[ { "id": 204271, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 39, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n35\n\nTo begin with a few examples in poetry: the poet Ts'ao Chih (A.D. 192-232), son of Ts'ao Ts'ao and younger brother of the first Emperor of Wei, wrote about the knight errant in \"The White Steed\", also known as \"The Knight Errant\":\n\nA white steed decked with a golden halter\nGalloped past towards the north west.\n\n\"Who is the rider?' I enquired from a by-stander.\n'A knight errant from the north' was the reply.\n'He left his native district when he was young,\nAnd spread his fame across the distant desert.\nHe always carries a fine sturdy bow\nWith arrows of bramble wood, long and short.\nPulling the string, he hits the target on the left;\nShooting from the right, he hits it again.\nLooking up, he shoots an ape in flight;\nBending down, he hits the bull's-eye once more.\nHe is more agile than a monkey,\nAnd as fierce as a leopard or dragon.\n\nWhen alarms came from the frontier\nThat barbarian troops had made repeated raids,\nAnd when a call to arms was heard from the north,\nHe mounted his steed and reached the frontier fort.\nHe rode on right into the land of the Huns,\nHolding the Mongol tribes in high disdain.\nHe threw himself before the pointed swords\nWithout giving a thought to his own life.\nHe did not even worry about his parents,\nLet alone his children and his wife.\nHis name entered the register of heroes;\nHis heart had no room for personal feelings.\n\nHe risked his life at a time of national disaster,\nAnd regarded death merely as coming home'.10\n\nThis portrait of a knight errant may be a little idealized, for the poet is, in all probability, using the subject as an excuse to express his own frustrated patriotic wishes and military ambitions, being prevented from fulfilling these by his elder brother. Nevertheless, the poem remains a good illustration of some of the ideals of knight errantry. Notice, in particular, that the knight errant did not allow filial devotion to deter him from his heroic task.\n\n10 Ts'ao Tzu-chien shih-chu (with notes by Huang Chieh, Peking, 1957), pp. 69-70.\n\n2000", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204274, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 42, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n38\n\none called \"The Capture of Chi Pu\". This refers to the same General Chi Pu mentioned earlier, whose life was saved by the knight errant Chu Chia. In this popular version, which is in doggerel verse, the story differs from the historical account. The name of Chi Pu's benefactor is given as Chu Chieh instead of Chu Chia. This is probably due to a confusion between the names Chu Chia and Kuo Chieh, the two most famous knights of early Han. Moreover, in this version, Chu is the official sent to arrest Chi Pu, and he is blackmailed into saving the latter's life rather than doing so voluntarily. This tale in doggerel verse has no great literary merits, but is of considerable historical interest as a specimen of popular chivalric literature of the Tang period.\n\nDuring the Sung dynasty, professional story-tellers flourished. According to the Tsui-weng t'an-lu (B680), a miscellaneous collection of stories and verses probably printed at the end of Sung, the story-tellers divided their tales into eight categories: \"miracles\" (ling-kuai), “female ghosts\" (yen-fen), “love romances\" (ch'uan-ch'i), “legal cases\" (kung-an), “long swords\" (p'u-tao), “clubs\" (kan-pang), \"gods and immortals\" (shen-hsien), and “magic” (yao-shu).\" Two of these, \"long swords” and “clubs”, obviously deal with chivalrous deeds. The difference between the two, judging by the examples given in the Tsui-weng t'an-lu, seems to be that the former refers to battles waged between armies using long weapons, while the latter refers to private fights involving the use of short weapons. The latter is therefore more strictly concerned with knights errant, who usually fought as individuals rather than as leaders of armies. As for chivalric tales involving the supernatural, such as the story of Hung Hsien, they were classified under \"magic\".\n\nMany of the prompt-books used by the story-tellers, known as hua-pen, have come down to us, though usually edited by later hands. Moreover, some of them became integral parts of long prose romances. The most outstanding example of a chivalric romance based on oral tradition is the Shui-hu chuan, of which there are two English versions, one by J. H. Jackson entitled The water margin, the other by Pearl S. Buck entitled All men are brothers. The historical events on which the oral legends and the prose romance were based took place at the end of the Northern Sung period. According to the History of the Sung dynasty, in A.D. 1121 a group of rebels led by Sung Chiang and thirty-five others ravaged several prefectures\n\n: \n\n: \n\n10 Wang Chung-min and others, Tun-huang pien-wen chi (Peking, 1957), vol. 1, pp. 58-71,\n\n17 Tsui-weng t'an-lu (reprinted Shanghai, 1957), pp. 3-4. This is the most precise contemporary account of the classification of stories. Other accounts are similar but not so clear.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204308, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 76, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n72\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nhua-pên (story-tellers' prompt-book), we can hardly know their origin or the invaluable part played by the author of the Fêng-shên in transforming them into interesting characters.\n\nLi Ching, bearing the same name as the historical hero in the early part of the T'ang dynasty, is no doubt derived from the Buddhist heavenly king Vaisravana.\n\nWe know from many Buddhist texts the legends of the Four Heavenly Kings. According to the Abhiniskramana-sutra (出曜集經) translated by Jnanagupta in 587, they are,\n\nDhritarashtra or Chih-kuo T'ien-wang in the East, who leads the gandharvas, musicians in heaven; Virudhaka or Tseng-chang T'ien-wang in the South, who is the sovereign of the kumbhandas or deformed demons; Virupaksha or Kuang-mu T'ien-wang in the West, who is king of the nagas who dwell in their palaces at the bottom of the lakes; and Vaisravana or To-wen T'ien-wang in the North, who is head of the yakshas, strong and brave genii.\n\nThe author of the Fêng-shên Yen-i adapted these four heavenly kings in his novel (Chs.31-40) and called them \"the four generals of the Mo family\". He made them brothers and commanders who took charge of the Chia-mêng Pass under the command of the Premier Wên T'ai-shih. Their individual names are Mo Li-ch'ing, Mo Li-hung, Mo Li-hai and Mo Li-shou. But in Ch.31 when they are summoned by Premier Wên T'ai-shih, the author writes, \"The four heavenly kings (ssu t'ien-wang) strode forward,” thus unconsciously revealing their origin, and afterwards in Ch.99 they are given the titles of Tsêng-chang T'ien-wang (Mo Li-ch'ing), Kuang-mu T'ien-wang (Mo Li-hung), To-wên T’ien-wang (Mo Li-hai) and Ch'ih-kuo T'ien-wang (Mo Li-shou) respectively. In Ch.40 the author describes the weapons of these four brothers through the mouth of General Huang Fei-hu as follows:\n\nThe eldest brother Mo Li-ch'ing is twenty-four feet in height, with a face resembling that of a crab, and his beard is like copper wires. He fights always on foot with a long spear, and he has a sword which is called \"Blue Cloud\", on which there are charms and a seal saying \"earth, water, fire and wind\". The wind caused by the brandishing of this magic sword is a black wind in which hundreds of thousands of spears would run and cut off the limbs of men. Following the wind is a blaze in which flaming golden serpents cover the atmosphere with black smoke. The weapon of Mo Li-hung is an umbrella.\n\n* chúan 16, Shê-kung Ch'u-chia P'in (攝功出家品).", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204310, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 78, "title": "RAS-1961", "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n74\n\nR\n\nThe historical figure of Li Ching had long been admitted into the Taoist pantheon. He was, in the year 760, enshrined with Chiang T'ai-kung (B★A or Chiang Shang) as one of the ten famous historical generals. In the anonymous work, Li Wei-kung Pieh-chuan (A4), it is said, \"When Li Ching was poor, he took a journey in the valleys and stayed in a cottage. When it was mid-night there came a woman who handed him a vase and said, 'Heaven has instructed you to pour down rain ...' and as we know in the Buddhist legends that it is Virupaksha (not Vaisravana) who is the king of the nagas, we understand that even in the T'ang dynasty the popular mind could not properly distinguish the function of these guardians of Mt. Sumeru. In an inscription on a tablet erected in the Temple of Vaisravana in Ning-hwa District (LM), Fukien, dated about 920, we read,\n\nP'i-sha-mên (Vaisravana) is a Sanskrit word which means \"universal or much hearing\" (to-wên SH). He dwells on the north of Mt. Sumeru, in the crystal palace, and is the chief of yakshas,10\n\nFrom this narrative we see why in so many Chinese records it has become an undeniable fact that yakshas are believed to live at the bottom of the seas with the dragon-kings in marvellous crystal palaces loaded with wonderful treasures. The legends of these two heavenly kings have long been mixed in the popular mind.\" As Li Ching was such a famous historical hero, the Taoist priests could not forgive themselves if they failed to utilize his prestige. It is said in an anonymous work of the T'ang dynasty, Yuan Hsien Chi (E), that Li Ching was still alive in the epoch of Ta Li (766-779) and became a Taoist immortal, In addition to the book on military strategy attributed to him in the Bibliography of the Hsin T'ang-shu (MEBOXZ), the Taoist priests also ascribed to him some canonical texts dealing\n\n12\n\n• Hsin T'ang-shu (), Ch. 15, Li-yüeh Chih (M), 5.\n\n• Ku-chin Shuo-hai (546), Shuo-yüan Pu (R), Vol. chi (2) Also Tsung-shu Chi-ch'êng Ch'u-pien (£).\n\n10 See Ninghwa Hsien-chih (\"Annals of the Ninghwa District\") of the Ming dynasty, quoted in Ku-chin T'u-shu Chi-ch'êng (4), Shên-1 Tien (R), chüan 54. The essay was composed by Huang T'ao () for Wang Shen-chih (E).\n\n11 In the Ta-Tang San-tsang Ch'ü-ching Shih-hua (ERR), chüan 1, “...A\" (\"To-day, Vaisravana of the Indra Heaven, the Guardian of the North, will feed Buddhist priests in the Crystal Palace.\")\n\n12 Quoted in Chiu Hsiao-shuo (R), 2nd Series, Shanghai, Commercial Press Ltd., 1910.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204317, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 85, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n81\n\nand strong and victorious in fighting. Now the king sent them to invade their own country, and the father was much worried.\n\n24\n\nThis kind of Buddhist story would not pass without leaving some traces in the prompt-books, sources of which are predominantly Buddhist ballads. For instance, in the prompt-book Hsin-pien Wu-tai Liang-shih P'ing-hua (“Popular Tales of the Five Dynasties, Period of Liang”), chüan 1, we read,\n\nThe wife of Huang Tsung-tan was pregnant for fourteen months. One day she gave birth to a substance which looked like a lump of flesh, but inside it was a piece of purple silk gauze in which was wrapped a baby. When the wrapper was opened, purple mist of dazzling brilliance filled the room.\n\n25\n\nThus his mother gave birth to Huang Ch'ao. Again in the Ch'ien Han-shu P'ing-hua (“Han Hsin's Death at the Hands of Empress Lü”), chüan 3, when \"Madam Po (a concubine of the first emperor of the Former Han dynasty) was in labour, Empress Lü went to see her. She was glad to find that the baby was a freak without eyes or eyebrows, like a lump of flesh.\"\n\nIn the anonymous Yüan play, Chin-shui-ch'iao Ch'ên-lin Pao Chuang-ho, in Act 2, when Empress Liu ordered the palace maid K'ou Ch'êng-yü to stab the baby prince and throw him into the river from the bridge, the latter hesitated for she saw \"red light and purple mist enshrouding the body of the prince.\"\n\nWe may now admit that the novel Fêng-shên Yen-i has a closer relation with the \"Four Travels\" than with other prompt-books. In Ch.8 of the Nan-yu-chi, the Buddha of Light told the Flowery Light “to be re-incarnated in the shape of a lump of flesh.” Consequently the Flowery Light, floating about in the air, arrived at the village Hsiao-chia Chuang of Wu-yüan, Anhwei, and darted into the womb of Madam Hsiao who had been pregnant for twenty months. \"Now the maid came out to report to the elder, 'Madam has given birth.' 'A boy or a girl?' the elder asked. 'It is neither a boy nor a girl. It is just like the belly of an ox.' The elder was very much frightened. When they decided to throw the lump away into the river, it...\n\n24 Fu-kuo Chi, translated by James Legge as \"A Record of Buddhistic Kingdoms\", Oxford, 1886, Ch. 25, p. 73.\n\n25 Hsin-pien Wu-tai Shih P'ing-hua, photolithographed edition, published by Prof. Tung K'ang, Wu-chin Tung-shih Sung-fên-shih (AAS), 1911. There are also several popular editions available.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204437, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 69, "title": "RAS-1962", "content_text": "58\n\nHEROLD J. WIENS\n\nmountainous regions of south China but also across the southern borders in Burma, Laos and Vietnam.\n\nThe Yao, like the Miao, also are mountain-loving people, but appear to have originated as ethnic groups in the hill country of east-central China, in such regions as the present provinces of Anhwei, Chekiang and Kiangsu. They were here as early as Chinese records mention them, but they appear to have gradually abandoned these areas, as Han-Chinese settlement increased in density, and friction over land and other matters led the Yao to seek more isolated mountains. Since they were like the Miao in their type of fire-field or forest-burning, shifting cultivation, they inevitably came into close contact with the Miao and have many cultural features in common with the Miao. Elements of the language also appear similar. Some Chinese ethnographers have considered the Wu-ch'i Man a Yao rather than a Miao group, and others believe them to have common origins. This confusion is probably due to strong Mon Khmer influences originating from India and Southeast Asia in the earliest times.\n\n4\n\nOne of the supporting arguments for the common origin of Yao and Miao is the common cult attached to the dog and the tiger. The Yao trace their ancestry mythically to the union of a princess with a supernatural dog-hero called P'an-hu. Yao myths trace their movement southward from both the central Yangtze valley regions and from the Chekiang-Fukien mountains. Folk songs of the Yao indicate further that they crossed over the Nan-ling mountains in great numbers during the period of Huang-ch'ao's rebellion in the reign of the T'ang Emperor Hsi-Tsung (A.D. 874-889),4\n\nWhen the Miao moved into the Kweichow region in the earliest times, they probably found the Yi or Wu-man peoples already in occupation of western Kweichow. The Yi certainly preceded the Han in this part of China, and the Han Chinese have known of the Yi in their present habitats in southwest China for over 2,500 years. The peculiar manner in which the\n\n* Chiang Ying-liang, Hsi-nan pien-chiang min-tsu lun-ts'ung (A discussion of the peoples of the southwest borderlands), Canton, 1948, 74-79; see also Ling Shun-sheng and Jui Yi-fu, Hsiang-hsi Miao-tsu t'iao-cha pao-kao (Report of research on the Miao of west Hunan), Academia Sinica, Shanghai, 1947.\n\n4 Hsu Sung-shih, Yueh-chiang liu-yü jen-min (The peoples of the Yueh river drainage), Shanghai, 1939, 130-135.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204444, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 76, "title": "RAS-1962", "content_text": "CHINA'S 35 MILLION NON-CHINESE \n\n65 \n\nwas contrary to the intention of the cadres. The distribution of confiscated animals among the slaves and bondsmen was at first regarded as a glorious opportunity to have a religious splurge of sacrifices and feasting instead of an investment for production. Sacrifices are required to placate the various spirits that were thought responsible for every evil and ill, from accidents to rheumatism.\n\nWinnington found that the Wa or K'a-wa of southwest Yunnan represent a different society, although Hsi-meng district to which he was taken by his Communist Chinese hosts lies only in the fringes of the Wa territory and may not be entirely representative. The Wa inhabit both sides of the south Yunnan-Burma borders and are divided into the \"wild Wa\" and the Wa tamed by contact with Burmese or Chinese civilizations. The \"wild Wa\" in British Burma in 1935 were still addicted to headhunting, both on other Wa and on non-Wa people coming into or living near their village areas.15 A Chinese account of the \"wild Wa\" on the Yunnan side related the headhunting to efforts to ensure good harvests. In any event, the \"wild Wa\" decorated the approaches to their thorn-fence walled-village with a double column of skulls mounted on posts. A person entered their territory at his peril.\n\nIn the Sinicized northern part of the Wa territory there is a transition zone of intermixed hill Shan, La-hu and other mountain people as well as of Wa. Slavery here is practised in a very relaxed form, according to Winnington. Slaves constitute only about five per cent of the villagers as compared with over 90 per cent of the population in the Black-bone country. A slave suffers no social discrimination among the villagers and takes part in village and clan ceremonies open to other villagers. He can marry whom he pleases, and when the new couple sets up separate housekeeping, the master is bound by tradition to help them on pain of community criticism for failure to do so. Such a marriage virtually ends the slavery status, although the slave is expected to make payments to his master until his price is paid for.\n\n1 Great Britain Treaty Series No. 80 (1947), Exchange of notes concerning the Burma-Yunnan boundary, 18th June 1941, London, 1947, 4.\n\n16 Li Sheng-chuang, Yün-nan ti-yi chih-pien chü-yü nei chih jen-chung l'iao-cha (Research into the ethnic groups within the First Border Settlement District of Yunnan), Researches on the Yunnan Frontier Problems, Kunming, 1933, 194.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204448, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 80, "title": "RAS-1962", "content_text": "CHINA'S 35 MILLION NON-CHINESE\n\n69\n\nTable II lists the numbers of people in each ethnic group distributed by provinces in south and central China. In brief, the T'ai-related groups lead with some 10 million people at present. They are followed by the Tibeto-Burman related group with some 8.4 million, followed by the Miao-Yao related group with about 3.4 million. The greatest concentration of minorities in any one group is among the Chuang in the Tai group. The Chuang live in a compact body numbering some seven million in Kwangsi. The Miao, however, are the most widely distributed of all ethnic groups, being found in significant numbers in every province of south and central China except Kiangsi, although their chief strength is in Kweichow. Yunnan, by all odds, is the most complex province ethnically. Of the 30 national minorities listed by the Census for 1953, some twenty-four are found in Yunnan. This Census apparently may need considerable revision when the minorities are scrutinized more closely. Thus, it listed only 90,000 so-called T'u-chia, which was proclaimed to be a newly discovered ethnic group hitherto confused with Han Chinese and Miao because of their degrees of acculturation. A personal check by Fang Jen revealed over 300,000, and a still more detailed check in subsequent years disclosed that actually these were 549,000 that should be so classified and, from their original cultural traits, they belonged in the Yi-related group. They occupy an area in northwest Hunan.\n\n44\n\nThe Yi comprise so many sub-groups under different names (there are 40 sub-tribes in Yunnan alone) that confusion is understandable. In northwest Yunnan such sub-groups of the Yi as the Na-khi or Na-hsi and Li-su live in the region between the great bends of the Chin-sha river and the Burma border. In the western part of this region are the Nu, Tu-lung, and Ching-p'o, occupying parts of the Salween and Mekong drainage of north Yunnan. Farther south in the drainages of these rivers are the related La-hu and A-ch'ang. The Pai people, in a solid bloc on the plain of Erh Hai (Lake Erh), have been thought by some writers, including this one, to be a T'ai-related people, but are listed by Bruk as a Yi sub-group. In the west bank region of the Red river of Yunnan are the sub-group known as the Han-yi. The Yi proper are scattered over the three southwestern provinces,", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204450, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 82, "title": "RAS-1962", "content_text": "CHINA'S 35 MILLION NON-CHINESE\n\n71\n\nbeen pushed into the higher mountain districts and are surrounded by Han or T'ai people in the lower valleys.\n\nThe chief Yao concentration is in the border mountains where Hunan, Kwangsi and Kwangtung come together. In Kwangsi they form a compact group in the Yao Mountains. According to Bruk, only a third of the Yao still speak the Yao language; the other two-thirds are said to have adopted one or the other of the Miao, Tung, Chuang or Han Chinese languages. Of the Miao-Yao group, but set somewhat farther apart culturally by time, is the She cultural group which mostly are in the east coast provinces but consider themselves to have come from Kwangsi. All except about 3,000 of the 151,000 She are in Fukien and Chekiang, the most compact settlement region being Ching-ning district in southern Chekiang, in which about a third of the total number reside.\n\nAside from whatever problem the minorities constitute to the controlling Han Chinese, their occupation of the frontier regions of south and southwest China give them a peculiar significance. Many of them inhabit blocs of territory overlapping the international boundaries. With the development of national consciousness, especially in periods of real or imagined oppression by governments not of their own choosing on one side or the other of the border, resentments tend to be reflected in desires for pan-national or pan-ethnic consolidation. Trouble on one side of the border leads to easy flight across the border to receptive and related peoples on the other side. This also works for criminal elements wishing to escape from police authority in their home territory. Frontier smuggling and banditry require the cooperative effort of friendly neighbour states, but are hard to deal with when neither side exercises effective control in the isolated, sparsely-settled frontiers of southwest China. International grievances over minority peoples in the past have been numerous between former British-controlled Burma and China.\n\n21\n\nWithin China, the ethnic character of its southwest clearly indicates its frontier aspects. This is a region of clashing cultures in various stages of peaceful or compulsory Sinicization. Today the acculturation process is being greatly accelerated by the\n\nChang Hu, T'eng-yueh pien-ti chuang-k'uang chi chih-nien ch'u-yin (A discussion of the situation in the T'eng-yueh frontiers and of their control), Yunnan Frontier Research, Kunming, 1933, 321-322.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204566, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 47, "title": "RAS-1963", "content_text": "42\n\nL. CARRINGTON GOODRICH\n\nmanuscripts more than printed ones. To enlarge their collections private owners also exchanged books among themselves. In Sung times a number of collectors left detailed descriptions and catalogues of their collections. Some of these private libraries were put at the disposal of the public; others were turned over to students for their use.\n\nThe Sung was a period in the history of China noted for many things: advances in material culture, in political development, in science, in the fine arts, in literature, in music, and in thought. These advances may well have been due in large measure to the accessibility of the printed word.\n\nBIBLIOGRAPHY\n\nFor a general discussion of the beginnings of printing in China see Thomas Francis Carter, The Invention of Printing in China and its Spread Westward, revised by L. Carrington Goodrich, second edition, New York, 1955.\n\nAs a result of new finds in China and fresh investigations some of our earlier conclusions no longer hold. Here are some of the principal studies which have appeared between 1955 and 1962.\n\nChang Hsiu-min, Chung-kuo yin-shua shu ti fa-ming chi ch'i ying-hsiang, Peking, 1958.\n\nChen Tsu-lung, Liste alphabétique des impressions de sceaux aux certains manuscrits retrouvés à Touen-houang et dans les régions avoisinantes, Mélanges publiés par l'Institut des Hautes Études Chinoises II, Paris, 1960.\n\nJao Tsung-i, A study of the Ch'u silk manuscript, Hong Kong, 1958.\n\nLing Shun-sheng, Bark cloth culture and the invention of paper making in ancient China, Bulletin of the Institute of Ethnology, Academia Sinica, 11 (Spring 1961), pp. 1-19.\n\nLi Shu-hua, The early development of seals and rubbings, Tsing Hua Journal of Chinese Studies, n.s. I, No. 3 (Sept. 1958), pp. 61-90.\n\nThe printing of books in the latter half of the Tang dynasty, ibid. II, No. 2 (June 1961), pp. 18-32.\n\nChih ts'ung ch'i-yüan, Taipei, 1955.", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204737, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 40, "title": "RAS-1964", "content_text": "JOURNAL OF OCCURRANCES AT CANTON\n\n29\n\na communication from them in which they state that orders had been transmitted for the return of the cooks, coolies, and compradores to our service. Johnston also states that at noon of the 12th he had ordered up to Chumpee the following vessels, Jane, Ariel, Lady Grant, Ruparell, Mithras and Mermaid with their cargoes for immediate delivery. He says that the mandarins did not give any trouble from too close investigation.\n\n10 p.m. Our compradore came in to see us at 9 and has just gone away, there appears to be a difficulty in returning to the Factories. Bonds are required by the officers which involve them in great responsibility, and he says many will not grant them and consequently will not return to the service of foreigners.\n\nMonday, 15 April, 1839\n\nThere are about 30 sailors, English, American, Malay, and Bengalee in Canton who happened to be here when the communication with the shipping was cut off and consequently could not get down to their ships. Four belong to H.B.M. Sloop Larne, who came up with Captain Elliot. They afford the Chinese a good deal of sport by their antics in the Square every afternoon. Yesterday afternoon one of them climbed up to the top of the American flagstaff, a height of about one hundred feet, much to the astonishment of our guard. In fact it was quite a feat; he had no assistance except from the cleats nailed at long intervals to the mast.\n\n16th April\n\nTwo of our coolies have been with us for two or three days, and we have transferred to them the duties of setting table, washing dishes and plates, sweeping, making beds and so forth which we have been, in common with all foreigners, obliged to submit to for more than three weeks past.\n\n16th April, 1839*\n\nYoung Tom's purser A Heang came in today and reported that he had received a letter from his partner dated at the Bogue which communicated the fact of a boat with 100 chests of opium and a Chinese officer in charge having disappeared. No one knew where she had gone, it was supposed that during bad weather that had been experienced she had foundered.\n\n* The journal contains two separate entries for 16th April.", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204747, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 50, "title": "RAS-1964", "content_text": "JOURNAL OF OCCURRANCES AT CANTON\n\n39\n\nwas persuaded to join the firm of Baring Brothers & Co. In 1873 he became senior partner of the house, finally retiring in 1882. (L.T.R.)\n\n24 Lin Tse-hsü's fate. Hunter long survived Commissioner Lin. Lin Tse-hsü was dismissed from office in 1840 and later sentenced to exile in Ili in Chinese Turkistan, where he remained for three years. He was allowed to return to Peking in 1845. He later served as Governor-General of Yunnan and Kweichow, and retired from office in 1849. He died in 1850 at the age of sixty-seven. (J.L.C.B.)\n\n25 Heang-shan (Heungshan). Former name of the District in which Macao lies. Re-named Chung-shan in honour of Sun Yat-sen. (J.L.C-B.)\n\n26 Morrison. John Robert Morrison (1814-1843) was born in Macao, the second son of Dr. Robert Morrison and his first wife Mary (née Morton). He had some schooling in England but at the age of twelve he came back to Canton with his father in 1826. He became a fluent Cantonese speaker as well as a Chinese scholar, and on the death of his father in 1834 was appointed Chinese Secretary to H.M.'s Commission in China. In 1838 he became, in addition, Interpreter, and in 1841 succeeded Elmslie as Secretary and Treasurer to the Superintendent of British Trade in China. In 1843 he was appointed Chinese Secretary and member of the Executive Council of the newly founded Colony of Hong Kong and was recommended for appointment, by the Governor, as Colonial Secretary. Before the appointment was approved, however, he died in Macao in August 1843, and was buried in the Old Protestant Cemetery there. (L.T.R.)\n\n27 Kwang Chow Foo. Kuang-chou fu The Prefect of the Prefecture of which Canton was the chief city. (J.L.C-B.)\n\n28 Kam Hay Hue. No such title. But I suspect Hunter intended to indicate the Namhoi Hien which title was sometimes written Nam Hoy Hien. See note 14. (J.L.C-B.)\n\n29 Pwan Yu Hue. Also written Punyu Hien. The magistrate having jurisdiction over the eastern part of Canton city and the District lying to the westward of the walls which included Whampoa and the foreign shipping there. (J.L.C-B.)\n\n30 Fearon, Samuel Turner Fearon was the second son of Christopher Fearon and Elizabeth Noad who were married on 14 May 1818 at the Streatham Parish Church. His father served as a midshipman at the Battle of Trafalgar and after being discharged from the Royal Navy he joined the Honourable East India Company's marine service. In this service he made a number of voyages to Canton and when he decided to take a shore posting there he brought his wife and family out with him. Samuel became a fluent Cantonese speaker and in 1838 was appointed Interpreter to the Canton General Chamber of Commerce. After the cession of Hong Kong he was appointed interpreter and clerk of the Chief Magistrate's Court and a couple of months later were added the duties of Notary Public and Coroner. Three years later he was appointed Assistant Magistrate of Police and on 1st January 1845 he became Registrar General and Collector of Revenue. In July 1845 he was granted a year's sick leave and while in England he was appointed Professor of Chinese at King's College, London, an appointment which he held from December 1846 until December 1852. (L.T.R.)\n\n31 Van Basel. Magdalenus Jacobus Senn van Basel, born in Groningen, Holland on 27 September 1808, was appointed clerk in the Dutch Consulate at Canton in 1826, and Vice-Consul in November 1831. He was later in partnership with G. M. Toe Laer and P. Tiedenan in the firm of Senn van Basel & Toe Laer & Co. In 1848 he became Collector General of Taxes", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204766, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 69, "title": "RAS-1964", "content_text": "58 \n\nK. M. A. BARNETT \n\nfrom the point of view of my present subject, the event which ushered in the new age is the capture of Canton in +878 by the Huang Chao146 rebels. Between this event and the re-incorporation of Canton's territory into China in +971, by which time the earliest Chinese had already a firm grip on what is now Hong Kong, the Liu76 family gave five emperors to the Nan Han99 Dynasty at Canton. This family was allied by marriage with the Cheng163 and Tuen families which successively at this period ruled the powerful kingdom of Nan Chao;100 with the Ma89 family which ruled the kingdom of Tsu1 and no doubt, if the evidence could be pieced together, with many other peoples. For we are told that the emperor Liu Chang78 had a Persian princess in his harem, and among the many Arab travellers who visited Canton there must be some who left a description of these flamboyant half-Chinese rulers, with their eighty or more palaces, the walls of which were encrusted with pearls, their bloodthirsty exuberance and, what shines even through the disapproving accounts of the Chinese historians, their courage and administrative skill. The name Po On3 revived by the Republic of China as the name for the district of which geographically, Hong Kong is a part, was adopted by the Canton rulers in obvious reference to the pearls for which this district was at that period famous. The statement in the San On Yuen Chi123 that the name comes from the hill called Po Shan north of Nam Tau8 city is the \"cart before the horse\". The pearls were fished in great numbers somewhere near Tolo Channel, probably in Double Haven where the name Chue Tong Wat162 survives as a bay on Kar O Island.\" They were then transported overland along the route marked by a chain of forts over the pass northeast of Tai Po Tau34 village, through Kau Lung Hang, over the present golf course and skirting the Pat Heung2 marshes to the present Ping Shan, and across the creek to the fort of Tuen Mun4 which I mentioned earlier in this paper. The route, I would have you observe, almost at every point passes one of the chief settlements of the Tang44 clan who are, I believe, together with all the old Cantonese-speaking clans of this territory, the descendants of the soldiers stationed here in the Nan Han Dynasty and its successors for the express purpose of guarding these precious pearls. They were as I have said encouraged, when too old to serve with their arms, to settle down", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204872, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 175, "title": "RAS-1964", "content_text": "150\n\nNOTES AND QUERIES\n\nThe Police Station at Tung Chung was in an old Chinese fort, walled in. I heard my cases under a huge tree there and always had to drink a large tumbler of goat's milk provided by the Indian Sergeant in charge. He would have been awfully hurt if I had refused. It might be O.K. with half a pint of rum or whisky, but I had not the heart to do it!\n\nJ. W. HAYES\n\nSOME NOTES ON TUNG CHUNG1\n\nTung Chung, Eastern Stream, appeared on the historical scene of the region earlier than most other places in the New Territories. The valley acquired its eminence because the last of the Sung emperors was proclaimed there and upheld some sort of a Court in the valley for at least three months in 1278, the last year of the Sung dynasty. Though the place of proclamation cannot be ascertained to be Tung Chung itself, Chinese historians have been tackling the problem from the name Huang Lung Hang*, Yellow Dragon Valley, which refers to the inhabited part of the valley of the Eastern Stream. Historical documents have indicated that a yellow dragon appeared in the sea when the boy emperor was proclaimed and the fact was recorded because it was thought to be a good omen for the fast vanishing dynasty.\n\nApart from legends, there is more vivid evidence of the brief stay of royalty in the area because wherever the fugitive Sungs held court, the people erected temples to remember a loyal courtier, Lord Yeung, a member of the royal household who followed the Court to the very end. Today, we can find three of such Hou Wong temples in our region: Kowloon City, Tai O and Tung Chung. The temple at Tung Chung cannot, of course, be dated as far back as 1278 but it is certain that it was renovated around 1870 and subsequently in 1910 and 1959.\n\nThere is next to nothing to tell what happened in the region between the fall of the Sung dynasty (1278) and the coastal\n\n1 The above historical note on the Tung Chung area contains material collected by Mr. C. Y. Ng of the University of Hong Kong for his Ph.D. thesis on \"Rural Development\". A more detailed historical paper on Tung Chung by Mr. Ng is expected to be published next year.", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204989, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 97, "title": "RAS-1965", "content_text": "88 \n\nS. HUANG \n\nThe objectives of the Council were to raise standards in Chinese higher education; to develop joint policies where possible, to work for the achievement of objects of common interest; and to represent Member Colleges in joint negotiations with Government where common policy is concerned. \n\nThe Director of Education, then the Hon. D. J. S. Crozier, was informed of the organization of the Joint Council and he showed sympathy with its aims. Conferences between the Council, the Director of Education and Sir Christopher Cox, Educational Adviser to the Colonial Office, in 1957 offered the hope that there might be a possibility of Government support of a new university which would teach through the medium of Chinese, but only when the Colleges had achieved the necessary standards. \n\nSo in October, 1957, the Council appointed a Committee to discuss standards for admission and for graduation, standards of teaching staff, library provision and equipment, etc., and administration and control of the Colleges. Their recommendations were summarized in a Memorandum published in 1958. \n\nThe Memorandum was sympathetically received by the Government and finally a Committee composed of Mr. L. G. Morgan, then Deputy Director of Education, Dr. C. L. Chien of the Education Department, Dr. F. I. Tseung, then Chairman of the Joint Council and the President of United College, Dr. L. G. Kilborn of Chung Chi College, Dr. A. S. Lovett of New Asia College and Mr. J. C. L. Wong, then the Executive Secretary of the Council, was appointed to consider a Post-Secondary Colleges Ordinance, and Grant Regulations to define the conditions under which Government would give financial assistance to selected colleges. \n\nIn June 1959 Government announced a programme which made these following points: that a Chinese University with Chinese as the principal medium of instruction should be established; that financial aid would be given to the three colleges concerned to improve their standards; and that a commission would be appointed to recommend on the preparedness of the Colleges for university status. Financial assistance began that year, and in May 1960 the Post-Secondary Colleges Ordinance was enacted into law, giving Government power to proceed with its plans.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 204995, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 103, "title": "RAS-1965", "content_text": "94\n\nS. HUANG\n\nfacilities for its faculty members to do research and to give training to postgraduates so as to serve directly the needs of the community and to enable faculty members to keep up with the latest developments in their own field and to contribute to it. Moreover, the University hopes to attract and to keep able scholars by having research facilities. Under the direction of the Vice-Chancellor, the University has established two institutes for advanced studies within the first year. They are the Institute of Science and Technology, and the Institute of Social Studies and the Humanities.\n\nThe Institute of Social Studies and the Humanities includes units in each of the areas of business and public administration, economics, geography, mass communication, modern Chinese studies, social survey, sociology, social welfare and world history. The Institute of Science and Technology will engage in both basic and applied research in such areas as biology, chemistry, physics, mathematics and statistics. These units will be working closely with industrial, commercial and communal interests of Hong Kong.\n\nA programme of intercollegiate teaching to allow all students of the three Foundation Colleges to take the third and fourth-year courses in Colleges other than their own, is now being carried out. The scheme is expected to be expanded when the new campus is completed. By carrying out such a scheme, the University is hoping to pool the special knowledge of the staff and the facilities for the benefit of all the students of the University, and to reduce the teaching load of some members of the teaching staff so that they may be released for other tasks.\n\nIn May, 1965, the University announced the adoption of a new system of teaching methods which was an integration of the best features of systems in all parts of the world, including China. The new system calls for re-examination of all syllabuses, reduction of lecture hours, introduction of small group teaching and de-emphasis of examinations. The new system, no doubt, will affect the development of the University drastically.\n\nThe long struggle of the Chinese University of Hong Kong for recognition, support and to meet the need of a fast growing society has completed its first phase. The future is opened to unlimited possibilities and challenges.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205009, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 117, "title": "RAS-1965", "content_text": "108\n\nBOOK REVIEWS\n\nuse all over the country, including Peking, are ching1 cheng4, meaning 'compete, competition' and cheng4ch'a2, 'struggle'. \n\nThe character ch'a2 means 'verbose, slander'. But Goodrich's dictionary links it with tsui3 to mean 'interrupt in speaking' (page 5). This is wrong. The correct character is 1, meaning 'insert, drive into', which is also pronounced ch'a2, but written differently. \n\nDespite the great number of character entries, I have chanced to discover that a rather commonplace character t'o3 (oval, elliptical), is missing. Only the list of abbreviated characters at the end of the book gives this character and its abbreviated form, but, of course, not its meaning. \n\nAlso missing is the character when pronounced k'a3 and used in the expression 1 k'a3p'ien4 to mean ‘card' or 'visiting card'. \n\nAnother defect of the dictionary is that there exists some minor inconsistency in the romanization system. The circumflex accent which is seen over ‘e' in ‘ên' and ‘êng' in almost all cases such as chên, fên, hên, jên, kên, mên chêng, fêng hàng 'shen' on page 17, kêng, mêng, shêng, têng \n\nis missing in 'leng' on page 120 and 'neng' on page 143. \n\nFinally, there is a misprint on page xvii. The title at the top of the page should read \"A Group Of Four Cycles A.D. 1804 - 2043\" instead of \"A.D. 1804 - 2064\". There is a difference of 21 years. \n\nJOHN T. S. CHEN\n\nJOURNAL OF ORIENTAL STUDIES, Vol. V, Nos. 1 and 2 (1959 and 1960), Hong Kong University Press, 1965. \n\nTwo articles in the Chinese language for which English summaries are given form the beginning of this volume. Ho Ke-en submits his research on the origin and geographical distribution of the Tan Tribe (Tan Chia) on pp. 1-40. A shorter article by Jao Tsung-i deals with the \"Calligraphy in the Tun-huang Scrolls\" and is accompanied by twenty-four plates presenting examples of calligraphy concerning varied subjects. \n\nFive studies in the English language follow on pp. 45-173. Herbert V. Guenther begins his \"The Philosophical Background", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205011, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 119, "title": "RAS-1965", "content_text": "110\n\nBOOK REVIEWS\n\nof Shen Chou, comprising thirteen album leaves, are existing and known today. A detailed discussion of these two works is presented as well as five good reproductions.\n\nChang Kun's \"An Analysis of the Tun-huang Tibetan Annals\" is based on the published editions of the Tun-huang materials. He classifies some important Tibetan expressions under the eight headings of \"Introduction, Ruling House, Officialdom, Government Operations, Territorial Division, Border Regions, Subjugated Territories and Foreign Countries.\" In addition, he presents in this scholarly work a long list of \"Royal Residence and Sites for Councils,\" an index of \"Places and Peoples\" and an index of \"Tibetan Personal Names.\"\n\nA very outstanding feature of the volume is that as much as 150 pages (pp. 175-329) are used for reviews. Well-known scholars, nearly all from Hong Kong, discuss an interesting range of books on Asia from 1955 to 1961.\n\nIn addition, a \"Far Eastern Bibliography\" lists the titles of the articles in thirty-five journals of European languages dealing with the Orient, mostly of the year 1958. Studies contained in another twenty journals, this time in Chinese and Japanese languages, are given as well and are indeed a most helpful guide to the state of research in Asia. The comparatively young Journal of Oriental Studies thus contains a wealth of minute information on research and by undertaking this troublesome work sets an example to other, often older, journals concentrating on Asia.\n\nUnder separate cover, there has been published by the Hong Kong University Press an \"Index to Volumes I to V, 1954-1960\" to the Journal of Oriental Studies. The articles are listed according to their authors as well as their titles and subject matter, the book reviews according to the names of the authors and of the reviewers. The Index is helpful for reference, especially to the numerous valuable book reviews in the Journal.\n\nK. Bünger", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205117, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 73, "title": "RAS-1966", "content_text": "68\n\nHERBERT FRANKE\n\nadministration of the local rulers of the Tun-huang region who were descended from the Chagatay branch of Chingis Khan's clan was still modelled after the Chinese prototypes. The names of offices mentioned in this Mongol letter written in the Mongol script are transcriptions from Chinese. The same applies to the feudal titles of these local rulers: they are Chinese and can be identified through Chinese sources. The document must have been written about 1355 or 1360, that is, rather late and at a time when the Tun-huang and Turfan regions were certainly not under direct control from Peking. Another document found in Turfan and dating from the same period has furnished evidence for another set of Chinese titles, in a context which is, linguistically, a strongly Turkicized Mongolian. The names of offices mentioned show that the administration of these Chagatay kings was a replica of the Chinese central and provincial government organization. Even the disposition of the Mongol documents found in Central Asia shows Chinese influence: wherever the name of a Khan occurs, a new line is begun.23 This same feature occurs also in the Mongolian letters written by the Ilkhans of Persia to the King of France and to the Pope. The presence of Chinese chancellery practices in Persia under the Ilkhans is further shown by the Chinese seals or rather stamps on these letters.24 We could even go one step further and ask how much of the government and taxation practices of the Golden Horde rulers in Southern Russia is of Chinese origin. It is generally recognized that medieval Russia, that is, the Muscovite kingdom of the Ruriks, was deeply influenced by the \"Tatar\" domination and took over some of the Tatar or Mongol patterns of government. The tendencies toward centralization in sixteenth century Russia can be explained by these Tatar influences which might eventually go back to Chinese administrative patterns.\n\nChinese art forms too have spread West under the Mongols. A good example is Persian miniature painting. It is not necessary to be a trained art historian or a specialist in Islamic art; even a layman would notice that thirteenth and fourteenth century Persian miniatures were deeply influenced by Chinese painting. On some early miniatures we find trees, rocks and clouds painted in the same way as Chinese painters did. Chinese painting must therefore have been known to the Persians under Mongol rule. Recently unassailable proof for the presence of Chinese art in Persia has", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205133, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 89, "title": "RAS-1966", "content_text": "84\n\nHOLMES WELCH\n\nTT\n\nalso Mahayanists, to have a close relationship. The same did not apply to the Theravadins of Southeast Asia of Burma, Ceylon, Thailand, and Indo-China. Not only did they have a different kind of Buddhism (which many of them regarded as \"pure\" in contrast to the \"corrupt\" Mahayana), but there was a much greater language barrier than between China and Japan, which both used the same ideograms. Until Dharmapala's abortive visit to Shanghai in 1893, there had been virtually no contact between Chinese and Theravada Buddhists for many hundreds of years.\n\nIt was therefore a significant event when in 1930 Huang Mao-lin (Wong Mou-lam) was sent to Ceylon by the Pure Karma Association in Shanghai. His mission was to study Theravada and explain Mahayana or, as we might say today, to start a dialogue. In 1934 the Ceylonese bhikkhus Soma and Kheminda returned his visit. Unfortunately when they reached Shanghai they found no facilities for study and went on to Japan. Nonetheless, during their brief stay they spoke on the Buddhist radio station, XMHB, and met many Chinese devotees. They were followed the next year by Narada, another bhikkhu from the same temple (that is, the Vajirarama in Colombo). Narada visited Shanghai, Hangchow, Soochow, Hankow, and had a meeting with T'ai-hsü. In 1946 Soma and Kheminda again went to China, this time accompanied by Pannasiha, to start a Pali college in Sian at T'ai-hsü's invitation. When they arrived they found that the civil war had broken out in Shensi and that Sian was inaccessible. After spending three months in Shanghai they returned to Ceylon.\n\nWhereas Asian Buddhist visitors to China came mostly from Ceylon, Chinese Buddhists went not only to Ceylon, but to Thailand, Burma, India, and Indo-China. Usually they went as pilgrims or for re-ordination or to minister to the overseas Chinese, but sometimes their purpose was to study the Pali language and Theravada doctrine. This did not always work out too well.\n\nIn December 1935 four Chinese monks left for such study in Thailand, where they were welcomed by the Supreme Patriarch and lodged in a royal temple.33 Shortly thereafter five other monks were sent to Ceylon, where they received a Theravada", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205145, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 101, "title": "RAS-1966", "content_text": "96\n\nHOLMES WELCH\n\nvisory Committee (1945-1949); and a vice-chairman of the Mongolian and Tibetan Affairs Commission (1947-1949).\n\n28 Probably he was not one of the two monks sent to Tibet for study earlier in 1937 (see p. 11).\n\n29 An interesting account of one such, Dorje Rimpoche, from Chamdo, who visited Hong Kong in 1935, is given in J. Blofeld, The Wheel of Life, London, 1959, pp. 40-56.\n\n30 The leading spirit of the society was Ch'ü Yang-kuang, formerly governor of Shantung and Chekiang and Minister of the Interior. This Bodhi Society (P'u-ti hsüeh-hui) had no connection with the Bodhi Society (P'u-ti She) established by T'ai-hsü in 1918.\n\n31 Chinese Year Book 1935-36, Shanghai, 1935, p. 1514, Huang was the editor of the Chinese Buddhist, \"an English magazine which was to link up China with foreign Buddhists.\" It ceased publication before he died in 1933.\n\n12 It was a common practice for Chinese monks to take their ordination vows a second or third time in order to strengthen their commitment to follow them, or in order to draw inspiration from an eminent ordaining monk. Hence, from the Chinese point of view, receiving the Theravada ordination meant supplementing, not replacing the Mahayana ordination.\n\n33 Their names were Pei-kuan, Teng-tz'u, Hsing-chiao and Chüeh-yuan. They were supposed to remain in Thailand four years. See Chinese Year Book 1936-37, Shanghai, 1936, p. 1446.\n\n34 Their Chinese religious names, followed by their Theravada names, were: Hsiu-lu (Kondanna), Wei-chih (Bhaddiya), Hui-sung (Vappa), Fa-chou (Mahanama), and Wei-huan (Assaji). Their later histories would make an interesting study in acculturation. Wei-huan disrobed within a few months and returned to China where he married. Eventually he became the principal English interpreter for the Chinese Buddhist Association established in Peking in 1953. Fa-chou married a girl of Dutch descent and eventually became a lecturer at the University of Ceylon. Hui-sung, who stayed longest, became mentally deranged. Wei-chih, after disrobing, went to Singapore, where he died during the war. Hsiu-lu, after disrobing, went to India where he pursued his studies at Santiniketan and/or Nalanda. Only the information about the first two is reliable. Another moot question is who sent them to Ceylon in the first place. Their Sinhalese hosts believed that they had been selected and sent by T'ai-hsü; and it is true that he acted as their guarantor (see Yin-shun, T'ai-hsü, p. 404). But another Chinese source states that their group was \"formed by the Chinese Buddhist Association in accordance with the proposal made by the Pure Karma Buddhist Association,\" both of which were housed in the same building in Shanghai. See Chinese Year Book 1936-37, p. 1446.\n\n35 Liao-ts'an (Dhammakiti) who went to Ceylon in 1945 returned to China about 1953 with Fa-fang's ashes, disrobed and became an instructor in Pali at the Chinese Buddhist Institute in Peking.\n\n36 Today many Theravada Buddhists have a very different attitude and publicly advocate tolerance and respect for Mahayana Buddhism. In 1956 the fourth Conference of the World Fellowship of Buddhists voted to abolish even the use of the terms \"Theravada\" and \"Mahayana\" (see Report of the 4th World Buddhist Conference, Kathmandu, no date, p. 2). There are some Theravadins, however, who even today believe that the world would be a better place if Mahayana was removed from it.\n\n37 He had gotten the information at first hand from Liao-ts'an (Dhamma-kiti) who had heard the complaints of members of the 1936 group. They are stated to have been novices (sha-mi) when they left China and the Theravada ordination they received on May 6, 1936 was also, apparently, the novice's ordination. Hence there would have been more justification for withholding the respect due to bhikkhus than in the case of Liao-ts'an and his fellow monk, who came in 1945. More information is needed.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205148, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 104, "title": "RAS-1966", "content_text": "FOREIGN RELATIONS OF BUDDHISM\n\n48 Ts'en, Hsü-yün ho-shang nien-p'u, Hong Kong, 1962, pp. 21-22.\n\n49 Ts'en, Hsü-yün, pp. 40-43.\n\n99\n\n50 Ts'en, Hsi-yün, pp. 47-48. I have been unable to get confirmation of this story in Thailand; nor have I been able to confirm the related episode, in which Hsü-yün on his way to Bangkok that year met an Englishman who had been British consul in Teng-yüeh and Kunming and who gave Hsü-yün 3,000 pounds Sterling towards the expense of transporting a set of the Tripitaka back to Yunnan. The records of the Foreign Office in London do not appear to reveal who this may have been.\n\n51 White marble images from Burma and Thailand, termed in Chinese \"jade buddhas\" (yi-fo) have been popular in China during the past century. In the late 1890's a set of such images was made in India for a Chinese monk from P'u-t'o Shan, who spent the better part of three years at Oudh overseeing the work. So popular were these particular images that when they arrived in Shanghai, they were kept on exhibit in nearby Woosung at the request of the authorities as a large number of Chinese visit them daily, which was quite profitable for the railway.\" See Journal of the North China Branch of the Royal Asiatic Society, 31 (1896-1897), 203. These may well have been the jade buddhas installed during the reconstruction of the Fa-yü Ssu on P'u-t'o Shan,\n\n52 Ts'en, Hsi-yün, p. 66.\n\n53 Cheng-lien, Ch'ang-chou T'ien-ning ssu-chih, Shanghai, 1948, 7:102. Cf. Chou Hsiang-kuang, History of Chinese Buddhism, Allahabad, 1955, p. 214,\n\n54 See Eastern Buddhist, 3.3 (October-December, 1924), p. 274. This is the earliest instance I have encountered of a Chinese Buddhist going abroad to study Theravada. Unlike Huang Mao-lin he is not stated to have had the goal of spreading Mahayana as well.\n\n55 For example in 1916 the head of the Chi-le Ssu, Pen-chung, led a group of his Refugee disciples to Ku Shan to receive the lay ordination: they numbered five out of the six upasakas and forty out of the 114 upasikas. This information comes from the 1916 ordination yearbook.\n\n56 See Yüan-ying fa-shih chi-nien k'an (Memorial volume for Yüan-ying), Singapore, 1954, pp. 13-14.\n\n57 However, they came from around Amoy rather than around Foochow, where Ku Shan was located.\n\n58 Chinese Year Book 1937, p. 74.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205209, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 165, "title": "RAS-1966", "content_text": "159\n\nNOTES AND QUERIES\n\nON LOAN WORDS\n\nIn the Volume IV of the Journal (pp. 152-4) there are some interesting comments on \"Loan-Words in the Chinese Language.\" This is a fairly venerable subject for study. Our sinological journals have many disquisitions on it; Yule and Burnell's Hobson-Jobson (London 1903) contains many interesting tidbits; and such scholars as Laufer devoted many years to an inquiry into the names and history of imported plants (cf. his Sino-Iranica, Chicago 1919, and reviews and comments by Ferrand, Hopkins, Couling, and Pelliot.)\n\nThe peanut, which is mentioned in the first paragraph of \"Loan-Words,\" has an especially interesting history. Dr. Berthold Laufer made a contribution to the subject in 1906, I followed with another in 1937, and Prof. Ho Ping-ti wrote an especially helpful piece in 1955. See his paper entitled \"The introduction of American food plants into China,” American Anthropologist 57 (1955), 191-201. There he points out that the earliest reference to the peanut may be found in the Chung-yü-fa ‡✯ (Method of cultivating taro) by Huang Hsing-tseng ** (1490-1540), a native of Soochow. He translates the passage as follows:\n\n+4\n\nThere is yet another kind whose flowers are on the vine-like stem. After the flowers fall, [the pods] begin to develop [underground]. It is called lo-hua-sheng. Both are produced in Chia-ting county [near Shanghai].”\n\nAnother early reference which fortifies the testimony of Huang is in the Ch'ang-shu-hsien chih ** of 1539; it lists the peanut as a product of the region of Ch'ang-shu, in the prefecture of Soochow.\n\nDr. Ho goes on to remark that the name lo-hua-shêng #± 落花生 which means \"born from flowers fallen to the ground,” is used for no other plant in the hundreds of Chinese local histories and botanical treatises which he has consulted.\n\nThe peanut then, according to his researches, is the first plant from the New World to have been transferred and made\n\nPage 165\n\nPage 166", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205268, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 30, "title": "RAS-1967", "content_text": "THE TRAVELLING PALACE OF SOUTHERN SUNG\n\n23\n\nleft the country without a ruler, the ministers and generals, after consultation with their mother, the concubine Young, unanimously installed I Wang Shih as the Generalissimo of the state and his brother Kuang Wang Ping as his deputy. After a while, they decided to travel south by boat. When everything was ready for departure, the cunning premier Ch'en I-chung begged to remain behind, using the excuse that he must bury his mother who had just died in Wenchow. Everybody disliked him and took him for a coward. The impetuous and impulsive warrior Chang Shih-chieh thought up a cunning scheme: he ordered some of his soldiers to remove the coffin of Ch'en's mother and to place it on a ship. Consequently Ch'en had to follow, much against his will.\n\nIn the 4th month they arrived at Foochow, Fukien, In the next month they crowned I Wang Shih Emperor who thus became the last Sung emperor but one. He was then eight years of age. His posthumous name is Tuan Tsung, (*) by which I shall call him hereafter. From that month on, his reign was called Ching Yen (*). His younger brother Ping received the new title of Wei Wang (£), and his little sister, that of Princess of Tsin Kuo (+), while his own mother was properly honoured as the Queen Mother. They stayed in Foochow until the 11th month when news came that the Mongols were invading Fukien, so they sailed southward.\n\nAfter passing by Ch'uanchow (¥) and Amoy in Fukien and Ch'aochow (¶) (Swatow) and Chia-tsu-men (‡ƒ¶) (of Huichow) in Kwangtung, they entered the territory of Kwangchow-fu early in 1277. Passing by Mirs Bay (Ta-p'eng-wan (★*), northeast of Kowloon), the royal party probably went ashore for a short time to get a rest, since there remain a few historical sites by the names of Wang-mu chuang-t'ai (the Queen-mother's Dressing Table) and Wang-mu hsu (Queen-mother's Market). During the next two months they stayed at an island then called \"Mei-wei\". (This place at present is still unidentified.) In the 4th month (May 1277) the royal refugees landed at Kuan-fu Ch'ang accompanied by many descendants of former Sung emperors who had joined the royal party from different places along the coast.\n\nPage 30\n\nPage 31", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205270, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 32, "title": "RAS-1967", "content_text": "The Travelling Palace of Southern Sung\n\n25\n\narea, e.g. some places on Lantau island (Tai-yu-shan) were salt-producing fields. All such fields, together with the people living in the villages, were under the administration of the Salt Administrator of Kuan-fu Ch'ang.\n\nIn the Yuan Dynasty, the political status of the Kuan-fu Field underwent a drastic change. Kuan-fu as an independent salt-producing area under a salt administrator was abolished and was incorporated into the Huang-t'ien (†) Field which was one of the original four fields in Tung-kuan. In the third year of the reign of Hung Wu, the first Emperor of Ming (1370), Kuan-fu's status was changed from that of a salt-field into a Hsun-ssu (3), a political sub-district still called Kuan-fu but under the charge of a Hsun-chien (K).\n\nThe name of Kowloon was not officially adopted until 1840 (Tao Kwang 20th year, in mid-Ch'ing), when Kuan-fu Hsun-ssu was changed to Kowloon Hsun-ssu under the charge of a Kowloon Hsun-chien, still under the general administration of the Hsin-an District. Three years later (1843) the Manchu Governor-general Ch'i-ying (**) constructed a city wall around the Kowloon Tsai (formerly the Kuan-fu Tsai) with the explicit purpose of warding off a British invasion. The wall was completed in 1847. It may be added that this city wall was demolished by the Japanese when they occupied Kowloon, using the stones for the construction of the extended air-field; but the so-called Kowloon Tsai still exists.\n\nIII. THE LANDING\n\nLet us now go back to May 1277.\n\n1277. The exact place where the royal party landed was along the beach on the western shore of the Kowloon Bay from the Sung Wong Toi Hill to To-kua-wan in the south. There were three villages along the coast, namely Ma-tau-kok (§i§}), Ma-tau-ch'ung (‚§§Ã¡Ã¦) and To-kua-wan (LA). They were fairly large in size and populated by many fishermen and workers of the salt-field. Upon the arrival of the royal party the local villagers extended to them an extraordinarily warm welcome. The Imperial Court rewarded them with some parasols made of yellow silk and embroidered with many Chinese characters, in gratitude for the enthusiastic reception and loyal protection they had received. Years later the original gifts wore", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205271, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 33, "title": "RAS-1967", "content_text": "26\n\nJEN YU-WEN\n\nout and the local people made facsimiles of the originals and preserved them from generation to generation in order to commemorate the glory of their ancestors. Moreover, in the Dragon Boat Festival (the 5th day of the 5th month) every year since then, they have placed the parasols on the racing boats, called huang-chou1 (Imperial boats). Before the boat race started, the gentry and elders of the villages used to kneel and kow-tow to the royal gifts to pay respect to the Sung Emperor. Sung Hsueh-p'eng says that the custom was perpetuated for many years.10 Less than a month after the landing of the royal party, the Dragon Boat Festival was observed. It can be imagined what a delightful day the boy Emperor Tuan Tsung (Shih) and his small brother Wei Wang (Ping) had in watching the races, along with the Queen Mother and many dignitaries, generals, and ministers, and, of course, the local people who were particularly happy to have such distinguished guests participating in their annual festival.