[ { "id": 206728, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 5, "title": "RAS-1973", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT FOR 1972 -\n\nHON. TREASURER'S REPORT FOR 1972 -\n\nTHE LIBRARY, 1972 -\n\nARTICLES:\n\n \n Page\n \n \n \n 1\n Transactions of the China Medico-Chirurgical Society, 1845-46 — H. A. RYDINGS\n \n \n 11\n The Yaumatei Typhoon Shelter, Hong Kong, 1900-1915 A. J. S. LACK\n \n \n 13\n The Kam Tin Gates PETER WESLEY-SMITH\n \n \n 28\n Early Steamships in China-A. D. BLUE\n \n \n 41\n \n \n \n 45\n Persians, Arabs and Other Nationals In T’ang China CHIU LING-YEONG\n \n \n 58\n Swatow (Ch'auchow) Horizontal Stick Puppets - HELGA WERLE\n \n \n 73\n Five 19th Century Kwangtung Art Catalogues CHUANG SHEN\n \n \n 85\n \n \n\nREPRINTED ARTICLES\n\n \n Legends and Stories of the New Territories: Kam T'in SUNG HOK-P'ANG (with a memoir of the author by Lo Hsiang-lin)\n 111\n \n\nNOTES AND QUERIES\n\n \n Notes on Chinese Temples in Hong Kong — CARL T. SMITH\n 133\n \n \n 'Ling Chih' at Canton, 27th May 1886 Hai Ju; Ming Patriot, Spark for Revolution and God\n 139\n \n \n KEITH STEPHENS\n 144\n \n \n Another Volontieri Map? -\n \n \n \n William Thomas Mercer (1822-1879) Hong Kong's Poet Laureate? HENRY JAMES LETHBRIDGE\n 146\n \n \n Old Bills of Lading (McMullen Collection) — H. A. RYDINGS\n 151\n \n \n Visit to the Sukhothai Sites in Thailand — MICHAEL SMITHIES\n 154\n \n \n Deep Bay Marshes\n 163\n \n \n \n 168\n \n\nBOOK REVIEWS\n\n \n \n 169", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206802, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 79, "title": "RAS-1973", "content_text": "SWATOW (CH’AOCHOW) HORIZONTAL STICK PUPPETS\n\nHELGA WERLE*\n\n# Introduction\n\nThe so-called Swatow puppets are in fact wrongly named. This is due to a confusion which requires some explanation. In Western languages the adjective Swatow is used to attribute a dialect, culture or people etc., when the Chinese themselves speak of Ch’aochow. This is because the British gained access to the Ch’aochow area by the opening of the port of Shantou (Swatow) by the Treaty of Tientsin in 1858. Chinese know that the city of Ch’aochow heads one of the 8 prefectures of the province of Kwangtung and is situated on the Han River about 40 miles from the sea and as far from the border with Fukien. Swatow itself, a port with about 85,000 inhabitants in 1925, is in the delta of the Han River, five miles from the open sea.\n\nIn this article the term “Swatow” has been replaced by the use of the proper Chinese description of Ch’aochow.\n\nCh’aochow developed very early into a culturally independent area. Its seaboard position and flourishing port gave it the necessary economic basis and exposed it to various cultural influences. Culturally and linguistically, it is more like a prefecture of Fukien than of Kwangtung. Its dialect is distinctly different from Cantonese, so are its customs and its music, which all deserve to be studied in detail for the value of its rich ancient tradition. Among its cultural assets, the Ch’aochow puppet-theatre is truly amazing, with unique features found nowhere else in the world.†\n\nThe author has studied in the Sinology departments of the Universities of Munich, Hamburg, and Cologne. She has been a resident of Hong Kong since 1966 and has followed up her studies with field work in Taiwan, Indonesia, Cambodia, Thailand and the Philippines. She is particularly interested in folk art and theatre and is at present on the staff of the Hong Kong Arts Centre Ltd. She has published various articles on puppet theatre and folk art.\n\n† For the Introduction, see L. Richard (translated, revised and enlarged by M. Kennelly), Comprehensive Geography of the Chinese Empire and Dependencies, Shanghai, T’usewei Press 1908, pp. 206 and 210. Also J. Dyer Ball, Things Chinese or Notes connected with China (5th edition, revised by É. Chalmers Werner), Kelly & Walsh, Shanghai, Hong Kong etc., 1925, pp. 689-690. For the Min dialects of which Ch’aochow and Swatow are part, see R. A. D. Forrest, The Chinese Language, Faber & Faber, London, 1958, pp. 225-232.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206803, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 80, "title": "RAS-1973", "content_text": "74\n\nHELGA WERLE\n\nThe Ch'aochow Puppets in Hong Kong\n\nBeing interested in all forms of puppet-theatre, I had heard of the existence of horizontally-moved Ch'aochow stick-puppets in Hong Kong, but it took a long time to have the opportunity to actually see them performed. In the spring of 1973, the leader of the Cantonese rod-puppet troupe, Mak Shiu-tongA, invited me to watch a show near his home, at Block 9 of the Tsz Wan Shan Resettlement Estate. The Ch'aochow people of the estate celebrated the birthday of their patron saint Po-yeh-tan1 on the 27th, 28th and 29th day of the first month.* On a limited rectangular area of about 1,500 square feet there was a bamboo-shed on stilts serving as a puppet-theatre on one end (Plate I), another serving as a make-shift temple opposite to it (Plate II), with an altar on one side and an enormous paper dragon-robe on the other (Plate III).\n\nThe robe complete with boots, belt and lots of neatly folded paper money was to be burned at the end of the celebration, in order to bestow insignia of rank upon the saint in acknowledgement of his merits. The decoration of the robe varies according to the saint to whom it is dedicated. But it is noteworthy that besides the elaborate dragon in relief, pairs of phoenixes and young hornless dragons and the Eight Immortals, three pavilions with eight paper-figures are added. These figures strongly resemble the puppets which I saw later and their heads are also made of plaster. In Ch'aochow the tradition of puppetry and ceremonial figures are very closely related.\n\nThe stilts of the stage were four feet high, with a floor area of 10' x 10' (Plate I), where on the same level the musicians and the puppeteers sit and on which the puppets move (Plate IV). The puppet-stage was very small, with four chairs and a table, all with embroidered covers. The stage is created by five flaps of richly embroidered curtains called chu lien4; the middle one being short to enable the back-stage musicians to follow the performance closely. The two long side-flaps cover a puppeteer each. The decoration of the curtains complement each other to form a cosmical unity: the square middle part shows the lion with four peonies for each direction, representing the earth, the Yin. The Yang is expressed in the dragon design of the other four flaps.\n\nBehind the stage stands a small chest with three drawers—one for puppet-heads, one for headgear and one for arms or pennants\n\n* Lunar calendar.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206805, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 82, "title": "RAS-1973", "content_text": "76\n\nHELGA WERLE\n\nThe hands are made of wire (Plate VII) which facilitates the fastening of the sticks or arms, but their appearance is ugly.\n\nThe sticks have the length of chopsticks. Made of iron, they form a small ring at one end and have a wooden handle on the other, to prevent the sticks from slipping out of the hands. The third stick is thicker and is hooked into a hole at the puppet's back from below. The puppeteers tell that in Ch'aochow some puppets were considered so precious that they were handled with sticks made of pure gold.\n\nNeither the waist nor the stick is movable.\n\nThe Historical Background in Ch'aochow\n\nAlthough well proportioned and even beautiful, this puppet has many technical disadvantages compared to the Cantonese rod-puppet or the Fukienese string or glove-puppet. The reason for this incongruousness can be found in the dominance of Ch'aochow's ancient leather shadow-puppet tradition, which was definitely well established in the Ming dynasty in that area. One can assume that it existed earlier but any proof is lacking so far.\n\nIn Ch'aochow these shadow-puppets were cut out of cowhide (which is very rough when compared to the donkey-hide used in North China or Szechuan) which was coloured. They have two-jointed arms and legs and are handled with three sticks attached to the hands and the back of the two-dimensional puppet. The author has seen such Min-nan shadow-puppets in Taiwan, and some old Ch'aochowese confirmed that the Ch'aochow ones had exactly these features. By the end of the last century, supposedly under the strong influence of the extraordinary perfection of the string and glove puppets of Ch'uan-chou, Fukien, a new type of puppet evolved, a hybrid with the beauty of a Ch'uan-chou puppet, but handicapped in movement by the technique of a two-dimensional puppet. The name paper-shadow-theatre chih-ying-hsi was also applied to the new puppet. These two kinds of puppets existed side by side for one generation, and according to witnesses the leather shadow-puppets disappeared in the 1920s.