[
    {
        "id": 204308,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 76,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n72\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nhua-pên (story-tellers' prompt-book), we can hardly know their origin or the invaluable part played by the author of the Fêng-shên in transforming them into interesting characters.\n\nLi Ching, bearing the same name as the historical hero in the early part of the T'ang dynasty, is no doubt derived from the Buddhist heavenly king Vaisravana.\n\nWe know from many Buddhist texts the legends of the Four Heavenly Kings. According to the Abhiniskramana-sutra (出曜集經) translated by Jnanagupta in 587, they are,\n\nDhritarashtra or Chih-kuo T'ien-wang in the East, who leads the gandharvas, musicians in heaven; Virudhaka or Tseng-chang T'ien-wang in the South, who is the sovereign of the kumbhandas or deformed demons; Virupaksha or Kuang-mu T'ien-wang in the West, who is king of the nagas who dwell in their palaces at the bottom of the lakes; and Vaisravana or To-wen T'ien-wang in the North, who is head of the yakshas, strong and brave genii.\n\nThe author of the Fêng-shên Yen-i adapted these four heavenly kings in his novel (Chs.31-40) and called them \"the four generals of the Mo family\". He made them brothers and commanders who took charge of the Chia-mêng Pass under the command of the Premier Wên T'ai-shih. Their individual names are Mo Li-ch'ing, Mo Li-hung, Mo Li-hai and Mo Li-shou. But in Ch.31 when they are summoned by Premier Wên T'ai-shih, the author writes, \"The four heavenly kings (ssu t'ien-wang) strode forward,” thus unconsciously revealing their origin, and afterwards in Ch.99 they are given the titles of Tsêng-chang T'ien-wang (Mo Li-ch'ing), Kuang-mu T'ien-wang (Mo Li-hung), To-wên T’ien-wang (Mo Li-hai) and Ch'ih-kuo T'ien-wang (Mo Li-shou) respectively. In Ch.40 the author describes the weapons of these four brothers through the mouth of General Huang Fei-hu as follows:\n\nThe eldest brother Mo Li-ch'ing is twenty-four feet in height, with a face resembling that of a crab, and his beard is like copper wires. He fights always on foot with a long spear, and he has a sword which is called \"Blue Cloud\", on which there are charms and a seal saying \"earth, water, fire and wind\". The wind caused by the brandishing of this magic sword is a black wind in which hundreds of thousands of spears would run and cut off the limbs of men. Following the wind is a blaze in which flaming golden serpents cover the atmosphere with black smoke. The weapon of Mo Li-hung is an umbrella.\n\n* chúan 16, Shê-kung Ch'u-chia P'in (攝功出家品).",
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    {
        "id": 204324,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 92,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n88\n\nhis original body and by his miraculous powers preached the dharma for the benefit of his parents.\n\n邵业\n\nThis is a case which was preached as early as the Sung dynasty. But, though it looks like a part of a Buddhist legend with some details probably omitted, it occurs in no canonical texts and is found to be fabulous. In chüan 6 of the Tsu-t'ing Shih-yüan (...), a work composed by Monk Ch'ên Shan-ch'ing (*) about A.D. 1099, it says,\n\nIn the monasteries there is the legend of his \"giving his flesh back to his mother and his bones to his father,\" but nothing referring to it can be found in the texts of the Tripitaka and no one knows what its origin is.\n\n(王子肉濟父母緣\n\nIn the Tripitaka in Chinese, I have found two cases which may have some relation with the legend of Nata as adapted in the Fêng-shên. One appears in the Tsa Pao-tsang Ching (# BK), chüan 1, subtitled \"A Prince Fed His Parents with His Own Flesh\" (±‡Ùƒƒ2R). It was the prince Hsü Shê T'i (F), a young prince aged seven. His grandfather, the king of Varanasi (M) had been assassinated by an usurper who killed also his two sons. The father of the young prince was the third son. Now the young prince when fleeing for his life with his parents, was faced with the problem of food. His father intended to kill his wife. Thereupon the young prince dismembered himself and cut off his own flesh every day to feed his parents until he had only three slices of flesh to offer. He presented two to his parents and the last slice which was so dear to him was given to a hungry wolf who was a transformation of Indra himself.31\n\nThe prince was an incarnation of Sakyamuni in a previous life. The prince Hsü Shê T'i in this Buddhist