\n\nIV. SUNG WONG TOI (Sung Huang Tai-Man)\n\nThe most important site which furnishes the key to our study of the Kuan-fu Travelling Palace of Southern Sung is a small mound near the seashore, north of Ma-tau-kok. It can be definitely located and is recorded in the Hsin-an Gazetteer, other literature, and maps. Besides, there were three Chinese characters engraved on one of the great rocks there, which many of us have seen with our own eyes.\n\nThe small mound was called Sacred Hill1 (see map). This name was probably given to it by the Hong Kong Government when it took over the territory in 1858, as no Chinese literature recorded such a name, and even Hong Kong people of the older generation, including Sung Hsueh-p'eng, did not know of it. On the top of the mound were two large rocks, one on the northern side, the other on the southern. The characters Sung Wong Toi1 were engraved on the western face of the northern rock in the Yuan Dynasty, long after the royal party departed from Kowloon and after the Mongols conquered the Southern Sung.\n\nThe characters were horizontally inscribed, being uniformly 20 inches in width and respectively 26, 22½, and 27 inches in", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205276, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 38, "title": "RAS-1967", "content_text": "The Travelling Palace of Southern Sung\n\n31\n\nThe original site of the village is believed to have been somewhere southwest of Sung Wong Toi Hill. According to the report of Mr. Wu Pa-ling (A) who had carried out research in that area, the village situated at the foot of the northern tip of the Er-huang-tien Hill was formerly occupied by some two hundred people, mostly by the surname of Lee and living in about twenty or thirty houses. In 1927 or 1928, they were evacuated by the Government and the whole village, together with a Temple of the Northern God (Pei-ti) at the front of the village, was levelled to permit the construction of modern roads and buildings. Henceforth, there was no trace left by which to locate the original site of the village. The temple was removed to a nearby place by the side of the present Tam-kung Road where there is a street by the name of Pei-ti (Northern God),15\n\nMy own study on the subject has led me to the conclusion that it is highly probable that the royal party did visit that place or stay there in some house or houses which, in accordance with Chinese tradition, were subsequently called by the honorific name of palace (kung or tien). After their departure from Kowloon, people came in later times to settle down at the same place. More houses were built from time to time forming a village called Two Emperors' Palace Village and the hill by its side was also called Two Emperors' Palace Hill, which was really the hill on the northern tip of the eastern pincer of the Kuan-fu Mountain.\n\nThe most difficult problem in this study, however, is to know where exactly the original site of the village was, as every written record has omitted the location and no one who has visited it could tell precisely. After many years of painstaking and unsuccessful research, I finally found the right solution as late as 1962 when I was able to obtain some old maps of Kowloon Peninsula through the kind co-operation and assistance of officers of the Crown Lands and Survey division of the Public Works Department, Hong Kong Government. On one of them prepared in 1903—Sheet 6 in Number 2 Survey District—the exact location of the village is indicated and the name is given below. It is, however, misspelt \"Un Wan Tun\" probably due to linguistic difficulty on the part of the foreign surveyor. It is on the eastern side of the northern part of the Kuan-fu Mountain to which the colloquial name of Two Emperors' Palace Hill is also not given.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205279, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 41, "title": "RAS-1967", "content_text": "34 \n\nJEN YU-WEN \n\nregular) palace, tien, was for the Queen Mother Young and was called by the name of Ts'u-yuan Tien (18. \n\nIt is reasonable to imagine that when they arrived in Kowloon their manner of life was practically the same as later in Ya-shan. The royal party with their attendants and the generals and ministers with their families went ashore followed by a number of royal guards, while the rest of the one hundred thousand soldiers had to stay on the boats. I believe that the royal party, including the mother Queen, Tuan Tsung, his younger brother and their closest attendants, were welcomed by the Salt-field Administrator, who was the chief official of the area, and accommodated in the better and more permanent houses in Kuan-fu Tsai. It is said that at the foot of the Kuan-fu Tsai Hill there was a large, flat stone which the Queen Mother used as her dressing table and hence it was called the Queen Mother's Dressing Stone, wang-mu shu-chuang shih (14†). The others had to live in the several villages and houses and huts which were hurriedly built with whatever materials were available in the area, such as bamboo, wood, mud, straw, stones, etc. No magnificent and beautiful palaces or mansions could have been built, owing to lack of time they stayed for only two months and want of the better class of building material. Such temporary houses must have spread all over the area. \n\nA close scrutiny of the earlier government maps show that the terrain in this area was very suitable for habitation. There was a brook which ran south from the northern mountainous area. There was another one running east from the valley between the two pincers on the northern end of the Kuan-fu Mountain. The two brooks converged on the western side of the Sacred Hill to form the Ma-tau-ch'ung, (i.e. stream), which then flows into Kowloon Bay. Thus there was enough fresh water for drinking, cooking and other purposes for thousands of people. It was in this large plain that the Kuan-fu Travelling Palace of Southern Sung was located (see map). \n\nIX. THE REST OF THE ITINERARY \n\nHaving encamped at Kuan-fu for two months from the 4th to the 6th, being the summer of 1277, the royal party, now threatened by the advent of the Mongols, moved on by boat with all", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205284, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 46, "title": "RAS-1967", "content_text": "39\n\nPRINTING - A NEW DISCOVERY\n\nL. CARRINGTON GOODRICH\n\nIn 1963 the Journal of the Hong Kong Branch of the Royal Asiatic Society published a paper of mine entitled \"The development of printing in China and its effect on the renaissance under the Sung dynasty (960 - 1279).\" Recently a new find was made which, if confirmed, pushes back the history of block printing some fifteen years, possibly more. The discovery occurred last October when certain Korean scholars noticed that a stone stupa known as Sokka Tap 釋迦塔, at Pulguk sa 佛國寺, had been damaged. On investigation they found a printed Buddhist sutra hidden in its interior. (See plates 5 and 6) It was in the form of a scroll made of thick mulberry paper, mounted on a piece of bamboo, lacquered at each end. The text is some 630 cm. long and 6 cm. wide, the printed portion being 5.3 cm. in width. The exact length cannot be determined as the scroll has not been fully unrolled due to its poor condition. In fact, about one third has suffered serious damage from worms; the rest of it, however, is in fair condition. Later examination revealed that the printing had been executed by means of a series of woodblocks, twelve in number, each about 20 or 21 inches in length. Then the separate pieces of paper had been joined together to form a continuous scroll, just as was the text of the famous Diamond Sutra of 868, discovered in 1907 at the cave library of Ch'ien-fo-tung near Tun-huang (west China) by Sir Aurel Stein, now at the British Museum. The scholars who have pronounced this an authentic piece of printing are Professors Kim Sanggi and Yi Hongjik, members of the Cultural Assets Preservation Committee, Ministry of Education, Seoul.\n\nIn the cavity of the stupa there were, besides the scroll, reliquary vessels, Buddhist images, tiny pagodas, incense sticks, pieces of silk, etc. (See plate 7). They seem to be typical of the period not only in Korea, but also in China and in Japan. These items are important discoveries in themselves, and deserve further study.\n\nThe text is well known. Its title in Chinese is Wu kou ching kuang ta to-lo-ni ching (in Sanskrit: Raśmivimalavaviśuddhaprabhā dhāranī). It was first rendered into", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205285, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 47, "title": "RAS-1967", "content_text": "40\n\nL. CARRINGTON GOODRICH\n\nChinese by Mi-t'o-hsien tu, a monk from Tokhara in central Asia, who lived at Ch'ang-an (then capital of China) from 680 to 704, after which he returned home. These are the years when the Empress Wu (reigned 684-704) ruled the land. This fact\n\n武后 is important as the Empress foisted certain strange characters upon her Chinese subjects. One at least of these appears in the sutra: for (heaven; the elements sun, moon, and earth appearing inside an old form for ); this helps to establish the genuineness of the text. Now the stupa seems to have been erected at the same time as the temple itself, which was completed in 751. Unfortunately no date has so far been found on the text, as was the case in the above-mentioned Diamond Sutra of 868. There seems little reason to doubt the mid-8th century attribution, however, as the calligraphy of the scribe who brushed out the characters for the woodblock is like that of other literary remains of mid-T'ang provenance (found at Tun-huang and elsewhere), and the scholars reporting the discovery assert that the artifacts found together with the text showed no sign of a disturbing hand.\n\nIf then the date of 751 or earlier may be accepted, Korea has revealed evidence for printing which pre-dates the evidence from Japan. As may be recalled, the exact dates for the printing of the charms distributed by the Empress Shōtoku are not exactly known but they run between 764 and 770. (See the discussion in my revision of Thomas Francis Carter, The Invention of Printing in China and its Spread Westward, 2nd edn., Columbia University Press 1955, chapter 7.) Add to this another remarkable fact: both the Japanese empress and the unknown individual responsible for the printing at Pulguk sa made use of the same sutra. They must have considered that it had unusual powers. The main difference between the texts is that the Korean made much more use of it. His runs to twenty feet or more as against eighteen inches in the Japanese examples. The width of the two texts is almost identical (2 inches). These measurements may be compared with the sutras printed about two centuries later; one group, found in the pagoda of a monastery at Hu-chow (Chekiang) bearing a date equivalent to 956, and others found in the Thunder Peak Pagoda near Hangchow, dated 975. The first measured 2.5 inches in width (inner portion 1.95 ins.), length not specified; the second 2.8 inches wide and 6 feet 9 inches long. Incidentally the items dated 956 were also dhāranīs taken from the sutra translated by Mi-t'o-hsien.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205398, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 160, "title": "RAS-1967", "content_text": "NOTES AND QUERIES\n\n153\n\nLong before the arrival of the Europeans in south China (1514) the Chinese were manufacturing cannon. Examples of them, some bearing fourteenth century dates, may be seen in museums in north China. The earliest one known, bearing a date equivalent to 1332, is housed in the Historical Museum in Peking. For an illustration see my short article in ISIS55(no.180), June 1964, pp. 193-4. At the beginning of the sixteenth century a new type appears, apparently introduced from Java or Cochin-China. It is known in Chinese literature as fo-lang-chi (or Farangi-Franks), the name applied slightly later to the Portuguese. This type is remarked as early as 1510. (Cf. Pelliot in T'oung Pao, 1948, pp. 199-207.) In the struggles against the Japanese and other pirates who infested the coast during the Chia-ching reign (1522-66) these cannon were frequently put to use not only on land but also at sea. (See Chao Shih-chen, Shen-ch'i p'u i, published 1598. Chao knew what he was writing about, as he was a drafter in the Grand Secretariat at the court in Peking, concerned with military defense, and is said to have manufactured some firearms himself.) Ming dynasty illustrations of war vessels sometimes show cannon mounted on deck. (See Mao Yüan-i, Wu-pei chih, published 1621, chüan 117. Mao was an expert on military affairs, and saw service both in Liao-ning and Fukien.) In the effort to repel the Manchu invaders in the north the Ming court sought the aid of both the Spanish and the Portuguese. Huang K'o-tsuan, for example, reports that when he was serving in the ministry of war (up to 1619) he recruited people from Luzon who could manufacture cannon; they made twenty-eight pieces, which he sent up to the northeast frontier in Manchuria. These must have been formidable (or Huang was trying to impress his superiors) for one cannon is said to have weighed over three thousand catties, and a shot could dispose of some seven hundred barbarians! (Ming shih-lu, Hsi-tsung, 4/29b. I owe this reference to Dr. Ray Huang, visiting professor at Columbia University.)5\n\n*\n\nThe importation of cannon and cannoneers from Macao about this same time is well known. In 1621 the well-known Christian convert and high official Hsü Kuang-ch'i ordered a shipment sent up to Peking, and a year later he recommended that the Jesuit fathers, Nicolo Longobardi and Manuel Diaz, proceed to Macao to purchase ten cannon and a few soldiers to operate them. In", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205468, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 10, "title": "RAS-1968", "content_text": "4\n\nroom for the Society and its library in a large room of the Supreme Court.\n\nDuring the year we suffered the loss of our very efficient Hon. Secretary Miss Michaeliones who was transferred to the British Council at Leeds and also of our Hon. Treasurer Mr. Lanchester of the Hongkong and Shanghai Bank. We have, however, been fortunate in having as Hon. Secretary Mr. T. H. Thomas of the British Council and as Hon. Treasurer Mr. D. A. Gilkes, a Chartered Accountant on the administrative staff of the Chinese University and we are deeply grateful to them for undertaking a task which occupies so much of their time and labour and those of their staff.\n\nI cannot conclude without expressing again our deep appreciation of the support and assistance given to the Society by the British Council and its staff. The Society's early meetings were held in its library; the Council of the Society holds all its meetings in its office; it has provided us with three successive Hon. Secretaries who with their staff, and in particular the indispensable Mrs. O'Hara, have been a tower of strength on which we have relied from the days when the Hong Kong Branch was re-established in 1959.\n\n8 April, 1968\n\nJ. R. JONES\n\nLectures in 1967 comprised: -\n\n16 January\n\nMajor Michael Banks, R.M.\n\nA Wall of Snow: Exploration and Mountaineering in the Himalayas, Arctic Greenland, Alaska and the Yukon.\n\n13 February\n\nMr. Chuang C. Shen\n\n\"Early Chinese Buddhist Paintings in Tunhuang.\"\n\n6 March\n\nProfessor J. R. Levenson\n\n'A Dialectical View of Confucius.\n\n1 April\n\nVisit to Places of Interest on Hong Kong Island.\n\n3 April\n\nAnnual General Meeting.\n\n17 May\n\nMr. Hugh Gibb\n\nThree films on Angkor and one on \"The People of the Great Lake.\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205944, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 24, "title": "RAS-1970", "content_text": "MORE ON THE YUNG-LO TA-TIEN\n\n19\n\ndictionary, the characters were arranged under four main tone groups, based on the Hung-wu chêng-yün, sponsored by the first Ming emperor. Kao Kung oversaw the first and second tone-groups, Ch'in Ming-lei (1518-93) the third, and Ch'en I-ch'in (1511-86) the fourth. On May 23, 1567, Hsü Chich (1494-1574), then chief grand secretary, submitted the duplicate copy to the throne. Great rejoicing must have ensued, for the shih-lu records a long string of honors and emoluments presented on that day to high officials at court. The original was now stored in the Wên yüan ko (Peking) and the duplicate in the Huang shih chêng (office of imperial 皇史宬 archives). In 1594 a number of scholars, among them Lu K'o-chiao (a chin-shih of 1577 and currently chancellor of the National University), agitated for the installation of a bureau for the compilation of a history of the Ming dynasty. Following the approval of their proposal, several historians began to busy themselves with various aspects of the work, and gather documents for their research. Lu at this time recommended that the YLTT be printed, the labor of doing so to be parcelled out to publishers in various parts of the country. Regrettably his suggestion, along with the initial proposal of a dynastic history, was never consummated, at least in Ming times. The war in Korea against the Japanese invaders, incursions by the Mongols in the north-west, and insurrections in the south-west were all then in progress, and the resources of the empire could not bear so heavy a burden. At the end of the dynasty, during the occupation of the capital by the rebel Li Tzu-ch'eng (d. 1645), the original set was entirely put to the flames, and a considerable portion of the duplicate (about one-tenth) likewise destroyed.\n\nFor over a century silence reigns, Ch'ing dynasty scholars seeming to be totally unconcerned about the YLTT. Then in 1771/72 Chu Yün (1729-81) suggested to the Ch'ien-lung emperor first that he launch a similar and even greater enterprise, and later that certain rare books contained only in the YLTT be reproduced in the new work, which came to be known as the Ssu-k'u ch'üan-shu. The emperor was pleased to accept both suggestions; as a result, 385 works in 4,946 chüan were made an important part of the latter. By this time only 9,677 volumes were available (although a report of Nov. 9, 1794, records\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206093, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 173, "title": "RAS-1970", "content_text": "168 \n\nS. F. BALFOUR \n\nEmperor and his court were at a place called Ngai Shan in San Wui district. The army was gathered round him, waiting for news of Wen Tien-chiang's attack on Canton. But Wen Tien-chiang was defeated at Waichow and finally captured at Hai Fung. He was brought as a prisoner on a Mongol ship, from which he witnessed the final assault on the Emperor's army and fleet, which was conducted by the commander of the Mongol armies, Cheung Hung-fan.\n\nIt is recorded that during the battle Wen T'ien-chiang received a message from the Mongol Emperor offering him a post in the government if he would change sides. In reply, he wrote a poem often quoted in books about our region since it mentions the Ling Ting Yeung or Desolate Sea between the islands of outer and inner Ling Ting in the Canton estuary. The poem may be freely translated as follows:\n\n\"After many hardships I am come to a place where the stars foretell the doom of my arms. The waters toss my broken body like a tiny thread, the wind strikes at the wreck of my life. By the Sands of Huang Kung I tell my despair, in the waters of Ling Ting I sigh my desolation.23 Since life began nobody has escaped death, only honour has immortal record among men.\"\n\nThis poem was sent in reply to the Yuan Emperor and Wen T'ien-chiang remained loyal to the Sung cause until his death which occurred in prison some years later.\n\nAt the battle in the Canton estuary the Sung forces were finally dispersed. The last prime minister then took charge of the Emperor's person. Separating them from the army, whose treachery he feared, he led all the surviving members of the royal family to a place on the sea and exhorted them to commit suicide, saying that it was preferable to surrender. When the women had drowned themselves he walked into the sea with the boy Emperor on his shoulders.\n\nIt remains to tell the legends which sprang up over the burial places of the Emperors. According to a story of the Yuan dynasty, one of the Mongol soldiers found a garment floating in the sea\n\n23 惶恐灘頭說惶恐,零丁洋裏歎零丁。", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206138, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 218, "title": "RAS-1970", "content_text": "BOOK REVIEWS\n\n211\n\nto a local princess. Fifteen years later he hears that his mother and several members of his family are guarding the Chinese border very close to where he is. When the play starts, he is longing to see his own people again, and his wife, the princess, makes him admit the reason for his sadness to her and also his identity. She agrees to help him to get out of the barbarian camp on condition that he comes back the next day. The most dramatic moment of the play is the brief encounter between Ssu Lang and his mother and his first Chinese wife. However, he keeps his word and returns.\n\nThe second play is a farce. The philosopher Chuang Tzu tests his wife. He pretends to be dead and reappears under the form of a young handsome scholar. He seduces his wife and even persuades her to break open the coffin in which her husband lies to remove his heart to make a medicine for him. However, when the wife opens the coffin, the philosopher reappears and confounds her. She commits suicide from shame.\n\nBesides the translations, the book also includes a general introduction to Chinese opera, some photographs of scenes from the two plays, detailed explanations of extracts from Ssu Lang visits his mother (the latter have been recorded on tape and are available from the publisher), a glossary of Chinese theatre terms and an index.\n\nBy choosing these two plays, the author has presented nearly all the different kinds of Chinese opera characters (only the painted faces are not represented). Both plays are very well known and often played; for example here in Hong Kong, by the Chun Chau Peking Opera School in Lai Chi Kok Amusement Park. Ssu Lang visits his mother was, moreover, played two months ago in the City Hall by a group of amateurs; and famous airs from this opera are as well known to the Chinese as are the famous airs of Verdi to Italians. The background explanation is an excellent summing-up of what must be known in order to enjoy a Chinese opera; and if one wants to know more, one can read the Chinese Classical Theatre by the same author. This earlier book speaks in generalities, but here A. C. Scott gives two precise examples and shows how the principles of Chinese operas work in a given play.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206212, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 29, "title": "RAS-1971", "content_text": "THE TAIPINGS AT NINGPO\n\n23\n\nas a creed, or ethics, that the world ever witnessed.\" Warming to his task, Harvey declared: \"The first impression of a sensible and reasoning Englishman, on coming into contact with Taepingdom is one of horror, then of amazement, with contempt and disgust following each other in succession. Taepingdom is a huge mass of 'nothingness'... It is a gigantic bubble, that collapses on being touched, but leaves a mark of blood on the finger.” In such light, Harvey's advice was simple: \"Your Excellency may rest assured that we shall only arrive at a correct appreciation of this movement, and do it thorough justice, when it is treated by us as land piracy on an extensive scale — piracy odious in the eyes of all men — and, as such, to be swept off the face of the earth by every means within the power of the Christian and civilized nations trading with this vast Empire.\"\n\nIn his dispatch to London of April 10, 1862, British Minister Frederick Bruce enclosed Harvey's \"very able report” and added: \"No commerce can co-exist with their presence, and no specific relations are possible with a horde of pirates and brigands, who are allowed to commit every excess, while professing a nominal allegiance to an ignorant and ferocious fanatic.\" In another dispatch eight days later Bruce emphasized this theme saying that the presence of the Taipings in any district is \"accompanied by the utter destruction of the materials of trade.\"19 Thus all evidence to the contrary from Ningpo and elsewhere of Taiping efforts to encourage trade were totally ignored, to be drowned out as a matter of fact, by such sustained propaganda, so that the impression has remained ever since that the Taipings were somehow anathema to commerce.\n\nThus the stage was carefully being set for the climax. The British, with the French, awaited the opportune moment, or more precisely, an opportune pretext. This came on April 22, 1862. The occasion was the triumphant return to Ningpo of General Fan who had been away at Nanking. During a cannon salute, unfortunately aimed in the direction of the foreign settlement, some shots reportedly killed one or two Chinese within the settlement, although the report itself seems questionable. On the same day, some Taiping soldiers fired musket shots toward the H.M.S. Ringdove. The ship's Captain immediately protested, and the very responsive Taiping General Huang replied apologetically, on the very same day, promising punishment for the offenders.", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206217, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 34, "title": "RAS-1971", "content_text": "28\n\nSTEPHEN UHALLEY, JR.\n\nand justify their active support of the attack on the city. This then is what happened on the morning of May 10th. According to the Ch'ing official, Hsü Yao-kuang, the provocative shots were fired at a foreign vessel and actually killed two foreigners.36 Dew jumped to the conclusion or feigned to believe that it was the Taipings who had done the firing, and immediately joined in the fight. Dew's own account is nonchalant, noting merely that the Taiping guns were silenced and that he then went to dinner at noon. At 2 p.m. storming parties mounted the walls, and at 5 p.m., after all opposition had ceased, the \"Governor” (probably the tao-t'ai) and Ch'ing soldiers landed from their junks. Dew turned the city over to the Manchu official and withdrew his men.37 The disposition of the Ch'ing troops during this attack is implicit in this report, but another unofficial source was more explicit, reporting that the Chinese allies could not be made to move toward the walls, so that in the end, even the actual breaching of them had to be undertaken by foreign troops.38 Obviously, under the circumstances of such an attack by Ch'ing forces, the Taipings had little alternative but to return fire toward foreign vessels which were interspersed among or in close proximity to the pirate fleet, both as the action began and as it continued.\n\nAfter a determined resistance, and after both of their generals, Huang and Fan, had been badly wounded, the Taipings retired from the city. The contrast between what happened during the retaking of the city at this point and the record of the Taiping seizure of the city several months earlier is interesting. It will be recalled how universal had been the favorable comments regarding the bloodless Taiping takeover. As for this latest occupation, the report of the correspondent for the China Mail speaks eloquently: \"The rebels retreated through the west gate; the pirates then entered the city and began the work of destruction, and in a few hours did more damage than the rebels did in the whole of the five months that they had possession.\" The same account goes on to speak of the executions and the tortures that were perpetrated over the next couple of days, and notes specifically that the British Consul's Chinese servant was \"one of the principal murderers and torturers of the poor fellows found in the city.\"39 Cheng A-fu was subsequently given the status of a petty official in Ningpo, as a reward for his service.40", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206238, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 55, "title": "RAS-1971", "content_text": "THE DEBATE ON NATIONAL SALVATION\n\n49\n\nThat there be sufficiency of food, sufficiency of military equipment, and the confidence of the people in their ruler from of old, death has been the lot of all men; but if the people have no faith in their rulers, there is no standing for the state.\n\nI (4) was skilful at archery, and Ao (R) could move a boat along upon the land, but neither of them died a natural death. Yu (§) and Chi () personally wrought at the toils of husbandry, and they became possessors of the kingdom.\n\nNOTES\n\n1 For Tseng Chi-tse, see Arthur W. Hummel, Eminent Chinese of Ching Period Vol. II, pp. 746-747; Lee En-han, Tseng Chi-tse ti wai-chiao, Taipei, 1966.\n\n曾紀澤的外交\n\n2 Cf. Boulger D. C., The Life of Sir Halliday Macartney. London 1908.\n\n3 Boulger D. C., op. cit., pp. 433-435. Papers which published Tseng's work include the China Mail in Hong Kong, the North China Herald in Shanghai and the China Times in Tientsin. In Hong Kong, Tseng's article appeared in the China Mail only. However, many historians have mistaken the Daily Press of Hong Kong for the China Mail. This confusion first appeared in Ko Kung-chen's Chung-kuo pao-hsüen shih, Shanghai, 1927, Ch. III, p. 20. Recent Japanese scholars in the field of modern Chinese Studies have followed Ko Kung-chen's mistake. Cf. Onogawa Hidemi - \"Kai Kei Ko Reien no 'Shinsei Rongi'\" Oriental Studies in honour of Juntaro Ishihama on the occasion of his seventieth birthday, Kansai University, Osaka, 1958 pp. 121-133; Watanabe Tetsuhiro, \"Kai Kei Ko Reien no 'Shinsei Rongi'\" Ritsumeikan bungaku, Journal of the Ritsumeikan University, Kyoto (1961) pp. 59-75.\n\n4 Tseng's work was translated into Chinese by Yen Yung-ching and Yüan Chu-i. Both were graduates of the Peking Tung-Wen Kuan. The title of the Chinese version is Tseng-hou Chung-kuo hsien-shui how-hsing lun; cf. Hsin-Cheng chen-chüan ch'u-pien; Tseng-lun shu-hou fulu; Huang-chao hawi wen-pien, chuan i, pp. 32-37; North China Herald, Vol. 38, No. 1021, Feb. 16, 1887, p. 181; Dispatches From U.S. Ministers to China, Microcopy No. 92, The National Archives of the United States, Roll 80, No. 340, Denby to the Secretary of State, March 21, 1887.\n\n5 North China Herald, Vol. 38, No. 1023, March 2, 1887 p. 229.\n\n6 Ibid. Vol. 38, May 27, 1887, p. 569,\n\n7 Foreign Relations of the United States, 1887, No. 158, Denby to Bayard, March 8, 1887, pp. 196-197. Dispatches from U.S. Ministers to China, Microcopy No. 92, Roll 80, No. 328, Denby to Bayard, March 8, 1887. Denby further pointed out that Tseng purposely ignored the importance of the evangelical missions in China in his article. Denby believed that Christian activities were directly supported by foreign powers in China. The priests were always acted as the mediators between the Western Powers", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 145, "title": "RAS-1971", "content_text": "THE DISTRICT WATCH COMMITTEE\n\n139\n\n36 In 1917 there were 31 guilds for employers only (in trades such as silk, sandalwood, wicker furniture and copper), 35 skilled craftsmen guilds (sandalwood workers, masons, tinsmiths, etc.) and 5 guilds with mixed membership (employers and workers). There were also 17 district societies, such as the Heung Shan (Hsiang-shan) resident merchants association and the General Commercial Association of the Tung Kun (Tung-kuan) merchants resident in Hong Kong. See the list of exempted and registered societies in the Gazette, 27 April 1917.\n\n37 Wei Yuk was appointed in 1891 and served until his death in 1929. He resigned several times in order to allow a newcomer to join the Committee but was soon re-appointed. Lau Chu-pak was appointed in 1902 and served until his death in 1922. Sir Shouson Chow was appointed in 1917 and was still a member in 1949, the year of the demise of the Committee.\n\n38 During the years 1929 to 1931 and in 1936 the Committee met four times a year at Government House. Lennox Mills states that members had the right to a guard of the District Watch Force on the occasion of weddings and other festivities'. The Secretary for Chinese Affairs tells us in his report for 1936 that through the kindness of His Excellency the Committee was able to meet the members of the Mui Tsai Commission on the occasion of their first visit to the Colony, 'All members attended and there was a valuable discussion with frank interchange of views'. When the Governor, Sir Henry Blake, left the Colony in 1903 on the day of his departure he inspected the District Watchmen. Clearly, everything was done by the government to give prestige and éclat to the Committee and the force.\n\n19 T. C. Cheng, op. cit., p. 18.\n\n40 Of the Chinese land population in the 1901 census 227,615 returned themselves as natives of Kwangtung Province, 179,296 of this number belonging to the Kwong Chau Prefecture, 28,844 came from Tung-kuan hsien, 28,587 from P'an-yü hsien, and 27,221 from Nan-hai hsien. The situation was substantially the same in the censuses of 1911, 1921 and 1931. In 1911, for example, 311,992 out of 350,418 Chinese in Hong Kong, exclusive of the New Territories, spoke Cantonese,\n\n41 Op. cit., pp. 399-400.\n\n42 Heung Shan, present-day Chung Shan, is the arid county on the west side of the Pearl River, stretching down to Macau. It was the Heung Ha, the Cantonese term for the province, district or village from which each person derives his ancestry, of many prominent Chinese, including Ng Choy (Wu Ting-fang), Yung Wing (Yung Hung), Wong Shing (Huang Shêng), and Sun Yat-sen. Many Chinese merchants in Hong Kong came from this county; for example, Wei Yuk, Ma Ying-piu (founder of the Sincere Company), M. Y. San (before 1941 the largest biscuit manufacturer in China), Tsang Foo, Look Poong-shan (founder of the Bank of Canton). Su Chao-cheng, organiser and leader of the Seamen' Strike in 1922, came from this county; in 1928 Su was elected to the Central Political Bureau of the Chinese Communist Party. The anarchist, Liu Ssu-fu, was also born there. In 1938 the Chung Shan Commercial Association had a membership of over 4,000 in Hong Kong.\n\n43 In 1905, for example, at least seven members of the Committee were compradores to important western firms; one was manager of a native bank; another of a prosperous pawnshop; a third ran a large export firm. Ho Kai was primarily a financier rather than an entrepreneur. See on this point the Chinese speculator Marie-Claire Bergère, \"The Role of the Bourgeoisie' in M. C. Wright, ed., China in Revolution: The First Phase 1900-1913, New Haven, Yale University Press, 1968, p. 236.", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206474, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 22, "title": "RAS-1972", "content_text": "16\n\nDR. F. I. TSEUNG\n\nstitute for santonin for the treatment of round worms. The treatment of leprosy with Chaulmoogra is an old-time remedy of China, and only in recent years was brought to light by western-trained doctors.\n\nThe now famous Ephedrine, which took Europe and America literally by storm, is derived from ma huang (**), a Chinese herb which has been used in China for treating asthma for more than four thousand years. It was first brought to the notice of the western world by Dr. K. K. Chen in 1926 and has since been extensively used everywhere.\n\nThere are still many other drugs which are still unknown to the outside world and which require scientific investigation. Such investigation would undoubtedly result in many remedies of great value being found. It is interesting to note that the Chinese people pay great attention to food and nutrition. An analysis of Chinese foods shows that they are rich in vitamins and other nutritional elements.\n\nAcupuncture (+), consists of puncturing certain points of the body with needles of all kinds. 367 such points are described, each having its own name and supposed relationship with internal organs. In the Sung dynasty a copper model of the human body was made which was pierced with holes at the proper places for puncturing. The figure was covered with paper, pasted on, and the student was required to learn where to drive the needle. Acupuncture spread to Japan very early. It was introduced into Europe by Ten-Rhyne, a Dutch surgeon, at the end of the 17th century and was much extolled in France early in the 19th century. Recently Sir James Cantlie and others tried it on sprains and chronic rheumatism and reported very favourably on it. Owing to the ignorance of asepsis by native doctors more harm than good is done by its practice. But sometimes miraculous results are witnessed and with further scientific investigation it might, no doubt, prove a valuable addition to our armamenta.\n\nMassage has been practised from time immemorial. Its value was fully recognized, and in the Tang dynasty it was elevated as a science, forming one of the seven departments of medicine. A special chair was established with a professor in charge. After the Sung dynasty it degenerated and at the present day it is mostly in the hands of the barbers and the blind. Massage was first brought to", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206475, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 23, "title": "RAS-1972", "content_text": "CHINESE MEDICINE\n\n17\n\nEuropean notice in the last century through the publications of the Jesuit fathers.\n\nPreventive medicine was only stressed in recent years by scientific medical men, but in China the idea that \"Prevention is better than cure\" has been advocated long ago. I quote the following passages from different writers in support:\n\nIn the Su Wen (†), The Basis of Chinese Medicine, supposed to be edited by Emperor Huang Ti (†), it is said: “The sage does not treat those who are ill but those who are well.\" Huai Nan-tzu (††) said: \"The good doctor pays constant attention to keeping people well so that there will be no sickness.” In the Difficult Classic (##) (Nan Ching), it is said: \"The skilful doctor treats those who are well but the inferior doctor treats those who are ill.\" In the Nei Ching (#) Canon of Medicine, it is said: \"The good physician first cures the disease of the nation, then human ailments.\"\n\nHygiene and Public Health were also in an advanced state during the Chou (B) dynasty. The writings of Confucius (R), Huai Nan-tzu (†), Kuan Chung (4) and others contain numerous references to them. Thus, as regards food and drink, Confucius advised one to abstain from rice which had been injured by heat, moisture and turned sour; fish and meat that was stale; what was discoloured; what was of bad flavour; anything that was not in season, etc. The relation between contaminated food and disease was recognized. The Confucian Analects (3) said: “Diseases enter by the mouth.\" \"Eat nothing that is improperly cooked.\" \"Meat and wine bought from the street stands must not be taken.”\n\nMany of the so-called \"new\" methods can be traced back to China. Take for instance Fletcherism; that is, thorough mastication of food. It was first advocated by an American, named Fletcher; hence the term. Mr. Gladstone, the Grand Old Man of England, who lived to be 85, was so convinced of its benefits that he chewed every mouthful of food 36 times before swallowing it. Strange to say, Ho Yang-heng long ago described: \"Rice (i.e. food) should be chewed into pulp before swallowing. It nourishes the heart and abdomen. It tastes better and is more nutritious.\n\nAgain, health advocators teach that the teeth should be brushed twice a day. It is interesting to note that Sun Szu-mo (R) of", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206511, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 59, "title": "RAS-1972", "content_text": "THE ESTABLISHMENT OF THE TSUNGLI YAMEN\n\n53\n\nmaster a foreign language then memorialize requesting that he be rewarded.\n\nAs regards duties on foreign goods at the ports, it has been agreed that at present twenty per cent of the value of the duties shall be deducted and handed back, and a joint record maintained'. Also there are barbarians who are helping to manage revenue matters20. It should be made absolutely clear how much revenue is to be collected each month, so that it does not result in misappropriation and embezzlement. But in future, after the amount withheld has been cleared, let Prince Kung and others further concentrate on deciding what appropriate regulations ought to be fixed so that after a period of time malpractices do not grow up. As regards any other arrangements to be made let them also carefully deliberate and memorialize from time to time.\n\nFor an examination of the implications of these two important documents the reader is referred to Banno's China and the West, pp. 223-236.\n\nNOTES\n\n1 Harvard University Press, 1964.\n\n2 Bruce to Russell, No. 51, May 23, 1861, FO17/352.\n\n3 Teng Ssu-yü and John K. Fairbank, China's Response to the West, Harvard University Press, 1954, 47-48; 73-74.\n\n4 Masataka Banno, China and the West 1858-1861, 220-221.\n\n5 Meng Ssu-ming, The Tsungli Yamen: Its Organization and Functions, Harvard University Press, 1962, 20-21.\n\n6 Translated in collaboration with Mr. Vei-Tsen Yang, formerly of the Department of Chinese Studies, University of Hong Kong, now Special Lecturer in the Department of East Asian Studies, University of Toronto.\n\n7 The Chinese text is in Ch'ou-pan i-wu shih-mo (#MR#&*) Hsieng-feng, 71: 17b-26.\n\n8 During the time of the Three Kingdoms Liu Pei, the founding ruler of the Kingdom of Shu, invaded the Kingdom of Wu in order to avenge the death of Kuan Yü. He suffered a crushing defeat and died soon after. After the accession of his son to the throne in 223 B.C. the chief minister Chu-ko Liang sent Teng Chih as an envoy of good will to Wu, which resulted in a rapprochement between the two states. See San-kuo chih, chuan 35 and 45 for the biographies of Chu-ko Liang and Teng Chih.\n\n9 In fact the emperor was at the summer palace at Jehol. Since the emperor had fled from the enemy the term hsing-ying ('travelling headquarters') was used rather than pi-shu shan chuang ('avoiding the heat hill palace') for reasons of face.\n\n10 At this time the prince-ministers in charge of the travelling headquarters were Tsai-yuan, Prince I, and Tuan-hua, Prince Cheng. Ministers of the imperial presence at this time were: Prince I, Prince Cheng, Su-shun and Ching-shou. Of these Su-shun was the dominant figure and was entrusted with the main responsibility for affairs at the travelling headquarters (also referred to in English as \"the temporary court\"). There were four Grand", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206541, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 89, "title": "RAS-1972", "content_text": "SIR JAMES HALDANE STEWART LOCKHART\n\n54 Index to the Tso Chuan, p. iii of Lockhart's preface.\n\n55 Ibid., p. iii.\n\n56 T'oung Pao, vol. xxix, 1932, p. 180.\n\n83\n\n57 On the study of folklore see Alan Dundes (ed.), The Study of Folklore, Englewood Cliffs, New Jersey, 1965.\n\n58 N. B. Dennys (1840?-1900), a student interpreter in the Consular Service, published in Hong Kong in 1867: The Folklore of China, and its affinities with that of the Aryan and Semitic Races. It was a reprint of a series of articles first published in the China Review. Dennys' study is influenced particularly by the work of Max Müller. A typical example of Dennys' conjecturing would be the following: 'But what are we to make of the monotheistic spirit pervading the numerous sayings in which the \"Heaven\" of the Chinese answers to the \"God\" of Christian Europe or the \"Jehovah\" of the chosen race? Is this the spontaneous invention of an isolated people, or is it the surviving trace of a long-forgotten worship, when the ancestors of the Chinamen and the Semite worshipped at the same tomb?' (p. 155). See also Thomas Watters, 'Chinese Fox-Myths', JNCBRAS, vol. viii, 1873. The article by E. T. C. Werner, 'China's Place in Sociology', China Review, vol. xx, 1891/92, pp. 303-310, provides another example of the speculative thinking current among the educated in the 1880s.\n\n59 Lockhart's circular was also printed in the JNCBRAS, vol. xxi, 1886, p. 120.\n\n60 China Review, vol. xiv, 1885/86, p. 352.\n\n61 In 1860 the Hong Kong Daily Press published a separate newspaper in Chinese. This was the Chung Ngoi San Po and its first editor was Wong Shing (Huang Shêng).\n\n62 The collection contains over 600 letters from R. F. Johnston to Lockhart.\n\n63 JNCBRAS, vol. xlvii, 1916, p. 152.\n\n64 Arthur Bradden Cole, An Encyclopedia of Chinese Coins, New Collegiate Press, Kansas, 1967, vol. 1, p. 335.\n\n65 South China Morning Post, 5 January, 1972.\n\n66 Jean Gittins, Eastern Windows, Western Skies, Hong Kong, 1969, p. 47.\n\n67 The Times, 4 March, 1937. See also the obituary in the North-China Herald of 10 March, 1937. The South China Morning Post on 1 March, 1937, declared that Sir James' name is immortalised in Hong Kong by Lockhart Road on the Praya Reclamation.' Lockhart received the C.M.G. in 1898 and became a K.C.M.G. in 1908.\n\n68 R. F. Johnston's obituary notice of Lockhart: Journal of the Royal Asiatic Society for 1937, p. 393. Johnston states he was one of the first to receive the honorary degree of LL.D from the newly founded University of Hong Kong. He received this honour in 1919 and was in fact the twelfth person to be so honoured.\n\n69 See, for example, Lockhart's letter to Dr. G. E. Morrison after Morrison's speech to the China Association in 1907: 'I admired your pluck', Lockhart wrote, 'in telling your hosts what could not have been entirely pleasing to their self-satisfied ears, and in giving expression to what you well know will not make you popular with the white men in the Far West. You boldly advised removal of the troops. See Cyril Pearl,", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206695, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 243, "title": "RAS-1972", "content_text": "BOOK REVIEWS \n\n237\n\nthe path of English speakers learning Mandarin. A pronunciation problem exists because most English speakers do just what Huang directs them to do, i.e., make voiced-voiceless contrasts for these initial sounds instead of the voiceless aspirate-inaspirate contrasts made by the native speakers. If such mistakes are understood by the native speaker it is only because they are adapting to the pronunciation errors and not because the errors are unimportant. Such adaptation is of course automatic and easy if this is the only mistake a beginner makes. However, any beginning student can be expected to add mispronunciations of tone and vowel to the problem of the initials and it is clear that the pronunciation errors can easily multiply beyond the ability of the native speaker to compensate for them. In the long run every area of mispronunciation is equally important and the language instructor cannot afford to let students reinforce any weaknesses.*\n\nIt is ironic that many older works were more accurate than Huang in this respect. Wade-Giles p', t', etc. represent a clear attempt to demonstrate that these contrasts were NOT voiced versus voiceless. Huang misses the point altogether when (pp. xx-xxi) he says \"voiceless plosives should be written as P, T, K, and the voiced ones simply as B, D, G.\" The Yale system uses such a symbolization but obviously the symbols themselves are totally unimportant, purely a matter of agreement among the users. The critical point is how these symbols are related to pronunciation in articulatory terms. Here Huang misdirects the student, while the textbooks using the Yale romanization write b, d, g, but clearly describe them as representing voiceless consonants.\n\nHuang continues to mislead his readers by equating English and Chinese sounds when they are not equal. On page xxvi he equates Mandarin yi with the English vowel in see. This is phonetically inaccurate and touches on another common area of mispronunciation in Chinese. The English vowel as in see normally has an off-glide [-iy] with a shift in position of articulation. The Chinese vowel in yi has no offglide and, after the initial consonant or semiconsonant, is pronounced as a pure vowel [-i]. A similar situation exists\n\n*Y. R. Chao suggests (Mandarin Primer, p. 21) that, failing to master voiceless initial stops and affricates, the student may \"as a last resort\" pronounce them as their voiced English counterparts. He then notes, \"The use of voiced consonants.... is not absolutely correct and will give a strong foreign accent.\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206728, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 5, "title": "RAS-1973", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT FOR 1972 -\n\nHON. TREASURER'S REPORT FOR 1972 -\n\nTHE LIBRARY, 1972 -\n\nARTICLES:\n\n \n Page\n \n \n \n 1\n Transactions of the China Medico-Chirurgical Society, 1845-46 — H. A. RYDINGS\n \n \n 11\n The Yaumatei Typhoon Shelter, Hong Kong, 1900-1915 A. J. S. LACK\n \n \n 13\n The Kam Tin Gates PETER WESLEY-SMITH\n \n \n 28\n Early Steamships in China-A. D. BLUE\n \n \n 41\n \n \n \n 45\n Persians, Arabs and Other Nationals In T’ang China CHIU LING-YEONG\n \n \n 58\n Swatow (Ch'auchow) Horizontal Stick Puppets - HELGA WERLE\n \n \n 73\n Five 19th Century Kwangtung Art Catalogues CHUANG SHEN\n \n \n 85\n \n \n\nREPRINTED ARTICLES\n\n \n Legends and Stories of the New Territories: Kam T'in SUNG HOK-P'ANG (with a memoir of the author by Lo Hsiang-lin)\n 111\n \n\nNOTES AND QUERIES\n\n \n Notes on Chinese Temples in Hong Kong — CARL T. SMITH\n 133\n \n \n 'Ling Chih' at Canton, 27th May 1886 Hai Ju; Ming Patriot, Spark for Revolution and God\n 139\n \n \n KEITH STEPHENS\n 144\n \n \n Another Volontieri Map? -\n \n \n \n William Thomas Mercer (1822-1879) Hong Kong's Poet Laureate? HENRY JAMES LETHBRIDGE\n 146\n \n \n Old Bills of Lading (McMullen Collection) — H. A. RYDINGS\n 151\n \n \n Visit to the Sukhothai Sites in Thailand — MICHAEL SMITHIES\n 154\n \n \n Deep Bay Marshes\n 163\n \n \n \n 168\n \n\nBOOK REVIEWS\n\n \n \n 169", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206791, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 68, "title": "RAS-1973", "content_text": "62\n\nCHIU LING-YEONG\n\nT'ang government to maintain the security and prosperity of these multi-racial cities harmoniously and peacefully.\n\nII\n\nIn T'ang China, apart from the capital Ch'ang-an and the Eastern capital Lo-yang, the most prosperous cities within the Empire were Kuang-chou, Yang-chou, Chiao-chou, and Ch'üan-chou.16 These cities were all centres of Persian and Arabian trade. There were a large number of Persians and Arabs living in these cities. In A.D. 760, when T'ien Shen-kung raided Yang-chou, it was recorded that several thousands of Persians and Arabs were massacred.17 It is not clear whether this was an isolated incident or an act of retaliation because the Persians and Arabs had sacked Canton in A.D. 758.18\n\nIt was also believed that Huang Chao had killed thousands of foreign merchants when he captured Canton in A.D. 878.19 The large number of Persians and Arabs killed in Yang-chou and Canton confirmed that the foreign population in these cities was indeed very large. Activities of Persians and Arabs in these cities were confined to maritime trade because the majority of them were merchants. There were also Islamic disciples who came to China with the intention to preach. In the reign of Wu-te (A.D. 618-626), four Islamic disciples were dispatched to China to spread the Mohammedan faith. Of these four, one was posted in Canton, one in Yang-chou and the other two were stationed in Ch'üan-chou.20 There is evidence that some of these Persians, Arabs and Uighurs were also engaged in the restaurant business in Yang-chou and Ch'ang-an. It was recorded that they made very good hu-ping, yu-chien ping and pi-lo.21 Ssu-ma Kuang mentioned in his Tzu-chih t'ung-chien that when Hsüan-tsung took his 'Imperial Excursion' to Szechuan during An Lu-shan's rebellion, the 'Excursion' set off so suddenly that the Emperor had no chance to bring his chef with him. His brother-in-law, Yang Kuo-chung therefore, had to buy hu-ping for him during their journey to the West China.22\n\nThe Persian and Arabian merchants brought to China precious stones and hsiang-yao; and they always could earn a fortune very easily by these commodities. Financially speaking, maritime trade had become very important in the beginning of the eighth", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206795, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 72, "title": "RAS-1973", "content_text": "66\n\nCHIU LING-YEONG\n\nThe style of I-seng was of Iranian origin, in which modeled and shaded polychrome figures seemed to stand out in relief, or even to float free from their background. His style is believed to have influenced Wu Tao-hsüan and to be traceable in the caves of Tun-huang.\n\n35\n\nFrom Chinese sources, Ta Yü-chih had three paintings extant in T'ang period, namely: (1) Liu-fan tu; (2) Wai-kuo pao-shu tu (the six foreigners); and (3) Po-lo-men tu (exotic tree from foreign country); (the Brahmara). However, according to Hsüan-ho hua-p'u, there were seven paintings of Hsiao Yu-chih's work, kept by Sung Hui-tsung, namely:\n\n1. Icon of Maitreya 彌勒佛像一;\n\n2. Buddhist icon 佛鋪圖一;\n\n3. Buddhist followers 佛從像一;\n\n4. Buddhist followers from foreign country 外國佛從像一;\n\n5. Avolokitesvara 大悲像一;\n\n6. Vidyaraja 智;\n\n7. Foreigners36;\n\nThese seven masterpieces were kept by the Emperor in the Inner Palace. Some of I-seng's paintings are still kept by collectors either in China or America, like the Dancing girl of Kucha #✯✯; A Sitting God 坐神; Buddha under the Mango Trees 吉羅林果佛; and Drunken Monk 醉僧圖.\n\nThe Yu-chihs were also masters of mural-paintings. Some of their works can still be found in temples and pagodas in China. In the Sung period, their works were classified as shen-p'in (divine category). I-seng also introduced the 'iron-wire' line to China—the Western technique of using a line of unvarying thickness to outline figures.37 I-seng, according to Chang Yen-yüan, had brought new light to Chinese painting and made more paths for painters of the later generations to develop.\n\nCh'in Ming-ho\n\nAt th...\n\nIn the field of medical science in T'ang China, Professor Lo Hsiang-lin inclines to believe that Persians had made tremendous contributions, especially in surgical operations. In A.D. 683, a Persian known as Ch'in Ming-ho, performed a neurosurgical", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206800, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 77, "title": "RAS-1973", "content_text": "PERSIANS, ARABS IN T'ANG CHINA\n\n71\n\n23 Ch'en Yu-ching, p. 19; Wang Gungwu1, 'The Nanhai Trade', Journal of the Malayan Branch Royal Asiatic Society, vol. 31, part 2, chapter 7, \"The Middlemen and the Spices 618-960 (II), (Kuala Lumpur, 1958).\n\n24 CTS, chüan 89; HTS, chüan 116.\n\n25 TCTC, chüan 203; Wang Gungwu, pp. 75-76. The passage from TCTC follows Wang Gungwu's translation.\n\n26 CTS, chüan 89; HTS, chüan 116.\n\n27 Tung Hao and others, eds., Ch'üan-Tang wen♬ X (A.D. 1814 edition), chüan 291.\n\n28 Hsiang Ta, pp. 38-39.\n\n29 Ibid., Schafer, p. 21.\n\n30 Wang Ch'i±1 ed., Li T'ai-po wen-chi4★ø̇ (A.D. 1758 edited), chüan 3, 'Ch'ien yu tsun-chiu hsing'☀☀f The Chinese version is as follows:\n\n嬰獒龍門之綠桐，玉壺美酒清若空口\n\n催舷梯往與君飲，看朱成碧顏始缸口\n\n胡姬貌如花，當爐笑春風，笑春風，\n\n笑春風，舞羅衣，君今不醉將安歸。\n\nThe translation here follows Schafer's.\n\n31 Hsiang Ta, pp. 41-47.\n\n32 Yüan-shih chang-ch'ing chiZAŁA (1929 edition), chüan 24, p. 5, 'Fa Chu'. After Schafer's translation. Schafer, p. 28.\n\n33 Liu Mau-tsaiA†, 'Kulturelle Beziehungen zwischen den Ost Türken (Tu-Küe) und China', Central Asiatic Journal 3:3:199 (The Hague and Wiesbaden, 1957-58). The dictionary is 'T'u-chüeh yü'*A* See Schafer, p. 285, n. 175.\n\n34 Cf. S. W. Bushell, Chinese Art, Victoria and Albert Museum Handbook (London, 1906), chapter 12; Osvald Siren, Chinese Painting (London, 1956) I, 71; Arnold Silock, Introduction to Chinese Art and History (Oxford, 1948), p. 181; Arthur Waley, An Introduction to the Study of Chinese Painting (London, 1923), p. 108; Jitsuzo Kuwabara, 'Zui-To-jidai ni Shina ni raiju shita seikijin ni tsuite'隋唐時代に支那に来往した番域人に就いて Naito Hakase Kanreki shukuga shukuga Shinagaku ronsoAKŁET#***$*£ (Tokyo, 1926; *ˆ†±‡ƒ), pp. 643-644; Chuang Shen#, 'Sui-Tang shih-tai Yü-tien tsu-chih chi fu-tzu hua-chia'MAARTA##, Lishih yü-yen yen-chiu-so chi-k'anAt*7*ƒƒ4N (Bulletin of the Institute of History and Philology), Extra Vol. 4, part I, pp. 403-454 (Academic Sinica, Taiwan, 1960).\n\n35 Schafer, p.\n\n36 Chuang Shen, pp. 408-416.\n\n37 Ibid., pp. 440-443.\n\n38 TCTC, chüan 203, p. 6415. For Ch'in Ming-ho and Li Hsün, I am indebted to Professor Lo Hsiang-lin's stimulating article 'Hsi-chu po-ssu chih Li Hsün chi ch'i Hai-yao pen-ts'ao'±Ùƒ±‡HZ‡❀$$‡ Symposium on Chinese Studies Commemorating the Golden Jubilee of the University of Hong Kong, 1911-1961. F. S. Drake, ed., (Hong Kong, 1964) II, 217-240.\n\n39 For Ch'ung ICTH, chüan 95 see Lo Hsiang-lin's article on Li Hsün; also", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206806, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 83, "title": "RAS-1973", "content_text": "SWATOW HORIZONTAL STICK PUPPETS\n\n77\n\nbeing 2-3 feet high but cannot remember how they were manipulated. They were probably Fukienese string-puppets, which would not be surprising, as Fukienese Min-nan opera groups were popular in Ch'aochow, so why not Fukienese puppets? In Mr. Su's home, in Ch'aochow city, the greatest pleasure children derived was to play their own leather-shadow puppets behind the paper-screen. Besides the ceremonial puppet-shows at the temple festivals there were always puppet-shows performed for public entertainment in those days. He recalls that the leather shadow-puppets were by far the most interesting to watch.\n\nApart from traditional subjects, they offered a kind of political cabaret caricaturing the confusion after the 1911 Revolution or performing an amusing burlesque. They are said to have given realistic renderings of the feats and behaviour of the warlords and bandits who roamed the country between 1911 and the 1930s. These street performances were usually given by a team of two opera-singers who were too old to perform on stage. From a bamboo pole balanced on their shoulders hung a bundle of personal belongings at the rear end, and a trunk containing puppets, stage, and musical instruments at the front end. The two would set up their bamboo-frame stage in a rich private house or a public square, adjusting their lamp behind the paper-screen. They manipulated the puppets, spoke, sang, and played musical instruments using their mouths, hands, and feet simultaneously.\n\nOne very special occasion in Ch'aochow was the lantern festival on the fifteenth day of the first moon, when puppets were of prime importance. In the evening, a crowd would throng the streets to find a place at one of the many puppet-performances. Street-vendors offered puppets, with delicate heads made of clay and complete with clothes, for sale. The puppets looked exactly like those for performances, but were immovable and had no sticks at their hands or back. If parents wished to have a son or a daughter, or a groom or bride for their children, they would buy an appropriate doll on this day and keep it at home.\n\nThe transition from shadow to round puppets is clearly stated in the Chinese literary sources.* It is there repeated that shadow-puppets came to Ch'aochow in the Sung dynasty and were always performed behind a paper-screen on a bamboo-frame called chu-chuang44* (bamboo-window); and that by the end of last century\n\n* See Liu and Sun under Bibliography to this article.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206807, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 84, "title": "RAS-1973", "content_text": "78\n\nHELGA WERLE\n\n(sun-win- \n\na glass-screen came into fashion called yang-chuang dow). With the glass-screen the puppets became round, their bodies were made of straw, hands and feet of paper, the head of clay, the costumes were copied from the string-puppets, sticks were attached to the hands and the back, and then these puppets were called yuan-shen chih-ying-hsi | ✯✯✯ (round-body paper-shadow play). Later, it is stated, the glass-screen was discarded and curtains were attached to the bamboo-frame, but nevertheless it continued to be called 'Paper-shadow-play'.\n\nAll over China the shadow-play was called p'i-ying-hsi ★BA \"Leather-shadow-play\" because the figures were cut out of leather, but in Ch'aochow strangely enough this term was never used. Referring to the paper-screen it was always, and is still now, called \"Paper-shadow-play\" and I met several Ch'aochowese who were convinced that their shadow-figures were cut out of paper. The misinterpretation is probably due to the name.\n\nThis description of development suggests many questions. Why should a light, convenient and cheap paper-screen be given up for a glass-screen, which is heavy, expensive, easy to break and almost impossible to transport? How should a hawking puppeteer carry a delicate glass-screen with his bundle and box? Was the fascination of the newly imported foreign glass-windows so great that they were adopted for the 'paper-shadow-play' in order to lend it new attraction? And if there was a glass-screen, was it translucent imitating the paper-effect or was it transparent window-glass? This question is important, because the difference would decisively influence the shape of the puppet. The name 'Sun-window' could also suggest that the shadow was not produced by an oil-lamp, but sunlight.\n\nOld Ch'aochowese vividly recall impressions of the shadow of puppets appearing on a paper-screen, but I heard no one speaking of glass. Being unable to find a logical reason for adopting a glass-screen, I would like to consider it the invention of an author who tried unsuccessfully to explain the disappearance of shadow-puppets in Ch'aochow.\n\nSome Characteristics of Ch'aochow Puppet Opera\n\nI turn now to consider various aspects of Ch'aochow puppet history. Among these, the patron saint of puppets shows certain interesting characteristics. Whilst the Peking opera actors venerate the emperor T'ang Ming Huang (713-742), who was the founder of", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206808, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 85, "title": "RAS-1973", "content_text": "SWATOW HORIZONTAL STICK PUPPETS\n\n79\n\nthe Pear-Garden Opera School, the Ch'aochow actors and puppe-teers have backstage a tablet or image of Feng-huo-yuan T’ien-yuan-shuai. Feng, the First Heavenly Commander. His biography can be found on page 125 of E.T.C. Werner, A Dictionary of Chinese Mythology, and reads as follows: \"Tien Hung-i, his real name, was the second of three brothers, Hsun-liu and Chih-piao who, during the K'ai-yuan Period (AD 713-742) of the T'ang Dynasty became famous court musicians....\n\n\"They were such skilled players that even clouds stopped to listen to them, and the la-mei hua (very fragrant flowers which open only in the coldest part of the winter) blossomed. The Emperor having fallen ill, saw them in a dream playing the mandolin and violin, and was promptly restored to health. As a reward he bestowed on them the title of Marquis.\n\nA ravaging epidemic having broken out, the Grand Master of the Taoists sought the musicians' aid. T'ien Yuan-shuai had a large shen-chou, spirit-boat, built, and called together a million spirits, whom he instructed to beat drums placed on it, whereupon all the demons came out of the city to listen to the music, and were seized and expelled by the musician and the Taoist Grand Master. This is said to be the origin of the dragon-boats to be seen everywhere in China on the fifteenth day of the first moon,\n\nChang Ta-shih having recognised his great ability and power, memorialized the Emperor, who canonized the three brothers as Marquises, and all the members of their family and near relatives were given posthumous titles.\"\n\nThis account indicates clearly the Feng was chosen as a patron: namely for the beauty of his music and its magical power of exorcising the evil spirits. It shows a very basic approach to music and brings to mind the many opera and puppet-performances which are staged by the Ch'aochowese at all festivals and ceremonies that deal with ghosts of which the main one is the Ta-chiu in the 7th lunar month. As a contrast it is interesting to know that the Peking opera actors have chosen T'ang Ming Huang, who already in his life time was a patron of opera as a sophisticated entertainment of the court.