[ { "id": 204306, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 74, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n70\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n(P'u-hsien), and Avalokitesvara (Kuan-yin). Only certain Buddhas of the Tantric Sect, such as Cundi (Chun-t'i) and Vairocana (P'i-lu-chê-na) are mentioned as \"saints from the West\"; but even these are given Taoist-sounding titles like tao-jên. In this way, the mainly Taoist framework of the novel is preserved. This amalgamation of Buddhist and Taoist deities is highly interesting and may have influenced actual religious practice in China. The practice of worshipping Taoist gods side by side with Buddhas and Bodhisattvas seems to have started after the publication of the novel, for in earlier Taoist literature we find no Buddhist deities mentioned among Taoist gods. For instance, in the Yün-chi ch'i-ch'ien, chüan 103, we find an account of the Taoist pantheon as it was in the eleventh century, which contained no Buddhist deities or fictional gods. But after the sixteenth and seventeenth centuries, various Taoist gods mentioned in the novel came to be worshipped together with Buddhist ones. What is more, most of the temples which apparently first adopted such practice were situated in northern Kiangsu, near Hsinghua, the native district of Lu, the author of the novel. It is therefore not unreasonable to suggest that the novel influenced the composition of the Chinese pantheon and contributed to the amalgamation of Buddhist and Taoist gods in popular belief.\n\nThe amalgamation of Buddhist and Taoist gods seems to have been achieved purposely by the author of the Fêng-shên. As a concrete illustration, I propose to describe how Vaisravana (P'i-sha-mên Tien-wang), one of the Four Heavenly Kings in Buddhist belief, and his third son Nata (Na-cha or No-cha), became important characters in this novel. Vaisravana was of course an Indian god, but during the T'ang and Sung periods he became identified with the Chinese general of the T'ang dynasty, Li Ching. But stories about him were disconnected before the novel Fêng-shên Yen-i was compiled. In various prompt-books which existed before the novel, such as the Nan-yu-chi (\"Prince Hua-kuang or The Voyage to the South\") and the Hsi-yu-chi (“Pilgrimage to the West”, the prototype of the famous novel of the same name) in the Ssu-yu-chi (\"The Four Travels\"), there were already stories about this god and his son. But in the hands of the author of the Fêng-shen these fragmentary and disconnected stories were reorganized and transformed into a vivid tale which can almost stand on its own as an interesting story apart from the whole\n\n* For illustrations of some of these temples, such as the Kuang Fu Monastery in Tai-hsing, Yangchow, and the Tu Tien Temple in Hai-men, Kiangsu, see Père Henri Dore, Recherches sur les superstitions en Chine, (10 vols., Shanghai, 1913-38), Bk. 9, Pt. 2, in Vol. 6.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204321, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 89, "title": "RAS-1961", "content_text": "Vol. 1 (1961).\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nISSN 1991-7295\n\n85\n\nNo-cha then partially pulled off the celestial robe of the dragon-king and revealed the scales under his left ribs. He tore off some forty or fifty of the dragon-scales and the dragon-king was wounded and suffered a violent pain. He begged his assailant to spare his life. No-cha said, “If you want me to spare your life you must give up your law-suit against me before the Jade Emperor, and follow me back to Ch'ên-t'ang Pass.\" The dragon-king could not free himself and yielded to No-cha. Transforming himself into the shape of a small black snake, he hid in No-cha's sleeve and they descended from heaven. (Ch.13)\n\nSome references can be cited here for comparison and we can see how clever the author was in composing his ingenious and complicated plot which surpasses all the materials he made use of.\n\nIn the prompt-book Ch'in Ping Liu-kuo P'ing-hua (\"The Annexation of the Six States by the Emperor of Ch’in”), chüan 2, there is a sentence, \"to fasten the cuirass he should use the sinews of the old dragon.\" In the Ta-T’ang San-tsang Ch’ü-ching Shih-hua (\"Tripitaka's Search for Buddhist Sutras\"), chuan 2, (7), the Monkey-monk (Hou Hsing-chê) pulled out the sinews from a dragon with nine heads for a belt to hold the cuirass.\n\nAccording to the Min Shu (M), there was a Taoist priest named Yu Chên-chai (2) living in the epoch of Hung Wu, who was called upon by an old woman:\n\nShe was a female-dragon... and was to be struck to death by lightning on account of her failure in regulating the rains. She begged him to save her life. Yü said, “Can you transform yourself to a small shape so that I may hide you in my alms-bowl?\" The dragon followed his advice and transformed herself into a snake wriggling into the bowl.\n\nThe story of No-cha goes on as follows:\n\nOne day as the weather was excessively hot, he felt restless and annoyed, and ascended the tower over the city-gate. On the weapon-stands he found a wonderful bow called ch'ien-k'un kung (the cosmic bow) and three arrows called chên-t'ien chien (heaven-shaking arrows) which he appreciated very much, and did not know that they were left by the Yellow Emperor and since then no one had been strong enough to use them. He was so glad of this discovery and he seized the bow and shot an arrow toward the south-west. With a startling sound the sky was covered with red mist and auspicious clouds floated around. (Ch.13)\n\nIn chuan 13, in the chapter of the \"Competition in Martial Exercises for the Hand of Yasodhara\" of Abhiniskramana-sutra (DATE · #), we have the following paragraph:", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 96, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n92\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nfather\" was only one of revelation of supernatural powers (神通), and it was because of the imagination and the literary gifts of the author of the Fêng-shên that the story became so impressive and full of emotional appeal. The author continues:\n\nThe Immortal T'ai-I asked No-cha to follow him to the peach-garden and taught him personally how to use his \"fiery-pointed spear\" (火尖槍) which the master now bestowed on him. After that, the Immortal gave him the wind-wheel and fire-wheel which he might tread on while chanting incantations and which served him as a magic vehicle; and also a bag made of panther skin in which were the magic bracelet, the red silk gauze and a brick of gold completed his new armour. No-cha prostrated himself before his master once more, and after thanking him, held the magic spear in hand, safely mounted his wind-and-fire wheels and darted straight to the Ch'ên-t’ang Pass and challenged Li Ching, his father. (Ch.14)\n\n**\n\n** In order to prove again how the author of the Fêng-shên Yen-i adapted and utilized confused and promiscuous materials from previous works, we may list some of the arms used by No-cha with their earlier appearances in other prompt-books or plays as follows:\n\n(a) Fiery-pointed spear. In Act 4 of the anonymous play of the Yüan dynasty, Han Kao-huang Cho-tsu Ch'i Ying-pu (漢高皇祖母齊英布), the spear used by Hsiang Yu (項羽) is a \"fiery-pointed spear\".\n\n(b) Wind-wheel. The wind-wheel is originally the wheel, or circle of wind below the circle of water and metal upon which, according to Buddhist teaching, the Earth rests. It appears in many sutras including the Surangama-sutra (楞嚴經), Ch. 4. In Nan-yu-chi (南遊記) (Ch. 2 and 11) and Pei-yu-chi (北遊記) (Ch. 15) it is one of the arms of the Flowery Light (Hua Kuang or Ling Yao 華光, or San-yen Ling Yao 三眼華光). Ling Yao with a deva-eye).\n\n(c) Fire-wheel. The alatacakra, a wheel of fire produced by rapidly whirling a fire-brand. In chuan 3 of his Lêng-yen Ching Shu-chih (楞嚴經疏治) (? “The Principles of the Surangama-sutra\", in the First Series, Second Collection of the Tripitaka in Chinese, 大藏經, 1912), Lu Hsi-hsing says \"as the whirling of a fire-brand, reality does not exist\". In Nan-yu-chi (Ch. 2 and Ch. 11) and Pei-yu-chi (Ch. 15), the fire-wheel is also a weapon of Flowery Light.\n\n(d) Gold brick, The gold brick is also one of the arms of Flowery Light in Nan-yu-chi (Ch, 2 and Ch. 11) and Pei-yu-chi (Ch. 15). But both the gold brick and the fire-wheel are attributed to Flowery Light also in Yang Ching-hsien's T'ang San-tsang Hsi-t'ien Ch'ü-ching, a play of the Yüan dynasty, Scene 8. In Hsü Fu-tso's (徐復祚) T'ou-so Chi (鬧府記), Scene 19, these two weapons belong to Nata of Eight Arms (八臂那吒).\n\n(e) Magic bracelet. In Ch. 11 of the Nan-yu-chi, one of the weapons of No-cha is a \"purple-gold bracelet with raised flowers\" (紅花紫金圈) and it is the origin of the magic bracelet (ch'ien-k'un ch'üan 乾坤圈 the Bracelet of Vitreous & Resinous Electricity) in the Fêng-shên Yen-i,", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204583, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 64, "title": "RAS-1963", "content_text": "CHANGES IN CHINESE LANGUAGE\n\n53\n\nOne of these is the change in literary style and sentence structure. Remarks to the effect that \"this piece of writing reads like a translation\", or \"these sentences are so long and complicated that it is hard to grasp their full meaning”, illustrate how some Chinese react to the continuous process of westernization that has changed the structure of their language. These changes have been threefold: the adoption of the vernacular, or pai-hua, in place of the classical language; the adoption of some Western terms and sentence structures, as well as of punctuation; and an ever growing interest, particularly on the part of younger Chinese, in translating Western literature.\n\nThe vernacular proved not only more suitable than the classical style for modern usage, but also lent itself better to providing the grammatical patterns which Chinese intellectuals tried to derive from Western prototypes. The first Chinese grammar in the Western sense of the word, written by Ma Chien-ch'ung, was published in 1903. Ma tried to formulate a Chinese grammar based on Latin. His work exercised a predominant influence on all later attempts to formulate a Chinese grammar. On the other hand, translation of Western works into the vernacular necessarily imitated some of the stylistic and structural features of the original. For example, the use of “if” or “in spite of” or of a participle at the beginning of a sentence began in the course of such translation work. As the number of translations increased, the assimilation of Western style and sentence structure became naturally more common, and the use of punctuation marks according to Western practice became almost universal. The outbreak of the Sino-Japanese war further advanced the westernization of the Chinese language by further disrupting cultural and literary traditions, and westernization now began to affect types of writing hitherto untouched, such as official documents and commercial correspondence. It is interesting to compare the style of early translations with that of more recent ones. For instance, Yen Fu's translation of Thomas Huxley's article on Evolution and Lin Shu's translation of Sir Walter Scott's Ivanhoe, adhered to a strictly traditional style showing little or no Western influence. But later translations, say, of the Adventures of Sherlock Holmes in the early twenties already betray Western influence.", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204588, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 69, "title": "RAS-1963", "content_text": "58\n\nMA MENG\n\nIn 1956, a new term, p'u-t'ung-hua, meaning common language, became the official term for the standard language used on the Chinese mainland. Henceforth the term Kuo-yü fell into disuse, except on Taiwan and among the overseas Chinese. Strictly speaking, p'u-t'ung-hua is not a new term, having been used over many years to denote any form of the language that approximated the standard spoken language. Though now the official term, p'u-t'ung-hua thus has essentially the same meaning as Kuo-yü, for like Kuo-yü it is based on the Peking pronunciation and on a grammatical structure close to that of the modern vernacular. It will thus serve to bring about the complete unification of the Chinese language, accomplishing the process already begun by the adoption of kuan-hua and Kuo-yü.