\n\nIt is yet possible to receive first-hand accounts of the time when puppets were much used. An educated elderly Ch'aochow gentleman, Mr. Su related that in his childhood, at the beginning of the Republic, there were still 3 different kinds of puppets: shadow, horizontal stick-puppets and a third kind which he describes as...", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206807, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 84, "title": "RAS-1973", "content_text": "78\n\nHELGA WERLE\n\n(sun-win- \n\na glass-screen came into fashion called yang-chuang dow). With the glass-screen the puppets became round, their bodies were made of straw, hands and feet of paper, the head of clay, the costumes were copied from the string-puppets, sticks were attached to the hands and the back, and then these puppets were called yuan-shen chih-ying-hsi | ✯✯✯ (round-body paper-shadow play). Later, it is stated, the glass-screen was discarded and curtains were attached to the bamboo-frame, but nevertheless it continued to be called 'Paper-shadow-play'.\n\nAll over China the shadow-play was called p'i-ying-hsi ★BA \"Leather-shadow-play\" because the figures were cut out of leather, but in Ch'aochow strangely enough this term was never used. Referring to the paper-screen it was always, and is still now, called \"Paper-shadow-play\" and I met several Ch'aochowese who were convinced that their shadow-figures were cut out of paper. The misinterpretation is probably due to the name.\n\nThis description of development suggests many questions. Why should a light, convenient and cheap paper-screen be given up for a glass-screen, which is heavy, expensive, easy to break and almost impossible to transport? How should a hawking puppeteer carry a delicate glass-screen with his bundle and box? Was the fascination of the newly imported foreign glass-windows so great that they were adopted for the 'paper-shadow-play' in order to lend it new attraction? And if there was a glass-screen, was it translucent imitating the paper-effect or was it transparent window-glass? This question is important, because the difference would decisively influence the shape of the puppet. The name 'Sun-window' could also suggest that the shadow was not produced by an oil-lamp, but sunlight.\n\nOld Ch'aochowese vividly recall impressions of the shadow of puppets appearing on a paper-screen, but I heard no one speaking of glass. Being unable to find a logical reason for adopting a glass-screen, I would like to consider it the invention of an author who tried unsuccessfully to explain the disappearance of shadow-puppets in Ch'aochow.\n\nSome Characteristics of Ch'aochow Puppet Opera\n\nI turn now to consider various aspects of Ch'aochow puppet history. Among these, the patron saint of puppets shows certain interesting characteristics. Whilst the Peking opera actors venerate the emperor T'ang Ming Huang (713-742), who was the founder of", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206809, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 86, "title": "RAS-1973", "content_text": "80\n\nHELGA WERLE\n\nChing p'eng \"cleaning the matshed\" has to take place before the performance. The puppeteers take a live cock and make an incision in his throat and then carry him over the stage, dropping his blood into every corner, over the backstage and even over the musical instruments. This is done in order to protect themselves against the evil spirits or hungry ghosts, which performing puppets attract. That human actors perform at the Hungry Ghosts Festival is a development of the past 20 years for Ch'aochowese. Originally only puppets were used. The human likeness of the moving puppet fools the ghost, who takes possession of the puppet. Thus humans are protected from their assault and the whole area gets cleared of their evil influence. Puppet-shows are mainly performed as an exorcising ceremony and it therefore does not matter whether there is a public to watch the performance or not.\n\nThe actual performance starts mostly with the 'Birthday of the Eight Immortals', which is a series of good wishes. This introductory piece starts with the Peach Banquet, implying the wish for longevity. The next part is called 'To bestow Rank and Riches'; then comes the fairy who sends sons. The next short play is a ceremony to \"cleanse the matshed\" and the last is called \"the banquet at the capital\", which is to congratulate the troupe for its performance. The main play starts after this introduction.\n\nThe repertory of the two Hong Kong Ch'aochow puppet-groups comprises the following operas, which are part of the Ch'aochow Opera tradition:\n\nHu-li Luan Chou Wang 狐狸亂周王\n\nTuan-Chiao Hui\n\nLi Te-wu 李德武\n\nKuan Wang Miao 闊王廟\n\nYang Tsung-pao\n\nI Chih Mei 一枝梅\n\nThe script/stories of these operas are spoken and sung by the puppeteers. If the opera is a wen-chü or literary play, the text which is in rhymes is fixed and a script is used; but when a wu-chü or military play is performed the puppeteers use their own imagination to enrich the familiar plot.\n\nOne further point should be mentioned. Shadow-puppet theatre was very early a most important part of entertainment and when finally drama became organised, the public eye was so trained on the shadow-puppet movements that they were taken over into the", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206811, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 88, "title": "RAS-1973", "content_text": "82\n\nHELGA WERLE\n\ndissolved in 1964 when because of lack of business the old leader got so desperate that he threw his puppets literally into a rubbish-bin. The third group Tung-i still exists under the leadership of Wu Mu-sen and Ch'en Yung-ming. Their puppets are older and much larger than those of the Hsin-shun-hsiang troupe, and are very seldom used now.\n\nWhen Wang Chiao-tsou died his eldest son Hsi-ch'in continued the Hsin-shun-hsiang Troupe. He usually plays the Yeh-hu, for which he is very renowned, in the opera-orchestras. This is a two-stringed violin of which the sound box is made of a coconut shell. Five of the seven brothers and sisters Hsi-ch'in, Hsi-tang, Hsi-yü, Hsi-ch'ing and Hsi-hsien are all versatile musicians or singers, joining in the puppet or opera performances. There are also six artists of the older generation with 30-40 years' experience performing with them. They are Li Chen-chiang, Huang Shun-ch'i, Ma Chen-huan, Chang Chung-liang, Li Han-t'an and Chiu Hsüeh-ching.\n\nDuring a typhoon in 1960 Hsi-ch'in's squatter hut was flooded and most of his puppets were destroyed. He travelled to Ch'aochow to replace them, but he could not find any old ones. Fortunately, he found an old-puppet-maker who made a new set which he took to Hong Kong, and it is used now by his troupe and also by the Tung-i Troupe.\n\nToday, there are about sixty puppet-bodies and eighty puppet-heads, belonging to these two troupes, the Hsin-shun-hsiang and the Tung-i. They give no more than seven performances a year between them. They are still called by Ch'aochow associations to perform at the festival of the T'ien-kung Chi on the 5th day of the first month, the festival of Po-kung Fu-te Ta-yeh on the 29th day of the third month and to the ceremony of Hsieh-shen (thanking the gods) in the 12th month. Although the name of either of the groups invited to perform appears on top of the curtain, the puppets, puppeteers, musical instruments and musicians are mostly the same. The fee is handed to the leader of the troupe who, together with the leader of the orchestra, keeps a larger share. The rest is distributed equally among all the other performers, puppeteers and musicians.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206813, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 90, "title": "RAS-1973", "content_text": "84\n\nHELGA WERLE\n\nChang Po-chieh : 'Ch'ao-chü Yüan-Liu Chi Li-shih Yen-ke', in Ch'ao-chü Yin-Yueh, Canton, 1956. MHAKAARST. NOTA 廣象。\n\nHuang Hua-chieh : Chung-Kuo Ku-chin Min-chien Pai-hsi, Taiwan, 1967, Ren Ren Wen-k'u Series, No. 383.\n\nKuan Chün-che : Pei-ching Pi-ying-hsi, Peking, 1959.\n\nLiu Fu-kuang : 'Ch'ao-chou Chih-ying-hsi Chien-chieh', Hong Kong Arts Centre Bulletin, Feb. 1974.\n\nSun Kai-ti : Kwei-lei-hsi K'ao-yüan, Shanghai, 1953.\n\nWu Ting-hung : Zhen-yang-yen mu-ou-hsi, Shanghai, 1954.\n\nWhere no sources are quoted, the statements made in the text are based on first-hand observation and interviews. H.W.\n\nPage 90\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206903, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 180, "title": "RAS-1973", "content_text": "174\n\nBOOK REVIEWS\n\nof a mask, they painted the features of the masks right on the face. The mask cannot change its expression, it lacks the spirit of the eyes and is lifeless, it hinders the speech and even more the singing, as is the case in the stagnant Japanese Noh-play. Mr. Scott does not give any background at all, but names the 15th century as the beginning of painted faces and gives them as the origin of the Japanese Kabuki make-up. He also says that their design is according to the Chinese rules of physiognomy.