[ { "id": 206241, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 58, "title": "RAS-1971", "content_text": "LETTERS FROM CHINA 1835-36\n\nEditor's note. The extracts that follow from three of the surviving letters of James Calder Stewart are reproduced here with the kind permission of Mrs. Christopher Shorland of Warfield, Berks., through the kind offices of Mrs. David Dunkerley of Hong Kong. Both these ladies are descendants of the Herschel side of the family.\n\nIt has not been possible with the limited research aids available in Hong Kong to ascertain the writer's dates of birth and death or more details of his life. These will have to await my next leave in Britain and will, I hope, form the subject of a later Note.\n\nJames Calder Stewart was the son of Alexander Stewart, D.D., Minister of the Canongate Church, Edinburgh, and his wife, Emilia Calder, daughter of the Revd. Charles Calder of Urquhart. Mrs. Shorland advises that reference to other family letters produces little information about James Stewart. Before going to Canton, where he was apparently in business, he seems to have been in India; a letter written to Sir John Herschel dated L'Epéronnière, 13 October 1837, speaks of his being “still invited to return to India”. According to Mrs. Shorland, an uncle, James Calder, had a business in Calcutta, and it may be presumed that James Stewart found a position with him there. James' brother, Duncan, was also connected with the firm in some capacity. It is likely that Stewart's Canton post was obtained through the Calder connection, or was an extension of the Calder business. Mrs. Shorland states that after his return from China, he was appointed Assistant to the Commissioner of the New Poor Law Bill under Professor Jones 'at not less than £500 per annum'. He married later and had three children.\n\nThe \"Herschel\" mentioned in the letters is Sir John Frederick William Herschel (1791 - 1871), the astronomer, 1st baronet, and only child of Sir William Herschel (1738 - 1832), also famous as an astronomer. Sir John was married to Stewart's sister, Margaret Brodie Stewart (1810-1884). In 1835-36, when the letters were written, and between 1834-1838, Herschel was at the Cape of Good Hope, to which he had gone on a private project to survey the heavens of the Southern Hemisphere.\n\nThe prime interest of the extracts taken from these few letters is the view they give of the life and mind of one of the British merchants resident in Canton and Macau and the restrictions", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206637, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 185, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n179\n\nIn c. above, he is two different beings, his benevolent form is as a man with two eyes, “ear pressing\" tufts of hair, three pairs of arms, and hair standing erect on the back of his head. In his malevolent form he is depicted as a man with a leopard's head, three eyes, a lion's nose, a tiger's mouth, a bear's tongue, a boar's tusks, and three pairs of arms. Again, above his ears are \"ear pressing\" tufts of hair, and on top of his otherwise bald head is a headdress called a k'ui ying.\n\nIn the two and a half thousand or so temples visited in South East Asia, Hong Kong, Macao, and Taiwan, the basic forms listed above can be grouped into general categories. T'ai Sui/Yin Ch'iao were seen in 48 temples; among which 11 were Fukienese, 28 Cantonese, 2 Hakka, 2 Ch'ao Chow and two inter-community Buddhist temples. Of these, 18 were in Singapore, 15 in Malaya, 9 in Hong Kong, 3 in Macao, 1 in Cambodia and 2 in Taiwan. The 'youths with a scroll' are mainly Cantonese, as are the majority of the 'youths holding a bell.' The ‘elderly man with a bell' was seen in two Hakka temples and one Cantonese community temple. The images of the 'fierce general' was seen only in Fukienese community temples and a few images of 'youths with bells or scrolls' were seen in Fukienese temples.\n\nThe groups of sixty images have been seen in Shanghai, Hong Kong and Macao, and in Fukien by Hodous. In Singapore and Kuala Lumpur large but odd numbers of T'ai Sui, including a mix-ture of them with scrolls or bells, were seen in two Cantonese community temples.\n\nThese images have not been seen in any Hainanese temples. Only in Cantonese and Hakka temples were these images observed standing on wads of hell money.\n\nThe four charms carried by T'ai Sui, according to a Fukienese god carver, are:\n\na. a seal of office, which, if shaken, causes the heavens to quake.\n\nb. two swords, one male and one female, which are able to destroy demons and wrong-doers.\n\nc. a bell, called Jung Kuei Ch'ung (*) which causes one to lose the way when rung. This bell causes demons to forget their tasks and to wander aimlessly. It is also a magic teller of time.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 207006, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 77, "title": "RAS-1974", "content_text": "CRAFT OF GOD CARVING IN SINGAPORE\n\n71\n\nbe under the left or the right foot with the coiled snake under the other foot. It could be entwined by the snake or the snake could even be stretched across the god's outstretched arms with the god standing or seated on the tortoise. There was no controversy over the bare feet, but the pointed finger and the unkempt hair were also long disputed. One daring apprentice was quickly squashed by his vexed master when he suggested that as the Northern Emperor is also called the Emperor of the Black Heavens perhaps his face should be black. This only highlighted how easily individual interpretations can develop into an accepted recognition feature.