\n\nSince 1949 the Chinese Communists have taken two major steps to reform the traditional character script. In 1955 they put out a series of lists containing altogether 798 simplified characters and 54 simplified radicals. These simplified characters and radicals have been used ever since. Thus it has not only been made easier to learn how to write, but the simplified characters already in use have also been standardized. This standardization has ended a tradition which allowed anyone to improvise his own simplifications of the script. As a result, many characters could be written in different forms. This freedom to improvise had naturally asserted itself most in times of confusion, as after the last war.\n\nThe Communists have now tried at least to limit this freedom; but they have not succeeded in wholly stopping spontaneous improvisation of simplified characters. Pages of the People's Daily frequently contain critical comments on such unauthorized simplifications.\n\nOriginally, character simplification was considered only a stop-gap measure to be abandoned as soon as a final solution could be found in a romanised script. Attempts to transcribe the sounds of the Chinese language by using the Roman alphabet had already been made by Western missionaries in the late Ming dynasty. In the late nineteenth century, other systems of romanization were developed. Some of these—notably the Wade-Giles system—remain in use to the present day. But none of these systems served more than a limited purpose; none of them constituted a final solution of the problems of language reform. The first", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204746, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 49, "title": "RAS-1964", "content_text": "38\n\n10 Linguist purser.\n\nW. C. HUNTER\n\nSee note 39, (J.L.C-B)\n\n11 Elliot's last day. On 25 March Elliot formally requested the Viceroy that passports should be issued within three days for all the English ships and people at Canton and that if passports were not issued he would consider the men and ships of his country as forcibly detained and act accordingly. Blue Book, Correspondence relating to China, 1840, p. 367. (J.L.C-B.)\n\n12 Edward Elmslie. Secretary and Treasurer to the British Superintendents of Trade, Captain Charles Elliot and the Deputy Superintendent, A. R. Johnston, (J.L.C-B.)\n\n13 Houqua. Known to Westerners at Canton as Howqua 7. His family name was Wu Ch'ung-yüeh (1810-1863). He was the fifth son of the famous Hong merchant Wu Ping-chien whom he succeeded as head of the firm in 1843. For his biography see Hummel, Eminent Chinese of the Ch'ing Period, II, 867-8. (F.L.C-B.)\n\n14 Nam Hoe. Also written Nam Hoi. This means Nan Hai Hsien #i.e. the Magistrate having jurisdiction over the western part of Canton city and the District lying to the westward of the walls which included the area in which the foreign Factories lay. (J.L.C-B.)\n\n15 Kwang Hup. The author may be referring to the Kwangchou hsieh \"the Canton brigade\", and so to its commander. (J.L.C-B.)\n\n16 The Governor. The Governor of Kwangtung province at this time was I-liang (1791-1867). For his biography see Hummel, op. cit., I, 389. (J.L.C-B.)\n\n17 K'an-ch'o (J.L.C-B.)\n\n18 An-tsou (J.L.C-B)\n\n19 Columbia & John Adams. According to the Chinese Repository Vol. 8, p. 56 the Columbia was a U.S. frigate and the John Adams was classed as a sloop-of-war. The Columbia was commanded by Commodore George C. Read. (J.L.C-B.)\n\n20 Johnston, Alexander Robert Johnston, H.M. Deputy Superintendent of Trade. When the Government of Hong Kong was set up he was deputy first to Elliot and later to Sir Henry Pottinger and in this capacity he administered the Government of the Colony on various occasions from 1841 until 1843. (J.L.C-B.)\n\n21 Pwan Kei Kua. Probably the merchant whose name was also spelt by Westerners at Canton at that time Ponkhequa and Puan Khequa. This was P'an Chengwei (1791-1850). See Hummel, Eminent Chinese of the Ch'ing Period, II, 605, (J.L.C-B.)\n\n22 Saoqua. His family name was Ma Tso-liang and the name of his Hong was Shun Tai Hong A. (J.L.C-B.)\n\n23 Sturgis. Russell Sturgis (1805-1887) of Boston was first named Nathaniel Russell Sturgis, Jr., but he was always known as Russell Sturgis after his name was changed by decree of the Middlesex County Court. He graduated from Harvard in 1823, married in 1828 but was widowed four months later. After an extended tour of Europe he returned to Boston and for a while practised law. He remarried and in 1833 took his family to the orient where he became a partner of Russell & Sturgis of Manila and Russell, Sturgis & Co. of Canton. Later in 1842 when the latter firm became incorporated with Russell & Co., China, he became a partner in 1842. In May 1844 he retired to Boston, his second wife having died in Manila in 1837. Being far too young to give up work altogether he decided to return to China in 1849 but while passing through London he", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204853, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 156, "title": "RAS-1964", "content_text": "BOOK REVIEWS\n\n131\n\nartists. It is disturbing indeed to find that two of these previously published elsewhere as \"attributed\" — are promoted here to \"full\" Chinnery status without a word of explanation!\n\n12\n\nHow does one reconcile the title \"The Hong Merchant, Gou Qua\" with the picture showing a man in the costume of a North China scholar?\n\nAnyone familiar with Chinese ship portraits and Chinese port scenes will question the two handsome Chinese Junk oils.13 The clue is the small British and American vessels in the lower corners of the \"War Junk\" — alluring to a prospective nautical purchaser, typical of many ship portraits, but so different in style and subject from other Chinnery marines.\n\nThe time has come to bury forever that misused, euphonic term \"School of Chinnery\". Take port scenes. Mariners and merchants arrived in Canton centuries before Chinnery. Even my two great grandfathers14 had won their battle with the pirates off Macao nearly a generation before Chinnery's arrival. What is more natural than to take home a port scene oil to show one's family. These men were not art experts and Chinese representations were good enough for them. It is possible today to date port scenes definitely prior to Chinnery, proving that Chinnery had no influence on those Chinese artists. It is also possible to date similar port scenes after Chinnery's death that show no style change from the earlier representations. Why not be honest and call them \"China Trade Port Scenes\",15 which they are, instead of \"School of Chinnery\", which they are not? To all other port scenes such as St. Helena and the Cape of Good Hope16 “School of Chinnery”, verges on fantasy, particularly so when the text denies the existence of any Chinnery pictures made on his voyage to India.17\n\n12 Plate 42 top.\n\n13 Plate 73.\n\n14 William Sturgis and Daniel C. Bacon. See R. B. Forbes — Personal Reminiscences.\n\n15 It has taken many years to substitute the correct \"China Trade Porcelain\" for \"Oriental Lowestoft\".\n\n16 Plate 55 bottom, Plate 56 top.\n\n17 Page 59.", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 205866, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 172, "title": "RAS-1969", "content_text": "166\n\nBOOK REVIEWS\n\nHis greatest success is his formal analysis of the lineage qua lineage. In his analysis of the genealogies which describe it, the sources of power of the lineage,3 and the maintenance of lineage geographical boundaries, he is at his best. His analysis of marriage as a form of political involvement of this lineage with other neighboring lineages, and the use of data on the status of lineage wives as an indication of the repute of the lineage is particularly astute. Indeed this is the only such analysis of the organization and structure of a lineage based on field data and done in such detail that this writer is aware of.\n\nThere are, however, significant problems in evaluating Baker's work. These problems are two-fold and involve a serious question of scholarly style which may perhaps be more an issue between the reviewer (a sociologist) and Mr. Baker (an anthropologist). Certainly they have a general application: but with the immediate task in mind it becomes difficult to evaluate a book in which the total methodological content is reported in two paragraphs, one in the preface, the other in Chapter 7.6 There is no indication as to the numbers and status of the villagers who were talked to, or for how long, nor their ecological distribution through the village, nor their actual knowledge in the areas in which Baker was questioning them.\n\nThis leaves a situation in which neither the reliability nor the validity of the data which are presented can readily be assessed, except those data which are identified as coming from printed and available documents: though undoubtedly Mr. Baker kept a field diary and could have, with relative ease, presented a summary table or tables which would indicate who he talked to, at what times, and for how long, among other things. This, itself, would have been useful, as would a copy of the questionnaire which he administered before he left the village, as well as an indication of what proportion of the households responded to it. Without\n\n2 Ibid., chapter 1, pp. 28-46.\n\n3 Ibid., chapter 7, pp. 164-173. This section could have been further improved had he carefully distinguished between \"wealth\" and \"power\" and not used the terms more or less interchangeably. See pp. 165-66, particularly,\n\n4 Ibid., chapter 7, pp. 187-203.\n\n5 Ibid., chapter 7, pp. 174-186.\n\n6 Ibid., see p. viii, and p. 185. 7 Ibid., p. 185.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206429, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 246, "title": "RAS-1971", "content_text": "220\n\n \nBOOK REVIEWS\n\n \nsupport his thesis about variations in the three components of the chia. But ideally of course — and one is asking too much — we would like to know, if only by some crude measure, the statistical frequency of these variations. Were some variations so rare that they were clearly aberrations evolved by a few families? Thus in Western societies typically most husbands and wives live together; there are however some few cases — they do exist — in which eccentric husbands or wives live in separate households but continue to meet at need. How much attention should one pay to this rare family form? How many cases would make a variation significant in terms of social structure? The question is a worrying one.