the charm of its people is unforgettable.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
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    {
        "id": 207102,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 173,
        "title": "RAS-1974",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n167\n\nmore!\" Seeing that he would persist in his strange philosophy the village elders left him alone.\n\nAnother of his practices was to walk round the market in the evening to where his poorest relations would be hawking fish and pork. When he found any of them had something they couldn't sell he would note down in his pocket-book the price of the thing and ask to have it sent to his house. Quite a lot of food would accumulate in this way so Hei Sui would end up by asking the hawkers themselves to come and dine with him. At the end of the meal he would bring out his note-book and money and insist on paying each hawker for the things he had bought from him. His relations would be much embarrassed and did not like to take his money as besides eating their own produce Hei Sui had given them rice and wine. He would say \"Nothing could be happier than to have so many cousins to dinner every night! If I give a feast I must needs go to the market and buy things, then why should I not buy them from you? If I have guests, why should you not be my guests?\" If his cousins still demurred he would exclaim, \"Alas, I was only able to invite you, and not your families as well. Pray take this money home and buy a feast for them which I ought to have provided myself!\" This sometimes made the more sensitive hawkers very uncomfortable and they would in future avoid Kam T'in and sell their goods in another village.\n\nWhen Hei Sui was fifty-six he died. Two years later a pedlar from Pok Loh (†) district came to Kam T'in one day with a strange story. He said that in his district city a Shing Wong (城隍) (the guardian god of a city wall) temple had been built about two years before and at the opening ceremony of the temple it was found that the characters Tang Lung Man (鄧龍文) had appeared miraculously painted on the bottom corner of the long gown of the idol. Thinking that some mischievous person had put them there, the people tried to rub them off, but the harder they rubbed the clearer the characters showed. Now Tang Lung Man was the \"friendship name\" of Hei Sui, and on asking the date of the opening ceremony his descendants learned that it was on the very day he had died in Kam T'in, so they decided that his spirit must have entered the guardian god of Pok Loh district city. After several years when the time came for his re-burial Hei Sui's heart was found to be quite intact. The people standing round were staring in amazement at this when a strange dog suddenly sprang into the grave and seizing",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207967,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 6,
        "title": "RAS-1977",
        "content_text": "Table 2 Villages with Populations Above 100 in 1911\n\n175\n\n  \n    Males\n    Females\n    Total\n  \n  \n    Sai Kung Market\n    320\n    192\n    512\n  \n  \n    Mang Kung Uk\n    *\n    207\n    227\n    434\n  \n  \n    •\n    \n    \n    \n    \n  \n  \n    Ho Chung\n    Hang Hau\n    •\n    \n    \n    \n  \n  \n    Sha Kok Mei\n    \n    \n    \n    \n  \n  \n    Nam Wai\n    ·\n    \n    \n    \n  \n  \n    •\n    \n    \n    \n    \n  \n  \n    Tseng Lan Shue\n    Tseung Kwan O\n    \n    \n    \n    \n  \n  \n    Pak Kong\n    ·\n    \n    \n    \n  \n  \n    Ha Yeung\n    Pan Long Wan\n    \n    \n    \n    \n  \n  \n    Tai Po Tsai\n    \n    159\n    259\n    418\n  \n  \n    \n    \n    262\n    125\n    387\n  \n  \n    \n    \n    152\n    194\n    346\n  \n  \n    \n    \n    178\n    146\n    324\n  \n  \n    \n    \n    124\n    152\n    276\n  \n  \n    ·\n    \n    \n    \n    \n  \n  \n    \n    \n    90\n    103\n    193\n  \n  \n    •\n    \n    \n    \n    \n  \n  \n    ·\n    \n    \n    \n    \n  \n  \n    •\n    \n    75\n    115\n    190\n  \n  \n    \n    \n    93\n    91\n    184\n  \n  \n    \n    \n    86\n    92\n    178\n  \n  \n    •\n    \n    \n    \n    \n  \n  \n    \n    \n    77\n    95\n    172\n  \n  \n    Yim Tin Tsai\n    \n    79\n    83\n    162\n  \n  \n    Seung Sz Wan\n    \n    \n    \n    \n  \n  \n    Wong Nai Chau\n    Lan Nai Wan\n    \n    \n    \n    \n  \n  \n    Tai Mong Tsai\n    Tai Wan Tau\n    Yau U Wan\n    \n    \n    \n  \n  \n    ...\n    \n    79\n    66\n    145\n  \n  \n    \n    Tai Hang Hau\n    •\n    \n    \n    \n  \n  \n    \n    Tai No\n    •\n    \n    \n    \n  \n  \n    \n    \n    72\n    70\n    142\n  \n  \n    •\n    \n    \n    \n    \n  \n  \n    •\n    \n    77\n    65\n    142\n  \n  \n    •\n    \n    75\n    63\n    138\n  \n  \n    ·\n    \n    \n    \n    \n  \n  \n    \n    \n    53\n    64\n    117\n  \n  \n    •\n    \n    \n    \n    \n  \n  \n    •\n    \n    \n    \n    \n  \n  \n    .\n    \n    355\n    \n    \n    \n  \n  \n    \n    \n    53\n    63\n    116\n  \n  \n    \n    \n    51\n    57\n    108\n  \n  \n    \n    \n    55\n    53\n    107\n  \n  \n    •\n    \n    \n    \n    \n  \n  \n    D\n    \n    \n    \n    \n  \n\nSource: 1911 Census\n\nHo Chung, and the Tsik Shin T'ong, that owned the land on which the Ch'e Kung Temple was built, the furniture and dinner utensils needed for village feasts that all members of the village could make use of, and the village school. Nonetheless, without any doubt, the Ch'e Kung Temple was an institution not of the Cheung lineage but of the entire village and surrounding villages. Hence, in the decennial ta tsiu, all the surname groups in Ho Chung and related villages participated. Nam Pin came to the ta tsiu, because it was related to the Tses of Ho Chung. Tai Po Tsai (near Deep Water Bay) and Tai Nam Wu came, because they were related to the Wans, and the Lams of Seung Sz Wan came, because they were related to the Lams of Ho Chung. Mok",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
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    },
    {
        "id": 208751,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 208,
        "title": "RAS-1979",
        "content_text": "RELIGIOUS LIFE IN PRESENT-DAY TAIWAN\n\n(c) Taoism\n\n181\n\nTaoism, as a religion nowadays, is hard to define; it is much more than Buddhism caught up in popular religion and very often identified or confused with it, not only by students of Chinese religions but by believers as well. Examples are lists of temples in Taiwan, where temples are identified either as Taoist or Buddhist, with the rare exceptions of Confucian temples and ancestral halls. If we see the folk-religion as a separate category, then Taoism as such should be stripped of all the folk-religious elements and seen in its purity. In that case, only a few temples can be identified as Taoist, and the Taoist religion has thus basically to be identified with the various sects of Taoist priests. The matter has become more complicated since the institution of a Taoist Association in 1950. This is organized and run by Taoist laymen but has requested and obtained membership among many temples of the folk religion (in many temples, one can see the metal membership plates on the wall).\n\nThe Taoist priesthood is divided into 3 (or 4) sects: the ling-pao, cheng-yi, or t'ien-shih and san-nai sects. The cheng-yi sect, or the sect of the Heavenly Master, has been trying for a long time to control the Taoist priesthood of all sects to unify them (and collect their dues). The 64th successor to Chang Tao-ling, living in Taipei, confers ordinations and promotions all over the island. However, as over the centuries, candidates to the priesthood (often hereditary) are not well trained in Taoist philosophy: they start their instruction as apprentices of a particular master, but throughout their training, they usually do not go beyond learning to recite the sacred texts and performing the various rituals. There are, happily, exceptions to the rule, and a fascinating example is Master Chuang of Hsinchu city, who is not only a master of rituals but performs the esoteric meditations of inner alchemy as well.\n\nIn Taiwan, there are no Taoist monasteries where priests live as celibate monks, although there seems to be a movement of return to the ancient model: in one temple in Kaohsiung, the Tao-Te-Yuan, a group of young women have been ordained as Taoist priests and have made the vow of celibacy. The same temple also organizes study sessions for laymen to foster a deeper understanding of Taoist philosophy. As in Buddhism, the laymen again are promoters of a more serious involvement in Taoism.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 208842,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 4,
        "title": "RAS-1980",
        "content_text": "14\n\nKEITH G. STEVENS\n\nwhich are about nine feet high and consist of two vertical halves each bearing a painting of a guardian. Facing outwards, the pair of guardians can be military or civil officials. The doors usually are kept open by day, although if the temple keeper goes out for any length of time he will close and in certain areas, padlock them.\n\nImmediately inside the main doorway, between it and the courtyard, are the spirit doors, a pair of wooden doors to prevent direct access to the temple by demon spirits.19 Instead of the pair of inner doors, some temples have a fixed, freestanding screen from floor to ceiling which performs the same demon-deflecting function (Illustration 5). Past the spirit doors, which are quite frequently left open or have been removed, there is the open area normally let down some 6\" into the ground and frequently unroofed known as the \"Incense Smoke Tower\". This is the courtyard, though in smaller temples it may not appear to be particularly grandiose. It has been suggested that the open roofed forecourt dates back to an era when deities required open skies above them. In Macau it is quite widely held that the tutelary deity of the temple should have an open view of the heavens above, though this is only so in five of the temples there.\n\nThe main hall (zheng ting) contains the main altar and is situated beyond the courtyard and in the rear-most building, more often than not with other halls and rooms grouped around it. The rooms on either side are usually identical in shape and size. These rooms and corridors are mainly used as store houses by the temple keeper and by local inhabitants.\n\nAdvancing beyond the open area of the courtyard into the main hall, often up one or two stone steps, we face the altar table with an ordinary table before it. The former has the five major objects — an incense bowl, two candle holders and two vases — and the latter bears any offerings. Beyond these tables, usually backing onto the wall, is the main altar, more often than not flanked by side altars.\n\nThe main hall of the majority of traditional temples is about 15 to 20 feet wide, with each of the side halls a further 9 to 15 feet wide. Their length is usually some 35 to 40 feet from entrance to rear wall. However, the main halls of the larger traditional temples in Hong Kong (in Stone Nullah Land, Hollywood Road and Temple Street) are some 30 to 40 feet wide and 50 to 60 feet in length, with proportionally higher roofs.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 208889,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 51,
