[
    {
        "id": 207918,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1976",
        "page_number": 306,
        "title": "RAS-1976",
        "content_text": "NOTES AND QUERIES\n\n291\n\n* This poetic feeling can be reflected by a Tzu poem written by Chiang Chieh # which reads:\n\n\"The rain song in youth I heard from song bedroom 樓上\n\nred candle setting behind a satin screen *****\n\nolder and travelling I heard rain in a boat #\n\nhuge river, low clouds, ***›\n\na goose crying in the west wind parted from the flock. $$$\n\nK\n\nNow when I hear the rain, in a hermit's cell MET\n\nmy hair has long turned grey 11\n\nsorrow, happiness, parting, joining are all neutral #46BAH raindrops all night long on the stone steps. Ħ¶¤àa¤N ·\n\nFor the English translation, see John Scott: Love and Protest (1972, London), p. 118.\n\n9 see Wang Chao-yung, op.cit. p.7.\n\n10 Its registration number in the Luis de Camoes Museum is AL 1 No. 10.\n\n11 Chiang-nan is a conventionalized geographic term referring to the vast area of Kiangsu, Chekiang, An-hui and Fukien provinces.\n\n12 See Chuang Shen op.cit. pp. 14-18. There I have pointed out that in the 19th century, the painting styles of Hua Yen and Huang Shen, two artists of Fukien, were followed by the Kwangtung artists.\n\n13 See Chu-tsing Li: \"Landscape painting in Kwangtung during Ming and Ch'ing\", in Landscape paintings by Kwangtung Masters during the Ming and Ch'ing Period (published in 1973 by the Art Gallery of The Chinese University of Hong Kong, Hong Kong), p. 4.\n\n14 Sung Kwang-pao and Meng Chuii were both artists of Kiangsu province. Followed Li Ping-shou, they came to Kwangtung during the first half of the 19th century. Later, Sung was regarded as the founder of a more laborious and decorative school, while Meng became the forerunner of a different school, less decorative, and mainly stressing the artist's inner self.\n\n15 See Lin Po-ting *** \"Brief Notes on the Taiwan painters during the Ch'ing Dynasty”滑朝台灣畫人輯系 history selected in Central Chinese culture and Taiwan AXLA÷ (1971, Taipei), pp. 531-539,\n\n16 See Lin Po-ting: ibid, p. 535.\n\n**MFIL\n\n17 See Sohokaku Shogaki **M***, Descriptive catalogue of Chinese paintings and calligraphies in the possession of Bardo Asano (1864-1880), (published in 1973 by the Kansai University in Japan), pp. 143 - 144.\n\nAs to this catalogue and its editor, see also Kokuro Wakimono + A 'Notes on paintings and calligraphy in the Shohokaku Shogaki Collection and its Author Asano Baido\", *NTORE *o****** The Bijutsu Kenkyu ✯ (Journal of Art Studies), No. 35 (1973, Tokyo), pp. 531 - 544.\n\n18 See Chuang Shen: op.cit. p. 21.\n\nUniversity of Hong Kong,\n\nMarch 1977.\n\nCHUANG SHEN",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
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    },
    {
        "id": 211041,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 102,
        "title": "RAS-1987",
        "content_text": "77\n\nnative of Tak Kai [Danxi] District. The derivation of my name as Red Pine Fairy was due to my living in seclusion in Red Pine Hill. To differentiate myself from the Red Pine Fairy who was in close company with Chang Liang [Zhang Liang], I wrote this autobiography. (Sese Yuan, 1971;3)\n\nThis autobiography is thought by some current members of the Sese Yuan to have been received from the god by the way of the fuji divination procedure, but actually it seems to have been drawn from the story related in the fourth century work titled Shenxian Zhuan (Biography of immortals). This work contains brief descriptions of the lives of eighty-four Taoist hermits and seekers of immortality. The passage on Huang Chuping is as follows:\n\nHuang Chuping came from Danxi. When he was 15 his family had him tend sheep. A Taoist seeing that he was good-natured and conscientious took him to a stone cave in the Jinhua Mountain. For forty odd years he stayed there without thinking of his family. His elder brother Chuqi searched for him for many years in the mountains but without success. Once in a marketplace he saw a Taoist. Chuqi beckoned him and asked \"My brother Chuping who was sent out to tend sheep has not been seen for more than forty years. I don't know where he is or whether he is dead or alive. Would you please find out by means of divination?” The Taoist said, \"On the Jinhua Mountain there is a young shepherd by the name of Huang Chuping. Doubtless he is your brother.\" When he heard this, Chuqi followed the Taoist in search of his younger brother. He found him. The brothers told each other of what had happened during all these years. Chuqi then asked his brother where the sheep were. \"Not far from here on the eastern side of the mountain,” Chuping answered. Chuqi went over there and looked for them. He didn't see them. He only saw white stones. He went back and said to Chuping, \"There are no sheep on the eastern side of the mountain,” Chuping said, “The sheep are",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
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    },
    {
        "id": 211042,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 103,
        "title": "RAS-1987",