\n\nThe decoration of the robes is usually a personal choice of the carver unless it is part of a particular identification feature. Images of soldiers are depicted wearing armour with coloured robes showing underneath. Images of officials varied considerably, many wearing scholar's robes and hats rather than official's robes bearing their badge of rank. During Imperial times as it was not permitted for images to be depicted wearing genuine badges of rank, blurred outlines were painted on their chests, and even to this day in the decoration of the images the carvers still do not depict the old Ch'ing mandarin-square chest and back badges of birds for civil officials and animals for the military.\n\nIt must be remembered that to Chinese the attitudes of stylized form is the important part of the image. The faces and dress, more often than not, are irrelevant and most images are dressed in official court dress of past centuries. A few images, typically Taoist, are garbed in the gown of a priest, with a top knot of coiled hair which supports a very small coronet or crown.\n\nMany wooden images are carved from one piece of wood, excluding of course the sword and other similar final additions. Quite a few, however, have their throne carved separately and even more have the head and neck carved as one piece to be fitted later into a body which has been carved separately. Some images are required by custom to have articulated limbs (e.g., the Ch'ao Chou patron of street actors) and others consist only of marionette heads on stakes or skewers for use by spirit mediums for self-immolation.\n\nGod carvers not only produce images, they are also the carpenters who build the temple furnishings, the altar, side screens, etc., and also the ancestral tablets for both temples and homes.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 208842, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 4, "title": "RAS-1980", "content_text": "14\n\nKEITH G. STEVENS\n\nwhich are about nine feet high and consist of two vertical halves each bearing a painting of a guardian. Facing outwards, the pair of guardians can be military or civil officials. The doors usually are kept open by day, although if the temple keeper goes out for any length of time he will close and in certain areas, padlock them.\n\nImmediately inside the main doorway, between it and the courtyard, are the spirit doors, a pair of wooden doors to prevent direct access to the temple by demon spirits.19 Instead of the pair of inner doors, some temples have a fixed, freestanding screen from floor to ceiling which performs the same demon-deflecting function (Illustration 5). Past the spirit doors, which are quite frequently left open or have been removed, there is the open area normally let down some 6\" into the ground and frequently unroofed known as the \"Incense Smoke Tower\". This is the courtyard, though in smaller temples it may not appear to be particularly grandiose. It has been suggested that the open roofed forecourt dates back to an era when deities required open skies above them. In Macau it is quite widely held that the tutelary deity of the temple should have an open view of the heavens above, though this is only so in five of the temples there.\n\nThe main hall (zheng ting) contains the main altar and is situated beyond the courtyard and in the rear-most building, more often than not with other halls and rooms grouped around it. The rooms on either side are usually identical in shape and size. These rooms and corridors are mainly used as store houses by the temple keeper and by local inhabitants.\n\nAdvancing beyond the open area of the courtyard into the main hall, often up one or two stone steps, we face the altar table with an ordinary table before it. The former has the five major objects — an incense bowl, two candle holders and two vases — and the latter bears any offerings. Beyond these tables, usually backing onto the wall, is the main altar, more often than not flanked by side altars.\n\nThe main hall of the majority of traditional temples is about 15 to 20 feet wide, with each of the side halls a further 9 to 15 feet wide. Their length is usually some 35 to 40 feet from entrance to rear wall. However, the main halls of the larger traditional temples in Hong Kong (in Stone Nullah Land, Hollywood Road and Temple Street) are some 30 to 40 feet wide and 50 to 60 feet in length, with proportionally higher roofs.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208931, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 93, "title": "RAS-1980", "content_text": "HONG KONG RIOTS OF OCTOBER 1884\n\n61\n\nbut some portions of it went on in defiance of the order. When the level of violence increased, one rioter—or so he was assumed to have been—was killed when the Sikh constables opened fire with their carbines. The results of their fire caused many to believe that in the future they should be armed with shotguns as a more appropriate weapon for the confined quarters of Hong Kong. No one knows what the actual casualty figure was in this one incident of gunfire because the Chinese were believed to have carried off their wounded to be treated at home. It was also assumed that some of their dead may also have been removed in the same manner. In the disturbances five constables were injured—none fatally—and troops from the garrison had to be called out to keep order in the streets, though they never really saw any action. About one hundred of them were quartered in the Tung Wah Hospital with the permission of the directors, who also offered to serve as intermediaries between the government and the Chinese population. Their offer was turned down.\n\nBy the next day, Saturday the 4th, the violence had subsided to the level of scattered minor incidents. But the strike spread to the rice-pounders, coal-heavers and street coolies, as well as some slaughterhouse workers. The French convent was having great difficulty in getting food. With police protection from the street mobs the boatmen returned to work, but they still refused to work for the French.