        "title": "RAS-1980",
        "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n23\n\nof deities. It is now only three storeys high though originally it had, according to differing legends, four or seven storeys.23\n\nInternal Decoration\n\nPopular religion temples vary from the traditional old, often magnificent buildings with carved and gilded panels and beams, furnished with rich embroideries, bronze and pewter vessels and numerous personally-donated items all of which enhance local pride in the temple, to the new jerry-built squatter constructions with ramshackle altar tables littered with tins, boxes and bottles, with one or two litho reproductions only to enliven the walls. Some of the rural traditional temples are bereft of much decoration due, in all probability, to the poverty of devotees,\n\nThe range of stylistic variations that emerged as temples evolved in Hong Kong and Macau, shows an essentially conservative character, although the inner decoration of traditional temples does vary from area to area. Some temples have a frieze of panels carved or sculpted in relief above or in front of the altar tables depicting birds and animals, court scenes with generals flanked by soldiers and scholars, and scenes and characters from Chinese myths and legends. Some temples have long red (occasionally black) boards inscribed with auspicious phrases in black or gilded characters, concealing the pillars of the main hall, and some have richly decorated lintels. Most however are relatively bare. Inside, the structure of beams, brackets and roof tiles are more often than not blackened with soot from incense smoke.\n\nApart from the strikingly rich crimsons on and around the altars, there is little colour in Daoist folk religion temples and the murk and dust tends to overshadow what little colour there is. Courtyards, paved with stone, are usually calm, shaded areas of green and blue, with little decoration apart from the murals which may have been preserved, painted over doorways.\n\nTemple and monastery murals and decorative wall carvings, particularly in Daoist and folk religion temples, are so complicated in detail and pattern, and contain such a wealth of allegory and legend that non-Chinese visitors are either completely bewildered or overwhelmed by detail that usually they see little of the mural. Paintings and sketches of scenes involving numerous Immortals and deities defy identification, even though the main character may",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 208899,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 61,
        "title": "RAS-1980",
        "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n33\n\n14 Because of the exorbitant rents for such accommodation, temples in shop houses and flats in Hong Kong are few and far between. In Singapore and Malaysia, temples in shop houses are very common indeed, though they are becoming less so as the years pass and rents in urban areas rapidly rise.\n\n15 Occasionally such a temple may be a converted private house, as in the many examples in Lo Wai village, Tsuen Wan, but more often it is a purpose-built but inexpensive hut.\n\n18 Temples containing images of the Buddhist deities Di Zang Wang, Milofu, and Guan Yin are not necessarily specifically Buddhist, as all three of these deities nowadays are also extremely popular deities in folk religion temples.\n\n17 Mahayana is Northern Buddhism and Theravada or Hinayana is Southern Buddhism.\n\n18 \"Illegal\" is a Hong Kong term for buildings which have been built on Crown Land often by squatters without Government land control or planning permission, but which have been permitted to remain standing under sufferance. In practice, they are temporary structures put up without permission, occasionally ramshackle though more often they are well-built timber, weather-board, and corrugated iron buildings, clean and well-proportioned. (Illustration 17). Some have stood for such a length of time as to have been gradually converted to concrete and brick. All are labelled on the side in rough daubs of paint with the bureaucratic abbreviations and digits prefixed by \"TEM\" (= temporary) affixed by squatter control staff of the Housing Department.\n\n19 Demons are well known to Chinese to be unable to go around corners and must travel in straight lines, hence these inner doors to prevent the demons from entering the temple. The inner doors originally were opened exclusively for influential people.\n\n20 See also James Hayes' information at JHKBRAS 6 (1966): 129-130.\n\n21 In overseas Chinese areas, this kind of large street shrine is still very common and, in Singapore alone, some four to five hundred exist in all kinds of nooks and crannies. For a Hong Kong example, see JHKBRAS 14 (1974): 203.\n\n22 Chu is one of the 28 Constellations (= xiu).\n\n** See pp. 111-113 of the Hong Kong Government's publication Rural Architecture in Hong Kong (1979) for this pagoda.\n\n24 In Imperial times, such masts were always to be seen outside the local magistrate's yamen.\n\n25 Chinese bells have no internal tongue clapper, being tolled by an external blow with a wooden mallet.\n\n26 For the Evacuation of the Coast, see Lo Hsiang-lin and others, Hong Kong and its External Communications before 1842 (Hong Kong, 1963) Chapter VI.\n\n27 For background, see Jen Yu-wen's article \"The Southern Sung stone-engraving at North Fu-t'ang\" in JHKBRAS 5 (1965): 65-68.\n\n28 Government action is through the Chinese Temples Committee, serviced by the Trust Funds Section of the Home Affairs Department.\n\n29 Temples according to this Ordinance include Miao (廟), Si (寺), Buddhist and Daoist monasteries, Guan (觀) and Dao Yuan (道院), and nunneries An (庵).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 209892,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 151,
        "title": "RAS-1983",
        "content_text": "129\n\nBefore its first removal to permit further development of the area, the shrine is said to have been very popular with local villagers, shopkeepers and quarrymen. The whole village of Tsin Shui Ma Tau, to which my informants belonged, went down to the shrine on the god's birthday, and the customary dinner was held in the open near the pier. After its removal to another site, it was less popular with local people who apparently did not like the new location. This site was cleared in its turn in the mid 1960s, and the incense burner and other property were moved for safe-keeping to one of the Shau Kei Wan temples. Eventually, the committee gathered funds for a proper temple and for the first time in its history the god was housed in a permanent building and not, as previously, in the open or in a wooden hut. A brief account with excellent photographs appeared in The Star newspaper for 27 January, 1970.*\n\nIn the post-war period this shrine has been linked with the Nam On Fong Yue Lan (M) Festival Committee but before the war, and up to the time of its first removal, there was no such Yue Lan committee. Moreover, the annual celebration was not, as now, held during the Yue Lan festival in the 7th lunar month but took place on the earth god's birthday on the 2nd day of the 2nd month. The religious service was, at that date, always accompanied by a puppet show. The arrangements were in the hands of a group of village elders, later joined by local shopkeepers as the population grew. The local people visited it on the first and fifteenth days of each month, and offered a pig's head on the birth of a son and a chicken on the birth of a daughter. The change in the date of the main celebration came after the war, and the reason for it is said to have been the large number of deaths in the district during the Japanese Occupation, and the advisability of worshipping the unquiet spirits of the deceased lest they harm the living.\n\nIn the pre-war period the managers of this shrine, styled chik lei, came together through a combination of mutual acquaintance, accepted reliability, ability, willingness to donate a minimum level of funds towards the expenses of the festival costs,\n\n* These photographs are reproduced at plates 6-8.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
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    },
    {
        "id": 209895,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 154,
        "title": "RAS-1983",
        "content_text": "132\n\nnames for temple business, many chik lei of this shrine (as in all the other cases detailed above) preferred to use their shop name. In such cases it was left to the owner of the shop to decide whether he, his wife, or an employee should attend any meetings and dinners held in connection with the selection of the principal leaders, or the arrangements for the celebrations and the squaring of accounts.\n\nThe leaders were chosen a year in advance, so that they had plenty of time to make the necessary arrangements. After settling the accounts, and posting them on the festival ground for all to see, the Chung Lei for that year would give a dinner party to consult the body of managers as to who would serve as Chung Lei for the following year. By that time the interested parties would have assessed their degree of interest and their financial position, and would be ready to name a sum. A decision would then be taken.\n\nNot all the funds required to hire the nam mo to and the puppet troupe, and to erect the matshed stage, were provided by the principal and assistant Chung Lei, although it was expected that they would make good any unexpected deficiency. Parties of managers, in threes and fours, wearing large straw hats bearing prominent characters with the name of the committee, would canvass local residents. In return they would receive slips to paste or put up in their premises. One manager collected the money, another recorded the sums in a book and one gave the traditional form of receipt. Proceeding together in groups besides showing solidarity and evincing the genuineness of the proceedings was also a way of deterring frauds.\n\nTaken from a number of different locations on Hong Kong Island, established early in its urban and suburban history, the accounts given above all serve to indicate the decentralized nature of their shrines and temples. Their importance for these local communities is underlined by the fact that they were provided by local initiative and managed by committees of local residents who organized and managed festival celebrations and protective rites on their behalf. These accounts also show the different ways in which the committees were renewed from year to year.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
