[
    {
        "id": 205112,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 68,
        "title": "RAS-1966",
        "content_text": "SINO-WESTERN CONTACTS\n\n63\n\ntestify to their Oriental origin, such as the lute (from Arabic al-lūt, \"wood”), and even in our century we have witnessed the spread of Negro jazz over the whole world. A similar development took place in China, and there are many passages in Yüan literature where foreign music and musicians are mentioned.15 In this connection we should perhaps save from oblivion the name of one of these musicians from the Near East. We find her name in the Ch'ing-lou chi “Records from the Green Bowers\", an anonymous work dated 1364 which gives a list of the most popular courtesans under the Yüan, together with a description of their accomplishments. Among these ladies of easy virtue we find one solitary girl from the Western Regions mentioned among her many Chinese professional sisters. She was a Mohammedan girl by the name of Miliha (or Maliha) praised for her sweet and clear voice and her skill in singing. She was, alas, not beautiful, but we are told that she was a superb theatrical performer. The author of the book once made her acquaintance and was duly impressed by her acting.16\n\nThere must have been many influences from Near Eastern folklore that reached China under the Yüan. I shall quote here only two examples. A well-known Near Eastern folk-tale motif, that of the honest loser, the greedy finder and the Solomonic judge, can be traced both in European medieval and Chinese literature. It reached Europe via Spain through the Disciplina Clericalis of Petrus Alfonsi of Toledo (thirteenth century A.D.), a work which contains many Arab stories and anecdotes that subsequently became immensely popular in the West. Boccaccio has not a few stories from the Disciplina Clericalis in his Decamerone and also at least one motif in Shakespeare's Merchant of Venice, that of the three caskets, comes from that source. The story of the loser, the finder and the judge can be found in European literature in many versions, the classical German version being J. P. Hebel's \"Der kluge Richter\". In China we find this story in a text dated 1360. Here the story is set in a typical Chinese environment and being given some additional touches typical of China. The most interesting feature is, however, that the Chinese text does not present the anecdote as a mere story but as a historical event. The clever judge to whom the final solution of the case is entrusted was a perfectly real person, a circuit prefect from Kiangsi Province. This shows the Chinese tendency to attach literary clichés and even,",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
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    },
    {
        "id": 212013,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 428,
        "title": "RAS-1989",
        "content_text": "403\n\nis starkly countered by David Arkush's study of Hebei village opera in the twenties. Concluding his perceptive study of the underside of China's recent history, Arkush observes that, at least in rural northern China, 'the moral categories and values of the ruling elites did not totally dominate the thinking of the subordinate classes', (p. 105). The illustrations presented to support this claim reveal not only a rupture in thought but also in language. How true was this of the pre-Republican period? Do these folk themes reflect a popular contrapuntal, an unprinted Zhuangziese, which actually questioned the values and concepts inherent in Confucian discourse?\n\nThe ‘optimistic this-worldliness' Metzger discovers as a continuous element of Chinese scholars' historiography and cultural analysis tends to bypass Wyatt's identification of metaphysical themes which, though 'premodern', are still approached without intellectual incredulity by some of these same scholars. Metzger recognizes this fact, but believes that an issue more important than general philosophical discussions of human nature is the actual production of ‘self-propelled adults' in Chinese society, (p. 284). These morally autonomous leaders are in fact the reason why China could maintain its cultural continuity as well as uphold a normative vision of culture for her future generations. Whether in premodern China or in Mao's Republic, this salient feature of the morally autonomous individual can be observed. Metzger draws this to a point by announcing that modern China has 'fully merged with liberalism and humanism', (p. 288).