\n\n \nThe essay by Mrs. Margery Wolf on child training and the Chinese family is brilliantly written: sensitive, perceptive, acute. She shows how the way in which Chinese children are raised — the elder brother having to defer to the younger for some years — helps to develop tensions between them when they become adult. She also traces the process of fen-chia (partition of chia) to the competition that develops between the wives of married brothers; for wives come from stranger families and, unlike brothers, their loyalty lies primarily with their own little tribe of husband and children. Professor Freedman has been accused in a review of cutting the Chinese father down to size: Mrs. Wolf pursues this theme. She argues that the Chinese father, but not necessarily the mother, becomes a lonely and pathetic figure in old age, an authority in decay, with the power to make family decisions gradually eroded as the son or sons reach the plenitude of their vigour and manhood. Mrs. Wolf discusses not only the 'typical' family but variations — the sim-pua (hsin-pao) (little daughter-in-law), the practice of providing sons with wives by adopting an infant girl, and the custom of uxorilocal marriage. The treatment of these variations forms an important segment of her paper and throws much light on the developmental cycle of the family. Reading her paper, I was immediately reminded of the picture presented by Arensberg and Kimball in their classic study of the Irish small farmer and of his destiny when old.* Mrs. Wolf's paper is full of subtleties and insights, as one would expect from the author of The House of Lim.\n\n \n* Family and Community in Ireland (Harvard University Press, 1940).", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206511, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 59, "title": "RAS-1972", "content_text": "THE ESTABLISHMENT OF THE TSUNGLI YAMEN\n\n53\n\nmaster a foreign language then memorialize requesting that he be rewarded.\n\nAs regards duties on foreign goods at the ports, it has been agreed that at present twenty per cent of the value of the duties shall be deducted and handed back, and a joint record maintained'. Also there are barbarians who are helping to manage revenue matters20. It should be made absolutely clear how much revenue is to be collected each month, so that it does not result in misappropriation and embezzlement. But in future, after the amount withheld has been cleared, let Prince Kung and others further concentrate on deciding what appropriate regulations ought to be fixed so that after a period of time malpractices do not grow up. As regards any other arrangements to be made let them also carefully deliberate and memorialize from time to time.\n\nFor an examination of the implications of these two important documents the reader is referred to Banno's China and the West, pp. 223-236.\n\nNOTES\n\n1 Harvard University Press, 1964.\n\n2 Bruce to Russell, No. 51, May 23, 1861, FO17/352.\n\n3 Teng Ssu-yü and John K. Fairbank, China's Response to the West, Harvard University Press, 1954, 47-48; 73-74.\n\n4 Masataka Banno, China and the West 1858-1861, 220-221.\n\n5 Meng Ssu-ming, The Tsungli Yamen: Its Organization and Functions, Harvard University Press, 1962, 20-21.\n\n6 Translated in collaboration with Mr. Vei-Tsen Yang, formerly of the Department of Chinese Studies, University of Hong Kong, now Special Lecturer in the Department of East Asian Studies, University of Toronto.\n\n7 The Chinese text is in Ch'ou-pan i-wu shih-mo (#MR#&*) Hsieng-feng, 71: 17b-26.\n\n8 During the time of the Three Kingdoms Liu Pei, the founding ruler of the Kingdom of Shu, invaded the Kingdom of Wu in order to avenge the death of Kuan Yü. He suffered a crushing defeat and died soon after. After the accession of his son to the throne in 223 B.C. the chief minister Chu-ko Liang sent Teng Chih as an envoy of good will to Wu, which resulted in a rapprochement between the two states. See San-kuo chih, chuan 35 and 45 for the biographies of Chu-ko Liang and Teng Chih.\n\n9 In fact the emperor was at the summer palace at Jehol. Since the emperor had fled from the enemy the term hsing-ying ('travelling headquarters') was used rather than pi-shu shan chuang ('avoiding the heat hill palace') for reasons of face.\n\n10 At this time the prince-ministers in charge of the travelling headquarters were Tsai-yuan, Prince I, and Tuan-hua, Prince Cheng. Ministers of the imperial presence at this time were: Prince I, Prince Cheng, Su-shun and Ching-shou. Of these Su-shun was the dominant figure and was entrusted with the main responsibility for affairs at the travelling headquarters (also referred to in English as \"the temporary court\"). There were four Grand", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206794, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 71, "title": "RAS-1973", "content_text": "PERSIANS, ARABS in T'ANG CHINA\n\n65\n\nit was the fashion to copy the foreigners. Art, music, drama, dress and personal adornment were all full of foreign elements. It must be pointed out, however, that not every Chinese was in complete accord with these innovations. Yüan Chen lamented with patriotic emotion:\n\nEver since the Western horsemen began raising dirt and dust, Fur and fleece, rank and rancid, have filled Hsien and Lo. Women make themselves Western matrons by the study of Western make-up, Entertainers present Western tunes, in their devotion to Western music,32\n\nIt was also a fashion to learn a foreign language or languages. A Turkish-Chinese dictionary was made available for serious students.33 Never before had a dynasty been so fond of 'foreign things' as the T'ang, and never again was this kind of epidemic to spread in China.\n\nIII\n\nForeigners in Tang China made tremendous contributions towards Chinese artistic, medical, literary and political activities. The following shows how these foreigners had contributed their versatile talents to T'ang China:\n\nYü-chih Po-chih-na and Yü-chih I-seng\n\nYü-chih Po-chih-na and his son Yü-chih I-seng were the most eminent painters of Buddhist icons in early T'ang period.34 Artists in early T'ang period were fond of showing the gods or goddesses of foreign lands either in painting or in sculpture. The Yü-chihs were from Khoten, a Central Asian state that had long been closely related to China. According to Li-tai ming-hua chi by Chang Yen-yüan of the late T’ang period, in chapters 8 and 9, records the background of these two painters as follows:\n\nYü-chih Po-chih-na, foreigner, excels himself in painting Buddhist icons. (He) was very popular at that time and is now known as Ta Yü-chih.\n\nYü-chih I-seng was a man from Khoten. His father Po-chih-na was mentioned in the previous chapter.... (I-seng) was a great master in painting Buddhist icons. Contemporaries call him Hsiao Yü-chih, and his father Ta Yü-chih.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207321, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 89, "title": "RAS-1975", "content_text": "NOTES ON CHIUCHOW OPERA \n\n81 \n\nuntil the 12th month. Then it is the ferryman's turn again and he happily goes on, \"In the 13th month.\" but T'ao-hua catches him, \"Haha! You have lost because there is no 13th month”. They argue but he cannot win, and now they realise that the current has taken the boat too far downstream. This is a most delightful scene, a fully choreographed dance with the music based on Chiuchow folk tunes. The music and the dance are fresh and cheerful. This opening shows characteristic features of Chiuchow opera; it is beautiful, lighthearted and full of songs and dances. \n\nAct II \n\ntakes place in the garden of the Kuo family's mansion in Hsi-lu. Hsi-lu is the native place of Mrs. Su who is of the family Kuo. As she has only one daughter Liu-niang she always sends her to Hsi-lu to study and to play in the company of her cousin Kuo Chi-ch'un, with whom she has fallen in love. Liu-niang decided to declare her love to him today. She carefully drops a jade-pendant, and when she hears his steps, hides and lets him search for a while, and then throws a flower at him. He now expresses his understanding of the purpose of this meeting, but she of course denies it, blushing with embarrassment. He finds the jade-pendant, and realises how earnest she is about her feelings. So he cannot hold back any longer the news that he is leaving to sit for the civil examination; but they vow that when he comes back they will happily stay together like two butterflies. T'ao-hua appears and watches this scene, and jeers at them. The young lady takes a pin from her hair and asks T'ao-hua to act as go-between, then she hurries away. T'ao-hua gives the pin as a betrothal gift to the cousin, and asks him to take up the question of marriage seriously after his return. Then she follows her young lady. \n\nAct III \n\nThe eldest member of the Su clan visits Mr. and Mrs. Su, and urges them to think of marrying off their daughter. He has a very good match in mind, namely the son of the Yang family who is not only very well-to-do and young but has already passed the District Civil Examination and can call himself Hsiu-tsai (elegant talent). Mr. Su is indeed very pleased to hear of these prospects, and agrees wholeheartedly to this match. \n\nAfter the eldest of the Su clan has left, Mrs. Su accuses her husband of dealing with such an important matter too lightly; agree-", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207324, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 92, "title": "RAS-1975", "content_text": "84\n\nHELGA WERLE\n\npromises the wet-nurse that, if he becomes a mandarin, he will erect such a monument to her chastity, whereupon the wet-nurse cries. Asked why, she answers that this is not possible and that his father knows very well why.\n\nAct VI\n\nThe eldest of the Su clan together with the Hsiu-tsai Yang come to visit Mr. and Mrs. Su. Mr. Yang, whom the parents see now for the first time, is very aggressive and accuses his parents-in-law of being responsible. Mr. Yang makes a very bad impression on them, being ugly and of mean character. They are determined to get out of this marriage contract. But Mr. Yang threatens to take them to court. Mr. Su finds it difficult to answer why he does not want to keep his word. How can he and his wife confess that their daughter has fallen in love and that they support her romantic choice? It would be against all rules of decency. So they repeat the fact that she is their only child and still so young, and that the Yang family is living so far away. But Mr. Yang argues that she is already over 16, which is the right age for a girl to marry.\n\nT'ao-hua is also present and argues with Mr. Yang with her quick and sharp tongue. The parents are pleased to get help against this ruffian, but the eldest Su is appalled. \"How can you allow your slave-girl to have a say in your affairs?\" he asks. At this point the parents realise that this is against all the rules, and they send T'ao-hua away.