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    },
    {
        "id": 209977,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 236,
        "title": "RAS-1983",
        "content_text": "214\n\nand general merchant, who came to Hong Kong with his brothers when young. As the eldest, he controlled the family finances and the distribution of work. The second brother went on to Australia, and then returned to Hong Kong. The third brother was a small ship-builder, running his own sampan construction business near the old Kowloon City pier. The fourth brother was a policeman. The eldest Chan's son, my informant, succeeded him as manager of the temple on his death in 1925.\n\nDuring these years the temple's following had been steadily growing. It is reported that in the younger Chan's time, and before, over twenty villages of central and east Kowloon2 took a regular part in the religious celebrations conducted at the two temples. This represents a striking difference from the days, a century before, when the Goddess of Mercy shrine and temple were the private concerns of the small and unimportant Chu family of Tai Hom,\n\n3\n\nThis statement of interest is substantiated by the practices described to me by elders of villages in the area. Two managers, styled chik li (1) were provided by each village. Each year, some weeks before the main Kwun Yam festival, the chief manager called them together for a discussion as to whether the usual arrangements would be made. These consisted of chantings by nam mo lo (), the staging of the customary puppet shows for the four days and five nights usual in this region, and a dinner held in front of the temple the day after the festival. Upon agreement to proceed as usual, each village was allocated one or more subscription books, and the chik li or their helpers collected funds from those among their fellow villagers who wished to take part in the dinner and the general celebrations.\n\nThe chik li were not elected by the villagers: they seldom if ever were in the villages of this region. They came from among that body of working elders who managed the affairs of each village. They were either the elders themselves, or persons deputed by them. The Chairman of the body of chik li was selected through a procedure basically the same as that described for other temples and shrines in the Hong Kong region. All the village chik li gathered at the temple at a fixed day and hour. The divining blocks were cast an agreed number of times and the\n\n3",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
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    {
        "id": 209997,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 256,
        "title": "RAS-1983",
        "content_text": "234\n\nelsewhere. Over most of this front the structure survived to cornice level (between points A and B of the attached plan). The cornice stood at 14′ 2″ from the base ground level. The cornice also survived at the rear face of the building to the right of the altar (at point C); it was impossible to measure the height from base ground level in this area owing to subsequent deposits on the surrounding land. The entrance facade was heavily plastered on the inside face.\n\nDoorway\n\nThe doorway consisted of a single opening 4′ 8″ wide and 9′ 3½\" high from the top of the threshold block to the upper door jamb. The door was surrounded by well-carved granite blocks on all sides. These were inscribed with the name of the temple across the top and suitable couplet inscriptions on either side. The names of the donors of the carved blocks and the date (Kuang Hsu 14, 1888) were also inscribed. The inscriptions are copied below.\n\nA. Inscription above door\n\n(right) 光緒十四年——冬吉立\n\n(main inscription) 侯王古廟\n\n(left) 弟子黄廷珍收送,肄江李煥堯媺書\n\nB. Inscription on right-hand door jamb (viewed from outside)\n\n維侯是王屏籓勳已昭南宋\n\nC. Inscription on left-hand door jamb\n\n(inner jamb)沐恩弟子韋惠福當等敬送\n\n(main inscription) 乃神而聖姐豆香恒薦瀝源\n\n(outer jamb)沐恩陳昌世當拜題\n\nThe steps up to the porch, the porch flooring, the threshold block, and a step immediately inside the door were formed of well-polished granite ashlar slabs. The doors of the temple had originally been mounted in sockets cut into one of these granite slabs; the actual sockets being surrounded by decorative rosettes. The external and internal faces of the door jambs were decorated with simple but effective mouldings carved into the granite. Above the door, there was a band of white plaster immediately below",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
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    },
    {
        "id": 209998,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 257,
        "title": "RAS-1983",
        "content_text": "TAI WAI OLD HAU WONG TEMPLE\n\n235\n\nHERO SHRINE\n\n  \n    MAIN ALTAR\n    VILLAGE STORE\n    DRAIN\n  \n  \n    MAIN HALL\n    INCENSE SMOKE TOWER\n    VILLAGE STORE\n  \n  \n    SPIRIT SCREEN\n    VILLAGE STORE\n    \n  \n\nA\n\nC\n\nMud Brick Walling. Plastered\n\nGranite Rubble walling, Paced on Entrance Front, Plastered on Inner Faces and Sides\n\nGranite Slabi\n\nApproximate Location of Walls destroyed before 1982\n\nD\n\nSCALE IN FT",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 210051,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 22,
        "title": "RAS-1984",
        "content_text": "TEMPLE ORACLES IN A CHINESE CITY\n\nA Study of the Use of Temple Oracles\n\nin Taichung, Central Taiwan*\n\nJULIAN PAS\n\nPrelude\n\nIn the early morning of February 26, 1978, our group of over a hundred pilgrims from Taichung arrived in the city of Peikang, one of the major centres of the Matsu cult. The ch'ao-t'ien temple there was first built in 1694 and enlarged in 1775. The whole previous day had been spent in visiting temples in other places and burning incense to prepare for this solemn visit. As we arrive, the sedan chair of the goddess which we had brought from Taichung is carried toward the temple gates by ten strong men; the pilgrims follow behind, while musicians blow high-pitched trumpets and beat gongs and drums.\n\nSoon our group disappears inside the temple gates, while the great bell and drum are beaten to welcome the visiting Matsu. All the courtyards and halls are crowded with worshippers. It is still three weeks before the deity's birthday celebration but already every day large crowds of visitors pour into the small town from all over Taiwan. Peikang is the seat of the mother temple of Matsu on the island, and hundreds of temples claim affiliation with it.\n\nWhile the visiting gods and goddesses are carried into the inner shrine and seated on the altar tables to pay homage to the Peikang Matsu, the crowd of pilgrims go about their private devotions. They offer incense to all the deities enthroned here, pray to Matsu, tell her about their problems and uncertainties at home, and ask her advice. Matsu's counsels have been embodied in her temple\n\nTo prepare this survey I was greatly inspired by my learned friends Mr. Liu Chih-wan, a research scholar at the Academia Sinica in Taipei, Institute of Ethnology, and by Professor Wolfram Eberhard of the University of California at Berkeley. I am also indebted to the untiring efforts of Miss Ch'en Yu-mei in Taichung, who collected many samples of the temple oracles. I finally wish to recognize my gratefulness to the Tunghai University in Taichung: my team of anthropology students, 1977-78, contributed to the completion of the Taichung sample collection, while the Centre for Environmental Studies kindly offered me office space. (Dr. Pas is professor of Religious Studies at the University of Saskatchewan, Canada,)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 210472,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 79,
        "title": "RAS-1985",
        "content_text": "60\n\nBARBARA E. WARD\n\nusually returned to anchor at the festival anchorage (long-liners for the evening performances, purse-seiners for those in the afternoon), instead of going back to Kau Sai.\n\nThe other occasions for making offerings in Kau Sai's temple, like those for visiting a family's graves, were “private” affairs. That is, the rituals were performed by each family independently. There would be a homeward movement of all Kau Sai junks at these times, but there was neither coordination of ritual observances nor village-wide ritual significance. There were, however, two exceptions to this rule. The exorcism of the Hungry Ghosts, in the 7th month, and the General Thanksgiving, in the 12th, were communal occasions. For the former, ritual experts from Sai Kung were employed, their payment coming out of communal funds; but it was not necessary for all Kau Sai people to be present, and my records show no indication of particularly high attendances at the anchorage on these occasions. The General Thanksgiving (chow shan) was a different matter again. This was the only ceremony in the year at which sacrificial meat was shared out among the families, and everyone who counted himself a Kau Sai man came. None of these occasions drew outside visitors.\n\nSome of the celebrations connected with the life cycle and having, like the annual ceremonies, recreational and sociable as much as ritual aspects, took everyone from time to time to Sai Kung and Shaukiwan where the floating restaurants were. Not every boat family could afford a restaurant party for a new baby's \"coming out\", or a special birthday, but anyone who could afford it would try to hold one. Weddings in particular required that one's guests be feasted, and such parties and most of the ceremonials connected with them were always held on restaurant boats. Other occasional feasts would also be given there. For instance, the owner of a new junk usually received congratulatory gifts from his friends; in return, he would invite them to a dinner on one of the floating restaurants in Shaukiwan or, more usually, Sai Kung. Funerals, too, took place ashore. The proper accoutrements and officiants had to be brought from one or other of these two towns, but the actual burials were in quiet places on the coastal hills.\n\nI",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