\n\nThe action of the courts in fining the boatmen for not servicing French ships was reversed on the grounds that the statute used was intended for regulating charges, not for forcing boatmen to work when they did not want to. A large number of rioters did appear in the courts over the next several days. The editor of the Daily Press used their appearance to lament the passing of flogging. In his view only flogging would properly chastise the Chinese for whom imprisonment was not a deterrent.18\n\nWith speed born of fear, the Legislative Council passed an emergency Peace Preservation Ordinance (No. 22 of 1884) on October 9.19 This authorized the collection of arms belonging to the Chinese residents of Hong Kong, and the banishment of those considered to be agitators. For all the reverence which Englishmen displayed for their Anglo-Norman legal system, they never found a contradiction in the fact that as colonial administrators they seldom", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208962, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 124, "title": "RAS-1980", "content_text": "92\n\nDAVID LUNG\n\n21 Joseph Needham et al., Science and Civilization in China (Cambridge: Cambridge University Press, 1959), III, p. 458.\n\n22 Arthur Smith, Village Life in China (New York: Fleming Revell, 1899), pp. 15-29.\n\n23 Wong Chung-hong, \"Walled and Moated...\" in Arts of Asia, July-Aug. 1971, p. 25.\n\nL\n\n24 The term \"astrobiological” (defined by Rene Berthelot), is explained by Paul Wheatley as the \"parallelism between the mathematically expressible regimes of the heavens and the biologically determined rhythms of life on earth.\" Wheatley, p. 414. Quotation is taken from p. 450.\n\n17", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 210418, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 25, "title": "RAS-1985", "content_text": "6\n\nBARTHOLOMEW P.M. TSUI\n\nSupreme Deity is most emphatically affirmed, and the basis of affirmation is the Patriarch's personal experience and communication with Him. One can experience the Supreme Deity because He has \"signs\" (hsiang). Yet, being transcendent, He is without form. That is why Lo says, \"God is formless but manifests himself in signs.\"19 Patriarch Lo is very much aware of the transcendent nature of the Supreme Deity. Words applicable to limited beings like existence, form, name, nature, desire, activity, like or dislike, speech, quantity are all inapplicable to Him.20 In this respect, Lo's struggle with a theological language is not unlike Lao Tzu's pithy pronouncements on the Being and Non-Being (yu, wu), or Medieval scholars' formulation of analogy or the Mutazilites' discussion of the names of Allah. In spite of the inadequacy of language when talking about the Supreme Deity, He is worthy of veneration and praise and the worshipper's sentiment overrules philosophical difficulties. A hymn of praise forms the very first passage of Lo's most important book, the T'ai-hsüan's Discourse on the Truth. \"(Oh Thou art) the most great and most venerable! Thou art the God above all gods, the origin of myriad beings. Thou art timeless, beginningless, endless. In Thee there is no mark of destination, no quantity, no form, or name. Thou art present everywhere and there is nothing Thou canst not do. With Thy assistance the heavens become pure, the earth obtains peace, the sun and moon become bright, gods and men become spiritual, the great way is born, the Universe becomes established. Oh, Thou art great and holy, the most great and most venerable! Thy honour is supreme. Thou art so great that no name is adequate.”21\n\nPatriarch Lo contrasts the Supreme Deity with other spirits and ghosts by saying that the former is the origin of myriad beings,22 whereas the other gods are merely certain spiritual essences of the Universe. In other words, he recognizes the vast difference between the Supreme Deity and other gods in Chinese popular religion. The latter exist but ought not to become the objects of worship. That is why in his sect, the Supreme Deity alone is the object of veneration. Such a state of affair is reflected in this sect's shrine. Only the character “shen” (神) or the text I have just quoted appears on the wall directly behind and above the altar. No images or name-tablets of other gods are allowed on", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 211052, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 113, "title": "RAS-1987", "content_text": "88\n\nOur principal concern has been to document and explain the rapid growth in popularity in Hong Kong since the 1940's of the cult of Huang Daxian (on which, see Lang and Ragvald, \"Upward mobility of a refugee god\"). However, we have also been trying to trace the origins of the cult in Guangdong province, hence the research trip to the village. A report on this visit, and on the first author's initial visit to the village in 1985, has also been prepared. We are now working on a book on the history of the cult in Guangdong and Hong Kong.\n\nProbable cases of the mergings of deities include, from ancient Greece, the merging of two incarnations of Zeus (Gilbert, Murray, Five stages of Greek Religion, Garden City, N.Y., Doubleday Anchor Books, 1951, p. 48; H.J. Rose, Religion in Greece and Rome, N.Y., Harper and Row, 1959, pp. 48-49), and of various female deities in Aphrodite (Paul Friedrich, The Meaning of Aphrodite, Chicago, The University of Chicago Press, 1978, ch. 2); from Rome, the blending of Roman with Greek deities, and the subsequent apparent merging of some Roman deities with Celtic deities (John Ferguson, The Religions of the Roman Empire, Ithaca, N.Y., Cornell University Press, 1970, pp. 211-220); from the early Christian era, the probable absorption of elements of the cult of Diana into the cult of Mary (Herbert Muller, The Loom of History, N.Y. New American Library, 1958 p. 173; Durant, 1939: 183); from Mexico, the absorption of elements of the Indian goddess Tonantsi into the cult of the Virgin of Guadalupe (Ena Campbell, “The Virgin of Guadalupe and the female self-image: a Mexican case history\", in Mother Worship: Themes and Variations, ed. by Richard Preston, University of North Carolina Press, 1982).