\n\nThe subject of painted faces is very extensive: a book published in Tai-wan a few years ago contains a thousand varieties of painted faces*.\n\nTurning to other aspects, the Peking Opera stage is empty except for a table and 2 chairs. If a chair is placed on a table, it means a mountain, and can be used to indicate, for example, a general addressing his army. Rain, wind and storms are indicated by black or blue flags of thin silk, which are carried over the stage. Carrying a horsewhip means that this person is riding, a military order is indicated by a small triangular flag, 2 square flags with a wheel-design indicate a carriage and so on.\n\nBoth authors describe in more or less detail the system of the Peking Opera schools. It is surprising how few people know that we have such a school here in Hong Kong. 40 children are trained in this school, some as young as 6 years old. They get up early to train their voices, then comes the teacher for acrobatics, then opera parts are rehearsed. In the afternoon, they study general subjects, and in the evening they go to the Lai Chi Kok amusement park to give their daily performance.\n\nIf you want to take the chance, which is so easily available, to see this intriguing type of opera, you should also spend a few hours with Elizabeth Halson's short guide. This book really does fill the newcomer's need for a comprehensive, well-ordered, introduction enabling him to enjoy and appreciate what he sees in the opera; though not yet what he hears, like Chinese enthusiasts who go to the opera in order to hear it.\n\nHong Kong, 1973.\n\nHELGA WERLE\n\nChang Pe-chin: Chinese Opera and Painted Face, Taiwan, Mei Ya Publications, Inc. 1969.\n\nPage 180\n\nPage 181", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206932, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 3, "title": "RAS-1974", "content_text": "The Hong Kong Branch\n\nof the\n\nRoyal Asiatic Society\n\nPatron:\n\nH.E. Sir Murray Maclehose, K.C.M.G., M.B.E., M.A. Governor of Hong Kong\n\nThe Council, 1974:\n\nPresident:\n\nMarjorie Topley, B.Sc.(Econ.), Ph.D.\n\nVice-Presidents:\n\nJ. W. Hayes, M.A., J.P. H. A. Rydings, M.B.E., M.A., A.L.A.\n\nHon. Secretary:\n\nA. I. Diamond, M.A.\n\nHon. Treasurer:\n\nD. A. Gilkes, M.A., C.A.\n\nHon. Editor:\n\nJ. W. Hayes, M.A., J.P.\n\nHon. Librarian:\n\nH. A. Rydings, M.B.E., M.A., A.L.A.\n\nCouncillors:\n\nJ. R. Jones, C.B.E., M.C., LL.D., J.P. (Past President)\n\nSir Lindsay Ride, C.B.E., E.D., M.A., D.M., LL.D., J.P. (Past President) Helga Werle, Phil. sin. cand. (Munich)\n\nF. Geoffroy Dechaume, Consul General for France James C. Y. Watt, M.A.\n\nK. A. Westcott, B.A., Dip.Ed. L. R. Wright, A.B., M.A., Ph.D.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 206934, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 5, "title": "RAS-1974", "content_text": "CONTENTS\n\nPage\n\nPRESIDENT'S Report for 1974 · 1\n\nHON. TREASURER'S REPORT FOR 1974 · 8\n\nTHE LIBRARY, 1974 · 10\n\nTRANSACTIONS OF THE BRANCH: · 12\n\nThe Paper Chase-Archives and the Public Records Office of Hong Kong (A lecture given on 7th January, 1974) - A. I. DIAMOND · 28\n\nAdventurers in Hong Kong: the Marquis de Morès and David de Mayréna (A lecture given on 29th March, 1974) - HENRY JAMES LETHBRIDGE · 58\n\nDogs and Horses in Ancient China (A lecture given on 27th May, 1974) CAROLE MORGAN · -\n\nARTICLES: · -\n\nThe Craft of God Carving in Singapore- KEITH G. STEVENS · -\n\n\"Oh for the Joys of England\": Lt. Orlando Bridgeman's Letters from China and Hong Kong, 1842-1843– ROBIN MCLACHLAN · -\n\nFather Ernesto Gherzi, S. J., 1886-1973—G. J. BELL · 68\n\nNotes on the Sources of De Mailla, Histoire Générale de la Chine-Richard Gregg Irwin, with Introduction by L. Carrington Goodrich · 76\n\nThe Monuments of Vientiane and Luang Prabang (Report of the RAS Tour to Laos, 23-24 January, 1974)— MICHAEL SMITHIES · 85\n\nThe Hong Kong Region: its place in Traditional Chinese Historiography and Principal Events since the Establishment of Hsin-an County in 1573....-JAMES HAYES · 108\n\nREPRINTED ARTICLES · 136\n\nPlace Names of Hong Kong and the New Territories (1958) K. M. A. BARNETT · 160\n\nLegends and Stories of the New Territories: Kam T'in (1935-38) (continued) SUNG HOK-PANG · -\n\nNOTES AND QUERIES · 188\n\nThe European Grave on Shek Kwu Chau, Hong Kong JEAN MOORE · -\n\n\"Fung Shui\" Woodlands-L. C. SHEN · 190\n\nUnusual Trees in Hong Kong: the Cassia Bark Tree- L. C. SHEN · 191\n\nTraditional Farming Techniques and their Survival in Hong Kong-P. L. SIAK · 196\n\nProgramme Notes for Visits to Places of Interest in Hong Kong and Kowloon, 1974: Kennedy Town, Old Wanchai, Old Western District, the Diocesan Boy's School and La Salle College, and Ceramic Factory and Sam Tung Uk, N.T. JAMES HAYES, CARL SMITH, HELGA WERLE et. al. · -\n\nBOOK REVIEWS · 235\n\nLIST OF MEMBERS · 245", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 206939, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 10, "title": "RAS-1974", "content_text": "4\n\nTerritories\", talked to us in December on Chinese ancestor worship, particularly at the clan or lineage level. Dr. Baker, who is a lecturer at the London School of Oriental and African Studies, carried out his first field work in Hong Kong, in Sheung Shui in the New Territories, and later published a book about the social organization of the area.\n\nMr. Ian Diamond, formerly of Fiji, and Hong Kong's first Government Archivist heading the new Public Records Office, talked in January about Hong Kong's records and the organization and purpose of such an institution. His talk will be published in our Journal, as will also that of Mr. Lethbridge.\n\nMr. Diamond's talk was preceded by an Extraordinary Meeting of the Society to consider amendments to numbers 10 and 11 of our rules. A reprint of the rules is necessary and this provided us with an opportunity to bring them up to date. Formerly Council members had been eligible for election for two years (although in practice we have held annual elections), and no arrangements had existed for enabling the Society to continue using the services of past Presidents. The new rules provide for a one-year period of office for members of Council, including office-bearers, and for past Presidents to stay on the Council as ex officio members. Voting was nineteen in favour, none against, and one abstention, and the new rules were therefore passed.\n\nThree additional talks have also taken place within this new year. One was given by Mrs. Helga Berger (Ms Helga Werle) of the Hong Kong Arts Centre, an enthusiastic member of our Society and an expert on Chinese folk arts. She talked on the subject of Chinese puppets: their history, religious functions, uses for entertainment, and how they are made. She brought along specimens of glove and stick puppets as used in Kwangtung and Fukien, and additionally some puppeteers who demonstrated their methods of manipulation. This talk preceded the Hong Kong Arts Festival at which puppet performances were held, and greatly added to our appreciation of these performances. Dr. Michael Colbourne, Reader in Tropical Hygiene and seconded from the London School of Tropical Medicine and Hygiene to the University of Hong Kong, also talked to the Society. His topic was a research project for the study of health of squatters settled in high-rise flats in Singapore, with which he was connected. He also looked generally at problems", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207169, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 240, "title": "RAS-1974", "content_text": "234\n\nNOTES AND QUERIES\n\nhouses were built later at the back when they had more descendants. That is the entire village even to this day.\n\nThere are 42 dwelling houses within the village, divided by 5 lanes and ten gates; measuring 162'-3\" in width and 125'9” in depth. The idea of this layout would seem to have been to protect themselves from pirates, when the whole family stayed inside. The Chi Tong is located in the centre with three roofs and two light wells (#). There is a village school 150 feet from the southern corner for primary education of their children, and a Tin Hau Temple within 500 feet to the northeast for worship.\n\nLand Registration took place in 1906 in Tsuen Wan after the Lease of the New Territories. The village was recorded from Lot No. 1528 to 1559 (Lot No. 1546 excluded) in Demarcation District No. 449 in the Block Crown Lease, totalling 0.43 acre of house land and 0.03 acre of waste land, all belonging to the Chan family. It is a pity that 0.135 acre of house land were sold to outsiders since 1937 otherwise the village would still remain solely in the hands of the descendants of the founder.\n\nChan Kin Sheung, the founder of Sam Tung Uk, was awarded a portrait by Chien Lung of Ch'ing Dynasty, worded \"Heung Yam Tai Bun” (means Honourable Guest in Village Parties). To everyone's sorrow and great loss it disappeared during the Japanese Occupation of Hong Kong.