legend was seven, and his father was the third prince. It is quite possible that in the popular mind the jataka story became confused with the Tantric one, because in some Tantric texts such as the Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa I-kuei (... \"Ceremonies In the Worship of the Heavenly King Vaisravana, the Protector of the Army\"),\" Nata is regarded as\n\n30 Nata's relation with Tantrism was still very clear in records as well as in the public mind. cf. Hung Mai (), / Chien San-chih (BEZ) chuan 6, on \"Ch'êng Fa-shih\" (El), Han Fên Lou (*) ed.; T'ai-p'ing Kuang-chi (XP), chüan 92, 1-sêng Lei (M), on Nata, In most of the Yuan plays, Nata is a fearful god (MME).\n\n91 No. 203, The Tripitaka in Chinese. cf. No. 156, Ta-fang-pien-fu Pao-ên Ching (XSEOREC), chüan 1, Hsiao-yang P'in (442).\n\n32 No. 1247, The Tripitaka in Chinese.",
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    {
        "id": 204604,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1963",
        "page_number": 85,
        "title": "RAS-1963",
        "content_text": "74\n\nChinese Imperial Carnage Sheds and enclosure\n\nJ. L. CRANMER-BYNG\n\nRed Temple\n\nBowling Alley\n\nStudents Kitchen Mess\n\nHan Lin Library HALL\n\nKrosk Essay Hall Kosk\n\n  \n    [brar]\n    Servants Store Room\n  \n  \n    Teachers\"\n    QVYI Students' O'tri\n  \n  \n    Theatre\n    \n  \n\nMinister's House\n\nFives Court\n\nLarge Pavilion\n\n2 Chinese Doctor's O't'es a't'rs Chupet\n\n2 Wall 7\" thick 12\" high\n\nEscort QI'm Small Pavilion\n\nConstable's Bell Tower Chapt Minister's Stables\n\nStone Trans Gateway\n\nAssistant Chinese Secretary\n\n  \n    £ 22 22 2\n    Accountant Stables Surgery Escort Otrs Stabler, Simbler.\n  \n  \n    G D G D OF OF\n    Tennis Courts 2nd Sect Chancery Chancery Assistant\n  \n\nOpen space of Mongolian Market\n\nN Servants\n\nSCALE\n\n0 100 150 200 Ft phonepa 400\n\nSecretary of Legation Cemetery\n\nPlan of British Legation at Peking in 1900.\n\nCanal Wall 2′′ x 12′′\n\n12 Adapted from a plan in \"China in Convulsion\" by A H. Smuth, published by Fleming H Revell Company, NY 1901",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
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    },
    {
        "id": 205543,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 85,
        "title": "RAS-1968",
        "content_text": "80\n\nGORAN ALMER\n\nposition of their ancestral hall into which the dragon of the hill behind is 'crashing' all the time.\n\nBy way of summing up, we may say that social and economic differentiation is projected on the natural surroundings. The phenomena of nature in their symbolic aspect project back the image of differentiation in the form of rational models concepts of systems of natural influences affecting man and social life. These models can be manipulated by their constructors. They also carry messages that can be communicated between individuals and between groups.\n\nNOTES\n\n1 For a somewhat fuller description of the two villages, see Aijmer 1967. Big Stream Village (Dashuikeng) and Plum Grove Village (Meizilin) are in Hong Kong known under the Cantonese designations 'Tai Shui Hang' and 'Mui Tsz Lam'. Grass Field Village (Maoping) is 'Mau Ping'. They can be located with the help of Gazetteer 1960. Standard Chinese is given in pinyin form. Field work was financed by six Swedish funds; I gratefully acknowledge their support. Thanks are due to Mr. James Hayes, Hong Kong, and my wife for comments.\n\n2 Freedman 1966, 118f; 1967; Baker 1965.\n\n3 An alternative to, or perhaps rather a facet of, manipulating was fleeing. Examples of how people broke away from localities considered having bad fengshui have been given by Hayes (1963; 1967).\n\n4 It may be of interest to point out that nets are instrumental in exorcistic ceremonies, when malevolent spirits may be caught or scared away with fishnets. I have this from a Buddhist monk whom I interviewed in Macau in 1965.\n\n5 Census 1911, 103:27.\n\n6 The sources classify Plum Grove land as third class land whereas Big Stream land is rated as second class. In the former place farming is done on terraced fields only.\n\n7 In Plum Grove Village 35 houses were registered in 1906. If we compare this with the population figure of the Census of 1911, we will find that, if in use, each house unit was inhabited by 1.7 persons. This is an amazingly low figure, as we would have expected something around five or more as an average. Even if we allow for the ten men mentioned below, the figure would increase to just about two. The implication of these facts must be a reduction in population, perhaps by way of a lineage segment breaking away to settle elsewhere. In Big Stream Village 77 houses gave shelter to average families of 2.2 persons. Not even male absenteeism, discussed later, can explain this low figure to satisfaction.\n\n* Information obtained from the District Demarcation Maps and the 'New Territories Crown Leases of District No. 188' of 1906 and the 'New Territories Crown Leases of District No. 196' of the same year, to be seen at the Tai Po District Office, New Territories, Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