        "content_text": "78\n\nthere but you, my brother, could not see them.\" Chuping together with Chuqi went over again to have another look. Chuping shouted to the sheep to rise and all the stones turned into tens of thousands of sheep. Chuqi said to his brother, \"You have now attained perfection in the secrets of the Tao. Can I also learn to do that?\" Chuping said, \"Only if you are eager to learn the way will you attain perfection.\" Chuqi then abandoned his wife and children and stayed with his brother to learn the way.\n\nThe passage ends with a reference to medicines perfected by Chuping and states that people who have taken this medicine have also managed to become immortals. Chuping, it is also said, eventually changed his name to Chisong Zi and Chuqi his to Lu Ban.\n\nThe author of this work, Ge Hong (284-364), was a famous Taoist theorist and writer on Chinese medicine. He appears to be the principal source for traditions about Huang Chuping (although paying him no special attention among the many Taoists whose stories he describes). Other, later accounts, such as the Ming dynasty source Huitu Liexian Quanzhuan (Complete illustrated biographies of the saints), differ little from Ge Hong's version.12\n\nMt. Luofu's Huang Daxian: Huang Yeren\n\nHuang Yeren was by tradition a disciple of Ge Hong on Mt. Luofu. Ge Hong had retired there, after an active career of service to the state, to pursue immortality through collecting various herbs and attempting to refine cinnabar into a medicine to produce immortality.3 The Huitu Liexian Quanzhuan describes the life of Huang Yeren as follows:\n\nHuang Yeren was a disciple of Ge Hong. When Hong lived in the mountain and made cinnabar Yeren always would follow him. When Hong was about to ascend to heaven he left a pill between the pillar and the stone [supporting stone of his hut?] at Mt. Luofu. Yeren took it and ate it and became an earthbound saint. Even today [this was written in the Ming dynasty...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
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    },
    {
        "id": 211055,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1987",
        "page_number": 116,
        "title": "RAS-1987",
        "content_text": "91 \n\nhe did this spontaneously, in response to our questions. In any case, his response constitutes an interesting datum for those interested in the study of religious rationalizations.\n\n28 Ge Hong, of course, wrote of Huang Chuping, but only as one of a large number of immortals. Su Dongpo, who stayed at Luofu in the 11th century, praises a painting of Huang Chuping in one of several poems on various paintings, but does not mention any connection between the painting and Luofu. Qu Dajun's very detailed account of Luofu (in Guangdong Xinyu) and its saints does not mention Huang Chuping at all. It might be noted, however, that the Southern Song court bestowed titles on Huang Chuping and his brother in the reigns of Shaoxing (1131-1162) and Jiaxi (1237-1240). The Ming official Huang Gongfu (1573-1657) also seems to have brought worship of Huang Chuping to Guangdong. He was stationed in Fujian not far from Jinhua Mountain, according to the annals of Xinhui (quoted by Wong “A study of Huang Ta-hsien\"), but became disillusioned with the Ming regime and migrated south to become a hermit in the Xinhui area. While there, he wrote some poems mentioning Huang Chuping. He lived near a rock or crag once named Yang Shi Keng (Sheep stone pit), changed its name to Chi Shi Yan (The crag of shouting [at the sheep]), evidently referring to Huang Chuping's miracle of turning rocks into sheep. There is as yet no evidence that worship of Huang Chuping by the founders of the Hong Kong temple owes anything to the influence of Huang Gongfu. Many of the devotees of the Xiqiao Huang Daxian, however, came from Gaoming and Heshan not far from the home area of Huang Gongfu.\n\n19 The article, authored by An Shi, is on page two of the brochure, which is printed on newsprint-type paper with the heading \"Scenic spots in Luofu, Tangquan, Huizhou”. The brochure, published by the local branch of the provincial Tourist Agency, is clearly written by journalists and local scholars attached to the local cultural affairs bureau.\n\n10 We were told at Luofu that two former members of the local Wenhua Ju (Cultural Affairs Bureau) had written articles to prove that the Hong Kong Huang Daxian originated in Luofu: Mr. Xie Hua (editor of Luofushan Fengwuzhi), now at the Tequ Bao (Special Zone Daily), had apparently written an article for the Shenzhen Ribao (Shenzhen Daily); Mr. Su Fanggui, now at the Cultural Affairs Bureau of Huizhou, had reportedly also written an article on this theme.\n\n31 We were told during the interview with these officials that Huang Chuping was another disciple of Ge Hong; he became an official in Huizhou (obviously a reflection of Huang Li]; he had a brother named Huang Chuqi; he went to Hong Kong, found he had to go far north to a mountain in Zhejiang province, where he was engaged in tending sheep; he became separated from his brother; and so on. These cadres had evidently consulted some books on Taoist saints prior to their meeting with us.\n\n12 Regarding traditions about the mute tigers associated with Yeren, see Soymie, \"Le Lo-feou chan\". p. 27. Soymié points out (ibid. p. 111) that by tradition, several other saints of Luofu also had tigers as companions. Tigers functioned like tutelary deities of the mountain, placed there in part to prevent the wicked and the unworthy from ascending the mountain.\n\n33 We learned while in the area that there had been some recent conflict between the proprietors of rival shrines near the mountain in their attempt to get some of the tourist trade. For a time in the spring of 1987, the Beidi temple on the plain several kilometres from the main temple was by-passed by a steady stream of",
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