\n\nThere have been very many big changes in the area surround-ing the village since re-development of Tsuen Wan. Fung shui trees at the back were felled, village type houses were built around, roads were constructed in front, multi-storeyed buildings were erected with obstruction of the front view. Ngau Kwu Tun, the small hill by the left, was removed to make way for a school building, and the hill at the back was partly cut off for construction of the Rapid Gravity Filter. Even the grave of the village founder was affected as it was in the same line and over-looking the village. The name in fung shui was called \"Lion over-looking the village platform\" (獅子瑩樓台)\n\nIt is to be hoped that the Walled Village can be retained as a historical relic in Tsuen Wan, even if the whole area is to be re-developed. God has blessed it for over two centuries and it is hoped will continue to do so.\n\nText and visits are organized and prepared by Mak Kai Yim, A. H. Mackreth, Brian Liu and Helga Werle.\n\nPage 240\n\nPage 241", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207171, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 242, "title": "RAS-1974", "content_text": "236\n\nBOOK REVIEWS\n\non his blackwood cage-bed which is decorated by painted porcelain panels, and a glimpse into a corner of the monk's kitchen.\n\nThe third group of 35 photos are portraits of the monks who inhabited the monasteries of Hua Shan. Hedda Morrison must have been quite a personality to be appreciated and trusted by the monks in such a short time, that she could catch their faces in so many moods and showing so vividly their characters.\n\nAlthough the photos were taken in 1935 they were not published before 1975. In 1935 it was possible for anyone who would brave the steep cliffs and the narrow mountain paths to enjoy the beauty and the peace, to purify one's mind and unite with the Tao. There is not much chance of going there today, nor of finding monks enacting dances symbolizing the cosmic battle of nature (plates 43, 44). The photos are thus a priceless record of the faces of Hua Shan, their value enhanced by their poetic quality.\n\nThe texts are of minor importance but help us to understand the basic Chinese thinking that the individual must be in harmony with the universe.\n\nHong Kong, 1975.\n\nHELGA WERLE\n\nSEALS OF CHINESE PAINTERS AND COLLECTORS OF THE MING AND CH'ING PERIODS. REPRODUCED IN FACSIMILE SIZE AND DECIPHERED. REVISED EDITION WITH SUPPLEMENT. By Victoria Contag and Wang Chi-ch'ien (Hong Kong: Hong Kong University Press, 1966. pp. Ixviii+726. Illustrations. Paperback issue 1974, HK$50.\n\nThe academic interest of collecting ancient seals in China was generally developed during the first 150 years of the Ch'ing period (1644-1911) and subsequently sub-divided into several offshoots: such as collecting ancient official seals, an interest related to the study of government organization; or collecting seals of the Han (204 B.C.-220 A.D.) and pre-Han period, connected with either an artistic interest in the archaic style of Chinese sealscript or a paleographic interest on etymology. Following these trends, however, the cited scholastic interests are replaced in the 20th century by a more specified academic practice; for instance, to collect seals of established artists and learned art collectors of previous periods. By so doing, the collected seals can serve students of Chinese art,", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207179, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 250, "title": "RAS-1974", "content_text": "244\n\nBOOK REVIEWS\n\nromanization, Chinese characters and their translation. The authors were also able to round off their observation with a fair knowledge of Chinese civilization and the basics of Buddhism and Taoism.\n\nAs these 9 sacred mountains were of such fundamental importance for the world concept of Chinese civilization since its dawn and few western people ever had, or perhaps ever will have, the chance to visit these mountains, this might be justification enough to publish this travel diary 37 years after this strenuous pilgrimage was undertaken, although judged as a whole the text is somewhat meager and weak.\n\nIt is a beautifully produced book, with good quality of paper and printing and a generous layout, and clean dark blue linen hard cover which is the trade-mark of all books published by Vetch & Lee Ltd.\n\nHong Kong, 1975.\n\nHELGA WERLE", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207184, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 255, "title": "RAS-1974", "content_text": "LIST OF MEMBERS\n\n249\n\nLIFE MEMBERS:\n\nSU, Dr. Chung Jen TAN, Khek-seng\n\nTANG, Mrs. Madeleine\n\nTANG, Sir Shiu-kin, C.B.E.\n\nTHOMAS, L. F.\n\n155, Blue Pool Road, Flat A, 1st floor, H.K.\n\nA-1, Villa Monte Rose, 7th floor, 41A, Stubbs Road, H.K.\n\n8C, Grenville House, 1, Magazine Gap Rd., H.K.\n\nThe Kowloon Motor Bus Co. (1933) Ltd., Room 1701, Central Building, H.K.\n\nc/o Lowe, Bingham & Matthews, Prince's Building, 22nd floor, H.K.\n\nTON, Mrs. Chen Chu-ching St. Paul's Convent School, Causeway Bay, H.K.\n\nTORRIBLE, G. R. WATSON, K. A.\n\nWEINREBE, Harry W.\n\nWERLE, Helga\n\nWESLEY-SMITH, Peter\n\nWHITELEGGE, D. S. WILLIAMS, Roger A.\n\nWILLIAMS, Mr. & Mrs. W. D. F.\n\nWINKLER, Mrs. E WONG, Peng-Cheong\n\nWOLF, John\n\nYOUNG, Miss Pauline\n\nc/o The Hong Kong Club, H.K.\n\nc/o Lammert Bros., Pedder Building, H.K.\n\nWeinrebe & Pennell Ltd., Room 805, Bank of Canton Building, Des Voeux Road, H.K.\n\n3, Wood Road, 6th floor, H.K.\n\nDept. of Law, University of Hong Kong, Pokfulam, H.K.\n\n58, Mt. Nicholson Gap, H.K.\n\nDept. of Extra-Mural Studies, University of Hong Kong, Pokfulam, H.K.\n\n1, Riante Rive Apartments, 14 Milestone, Castle Peak Road, N.T.\n\nFlat 402, 12 May Road, H.K.\n\nWong, Tan & Co., 732/735 Alexandra House, H.K.\n\nP.O. Box 147, H.K.\n\nThe Peak School, Plunkett's Road, The Peak, H.K.\n\nPage 255\n\nPage 256", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207235, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 3, "title": "RAS-1975", "content_text": "THE HONG KONG BRANCH\n\nOF THE\n\nROYAL ASIATIC\n\nSOCIETY\n\nPatron:\n\nH.E. Sir Murray Maclehose, K.C.M.G., K.C.V.O., M.B.E., M.A. Governor of Hong Kong\n\nThe Council, 1975:\n\nPresident:\n\nMarjorie Topley, B.Sc.(Econ.), Ph.D.\n\nVice-Presidents:\n\nJ. W. Hayes, M.A., Ph.D., J.P. H. A. Rydings, M.B.E., M.A., A.L.A.\n\nHon. Secretary:\n\nA. I. Diamond, M.A.\n\nHon. Treasurer:\n\nD. A. Gilkes, M.A., C.A.\n\nHon. Editor:\n\nJ. W. Hayes, M.A., Ph.D., J.P.\n\nHon. Librarian:\n\nH. A. Rydings, M.B.E., M.A., A.L.A.\n\nCouncillors:\n\nJ. R. Jones, C.B.E., M.C., LL.D., J.P. (Past President) Sir Lindsay Ride, C.B.E., E.D., M.A., D.M., LL.D., J.P. (Past President)\n\nHelga Werle, Phil. Sin. Cand. (Munich)\n\nF. Geoffroy-Dechaume, Consul General for France K. A. Westcott, B.A., Dip.Ed.\n\nL. R. Wright, A.B., M.A., Ph.D.\n\nH. J. Lethbridge, B.Sc.(Econ.), B.Sc.(Soc.), Dip. Criminology Carl T. Smith, B.A., M.Div.\n\nD. H. Liu", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207237, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 5, "title": "RAS-1975", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nTREASURER's Report\n\nTHE LIBRARY: and the Library Rules\n\nTRANSACTIONS OF THE BRANCH :\n\nI\n\nPage\n\n1\n\n9\n\n13\n\n16\n\nA Hong Kong Spirit-Medium Temple-JOHN T. MYERS\n\nMerchant Organisations in Late Imperial China: Patterns of Change and Development-WELLINGTON K. K. CHAN\n\n28\n\nChina's Economic Planning and Changing Geography—CHIAO-MIN HSIEH\n\n43\n\n∞ NOA\n\n48\n\n61\n\n71\n\n88\n\nARTICLES:\n\nIncident between the Hong Merchants and the Super-cargoes of the British East India Company in Canton, 1811—J. L. Cranmer-BYNG\n\nThe Great Plague of Hong Kong-E. G. PRYOR\n\nNotes on Chiuchow Opera-Helga Werle\n\nCondition of the European Working Class in Nineteenth Century Hong Kong-HENRY JAMES LETHBRIDGE\n\nThe Employment of Foreign Military Talent: Chinese Tradition and Late Ch'ing Practice-RICHARD J. SMITH\n\n113\n\nThe Pacific Oyster Industry in Hong Kong-BRIAN MORTON AND P. S. WONG\n\nCaptive Surgeon in Hong Kong: the Story of the British Military Hospital, Hong Kong 1942-1945- DONALD C. Bowie\n\nNOTES AND QUERIES:\n\n...\n\nThe Pottery Kilns at Wun Yiu, Tai Po-J. W. HAYES\n\nThe Noon Day Gun-CARL T. SMITH\n\nThe German Congregation in Hong Kong until 1914-CARL T. SMITH\n\n139\n\n150\n\n291\n\n292\n\n292\n\n295\n\nBoat People's Ceremonies observed from Island House, Tai Po-D. AKERS JONES\n\n300\n\nThe RAS Photographic Survey in Hong Kong—H. A. RYDINGS\n\n311\n\nChief Marshal T'ien, patron of the stage, of musicians and wrestlers-East and South East China-K. G. STEVENS\n\n303\n\nChang Yu-tang and an old Hanging Scroll from Cheung Chau-FRANCIS S. Y. SHAM AND JAMES Hayes\n\nHung Hom: an Early Industrial Village in Old British Kowloon-Carl T. SMITH AND JAMES HAYES\n\nTyphoon Preparations in 1903\n\nBOOK REVIEWS\n\n318\n\n324\n\n327", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207243, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 11, "title": "RAS-1975", "content_text": "3\n\nApril he arranged a visit to old Wanchai, one of the oldest districts of British Hong Kong. Under the name of Ha Wan or \"lower bay” it was one of the 5 bays or \"circuits\"-a terms used in the 1850s and 1860s to describe the residential and commercial areas largely developed by the new Chinese population of the island. Places visited included the Pak Kung Shrine in Star Street, established before the war and probably upward of 70 years old; the Hung Shing Temple, one of the oldest of the area, perhaps even existing as a shrine before the British occupation; the Sui Tsing Pak temple housed in several dwellings in a terrace and of the late nineteenth century; the Yuk Hoi Kung Temple to Pak Tai, God of the North and of early origin; and various terraced houses and individual buildings.