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    },
    {
        "id": 205652,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 194,
        "title": "RAS-1968",
        "content_text": "The Library\n\n189\n\nHUMMEL, Arthur W., ed.\n\nEminent Chinese of the Ch'ing period (1644-1912). Washington, D. C., Government Printing Office, 1944. v. 2 only.\n\nHUNTER, Guy.\n\nSouth-East Asia — race, culture, and nation. Publ. for the Institute of Race Relations, London. London, Oxford U.P., 1966.\n\nHUNTER, W. C.\n\nThe 'fan kwae' at Canton before treaty days, 1825-1844. Taipei, Ch'eng-wen Publ. Co., 1965.\n\nReprint of original ed., London, 1882.\n\nHUNTER, W. C.\n\nBits of old China. Taipei, Ch'eng-wen Publ. Co., 1966. Reprint of original ed., London, 1855.\n\nJARRETT, V. H. C.\n\nFamiliar wild flowers of Hongkong; illus. with photographs by the author... [Hong Kong] South China Morning Post [1937]\n\nJENYNS, Soame.\n\nA background to Chinese painting. London, Sidgwick & Jackson, 1935.\n\nPresentation copy inscribed by the author.\n\nJENYNS, Soame.\n\nChinese archaic jades in the British Museum. London, British Museum, 1951.\n\nPresentation copy inscribed by the author.\n\nJENYNS, Soame.\n\nLater Chinese porcelain: the Ch'ing dynasty, 1644-1912. 3rd ed. London, Faber, 1965.\n\nJENYNS, Soame.\n\nMing pottery and porcelain. London, Faber, 1953. Presentation copy inscribed by the author.\n\nJOCELYN, Robert, Viscount Jocelyn.\n\nSix months with the Chinese expedition; or, Leaves from a soldier's note-book. London, Murray, 1841.\n\nJOHNSTON, Reginald Fleming.\n\nBuddhist China. London, Murray, 1913.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
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    },
    {
        "id": 205826,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1969",
        "page_number": 132,
        "title": "RAS-1969",
        "content_text": "126\n\nARMANDO DA SILVA\n\nThe large leaves of this plant reputedly have healing qualities that arrest the growth of leprous sores.\n\nVillagers are very conscious of some plants that can, if necessary, be eaten without ill effects, the so-called famine foods. Wild plants are classified into shoh (#) covering edible plants in general, and sut (†) a term describing wild medicinal plants. The distinguishing line between these two is hard to define as many medicinal plants are suspected of being famine foods to which are attributed tonic qualities. Their leaves, stalks, or succulent sections are usually added to soup or congee to impart taste and body. An example of a famine food is the pulpy fruit of Rhodomyrtus tomentosa. In August and September this shrub yields a sweet purple fruit which is picked and eaten. The local name for the fruit is kong ním (¥) but its other name of pei kwan kong (¤) meaning \"the berry that one eats when fleeing from soldiers\" strongly suggests that it is indeed one of many famine foods of this area.3\n\nTo keep insects from ruining crops, village cultivators often use insecticides derived from plants. A rotenone extract, injurious to insects but not to man, is derived from the tuber roots of Derris trifoliata, called locally tuk yue tung (“fish poison vine\"). The insecticide extract is diluted in water and sprinkled on crops, particularly the leaves of the sweet potato.4\n\nThe castor oil plant, Ricinus communis, called pei ma (¦) is a plant that was formerly widely used by villagers. The seeds were crushed to make an illuminant oil, and the leaves are still used as poultice for foot sores. It is still a common plant about villages. Most non-economic medicinal plants associated with home remedy are usually regarded as communal property. While these plants are not specifically protected by the villagers, neither are they uprooted without cause. Thus the castor oil plant exists because some of the more conservative villagers still rely on it to supply leaf poultices for leg sores.\n\nMany older villagers still place a greater reliance on plant medicine than on patent medicine and pills. Again for this reason, many plants that to outsiders seem of no useful significance are tolerated, though not purposefully cultivated for their curative qualities. The god of medicinal plants, Shun Nung (µ) is honoured on Chinese New Year when bits of red paper or cloth",