\n\nAnother interesting characteristic of Ch'aochow puppets (though not unique to them) is the ceremonies required to cleanse the theatre stage. Besides the veneration of the patron saint the ceremony of", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206811, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 88, "title": "RAS-1973", "content_text": "82\n\nHELGA WERLE\n\ndissolved in 1964 when because of lack of business the old leader got so desperate that he threw his puppets literally into a rubbish-bin. The third group Tung-i still exists under the leadership of Wu Mu-sen and Ch'en Yung-ming. Their puppets are older and much larger than those of the Hsin-shun-hsiang troupe, and are very seldom used now.\n\nWhen Wang Chiao-tsou died his eldest son Hsi-ch'in continued the Hsin-shun-hsiang Troupe. He usually plays the Yeh-hu, for which he is very renowned, in the opera-orchestras. This is a two-stringed violin of which the sound box is made of a coconut shell. Five of the seven brothers and sisters Hsi-ch'in, Hsi-tang, Hsi-yü, Hsi-ch'ing and Hsi-hsien are all versatile musicians or singers, joining in the puppet or opera performances. There are also six artists of the older generation with 30-40 years' experience performing with them. They are Li Chen-chiang, Huang Shun-ch'i, Ma Chen-huan, Chang Chung-liang, Li Han-t'an and Chiu Hsüeh-ching.\n\nDuring a typhoon in 1960 Hsi-ch'in's squatter hut was flooded and most of his puppets were destroyed. He travelled to Ch'aochow to replace them, but he could not find any old ones. Fortunately, he found an old-puppet-maker who made a new set which he took to Hong Kong, and it is used now by his troupe and also by the Tung-i Troupe.\n\nToday, there are about sixty puppet-bodies and eighty puppet-heads, belonging to these two troupes, the Hsin-shun-hsiang and the Tung-i. They give no more than seven performances a year between them. They are still called by Ch'aochow associations to perform at the festival of the T'ien-kung Chi on the 5th day of the first month, the festival of Po-kung Fu-te Ta-yeh on the 29th day of the third month and to the ceremony of Hsieh-shen (thanking the gods) in the 12th month. Although the name of either of the groups invited to perform appears on top of the curtain, the puppets, puppeteers, musical instruments and musicians are mostly the same. The fee is handed to the leader of the troupe who, together with the leader of the orchestra, keeps a larger share. The rest is distributed equally among all the other performers, puppeteers and musicians.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206813, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 90, "title": "RAS-1973", "content_text": "84\n\nHELGA WERLE\n\nChang Po-chieh : 'Ch'ao-chü Yüan-Liu Chi Li-shih Yen-ke', in Ch'ao-chü Yin-Yueh, Canton, 1956. MHAKAARST. NOTA 廣象。\n\nHuang Hua-chieh : Chung-Kuo Ku-chin Min-chien Pai-hsi, Taiwan, 1967, Ren Ren Wen-k'u Series, No. 383.\n\nKuan Chün-che : Pei-ching Pi-ying-hsi, Peking, 1959.\n\nLiu Fu-kuang : 'Ch'ao-chou Chih-ying-hsi Chien-chieh', Hong Kong Arts Centre Bulletin, Feb. 1974.\n\nSun Kai-ti : Kwei-lei-hsi K'ao-yüan, Shanghai, 1953.\n\nWu Ting-hung : Zhen-yang-yen mu-ou-hsi, Shanghai, 1954.\n\nWhere no sources are quoted, the statements made in the text are based on first-hand observation and interviews. H.W.\n\nPage 90\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206814, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 91, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES BY 19TH CENTURY KWANGTUNG ART COLLECTORS\n\nCHUANG SHEN*\n\nIntroduction: Chinese Paintings and the Compilation of Art Catalogues\n\nAlthough wall painting is the most historic form of Chinese painting, few of them survive today. With regard to other types of painting, Ku K'ai-chih's \"Admonition of Court Ladies\" (Nu-shih-chen t'u), a work executed in the fourth century Chin dynasty, is the earliest in date and exists in the form of a small handscroll. In the sixth century Sui dynasty, there appeared Chan Tzu-chien's \"Spring Outing\" (Yu-ch'un t'u), which is a large horizontal hanging scroll. During the seventh to ninth centuries T'ang dynasty, screens (both p'ing, unmovable; and chang, movable) were widely used.\n\nViewing these in terms of practicality, no matter whether the format is a horizontal handscroll, or a vertical hanging scroll, or even a folding screen, they are all paintings with a portable form. Due to this portability and their much smaller size in comparison with wall painting, there has appeared ever since the fourth century a large number of art collectors in China.\n\nAfter the T'ang and the Sung dynasties, collecting ancient paintings became very popular; and when their collections grew to be quite sizable, art collectors began to feel a need to compile catalogues. According to documentary materials that are now known to us, the earliest painting catalogue is Pei Hsiao-yuan's \"History of Imperial and Private Painting Collections in the Chen Kuan Era\" (Chên-kuan kung-ssu hua-shih). This title, apparently dating from early T'ang, indicates that there was no clear-cut distinction between imperial and private collections, both being considered together for cataloguing purposes. However, by the Sung dynasty, we find this is no longer the case.\n\n* Mr. Chuang Shen (S. C. Chuang) is BA (Taiwan) and MA (Princeton) and Lecturer in the Chinese Department of the University of Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206815, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 92, "title": "RAS-1973", "content_text": "86\n\nCHUANG SHEN\n\nBeginning from the Northern Sung period, speaking in general, editing principles applied to writings of either individual works or history of painting or calligraphy were two-fold. According to the first principle, records or descriptions of either painting or calligraphy were separated as two unrelated sections. But according to the second principle, they were combined together into one chronicle.\n\nDuring the Sung periods, there were two kinds of writings completed in accordance with the first principle; namely, official compilations in contrast to private compilations. In regard to the former, for instance, the Hsüan-ho shu-p'u and the Hsüan-ho hua-p'u are both typical works edited under the imperial order of Emperor Hui Tsung (re. 1082-1135); whereas the Hai-yüeh shu-shih and Hua-shih, both written by Mi Fei (1051-1107) are the best examples of writing on the history of calligraphy and painting among private compilations. Apparently, however, after the Sung periods, official writings on history of either painting and calligraphy were scarcely compiled. The reflourishing of such a tradition was not brought back until the Ch'ing period during the late 17th century.\n\nNevertheless, the editing principle of separating records of painting and calligraphy into two unrelated sections had already become an influential tradition. After the Sung periods, a number of books dealing with either painting or calligraphy were edited in this way.\n\nDuring the Ming period, the most distinguished works on painting and calligraphy were probably the following three: firstly, the Shu-yüan 12 chuan and the Hua-yüan 4 chuan, both edited by Wang Shih-chen (1526-1590); secondly, the San-hu-wang hua-lu and San-hu-wang shu-lu (each of which has 24 chuan) both edited in 1643 by Wang Ko-yü; thirdly, the Tieh-wang san-hu edited in 1597 by Chu Ts'un-li (The first edition has 8 chuan altogether; 4 chuan are dedicated to painting and the other 4 to calligraphy. Yet, in its second edition amended in 1610, this record was expanded to 16 chuan, with 10 chüan for calligraphy and 6 for painting.) In these three works, the records of painting and calligraphy were all divided into two unrelated sections.\n\nDuring the Ch'ing period, many works that dealt with the history of either painting or calligraphy were compiled according to the", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206816, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 93, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n87\n\nsame tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections.\n\nOn the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan.\n\nHowever, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle.\n\nThis type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206817, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 94, "title": "RAS-1973", "content_text": "88\n\nCHUANG SHEN\n\nchuan; completed in the 16th year of the Shun Chih era, 1659); Wu Ch'i-chên's Shu-hua-chi (6 chüan; completed in the 16th year of the K'ang Hsi era, 1677); Kao Shih-ch'i's (1645-1704) Chiang-ts'un hsiao-hsia-lu (3 chuan; completed in the 32nd year of the K'ang Hsi era, 1693); and Miu Yüeh-tsao's (1682-1761) Yü-i-lu (6 chuan; completed in the 11th year of the Yung Chêng era, 1733). During the prosperous period of Ch'ing, there were Lu Shih-hua's (1714-1779) Wu-yüeh so-chien-shu-hua-lu (6 chüan; completed in the 41st year of the Chien Lung era, 1776); Chen Cho's Hsiang-kuan-chai yü-hsiang-pien (12 chüan; completed in the 47th year of the Chien Lung era, 1782). In mid Ch'ing, more works of this kind appeared, such as Pan Shih-huang's Hsü-ching-chai yün-yen-kuo-yen-lu (1 chüan; completed in the 9th year of the Tao Kuang era, 1820); Chang Ta-yung's Chih-i-chai shu-hua-lu (30 chüan; completed in the 12th year of the Tao Kuang era, 1832); Tao Liang's (1772-1857) Hung-tou-shu-kuan shu-hua-chi (8 chüan; completed in the 16th year of the Tao Kuang era, 1836); and Hu Chi-t'ang's Pi-hsiao-hsüan shu-hua-lu (2 chüan; completed in the 19th year of the Tao Kuang era, 1839). Still more were published during the late Ch'ing period. These were: Han Tai-hua's Yü-yü-t'ang shu-hua-chi (4 chüan; completed in the first year of the Hsien Fêng era, 1851); Chang Kuang-hsü's Pieh-hsia-chai shu-hua-lu (4 chüan; completed in the 4th year of the T'ung Chih era, 1865); Li Tso-hsien's Shu-hua-chien-yin (24 chüan; completed in the 10th year of the T'ung Chih era, 1871); Fang Chün-i's Mêng-yüan shu-hua-lu (24 chüan; completed in the first year of the Kuang Hsü era, 1875); Hsieh K'un's Shu-hua-so-chien-lu (3 chüan; completed in the 6th year of the Kuang Hsü era, 1880), Ko Chin-liang's Ai-jih-yin-lu shu-hua-lu (4 chüan; completed in the 7th year of the Kuang Hsü era, 1881); Lu Hsin-yüan's (1834-1894) Jang-li-kuan kuo-yen-lu (40 chüan; completed in the 18th year of the Kuang Hsü era, 1892); and Shao Sung-nien's Ku-yüan-ts'ui-lu (18 chüan; completed in the 29th year of the Kuang Hsü era, 1903).", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206819, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 96, "title": "RAS-1973", "content_text": "90\n\nCHUANG SHEN\n\nfollowing either the joint principle or the separate principle throughout the Ch'ing dynasty.\n\nIt may also be worthwhile for us to look into the editing methods employed in the art catalogues of the five Kwangtung collectors. Starting from the middle of the Ming dynasty (the 16th century is taken here as the demarcating point), the editing methods used in Chinese art catalogues can also be classified into two types. Most of the catalogues completed during the Sung and the Yuan periods, as well as in early Ming, possessed the following three characteristics:\n\n(1) brief description of subject matter seen on the painting proper.\n\n(2) in regard to the colophons written on or outside the painting proper, most of the time only the names of colophon writers were recorded,\n\n(3) as to the seals stamped on or outside the painting proper, most of the time only the names of the seal owners were recorded.\n\nIn other words, before the Wan Li era of mid Ming, art catalogue compilers only gave limited attention to the content of colophons and to the text and shape of the seals. After the Wan Li era, however, in regard to the inscriptions and colophons, a number of innovations in the compilation of Chinese art catalogues began to appear.\n\nFirst of all, in his Tieh-wang san-hu, Chu Ts'un-li not only recorded the artists' own short inscriptions, but also recorded in detail the longer colophons written by the collectors' or the artists' friends on or outside the painting proper. As a result, in reading the catalogue, the reader would have a clear picture of the background of each painting, its history of transmission, as well as other people's opinion of it. In comparison with the editing methods employed in art catalogues of the previous few centuries, Chu Ts'un-li's editing method was undoubtedly a major change. Therefore, although after the publication of the Tieh-wang san-hu, certain compilers ignored Chu's editing method and still adhered to the traditional ways, there were actually a great number of others who accepted the new way readily. The San-hu-wang hua-lu, completed in the 16th year of the Ch'ung Chên era by Wang K'o-yü, was one of the more important art catalogues that first followed this new", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206821, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 98, "title": "RAS-1973", "content_text": "92\n\nCHUANG SHEN\n\ntion of old merits found in the Ming period art catalogues — the recording of quality and format of paintings, as well as inscriptions and colophons that appeared on them — and innovations of his own — the recording of measurements and seals — could be said to be the first complete art catalogue in the history of development of art catalogue editing systems. Later on, even the Shih-chü pao-chi\n\n*** (The first part was completed in the 10th year of the Chien Lung era, 1745; the second part, in the 58th year of the Chien Lung era, 1793, and the third part, in the 22nd year of the Chia Ching era, 1817), an art catalogue of the Ch'ing imperial household, followed exactly the editing methods introduced by Pien.\n\nIt can thus be said that before the Wan Li era of the Ming dynasty, the editing methods of Chinese art catalogues were mainly descriptive, whereas after the Wan Li era, the stress was shifted to documentary. The Ming compilers' contribution to the compilation of art catalogues lay in their inauguration of recording colophons and inscriptions on paintings, as well as the quality and format of all paintings. The Ch'ing compilers' contribution, on the other hand, was the introduction of records of seal text on the painting, as well as the measurements of all paintings. It was only when such essential elements as inscriptions and colophons, seals, quality, size, and format etc. were all fully recorded that an art catalogue could be said to have possessed all the necessary requirements.\n\nAlthough Pien Yung-yü's Shih-ku-t’ang shu-k’ao and Shih-ku-t’ang hua-k’ao, both completed in the 21st year of the K'ang Hsi era, were the most perfect works in the history of development of art catalogue compilation, some other art catalogues that were completed after the publication of Pien's works still adhered to the traditional editing methods used before the Wan Li era. For instance, there were Tso Lang's San-wan-liu-ch'ien-ch'ing-hu-chung hua-ch'uan-lu\n\n*# (completed in the 60th year of the Chien Lung era, 1795); Shêng Ta-shih's ★± Ch'i-shan wo-yu-lu A4 (first completed in the 21st year of the Tao Kuang era, 1833); and Huang Ch'ung-hsing's\n\nTsao-hsin-lou tu-hua-chi ******* in which no record\n\n* There is no date of completion. However, according to Tan Ting-hsien's ### preface dated in the 27th year of the Kuang Hsü era ✰✰ (1901), he was an old friend of Wang Ch'ung-hsing. Thus, it can be deduced that both were active during the Tung Chih and Kuang Hsü eras.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206823, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 100, "title": "RAS-1973", "content_text": "94\n\nCHUANG SHEN\n\nIt should be noted here that the Shih-ku-t'ang hua-k’ao was completed in the 21st year of the K'ang Hsi era, and Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu, in the 32nd year of the K'ang Hsi era. Thus there were eleven years in between. As early as the 21st year of the K'ang Hsi era, Pien Yung-yü had already begun to record the measurements of painting, use the regular script to transcribe the seal text, and squares and rectangles to represent the original shape of the seals. Therefore, the Chiang-ts'un hsiao-hsia-lu was not as Wu Yung-kuang stated \"the first catalogue that recorded the measurements of scrolls and paintings\". Furthermore, neither did the method of \"enclosing seal text transcribed in the regular script by lines\" to record seals that appeared on paintings, as had been extolled by Wu Yung-kuang as the \"best\" method, originate from Kao Shih-ch'i. Kao was only one of those early art catalogue compilers who followed Pien's systems. However, in regard to these two compilers' writings, owing to the fact that no matter on the subject of the classics or literature, Kao by far out-numbered Pien in quantity. His reputation as a connoisseur was also far higher than Pien's. It was probably because of these reasons that Wu Yung-kuang only noticed Kao's Chiang-ts'un hsiao-hsia-lu and overlooked Pien's Shih-ku-t'ang hua-k'ao. Consequently Wu's editing methods adopted in his Hsin-ch'ou hsiao-hsia-chi followed exactly those of Chiang-ts'un-hsiao-hsia-lu. Undoubtedly, the editing methods adopted by Wu were the most perfect ones in the compilation of art catalogues. However, the fact that he was only aware of Kao Shih-ch'i and not Pien Yung-yü seems to show that he had put a wrong emphasis on the first and last, which is something regrettable.\n\nA catalogue that was completed earlier than the Hsin-ch'ou hsiao-hsia-chi was: Yeh Meng-lung's Fêng-man-lou shu-hua-lu. Unfortunately, Yeh Mêng-lung did not give any introductory note to explain his editing system. Therefore it is not known whether his inclusion of the five essential elements i.e. measurements, material, format, seals and colophons was under the influence of Pien Yung-yü or Kao Shih-ch'i. However, since Yeh and Wu were not only good friends, but also later became relatives1, it is possible that when compiling his Fêng-man-lou shu-hua-lu, Yeh Mêng-lung was somehow influenced by Wu Yung-kuang. Thus like Wu Yung-kuang, Yeh's adoption of the five essential elements was probably under the influence of Kao Shih-ch'i and not directly from Pien Yung-yü.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206825, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 102, "title": "RAS-1973", "content_text": "96\n\nCHUANG SHEN\n\nThus, instead of saying that the compilation method of the T'ing-fan-lou shu-hua-chi was an imitation of the system used in Wu Yung-kuang's art catalogue, rather, it would be more appropriate to say that Pan compiled it according to his own ideas,\n\nThirdly, if this assumption is reasonably correct, then the fact that Pan, in the preface of his T'ing-fan-lou shu-hua-chi regarded Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as one of the representative art catalogues in the Ch'ing dynasty was due to his high esteem for Kao's work, which incidentally was a view shared by Wu Yung-kuang. Moreover, it is possible that he came under Wu's influence while undertaking the collating work for the Hsin-ch'ou hsiao-hsia-chi, thus regarded Kao Shih-ch'i's work of special importance.\n\nFourthly, Pan Chêng-wei considered Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as the most representative art catalogues compiled in early Ch'ing. This point of view is worth our notice. It should be noted that though Sun's catalogue was completed in the 16th year of the Shun Chih era (1659), it was being collated only less than a century after its publication, by Ho Cho2 (1661-1722), a well-known scholar of the Chiang Nan district21 and active in the K'ang Hsi era. Moreover, in the Chien Lung period, distinguished scholars like Lu Wên-ch'aoAx 3 (1717-1795), Pao T'ing-po3* ty (1728-1814) and Yu Chi (1738-1823) at one time or other wrote prefaces and colophons for this catalogue3, and in particular, Pao T'ing-po even included it in his Chih-pu-chü-chai ts'ung-shu1 * F & *** in order to publicize it. Not long afterward, it was well appraised by the Ssu-k'u-ch'uan-shu tsung-mu t'i-yao★ATAIRE, an official catalogue completed in the 48th year of the Chien Lung era. Thus, it can be seen that during the 124 years between the 16th year of the Shun Chih era and the 48th year of the Chien Lung era, in regard to the connoisseurship of painting and calligraphy, no matter whether it was in Chiang Nan or in the capital, and regardless of whether privately or officially, there was no one who did not consider Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi as an important work for reference,\n\nHowever, the situation was not quite the same in Kwangtung. Probably up to the Chien Lung era, no Kwangtung scholar had ever noticed the Kêng-tzŭ hsiao-hsia-chi. Even Wu Yung-kuang and Yeh Mêng-lung, relatives who both served for a long time in the", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206827, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 104, "title": "RAS-1973", "content_text": "98\n\nCHUANG SHEN\n\nNeedless to say, the two works by Sun and Kao mentioned in the text refer to Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Although Liang T'ing-nan pointed out that it would be unsuitable to compare his T'êng-hua-t'ing shu-hua-pa with the two works of Sun and Kao—which was, moreover, something that he would not venture to do—it could be deduced that, in his opinion, the two catalogues compiled by Sun Ch'êng-chê and Kao Shih-ch'i must have been held in reverence. Otherwise, it would be difficult to explain why he must necessarily take his work to compare with the Kêng-tzŭ hsiao-hsia-chi and the Chiang-ts'un hsiao-hsia-lu, and not with Pien Yung-yü's Shih-ku-t'ang hua-k'ao. According to Liang's remark, it is clear that owing to Pan Chêng-wei's recommendation of the Kêng-tzŭ hsiao-hsia-chi, Sun's work became an art catalogue capable of being compared with Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu in the mind of Kwang-tung art collectors some time later; while, on the other hand, Pien Yung-yü's work seemed to remain unnoticed, as it was during Wu Yung-kuang's time. It thus seems rather questionable whether Liang T'ing-nan was ever aware of Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao.\n\nAs to the origin of the editing method employed in Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, some hints may be obtained from the preface written by Li Ch'ao-t'ang, which reads,\n\nThe two brothers Huai-min and Shao-tang (i.e., Kung Kuang-yung and Kung Kuang-tao) had the largest collection of books in Kwangtung. At his leisure hours, Kung Kuang-tao compiled this catalogue by following the editing system set down in the catalogues of Sun Ch'êng-chê and Kao Shih-ch'i.\n\nThus, it can be seen that the origin of the editing method employed in the Yüeh-hsüeh-lou shu-hua-lu was also that used in the two catalogues of Sun Ch'êng-chê and Kao Shih-ch'i. From the time when Wu Yung-kuang completed his Hsin-ch'ou hsiao-hsia-chi to the time when Liang T'ing-nan completed his T'êng-hua-t'ing shu-hua-pa, 15 years had elapsed, and up to the completion of Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, 21 years. During these 21 years, apart from the fact that owing to Pan Chêng-wei's recommendation, Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi received more attention, and that Liang T'ing-nan's T'êng-hua-t'ing shu-hua-pa", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206829, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 106, "title": "RAS-1973", "content_text": "100\n\nCHUANG SHEN\n\nInk Bamboo & As Ni Tsan's Yu-po-t'an-hua-t'u and Ho-lin-t'u are both paper hanging scrolls, it is difficult to perceive why after recording the painting Yu-po-t'an-hua-t'u Wu Yung-kuang must necessarily record four other scrolls of calligraphy and two paintings by some other artists and then continued with Ho-lin-t'u.\n\nAgain, similar confusions could be found in Wu Yung-kuang's record of three paintings by Wang Fu. In chuan 4 of his Hsin-ch'ou hsiao-hsia-chi, Wu entered first of all Wang Fu's Kao-liang-shan-t'u\n\n# which was followed by Ni Tsan's small hanging scroll of landscape. Furthermore, only after introducing works by five other artists (Wang Mien, Wang Meng E. Huang Kung-wang ★✰✰, Ni Tsan and Wu Chen) and nine calligraphers (Kung Su, Liu Yu-ch'ing, Fan Kuo, Ou-yang Ying, Yü chi, Wu Ch'uan-chieh, Liu Kuan, Fêng Hai-su and Nao Nao) did he continue with Wang Fu's Ink Bamboo.\n\nAlthough, on the one hand, Wu listed the two Ni Tsan paintings and the three Wang Fu paintings separately in two unrelated places, on the other hand, in regard to the four paintings respectively done by Ch'ien Hsüan✯✯ and Chao Meng-fu #, he grouped them together. Why is it that Wu recorded works by Ch'ien Hsüan and Chao Meng-fu in continuous order, and yet broke up the record of works done by Ni Tsan and Wang Fu by inserting entries of works executed by other artists and calligraphers? In a word, when recording more than two paintings done by the same artists, Wu sometimes entered them continuously and sometimes separately. From this, it is apparent that no consistent principle was observed in the method of recording works by one artist in this catalogue. This mixed use of continuous and separate entries not only creates inconvenience to the reader, but also gives one a confused feeling. The presence of such shortcomings is undoubtedly a result caused by Wu Yung-kuang's unsuitable treatment in the matter of compilation.\n\nIn Pan Chêng-wei's ✯ T'ing-fan-lou shu-hua-chi and Hsû-chi, as well as in Liang Ting-nan's T'êng-hua-t'ing shu-hua-pa, another type of shortcoming in compilation, which is quite different from that appeared in the Hsin-ch'ou hsiao-hsia-chi, can again be found.\n\nThere are altogether five chüan in the T'ing-fan-lou shu-hua-chi. With the exception of chüan 5, all the paintings and calligra-", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206831, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 108, "title": "RAS-1973", "content_text": "102 \n\nCHUANG SHEN \n\n2. Wang Yuan-ch'i £ß \n\n3. Wang Yuan-ch'i \n\n4. Wang Yuan-ch'i \n\n5. Wang Chien £ \n\n6. Wang Chien \n\n7. Wang Hui \n\n8. Fang Shih-shu \n\n9. Hua Yen 華嵒 \n\nhanging scroll of the Fu-ch'un Mountain 富春山軸 \n\nhanging scroll of landscape executed in the style of Huang Kung-wang 黄公望 and Ni Tsan 倪瓒 handscroll of landscape in the style \n\nof former masters. \n\nYün-ho sung-yin-t'u *** H \n\n, hanging scroll \n\nTs'êng-luan-sung-ts'ui-t'u \n\n翠圖 hanging scroll \n\nHsia-k'ou tai-tu t'u \n\n#* \n\nalbum of landscape, figure and flower \n\nhanging screens of flower and bird \n\n10. Wang Shih-min E \n\n11. Liang Pei-lan \n\n12. Ch'ien Tsai \n\nhanging scroll executed in the style of Huang Kung-wang \n\nhanging scroll of poems written in the running script \n\nhanging scroll of orchid and bamboo executed in ink monochrome \n\nAmong the three different kinds of edition available today, no matter whether it is hand-written, or wood block printed, or type printed, all the texts in chuan 5 of this T'ing-fan-lou shu-hua-chi have left out ten items of painting and calligraphy; i.e., from the landscape album executed by the Sung and Yüan artists up to Ch'ing-chieh-t'u executed by Ch'ien Hsi-pai of the Sung dynasty. And similarly, all the texts in chuan 2 of the supplement of the same catalogue have omitted record of the 12 items of painting and calligraphy; i.e., from Wang Hui's hanging scroll executed in the style of Wang Meng up to Ch'ien Tsai's hanging scroll of orchid and bamboo executed in ink monochrome. For the same item of painting, the table of contents in this book lists its painter, its title as well as the format, and yet all these details have not been entered into the text. Such inconsistency cannot but be regarded as a shortcoming in compilation, the more so since this shortcoming arises not because of the difference in edition, but entirely due to the carelessness of the compiler.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206833, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 110, "title": "RAS-1973", "content_text": "104\n\nCHUANG SHEN\n\nlogue seems to be smaller than that found in Pan's catalogue. All in all, the lack of record of paintings and calligraphies listed in the table of contents in the text of a catalogue is the second type of deficiency in compilation found in the art catalogues of the Kwang-tung collectors.\n\nB. Carelessness in Proof-reading\n\nThe deficiency in proof-reading is the second type of deficiency in the art catalogue of the Kwangtung collectors. We may begin by examining Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. The carelessness in the proof-reading of this catalogue can be seen in the two following examples. In the 51st year of the K'ang Hsi era (1712), Wu Shêng completed the 20 chüan of his famous catalogue Ta-kuan-lu. It is not known whether Wu Yung-kuang had read Wu Shêng's Ta-kuan-lu with care or not; however, after acquiring Ni Tsan's Yu-po-t'an-hua-t'u, he had made use of the entry of this painting in Ta-kuan-lu to collate with the inscriptions attached to the painting. Moreover, he mentioned the name of Wu Tzu-min?\n+ in his own colophon. Therefore, having known the literary name of Wu Shêng as Tzũ-min, Wu Yung-kuang could hardly be ignorant of Wu Shêng. Yet in his Hsin-ch'ou hsiao-hsia-chi, he was so careless as to record Wu Shêng's name wrongly. In chüan 5 of his catalogue, after entering Ch'iu Ying's Yü-tung hsien-yüan-tu玉洞仙源 he added,\n\nWang Shêng's12 Ta-kuan-lu has also recorded Shih-fu'sTX Yu-tung hsien-yüan-t'u1\n\n12\n+\n\nIn chüan 4 of Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had already mentioned that the compiler of Ta-kuan-lu was Wu Tzŭ-min11, yet in chüan 5 of the same book, he recorded the compiler of Ta-kuan-lu as Wang Shêng12. It is thus apparent that the mistake of calling Wu Shêng as Wang Shêng could not be due to Wu Yung-kuang's ignorance. Rather, it resulted from a mistake in his own handwriting, or from a mistake made while cutting the blocks for painting. Moreover, according to Ku Fu's P'ing-sheng chuang-kuan13 there was a calligrapher by the name of Wang Shêng active in the Southern Sung period. Thus, if the reader of Hsin-ch'ou hsiao-hsia-chi has complete faith in Wu Yung-kuang, would it not be very likely for the compiler of Ta-kuan-lu to be taken as a Sung figure of the mid 13th century instead of a Ch’ing figure of the mid 17th century?", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206835, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 112, "title": "RAS-1973", "content_text": "106\n\nCHUANG SHEN\n\nBesides, in the table of contents of chüan 4 of T’êng-hua-t'ing shu-hua-pa, the 126th item is recorded as a landscape executed by Fang Hsün-yüan. Although there were quite a large number of artists in the Ch'ing dynasty, there was no one whose surname was Fang19. However, during the period between the Yung Chêng era and the beginning of the Chien Lung era, there was an artist by the name of Fang Shih-shu ✯±✯ (1692-1751) who was a native of An Hui and yet lived in Yang Chou. The literary name of Fang Shih-shu is Hsün-yüan20 #✡. Since in T'êng-hua-t'ing shu-hua-pa, it was Liang T'ing-nan's practice to designate all artists by their literary names and not their real names, therefore this unidentifiable Fang Hsün-yüan is very likely a name mistaken for Fang Hsün-yüan. If this assumption is correct, then Liang T'ing-nan had not only recorded incorrectly the literary name of this An Hui artist, but also mistaken his real name. Such an inexcusable mistake is again due to carelessness in proof-reading.\n\nC. Chronological Mistakes\n\nI have not thoroughly investigated the number of chronological mistakes in the art catalogues of the Kwangtung collectors. However, this kind of error can at least be discovered in Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. It should be noted here that Wu Yung-kuang had left two most important documentary records. One was the Li-tai ming-jen nien-p'u in 10 chuan, compiled in the 23rd year of the Tao Kuang era (1843) which was the year of his death. The other was Hsin-ch'ou hsiao-hsia-chi in 5 chuan, which, though printed a little earlier than the Li-tai ming-jen nien-p'u (in the 21st year of the Tao Kuang era, 1841), was in fact completed two years before his death. In other words, the two most important works of Wu Yung-kuang were both completed during the last three years of his life. Unfortunately, there are certain mistakes in both works. As early as ten years ago, the chronological mistakes in the Li-tai ming-jen nien-p'u have already been pointed out by experts21. It is also regrettable that in his Hsin-ch'ou hsiao-hsia-chi, he had committed some other curious chronological mistakes. On page 4 of chüan 4, there is recorded Wu Yung-kuang's own colophon inscribed on Ch'ien Hsüan's Li-hua-chüan #4, which reads,", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206837, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 114, "title": "RAS-1973", "content_text": "108\n\nCHUANG SHEN\n\nobtained under the entry of the 8th year in the Tao Kuang era (1828), \"In the third month, my daughter named Hsi married Yeh Ying-ch'i\". In chuan 2 of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia chi, there is an entry about Mi Yu-jen's Yün-shan tê-l-t'u #4#★#, which according to Kung Kuang-tao's LAM Yüeh-hsüeh-lou shu-hua-lu *****, should bear a square seal, the text of which reads, \"Nan-hai nu-shih Yeh Wu Hsiao-ho hsieh-yün-lou shu-hua-chih-yin” ✯✯✯±‡*+*Z*#‡‡<¢ \"seal of calligraphies and paintings in the Hsieh-yün-lou collection of Madam Yeh Wu Hsiao-ho, native of Nan-hai”. Ho-wu is one of the style names of Wu Yung-kuang, and so he gave his daughter Wu Hsi the style name of Hsiao-ho. Furthermore, above Hsiao-ho's surname, it is added her husband's surname (Yeh). Thus it is evident that the Yün-shan tê-t-t'u was one of the items in her dowry when she was married off to Yeh Ying-ch'i. However, in the opening part of chuan 3 in Wu Yung-kuang's Shih-yün-san-jen fen-t'l-shih-hsuan, it is stated that one of the collators was his son-in-law, whose name, however, was recorded as Yeh Ying-hsin #44.\n\n2 At the end of his Kêng-tzŭ hsiao-hsia-chi chiao-wên ✯TMIERZ - \"Collatery Note of the Kêng-tzŭ hsiao-hsia-chi\" Ho Cho put down the date of \"K'ang Hsi kuei-ssu\" which is equivalent to the 52nd year of the K'ang Hsi era (1713). Ho's collatery note can be found in Ku-hsüeh-hui-k'an **✰★, vol. II, No. V, published by Kuo-ts'ui hsüeh-pao shê @##★#, 1923, and reprinted by Li Hsing Book Co. ★1⁄2, Taiwan. (The collatery note is found in pp. 2585-2601 of this reprint.)\n\n3 Pao T'ing-po's colophon, which is attached to the Kêng-tzŭ hsiao-hsia-chi, was completed in the 20th year of the Chien Lung era ✯✯ (1755). Yu Chi's colophon and Lu Wên-ch'ao's preface were both written in the 26th year of the Chien Lung era (1761).\n\n4 There are altogether 18 collections in Chih-pu-tsu-chai ts'ung-shu ÞILIIT. The fourth collection includes only Sun Ch'êng-chê's Hsien-chê-hsüan-tieh-k'ao §**** (which is now attached to the end of Kêng-tzŭ hsiao-hsia-chi. However, it is included in the occasional publication of the Chih-pu-tsu-chai. Nowadays, an edition that was published separately in the 26th year of the Chien Lung era (1761) is available.\n\n5 See Ssŭ-k'u-ch'üan-shu tsung-mu ti-yao **** chuan 113. Only the last sentence in this discussion is quoted here, since it already suffices to reflect the whole situation by this, \"Though the man can be slighted, his writing is however something that we cannot pass over slightly.\"\n\n6 A hand-written copy of the T'ing-fan-lou shu-hua-chi and its supplement is found in the collection of the Feng Ping-shan library, University of Hong Kong.\n\n7 The Feng Ping-shan library in the University of Hong Kong has in its collection a wood block printed version of the T'ing-fan-lou shu-hua-chi in 5 chuan and its supplement in 2 chuan, the beginning section of both of which are missing. Therefore, the date and place when this catalogue was printed is now known.\n\n* The type printed version of the T'ing-fan-lou shu-hua-chi and its supplement is available in Mei-shu ts'ung-shu *#*# vol. IV, part VII. This catalogue was first printed by the Kuo-ts'ui hsüeh-shê # in the 3rd year of the Hsuan Tung era ✯ (1911). The second edition came out in 1928. The copy used in this paper is the fourth edition published by Shen-chou kuo-kuang shê **B£* in 1947.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206839, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 116, "title": "RAS-1973", "content_text": "110\n\nCHUANG SHEN\n\n(5) Tou Chên's Ch'ing-tai shu-hua-chia pi-lu in 4 chuan, in which there is Tou's own preface written in the 3rd year of the Hsuan Tung era (1911).\n\n1\n\nHowever the name \"Fang Hsün-yüan\" could not be found in any one of them.\n\n20 The second parts of both the supplement of Chang Kèng's Kuo-ch'ao-hua-chêng-lu and Ch'in Tsu-yung's T'ung-yin lun-hua record Fang Shih-shu's literary name as Hsün-yüan.\n\n* Taiwan\n\n21 See Fêng Ch'êng-chi's Li-tai ming-jen nien-p'u chêwu, published in Wen-shih-chê hsüeh-pao National University, No. 12, pp. 45-52, printed in Taipei, 1963.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206856, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 133, "title": "RAS-1973", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 127\n\n) 3rd year of T'ong (統) dynasty, by a Buddhist priest named Yuen Chong (圓聰) in the Ts'z Yun monastery (慈雲寺) in Ch'eung On (昌安) city, Shensi (陝西) province, near the Great Wall. This monastery had been built about fifty years previously by the Emperor T'ong Ko Tsung (唐玄宗) for his mother. When the pagoda was being built a wild goose flew against it and was killed, and the monks buried the bird underneath the pagoda and in this way it received its name. It became the custom ever since Shan Lung (神龍) years A.D. 705 & 706 of T'ong dynasty for the Emperor to give a banquet in the monastery called the Kuk Kong Yin (曲江宴) “winding river banquet,” to all the new \"Tsun Sz” (進士). Their names were carved on a stone tablet in the pagoda, and it became customary to use the expression “Ngaan T'aap T'ai Ming (雁塔題名) when congratulating successful candidates for the highest government examination. In Tang Lam's time the Tung Kwun people wished to have their own Ngaan Taap pagoda, and Tang Lam provided the money for them to do it. It was built some time during the ten years of Shun Yau (淳祐) A.D. 1241-1251 of Sung dynasty, and it was repaired in the 40th year of Shung Ching (崇禎) A.D. 1637 of Ming dynasty by a Tung Kwun \"Tsun Sz” named Kwok Kau Ting (郭九錠). Lam's grave is still to be found in Hon Yee Haang (巷義行) in Tung Kwun district.\n\nThe children of the four sons of Tang Tsz Ming seem to have left Kam T'in, and their descendants founded families in other villages. Those of Lam are to be found in the village of Lung Kwat Tau (龍骨頭) near Fanling (粉嶺); those of Waai still live in Tai Po Tau (大埔頭) near Tai Po market and Lai Tung (黎洞) near Sha Tau Kok (沙頭角), while Kei's descendants settled in Tung Kwun. But the great grandson of Tsz came back to Kam T'in. His name was Shau Tso (秀祖), he held the military rank of Chung Mo Kau Wai (忠武校尉) and in the Yuen (元) dynasty A.D. 1277 he received the honour of Hin Mo Tsueng Kwan (顯武將軍). He had two great-grandsons, brothers, named Hung Yee (鴻義) and Hung Chi (鴻志). The latter was a son-in-law of Hoh Tik (何狄) the younger brother of Hoh Chan (何真) who ruled Kwangtung (廣東) and Kwangsi (廣西) provinces at the end of the Yuen dynasty. When the Ming dynasty started Hoh Chan gave up his territory to the first Emperor, but later on he became involved in the case of General Leung Kwok Kung (梁國公) Laam Yuk (濫獄)...", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206907, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 184, "title": "RAS-1973", "content_text": "178\n\nBOOK REVIEWS\n\nEnglish published in Shanghai), had interpreted the same term as \"eight emancipated\". It is obvious that T. K. Chuan's translation may not be the only fixed one, yet, on the other hand, it does seem that it is at least a good reference for Zürcher to cite. Furthermore, T. K. Chuan's Kao Seng Chuan or Biographies of Eminent Monks is once again a useful reference in Zürcher's field of study that has been neglected entirely. In another example, the term “Ke-i\" is interpreted as \"elucidating Buddhist terms” (p. 12 Vol. I). However, it is differently rendered as \"matching meanings” on p. 184 of the same volume. Such interpretational discrepancy together with the misprints seem to show that Mr. Zürcher must have worked on the revision of his book over a considerable period of time, but may have neglected to make a final check of his manuscript.\n\nThese points deal with minor details which can be considered when the third impression of this book is prepared. They detract little from the outstanding scholarship of Mr. Zürcher and his important contribution to the history of Buddhism in Medieval China.\n\nCHUANG SHEN\n\nUniversity of Hong Kong, 1973.\n\nA CONCORDANCE TO FIVE SYSTEMS OF TRANSCRIPTION FOR STANDARD CHINESE. Compiled by Olov Bertil Anderson, Studentlitteratur, Lund, 1970, pp. 228.\n\nI assume that differences of opinion over transcription systems for Chinese will always be with us. For many decades now we have seen a stream of alternatives to Wade-Giles and have heard the discussions over the relative merits of favorite systems. Each time the shade seems laid to rest it pops up very much alive in some new stronghold of sinology. For some reason this problem plagues mostly the English-speaking segment of the field while those who publish in French, German, and Russian have long ago reached reasonable agreement on transcription and have gone on to other often more productive fields of study. But unfortunately the rest of us cannot agree, and nothing is more hopelessly visionary at this point than the dream of some grand concourse of sinologists all accepting a single system which all will use to the exclusion of any other.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207030, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 101, "title": "RAS-1974", "content_text": "NOTES ON THE SOURCES OF DE MAILLA\n\n95\n\nHis own writings may, however, have suffered just this fate, for the section of Ming-ch'ao chi-shih pen-mo dealing with the Tung-lin party is identical with Chiang P'ing-chieh's10 Tung-lin shih-mo✶✶✶✶. Hsieh Kuo-chen explains this as due to the fact that historians of the late Ming period freely exchanged their materials and copied each other, so that portions of a complete work were sometimes published by more than one man and under different titles.\n\n2. Chu Lin14 (T, Ch'ing-yen†) was a native of Shang-yü, Chekiang,11 who rose to be prefect of Nan-yang Honan, in 1690.12 The Ming-chi chi-lüeh •*#* (based on the Huang Ming t'ung-chi✯ of Ch'en Chien [1497-1567]) which he compiled, was published in 1696 in 16 chüan.13 As Wolfgang Franke writes, this is found in various editions, one of them being the T'ung-chien Ming-chi ch'üan-tsai ih # 124,4 which is cited as one of de Mailla's sources. The preface, dated 1696, was written by Chang Ying15 (minister of ceremonies in 1692, who served as grand secretary in 1699-1701),16 who is credited by the note with the publication of T'ong-kien-ming-ki-tsuen-tsai.\n\nThe Ming-chi chi-lüeh had an interesting history after de Mailla's time. In 1771 the ministry of ceremonies entertained a request from the Korean court for the \"correction\" of that portion of the Chi-lüeh pertaining to the palace revolution of 1623.17 But a search of the capital at this time revealed not a single copy for sale. The Board concluded that it was no longer circulating in China, and its recommendation that “the king be ordered to search for them18 in his own country and [if found] prohibit and burn them in order to stop doubts\" received imperial approval. Four years later the sending of a copy of the Chi-lüch to Peking to be burned occasioned a special imperial edict explaining why suppression was unnecessary, in which no mention was made of the objection raised by Korea.19\n\n3. It is true that Chung Hsing (T, Po-ching (k), a native of Ching-ling, Hukuang, who lived from 1574 to 1625, is generally credited with writing the first eight of the twelve chüan Ming-chi pien-nien %, which covered the years 1368-1627.19 But this is obviously out of the question as he died two years before the terminal date. Wolfgang Franke20 suggests that Chung Hsing may have left the work unfinished, or that, as he was primarily a poet, his name may have been \"used after his death by editors and", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207136, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 207, "title": "RAS-1974", "content_text": "NOTES AND QUERIES\n\n201\n\nLU PAN―The God of Carpenters. President of the Celestial Ministry of Public Works. Family name Kung-shu, personal names Pan and I-chih. Born at Yen-chou Fu, Shantung, the ancient feudal kingdom of Lu, whence his name Lu-Pan, i.e. Pan of Lu. His father was Kung-shu Hsien, his mother being of the Wu family. He was born in 506 B.C. As a youth he practised and became skilled in all kinds of metal, stone and wood work. At 40 years of age he retired to live the life of a hermit on Li Shan, Mount Li, in Shantung, and was initiated into miracle-working, being able to rise into the air and ride on the clouds. In the reign of Yung Lo (A.D. 1403-25) of the Ming dynasty he received the title of Grand Master, Sustainer of the Empire. Artisans who pray to him have their requests granted immediately.\n\nC\n\nAnother biography gives his name as Kung-shu Tzu, adds that he was called Pan and describes him as a clever man of Lu. Some say he was the son of Mu, duke of Lu. He carved wooden magpies which could float in the air for three days, and constructed a wooden coachman which drove an automobile, as well as engines of war for battering down the walls of cities.\n\nStill another account of his life states that Lu Pan belonged to Tung-huang Hsien, Kansu. He made a wooden kite, on which his father could fly long distances in the air. When he flew to Wu-hui, Kiangsu, the people mistook him for a devil and killed him. Angered at this, Pan constructed an Immortal in wood which, on pointing its finger in the direction of the town, caused a drought which lasted three years. When the inhabitants ascertained the cause, they sent him presents to appease him and he cut off the image's hand, whereupon copious rain fell in Wu.\n\n44\n\n+\n\nThese differences can only be reconciled by concluding that Lu Pan and Kung-shu Tzu were two different persons, the one having lived in Shantung in the time of the Six Kingdoms (3rd cent. B.C.), and the other in Kansu after the time of the Emperor Ming-ti (A.D. 58-76) of the Han dynasty, when Buddhism was officially recognised in China. At the present day, Lu Pan is worshipped, without regard to the question whether the name belongs to one man or to two. Temples dedicated to Lu Pan are still maintained. He is especially worshipped (on the thirteenth day of the fifth and on the twenty-first day of the seventh", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207166, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 237, "title": "RAS-1974", "content_text": "NOTES AND QUERIES\n\n231\n\nfinal shape of the object. e.g. the legs of the horse are pasted with clay to the body. This is then burnt in a furnace, fired with diesel oil. The time and temperature differs for different pieces of ceramic. The piece is then glazed with various colours, dried and burnt again. After the second burning the piece is ready for the market.\n\nAlthough it is hard to give an exact burning time for the object, this process is usually divided into 2 sections, slow and fast burning. The slow burning method is used on thick pieces of ceramic and has a burning time of about 27 hours. For a thin piece, a burning time of about 14 hours is employed; this is known as fast burning. Many factors are involved and the above figures are only a rough guide. The main factors involved are the humidity of the air, the water content of the clay and the thickness of the piece of ceramic. Making ceramic requires patience as the job should never be rushed. Time must be spent on every individual piece and the combination of burning time and temperature must be close enough to perfection, otherwise the work will crack and a low quality piece is produced. A scientific approach is required to understand the property of the clay and its variation, and an artistic inclination to give it that “special” finish to the ceramic.\n\nMr Lam has a total of 160 different moulds, and new pieces are added as new assignments come in. He copies the basic shape from books, magazines, and museum pieces. He specialises in Tang burial figures—Tun Huang Temple guardians, mythical animals, Kuan-Yin figures, Tang horses, vases, roof tiles and other roof decorations. In the Tang dynasty figures, only 5 colours are used: green, brown, yellow, orange and greenish-yellow (egg and spinach). Collectively these are known as the 5 colours of Tang Ceramics, and are produced from metal oxide e.g. green from copper oxide, yellow from iron oxide.\n\nThe number of craftsmen working in the factory depends on the size of the orders. They were mostly trained by Mr Lam in the past, although quite a few of his \"past pupils” have branched out to start their own business. He doesn't like to train young people because of that reason and feels, too, that it is hard to find young people who are really interested in this art.\n\nThe number of assignments has decreased recently from both Hong Kong and overseas market, due to the increase in cost of production resulting from the increasing cost of raw materials and the setback in the world economy.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207172, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 243, "title": "RAS-1974", "content_text": "BOOK REVIEWS\n\n237\n\non the one hand, as a tool-reference for the understanding of the developments of styles of seal-carving in China, and on the other hand, ensure their capability to differentiate the forgeries from the genuine seals, so contributing to a real connoisseurship in a specialized knowledge affiliated to Chinese painting.\n\nThe Seals of Chinese Painters and Collectors of the Ming and Ch'ing periods, first published in 1940 in Shanghai entitled Maler und sammler-stempel aus der Ming-und-ch'ing Zeit, jointly edited by a German scholar, Victoria Contag, and a Chinese specialist in Chinese painting, Chi-ch'ien Wang, from the above mentioned viewpoint, happens to be the earliest tool-reference of this kind ever published in this century.\n\nAs regards the practical aspects of this book, edited by scholars of two nations, the following are worth noting. Firstly, it contains 9,000 selected seals, an amount which has never been collected by others in any book of this nature. Secondly, names of artists and collectors are arranged in alphabetical order as well as by Chinese stroke system, thus giving ready access to European or Chinese readers. Thirdly, each seal is clearly numbered and deciphered. Finally, a brief but sufficient information about each artist or collector is provided bilingually by German and Chinese texts.\n\nThere remain some minor disputable questions; see my other book review on the same work in Journal of Oriental Studies, Vol. IX, No. 2 (1971, Hong Kong University Press). But despite being overshadowed by a later compilation of a similar nature; Seals and Signatures of Artists, Calligraphers and Connoisseurs since the Tsin Period, a publication of the Kai-fa Co. Ltd., 1964, Hong Kong, still it serves as a most useful tool-reference for not only students of Chinese painting but also museum curators and private collectors.\n\nCHUANG SHEN\n\nUniversity of Hong Kong, 1975.\n\nBALLAD OF THE HIDDEN DRAGON, by M. Dolezelová-Velingerová and J. I. Crump, Clarendon Press, Oxford, 1971. 128 pp., introduction, dramatis personae, text, survey of editions, appendix, bibliography, glossary, £3.50.\n\nMuch of the original texts of Chinese novels and dramas have lately been translated from Chinese into either English or other", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207178, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 249, "title": "RAS-1974", "content_text": "BOOK REVIEWS\n\n243\n\nNonetheless, despite these flaws in relating earlier scholarship on this subject and related studies, the real value of this book is that it is the first written in English and devoted to the chu-kung-tiao among Chinese folk literature.\n\nUniversity of Hong Kong, 1975.\n\nCHUANG SHEN\n\nTHE NINE SACRED MOUNTAINS OF CHINA, AN ILLUSTRATED RECORD OF PILGRIMAGES MADE IN THE YEARS 1935-36, by Mary Augusta Mullikin and Anna M. Hotchkis. Vetch and Lee Ltd., Hong Kong 1973, 155 pages, 22 coloured reproductions, 56 black and white reproductions, including 3 drawn maps, 10 vignette drawings and 13 pages of valuable index, where the Chinese characters are added to the Wade-Giles romanizations.\n\nThe book carries a short epilogue in which these two intelligent and enterprising ladies phrase the quintessence of their travelogue: by telling a story with the meaning that happiness is to have just enough for the most simple daily needs, to be free from worldly cares and to have the freedom to wander through the world at will. It was this view of life that gave them the stamina to visit, in just one year, the nine sacred mountains which are spread all over China under the prevailing, most adverse, conditions.\n\nTheir being able to artistically record their fresh impressions enables the reader to get a first-hand information through ink-sketches. Moods are conveyed by ink and wash, water-colour or pastel techniques. A. M. Hotchkis has produced 76 of the 88 illustrations. The other 12 are by M. A. Mullikin, including the sketch-maps. These illustrations depict with great skill the landscapes they travelled through, the various means of travelling they used, the mountains and the shapes of their trees, the monastic buildings in their surrounding scenery and their atmosphere and architectural details, temple interiors, and those who live and travel there, the monks and pilgrims.\n\nThe text is kept in the form of a diary which lets the reader closely follow each step in the realistic proportions of time and space, adding vivid descriptions of sights and sounds. The text transmits precise information by giving all the proper names in", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207369, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 137, "title": "RAS-1975", "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n129\n\nloyal service to the dynasty, he had shown himself to be ungrateful, greedy, power-hungry and difficult to control. Given the privileged position such Westerners enjoyed in China, transgressions by them could not easily be punished--even if they were to become Chinese subjects.77\n\nWhat could not be expected of Ward could hardly be expected of other foreigners in the Chinese military service. Emphasizing that Westerners did not delight in Chinese clothes and customs, Hsüeh and Li argued that China “need not force them to do what they find difficult.\" In their view, nothing was to be gained by foreign military employees going through the motions of either changing to Chinese clothing or registering as Chinese subjects. The throne voiced substantial agreement.78 Allowing foreigners to follow their own customs was, after all, consistent with the traditional policy of \"keeping [barbarians] under loose rein [chi-mi],” which did not exclude the idea of cultural submission, but neither did it demand it. Meanwhile, local officials were expected to devise effective means for establishing control over barbarian employees until such time as their services could be dispensed with.\n\nWhen Charles G. Gordon received command of the Ever-Victorious Army after Burgevine's dismissal, the throne did not require that he register as a Chinese subject or change to Chinese ways.79 It did, however, demand that he be effectively controlled. Unmoved by the prospect of material gain, and comparatively aloof, Gordon was a difficult barbarian to ensnare. Yet through a combination of flattery, honors, shrewd diplomacy, and administrative pressures (including the presence of Li Hung-chang's growing Anhwei Army) the Chinese succeeded in winning and maintaining Gordon's devotion.80 Throughout his career in China Gordon carried the stigma of being an \"unsubmissive\" foreign commander,81 but he received unprecedented honors from the throne. Eventually, with Li Hung-chang as his sponsor, Gordon achieved the exalted rank of provincial commander-in-chief (ti-tu) and the coveted yellow riding-jacket (huang ma-kua). By the end of his tumultuous career as head of the Ever-Victorious Army in 1864, he and Li Hung-chang had become fast friends, and they remained so for many years to come.\n\n82\n\nDuring the T'ung-chih period, a considerable number of other foreigners entered the Chinese military service. Some, such as A. E. LeBrethon de Caligny, Prosper Giquel, and Paul d'Aiguebelle, led foreign-officered contingents patterned after the Ever-Victorious", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207376, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 144, "title": "RAS-1975", "content_text": "136\n\nRICHARD J. SMITH\n\n46 See K. A. Wittfogel and Feng Chia-sheng, History of Chinese Society, Liao (907-1125) (Philadelphia, 1949), 8-10; also Igor de Rachewiltz, “Yeh-lü Ch'u-ts'ai (1189-1243); Buddhist Idealist and Confucian Statesman\" in Arthur F. Wright and Denis Twitchett, Confucian Personalities (Stanford, 1962).\n\n47 Wittfogel and Feng, 9.\n\n48 See Herbert Franke, \"Sino-Western Contacts under the Mongol Empire,” Journal of the Hong Kong Branch of the Royal Asiatic Society 6 (1966), 52.\n\n49 Kuwabara, 96-99.\n\n50 See Henry Serruys, \"Mongols Ennobled during the Early Ming,” HIAS, 22 (1959); also Serruys, \"Landgrants to the Mongols in China: 1400-1460,” Monumenta Serica, 25 (1966), especially 394. As had been the case with other barbarians in China's past, the use of Mongol and Jurched troops in the Ming could be a liability as well as an asset. See Serruys, \"Sino-Jürched Relations During the Yung-Lo Period (1403-1424),” Göttinger Asiatische Forschungen (Weisbaden, 1955); 67-68, 71.\n\n51 See the summary discussion in Immanuel C. Y. Hsü, The Rise of Modern China (London and Toronto, 1975), 138-139; also George L. Harris, \"The Mission of Matteo Ricci, S.J.: A Case Study of an Effort at Guided Culture Change in China in the Sixteenth Century,” Monumenta Serica, 25 (1966).\n\n52 James B. Parsons, Peasant Rebellions of the Late Ming Dynasty (Tucson, 1970), 129.\n\n53 C. R. Boxer, \"Portuguese Military Expeditions in Aid of the Mings Against the Manchus, 1621-1647,\" T'ien-Hsia Monthly, VII (1938); S. Y. Teng and John K. Fairbank, China's Response to the West: A Documentary Survey, 1839-1923 (New York, 1970), 13; North-China Herald, January 10, 1852. Boxer, 32, offers the explanation that the expedition was undermined by Cantonese who feared that the Portuguese, if successful, would be granted extended trading rights, while the North-China Herald suggests that when the men reached Nan-ch'ang they were ordered to return because \"the contemptible figure they presented completely disappointed expectation.\" It is probable that each of these interpretations has a measure of validity.\n\n54 Serruys, \"Were the Ming,” 136.\n\n55 Boxer, 35.\n\n56 Wills, Guns, Pepper and Parleys, especially chapter 2; Fu Lo-shu, A Documentary Chronicle of Sino-Western Relations (1644-1820) (Tucson, 1966), I: 32-33, 58; Teng and Fairbank, 34.\n\n57 The Ch'ing did, however, ally with the Russians against the Dzungars during the K'ang-hsi period and the Ch'ien-lung emperor did make good use of Western cannon (Hsi-yang p'ao) in his famous campaigns. See, for example, IWSM, TC 9: 30a-b; also Teng and Fairbank, 34; Swisher, 697.\n\n58 See Immanuel C. Y. Hsü, \"Russia's Special Position in China during the Early Ch'ing Period,\" Slavic Review, 13.4 (December, 1964).\n\n59 Chinese Repository 11: 64; Swisher, 98-99.\n\n60 See Masataka Banno, China and the West, 1858-1861 (Cambridge, Mass., 1964), especially 45-53, 207-209; Swisher, 683-697.\n\n61 See, for example, IWSM TC 22: 11b-13b; also Richard J. Smith, \"Foreign-Training and China's Self-Strengthening: The Case of Feng-huang-shan, 1864-1873,” Modern Asian Studies, 10.12 (1976).\n\n62 For the use of this expression (or a variant) as late as the 1890's see WCSL 101: 9 and 129; 16.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207549, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 317, "title": "RAS-1975", "content_text": "NOTES AND QUERIES \n\n309 \n\nwith Taoist exorcisms and are performed at wedding ceremonies to obtain from Heaven the happy union, using the ritual of a local Taoist folk religion heterodox cult of the Three Ladies' (三娘). The 'Three Jesters' are called by the puppeteers the \"Three Brothers' (三兄弟) or, individually, the Great, Second and Third Wang Yeh.* \n\nSchipper then explained that he and his informants had made many conjectures in order to identify the Three Jesters. He believed tradition links the Three Brothers (Three Jesters) with the Three Tien Brothers and thus with Tien To Yuan Shuai, and this seemed to him to be better founded than other conjectures. He continued that the identity of T'ien is extremely confused, and claimed that T'ien is reputed to be the master of T'ang Emperor Ming Huang (唐明皇) and to have taught the actresses of the Peach Garden (梨园), popularly believed to be the first academy of the theatre. Iconography, he said, represents T'ien the puppet as the 'laughing lad', similar to T’ien To Yuan Shuai. \n\nSchipper observed that when the plays are of the northern Fukienese type, the Three Jesters are identified with T'ang Ming Huang, the patron of the theatre of North China. When the play is Southern Fukienese or Ch'aochow, T'ien To Yuan Shuai (Chief Marshal T'ien) is the patron, and the Three Jesters are identified with him. The T'ang Emperor is also often referred to in Taiwan and South East Asia, where he is also accepted as the God of Actors bearing the title of the Imperial Prince or King of the Western Ch'in (Hsi Ch'in Wang Yeh, 西秦王爷) or Hsi Ch'in Lao Wang Yeh (西秦老王爷), or, on Taipei and Keelung altars just as Hsi Ch'in Wang (西秦王). (He is called the King of the Western Ch'in because of his exile in Szechuan, in Western China). His image is more colloquially referred to as The Young Gentleman (小哥) and less respectfully as The Old Boy (老郎). Schipper agreed all this might seem highly incongruous, but, he continued, the tradition which links the 'Three Brothers' (The Jesters) with Tien To Yuan Shuai (Chief Marshal T'ien) seems, as we said earlier, better founded than others. \n\nWang Yeh \n\nSchipper has linked the Three Jesters with the Fukienese epidemic gods by the title of Wang Yeh. He also noted the legend \n\n* More often than not Wang Yeh (Imperial Princes) in Fukienese communities are epidemic deities.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207570, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 338, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n329\n\nChapter VI:\n\nChapter VII: (1577-after 1668), Sheng Mao-yueh (act. 1620-40), Hsiang Sheng-mo (1597-1658), Yün Hsiang (1586-1655) and Shen Hao (act. 1630-50).\n\n\"The Sung-chiang School: Triumph of a New Theory\", under this headline five artists of the Ming Dynasty, Mo Shih-hung (ca. 1540-1587), Tung Ch'i-chang (1555-1636), Ku Shau-yu (act. early 17th century), Li Liu-fang (1575-1629), and Pien Wen-yü (act. 1620-1670) are discussed.\n\n\"Various Directions of Late Ming: A Mixture of Old and New\", this chapter covers Mi Wan-chung (1595-1628), Chang Jui-t'u (1576-1641), and Lan Yü (1585-1664).\n\nChapter VIII: \"The Orthodox Masters of Early Ch'ing: The Great Synthesis”, discussions are concentrated on Wu Li (1632-1718), Wang Hui (1632-1717) and Wang Yuan-ch'i (1642-1715).\n\nChapter IX:\n\nChapter X:\n\nChapter XI:\n\nChapter XII:\n\n\"The Lou-tung School: Homage to Wang Yuan-ch'i\", in this chapter the Lou-tung school artists are represented by Huang Ting (1660-1730), Chang Tsung-ts'ang (1686-still alive in 1755) and Wang Ch'en (1720-1797).\n\n\"The Yu-shan School: Homage to Wang Hui”, in this chapter, Chiao Ping-chen (act. 1680-1720), Wang Chiu (act. later 18th century) and Prince Yung-jung (1744-1790) are taken as being representatives of this School,\n\n\"The Anhwei School: Transformation of the Ni Tsan Tradition\", four early Ch'ing artists: Hsiao Yün-ts'ung (1596-1673), Yao Sung (1648-after 1717), Hung-jen (1610-1663), and Mei Ch'ing (1623-1697) are discussed in this chapter.\n\n\"Monks and Hermits: A silent Revolution”, another four early Ch'ing artists; K’un-ts'an (b. 1612-ca. 1673), Kung Hsien (b. 1617-1618, d. 1689), Chu Ta (1626-ca. 1705), and Tao-chi (b. 1641-d. before 1720), are discussed under this heading.\n\nChapter XIII: \"The Yang-chou School: Haven of the creative mind”, two Yang-chou school artists; Chin Nung (1687-1765) and Huang Shen (1687-1768) are discussed in detail.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207572, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 340, "title": "RAS-1975", "content_text": "Chu-tsing Li \n\nYoshito Yonezawa 10 \n\nOsvald Siren 11 \n\nChang Jui-tu \n\n1576-1641 \n\nearly 17th century \n\n1607 obtained chin-shih \n\ndegree \n\nVictoria Contag 12 \n\nB. ca. 158 - after 1660 \n\nChang Hung \n\nHung-jen \n\nK'un-ts'an \n\nChu Ta \n\n1577 - after 1668 \n\n1610 - 1663 \n\n1612 - ca. 1674 \n\n1626-1705 \n\nChen Kuan \n\nact. 1620. 