\n\nHowever, the eldest of the Su clan is annoyed by the arrogant behaviour of Mr. Yang. He asks him to leave and let him handle this awkward matter. When the three of them are alone, the parents try again to persuade the eldest Su to help them to get out of this contract, and start to explain why. But the eldest does not want to listen, and states what a shame it would be for the whole Su clan if the daughter is allowed to follow her own inclination. The eldest finally forces the parents to send their daughter to the Yang family's house on the next morning. The eldest Su exits with a content 'haha', as the mother is scolding the girl's father, saying that it is all his fault.\n\nAct VII\n\nThe daughter Lu-niang in her chamber is desperate at the news that she has to be married tomorrow to the Yang family. When", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207325, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 93, "title": "RAS-1975", "content_text": "NOTES ON CHIUCHOW OPERA \n\n85 \n\nshe hears the beat of the second night watch she runs around her chamber, throwing up her sleeves in despair. A servant girl brings in her wedding dress folded on a tray. Then Mr. Yang's wet-nurse drops in, calling her already 'wife' of her Hsiu-tsai and promising to come and comb her hair next morning. Then Liu-niang's mother comes to console her. The daughter says, \"Mother, how can you send me away! I am your own flesh and blood.\" \n\nHer mother then tells her that they have sent T'ao-hua to Hsi-lu, and it may be that she will not return until tomorrow night. This would mean that Liu-niang would have to leave for the Yang family's residence without her maid. \n\nAt this thought the daughter pretends to resign herself to her fate. She asks her mother to go to bed and promises that she will do the same. As soon as the mother has left, the daughter decides that on no account will she go to the Yang family. If T'ao-hua does not return with news from her cousin Kuo, she will drown herself in the river. \n\nAt the 3rd watch she writes her last letter to her parents, and runs out of the house. \n\nAct VIII \n\nHurrying to the river, pitying herself, she suddenly bumped into T'ao-hua. And here starts the happy end to this tale. The daughter Su relates that suddenly the Yang family have pressed her parents in agreeing to the marriage on the next day and that now she only has suicide as a solution to her grief. At this moment the handsome cousin Kuo arrives. Having heard of the confusion from T’ao-hua he insists on returning with her in order to put matters straight. T'ao-hua is always alert and watching out, to see whether they are being followed. The old ferryman, who has listened to their conversation, calls T'ao-hua and offers to take the couple across the river to facilitate their elopement. When the three of them are on the ferry Tao-hua asks for Liu-niang's shoes, which she drops on the bank of the river \n\nAct IX \n\nAt sunrise Yang's wet-nurse hurries to Liu-niang's chamber to dress her hair for the wedding. Calling 'Hsiu-tsai Niang' in all directions, she cannot find the girl and quickly alerts the parents. Sear-", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207326, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 94, "title": "RAS-1975", "content_text": "86\n\nHELGA WERLE\n\nching the room they find the parting letter on her desk. The mother starts wailing, cursing her husband. They call the servants to check the house, and the two male servants return and report that they found the back-gate open. They panic, and the wet-nurse rushes out to inform the groom's family.\n\nAct X\n\nThe servants lead the way with lanterns to the river. Mr. and Mrs. Su are followed soon after by the eldest of the Su clan, and by Mr. Yang and his wet-nurse. Then the group meets T'ao-hua and she joins in the search. Mr. Su now accuses Mr. Yang of having pushed their daughter to commit suicide. Mr. Yang reads Liu-niang's last letter but is not impressed. Perhaps it is a trick to avoid the marriage. He will not believe it until he has tangible proof.\n\nAfter walking in many circles they come to the bank of the river, where a servant discovers the shoes of Liu-niang. The parents wail and scold Mr. Yang, and finally the old ferryman approaches with his oar. When asked whether he had seen Liu-niang, he answers that he did not see anybody, but heard a big splash. Whereupon the whole party decides to return home.\n\nThe ferryman calls back T’ao-hua and triumphantly tells her that he can now finish the couplet of the 13th month, because every so many years there is in fact an intercalary 13th month. And on this gay note the play ends, providing the reason why this opera is colloquially called \"T'ao-hua Crosses the River”.\n\nAct VIII is the climax of the play and Act IX and X the anti-climax.\n\nFOOTNOTE\n\nChiuchow Opera and Peking Opera\n\nThe repertoire of Chiuchow opera contains plays taken from the Peking opera, as well as plays based on Chiuchow's local traditions. Ch'en San Wu-niang and Su Liu-niang are both typical Chiuchow operas which have no parallel in the Peking opera. Both are elegant and refined literary operas, with a very strong local flavour in the treatment and development of the subject, and in the music and performance style.\n\nIn a Peking opera the hard laws of society, the five relationships instituted by Confucius, are more important than human happiness; and in Peking opera the same plot would have quite a different dénouement, most probably with a tragic end. How would a well-kept young lady ever dare", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 124, "title": "RAS-1975", "content_text": "116\n\nRICHARD J. SMITH\n\ndeterioration of prospects in their homeland. Many foreign military men in the Chinese service came from aristocratic families, some as hostages. At times barbarians came to China as temporary allies, returning home after a limited tour of duty.\" Although the general tendency was to measure barbarian devotion by the yardstick of cultural submission, Chinese policymakers recognized that personal, bureaucratic and economic pressures necessarily complemented cultural controls. If an individual did not wholly accept the constraints of Chinese culture and the Confucian value system, he might still be ensnared by having a material stake in Chinese affairs or at least bound by personal relations and institutional limitations.\n\nEconomic inducements were particularly important, given the common stereotype of foreigners as \"animal-like\" and avaricious.18 In the eyes of many, barbarians could never possess what Ch'en Yen described as a “Chinese heart” (Hua-hsin). As the Han thinker Tung Chung-shu put it: \"People like the Hsiung-nu cannot be converted by humanity and justice, but can only be appeased with huge profit, and tied down by an appeal to Heaven.\"19 Chia I, another Han scholar, developed the strategy of the \"three standards and five baits” (san-piao wu-erh), designed to spoil the senses and win the hearts of barbarians through flattery, personal attention, imperial favor and material attractions.20 Yet another policymaker, the Ming statesman Chang Chü-cheng, sought to combine the carrot and the stick. In response to the question, \"How can one hold responsible the arrogant, bellicose barbarians who have surrendered only recently?\" Chang answered: Treat the foreigners like dogs, throwing them bones when they wag their tails and whipping them when they bark.21\n\nMultiple restraints were deemed essential to the effective management of foreign military employees, for military affairs remained a closely guarded sphere of imperial control. The use of aliens in a civil capacity involved comparatively few risks. Outsiders with administrative ability were often genuinely attracted by the refinements of Chinese culture and, in any case, were checked by the usual limitations of civil bureaucratic power. But foreign military men, more likely to be unlettered and unimbued with civil virtues, were less susceptible to cultural and bureaucratic restraints. Since such individuals might command or control large numbers of troops, it was of special concern to the Chinese that their loyalty be both", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207760, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 148, "title": "RAS-1976", "content_text": "NOTES ON FRIENDS AND RELATIVES OF TAIPING LEADERS\n\n133\n\nGützlaff ever met each other in 1848 when Feng returned from Kwangsi and stayed in his native place for a short period to wait for the return of Hung Hsiu-ch'üan. I cannot see how the fable started. It may be that some members of the Union did join the Taiping army and recognized superficially the similarity of the organizations of Feng and Gützlaff with practically the same contents in their teachings, thus misunderstanding the identity of the two groups; and thus, Feng was mistaken for a fellow-member of the Union. All in all, this problem needs further study and intensive research before a conclusive answer can be obtained.\n\n(2) Li Tsin-kau ($£$)\n\nAccording to Hamberg's account, Li Ching-fang (***) was Hung Hsiu-ch'üan's cousin who lived in Lien Hua Tang (##) in Hua-hsien where Hung taught. The Tai P'ing pamphlet T'ai Ping T'ien Jih (***ŋ) identifies him. Hung first studied Liang Fa's pamphlets seriously with him.\n\nW. Oehler, Die Taiping-Bewegung (1923), asserts that Ching-fang was the grandfather of Li Tsin-kau. For certain reasons I believe Ching-fang was more likely the father, as Tsin-kau was seemingly too young to befriend and discuss such serious matters with Hung.\n\nThe late Rev. Chang Chu-ling (✯✯✯) told me a very amusing anecdote about Li Tsin-kau. After establishing his capital in Nanking, Hung Hsiu-ch'üan ordered Tsin-kau to recruit followers in Kwangtung. Tsin-kau failed in this mission but went north personally. When he arrived at Shanghai on the way to Nanking, he heard that the God whom Hung saw in his visions years ago wore a black robe. He thought that God, the True God, should be dressed in white, and therefore what Hung had seen was really the Devil. The result was that he turned back to Hong Kong immediately without attempting to see Hung again. (See my Taiping Tienkuo Chuan-shih, pp54-55, notes pp58-59) This story corroborates with the account Carl Smith found (p. 124), but the call to come to Nanking might be from Hung Jen-kau rather than from Hung Hsiu-ch'üan.\n\n(3) Hung Jen-kau (Shield King †1##)\n\nAt last, the question 'who financed Hung Jen-kau's trip to Nanking?' is solved with Carl Smith's finding that the London", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207919, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 307, "title": "RAS-1976", "content_text": "292\n\nNOTES AND QUERIES\n\nCHINESE PRESERVED MONKS (肉身塑像)\n\nThe preservation by both Taoists and Buddhists of the bodies of famous monks and abbots by lacquering, varnishing or coating and embalming in clay was not as uncommon as one would think. It is only too easy to see how after the death of a particularly wise and beloved abbot, his presence would be badly missed throughout the monastic community. They would begin to venerate his memory and perhaps even a cult might emerge. Again we can visualise that his contemporary detractors, should there have been any, would eventually die and their prejudice, jealousy or even dislike perhaps, would fade in time. The opposite however, would be true of the memory of his wisdom, piety and gentleness. Another major motive for the preservation of such saints and very religious monks was the very mundane desire to obtain more funds for the religious institution by exhibiting the body to the faithful. In some monasteries such mummies were kept in private apartments hidden from public gaze. They had been members of a community, so their brethren claimed, and only other members had the right to see them. Most monks were cremated after death and their ashes retained in reliquaries in their monastery.