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    {
        "id": 209492,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1982",
        "page_number": 149,
        "title": "RAS-1982",
        "content_text": "127\n\n20\n\nPart of this, at a later date, was due to the influence of the popular novelist Sax Rohmer who invented the sinister but suave Dr. Fu Manchu, perennially at war with the tight-lipped, establishment Nayland Smith (Ian Fleming's Dr. No revives this stale mythology).2 The British public came to believe, as a result of press reports, that the insidious Doctor had become incarnate in the person of 'Brilliant Chang, a Chinese restaurateur and 'dope-king', whose premises were located in Gerrard Street, London, opposite the Forty Three Club, Mrs. Kate Meyrick's notorious night-club.27 Chang was a member, and supplied the club's rich clientele with narcotics, especially cocaine, until April 1924, when he was sentenced to fourteen months imprisonment, followed by deportation.28 Although the great majority of Britain's Chinese population were hard-working, intent on bettering their lot by economic enterprise, a constant process of stereotyping caricatured Chinese as inscrutable and complex, unknowable and different, sly and dangerous, separated by a vast cultural chasm from Englishmen. This, I believe, is suggested by Marshall Hall's comments in the Lock Ah Tam case and, as we shall see, by Sir Travers Humphreys' animadversions on Miao Chung-yi, whose case will now be examined.\n\nDr. Miao Chun-yi: a murder for profit?\n\nMiss Siu Wai-sheung married Miao Chung-yi, a doctor of law or jurisprudence, in New York on May 12, 1928.20 Born in 1899, she was the eldest daughter of Siu Ying-chau, a rich Macau merchant with business interests also in Hong Kong. Her mother was Siu's primary wife (tsai), but there were other children born to Siu's concubines (tsip). As a girl she was clever and able, and when her mother died in 1910 she helped run her father's household. She was educated at St. Stephen's Girls' College, Hong Kong, which she left in 1917 to further her education at Emerson College, Boston, U.S.A., and graduated in 1922. Then she returned home. In 1924 her father died. She was named sole executrice in his will; he left over a million dollars — an unusual event in those days when unmarried Chinese women had few, if any, testamentary rights. Moreover, she inherited much of his wealth, although she had a younger brother, and several half-brothers and half-sisters. Soon after",
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    },
    {
        "id": 211311,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 27,
        "title": "RAS-1988",
        "content_text": "3\n\nduring the late eighteenth and early nineteenth centuries, the Sino-Vietnamese water world was a region further linked by the dynamics of a covert, illegal, but highly utilitarian exchange: the iron of China for the rice of Vietnam. The rice surpluses of Vietnam were important to the burgeoning Cantonese population no longer able to feed itself, but Vietnamese law forbade the exportation of rice. At the same time the Chinese were barred from exporting the iron so greatly desired across the border that Vietnamese officials often waived their own regulations for Chinese junks that brought it in by reducing or eliminating the customary port duties. Because each country needed products from the other and open trade was not possible, a well-established smuggling operation, in which the line between smuggling and piracy was often very thin, resulted.\n\nFinally, there was at all times within the water world a pool of potential pirates. Most numerous among them were the fishermen who almost always had trouble making ends meet, merchants and petty traders whose businesses had failed, outlaws, whose last recourse in fleeing from justice was the sea, and other ne'er-do-wells whom Wei Yuan indiscriminately labelled as \"scum of the coast\". In short, these were the flotsam of the earth, who, after having been pushed off the land, found themselves in desperate straits at the water's edge.