\n\nThis evaluation is explicitly denied by Leo Ou-Fan Lee, who carefully distinguishes between the adoption of 'historical modernism' by Chinese intellectuals in the twentieth century (i.e. progressive history) and their general irresponsiveness to Western 'esthetic modernism', (pp. 109 ff). Examples of the latter are few and far between, as Jeffrey Kinkey's study of a young writer in the eighties affirms. Metzger was more reserved in his judgement earlier in his essay, admitting that China, following Alistair McIntyre's criteria for modernity, had only committed herself to socialism and not to existentialism or some form of ethical scepticism, (pp. 269, 279). Metzger's promotion of an ‘anti-teleological' historical methodology as the proper tool for more critical studies of China by Chinese intellectuals flies in the face of Lee's awareness of the salient historically progressive element in China's modern consciousness. The suggestion may well be beneficial, but it sets up a tension between Chinese and non-Chinese forms of modernity. It seems a poignant truth that",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 212565,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 119,
        "title": "RAS-1991",
        "content_text": "NOTES\n\n99\n\nI\n\nExcept for those documented otherwise, all the figures presented in this paper are obtained through researches in published and unpublished sources, including those from Xinhua News Agency, year books, newspapers and magazines, personal interviews and so on.\n\n2 Records of CFEIC\n\n3 See Samuel S. Kim, ed. China and The World: Chinese Foreign Policy in the Post-Mao Era (Boulder: Westview Press, 1984) for a discussion of a number of cases reflecting this.\n\n4 John K. Fairbank, China Bound (New York: Harper and Row, 1982), p. 338\n\n5 USIA: Its Work and Structure (USIA), p. 2\n\n6 Ying Hua, \"**Youhao, reqing, guangcai**\" (\"Friendly, Enthusiastic and Glorious\"), Guangming ribao (Guangming Daily), 19 September 1973, p. 4\n\n7 For further information on the definition, see Hu Qiaomu, \"Dangqian sixiang zhanxian de ruogan wenti\" (\"Some Issues of the Current Ideological Work\") in Jianchi sixiang jiben yuanze, fandui zichan jieji ziyouhua (Uphold the Four Fundamental Principles, Oppose Bourgeois Liberalization) (Beijing: Renmin Press, 1987), pp. 158-198\n\n8 In this respect, one may think that Chinese performing artists were like athletes in that they were more competition-oriented than performance-oriented. This was especially true of opera singers and ballet dancers. While quite a few of them, some of whom had the experience of being trained by foreign artists, won international competitions, there was seldom opera or ballet staged in China.\n\n9 Records of CPAA\n\n10 Personal interview with Wu Fenghua, 31 March 1987\n\n11 Records of CPAA\n\n12 Personal interview with Zhongyan, 14 March 1988\n\n13 Km, p. 115\n\n14 Tang Tsou, \"Political Change and Reform,\" in The Cultural Revolution and the Post-Mao Reforms (Chicago: University of Chicago Press, 1986), p. 223\n\n15 Ibid., p. 224\n\n16 Li Jian, \"Gede yu Quede\" (\"Praise and Shame\"), Hebei Wenyi (Hebei Literature and Art), June 1979\n\n17 Hebei ribao (Hebei Daily), 7 August 1979\n\n18 Guangming ribao (Guangming Daily), 20 July 1979\n\n19 Merle Goldman, \"Intellectual Dissent in the People's Republic of China,\" in Yu-ming Shaw, ed., Power and Politics in the People's Republic of China (Boulder: Westview Press, 1985), p. 294\n\n20 Ibid.\n\n21 Liu Binyan, for example, said: \"when literature mirrors what is undesirable in life, the mirror itself is not to be blamed, instead, disagreeable things in real life should be spotted and wiped out.\" For more of his view, see Beijing Review, No. 52, 28 December 1979, p. 13.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212568,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 122,
        "title": "RAS-1991",