        "rank": 0
    },
    {
        "id": 210685,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 36,
        "title": "RAS-1986",
        "content_text": "19\n\nHis admission was moved by the Attorney General, Julian Pauncefote, before the Chief Justice, J.J. Smale, who in addressing Francis said \"As you have not been in England I may as well tell you that, though in this court you attain to rights and privileges equal to those enjoyed at home, you will hold yourself bound by all the practices of the court and look upon it as your first duty to aid in the administration of justice, subject to which is your other great duty of protecting your client in every way. From what I have seen of you I have no doubt your career will be a prosperous one”. Smale also observed that a good feeling prevailed among the attorneys of Hong Kong and that they did not seek to take advantage of each other. Gaskell's death no doubt worked both ways for Francis who appears to have practised from the same office. One of his first clients was John D. MacDonald, the executor of Robert Henry Grant, a clerk in the Naval Yard. Francis advertised the fact for so long in the Gazette that I suspect it was a way of advertising that he was in practice. According to the Hong Kong Telegraph Francis soon came to the front as a solicitor and built up a remunerative practice. He brought out from England M.J.D. Stephens to act as his managing clerk. Stephens was admitted to practise in 1874. He also had working for him H.L. Dennys who was admitted in 1874, clerks called Smithers and Guttierrez and an interpreter called Mun Choy. The Chinese name for his firm was Fa Lan Shea Shi Chong Sz. In 1873 Francis decided to give up practice as a solicitor and study to be called to the Bar. He sold his practice to Stephens and in December 1873 had himself taken off the Roll. It was no doubt a courageous thing for him to do, but he had an example in the person of E.H. Pollard who was admitted as a Solicitor in 1850 and as a barrister in 1859 and elected to act as a barrister only in 1865 (in conformity with Ordinance No. 13 of 1862). No doubt also he was able to weigh the likely competition with a fair degree of accuracy; and the hazards to health in Hong Kong ensured that only the fittest survived the pressures of work.\n\nIn January 1874 Francis was admitted as a student of Gray's Inn. His witnesses were Wellington Cowper of the Inner Temple and C.W. Bardswell of Lincoln's Inn. He gave his addresses as 27, Belsize Park Gardens, South Hampstead and 14, Serle Street, Lincoln's Inn Fields, and described himself as late of Victoria in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 211611,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 26,
        "title": "RAS-1989",
        "content_text": "IN THE STEPS OF LU PAN:\n\nREMINISCENCES OF BUILDING IN HONG KONG\n\nDAN WATERS\n\nLu's architectural precepts hold good forever;\n\nHis methods of computation will endure a thousand years.\n\nTranslation of inscription at Lu Pan Temple, above Kennedy Town, Hong Kong Island.\n\nParts of Hong Kong give the impression of being one gigantic building site, and a visiting schoolboy, on being asked what he thought of the Territory, replied, \"It will be nice when it's finished!\"\n\nThere have, of course, been recessions, and those brought about by the 1967 Disturbances in the Colony, and the world shortage of oil in the mid-1970s, spring to mind. Yet all employed in the construction industry in Hong Kong, with its unrivalled prosperity which provides a barometer of the economy, have a great deal to thank Lu Pan, master builder and patron saint of the industry, for.\n\nHe was born in 606 BC, and was a leading technical innovator in the era of Confucius (551-479 BC). Besides being credited with creating the handtools that revolutionised carpentry, such as the saw, the plane and the chisel, he also invented, among other things, a kite which took him up to the sky. Homage is paid to this early \"Leonardo Da Vinci\" on the 13th day of the Sixth Moon, his birthday, when banquets are held.\n\nThe author first attended a Lu Pan dinner, hosted by the Hong Kong Building Contractors' Association, in 1955. This was held at the old Kwong Chow restaurant in Western. It was the close of the period when Western was the entertainment district of the Territory. Large gatherings could be hosted at the Kwong Chow and the Kam Ling, each of which were capable of providing 100 tables (a circular Chinese table normally seats 12 or so persons). In the late 1950s a few Sing Song girls, the Chinese equivalent of the Japanese Geisha, were still active.\n\nThe writer attended the Lu Pan dinners from 1955 to 1975 (except",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211735,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 150,
        "title": "RAS-1989",
        "content_text": "125\n\nhillslope at the back and sides.\n\nstone\n\nAs far as can be ascertained, the walls of the nunnery are throughout either of blue brick or of heavily plastered stone rubble, on footings of the standard building technique in the region. The roofs are of tile laid single thickness on beams supported directly by the walls. The only windows are very small (about one foot square) openings with bars and wooden shutters in the front face in the second and fourth sections, and the side wall of the fourth section, and two tiny single-brick openings, in the front wall of the second section, and the side wall of the fourth section.\n\nThe main temple hall is the third section. The main entrance to the nunnery is here, at the top of a shallow flight of steps. The double-leaved door opens into an Entrance Hall bare of all furniture except for the brick spirit-screen wall, with the altar to Wai To (卫道), the Defender of the Way, against its inner face. The Entrance Hall opens out into the Tin Tseng, which is mostly filled with the large brick paper-burner, and the steps up to the upper level. Above the steps is the Main Hall, with the altar against the back wall, and with a large offering table in front. The altar is to Kwun Yam, and has statues of the Lord Buddha (Sakyamuni), and the King of Hell (Ti Ts'ang Wang, 地藏王), as well as of Kwun Yam on it. To either side of the main altar are very small subordinate altars, where the tablets commemorating certain deceased monks are kept. In front of the main cult statues are five small images: two are unidentified, the others are of Milofu, Shan Ts'ai (善财), and Yũ Nũ (玉女). Below the altar is the usual shrine to the spirits of the Five Directions (五方).*\n\nTo the left of the Main Hall as you look at it from the entrance, i.e., at the back of the second section of the building, is the Side Hall, containing an altar to the Earth God (To Tei, 土地). This Side Hall has no Tin Tseng or windows, and is in consequence rather dark, being lit only by the light coming in from the arch which links this Hall with the Main Hall. The nunnery is now in a very run-down state, and it is not clear what furnishings were originally in this Hall: presumably there was an offering table of some sort in front of the altar. This Side Hall contains the inscription commemorating the rebuilding of the nunnery in 1868.\n\n* I am indebted to Mr. Keith G. Stevens for identification of the deities worshipped in the nunnery.\n\nPage 150\nPage 151",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211955,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 370,
        "title": "RAS-1989",
        "content_text": "345\n\nlevel. The rest of the group (on the middle level) included a scene from the story of the Baishe Zhuan, the legend of the love between a snake-turned beauty and a virtuous scholar. The episode represented was that of the monk exercising his supernatural power to kill the lady, so as to free the scholar from the seduction of the demon. The other group bore the sign Wudan Shan, at once one of the famous mountains of China and a well-known place for Taoism. The top level of the group included the Jade Emperor. On the lower levels of these two groups were a temple, runners escorting a sedan chair, and the scene of the Eight Immortals Turning the Sea Upside Down.\n\n51\n\nDecorated with embroidery hangings, the Taoist altar had at its centre portraits of the Three Pure Ones and on either side the Heavenly Master and Taai-Yut Jan-Yan. Further from the centre were portraits of four minor “generals\", named “dragon\", \"tiger\", \"fire\" and \"water\". On the inner walls of the partitions hung pictures of the ten Kings of the Underworld. There was also a backroom to the altar, where the priests stayed between rites. Hanging in this room was an umbrella-shaped object with many charms trailing from it. There were, a priest told me, 28 in all, one for each of the 28 sau constellations. It was called the luo-tian, which meant, he said, the same as xian-tian, the Taoist primordial heaven.\" In the room was a temporary altar set up for the Three Pure Ones, plus a place with two red slips of paper saying \"May Tao be popular with people\" and “Good Luck in the rites\".\n\n52\n\nOn the day before the seven-day period of rites, the villagers decorated the room for their own gu in the main paang. Before each of the rooms stood a Luk Gwok flag, which was the same as the flag used in the Cantonese opera of the same name to announce the identity of a player; and a lo-gu ga; i.e. “drum and gong holder\". Hanging from the top of the opening were mechanical \"hanging puppets\". Inside near the front was a heung-on incense burner set of the siu-cheng type. The tables inside were decorated by toi-wai embroidery that hung from the edges. Hanging from the \"ceiling\" were similar pieces of embroidery known as waang-mei.\n\nSome of the villages put on displays in these rooms of relics of their illustrious ancestors. In the room for Shui Mei was the screen presented to Dang Git-Sau by relatives and friends to congratulate him on the occasion of his 61st birthday, which I mentioned previously. In the room for Wing Lung Wai was a series of scrolls presented in 1919 to celebrate",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212068,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 10,
        "title": "RAS-1990",