1640 \n\nShen Hao \n\nact. 1630 - 1650 \n\nKung Hsien \n\n1617/18 1689 \n\nTao Chi \n\n- 1663 \n\n1626-1705(?) \n\nearly 17th century \n\nmid-17th century \n\n1625 · 1705 \n\n+ \n\nactive 1600 \n\nact. 1630-1650 \n\nd. 1689 \n\ndied in his forties \n\n1612 - 1697 \n\n1626 - 1705 \n\nc. 1620-1689 \n\nHung Ting \n\n1641 - before 1720 \n\n1660-1730 \n\nChiao Pin-chen \n\nca. 1680 - 1720 \n\nlate 17th century \n\n1650(1660) - 1730 \n\n- 1700 \n\n1630 - after ca. 1717 \n\n166--1730 \n\n1641 - 1707 \n\nChang Tsung-ts'ang \n\n1686. 1756 \n\n1686-1755 still alive \n\nact. 1680 - 1720 \n\n1686 - 1756 \n\nChin Nung \n\n1687 - 1765 \n\nHuang Shen \n\n1687 - 1768 \n\nYung Jung \n\n1744 - 1790 \n\n1687 - 1788 still alive \n\nlate 18th century \n\n1687 - after 1768 \n\nBOOK REVIEWS \n\n331", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207573, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 341, "title": "RAS-1975", "content_text": "332\n\nBOOK REVIEWS\n\nIf other, even earlier historical writings are to be taken into account, the editorial principle for presenting an introduction for each chapter, as Prof. Li has done in his new book, can be further traced to as far back as the 2nd century. For instance, in I-wen chih, \"Records of Literary Documentation”, the 30th chuan of Han Shu (History of the Han Dynasty), all the available documents have been classified, according to their nature, into the following groups: Book of Changes, Book of Documents, Book of Songs, Book of Rites, Book of Music, etc. In each group, before listing all books devoted to the same theme, Pan Ku, the author of Han Shu, also provided many introductory essays; one for each of those groups.\n\nUndoubtedly, namely the old Chinese editorial principle, of presenting an introduction to each chapter, which was first initiated by a historian in the 2nd century and again used by art historians in the 12th and the 14th centuries, has played an important role in Prof. Li's A Thousand Peaks and Myriad Ravines.\n\nI have devoted the rest of this review to a discussion of points of detail on which I differ from Professor Li's findings. These do not detract from Professor Li's considerable contribution to scholarship, but it is appropriate to mention them here for the sake of readers and users of this book.\n\nFirst of all, there happen to be some problems of identification. For example, Figure 52 (A-1) in vol. II deals with a complete set of reproductions of a landscape album dated 1729 by Huang Shen. In leaf 9 (pl. LXXXVI) of this album, in addition to its title and date, this 18th-century artist has also inscribed one 5-word poem. The 16th Chinese character which appeared in the 3rd line of this poem is an adjective which modifies a kind of orange that Huang Shen might have seen locally. This character, in Vol. I, p. 246 is identified by Prof. Li as 'yeh' since its literary meaning is rendered by its English translation as 'wild'. The reviewer questions this. His reasons are two-fold.\n\nIn an old Chinese writing, Yen Tzu chun-chiu … the ancient quibbler Yen Tsu (d. 500 B.C.) once stated that Chinese oranges in Southern Huai area were always good while the same fruit when moved to the Northern Huai area was always bad because of its thick skin.15 In this connection, the title of leaf 9 seems worthy of notice, since it is inscribed by the artist himself as", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207574, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 342, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n333\n\n\"On the Road to Mt. T'ien-chu” (or as Prof. Li prefers, \"On the Road to the Peak that holds up the sky\"). This very Mt. T'ien-chu is geographically located in the present western An-hui Province16, south of the Huai River. During the 6th century B.C. (or the active period of Yen Tsu), the area which included Mt. T'ien-chu was part of the territory of the State of Ch'u17. Thus, to associate the oranges of Ch'u to Mt. T'ien-chu is but to relate some old historic and geographic references to the real scenery that Huang Shen might have seen in 1729.\n\nSecondly, in structure and in style, as far as those example-characters in the \"Dictionary of Six Different Scripts for Characters of Chinese Calligraphy\" is concerned, the 16th character hand-written by Huang Shen for leaf 9 of his landscape album, certainly bears more physical resemblances to 'ch'u' rather than ‘yeh'. \n\nThus, there seems to be reason enough to conclude that this problematic Chinese character 'yeh' should be more properly identified as 'ch'u' instead of ‘yeh'. This is not only because the new identification has more possibilities to conform with the old geographical and historical information, but also because it is able to fit in with other calligraphical references as a whole.\n\nThe second example of this nature happens to be Prof. Li's failure in identifying a literary reference. In Volume II, Plate CVII illustrates a fan-painting attributed to K'un-ts'an. In Volume I, p. 203, Prof. Li's English translation, together with the original poem in Chinese inscribed by the artist himself, are presented side by side. It does seem essential to quote them both here again:\n\n“Leisurely I sit in my boat below the valley\n\nIn the vast twilight of dusk, smoke rises gently from an old house;\n\n水屋蒼冥起昏煙;\n\nthe autumn scene is there for me to sing and\n\nto enjoy, 自有秋光共嘯傲,\n\nand one needs no money to own mountains\".\n\nI47#★¶¤·\n\nIt is obvious that after comparison, the literary implication of the term \"Chang-tou\" which appears in the last Chinese line has not been rendered by any literary equivalent in the English version. In fact, this term happens to be not only the key word in terms of an overall understanding of the last line but seems a key point in interpreting the poet's intention as expressed by the whole poem. Documentarily, “Chang-tou” §§ is a reference to Juan Hsiu #k.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207580, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 348, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n339\n\ncontrolled the central government of the late Ming period. However, due to the expansion of the military power of the Manchus, the central activity of this Association from 1640, turns into the intellectuals' Anti-Manchu Movement.41 The fact that Hsiao Yün-ts'ung has been a member of the Reconquering Association can certainly help us to understand more about his life and personality. Although we know nothing about Hsiao's Anti-Manchu activity, a description of him as, “taking up the life of a hermit, he devoted himself to poetry, essay-writing, scholarship, and painting” (p. 177) is at least not the entire picture of Hsiao Yün-ts'ung's life. He must have been patriotic and full of the spirit of justice at one time. More likely it was only because of the triumph of the Manchus that he was forced to live as a recluse for his last 30 years. Professor Li has tended to ignore this key point in Hsiao Yün-ts'ung's life.\n\nTo conclude, in the 20th Century, in the 60 years since Stephen W. Bushell (1844-1908) published his classic Chinese Art42, due to the stimulation given by the opening of museums, the growth of private collections and a developed new interest in studying things oriental, a good number of histories of Chinese art have been written by scholars of different nationalities. None of them, however, has attempted a Chinese art history based on a single private collection,43 like Thousand Peaks and Myriad Ravines. This appears to be the first book of this kind, and despite those problems that the reviewer has already pointed out, and some other minor disputable points44, it is not inappropriate to call this book the first such publication. It is one, too, that is associated with a unique and earlier feature of writing Chinese art history, the introduction.\n\nThe reviewer suggests that as a Research Curator of the Nelson Gallery and Atkins Museum in Kansas, with its far better known collection, Professor Li should publish another such history of Chinese art, or history of Chinese painting, based on that renowned assemblage.\n\nUniversity of Hong Kong, 1976\n\nFOOTNOTES\n\nCHUANG SHEN\n\n1 For instance, the well-known collection of Mr. K. Sumitomo, is described in the illustrated and descriptive catalogue Senoku Seisho ★A★T (The collection of old bronzes of K. Sumitomo) first edited by Prof. Kosaku Hamada∗ ∗ ∗ and others in 1911. After being revised by Prof. Sueji Umehara∗ ∗ ∗ it was reprinted in 1934 in Kyoto. The additional catalogue concerning Mr. Sumitomo's new acquisitions on ancient", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207626, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 14, "title": "RAS-1976", "content_text": "CONTENTS\n\nPage\n\nPRESIDENT'S REPORT\n\nTREASURER'S REPORT\n\nTHE LIBRARY\n\nARTICLES:\n\n· Reflections on the Comparative Study of Modernization in China and Japan - RICHARD J. SMITH\n\n· The Teochiu: Ethnicity in Urban Hong Kong - Douglas W. SPARKS\n\n· Interethnic Interaction-a matter of Definition: Ethnicity in a Housing Estate in Hong Kong DOUGLAS W. SPARKS\n\n· \"Patterned Bands\" in the New Territories of Hong Kong - ELIZABETH L. JOHNSON\n\n· A Hawaiian King Visits Hong Kong, 1881 - TIN-YUKE CHAR\n\n· In Search of the Chinese Name for \"Li Sun\"-TIN-YUKE CHAR\n\n· Chan Lai-sun and his Family: a 19th Century China Coast Family - CARL T. SMITH\n\n· Notes on Friends and Relatives of Taiping Leaders - CARL T. SMITH with Additional Notes by JEN YU-WEN\n\n· Operation and Maintenance of a Road Transport System in West China 1942-46 — W. A. REYNOLDS\n\n· Land and River Routes to West China - A. D. BLUE\n\n· In the Path of the Ancient Mon: Pagan, Pegu and Nakom Pathom - MICHAEL SMITHIES\n\nREPORT:\n\n· A Report on Social Research in the New Territories of Hong Kong, 1963 - MAURICE FREEDMAN\n\nNOTES AND QUERIES:\n\n· Visit to Tung Wah Group of Hospitals' Museum, 2 October 1976 — CARL Smith and JAMES HAYES\n\n· Political and Pugilistic Freemasonry? - Y. F. LAM\n\n· Sandal Wood Mills at Tsuen Wan - JAMES HAYES\n\n· Chinese in the Volunteer Forces of Hong Kong — James HAYES\n\n· A Missing Chinese Library? - JAMES HAYES\n\n· Notes on Ho Chung-a 19th Century Artist in Kwangtung - CHUANG SHEN\n\n· Chinese Preserved Monks - KEITH STEVENS\n\n· Preliminary List of the Baker Collection of New Territories Genealogies in The British Library — H.G.H. NELSON\n\n· The Occurrence of Troides Helena (Linn.) in Hong Kong - J. CAREY-HUGHES AND J. B. PICKFORD\n\nPage\n\n1\n\n6\n\n10\n\n12\n\n25\n\n57\n\n81\n\n92\n\n107\n\n112\n\n117\n\n135\n\n162\n\n179\n\n191\n\n262\n\n281\n\n282\n\n283\n\n284\n\n285\n\n292\n\n297\n\n301", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207917, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 305, "title": "RAS-1976", "content_text": "290\n\nNOTES AND QUERIES\n\ncareer, since this Nan-hai artist had continuously worked as a professional over half a century; and finally his works were mainly sold at a very reasonable price.\n\nNOTES\n\n1 See Chuang Shen: \"Some observations on Kwangtung paintings\" in Kwangtung Painting (1973, published by the Urban Council, Hong Kong), pp. 9-24.\n\n2 According to the 6th chuan of Ming-hua-lu, “Records of painting in the Ming Dynasty\", edited by Hsu Hsin in the early years of the Ch'ing Dynasty, Lin Liang was active in the Hung-chih era (1488-1505), mainly in the late 15th century.\n\n3 Chu Pi-shan was famous for his specially designed silver wine cup in the shape of a hollow tree. For a colour reproduction of such a cup, dated 1345 by Chu's own carved inscription, see \"The selected Handcrafts from the collections of the Palace Museum\", edited by the Palace Museum, (1974, Peking), pl. 34.\n\nA similar silver wine cup, also dated 1345 by Chu's own carved inscription, in the form of a boat made of a hollow tree in which Chang Ch'ien is seated, is owned by Lady David of London. For its reproduction, see Perceval David: Chinese Connoisseurship (New York, 1971), pl. 19C.\n\n4 The origin of this name seemingly inspired by a famous line of the 5th century poet Tao Chien, in the 5th poem of his \"Drinking wine\". This line reads:\n\n\"Culling chrysanthemums by the eastern hedge, 悠然見南山\n\nI see afar the South hills.\"\n\nFor the English translation of this poem, see Robert Kotewall and Norman L. Smith: The Penguin Book of Chinese Verse (1962, Middlesex), p. 9.\n\n5 In \"Lo-yu-yüan\", the mid-9th century poet Li Shang-yin (813-858) wrote:\n\n\"The setting sun has boundless beauty\n\nonly the yellow dusk is so near.\"\n\nSee also Robert Kotewall and Norman L. Smith; ibid, p. 25.\n\n6 See Wang Chao-yung \"Lin-nan hua-cheng-yueh\" 'A Brief Document on Kwangtung painting' (1927, Shanghai), chuan 10, p. 7.\n\n7 The most important literary man who loved plums during the Sung China was no one but Lin Pu (967-1028). As a native of Chekiang, Lin Pu lived in a mountain overlooking the West Lake of Hangchow. When he lost his wife he had not re-married. Having planted a lot of plum trees near his house, he began to regard the plum blossoms as his wife. For this blossom he had this famous line written:\n\n\"Your slanting shadow reflects on the clear, shallow lake 斜水清淺\n\nYour elusive fragrance floats about in the yellow of the evening moon”.\n\nFor the English translation of this poem, see Max Perleberg: Lin Ho-ching (1952, Hong Kong), p. 15.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207918, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 306, "title": "RAS-1976", "content_text": "NOTES AND QUERIES\n\n291\n\n* This poetic feeling can be reflected by a Tzu poem written by Chiang Chieh # which reads:\n\n\"The rain song in youth I heard from song bedroom 樓上\n\nred candle setting behind a satin screen *****\n\nolder and travelling I heard rain in a boat #\n\nhuge river, low clouds, ***›\n\na goose crying in the west wind parted from the flock. $$$\n\nK\n\nNow when I hear the rain, in a hermit's cell MET\n\nmy hair has long turned grey 11\n\nsorrow, happiness, parting, joining are all neutral #46BAH raindrops all night long on the stone steps. Ħ¶¤àa¤N ·\n\nFor the English translation, see John Scott: Love and Protest (1972, London), p. 118.\n\n9 see Wang Chao-yung, op.cit. p.7.\n\n10 Its registration number in the Luis de Camoes Museum is AL 1 No. 10.\n\n11 Chiang-nan is a conventionalized geographic term referring to the vast area of Kiangsu, Chekiang, An-hui and Fukien provinces.\n\n12 See Chuang Shen op.cit. pp. 14-18. There I have pointed out that in the 19th century, the painting styles of Hua Yen and Huang Shen, two artists of Fukien, were followed by the Kwangtung artists.\n\n13 See Chu-tsing Li: \"Landscape painting in Kwangtung during Ming and Ch'ing\", in Landscape paintings by Kwangtung Masters during the Ming and Ch'ing Period (published in 1973 by the Art Gallery of The Chinese University of Hong Kong, Hong Kong), p. 4.\n\n14 Sung Kwang-pao and Meng Chuii were both artists of Kiangsu province. Followed Li Ping-shou, they came to Kwangtung during the first half of the 19th century. Later, Sung was regarded as the founder of a more laborious and decorative school, while Meng became the forerunner of a different school, less decorative, and mainly stressing the artist's inner self.\n\n15 See Lin Po-ting *** \"Brief Notes on the Taiwan painters during the Ch'ing Dynasty”滑朝台灣畫人輯系 history selected in Central Chinese culture and Taiwan AXLA÷ (1971, Taipei), pp. 531-539,\n\n16 See Lin Po-ting: ibid, p. 535.\n\n**MFIL\n\n17 See Sohokaku Shogaki **M***, Descriptive catalogue of Chinese paintings and calligraphies in the possession of Bardo Asano (1864-1880), (published in 1973 by the Kansai University in Japan), pp. 143 - 144.\n\nAs to this catalogue and its editor, see also Kokuro Wakimono + A 'Notes on paintings and calligraphy in the Shohokaku Shogaki Collection and its Author Asano Baido\", *NTORE *o****** The Bijutsu Kenkyu ✯ (Journal of Art Studies), No. 35 (1973, Tokyo), pp. 531 - 544.\n\n18 See Chuang Shen: op.cit. p. 21.\n\nUniversity of Hong Kong,\n\nMarch 1977.\n\nCHUANG SHEN", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207921, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 309, "title": "RAS-1976", "content_text": "294\n\nNOTES AND QUERIES\n\nof the Cotton Bag Monk, Pu Tai (), an incarnation of Mi Lo Fu. Pu Tai was said to have died at that temple at the beginning of the tenth century.\n\nAnother preserved body was that of a Shantung peach seller who dropped dead at the altar and was embalmed in mud and became a deity, Wu Yu Hsien (†), around whom a local cult sprang up and flourished during the fourteenth century. Yet another was the skeleton of an old and holy abbot overlaid with gold foil on Chiu Hua Shan at the Pai Sui Kung“.\n\nA preserved body in the Nan Hua Shan Monastery in northern Kwangtung was that of the Sixth Patriarch of Chinese Buddhism (A.D.). It appears to be the earliest recorded \"fleshy body\". The Sixth and last of the Chinese Patriarchs, Hui Neng (#), died in A.D. 712. His corpse is said to have remained incorrupt and even to exhale a sweet fragrance. His chest maintained its natural position and the skin appeared glossy and flexible. In A.D. 1236 when the Mongol troops pursued the last emperor of the Southern Sung and defeated him in Kwangtung, it is said that Mongol soldiers violated the tomb of the Patriarch and even went so far as to rip open the abdomen with a sword thrust. On seeing that the heart and liver were still in a perfect state of preservation, they were filled with fear and went no further in their sacrilege. Several replicas are to be seen in Hong Kong; a good example is on the altar of Huang Ta Hsien (黄大仙) in the San Yuan Temple (三元宫) in T'ai P'ing Shan Street, Hong Kong. (See plate 27). Incidentally, smaller images of Hui Neng, often seen in curio shops, are easily recognisable by the small dragon in his begging bowl. He is considered to be the founder of the Vegetarian Sects of Buddhism, Ch’ih Su Chiao ( vegetarian ).\n\nAnother mummy, black faced, covered in lacquer and gilded, sat in a lotus position in a place of honour in the T'ien T'ai Temple south-west of Peking, wearing Buddhist robes but of Imperial yellow. He wore a vairocana five-leaf crown on his head, his face was smooth and full fleshed and his skin black with age. Many thought that he was a wooden image and legend, since disproved, claimed him to be Fu Lin, the first Manchu Emperor of China (1638-1661) better known as Shun Chih who died at the age of 30. The story probably grew from the known fact that he wished to become a monk. The mummy was refurbished annually at a minor ceremony and was a great attraction for pilgrims.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207979, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 18, "title": "RAS-1977", "content_text": "largest, and most famous of the New Territories' Chinese kinship groups being settled in the area for over 900 years. Notes were again provided and will be published later in the Journal.\n\nThe December tour of Sri Lanka was very comprehensive and included a number of archeological sites not usually possible to visit in a short tour by the average tourist. We were fortunate enough to obtain the expert guidance of Ms. de Silva who volunteered to lead the tour and Ms. Berger who helped make many of the arrangements. I know that some members found the housekeeping side a shade more primitive than they would have preferred but I think that we compare favourably with many tourist agencies arranging accommodation from Hong Kong and providing a great deal more guidance and variation than does the average tour. It is not always possible to see places off the well-worn commercial track and enjoy all the facilities of the modern commercial world, to some extent these objectives being mutually incompatible. However if any members have suggestions as to how to improve the arrangements and take in the more unusual kind of visit—of course, in the same length of time—we would appreciate very much hearing from them, and this goes also for members who would themselves like to arrange a tour on our behalf.\n\nIn February a young exponent of the classical dance of South India gave a talk illustrated with the basic dance movements and related gestures and expressions. Also in February the tour of Borneo took place, participants visiting Sarawak, Brunei, and Sabah. The tour was very fortunate in gaining the help of people associated with museums in Sarawak, Sabah and Brunei who also provided unsolicited hospitality. I would like particularly to acknowledge our gratitude to Mr. Lucas Chin, Curator of the Sarawak Museum, Mr. P. M. Shariffuddin, Director of Museums, Brunei, and Mr. David McCredie, Curator-designate of the Sabah Museum.\n\nOn February 16, Mr. Chuang Shen of Hong Kong University's Department of Chinese talked about newly discovered rock engravings in China, and made comparisons with findings and techniques of engraving in many other parts of the world. A tour of the Chinese porcelain exhibition at Fung Ping Shan Museum, University of Hong Kong, took place also in February—or I should say three tours—for so popular was this event arranged in connection with the Arts Festival, that three different parties had to be arranged for our members. Dr. Michael Lau, Curator of the Museum,", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208042, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 81, "title": "RAS-1977", "content_text": "TWO ESSAYS ON THE CHING ECONOMY OF HSIN-AN\n\n65\n\nimplied a physical division of the land itself. From the scanty evidence on tenant rings, we can conclude that the sale of cultivation-value was probably regulated within the group. In any event, it was unnecessary for the landlord to be informed of the sale.\n\nDescent among perpetual lessor clans was governed by the principle Fen tsu erh pu fen t'ien (分租而不分田: \"divide the rent but not the land.\") Gompertz, in CSO109 Ext., comments:\n\nWhen an inheritance has already been divided among the various branches of the clan the problem is very much simpler but as a matter of fact such partitions have been hitherto very rare and we are now in the dilemma of being obliged either to devise a form of title suited to this collective ownership or to refuse to take cognisance of anything but the ownership of individuals.3\n\nThe Ping Shan Tang genealogy gives this account of the origin of this principle in Tung-Kuan county (at the time of the writing of this passage, Hsin-An had not yet been formed):\n\nWe have been inhabitants of Ping Shan for six generations. From my great grandfather to my father (i.e., three generations) no ancestral property was divided, a fact which greatly benefited the villagers. At the beginning of the Ming Dynasty, an imperial edict forbade the uniting of different families into single households. Thereafter, my younger brother and I began to register separately as inhabitants of Huang T'ien Ch’ang (黄田昌) and Tung-Kuan respectively. The ancestral properties were divided into two portions. As for the properties in remote areas, the grain payments (i.e., the rent) and the land-tax (plus corvee responsibilities) were also shared equally between us.36\n\nOne of the strongest prohibitions contained in clan rules was that against selling land, private or communal, to \"outsiders:\"\n\nIn large clans transactions in land take place, as a rule, between different members of the clan without the property ever being disposed of to outsiders. In such transactions the deed of transfer is invariably worded as if it were a mortgage, and no period of redemption is fixed, the vendor or mortgagor, or his descendants, thus having every opportunity to redeem the property at the original price even several generations after the transaction has been made.37", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208072, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 111, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n95\n\nGod of Loyalty and patron of businessmen, soldiers, detectives and firemen. When represented, this stands near the entrance to his temple and is held on a short rein by a standing groom. The second is the paper horse used for carrying messages to the dead ancestors during the Yu Lan festival (15th of the seventh lunar month). These white or red horses look very similar to the Green Horse and are burnt during ancestral rituals. The third is the White Horse of the monk Hsuan Chuang, Tripitaka, who brought the Buddhist Sutras back from India in the 7th Century, and is only to be seen in one temple in Macau and not at all in Hong Kong.\n\nAn interesting observation which would appear to have no special significance, and one which surprised many Chinese temple keepers, is the sighting of the Green Horse on the altar of the maids and attendants of Chin Hua, the Goddess of Childbirth, in some thirteen temples.\n\nOfferings, Charms and Messages\n\nApart from the force feeding of the White Tigers at the festival in Spring, an offering of a large slab of cooked fatty pork is frequently placed on the Tiger's head, and sometimes several ounces of Chinese yellow wine is then poured over it. Charms, printed on yellow or red paper, are pinned to the Local Wealth God and incense and candles are burnt before the whole Under Altar. Offerings of paper money on the \"Bank of Hell\" are piled onto some Local Wealth Gods, as are paper taels of gold and silver. On occasions particular to the individual devotee and connected with calamities in their lives, he or she may place five yellow paper charms, purchased from the temple keeper, beneath each of five oil lamp saucers with glowing wicks. These, together with fresh eggs, are offered to the spirits in the Under Altar.\n\nIndividual devotees who wish to report their particular misfortune to the Disaster Spirits obtain slips of paper from the temple keeper. These are normally some four inches long and two inches wide, in either red or green, with a regular pattern of diamonds and circles cut out by folding and snipping in a special way. In a few cases, temple keepers require details of the \"disaster\" to be written on them, with dates and names of the people involved. The slips of paper are then burnt in the temple incinerator. In rare cases where devotees confuse the message papers with charms, they are", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208095, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 134, "title": "RAS-1977", "content_text": "% of Total\n\nHK Population\n\n118\n\nGREGORY E. GULDIN\n\nFig. 3-Hong Kong and North Point Population by Place of Origin—19758\n\n \n Place of Origin\n % of North Point Population\n % of Total HK Population\n \n \n Guang Zhou area\n 54%\n 46%\n \n \n Sae Yup\n 17%\n ...\n \n \n \n 82%\n 16%\n \n \n \n \n 69%\n \n \n Hong Kong, Macao area\n 5%\n ...\n \n \n Guangdongese9\n 1%\n ...\n \n \n Guangdongese9\n \n ...\n \n \n Elsewhere in Guangdong\n 6%\n 6%\n \n \n Chao Zhou\n 10%\n 5%\n \n \n Shanghaiese (including Jiangsu and Zhejiang prov.)\n 3%\n 6%\n \n \n Fujianese\n 3%\n 18%\n \n \n Northern and Central Chinese (excluding Jiangsu and Zhejiang provinces and Shanghai)\n 1%\n 1%\n \n \n Others\n 2%\n 1%\n \n \n TOTAL\n 100%\n 100%\n \n\nChinese led to the further expansion of the Fujianese sub-neighborhood across Tong Shui Road for the first time. Since then Little Fujian's explosive growth has slackened a bit although the last decade or so has seen the Fujianese move a block or two further east across Quarry Bay.\n\nThis intra-North Point history makes today's ethnic settlement pattern understandable. Figure 1 maps out the spatial distribution of both Fujianese and Shanghaiese in North Point and indicates the location of today's Little Fujian sub-neighborhood as well as the boundaries of the 1950s Little Shanghai area. As suggested by the over-lapping boundaries, Little Fujian has supplanted Little Shanghai as North Point's major sub-neighborhood. Indeed, we can even go so far as to maintain that Little Shanghai no longer exists in North Point as a distinct sub-neighborhood, although a diminished and outwardly directed sense of Shanghaiese community does persist. There are more to these ethnic enclaves though than a few street blocks; equally important are the social ties that bind a community together. Since the Shanghaiese community no longer centers in North Point let us turn to the Fujianese community of", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208325, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 49, "title": "RAS-1978", "content_text": "MILITARY EDUCATION IN CHINA, 1842-1895\n\n33\n\nThe major stumbling block to more pervasive reform was simply the lack of sufficient central government incentive to change, and above all, a fear of upsetting vested interests at all levels of the military. Li Hung-chang himself had such fears, but they might easily have been overcome had the throne given wholehearted support to military reform through financial assistance and other forms of official encouragement, including adequate institutional rewards for the acquisition of new military skills.122 It is true, of course, that state revenues were extremely meager, and that Peking's fears over the threat of foreign interference in Chinese military affairs were not wholly unwarranted.123 But it is also evident that the Manchus, as alien rulers, had no desire to establish a systematic, centralized program of modern military education in China-particularly when it became apparent that Western arms and training could not be confined to the traditional Banner and Green Standard forces.\n\nIronically, had the Manchus undertaken meaningful, centralized reform during the late 1860's and early 1870's, when anti-Manchu sentiment was no longer a political problem and imperialist pressure was minimal, the dynasty might have been able to build a Meiji-style system of military education and dispense with foreign instructors by the early-1890's, as did Japan.124 Instead, the Ch'ing government by stages alienated patriotic Chinese and disappointed the foreign powers by its failure to build a modern, Western-style military force capable of doing more than simply keeping a lid on internal rebellion. Most ironic of all, in seeking foreign talent after the Sino-Japanese War, the Chinese turned to the one-time \"dwarf bandits\" of Japan, who now began training large numbers of Chinese soldiers in modern military methods both at home and abroad. This new education, and the nationalism that inspired it, had revolutionary consequences.\n\nNOTES\n\nAbbreviations:\n\nCJCC - Chung-Jih chan-cheng\n\nCWCK - Ch'ou Wu-chuang-kung i-shu\n\nFRUS - Foreign Relations of the United States\n\nIWSM - Ch'ou-pan i-wu shih-mo\n\nLWCK - Li Wen-chung-kung ch'üan-chi\n\nNCH - North-China Herald\n\nYWYT - Yang-wu yün-tung", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 52, "title": "RAS-1978", "content_text": "36 \n\nRICHARD J. SMITH \n\n38 Holcombe, 82-83; LWCK. Memorials, 27: 405. See also Wang Chia-chien, \"Pei-yang wu-pei hsüeh-t'ang ti chuang-she chi ch'i yin-hsiang,\" Kuo-li T'ai-wan shih-fan ta-hsüeh li-shih hsüeh-pao (April, 1976), 3. \n\n39 LWCK, Letters to the Tsungli Yamen, 4: 39-41. \n\n40 Wang, Huai-chün, 203 and passim; LWCK Memorials, 35; 33b-34, 34b-35. On Wang, see also Bell, 2: 49. \n\n41 On Chou's army, see Japan, Ministry of War, comp. Rimpō heibi ryaku (1882), 3: 45b-46b; Bell, 2: 4, 57-59; Great Britain, War Office, 33/34 (1880), 128-130; FRUS, 1873, part 1, 182-188; CWCK, 1.4: 36b-32; etc. Chou's nien-p'u is included in CWCK. His writings and nien-p'u indicate a rather progressive outlook, including an appreciation not only of Western weapons and military methods, but also of certain aspects of Western science and medicine. \n\n42 CWCK, 2.2: 13a-b; also 1.4; 2b-3, 32-33. \n\n43 Ibid., see also 2.2: 1-8. On the attractiveness of Green Standard rank, consult K. C. Liu, “The Limits of Regional Power in the Late Ch'ing Period: A Reappraisal,\" Tsing Hua Journal of Chinese Studies, n.s. 10.2 (July, 1974), 210, and esp. 218. \n\n44 See, for example, CWCK 1.1.2: 24b; 1.4: 2-3, 5-13b, 19-24, 26b-27, 32-33b; 2.2: 1-2b; \"supplement,\" 1: 11-23, 44; etc. \n\n45 See, for example, CWCK, 1.1.2: 16b-17, 23-24, 27-28; 1.4: 3b-4, 10a-b, 27, 30-32; \"supplement,” 1: 7-24. \n\n46 CWCK, 1.1.2: 17b-18; 1.4: 30-41; etc. \n\n47 Ibid., 1.4: 33b. \n\n48 Bell, 2: 57; see also Cavendish, 721. \n\n49 Bell, 2: 57, 197; Great Britain, War Office, 33/34 (1880), 129, \"The Army of Li Hung-chang\"; CWCK, “supplement,\" 1: 14b, 20, 23b, 35b-37b; see also CWCK, 1.4: 36b-37. \n\n50 CWCK, 1.1: 19b; 1.1.2: 41b-42; 2.2: 22b. \n\n51 Wang, \"Pei-yang wu-pei hsüeh-tang,\" 3-4, 23-24, note 18. \n\n52 CWCK, 1.4: 34. \n\n53 CWCK, 1.4: 33b-34; also 1.1.2: 41b-42. \n\n54 See note 40. \n\n55 Knight Biggerstaff, The Earliest Modern Government Schools in China (Ithaca, 1961), 61-62; Cyrus Peake, Nationalism and Education in Modern China (New York, 1932), 10-12; Wang, \"Pei-yang wu-pei hsüeh-t'ang,\" 7-8. \n\n56 Ibid. (Wang), 7-8. \n\n57 Chinese Times, April 30, 1887. The entrance examination consisted of three parts. The theme for the essay was: \"(When the people have been taught patriotism and loyalty) they may easily overcome their enemies.\" The theme for the discourse was: \"Much planning brings success.\" And the subject for the poetry exercise was: \"Though summer has come, nature is still mild and pleasant.\" Ibid. \n\n58 Biggerstaff, 63; NCH, April 13, 1887; Chinese Times, April 23, 1887, \"The Tientsin Military School\"; etc. The most complete discussion of the establishment, rise, structure, administration and influence of the Tientsin Military Academy is Wang Chia-chien's, \"Pei-yang wu-pei hsüeh-t'ang.\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208403, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 127, "title": "RAS-1978", "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208458, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 182, "title": "RAS-1978", "content_text": "166\n\nC. MARTIN WILBUR\n\nChing Ho; A Sociological Analysis. The Report of a Preliminary Survey of the Town of Ching Ho, Hopei, North China. (Hsu, Leonard, S., Editor.) Peiping, Yenching, 1930.\n\n\"Clanship Among the Chinese\". (Chinese Repository, vol. 4, 1836, p. 411-415).\n\nCreel, Herrlee G.; Sinism; a Study of the Evolution of the Chinese World View. Chicago, Open Court, 1929.\n\nDe Groot, J. J. M.; Les Fêtes Annuellement Célébrées à Emoui (Amoy); Étude Concernant la Religion Populaire des Chinois. 2 vols. Paris, Leroux, 1886.\n\nDe Groot, J. J. M.; The Religious System of China. 6 vols. Leyden, Brill, 1892-1910.\n\nDemiéville, P.; \"Hou Che Wen Ts'ouen (MILŻ#)\" (Bulletin de l'École Française d'Extrême-Orient, vol. 23, 1923, p. 489-499).\n\nDes Routours, Robert; \"Les Grands Fonctionnaires des Provinces en Chine sous la Dynastie des T'ang.\" (T'oung Pao, vol. 25, 1928, p. 219-330).\n\nDuyvendak, J. J. L. (translator); The Book of Lord Shang, a Classic of the Chinese School of Law, London, Probsthain, 1928.\n\nFerguson, John C., \"Political Parties of the Northern Sung Dynasty\" (Journal of the North China Branch of the Royal Asiatic Society, vol. 58, 1927, p. 36-56).\n\nFerguson, John C.; \"Southern Migration of the Sung Dynasty\" (Journal of the North China Branch of the Royal Asiatic Society, vol. 55, 1924, p. 14-27).\n\nFerguson, John C.; \"Wang An-shih\" (Journal of the North China Branch of the Royal Asiatic Society, vol. 35, 1903-04, p. 65-75).\n\nGiles, Herbert A.; A Chinese Biographical Dictionary. Shanghai, Kelly and Walsh, 1898.\n\nGiles, Herbert A.; A Chinese English Dictionary. 2nd ed., 2 vols.; Shanghai, Kelly and Walsh, 1912.\n\nGranet, Marcel; Chinese Civilization, London, Kegan Paul, 1930.\n\nHirth, Friedrich; The Ancient History of China to the End of the Chou Dynasty, New York, Columbia, 1911.\n\nHsieh, Pao Chao; The Government of China (1644-1911). Baltimore, Johns Hopkins, 1925.\n\nHu, Shih; \"The Establishment of Confucianism as a State Religion During the Han Dynasty” (Journal of the North China Branch of Royal Asiatic Society, vol. 60, 1929, p. 20-41).\n\nHu, Shih: \"Religion and Philosophy in Chinese History\" (in Symposium on Chinese Culture. (Zen, Sophia H. Chen, Editor). Shanghai, Institute of Pacific Relations, 1931, p. 24-58).\n\nHu, Shih; \"Wang Mang, the Socialist Emperor of Nineteen Centuries Ago” (Journal of the North China Branch of the Royal Asiatic Society, vol. 59, 1928. p. 218-230).\n\nHuang, Han Liang; The Land Tax in China. New York, Columbia, 1918.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208464, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 188, "title": "RAS-1978", "content_text": "172\n\nC. MARTIN WILBUR\n\nNiu Jen-yen (BMT); Local Self-government in Full ($*£T). Shanghai, Kung Min Book Store (ARTH), 1930. 4 vol.\n\n$5.00.\n\nTemporary Regulations in Force in Honan Municipal, District, Street, and Village Local Self-Government ( X$+@##6#*6*4). Honan Provincial Affairs Bureau (TäÂ).\n\nVarious Rules and Privileges in Practice in Chekiang Village and Hamlet Local Government (#2#3#2# ). Chekiang Provincial Affairs Bureau (****).\n\nIII. RURAL INVESTIGATIONS (2###)\n\nChiang Wen-yü (3¤M*); “Hsu Kung Bridge\" (##). Shanghai, Chinese Professional Educational Society (*****).\n\nFarmers and Landlords in Heilungchiang Region ( XAVAMAJR#X1). Nanking, Central Research Bureau (★★*£*). $0.60.\n\nHuang K'u-t'ung (*****); Rural and Village Investigation (*#**). Shanghai, The Commercial Press (*****). $2.25.\n\nInvestigation of Rural and Village Conditions in Lin An County (Chekiang) (**&*£*)). Nanking, Committee of Reconstruction (✈✯員會設建委), 1931,\n\nKiangsu in the Future (Haz×4). Kiangsu Provincial Affairs Bureau (江蘇民政廳)\n\nLi Ching-han (***); Rural Families in Peiping Suburbs (***** 4) Shanghai, The Commercial Press (*****). $0.75.\n\nYang K'ai-tao (#ML); Rural and Village Investigations (****). Shanghai, The World Book Company (L***FA ), 1930. $0.60.\n\nIV. RURAL AND VILLAGE ECONOMIC CONDITIONS (農村經濟)\n\nChu Hsin-fan (***); Special Characteristics and Economic Conditions of Chinese Rural and Village Life (†B⭑#MALLAT ). Shanghai, Hsin Sheng Ming Book Store ( 1**£*#4). $1.20.\n\nLing Tao-yang (); Various Aspects of Economic Conditions in the Agriculture of China (I*<***). Shanghai, The Commercial Press (£#*#*#) $0.45.\n\nLiu Ta-chün (§**); Economic Conditions of Farmers in China (ADP *M*RA). Shanghai, Hsien Tai Book Store (ARTA). $0.45.\n\nMajayar(?) (HLEN · *) (Author), Ch'en Hua-ch'ing (RIC# · #) (Translator); Studies in Economic Life in Chinese Rural and Village Communities (†B£##*#*). Shanghai, Shen Chou Kuo Kuang Shê (#tđk ), $2.20.\n\nTaylor (Author), Li Hsi-chou (†49#*) (Translator); Actual Conditions of Economic Life in Rural Communities and Villages of China (†B£#***). Shanghai, Wen Hua Hsueh Shé ( *ČR 學社)、$0.80.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208467, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 191, "title": "RAS-1978", "content_text": "WOODBLOCK PRINTING,\n\nAN ESSENTIAL MEDIUM OF\n\nCULTURE INHERITANCE IN CHINESE HISTORY\n\nDAVID H. S. CHAU\n\nIntroduction: the development of writing and inscriptions\n\nIn ancient China, before characters had been developed, events were recorded by knotted cords and notched wooden sticks. Writing proper began from image forms of visible objects or ornaments. The First legendary Emperor Fu Hsi (伏羲) 2953 BC, the Third Emperor Huang Ti (黃帝) 2698 BC, and the Statesman Tsang Chich (倉頡) 2700 BC are the traditional inventors of the \"tadpole characters” (蝌蚪文) and the “bird-track script” (鳥跡文). They observed the animals and birds' tracks and imitated natural forms to create primitive characters and had them carved on stones.\n\nRecent excavations of ancient tombs in China revealed engravings in large quantity of tortoise shells and animal bones. These bones and shells are believed to have been used in the Shang Dynasty (商朝) 1600 BC by the priests or diviners of the court to communicate with the spirits of the dead, and since the dead consulted were mainly ancestors of the rulers, the bones were treated as sacred and were called \"Oracle Bones\" (甲骨). Whenever a prediction was needed --usually something to do with the weather or a battle--the priest or diviner would inscribe the question on a shell or a bone and then have it heated by fire. The bone or shell would become cracked after being burnt. It was believed that the diviner could read the signs showing on these cracks. The prediction was then also inscribed on the bone for record and future reference. The word \"predict\" in Chinese character is Pu (卜), which looks like a crack itself.\n\nInscriptions (銘文) were also found on Shang metallic wares. Most of the items recorded were in commemoration of certain ceremonies in the court or the glories of the battle.\n\nLater on, Chinese developed to use lacquer to record things on bamboo and wooden slips, and had a number of slips strung together to form books.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208470, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 194, "title": "RAS-1978", "content_text": "178\n\nDAVID H. S. CHAU\n\nThe fact that in the Tsin Dynasty (#), 303-379 AD, the technique had been widely used, and about the seventh or eighth century the Chinese already used woodblock to print calendars (Ɔ).\n\nThe oldest woodblock printed book still in existence, so far as we understand, is the Diamond Sutra (✨#∞) a Buddhist text (**) printed in the year 868 AD, which was found along with thousands of manuscripts from Mokao (†) the Caves of the Thousand Buddhas (†) at Tun-huang ( ). Tun-huang, a city situated on the outskirt of the Lob Desert in western Kansu Province (+), was once the main gate of the Old Silk Road (***). From the first century until the fourteenth century, merchants, caravans, travellers, monks, and armies leaving for the West all passed through Tun-huang on their way to the Middle East, the Mediterranean, and Europe. The Italian merchant Marco Polo („§ +) used the same route to come to China.\n\nHollowed out in irregular tiers along the face of a steep cliff, the cave temples of the Thousand Buddhas were known in the Tang Dynasty () as Mokao or “Grottos of Surpassing Height\". They are located a few miles southeast of Tun-huang City. There had been huge Buddhist monasteries at the place for centuries, but it became forgotten when the Ming Dynasty (#9) began trading with the West by sea, and since then most of the caves had been buried by the shifting sand of the desert. In the late nineteenth century, it was rediscovered by a Taoist Priest called Wang Yuan-lu (10*), but by then all the wooden structures of the monasteries had vanished, and only the stone caves used as shrines remained.\n\nMokao is more than five thousand feet in length and consists of four hundred and ninety-two caves of various sizes. Over two thousand Buddhist statues and numerous huge murals can still be found in the caves. If we could have all the murals linked together, they would be at least twenty-five miles long.\n\nIn the year 1899, Wang Yuan-lu discovered an old monastery library in a walled-up chamber behind a mural in one of the caves. In the chamber, he found more than twenty thousand volumes of manuscripts and woodblock-printed documents and books, among them the Diamond Sutra. The news of the discovery soon spread abroad. In 1907 an Englishman, Sir Aurel Stein, traded with the priest and carried away 29 cases of manuscripts and books. More", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208471, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 195, "title": "RAS-1978", "content_text": "# WOODBLOCK PRINTING\n\n179\n\nthan eight thousand volumes together with the world's oldest wood-block printed book are now kept by the British Museum in London. In 1908 a Frenchman, Professor Paul Pelliot, took away two thousand five hundred more volumes. What remained in the library, around eight thousand volumes, were sent to Peking in 1911 and are now kept in the Peking Library.\n\nBuddhism came to China along the Old Silk Road first from Central Asia at the end of the last millennium BC and again in 67 AD when a mission sent to India by the Han Emperor Ming Ti (***) returned with two learned Indian scholars. Chinese pilgrims, notably Fa-hsien (3); §) 399-424 AD and Hsuan-tsang (✯✯) 625-645 AD, used the Old Silk Road. All went through Tun-huang,\n\nBy the time of the Tang Dynasty, 618-905 AD, woodblock printing had already developed to a high state of artistry. Buddhists made full use of the printing technique to popularize their religion. Buddhism was very prosperous at that time. There were more than five thousand temples in existence, and around three million people became monks or nuns. The temple authorities and their followers engaged in publishing Buddhist texts or sutras with great enthusiasm, as they believed that the more texts or sutras that could be published and circulated the more merit would be rewarded. Most of the sutras were printed with images and illustrations so that they could be better understood by those followers with only little education.\n\nIn the year 931 AD the government of Late Tang (k) set up a special printing section under the Education Department (§76) to engage scholars, carvers, and printers to make woodblocks to print all classical texts copied from the stone texts, the first official textbook printing in Chinese history. It took twenty-two years to accomplish the whole series, consisting of nine classical texts totalling one hundred and thirty volumes and finished in the year 953 AD, Late Chou (£§).\n\nThe great advance in wood engraving skill should be credited to Northern Sung Dynasty (a). In the period of the tenth or twelfth centuries, the production of both classical texts and illustrated novels, including imprints of stone and woodblock folk prints, increased in quantity and quality. Books of fiction printed in the Sung Dynasty 960-1179 AD were amply illustrated, with illustrations\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208489, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 213, "title": "RAS-1978", "content_text": "NOTES AND QUERIES \n\n197 \n\nleg down and right leg bent, and with round protruding eyes fixed on the horizon. \n\nNews of his sainthood quickly spread throughout Chuan Zhou, as did the word that he now had great spiritual powers. A small temple was built for him and his fame slowly spread far and wide. He helped and advised people, in their dreams, and his popularity was such that the title of King was awarded him. He did not always answer people's prayers himself as he had a small staff of spirits as assistants. One day a very elderly couple were promised a child by a spirit assistant in his absence. When Guo returned and heard of the rash promise he realized there was only one way to fulfil it and had himself reincarnated as their child. His temple fell into disuse, and for 21 years it lay empty. A fortune teller told the old couple that their only child would pass the Imperial examinations with very high marks. Whilst a student, “Guo” (though not now of the Guo family) cured the Emperor's mother who was very ill and for this he was given the title of Guang Ze Zun Wang.* He was warned, however, never to touch anything black as this would result in his death. The award of a 1st Class Civil Examination result required him to attend the Imperial Palace at the Capital in scholar's clothes, and as he had been created a magistrate his uniform was black! He donned it, returned to Nan An in triumph but because he had touched black, dropped dead on his return. \n\nA beggar asked \"Guo's” mother for money. When she replied that she had none and was in mourning for her recently dead son, the beggar said that he had just seen “Guo” riding a white horse, and moreover \"Guo\" had promised him a stated amount of money which he had told the beggar was under his pillow. When \"Guo's” mother looked there was the exact money! \"Guo's\" mother then knew he had not died but had returned to his temple. She followed, instituted prayers and incense burning before the deity who now bore the title of Guang Ze given to him by the Emperor. \n\nA Taoist priest's daughter fell in love with the image of Guang Ze in the temple and said she wanted to marry him. The image heard her and from then on, each day whilst the daughter was washing the family's clothes in the stream, she saw a jade bangle lying on red linen in a bowl floating near her. On her mother's \n\n*This literally means the Saintly King of the Wide Marsh.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208490, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 214, "title": "RAS-1978", "content_text": "198\n\nNOTES AND QUERIES\n\nadvice she picked it up, and it immediately jumped onto her wrist and stuck fast. This was the sign that she was to marry Guang Ze and the next and every night Guang Ze visited her and talked to her all through the night. Her mother became angry and forbade her to see him and the Taoist priest refused to allow his daughter to be married to Guo. He even planned to marry her quickly to someone else but as the sedan chair passed Guo's temple, Guo took her from the sedan and replaced her with a rock without the chair bearers seeing. The furious father suspected Guo, went to the temple and found his daughter, but as a statue beside Guo's.\n\nAnother version was that as her daughter had become obviously pregnant the mother asked her daughter to cut a piece of the robe off her nightly visitor. This the daughter did and it only took the mother a few days to discover the pieces were from the robe of the image of Guang Ze in a nearby temple. The father, a powerful Taoist magician, realizing his power was far less than Guo's and that he was dying, as a last wish asked for four pieces of burning charcoal to be put one at each corner of his coffin when it was placed in the temple after his death. However, reading the father's mind, Guo transformed himself into an old lady and persuaded the temple keeper's wife to remove the burning charcoals. She was almost too late, managing to remove only three pieces. The last one caused the corner of the temple to catch fire, whereupon one wall fell in. But for Guo's warning all four walls would have fallen and Guo's image would have been destroyed.\n\nTHE IMMORTAL FAN (樊仙)\n\n(Cantonese: Fan Sin)\n\nA unique folk religion cult is centred around the village of Wun Yiu,* a mile or so above Taipo, in the New Territories of Hong Kong, where his gilded image is to be seen alone on a temple altar. There he is depicted as a seated Mandarin with a black beard and white eyebrows and, according to the temple keeper, without any special recognition characteristics. FAN has not been seen in any other temple within the two territories of Hong Kong & Macau.\n\n* See A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories (Hong Kong, Government Printer n.d. but 1960) p. 176 under Sheung and Ha Wun Yiu. Plates 23(a) and 23(b) illustrate this Note.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208732, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 189, "title": "RAS-1979", "content_text": "162\n\nJULIAN F. PAS\n\nare, of course, an enormous number of deities mentioned and described in Taoist ritual texts, of whom the common people do not even know the names. They belong to the esoteric tradition of Taoism and are only known to Taoist priests. But besides those, the majority of deities worshipped in the temples belong to the popular religion, although many border cases may exist of mutual absorption between the three traditional religions and the popular religion. Some of the most ‘popular' deities of Taiwan religion belong to the popular or community religion: examples are Matsu, Kuanti, the earth god(s), the Wang-Yeh gods, the city god(s), Prince Nat'o or T'ai-tzu, Pao-sheng ta-ti and even the so-called supreme god of Taoism, Yü-huang Ta-ti. A number of originally Taoist or Buddhist deities have been absorbed into the folk religion and have become part of it: Kuan-yin and Ti-tsang wang for the Buddhist side; the kitchen god, Yü-huang (Jade Emperor), the 8 Immortals for the Taoist side.\n\nAccording to the third criterium mentioned above, ownership of a temple, several categories exist greatly coinciding with the division based on the other two criteria. Temples may be government-owned (Confucian temples); owned by the local community on the neighborhood or town levels (these are the community temples); or privately owned, either by individuals, families, sectarian groups or monastic institutions.\n\nFinal sub-section of Chapter Three. After this long digression, I had better return to my book review. In this last part of Chapter Three the author discusses the 'genesis of temples'. Although strictly speaking there is a difference between temple and cult, between temple and deity worshipped in it, still the two should be discussed together. In fact there is a special chapter on the Genesis of Gods. However, since the author prefers to discuss the genesis of temples separately, we had better follow him. He distinguishes several ways of temple development:\n\n(A) by process of fen-shen or \"splitting bodies\" (p. 125). The reason of the spread and construction of new temples is the god's efficacy.\n\n(ii) by process of proselytization or a conscious effort on the part of the believers to spread the cult. This applies to Buddhist temples (and Christian churches).\n\n(iii) by transformation of a private home or temple into a community temple.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208751, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 208, "title": "RAS-1979", "content_text": "RELIGIOUS LIFE IN PRESENT-DAY TAIWAN\n\n(c) Taoism\n\n181\n\nTaoism, as a religion nowadays, is hard to define; it is much more than Buddhism caught up in popular religion and very often identified or confused with it, not only by students of Chinese religions but by believers as well. Examples are lists of temples in Taiwan, where temples are identified either as Taoist or Buddhist, with the rare exceptions of Confucian temples and ancestral halls. If we see the folk-religion as a separate category, then Taoism as such should be stripped of all the folk-religious elements and seen in its purity. In that case, only a few temples can be identified as Taoist, and the Taoist religion has thus basically to be identified with the various sects of Taoist priests. The matter has become more complicated since the institution of a Taoist Association in 1950. This is organized and run by Taoist laymen but has requested and obtained membership among many temples of the folk religion (in many temples, one can see the metal membership plates on the wall).\n\nThe Taoist priesthood is divided into 3 (or 4) sects: the ling-pao, cheng-yi, or t'ien-shih and san-nai sects. The cheng-yi sect, or the sect of the Heavenly Master, has been trying for a long time to control the Taoist priesthood of all sects to unify them (and collect their dues). The 64th successor to Chang Tao-ling, living in Taipei, confers ordinations and promotions all over the island. However, as over the centuries, candidates to the priesthood (often hereditary) are not well trained in Taoist philosophy: they start their instruction as apprentices of a particular master, but throughout their training, they usually do not go beyond learning to recite the sacred texts and performing the various rituals. There are, happily, exceptions to the rule, and a fascinating example is Master Chuang of Hsinchu city, who is not only a master of rituals but performs the esoteric meditations of inner alchemy as well.\n\nIn Taiwan, there are no Taoist monasteries where priests live as celibate monks, although there seems to be a movement of return to the ancient model: in one temple in Kaohsiung, the Tao-Te-Yuan, a group of young women have been ordained as Taoist priests and have made the vow of celibacy. The same temple also organizes study sessions for laymen to foster a deeper understanding of Taoist philosophy. As in Buddhism, the laymen again are promoters of a more serious involvement in Taoism.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208840, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 2, "title": "RAS-1980", "content_text": "201\n\nI would like to add two more passages to this note, both of which came my way after I wrote the above. The first passage was kindly given me by James Hayes, who was given it by Mr. Ho Kei Fook, of Kei Ling Ha village, born in 1928, and educated (1937-1941) in the neighbouring village of Tseng Tau, previously village representative, and Vice-Chairman of the North Saikung Rural Committee. The second passage I came across in Ch'en T'ieh-erh5, \"Huang Hsiao-yang yu Pai-e t'an\" (Huang Hsiao-yang and the White Goose Pond), in Kuang-tung wen-hsien chi-k'an vol. 15 no. 2 (1985) pp. 60-62.\n\nPassage 1\n\n\"It is said that in the Ming dynasty there was this man Ho Tsoh Shing who obtained a wonder book. The book recorded thirty-six grave sites at the mouth of the dragon. [The family] buried there would achieve great wealth for its descendants and even produce an emperor. Ho Tsoh Shing was already an official at court, holding the post of Minister of the LeftE. But his mother did not have the good fortune to support this achievement. When his wife was pregnant, his mother scolded her saying, 'My son is an official at court many mountains and seas away, so how is it that you are pregnant?' The daughter-in-law said, 'He comes back every night'. What happened was that every night Ho Tsoh Shing rode home on a bamboo-rigged flying horse, and early in the morning he rode the flying horse back to court. The daughter-in-law said, 'If you don't believe me, you can hide by the courtyard tonight and watch him as he comes in'. [This the mother did] and saw that that was what really happened. The horse stopped at the courtyard, and the mother, being curious, rode on it. The horse could not fly, because it was bogged down by the woman's breath. When Ho Tsoh Shing rose the next morning to go to court, the horse was still bogged down by woman's breath. So immediately, he went to cut some bamboo to rig another horse to fly to court. He was late. The emperor was in his court calling the rolls. When he came to Ho Tsoh Shing's name, Ho answered from the outer court [in such a loud voice] that it shook the emperor. The emperor then suspected that Ho Tsoh Shing was scheming to take the throne, and other officials also made many comments. They found out that Ho Tsoh Shing possessed the thirty-six grave sites at the dragon's mouth. When this was known, Ho Tsoh Shing was killed by the emperor, and the fungshui was\n\nto", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208841, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 3, "title": "RAS-1980", "content_text": "202\n\nTo\n\nand\n\nsites were also rendered ineffective by the emperor's golden pen. My knowledge, the elders knew of four sites. One of them was on Tiu Chung Chau at Kau Sai in Saikung. The fungshui of this site was ‘a golden bell hanging on a silk thread'. Every year at the Double-ninth festival, nine buffaloes came to worship at the grave; there was also the sound of a bell being struck. A second site was at Yuen Chau Chai at Kei Leng Ha Village. The fungshui name was 'the general comes down from his horse to drink three cups of wine'. In the middle of the sea, there is Wu Chau (with the adjacent island of Sam Pui Tsau) that resembles a pig, three cups of wine and two cups of tea. Another site was at To Tau Tsui at Wu Kai Sha, which is opposite Nga Chau (usually nowadays called A Chau) in the Tai Po Hoi. The fungshui name was crows going into the ocean. Legend has it that in the old days a mud embankment connected Wu Kai Sha to Nga Chau which sank into the sea after the emperor put down the dragon. The embankment has not been seen again. One more site was on Ap Chau opposite Kat O. The fungshui name was 'precious duck going through the lotus'. The legend is that Ap Chau used to be able to swim between Sam Mun Kan and Mirs Bay. Later, it was blocked by a duck pole, that is, the place currently known as Hak Ngam Kok. After that, when paddy ripened in the Yim Tin Village area near Sha Tau Kok, there was no rice grain on the stalk, because it was all eaten by the duck. After the emperor put down the dragon with his golden pen, the head of the duck... and then there was grain again.\n\nI know about the fungshui of only these four grave sites.\n\nhe cut off\n\nPassage 2\n\nRecorded by Ho Kei Fook\n\n\"An extraordinary person saw that Huang Hsiao-yang [rebel in the Canton area in the early fifteenth century] had features fitting to make him emperor and gave him a bamboo shoot to plant at home. When the 'bamboo grew to the height of his brows', he was supposed to be able to make an arrow out of it which he could use to kill the emperor with and thereby take over the throne. Huang planted the bamboo shoot as he had been instructed and a bamboo stem grew", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208867, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 29, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES AND ALTARS IN HONG KONG AND MACAU\n\nKEITH G. Stevens*\n\nSeveral works on Hong Kong Chinese temples have been published over the past few years, notably the Hong Kong Government's publication This is Hong Kong: Temples1 which surveyed in detail twelve of Hong Kong's hundreds of temples. Also, during most of 1980 and 1981, a series of short articles in Chinese have appeared on alternate days in a vernacular daily.2 These turned out to be over-amplified essays contributed by readers on specific aspects of temples, their keepers, deities and furnishings but which contained numerous gross, inexcusable and even inexplicable errors. A further book as yet unseen, but referred to in at least one bibliography, is Chinese Temples in Hong Kong Island, Hong Kong by Chuang Shen, a University of Hong Kong monograph, dated 1978 but still in mid-1981 not yet published.\n\nIn this article I have recorded my impressions of Chinese temples3 in Hong Kong and Macau together with facts gathered during fifteen years of research into Chinese iconography. As I am neither an architect nor an interior decorator, nor yet an anthropologist, the decoration and construction of the interior and exterior of temples, and the symbolism of the items the temples contained, have been described from a lay viewpoint.\n\nUnlike Western churches and Moslem mosques, Chinese folk religion temples are the residences of the Gods, and are not centres of conducted group worship. In Buddhist temples and monasteries group worship is a daily routine, but only for a limited number of people usually resident monks and nuns. Apart from the one day each year when the main deity's feast day is celebrated and devotees descend on the temple in their hordes, temples attract, in the main, very few devotees who wish, for their own personal reasons, to offer worship, reverence or supplication to individual images or tablets on temple altars.\n\n* The author is well-known to readers of this Journal from previous notes and articles on the gods of China.\n\nPlace names can be found in the Hong Kong Government's official publications. A Gazetteer of Place Names in Hong Kong, Kowloon and The New Territories.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208906, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 68, "title": "RAS-1980", "content_text": "36\n\nJIANN HSIEH\n\nmigration patterns. First, in the early Ch'ing Dynasty, Hsin-an Hsien (*) (a district including Hong Kong and Kowloon) was deeply affected by a security policy of \"chien-chieh\" (†) (literally, \"to clear up the border\") and, therefore, became somewhat depopulated. Thereafter, during the later part of the Ch'ing Dynasty, many Hakka were encouraged by the government to migrate to the depopulated areas, which included the present day New Territories. They came with their families, possessions, and tools for reclaiming the land, and formed so-called single-surname villages, i.e., villages based on localized lineages, in the resettled area (Davis, 1962:331; Aijmer, 1967: passim).4\n\nSecond, the Hakka immigrated to Hong Kong or via Hong Kong to other Southeast Asian areas after 1842. Hong Kong especially, with its continuous urban expansion, attracted many Waichow Hakkas to work in the stonecutting and building trades (Hayes, 1977:151-158). Before the Second World War, migration was provoked mainly by population pressure, but sociopolitical disorder was another important factor (Lo, 1933:63). Evidence for this is to be found in Ch'en Ta's (1939:63) study of the relationship between land and population in Fuchien and Kwangtung; in Huang Chih-lien (1972:64) and in my research done in Singapore (Hsieh, 1977:42). As for the migration pattern at this time, although there were then relatively fewer political barriers than today to put a brake on migration, most migrants moved from rural places to urban areas, or even entered into a completely different socio-cultural setting in a foreign land; they were people who took risks. As a result, cases of migrants moving with their whole families or even with a whole lineage—as happened in the Ch'ing Dynasty—do not figure prominently. Anthropologists had designated this pattern of migration as \"chain-immigration\" (Hsieh, 1977:41). It was the most common pattern of overseas Chinese migration to South East Asia: people emigrated gradually from their native places, relying on intertwining kinship networks, each individual clinging to the others.