\n\nTheir combined energies gave rise to the petty piracy of part-time fishermen-pirates that flourished along the Sino-Vietnamese border for centuries. Petty piracy was a small-scale affair consisting of limited groups of between ten and thirty men who possessed at most a single junk or two. Although such gangs might come together and disperse several times in the course of their activities, each functioned as a single, independent unit whose members were simultaneously connected to no other groups. Survival was their goal and their tactics consisted of sporadic raids and hit and run attacks.\n\nWas there then some kind of ecological or environmental crisis which can account for the dramatic upsurge in Chinese piracy at the end of the eighteenth century? The answer appears to be \"no\", for although ecology can explain why piracy persisted within the water world for centuries, there seems to be no major environmental crisis that can provide a single-handed explanation for the growth of piracy. The overall",
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    {
        "id": 211811,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 226,
        "title": "RAS-1989",
        "content_text": "201\n\n+\n\nhimself uncomfortable, with one of the nicest looking creatures for a wife imaginable. (...) Mr. BRUSHWOOD did the 'green eyed monster' admirably and the character suited him well—we mean of course artistically. By a skilful arrangement the warmth of a kiss was made to be followed by Cool as a Cucumber. Did the manager intend this to impart a deeper meaning than is conveyed on the face of the \"play-bill\"? We have an esteem for him and hope not: for although a kiss is, sometimes, but the prelude of a coolness that surpasses even that of a cucumber, we would not have Mr PROTEUS openly hint as much\". This piece called forth all the powers of the manager himself, and so perfectly was the coolness of Mr. Plumper exhibited, whether as regards the criticism of Mr. Barkins' face or his sherry, that, had he stepped from the neighbouring ice-house directly upon the stage, he could not have looked cooler (this was a reference to the Commercial Hotel; see note 94) What a desirable companion he would make, we thought, for the hot weather, but Mr. Proteus must be so, indeed, in any weather. The playing was well sustained throughout and Mr. BRUSHWOOD did his best — and that was not a little — to fret and fume as ‘Old Barkins' — but we can scarcely say that he looked a heavy father\" (the heavy father was one of the specialist roles in a stock company). A Conjugal Lesson was \"decidedly the crowning piece of the evening and was performed with an amount of case and artistic ability which elicited loud and well merited applause\". And as the critic had evidently taken a fancy to \"Mrs. NESBIT” he continued that she “looked more fascinating and piquant than ever and quite won the hearts of the bachelor portion of the audience who were altogether at a loss to understand the bad taste of Mr. Lullaby who could stay away from such an attraction till three in the morning!” (NCH 28.3.1857).\n\n23.4.1857 (Thur)\n\nT. TAYLOR: \"Still Waters Run Deep\" (1856)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: “A Capital Match” (1852)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (C\n\n—\n\nR: That other favourite of the reviewer, Peter PROTEUS, had resigned and so the evening had to do without him. In the introduction to his report, the \"Man on the Bund\" referred to the playbill which informed him \"in capitals of vermillion that Still Waters Run Deep and of other matters besides in the like flaming manner”. About the piece he was not at all content: \"Muddy waters, however, as well as still, they turned out to be. This piece is one of those incongruous mixtures of French novel morality and English domestic life, which is as offensive and preposterous, as it is ludicrous. London milliners may persist in imitating the extravagances of French crinoline and superabundant circumference: they dress up our wives and sisters until they have destroyed every graceful curve they may have and make them look like balloons endowed with feminine heads and shoulders; and with a growl we may submit to this perversion of taste and whim of fashion. But when our playwrights, in their dearth of invention, ransack the repertories of the minor Parisian theatres for something new, which they themselves cannot originate, and stumbling upon the old and stale subject of Parisian conjugal infidelity, try to fit it into