        "content_text": "Hase, Chek Lap Kok organized by Philip and Sharon Bruce, Fung Ping Shan Museum (x2) organized by Michael Lau, Parsee Building and Parsee Temple organized by Geoff Roper, Lam Tsuen Ta-Chiu festival organized by Dr. Patrick Hase. Shataukok visit (x2) organized by Dr. Patrick Hase, and a visit to the Chinese University of Hong Kong with its Arts Gallery organized by myself.\n\nWithout detracting from the other lectures I would like to mention that we were very privileged to have Dr. Wang Gangwu, Vice-Chancellor of the University of Hong Kong, to speak on the occasion of our 30th Anniversary, followed by a Chinese dinner at the City Hall restaurant.* I must confess it came as a surprise to find that it was 30 years since our rebirth. I think that all those who heard Dr. Wang's lecture on this occasion would agree that his lecture was as stimulating and thought provoking as you would ever wish to hear. It will, incidentally, we hope, be published in a future edition of our Journal.\n\nOverseas Tours\n\nFrom time to time members have asked us to organise tours overseas, and in response to this we have recently circulated a proposal for a visit to South Korea, where we would hope to meet up with the Royal Asiatic Society there. Unfortunately although many members have expressed interest, the final numbers who have definitely said they will go are below what we think is financially viable, and unless there is a strong interest in this trip within the next day we will be cancelling it. I am grateful to Dan Waters for all the hard work he has put into this, and I think we have learnt by this experience. We will continue to consider overseas tours but I think it will be a question of something closer and for shorter periods. Members' advice on this would be very much appreciated.\n\nMembership\n\nAt the end of last year my predecessor reported to you that there were 638 local members and 80 overseas members, making a total of 718 Members. Mrs. Bruce reports that at the last count there were 596 local members (492 living on Hong Kong Island, 65 in Kowloon, and 39 in the New Territories) and again around 80 overseas members, making a total of 676 members. This decline in the total membership\n\n* See Plate 16\n\nix",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
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    },
    {
        "id": 212175,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 117,
        "title": "RAS-1990",
        "content_text": "94\n\ncity, which is some eleven miles in circumference; that was before it was included in the prohibited areas. Now concrete machine-gun loopholes peered at you from various angles; and towards the great gate, where the wall made its nearest approach to the Yangtze, the fortifications were believed to be particularly heavy and well provided with deep dugouts to serve as battle headquarters in time of need. We heard that even the German officers, who advised on how these concrete emplacements should be constructed, were not allowed to know the actual details of their location, and we used to think how ungrateful and suspicious it was of the Chinese to act thus. However, subsequent events have surely justified the Chinese attitude.\n\nNear the gate, at intervals, the older houses of the foreign business community, sited along Socony ridge, stare out over the long squat wall of the city at the Yangtze, and the intervening mile of pond, field and shack: but the last house turns its back to the river, straddling a narrow spur, an offshoot from the main ridge. Set in a pattern of mellow brick, our windows faced Nanking and Purple Mountain beyond. From the small lawn in front we could look down on the familiar landmarks of the city, the hillock of the Northern temple, the ancient Drum Tower, the hard concrete lines of the sumptuous International Club, and the salmon-pink walls of the New Metropolitan Hotel, so soon to be painted a hideous black. From the verandah of this house we were to watch the flash and smoke of the bursting bombs of many an air raid.\n\nThis August the discussion of the trivialities of a daily routine had continued against a background of mounting tension. How exercised we were to find a method of circumventing a malignant crack through which the water of our small swimming pool sought to escape down the hill! At the bridge tables of the Bungalow Club, at dinner parties, dancing at the International Club, amidst the humdrum of everyday life, there was a mystery of 'phone calls, a whispered exchange of latest information, the question of increasing urgency **Is it war?**\n\nAlready in July members of the various embassies had begun to return from the summer seaside resorts in the north, where the storm was brewing, following the Marco Polo Bridge incident on July 7th; and a trickle of refugees came in from Tsinanfu. But in Nanking the cinemas remained open, the tennis tournament continued, and I remember an entertainment which was given towards the end of the month to the twenty-four Chinese students, who had been",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
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    },
    {
        "id": 213466,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 62,
        "title": "RAS-1995",
        "content_text": "29\n\nof the blood but sons who have left the family to support themselves are disqualified from any inheritance. Daughters of the deceased likewise have no right to any inheritance but the deceased's brothers receive a share. On the dissolution of the estate the boat and engine are first offered for sale within the family. It might be that one of the heirs wishes to sell out his share and to build or purchase a vessel for independent operation. In any case the value of the property in the estate is realised and then the debts of the family are counted. If the value of the property in the estate is insufficient to offset the debts, one of the heirs may take the whole estate and thereby assume sole responsibility for all the debts of the family. Alternatively, the heirs on sharing the assets will share the debts equally also and will then each inform the creditors what share of the debt he has assumed responsibility to pay.\n\nMarriage 17\n\nMost sea-dwellers follow the old Chinese custom in marriage and very few reach marital state through love-affairs or register their marriages in the modern manner. A match-maker is employed to introduce the relatives of the boy and the girl and then upon the agreement of the respective parents the boy sends a gift to the girl as a symbol of their engagement. Then a temple or fortune-teller is consulted regarding the fixing of the wedding date. Ten days before that day the boy gives the girl's parents notice and on the day before the wedding he sends her a large present of cakes, wine, roasted pigs and other delicacies. That night the girl's parents give a dinner party. The following morning the boy sends one of his close female relatives with the match-maker in a sampan to a given rendezvous and they escort the bride to the bridegroom's boat. On her arrival the bride first salutes the bridegroom's ancestors. In the afternoon a dinner party is given by the bridegroom's parents usually on a \"Ko Tong” (=restaurant boat). If the bride's family is wealthy a dowry may be given.\n\nSince they are accustomed to adopt a son if their wife has no issue, few sea-dwellers keep concubines. However if a concubine is kept in the traditional manner then she must receive the approval of the first wife and thereafter any sons by the concubine are treated in the same manner as sons by the first wife.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 213663,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 16,
        "title": "RAS-1996",
        "content_text": "21 September \n\n27 September \n\n12 October \n\n2 November \n\n9 November \n\n30 November \n\n7 December \n\n1997 \n\n18 January \n\n21 January \n\n8 March \n\nDinner at Police Training School. \n\nNew Territories Mid-Autumn Festival Fire Lanterns \n\nJoint Seminar with the South China Research Circle and the Antiquities and Monuments Office \n\nThe Future Kam Tin Heritage Trail \n\nThe Defence of Leighton Hill During the 1941 Battle for Hong Kong. \n\nThe 'Da Tsiu' Festival at Nga Tsin Wai Village, Kowloon. \n\nArt Treasures from Shanghai and Hong Kong A Guided Tour, University of Hong Kong Museum and Art Gallery. \n\nViews of the Pearl River Delta · Macau, Canton and Hong Kong, Exhibition held at Museum of Art \n\nVisit to Government House and the Legislative Council Building. \n\nVisit to Hop Yat Church, the Hong Kong Medical Science Museum and the Man Mo Temple. \n\nVisits outside Hong Kong \n\n19-21 October Visit to Guangzhou and Whampoa \n\n14-17 November Temple Tour of Central Taiwan. \n\nWith 17 lectures and 16 visits it is not surprising if the odd person has been heard to say, probably partly tongue in cheek, that we have too many functions. The rubric would appear to be, however, how \n\nXV",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213816,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 168,
        "title": "RAS-1996",
        "content_text": "140\n\nat the top was another of these tea houses and here we called a halt. I soon got into a chat with an old priest with his clean-shaven head. His temple, or rather hovel, was close there and he got his living by begging. He was stone blind. It was a mendicant Friar, and a wandering Friarð in argument. He freely acknowledged the absurdity of his creed. He is a Buddhist: and offered me on the spot to go with me and learn my creed if I would feed and clothe him. Then I jeered him about his idols, and why he did not get them to help him. The worst of them is, they all acknowledge the absurdity of it, but say it is their custom. Western Foreigners have customs and celestial's have customs, and all creeds are good alike: here the matter ends.\n\nWe again got on our route, and descended the valley. Mr Stringer and myself were so long with the old priest that we were far behind the rest of the party; but we were armed and therefore there was no danger. When we again reached the valley at the bottom, our road lay along a small stream for a few miles. The rest of the party were out of sight, and we went on alone, partly uncertain that we were going right. At last, however, the road suddenly opened into a deep valley on the right, and at last we saw the German Mission House, just under the brow of the hill, and our companions seated very comfortably on the balcony [Ed.: An illustration of the Lilong Station accompanies this article.] So we put our best leg foremost, and at last tired of walking and riding we got in about 5 o'clock. The house is not a very grand affair. But it just has served their purpose. There is only one other house near it for a long way. The situation is beautiful in the extreme, and as healthy as possible. They have a little ground in front, and on the sides of the hills are plantations of tea shrubs, though nothing very bright about them.\n\nThe missionary staff consists of Mr Winnes, who has been in China nearly 20 years, and a fine young German, named Eitel\". I was much struck with him. There is a nobleness and firmness in him which I greatly admire. In fact, there is something almost severe about his look. But the animation with which he speaks, and the natural energy of his character, together with his pleasing and gentlemanly deportment, lead you soon to see he is not an ordinary person. [Ed.: Photographs of Lechler, Winnes and Eitel accompany this article.]\n\nWe took a short walk on the hills, and then came home to dinner, which by the bye I enjoyed with a keen relish. Then we sat a while on",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213995,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 64,