\n\nIn May Mr. Hayes arranged another excursion to the Diocesan Boys' School-D.B.S.-and La Salle College. D.B.S. originated in 1869 with the Diocesan Home & Orphanage for English, Eurasian Chinese and other scholars, male and female and had links with an earlier body, the Diocesan Native Female Training School of 1860-58. In 1900 the Diocesan Girls' School opened and DBS no longer took girls. The school moved from Bonham Road to its present site in 1926. La Salle dates from 1932 but its connection with Catholic Education in the Colony is much longer. The La Salle brothers had already a record of 42 years work at St. Joseph's College in Hong Kong.\n\nIn June Mr. Hayes organised a visit to old Western District which included tea in a traditional tea-house. The original Chinese tea house was a place where many kinds of tea were served together with tim sham, small tidbits or literally \"to point to the heart\". It is gradually being replaced by new establishments usually combining a Chinese restaurant with tea-house business. Later, in July, a visit to a tea-house was also arranged to hear typical Cantonese music and \"southern songs” traditionally played to clients of such establishments and also sadly disappearing in modernising Hong Kong.\n\nDuring the June visit to Western, many shops for traditional crafts and wares were visited or observed. Many have since been pulled down in this area scheduled for urban renewal. In July, Miss Helga Werle, a member of our Council, arranged with a colleague, a visit to Aplichau the small island-just still an island-off Aberdeen. Members visited the Hung Shing Temple, probably built in 1773; and the Shui Yuet Kung Temple (Shui Yuet is another name for Kuan Yin) probably dating from the early days of Aplichau town developing in the 1850s.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207311, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 79, "title": "RAS-1975", "content_text": "NOTES ON CHIUCHOW OPERA (MA)\n\nHELGA WERLE\n\nMs. Helga Werle, whose article on Chiuchow (in Mandarin Chao-chou) puppets appeared in the 1973 Journal, describes two typical plays of the Chiuchow opera, and gives background information about this particular regional theatre of China. Ed.\n\nIn urbanized Hong Kong today one can see a performance of Chiuchow Opera at City Hall or Lee theatre two or three times a year, but the traditional purpose of this opera is the shen-kung hsi—a performance to celebrate the birthday of a deity. Many areas of Hong Kong have their organized Chiuchow communities centred upon the temple of a certain deity.\n\nThe Chiuchows have innumerable deities, often completely different from the Cantonese. Some of those worshipped in Hong Kong with temples erected in their names are:\n\nLi-shan lao-mu\nT'ai-i chen-ren\nLi lao-ch'un 李老君\nCh'i t'in ta-sheng\nSan-shan kuo-wang\nSan t'ai-tze lao-yeh\nMu-ch'a Chin-ch'a and No-ch'a called the three princes \"san t'ai-tze\", the three sons of Li Ching 李靖\nHan Chung-kung\n\nTo ensure the prosperity of each temple community the birthday of its deity must be properly celebrated. The most outstanding members of the community are chosen to form the prestigious festival committee, which has the duty to collect the necessary amount of money (between 50 and 100,000 HK$) to organize a worthy celebration. And what could rejoice a god's heart more than the luxury of a series of opera performances? After the dates are decided with the consent of the deity involved a large space is booked with a Government office (usually a public playground),\n\nPlates 5-12 at rear of the volume illustrate this article.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207312, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 80, "title": "RAS-1975", "content_text": "72\n\nHELGA WERLE\n\nand then a company is contracted to erect the temporary bamboo structures to house performances and ceremonies. The ideal is for the structures to be arranged in a square, the temple facing East and the stage opposite (i.e. West), so that the god is conveniently positioned to get the best view of the stage. The organizers are housed on one or both sides of the temple and on the sides of the square are exhibited the giant-sized dragon-robes, crowns and boots, all elaborately made of paper, which will be burnt and, in this way, sent as a birthday present to the god.\n\nAND RICE TO DONATE TO THE POOR EXHIBITION OF COLLECTED GOODS\n\nFESTIVAL\n\nTEIFLE\n\nCOMMITTEE\n\nHALL FOR CEREMONIES TO\n\nAPPEASE SOULS\n\n辉花\n\nROOF TO SHELTER AUDIENCE\n\n(FORMERLY OF NATTING, NOW TIN SHUI WAI)\n\nSTAGE\n\nKITCHEN\n\nEXHIBITION OF PAPER DRAGON ROBES\n\nChiuchow festival square (the layout is almost the same whether it is used for the celebration of god's birthdays pao-tan or for the appeasement of the hungry souls in the 7th month called Yu-lan-p'en).\n\nThe interior of the temporary temple is almost completely occupied by a large square table (about 4m x 4m) on which items donated by individuals of the community are displayed before they are auctioned off. Holding a microphone and a gong several auctioneers stand on a table in front of the temple and, competing with the loudspeakers amplifying the opera music, they promise prosperity and good fortune (in the traditional 4-character phrases) to the highest bidder. Bottles of brandy and whiskey, porcelain figures of immortals and deities, and colourful lamps and lanterns go for several hundred or thousands of dollars at a time. Although the successful bidder can take his acquisition home he does not pay the bid until the following festival. And especially if he is poor at the time, he", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207314, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 82, "title": "RAS-1975", "content_text": "74\n\nHELGA WERLE\n\nback of the stage (military and civil hats should be separated, so that those who wear them will not fight with each other!). The costumes are all taken to the left back corner and the other trunks which contain the dressing-tables of the lead-actors (one character of their name is painted on the trunk) are placed wherever space is left. There is one old man in charge to look after the patron-deity of the troupe. He will place the shrine in the middle of the back-stage against the back-wall. The rolled up carpet is taken to the stage.\n\nAll this preparatory work is done in complete silence, everyone is afraid lest their name should be uttered before the ceremonial (P'o-t'ai k'ai-lo “breaking of the stage and opening the gongs\") otherwise they would be unlucky. If one would name an actor, evil spirits not yet cleared from the stage would get hold of him, and during the performance this actor would slip or forget his text, or he would be unable to sing in tune or otherwise damage the success of the presentation.\n\nIn the right back corner of the backstage a space is subdivided for a latrine which is not to be used before the p'o-t'ai ceremony. No outsider is allowed on stage and backstage before the ceremony as they have no knowledge of the strict rules that govern the preparations for a performance. In the afternoon between 3 and 6 o'clock everything is ready for the p'o-t'ai ceremony. All the actors of the troupe are assembled, and all the percussionists sit at their drums and gongs on the left side of the stage.\n\nTwo actors of the troupe who are especially trained for this ceremony go out on the stage and stick a coloured strip of paper-money to the four corners of the stage. Then one of them seizes an enormous trident-fork and the other a live cock, which has been especially chosen for its high comb. The one who holds the cock then bites into the cock's comb until it bleeds. He rushes to the four corners of the stage and, holding the cock's head in one hand, he smears blood on the paper-money he stuck there before. And then they both run madly from the left stage entrance to the front of the stage, from there out through the right exit of the stage, rushing through the backstage to the left entrance of the stage. They then cross the stage to the right side where the string and wind instruments of the orchestra are positioned and then back to the left side, where throughout this ceremony all available percussions are beaten in a frantic rhythm. During this mad rush blood", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 84, "title": "RAS-1975", "content_text": "76\n\nHELGA WERLE\n\nwhich has the shape of a miniature temple, has the three characters Han-lin yuan embroidered on its red curtain; it is not General T'ien who is sitting behind the ever closed curtain, but the San t'ai-tze lao-yeh\n\nthe 3 princes (Mu-ch'a, Chin-ch'a and No-ch'a).