\n\nSome of the more famous \"preserved monks\", or 'fleshy bodies' which is a direct translation from the Chinese, displayed or kept for personal reverence, were to be found in the following temples and monasteries:\n\nPai Sui Kung on Chiu Hua Shan, Anhui\n\nTsu Shih T'ien on O Mei Shan, Szechuan\n\nTien T'ai Ssu in the Western Hills near Peking\n\nYuch Lin Ssu in Chekiang\n\nNan Hua Ssu in Northern Kwangtung\n\nTien An Fu below T'ai Shan in Shantung\n\nHui Chu Ssu in Pao Hua Shan, Kiangsu.\n\nThere is also one such in the Temple of Ten Thousand Buddhas above Sha Tin, Hong Kong.\n\nA Danish architect, J. Prip Møller1 spent a considerable time in the early thirties touring around many monasteries throughout China in his research into monastery construction. He referred on several occasions to 'fleshy bodies' set up as images in monastery", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207920, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 308, "title": "RAS-1976", "content_text": "NOTES AND QUERIES\n\n293\n\nhalls, noted how common they were in Central China and continued \"they may almost be said to abound in Szechuan\". He suggested that the custom sprang from the belief that the benevolent influence exercised by the deceased during his lifetime would still be active if his body was preserved and set up. These mummies were placed in a hall on their own and even in the main hall beside the Buddha's image directly in front of the main altar. The \"images\" were usually gilded, though several on O Mei Shan were made up in fresh colours and dressed in silken robes which sometimes produced quite a monumental effect. The finest example he saw was in a wayside monastery on Chiu Hua Shan at the Ts'ui Yun An where the features of a monk who had died about the turn of this century had been gilded and “stood out as though carved in oak”.\n\nThe Chinese appear to have used two ways of preserving corpses. The usual method consisted first of evisceration; the body was then pickled in salt for a considerable period of time, afterwards being placed in a sealed urn and left for several years. If, when opened up, the urn was found to contain an undecayed body a subscription list was opened for the gilding and enshrining of the relic. The body was thickly gilded or varnished and, if not exposed to the elements or to great extremes in temperature and humidity, it would then last for centuries. The second method was for the dying monk, if he felt divinely inspired, to fast before death and in the process dry himself out, so that after death little was required to finish off drying the body into a leathery, hard mass of skin and bone3.\n\nThe following short notes on the better known \"fleshy bodies\" provide a clearer picture of how widespread the practice was. In May 1975 a preserved body, just emaciated skin and bones, seated in a cross-legged position was returned from Japan to Taiwan. The relic, the body of the monk Shih Tzu-kung (#4) known as the Stone Monk (GI✯✯), had been in Japan since World War II when it had been secretly shipped there by a Japanese military dentist. The body, more than a thousand years old, was of a T'ang Buddhist leader born about 700 AD in Kwangtung into a family named Ch'en (#). His title during life was Wu Chi Ta Shih (AR), which is the title he is still known by. He has now been returned to his original monastery in Taiwan.\n\nAn embalmed body exhibited in the eastern part of the Great Hall of the Yueh Lin Temple in Chekiang was claimed to be that", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208031, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 70, "title": "RAS-1977", "content_text": "54\n\nTien-Shui\n\nHui-Hsien\n\nW. A. REYNOLDS\n\nNINGSIA\n\nKANSU\n\nYung-Ping\n\nYEN-AN\n\nKan-Cho\n\n-Chu\n\nSlo-Pa\n\nKien Rateni (?)\n\n \n-Cheng\n\nCheng-Ku\n\nHan-Chang\n\nDigi-Hsiang (?)\n\n?\n\nSHENSI\n\nNan-Hsing\n\nturng (?)\n\nWEI HO\n\nHsing-Ping\n\nPAO-CIT\n\nHung-Hua-Pu\n\nHSIA Fang\n\nKuang-Shih-Pu\n\nHONAN\n\nLo-Chuan\n\nHiao-Ho-Kou\n\nHuang-Ling\n\nI-Chun\n\nSHANSI\n\nRiver\n\nKuang-Tiao\n\nChien-La (?)\n\nTru-Tung (?)\n\nHien-Yang\n\nTe-Yang\n\nSun-Tai\n\nWan-Yuan\n\nLo-Heh-Pa\n\nShuang-Po-Chang\n\nSZECHWAN\n\nTa-Haien\n\nRs In-Tu (?)\n\nCHENG-TU\n\nSui Ning\n\n \nden-Yang (?)\n\nLa-\n\nTung-an\n\nIzu-Yang (?)\n\nPeng-Ch\n\nChu-Hsien\n\nCHANG\n\n CETAM (?)\n\n-Nan-Char (?)\n\nTa-Chu\n\n-Ch:\n\neng/An\n\n1in-Shui (?)\n\nChung\n\n ́ung-\n\nLo\n\nJung-Shi\n\nHei-Chiark\n\nP1-Shi (?)\n\nhg-Chuan (?)\n\n\"Lung-Chiang\n\nKWEI CHOW\n\nHUPEH\n\nHIUNAN (?)\n\nSzechuan & Shensi Main Road System 1946. Scale: 1:3,000,000. Figure Map of Szechuan & Shensi showing routes.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208067, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 106, "title": "RAS-1977", "content_text": "90\n\nK. G. STEVENS\n\nand in another temple with a carved wooden coiled snake in the middle of the group. In one Macau temple four of the Five Demons have very cheeky, European children's faces. This is because the original heads of the images had been so badly burnt by candle and incense heat that the temple keeper had substituted European doll's heads.\n\nApart from the background sheet of titles and the image of the Local Wealth God and those of the Five Demons already described, there are some five other items and images which may feature in Under Altars. As with every temple disposition there does not appear to be any firm rule as to where or how each image or item should be placed within the altar.\n\nThere are many conventions, but none without the exception. The first group of items consists of wooden or stone images of living animals or creatures, the most popular being cockerels, dogs and snakes. No keeper was prepared to say why these creatures are depicted.\n\nSecondly, there are several Gods whose images are seen in Under Altars in addition to being on normal altars. The most popular and easily the most common of these is Marshal Chao, a Wealth God who is also called the \"Marshal of the Dark Altar,\" Hsuan T'an Chao Kung-ming Yuan Shuai (#). Chao's image is relatively standard, and was very common in temples throughout China. He is a ferocious general, seated astride or seated with a foot on a tiger; or standing on a tiger; with his right hand raised holding a magic whip (a knobbly-bladed sword). He was spotted on one occasion in one temple only with a long folded white strip of paper and a short strip of hessian laid across his head. We will briefly refer again to Chao. Others include Tzu Wei Hsing Chun (***), The Star God of the Planet Venus, and Hua Fen Fu Jen (✯✯✯A), the Powder Maiden (who preserves a girl's beauty). The face of the latter image is coated with cosmetic powder by young girls and she is frequently bedecked with strings of imitation pearls as offerings. The connexion between the Powder Maiden and the rest of the altar escapes explanation, and the answer from temple keepers has been that it is simply custom. There are also numerous other unidentified individual images unconnected with the altar which have been placed there by ignorant temple keepers or worshippers.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208399, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 123, "title": "RAS-1978", "content_text": "SIIIWAN POTTERY EXPLORED\n\n107\n\nthe theme of \"restoring rivers and mountains\" to the point of becoming formula, but no one complained.\n\nMai further describes how the Guangdong opera actors practised the martial arts of the Shaolin branch (*) and finally put this art to use when in 1854 their leader, the actor Li Yunmao (***) also known as Wen Mao () led three armies of actors to join the Taiping effort against the Manchus. These armies were destroyed along with the rest of the Taiping army, and in the aftermath, the Qing court issued an order forbidding the performance of Guangdong opera and had the actors' Qiong Hua (hortensia flower) Association Hall (1446) in Fushan burned to the ground.\n\nA gilt wood carved altar in the Ancestral Temple in Fushan, and a Shiwan frieze depicting the story of the Yang Family Generals, preserve in their carvings the significance of these events and their broader implications for a community not under the domination of a foreign Manchu government, but also besieged with Caucasian foreigners pressing for trade and territorial rights.\n\nThe Qing dynasty gilt wood altar carving has double meaning. The carving depicts the story of Tang dynasty Li Yuanba fighting the dragon colt (*£#£#6). On a second level however, the horse represents the unruly foreigners, and Li Yuanba, having the same surname, represents Li Wenmao. Verifying this are two hidden plaques hung above the scene which can only be seen from a crouching position. One reads \"Great Ming Mountains and Rivers\" (11) and the other \"Qiong Hua Hall\" (44), with the middle character Hua (4) substituted as disguise for the similar sounding Hua (*) of the Hortensia Flower (Qiong Hua) Association. Furthermore, according to Mr. Zhang Tao (**), curator of the Ancestral Temple, the characters on these two wood plaques were originally covered with extra slabs of wood and were only discovered while renovation was being done to the temple between 1971 and 1972. (Plate 14).\n\nIn addition to this gilt wood altar scene, a beautiful ceramic frieze depicting the story of the Yang Family Generals, Song dynasty loyalists, is displayed in the rear courtyard of the Ancestral Temple. In addition to this anti-Manchu theme (the Yang family's loyalty to the native Song dynasty during the period of barbarian Yuan conquest, symbolising the loyalty of the Chinese people to the", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208457, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 181, "title": "RAS-1978", "content_text": "VILLAGE GOVERNMENT IN CHINA, 1933\n\n165\n\nany contingency of administration which faced the small and self-contained villages of the rural districts in which the great mass of the Chinese people dwelt.\n\nAuthor's note: On rereading this effort of an aspiring young Sinologue in Peking some 45 years ago, the author realizes how quaint it must seem today for the \"state of the art\" is far advanced since then, with a proliferation of on-the-ground studies of Chinese rural life done by sociologists and social anthropologists in China, Hong Kong, and Taiwan. They provide concrete information on village governance richer than all one could find in 1933, C.M.W., 15 October 1979.\n\nBIBLIOGRAPHY\n\nI. WORKS CITED IN THIS PAPER.\n\nAddison, James T.; Chinese Ancestor Worship: a Study of its Meaning and its Relations with Christianity. No place, Chung Hua Shen Kung Hui, 1925.\n\nAlabaster, Ernest; Notes and Commentaries on Chinese Criminal Law and Cognate Topics, London, Luzac, 1899,\n\nBazin; \"Recherches sur les Institutions Administratives et Municipales de la Chine\" (Journal Asiatique. 5th Series, vol. 3, 1854, p. 6-66; vol. 4, 1854, p. 249-348), (The two papers are differentiated by the Roman numerals I and II.)\n\nBishop, Carl W. Man from the Farthest Past. New York Smithsonian Institution, 1930. (Smithsonian Scientific Series, vol. 7.)