        "title": "RAS-1997",
        "content_text": "30 \n\non the 18th day of the Ninth Moon. \n\nBamboo scaffolders seldom use a rule. They set the spacing of the bamboo members by their eye, without the use of blueprints or plans. To do this, so many believe, they are assisted by Wah Kwong's third eye. Scaffolders, however, will usually submit a sketch to a client if they are going to erect, say, a matshed to house opera performances. \n\nIn the past, incense, fruit and pork were offered up to both Wah Kwong and Lu Pan on an altar at the time of starting work (hoi kung) on a building project. Such rituals are frequently still carried out today. When the author asked the mature scaffolder mentioned earlier, who said scaffolders had three masters, whether he would be going to the Lu Pan Temple in Kennedy Town on the Sage's birthday (the 13th day of the Sixth Moon), which was due to be held the following day, he replied that he would not. But his employer would be going. The old scaffolder said, however, that he would be attending a dinner to honour Lu Pan, when everyone would pay their respects. The author recalls attending these annual dinners, from 1955 to 1972, on a regular basis.37 \n\nConclusions \n\n36 \n\nSome people prophesied, in the 1950s, that the end had come for scaffolding and that western style metal scaffolding would take over. Although there has been a move in that direction metal has by no means taken over. In fact, the switch to metal scaffolding has been faster in places like China and Singapore than in Hong Kong. Bamboo is light and flexible and has many advantages, especially for smaller jobs. These include 'Cantilevering out', from high up on a building, to erect, say, a signboard. \n\nIn addition to the trade having its ups and downs, and being on the slow decline, bamboo is significantly cheaper. At mid-1997 prices single-layer bamboo scaffolding costs about HK$20 per square metre, double-layer bamboo scaffolding HK$36 per square metre and metal scaffolding HK$80 per square metre. Such figures are given only as a rough comparison. Prices vary, to some degree, depending on the job in question. For example, especially with metal scaffolding, the taller the scaffold the more expensive it will be.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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    },
    {
        "id": 214016,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 84,
        "title": "RAS-1997",
        "content_text": "50\n\nin pairs on Min [Fukienese] community altars as offerings to the Jade Emperor, whose birthday is celebrated the following day and who had persuaded Yang to call off the pursuit.\n\nAn image categorically identified as the Seventh Son, Yang Yen-ssu has only been observed in one temple, in Medan in Sumatra, where it stands alone on a separate side altar simply marked, Yang Ch'i Yeh. He is portrayed as a black-bearded general, standing dressed in long yellow robes and holding a long staff but without any unique features. In a temple near Taichung where he is depicted together with the rest of his brothers he is inexplicably portrayed with a ferocious, decorated face and a bird's beak mouth. His black skin is decorated with a white [opera-style] face pattern, whilst the beak with a red edging is under a human nose. His eyes are staring, round and bulging, and he is holding an unsheathed sword at the ready. All in all, an extraordinary image which, whilst accepted and labelled as the Seventh Son by the temple staff, is completely out of character.\n\nFinally, in Seremban in central Malaysia, the temple keeper of a small rural temple pointed out a small standing figure of a soldier in armour at the rear of a crowded secondary altar. The image has no unique characteristic and could be any soldier/deity. The temple keeper identified him as Yang Sung-pao, a T'ang general who had been the protector of a Sung emperor. In Seremban he was also known as the Venerable Golden Lion, Chin-shih Ta-jen, as well as the Great General, Ta Chiang-chün.\n\nThe Eighth Son, Yang Pa Yeh, has only been noted on two altars in northern China despite the two Yang Family Daughters being numbered Eight and Nine, Yang Pa Chie and Yang Chiu Mei. These two daughters were involved in several battles fighting alongside the Sixth Son.\n\nPost Script\n\nChinese characters carved into a roadside rock beside the modern main road from the Fen River plain in northern Shansi to Inner Mongolia proclaimed that the nearby old temple had been dedicated to Wu Lang, the Fifth Son of the Yang. This was confirmed by a local peasant. The temple was in a col between two mountains, itself several thousand",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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    },
    {
        "id": 214018,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 86,
        "title": "RAS-1997",
        "content_text": "52 \n\ndedicated to the 3rd century BC hero, Li Mu? Peasant memories have so frequently proved to have been selective and extremely partial to local heroes and as the famous battle fought by Yang Yeh in northern Shansi took place quite close to the site of the temple it would be understandable for them to assume rightly or wrongly that the temple had been dedicated to his son in those distant days before the temple was destroyed. And here is another problem. No one nowadays knew when the temple had been demolished, the best bet would seem to be during the Japanese campaigns of the 1930s.\n\nNOTES\n\n'The Khitan [in Chinese Ch'i-tan] were Tatars who adopted the Chinese name Liao for their dynasty, and were hunters from approximately the area now known as Inner Mongolia\n\n4\n\n༣\n\n\"General\" in Chinese used to be a generic term for the leader of an independent body of soldiers and was even used for leaders of village militia groups as small as a score or so\n\nHe was also known as P'an Hung and referred to in the novel as the Sung Imperial adviser Hung-yang Tung At the Hung-yang cave)\n\nThe Eldest Son was Yang Yuan-ping, the Second Son, Yang Yen-ling, and the Third, Yang Yen-kuang.\n\n*This cult is in no way connected with Yang Hou, whose images have been noted in eight temples in Hong Kong and Macau\n\n7\n\nA small temple in Taipei is dedicated to the Four Ambassadors [who crossed to Taiwan] from the Chin Lake in Ch'uanchou, and despite the main deities within all being pestilence Wang-yeh, and acknowledged as such by the temple keeper, they were also identified as four of the sons of Yang Yeh. The images were well-nigh impossible to discern with any clarity as the protective plate glass was extremely grimy.\n\n8 Werner also noted that Ch'an Shih-kung was a popular deity in Kiangsi province whose aid was sought by peasants for rain during prolonged drought. He added that pictures of the deity in monasteries showed him with a vermilion mark on his forehead and with a tiger crouched at his feet. Legend explained that a tiger which had menaced travellers had been ordered by Ch'an Shih-kung to desist, and it had followed him like a dog thereafter. It would seem that the deity noted by Werner was not in any way connected with Yang Wu Lang.\n\n9 In a small Singapore temple the following title was inscribed into a multi-deity tablet, even though no images of the Yang clan were present: Hsien-feng Yang Chiang-chun Chi-chiao Wang-yeh [The Fleet of Foot Vanguard General].",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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    },
    {
        "id": 214252,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 110,
        "title": "RAS-1998",
        "content_text": "73\n\nlarge, wide, gaping mouth has but four small teeth showing, these being normal human-size incisors top and bottom. Finally, he has three small white skulls across his forehead held in place by a pink band.\n\n19] Gandharva known in Chinese as Kan-t'a-p'o\n\nThe Gandharva are one of the eight classes of supernatural beings referred to in the Lotus Sutra. They are Indra's musicians and also in the retinue of Dhrtarastra [they are the same as or similar to the Kinnaras]. They do not eat meat nor drink wine but feed on incense and fragrance.\n\nAn image of the Gandharva is in the Ta Pei Ssu but not in the Pi-yun Ssu. His image portrays him standing, dressed in multi-coloured robes over armour, a helmet over black spiky hair, and is clean shaven. His face is semi-demonic, with large protruding eyes. He has no unique characteristics.\n\n20] Nanda Upananda known in Chinese as Nan-t'o Pa-nan-t'o 跋難陀\n\nLittle seems to be known about Nanda Upananda apart from being a protector of Magadha [near Bihar]. His image has only been seen in the Ta Pei Ssu and not in the Pi-yun Ssu. It depicts him as an elderly man but with a semi-demonic face. He has round eyes, small ugly protrusions on his cheeks, a gaping mouth and fang-like eye-teeth, no moustache but a short pointed beard, and is wearing decorated robes and cap. His hands are held together as if holding a tablet [which may well be missing].\n\n21] Skanda, Viharapala or Veda' known in Chinese as Wei T'o #BE\n\nWei T'o, a Hindu deity, the Deva Protector of the Dharma, guards the sanctuary of virtually all Chinese Buddhist temples. He stands with his back to the main entrance in the inner temple hall facing the main altar and back-to-back with the Laughing Buddha of the Future, Mi-lo Fo, who greets visitors with his smiling welcome. Wei T'o is also to be seen guarding many a folk religion temple, though only very rarely does he appear on a household altar. Because of the prayers offered to",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    },