        "content_text": "102\n\n(1973. 10-1987. 3)\n\nKim, Samual S. ed. China and the World: Chinese Foreign Policy in the Post-Mao Era. Boulder: Westview press, 1984.\n\nKrasner, Stephen D. Defending the National Interest: Raw Materials Investments and U.S. Foreign Policy. Princeton, New Jersey: Princeton University Press, 1978.\n\nLi, Rong, \"Hanliu dang bu zhu chuntian de jiaobu” (“Cold Currents Cannot Stop the Steps of Spring\"). Dazhong dianying (Popular Film), November 1979, p. 10.\n\nLeung, Chi-keung and Steve S. K. Chin. eds. China in Readjustment. Hong Kong: Center of Asian Studies, 1983.\n\nLi, Jian. \"Gede yu Quede.\" (\"Praise and Shame.”) Hebei Wenyi (Hebei Literature and Art). June 1979.\n\nOksenberg, Michel. “A decade of Sino-American Relations.” Foreign Affairs 61 (Fall 1982), pp. 175-195.\n\nPaterson, Thomas G., J. Garry Clifford and Kenneth J. Hagan. American Foreign Policy. Lexington, Massachusetts: D. C. Heath and Company, 1983.\n\nPratt, Julius W. A History of United States Foreign Policy (2nd ed.). Englewood Cliffs, New Jersey: Prentice-Hall Inc., 1965.\n\nProgram Report 1978-1980 of the Center for U.S.-China Arts Exchange published in 1980 and the 1980-1981 report published in November 1981,\n\nRenmin ribao (Renmin Daily)\n\nRui, Xingwen. \"Gaige shiqi de wenhua fazhan zhanlue wenti.” (\"Issues on the Strategy for Cultural Development in the Time of Reform.\") Hongqi (Red Flag), No. 14, 1986.\n\nSchaller, Michael. The United States and China in the Twentieth Century. New York: Oxford University Press, 1979.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 215007,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 103,
        "title": "RAS-2000",
        "content_text": "59\n\nChinese, were one of four forms. ‘A Noble Duty Bravely Done', 'Faithful unto Death', 'A Good Reputation endures Forever' and 'Though Dead He still Liveth'. As with all CWGC cemeteries, this one was well maintained.\n\nWe (Friends) then visited the Tincourt British Military Cemetery which has 57 graves of the CLC.\n\nThe base depôt, prison and hospital of the CLC was at Noyelles-sur-Mer and the cemetery there contains the graves of 838 men of the CLC, with a memorial bearing the names of 41 men whose graves are unknown12. The site of this cemetery was selected by the Chinese themselves so that the fengshui was correct. Whilst many of the CLC in this cemetery had home addresses in Shandong and Zhili provinces [about 98%] there were also about 25 from other provinces all north of the Yangzi River; two were from Fengtian in Manchuria [the old name for Mukden and now Shenyang], seven from Henan, seven from Jiangsu, five specifically from Hebei [the modern name for Zhili], one from Anhui, two from Shenjing [the archaic name for Jilin province in the north-east] and one from Gansu. The latter is unusual, it being a province to the north-west of China. One grave is noteworthy being that of an early recruit whose serial number was 53. Wang Yufong came from Rongcheng in Shandong, a mere 35 miles from Weihai Wei, and he died on the 10th June 1918. Many of those buried here had died of flu from the post-war epidemic.\n\nChinese visiting France today appear to be intrigued by signs saying Cimetiere Chinois [Chinese Cemetery] and, having visited them, have been surprised to see compatriots buried there. An entry, from a Chinese visitor from Qingdao, in the Memorial Book at Noyelles-sur-Mer, commented that he was a man from Shandong province himself and had not realized so many of his fellow provincials had died and had been buried in France. The CWGC, in response to our comment that we were surprised that there were no signs in French explaining the background to the fallen Chinese, wrote:\n\nA certain amount of historical information can be gleaned from the introduction to the registers made available at the cemeteries and some of the more significant sites have permanent historical notices. However, it should be",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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    },
    {
        "id": 215102,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 198,
        "title": "RAS-2000",