\n\nHowever, the picture is quite different when we examine those who migrated to Hong Kong after 1949. This migration constitutes the third stage. Data from my interviews show that more than 95 per cent of the present leaders of the Waichow voluntary associations were born in China and immigrated to Hong Kong after that", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208981, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 143, "title": "RAS-1980", "content_text": "SYMBOLISM OF THE NEW LIGHT\n\n111\n\ncontacts between Taoists and Nestorians may reasonably be assumed. When Wieger further states that \"Nestorian influence appears to be undeniable in Taoist texts\", we have a better case. Much depends, however, on the validity of Wieger's evaluation of some Taoist texts, in which he finds clear indications of Christian influence.52\n\nTo establish a reasonably strong case we need a more thorough investigation in two directions: historical and literary. Historically, all the clues already pointed out by previous authors, have to be carefully checked, esp. all the information derived from official histories and Taoist biographies. Very likely not much more than known so far may be discovered in this area. Therefore the second direction, the literary traditions may prove to yield a more bountiful harvest. Both the Taoist and the Nestorian literature has to be carefully scrutinized. If positive influence may be reasonably assumed, pure assumptions are dangerous. On the one hand, all the Nestorian writings in Chinese have to be studied; and if important works are not any longer available in Chinese translation, the Syriac originals should be consulted, esp. with regard to the Nestorian liturgy. So far I have assumed that the Nestorian Easter liturgy contained the ritual of consecrating the new fire to light the Easter Candle. But an assumption here is not sufficient to relate the Christian liturgy with the Taoist fen-teng. If the Nestorians in China never had such a ritual, the whole question of influence collapses, and we can only compare two independent (archetypal) rituals.\n\nOn the other hand, the Taoist liturgical writings have to be carefully examined, especially in their historical development. K. Schipper has listed a large number of Taoist writings referring to the fen-teng ritual.53 Their careful study and analysis may reveal some of the influences that were operative in the origin and growth of one ritual like the fen-teng, but will also throw the road open to further similar researches into other areas of Taoist liturgy as well as of Buddhist liturgy.\n\nEND NOTES\n\n1 M. Saso, The Teachings of Taoist Master Chuang (New Haven and London: Yale University Press, 1978), p. 209.\n\n* M. Saso Taoism and the Rite of Cosmic Renewal (Washington State University, 1972), p. 73.\n\nSee end-note 9.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208982, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 144, "title": "RAS-1980", "content_text": "112\n\nJULIAN F. PAS\n\n• M. Saso, Taoism and the Rite of Cosmic Renewal (hereafter abbreviated: Cosmic Renewal).\n\n* K. Schipper, \"The Written Memorial in Taoist Ceremonies\" in A.P. Wolf, Ed. Religion and Ritual in Chinese Society, Stanford Univ. Press, 1974,\n\n* Liu Chih-wan, see end-note 9.\n\nThis is the translation of J.J.M. de Groot's \"Messe Taoïque\". See his Les Fêtes Annuellement Célébrées à Emoui (Amoy). Paris, 1885 (Taipei reprint, 1977). This translation of chiao as well as de Groot's rendering of 'Buddhist Masses' for the Chinese Yu-lan-p'en are not satisfactory.\n\n* K. M Schipper. Le Fen-Teng. Rituel Taoïste (Publications de l'Ecole Française d'Extrême-Orient, vol. 103). Paris: Ecole Française d'Extrême-Orient, 1975.\n\nSchipper's monograph on the Fen teng ritual is a product of great erudition. After a short introduction, pp. 1-13, (in which he briefly discusses the four manuscripts utilized to establish the text; and sketches the history and present day performance of the ritual), he describes the ritual itself with a detailed time schedule, pp. 15-32. Then follow references to sources in the Tao-tsang (pp. 33-38) and notes (pp. 39-43).\n\nThe text itself (starting from the 'back') is given twice: first in fac simile, a beautiful reprint on high quality paper of a manuscript dated 1889, in 44 folios (or 88 pages); secondly a critical edition of the text based on the four above mentioned manuscripts with variant readings included, (pp. 1-36).\n\nAlthough this publication has its importance, it does not fully satisfy the wishes of the readers: no translation of the text is given (Schipper is certainly one of the few Taoist scholars capable of offering a translation!) and nowhere does one find an interpretation of the ritual.\n\nIn the same year as Schipper's Fen-teng monograph \"came to light”, (1975), M. Saso published his collection of Chuang-lin hsü-tao-tsang in 24 vols. In vol. 6, pp. 1629-1725 (a total of 96 pages), we find a reproduced manuscript of the Fen-teng ritual, dated 1883. The calligraphy is inferior to Schipper's manuscript, but at least Saso's manuscript is six years older.\n\n* Liu Chih-wan, Taipei-shih Sung-shan ch'i-an chien-chiao chi-tien (Great Propitiatory Rites of Petition for Beneficence at Sung chan, Taipei, Taiwan), Taipei: Academia Sinica, Institute of Ethnology, (monographs no. 14), 1967.\n\nLiu Chih-wan, Chung-kuo min-chien hsin-yang lan-chi (Essays on Chinese Folk Belief and Folk Cults), Taipei: Academia Sinica, Institute of Ethnology (monographs no. 22), 1974.\n\n10 On the two occasion described by Liu Chih-wan (3-day festivals), the ritual likewise took place on the first evening. On other occasions, however, I have seen the ritual performed on the 2nd evening. The timing depends on the actual length of the festival, which may only last one day, but is more commonly a three or five-day event. One should, however, not confuse two things: first, the actual chiao is called san-ch'ao, wu-ch'ao or ch'i-ch'ao, etc., and refers to the number of days that the essential rituals are performed. However, the total event may last even longer; I have observed that the actual chiao was preceded by two days of preliminary rituals, such as the exorcisms of the water-spirit and fire-spirit. That brought the total duration of the chiao to", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209054, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 216, "title": "RAS-1980", "content_text": "A BIBLIOGRAPHY OF TAOISM IN ORIENTAL LANGUAGES\n\nWILLIAM Y CHEN*\n\nINTRODUCTION\n\nTaoism is a philosophical-religious tradition which has greatly contributed to shaping Chinese cultural and social life for more than two thousand years.\n\nThe philosophy of Taoism (Tao-chia 道家) is based on the advocacy of Huang-Lao (Huang-Ti or Yellow Emperor, and Lao-tzu) on wu wei (non-action), quiescence, and the unity of man with nature. With the later addition of magico-religious arts, of the immortality or longevity cults, Taoist religion (Tao-chiao 道教) gradually took shape.\n\nAccording to the Taoist tradition, Taoist philosophy originated during the reign of the legendary Yellow Emperor who is believed to have ascended to heaven about 4,600 years ago, after he had mastered the essence of Taoism and become an immortal. The major breakthrough of Taoist philosophy, however, came with the Tao te ching (Classic of the Way and its Power), attributed to Lao-tzu. It was the beginning of a philosophical spiritual stream that would develop through the centuries into a mighty river.\n\nThe formal organization of the Taoist religion, with hierarchy and rituals, is the work of Chang Tao-ling (2nd century A.D.), who became the first \"Heavenly Master\", or spiritual head of Taoism, whose 64th successor controls the Taoist \"Church\" in present-day Taiwan. Most modern sects of Taoism consider Chang Tao-ling as their founder. He infused into Taoism its formal priesthood, as well as aspects of magical faith-healing and exorcism; moreover, moral conduct and the performance of good works became a characteristic of Taoism ever since Han times.\n\nTaoism gradually created its own pantheon, but a distinction should be made between the gods worshipped by the people (gods of \"latter heaven\") and the supreme deities of \"former heaven\".\n\n*Mr Chen is a member of the library staff at the University of Saskatchewan, Saskatoon, Canada.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209058, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 220, "title": "RAS-1980", "content_text": "188\n\nWILLIAM Y. CHEN\n\nHan-shan, 1546–1623. Kuan Lao-Chuang ying hsiang lun. Taipei, 1974.\n\n憨山,觀老莊影响論.台北,廣文書局,1974.278 p. BC\n\nHsi-hsin-tzu、Ming-tao yù lu. Taipei, 1970.\n\n洗心子,明道語錄,再版,台北,真善美出版社,1970. 4, 5, 6, 159 p.\n\nLC\n\nHsiao, Tien-shih, Tao-chia yang sheng hsiüeh kai yao. Taipei, 1963\n\n蕭天石.道家養生學概要·儒釋合叁.台北,自由出版社,1963. 7, 3, 4, 450, 2, 6 p.\n\nLC\n\nHu, Che-fu. Lao-chuang che-hsüeh. Shanghai, 1935.\n\n胡哲敷,老莊哲學,上海,中華書局,1935.1 v.\n\nCA\n\nKaibara, Ekiken, 1630-1714. Shinshiroku. Osaka.1815.\n\n益軒貝,慎思錄, 大阪, 勝寫喜六郎,1815.6v.\n\nKan ying lei ch'ao, Taipei, 1967.\n\nBC\n\n感應類鈔,史潔珵纂輯,台北,自由出版社,1967. 158 p.\n\nLC. SA\n\nKimura, Eiichi, 1906– Rō-shi no shinkenkyů. Tokyo, 1959.\n\n木村英一,老子の新研究.東京,創文社,1959. 7, 2, 633, 9, 25 p.\n\nLC\n\nKo, Hsüan. Ko-hsien-weng chih tao hsin ch'uan. Taipei, 1968.\n\n葛玄,葛仙翁至道心傳,台北,自由出版社,1968.5, 34, 102 p.\n\nLC, SA\n\nLao-Chuang ssit hsiang yi hsi fang che-hsieh. Taipei, 1968.\n\n老莊思想與西方哲學,宋稚青譯,台北,三民書局,1968. 4, 170 p.\n\nLC\n\nLi, Shu-huan. Tao-chiao tien ku chi. Kao-hsiung, 1975.\n\n李叔還,道教典故集,高雄,李叔還,1975. 6, 7, 104 p.\n\nBC, LC\n\nLi, Shu-huan. Tao-chiao yao i wen ta ta ch'üan. Kao-hsiung, 1972.\n\n李叔還,道教要義問答大全,修訂本,高雄,李叔還,1972. 6, 25, 237 p.\n\nBC\n\nLi, Tao-shun. Chung-hochi. Taipei, 1957.\n\n李道純,中和集,台北,自由出版社,1957. 4, 6, 178 p.\n\nLC, SA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209060, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 222, "title": "RAS-1980", "content_text": "190\n\nWILLIAM Y. CHEN\n\nOyanagi, Shigeta, 1870–1940. Rō-Sō no shiso to Dōkyō.\n\nTokyo, 1943.\n\n小柳司氣太,老莊の思想匕道教,東京,關書院,1943.\n\n13, 392 p.\n\nCA, LC\n\nPao sung pao ho chi. Hongkong, 1962.\n\n寶松抱鶴記.覺慈編輯,香港,雲鶴山房,1962.\n\n14, 492 p.\n\nLC\n\nShan-yin-chu-shih. Tao ling fa man t'an. Kowloon, 1977.\n\n山隱居士,導靈法漫談,九龍,青山出版社,1977.\n\n186 p.\n\nLC\n\nShimode, Sekiyo, 1918– Dōkyō. Tokyo, 1971.\n\n下出積與,道教.東京,評論社,1971.254 p.\n\nCA, LC\n\nT'ai-wan tao shih ming chien. Hu-wei-chen, Yün-lin hsien.\n\n1977.\n\n台灣道士名鑑.主編廖和桐,雲林縣虎尾鎮,道德文化出版*\n\n*, 1977. 49, 6 leaves.\n\nLC\n\nTakeuchi, Yoshio, 1886– Rō-shi to Sō-shi. Tokyo, 1935.\n\n武内義雄,老子莊子.東京,岩波書店,1935.\n\n1 v.\n\nCA\n\nT'an, Ch'iao. T'an-tzu hua shu Chuang-Lieh shih lun ho k'an.\n\n Taipei, 1961.\n\n譚峭,譚子化書,莊列十論合刊,台北,自由出版社.1961.\n\n85 p.\n\nLC, SA\n\nT'ao, Hung-ching, 456–536. Chen kao. Taipei, 1965.\n\n陶弘景撰,真誥.台北,台灣商務,1965.\n\n2 v. (255 p.)\n\nCA, SA\n\nT'ao, Shih-yü, fl. 1690–1694. Chou-i ts'an-t'ung-ch'i mo wang.\n\n Taipei, 1962.\n\n陶式玉,周易參同契脉望,台北,自由出版社,1962.\n\n1 v.\n\nLC, SA\n\nTao-chiao yen chiu tzu liao. Pan-ch'iao, 1974–\n\n道教研究資料,嚴一萍編,台北縣板橋,藝文印書館,\n\n1974- v.\n\nLC, SA\n\nTao shu ch'üan chi chen pen. n.p., 16-\n\n道書全集真本. n.p.,嵩秀堂藏版.16-32v.\n\nCA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209062, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 224, "title": "RAS-1980", "content_text": "192\n\nWILLIAM Y. CHEN\n\nYüan, Chou-tsung. Lao-tzu shen shih chi ch'i ping hsieh ssu hsiang t'an tse. Taipei, 1977.\n\n袁宙宗,老子身世及其兵學思想探賾,台北,台灣商務,1977. 280. [20] p.\n\n2. BIBLIOGRAPHIES AND INDEXES 目錄與索引\n\nCheng-t'ung Tao-tsang mu lu so yin. Pan-ch'iao, 1977, LC\n\n正統道藏目錄索引,原編者施博爾,改編者李殿魁,台北縣板橋,藝文印書館,1977 490. 64 p. LC\n\nChuang-lin hsü Tao-tsang. Taipei, 1975.\n\n莊林續道藏,莊陳登雲守傳,台北,成文出版社,1975. 25 v. (33,7496 p.)\n\nChung wai Lao-tzu chu shu mu lu. Taipei, 1975. SA\n\n中外老子著述目錄,嚴靈峯編纂,台北,中華叢書編審委員,1957. 12, 380, 6 p. LC\n\nKyoto Joshi Daigaku. Toshokan. Min seitohon Dōzo shomei jikaku sakuin. Kyoto, 1965.\n\n京都女子大學圖書館,明正統道藏書名宇畫索引,京都,該館,1965. 11, 64, 2, 5 p. CA\n\nLieh chen yi lu chi yao. Taipei, 1958.\n\n列真語錄輯要,孫誠德.李誡志編輯.台北,自由出版社,1958. 2. 122 p.\n\nMi tien chu lin. n.p., 19–\n\n秘殿珠林,n.p., 19- 8v. LC, SA, CA\n\nTao-tsang mu lu hsiang chu. Taipei, 1975.\n\n道藏目錄詳註,李杰註.台北,廣文書局,1975. 10, 4, 4, 326 p.\n\nTao-tsang tzu mu yin te. Peking, 1935. CA, LC\n\n道藏子目引得,翁獨健編,北平,哈佛燕京學社,1935. xxxvi. 216 p.\n\nTonkō bunken bunrui mokuroku. Tokyo, 1969. SA\n\n敦煌文獻分類目錄:道教之部,吉岡義豐編,東京,東洋文庫,1969. 83 p. LC", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209063, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 225, "title": "RAS-1980", "content_text": "BIBLIOGRAPHY OF TAOISM\n\n193\n\nTonkō dokei mokuroku. Kyoto, 1960.\n\n敦煌道經目錄,大淵忍爾編,京都,法藏館,1960.\n\nxv, 123, 5 p.\n\nCA\n\nYen, Ling-feng, 1916– Lao-Lieh-Chuang san tzu chih chien shu rru. Taipei, 1965.\n\n嚴靈峯,老、列、莊三子知見書目,台北,中華叢書編審委員會,1965. 3 v. in 2.\n\nLC\n\n3. SACRED BOOKS 經典\n\nCh'ing-ching-ching Hsüan-men-pi-tu ho k'an. Taipei, 1966. 清靜經玄門必讀合刊.無名子,李二曲合著,台北,自由出版社,1966. 8, 79, 2, 1, 12, 7 p.\n\nChuang-tzu. Taipei, 1969.\n\n莊子,沈洪選註,台1版,台北,台灣商務,1969.\n\n[20], 10 p.\n\nChuang-tzu chi shih. Taipei, 1974.\n\nLC, SA\n\nLC\n\n莊子集釋,郭慶藩輯,台景印3版,台北,河洛圖書出版社,1974. 8, 1118 p.\n\nLC\n\nHuang-ti yin-fu-ching Huang-t'ing-nei-wai-ching-ching ho kan. Taipei, 1965.\n\n黃帝陰符經,黃庭内外景經合刊,歷代古真輯註,台北,自由出版社,1965. 2, 152, 18 p.\n\nLC, SA\n\nHuang-t'ing-ching mi. Taipei, 1965.\n\n黃庭經秘義,冷謙註,台北,自由出版社,1965.\n\n2, 124 p.\n\nLC, SA\n\nHuang-t'ing wai-ching yin-fu-ching ho chu. Taipei, 1959. 黃庭外景陰符經合註.石和陽註,台北,自由出版社,1959. 1 v.\n\nLC, SA\n\nHuang-chün-lao-tsu. T'ai shang wu chi hun yüan chen ching. Taichung, 1972.\n\n鴻鈞老祖,太上無極混元真經,台中,鸞友雜誌社,1972. 34 p.\n\nLC\n\nKeng-sang, Ch'u. Sung pen Tung-ling-chen-ching. Shanghai,1928.\n\n庚桑楚.宋本洞靈真經,上海,涵芬樓,1928.\n\n38 double leaves.\n\nCA\n\nPage 225\n\nPage 226", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209065, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 227, "title": "RAS-1980", "content_text": "BIBLIOGRAPHY OF TAOISM\n\n195\n\nT'ai-shang wu chi ta tao san-shih-liu pu chen ching. Taipei, 1971. 太上無極大道三十六部真經,蕭天石編刊,台北,自由出版,1971. 1 v.\n\nLC, SA\n\nTao-te-ching chiang i. Taipei, 1970. 道德經講義,宋常星註解,台北,三民書局,1970. 3, 69, 68 leaves.\n\nLC\n\nTao-te-ching chieh. Taipei, 1975. 道德經解,呂峦注,台北,廣文書局,1975. 4, 76 p.\n\nLC\n\nWang, Fu-chih, 1619–1692. Chuang-tzu chieh. Taipei, 1974. 王夫之,莊子解,台北,河洛圖書出版社,1974. 4, 4, 2, 286 p.\n\nLC\n\nWen-tzu. Sung pen T'ung-hsüan-chen-ching. Shanghai, 1928. 文子. 宋本通玄真經,徐靈府注,上海,涵芬楼,1928. 2 v.\n\nCA\n\nWu, Chen-chien. Chuang-tzu p'ang chu. Taipei, 1975. 吳承漸,莊子旁注,台北,廣文書局,1975. 2 v. (692 p.)\n\nLC\n\n4. HISTORY OF TAOISM\n\nAkizuki, Kan'ei, 1922– Chugoku kinsei Dōkyō no keiser. Tokyo, 1978. 秋月觀英,中國近世道教の形成,東京,創文社,1978. 264, 20, 17 p.\n\nLC\n\nCh'en, Yüan, 1879– Nan-Sung ch'u Ho-pei hsin Tao-chiao k'ao. Peking, 1941. 陳垣,南宋初河北新道教考,北平,輔仁大學,1941. 112 p.\n\nCA, LC\n\nFu, Chin-chia. Chung-kuo Tao-chiao shih. Shanghai, 1937. 傅勤家,中國道教史.上海,商務,1937. 5, 242 p.\n\nLC\n\nKubo, Noritada. Chugoku no shukyo kaikaku. Kyoto, 1967. 窪德忠.中國の宗教改革,京都,法藏館,1967. 205, 6 p.\n\nCA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209069, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 231, "title": "RAS-1980", "content_text": "BIBLIOGRAPHY OF TAOISM\n\n199\n\nHsing ming kuei chih. Taipei, 1965.\n\n性命圭旨,尹真人門人著,台北,自由出版社,1965.\n\n1 v.\n\nLC, SA\n\nHsing ming shuang hsiu yao chih ho pien. Taipei, 1958. 性命雙修要旨合编,台北,自由出版社,1958.\n\n1 v.\n\nLC, SA\n\nHsüan-tsung nei tien. Taipei, 1964.\n\n玄宗内典,邵以止輯錄,台北,自由出版社,1964.\n\n120, 34, 1, 25, 18 p.\n\nLC, SA\n\nHsüan-yang-tzu. Liming pien. Taipei, 1955. 玄陽子,立命篇,台北,自由出版社,1955.\n\n36 p.\n\nLC, SA\n\nHuang, Ta-pai. Huang-t'ing yao tao Hsüan-tsung cheng chih ho k'an. Taipei, 1961.\n\n黃大白.黃庭要道玄宗正旨合刊.台北,自由出版社,1961. 30,29 p.\n\nLC, SA\n\nHui-yang-tzu. Hsuan chi chih chih. Taipei, 1960. 回陽子,玄機直指.台北,自由出版社,1960.\n\n34 p.\n\nLC, SA\n\nKo, Hsuan. Ta tao chen ti. Taipei, 1966.\n\n葛玄,大道真諦,台北,自由出版社,1966.\n\n51, 54, 8, 34 p.\n\nLC, SA\n\nLi, Hsi-yüeh. Tao-ch'iao t'an San-ch'e-mi-chih ho k'an. Taipei, 1967.\n\n李西月,道竅談,三車秘旨合刊,台北,自由出版社,1967. 12, 112 p.\n\nLC, SA\n\nLiu, Chih-t'ang. San chia hsiu tao mi chih. Taipei, 1971. 劉止唐,三家修道秘旨,台北,自由出版社,1971.\n\n1 v.\n\nLC, SA\n\nLiu, I-ming. Hsiu tao mi yao. Taipei, 1965. 劉一明.修道秘要,台北,自由出版社,1965.\n\n4, 1, 194 p.\n\nLC, SA\n\nLiu, I-ming. I tao hsin fa chen ch'uan. Taipei, 1962. 劉一明. 易道心法真傳,台北,自由出版社,1962.\n\n1 v.\n\nLC, SA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209071, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 233, "title": "RAS-1980", "content_text": "BIBLIOGRAPHY OF TAOISM\n\nYün-chi ch'i ch'ien. Taipei, 1975.\n\n雲笈七籤,張君房輯,台北,台灣商務,1975.\n\n852 p.\n\n201\n\nCA, LC, SA\n\n# 6. BIOGRAPHY OF TAOISM\n\nChang, Ch'i-chün. Chih hui ti Lao-tzu. Taipei, 1976. 張起鈞,智慧的老子.台北,新天地書局,1976.\n\n6, 2, 208 p.\n\n6.2,\n\nLC\n\nChang, Chih-ho. Hsüan-chen-tzu. Taipei, 1966. 張志和,玄真子,台北,台灣商務,1966.\n\n55 p.\n\nSA\n\nCheng, Ch'ang-shih. Hsien hsüeh cheng-chuan. Taipei, 1960. 鄭昌時,仙學正傳,台北,自由出版社,1960.\n\n42, 33 p.\n\nLC, SA\n\nChih-yu-tzu. Taipei, 1966\n\n至游子,撰人不詳,台北,台灣商務,1966.\n\n68 p.\n\nSA\n\nChung-li, Ch'üan. Chung-Lü ch'uan tạo ch’üan chi. Taipei, 1965.\n\n鍾離權,鍾呂傳道全集,台北,自由出版社,1965.\n\n244 p.\n\nLC, SA\n\nHai-ling san-hsien chuan. Shanghai, 1937.\n\n海陵三仙傳,撰人不詳,上海,商務,1937.\n\n9 p.\n\nSA\n\nHsiang an tu. Shanghai, 1933.\n\n香案牘,陳繼儒纂,上海,商務,1933.\n\n1, 2, 13 p.\n\nCA\n\nHsiao yao ti tzu yu jen: Chuang-tzu. Chung-ho hsiang, T'ai-pei hsien, 1967.\n\n逍遙的自由人:莊子,林耀川編譯,台北縣中和鄉,常春樹,1976.\n\n194 p.\n\nLC\n\nHsien li chuan. Shanghai, 1937.\n\n仙史傳,太上隱者輯,上海,商務,1937.\n\n5 p.\n\nCA\n\nHuang, Lu-tseng, 1487-1561. Chung-Lü ĕrh hsien chuan. Shanghai, 1937.\n\n黄魯曾,鍾呂二仙傳,上海,商務,1937.\n\n2, 2 p.\n\nHuang, Yung-liang. Pei-p'ai ch'i chen hsiu tao shih chuan. Taipei, 1965,\n\n黃永亮,北派七真修道史傳,台北,自由出版社,1965.\n\n88 p.\n\nLC, SA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209075, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 237, "title": "RAS-1980", "content_text": "BIBLIOGRAPHY OF TAOISM\n\nTu, Wang-chih. Ju Fo Tao chih hsin yang yen chiu. Taipei, 1968.\n\n205\n\n杜望之,儒佛道之信仰研究,台北,明書局,1968. vi, 4, 2, 178 p.\n\nBC, CA, LC\n\nWei, Shou, 506–572. Gisho shakuroshi no kenkyū. Kyoto, 1961.\n\n魏收,魏書釋老志の研究,京都,佛教文化研究所出版部,1961. 5, 7, 544 p.\n\nCA, LC\n\nWu, I, 1939- Ch'an yü Lao-Chuang. Taipei, 1970.\n\n吳怡,禪與老莊.台北,三民書局,1970. 4, 2, 185 p.\n\nLC\n\nWu, Yao-yü. San-chiao li ts'e. Taipei, 1976.\n\n吳耀玉,三教蠡測,台北,新文學出版公司,1976. 804, [34] p.\n\nLC\n\nYamemuro, Saburo, 1905– Jukyō to Rō-Sō. Tokyo, 1966.\n\n文室三良,儒教老莊,東京,明德出版社,1966. 210 p.\n\nBC, LC\n\nYang-chen-tzu. Kuan t'ung san-chiao yang chen chi. Taipei, 1966.\n\n養真子,贯通三教養真集,台北,自由出版社,1960. 1 v.\n\nLC, SA\n\nYang, Fu. Ch'an hsüan hsien chiao pien. Shanghai, 1936.\n\n楊溥. 禪玄顯教編.上海,商務,1936. 1 v.\n\nCA\n\nYoshioka, Yoshitoyo, 1916– Dōkyō to Bukkyō. Tokyo, 1959.\n\n吉岡義豐、道教佛教,東京,日本學術振興會,1959. v.\n\nCA, LC\n\n8. ALCHEMY AND HYGIENE\n\nChang, Sung-ku. Tan-ching chih nan. Taipei, 1959.\n\n張松谷,丹經指南,台北,自由出版社,1959. 1 v.\n\nLC, SA\n\nChang, T'ung. Chang San-feng t'ai chi lien tan mi chüeh. Taipei, 1976.\n\n張通,張三丰太極鍊丹秘訣,台北,自由出版社,1976. 2, 268 p.\n\nLC, SA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209270, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 173, "title": "RAS-1981", "content_text": "28.48\n\nJUAN YUAN'S MANAGEMENT OF SINO-BRITISH RELATIONS IN CANTON, 1817-1826\n\n159\n\nThe Topaze crisis, lasting from late 1821 into 1822, was the most serious confrontation between the Chinese and the British to that day, especially since the controversy involving all the significant issues of the day, including naval presence, jurisdiction over foreigners, and opium smuggling, came so close on the heels of the Terranova crisis. British trade at Canton was stopped for several months. The British factory, fearful that they would be held responsible for the misdeeds of sailors from the frigate Topaze, fled to their ships at Chuenpi on 11 February 1822. At the end of the crisis Juan Yüan made a compromise by not insisting on the surrender of the already departed criminals, but the British capitulated by abandoning the policy of using \"threat of force as a means of protecting or forwarding British interests in China\" at least for the time being. The Court of Directors of the East India Company \"advised the First Lord of the Admiralty to stop all peace-time visits of His Majesty's ships to the China coast unless assistance was urgently requested by the Governor-General of India\". An Order in Council was subsequently issued to this effect in 1823,\n\n1\n\n$\n\nIn December 1821, rancour from the Terranova case had hardly died down. Foreign traders realized that they could not escape completely the newly reinstituted stringent anti-opium laws even by sacrificing Terranova. The Emily, Terranova's ship, as well as three British ships, all with opium on board, were sent away from their Whampoa anchorage to Lintin, where they remained for three years without discharging or taking on cargo. During this period, two British warships, HMS Curlew and HMS Topaze, had sailed into the Pearl Estuary to \"protect\" these commercial vessels. Sailors had gone ashore \"to fetch fresh water\" from time to time. On 14 December 1821, a group of sailors from frigate Topaze came ashore. Only this time they brought along their pet goat. Unfortunately, the goat dug up potatoes, eating a number of them, and damaging the potato patch. A Chinese peasant, Huang I-ming, owner of the patch, then called upon his wife, brothers and neighbours to trample upon the sailors with sticks and stones, and in the fracas two urns of wine on the side of the hut were broken. When the sailors were driven aboard their ship, they discharged the cannon to disperse the pursuing and cursing villagers. During the skirmish among the potatoes a number of British sailors were injured, but none died. The next morning, the sailors, reinforced, went ashore again to revenge their mates. They chopped down the door of the hut of Huang I-ming, and fired a musket, killing him instantly. His son-in-law, also injured by the fusillade, died a", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209288, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 191, "title": "RAS-1981", "content_text": "THE HONG KONG ORIGINS OF DR. SUN YAT-SEN'S ADDRESS TO LI HUNG-CHANG 177\n\nTranslation from op. cit., vol. 3, p. 1.\n\n# The school was set up in 1870 and was originally named the Diocesan School and Orphanage for Boys and known in its short form as the Diocesan Home. The orphanage was closed in 1896, but the school has continued as the Diocesan Boys' School. Its early history is given in W.T. Featherstone, The Diocesan Boys' School and Orphanage, Hong Kong, 1869 to 1919 (Hong Kong, 1930).* The Central School was set up by the Hong Kong Government in 1862 as a result of a proposal from the famous sinologue James Legge. It was the first government school put directly under the supervision of a government officer recruited from Britain. The school was meant to be a model school for the promotion of teaching of English and Western learning. For its history, see Gevenneth Stokes, Queen's College, 1862–1962 (Hong Kong, 1962).\n\n7\n\nThe article was written in 1937, when the early school register was still in the possession of Queen's College. The Yellow Dragon, vol. 37, p. 94.\n\nIt is still not clear when Sun entered the college. It is generally known that Sun was transferred to Hong Kong in early 1887, but the college was not opened until October of the same year. It is possible that Sun had been transferred to work at the Alice Memorial Hospital as a student before the college was officially opened. For Sun's student life in the college, see Lo Hsiang-lin, Kuo-fu chih ta-hsüeh shih-tai (Chungking, 1945).\n\n10 A brief survey of the significant role of the Central School in this respect is given in Ng Lun Ngai-ha, “Role of Hong Kong Educated Chinese in the Shaping of Modern China”, paper presented to the 8th IAHA Conference, 1980.\n\n11\n\n“For more information on these and other early Hong Kong newspapers, see Ng Lun Ngai-ha, “A Survey of Source Materials in Hong Kong Related to Late Ch'ing China”, Ch'ing-shih wen-t'i, 4, (December 1979), 145–146, appendix A.\n\n12 The China coast newspapers are valuable sources for the study of modern Chinese history. For a brief survey of these materials, see Frank H. H. King and P. Clarke (eds.), A Research Guide to China Coast Newspapers, 1822-1911 (Camb. Mass., 1965).\n\n13 It was said that Sun might have contributed articles to the local newspapers and also to the Wan-kuo kung-pao, of which Cheng Kuan-ying was a patron. See Sun Chung-shan nien-p'u (Peking, 1980), p. 24 and Lo Hsiang-lin, \"Kuo-fu yü Ho Chi chüeh-shih ti kuan-hsi\", Kuo-fu ti kao-ming kuang-ta (Taipei, 1965), p. 129.\n\n14 The Hao T'ou yueh-k'an 14 and 15 (1947), a magazine published by a secondary school in Chung-shan county, noted that it was first published in the Macao Daily in 1892. Its full text can now be found in Sun Chung-shan Shih Jiao chuan chi (Kuang tung wen shih tzu-liao, Canton, 1891), pp. 271–273.\n\n16 For a brief comparative study of the two letters, see Huang-yen, “Chi-shao Sun Chung-shan 'chih Cheng Tsao-ju shu'”, Li-shih yen-chiu (1980:6), pp. 184–189.\n\n10 For a short description of Ho's life and career in Hong Kong, see Wu Hsing-lin, The Prominent Chinese in Hong Kong (Hong Kong, 1936), II, pp. 1–2. Ho's contributions to the reform movements in China have been studied in a number of works. The more recent ones are Chiu Ling-yeong, The Life and Thought of Sir Kai Ho Kai (unpublished Ph.D. dissertation, University of Sydney, 1968) and Tsai Jung-fang, “Comprador Ideologists in Modern China: Ho Kai and Hu", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209662, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 319, "title": "RAS-1982", "content_text": "NOTES AND QUERIES\n\n297\n\n北\n\n* H. D. R. Baker, A Chinese Lineage Village, Sheung Shui (London, Frank Cass, 1968) 79-83, 128 for details.\n\n'James L. Watson, Emigration and the Chinese Lineage, The Mans in Hong Kong and London (Berkeley, University of California Press, 1975) mentions the San Tin Village watch at 27, 42, 177, 183 but gives no details of its organization.\n\n5 Useful comparative information about the night watch in villages in Hopei, Shansi, Shantung and Hunan is given at pp. 109-112 of Sidney D. Gamble, North China Villages, Social, Political and Economic Activities before 1933 (Berkeley and Los Angeles, University of California Press, 1963). See also pp. 22-23 of his article \"Hsin Chuang, A Study of Chinese Village Finance\" (1907-1931) in Harvard Journal of Asiatic Studies, VIII (1944-45), 1-33. Ordinarily the paid watch, sometimes replaced or augmented by volunteers, operated in these villages from the first of the tenth month until the end of the twelfth month, and sometimes into the second lunar month of the following year, whereas in the Hong Kong region it seems to have been permanent. However, more information is needed on this point, as there are cases here, such as Muk Min Ha, Tsuen Wan, where the former Village Watch was active mainly in the winter quarter.\n\nVILLAGE RULES; FIRECRACKERS IN THE SETTLEMENT OF DISPUTES AND IN TOKEN OF FINES\n\nIn rural society in the Hong Kong Region, there was until very recently and certainly up to the discontinuance of the padi farming that was the basis of subsistence agriculture a great reliance on local customary rules. These were generally unwritten, and carried in the heads of the elders, available for use when required. They were generally known to, and accepted by, the villagers, who would know when rules were being infringed or broken, and the appropriate remedy or penalty. Sometimes the rules would be put in writing, and in matters deemed to be important would be placed on a wooden board in the community temple or cut on a stone tablet let into the wall of the temple. Copies of the rules would often be written into the handbooks held by the village scholars. Copies of individual rules were also, on occasion, written out and posted up in a public place for all to see.\n\nThis much is generally known, but one aspect of local practice in connection with the settlement of disputes that has come to my attention in the Hong Kong countryside is not so well covered in modern studies of village life in China. This was the provision for the letting off of firecrackers, to an appropriate but always", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209679, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 336, "title": "RAS-1982", "content_text": "314\n\nBOOK REVIEWS\n\nofficials, poets and scholars at different periods to illustrate the diffusion of sinitic culture eastward along the Huang He and eventually southward into the Zhang Jiang delta, floodplain and the Red Basin. In spite of the effort, Chen does not add much to our knowledge of the pattern of expansion of the Chinese cultural realm. The discussions on the cities of China (chapter 3) and the urban development of Beijing (chapter 4) are highly descriptive. Apparently Chen has exhausted every possible data source available to him, and he has succeeded in presenting a very detailed discussion on the form and content of Chinese cities, but he leaves much untold regarding the processes involved in their evolution. The Loess Plateau and the Huang He (chapter 5) and the Great Wall and the Grand Canal (chapter 6) are significant and highly humanized landscapes in China. Again, Chen has been able to condense a mass of data into these short chapters which give a detailed chronological description of these landscapes. In connection with these subjects, it is unfortunate to note that the author has made little reference to other scholars who have researched extensively and written on similar topics: for instance, Professor Ho Ping-ti on the loess plateau of China, Professor Chang Sen-dou on the cities of China, Professors Owen Lattimore and Harold Wiens on the expansion of sinitic culture, just to mention a few.\n\nIt should be emphasized, however, that Chen is not offering a holistic treatment on the cultural geography of China, and he is aware of this. What he is offering is a look into the wealth of historical data that may be tapped for geographic studies on China; for instance, the value of local gazetteers (chapters 2 and 9) and records of exploration and travels (chapter 7) and the use of maps in the study of place names (chapter 8). At this point, this reviewer would query the logic used in arranging these topics and the relevance of including Chen's address as the concluding chapter in the book,\n\nThe book contains 32 maps of a remarkably high level of cartographic skill. However, 29 of them are confined to chapters on the migration of the cultural core and on Chinese cities. The bulk of the presentation then, suffers from a lack of illustration which would have added immensely in establishing coherence in an otherwise jumbled and often tedious mass of place-names and", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209682, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 339, "title": "RAS-1982", "content_text": "BOOK REVIEWS\n\n317\n\narea stretches back only to the seventeenth century were originally Hakka, even when the unanimous tradition of themselves and their neighbours is that they were not, is surely a rather cavalier approach to the need for historical caution.\n\nOn the Chaochiu/Hoklo/Hai-Lufeng residents it is surely unhelpful to downplay the very real and massive cultural, linguistic and socio-economic divisions between these groups and to force them all into a straitjacket of \"Hokkien\": rich business-men immigrants from Chiu Chow or Swatow or the fertile villages nearby have really nothing in common (not even a mutually intelligible language) with penniless coolie immigrants from the thin, infertile sand flats of Hai-Lufeng, or with the boat people descendants of the trading junk families from south Fukien. And “Waichow Hokkien\" is a highly inaccurate title for Hai-Lufeng people! Blake writes his work with an obvious Hakka bias - he lived in a Hakka household and saw other ethnic groups to a large extent through Hakka eyes. This on occasion colours his work, and nowhere more clearly than in this attitude to the \"Hokkien\".\n\nFinally, Blake occasionally drafts into a rather turgid prose over-full of sociological jargon \"ethnic groups are variegated amalgams of both the symbolic motivational dimension and the social organisational dimension of human existence\" and \"the continuum of ethnic group consistency may be analysed in terms of the following variables: (1) categorization (2) interpersonal affiliation (3) occupation (4) incorporation, and (5) government regulation\" for instance which can be heavy on the reader who prefers his books written in English.\n\nP. H. HASE\n\nChinese-English Glossary of Common Terms in Traditional Chinese Medicine (XRD), compilers Ou Ming, Lu Xian, Li Yanwen, Lai Shilong, Chen Xianging, Huang Yuezhong, Chen Jifan, Shen Chao, and Zhen Weiwen, executive editor Ou Ming, Joint Publishing Co. (Hong Kong), 1982 xi + 322 pp.", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 210067, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 38, "title": "RAS-1984", "content_text": "17\n\ngeographical areas of China: none of them with the exception of one has been so far spotted in Taiwan or other places outside China. Although the number of oracles in each series can be almost anything between a minimum of 24 to a maximum of 365, it appears that some numbers are favoured more than others. In the Banck collection and my own samples the favourite numbers are:\n\n28: 8 different sets\n\n32: 6 sets\n\n60: 12 sets\n\n64: 3 sets\n\n100: 11 sets\n\nThe Taotsang has, moreover, one set of 64, and one of 100, plus two sets of 49. In some of these cases, the numerological symbolism is evident: 64 is in imitation of the I Ching (32 just half of it); 60 is in imitation of the classical time-cycle of 60, while 49 is the number still used today for I Ching consultation. It will take a prolonged effort to compare all those sets, not merely in their material appearance, i.e., the number of characters for each verse, number of commentaries added, etc., but more importantly from the viewpoint of contents and from the mathematical viewpoint of their divinatory forecasts. As W. Eberhard indicates, the 100 oracle series has 25 oracles that are very favourable, 25 very unfavourable and 50 that are average.\" Not every series has the same statistical probabilities, but it would be worthwhile to test and compare all of them in this regard.\n\nThe presumed probability of a historical link between the I Ching related divination methods and temple oracles is strengthened by some of the numbers of oracles: especially 64 and 49. The former is too obvious to need further comment, but it should be mentioned that one series of 64 oracles is somehow a simplified I Ching text: it is the set found in the Taipei temple of Huang Ti (Huang Ti Fu Kung, Banck #32),\" in which each oracle starts with one of the 64 hexagrams, followed by a stanza in four lines of 7 characters. The number 49 also has a strong affinity with the I Ching or even milfoil technique: nowadays when one consults the I Ching, one takes 50 milfoil stalks, and after some preliminary rituals of worship and incense offering, one stalk is taken away and", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210068, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 39, "title": "RAS-1984", "content_text": "18\n\nJULIAN PAS\n\ndoes not play any role in the actual consultation; only 49 stalks are thus used. Although two sets of 49 oracles are found in the Taotsang, none has so far been spotted in actual use in Taiwan or other places.\n\nA Sample Study in Taichung, Central Taiwan\n\nMy own research and collecting of samples in Taiwan started in 1977-78 and was continued in 1980. Each time when I visited a temple, I tried to obtain a few sample sheets of the oracles either hanging on a side-wall in the temple, or stacked away in specially built wooden cabinets with small drawers for each oracle. Whenever I came across a new variety, I asked the temple superintendent's permission to collect sample sheets of the whole series. I did not always receive a friendly welcome, but in most cases, the response was excellent, especially when I explained that I was studying and trying to understand all aspects of Chinese folk religion. A donation to the temple made all wrinkles of doubt disappear. In the autumn of 1978, I discovered W. Banck's publication, which increased my interest in this area but left quite a few questions unanswered. I hope he will soon complete his second volume. In the meantime, I decided to examine the relative frequency of each type of oracle sets and to test the possibility that the proper character or affiliation of a temple also indicates the type of oracles that can be found there. After collecting about 340 samples throughout Taiwan, I came to certain basic conclusions: the set of 100 oracles, called the Kuan Ti series (Banck #2), is always found in temples dedicated to Kuan Ti (obviously) but is also usually adopted in city god temples, and often but not always in temples in honour of Hsuan-t'ien Shang-Ti, Yu-huang Ta-ti, and even Sakyamuni Buddha. In other words, this oracle is almost never found in the temples honouring the common folk deities (there are a few exceptions). It is certainly not the most frequently found oracle, as will be pointed out below. By far, the most popular series is the 60 slips Matsu oracle (Banck #1).\n\nThen I decided to take the city of Taichung as a sample case. It is located in central Taiwan and has a fast-growing population, being already over 600,000 inhabitants. The newly built harbour will continue to influence the city's growth for many years to come.", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210092, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 63, "title": "RAS-1984", "content_text": "42\n\nJULIAN PAS\n\nWebster's Dictionary (1979), p. 1733.\n\n10 Webster's Dictionary (1979), p. 170.\n\nLenormant (1875), p. 18.\n\n12 Lenormant (1875), p. 19.\n\n13 Lenormant (1875), p. 30.\n\n14 Needham (1956), p. 349.\n\nBanck (1976).\n\n16 CHENG, Chen-tuo, Editor, T'ien-chu ling-ch'ien\n\n(Reproduction of the\n\nEarliest Preserved Set of Temple Oracles) Folklore & Folk Literature Series of National Peking University. (reprint), Taipei: The Orient Cultural Service, 1958.\n\n17\n\n19\n\nI have used the cheng-t'ong or Ming edition, as reprinted in Taipei.\n\nEberhard (1970), p. 193.\n\nHuang-ti shen-kung Ħ☎1⁄2, Banck (1976), #17.\n\n20 Eberhard (1970), p. 191-192.\n\n21 Jordan (1982).\n\n11 W. Eberhard (1970), p. 195. The Chinese text: 1+X8\n\n23\n\n24\n\nThe Chinese text: 高達五十得名\n\nSt. Augustine's Confessions, translated by William Benham (New York: Collies & Son, 1909), pp. 141-142.\n\nBIBLIOGRAPHY\n\nA. Sources\n\n(i) Taiwan (& Hong Kong) Oracles, published in booklets\n\nB-I\n\nB-I\n\nB-I\n\nB-2\n\nB-2\n\nB-2\n\nSheng-ch'ien chu-chieh E, Kuan Yin Fo-tsu, T'ien-shang Sheng-mu &Ħ, X_L, Taichung, Jui-ch'eng Bookstore AĦĦ , 1972, (1st ed. date, unknown).\n\nK'ai-t'ai Ma-tsu chien-chieh, published by the Feng-t'ien Temple in Hsin-kang, Chia-yi *, ****8. (n.d. circa 1978). The oracle texts are on pp. 1-30.\n\n+\n\nLing-ch'ien chich-shuo, with commentaries by Yeh Shan #ll, Taichung: Ch'uang-shih Publishing House, & FURN 1979.\n\n+\n\nPai-shou ch'ien-chieh, Published by the Hsing-sheng Temple in Taichung 台中市行聖宮,1977.\n\nLing-ch'ien chieh-shuo *, with commentaries by Yeh Shan #. Taichung: Ch'uang-shih Publishing House, ÷ÞOKRE 1975 (1st ed.: 1966)\n\nKuan-sheng Ti-chún ch'ien-shih chich MESE the Shui-hsien Temple in Nan-kang, Chia-yi, \n\n1\n\nPublished by\n\n*, 1964,", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210093, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 64, "title": "RAS-1984", "content_text": "43\n\nB-2\n\nB-2 Pai-shou ling-ch'ien, Ku-shih chu-chieh ti by Cheng Chin-ling $436. Tsoying, Kaohsiung, 1976.\n\nM. Published\n\nKuan-sheng Ti-chun ying-yan t'ao-yian ming-sheng ching E KNMVTÆ. Published by the Fu-ch'uan Fo-t'ang in Kang-shan, Kaohsiung. QUI÷HES, 1971. (The oracles are in the Appendix).\n\nB-6 Kuan Yin ling-ch'ien chu-chieh, erh-shih-szu shou Pi. Taichung: Jui-ch'eng Bookstore, 1975.\n\nB-34 Ch'ien-shu chu-chieh, Tien-shang Sheng-mu, lished by the Nan-yao Temple in Changhua M, R, LTE. Pub Mä, 1977.\n\nB-54 Huang Ta-hsien (Wong Tai Sin) ling-ch'ien, ku-pen chu-chieh A¶ LASER. Published by the Wong Tai Sin Temple in Kowloon, HK, n.d. (purchased in 1980).\n\nB-55 Po-chi hsien-fang 1981;. Taiwan (no exact place indicated but stamped by the Tz'u-yu Temple in Taipei, BMK), 1951.\n\nB-55 Lu Ti ling-ch'ien hsien-fang, PPARI), Hsinchu: Chu-lin Book-store 新竹市竹林書局,1977.\n\nB-55 Fu-yu Ti-chün chüeh-shih ching, Lü-tsu ling-ch'ien chi hsien-fang Fili MEIM.NG MAUZERO/2A07), Hong Kong, N.T., SEDILE. 8-0 1976.\n\n+ Wu-nien ch'ien-sui ling-ch'ien chu-chieh 1F, Published the Chen-an Temple (2000) of Ma-ming-Shan in the county of Yiin lin, Taiwan, 1963.\n\n(ii) Taiwan Oracles: Temple Samples\n\nWerner Banck, Das Chinesische Tempelorakel PPE (part 1: Sources), Taipei: Ku-t'ing Bookstore, fillaliliPVM, 1976.\n\n(iii) Canton Temple Oracles, collected by the Library of the Center of Asian Studies, University of Hong Kong (not included in Banck's source edition)\n\n1. Kuan-shih-yin ling-ch'ien, #, published by Wu-kui t'ang 4, in Canton, n.d. (circa 1940?) block print reproduction; contains 100 oracles).\n\n2. Hung-sheng-wang ch'ien 1, published by I-wen tang in Canton, n.d. (blockprint reproduction; contains 64 oracles).\n\n3. K'ang-kung ling-ch'ien 12, published by T'ien-pao Printing Co.: Ch'an-shan, Canton, dated 1855 (nice wood block print edition)\n\n+ 4. Fu-shen T-u-ti ch'ien (@J:22, published by Wen-tang Bookstore, **W in Yue-tung ch'an shan 40, dated 1859. (woodblock print; 30 oracles).\n\n5. Shang-ti ling-ch'ien (zar, published by Wen-t'ang Bookstore, Z, n.d. (wood block print; 50 oracles).", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210334, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 305, "title": "RAS-1984", "content_text": "284\n\nCHOI CHI CHEUNG\n\n14\n\n13\n\ndefence. Thus, the 200 Hainanese were saved. He stayed in Vietnam for more than 40 years. He had a very good relationship with the French. He started many new businesses and expanded the old ones. Chinese and foreigners owed him more than a hundred million, but he just left and didn't ask (them to pay back). Within the 40 years, he helped and encouraged many people from his native place and his lineage, and he protected many Chinese in Vietnam. The French law was strict and the ignorant could be accused easily. However, they were released whenever he spoke out for them. Thus, all the Chinese in Vietnam felt very grateful to him and depended on him in many things. Moreover, he contributed a lot to the petitions presented to exempt the Associations(f) and the free cemeteries() from tax. These actions were all praised and well known.\n\nIn 1879, he was appointed by the China Merchants Steam Navigation Co.() to import rice into China (from Vietnam).1 Many famous diplomats, such as: Chung-hou( ), Kuo Sung-tao(#), Tseng Chi-tse(##), Shao yu-lien( ), Wang Chih-chun( 2), Hsieh Fu-cheng(# ), Lung Tien-yang(U), Huang Tsun-hsien(F) etc., wanted to know him, and relied on him as their host (when they passed through Vietnam).2 However, he was never arrogant, and he always treated them with great hospitality and respect.\n\nOn his 70th birthday, in 1888, his sons and grandsons celebrated it for him in Vietnam. Many officials and merchants came to the banquet. The French Government Offices(2), companies, schools, and mints(*) all raised flags to celebrate, and a holiday was given as if they were having their national celebration. At that time, the French Governor( t) awarded him a First Honoured Star(MSA) with a written citation.\" This excited the whole country, and everyone thought that it was a most honorific reward. However, he took it all casually.\n\nHe was filial and had a fraternal personality. The way he took care of his parents when living and at the time of their death was all according to the traditional ways. He lived with his brothers with fraternal love. He treated his nephews as if they were his sons. He liked to study, and even the old scholars could not equal what he wrote. Thus, his sons were well brought up, and succeeded in the official examinations.\" For himself, he, according to the Ch'ing regulations, donated money and got the title of Hua-ling-tao( = official ...)", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210335, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 306, "title": "RAS-1984", "content_text": "285\n\nwho can wear a colourful ribbon), and for his father and grandfather he applied for 2nd grade titles to be conferred on them.\" His filial piety was difficult to surpass. He died in Vietnam at the age of 73. When his sons and grandsons carried the coffin back to his native village, thousands of Chinese and foreigners, officials and commoners, accompanied it until they reached the ship. There were people crying for him, drawing pictures of him, and writing essays about him. Cities far away, such as Singapore, also had his life-story written in the newspapers with the headline ‘Death of a Philanthropic Gentry' (*). He was really a great man. I am his old colleague, thus, I know all about his personality and activities. Here I cannot give the details, but can only give a general account of him.\n\n“Written in 1904 by Chen chao-ch'ang (陈兆昌), a Tsun Sz (遵司), appointed by Imperial Command an official of the Han Lin Academy, and humbly offered while the writer was in charge of the Shan Hai Kuan area (山海关).\n\nNOTES\n\nEitel, E.J., Europe in China: History of Hong Kong, 1895. p. 311 ff. Ah-lum's wife and children were poisoned, and Eitel clearly had doubts as to his involvement in the crime. The defence of Ah-lum was conducted in a lynch law atmosphere and his arrest and deportation, even though he had been found innocent had, according to Eitel \"reduced (him) from affluence to beggary.”\n\n2 Hsiang-shan T'ieh-ch'eng Chang Shih Tsu-pu (AKA) (Clan Record of the Chang clan of Heung Shan and Fat Shan) (1934). Chi-ching Pu (2) section, Hang Chuang (孝庄) sub-section, pp. 8-9a.\n\n1 According to the Clan record, ancestor Chung-te (忠德) immigrated to Shih-t’ou village (石頭村), eight miles to the southwest of T'ieh-ch'eng (铁城) Fatshan (Foshan) during the latter part of the Southern Sung dynasty. The lineage then segmented into 3 sub-lineages in the 7th generation. The 1st remained in the original settlement, the 2nd moved to Nan-Ping (南屏), and the 3rd to Long-Mei (龙美) in Hsiang-shan (Heung Shan) county. 3 generations later, in the 10th generation, 3 descendants of the 1st sub-lineage emigrated to Ping-Lan (坪兰), Ya-Kang (雅岗) and Wai-chieh-yung (外借涌) in Heung Shan, respectively. Ancestor Ch'un-chen (纯真) of the 10th generation was the first to move to Ya-kang, but the family was not regarded as native to Ya-kang until ancestor Miu-hsien (妙贤) of the 14th generation registered and started a new segment of the lineage (开户立户). Thus, an Ancestral Hall was built in the middle of the Chia Ching (嘉靖) period in memory of him. Ah-lum was of the 18th generation of the Cheung lineage, and the 9th of the Ya-kang segment. He was born in 1828, and died in 1900.", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210336, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 307, "title": "RAS-1984", "content_text": "286\n\nCHOI CHI CHEUNG\n\nThe Cheung lineage was not prosperous until the Tao Kuang (*) period. Ancestor Yao-chih (2) of the 2nd sub-lineage became a successful merchant, and through his generous donation, an Ancestral Hall for the whole lineage was built. The Ancestral Hall of the Ya-kang segment was built in the middle of the Chia Ching period by the effort of ancestor I-pi ( ), brother of Ah-lum's grandfather (see clan record, Tz'u yu pu (3) section, Tz'u T'ang Chi (2) sub-section pp. 1-4). Though the lineage had several National School students (B), no one succeeded in the official examinations until the end of the Ch'ing dynasty when they had three chüren (A). Two of them were Ah-lum's sons. Ah-lum's father was also a National School Student who earned his living by teaching in the villages nearby (see the biography of Ah-lum's father in the Clan record, Chi-ching pu (it) section, Hang Chuang ((HA) sub-section p. 5).\n\nThis man is not otherwise mentioned in the Clan record.\n\nAccording to Ah-lum's statement as given in court, \"he first came to the colony at only 18 years of age. He was first employed by Mr. Bigham, who went to California; after that by Mr. Franklyn; then by Murrow, Stephenson & Co.; then by Mr. De Silver, for whom he made biscuits, as well as did other business see: British Parliamentary Papers, China, no. 24: Hong Kong, P. 183. (= BPP 24:183).\n\nThe Russell was owned by Russell & Co., and the Shamrock by Mr. Xavier, c.f. BPP 24:170 and 173.\n\nSee BPP 24:164–184. The bakery had three machines making bread to supply most of the foreigners in Hong Kong.\n\nSee BPP 24:155-184, and Eitel op.cit. p. 311-313.\n\n10 The Arrow War. The anti-foreigner movement was supported by Yeh Ming-shen (), the Imperial Commissioner for Kwangtung, in Canton. See Wakeman, F. Jr. Strangers at the Gate. 1966, pp. 109ff. Also Eitel op.cit. p. 305.\n\n11 Eitel: op.cit. p. 312-313.\n\n12 According to Chen Kuan-ying (###), Ah-lum was chief of the China Merchants Steam Navigation Co. (TERA) in Vietnam. He owned a shop Hung Tai Ch'ang() in Saigon, and his son Ti-fu (#) was chief manager (*) of the Cambodia Opium Co. (12). Chen Kuan-ying (E), Nan-yu Jih-chi (12), (Diary of a Journey to the South), reprinted 1967, Taiwan, p. 19ff, 81-89. According to the Clan Record Tsa Chi-pu() section, Pa-yu (if) sub-section, p. 1, Ah-lum had businesses in Saigon, Haiphong, Comuponton, and in Nha Trang in Kwangnam (ÂM NHIỀU).\n\n13 According to the clan record, we know that one of Ah-lum's sons was buried in the free cemetery of Haiphong (), and another was buried in the free cemetery of the Canton City Association in Vung Tau, Vietnam (#).\n\n14 In 1884, when Chen passed through Vietnam, Ah-lum was chief manager (*) of the China Merchants Steam Navigation Co. in Vietnam. See Chen: p. 19.\n\n15 Chen: ibid.\n\n16 Clan record, Chi-ching pu (###) section, Ch'i-shou (##) sub-section, pp. 1-4; has two essays presented on this occasion by the gentry of Heung Shan, and by the merchants of the Canton City Association in Vung Tau, Saigon (F#城會館).", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210425, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 32, "title": "RAS-1985", "content_text": "13\n\nMaster Sect of Chang Tao-lin. All these sects claim to have received a special revelation. They all teach that disease is caused by sin and/or demons. Healing must go hand-in-hand with repentance. They all decline the use of medicine but resort to prayer and exorcism. They are all organized into religious sects. Do these similarities among healing sects speak for a type of religious expression? Perhaps, underneath the conscious mind, all men have something in common which, when manifested externally, is constituted along similar lines.\n\nThe second reflection to which I would like to draw attention concerns the association of Tan Tse Tao with Taoism. As can be seen from the history of the Supreme Deity's revelation and the teaching as recorded in Lo's important writings, there is little hint that Tan Tse Tao is a form of Taoism. Yet in its later development, Tan Tse Tao was considered as such by the Patriarch and his disciples. It is in fact at present a member of the Hong Kong Taoist Association. It is not too clear how this could have occurred. Perhaps Patriarch Lo felt that the ineffable quality of the Supreme Deity is the same as the \"Tao\" discussed by Lao Tzu, and that the quiet-sitting is similar to Chuang Tzu's \"sitting in forgetfulness.” Or perhaps he found an identity in the terminology used in his own religion and that of Taoism. Or perhaps the association with Taoism is simply revealed.42 Whatever the reason for the association, it must have provided a strong support by reason of Taoism's reputation as the most ancient native Chinese religion. This association is a parallel to the association of the Heavenly Master's sect with Lao Tzu. Scholars with Confucian sympathies have invariably ridiculed the association of the Han Dynasty faith-healing sect with Lao Tzu. In their minds the faith-healers have simply twisted the meaning of Lao Tzu to fit their own purpose. The association of Tan Tse Tao with Lao Tzu should make us think again. Perhaps the association is not as arbitrary as Confucian scholars make it out to be. Perhaps Maspero's conjecture of a religious base to Lao Tzu is still a live issue.43\n\nThe last notable character about Tan Tse Tao is its exclusive veneration of the Supreme Deity. This practice is unprecedented in Chinese cults. Writers have often drawn attention to the fact", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 210556, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 163, "title": "RAS-1985", "content_text": "144\n\nLattimore (1942)\n\nOgilvie (1969)\n\nRel. & Rit.\n\nToynbee (1971)\n\nWolf (1974)\n\nWolf (1976)\n\nWolf and Huang (1980)\n\nYang (1945)\n\nJOHN KARL EVANS\n\nR. Lattimore, Themes in Greek and Latin Epitaphs (Urbana, Ill., 1942)\n\n= R.M. Ogilvie, The Romans and Their Gods in the Age of Augustus (London, 1969)\n\nA.P. Wolf (ed.), Religion and Ritual in Chinese Society (Stanford, 1974)\n\n=\n\nJ.M.C. Toynbee, Death and Burial in the Roman World (London, 1971)\n\n=\n\nA.P. Wolf, “Gods, Ghosts and Ancestors”, in A.P. Wolf (ed.), Religion and Ritual in Chinese Society (Stanford, 1974), pp. 131-182\n\n=\n\nA.P. Wolf, \"Aspects of Ancestor Worship in Northern Taiwan\", in W.H. Newell (ed.), Ancestors (The Hague and Paris, 1976), pp. 339-364\n\n- A.P. Wolf and Chieh-shan Huang, Marriage and Adoption in China, 1845-1945 (Stanford, 1980)\n\n=\n\nM.C. Yang, A Chinese Village: Taitou, Shantung Province (New York, 1945)\n\nTranslations have been provided by the author for those passages quoted from the Greek and Latin.\n\n2 Cf. CIL 5.1813 (Gemona), where the formula has been shortened to N.F.N.S.N.C; Lattimore (1942), 84 n. 473 plausibly suggests that the second F has been carelessly omitted.\n\n3 The formula appears in slightly modified forms in such disparate communities as Lambaesis in Africa (CIL 8.3463 = ILS 8162), and Lactora in Aquitania (CIL 13.530 = ILS 8163).\n\n4 Epigr. Gr. 595 – IG Rom. 1.313. Cf. Epigr. Gr. 1117 (Bologna), and IG 14.2190 (Rome), where the translation of the Latin formula is still more precise. All of these despairing epitaphs are reminiscent of the teachings of Lucretius, and will remind students of Chinese philosophy of the views on life and death espoused by Wang Ch'ung (A.D. 27 - 97?). He also scoffed at the notion of consciousness after death: \"if we suppose that after death a man becomes a ghost, there would be a ghost on every road, and at every step. Should men appear as ghosts after death, then tens of thousands of ghosts ought to be seen. They would fill the halls, throng the courts, and block the streets and alleys, instead of the one or two which are occasionally met with.\" See A. Forke, Lun-Heng 1. Philosophical Essays of Wang Ch'ung, 2nd ed. rep. (New York, 1962), 193. It therefore follows that sacrifices are useless: \"ghosts and spirits are insensible of joy and anger. People may go on sacrificing to them for ever, or completely disregard and forget them, it makes no difference.\" (Forke 1.524). One Greek inscription, from Astypalaea, requests that food and drink not be brought to the grave, for \"corpses have no need for the things of the living:\" see J. Geffcken, Griechische Epigramma (Heidelberg, 1916), no. 209. Forke discusses the similarities between Wang Ch'ung and Lucretius at length (supra, 1.13-29); readers unfamiliar with Han philosophy will profit from the brief discussion of Wang Ch'ung in M. Loewe, Chinese Ideas of Life and Death: Faith, Myth and Reason in the Han Period (202 B.C. — A.D. 220) (London, 1982), 12-14, 35-36, 68-70, and 89-90.", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 210750, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 101, "title": "RAS-1986", "content_text": "84\n\nCHAN WING HOI\n\nnot give any figures for the ratio between indigenous residents and newcomers among the members, but he stressed that no distinction was made between the two groups (mou-san pei-chi).\n\nIt seems, nonetheless, that the Hoklo, Wai Chau and Chiu Chau residents see themselves as distinctive groups in the settlement. There is probably a separate association for them, for many of the flags put on display in the entrance area were styled \"to the Fuk-Wai-Chiu [a short term for Fuk Kin, Wai Chau and Chiu Chau] fellow townsmen\" or their Association.'\n\nI found out less about Tai Long Wan and Hok Tsui. In these two settlements, too, the indigenous villagers had been Hakka and Punti people who practised paddy cultivation and fishing. Many of the men of more recent generations worked as seamen and their descendants were able to obtain jobs in the city. As in the case of Shek O, outside interest in their scenic surroundings has been a major factor in the changes in the last few decades.\n\nI talked with Mr. Yau Ho Sam, who moved to Tai Long Wan about 40 years ago. His native place was Zheng Cheng, but before he moved to Tai Long Wan, he had lived at Wong Chuk Hang. There were only some ten families at Tai Long Wan when he arrived. Now there are more than 100. The original inhabitants were mainly Hakka although some were Punti. According to Mr. Wong, Tai Long Wan is still a mainly Hakka village, although there are also some Punti, Chiu Chau and Hoklo people. Tourist facilities can be seen in the village, and there are some Westerners' residences.\n\nFor Hok Tsui most of my information comes from the man who drove the Taoist priests to his village in his van for the daily haang-chiu procession in the festival. In the past the village had 40 indigenous households. Now there are fewer. The villagers were mainly Hakka. His family has been here for ten generations, counting to his grandsons. In the past many worked as seamen. They probably became wealthy in that occupation. There is a watch tower (diu-lau) in the main village (jing-chyn) for protection against bandits, said to be the only watch tower left on Hong Kong Island. I observed that many of the present houses were not in the", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210757, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 108, "title": "RAS-1986", "content_text": "91\n\nlanterns affixed on the posts shone on Shek O and Tai Long Wan people.\n\nThe priests and ritual representatives visited the faan-gon posts and made offerings three times a day in a procession called haang-chiu (audience procession). When I followed one of those processions in Shek O, however, I discovered that not all four of the faan-gon posts were erected at the corners of the settlement. The first faan-gon post in Shek O visited by the haang-chiu procession was between the school playground and the quarters of the cleansing unit of the Urban Services Department. One of the local members of the procession volunteered the information that the post was set up there because three years ago a fatal accident took place at the spot. Two young boys who lived in the quarters of the cleansing unit were playing there when a stone pillar fell down suddenly and killed both of them.\n\nV. The local gods\n\nThe Tin Hau was represented by her wooden image at the centre of the altar. Behind the image was a piece of red paper on which the titles of ten local deities were written. With the exception of the Sea Goddess (shui sin) of the small temple at one edge of Shek O Beach, they were Baak-gung and Daai-wong earth gods of Tai Long Wan, Shek O, and Seung Wai. One of them, styled jang-paang daai-wong (earth god of the stakenets), was a reminder of the former fishing activities of the local residents. Many others had probably existed for the protection of villagers in fishing and farming. The change in land use is evident in the reply given by Mr. Wong, the local leader, when asked where the god's place was. He said, \"Below the number 10 alley of the Westerners' residences of Tai Long Wan,\" linking the god with the change that had taken place in the locality. He gave the same description for the location of another god, the Earth god of the Banyan Tree Place. For the Seung Wai daai-wong, he explained that it was below no. 1 alley, which had become a residential area for Westerners. It used to be the villagers' settlement which was removed to Shek O for the construction of the golf club. There were also three gods whose names were not known to Mr. Wong. He believed that those were from Hok Tsui, the village which joined in", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210759, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 110, "title": "RAS-1986", "content_text": "93\n\nVI. Some of the events\n\nA series of Taoist rites followed the opening ceremony on the afternoon of the first day. Repeated three times a day on the three days of the celebration were the small processions to make offerings (haang-chiu), and the chanting of the scripture for repentance (baai-chaam). Each day had its additional unique rites. The ones most important to the villagers, according to my experience in the New Territories, included the procession on the main day, posting the list of participants, and the concluding offering to the ghosts.\n\nThe procession on the main day at Shek O included a variation from other jiu processions I had seen: it was a procession carrying Tin Hau's image. It started around 1:30 in the afternoon when the rain had become less heavy after continuing for the whole morning. The procession included a lorry carrying flags commemorating the present and previous celebrations, the image of Tin Hau held by a \"lucky and knowledgeable” women in another lorry, two lion dance groups, a lorry carrying the two pairs of piu-sik, a more-than-thirty-strong Chiu Chau ceremonial music group and many local villagers. The procession first went to pay respect at the Tin Hau Temple. It then went uphill to a place called Shek O Saan Jai (Shek O small hill) and went down again. It was greeted by women holding incense sticks outside their homes. Two women even walked up to the image of Tin Hau. Many families made offerings on tables set up outside their houses. Then the procession started for Tai Long Wan. The rain abated, and later I overheard the comment, “It was raining, but the rain stopped once Tin Hau came out.\" When they arrived there at about 2:30, there were many local villagers waiting, mainly women. Inside the village a table of offerings had been prepared for the Tin Hau. Villagers came individually to make offerings of incense. Then the priests and ritual representatives went to make offerings at the places of two earthgods. I was told that one of the two worshipped was the old earthgod and the other the young earthgod. Before the procession departed, the two lion dance groups performed choi-cheng outside the Tai Long Wan residents' association where there were boxes for the incoming mail of each house. The procession returned to Shek O without going to Hok Tsui because there was not enough time.", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210763, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 114, "title": "RAS-1986", "content_text": "97\n\nsaw a young man carrying the paper image of a horse, and another young man chasing him. Both were running in the direction of Tai Long Wan. This was part of the se-su (letter of pardon) rite. I learned subsequently from one of the ritual representatives that the two were expected to pass the same spots as the procession of the previous day did. The priests read the memorial after the horse and chaser returned. The rite was followed immediately by a brief performance of Floating the Water Lanterns, the usual rite preceding the final Offering to Ghosts.\n\nThere were more than a dozen middle-aged women preparing paper offerings for the Offering to Ghosts. They claimed to be indigenous residents. This was confirmed by another person I asked. The villagers present were well aware of what was going to take place: \"This evening the daai-si-wong is going to be paraded to as far as Tai Long Wan, and the priests will chant until midnight.” At Tai Long Wan where I went with the priests and the ritual representatives for the haang-chiu procession in the early afternoon, I overheard one young man telling somebody to send someone to Shek O to prepare the Tai Wong Ye [daai-si-wong] for the procession.