\n\n9 This translation strangely enough contains one serious (the failure to recognize Dongtian Fudi [Cavern-heavens and blessed spots] as a general Taoist concept) and a few smaller mistakes. These, however, do not affect the arguments made in this paper.\n\n10 This probable origin of the autobiography was pointed out to us by Dr. S.H. Wong of the Department of Chinese, Hong Kong University (see Wong, \"A study of Huang Ta-hsien\").\n\nThere are several slightly different versions of Shenxian Zhuan. For this translation we have used the relatively early (Song dynasty) version in Biji Xiaoshuo Daguan (A Parade of Note-form Fiction), Taibei, Xinxing Shuju, volume 4. 12 Essentially the same story is related in Huitu Liexian Quanzhuan, compiled in the 16th century by Wang Shizhen (reprinted by Zhongwen Chubanshe in 1971 on Taiwan). This is one of the major reference works on Taoist saints, with capsule biographies on some 500 of them, and covers the entire period from the beginning of Taoism until the last year of the reign of Hongzhi (1506 A.D.). This source adds only the information that during the Song and Yuan dynasties, both Huang Chuping and his brother were awarded honorary titles by the state. The story of Huang Chuping also appears in Jinhua Fuzhi (the prefectural gazetteer of Jinhua), volume no. 22 in the subsection \"xian shi\" (on fairies).\n\n13\n\nGe Hong was a native of Jurong in Danyang (present day Jiangsu province). His career included service as assistant to prime minister Sima Rui, and as counsellor and military staff officer. He was honoured by the state for his services in the suppression of the peasant revolt led by Shi Bing. However, he was also very interested in Taoist alchemy. He was a grandson, on the fraternal line, of the famous necromancer and alchemist Ge Xuan (164-244), and from a disciple of Ge Xuan's, he learned the art of refining cinnabar. When word spread that cinnabar sand had been found in Jiaozhi (the ancient name for part of Guangdong and", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211054, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 115, "title": "RAS-1987", "content_text": "90\n\nese pronounced exactly like Wang) after becoming a hermit at Mt. Luofu. Thus the foundation for a subsequent merger of the two \"Yerens” was created. According to Soymie, \"Le Lo-feouchan\", pp. 110-111, another immortal of the mountain, Wang Tijing, was also occasionally referred to as Huang Yeren. Today, however, he seems to be totally disconnected from the \"Yeren\" figure,\n\n21 Su Dongpo Ji [collected works of Su Dongpo], Shanghai, Shangwu Yinshu Guan (Commercial Press), 1933, Vol. 2, p. 58. In this volume there are numerous references (poems as well as letters and essays) to Luofu. Su Dongpo was exiled to Huizhou from the Song capital, and went to Luofu Mountain soon after (in 1094) arriving in Huizhou (this probably indicates the fame of Luofu among men of letters and politicians). What attracted him, no doubt, was the name of Ge Hong. Su is said to have spent about two years (of his four years in Huizhou) in Luofu. (Source: Luofushan Fengwuzhi, p. 105).\n\n22 Guangdong Xinyu, Hong Kong, Zhonghua Shuju (Chung Hwa Book Company), 1975 (reprint), pp. 729-730.\n\n23\n\nThe reference is in Tan Cui's work Chuting Baizhu Lu (Records of precious pearls from Chuting [old name of Guangzhou], reprinted in October 1982 by Guangdong Renmin Chubanshe). This work contains a rather detailed account of Luofu Mountain and most (possibly all) of the temples which existed in the mountain in the 18th century.\n\n24 According to the Luofushan Fengwuzhi, the original temple at Luofu was built in 405 A.D., and was called Ge Hong Ci. Later in the early Tang, a large one called Ge Xian Ci was built. Another source (Lingnan Gu Jin Lu or Records of old and present Lingnan [Guangdong], edited by Xu Xu, well-known Guangzhou-based scholar, Hong Kong, Shanghai Book Company, 1984) states that a small temple was built at Luofu in 742 A.D., called Ge Xian Ci. During the Song dynasty, a Taoist temple was built, called the Duxu Guan, later renamed the Chongxu Guan. The deities worshipped in the central shrine of the temple (they have superseded Ge Hong, perhaps from as early as the Southern Han dynasty) are the three gods residing in the 35th (San Qing Tian) of the 36 heavens (Tianbao Jun, Taishang Daojun and Taishang Laojun). They are the mightiest among the \"shenxians\" (the fairies and saints [immortals]). They are normally understood by worshippers to be the Jade Emperor and his two closest officials.\n\n25 We learned this from the interviews at Luofu, especially from an interview with Mr. Zhang Zongquan, the presiding Taoist at a smaller temple, the Jiutian Guan (devoted to Beidi, the \"northern emperor\"), on the plain near the mountain several kilometres from the main temple. Mr. Zhang had been an officer in the anti-Japanese forces of the area in the 1930's. The provincial Fengwuzhi (Guangdong Fengwuzhi, Guangzhou, Huacheng Chubanshe, 1985, p. 151) also mentions worship of Ge Hong together with worship of Huang Yeren and the mute tiger often mentioned in folk-tales. This account refers to the situation prior to the restoration.\n\n26 See the picture of the Red Pine Fairy in Zhongguo Shenhua Chuanshuo Cidian (Dictionary of Chinese myths and legends), Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1985, p. 185.\n\n21 One Taoist whom we interviewed (see note 25) dismissed the importance of the differences in the biographies of the two Huangs with the remark that the spirit of Huang Chuping entered (or could enter) into the person of the later Huang Yeren. He was the only one we met who explicitly used this strategy to rationalize the merger of the two Huangs into one figure at the Chongxu Guan. It is possible that", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211488, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 204, "title": "RAS-1988", "content_text": "180\n\nsafer for them to spend the night with us, as we were farther away from the seacoast.