* \n\nThe birthday of the San t'ai-tze lao-yeh is celebrated yearly by this troupe with special performances in the first month of the Chinese calendar in the public housing estate Tung Tau Tsuen ✯✯, not far from the airport, where a whole community considers the San t'ai-tze as their patrons.\n\nAt this birthday celebration in 1976, between 9 and 10 p.m. a man suddenly came running to the temple facing the stage and donned the costume prepared on the table. No-ch'a is usually represented as a young boy: his hair tied in a bob over each ear, with his feet on fire-wheels. The man, a medium, is believed to be an ordinary man who might have never thought of No-ch'a. But on his birthday the god (here No-ch'a) will possess a person who will then only act as a medium. The man or sometimes a woman will get up from his bed, if he is sleeping, or from the table if he is eating, and rush to the square where the festivities are held without talking to anyone. Sometimes 3 people appear being possessed by the 3 princes. If the god in this temple has proved to be particularly efficacious (ling) then this event is expected and the respective clothes for the god are already prepared on a table specially marked with a green bamboo 3m high attached to its leg. The costume for the god is usually put into a flat round basket and a weapon is placed beside it. The medium puts on No-ch'a's costume, a yellow silk blouse and trousers and on the head he puts a band with the two hair-knots attached, shaking all the while and aided by those who have expected his arrival. When dressed the medium takes up the weapon, a solid spiky iron-ball on a chain, and wields it against his own body, beating his back and chest, perhaps to prove that he is actually possessed by the god.\n\n* Doré, Chinese Superstitions, Taipei 66, Vol. 7, p. 413 and Vol. 9, p. 111; E. T. C. Werner: Dictionary of Chinese Mythology, page 247.\n\n† Such a bamboo is also fastened to the roof of the stage or where rituals for the dead are held: it indicates the presence of spirits or marks the place to which spirits are invited to come.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 86, "title": "RAS-1975", "content_text": "78\n\nHELGA WERLE\n\npart, and even the music was streamlined by her. There are up to date eight plays in their repertoire: Pa-pao kung-chu† ± princess Pa-pao; T'ao-hua huo tu*; also called Su Liu-niang*; Shih yü-cho£; The Jade-bracelet; Ch'en San Wu-Niang: Tze Liang Chi : Tang Po-hu tien ch'iu-hsiang唐伯虎點秋香(三笑姻緣); Shou Shu-yüan搜書院; and Tze Lang-chu辭郎洲.\n\nHere is the content of two of these operas as they were performed by Hsiao Nan-ying in Hong Kong in 1975.\n\nSTABBING LIANG CHI (✯✯M✯)\n\nLiang Chi, a treacherous prefect, passes through the streets and his guards catch a man who roamed about instead of retiring at the approach of the prefect. When questioned, it turns out that he is a fortune-teller. The prefect dismisses his entourage and encourages the fortune-teller to look at his face and tell his fortune. After some hesitation he talks professional terminology about Liang's eyes and physiognomy and asks him about his age. 63 was the answer. Then he would be stabbed in the next 3 days; but if he could avoid it he would be very successful thereafter. If he wants to avoid it—and he asked the lord to go backwards 3 steps—then he should not go out of his house and not see anyone from outside for 3 days.\n\nThe fortune-teller, although afraid, was rather satisfied with the prospect to see this wretched lord killed.\n\nAfter this the fortune-teller wished to get out of the house as fast as possible, but the lord called his housekeeper and ordered him to feed the fortune-teller,\n\nThe gates were locked and orders given, and then the lord planned to enjoy these 3 days of unexpected leisure. As he had just got a new lady in his residence, he gave orders that she should serve him the wine that night.\n\nThe new lady (performed by Hsiao Nan-ying) was in fact the daughter of a fisherman whom the lord had killed with an arrow. The fisherman's daughter had come instead of another, in order to avenge her father. When she was summoned, she knew that this was her chance to fulfill her vows. She took a hair pin from her hair, and decided that she would stab him with it. The ladies-in-waiting brought a crown and gorgeous red garments to dress her for", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207320, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 88, "title": "RAS-1975", "content_text": "80\n\nHELGA WERLE\n\nThe girl comes out of hiding, and the fortune-teller takes her to safety.\n\nSU LIU-NIANG (SIXTH DAUGHTER SU) *** Drama in 10 acts, lasting about 3.4 hours.\n\nDramatis personae: Su family: Uncle, the eldest of the Su clan Mr. Su and Mrs. Su, their daughter, Liu-niang (6th young lady),* her maid, T'ao-hua, 1 girl-servant and 2 man-servants\n\nAct I\n\nyoung master Yang young master Kuo\n\nand his wet-nurse cousin of Liu-niang\n\nTao-hua the maid comes to the river returning from Hsi-lu\n\nwith a parasol, gay silk trousers and jacket, her hair in two knots one over each ear garlanded with flowers, the temple hair hanging down in two long strands which are adorned with coloured silk-strings. She calls the ferryman [old man-servant type with white beard], who arrives rowing with an oar. There are no other stage props. The movement of the boat is all indicated by mime.\n\nT'ao-hua hides behind the parasol fooling the ferryman and suddenly surprises him by showing her face. Then she pretends to be afraid to jump on the ferry, so the old man tries hard to bring the boat closer. With a wicked smile she jumps on the boat with all her strength, causing it almost to turn over. They perform a beautiful dance to balance the boat and she pretends to be terribly frightened.\n\nThey then start chatting and T'ao-hua proposes to sing a couplet each, composing it as they go along. But which of them first says things that are wrong or cannot rhyme has lost. The old man starts, \"In the first month all flowers bloom...\". T'ao-hua carries on, \"In the 2nd month the cotton tree blooms\" and so on.\n\n*The names of sons and daughters of important families (those with high doors) in these operas are called, for example, Su Liu-niang, meaning the sixth daughter of the Su family. The parents Su have only one daughter, but she is still called the sixth daughter because she is the sixth girl born in this generation to all the brothers of Mr. Su. The same is the case for Wu-niang meaning 5th daughter, called such although she is the only child of her parents. Ch'en San is the third (son) of the Ch'en clan. The term 'niang' is an address for a young lady, whereas the word 'chieh' 'sister' is used for a girl of humble birth.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207322, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 90, "title": "RAS-1975", "content_text": "82\n\nHELGA WERLE\n\ning without giving any thought to it, and above all without hearing the opinion of their daughter about it. But the father repudiates these comments, saying that it is the duty of parents to choose a husband for their daughter and the duty of the daughter to obey.\n\nAct IV\n\nAs soon as the daughter has returned from cousin Kuo's home, the parents inform her about the arranged marriage. Completely shocked she says that this is out of the question, and that they should ask T'ao-hua for the reason. Then she bursts into tears and runs out. T'ao-hua is terribly frightened and follows her, but is summoned back by Mr. Su.\n\nNow the questioning begins. A girl servant fetches \"the law of the house\" [two approx. 60 cm long bamboo-halves fastened together on one side as a handle*]. It comes out that as the daughter spent so many happy years playing and studying with her cousin, the children's fondness for each other has grown into love. They have already openly declared their love and vowed to marry.\n\nT'ao-hua is scolded and accused of letting all this happen, and is asked why did she not inform the parents. Mr. Su beats her. The movements of this scene are beautifully mimed and choreographed into dance, as T'ao-hua kneels and whimpers cries for mercy. Mr. Su holds her left hand and mimes to beat her back. She walks in a circle around him using the ai-tze-pu (dwarf-step) very characteristic of Chiuchow opera. It has been suggested that this imitates the shadow-puppet's way of hurried walk. The knees are bent because the puppet has a joint there, but this joint is not controlled. [In this dwarf-step one foot is put on the ground, then that knee is put on the ground, then the other foot, and then the other knee, etc.].