[
    {
        "id": 209825,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 84,
        "title": "RAS-1983",
        "content_text": "# OF HONGS AND TONGS AND ALL THAT JAZZ: A NOTE ON LEXICAL BORROWING FROM CHINESE IN ENGLISH WITH SPECIAL REFERENCE TO HONG KONG\n\nMIMI CHAN\n\nUNIVERSITY OF HONG KONG\n\nIn a language contact situation such as exists in Hong Kong, and has existed since the mid-nineteenth century, there is bound to be some degree of mutual exchange. The extent to which English has affected the vocabulary of Hong Kong Chinese is notable, but, as I have discovered in a previous study undertaken by myself and my colleague, Helen Kwok, by no means as extensive as might be expected, considering the tremendous influx of new 'things' and concepts from the West. In general the local population has to a large measure relied on native resources of vocabulary-building to fulfill lexical needs as they arise.\n\n2\n\nIn a second joint study, just completed, of which this paper gives a summary, I am concerned with Chinese words which have entered the vocabulary of English with special reference to the English used in Hong Kong. It is of course a well-known fact that the English vocabulary is a highly heterogeneous one, made up of borrowings from many Western as well as Eastern languages. Studies of the origins of English words tend to give detailed lists of words borrowed from Greek and Latin, French, Germanic and Middle Eastern languages among others. They also tend to include quite a number of examples from Eastern languages like Indian and Malay. But when it comes to Chinese the inclusions tend to be few indeed. Otto Jespersen, in The Growth and Structure of the English Language, giving examples of English words borrowed from various sources, writes, 'From Chinese we have kowtow?' A careful search of the Oxford English Dictionary and various editions of the Webster will reveal a somewhat larger number of words, the etymology of which is at least conjecturally Chinese. But the words themselves and/or their etymologies tend to be little known generally. I have",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 212102,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 44,
        "title": "RAS-1990",
        "content_text": "21\n\nMin Ha Old Village was removed and resited in the 1980s, this hall was also part of the reprovisioning. It was rebuilt on a terrace next to the Ho family's new ancestral hall, as in the old village; and honours are still paid to the benefactor's spirit tablet in the same way as to those of their own ancestors.\n\nConclusion: Are there Other Interpretations?\n\nIn Parts I and II of this article, I have suggested that the problems created for the Hong Kong Government by continued large-scale immigration and the concurrent need to modernize were greatly mitigated by its being able to rely on a remarkably well-behaved and generally cooperative population.\n\nI have presumed that this phenomenon was largely derived from the inherited traditions of the Chinese people of that and earlier generations. However, in making this suggestion, I have borne in mind that public and private life in China had already been subject to change in the first half of this century, and that in practice the Chinese people might at an earlier date have been more resistant to the influences described above. The degree to which peasants and other ordinary folk have shared Confucian values has always been an open question, and has drawn much attention in recent years. In his study of Cantonese ballads, of the kind to be regarded as \"folklore written by simple writers, not by scholars, and for simple folk to be read by them or to be listened to\", Professor Wolfram Eberhard has shown that \"the values which the ballads represent are often not the so-called 'Confucian' values\". And a recent survey of twentieth-century Chinese peasant proverbs, which focuses on material from the north and northwest, also gives a somewhat varied impression of the extent of peasant acceptance of traditional Confucian values and shows some variation from them.42\n\nHowever, I do not see why these should be considered to be mutually exclusive phenomena. The Chinese peasant was quite capable of absorbing and evincing both Confucian and non-Confucian sets of values, and this I think he did. For instance, to take a Hong Kong example, the \"Extant Cantonese Children's Songs\" recently studied by Helen Kwok and Mimi Chan, besides revealing the \"prevailing attitudes\" expressed in \"the speech of semi-literate peasants, direct and frank, often to the point of being coarse\", did also in their opinion",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212106,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 48,
        "title": "RAS-1990",
        "content_text": "G. Knapp, The Chinese House: Craft Symbol, and the Folk Tradition (Hong Kong, Oxford University Press, 1990). Knapp does not cover the paintings and stucco work that were a marked feature of the Kwangtung architectural style. For examples of this fine traditional decorative work, see Rural Architecture in Hong Kong (Hong Kong, Government Information Services Department, 1979).\n\nIn the Hakka villages of the Tsuen Wan district, this \"animal\" was always a unicorn. In Cantonese villages the lion was usual. However, their purpose and motivation was clearly the same. Informants said there were differences in the dance performances of lions and unicorns; unicorns \"crept, bobbed and weaved\", whereas lions would \"stand up and prance\". The musical accompaniment, drums and gongs, was the same, and previously firecrackers had been an indispensable part of any performance by lions or unicorns.\n\nHugh Baker mentions that the Liaos of Sheung Shui were known throughout the New Territories for their unicorn dance team. See the interesting information given in his Sheung Shui, A Chinese Lineage Village (London, Frank Cass & Co., Ltd., 1968), p. 193.\n\nSee my \"Notes on Temples and Shrines on Hong Kong Island\" in Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 27 (1987), p. 287.\n\nMonlin Chiang, Tides from the West (New Haven, Yale University Press, 1947), p. 9. John Francis Davis, The Chinese, A General Description of the Empire of China and its Inhabitants (London, Charles Knight, 1836) Vol. 2, pp. 29-30.\n\nFrom the memorial tablet to Mr. Chan Wing-on, Chairman of the Tsuen Wan Rural Committee and Chairman of the 18th Term, New Territories Heung Yee Kuk 1950-52, at the Wing On Pavilion, Fu Yung Shan, Tsuen Wan. Mr. Chan died on 15 October 1956; see Annual Departmental Reports, District Commissioner, New Territories, (1953-54 para. 56, and 1956-57 para. 119).\n\nFrom a “Short History of Yeung Uk Village\" (in Chinese), published at the time of the village resiting in 1965 and written by Yeung's eldest grandson, Mr Yeung Cho-ling. According to the commemorative tablet, the grave was repaired on a lucky day in the middle month of the autumn season in the 10th year of Kuang Hsu, that is in September-October 1884.\n\n1736; but in fact the ping-san year is the 1st year of Ch'ien Lung's long reign. There was probably another, less altruistic factor at work here too: since it was believed that the graves of good people have a beneficial effect on the fortunes of their family for generations to come. It is implicit in this case that the good influences of the grave were not yet spent.\n\nFor a more recent example from Tsing Yi Island, see my Rural Communities, op. cit., p. 143.\n\nContents more than values, I suggest? Wolfram Eberhard, Cantonese Ballads (Munich State Library Collection) (Taipei, The Orient Cultural Service, 1972), p.2.\n\nR. David Arkush, \"Orthodoxy and heterodoxy in Twentieth-Century Chinese Peasant Proverbs\" at pp. 310-335 of Kwang-Ching Liu (ed.) Orthodoxy in Late Imperial China (Berkeley, University of California Press, 1990).\n\nHelen Kwok and Mini Chan, Fossils From a Rural Past, A Study of Extant Cantonese Children's Songs (Hong Kong, Hong Kong University Press, 1990), pp. 17, 29.\n\nLucien Bianco, Origins of the Chinese Revolution, 1915-1949, (Stanford, Stanford University Press, 1971), successively pp.126, 94-95.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    }
]