\n\nWhen I went to work the next day, I found that our office had been converted into a kitchen to feed the many volunteers (reportedly many ladies of the night) who had come to help. Our morgue was filled with bodies of civilian victims. The wounded were treated in several hospitals. The enemy planes had strafed some on land and some at sea in their fishing sampans, most of whom ironically were ethnic Japanese. Rumours were rampant about spies and sabotage, and of Japanese citizens being sent away to relocation camps. On the whole the Japanese wanted to show their loyalty to the United States and many Nisei volunteered to serve in the European theatre, forming the famous 442nd Battalion that fought so bravely in Italy and with such a great loss of lives. Among them was Samuel Sakamoto, husband of my good friend, Edna Sakamoto. A quiet gloom settled over the city and even the skies remained cloudy and depressing for weeks. It was not until after the Battle of Midway that the heavens seemed brighter and our spirits lighter. During the war years we found it so stifling with all windows covered to ensure total darkness that we chose to go to bed early and spend our waking moments listening to the radio. Amos and Andy and Allen's Alley were my favourite programmes. Occasionally I could catch Tokyo Rose's propaganda over the air.\n\nIn 1945 I was granted a leave of absence from work and clearance from the military to leave for the mainland to visit Mrs. Johnson. I left on 16 March 1945 on a small vessel, the S.S. Permanente, which was escorted by an armed submarine chaser. Because of the threat of being torpedoed, everyone was required to wear trousers and to carry an emergency kit. About twenty hours out to sea, an alert sounded. Although most of the passengers kept calm, my roommate became hysterical. She was a Jewish woman taking her infant daughter back to New York, leaving her husband, a defense worker, in Honolulu. It was rumoured that an enemy submarine had been sighted. Fortunately nothing happened. It took us eight days to cover a distance that normally took four and a half days. I left San Francisco for Lincoln, where I stayed with Mrs. Johnson for three months. While there, on 12 April 1945, we heard the sad news of President Roosevelt's death over the radio. I took this opportunity to visit Dora, Tso-chien and Eugene in Chicago before", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211628, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 43, "title": "RAS-1989", "content_text": "18\n\nTHE JADE EMPEROR AND HIS FAMILY\n\n玉皇大帝\n\nYU HUANG TA TI\n\nKEITH STEVENS\n\nThe Jade Emperor, also known as the Lord of Heaven (T`ien Kung), is the chief deity of the pantheon of the Cheng I sect of Taoism. He is only a secondary deity of the Taoist Lungmen sect. He was worshipped China-wide as the supreme ruler of the Heavens, and even of some of the Underworld. In folk religion, he is worshipped as the protector of all mankind, having replaced Lao Tzu in that role and as head of the Taoist faith, possibly because people were uncomfortable taking their problems to a philosopher. According to a majority of Taoists his earthly mouthpiece was Chang T'ien Shih, The Heavenly Master and his descendants.\n\nAlthough he is well known to both Chinese and to interested foreigners, what is not so well known are the ramifications of his family and the extent to which several of its members have their own cults.\n\nThe development of the supreme deity in China is far from clear. In earlier times the all-seeing, all-powerful, unseen god was Shang Ti who even now is occasionally referred to as the all-highest. Not only is the term Shang Ti used by Protestants for the Supreme Deity, God, but also the late Chairman Mao in his statement that, at the age of 72, “he was soon going to see God“, used this expression.\n\nHoward Smith, a missionary in China for 24 years, describes how the Chou dynasty (ca 1050-256 BC) founded its government on religion and transformed 'Shang Ti', probably originally a term used for the deified spirits of the imperial ancestors under the previous dynasty, the Shang, into a high God, independent and supreme, He added \"The importance of this change cannot be over-emphasised. When this supreme deity finds the rule of an emperor abhorrent, whenever a king fails, by persistent misrule, in his duties to God, then God rejects him and seeks out a suitable substitute.\" The transfer of the mandate of Heaven, based on the belief in a supreme deity, carried with it strong ethical implications, and continued down to the last dynasty, which fell in 1911.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 214243, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 101, "title": "RAS-1998", "content_text": "64\n\nMaritchi [or Marici Deva], [a Sanskrit term for the Indian mythological form of Parbati, the wife of Siva]; and Ma-yeh, the mother of Sakyamuni, The Buddha, the whole being confused by devotees who tend to describe them all as Chun-t'i, with the legends of Maritchi and Cundi producing an inextricably involved and perplexing picture.\n\nImages of Marici are present in both the Ta Pei Ssu and the Pi-yun Ssu and in both temples he, rather than she, is portrayed as a standing Buddhist deity with eight arms and with three faces. The face facing forward is of a benign human with hooded eyes commonly seen on Tibetan images. He has a third eye in the centre of his forehead. The other two are faces of a pig and of a human. He is dressed in colourful robes and a five-leaf Buddhist crown, and is barefoot.