\n\nBishop, C. W.; \"Prefatory Note on the Worship of Earth in Ancient China.\" (Excavation of a West Han Site. Shanghai, no pub., 1932, p. 1-20.)\n\nBishop, Carl W.; \"The Rise of Civilization in China with Reference to its Geographical Aspects\" (Geographical Review, Oct. 1932, p. 617-631.)\n\nBoulais, Guy; Manuel du Code Chinois. Shanghai, Imprimerie de la Mission Catholique, 1924. (Variétés Sinologiques 55.)\n\nBuck, John L.; Chinese Farm Economy; a Study of 2866 Farms in Seventeen Localities and Seven Provinces in China. Shanghai, Commercial Press, 1930.\n\nChen Huan-chang; The Economic Principles of Confucius and His School, 2 vols. New York, Columbia, 1911.\n\nChina National Government. The Civil Code of the Republic of China. Translated into English by Hsia, Ching-lin: Chow, James L. E.; Chang, Yukon, 2 vols. Shanghai, Kelly and Walsh, 1930-31. vol. 2.\n\nChina Year Book 1932. (Woodhead, H. G. W. Ed.) Shanghai, North-China, 1932.\n\nChinese Repository. See: \"Clanship Among the Chinese.\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 209282, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 185, "title": "RAS-1981", "content_text": "The Hong Kong Origins of Dr Sun Yat-sen's Address to Li Hung-chang\n\n171\n\nTheir editorial and correspondents' columns offered a ground for free political discussions, with greater attention on issues in China than those in Hong Kong. There appeared in the 1870's two Chinese-language newspapers, the Hsin-huan jih-pao founded and edited by the well-known scholar reformist, Wang Tao, and the Hua-tzu jih-pao, which was firstly issued by the China Mail as a separate paper in Chinese called the Chinese Mail. But in 1886, the Chinese Mail became an independent paper with Ch'en Ai-ting as its editor. These two early Chinese newspapers were well-known for their promotion of Western learning and China's modernization. About one-third of the Hsün-huan jih-pao was devoted to an editorial for such causes. The Hua-tzu jih-pao did not have an editorial, but a special column was reserved for publishing the writings of Chinese intellectuals in China or Hong Kong. In addition to newspapers, there were occasional pamphlets on current issues or ideas of reforms of the time. The well-known compradore-reformist Cheng Kuan-ying's I-yen, later to be incorporated in his Sheng-shih wei-yen, was first printed and published in Hong Kong in 1872. Intellectuals such as Ho Kai and Hu Li-huan also often wrote to express their views on China's modernization and reforms. Thus in Hong Kong, Sun was well exposed to these writings and ideas. Recent studies show that during these years Sun might also have written occasionally.13 At least two papers written around this time have been identified. In 1890, Sun wrote to Cheng Tsao-ju, a scholar of Sun's native county Hsiang-shan and a prominent and progressive official who had served as Chinese Minister to the United States between 1881 and 1885. The letter was later published in a newspaper in Macao.14 Meanwhile, Sun also made acquaintance with Cheng Kuan-ying, although it is not clear how closely he was associated with Cheng. Regional ties, common appreciation of knowledge of the West, and concern for the renovation of China must have helped Sun to look to Cheng. Sun wrote a paper on agricultural reforms, which, after some revision by Cheng, was incorporated in the 1894 edition of Cheng's Sheng-shih wei-yen. On the way to the north in 1894, Sun stopped in Shanghai to discuss his proposal with Cheng, through whom he also met Wang T'ao. It was through their introduction that Sun was able to meet one of Li's secretaries. The letter to Cheng Tsao-ju and the paper on agricultural reforms are relatively less well-known pieces of Sun's writings. But the ideas expressed in both, though less detailed, are similar to ideas in the letter in 1894. The superiority of Western science and technology, benefits of modern education, full use of human talents and the need for modernization of agriculture are the major themes.15", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 210066, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 37, "title": "RAS-1984", "content_text": "16\n\nJULIAN PAS\n\nFrom Sung times on, the blockprint method made the spread of temple oracles much easier. I also believe that once one temple started using the oracles, the practice must have spread as quickly as fire to other temples to attract worshippers and increase temple revenue. Nowadays the great majority of temples in Taiwan have sets of bamboo lots for the use of visitors. Few temples, mostly those of Buddhist affiliation, can afford not to include them in their paraphernalia, and even then many Buddhist temples do make use of them. Taking over a successful practice, however, does not necessarily mean downright imitation. Personal inspiration and possibly competition amongst the temples resulted in an incredible variety of oracle texts. These texts, written by diviners, priests and even poets share the same basic orientation or purpose: to give answers to people in distress or uncertainty. It is believed that when the worshipper shakes the container, the divine influence will make the right answer appear. Besides this one universal characteristic, each set of oracles has its own individual traits, as will be shown below.\n\nThe oldest set of oracles discovered so far probably dates from the Sung dynasty (ca. 1250) and was reprinted in 1958.1 In W. Banck's text edition, oracle no. 78 of that blockprint series has been reproduced; it is interesting to notice that in the interpretation given, the character kua | is used: this immediately links this oracle to the diagrams of the I Ching which are always called kua.\n\nLocal influences, individual tastes and the talents of their creators must have given each series its own particularities. Obviously competition among various shrines must have also influenced the authors. In modern times the rich variety of oracle sets is amazing: in W. Banck's collection 55 different sets are photographically reproduced: 46 sets were collected in Taiwan temples, the remaining ones are from Hong Kong (3), Macao (1), Malaysia (3), Bangkok (1) and even California (1). Besides these, I collected in Taiwan some other sets not included in Banck's collection. One wonders how many more sets were once in use in mainland temples, since the varieties found in Taiwan mostly reflect the situation in Fukien and in a more limited way in Kuangtung.\n\nThe Taotsang, the collection of sacred writings of the Taoists17 has preserved 7 or 8 oracle series, probably derived from other", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210581, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 188, "title": "RAS-1985", "content_text": "169\n\nthe outside as possible, and the first government is a pair of wadded for winter trousers, called k'u's, then a skirt lapped over back and front and pleated on the sides. Then a wadded or fur-lined Ningpo jacket, and over all, a qua-tsi or outer garment, which somewhat resembles a skirt. And of course Chinese shoes, embroidered on the toes. I will enclose a picture which will show you a little how I look.\n\nWould you mind passing this letter on to Miss Amy, as my time for letter writing is very limited indeed, and I do not know when I can get her letter written.\n\nToday is Chinese New Year and a general holiday. The Chinese women have been coming all day to call, as they understand they can go through the house today, and it is such a treat to them to see how the foreigner lives, and to see the foreign things. Our white beds are an endless source of comment and wonder, and they will not walk on the rugs which are in some of the rooms, but walk around them. Our simple comforts are the essence of elegance to them. Poor dear souls, and so few of them know that Jesus loves them.\n\nI am also enclosing for your little girls the first verse and chorus of \"Jesus loves me\" in Chinese. And on a separate paper you will find the key to it. It begins at the right-hand corner and reads right down the page. The little space in the centre indicates the lines of the verses and forms the poetry. My teacher wrote it for me and I hope it will interest your little ones to pray for the little children in China.\n\nI wish I could give you a glimpse of things as they are here. We are two days and two nights' journey from Shanghai. And when we left Shanghai our life as China women began. We came by steamer to Chinkiang, then up the canal in a native boat. I wondered why we had to have an older missionary with us when we started up the canal, because there were four of us, new ones, and we had a trusty coolie, but before we arrived at our destination I was so thankful to have someone that could speak Chinese. At one of the Chinese custom stations because we did not show ourselves we were accused of smuggling salt, and Miss", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 211079, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 140, "title": "RAS-1987", "content_text": "115\n\nbow once more, then the procession wended its way round the village square to where the groom's car and those of his attendants were parked. The groom's car was decorated in the usual fashion with rosettes along the bonnet and a Western doll in a white dress at the centre. Cymbals clashed, the Chilin postured around each wheel and to the front and back to prevent bad spirits from following the groom and best man into the car. Firecrackers were set off and the car left for Kwan Tei accompanied by friends and relatives.\n\nAt 1.30 pm we returned to find everyone waiting in the village square. The women had really entered into the fun by embellishing their outfits, and were now dressed in funny hats with small leafy branches stuck in some of them. The old woman with the rolled up trouser leg who was playing the part of the dragon's tail, was now wearing a yellow plastic colander, decorated with beads and ornaments, upturned on her head. At her back she had a small cushion stuffed under her sam which had been tied tightly to form a large lump! She was carrying a pink plastic beaker, and holding a wooden stick with a red piece of cloth tied to the top. Two women were holding a bamboo pole, supposed to be the rudder, which had crushed beer cans tied to the bottom and at the top a small branch of kumquat leaves. More women now prepared to join the Dragon Boat procession. Those without the proper accessories improvised by either wearing ordinary kitchen aprons, or else ones to which they had added some handsome decoration of beads and embroidery at the neck. There was an air of great frivolity as all entered into the spirit of the festivities.\n\nSoon the car returned carrying the bride and groom. More firecrackers were set off, cymbals clashed and the Chilin cavorted around the car, covering it, touching it, and bowing to each wheel. The women with bamboo poles and tin cans danced as the assembled crowd fought enthusiastically to get a first look at the bride. She was dressed in the traditional hung kua and red leather shoes, with cypress leaves and gold ornaments in her hair, and was carrying the bouquet given to her by the groom.