[ { "id": 206812, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 89, "title": "RAS-1973", "content_text": "SWATOW HORIZONTAL STICK PUPPETS\n\nCh'aochow Puppets in contemporary China and overseas\n\n83\n\nLiu Fu-kuang §✯ an educated person of about 40, who is the most outstanding Ch'aochow orchestra-leader here, is closely connected with the Hsin-shun-hsiang puppet-troupe. He came to Hong Kong in 1959. According to him, puppet-troupes completely disappeared in Ch'aochow after the establishment of the People's Republic in 1949. This is probably because their performances were intimately connected with the festivals of the myriads of local deities, the worship of which was strongly discouraged by the Communists. In 1957, Liu Fu-kuang saw the last troupe, called Shant'ou Ying-hsi-t'uan 4⇓✯D (Shadow-play-troupe of Shant'ou) perform in Swatow. He believes that not even one troupe is now left in Ch'aochow, after a history of about one thousand years and a hundred active troupes fifty years ago.\n\nPeople from Ch'aochow make up a large percentage of the Overseas Chinese population of South East Asia and Ch'aochow opera flourishes there; but there is said not to be one single \"paper-shadow-play\" troupe overseas. This shows that from the great tradition of puppet-theatre, only the two troupes in Hong Kong are left. It is therefore the last chance to savour and study this tradition before its extinction which, at least at the moment, appears to be inevitable.\n\nBIBLIOGRAPHY\n\nBatchelder, Marjorie H.: Rod-puppets and the Human Theatre, Columbus, The Ohio State University Press, 1947.\n\nHuang Chun-ming: The Forbidden Puppets' in Echo of Things Chinese, Taiwan, October 1972, pp. 24-34.\n\nJacob & Jensen: Das Chinesische Schattentheater, Stuttgart, 1933.\n\nMargareta Niculescu: The Puppet Theatre in the Modern World compiled by Union Internationale des Marionettes under Margareta Niculescu, George G. Harrap & Co. Ltd., London, Toronto, Wellington, Sidney, 1967.\n\nTsim Tak-lung (compiler): Puppet-demonstration on pages 45-47 of ‘Chinese Theatre in Hong Kong', Proceedings of a Symposium, Nov. 22-23, 1968, Centre of Asian Studies, University of Hong Kong, 1968.\n\nBurger, Helga: 'The Cantonese Stick-puppets', in Kaleidoscope, Hong Kong, March/April 1973.\n\n\"The Far Eastern Puppet Theatre' in Souvenir Book of the Hong Kong Arts Festival, 1974.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 208673, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 130, "title": "RAS-1979", "content_text": "THE MARYKNOLL MISSION, HONG KONG 1941-46\n\n103\n\nCanadian Sisters having prepared them. The entertainment sponsored by the British for tonight was called off by the authorities for no apparent reason. It does seem as if the Americans are favored just a bit in this Camp by the Japanese or at least the British get more knocks. Mr. Bennett, American, chosen to act as purchasing agent for our allotment of food, goes to Hong Kong and on his return announces that while in the city he got himself married.\n\n10 Sunday. As usual. There was no fish for tiffin, it having been rejected as unfit for consumption. It is bruited abroad that non-American wives of repatriates will not be allowed to return to America because of lack of space on the vessels, but preferential treatment will be given to Chinese-Americans. A movie tonight at St. Stephen's, and quite a good one, with a few cartoons.\n\n11— At an American communal meeting, Messrs. Bourne, Rankin and Stanton were elected Chairman, Vice-Chairman and Treasurer respectively, to take the place of those resigned. American patrol resumed, but entirely voluntary.\n\n12— A Russian orchestra arrived in Camp today, and we thought for a while that we were going to have a concert, but it did not materialize. Father Meyer is still experimenting with his bread, and it is now much better. Canteen opens again.\n\n13— Sister Paul advises that 16 of the Maryknoll Sisters now in Camp be repatriated; with 3, Sisters Clement, De Ricci and St. Dominic, as third nationals, to stay in Hong Kong. The rest will remain in Camp for the time being.\n\n15— Ascension Day. Masses as on Sunday. Brother Anthony is indisposed again. Father Benson at length is able to leave the hospital. He had a very long stay within its confines. In the American Blocks we now have had, for some little time, a diet kitchen operating to take care of convalescents and children. This does not mean that the convalescents get any different or better food, but it is more carefully and tastily cooked. Many cannot stomach the ordinary white rice and in this kitchen it is browned first and then cooked.\n\nA Mr. Engdall, member of the American Consular staff, died suddenly in Camp, as a result of a fall. Only a very few from our Camp were allowed to accompany the body to the cemetery, Bishop O'Gara and Father Toomey being among the number, as Mr.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 209596, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 253, "title": "RAS-1982", "content_text": "231\n\nmusic, a dazzling transformation scene, and a rollicking harlequinade.