\n\nThe association between Chun-t'i and Kuan Yin goes back to the original relationship in Buddhism of Chun-t’i with the bodhisattva Avalokitesvara who promised to save mankind and bring them to deliverance before they, the two bodhisattvas, Chun-t'i and Avalokitesvara themselves entered Nirvana. Marici has the face and eight arms of Chun-t'i, and is one of the six manifestations of Avalokitesvara who is concerned especially with humans, rather than the deities and demons. Chun-t'i in the form of Avalokitesvara is a male deity, though Tantric sects, giving her an entirely different role left her feminine.\n\nLegends about Chun-t'i usually include stories of her valour in battle. According to the Ming novel The Deification of the Gods [Feng-shen Yen-i], from which many of the beliefs of folk religion devotees have evolved, Chun-t’i was summoned to Heaven during the legendary period of Chinese history when the heroes and Immortals were emerged, in order to acquire the necessary skills to take on K'ung Hsüan, one of the contestants for the dynastic throne. This was because she had attained the required degree of perfection on Earth. She found herself whisked aloft in a rainbow, and having acquired the skills necessary she reappeared in a cloud of fire with twenty-four heads and eighteen arms and, throwing a silken cord around her adversary's throat, she turned K'ung Hsüan into a one-eyed peacock on which she rode off to the Western Heavens.\n\nImages of Chun-t'i show her with four or nine pairs of arms, each", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214244, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 102, "title": "RAS-1998", "content_text": "65\n\nhand holding a precious object including a rosary, cudgel, jar, spear, pagoda, golden arrow, halberd, or bell, etc. and it is therefore not surprising that the images of Chun-t'i on the altars of both Buddhist and folk religion temples portray her with eight or eighteen arms and hands, the main two hands being held palms pressed together before the chest in prayer. The uppermost hands hold discs of the Sun and Moon respectively and the remainder, individually, hold various attributes including a seal of office, a sword, shield and fly switch. She is variously represented with three heads though predominantly she is depicted with one head with three faces one of which is that of a sow. Chun-t'i again often has a third eye in the centre of her forehead, usually a Taoist form but attributed to her Indian origin as a metamorphosed caste mark. She is generally portrayed sitting on a lotus throne in the same posture adopted by the Buddha and, in one of her poses, also by Kuan Yin P’u-sa. According to Werner the legend explaining the third face being that of a sow and the creatures supporting the lotus also being pigs relates how one of the abbesses of the Semding monastery in Tibet in whom the goddess Chun-t'i was believed to be successively incarnated, had an excrescence resembling a sow's ear at the back of her head.\n\nIn northern and central China in Tantric Buddhist temples, the Lamaist goddess Maritci, portrayed in a chariot drawn by seven pigs is identified as Chun-t'i; in the south however, where Tantric Buddhism hardly penetrated, images identified as Chun-t'i are said by priests, should devotees enquire, to be the Brahmanic cult of Maritci. However, in Tibetan and Mongol [Tantric] Buddhism Tou-mu is a common deity with her three eyes and many arms; she is considered to be an incarnation of Avalokitesvara, the bodhisattva known throughout China as Kuan Yin and this doubtless explains the confusion with Kuan Yin in central and southern China. She has been identified as Tou-mu Yuan-chün, the main deity in the T'ai Sui Hall in the Jade Emperor temple in Tainan, where she is flanked by two Tantric aides, Ch'ieh-ch'ih and Yao Ya.\n\nIn her Taoist form she is portrayed seated on a lotus, again of Indian origin, which in a number of temples rests on the back of a tortoise which in turn rests on three or seven pigs. Most likely this is no more than a reflection of the tale in the Feng-shen Yen-i in which one of the disciples of Tou-mu, Shui-huo Tung-tzu, who changed into a tortoise, bore off Tou-mu to the Western Heavens.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214265, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 123, "title": "RAS-1998", "content_text": "86\n\npray to him for the blessing of a son. However, in Cholon [Saigon] his image, seen in several temples are known as Tzu-wei Ta-ti but identified as T'ai-sui, the god of the planet Jupiter and of Time, though in the major Jade Emperor temple in Cholon images of both T'ai Sui with his bell and Tzu-wei astride his lion stand side by side.\n\nHis standard image in Cantonese communities portrays him as a clean-shaven youth with large round protruding eyes, astride or sitting side-saddle on a reclining mythical beast, possibly a stylised lion. He is holding a seal aloft in his right hand, a talisman bearing the inscription \"The Star looks Straight On\" R. He also has a unique feature, a flag pole behind him on to which is fixed a sheathed sword. The youth holds a conch shell in his left hand and is dressed in only trousers and a cape which hangs round his neck and down his back. He is wearing shoes and has neck-length hair which is held in place by a tiara from which two objects, like insects' feelers, protrude upwards.\n\nIn yet another tale, an extraordinary and complicated legend, an emperor had eighteen robes specially embroidered for the Eighteen Lohan. These were being delivered by a trusted minister who reached their palace in the Western Heavens only to find seventeen Lohan. He sought the eighteenth and found him dead in the kitchen crawling with big fat lice. As this Lohan was the god of the star Tzu-wei and this star represented the emperor of China, the minister knew immediately that the emperor had died since his departure and the spirit of the dead Lohan had been incarnated as the new emperor. The minister was puzzled - what he should do? Finally, he placed the cape around the body of the dead Lohan and returned to Earth bearing a box from the other Lohan which would, they assured him, prove that he had accomplished his mission. When, after months of travel, he reached home, the new emperor opened the box and out flew a crane up into the sky and back to the stars. Artists customarily depict this in their portrait of Tzu-wei.