\n\nThe procession started at about 6:15 in the evening. The daai-si-wong was carried by young men down the main streets of Shek O and then to Tai Long Wan. I later noticed that Mr. Wong and the other leaders in the festival were in the crowd. Most of the participants were young men. At Shek O a few women came out from their homes to greet the procession. Mr. Lam, the seaman, was among the crowd with his wife, but only as an on-looker. He told me that half the participants of the procession were indigenous villagers and half more recent settlers, and that the man who gave command through a loudspeaker was a Tanka whose parents had moved here almost 20 years ago. (He said descendants of newcomers like him mostly worked in the civil service. \"They are indistinguishable from us the indigenous boys.”) Many children and some married women followed. I heard some of the latter making the remark to themselves \"gan-jy haang, haang hou-wan” (follow the daai-si-wong and have good luck). When the procession started for Tai Long Wan one woman came to relay the warning that women were not to follow the daai-si-wong, or at least not", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211041, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 102, "title": "RAS-1987", "content_text": "77\n\nnative of Tak Kai [Danxi] District. The derivation of my name as Red Pine Fairy was due to my living in seclusion in Red Pine Hill. To differentiate myself from the Red Pine Fairy who was in close company with Chang Liang [Zhang Liang], I wrote this autobiography. (Sese Yuan, 1971;3)\n\nThis autobiography is thought by some current members of the Sese Yuan to have been received from the god by the way of the fuji divination procedure, but actually it seems to have been drawn from the story related in the fourth century work titled Shenxian Zhuan (Biography of immortals). This work contains brief descriptions of the lives of eighty-four Taoist hermits and seekers of immortality. The passage on Huang Chuping is as follows:\n\nHuang Chuping came from Danxi. When he was 15 his family had him tend sheep. A Taoist seeing that he was good-natured and conscientious took him to a stone cave in the Jinhua Mountain. For forty odd years he stayed there without thinking of his family. His elder brother Chuqi searched for him for many years in the mountains but without success. Once in a marketplace he saw a Taoist. Chuqi beckoned him and asked \"My brother Chuping who was sent out to tend sheep has not been seen for more than forty years. I don't know where he is or whether he is dead or alive. Would you please find out by means of divination?” The Taoist said, \"On the Jinhua Mountain there is a young shepherd by the name of Huang Chuping. Doubtless he is your brother.\" When he heard this, Chuqi followed the Taoist in search of his younger brother. He found him. The brothers told each other of what had happened during all these years. Chuqi then asked his brother where the sheep were. \"Not far from here on the eastern side of the mountain,” Chuping answered. Chuqi went over there and looked for them. He didn't see them. He only saw white stones. He went back and said to Chuping, \"There are no sheep on the eastern side of the mountain,” Chuping said, “The sheep are", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211042, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 103, "title": "RAS-1987", "content_text": "78\n\nthere but you, my brother, could not see them.\" Chuping together with Chuqi went over again to have another look. Chuping shouted to the sheep to rise and all the stones turned into tens of thousands of sheep. Chuqi said to his brother, \"You have now attained perfection in the secrets of the Tao. Can I also learn to do that?\" Chuping said, \"Only if you are eager to learn the way will you attain perfection.\" Chuqi then abandoned his wife and children and stayed with his brother to learn the way.\n\nThe passage ends with a reference to medicines perfected by Chuping and states that people who have taken this medicine have also managed to become immortals. Chuping, it is also said, eventually changed his name to Chisong Zi and Chuqi his to Lu Ban.\n\nThe author of this work, Ge Hong (284-364), was a famous Taoist theorist and writer on Chinese medicine. He appears to be the principal source for traditions about Huang Chuping (although paying him no special attention among the many Taoists whose stories he describes). Other, later accounts, such as the Ming dynasty source Huitu Liexian Quanzhuan (Complete illustrated biographies of the saints), differ little from Ge Hong's version.12\n\nMt. Luofu's Huang Daxian: Huang Yeren\n\nHuang Yeren was by tradition a disciple of Ge Hong on Mt. Luofu. Ge Hong had retired there, after an active career of service to the state, to pursue immortality through collecting various herbs and attempting to refine cinnabar into a medicine to produce immortality.3 The Huitu Liexian Quanzhuan describes the life of Huang Yeren as follows:\n\nHuang Yeren was a disciple of Ge Hong. When Hong lived in the mountain and made cinnabar Yeren always would follow him. When Hong was about to ascend to heaven he left a pill between the pillar and the stone [supporting stone of his hut?] at Mt. Luofu. Yeren took it and ate it and became an earthbound saint. Even today [this was written in the Ming dynasty...", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211043, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 104, "title": "RAS-1987", "content_text": "79\n\nty] there are those who occasionally meet him in the forest. Not long ago there was somebody who traveled through Luofu and had to stay at night among the rocks. He then saw a man without clothes covered only with long hair. Thinking it must be a saint he approached him, saluted twice and asked about the way [Tao]. The man didn't even bother to look at him. He laughed with a sound that shook the trees and answered by chanting the verses: \"When the clouds arrive the hundred thousand mountains move. When the clouds retire the heaven is of but one colour, I repeatedly burst into long laughters. About the deserted mountain, the autumn moon turns white.” It was Yeren.\n\nThe key fact about Yeren in this account is that unlike Ge Hong and his wife, who ascended to heaven after ingesting the cinnabar, Huang Yeren somehow failed to achieve this, even with the cinnabar pill left behind for him by Ge Hong. In one version of this story which we heard at Mt. Luofu, there had been only half a pill left, and this accounted for his failure to levitate. (Perhaps this version is designed to deflect the implication that even with a whole pill of cinnabar, Yeren was not sincere enough or worthy enough, and hence could not levitate). We also heard a version of the story in which Yeren was late for the ascension because he was drunk (a version indignantly denied by others in a later conversation).\" In any case, Yeren became immortal but was stuck for some centuries on earth. He seems to have spent his time wandering in the hills, and engaging in the kind of behaviour which gained him the reputation of “the wild man.\" There are no biographical details available which might identify Yeren as an actual historical figure, although it is quite plausible to suppose that at least some Taoist hermits in the Mt. Luofu area were recluses, seldom seen, whose odd behaviour could have contributed to the development of a myth similar to that of Yeren, the wild man.\" In any case, this figure eventually was credited with several healings.\n\n16\n\nIn appears that there was a second historical Huang who became a Taoist hermit at Luofu about 500 years after the time of the", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211044, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 105, "title": "RAS-1987", "content_text": "80\n\nlegendary first Huang Yeren, and who was also eventually referred to as Huang Yeren. This individual, Huang Li, was a prefectural governor at Zhengzhou (present day Huizhou) toward the end of the reign of Dayou (928-943) during the short-lived Southern Han dynasty (918-971).\" Evidently he had retired to Luofu after becoming disenchanted with the regime which he served. The sources relate that he met a Taoist who taught him the art of making cinnabar. Towards the end of the reign of Shaoxing (1131-1162), he was by imperial edict granted the title of Dazhen (the one who obtained immortal status). He is thought to have ascended to heaven near the end of the Song dynasty.\" He is also credited with several healings. The memory of Huang Li as a separate figure in the literary sources has been preserved, and evidently there is still a temple or shrine to Huang Li in Dongguan county.\" But the figure of Huang Yeren at Luofu now includes elements of both the original Huang Yeren and the later Huang (or Wang)20 Li.\n\n21\n\nThe veneration of Huang Yeren at Mt. Luofu seems to have a very long history. The poet Su Dongpo in the 11th century A.D. in a letter to a Taoist friend mentions that he had heard of Huang Yeren at Mt. Luofu.\" The great Guangdong poet Qu Dajun (1630-1696) in his encyclopedic Guangdong Xinyu (New accounts of Guangdong) devotes an entire page to Huang Yeren. Huang, he writes, was the most frequently seen of all the saints of the mountain. A small shrine to him (in the hills to the west of the Chongxu Guan) was, he reports, in ruins.\" The writer Tan Cui, who traveled widely in Guangdong during the reign of Qianlong (1736-1796), noted the presence of a small shrine or temple to Huang Yeren in the 18th century.23 When the main temple on the mountain was destroyed in 1802, the nearby shrine to Huang Yeren evidently suffered the same fate. The present temple, the Chongxu Guan, was built shortly afterwards.\" This temple has recently been restored and renovated (1985/86).\n\nIt appears that prior to the restoration, a statue of Huang Yeren stood in the same room as the statue of Ge Hong.\" This statue has disappeared. (The statue beside Ge Hong is now that of his wife, Bao Gu, famous practitioner of acupuncture). However, there is now (as of early 1987) a separate room for the worship of “Huang Daxian\", containing a new statue of the god. We were told that it\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211045, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 106, "title": "RAS-1987", "content_text": "81\n\nwas copied by a craftsman in Guangzhou from a scroll painting supplied by the temple for use as a model. The scroll painting once hung in a reception hall of the main temple. We viewed and photographed this painting (which is not on public display). The inscription on the painting is Chisong Daxian (Red Pine Fairy). The painting is evidently one painter's version of the ancient figure of the Red Pine Fairy, and is similar to another, older picture of this figure.26 The painting does not explicitly refer to Huang Daxian. However, the appearance of the figure, who is holding a handful of herbs that he has collected, and the two deer at his feet, are consistent with a portrayal of Huang Yeren.\n\nTo summarize: Huang Yeren has been known in the Luofu area, and probably worshipped, since at least the early Song period. There was once a separate shrine to Yeren, and when the temple was rebuilt after being destroyed in the early 1800's, Yeren was moved into the same room as Ge Hong. Now, there is a separate room for Huang \"Daxian\" at the Luofu Chongxu Guan. However, he is now no longer identified as Yeren, but merely as the Red Pine Huang Daxian. We believe that this has something to do with the belief that Huang Yeren is the same figure as the Hong Kong Huang Daxian—or that the differences are unimportant.” However, the biographies of the two Huangs are clearly irreconcilable. Neither Huang Yeren nor the partly overlapping figure of Huang Li bears any resemblance to Huang Chuping. Further, there are no literary traditions that Huang Chuping went anywhere near Luofu, or anywhere other than Jinhua Mountain in Zhejiang province, and we have found no trace of any previous worship of Huang Chuping at Luofu.28 Hence, it is surprising that anyone should want to confuse the two figures. Why has this confusion of the two Huangs occurred? We now turn to the interviews and sources in which Huang Yeren and Huang Chuping have been confused or merged.\n\nIdentifications of the Hong Kong Huang Daxian with Huang Yeren of Mt. Luofu\n\nIn 1985, the first author interviewed Taoists and others in Guangzhou and in Xiqiao, and found that where they had any opinion about the origin of the Hong Kong Huang Daxian, they", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211047, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 108, "title": "RAS-1987", "content_text": "83\n\nThe second article, titled \"The legend of Huang Daxian,\" opens with a poem in which the story is retold of Ge Hong's ascent to heaven, taking even the dogs with him, and of Huang Yeren's late arrival and subsequent life as an earthbound fairy. After relating two stories of healings by Huang Yeren (stories taken from literary sources about the Luofu Huang Yeren; see n. 16) the article then asserts that\n\nAccording to historical records the Red Pine Huang Daxian of the Hong Kong Huang Daxian temple was a Jin dynasty man from Danxi. His original surname was Huang and his given name Chuping. In his youth when he was tending sheep he was taken by the famous Jin dynasty refiner of cinnabar, old saint Ge Hong, as an apprentice. Ge Hong jokingly named him Huang Yeren. After Ge Hong had ascended to heaven Huang Daxian continued to travel all over practicing kindness and helping the people. He first went to Mt. Xiqiao, and later to Hong Kong.\n\nThese extraordinary attempts to weld the two Huangs into a single figure are not based, as far as we can tell, on any literary sources. The pseudonymous authors, who very likely have had some official connection with Luofu,17 were engaged in what appears to us to be the creative reconstruction of myth.\n\n30\n\nThis reconstruction has doubtless been at least partly successful. The cultural affairs cadres who met us at the Chongxu Guan had clearly been influenced by such ideas. With some knowledge of the Luofu saints, but little knowledge of the Taoist literature, they related to us a story which managed to incorporate into the biography of \"Huang Daxian” elements of both Huang Chuping, Huang Yeren, and Huang Li.18 They were somewhat confused by the conflicting traditions but, nevertheless, asserted with some confidence that the two Huangs, Chuping and Yeren, were the same.\n\nIt might be thought that the Taoists who serve at the temple would wish to clarify the situation, and to inform visitors that the temple's Huang was Huang Yeren, the disciple of Ge Hong, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211049, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 110, "title": "RAS-1987", "content_text": "85\n\nSeptember, 1987, they had not yet done this). Such a rebuttal would probably reduce to a trickle the number of people interested in visiting Luofu to see \"the place where Huang Daxian became a saint.\" The Luofu temple might eventually be induced to specify more clearly the particular Taoist saint depicted in their Huang Daxian room, which would make it clear to many of the Hong Kong devotees that this is not their Huang Daxian. The merger of the two Huangs at Luofu might turn out to be only a very temporary confusion. However, we believe that we witnessed at Luofu a process which has happened a number of times in the history of religions: the merging of deities with similar characteristics.\n\n—\n\nIf this process ultimately fails at Luofu, it will be because of the unique conditions in Hong Kong: first, the Chinese-language media in Hong Kong are avid reporters of all events of interest to Hong Kong Chinese, and in the realm of religion, their reporting is virtually unfettered by any constraints from religious or political authorities; second, nearly all Chinese in Hong Kong are influenced directly or indirectly by these media; and third, a large organization such as the Sese Yuan will receive respectful treatment in these media, and hence their \"proofs\" that the Luofu Huang is not the Hong Kong Huang would be widely reported, and widely accepted. (The Sese Yuan would be able to mobilize various scholars to support their refutation of the claims of the Luofu temple). If the merging of the two Huangs is ultimately unsuccessful, it will be the result of these unique conditions. In other societies, where electronic media did not exist, where other media were not free, or not widely followed—as when most of the population have been rural and illiterate—and especially where no classical texts existed which might have clearly distinguished the gods, then there were few means of inhibiting the merging of the deities where the conditions for such mergings were favourable.\n\nConclusion\n\nWe have already suggested that the merging of the two Huangs at Mt. Luofu may not continue for very long. The continued existence of literary sources which clearly distinguish the two figures is particularly important. Also important is the ease with which the", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211050, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 111, "title": "RAS-1987", "content_text": "86\n\ndifferences between the two figures could be demonstrated to potential worshippers in Hong Kong through the modern mass media, and the likelihood that the Sese Yuan will want to keep them separate. However, it is clear that there are also factors which favour a merger: the interest of the Luofu temple in attracting a flow of Hong Kong tourists and devotees, and in further aggrandizing their site; the ignorance of most Hong Kong worshippers about the literary sources or even about the actual biography of the figure whom they worship as Huang Daxian; the continuing decline in the tension between the political system in Hong Kong and the political system in China (a situation which may change, however, as 1997 approaches); the common language and culture of the populations of Hong Kong and of Guangdong province, facilitating travel and pilgrimages into Guangdong province; and the clear desire of many Hong Kong citizens to visit shrines and historic sites, especially those with great cultural significance, in their \"home province.\" If the Sese Yuan takes no decisive action to refute the claim of the Luofu \"Huang Daxian” shrine, then the merger of the two figures may eventually become so well established that it would be difficult for the Sese Yuan to completely separate them again. Further, the Sese Yuan has virtually no ability to influence those citizens of Guangdong province who have become acquainted with “Huang Daxian” as a result of his fame in Hong Kong, but who have even less knowledge of his origins than the Hong Kong worshippers. Many have already in their own minds confused or merged the two Huangs. As traditional religious worship spreads in China, as it has under the policies currently in effect with regard to religion, the number of devotees of the Luofu Huang may eventually surpass even those of the Hong Kong Huang, all the more so as it will be many years before citizens of Guangdong province can easily visit the Huang Daxian temple in Kowloon. In short, it is too soon to predict the final outcome of the blending of these two figures which we were so fascinated to observe at Mt. Luofu.\n\nPlates 8-16 at the rear of the volume illustrate this article.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211051, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 112, "title": "RAS-1987", "content_text": "87\n\nNOTES\n\n“Wong Tai Sin” is the most common transliteration in Hong Kong of the god's name. The pinyin transliteration is Huang Daxian. For Chinese names with a conventional Hong Kong transliteration which differs from the pinyin form, we will begin with the pinyin forms followed by the Hong Kong forms within brackets. For names and places in China, and for subsequent references to Chinese names and terms used in Hong Kong (except for place names such as Hong Kong and Kowloon), only pinyin system will be used.\n\nOn the reasons for the growth in popularity of Huang Daxian in Hong Kong, especially since the late 1940's, see Graeme Lang, and Lars Ragvald, “Upward mobility of a refugee god: Hong Kong's Huang Daxian,\" The Stockholm Journal of East Asian Studies. Vol, 1, 1988. We have called Huang Daxian the “refugee god” both because his cult was imported into Hong Kong early in this century during a period of persecution of traditional religion in China, and also because the god's success can be attributed in part to the refugees who flooded into the area around the temple in the late 1940's. Key decisions made by the management of the temple were also very important.\n\nOur discoveries regarding the ruined temples to Huang Daxian in Guangdong, and a second visit to these sites in 1987, will be reported in a forthcoming article.\n\nThere are undoubtedly many intriguing stories about Huang Daxian which could be collected by researchers in Guangdong province. For instance, one story connecting Huang Daxian to legends about the founding of Guangzhou was related to the first author by the manager of a local company near Guangzhou, who as a child had played in an old Huang Daxian temple in the Fangcun area (on which, see the first author's forthcoming paper). According to this story, Huang Chuping of the Jin dynasty had found the way (Tao) and become a saint at Mt. Luofu. He then, it is said, shouted at five pieces of hard rock turning them into five fairy-sheep and also ordered five fairies dressed in red, yellow, blue, white and black respectively to drive the sheep. This unlikely flock descended in the midst of Guangzhou. Huang Daxian then chanted, \"I wish that Guangzhou from now on shall enjoy bumper harvests, timely wind and rain, be prosperous and at peace, and never suffer famine or disaster”. This tale was related as explaining the origin of the old names Wuyang Cheng (City of the five sheep) and Suicheng (Ear of grain city). The story is clearly modeled on the old (documented) tales of the five saints on ram-back who brought the five ears of grain to Guangzhou. It is not clear where the manager got his story, but it may have been stimulated by an obscure phrase on one of the pillars of the main gate of the old Fangcun Huang Daxian temple. In any case, we expect that there are many such tales which remain to be uncovered. The versatile Huang Daxian, with his several incarnations and his ability to absorb stories from other traditions, may continue to surprise students of his cult for years to come. In the present paper, however, we focus only on his merger with another Taoist figure at Mt. Luofu.\n\n5 Several cases of apparently similar confusion or merging of legendary Taoist figures on the basis of similar surnames have been documented in S.H. Wong. “A study of Huang Ta-hsien [Daxian].” The Journal of the Institute of Chinese Studies of the Chinese University of Hong Kong, XVI, 1985, pp. 223-239.\n\nMt. Luofu, some 100 kilometres northeast of Guangzhou, is historically the most important site in the history of Taoist worship and practice in Guangdong province.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211052, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 113, "title": "RAS-1987", "content_text": "88\n\nOur principal concern has been to document and explain the rapid growth in popularity in Hong Kong since the 1940's of the cult of Huang Daxian (on which, see Lang and Ragvald, \"Upward mobility of a refugee god\"). However, we have also been trying to trace the origins of the cult in Guangdong province, hence the research trip to the village. A report on this visit, and on the first author's initial visit to the village in 1985, has also been prepared. We are now working on a book on the history of the cult in Guangdong and Hong Kong.\n\nProbable cases of the mergings of deities include, from ancient Greece, the merging of two incarnations of Zeus (Gilbert, Murray, Five stages of Greek Religion, Garden City, N.Y., Doubleday Anchor Books, 1951, p. 48; H.J. Rose, Religion in Greece and Rome, N.Y., Harper and Row, 1959, pp. 48-49), and of various female deities in Aphrodite (Paul Friedrich, The Meaning of Aphrodite, Chicago, The University of Chicago Press, 1978, ch. 2); from Rome, the blending of Roman with Greek deities, and the subsequent apparent merging of some Roman deities with Celtic deities (John Ferguson, The Religions of the Roman Empire, Ithaca, N.Y., Cornell University Press, 1970, pp. 211-220); from the early Christian era, the probable absorption of elements of the cult of Diana into the cult of Mary (Herbert Muller, The Loom of History, N.Y. New American Library, 1958 p. 173; Durant, 1939: 183); from Mexico, the absorption of elements of the Indian goddess Tonantsi into the cult of the Virgin of Guadalupe (Ena Campbell, “The Virgin of Guadalupe and the female self-image: a Mexican case history\", in Mother Worship: Themes and Variations, ed. by Richard Preston, University of North Carolina Press, 1982).\n\n9 This translation strangely enough contains one serious (the failure to recognize Dongtian Fudi [Cavern-heavens and blessed spots] as a general Taoist concept) and a few smaller mistakes. These, however, do not affect the arguments made in this paper.\n\n10 This probable origin of the autobiography was pointed out to us by Dr. S.H. Wong of the Department of Chinese, Hong Kong University (see Wong, \"A study of Huang Ta-hsien\").\n\nThere are several slightly different versions of Shenxian Zhuan. For this translation we have used the relatively early (Song dynasty) version in Biji Xiaoshuo Daguan (A Parade of Note-form Fiction), Taibei, Xinxing Shuju, volume 4. 12 Essentially the same story is related in Huitu Liexian Quanzhuan, compiled in the 16th century by Wang Shizhen (reprinted by Zhongwen Chubanshe in 1971 on Taiwan). This is one of the major reference works on Taoist saints, with capsule biographies on some 500 of them, and covers the entire period from the beginning of Taoism until the last year of the reign of Hongzhi (1506 A.D.). This source adds only the information that during the Song and Yuan dynasties, both Huang Chuping and his brother were awarded honorary titles by the state. The story of Huang Chuping also appears in Jinhua Fuzhi (the prefectural gazetteer of Jinhua), volume no. 22 in the subsection \"xian shi\" (on fairies).\n\n13\n\nGe Hong was a native of Jurong in Danyang (present day Jiangsu province). His career included service as assistant to prime minister Sima Rui, and as counsellor and military staff officer. He was honoured by the state for his services in the suppression of the peasant revolt led by Shi Bing. However, he was also very interested in Taoist alchemy. He was a grandson, on the fraternal line, of the famous necromancer and alchemist Ge Xuan (164-244), and from a disciple of Ge Xuan's, he learned the art of refining cinnabar. When word spread that cinnabar sand had been found in Jiaozhi (the ancient name for part of Guangdong and", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211382, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 98, "title": "RAS-1988", "content_text": "74\n\nTang family had the right of building shops there, and a stone with an inscription to that effect, was put up in the temple of T'in Hau Kung(g) which can still be seen in old Tai Po market.\n\nWhen the Man family lost their case a wealthy friend called a big meeting of the elders of the seven districts round about Taai Haang (林村), Fan Ling(K), Lam Ts'un(#1), Yip Woh(), Sheung Wan(), Ting Kok(TM) and Cheung Shue Tan(). At his suggestion, and financed by him, they built a new market where the present market now stands. It was called Taai Woh Shei (utmost friendship market)(★Fifi) and was officially opened on the twenty-third day of the 6th month of the twentieth year of Kwong Sui, A.D. 1894. All the trade at once went to the new market and the old one gradually fell into disuse and can now be seen as a very poor and derelict village.\n\nNote. 1. The district of Sun On was formed in the sixth year of Lung Hing() A.D. 1572 of Ming dynasty. Fourteen years later the **History of Sun On District** was written by Yau Tai Kin the district magistrate. It was revised for the first time in the eighth year of Sung Ching(), but this edition was not published until eight years later when a third magistrate Chau Hei Yiu(2) added slightly to it. A second edition was published in the eleventh year of Hong Hei(E) A.D. 1672 of Ts'ing dynasty, a third appeared sixteen years later, and the present edition was published in A.D. 1819.\n\nNote. 2. The second character(W) is read yeuk in Cantonese but in the New Territories dialect it is read as Kwat.\n\n#\n\nNote. 3. Lam Fung is \"Limahong\" (= Lim a hong, not Li ma hong) whose name is already mentioned in the history of the Philippine Islands. It is also translated as in some Japanese books, and Limahong or Lin Ah Hong in some of the European books.\n\n=\n\nLam Fung\n\nLimahong was a native of Raoping district(ATM) In the 10th month of the 2nd year of Lung Hing(), A.D. 1568 of Ming dynasty, he took sixty-two battleships with 2,000 sea-soldiers, 1,500 women, and a large store of food and ammunition to attack the Philippines. He was defeated and his fleet dispersed by the soldiers of", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211384, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 100, "title": "RAS-1988", "content_text": "76\n\nLEGENDS AND STORIES OF\n\nTHE NEW TERRITORIES\n\n[E\n\nTS'ING SHAAN UI OR CASTLE PEAK*\n\nSUNG HOK-P'ANG\n\nThe original name of Tsing Shaan was Yeung Haang Shaan (meaning \"Sheep or Goat Ditch Hill\", and nearby there is still a village called Yeung Siu Haang \"Sheep or Goat Little Ditch\", but later on the Peak was called simultaneously Shing Shaan “Saint Hill\", and T'uen Moon Shaan “Military Colonist Gate Hill\". The latter name was given because in olden times the Chinese Emperor sent soldiers there to cultivate the soil, and at the same time protect the countryside from the numerous pirates that infested the coast.\n\nIn A.D. 428 a certain monk named Pooi To became abbot of the monastery, and then the name of Pooi To Shaan was used.\n\nNearly five and a half centuries later, in the 12th year of Taai Po of Naam Hon dynasty, on the 18th day of the 2nd month (A.D. 969) the Emperor gave the hill the special name of Sui Ying Shaan \"Good omen hill\", and caused a stone tablet to be erected on which was carved the history of the monastery. This stone recorded that in the 11th year of K'in Woh A.D. 954 a military officer named Ch'an Ts'un had paid a stone mason to carve a figure of Pooi To which he put in a cave near the monastery, and which can still be seen. In the 4th year of Yuen Yau A.D. 1089 of Sung dynasty a general in Canton named Tseung Chi K'ei wrote an account of the hill, and put it on a stone tablet in place of the old one. This second one has now disappeared, but fortunately the account is in the \"History of the Sun On District\", and from it can be learnt that formerly there was a castle at the north of the hill, and to the west\n\n* The Hong Kong Naturalist July 1935.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211396, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 112, "title": "RAS-1988", "content_text": "88\n\npanic; many of the people abandoned their homes without taking food or money, and with their wives and children were driven towards the boundary. Destitute, many of them died on the road, while a few managed to escape to Kwai Shin district and other places as far away as they could.\n\nA year later the boundary was moved a further 30 Chinese miles inland. The new boundary ended to the west at Taai Ch'ung Hau and Sha T'ong Fong and to the east at Taai Shaan Ha and Paak T'au Shaan, a flag being put up at each of these places. Almost immediately the district magistrate of Tung Kwun made a personal inspection of the places where the flags were erected and he reported that the people in Taai Chung Hau had not moved so the flag was taken from Sha Tong Fong and hoisted on top of Shek Shaan. Thus the six villages Ch'ung Hau, Lau Ka Haang, Chaak Mei, K'iu T'au and Tau Ch'ung all had to be moved, but at Kiu T'au a rope was put between it and the boundary and half only of the village was shifted. The Viceroy Lo Shung Tsun quite sympathized with the people, and joined with other high officials in sending a memorial to the throne, stating how miserable the people were, and begging that fewer villages should be caused to move.\n\nIn the 10th month of the same year (1663) two head boatmen, Chau Yuk and Lei Wing revolted against the Ts'ing Government in Kwangtung. These two men were the owners of fleets of several hundreds of junks that usually fished in the rivers of Poon Yue district. All the junks had long oars as well as three sails so they were very fast. In addition they stored a lot of arms on board. Both Lei and Chau had a military title of Yau Kik bestowed on them by the P'ing Naam Wong, as their sailors had proved themselves of great assistance in fighting sea-battles against the Ming soldiers. When, however, the order was issued preventing boats from putting out to sea the junks of Chau and Lei were detained in the rivers and their families forced to live in Canton city. Chau and Lei pretended to get leave to go home and bury the bones of their ancestors. Secretly they took their families away from Canton, and collecting all the boatmen they put out to sea. Then openly they attacked the Ts'ing forces, capturing many of their ships and burning the guard stations along the coast. They never", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211628, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 43, "title": "RAS-1989", "content_text": "18\n\nTHE JADE EMPEROR AND HIS FAMILY\n\n玉皇大帝\n\nYU HUANG TA TI\n\nKEITH STEVENS\n\nThe Jade Emperor, also known as the Lord of Heaven (T`ien Kung), is the chief deity of the pantheon of the Cheng I sect of Taoism. He is only a secondary deity of the Taoist Lungmen sect. He was worshipped China-wide as the supreme ruler of the Heavens, and even of some of the Underworld. In folk religion, he is worshipped as the protector of all mankind, having replaced Lao Tzu in that role and as head of the Taoist faith, possibly because people were uncomfortable taking their problems to a philosopher. According to a majority of Taoists his earthly mouthpiece was Chang T'ien Shih, The Heavenly Master and his descendants.\n\nAlthough he is well known to both Chinese and to interested foreigners, what is not so well known are the ramifications of his family and the extent to which several of its members have their own cults.\n\nThe development of the supreme deity in China is far from clear. In earlier times the all-seeing, all-powerful, unseen god was Shang Ti who even now is occasionally referred to as the all-highest. Not only is the term Shang Ti used by Protestants for the Supreme Deity, God, but also the late Chairman Mao in his statement that, at the age of 72, “he was soon going to see God“, used this expression.\n\nHoward Smith, a missionary in China for 24 years, describes how the Chou dynasty (ca 1050-256 BC) founded its government on religion and transformed 'Shang Ti', probably originally a term used for the deified spirits of the imperial ancestors under the previous dynasty, the Shang, into a high God, independent and supreme, He added \"The importance of this change cannot be over-emphasised. When this supreme deity finds the rule of an emperor abhorrent, whenever a king fails, by persistent misrule, in his duties to God, then God rejects him and seeks out a suitable substitute.\" The transfer of the mandate of Heaven, based on the belief in a supreme deity, carried with it strong ethical implications, and continued down to the last dynasty, which fell in 1911.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211629, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 44, "title": "RAS-1989", "content_text": "19\n\n2\n\nGoullart in his description of the monastery in Kiangsi in which he spent several holidays, describes in one hall 'Shang Ti smiling benevolently and enigmatically from his canopied throne'. He then refers, in his description of another temple, to the Jade Emperor and speaks of him as Shang Ti. There are various explanations offered as to why this deity is called the Jade Emperor. One suggests that the reference in the Book of Changes to '. . . heaven being the ruler, and is... jade' is its origin; Goullart however gives, in translation, an invocation from the abbot to Shang Ti in which he refers to him by title as 'the Mightiest Emperor over all Heavenly Kings, who lives in the Jade Hall of the Western Heaven'. This, surely, is a clue. The supreme deity, Shang Ti, lives in the Jade Hall, hence his title the Jade Emperor. This title is a relatively recent development in Chinese chronology having only become prominent during the 11th century AD. However, popular recognition of and interest in the cult became apparent during the Manchu (Ch'ing) dynasty.\n\nThe title of the sovereign divinity of the Chinese State religion until 1911 was Huang T'ien Shang Ti, the First Rank Supreme Deity in the 17th century regulations of the Ch'ing dynasty. Shang Ti, as the All-highest, was never portrayed in image form, and in a number of temples in South-East Asia the title of Huang T'ien Shang Ti is still given for the supreme deity, usually carved on plaques, and in one temple in Singapore an image of the Jade Emperor even bore a vertical slip of paper inscribed with this title.\n\nMany Chinese myths and legends involve the Jade Emperor; those surrounding his origins are shrouded in mystery and probably his genesis will never be known. China has a rich popular tradition incorporating local tales from every corner of the vast empire, and it is no wonder that numerous and varied explanations have been given by devotees of how and when the Jade Emperor became the senior deity. The earliest known reference to him is from the T'ang but he could have existed long before that. Since then it has commonly been believed that he was either an incarnation of, or given the task of Supreme Deity by Yuan Shih T'ien Chun, the senior deity of the Taoist trinity, the Three Pure Ones (San Ch'ing). His popularity declined somewhat during the Ming. Although a Taoist deity, his image is to be found on altars in several Buddhist temples and some Buddhists even claim that he is really just an adaptation of Indra. To the man in the street all Buddhist, Taoist and folk religion deities are his subordinates, and well timed worship will", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211630, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 45, "title": "RAS-1989", "content_text": "20 \n\nsecure a writ of pardon for a soul in the Underworld. Buddhists have occasionally accused the Taoists of stealing him from their pantheon. The Buddhist Indra, known as Yu Ti (**玉帝**), literally The Jade Emperor, was, they say, adopted by Taoists to counter Buddhist power. Others suggest that the Jade Emperor was a creation of a Chinese emperor to help maintain the authority and stability of his rule. In one popular version the Sung emperor Chen Tsung (**宋真宗**) in AD 1012, in order to divert his ministers from an unfortunate treaty he had been obliged to sign with some barbarian tribes, announced with great pomp that he had been visited in a dream by an immortal with a letter from the Jade Emperor. In the letter the Jade Emperor explained that he was sending one of the emperor's ancestors in person. The Sung emperor then claimed that a dazzling deity appeared before him in a dream and informed him that he was the Jade Emperor, Master of Heaven and Earth, and the Incarnation of Tao. Later the emperor, having announced that the visit had taken place, ordered that thereafter the Jade Emperor, “one of his ancestors\", was to be treated as a major deity. The next year, in 1013, the Jade Emperor's image was cast and placed in a special temple, the Jade Palace (**玉皇殿**) where it was worshipped by the whole court. One hundred years later, the Sung emperor Hui Tsung (**宋徽宗**) built an even more magnificent temple for the Jade Emperor and thereafter the image was portrayed in imperial robes.\n\nH. Y. Feng3 claimed that the earliest reference to the Jade Emperor was in a poem by Han Yu (768-824), a Confucian scholar who wrote, admiring plum blossom, \"Riding clouds we came together to the home of Yuh Huang', proving, he states, that the Sung emperor's claims were after the fact. However, state recognition by emperor Chen Tsung made the Jade Emperor an important deity in the pantheon.\n\nA Fukienese legend describes the Jade Emperor as being born to a queen who conceived miraculously after a visit by T'ai Shang Lao Chun (Lao Tzu) in a dream. When this prince in due course became king, he ruled with great compassion and concern, and was a model ruler who later devoted part of his life to religion and attained sainthood. This was, however, many centuries before the Sung emperor Chen Tsung popularised the cult.\n\nAnother popular version explains how the Jade Emperor appeared in his visible manifestation to a Sung emperor and told him that he, The Jade Emperor, was the manifestation of the power and thought of Tao,\n\nPage 45\n\nPage 46", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211631, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 46, "title": "RAS-1989", "content_text": "21\n\nto be regarded as such by mankind and to be revered only as the representation of that power. However, over the centuries, he has developed into a god in his own right, depicted as a gilded image of an emperor sitting on a throne, and is accepted by the masses as the ruler of the Heavenly bureaucracy.\n\nIn T'aishan in Shantung province it was claimed that the Jade Emperor in mortal life had been merely a learned doctor of medicine who had lived during the 12th century AD at the Sung court in Kaifeng. He attended the emperor Hui Tsung during a serious illness and saved his life with a miraculous cure. He was known as Chang Yu-huang, but, on his death, he, like many a hermit, was deified by imperial decree.\n\nBritish representatives met the imperial representative, Li Hung-chang in 1876 in the temple (Yuh Huang T'ing) dedicated to the Jade Emperor to the west of Yent'ai (Cheefoo) in Shantung province to arrange the Chefoo Convention. Another incident involving the British in North China and connected with the Jade Emperor concerned Sir Meyrick Hewlett of the China Consular Service at the turn of the century during the clearing up after the siege of the British Embassy during the Boxer Rebellion. He found in the house of Sir Ernest Satow, HM Ambassador in Peking, a tablet with a background of sky-blue, framed in rich gold and inscribed with the four characters in gold — 'Huang T'ien Shang Ti'. Prince Ch'ing identified it as an item from the Temple of Heaven which had been missing for more than a year. When Sir Ernest asked how to restore it to its rightful place, the Prince begged the Ambassador not to send it round to his palace as should it be placed in the entrance he could neither leave nor enter his home without kowtowing twenty-seven times before it. Another more enlightened official helped out by bearing it off at dead of night in a Peking cart to the vaults of a European bank where it awaited a favourable day for restoring it to the Temple of Heaven. Some thirty-five years later, Sir Meyrick, paying his farewell visit to Peking, visited the Temple of Heaven and asked the attendants whether he could see the tablet, kept with the other tablets sacred to the emperors of the Ch'ing dynasty in a small temple opposite the Altar of Heaven. They replied that this was quite impossible, since even in post-imperial Kuomintang days no-one was allowed to see it. Sir Meyrick related the story of its recovery, upon which the attendants agreed to show him the tablet together with the tablets to the 28 Major Constellations, to Thunder and Lightning, and to the other forces of nature, but said that the tablets to the emperors were all lost after their", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211633, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 48, "title": "RAS-1989", "content_text": "23\n\nhe examines each human's conduct and adds his comments to the records kept on each person against the day when that human will die and be summoned to enter the Courts of the Underworld for judgement.\" A temple dedicated to the Jade Emperor on Coal Hill in Peking was where the living emperor of China prayed for rain during long droughts, requesting the Jade Emperor to instruct the Dragon King to cause rain to fall.\n\nReverend Hutson in Szechuan recorded his observation that lanterns hanging before the altars of Yuh Huang were taken home by childless couples and a new lantern presented in its place if a son was born to them. These lanterns were also hung in orchards and elsewhere to secure a good crop.\n\nThe Jade Emperor is a puritanical god, offended, for example, by the sight of a pregnant member of the family attending a sacrifice. In some places women are not permitted to worship him. As supreme Sovereign of the universe he is rarely approached directly, and usually only receives devotional offerings. Worship is therefore performed with great care, and his image and altar is treated with the greatest solemnity. The common man is loath to approach him unless he has little choice. The main reason for doing so is to obtain a prediction of fate; he knows that he cannot always change it, but if the common man is aware of what is in store he can plan ahead.\n\nThe Jade Emperor is only approached directly, with great trepidation, when the plea being submitted by the devotee is of the greatest import, or when the Jade Emperor's underlings have failed to come up with the goods, and devotees' expectations have not been achieved; under normal circumstances pleas are submitted to the Jade Emperor through lesser deities. In a small temple in an immigrant community in Kowloon, the Jade Emperor, their only main deity, is approached by devotees for remission of punishment for their sins in return for promises of future good deeds. The devotees have to submit their pleas to the Jade Emperor through the temple keeper. He in turn voices their pleas to an unnamed invisible bodhisattva (pusah) who approaches the Jade Emperor on their behalf.\n\nIn many parts of China the Jade Emperor was considered too holy, too awesome, and too powerful to be represented by an image, and only a tablet bearing his title was permitted to be placed on the altar (see Plate 1). In other parts, amongst the Fukienese in particular, he is believed to reside in the ash of the main incense pot on his altar (the main altar)", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211637, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 52, "title": "RAS-1989", "content_text": "27\n\nOne of the unique features of the cult of the Jade Emperor is the extent to which members of his immediate family also appear on altars. In Taiwan and South-East Asia in Fukienese community temples, some of the daughters of the Jade Emperor are portrayed in image form on altars both with their father and alone, and prayed to in their own right. The Jade Emperor is said to have sons and four, or according to others, seven daughters. Temple keepers, when asked, without exception denied that the sons and daughters were approached by devotees who hoped for indirect but preferential treatment of their requests from the Jade Emperor.\n\nGraham in Suifu noted two statues in Jade Emperor temples portraying his daughters. (Regrettably Graham did not provide characters, simply giving their titles as Yin Fei U Nu and U Giang U Nu (the U Nu probably being Yuh Nu)).\n\nThough his daughters did not become prostitutes in the ordinary sense of the word, many amusing and ribald stories are told about them. The Jade Emperor's seventh daughter, Chang Ch'i-chieh (A) [Chang the seventh sister] chose to marry a woodcutter who, from the description in the legend, must have been not far off mentally defective. He did not even understand what a wife was. She overcame the woodcutter's mother's natural reluctance to see a beautiful and intelligent young woman throwing away her life to marry her idiot son. Ch'i Chieh was a good wife and all went well. However, unfortunately, she came to the notice of a rich and handsome young man who was determined to have her. She arranged to marry him in exchange for a very large bride-price to be paid to the idiot and, being an immortal, she punished the rich man severely on their wedding night. He promptly changed his mind and released her, whereupon she returned to the idiot who was now rich, and bore him a son. She then returned to Heaven having fulfilled the curse, but at the same time, she had punished the wicked and rewarded the filial, if idiot son.\n\nIn one temple only, small images of the mother and two wives of the Jade Emperor stand alone in a small shrine behind the main altar on which stands the image of the Jade Emperor himself. This temple layout in Silat Avenue in Singapore is very rare as the consort of the Jade Emperor, according to several different god carvers, is never portrayed on the altar. However, Graham, in Suifu in Szechuan in 1928, noted an image of the Jade Emperor's mother on the side altar in his temple, called Yuh Huang.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211641, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 56, "title": "RAS-1989", "content_text": "31\n\naides and guardians. His two major aides, according to a Taiwanese temple keeper, are major deities in their own right:\n\nT'ai I Chiu K'u T'ien Tsun (AZREF) and Lei Yin P'u Hua T'ien Tsun (LEO).\n\nHe has a senior deity as his personal messenger, Teh Chih Chiangchun (特赤將軍)\n\nA Buddhist priest guiding a visitor around his temple in Chia I county in Taiwan, in which the Jade Emperor was the main deity on a side altar in a side hall pointed out that he had four bodyguards:\n\nThe Marshals Wen (溫), Ma (馬), K'ang (康) and Chao (趙) with blue, white, red and black faces respectively.\n\nThe full title of the Jade Emperor is:\n\nHao T'ien Chin Kuan Yu Huang Shang Ti (昊天金阙玉皇上帝) or T'ien Ti San Chieh Shih Fang Wan Ling Chen Tsai (天帝三界十方万灵真宰). This is possibly best translated as The True Lord of Heaven, Earth and Mankind, in all areas and of the Mystical Spirits.\n\nThe following are the short titles by which the Jade Emperor is known:\n\nYu Ti (玉帝)\n\nYu Huang T'ien Kung (玉皇天公)\n\nT'ien Kung (天公)\n\nT'ien Kung Tsu (天公祖)\n\nT'ien Kung Yeh Yeh (天公爷爷)\n\nT'ien Shang Ti (天上帝)\n\nTien Ti (天帝)\n\nHe is also known as:\n\nYu Huang Ta T'ien Tsun Hsuan Ch'iung Kao Shang Ti (玉皇大天尊玄穹高上帝)\n\nYu Ch'ing Shang Ti (玉清上帝)\n\nHao T'ien Shang Ti (昊天上帝)\n\nShang Ti (上帝)\n\nLao T'ien Yeh (老天爷) North China", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211642, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 57, "title": "RAS-1989", "content_text": "32\n\nHuang T'ien Shang Yi (LR)\n\nSan Chieh Yu Huang Ta Ti (三界玉皇大帝)\n\n(The San Chieh altar before a temple entrance in Fukienese and Ch'aochou communities, represents the Supreme Deity, T'ien Kung (The Jade Emperor). It is a trinity of Heaven, Earth and Mankind, and the altar is usually higher than normal altars.)\n\nYuan Chih T'ien Tsun (X) (Taiwan)\n\nYu Huang Chih Tsun(玉皇至尊)\n\nYu Huang Ta T'ien Tsun (X) (Taoist)\n\nCh'ing Ching Tzu Jan Chiao Wang Ju Lai (a**=**)\n\nSome temple keepers claim that Yuan Shih Tien Tsun is an incarnation or alternative title for the Jade Emperor. Though Yuan Shih T'ien Tsun is often claimed to be the Supreme Emperor of the Beginning of time, he is primarily a member of the Trinity, the San Ch'ing (), and its first member. He is the First Principle, he has no beginning and no end, is the source of truth and his doctrine leads to Immortality. He dwells in the Kunlun Mountains and was possibly a deity invented by the Taoists to counter the then growing influence of Buddha. His image appears with that of the Jade Emperor on a number of temple altars, thus highlighting the difference between the two deities.\n\nMost of the information related above about the Jade Emperor is reasonably well known; however, the question of the images of the children of the Jade Emperor is a subject which appears not to have been investigated before. Most of the children, numbering up to seven daughters and four sons, appear on altars with their father, in groups on their own or individually alone as deities in their own right. Temple keepers without exception did not know why the particular son or daughter was represented on the altar in their temple though some suggested that the children were really well known major deities such as T'ien Hou and Kuan Yin. However, it is understandable that individual members of the Jade Emperor's family who are referred to on a number of occasions in the legendary history, the Feng Shen Yen I, together with mythical apotheosised heroes from the same legends whose images appear on Chinese altars, should themselves also appear on Chinese altars.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211663, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 78, "title": "RAS-1989", "content_text": "53\n\nwere destroyed but at the end of the campaign (ca 1127 BC) Lu was made President of the Celestial Ministry of Epidemics () with his four disciples as his senior departmental officials. The coincidence of the number five, and of them dying from epidemics before their due date of death, suggests that these five might be the precursors to the Five Plague Gods of much later times. Lu is described as having red hair, a blue face, fangs and a third eye, and it is therefore not surprising that god carvers have used this description when making Wang Yeh, and a number of images of the Wang Yeh on altars in Taiwan and South-East Asia have blue faces, red hairs and fangs though none has been seen with a third eye. It was interesting to encounter a Hakka ancestral image on a public altar in northern Taiwan which had a bright blue face. This was explained to be so because the ancestor, a Mr Huang, was a Ta Jen, an alternate form of Wang Yeh, a worthy and not a Pestilence deity; but because many of the temples around had Pestilence Wang Yeh and their faces were blue, red or green, it had been decided that the worthy Mr Huang should have a blue face too.\n\nAccording to the Yeh Wang Yeh legend in Tainan, Yeh himself took part in fund raising to build his cult temple in Fukien province. He disguised himself as an old man and went to Fuchou to buy the wood necessary to build the temple and also sent instructions to the villagers in their dreams that he would like his effigy to be carved in camphor wood to be placed on the roof. This they had carved, and when it was delivered to the site the timbers for the temple's construction arrived without anyone appearing to have carried them there, leaving the villagers only the task of erecting the building.\n\nFishermen in 1795 found an unmanned bamboo raft near the island of Haifeng on which there was a tablet dedicated to Chang, Li and Moh, Three Wang Yeh. They built a shrine on the island dedicated to the three and later the tablets were moved to the present temple at T'ai Hsi in Yunlin county on the west coast of Taiwan.\n\nOther groups of five deities in Taiwan have similar and on occasions identical legends and are believed to be able to control or prevent epidemics. They too are also prayed to for a cure by the sick, and for the maintenance of good health by the hale and hearty. Temple keepers on occasions identify them as Pestilence Wang Yeh though they are not officially referred to as such. These groups include The Five Great Emperors of Fortune (Wu Fu Ta Ti), and the Five Efficacious Lords", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211720, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 135, "title": "RAS-1989", "content_text": "110 \n\nand colour powder. The colour powder is either mei-hong-fên (rose red powder, *) which is red in colour, or chiai-huang-fên (mustard yellow powder), which is yellow in colour. As these joss sticks are coated only five times, they are called Hsiang-ts'ai, literally meaning \"little joss sticks\" (f). \n\nBesides these, some thickly coated joss sticks are also produced. Joss sticks of lengths 9 ts'un, 1 ch'ih 2 ts'un and 1 ch'ih 5 ts'un are sometimes wrapped with seven coats of incense powder and are called Ta-hsiang (large joss stick, ). For such lengths sawdust is often used in lieu of fragrant incense powder, and the joss sticks produced are called \"longevity joss sticks” (ch'ang-shou hsiang, EBA). \n\nThe prepared joss sticks are then collected and spread under the sun for drying. This process is best accomplished under the sun, as the sunlight, in evaporating the water content of the incense powder, keeps the scent and the colour of the sticks. Drying takes 5-6 hours under bright sunlight and 8-9 hours on cloudy days. Halfway through the drying process, an odd-job man will collect the joss sticks and dye the handles of the joss sticks with red paint. The dyed sticks are then spread out once again under the sun for drying. Finally, quality control is done by the joss stick worker so that joss sticks which are crooked, broken or stuck together are rejected. \n\nNuo-hsiang Method () \n\nThe second method by which joss sticks are fabricated is by the Nuo-hsiang method, that is, rubbing against a wooden slab. In contrast to Lin-hsiang, by which joss sticks are mass produced, manufacture of joss sticks by the Nuo-hsiang method requires individual attention to each stick. Moreover, the dyeing process for Nuo-hsiang is done before any of the manufacturing processes, unlike in the Lin-hsiang method. The scrutiny of the bamboo canes is also stricter since those bamboo canes which are flattened or which are not uniform in their width cannot be rubbed under the wooden slab. Meanwhile, glutinous incense powder and fragrant incense powder are mixed with water and kneaded to form a dough. These joss sticks are made by rubbing the incense paste onto the surface of a bamboo cane, then colour powder is rubbed onto the outer surface. A slab is used to smooth over the roughness.* In contrast to the lin-hsiang method, by which several coats of incense powder are put onto the sticks in several stages, joss sticks manufactured by Nuo-\n\nPage 135\n\nPage 136", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211943, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 358, "title": "RAS-1989", "content_text": "333\n\nD. Outsiders in the villages and the immediate vicinity\n\nBesides outsiders who rented houses from the Dangs for residence or workshops/factories in recent years, there are some non-Dangs who have lived in the Kam Tin villages for many generations. These \"resident outsiders\" were believed by the Dangs to have been ha-fu, a term which can be translated as hereditary servants. When a Mrs. Dang mentioned to me that some people of the surnames Man and Sam lived in Naam Bin Teng, a part of Tai Hong Tsuen, she added that they had been ha-fu. Her logic was that any non-Dang who lived in Kam Tin must have been ha-fu. The present Dangs applied the term to servants of the lineage, as well as to settlements of tenants of the Dangs. My general impression is that there was more than one usage of the term, and the status of some groups might have changed in the passage of time.\n\nThe elders explained to me that ha-fu meant ha-yan, servants, and the fu in this term was the same fù as in kiu-fu (“sedan chair carriers”). Another term for ha-fu is sai-man. In this connection, one of them added that the villagers of Sha Po, Chuk Yuen and Pok Wai had been tenants of the Dangs of Kam Tin, and that ha-fu were not the same as tenants.\n\nAt Wing Lung Wai and Tai Hong Wai, some elders still remembered some ha-fu in their village. A Wing Lung Wai elder remembered only one ha-fu in his village. The person belonged to the great grandfather of an elder, a Yeui jou descendant who had a large land holding. The ha-fu carried sedan chairs for his master, among other things. A ha-fu had lived in Tai Hong Wai until he died around the time of the Japanese occupation. His given name was Loi-Fu. His surname was probably Mak. He lived in a house in the north-east corner of the wai. The house, now broken, was still there. He had to serve the whole village. His work was to do errands on special occasions such as banquets. In the old days one invited guests to banquets by sending a ha-fu. This Loi-Fu did not have to work for the Dangs on ordinary days. He often fished using his nets at a pit (haang) where the children went to swim. He would scold the children when he saw them swimming. He also kept bees, and gave some of the honey to the children. One of the villagers remembered that his mother often gave this Uncle Loi-Fu food to eat. He left no descendants. He had had no wife.\n\nNear the centre of the Kam Tin Dang settlements is Sa Bui Leng, which has only three or four families now. According to an elder the Sa", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212131, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 73, "title": "RAS-1990", "content_text": "50\n\nus to re-date two Nestorian manuscripts discovered in Tun-huang in 1980, and suggests contexts for their composition. Best of all, it throws valuable light on one of the most appealing Nestorian missionaries of the T'ang period, Adam, archbishop of China and composer of the celebrated Sian tablet inscription. As will become clear, Adam possessed an extraordinary talent for the art of public relations.\n\nThe 'Syrian Brilliant Teaching'\n\nThe main source for the Nestorians in Tang China is the Sian tablet.* The tablet, discovered in 1625, was originally set up in 781 by the elders of the Nestorian church on the premises of a Nestorian monastery in the city, then China's capital. It was probably buried by Sian's Christian community during a period of persecution or unrest to save it from destruction, but we do not know when: possibly as early as 845, possibly as late as the 980s. Christians in Yüan China knew nothing of it, and appear to have believed that they were the first to bring the Gospel to China, so we can safely conclude that when Marco Polo arrived in China in 1279 the Sian tablet had been long underground. Its discovery in 1625 caused a sensation, both in China and Europe. In China, Christianity enjoyed a short wave of popularity, and the Jesuit missionaries found that for a few years they were making converts in far larger numbers than previously. In Europe, the discovery stimulated scholarly interest in the history of the separated eastern churches. Forays were made into the Middle East in the early eighteenth century by antiquarians in search of old texts. These expeditions came none too soon, and it is in large measure due to the efforts of the scholars of the Age of Enlightenment that the history of the Nestorian church has been preserved in more than its mere outlines.\n\nThe Sian tablet carries a long inscription in Chinese, supplemented by a few sentences in Syriac, and we learn from it that the monastery in which it stood had been founded in 638, on the orders of T'ai-tsung, the second emperor of the T'ang dynasty, in response to a petition from a Nestorian monk named Reuben.2 It is implied, though nowhere explicitly stated, that this monastery was the first Christian foundation in China. The inscription, apparently aimed at satisfying the curiosity of visitors to the monastery, includes a brief sketch of\n\n* See Plate 1", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212148, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 90, "title": "RAS-1990", "content_text": "67\n\n780s to translate Syriac documents into Chinese, and to recopy and emend old Chinese manuscripts to promote the new image. Adam, the composer of the Sian tablet inscription, was behind this campaign. A seventh-century imperial decree and two early eighth-century Chinese texts were emended, and at least thirty-five seventh-century Syriac texts were translated into Chinese, to conform to the new style. He nearly succeeded in eliminating all traces of the old identity. Indeed, if Hsüan-tsung's decree of 745 had not been preserved, he could only be shown to have tampered with the text of a single imperial decree, T'ai-tsung's decree of 638. As it is, there is evidence that his revisionism went much further.\n\nMuch of the argument in this section will rely on taking Hsüan-tsung's decree of 745 at its face value. The decree states that Nestorian monasteries were called 'Persian monasteries' until 745, and orders them to be renamed 'Syrian monasteries' thereafter. The decree clearly envisages a prompt change from one consistently applied nomenclature to another. In 745 the T'ang dynasty was at the height of its prosperity, communications were good, and there is no reason to suppose that the leaders of the Nestorian church in China found difficulty in regulating such matters in the churches under their jurisdiction. It will therefore be assumed that the term 'Persian monastery' was indeed consistently used until 745 by the Nestorians for their monasteries in different parts of China, even in remote Tun-huang. If the decree of 745 can be trusted, two Nestorian manuscripts will have to be re-dated to the 780s, even though their texts plainly state that they were written in 718 and 720 respectively. In other words, it will be assumed that they were deliberately emended and recopied. This may seem a bold assumption to make. But if the dates of these Nestorian manuscripts are correct then an imperial decree of the greatest emperor of the T'ang dynasty, at the height of his power, was not worth the paper it was written on. It seems easier to believe that texts were doctored to preserve the coherence of the new Nestorian official identity, especially since it can be proved that Adam did just that with T'ai-tsung's decree in the Sian tablet.