[
    {
        "id": 208401,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 125,
        "title": "RAS-1978",
        "content_text": "SHIIWAN POTTERY EXPLORED\n\n109\n\nUtensil Factory No. I makes use of many low buildings built just post-1949, as well as a few larger, more modern buildings, while in the grounds of Daily Utensil Factory No. III, the workers' residences consist of pre-1949 buildings in narrow alleyways. The new look of the town inspires optimism, while its old structures invite comparison with the past and are a constant reminder of its developing state.14\n\nJust as the town combines old and new, so the potters in the Fushan Shiwan Arts Pottery Factory combine a new work force with a preserved family tradition.\n\nIn 1952, two members from PLA \"propaganda units\" (i.e. publicity units), Zhuang Jia(4) and Zeng Liang(R), joined the newly established State-owned arts factory, under the tutelage of the two best-known artists in Shiwan at the time, Liu Quan(F*) for figure sculpture, and Ou Qian(§#) for animal sculpture. After 1958 there was a concerted policy of bringing in outsiders to build up the industry. Of the 21 designers in the design studio, seven came to Shiwan between 1961 and 1963 directly from specialized pottery training in technical or art schools. Four out of these seven have married spouses in the pottery business.\n\nAn examination of the designers' family trees, however, revealed the continuation of old family traditions and the beginning of new family traditions. Three old Shiwan families are represented in the design studio; two in the fourth generation (families of Liu Quan(#1), and Liao Hongbiao(A)), and one in the fifth generation (family of Liu Zemien(###), Plate 21). In addition, the sons of both former PLA members Zhuang Jia and Zeng Liang have joined the pottery industry, indicating that these new families are now thoroughly integrated into the industry and beginning new family traditions.\n\nFamily involvement appears to be characteristic of the industry as a whole. Of the 21 artists in the design studio there are three married couples, two brothers and three father and son teams. Seventeen of the 21 designers have family members in other aspects of the pottery industry at Shiwan.\n\nThese artists vigorously carry on the tradition of Shiwan ceramic art, continuing to sculpt historical and folklore figures in addition to personalities of contemporary society, both well-known ones",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 212652,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 206,
        "title": "RAS-1991",
        "content_text": "187\n\nremember from hearsay, Dr. H. Belval had come to Shanghai and worked as Head of the Chemistry Department at the University of Aurora where he researched plant sugars. He was replaced at the Dept. of Chemistry by one of my colleagues, Dr. Georges Durr, a Marist.\n\nDr. Belval was also a keen botanist and as such he was Director of the Musee Heude. He was responsible for the transfer of the Museum to its new premises and was its Director from 1929 to 1931. During this time, he prepared the publication of Courtois' Collection Petite Flore des environs de Changhai et de Nanking (Little Flora of the Shanghai and Nanking areas). It has never been published.\n\nBelval was succeeded by Octave Piel S.J., an entomologist with an interest in Chinese Archaeology and Art.\n\nNow I come to my own connection with the Heude Museum, its activities and its staff.\n\nBr. Paul August F.M.S.\n\nWhen I arrived in Shanghai from Beijing in September 1935, I had the good fortune of being appointed at St. Joan of Arc's College, a bilingual school of English and French media. There, I met Paul August. This humble man was Assistant Headmaster and Bursar of this school, full-time teacher of English, Mathematics, French and Latin. In spite of that heavy assignment, he took time to accumulate an enormous amount of scientific data and personal observations: notes on plants and insects collected by himself, study on chemicals, geology, petrology, weather observations, etc. His notes fill six large books written in a perfect handwriting. He had provided the Heude Museum with thousands of specimens of insects and hundreds of plants carefully packed and fully annotated.\n\nSo, for 10 years, this was one of the men I was going to live with. We soon found common interests and I owe to him, not only the development of my scientific studies in Natural History but also the scientific discipline of mind and action which transcends that of an amateur.\n\nFor 10 years, we used to take long walks in the countryside that was Hungjiao, Lunghua, Jiangwan etc. in the 40s and 50s and come back with plants, insects and other specimens collected there. Then, at home,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    }
]