[
    {
        "id": 208403,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 127,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208486,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 210,
        "title": "RAS-1978",
        "content_text": "194 \n\nNOTES AND QUERIES \n\nare in rural areas. The major Sheng Gong cult temple in Taiwan is in Taiwan City, from which place his portable image is taken by sedan chair to other cult temples in the vicinity to renew the efficacy of the images there. Evidence of the presence of his cult has been seen, too, by the writer in Sarawak, Brunei and Indonesia, in Thailand, Vietnam and Cambodia.\n\nSheng Gong is a comparatively little used short form for the local Fujian cult of Guang Ze Zun Wang (廣澤尊王) whose full personal name was Guo Zhong-fu (郭忠福) and who is equally well known as Guo Sheng Wang Gong (郭聖王公); hence the \"Sheng Gong.\" He has some half a dozen other titles but all with a very limited local use, apart from Bao An Zun Wang (保安尊王). This is occasionally included in the title of his temple (*\n\nas compared with the more popular title of the Phoenix Mountain Temple (鳳山寺). He should not be confused with another and entirely different Fujian local cult deity, Hui Ze Zun Wang(惠澤尊王)\n\nThe Saintly Guo's image is not difficult to recognise as it has certain characteristics which, whilst not individually unique, together identify him at a glance. He has a youthful, clean-shaven face; is seated dressed in robes over armour with his right foot raised parallel to the ground, pointing towards his left leg at knee height. His face is a dark red and he has protruding round eyes.\n\nThere are two images of the Saintly Guo in the one temple in North Point, Hong Kong. One is the main, large image swathed in embroidered robes donated by devotees, and the other is a small wooden carving on the main altar before and between Guo and his consort. Neither were easy to photograph, and therefore I have gone through some old photographs, the best of which is to be seen at illustration at the back of this volume.* In this photograph Guo is the main deity on the altar of a temple in Seremban, West Malaysia, flanked by two other images of another Fujian local cult, Fa Zhu Gong (法主公). Guo is prayed to for the usual blessings though in certain temples he is specifically looked upon as a healer of the sick, a protector of children and as a wealth god for businessmen. He is also the patron of those who bear the same surname as himself.\n\n* Plate 22.\n\nPage 210\n\nPage 211",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    }
]