\n\nThree texts which were discovered at Tun-huang in 1908 contain Ta-ch'in ching-chiao in their titles, and a fourth contains ching-chiao in the text. A short explanatory note appended by a monk of the Nestorian monastery at Tun-huang to the text of the Book of Praise supplies a vital clue proving that these were seventh-century texts\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212151, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 93, "title": "RAS-1990", "content_text": "70\n\nof the Origin of Origins. Both texts prominently feature the expression Syrian brilliant teaching in their titles and explanatory notes at the end of the texts state that they were written in the 'Sha-chou Syrian monastery'. As the monastery is called a 'Syrian' rather than a 'Persian' monastery the manuscripts must have been either written or copied later than 745, and as they use Adam's term 'Syrian brilliant teaching' they can probably be dated to the 780s. But the explanatory notes at the end of the texts tell us that the first manuscript was copied in the fifth year of the Kai-yuan period (717) by Chang-ku, and the second in the eighth year of the same period (720) by Su-yüan, both novice monks (fa-tu) in the Tun-huang Nestorian monastery.\n\nWe have no reason whatever to believe that Nestorian monasteries were called 'Syrian' monasteries as early as the second decade of the eighth century, and indeed Hsüan-tsung's decree states quite specifically that they were called 'Persian' monasteries until 745. These early dates, therefore, can only be accepted if we reject the plain sense of Hsüan-tsung's decree of 745, ordering all Nestorian monasteries in China to adopt the title Ta-ch'in ssu, ‘Syrian monastery', and I prefer to conclude instead that our manuscripts of these two works were copied and edited in the 780s. We have seen already, in the case of T'ai-tsung's decree of 638, that Adam was not worried about introducing anachronisms into old texts if they were necessary to preserve the coherence of his new 'Syrian brilliant teaching' identity. Accordingly, we need not be surprised to find the term 'Syrian brilliant teaching' and 'Syrian monastery' employed in texts ostensibly written over thirty years before a Nestorian monastery could be called a 'Syrian monastery' and more than fifty years before Christianity would be described as the 'brilliant teaching'.\n\nNo doubt the originals of our copied manuscripts were indeed written in Tun-huang in the second decade of the eighth century by Chang-ku and Su-yüan. The puzzle is to explain how it was possible for the Kai-yuan documents, as I shall call them for convenience, to be translated into Chinese at Tun-huang in the early eighth century, when Reuben's Syriac texts of these works lay neglected in Ch'ang-an's imperial library; and why it was necessary for Adam to translate these two works into Chinese in the 780s, as the Book of Praise implies he did, when Chinese versions already existed at Tun-huang. I can only conjecture what might have happened. Obviously some of Reuben's Syriac 'scriptures' existed in China in more than one manuscript, and the monks at Tun-huang in the early eighth century had their own", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212154, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 96, "title": "RAS-1990", "content_text": "73\n\nelements in the term 'Syrian brilliant teaching\". The expression ‘brilliant teaching' for Christianity occurs three times in the text of the Book of the Secret Peace and Joy, but there is no reference to Ta-ch'in.\n\nWe must conclude that, by the tenth century, the Nestorian monks at Tun-huang no longer used Adam's formula Ta-ch'in ching-chiao as punctiliously as they once had, although both Ta-ch'in and ching-chiao are found separately, and that a tendency to render proper names by transliteration from the Syriac had replaced the earlier policy of finding appropriate Chinese terms for them. Other examples of this tendency can be found in the titles of some of the thirty-five books listed in the Book of Praise: The Gospels (Syriac: evangelion) are the A-wan-chü-li-yung ching; the Epistles of St. Paul (Syriac: shlicha, the Book of the Apostle) the Shih-li-hui ching; the Book of Hosannas the Wu-sha-na ching; and the Book of the Cross (Syriac: tsuliba) the Tz'u-li-po ching. Although these are the titles, according to the Book of Praise, of books translated by Adam, it is difficult to believe that he would ever have allowed them to be given such meaningless names in Chinese. We have seen how much care he took in the Sian tablet inscription to make himself clear, and suitable Chinese titles could easily have been found for these books. But book titles, as we have already seen in the case of other Tun-huang manuscripts, are obvious targets for updating in the light of changing taste, and these Syriac-influenced titles were probably given to Adam's books by the Tun-huang monks in the tenth century. They lived on the fringes of China and were not writing for discerning scholars in the capital, as Adam was. They preserved the memory of their past glories under the leadership of men like Reuben and Adam, but a definite change of style had taken place since the confident days when the Sian tablet was erected. They were conscious that an era had passed.\n\n1\n\nNOTES\n\nHong Kong has a fine collection of bronze crosses from the Ongut region, worn by Nestorian Christians during the Yüan period, in the Fung Ping Shan museum of Hong Kong University. See F. S. Drake's article \"Nestorian Crosses and Nestorians in China under the Mongols\", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 2, 1962, pp. 11-25.\n\nHis Chinese name, given in the Sian tablet inscription, was A-lo-pen. It is suggested in Volume 3 of the Cambridge History of China that A-lo-pen is a transliteration of Reuben, and this seems to me as good a guess as any.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212155, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 97, "title": "RAS-1990", "content_text": "74\n\n5\n\nTa-ch'in ching-chiao is translated by Legge (The Nestorion Monument of Hsi-An-Fu, Oxford, 1888) as the 'lustrious Religion of Ta-tsin; by Saeki (The Nestorian Monument in China, 1916, and The Nestorian Documents and Relics in China, 1951) as the 'Ta-ch'in Luminous Religion', and by Moule (Christians in China Before The Year 1550. London, 1930) as the 'Brilliant Teaching of Ta-ch'in'. Moule's translation seems to me to be the best, though none of the three translations for ching brings out its full resonance.\n\n+\n\n4\n\nTa-ch'in ching-chiao liu-hsing Chung-kuo pri K★*KAT¶M. See Plate 1.\n\nThe Manicheans, who also originated in Persia, used in China the term 'the shining teaching\", ming-chiao W, for their religion.\n\nThe Hsü-ting Mi-shih-he ching FDM. P. Y Saeki (The Nestorian Documents and Relics in China) calls this work the Jesus-Messiah-Sutra. I have departed from Saeki's bizarre terminology here and elsewhere, but his names are given in notes where I have done so.\n\n7 The xhen lun\n\nSaeki's Discourse on the Oneness of the Ruler of the Universe, is actually a compilation of three short essays, the F-r'ien lun or Essay on the One Heaven (Saeki's Discourse on the One Heaven); the Yu, or Parable; and the Shih-tsun-pu-shih fun 1942 fibili, or Essay on the Charity of the Creator (Sacki's Lord of the Universe's Discourse on Alms-Giving).\n\nH\n\nリ\n\nThe Chih-hsüan-an-lo ching &£, Sacki's Sutra on Mysterious Rest and Joy.\n\nThe Ta-ch'in ching-chiao Ta-shing-t'ung-chen-kuei-fa tsan K**HARIANZA, Saeki's Ta-ch'in Luminous Religion Hymn in Adoration of the Transfiguration of Our Lord.\n\nTHE\n\nThe Ta-ch'in ching-chiao San-wei-meng-to tsan ★*** ***, Saeki's Ta-ch'in Luminous Religion Morwa Hymn in Adoration of the Holy Trinity.\n\nJ\n\nThe Ta-ch'in ching-chiao Hstian-yuan-chih-pen ching ****, Sacki's Ta-ch in Luminous Religion Sutra on the Origin of Origins.\n\nנו\n\nThe Tsun ching **\n\nFor example, in lists of metropolitan provinces. Amrus gives a list for 1343 in which Beth Sinaye, the old province of China created by the Nestorian patriarch Seliba-zekha around 720, is listed together with the contemporary province of Cathay and Ong (China and the country of the Ongut tribe).\n\n14\n\nThe pronunciation of the characters ching ## 'scripture\", and ching it. \"brilliant”, differs only in tone.\n\n1.5\n\nLe Quien's Oriens Christianus (Paris, 1740), an invaluable prosopography of the eastern churches, contains the names of nearly a thousand Nestorian bishops, but no other bishop or metropolitan named Adam is recorded.\n\nThe New Catalogue of the Teaching of Shakya in the Cheng-yuan period, composed by a monk of Ch'ang-an's famous Hsi-ming (Buddhist) monastery.\n\n17\n\nThe Tien-pao-tsang ching KMR.\n\nE The To-hui-sheng-wang ching\n\nZLI\n\nWEER.\n\nThe A-wan-chi-li-yung ching EHFIYR.\n\nThe Nestorian monastery at Tun-huang was apparently named after the nearby prefectural city of Sha-chou.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212162, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 104, "title": "RAS-1990", "content_text": "81\n\nAlso in Taiwan lone images occupy the altar of a number of small temples in the Hsinchu area. In each case the image is a portrait rather than a standard image, of elderly men, obviously ancestral images, revered and prayed to as local benefactors by local residents who rarely know their personal names or life stories. They are all from Hakka communities, and are referred to as Ta-jen A. They include Yang Ta-jen, Huang Ta-jen, Hsieh Ta-jen, Heng Ta-jen and Chao Ta-jen. Presumably each had some social position and status and their present day minor cults have been stimulated by the construction of a decorous and specific shrine or temple housing its charismatic image.\n\nThe following are examples of the legends and cults connected with four deceased locals whose charisma led to them being honoured and later revered as local deities. Two were local secret society gang leaders, the third a scholar who was a renowned healer and the fourth was a local philanthropist.\n\nYeh Te-lai, a Hakka immigrant to Kuala Lumpur where he is better known as Yap Ah-loy, was appointed Kapitan China by the Sultan of Selangor in 1868 with the right to tax tin and opium and to judge lawsuits between Malays and Chinese. During inter-racial troubles his private army of some 2500 Chinese fought many battles against his rivals. He was a go-getter who succeeded in establishing a firm business base for the community in Kuala Lumpur, a 'frontier town' where he maintained law and order by means of his secret society 'soldiers' under their generals, one of whom was Sheng Ming-li and another Ch'en Chung-lai. Ming-li and Chung-lai were both murdered in Negri Sembilan in about 1860, and on the orders of Yeh Te-lai, were deified and their images placed on the main altars in some four temples, in Rasah, Semenyih and Kuala Lumpur. Ming-li was referred to as Shih-yeh (Adviser) or Ssu Shih-yeh Kung-li (the Fourth Secretary [in an official yamen]). His image and that of Chung-li used to be borne around Kuala Lumpur during their annual festival on the 1st of the ninth lunar month. Legend has it that when Sheng Ming-li was decapitated his blood was white, not red, a miracle in the eyes of his followers, who buried him near Malacca.\n\nThe second case is Hsin Ting. Hsin Ting is the main deity in his temple in Taipei where he is portrayed as a scholar holding a scroll. Although his cult was carried to Taipei by a scholar who had passed his examinations after praying to the deity, Hsin Ting has reverted to his original skill of medicine and is now prayed to by the sick for", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212166, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 108, "title": "RAS-1990", "content_text": "85\n\nfather who had owned the land on which the temple stood had consulted the deities and found that his daughter had been deified. He had an image of her carved and placed on the altar. This was transferred some time during the mid 1960s to another small shrine within the same temple and again her image stood alone but this time she had under her shrine a cardboard box which contained, according to the temple keeper, an embalmed parrot. The elderly nun claimed that it was Miss Liu's pet. The image and parrot remained until 1983 when the temple was refurbished and the image disappeared for a while. In 1986 it reappeared on the family altar in the rear of the large Buddhist temple next door, dedicated to the Liu family. Her image was now draped in red silken robes and somewhat strangely was labelled Miss Lin. She still held the miniature handbags but the parrot was nowhere to be seen, and the temple staff denied ever having seen or heard of a stuffed parrot. They confirmed that her name was Lin and not Liu but were unable to say why she was now on the Liu family altar in the Buddhist temple. And there she remains, last noted in 1989 still on the Liu family altar.\n\nA cult, that of 'the Prince descended from the Dragon', Lung-shih T'ai-tzu, was established in the mid-1960s in the northern suburbs of Kowloon before being transferred to Lo Wai above Tsuen Wan in the New Territories. It is a piggy-back cult dependent upon the local Cantonese major cult of the Dragon Mother, Lung Mu. The story begins with a boy, Huang Hsin-tsai, born in Shamshuipo, Kowloon, in 1949, the son of refugees from Canton. His parents died soon after they arrived in the Colony leaving him in the hands of the lady who now runs the new cult temple. In 1960 the youth, now 11 and still living with the lady in Shamshuipo, fell ill with swollen legs and abdomen. She nursed him carefully back to health but in 1962 he was thought to have eaten something which did not agree with him and, despite a visit to the Wong Tai Sin Temple, he died. Accused by her neighbours of neglecting the youth she was exonerated by him when he appeared to her in a dream to explain that he was now the stepson of the major deity, Lung Mu, and had the power to cure on her behalf. Once a year thereafter he provided the lady with a large basin of very tiny pills for her to distribute to cure people's ills; he also appeared to her in dreams to help solve difficult problems put to her by devotees. The lady, now the temple keeper, has a number of elderly ladies to help run the corrugated iron and brick temple which she has had built near his grave.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212485, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 39, "title": "RAS-1991", "content_text": "19\n\ndominance of Cantonese by the 1860s when a Ningbo native, Chen Xuyuan, replaced the Cantonese as the chief comprador in Russell & Co. By the turn of the century, the Zhejiang compradors had outnumbered their Cantonese counterparts in Shanghai. Wu Jianzhang acted as the Shanghai tantai less than two years and was not succeeded by a Cantonese until 1864 when Ding Richang was called to the office by Li Hongzhang. However Ding had not been wholly pro-Cantonese. In response to the challenge of the Ningbo people, Cantonese such as Xu Run, Tang Tingshu and Zheng Guanying attempted, with success, to secure patronage from Li Hongzhang by taking part in his guandu shangban project. The Ningbo clique, however, competed with every effort to seek equal political support from another bureaucrat Zuo Zongtang in the 1870s.24 Entering into the Republican period, Cantonese gradually realised they were a minor group when compared with Ningbo men. They not only competed with one another but also collaborated together. Famous Cantonese capitalists such as Guo Piao, Huang Huan'dan, and Jian Dongpu were active in the Shanghai business community.\n\nNetwork of Hong Kong and the Pacific Rim\n\nThe story of the Chinese in Hong Kong as settlers can be classified in the following way. First, the Chinese merchants or traders. They knew the region, they traded successfully and they made their homes wherever their trade led them. They remained the dominant group of settlers in nineteenth century and perhaps even into the twentieth century. Second, the labourers or coolies who arrived during the second half of the nineteenth century. Their main significance was that they came in large numbers, although for the main part they came for short periods and many failed, became destitute and were sent home. The more successful ones, however, returned with their savings to help their families back in China. Nevertheless, amongst them were a number who remained, having married locally or having lifted themselves above their labouring status and turned successfully to trade. Again, for most of them it was their ability to establish a trade, and therefore own property, which was the first step towards settling down. Included amongst them were many artisans who were able to use their skills to establish businesses. Amongst them also were partly literate or semi-literate people who used their writing skills either to work for Chinese businesses or to go into business for themselves. Sooner or later, the two main reasons for settling were success in business and the acquisition of a family. Third, the import-", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212487, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 41, "title": "RAS-1991", "content_text": "21\n\n26\n\nwas imported from Vietnam. A retail rice shop was also opened in Canton with a capital of 500 taels. Moreover, Li was also interested in other investments such as $15,000 in a native bank, $5,000 in three pawnshops in Hong Kong. He also held a lot of shares in Macau and in other Hong Kong businesses. As the overwhelming majority of Chinese emigrants to America and Australia were Cantonese, Chinese participation in the trade between Hong Kong, Australia, and America was nearly monopolized by the Cantonese merchants. Other examples were: Lee Chak, who had an importing and exporting firm in Hong Kong, two in England, three in San Francisco, two in New York and one in Honolulu, spanning business from Hong Kong to America and England; Chan Kin Tong, owned a firm Guang Yangxing and Rongan respectively, and Chan Mui specialized in drapery business in Hong Kong and had seven associate firms outside Hong Kong. One was located in Chen village, Canton; two in Vietnam; three in Haiphong and one in Siam.\n\nBusiness Patterns of Cantonese Compradors and Merchants\n\n28\n\nThe special position of compradors in mediating between the Chinese and foreign businesses provided them with the opportunity to trade on their own and even in private partnership with their employers. Compradors were enabled to acquire capital, which they could use to promote commercial, financial, and industrial enterprises modeled on Western patterns. As scholars have said, compradors were actually not only serving as compradors but also did business on their own behalf at the same time. Their business investments in modern Chinese enterprises could be described as \"activities of Chinese merchants in buying capital shares from foreign aggressive companies\" (huashang fugu huodong),29 implying that their role in the entrepreneurial activities as Chinese merchants was also significant.\n\nInitiatives in Modern Enterprises\n\nAccording to Yen-p'ing Hao's study on Chinese compradors, it was because compradors had acquired considerable wealth, during the years they were engaged in business with foreign merchants that they had realized the importance and profitability of modern enterprises. The compradors were willing to invest in such enterprises long before any other class had a similar intention. Although they also invested in traditional forms of business such as native banking and pawnbroking, however it only constituted a small portion of their total investments.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212493, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 47, "title": "RAS-1991", "content_text": "27\n\nShanghai, named the Guang Zhao Gongsuo,\n\nNeedless to say, Tang was famous amongst Cantonese merchants. In 1876, when Tang was organizing the telegraph office in Fuzhou, he was invited by Ding Richang to set up a Chinese bank with branches in Tokyo and London. The venture was supported by a group of Cantonese merchants to set up a modern bank with a paid-up capital of three hundred thousand taels to meet the increasing need of a financial institution to accelerate Chinese trade in foreign countries. Tang was also active in business circles in Hong Kong. He joined in partnership with his brother Tang Maozhi in the first sugar refinery in Hong Kong. Tang contributed three thousand taels while William McGregor Smith contributed the largest share of sixteen thousand taels. They planned to export sugar to Jiujiang, but probably due to Tang's transfer to Shanghai, export of refined sugar was changed to connect with Shanghai where they operated successfully until 1864. Afterwards Tang sold his share to his brother Tang Maozhi. The refinery was set up at East Point, Hong Kong, under the name of Smith, Wahee & Co. However, it eventually went bankrupt and was taken over by Jardine, Matheson & Co.\n\nTang left his work at China Merchants' Steam Navigation Co. in 1884 to manage the Kaiping Mines in Tianjin in which he had a personal investment of three hundred thousand taels. It has to be mentioned that with the appointment of Tang as the Kaiping's general manager, a large number of Cantonese workers were recruited for Tianjin. By 1891, the number of Cantonese workers had grown to five hundred of which some had returned from California and Australia. Though these Cantonese miners were more skilled and experienced than local workers, they did not get along with the local people and refused to teach their skills to the northerners, as they were called. In 1883 a group of a hundred men from Swatow had to be discharged because of conflicts between them and their headmen.\n\nZhang Guanying (1842-1922)\n\nZheng was born in Zhongshan. It is unclear when he moved from Zhongshan to Macau but it was certain that he had received his traditional education in Canton. After Zheng had failed in the public examination, he decided to become a merchant. In 1858, he was sent to his uncle Zheng Tingjiang in Shanghai, who had been a comprador to Overweg & Co. Zheng soon entered into the Anglo-Chinese School organized by a", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212500, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 54, "title": "RAS-1991", "content_text": "34\n\nChan Kin Tong 陳健堂 Cheang Hoong WA Chen Xuyuan 陳照元 Ding Richang TRS Guo Piao 郭標\n\nHo Kai 何啟\n\nHo Tung 何東\n\nHuang Huan'nan #\n\nJian Dongfu 簡東甫\n\nGlossary\n\nWu Jianzhang f Xu Rongcun 徐榮村 Xu Run 徐潤 Xu Yuting 徐鈺亭 Yuan Shikai 袁世凱 Zheng Guanying\n\nZheng Tingjiang\n\nBaoyuanxiang 寶源祥\n\nZuo Zongtang E\n\nLaw Pak Sheung\n\nA\n\nBendi 本地\n\nLaw Sai Nam 劉世南\n\nLee Chak 李澤\n\nguandu-shangban\n\nLeung Xiu 梁喬 Li Hing 李慶\n\nLi Hongzhang 李鴻章 Lo Hok Pang #09 Ng A Cheong AS\n\nO Kee Cheung 柯其祥 Sheng Xuanhuai 盛宣懷 Soong Xe 宋琪\n\nSung Chin Tseung\n\nTong Mow Chee #\n\nTong Ying Shu (Xing Sing)\n\n唐廷樞(景星)\n\nWei Kwong #*\n\nWei Yuk 韋玉\n\nDanjia 晉家 #\n\nGuang Yang Xing 廣陽興\n\nGuang Zhao Gongsuo 廣肇公所 Heshengxiang #\n\nhuashang fugu huodong HÆ!\n\nKejia 客家\n\nlianhao 聯號\n\nO Chin Sin Tong\n\nQing Xu Yuzhi Xiansheng Run\n\nZixu Nianpu\n\n清徐雨之先生潤自序年譜\n\nSanyi 三邑\n\nShiyi 四邑\n\ntongxiang hui 同鄉會\n\nZongban 總辦\n\nWong Kong 黄亞廣\n\nReferences\n\nCheng, T C. 1969 Chinese Unofficial Members of the Legislative and Executive Councils\n\nin Hong Kong In Journal of the Hong Kong Branch of the Royal Asiatic Society 9: 1-30\n\nChoi, Chi-cheung 1991 Cong difangzhi kan Xiangshan xian difang shili de zhuanbian (The influence of migration in Xiangshan county as viewed from local gazetteers) In Zhongguo Shehui Jingjishi Yanjiu 1991/1: 60-8\n\n1993. Competition among Brothers: the Kun Tye Lung Company and its Associate Companies, Unpublished paper presented at the Workshop on Chinese Business Houses in Southeast Asia since 1870 School of Oriental and African Studies, University of London", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212509, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 63, "title": "RAS-1991", "content_text": "43\n\ngroups which Pi Yuan (Bi Yuan) formed in Shensi in the late 1770s, and the group Juan Yuan (Ruan Yuan) formed at the Hsueh-hai t’ang in Canton in the first decades of the 19th century. The (Bi and Ruan) circles were more active in publication: Pi Yuan underwrote the publication of many monographs and critical editions, and Juan Yuan was responsible for the 1400 volume compilation of classical commentary entitled Huang-Ch'ing ching-chieh (Qing period commentaries on the classics).\n\nWang Jun Yi of the People's University recognized how important this form of patronage was to the development of scholarship and learning during the mid-Qing period.\n\nUnder the leadership of the central government, officials enthusiastically supported scholars' research. Xu Qian xue, Bi Yuan, Ruan Yuan, for example, had on their staffs a large number of scholars. They established academies and compiled books. Their activities of collecting books, compiling books, checking texts against ancient editions, and printing books, made it fashionable to collect and create books. Under these circumstances, scholarship and learning developed during the mid-Qing era.\n\nRuan Yuan had inherited the tradition of scholarly patronage from the Zhu Brothers and Bi Yuan. When Ruan Yuan first went to Peking to take the metropolitan examination in 1786, he was taken into the Zhu circle. His first important official assignment was director of studies in Shandong 1793-95 when Bi Yuan was governor. As Ruan Yuan's official career spanned half a century, in such areas as Zhejiang, Jiangxi, Guangdong, Guangxi, Yunnan and Guizhou, his patronage was widespread. Since his interests were all-embracing and his ability to identify quality of scholarship more than adequate, he managed to leave works in all major areas of learning of that time.\n\nImportance of Ruan Yuan as a scholar and patron of learning as seen by 20th century scholars\n\nAlthough Ruan Yuan's contributions to mid-Qing scholarship and learning have been recognized by 20th century scholars, a comprehensive study of the scholars around him is yet to be made. Qian Mu...", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212510, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 64, "title": "RAS-1991", "content_text": "44\n\n19\n\nRuan Yuan as a \"bridge for classical learning\" between the Han Learning scholars of Jiang Fan's Guo chao Han xue shi cheng ji (Han Learning scholars of the Qing dynasty) and the later work of Chen Li (1810-1882), Dong xu du shu ji (Chen Li's notes on the classics in which he argued against the viewpoint of the earlier classicists that Han period scholars had ignored metaphysical study.) Qian pointed out that \"recent scholarship has neglected the significance of this transitional period, thereby underestimating the significance of Ruan Yuan's contributions to the development of classical learning of the mid-Qing era.\"10 This finding was echoed by He You Shen# of the University of Hong Kong, who observed that Chen Li's thinking had been influenced by Ruan Yuan.\n\nAfter becoming a fellow of Xue Hai Tang, Chen Li went to visit Ruan Yuan in Yangzhou in 1841, and again three years later. These two visits influenced the direction of Chen's later thoughts tremendously.\"\n\nOther scholars have stressed the importance of Ruan Yuan's patronage activities. Liang Chi Chao wrote that \"Ruan Yuan of Yi-zheng served in the provinces for several decades. Everywhere he promoted learning. He exerted tremendous influence on other scholars of the era in Zhejiang, Guangdong, and Yunnan.”12 Xiao Yi Shan- stated that \"Ruan Yuan's contributions to learning were not confined to his own writing. He established institutions to give other scholars an opportunity to research and to publish. He was extremely influential on other scholars of the era. His scholarly achievements far surpassed those of his contemporaries, such as Wang Chang, Bi Yuan and Zhu Jun.\"'13 Hu Shi went further by analyzing the secret of Ruan Yuan's success.\n\nRuan Yuan's special talents rested in his ability to collect the leading scholars of the day, and have them work together to compile such major works as Jing ji zhuan gu, Shi san jing jiao kan ji, Chou ren zhuan, and others. He also published works of other scholars, among them Ling Ting kan, Jiao Xun, Wang Zhong, Liu Tai gong. His Huang Qing jing jie, 1,400 juan, represented the first conclusive study of classics by scholars of the Qing dynasty.14", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212512, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 66, "title": "RAS-1991", "content_text": "46\n\nshi lue, 16 juan.\n\n17\n\nHistory and Statecraft: Chou ren zhuan, 46 juan, started between 1797 and 1799 but not completed and printed until 1810, was the first effort of any Chinese scholar to put in chronological order summaries of the lives and works of 242 Chinese and 38 non-Chinese astronomers and mathematicians, thus providing materials that made possible a systematic history of mathematics and its related field, astronomy, as well. Ruan Yuan also wrote biographies of scholars, including those who were not officials and therefore would not have been included in official compilations, in Guo shi ru lin zhuan and Guo shi wen yuan zhuan, 1810. Discourse on contemporary administrative issues included Liang Guang yen fa zhi (Salt administration in Guangdong and Guangxi), Hai yun kao, 2 juan (sea transport), 1805, Hai tang zhi, 30 juan (Coastal Gazetteer of Haining), and an essay putting forth his suggestions on the most efficient way to transport tribute grain, Liang chuan liang mi jie fa shuo, composed while he was director of grain transport.\n\nHistorical Geography: In addition to encouraging other scholars to compile provincial and local gazetteers, Ruan Yuan himself compiled two provincial gazetteers, Guang dong tong zhi, 334 juan in 1818-1822, and Yun nan tong zhi gao, 216 juan, in 1835, when he was governor-general in the respective provinces.\n\nBibliography: As a scholar, Ruan Yuan relished in collecting books. He made sure that cataloguing of well-known collections, such as that of the Fang Family in Ningbo, was brought up to date, in Tian yi ge shu cang shu mu, 4 juan, 1804. He established libraries that included Classical as well as contemporary works in the Lingyin Monastery (Hangzhou) and the Jiaoshan Monastery off Zhenjiang, and compiled catalogues for the collections. As director of studies in Shandong, he drew up a list of books for young students to peruse, Shan dong xue zheng Ruan Yuntai shi tong sheng shu mu, 1 juan.\n\n20\n\nLiterature and Other Collectanea: Ruan Yuan collected and published works of literally thousands of poets, including women and other social minorities, whose work would not have otherwise survived. Liang Zhe you xuan lu, for instance, contained 9,241 poems by 3,133 poets from Zhejiang, including 381 poems by 183 women poets, and 314 poems by 117 monks and priests, together with biographical notes of the poets. His own essays and poems are also published in Yan jing shi ji, 54 juan,", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212515, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 69, "title": "RAS-1991", "content_text": "49\n\nchong ding yi chi kuan shi may be gained from perusing a 1853 printed copy of the manuscript of the work. In the preface to the original edition, dated 1804, Ruan Yuan had listed 12 friends who had collections of ancient bronze vessels with inscriptions. Rubbings had been taken of these inscriptions, and the friends had meticulously consulted each other as well as Ruan Yuan on their identifications. Their conclusions had been gathered to be published in this book named after Ruan Yuan's studio, the Jiguzhai, meaning the studio to amass antiquities. Alas, in the preface, Ruan Yuan had singled out Zhu Weibi (1771-1840) \"Who was extremely fond of ancient inscriptions on bronzes. I gave him these rubbings (the collectors had made) for his further scrutiny. A draft of this manuscript had been among the Zhu family papers until the 1850s when it was printed under the same title by Zhu Weibi's great-grandson and great-grand-nephew. Apparently the younger generation had wished to show the scholarly world that this noted work had been done mostly by their ancestor at the behest of the much revered contemporary official and scholar, Ruan Yuan. In the preface of the printed draft, the Zhu boys wrote.\n\n+26\n\nThis is a draft of the manuscript of Ji gu zhai chong ding yi chi kuan shi with editorial changes made by our ancestor and Ruan Yuan. Ruan Yuan had discovered a Song dynasty work on identification of ancient inscriptions and had wanted to have his friends' identification of vessels in their own collections further investigated. Ruan Yuan had planned to have their findings prepared for publication (and had written a preface in 1804). Subsequently, at the time (of the drafting of the text), in 1807, our ancestor was at home mourning the death of his mother, so it was he who performed the task in getting this work for printing. The original manuscript is still in the family collection.\"\n\nOther questions on Ruan Yuan's sharing work and credit with other scholars still need to be investigated further. Those scholars who performed the major share of a particular task, for instance, were given due credit. Yen Jie (1763-1843), was acknowledged as the editor-in-chief of Huang Qing jing jieh, and Jiang Fan (1761-1831) that of Guang dong tung zhi.\n\nIntroducing Ruan Yuan's friends\n\nA list of 200 scholars associated with Ruan Yuan has been collated", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212523, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 77, "title": "RAS-1991", "content_text": "57\n\nCollectively, these secretaries were known as mu.38 There are a number of learned treatises on the subject in Chinese, but I do not think that the function of these people should be expounded here; suffice to say that they were treated as respected senior secretaries by the officials, including Ruan Yuan, and were assigned certain tasks. A few examples of Ruan Yuan's secretaries follow: Zhang Jian was with Ruan Yuan in Zhejiang, Canton, and after his retirement, in Yangzhou as well. He helped formulate and implement such policies as eradication of coastal piracy, famine relief, salt administration, and transportation of tribute grain by sea. Chen Hongshou's expertise ranged from river administration to coastal defence. Together with Chen Wenxu, Zhu Weibi, Shi Guoqi, and Ruan Yuan himself, he also drafted the memorials Ruan Yuan sent to the Jiaqing Emperor while he was Governor of Zhejiang. Scholars with \"an extraordinarily fine hand\"39 who worked as actual copyists for Ruan Yuan's memorials include Fang Pu, He Yuanxi, Shi Guoqi, and Wu Shucheng.40\n\nRuan Yuan found jobs for other scholars in academic institutions. The academies he founded, Gu jing jing she in Hangzhou and the Xue hai tang in Canton, had absorbed scores of scholars. Other academies took on dozens of others. Among the less commonly known academies founded or rejuvenated by Ruan Yuan were the An lan Academy41 in Haining, Zhejiang,42 and the Ta liang Academy in Henan.43 In appointing scholars he considered worthwhile to these academies, Ruan Yuan in fact helped to spread Han Learning throughout the country. Ruan Yuan must have been at his wit's end in trying to find a suitable place for so eccentric a scholar as Fang Dongshu (1772-1851). Fang, from Tongcheng, who only attained the first degree, was noted for his poverty and his inability to get along with anyone, except perhaps Ruan Yuan. In 1819, Ruan Yuan brought him to Canton to work on the Guang dong tong zhi under Jiang Fan. Jiang assigned him research and writing which was supposed to take two years to complete, but Fang finished the task in one month. Ruan Yuan then found him a job at Hai men Academy in Lianzhou, where he lasted less than one year; with a repeat performance at the Chang yang Academy for a similar period. Exasperated, Ruan Yuan took Fang onto his own personal staff.\n\nFor scholars who worked on various literary projects sponsored by Ruan Yuan, see the Appendices to this paper.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212549, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 103, "title": "RAS-1991", "content_text": "83\n\nfuriously, threatening to cancel the exhibition if the 13 paintings were banned. The opening ceremony was postponed one hour to wait for a settlement which finally came with concessions from the Chinese officials. In their speeches at the ceremony, the Americans repeatedly referred to the \"American\" principle of free artistic expression, and Huang Zhen, Commissioner for External Cultural Relation and Wick's Chinese counterpart, expressed strong reservations about the paintings.\n\nTo Wick, the exhibition was a showcase to the Chinese that in the United States, free artistic expression was a universally accepted value and artists in the United States enjoyed greater artistic freedom than in China, whose cultural policy, as it refused to accept abstractionism presented by those 13 paintings, was \"totalitarian\". Wick's hard line on this issue also implied that the United States supported those unorthodox Chinese artists and writers who were being criticized in the campaign against \"bourgeois liberalization\".\n\nWick's management of the abstract painting incident indicated that the United States government would sacrifice good relations with China to the goal of presenting American cultural imagery to the Chinese people. Arts exchanges with China were no longer an instrument to create a warm atmosphere, under which circumstance both parties would co-operate nicely when differences occurred. Putting this position in the anti-Communist background of the Reagan Administration, a theme of explicit cultural warfare seems to have raised its head.\n\nCompared with the American Government, the private sector's support for arts exchanges with China was stimulated by fewer political considerations. Private interests provided support for such projects in various forms, including the funding of organizations specializing in U.S.-China arts exchanges, such as the Center for United States-China Arts Exchange, and the funding of specific exchange projects. In the realm of U.S.-China arts exchanges, financial support is a very important factor. The exchange programmes could not be realized without such support, but such programmes normally cannot show a profit. To discuss the numerous organizations and private exchanges involved is impossible. What can be done in this paper with regard to the private sector's support of cultural exchanges is to examine closely the Center for U.S.-China Arts Exchange and to derive some conclusions from the Center's activities.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212559, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 113, "title": "RAS-1991", "content_text": "93\n\nThe contributions the American cultural presence made to China's cultural pluralism are obvious. In the area of music, many pieces visiting American musicians played had never been included in the repertoire of Chinese musicians. Through their performances, American musicians also introduced to the Chinese people the works of American composers. In July 1980, the Minnesota University Symphony Orchestra toured China. The pieces it presented were almost exclusively by contemporary American composers. Some of what was served up for cultural consumption was especially impressive to Chinese audiences for its American characteristics. The dances by Graham Young's students were loudly cheered by the audience, a major part of which was of college students, as there had seldom been on Chinese stages such vivid and humorous performances or such a free treatment of the actor-audience relationship.\n\nThe diversity American artists brought to Chinese cultural life was also expressed in the expansion of activity to performances of some particular instruments on the Chinese stage, such as the harp and mouth organ. Before the Chinese-American mouth organist Huang Qingbai made his first visit to China in 1979, this instrument had been regarded by Chinese as merely a toy. Though his efforts, the mouth organ has been established as a musical instrument of artistic value and incorporated in the orchestra, though some Chinese musicians still hold a negative view of it. Similarly, Chinese audiences first saw a harp solo and harp ensemble during performances of incoming American musicians in 1981.\n\nThe influx of American artistic endeavours also affected the activity of already established Chinese artists. Thus the first generation of Chinese ballet dancers were trained by Russians. As a result, Chinese ballet followed a distinctive Russian tradition. But what has surprised the Russians in recent years was that they have seen a successful combination of both Russian influence and Western approaches in the current performances of Chinese dancers. There are, of course, many factors in this transformation, but the most direct source of the new approach came from Ben Stevenson, the artistic director of the Houston Ballet who has been deeply involved in China's dance education since 1979 and who has visited China several times since 1980 when he came to China as the first American on the short term exchanges sponsored by the Center for U.S.-China Arts Exchange.\n\nNurtured by a ballet school which originated in Russia and was", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212740, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 49, "title": "RAS-1992", "content_text": "34\n\nhad a head of steam and wrote several pages of detailed description on one particular theme, usually with an educational value aimed at foreigners in China. One in particular was his portrayal of a Chinese banquet, consisting not only of various menus, but seating plans, courtesies and the role of the servants.\n\nHis Promotion of Western Education\n\nSince 1868, Mesny claimed, he had had an inclination to do something towards dispelling some of the gross darkness that prevailed amongst the Chinese. In 1870 he established a small day school for boys and girls in a temple called the Yu-huang Kung [The Temple of the Jade Emperor], which served as a club house for the people of the Hu-kuang provinces who resided in Kuei-yang. He imported some school books which he considered suitable and paid a Chinese teacher to teach the children during the four years of his residence in Kuei-yang.\n\nMesny in later years had interviews with senior Chinese mandarins with a view to promoting western sciences and other subjects of study for examinations in China. He also claimed that he had persuaded a Chinese Viceroy to submit a memorial on educational reform to the throne and that this was the start of such reform. The reforms were abolished by the Empress Dowager in 1898.\n\nMesny and Women\n\nDespite the genuinely colourful life he led in China, his experiences living with the Taiping rebels, his service with the Szechuan Force în Kueichou and his treks across much of the country; when we come to his descriptions of his love life with Chinese ladies, although they may have been real and authentic, for the most part they read like episodes out of a modern pulp novelette. This may be due to a possible inability to describe them without a modicum of exaggeration or 'editing' or, though unlikely, they may have been figments of his imagination. There is little doubt that he was red-blooded and normal, and as a single man in foreign parts with few if any women of his own race or culture it was the understood thing for expatriate westerners to have a local female partner. He frequently wrote of pretty women at the roadside during his journeys across China who attracted him or, more to the point, were attracted by him. However, the exact measure of his intimacy with any but his wives is destined to remain tantalizingly obscure.\n\nCorrected minor OCR errors, reformatted text into paragraphs, and corrected \"în\" to \"in\" for consistency and correctness.", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 212741, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 50, "title": "RAS-1992", "content_text": "Bearing in mind that much of what he claimed was written from either notes or memory between the ages of 53 to 63, the almost obsessive way he describes the semi-nudity of the girls from the minority Miao suggests that he must have been sex-starved, a red-blooded young man, and a lone Westerner amongst an army of Chinese. Mesny described various tribes and sub-groups of non-Chinese and their customs in some detail in his articles in the Miscellanies, though he did seem to be more interested in their love life and marriage customs than, for example, births and deaths.\n\nHis description of the 'fair maidens' en route during his treks in central China eyeing him and he ogling them are frequent, with no lack of comment on their bare bosoms in particular and occasionally their genitalia. These were, as one would expect in Kueichou province at that time, not Han Chinese but tribeswomen from the Chuang, Lolo, Miao, and other tribes. He also allowed himself the pleasure of preening before them and, in one instance, washed the upper part of his body, combed his beard, and brushed his hair in full view of the local ladies who, he believed, 'expressed great admiration' for him. He was 36 at the time and ostensibly unmarried, though we suspect that he had already taken a Chinese lady to wife by Chinese rites.\n\nMesny, on the subject of marriage, made much of the fact that he very nearly became the son of a Cantonese millionaire named Huang, conditional on Mesny changing his name to Huang. This apparently took place in Hong Kong shortly after he had arrived in the Far East, in 1861, when he was still under the age of twenty and a turn-key at a Hong Kong gaol. It is hard to believe that a wealthy Chinese would be so desperate to acquire a foreign son-in-law, though we know no more than Mesny has seen fit to tell us. In the event, the marriage did not take place, and though he does no more than hint at it by stating that something unforeseen had turned up, it would seem more than likely that his dismissal from the Hong Kong Prison Service had something to do with it. He was then nearly ensnared by a Chinese friend who wished him to marry his sister. Mesny, however, claimed to have declined to be a party to any scheme depriving another man of his prospective wife, as she had been betrothed to a young man in accordance with the custom of the country. Mesny added that he did not wish to break the law, even if it meant hurting the feelings of the Chinese friend who, in Mesny's words, was 'no ordinary personage, in the common sense of the word, and the [proposed] voyage up the Yangtze with him gave promise of", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 212766, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 75, "title": "RAS-1992", "content_text": "60\n\nfor many years. Neither refer to Wm Mesny, though Sam Couling in 1917 in his Encyclopaedia Sinica does run to a short paragraph describing in very round terms, the then still living Mesny.\n\nNOTE\n\nTcheng Ki-tong. I have been unable to find the date of publication of his first edition of Les Chinois, Peints par Eux-meme; however, in the preface to the English seventh edition of Bits of China by Tcheng, published in English in London in 1890, Tcheng writes 'The friendly welcome accorded by the English Public to my Chinese Painted by Themselves has encouraged me to publish this translation of my last work, (from the French Les Plaisirs en Chine).' Mesny publishing this book crit as late as 1905 suggests an ulterior motive, perhaps no more than an instinctive urge to highlight yet again his tireless and tenacious claim to recognition as the foreign authority on things Chinese.\n\nAppendix B\n\nChronology\n\nas claimed by\n\nWilliam Mesny\n\n[Extracted from details within the Miscellanies]\n\n9 October 1842\n1847\n\nMesny born in Jersey\n\n?\n\n1850\n\n1850-1854\n\n1854\n\n1860 December\n\n1861 February\n\n1861\n\n1861-1862\n\n1862 February\nMarch\nApril 1862\nMay 1862\n\nDame School\n\nNational School St Anne's, Alderney\nLeft school\n\nWorked at brick making, stone cutting with a smithy and on Channel Island fortifications. He also worked in blasting and as an architect's assistant.\n\nLeft home, went to sea and sailed to Africa, Australia and the Americas\n\nArrived on the China coast and disembarked at Shanghai\nLeft Shanghai for Hong Kong\n\nRomantic interlude with Huang family in Hong Kong where he bore the name of Huang Chin-fu\n\n3rd Turnkey Hong Kong Gaol\n\nReturned to Shanghai aboard the SS Aden\n\nTravelled up the Yangtze and arrived at Hankow\nMaster of the Hat Liang-wang on the Yangtze based in Shanghai, running the Taiping blockade:\n\nWounded and captured by Imperial Chinese gunboats at Kuan Yin Shan on the Yangtze\n\nRescued by the gunboat HMS Banterer and secured the release of\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 212770, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 79, "title": "RAS-1992", "content_text": "64\n\nSeptember 1885 March\n\nJune\n\nca 1885\n\n1886 January\n\nca 1886\n\nca 1886\n\n1887\n\n1889/1890\n\n1889 23 January\n\n1890\n\nLived in the Chang-fa Chen, an hotel in Shanghai\n\nHis first child, Pin Mesny, also known as Hu-sheng, born in Shanghai Departed Shanghai aboard the Yangtze for Canton and appointed for service in both Arsenals [claimed that during the years 1884/1887 whilst living in Canton, he suffered from boils, eczema and prickly heat]\n\nMany of Mesny's notes lost in Chungking during the destruction of the CIM missionary premises. Mesny had left them for safe keeping with the Rev G Nicoll\n\nOffice Bearer of the Keystone Royal Arch Chapter of Masons in Shanghai\n\nPromoted to the brevet rank of Lieutenant-General [ennobled for three generations: previously claimed to have been bestowed in 1879] In charge of the China Branch of the New York Life Office, in Shanghai\n\nRepresentative of the Lartigue Railway Construction Company in Shanghai\n\nIntention to publish a monthly magazine in Shanghai to be called Yüleh Pao together with Chiang Chao-ling (friend and sworn brother). to be the organ of the Reform Party\n\nMade two journeys through Anhui and northern Kiangsu in connection with famine relief\n\nJourney through Anhui, around Lake Chao from Wu-hu to Lu-chou Fu, returning 5 February 1889\n\nVisited Wu-chang to warn Chang Chih-tung that he was erecting the Iron and Steel Works in Wu-chang in an unsuitable place\n\n1891 7 September Typhoon destroyed the Olympia Skating Rink, his property in Lloyd\n\n1892 January\n\n1894\n\nMay\n\n1895 September\n\n1896 Mar/Sep 1898\n\nMay/June\n\nDecember 1899 Mar/Oct\n\nRoad, Shanghai, ruining him financially.\n\nMesny involved in the Mason case\n\nInvited to organise a naval brigade for service on the Hsiang and Han rivers\n\nStormy interview with Li Hung-chang in Tientsin Visited Peking and had breakfast with Manchu Prince Su Claims to have volunteered for service in Manchuria [Sino-Japanese War]\n\nEn route to Manchura: Visited Liu K'un-1, Generalissimo of Chinese Forces [afloat and ashore] at his headquarters at Shan-hai-kuan Mesny refused permission to visit camps of Wu Ta-cheng and Wei Kuang-tao at or near to T'ien-chuang-tai Liu advised Mesny to return to Tientsin.\n\nHis second and only other child, his daughter, Marie Wan-er, born in Shanghai\n\nBegan the publication of his Chinese Miscellany Volume 1 in Shanghai\n\nPublication of Volume 2 of his Chinese Miscellany\n\nLegally married to Lady Han, mother of Hu-sheng [or Pin] and Marie Wan-er\n\nTrip by chartered boat to Hangchou\n\nVisited Nanking\n\nPublication of Volume 3 of his Chinese Miscellany", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 212778, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 87, "title": "RAS-1992", "content_text": "72\n\nbasic elements of the social network and were such obvious facts of life that Chinese took them for granted and did not think of them as in any way unusual.\n\nThe Army of the Hsiang was an important Field Force raised in Hunan, especially in the area of the Hsiang River, a sort of counter-balance to the Huai River Army, raised about the same time for the suppression of the Taiping rebellion in the valley of the Yangtze and elsewhere. The Marquis Tseng Kuo-fan was the C-in-C of the Hsiang-chün consisting of Hunan troops which had at first been designated as the Ch'u-chün or Army of Ch'u, a name derived from the ancient state of Ch'u, which comprised the provinces of Hunan and Hupei, as well as other provinces including the whole or part of Anhui and Honan. The Ch'u-chün was commanded by Tso Tsung-t'ang. The Hsiang Army was divided into several army corps or divisions, each numbering from ten to twenty, or even thirty battalions each of five hundred men. Each corps had a distinct designation or appellation, derived from the locality where it was actually organised or from the name or part of the name of the commander of the particular corps. One corps however, the principal one, was styled the Hsiang-ying from its having been organised in the prefecture of Changsha Fu on the banks of the Hsiang River. When more corps were required, however, the name Hsiang-chün was brought into use as with the Huai-chün, to represent all the corps of each army.”\n\nAlthough Mesny obliquely mentioned a higher command, the Ministry of War in Peking, regrettably he did not offer any information which would explain the subordination and chain of command other than telling us that the commander of the Szechuan Force, General T'ang, took his orders from the Viceroy of Szechuan and obtained supplies and funding, when they were forthcoming, from the Szechuanese provincial authorities in Ch'eng-tu.\n\nThe plan now was for the main body of the Ko-i Brigade to advance and occupy the city of Chung-an [Szu] on the Chung-an River by way of Ta-ngai and Chung-pai (later renamed Chung-sheng), whilst another element of the brigade would advance and occupy Huang-p'ing Hsin-chou [New Town].\n\nThe advance began on 18 March 1869. Several days later Chung-an had been occupied and fortified, as had Huang-p'ing New Town. Chung-an was overlooked by hills and mountains occupied by", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 212788, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 97, "title": "RAS-1992", "content_text": "82\n\nof the Anhui troops made much more. In the Wu-tzu Hunan Army Corps in which Mesny served during the second campaign in Kueichou, twenty battalions were farmed out to their respective chiefs who were each paid monthly two thousand eight hundred and forty taels to find pay and rations for their men. Those chiefs of battalions cleared about one thousand taels a month. The men usually got one tael a month mess money and about thirty catties of rice, for which sixty tael cents was deducted from the men's pay, even when they ate rice that had been obtained by capture from the enemy.\n\nA soldier's uniform consisted of a long shirt worn over his undershirt; a long robe or coat, split before and behind, for riding; a short over coat with a round patch on the breast and shoulders on which was inscribed the name of his division or brigade as well as the name of his regiment and company, also his own name. The riding coat was dark blue with green or red facings, the long coat was grey; he also wore a sash, hat and boots. The price for this outfit was deducted by small instalments from the soldier's regular pay, so that it took one a year or two to get out of debt on the Adjutant's books.\n\nThe Miao Rebels\n\nAccording to Mesny the enemy, during the mid-nineteenth century, consisted of four separate and individual groups.\n\n1. Remnants of the Taiping reformers detached from Shih Ta-kai's Second Army (Hung-ping chün)\n\n2. Two local factions of local rebels\n\nA. Huang-hao The Yellow 'Signals'\n\nB. Pai-hao The White 'Signals'\n\n3. Mohammedan rebels: Hui-fei, called Pai-ch'i- White Flags\n\n4. The Miao-tzu aboriginals Miao-fei (83 different tribes)\n\nThe Szechuan Force had suppressed the first three groups before beginning the campaign to suppress the fourth, the Miao.\n\n83", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 212792, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 101, "title": "RAS-1992", "content_text": "86\n\nNOTES\n\nIn one of the notes written by Mesny in his Miscellany, [Volume 4 page 34], he listed the various classes and degrees of military rank in what he terms the Chinese Militia Service. A marshal or general was a T'i-tu Chün-men, a lieutenant-general was a Tsung-ping Kuan, a major-general a Fu-chiang; and a colonel a Ts'an-chiang.\n\n2 Mesny gives various totals for the number of battalions serving with the Szechuan Force and in particular with the Ko-i Brigade, with a grand total of thirty-three battalions in the whole Force. These vary from eight to fifteen and a half operating with the Ko-i Brigade. Presumably the explanation lies in the arrival of new battalions to support the Force from time to time, though we are unable to be certain how many battalions were serving at any one particular moment.\n\nMesny states at the beginning of Volume 1 of his Miscellanies that in 1861 General Ward had organised a disciplined force for the Chinese Government, at first locally styled \"Ward's Force\" and later as the 'Ever-victorious Legion'.\n\n4 Mesny later keeps referring to thirty-five battalions.\n\nThe I-ho-t'uan, the \"Patriotic Train Band\", was the official title of the Boxers, of ill-repute.\n\n6 Mesny too had been a member of a train band, the volunteer force in Hankow between 1863-67, under arms several times during the approach of the Nien-fei rebels, when he wore the uniform of the Queen's Western Rifles [sic].\n\n7 Mesny goes into some detail providing recruitment policy, promotion schemes, ranks and titles, training and duties.\n\nUse of the term Disciplined Force was a contemporary fashion. It later became popular to refer to the Lien-chun Ying as Field Forces.\n\n9\n\nMost of the ranks of unit commanders given by Mesny do not tally with those given by Hucker in his Dictionary of Official Titles in Imperial China.\n\n10 All commanders of divisions and corps had one or more battalions, regiments or brigades, serving a sort of staff brigade and forming the headquarters of that particular army corps. It was popularly designated the Body Guard Battalion or Regiment.\n\nPresumably Han Chinese rebels such as the Huang-hao or the Pai-hao, the remnants of the Taipings or even the Moslem rebels.\n\n12 This is the same title as the Force previously operating under the command of General Gordon during the Taiping Rebellion. Either Mesny has incorrectly recalled the title of the new Force or the new Force continued to bear the former title.", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213063, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 131, "title": "RAS-1993", "content_text": "112\n\nduring which he acquired extraordinary powers having been provided with a set of secret prescriptions, exorcists and talismans by the major goddess, Hsi-wang Mu'. He was a Taoist Master, a vegetarian who never married and a philanthropic doctor who died at the early age of 58 having worn himself out in the service of his fellow men. A tale told by a Taiwanese related how Wu T'ao's father, Wu T'ung and his mother, née Huang, fled from their home in northern China, during the troubled times of the Sung, to a village near T'ung-an on the Fukien coast where they settled and built a thatched cottage. His mother realised after a dream that she had become pregnant by a famous deity and eventually bore a child naming him T'ao. In another version his mother conceived after she had dreamt that she had swallowed a white tortoise.\n\nWu T'ao, or as he is known in a number of temples, Wu Chen-jen [Wu the Perfected Man] is often claimed to have come from Ch'uan-chou in Fukien, although in SE Asia there have been several other cities and areas claimed by devotees to have been his birthplace, including T'ung-an, Swatow and Chang-chou [in practice, as we have seen, he came from a small village in the centre of a triangle between T'ung-an, Amoy and Chang-chou]. As Wu T'ao grew up he travelled far and wide studying Taoist disciplines and grew strong and healthy but remained celibate and vegetarian. A temple keeper in Singapore understood that by vegetarian it was meant that he could eat buffalo and goat meat but not dog.\n\nImages of Pao-sheng Ta-ti in general represent him as a black-bearded middle-aged man dressed in court robes and an imperial crown consisting of a flat mortar board with a bead screen hanging down before his face, and sitting on a dragon throne. There are a number of variations such as the scholar's gauze cap instead of the crown. His images are generally identifiable by the convention of the cuff of his left sleeve being clutched by the thumb of his right hand, with only this thumb visible. In Singapore where all carvers were aware of this convention such images are universal. However, the carvers all added that they were unsure whether such a convention was known elsewhere. It is, and in a number of temples in Taiwan the images of Pao-sheng Ta-ti have the right thumb just poking out of the right sleeve, although in Chia I the convention has added one finger to the thumb. In the majority of temples he is portrayed with small animals under his feet, said to be lions, whilst in two temples, both in Taiwan, he has two tiny tigers protruding from his clasped hands within the long sleeves of his robes.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213065, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 133, "title": "RAS-1993", "content_text": "114\n\nor a boil on her chest which other doctors had been unable to cure. The story adds that he was required to pass a test before he would be allowed to approach the empress. He was offered a silken thread which had been tied to a column in the hall [or on the knob of a door] but behind a screen and was then asked to take the empress's pulse. It was the custom to take the pulse of ladies by remote means using a piece of thread tied to the wrist. Wu correctly diagnosed that the thread was tied to a column [by the pulse of the dragon in the stone] and not the empress's wrist as he had been told it was. They next tied the silk to the paw of a kitten and again Wu was able to identify the pulse as non-human, and it was only then that he was allowed to treat the empress. Having cured her illness the emperor asked what reward Wu would like and, so legend claims, he requested an old set of the emperor's cast off clothes. After his death Wu was deified by the emperor as Pao-sheng Ta-ti, alluding, so it is said, to him being dressed in the emperor's cast off robes. A caretaker at his cult centre added that as Wu wore the emperor's clothes in life and was buried in them he had command over minor deities and even some of the major ones such as Lei Kung, the god of thunder.\n\nA strange tale recounted by a temple keeper in Jakarta claimed that Pao-sheng Ta-ti appeared to a Sung emperor in a dream and informed him that he, Pao-sheng Ta-ti, was an incarnation of the Yellow Emperor [Huang Ti] and bore the same surname as the emperor of the Sung, Chao. Therefore, so the story concluded, Pao-sheng Ta-ti was regarded as the imperial ancestor and his special protective deity.\n\nHis cult, first established at the Lung-chiu An, a monastery not far from Amoy, and later at the Tzu-chi Kung in Lung-hai [Pai-chiao], was carried by immigrants through the ports of T'ung-an, Amoy and Hai-ch'eng to the southern seas. The oldest image of Pao-sheng Ta-ti in Taiwan is probably in Hsueh-chia in Tainan county where it is said to have been brought over to Taiwan from the mainland by Koxinga.\n\nSome indication of his popularity as a doctor deity in Taiwan is manifest by his presence as the major deity in at least 160 temples on the island, dedicated to him, predominantly in the areas of Tainan and Yunlin, with a great many more as the main deity on a side altar of other temples. A noticeable increase in shrines dedicated to him occurred after the great plague swept Taiwan in 1699 killing large numbers of new immigrants. It was believed that an image of Pao-sheng Ta-ti brought over from Fukien,", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213161, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 229, "title": "RAS-1993", "content_text": "My friend, Mr. Lee Yuen Tsaan, was born in Heung Shan, China, opposite to Macau, in December 1903. This, coincidentally, was also the birth place of Dr. Sun Yat Sen (alias Suen Chung Shan), who graduated in 1892 from the Hong Kong College of Medicine. After his death the name, Heung Shan, was changed to Chung Shan in memory of Dr Sun.