\n\n39] Lei Shen The Spirit of Thunder\n\nLei Shen is portrayed and named as such in only one of the two temples, the Pi-yun Ssu. The problem is that Lei Shen, as such, has been noted on remarkably few altars. Lei Kung, the God of Thunder is", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214352, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 210, "title": "RAS-1998", "content_text": "175\n\nthe Zhou dynasty and became the emperor of the new dynasty, the Zhou, and is known by his reign title of Wu Wang. The Book of History suggests that his army consisted in part or in the main of a central Asian race, the Western Yi. Zhou Xin is vilified as a moral degenerate under the spell of a wicked concubine, Dan Ji. The Shang were attacked and replaced as the dominant force in northern China by the Zhou just before the first millennium BC, having come from the west. They established their capital near present-day Xi'an.\n\n6\n\nThe victor, Wu Wang [King Wu], passed on the title of Zhou Gong [Duke Zhou] to his brother, Dan, and also conferred the imperial title on his father, grandfather, and great-grandfather who had only been dukes when still alive. Zhou Gong was the paragon of literary China for some three thousand years, and it was he rather than his imperial brother who was the author of the Constitution of Zhou. When his brother, the emperor, died leaving a young son, court officials and the vassals assumed that Duke Zhou would usurp the throne and kill his nephew. He did nothing of the sort, and instead, it was the young king who at the age of nineteen stripped his uncle of his powers and forced him to live in exile in Shandong where he died a few years later.\n\nThe deities described in traditional vernacular fiction, and in particular in the immensely popular novel the Fengshen Yanyi, are known to most Chinese, whereas the majority of those left out of the Fengshen Yanyi, apart from the major cult deities, have to all intents and purposes gone into limbo and are only known within small pockets of China or have been lost in the mists of time. Versions of the legend passed on orally often in local dialect, which frequently does not extend further than the extent of the dialect group, have numerous minor and occasionally major variations, whereas the written version was read China-wide in its 'established' state.\n\nSo many heroes and worthies make their appearance at one stage or another that it is impossible to name them all. Some appear momentarily during one of the battles, others are recorded in several chapters, occasionally with different names or titles, such as the Northern Emperor [Bei Di] who is also known by his titles, Xuantian Shang Di, The Supreme Lord of the Dark Heavens, and Zhen Wu, The True Warrior. And in temples today, in all probability, he will be known by only one of these titles, with local devotees vigorously denying that an identical...\n\nPage 210\n\nPage 211", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215069, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 165, "title": "RAS-2000", "content_text": "122 etc. are the actual Taisui who perform the functions and duties of the deity. The bells have magical properties and a Hokkien god carver in Singapore explained that all Taisui images should carry one of four specific charms. The main one is the bell which when rung causes the hearer to lose his way and wander aimlessly. Therefore a demon hearing it forgets his task and wanders off. The other three charms are the seal of office which when shaken causes the heavens to quake; and two swords, one male and one female. Another unusual feature is Taisui's footwear. Normally he wears sandals but occasionally only one foot is shod the other being bare. This form is comparatively common on Fukien community altars, an excellent example being in the Buddhist temple in Yen Kiu Road in Singapore. Only one example has been noted in Hong Kong, on an altar on a junk in the Pearl River. The one bare and one shod foot is said to represent the amount of rain expected during the coming season [see above under The Rôle of Taisui for an explanation provided in eastern China]. A similar story has been told about the Immortal Lan Caihe and, as we have seen above, about Mang Shen.\n\nAn unusual large clay image of Taisui in a temple near Kam Tin in the New Territories depicts him with the bell in his left hand, and with a third eye. The bell, according to the temple keeper, has magical properties. Even more unusual is the image in Hung Hom in Kowloon with the usual bell in Taisui's right hand but unusually he has a Tantric necklace of thirteen skulls draped around his neck.\" Other lone image carvings are standard, anonymous seated officials or scholars with no particular characteristic and only identifiable as Taisui by the written Chinese characters on the front face of the base or because they are standing on piles of spirit money which, according to common belief, no other deity does. The lone Taisui image tends to be referred to as the 'Taisui [or Intendant] of the Current Year' EX-\n\nOver the years and in a number of places ranging from Singapore to northern China various informants have explained, mostly contradicting each other, that the images with a bell is the Taisui of the Year, the one with a scroll or tablet is the Taisui of the Month and those without anything are the Taisui of the Day.