        "content_text": "155\n\nIMAGES ON CHINESE POPULAR RELIGION\n\nALTARS\n\nOF THE HEROES\n\nINVOLVED IN THE SUPPRESSION\n\nOF\n\nTHE AN LUSHAN REBELLION [AD 755 - 763]\n\nKEITH STEVENS\n\nChina suffered a major internal political upheaval between 755 and 763 when General An Lushan led a rebellion against the Tang emperor. It took some seven years for it to be decisively suppressed by government forces.\n\nFrom some records it would appear that An Lushan was half Turkish and half Soghdian, the son of a Soghdian officer and known as Rokhshan before he took the Chinese name of An Lushan. Recent histories written by foreigners only rarely refer to An Lushan prior to his command of a punitive expedition against the Khitan in 736. This campaign was a failure to such an extent that his superior general considered having him executed. Within ten years, however, he became one of the most powerful of the generals, ruling most of the north-east of what was then China, and in particular holding the governorship of three frontier cities, Pinglu, Fanyang and Hedong, along the northern borders of present day Hebei and Shanxi provinces. This meant that he commanded the best and largest armies of the Empire.\n\nProfessor Giles' provided An Lushan's biography in some detail, and although very dated it is still of great interest:\n\nAn Lu-shan died in AD 757. He was born in Luk-chak, of Turkic descent, whose original name had been K'ang. [Presumably Giles was quoting Chinese sources when he related that]... An Lu-shan's mother had been a witch who had prayed for a son on the Ya-lao mountains and at his birth, a halo was seen around the house, and the beasts of the fields cried aloud. The authorities sent to have the child put to death, but he was successfully concealed by his mother. His father died young and his mother re-married, a man named An;",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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    },
    {
        "id": 215117,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 213,
        "title": "RAS-2000",
        "content_text": "170\n\nThere would appear to be two minor generals also in this story. Several temples in the Chia I and Yunlin coastal strip of Taiwan are dedicated to the Three Princes, San Wangye Zhang, Li and Mo. These were identified in the temples as Zhang Xun with two of his subordinate generals, Li and Mo, both of whom died with him at Suiyang5 One temple keeper related the story of how Mo Ying15, whose real name was Gai TuoE, was one of the generals at the siege of Suiyang with Zhang Xun and his sworn brother, who committed suicide when Zhang was executed and quartered.\n\nTwo further minor soldiers, again generals who served under Zhang and Xu whose images have also been seen on altars in Taiwan and Fujian province beside those of Zhang and Xu, are Lei WanchunS, an image either with a black face with six or seven golden stars on it or with a red face, and Nan JiyunE, an image with a blue face.\n\nNothing is known about General Nan; however, General Lei Wanchun, a native of Hebei province, was a military officer who served under General Zhang Xun in the first half of the 8th century AD, commanding the garrison in the area to the north of Xi'an, within the loop of the Yellow River. During the An Lushan revolt Lei was besieged by rebel forces in Luoyang, the secondary capital of the Tang. He remonstrated with An's forces from the garrison walls accusing them of being traitors to the Tang and remained there even though six rebel arrows had struck him. He continued to exhort the rebels to surrender until his forces were overcome and he died with them. His image usually has six or seven spots on the face where, so it is claimed, the arrows pierced him. During the reign of the Qing Kang Xi emperor a military officer named Zai carried an image of Lei over to Taiwan where his cult developed and he is now revered in some dozen or so temples in and around the central plain of the West coast.\n\nA protective Wangye, a pestilence deity, in Jiali, a town just north of Tainan city, better known as the General of the Lei clan, Lei Fu Jiangjun, is the secondary deity on the altar of a small temple. The history as recorded in the temple explains that the original temple, having been badly damaged by an earthquake in 1862, was rebuilt and enlarged by devotees. During the hard labouring necessary to achieve their aim the spirit of the then main deity, General Lei, having transformed himself into an old man dressed in a feather coat, went",
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