\n\nMr Lee told me, as a boy, he enjoyed life in the village of Haang Mei (meaning ‘constantly beautiful”), which had a population of about 2,000. It was a single-lineage village. Every person had the surname ‘Lee’. He recalled living close to a stream with running water which contained shrimps. He is proud that his father was the first Christian in the village where he was known as ‘Christian Kwoon-hor’ (his given name on marriage). He had been baptised in Australia where he lived when he was young.\n\nXenophobic disturbances, such as the anti-foreigner Boxer Uprising in 1900, sometimes created waves of people who had been associated with western firms on the Mainland. These Chinese often felt it prudent to move to Hong Kong. Others went there just because it was a better place to do business.\n\nIn a speech to students at Hong Kong University, in 1923, Sun the Revolutionary contrasted the peace, law and order and good government of the British Colony with the backwardness and corruption of China.\n\nUntil after World War II, there were no immigration restrictions when travelling from the Mainland to the British Territory. Many Chinese looked upon it as little more than moving from one part of China to another.\n\nThe Lee family moved to Hong Kong, from Heung Shan, in 1987, when the population of the Colony was just over half a million. Although electric fans started to replace punkas as early as the late 1890s, when young Lee arrived in Hong Kong some punkas could still be seen. For instance in offices, schools and barbers shops. Electric fans were expensive and coolie labour (to pull the punkas) was cheap,’ Mr. Lee explained.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213289, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 111, "title": "RAS-1994", "content_text": "91\n\nThere are, for example, the Nine Stars and the 24 Mountains. The 24 Celestial Mansions, the 24 Fortnightly Climatic Periods, the 24 Characters, and the Five Elements are also represented. The compass, made from timber and coated with lacquer, not only tells direction, namely east, south, west, north and centre (the 'five' cardinal points), but it also shows the position of the sun at different periods of the year. To use the compass the base is placed parallel with the door, wall or other object to be oriented. The rings are then rotated so that things are lined up.\n\nAs a model of the universe, then, the loh poon helps its fung shui master interpret and predict, from the mystic Chinese characters, the client's future. This is done with the 'Eight Trigrams' forming the paat kwa (the eight-sided divining diagram as detailed in the I Ching) which is displayed on the inner section of the compass (Sung, 1934; and Sung, 1935). With the 'Eight Trigrams' two parallel continuous lines represent the 'Great Male Principle', and two parallel broken lines represent the 'Great Female Principle', and so on.\n\nThe ancient book, the I Ching, is regarded as almost sacred in some quarters and dates back to about 2800 BC, although the oldest extant commentaries were probably written closer to 1300 BC (Markert, 1986). The I Ching deals with prognostication, fortune telling and philosophy, with sets of symbols and different ways of combining these symbols so that they form titular statements. Much is written in poetic language which is difficult for the lay Chinese to understand.\n\nThese Trigrams mentioned above, made up of broken and unbroken lines in various relationships, are loathed by evil spirits in the same way that Holy Water, blessed by a Christian Priest, will fight evil.\n\nIn fact in China's Fujian Province, to the North-east of Hong Kong, large circular, communal dwellings have one ring of houses encircling another ring (Huang, 1994, 11). A whole complex, as large as an Olympic stadium, houses hundreds of families. Such structures are said to be earthquake proof and designed to provide natural temperature control. Each complex is shaped similar to the baat kwa, as outlined above.\n\nAs previously stated Chinese culture is woven around the 'Five Elements' in various ways (Needham, 1956, 243). The Five are employed, in fung shui, after consulting both the lunar and solar calendars (which", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213319, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 141, "title": "RAS-1994", "content_text": "122\n\nthe 49th Regiment (Hertfordshire Regiment consisting of 25 officers and 426 men) and a Sapper unit. The Force commander, Sir Hugh Gough accompanied the Left Column.\n\nThe Centre Column under Lieutenant Colonel Montgomerie consisted of detachments of Royal Artillery and Madras Artillery, a Sapper unit and a rifle company of the 35th Madras Native Infantry.\n\nThe Right Column, under Colonel Schoedde, consisted of the 26th Regiment (The Cameronians) under Lieutenant Colonel Pratt, the 55th Regiment (Westmorland Regiment) and a unit of Sappers.\n\n6\n\nThe British plan required the 2,200 troops to be landed on the right flank, on the west face of the line of low-lying hills some two miles to the east of Chapu Bay. From there the three battalions would separate, one, the Centre Column, to hold the base, one, the Right Column, to pass round the base of Huang-p'an Shan to cut off the Chinese retreat and the third, the Point or Left Column, to storm the heights of Kuan Yin Shan. On 16 May the Nemesis and the Phlegethon reconnoitred the northern coast of the Bay of Hangchou and on the 18th they landed in a bay some two miles east of the city without opposition, with the Left Column advancing along the heights parallel to the coast, whilst the rest moved inland to the rear of the heights on which the enemy was posted. Elements of the British Naval Brigade, consisting of some 700 men, landed within a quarter of a mile of the harbour and advanced straight for the harbour battery and then on to the town itself. Only about one in ten of the Chinese force had firearms, the rest being armed with bows and spears. The British plan so took the Chinese by surprise that they fell back in disorder, throwing away their arms and fleeing in every direction. The Chinese having made their nominal stand in the hills had left their rear wide open allowing Chapu to be taken without any major problems. After a battle lasting more than four hours, Chapu was taken by the Right Column and the Naval Brigade with the British casualties of nine killed and fifty-five wounded. Of these, in addition to Colonel Tomlinson, the loss to the Royal Irish were one serjeant and three other ranks killed, and Lieutenants E. Jodrell and A. Murray, one serjeant, one drummer and twenty-seven other ranks wounded. Major Jeremiah Cowper was promoted to the rank of Lieutenant Colonel on the day following the battle, in succession to Colonel Tomlinson. The Chinese defenders fled to the west, towards Hangchou leaving the British with the town which was promptly looted by the native Chinese.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213479, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 75, "title": "RAS-1995", "content_text": "43\n\nTHE PEKING OPERA\n\nD.H. LIU\n\nIt may sound strange to many that the Peking Opera originated, not from Peking, as it is generally believed, but from the obscure county towns of Huang Po (黄陂) and Huang Kong (黄冈) in the Hupeh Province on the upper reaches of the Yangtze River. From its early beginning as local, folk song amusement of surrounding areas, it gradually gained popularity and traveled beyond the provincial boundary to Peking where it settled down and prospered during the reign of Emperor Chien Lung (A.D. 1751-1795)\n\nAs the troupe travelled on its way to Peking, it absorbed many of the methods and techniques of different theatrical groups, notably, the K'un Chu (昆曲) and the Hwei Ban (徽班) with one sole dogma it has persistently adhered to the original dialect of the Hupeh Province in its performance up to the present day.\n\nThe Stage in the Early Times:\n\nAt the beginning, the stage was a very simple structure with no proper sitting arrangement for the audience. People would sit around a square-shaped table with two persons on each side. I remember that, when I was a boy, the first theatre we had in Yienta (烟台) where I was born, was called the Tan Kwei Tea House (谭家祠茶馆). People went there to watch the opera and at the same time, enjoy a cup of tea. Why not? People were out to enjoy themselves. I still remember how people would enter the theatre and leave it at will. You sat at the table watching the play, drinking Chinese tea and cracking melon seeds, all at the same time. You will say that this would divert the attention of the audience from what was going on on the stage. Why worry? If the actor or actress was good, the audience, of course, would automatically stop drinking tea and pay close attention to the stage!\n\nI still remember that, in those happy days, the theatre waiters would throw a hot towel to you from a distance of ten feet to wake you up when you were tired. What a wonderful idea!\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213493, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 89, "title": "RAS-1995", "content_text": "57\n\n19\n\non the stage and never mention the word \"Meng\" when back stage. What do you do when you have to use the forbidden words in a specific place? You simply substitute, as in the first place, the word “Geng” with the word “Jing”. So instead, the actor will sing, in one play \"Ting qiao lou da chu jing,\" which means \"When I heard the Drum Tower strike the first hour ..\" You will note that in the script the word \"Geng\" remains, but when the singer sings it, he immediately changed it to “Jing” in order to comply with the Taboo. There is no singing back stage, so when someone struck up a conversation with someone else and needed to use the word \"Meng\", you simply say “Da Huang Liang” instead. I have asked many people inside the profession, but no one can tell me why it is so and who started it.\n\nFinal Word of Appraisal\n\nI have written so many paragraphs of anomalies in the setting and acting of the Peking Opera - the question arises as to why the Chinese people still flock to see it. The answer is that the Opera gives them \"beauty\" - beauty in singing, beauty in the acting, beauty in the story as written and acted upon. (Sometimes, though, the beauty is far fetched and subject to logical questioning.) This is why some of the audience will go back to see the play a hundred times and never get tired of it. Certainly, in their heart, they have some fondness toward the acting, the singing which they want to enjoy, which they could not do without, like drugs. In China, we have a word for this kind of mentality, we call it \"itching\". They go back to see the same play many, many times in order to “quench” their itching.\n\nThen what about the anomaly?\n\nIn the psychology of the theatre goers, the whole play is a fake, not the real thing and if there is some small misinterpretation of the story, or the wrong costume the actor wears on the stage, why worry. As long as their \"itching\" is touched and satisfied, everything will be just fine.\n\nA Word of Thanks\n\nOn June 16, 1991, the Shenyang Beijing Opera Troupe was in town for a nine-day performance at the City Hall in Hong Kong. My friend,", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213778, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 130, "title": "RAS-1996", "content_text": "101\n\nSouthern China, as the Liannan document saying the Lü Shan Jiu Lang (written Lu Shan Jiu Lang) buried his father on a mountain in Gaozhou.\n\nOne major source of information of religious practice during the Song is the Southern Song work of anecdotal literature, the Yi Jian Zhi. It made frequent mentions of the well-known styles of Daoist magic such as the Thunder Magic and the Tian Xin Zheng Fa, the Buddhist Weize spell related to the Yujia style of exorcism, as well as various popular gods, and magicians who were neither Daoist or Buddhist. Some of these lay magicians practiced magic of the Daoist and Buddhist varieties mentioned above. Noticeably some of those lay magicians blew the horns [of animals] in their rites, and some were practicing what is called Mao Shan magic. It curiously made no mention of Lú Shan Jiu Lang or his immediate disciples found in Bar's passage.\n\nBut as I have mentioned, sources on Chinese religion of ancient times do have many examples of divinities with names of the same form as the Lú Shan Jiu Lang and his colleagues. The latter appear to be part of the trend between Tang and the Five Dynasties during which many of these other divinities are recorded. Some of the popular gods mentioned in Yi Jian Zhi do bear four character names ending with a numeric character and lang, resembling the names of Lü Shan Jiu Lang. Earlier examples include the Zhu Wang San Lang shen mentioned during the Southern Dynasties, which the book alleges to be the name in use at its time of writing in Yielang county in the present Sichuan Province, although in this example San Lang referred to three people rather than one. During the Tang, a work of anecdotal literature recorded that during the Emperor's visit to the mountain god of Huayue, he was told about a San Lang, who appeared to be a son of the god. Another work of anecdotal literature of about the same time recorded a female shaman(?) who specialized in communicating with the Jin Tian Wang (God of Hua Shan) and his son Hua Yue San Lang. This name, and many others, which are closer to Lu Shan Jiu Lang in form, is also found in Tang stories included in the Song compilation Taiping Guang Ji. During the Five Dynasties the Lu Yi Ji recorded a Pan Gu San Lang temple in a Guangdu county of the present Sichuan Province. An early Song work on the history of the Five Dynasties mentioned that in the year 932 the Emperor of Hou Tang conferred a title (styled \"General\") to a Tai Shan San Lang. Early during the Song it is reported\n\n41", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213796, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 148, "title": "RAS-1996", "content_text": "119\n\nprestige since the Tang dynasty. I shall return to this point later\n\nGenealogies that are available now are the result of many updates and only then prefaces can be dated. Some of those in the collection of Luo, op. cit. contain a preface dated 1269 (p. 363), another a preface dated 1406 (p. 48), another was first compiled during the same period (p. 67). As the prefaces do not usually dwell on the many different names of ancestors, we cannot expect prefaces to indicate ordination names as such. The earliest dated preface in the collection to mention ordination names was written in 1780. It drew attention to early ancestors whose achievements as officials are not known but are immortals in the celestial count, referred to by their religious names. It would be useful to examine unabridged genealogies to find mention of ordination names in early prefaces.\n\n1. Check the Golden Lotus for ordination of a male child. Ordination in a funeral seems to appear in the famous Qing novel, the Red Chamber.\n\nNJ\n\nHu Bo'an's *Zhonghua Chuanguo Lingji*, reprinted 1990, Zhengzhou: Zhongzhou Guji Chubanshe, *shang bian*, j. 1, p. 82 describes a practice in Tianjin province of Buddhist ordination; the child will later become a layman again in a rite to be carried out at the age of 12.\n\n21 Qu Dajun, *Beijing: Zhonghua*, 1985, pp. 302–303. The passage is repeated by Yihe Dong Biji, written around the 18th century (the author Li Diaoyuan obtained his Jinshi degree during the Qianlong period, 1736-1795). If the passage in *Guangdong Xinyu* was copied from some earlier book, the original would not have been written before 1569, when Yong'an was first established as a separate county.\n\n\"The Third Gazetteer of Yong'an, j. 1, p. 207 in the reprint by Chengwen Chubanshe, 1974.\n\nThe Changle County Gazetteer, j. 4, p. 247 in a reprint in the 70s (2) in Taiwan. According to the *Gongguo Difang Zhi Zonghe Mulu* ('Comprehensive Catalogue of Chinese Gazetteers'), the earliest version, of circa 586 and circa 663 respectively, still exist.\n\n21 The passage does mention that the area has Yao and Liao minorities, but the sentence about the sorcerers seems to refer to Han villagers. See Hu, op. cit., *shang bian*, j. 8, p. 50.\n\n24 Op. cit., j. 1, pp. 8b-9a.\n\n1\n\nJl,\n\n* Michel Strickmann, in 'The Longest Taoist Scripture', in *History of Religions*, 1978, p. 349, suggests that the appearance of the name Satan here attests to the influence of Manichaeism in Southeastern China. The Satan was worshipped by some circles of agnostics, according to the entry in Mircea Eliade, ed., *The Encyclopedia of Religion*, New York: Macmillan, 1987.\n\n26 Interpreted as King of Skanda by Strickmann, op. cit.\n\n27 In some cases written as Mei Shan, Mei Shan, Lu Shan, or Lu Shan.\n\n* Li and Huang, ed., *Liannan Bapai Yanjiu Ziliao*, published by Guangdong Sheng Shehui Kexueyuan in the 1980s. See, for example, p. 554 and p. 564 for King of Asura, p. 433 for", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213802, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 154, "title": "RAS-1996", "content_text": "125\n\nHH\n\nThe volume entitled the Genealogy of the Chens of She Shan contains two or three separate genealogies of Chen surname from which I cannot trace common descent. It seems that some pages were missing in the copy in the Hong Kong University collection. The name pujao, if indeed an ordination name, does not follow the usual long or fa format. It is probably an ordination name from another, more well-known \"folk\" religion, Luozu Jiao, which have ordination names in a format of Pa followed by another character, according to an account in a Qing work of anecdotal literature quoted by Fu Yilin's article \"Qing Qrankong kupan Cilaoguançaizong Qislu Kao\" – first published in 1942 and included in his Fu Yin Zash wusht man Wengao Xiamen Daxue Chubanshe, 1989. The pantheon and practice of Laiozu Jio is not related to the tradition that is the subject of this article.\n\n* According to Lo, op cit, p. 216 n 21. So Lo Pun was a member of an alliance including Lai Chi Wo, a multi-surname village. With one exception, which is not So Lo Pun, all member villages were lineage extensions related to Lai Chi Wo. I know of some Huang people in Lai Chi Wo, but do not know their genealogical relationship with So Lo Pun or whether they celebrated the Fengchao in the past. The genealogy contains a spirit tablet related to Lu Shan and the Three Ladies, a passage of invocation, and two talismans. It is unlikely that the genealogy belonged to a wang specialist, whose repertoire will take up many volumes, not just a few pages in a genealogy as in this case.\n\n*I fail to date any of the generations. Some dates are given in the genealogy using Dynastic year names which cannot be found in reference books for year names. I have not checked as thoroughly some of the year names and title of emperors in the prefaces.\n\nCopied during an interview with the ritual specialist by Lee Lar-mu, then of the Oral History Project of the Chinese University of Hong Kong. For part of the memorial, I have a tape recording of the priest's recitation demonstration during the same meeting for comparison.\n\n12. The Xu's genealogy of Shek Pik, Lantau Island in the British Library collection of genealogies from the New Territories contains a list of offerings for grave worship which begins with one raw pig and one cow. Rubie S. Watson, in her Inequality Among Brothers, Cambridge University Press 1985, p. 43 mentioned the division of raw pork after the ancestral hall ritual at Ha Tsuen but does not say if the four pigs purchased for the occasion were first offered to the ancestors as offerings.\n\n41\n\nHuhur Xinwen Yi hun Xu Zhi, Beijing Zhonghua 1986, p. 181.\n\n\"For the note see Luo, op cit, p. 230. For his picture of the Hakka as \"farmer-scholars\" see ibid, pp. 16-18.\n\n**Luo Op Cit, p. 255-263.\n\n* The description is in vol. 2. In the table of contents, the author has inserted xiang (\"incense\") between Ahuan and Huo. The rite has some interesting features. It uses a long piece of red cloth stretched from the \"lower\" end near the entrance of the hall to the \"upper\" end of the ancestral incense burner, and the ashes were carried over the \"bridge\" thus formed to the incense burner. That additional ancestors are incorporated into the ancestral hall in the", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213854, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 206, "title": "RAS-1996", "content_text": "179\n\nStewart II Lockhart. Report on the New Territory during the First Year of British Administration, Hong Kong Sessional Papers, 1900, p. 251\n\nBrum, op cit. p.94\n\n12 David Faure, The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories (Hong Kong: Oxford University Press, 1986), p. 100\n\nInterviews: \"Uncle Lau\" (age: 73), Lam Che, Jun 18, 1991; Cheng Man Yim, op cit.; the Tung Chung Public School, Jan 24, 1991; K'ung Chuo-Yim (age 56), Ma Wan Chung, Jul 11, 1991; Headmaster Mui Wen Hsi (age 50), the Tung Chung Public School, Jun 6, 1991; Tseng Jung Wu (age 53), Ngat Au, Jun 28, 1991\n\n14 Interview of Lo Ch'uan Mei (age 82), Shaek Mun Kap, Jun 22, 1991\n\n15. Ha Wan Yee, \"Tung-chung-hsiang te min-chien tsung-chiao hsin-yang chi ch'i han-tung,\" Unpublished Graduation Thesis, History, Chinese University of Hong Kong, 1991, p. 4\n\nSessional Paper, 1911 (Hong Kong: The Government Printer), p. 103 (38)\n\n17 Interview of Teng Ch'iao (age 66), Ha Mei, Jun 26, 1991\n\n18 Interview of Teng P'ei (age 61), Ha Mei, Jun 18, 1991. According to her story, the Teng's ancestral hall was damaged by the Japanese, and since then the lineage has failed to raise money for its reconstruction. San Tau's Hsiehs also lost their genealogy as well as medical books to the Japanese, according to the interview of Hsieh Ch'i, op. cit., Jun 21, 1991\n\n19 Interview of Huang Wu (age 80+), Village Head of Tai Po, Aug 12, 1991\n\n20 Interview of Cheng P'o, op cit.\n\n21 Faure, op. cit., pp. 70-71; Marjone Topley, \"Chinese Religion and Rural Cohesion in the Nineteenth Century,” HKBRAS, Vol. 18 (1978), pp. 9-43\n\n22 Interview of Tseng Jung, op cit.\n\n23 Ho, op cit., p. 5\n\n24 For details of the ceremony, see Faure, op cit., p. 71\n\n25 C.K. Yang, Religion in Chinese Society. A Study of Contemporary Social Functions of Religion and Some of Their Historical Factors (Berkeley: University of California Press, 1961), pp. 11-12, 99\n\n26 For details of the chan festival, see Faure, op cit., pp. 84-86; David Faure, \"Hong Kong and China in the Village World,” HKBRAS, Vol. 24 (1981), pp. 76-79; Tanaka", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 215068, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 164, "title": "RAS-2000", "content_text": "121\n\nHong Kong having agreed that each of the sixty is a stellar deity in his own right with a title, formerly a human deified after his or her death; one temple keeper then gave as an example the Taisui of 1980 [EM KM] being Luo Dashou a legendary individual who at the age of eleven had obtained his degree and then lived for more than one hundred years. Others must have been similarly identified with legendary and mythical individuals, not only in Hong Kong but throughout China. The question remains, do they vary from place to place? or are they universal throughout China?\n\nAn image of Yin Jiao and known only as that and not as Taisui, is prayed to individually in a small private temple in Taipei, where he is portrayed as the fierce six-armed general, sitting, with a black beard, a third eye and ear-pressing tufts. Lone images of a fierce Taisui portrayed with six arms have been seen in a few temples apart from the one in Taipei including one in Penang. More commonly seen are lone images with the usual pair of arms, depicting him holding a bell in his left hand and a spear or long-handled sword in his right. One such image, in Tungkang in southern Taiwan, is identical with a gilded image on a rural temple altar in northern Malaysia. The hand-bell is claimed by god carvers to be an important attribute indicating as it does the passage of time.\n\nA further image, known only as Marshal Yin, stands at ground level in a rural temple at Mong Tsung Wai on the coast of the New Territories of Hong Kong at Deep Bay. He is portrayed as a martial figure holding a magic sword which at first glance looks like a truncheon, but without any unique characteristics. The temple keeper had no idea who he might be but as he is collocated with Hua Guang, Kang Wang and Zhao Yuanshuai, all characters from the Fengshen Yanyi, it is almost certain that he is Yin Jiao.\n\nImages of what in Cantonese and Fukienese community temples is often regarded as the typical Taisui of the group of sixty, but standing alone on altars nearly always portray him as a seated clean-shaven youth holding a bell12 or a scroll in his right hand. He is usually dressed in a green or gilt apron covering his chest and just below his waist only being secured by a cord around the back of his neck, and with a girdle around his waist. Those with scrolls are regarded as holding an administrative appointment and those with bells, silken shoes, fans,", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 166, "title": "RAS-2000", "content_text": "123\n\nscroll stands in the centre and is flanked by two images each with his right arm raised holding a bell. The faces are one red and one black, and the pair are known as the Red Taisui and the Black Taisui, all three functioning as one deity.\n\nA six-armed image of Taisui in the side hall of the Penang City God temple shares the main altar with Guan Yin and the Great Saint [Qitian Da Sheng - though better known as the Monkey God]. In Cholon, Saigon, three separate deities are portrayed on one altar, each with Taisui added to his title. These are Ziwei Xingjun, Wenchang and Xuantan, the first being a stellar deity whose likeness is pasted or nailed to doors as a popular charm to ward off demonic attack, the second is the God of Literature and the third, a Wealth God. This nomenclature would appear to be a local whim, not seen nor heard of elsewhere.\n\nOnly in very few instances does Taisui have any assistants. Several temple keepers in Taiwan and Singapore explained that Taisui, like so many protective deities, has Five Demon Armies under his command. These he despatches to cope with recalcitrant humans who fail to honour Taisui properly or who have insulted him in any way. When humans come under any form of demonic attack the cause and source of the attack is usually revealed to them by mediums, who are then in a position to advise the individual what should be done to counter and ward off the evil effects, particularly so when the attack is mounted by tamed demons under the control of a deity, Taisui. They advise the human to immediately propitiate him and request him to call off his demonic forces.\n\nIn several novels Taisui is described as having ten assistants the last four being the gods of the year, the month, the day and the hour. All were described in the Deification of the Gods as having been slain at the famous battle between the good and evil forces at Wan Xian Chen and have been named as:\n\nLi Bing\n\n李丙\n\nHuang Chengyi\n\n黃丞乙\n\nZhou Deng\n\n周登\n\nLiu Hong\n\n劉洪\n\nIn a temple in Kalgan, a city known today as Zhangjiakou in the Chinese province of Inner Mongolia, Yin Jiao's second brother, Yin", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215103, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 199, "title": "RAS-2000", "content_text": "156\n\nwhereupon he changed his surname He grew up to be a tall, heavily built, clever fellow, and a good judge of character.\n\nHe spoke the various frontier dialects well, a point which once saved his life when condemned to death for sheep-stealing He began to be employed in repressing the raids of the Kitan Tatars, in which occupation he made quite a name for himself, and was at length taken to the capital. The emperor T'ang Ming Huang took a great fancy to him, and the emperor's concubine, Yang Kuei-fei, called him her adopted son, making him do obeisance to her first and to the emperor afterwards, on the ground that such was the Turkic custom.\n\nDespatched upon an expedition against the Kitans, he was so successful that he was ennobled as Duke. Then, with inflated pride and ambition, he rebelled, and added to the general confusion which was surrounding the wretched Ming Huang, who had been repeatedly warned of this new danger. An called himself Emperor Hsiung Wu of the Great Yen dynasty, and for a time carried everything before him. He was assassinated by his own son, An Ch'ing-hsu, who feared that he was going to be deprived of the succession in favour of the offspring of a concubine. And within three years of the first rising, the son too had been put to death by Shih Ssu-ming.\n\nThis rebellion was one of several eras in Chinese history which has provided a popular theme for opera and tea-house story tellers' tales providing Chinese with a familiarity with the dramatic events of the times and details of the lives and times of well-known heroes and villains of the time.\n\nThe same can also be said of traditional stories told within popular religion temples where tales are told and retold of a select number of the deified heroes of the victorious Tang imperial forces whose images are on altars. We shall be examining the roles of the emperor, his personal doctor and six generals loyal to the emperor during the campaign to suppress the rebellion and their eventual role in the celestial bureaucracy.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215104, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 200, "title": "RAS-2000", "content_text": "157\n\nBut First, the Story of the Rebellion.\n\nTang Ming Huang, or Xuan Zong, the sixth emperor of the Tang dynasty, who reigned between AD 713-756, became infatuated by Yang Yuhuan, the consort of his son, Prince Shou, and caused her notionally to enter a Daoist nunnery. She soon became the favourite concubine of the emperor who shared with him her love of music and dance and whose hold over him led to his neglect of state affairs. It is rarely explained that the Concubine Yang was comparatively plump, conforming to the social concept of beauty of the era. By about 740 the Emperor, tired of the daily routine of his high office, now addicted to luxury and women, also became indolent. As the eunuchs gained ever greater control over state affairs so the emperor surrendered power into the hands of two men, Li Linfu and Yang Guozhong, the latter being a relative of the concubine.\n\nOnly this one woman, the Concubine Yang [Yang Guifei], a famous beauty, was able to fascinate the ageing emperor. He took her into his own harem where she speedily dominated the aged emperor's consort after which he gradually slid into dissipation with his name forever linked with her and their ill-fated romance. Her hold over him led to his loss of interest in imperial duties transforming him from being a staid and good ruler to a playboy. This led to his downfall and her murder. In the late 740s she adopted An Lushan as her son and she, the emperor and An remained in a very friendly relationship until immediately prior to him rebelling. Despite An's gross and huge frame scandalous stories have circulated down the ages of his sexual excesses with the emperor's concubine, Yang, which may or may not have had any truth to them.\n\nGeneral An lost the emperor's favour when Yang Guozhong, a distant relative of Yang Guifei who had worked his way into power, became the most powerful man in Court. He hated An and with the ear of the emperor he was able to turn the emperor's fondness into one of hate and distrust. Eventually, believing the calumny spread by Yang Guozhong, the emperor lost faith in his favourite general, An Lushan found his position untenable and finally, at the end of 755, he rebelled, almost certainly to counter the threat to himself posed by the ever-growing power of Yang Guozhong and his realisation that he had lost the support of the emperor. An Lushan's army drove east and in a series", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215105, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 201, "title": "RAS-2000", "content_text": "158\n\nof victorious battles he captured Kaifeng and Luoyang where he had himself proclaimed emperor of the new dynasty of Greater Yan. His further campaigns and those of his subordinates were at first victorious; however, they then began to suffer a series of defeats at the hands of Guo Ziyi, one of China's most renowned generals, whose successes led to increased loyalist resistance to the rebel forces.\n\nA major consequence of the rebellion of An Lushan, was the withdrawal by the emperor of his forces garrisoning the North-west thereby losing control over China's far dominions in Zungaria and the Tarim Basin [today's Xinjiang province] for the best part of the next thousand years.\n\nFor a while it seemed that the balance was turning in the emperor's favour. However, the Capital garrison at Chang'an [Xi'an] was incapable of resisting the attacks of the rebel forces and after the defeat of his main army on the banks of the Yellow River the emperor in great alarm was forced to flee Chang'an accompanied by some of his entourage. They fled west heading to Sichuan province ahead of the rebel advance. En route, at Ma Wei, his escort mutinied, killed Yang Guozhong and forced the emperor to order the Concubine Yang be strangled to pacify his discontented guards. Stories have varied but the most popular versions claim that the emperor had no choice but order her to be strangled by his chief eunuch or that she was forced to commit suicide. On reaching the safety of Chengdu, the capital of Sichuan, the heir apparent had been persuaded to usurp the throne. Weary and distressed the old emperor, now in Chengdu, gave his assent to the new reign and became the retired emperor. The new emperor bestowed the title of Taishang Huangdi\n\nupon his father but kept him under house-arrest.\n\nThe heir-apparent made his way to Lingzhou in Gansu where he was proclaimed emperor Su Zong and was soon joined by two armies, one under Guo Ziyi. By 757 Guo had recovered the main and subsidiary capitals of Chang'an and Luoyang from the rebels, whereupon the new emperor summoned the former emperor back to Chang'an to ensure that he would not be the focus of any further intrigue and threat, where he died in 761. The father was then canonised as Zongming Huangdi\n\nthough usually he is still referred to as Ming Huang.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215107, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 203, "title": "RAS-2000", "content_text": "160\n\nThe Emperor\n\nTang Ming Huang was the third son of the fifth emperor of the Tang. His personal name was Li Longji [AD 685-761], though popularly known as the Third Son, San Lang. He is now the patron of actors and professional musicians, worshipped backstage by Fukienese devotees in Taiwan and several places in South-east Asia. Prior to 1949 he was also revered throughout northern China as the patron of actors, actresses and musicians, with incense burnt before his altar prior to every performance [Photograph 1].\n\nHe succeeded his father who abdicated in his favour in 713, and ruled the country fairly. The first part of his reign approximated that of his great-grandfather, Tai Zong, in prosperity and glory. He began by economising and by 740 the country was reasonably prosperous. Being a man of the arts he surrounded himself by a brilliant court, welcoming such men as the poet Li Bo. It quickly became the most glorious period of Tang culture. He loved song and dance and he had built within his palace an area known as the Pear Orchard, Liyuan, to bring together the best actors and actresses, dancers and singers in all China. The title, Liyuan, later became a common designation for anyone who sang, acted or danced professionally.\n\nMany myths are particularly centred on Tang Ming Huang - and stories about him abound describing him as a very sociable man, fond of music and drama, with men and maidservants being trained as actors and musicians for whom he composed tunes. He also founded a school of dramatic art.\n\nThere are at least six temples in Taiwan dedicated to this deity, in Taipei, Taichung, Changhua and Kaohsiung where his festival is celebrated on or about the 24th of the sixth lunar month.\n\nAs a deity he is known by a number of titles, including Ming Huang Dadi 明皇大帝; Lao Lang Ming Huang 老郎明皇; Lao Lang 老郎; and in Beijing Xi Shen, the God of Happiness. In Sichuan, however, his images were simply referred to as the Bodhisattva Prince, Taizi Pusa and, as elsewhere, were worshipped backstage, principally to prevent actors and actresses from bursting out into uncontrolled laughter or forgetting their lines. He is the patron in", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215108, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 204, "title": "RAS-2000", "content_text": "161\n\nand the Fulu particular of two opera companies, the Xipi Pai and Erhuang Pai [or Fi Pai], the latter, the northern school, being especially dedicated to woodwinds3. In legend he is said to have had an emotional reunion with the soul of his dead concubine, Yang Guifei, in the palace of Guanghan on the Moon.\n\n4\n\nA tablet on a minor altar at the rear of a secondary hall in the temple of the City God in Hsinchu in northern Taiwan refers to him as Tang Xuan Zong, whilst his usual title in Taiwanese temples of the Lord of the Western Qin, Xi Qin WangyeE is not usually understood beyond Taiwan. There is no image, whereas in the Ma Tsu temple in Taipei a side altar is dedicated to him and his image, portraying him as a standard scholar-official with a black beard, is flanked by two very elderly male aides.\n\nIn South-east Asia images of the emperor have been seen in temples in Seremban and Ipoh in Malaysia, and in Singapore, in some of which he is simply referred to as Zunzhu Mingwang, the Lord Prince Ming, 尊主明王,\n\nAn image seen on the only altar in a side hall of the temple on Miaofeng Shan in Beijing's Western Hills and identified as Tang Ming Huang, is better known in the temple as the God of Happiness, Xi Shen [Photograph 2]. He is referred to as Liyuan Shen, and is portrayed as a smiling figure with beard and moustache, standing with his hands in a theatrical pose. His modern image is dressed in imperial yellow robes decorated with a large dragon and the whole body of the image is swathed in a red robe placed there by devotees.\n\nDisappointingly, there appears to be no image of the Concubine Yang on any altars. However, a modern [1996] tableau in an old temple, now converted into a theme-park, depicts in a series of life-size plaster images scenes ranging from the Tang Ming Huang's first sight of the Concubine Yang bathing, progressing through stages of his infatuation though ending before her death and his overthrow. This can be seen on a low hill overlooking the bend in the Yellow River at the south-western tip of Shanxi province, at a place known as Yang Guifei's pool. The main altar has the Tang Ming Huang and the Concubine sitting with her pouring wine for him. Before the altar stand three incense pots, a container holding fortune spills and plastic fruit as an offering and before", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215109, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 205, "title": "RAS-2000", "content_text": "162\n\nthe altar and the altar table is a typical temple offertory box into which devotees have thrust cash offerings [Photograph 3],\n\nBoth the sad emperor Tang Ming Huang and his putative doctor, Lei Haijing, are both popular religion cult deities revered particularly in Fujian communities. Images vary from temple to temple, all being standard scholar-official figures with none having any special attribute or feature\n\nSome believe that Lei Haijing, commonly referred to as Marshal Tian Dou, (Tian Dou Yuanshuai), when his image is on an altar, was a doctor who accompanied 'the Emperor in the West' during his flight. After Lei died during the emperor's escape to Sichuan province his spirit remained on, guarding and protecting the emperor who\n\nSaw and recognised the two characters 'Tian Dou' of his protector floating in the air. And once he had arrived in the relative safety of Sichuan the emperor created Lei Haijing - Marshal Tian Dou.\n\nOthers claim that Lei was a musician popularly referred to a thousand or more years ago in Fujian as the 'Marshal'. Lei Haijing is another patron of actors, but predominantly from southern Fukienese communities. There are two Marshals Tian Dou revered on altars within Fukienese communities, with their legends so enmeshed that they virtually become one and the same deity.\n\nIn the most commonly repeated legend Tian Dou was a young prince named Lei Haijing, whose age has varied from ten to his mid-twenties. He lived in Fujian province where he was obsessively keen on practical jokes and opera. As a twenty-year old he lived for pleasure and one day having used his position and rank to force a married woman spend the night with him woke to find that she had painted a crab around his mouth in indelible ink, some say to punish him, others to ensure that his lasciviousness received wide publicity. The prince got away with it the first time by telling his friends that he had painted the crab on his mouth for amateur theatricals; however, when he forced her yet again to spend the night with him she painted another crab on his forehead which this time he was unable to explain away. Another version claims that he slept with a young girl who as a joke painted the crab around his mouth whilst he slept and again, several nights later, as he had been so annoyed at the first joke she drew one on his forehead", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215352, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 129, "title": "RAS-2001", "content_text": "77\n\na] Changhua Laoye Shen\n\nIt\n\nseen in Singapore on a Hainanese wayyang street theatre altar connected in some way with the major China-wide deity Hua Guang Dadi.\n\nb] As with small folk religion temples in all southern Chinese communities there are very minor deities on their altars about whom nothing is known. The following stand on a side altar in a small Hainanese temple on the Tampines Road in Singapore and are largely ignored though they are prayed to by a few devotees, more in passing rather than specifically for protection:\n\nmain deity: The Marquis of the Heaven of the Buddhas, Fo Tian Houwang\n\nSoldier astride a red horse, wearing green and gilt armour, with a pink face, black beard and a sword raised in his right hand.\n\nflanked by: Shata Zunwang Qi Guan\n\nand\n\nSoldier astride a white horse, with green-gilt robes, black beard, brown face and sword raised in his right hand.\n\nYongmeng Yatou Wang San Guan\n\nSoldier astride a black horse, with green-gilt robes over his armour, black bearded and a sword raised in his right hand.\n\nConclusion\n\nThere are some seventy to eighty major Han Chinese folk religion deities to be found in every part of China, and Hainan is no exception. However, in Hainan as in every local community, be it province, county, town or village, and even ethnic group, there are also local deified heroes and worthies not seen beyond their immediate area.\n\nTaken all in all, the range of deities on Hainanese altars is much the same as in all the other southern Chinese Han ethnic group temples. Hainanese communities, however, do have a number of uniquely Hainanese cult deities both on Hainan island as well as within Hainanese communities in south-east Asia. Although their legends are unique to", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215567, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 344, "title": "RAS-2001", "content_text": "294\n\nwere smashed by the mass of water being blown against them.\n\nThe Royal Observatory reported:\n\nGap Rock is lying very near the track of the worst typhoons that have been felt in the Colony, in an exposed position, and the conformation of the sea bottom, as well as the shape of the rocks causes the sea to be much worse than in other places (Bruce; 1990, 3).\n\nIt was reported in 1984, that the Royal Observatory and the Guangdong Meteorological Bureau had signed an agreement to set up a joint venture automatic weather station on Huang Mao Zhou, about two kilometres from Gap Rock so, presumably, the weather is as interesting today as it was in the 1890s (Bruce; 1990; 3).\n\nIt is obvious that lighthouses have to withstand immense force during bad typhoons. Consequently, they are designed circular on plan so as to offer the least resistance to both wind and sea. Lighthouses are expensive to construct. Nevertheless, like the cast-iron tower at Waglan, they can be reasonably pleasing in appearance.\n\nBefore December 1952, and from 1964 onwards, weather observations on Waglan were taken by Marine Department lighthouse keepers and transmitted by radio (Hong Kong Observatory; 1999). 33 The Observatory staff started taking weather observations on Waglan in 1952 and withdrew from the Island to the meteorological station at Cape Collinson Lighthouse in 1964.\n\nAs Waglan was no longer manned after 1989, the observatory constructed an automated weather station on the Island. The old weather recording station and a small store where equipment was housed were still there when the author visited in 1999, although the latter is no longer used. But the typhoon mast, where signals used to be hoisted, has been taken down.\n\nWater supply\n\nWaglan has no wells or springs. Keepers depended on rainfall for their water supply. Catchment areas consisted of roofs of a clutch", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215999, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 298, "title": "RAS-2002", "content_text": "232\n\nthe former found in CWM/South China/Personal/Legge/Box 5). There is no written record of Ho's sermons, but one could search certain passages of his commentaries to the Gospels of Matthew and Mark for suggestions.\n\n62. Both the cults of Guanyin and Guandi (or Guangōng) have been very popular in different periods of Chinese history, the former originally a Buddhist bodhisatva and the latter originally a military general made famous in the early Weijin period novel, Three Kingdoms, and later honoured as a warrior spirit. Devotion toward them both is still a regular feature of traditional Chinese practices. For initial information, see articles and cross references on Guanyin [Kuan-yin] and Guandi [Kuan-ti] in Jonathan Z. Smith, ed., The HarperCollins Dictionary of Religion (San Francisco: HarperCollins Pub., 1995), p. 647, and a fuller article involving the origins and reverence shown to Guanyin in Raoul Birnbaum, \"Avaloketsvara,\" Mircea Eliade, ed. The Encyclopaedia of Religion (Chicago: MacMillan Pub. Co., 1987), Vol. 2, pp. 11-14. See broader discussions about the influence of the cult of Guanyin in the past and present in John E. C. Blofeld, Bodhisatva of Compassion: The Mystical Tradition of Kuan Yin (Boston: Shambhal, 1988), Wen Guangxi, Guānshìyīn pusà běnjī yinyuán (The Causes of the Various Expedient Manifestations of the Bodhisattva Guānyin) (Hong Kong: Library of the Tripitaka Temple, 1986), Tay C. Y. (M. Zhèng Sēngyǐ), Guānyīn: Bàngè yǎzhōu de xìnyǎng (Guanyin: A Faith [Expressed throughout] Half of Asia) (Taipei: Hui Chu Pub., 1993). Recent studies on Guandi include Hong Shuling, Guangōng mínjiān zàoxíng zhī yánjiù: yǐ Guāngōng chuánshuō wèi zhōngxīn de kǎochá (Studies of the Models Of Guāngōng Found among the People: Investigations taking the Traditional Stories about Guāngōng as the Central Focus) (Taipei: Taiwan National University Pub. Co., 1995).\n\n63. \"Sabbath culture\" is a technical term I developed in Striving for \"The Whole Duty of Man\" in order to describe the Chinese Christian form of life which had been adopted and transformed from Scottish Dissenter precedents. It involved resting from all normal work on the Christian Sabbath, devoting oneself to church worship in Christian community for part of the day, and doing works of charity and witness at other times, whether with family, church friends, or by oneself.\n\n64. In his \"Reminiscences\" Legge tells how Ch'ea at first found the German missionaries being treated meanly by a group of local people, and so he rushed up to the crowd, yelling at them not to disturb them but to listen, because \"they are servants of the Most High God\". See Reminiscences, p. 15.\n\n65. See EMMC/MM 24 (February 1860), pp. 39-40.\n\n66. Days before Ch'ea's murder the two men were together again in a boat, and Legge noted how Ch'ea made it his personal goal to speak to each of the crew members about spiritual matters. His evangelistic approach was thorough and consistent, positively impressing Legge especially during the time when his own reappearance in Poklo was taken as a self-conscious risk (as will be described below). The very same zeal, however, was evaluated in very different terms by Ch'ea's enemies, See Legge, Ch'ea Kin Kwáng, typed manuscript, p. 6.\n\n67. When in the presence of the mandarin Wang, Legge and Chalmers spoke Cantonese, and this was assumably translated into either Mandarin or guanhua by Ch'ea (a more literary form of the Mandarin used among the Chinese gentry)", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216001, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 300, "title": "RAS-2002", "content_text": "234\n\nman with a classical Ruist phrase, \"Rotten wood! You cannot be carved\" (see Analects 5:9, CC1, p. 176). The implication was immediately understood by Ch'ea, who flashed back his response, \"Teacher, I was not sleeping; I was praying.\" Both Legge's self-deprecating irony and Ch'ea's response manifest much about the character of each man. See Legge, Che'a Kin Kwáng, typescript, p. 6, also Helen Edith Legge, James Legge: Missionary and Scholar, p. 117.\n\n79. See EMMC/MM26(January 1862), p. 15.\n\n80. Later Legge received a \"copy of part of a placard posted in Wye-chow” which offered \"50 dollars\" for the \"death of every foreigner coming among them, and “20 dollars\" for the \"death of every Chinese aiding in bringing the foreigner there, or in circulating his books.\" Quoted from EMMC/MM26(January 1862), p. 18.\n\n81. These mixed emotions Legge states in the context of his own missionary goals. \"I was really overwhelmed with astonishment at the course of things, and could hardly arrange my thoughts to acknowledge aright the wonderful ordering of events in the providence of God. Never was I so disgusted with the deceit in which the higher classes of the Chinese are steeped; never did I feel so much the renewing work which is necessary for all the people.\" This was a particularly poignant statement on the ethics of Ruist officials since Legge had only months before charged Master Kong with moments lacking in truthfulness, moments that had become standards of behaviour among the Chinese literati. See EMMC/MM26(January 1862), p. 16, and CC1, prolegomena, p. 101 (the 1861 first edition being much harsher in its judgments at this point than the 1893 second edition).\n\n82. Described with clear logic and suitable illustrations in Paul A. Cohen, China and Christianity, pp. 149-169.\n\n83. See the description in Legge, Che'a Kin KWáng, p. 7, and Helen Edith Legge, James Legge: Missionary and Scholar, p. 118.\n\n84. In a letter to Arthur Tidman, Secretary of the London Missionary Society, dated October 31, 1861, and published in EMMC/MM26(January 1862), pp. 17-19, here p. 17. This letter is still very tentative in its allegations, Legge only indicating what he has heard from various secondary sources, and fearing that the worst had come to past. In the typescript, Che'a Kin Kwáng, the tone is far more certain and reflects on details not accessible to Legge at the end of October that year.\n\n85. On May 8th, 1861, the missionary group including Ch'ea and Legge had travelled to the small hilly area named Nam-poon-leng where a wealthy farmer named Wong (M. Huang) lived with his extended family. Ch'ea had visited them many times, and the colporteur had spent a significant amount of time with them in 1860. As a consequence, when Legge and Chalmers joined the others in returning to the area, they found seventeen of the extended family ready to be baptized. See Legge, Journal of a Missionary Tour.\n\n86. This bit of information came to Chalmers through \"A-wai,” apparently the colporteur who first met Ch'a in 1856. This and the subsequent details are drawn from Legge, Che'a Kin Kwang. See also Legge, Reminiscences, p. 15.\n\n87. This quotation and the previous information comes from Legge, Che'a Kin KWáng, pp. 8-9.\n\n88. See Legge, Che'a Kin Kwáng, pp. 9-10, and the same wording in Helen Edith Legge, James Legge: Missionary and Scholar...\n\nPage 300\n\nPage 301", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216010, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 309, "title": "RAS-2002", "content_text": "Wáng Tāo rìjì\n\n王韜日記\n\nWén Guāngxī\n\n溫光熹\n\nWong Chik-wai\n\nnot confirmed\n\nWong Man-kong\n\n黃文江\n\nWong Shen yan\n\nnot confirmed\n\nWong Shing\n\n(see Huang Shèng)\n\nwŭ\n\n廡\n\n(see Huizhou)\n\nWye-chow\n\nXiàmén\n\n廈門\n\n+\n\nXinyuē quánshū jiěshì xù\n\n新約全書解釋序\n\nXù\n\n序\n\nXuéfēng wénhuà\n\n學峰文化\n\nYán Huí\n\n顏回\n\nyángguǐ\n\n羊鬼\n\nyìduān\n\n異端\n\nYing Fuk-tsang\n\n邢福增\n\nYinghua shuyuán\n\n英華書院\n\nYongzheng\n\n雍正\n\nyú Tiān Dì cān\n\n於天地參\n\n243", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216017, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 316, "title": "RAS-2002", "content_text": "250\n\nthe Fusang tree re-appears.) Practical aspects of archery mental training were also chosen as images to illustrate philosophical points in Taoism, as seen in the works ‘Liezi’ and ‘Zhuangzi’.\n\nBut in practical terms, it was in military affairs that archery took the lead during the Han Dynasty. Interaction with the northern tribes on the battlefield kept up the pressure to hone mounted archery skills. General Li Guang's exploits against the Xiongnu are a case in point (Qian Han Shu: Li Guang Liezhuan, Selby: 8L). Certain military ranks in the Han military system also appear to have been appointed on the basis of military skills. (Han Shu: Zhi Guan. Selby: 8K.)\n\nAccording to the Ming author, Gu Yu, (Gu Yu: She Shu Si Juan: Lidai Wuzhi Kao. Selby: 8J) when the provincial rites were over on the first day of Autumn, military examinations started. Military officials provided training in ritual archery and the ritual sacrifice of animals, as well as the Military Classics.\n\nPresumably it was during the Han Dynasty that much of the Confucian elaboration of the Zhou rituals must have occurred. Confucius's (apparent) close connection with the ‘Archery Ritual’ (‘she yi’. Selby: 5B.) - he is both quoted in it and appears as a protagonist in the narrative - proved immensely influential when it came to formalizing the imperial system for selection of military officers.\n\nArchery and the formalization of the military appointment system\n\nThe move to a formal, relatively objective and nationwide system for selecting military officials seems to have started in the Northern Wei period, when it became necessary to overcome the family-centered and ethnocentric systems of appointing officials that was endemic in the Wei-Jin period. Chinese historians have naturally associated archery with the nomadic tribes of the north, and it is these tribes who dominated the aristocratic lines of North China in the Wei-Jin Period.\n\nIn his struggle for the unification of China, Emperor Yang of the Sui Dynasty needed to undermine the traditional power-bases of the aristocratic warlord families. In 607, he implemented examinations in 10 areas, including military affairs. There is no direct historical description of the content of the Sui military examinations; but from", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216203, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 502, "title": "RAS-2002", "content_text": "436\n\nAfter a good Chinese lunch at the Lai Yue Mun Restaurant in Xin Hui we took a taxi (RMB250) through the County city of Tai Shan and past some interesting old Chinese villages, including Yeung Do. We arrived at the Guang Hai Bay port of Shen Ju in good time to catch the 4:00 pm public ferry to Shang Chuan Island. The timetable shows ferries leave daily at 9:30 am, 11 am, 2 pm, and at 4 pm, for the crossing that took us just over an hour. They are scheduled for the Shang Chuan to Shen Ju crossing at 7:30 am, 9:30 am, 12:00 and 2:00 pm. A group could otherwise hire a speedboat.\n\nWe were told that the island had been closed to visitors until 1983 and that there was still a sizeable PLA naval base there. As we entered the fishing harbour at the NW side of the island we passed some naval vessels and fishing boats. We also had our first view of the St Francis Xavier Church on the hillside. There were several modern large tourist hotels in the Fei Sha Tan Tourist Resort at the eastern side of the island. We took a public minibus from the port to the Resort. Probably the best of the hotels was the Biyun Tian Hotel (Eastern Harbour View Hotel), though we chose a smaller one. Both faced the beach, with a pleasant esplanade packed with plenty of hawkers in the evening. The choice of restaurants was uninspiring. In the morning we hired a minibus with driver for a half day (RMB150) to show us around the island. He took us to the fishing village, purpose-built in 1992, and over the Cheung Po Chai pirate pass with the Twin Treasure Rocks. He also took us to a grotesque Laughing Buddha cave with little figurines representing the Journey to the West.\n\nSuch were the delights the driver thought we should enjoy, but for us the highlight was the visit to the Church of St Francis Xavier at the NW side of the Island. The church was a simple white tiled building with a plaque above the porch dating the church at 1869. There was reported to have been a church at the spot since 1700 with various restorations from 1813 to 1932. The caretaker unlocked the church for us. There are several rows of pews facing a large wooden cross. On the altar stands a statue of a bearded priest in front of which is a statue of the Virgin Mary. Religious paintings were hanging on the walls. In the centre of the church lay a stone sarcophagus with some Chinese inscriptions.\n\nOutside, a modernist sculpture had been erected by the Yamaguchi", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216283, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 42, "title": "RAS-2003", "content_text": "Library Usage\n\n \n \n 2002/2003\n 2003/2004\n \n \n No of reference enquiries\n 179\n 231\n \n \n No of books consulted\n 408\n 327\n \n \n No of borrowers\n 28\n 19\n \n \n No of books loaned out\n 67\n 24\n \n\nI would like to take this opportunity to express our appreciation to the Hong Kong Central Library for their assistance and highly professional service to our members during the year.\n\nMs. JULIA CHAN HON. LIBRARIAN\n\n1 MARCH 2004\n\nADDITIONS LIST 2003/2004\n\nChen, Wen-te and Huang Ying-kuei\n\nReflection on \"Community Studies\"; anthropological perspectives. Taipei: Institute of Ethnology, Academia Sinica, 2002.\n\nChoi, Jang Jip\n\nPost-cold war and peace: experiences, conditions and choices. Seoul: Asiatic Research Centre, 2003\n\nDargye, Yonten and Sorensen, P.K.\n\nThe biography of Pha 'Brug-sgom-zhig-po called the current of compassion. Thimphu: National Library, 2001.\n\nDrewett, Peter L.\n\nNeolithic Sha Lo Wan: a late Neolithic settlement at Sha Lo Wan, Lantau Island, Hong Kong. London: Archetype Pub., 1995.\n\nGeisert, Bradley Kent\n\nRadicalism and its demise: the Chinese Nationalist Party, factionalism, and local elites in Jiangsu Province, 1924-1931. Ann Arbor, Michigan: Centre for Chinese Studies Publications, University of Michigan, c2001.\n\nxlii", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216307, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 66, "title": "RAS-2003", "content_text": "15\n\nHOW OLD IS SHANGHAI'S LONGHUA TEMPLE?\n\nERIC N. DANIELSON ·\n\nShanghai's Longhua Temple (Longhua Si) is a functioning Buddhist temple with a large resident monk population belonging to the Chan sect (Chan zong) of Mahayana Buddhism. It is by far the largest one in Shanghai, and probably counts among the largest in China. Located southwest of the Xujiahui shopping district, the main temple complex sits on the north side of Longhua Lu, while its seven-story pagoda stands by itself across the street on the south side. Although it has often been said by many authors that this is supposedly the only pagoda in Shanghai, that is true only if one has a very narrow definition of what Shanghai is. Within the Shanghai Municipality (Shanghai Shi) there are a total of 16 historic pagodas, the other 15 being of equal age and historical authenticity but located out in the surrounding counties of Songjiang, Qingpu, and Jiading.\n\nThe temple's long history\n\nLonghua Si undoubtedly has a long history, but the question is how long? The answer is debatable. In all likelihood, it is about 900 years old, rather than the 1800 years sometimes claimed for it. Very little evidence exists to support the often heard claims that the temple and pagoda were supposedly first built in 242 A.D. and 247 A.D. by Sun Quan, the King of Wu, during the Three Kingdoms (San Guo). Furthermore, maps of Shanghai's geological history contained in Zhou Zhen He's 1999 Shanghai Lishi Ditu Ji show that most of this area was underwater until the Tang Dynasty (618-907). Some sources also make vague claims that the temple was built by the Tang Dynasty Empress Wu Ze Tian sometime during her reign (690-705 A.D.), but later destroyed at some unspecified date during the rebellion of Huang Zhao (879-884 A.D.) against the Tang Xi Zong Emperor (873-888). The first specific year to appear in most accounts is a supposed rebuilding of a new temple on the same site as the earlier San Guo and Tang temples by the Wu Yue regional kingdom in 977 A.D. If these earlier versions of Longhua Temple did in fact exist, they were ephemeral and have left no lasting traces.\n\nSubstantial documented evidence of the temple's origins begins to", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216315, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 74, "title": "RAS-2003", "content_text": "23\n\nThe second courtyard is flanked on the left side by a two-story wooden Drum Tower (Gu Lou) and on the right by the matching two-story wooden Bell Tower (Zhong Lou). On the first floor of the Zhong Lou is a glass case holding a golden effigy of Kshitigarbha (Di Zang). Dizang is the bodhisattva who has the special power to rescue departed souls from Hell, and thus plays an important role in Buddhist funeral ceremonies. Upstairs on the second floor is the bronze bell which can be rung for a fee of 50 Rmb. On New Year's Eve this bell is rung 108 times at midnight. It is considered good luck to be there to hear it ring, and even better luck to be the one who rings it. The Zhong Lou was rebuilt by Qing Emperor Guang Xu in 1895, following the Taiping destruction of the temple in 1860-1862. The bell itself was made in 1894, during the 18th year of the Guang Xu reign of the Qing Dynasty. Beside the Zhong Lou is a Ming-style stone stele with a partially legible inscription which has been damaged.\n\nOn the first floor of the Gu Lou is a glass case containing a golden effigy of Guan Yu, the God of War. In the Ming and Qing dynasties Guan Yu had temples dedicated exclusively to him in every city in China. The former Guan Di Miao can still be visited in Shanghai's Nanshi District. The second floor of the Gu Lou cannot be ascended, and it no longer seems to contain a drum. Beside the Gu Lou is a Ming-style stone stele with a lengthy inscription in very good condition. The present Gu Lou dates from an 1895 reconstruction, following the Taiping destruction of the temple in 1860-1862.\n\nAcross the second courtyard from the Mi Le Dian is the Hall of the Four Heavenly Kings (Si Tian Wang Dian). This hall dates from an 1881 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1981. The hall contains enormous gilded wooden statues of all four kings, two on each side of the hall. All four wear crowns on their heads and are dressed in heavy armor. One holds a four-string guitar and has a light green face, another holds a sword in his right hand and has a black face, a third holds an umbrella in his right hand and a small stupa in his left hand, and has a white face, while a fourth holds a snake and has a black face. This depiction is somewhat different than in the past. In the centre of the Tian Wang Dian are two glass cases containing golden effigies of two rather obscure Buddhist deities. Tian Guan Mi Le, a variant incarnation of Mi Le Fo, is depicted.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]