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211639, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 54, "title": "RAS-1989", "content_text": "29\n\ndedicated to Pao Kung, the Lenient Judge, and also in a Buddhist temple in Beverley Hills on Cebu where he has behind him a small image of the Jade Emperor's second son Erh T'ai Tzu (...). The whole group of the Jade Emperor's family, though only the two sons (the second one and the third) are portrayed, is referred to as Chiu Chung T'ien Lao Tsu (LICEEM).\n\nA rural temple on the island of Penang contains three images on its secondary altar identified as the Three Sons of the Jade Emperor. They are referred to as San Yuan T’ai Tzu (SAT).\n\nAnother rural folk religion temple at Bukit Mertajam on the Malaysian mainland opposite Penang contains an image of the Jade Emperor's Fourth Daughter (Ti Ssu Kung Chu Pч2) on one side of the main deity on the altar, the Jade Emperor himself, with an aide to the princess on the other side of the Jade Emperor. The aide is known as Meng Yen Hua (夢燕花),\n\nAn unusual image, of a farmer standing holding a hoe over his shoulder, stands on a private altar belonging to a Hakka petty businessman in Kranji, Singapore. The businessman explained that it portrayed one of the sons of the Jade Emperor and had been brought from eastern Kuangtung province last century; it has been prayed to for good crops ever since. He is known as Li Po Kung Kung (#22).\n\nIn one group in Singapore, on a Taoist altar in Lorong How Sun, the Jade Emperor is attended by four of his seven daughters. The first is Hsien Chi Niang Niang (瑄姬娘娘), the second is Kuan Yin, the third is T'ien Hou and the fourth is Nu Wa. All but the eldest are well known deities from early Taoism and Buddhism in their own right. Hsien Chi Niang Niang has only been noted twice, both times in Singapore, on altars where she is said to be the eldest daughter of the Jade Emperor. She is portrayed standing on rocks, holding a fly whisk in her right hand.\n\nAgain in Singapore, on a private altar, a Buddha figure, gilded and seated in a lotus position, was identified as Han Hsien Fu Tsu (#\n\nbili), and said to be a daughter of the Jade Emperor (see Plate 8). She has three identifying features apart from her Buddhist five-leaf crown. These are a small dragon crawling over her left knee, a vase balanced on her right knee and her palms held facing together before her chest with her fingers making a mystic sign. This image has also been seen", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212011, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 426, "title": "RAS-1989", "content_text": "401\n\nconnections between the local guilds, membership on the committee and the emergence of a Chinese business elite, the importance of a Chinese alternative to the colonial government which the Tung Wah essentially represented, and the links between traditional Chinese political culture and the symbols and trappings of authority with which committee members sought to enhance their status. It would be interesting to see how these patterns of social control changed after the colonial government introduced more controls over the hospital in 1896. But that is another story. Dr. Sinn's book will stand as the definitive study of the early history of the hospital and it is essential reading for anyone wishing to understand Hong Kong society and politics in the nineteenth century.\n\nIAN SCOTT, University of Hong Kong\n\nPaul A. Cohen and Merle Goldman, eds., Ideas Across Cultures: Essays On Chinese Thought In Honor of Benjamin I. Schwartz. Cambridge, Massachusetts and London: Harvard University Press, 1990. xi + 400 pp. Index.\n\nThis Festschrift for the recently retired Harvard professor of Chinese history and political science, after nearly four decades of teaching and writing, is a genuine tribute to the iconoclastic Schwartzian tradition. All ten articles, written by former students of the last three decades, address questions in Chinese studies which engage broad ranges of comparison with other Asian and Western expressions, in search of Schwartz's 'possibility of a universal human discourse', (p. 314). In every case, the thematic questions take Schwartz's previous work as a starting point from which to embellish, extrapolate or challenge academic evaluations of China. Raising issues from such diverse fields as Shang oracular bones, Mo-ist and Confucian utilitarianism, medieval metaphysics, folk-opera in the 1920s, non-Eurocentric Marxist theory and recent democratic overtures in the People's Republic, the authors create a literary monument to the probing and sensitive studies of their teacher. Precisely because of these varying degrees of reference to the Schwartzian corpus and the unusual breadth of themes, the lack of an exhaustive bibliography related to the honored scholar and the absence of a Chinese glossary are regrettable.\n\nThe first and ninth articles, by Hao Chang and Thomas Metzger, pinpoint their correctives to Schwartz's claims. Chang repeats a claim already made in 1985 that the ‘axial age' (qua Karl Jaspers) of Chinese", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212017, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 432, "title": "RAS-1989", "content_text": "407\n\nHistorian E.H. Carr once succinctly remarked, '[Historical facts] are like fish swimming about in a vast and sometimes inaccessible ocean; and what the historian catches will depend, partly on chance, but mainly on what part of the ocean he chooses to fish in and what tackle he chooses to use; these two factors being, of course, determined by the kind of fish he wants to catch. By and large, the historian will get the kind of facts he wants. History means interpretation.' What really matters is not whether a historian's interpretation can lay claim to being definitive, but rather the logic of the argument he constructs.\n\nFaure attempts to show that there was 'continuous' rural prosperity right down to the 1920s because of the peasants' involvement in international trade. The basic issue, therefore, is not whether the peasants had ever benefited from trade at some point in time, but whether those benefits had been enjoyed on a sustained basis or whether the peasants had procured enough profits from trade booms to help them tide over periodic depressions. Let us examine the records of the export of three commodities under survey, namely, tea, sugar, and silk. For tea, Faure admits that export had declined rapidly after the 1880s, but he is quick to point out that 'tea growing was only marginal to the farm economy [of Guangdong] and its loss caused little stir [whereas] Jiangsu was not a major tea producer, and was not seriously affected by changes in the tea trade', (p. 109). This is quite true. For the sugar trade, there was a boom in the 1870s and early 1880s, and there is little doubt that these were auspicious years for Guangdong (particularly the Chao(zhou)-Shan(tou) district) since it was the most important sugar-producing province in China. However, as Faure admits, Chinese sugar lost to foreign competition from the 1890s and, apart from a brief recovery during the First World War, the sugar trade had gone on an irretrievably downhill course. How did this affect the multitude of cane-cultivators? Faure contends, 'with rice as a crop to fall back on, the loss of the cane market did not lead to any sharp loss in farm income, even though it formed a noticeable loss in the export trade', (p. 111). Such a contention is, in my opinion, problematic. It is too often assumed, as in the case of Faure, that the peasants could readily change their production plan in order to get the best market. The measure of the disadvantage of a falling market for one particular crop, according to such a line of reasoning, is simply the difference between the income from that crop and the income from alternatives. The crucial question is: did the traditional peasants respond to market changes quickly enough to offset the losses from a falling market? It is true that many cane-cultivators", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212379, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 321, "title": "RAS-1990", "content_text": "298\n\nHeaven's Authority', T'ien Ling, and has his left hand at waist height making a mystical sign, the middle three fingers pointing vertically with the thumb and little finger bent over to touch each other.\n\nIn some places the scholar's robes are gilded and decorated with pa kua signs, in others the robe is plain. Other very minor variations, mostly in the carving of the creature, have also been noted. Also, in several instances, the scholar has a small sword or dagger tied suspended from his left hand.\n\nThere would appear to be no particular pattern to the donations which have spread far and wide throughout Taiwan during the years since '84; the temples include Buddhist and Taoist major and minor temples, and folk religion temples in small towns and cities.\n\nSo far none of the staff in the temples in which these images have been seen has been able to identify the deity. Without exception they have explained that the image has appeared on one of their altars without explanation and without seeing from where and how it arrived. One or two have had the courage to throw out the image only to find that another has replaced it within weeks. In most temples they have been accepted as just another deity and have been moved by the temple staff elsewhere within the temple, often to a rear position on a major side altar or to the small altar table before the main altar.\n\nThe questions are: Who is the scholar and what does he represent? Who donates these images and why? And is there an individual or cult behind the carving, donation and worship of this image?\n\nCan any Member or reader help enlighten me and, for that matter, this Journal, please?\n\nKEITH G STEVENS\n\nALTAR IMAGES FROM HUNAN\n\nIn my article on Altar Images from Hunan and Kiangsi (This Journal Volume 18, 1978 [pp 41-48]) I explained that Hunanese spirit images (rather than tablets) appeared to be unique in Chinese", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 138, "title": "RAS-1993", "content_text": "119\n\nhe was asked to come down from his cave to pray for rain. As he arrived the clouds opened and sufficient rain fell ending the lengthy drought. The grateful populace insisted that he should stay with them and many wanted to build him a house. However, he returned to his cave which he named Clearwater Cliff [Ch'ing-shui Yen] from the brook that flowed from a rock just outside his cave. Henceforth he was known as the Patriarch of Clearwater He died at the age of 65\n\nA third story, common to a number of deities, tells of Ch'en killing with his bare hands a large man-eating snake which lived in a cave on Ch'ing-shui cliff. He himself died in the struggle and turned black In another version he is said to have a black face following an incident in which a demon unsuccessfully tried to smoke Ch'ing-shui out of his cave, or in another variation the demons tried to cook him alive in his cave. He stepped out alive, arrested the demons and imprisoned them for ever in his cave He was later deified by the Jade Emperor Ch'ing-shui is also said to have been hermit in a cave called Ch'ing-shui in a cliff on the P'eng-lai mountain near Anhsi where, on his death, devotees built a shrine dedicated to him on the ridge above the cave.