\n\nBut then the mother scolds the father for bringing their only daughter into such a calamity. They now both listen to T'ao-hua's clever arguments and sympathise with their daughter and her maid. They decide to put off the intended marriage with the Yang family until they find a way out of this contract.\n\nAct V\n\nMr. Yang travels with his wet-nurse to Chiuchow to visit the Su family personally. Being betrothed to Su Liu-niang he wants\n\n, used for punishment.\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207324, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 92, "title": "RAS-1975", "content_text": "84\n\nHELGA WERLE\n\npromises the wet-nurse that, if he becomes a mandarin, he will erect such a monument to her chastity, whereupon the wet-nurse cries. Asked why, she answers that this is not possible and that his father knows very well why.\n\nAct VI\n\nThe eldest of the Su clan together with the Hsiu-tsai Yang come to visit Mr. and Mrs. Su. Mr. Yang, whom the parents see now for the first time, is very aggressive and accuses his parents-in-law of being responsible. Mr. Yang makes a very bad impression on them, being ugly and of mean character. They are determined to get out of this marriage contract. But Mr. Yang threatens to take them to court. Mr. Su finds it difficult to answer why he does not want to keep his word. How can he and his wife confess that their daughter has fallen in love and that they support her romantic choice? It would be against all rules of decency. So they repeat the fact that she is their only child and still so young, and that the Yang family is living so far away. But Mr. Yang argues that she is already over 16, which is the right age for a girl to marry.\n\nT'ao-hua is also present and argues with Mr. Yang with her quick and sharp tongue. The parents are pleased to get help against this ruffian, but the eldest Su is appalled. \"How can you allow your slave-girl to have a say in your affairs?\" he asks. At this point the parents realise that this is against all the rules, and they send T'ao-hua away.\n\nHowever, the eldest of the Su clan is annoyed by the arrogant behaviour of Mr. Yang. He asks him to leave and let him handle this awkward matter. When the three of them are alone, the parents try again to persuade the eldest Su to help them to get out of this contract, and start to explain why. But the eldest does not want to listen, and states what a shame it would be for the whole Su clan if the daughter is allowed to follow her own inclination. The eldest finally forces the parents to send their daughter to the Yang family's house on the next morning. The eldest Su exits with a content 'haha', as the mother is scolding the girl's father, saying that it is all his fault.\n\nAct VII\n\nThe daughter Lu-niang in her chamber is desperate at the news that she has to be married tomorrow to the Yang family. When", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207326, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 94, "title": "RAS-1975", "content_text": "86\n\nHELGA WERLE\n\nching the room they find the parting letter on her desk. The mother starts wailing, cursing her husband. They call the servants to check the house, and the two male servants return and report that they found the back-gate open. They panic, and the wet-nurse rushes out to inform the groom's family.\n\nAct X\n\nThe servants lead the way with lanterns to the river. Mr. and Mrs. Su are followed soon after by the eldest of the Su clan, and by Mr. Yang and his wet-nurse. Then the group meets T'ao-hua and she joins in the search. Mr. Su now accuses Mr. Yang of having pushed their daughter to commit suicide. Mr. Yang reads Liu-niang's last letter but is not impressed. Perhaps it is a trick to avoid the marriage. He will not believe it until he has tangible proof.\n\nAfter walking in many circles they come to the bank of the river, where a servant discovers the shoes of Liu-niang. The parents wail and scold Mr. Yang, and finally the old ferryman approaches with his oar. When asked whether he had seen Liu-niang, he answers that he did not see anybody, but heard a big splash. Whereupon the whole party decides to return home.\n\nThe ferryman calls back T’ao-hua and triumphantly tells her that he can now finish the couplet of the 13th month, because every so many years there is in fact an intercalary 13th month. And on this gay note the play ends, providing the reason why this opera is colloquially called \"T'ao-hua Crosses the River”.\n\nAct VIII is the climax of the play and Act IX and X the anti-climax.\n\nFOOTNOTE\n\nChiuchow Opera and Peking Opera\n\nThe repertoire of Chiuchow opera contains plays taken from the Peking opera, as well as plays based on Chiuchow's local traditions. Ch'en San Wu-niang and Su Liu-niang are both typical Chiuchow operas which have no parallel in the Peking opera. Both are elegant and refined literary operas, with a very strong local flavour in the treatment and development of the subject, and in the music and performance style.\n\nIn a Peking opera the hard laws of society, the five relationships instituted by Confucius, are more important than human happiness; and in Peking opera the same plot would have quite a different dénouement, most probably with a tragic end. How would a well-kept young lady ever dare", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207591, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 359, "title": "RAS-1975", "content_text": "Plate 5. The Three Princes, San t’ai tzu lao yeh, temporarily uncovered at a back-stage.\n\nPlates 5 to 12 are by courtesy of Helga Werle.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207624, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 12, "title": "RAS-1976", "content_text": "THE HONG KONG BRANCH\n\nOF THE\n\nROYAL ASIATIC SOCIETY\n\nPatron:\n\nH.E. Sir Murray Maclehose, G.B.E., K.C.M.G., K.C.V.O., M.A. Governor of Hong Kong\n\nThe Council, 1976:\n\nPresident:\n\nMarjorie Topley, B.Sc.(Econ.), Ph.D.\n\nVice-Presidents:\n\nJ. W. Hayes, M.A., Ph.D., J.P. Carl T. Smith, B.A., M.Div.\n\nHon. Secretary:\n\nA. I. Diamond, M.A.\n\nHon. Treasurer:\n\nD. A. Gilkes, M.A., C.A.\n\nHon. Editor:\n\nJ. W. Hayes, M.A., Ph.D., J.P.\n\nHon. Librarian:\n\nH. A. Rydings, M.B.E., M.A., A.L.A.\n\nCouncillors:\n\nSir Lindsay Ride, C.B.E., E.D., M.A., D.M., LL.D., J.P. (Past President) Helga Werle, Phil. Sin. Cand. (Munich)\n\nF. Geoffroy-Dechaume, Consul General for France K. A. Westcott, B.A., Dip.Ed.\n\nL. R. Wright, A.B., M.A., Ph.D.\n\nH. J. Lethbridge, B.Sc.(Econ.), B.Sc.(Soc.), Dip. Criminology Carl T. Smith, B.A., M.Div.\n\nD. H. Liu\n\nG. W. Bonsall, M.A., M.L.S.\n\nFilled vacancies during the year\n\nB. A. V. Peacock, M.A.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207629, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 17, "title": "RAS-1976", "content_text": "and living in a resettled village, on their field observations relating to urban development. In November we had a talk on diplomatic systems in East Asia as part of general philosophies of state by Dr. Frank W. Ikle and in December Dr. Ralph Smith, a visiting historian specialising in Vietnamese society at the School of African and Oriental Studies spoke on the Cao-Daist and Hoa Hao religious sects. Another visitor to Hong Kong—visiting professor in anthropology at The Chinese University—Professor Francis L. K. Hsu, spoke to the Society in January giving his views about Chinese motivations and values and comparing them with Western values and motivations as he sees them. In February we held our symposium: this time on Architecture and the development of Hong Kong. We were fortunate enough to obtain the kind services of Mr. Tao Ho here, a well-known local architect and designer, who gathered a team of experts to talk on problems of community and town planning, building, mass transit and the historical development of ethnic clusters in relation to building. This was very well attended and there was some lively discussion. We look forward to seeing the papers in publication: Mr. Ho is presently editing them for the Society. The last lecture of the period was given by Professor Daffyd Evans of Hong Kong University who spoke on early European residents in Hong Kong. We look forward to seeing some of these talks in print in the Journal.\n\nForeign tours are now an established feature of our annual programme. This period included a tour of Burma guided by Mr. Michael Smithies, a former Secretary of your Society, now resident in Indonesia, who has led past tours so successfully. It was organised this end by Ms. Helga Werle of your Council. This was also a very successful venture and I understand that it has been followed by a reunion of tour members who are anxious to have more of the same.\n\nFor the future: Ms. Werle and Mr. Smithies, and also Dr. Leigh Wright are offering tours abroad—to Ceylon (Sri Lanka), Indonesia, Korea, and Borneo—dates will be decided on the basis of majority response to several offered to members in a recent circular. A visit to Tai Mo Shan is also planned for this weekend (April 3), and will include the Shing Mun or Jubilee Reservoir. Talks and notes will be given on history and ethnography of the area, plant and insect life, and birds of upper Tai Mo Shan—by Dr. James Hayes.