    {
        "id": 214497,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 355,
        "title": "RAS-1998",
        "content_text": "324\n\nthey danced they conspicuously imbibed large quantities of beer and Chinese spirit wines and were showered with water. Although some of the drink was spat out, the dancers' actions became increasingly drunken, with some entering a short-lived trance-like state. After about thirty minutes the dancing concluded with the eating of lettuce, the presentation of _lassie_ and the lighting of a string of firecrackers. The group then set off by van for other markets and fish trading establishments, with the final dance of the morning outside the \"Red Market\" due to be the most drunken of all.\n\nFor much of our knowledge of the Dance Festival, in particular the history and legend, we are indebted to Mrs. Ana Brito, an anthropologist from the Macau Maritime Museum, who as part of her studies on the Festival had interviewed a number of the dancers the year before. Copies of her notes in English, generously supplied to us by Mrs. Brito, show that the Festival was brought to Macau some decades ago from Sek Kei District in nearby Zhongshan County. According to a version of the legend that gave rise to the Drunken Dragon Dance, a certain village had been plagued by a terrible epidemic. In despair the villagers held a procession in Buddha's honour. As the procession was winding its way through the village a dragon in the guise of an enormous serpent arose out of the river. The serpent was killed, hacked into pieces and thrown back into the river, which turned blood red. The villagers drank the water and were miraculously cured.(1)&(2)\n\nLeaving the Dragon to make its way through the Inner Harbour area we left for Coloane Village, where festivities were centred on the Tam Gong Temple on the waterfront. This was heavily decorated and had all the trappings and atmosphere of a well-attended Chinese festival. There were many worshippers, as well as beggars, and clouds of smoke from joss sticks and fireworks. We played our part with Dr Patrick Hase lighting the RAS HK string of firecrackers. Nearby a large matshed had been erected where stars from the Cantonese opera world were soon due to perform.\n\nTowards noon the Tam Gong Festival procession gathered in the Rua da Cordoaria, off the village square, and then made its way through the village to the Temple. This procession was a less spectacular affair than the Tam Gong processions held in Ah Kung Ngam Village, Shaukiwan, Hong Kong, but was equally attractive within its own",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214637,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 52,
        "title": "RAS-1999",
        "content_text": "foundations, and were wide enough, and high enough, to be a real defence. The walls were all single about twelve feet high: since the village houses were all single-storied, with the eaves at about ten feet above the ground level, only the roof-ridges of the houses could be seen from outside the walls (a very accurate and detailed drawing of the village and its environs, made in 1846 by Lt. Collinson from the summit of Sha Tin pass, shows several houses outside the walls, but within the walls only the roof-ridges appear: see copy attached). The walls here, as elsewhere in the New Territories, were formed of carefully mortared blue brick walls to front and rear, with rubble infill between them, set in mortar.\n\nEach of the four corners of the walled enclosure were defended by towers. These towers stood some twenty-five feet high, and were two-storied. They had flat roofs, reached by ladders from within the structure. The towers protruded into the moat on both sides.\n\nAccording to the elders, the village had six guns - small iron cannon and brass jingals. Each corner tower had one, and the gun-chamber over the gatehouse had two. The guns at the gun-chamber were, it is believed, cannon, while the guns at the corner towers were jingals. The gun-chamber had two round gun-ports for the cannon to fire through, and the cannon here were permanently mounted. Gunpowder was stored behind the guns in this chamber. The jingals were usually dismounted, and stored in the gun-chamber with their ammunition. They could be mounted at short notice, if needed1.\n\nThe enclosure was carefully set out to the optimum Fung Shui direction, facing nearly south-southeast. With the heavy development of East Kowloon in the last half-century, it is no longer possible to be certain what the Fung Shui factors were which led Lai Po-yi to set the village out to this direction.\n\nWithin the walled enclosure, six cross lanes were set out along the width of the enclosure, and three transverse lanes, one just inside the north and south walls, and the third as a spinal lane down the centre of the enclosure. The first and last lanes run through to dead ends against the inner face of the walls. These lanes were very narrow (only just wide enough for two people to pass in the centre lane, and even narrower in the other lanes). Off these lanes there were, in 1902, some 140 houses or house-sites plus the temple and Village Office (some",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
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    },
    {
        "id": 214638,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 53,
        "title": "RAS-1999",
        "content_text": "J\n\n17\n\nhouse sites had, by then, been divided into two very tiny separate houses (the original layout probably consisted of 130 houses including the temple). The houses were very tiny - 23' deep by 8.5' wide, totalling no more than 196 square feet. Where the houses had been divided, the small houses were less than 100 square feet each. The houses were too small to have air-wells, and consisted each of only a single room, with a tiny cockloft over a small bedchamber at the back. Few had windows (some had a tiny window at the back, lighting the cockloft, about a foot square, defended with iron bars and closed by shutters), and most were aired and lighted only through the house door. The premises backing onto the outer walls were houses, of the same size as those fronting the lanes.\n\nThe village had no well or open space within the walls. The gatehouse was wider than the lane leading to it inside the walls, and provided space for an earth god shrine, and a ladder giving access to the gun-chamber above the gate. At the other end of the spinal centre lane was the Tin Hau Temple, occupying one house site, and facing the gate directly: the Village Office occupied the house immediately to its north.\n\nThe features of the layout of Nga Tsin Wai which it shares with Tai Wai in Sha Tin are the almost square layout facing the optimum Fung Shui direction and not the cardinal points, the narrow lanes, the tiny houses, the layout of six north-south and three east-west lanes with the first and sixth lanes running back to dead ends against the inner faces of the walls, the existence of premises backing onto the walls which are as big (in most cases) as the houses opening onto the lanes, and the temple occupying a house-site opposite the gate-house. Both villages used the house immediately to the north of the temple as the Village Office. The Tai Wai towers in 1905 did not protrude into the moat, but this may well be a modification introduced when the two villages were rehabilitated after the Coastal Evacuation. Of these features, the narrowness of the lanes and the smallness of the houses are special to the two villages (most walled villages within the New Territories had very many fewer, but very much larger houses, and much wider lanes). In most New Territories walled villages the premises along the two side walls are very much smaller than the houses facing into the lanes, and were designed for use as cattle sheds, pigsties, and latrines: to have houses here is unusual. The dead-ends at the end of the first and sixth lanes are also peculiar to these two villages. Most",
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    },
    {
        "id": 215066,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2000",
        "page_number": 162,
        "title": "RAS-2000",
        "content_text": "119\n\ninside each annual Farmer's Almanac whether it be printed in Taiwan, Hong Kong or Singapore, is of the Spring Ox and the youthful ox herd. The youth, usually armed simply with a willow wand, the symbol of rain, was connected with fertility, good harvests and happiness. Popular belief also claimed that Mang Shen's clothing was intentionally misleading. One shoe meant a balanced rainfall, two shoes meant poor rain, possibly drought and no shoes meant a good and adequate rainfall. If he was dressed in mourning it would be a good year, whereas if he wore light clothing a cold year could be expected. [Similar rituals involving the Spring Ox have been observed as far afield as Inner Mongolia (Wm. Grootaers: Chahar: Peking Catholic University: Monumenta Serica: 1948), Sichuan (Mrs Pruen: The Western Provinces of China: 1906), the Rev. Milne in Beijing and Ningbo in the mid 1840s] and in illustrations within provincial guide books of the 1990s in Shanxi and Shaanxi.\n\nTaisui on Altars\n\nAlthough Taisui is only very rarely the main deity in a temple he has been seen as a lone deity in a wayside shrine, and is frequently the sole deity on a temple's secondary altar. However, in southern Chinese communities, especially Hunan and Guangdong, he is portrayed by sixty individual images in serried rows on a secondary altar, and in one temple in Lukang, on the west coast of Taiwan, all sixty are depicted in a modern temple mural in four rows of fifteen.\n\nNormally Taisui whether as one or sixty images exclusively occupies the altar dedicated to him. However, two temples, provinces apart, have their rows of sixty Taisui, rising row on row, but with different deities, neither apparently connected with Taisui, standing in the superior position on the very top tier of the altar. The first is in Tainan in southern Taiwan where a new hall, built onto the side of the first floor main hall of the large Jade Emperor Temple, is entirely dedicated to Taisui apart from the painted wooden doors and three unconnected images on the top row. The main deity in this instance is Doumu Yuanjun, also known as Zhunti Pusa, the Bodhisattva of Light [or the Dawn]. She is worshipped by Chan [Zen] Buddhists as a merciful goddess and has been assimilated by Chinese religion as the deity Doumu with many of her devotees regarding her as a bodhisattva in her own right, a powerful deity 'who prolongs life and helps avoid",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