\n\nThe story told about his unusual nose has one or two variations but in general it relates how a robber cut off the nose from his main image in a fit of anger. It was picked up by one of the devotees who tried to reattach it but without warning, the nose disappeared After a short search someone noticed that it was now reattached. It is now said that whenever the deity is angered the nose disappears until his anger dissipates During the Franco-Chinese War [1884/1885] following the defeat of the French at Keelung in northern Taiwan, part of the invading force retreated to the old centre at Tamsui. The French troops were again repulsed by the Chinese under Sun Kai-hua who was assisted by local Chinese from the Manka district [now down-town Taipei] who brought along an image of their patron deity, Ch'ing-shui Tsu-shih. This led to a fifty year struggle in the law courts between the Chinese of Tamsui and those in the Manka as the Tamsui people had held on to the image refusing to return it. The Manka Chinese won in the end. The image is also known as the Drop-nose saint [Lo-pi Tsu-shih] after the nose on the image in the temple fell off every time something bad was said in his presence\n\nHe is famous for his extraordinary powers and is said to have been able to have conjured up rain during his lifetime whenever there was a", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213554, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 150, "title": "RAS-1995", "content_text": "119\n\nadapted This pamphlet, costing a penny or two, was continually in the hands of servants, coolies and shopkeepers. The author was a Chinaman whose ingenuity should immortalize him. I have often wondered who the man was who first reduced the \"outlandish tongue\" to a current language. Red candles should be burnt on altars erected to his memory, and oblations of tea poured out before his image, placed among the wooden gods which in temples surround the shrine of a deified man of letters.\n\nF\n\nAccepting this widely-reported account of the \"Devil's Talk\" pamphlet to be correct, it is easy to understand how the vocabulary became established; after all, to the classically-trained Chinese mind, what appears in print becomes canon law. For fussy English-speakers to correct something which had been laid down in a Chinese textbook would have been no easy undertaking.\n\nBe quite clear on one point. Throughout the period of the Hong merchants and up to Treaty days, Pidgin English was not merely a means of communication between Europeans and their menials. It was a vital tool in a rapidly growing China trade in the southern Chinese ports. Hunter describes his discussions in Pidgin with the famous Hong merchants—How Qua, Ming Qua, and Pan Kei Qua—among the commercial elite of Canton. Hunter also describes one of the commanders of the Tai-Ping Rebels, Ho A-Luh, as speaking very good Pidgin English.\n\nBy the middle of the nineteenth century, China Coast Pidgin had become a well-established medium of communication. From the 1850s on, the restrictions to foreign trade and traders progressively broke down, so that the conditions which had made Pidgin's development a necessity disappeared. But the opportunities for contacts between European and Chinese people increased, and the conventions of the language were well enough engrained that it survived. The young makee-larns gradually progressed in their mastery of English, while the people with transient contacts—tradesmen and servants—picked up where they had left off. In his book “Rambles in Eastern Asia”, B. L. Ball records:\n\n“I saw a Chinaman who spoke good English, and appeared so polite that I stopped a while, and entered into conversation with him.\n\nPage 150\n\nPage 151", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213566, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 162, "title": "RAS-1995", "content_text": "131\n\nThe Chinese have two words for chopsticks. The common one, found in Mandarin, the Wu dialects, Hakka and Cantonese, is kuaı-zi. The other word, appearing in Classical Chinese and the Min dialects, is Zhu.\n\nChinese etymological works relate that the classical term, zhu, rhymes with the word in the Wu dialects for \"becalmed\", and therefore superstitious sea-faring folk in that region adopted the word kuar to avoid a taboo word. If this seems far-fetched, it should be noted that such derivations of words in Chinese are commonplace.\n\nIt is therefore possible to establish that the concept of “speed\" and \"chop-stick\" are related in Chinese, but not because anyone ever found chopsticks quicker to eat with.\n\nWhile we do not wish to overturn the folk-etymology (indeed, we have no evidence for doing so), we should like to point out an alternative: seventeenth-century craftsmen used the word \"chops\" both for \"jaws\" and \"vice\" (like the ones you lick). See the OED for evidence on this.\n\nChopsticks were known to Western writers from c. 1540 (Portuguese), and the English word “chopsticks” appears in 1711 describing Chinese eating habits in an account of trade with India.\n\nChow\n\nThe word, meaning \"food\", is given in Tong Ting Shue as jaau-jaau. It may be related to the word “chow-chow\", meaning \"mixed”.\n\nDr Batalha defines a Macau Patoa word, chau-chau, as a Chinese fried food in a sauce, a mixture of different things, or a muddle. She gives as the origin the Cantonese word chaau, to stir-fry.\n\nIt seems clear that two different words existed, one of Indian origin, meaning \"mixed condiments\" or just “mixed”, and the other meaning \"food\".\n\nBut Tong Ting Shue uses jaau-jaau, employing the Chinese characters for “a cover\"; he was clearly not struck by any similarity.", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213569, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 165, "title": "RAS-1995", "content_text": "134\n\n8 \"These servants were unequalled, at the same time, they never considered themselves menials, but as makee learn; that is to say, serving in order to become familiar with pigeon English, that in due time they could become pursers or clerks in Chinese hongs or shops trading with people of the Western Ocean. While in service with their foreign masters, they were considered and known by the appellation \"Se-tsai”, or business youths. They were usually relatives of the compradors who provided them with places and secured them.\"\n\n11 My tinkee more better come by boat.\n\n12 Have bilum no. I first chop.\n\nFly goosoo, sit down goosoo (wild/domestic goose)\n\nAll man chow-chow he.\n\n25 All same sing-song (hei)\n\nCamphor trunk wantchee? Chess board hav got. No 1 first chop too muchee handsom. No. I cheap.\n\n26 Man-ta-le talkee you ship what time walkee, what cargo got inside, go what placee Tum junter my shop. My show you Ka-pan ta Squeea No 9, He name Chang Ho. Too muchee cap-tan, too much chief mate come my shop.\n\n27 Mus come my shop. No. 9. Sam Shoo hav got No. 1 good, No.1 cheap. Two dollar one bottlee, No. 1 cheap.\n\n29 You tinkee my so cunning before?\n\n30 The Hong Merchant, King-Qua, remarks triumphantly at the same moment, as he passes out in his sedan chair, \"My tinkee you country no got so fashion pa-lo-pa\"\n\n32 As Pan-Kei-Qua said, “No good chance\" - adding in a tone of surprise, “Too muchee curio! Kok-See No. 1 handsom man!\"\n\n34 Moorman, Sallie Mahommed Boo-Bull: \"I not pay it rent. I makee try Factory, not make it up mind if keep.\"\n\n45 Ming-Qua: numer one \"curio pigeon”, “Oh yes, my savee alla.\" \"Then\", said I, “suppose you should insult a person and be called out,\n\nPage 165\n\nPage 166", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 215272, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 49, "title": "RAS-2001", "content_text": "Carl Crow, 1883-1945\n\nMy friends, the Chinese. London: Hamish Hamilton. 1938.\n\nFitzgerald, C. P., 1902-\n\nCommunism takes China: how the revolution went Red. London: BPC, c1971.\n\nFranck, Harry Alverson\n\nRoving through Southern China. New York: Century, c1925.\n\nGeil, William Edgar\n\nA Yankee on the Yangtze: being a narrative of a journey from Shanghai through the Central Kingdom to Burma. New York: Eaton & Mains, 1904.\n\nGottschang, Thomas R.\n\nSwallows and settlers: the great migration from north China to Manchuria. Ann Arbor: Center for Chinese Studies, The University of Michigan, c2000.\n\nGray, John Henry\n\nChina: a history of the laws, manners, and customs of the people. London: Macmillan, c1878. 2 vols.\n\nHobart, Alice Tisdale, 1882-1967\n\nOil for the lamps of China. New York: Grosset & Dunlap, c1934.\n\nHo, Pui-yin.\n\nDian di hua dang nian: Xiang-gang gong shui yi bai wu shi nian. Xiang-gang: Shang wu yin shu guan (Xiang-gang) you xian gong si, 2001.\n\nHo, Pui-yin\n\nWater for a barren rock: 150 years of water supply in Hong Kong; [English translator, Lui Yuen Chung]. Hong Kong: Commercial Press, c2001.\n\nHoney, W.B. (William Bowyer)\n\nThe ceramic art of China and other countries of the Far East. London: Faber, c1945.\n\nxlvi", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215606, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 383, "title": "RAS-2001", "content_text": "333\n\nThis paper focuses on the material objects of cemeteries: grave forms and furnishings. We looked in some detail at a new private grave in Junk Bay Cemetery, at the grave in the Aberdeen Chinese Permanent Cemetery (CPC) of the founder of what is now a Hong Kong-based sub-lineage, at a columbarium niche in the CPC older columbarium in Cape Collinson Cemetery, at a symbolic grave, and finally at a charitable grave, the last two both in the Sandy Ridge Cemetery. We pointed out that in Chinese culture, death is regarded as polluting; and that landscapes of death are regarded as potentially powerful, and are avoided except at festivals or on other appropriate occasions.\n\nThe paper was written for the very specialised Journal of the American Association for Gravestone Studies. Americans have for decades been fascinated by gravestones. Is this because it's a settler society, much of whose history is told in its graveyards and cemeteries? If so, it's an interesting cultural contrast that there isn't the same public acknowledgement of the contribution that graveyards and cemeteries make to clarifying the identity of Hong Kong as a community as there is to the parallel contribution that the same type of spaces make regarding the identity of American communities. In both places, those who now reside in cemeteries and columbaria are, for the most part, immigrants. Note that one of the USA's most respected human geographers, Wilbur Zelinsky, has written a couple of well-quoted papers on American cemeteries.\n\nWhere Chinese grave forms are concerned, Eddie Chow made an unexpected find in a bookshop while preparing this paper: a book on the different types of grave shapes in southern China: Bin He, Jiang Zhe Han Zu Sung Zong Wen Hua (The Death and Burial Culture of the Han Nationality in Jiangsu and Zhejiang), Beijing, 1995. The scarcity of such material implies that the Chinese awe of death may well be hindering research into a field that is potentially of deep cultural significance in Chinese society.\n\nTeather, E.K. (2000). High rise homes for the ancestors: cremation in Hong Kong, Geographical Review 89(3): 409-430.\n\nThe decision in the late 1950s to encourage Hong Kong residents to consider cremation rather than coffin burial, and the gradual acceptance of the policy over the succeeding decades, is intriguing. Over ninety per cent of Hong Kongers are cremated now, if we include", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]