\" It enlisted a great many people for the leads, chorus and orchestra.\n\nNot everyone in Hong Kong was happy about pantomimes. In 1891 in the \"Beauty and the Beast\" \"the indiscreet censure lately passed by the Bishop upon the Pantomime was noticed in a verse or so--and a comical but somewhat misplaced representative of his Lordship appeared in the Harlequinade\".\n\nThe A.D.C. tried its hand at light opera in 1894 with the performance of Gilbert and Clay's \"Princess Toto\". It was described, however, as \"vapid and unattractive\". The Choral Society had for some years been presenting light operas and had already given \"Iolanthe\" and \"The Gondoliers\". In subsequent years the A.D.C. did \"Trial by Jury\", \"Yeomen of the Guard\", \"His Excellency\", and \"The Gondoliers\".\n\nDuring this same period, along with the works of Gilbert and Sullivan, other currently popular musical plays were staged.\n\nTHE GENIUS OF MR. SINCLAIR\n\nWith more frequent visits of professional companies, the A.D.C. increasingly found it difficult to sustain interest and attendance. This resulted in financial losses and threatened the future of the Amateurs. A new era arrived when Mr. Walter Sinclair assumed direction of A.D.C. productions in 1912.\n\nSinclair was imaginative and venturesome and mounted productions that were different from those presented by the travelling companies. The A.D.C. took on new life.\n\nAmong Sinclair's innovations was his introduction to Hong Kong of the playwright Lord Dunsany. In 1921 he presented an evening's programme of four Dunsany plays. One of these was \"The Compromise of the King of the Golden Isle\". It was the play's world premiere. The setting was Chinese. During the interval preceding it, to set the mood, a group of Chinese amateur musicians played Chinese music. It was particularly noted that the music \"was not unpleasing, for people who have heard only the cymbals and tom-toms may find music in the sweetness of some of the native banjos and fiddles\".", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 213481, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 77, "title": "RAS-1995", "content_text": "The Music\n\nThe orchestra is to accompany all the movement of every actor or actress on the stage and the drummer is the conductor of the orchestra. He beats out the music to accompany the scene. When no fighting is on the stage, he will beat out the music for the singing, using a drum stick in his right hand, and a clipper to measure the rhythm in his left hand. The clipper is the Chinese equivalent of the Spanish castanets.\n\nMusical instruments used for the accompanying of the singing are:\n\n(1) Hu Chin (二胡) (2) Erh Hu(二胡) (3) Yueh Chin (月琴)\n\nWhen fighting is staged, the following instruments are added on to build up the crescendo and thus enhance the intensity of the scene\n\n(4) The Big Drum (#鼓)\n\n(5) The Big Gong (大锣) (6) The Brass Cymbals, (钹)\n\nin pairs\n\n(7) The Little Gong (小锣)\n\n(8) The Little Cymbals, (小钹)\n\nin pairs\n\nOther instruments are occasionally used, such as the Chinese flute, and the sonner - an instrument imported from Old Persia or other Middle East countries.\n\nThe Costume\n\nThe costumes worn by the actors or actresses on the stage are supposed to coincide with those worn at the time of the story according to the position or part the actor or actress portrays. However, sometimes it can be bungled by the ignorance of the play writer who wrote the play. Did you ever hear the joke about one of the famous sons of the Yang family who, after being captured by the Mongols during the Sung Dynasty and living in the Mongol's court for fifteen years under a false name, appeared one day in the full battle regalia of the Sung Dynasty! What an absurdity! How could he appear in full, official Sung regalia in a Mongolian Court without being arrested on the spot!", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213953, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 23, "title": "RAS-1997", "content_text": "20 June \n\n18 July \n\nKong's Battlefields and Wartime Sites. \n\nDr Elizabeth Johnson, Women's Place; Women's Roles-Question of a Female Identity in a Tsuen Wan Village. \n\nM. Philippe Le Corre, The Hong Kong Handover: An Historical Perspective. \n\n19 September Dr Judith Hollows, Hong Kong, Korean and Japanese Management: What is Different and Why? \n\n31 October \n\nDr Betty Wei Peh-T'i, Foreigners in China: A Bibliography. \n\n28 November Ms Tess Johnston, Northern and Southern Treaty \n\nPort architecture in China. \n\nDr Patrick Hase, Fung Shui in Action. \n\n5 December \n\n1998 \n\n16 January \n\n6 February \n\n20 March \n\nMr Ko Tim Keung, An Illustrated Talk on Pre-World War II Kowloon. \n\nMr Kevin Bishop, China's Imperial Way. \n\nDrs Gillian and Verner Bickley, Nineteenth Century Government-led Education in Hong Kong. \n\nConcert \n\n21 June 1997, Chinese International Music Performance, Hong Kong YWCA Chinese Orchestra, organiser Dr Michael Lau. \n\nExcursions outside Hong Kong \n\n28-31 March 1997 \n\nVisit to Shanghai, Drs Michael Lau and Joseph Ting. \n\nxxii \n\nT", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214421, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 279, "title": "RAS-1998", "content_text": "245\n\ncontinuing battle between Fadeev and the coolie, for the basket. I hired a boat and placed Fadeev in it, but the coolie followed him and resumed the fighting. The Chinese in the surrounding boats started shouting; Fadeev was about to sit down in the boat, like a mandarin, holding the basket in both hands, but the coolie wouldn't leave him alone. The boatman didn't want to take us, waiting for a resolution of the matter. Fadeev moved to go ashore again - but they wouldn't let him. \"With your permission, Your Excellency, I'll settle them,\" he said, taking the basket in one hand, and energetically pushing the Chinese aside with the other, he got ashore. I left, leaving him to sort it out as best he knew, only from afar I could see him beating off the Chinese like a bear amongst a pack of dogs, hitting them on their outstretched arms. Then later I saw him proudly moving away on our ship's boat, with just the purchases, and not the basket, which had belonged to the coolie and was, through our slow-wittedness, the cause of the conflict.\n\nAt one end of Hong Kong's extensive roadstead the trading house of Jardine and Matheson has been established. The four of us went to have a look at this example of the indefatigable energy and insatiable greed and enterprise of the English. Sten-Bil, the commander of the Danish corvette \"Galatea\" believes the English have invested too much labour and money in Hong Kong and the undertaking will not vindicate itself. On the appropriation of this island, merchants from Calcutta and Singapore rushed here and some of them sank all their capital, counting on the proximity of the Chinese mainland and on the sale of opium. But so far this has not been justified. Perhaps misgivings about the commercial imprudence of some Jardine may be warranted but nevertheless the possession of Hong Kong, the cannons, their own harbour - all this at China's doorstep, assures the English of trade with China for ever, and this little island will, it seems, be an everlasting eyesore for the Chinese government.\n\nA palace has been built at the Jardine establishment, and a garden and path laid out nearby; other buildings are being erected. While we were there hoards of Chinese were paving the ground with slabs; a few vessels stood by the shore. It was not yet midday when we walked onto the wharf and then hurriedly disappeared into the scant shade of the young garden. The chirping of the insects, with the approach of midday was so loud, that it could have challenged a large orchestra. We sat wearily on a bench, glancing occasionally at the glass doors of the", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215252, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 29, "title": "RAS-2001", "content_text": "recognise fully the weight of gratitude I owe him. As I said last year, when you elected me President, I am very much aware of the high standards Dan and my other predecessors set for me to live up to, and I remain of the same view today! Dan's helpfulness to me has made my life much easier than it might have been. Thank you, Dan!\n\nDr. Solomon Bard has been a doctor in private practice, a medical officer to the Hong Kong Regiment during the fighting against the Japanese, and was the first Student Medical Officer of Hong Kong University. He conducted the Hong Kong Chinese Orchestra and the Hong Kong Philharmonic for many years. He has been an archaeologist of distinction in Hong Kong for more than four decades, and today, at an age of well over 80, he is still vigorously active in this field. He has long supported the Society, being a Founder Member. Council considered that no-one had made more of a contribution to the cause of heritage preservation and education in Hong Kong, and, for this reason decided to offer him Honorary Life Membership.\n\nI am very glad to say that both Dan and Solly accepted the offer made to them.\n\nI would like to conclude this Report with heartfelt thanks to everyone who has helped me personally and the Society in general over the year with their enthusiastic support. In the first place my thanks must go to my brother Councillors, both elected and co-opted, and especially to the Vice-Presidents, Mr. Robert Nield and Dr Elizabeth Sinn, and to the Honorary Vice-President, Rev. Carl Smith. I owe all of them more than I can say. Of the other Councillors several have already been thanked above, and do not need to be mentioned again here, but I would like to mention Mr. Peter Stuckey, who nobly stepped in as Acting Honorary Secretary when Peter Barker had to leave Council at short notice to go to Chicago, and our Assistant Secretary, Mrs. Mary Painter, without whose hard work the Society would, in very short order, fall apart. Many, many thanks to you all!\n\nDR PATRICK H. HASE\nPRESIDENT,\n\nxxvi", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]