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207974, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 13, "title": "RAS-1977", "content_text": "The Hong Kong Branch\n\nof the\n\nRoyal Asiatic\n\nSociety\n\nPatron:\n\nH.E. Sir Murray Maclehose, G.B.E., K.C.M.G., K.C.V.O., M.A.\n\nGovernor of Hong Kong\n\nThe Council, 1977:\n\nPresident:\n\nMarjorie Topley, B.Sc.(Econ.), Ph.D.\n\nVice-Presidents:\n\nJ. W. Hayes, M.A., Ph.D., J.P. Carl T. Smith, B.A., M.Div.\n\nHon. Secretary:\n\nA. I. Diamond, M.A.\n\nHon. Treasurer:\n\nD. A. Gilkes, M.A., C.A.\n\nHon. Editor:\n\nJ. W. Hayes, M.A., Ph.D., J.P.\n\nHon. Librarian:\n\nH. A. Rydings, M.B.E., M.A., A.L.A.\n\nCouncillors:\n\nSir Lindsay Ride, C.B.E., E.D., M.A., D.M., LL.D., J.P. (Past President) Helga Werle, Phil. Sin. Cand. (Munich)\n\nK. A. Westcott, B.A., Dip.Ed.\n\nL. R. Wright, A.B., M.A., Ph.D.\n\nH. J. Lethbridge, B.Sc.(Econ.), B.Sc.(Soc.), Dip. Criminology Carl T. Smith, B.A., M.Div. D. H. Liu\n\nG. W. Bonsall, M.A., M.L.S. B. A. V. Peacock, M.A. B. C. J. Shaw, B.A., Ph.D.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208221, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 260, "title": "RAS-1977", "content_text": "244\n\nLIFE MEMBERS:\n\nTHOMPSON, P. J.\n\nTHROWER, Prof. L. B.\n\nTHROWER, Dr. S. L.\n\nTON, Mrs. Chen Chu-ching\n\nTORRIBLE, G. H.\n\nWATSON, K. A.\n\nWAUNG, Dr. W. S.\n\nWEINREBE, H. M.\n\nWERLE, Ms. Helga\n\nWESLEY-SMITH, Dr. P.\n\nWHITELEGGE, D. S.\n\nWILLIAMS, R. A.\n\nWILLIAMS, Mr. & Mrs. W. D. F.\n\nWINKLER, Mrs. E.\n\nWONG, Peng-cheong\n\nWONG, Kwok Fong\n\nWOLF, J.\n\nYEUNG, Walter W. T.\n\nYOUNG, Miss Pauline\n\nLIST OF MEMBERS\n\nJohnson, Stokes & Master, 10th & 11th Floors, Alexandra House, Chater Road, Hong Kong.\n\nFlat 6B, University Residence No. 6, Chinese University of Hong Kong, Shatin, N.T.\n\nFlat 6B, University Residence No. 6, Chinese University of Hong Kong, Shatin, N.T.\n\nSt. Paul's Convent School, Causeway Bay, Hong Kong.\n\nHong Kong Club, Hong Kong.\n\nLammert Bros., Pedder Building, Hong Kong.\n\n1903 Hang Chong Building, 5 Queen's Road, C, Hong Kong.\n\nWeinrebe & Pennell Ltd., Room 805 Bank of Canton Building, Des Voeux Road, Hong Kong.\n\n3, Wood Road, 6th Fl., Hong Kong.\n\nDept. of Law, University of Hong Kong, Pokfulam Road, Hong Kong.\n\n58, Mount Nicholson Gap, Hong Kong.\n\nDept. of Extra-Mural Studies, University of Hong Kong, Pokfulam Road, Hong Kong.\n\n1, Riante Rive Apartments, 144 Milestone, Castle Peak Road, N.T.\n\nFlat 402, 12 May Road, Hong Kong.\n\nWong, Tan & Co., Chartered Accountants, South China Building 3/F, 1 Wyndham Street, Hong Kong.\n\n92A, Pokfulam Road 1st Fl., Hong Kong.\n\nP.O. Box 147, Hong Kong.\n\n60B Conduit Road G/F, Hong Kong.\n\nThe Peak Road, Plunketts Road, The Peak, Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208289, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 13, "title": "RAS-1978", "content_text": "THE HONG KONG BRANCH\n\nOF THE\n\nROYAL ASIATIC\n\nSOCIETY\n\nPatron:\n\nH.E. Sir Murray Maclehose, G.B.E., K.C.M.G., K.C.V.O., M.A. Governor of Hong Kong\n\nThe Council, 1978:\n\nPresident:\n\nMarjorie Topley, B.Sc.(Econ.), Ph.D.\n\nVice-Presidents:\n\nJ. W. Hayes, M.A., Ph.D., J.P. Carl T. Smith, B.A., M.Div.\n\nHon. Secretary:\n\nB. C. J. Shaw, B.A., Ph.D.\n\nHon. Treasurer:\n\nD. A. Gilkes, M.A., C.A.\n\nHon. Editor:\n\nJ. W. Hayes, M.A., Ph.D., J.P.\n\nHon. Librarian:\n\nH. A. Rydings, M.B.E., M.A., A.L.A.\n\nCouncillors:\n\nHelga Werle, Phil. Sin. Cand. (Munich) A. I. Diamond, M.A.\n\nL. R. Wright, A.B., M.A., Ph.D. D. H. Liu\n\nG. W. Bonsall, M.A., M.L.S. B. A. V. Peacock, M.A. J-L Domenach\n\niii", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208556, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 13, "title": "RAS-1979", "content_text": "THE HONG KONG BRANCH\n\nOF THE\n\nROYAL ASIATIC\n\nSOCIETY\n\nPatron:\n\nH.E. Sir Murray Maclehose, G.B.E., K.C.M.G., K.C.V.O., M.A. Governor of Hong Kong\n\nThe Council, 1979:\n\nPresident:\n\nMarjorie Topley, B.Sc.(Econ.), Ph.D.\n\nVice-Presidents:\n\nJ. W. Hayes, M.A., Ph.D., J.P. Carl T. Smith, B.A., M.Div.\n\nHon. Secretary:\n\nB. C. J. Shaw, B.A., Ph.D.\n\nHon. Treasurer:\n\nD. A. Gilkes, M.A., C.A., J.P.\n\nHon. Editor:\n\nJ. W. Hayes, M.A., Ph.D., J.P.\n\nHon. Librarian:\n\nH. A. Rydings, M.B.E., M.A., A.L.A.\n\nCouncillors:\n\nHelga Werle, Phil. Sin. Cand. (Munich) A. I. Diamond, M.A.\n\nL. R. Wright, A.B., M.A., Ph.D. D. H. Liu\n\nB. A. V. Peacock, M.A. P. K. Cavaye, B.A., Dip.Ed.\n\niii", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208810, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 267, "title": "RAS-1979", "content_text": "240\n\nTAN, Mr. Khek-Seng,\n\nA, 11th Floor,\n\nElegant Garden,\n\n11 Conduit Road,\n\nHONG KONG\n\nLOCAL LIFE MEMBERS\n\nTANG, Sir Shiu-Kin, CBE,\n\nThe Kowloon Motor Bus Co. Ltd.,\n\nRoom 1701 Central Building, HONG KONG.\n\nTANG, Mrs. Madeleine,\n\n8C Grenville House,\n\n1 Magazine Gap Road, HONG KONG.\n\nTHOMAS, Mr. Louis F.,\n\nc/o Lowe, Bingham, & Mathews, Prince's Building, 22/Fl., HONG KONG.\n\nTHOMPSON, Mr. P. J.,\n\nc/o Johnson, Stokes & Master,\n\n10th and 11th Floors\n\nAlexandra House,\n\n16-20 Chater Road,\n\nHONG KONG\n\nTHROWER, Prof. L. B., Flat 6B,\n\nUniversity Residence No. 6,\n\nChinese University of Hong Kong, Shatin,\n\nNEW TERRITORIES.\n\nTHROWER, Dr. Stella, Flat 6B,\n\nResidence No. 6,\n\nChinese University of Hong Kong, Shatin,\n\nNEW TERRITORIES.\n\nTON CHEN, Mrs. Chu-Ching, 3-D Chesterfield Mansion, Kingston Street,\n\nHONG KONG,\n\nTORRIBLE, Mr. Graham Robert,\n\nc/o Hong Kong Club,\n\nHONG KONG\n\nWATSON, Mr. K. A.,\n\nc/o Lammert Bros.,\n\nPedder Building,\n\nHONG KONG.\n\nWAUNG, Mr. William Sikying,\n\n1903 Hang Chong Building, 5 Queen's Road C.,\n\nHONG KONG.\n\nWEINREBE, Mr. Harry M., Fairfield Enterprises Ltd., 1404 Bank of Canton Building, 6 Des Voeux Road C., HONG KONG.\n\nWERLE, Ms. Helga, 3 Wood Road, 6/Fl., HONG KONG.\n\nWESLEY-SMITH, Mr. Peter,\n\nSchool of Law,\n\nUniversity of Hong Kong, HONG KONG,\n\nWILLIAMS, Mr. Roger,\n\nDept. of Extra-Mural Studies, University of Hong Kong, HONG KONG.\n\nWILLIAMS, Mr. B. V.,\n\nHong Kong Housing Authority, Housing Authority Headquarters, 101 Princess Margaret Road, KOWLOON.\n\nWILLIAMS, Mr. & Mrs. W.D F., 1 Riante Rive Apartments,\n\n141 Milestone, Castle Peak Road,\n\nNEW TERRITORIES.\n\nWINKLER, Mrs. E., Flat 402,\n\n12 May Road, HONG KONG\n\nWONG, Mr. Kwok Fong, 92A Pokfulam Road 1/Fl., HONG KONG.\n\nWONG, Mr. Peng-Cheong, Wong, Tan & Co.,\n\nChartered Accountants,\n\nSouth China Building, 3rd Floor, 1 Wyndham Street,\n\nHONG KONG,\n\nYEUNG, Mr. Walter W. T.,\n\n60-B Conduit Road, G/F,\n\nHONG KONG.\n\nYOUNG Miss Pauline, The Peak School,\n\nPlunketts Road, The Peak,\n\nHONG KONG.\n\nI\n\n¦\n\n|", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 209323, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 226, "title": "RAS-1981", "content_text": "212\n\nLOÈS, Dr. Sabine de\n\nWONG, Mr Kwok Fong\n\nLOSEBY, Miss Patricia\n\nLUK, Mr. George Ping-chuen\n\nWONG, Mr Peng-cheong YEUNG, Mr Walter W.T.\n\nLUM, Miss Ada\n\nMACKENZIE, Mr. John\n\nMACKEOWN, Dr. P.K.\n\nMARDEN, Mrs. J.L.\n\nMCCRARY, Mr. Michael\n\nMCINTYRE, Mr. W.M.\n\nMCKEIRNAN, Rev. Michael\n\nNORONHA, Mr. J.E.\n\nOGDEN, Mr. B.J.N. OU, Miss G.\n\nPAIN, Mr. John H. PICCUS, Mr. R.P. RAE, Mr. John Allan RAWLINSON, Mr. M.C. RAYNER, Dr. Mary RIDE, Lady May RUST, Mr. H.A.\n\nRYDINGS, Mr. H.A., MBE SEED, Mr. Brian SELLETT, Mr. George SERSALE, Miss Shelia M. SHAW, Dr Brian C.\n\nSHAW, Mrs Felicity\n\nSMITH, Rev. Carl. T. SMITH, Mr Leslie C. SPOONER, Mr Michael G. SU, Dr Chung Jen TAN, Mr Khek-seng TANG, Sir Shiu-kin, CBE TANG, Mrs Madeleine THOMAS, Mr Louis F. THOMPSON, Mr. P.J. THROWER, Prof. L.B. THROWER, Dr Stella TON CHEN, Mrs Chp-ching TORRIBLE, Mr Graham R. URE, Mr Gavin M.N, WATSON, Mr K.A.\n\nWAUNG, Mr William Sikying WEINREBE, Mr Harry M. WERLE, Ms Helga WESLEY-SMITH, Dr Peter WILLIAMS, Mr Roger WILLIAMS, Mr Bernard V. WILLIAMS, Mr & Mrs W.D.F. WINKLER, Mrs E.\n\nYOUNG, Miss Pauline\n\nINSTITUTIONAL MEMBER\n\nAGRICULTURE & FISHERIES DEPT. The Director\n\nLOCAL ORDINARY MEMBERS\n\nABBOTT, Mrs Elizabeth Lee\n\nADDIS, Mr Stewart\n\nADDIS, Mrs Diana\n\nAIKEN, Mrs Lorna\n\nAKERS-JONES, Mr D.\n\nALLCOCK, Mr R.C.\n\nARCHER, The Hon. Mrs S.\n\nASHCROFT, Miss Jacqueline P. AUM, Mr K.N.\n\nBARD, Dr S.M.\n\nBARRETTO, Mr Ruy 0.\n\nBATSON, Lt. Col. J.F.S. BEHRENS, Mr Ernst H. BERTRAM, Mr James BIRCH, Dr Alan BLAIKLEY, Mr P.E. BONAVIA, Mrs Judith E. BOWMAN, Mr S.A.W. BOWMAN, Mrs Dorothy BOYLAN, Mrs. Catherine BRAGA, Mr Paul BRAMWELL, Mr Hartley BRANDON, Miss Jacqueline N. BRAUN, Mr Francis BRAY, Miss Jennifer M. BROMFIELD, Mr A.C. BROMFIELD, Mrs Jeanne BROOM, Mr Michael B. BROUWER, Mrs R.P. BROWN, Mr Edward de R. BROWN, Mr Gerald H. BROWN, Dr H.O. BURNS, Dr John P. CAMERON, Mr Nigel\n\nCAMERON, Mrs Susan\n\nCAMPBELL, Mr Mark C.\n\nCANTERS, Mr Rene\n\nCAREY-HUGHES, Dr John\n\nCENTRE OF ASIAN STUDIES", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 } ]