English social life, especially that of the middle class, the attempt excites at once our scorn and laughter, and ought, like monstrous bandorgans and other nuisances, to be put a stop to\". Small wonder then that in it \"there was much good acting thrown away. Mr. CLAY performed, throughout, the part he had undertaken, admirably. His conception of his character was good and was given with fidelity and ability. It was just how a blunt, honest Englishman might have been expected to act when, by some extraordinary chance, his domestic privacy is invaded by such a frenchified monstrosity as Captain Hawkesley. Mr. ROLLER too did the lean and slippered Pantaloon most successfully. His ease of manner on the stage and finished...",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    {
        "id": 213486,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1995",
        "page_number": 82,
        "title": "RAS-1995",
        "content_text": "50 \n\nto the new comers? I have come up with four logical reasons: \n\n(1) In the actor's psychology, his role on the stage is to entertain, and as long as he can keep the audience amused, everything will be O.K. Sometimes, he forgets, as when he puts his whims and fantasies into practice, and he throws logic out of the window. \n\n(2) The theatrical people may be inclined to think that the audience's mind cannot be rushed. The action has to be brought about in such a way that they can gradually grasp the meaning and importance of the story being told. \n\n(3) One way to highlight the importance of the story is to prolong the time of the fighting scene. In other words, the more you fight, the more important that fight will be. \n\nThings can turn sour if you run counter with this theme. Take, for instance, the following example which amply proves my point: \n\nIn the play \"Jie Dong Feng\" (f) which literally means \"Praying For The East Wind\", people spend hours acting out the story that leads to the \"The Battle Of The Red Cliff” (EZ). The story has it that strategists of both the Wu (R) and the Shu (S) States are scheming how to defeat the mighty Wei State's fleet that was anchored on the upper reach of the Yangtze River. Since the Wu's forces were in the lower reach of the Yangtze River, they needed the \"East Wind\", in gale force, to help them to win. \n\nWell, when the East gale force winds do come, you would expect that thousands upon thousands of soldiers would throw flaming arrows across the sky aimed at the Wei's fleet, which was tricked to join together with iron chains by internal spies. Then, when the fleet was destroyed and the smoldering ships were cold enough to board, the Wu and Shu strategists would send soldiers to mop up and put a finishing touch to it. \n\nNothing of the sort happened! What they did was to send a couple of men, with maybe two dozen arrows (not even the flame carrying ones), and throw them in the direction of the enemy. Before you even knew it, the war was over! What an anticlimax! So everyone who sat",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 215764,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 63,
        "title": "RAS-2002",
        "content_text": "Commercial & Credit Information Bureau\n\nThe Comacrib industrial & commercial manual: Shanghai, 1935. Shanghai: The Commercial & Credit Information Bureau, 1935.\n\n[Dan Waters RTVHK interview] [2 sound cassettes] [Hong Kong: RTHK, 1995],\n\nDavies, A.G.\n\nShanghailander. [s.l.: s.n., n.d.].\n\nDirectory and chronicle for China, Japan, Philippines, British Malay, etc. Hong Kong: Hong Kong Daily Press Ltd. Annual.\n\nEllinger, Geoffrey\n\nThe Ricksha clue. London: Herbert Jenkins Limited, c1931.\n\nFleming, Peter, 1907-1971.\n\nThe siege at Peking. London: Harper-Davis, [1959].\n\nGeil, William Edgar\n\nA Yankee on the Yangtze: being a narrative of a journey from Shanghai through the Central Kingdom to Burma. New York: A.C. Armstrong and Sons, 1904.\n\nGlover, Archibald Edward\n\nA thousand miles of miracle in China: a personal record of God's delivering power from the hands of the imperial Boxers of Shan-si. London; Hodder & Stoughton, 1937.\n\nHsiao, Chien, 1910-\n\nChina: but not Cathay. London: Pilot Press, 1942.\n\nHolzberger, Peter\n\nRecollections of an \"old China hand\". Hong Kong: Martin & Thomas, c1984.\n\n[Hong Kong heritage] [4 sound cassettes]\n\n[Hong Kong: RTHK, 19—].\n\nThe life of Shanghai. [Tokyo: Shobido Printing Office, 1934]. Kilburn, Richard S.\n\nliv",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    }
]