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    },
    {
        "id": 215070,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 166,
        "title": "RAS-2000",
        "content_text": "123\n\nscroll stands in the centre and is flanked by two images each with his right arm raised holding a bell. The faces are one red and one black, and the pair are known as the Red Taisui and the Black Taisui, all three functioning as one deity.\n\nA six-armed image of Taisui in the side hall of the Penang City God temple shares the main altar with Guan Yin and the Great Saint [Qitian Da Sheng - though better known as the Monkey God]. In Cholon, Saigon, three separate deities are portrayed on one altar, each with Taisui added to his title. These are Ziwei Xingjun, Wenchang and Xuantan, the first being a stellar deity whose likeness is pasted or nailed to doors as a popular charm to ward off demonic attack, the second is the God of Literature and the third, a Wealth God. This nomenclature would appear to be a local whim, not seen nor heard of elsewhere.\n\nOnly in very few instances does Taisui have any assistants. Several temple keepers in Taiwan and Singapore explained that Taisui, like so many protective deities, has Five Demon Armies under his command. These he despatches to cope with recalcitrant humans who fail to honour Taisui properly or who have insulted him in any way. When humans come under any form of demonic attack the cause and source of the attack is usually revealed to them by mediums, who are then in a position to advise the individual what should be done to counter and ward off the evil effects, particularly so when the attack is mounted by tamed demons under the control of a deity, Taisui. They advise the human to immediately propitiate him and request him to call off his demonic forces.\n\nIn several novels Taisui is described as having ten assistants the last four being the gods of the year, the month, the day and the hour. All were described in the Deification of the Gods as having been slain at the famous battle between the good and evil forces at Wan Xian Chen and have been named as:\n\nLi Bing\n\n李丙\n\nHuang Chengyi\n\n黃丞乙\n\nZhou Deng\n\n周登\n\nLiu Hong\n\n劉洪\n\nIn a temple in Kalgan, a city known today as Zhangjiakou in the Chinese province of Inner Mongolia, Yin Jiao's second brother, Yin",
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    },
    {
        "id": 215430,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 207,
        "title": "RAS-2001",
        "content_text": "156\n\nPopular Jesuit devotional manuals of the times prove useful. A good example is a 1617 book of poetry that was quickly disseminated after its author's death. The Officium parvum Immaculata Conceptionis, or Small Office, by the Spanish Jesuit St. Alfonso Rodriguez intersperses a brilliant cluster of Marian symbols amongst its prayers. Besides the Fountain, the Spotless Mirror, the Enclosed Garden and the Cypress, the Small Office also sings the praises of the Palm tree, the New Star of Jacob, the Eastern Door of the Temple of Jerusalem, the Port of Shipwrecks and others. Thus, the closed door underneath the decorative pyramid topped by a globe seen on the farthest right-hand bay of the façade can be equated to Rodriguez's porta orientalis of the Temple of Jerusalem, taken from Ezekiel, which remained ever closed after the Lord Yahweh had passed through it.\n\nOther carved symbols can be deciphered with other contemporary texts. For instance, one of the three left bay reliefs carved on the base of the third storey shows the seven-branched candlestick of the Jewish Tabernacle. Here it is reasonable to infer that this is a literary conceit typical of much of sixteenth century Mannerist literature in Europe. Thus, through allusion Mary's immaculate earthly body has been likened to a tabernacle and related to the Eucharistic mystery. This is because Mary carried the baby Jesus in her womb in the same way that the consecrated host is housed in a tabernacle, a cryptic simile known from Counter-Reformation religious literature.”\n\nSuch an interpretation is further confirmed by the reliefs decorating the section of the base of the third storey below the two adjoining bays, as well as the left volute. They show a stylised vine and a small monstrance amid branches with berries.\n\nThese reliefs correspond to the flowering plants that adorn the mirror on the right. Like the flowered pedestals of the columns, these plants seem to be more decorative than symbolic, depicting specimens of Chinese or Japanese flora in which Far Eastern artists have been encouraged to integrate more traditional painterly images with images of Western origin. As is the case with the gargoyles in the form of Chinese lions, they attest to the significant role played by Chinese and Japanese artists in the design and execution of the decoration of the church.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    {
        "id": 215470,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 247,
        "title": "RAS-2001",
        "content_text": "196\n\nto climb up to it.\n\nBeing an official Royal Asiatic Society group, coupled with Brian's immense knowledge, experience and influence, had a number of advantages. One of these was being able to go inside the Kyichu Lhakhang, a 7th century temple, noting the obvious Buddhist nature of the place but also the significant differences from the Chinese temples that most of us were more used to. It seemed to be much calmer, generally less busy.\n\np.m.\n\nThe high valley walls meant that the sun left us at about 4:45 and so photography became a bit of a challenge. But once again the children and older people were very accommodating about being flashed at, or waiting that much longer for correct exposures and shutter speeds to be estimated.\n\nBy the time we hit the shops of Paro High Street it was completely dark. On our way up the valley we had seen the orderly row of shops, about 30 or 40 of them, all looking the same but all looking inviting nonetheless. What was a surprise, however, was that they were virtually all the same - well stocked with the goods they had to offer, but I couldn't help wondering why one would use any one of them as opposed to another. As I still wanted my post cards, I was delighted to find a store that stocked them. I also wanted a small book to write notes in, so I asked the young lady behind the counter, very slowly and clearly: ‘Do you have a writing book?' I was most surprised when she answered in perfect and accent-free English: \"You mean a note book? What about this one here?' I did not want to sound patronising, but I had to ask her if everybody in Paro spoke English as well as she did, to which she replied: 'No, most of them are uneducated.' Well, there you have it.\n\nI was very ready for dinner, after which, on returning to the hotel, I was delighted to find out that some kind soul had already turned on the electric heater in my room.\n\nHa Haa\n\nThe destination for the second day was Haa, the principal town in Bhutan's western Haa Province. The road from Paro would take us",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    },
    {
        "id": 216041,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 340,
        "title": "RAS-2002",
        "content_text": "274\n\nThere also used to be an early Buddhist shrine dedicated to the former abbot of renown, Fa Hai, concealed in a cave on the hillock. In recent times the few foreign tourists visiting Zhenjiang have been perplexed by the description of Jin Shan being an island when it is so obviously part of the mainland. The reason is all too obvious. Alluvial silt left by the Yangzi floods down the past hundred and fifty years has not only completely joined the island to the mainland but also reclaimed part of the River, land now used for agriculture. 19th century western accounts of the town usually tended to begin with a description of the view from the Yangzi of the pagoda of the temple on the island of Jin Shan or, during the storming of the town by British forces in 1842, of troops being disembarked on the mainland across the strip of water at that time still separating Jin Shan from the mainland.\n\nAccording to Doré's description of the Jin Shan temple following his visit during the early days of the twentieth century, \"the visitor was confronted on entering with the Falstaffian figure of the Buddha Maitreya [Mile Fo], the Buddha of the Future, squatting in his turret as guardian of the precincts. Behind him opens out a vast vestibule at the sides of which are four gigantic statues - about fifteen feet in height - of the Four Heavenly Kings, Si Da Jingang, inner guardians of the monks and the monastery. Crossing the inner court, one entered the great Hall. On the altar were two Buddhist triads. Facing North are gigantic statues of Sakyamuni, Yao Shi Fo and Mile Fo, the Buddhas of the Present, Past and Future. Beside Sakyamuni in the centre, stand his two disciples, the old Kasyapa and the young Ananda. Right and left of the altar are the two guardians Li, the Pagoda-bearer and Wei Tuo. Facing South is the Triad San Da Shi: Guan Yin, Wen Shu and Pu Xian. Guan Yin rides over the waves on a sea monster; near by are the rocks of her sacred isle, Pu Tuo and, in between these, sundry immortals and Buddhas were housed. The Golden Boy, Shan Cai and the Naga Maiden, Long Nu are conventionally in attendance on Guan Yin whom the authorities in the temple recognise as formerly having been a god - not a goddess\".\n\nThe second large Hall was the Hall of the Yangzi Spirit, Jiang Shen [Spirit of the River]. Serving as a military barracks at the time of Doré's visit “it retained of its former glories only one ordinary-sized statue of the god, in a lateral niche, viz. a fish about three metres in length carved in wood with a copper plaque providing the honorific",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216309,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 68,
        "title": "RAS-2003",
        "content_text": "17\n\nIn the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge).\n\nIt will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery.\n\nDuring a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time?\n\nAfter a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]