\n\nIn a small temple in Sepang near Port Dickson in Malaysia, three images on a side altar stand side by side. A typical Taisui image with a\n\nPage 165\n\nPage 166", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215075, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 171, "title": "RAS-2000", "content_text": "128\n\nChinese lives have long been regulated by two separate calendars, the lunar and the solar. To agrarian peasants the accuracy of the combined calendars is of vital importance having long had a religious as well as a practical function. Chinese geomancers use their skills of prediction melding the religious and practical so that time and what in the west would be regarded as astrology are intermingled. Lunar calendars cannot predict the seasons any more than the solar calendar can predict the full and new moons.\n\nAll Chinese religious festivals follow the lunar calendar which changes from year to year, complicated by whether a particular lunar month has twenty-nine or thirty days. Festivals play a major rôle in people's lives breaking up the monotony of life. There were, and still are, three major annual festivals: San Jie, known colloquially as guo jie literally as 'passing the joint', consisting of guo nian, the festival of seeing the old year out and the new year in; guo duanwu, the Dragon Boat Festival on the Double Fifth; and guo zhongqiu, the Autumn Festival, on the 15th day of the eighth lunar month. The great majority of festivals in China have been and still are determined by the waxing and waning of the moon.\n\nUntil 1911 an annual Imperial Lunar or ‘Dynastic' Calendar, known as the Yellow Calendar, the determination of which was a royal prerogative, was precisely calculated following meticulous observations by Chinese astronomers in order that imperial ritual sacrifices could be carried out and confirmation obtained for political action. This legitimised the emperor's power to rule and his claim to the Mandate of Heaven. The one stationary star of the Heavens was the Pole Star around which all other stars seem to circulate. The Pole Star was recognised as the linchpin of the heavens. Chinese emperors were cosmic figures, the equivalent on Earth of the Pole Star, with their every move regulated in conjunction with astrology. The calendar divided the year into twelve months; the new moon fell predictably on the first of each lunar month and the full moon on the fifteenth. A similar popular Calendar, known as the Farmers' Almanac, costing coppers, was and still is widely circulated amongst the masses. This enabled, and still enables, the population, mainly the peasants and petty merchants, to be informed when specific actions or functions can be performed as well as taboos warning them against carrying out daily activities which would be counter to the feng shui, such as on a certain", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215080, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 176, "title": "RAS-2000", "content_text": "133\n\nchambers or tanks. The most famous of the early clocks was constructed in the then national capital, Kaifeng, about the time of the Norman Conquest of Britain, by Su Song [1020 - 1101 AD]. Su Song, born in Tongan county in Fujian province where he is still revered within the Su ancestral hall, created an astronomical clocktower in which he incorporated his mechanical clock, a celestial globe and an armillary sphere. The difference between water clocks until the time of Su Song and his invention was his creation of an escapement mechanism which controlled the regular movement of the small water tanks providing previously unheard of accuracy.\n\nThe Twenty-eight Constellations\n\nIn early China the visible stars were divided into 28 zones or constellations, referred to as lunar mansions. These provided manageable proportions of the heavens, with seven in each of the four directions. The selection of twenty-eight reflects the time it takes the moon to make a complete circuit of the stars, a fraction under twenty-eight days. Books describing such celestial spirits, printed in Taiwan, illustrate each spirit with a sketch showing the \"human\" form and giving its attributes. Although usually regarded as a group, in some places a number of these celestial spirits, always mythological, are referred to individually in legend or by ritual specialists. According to religious specialists each of the stellar deities of the Twenty-eight Constellations has a title and a specific role, the latter differing depending upon the individual ritual specialists or books.\n\nThe Pole Star was also the celestial base of the several deities, the main one being the Northern Emperor, also known as the Dark Warrior, Xuan Wu, one of the spirits of great antiquity who ruled one quarter of the universe. Each of the Thirty-six stars of the Plough was a legendary hero recorded in one of the numerous stories of the deification of and struggles between the deities. They are deities of good omen, whereas the Seventy-two Stars of ill-omen, without individual legends, are just that, stellar spirits of bad luck. The great popularity of the Northern Emperor has rested for many centuries on devotees' belief in the mighty magical powers with which he suppresses demonic forces with his Daoist Pole Star sect, Beiji Pai, of which he is the patron, centred at Wudang Shan in Hubei. Xuan Wu was the Lord of the northern sector of the 28 Lunar Mansions and as one of the Spirits of the Four", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215323, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 100, "title": "RAS-2001", "content_text": "48\n\nbetween Han ethnic groups but also both inter-ethnic fratricide and distrust, prevented legends of one ethnic group about their deities being passed to another. The stories of the minority Hainanese are therefore known to few non-Hainanese Chinese.\n\nFolk Religion Deities on Altars in Hainanese Community Temples\n\nDeities worshipped by Hainanese, both in their temples and on their household altars, can be categorised into eight groups:\n\nThe first are the deities revered China-wide such as Guan Yin, Guan Gong, the City God, the Earth God, the Gods and Goddesses of Climate and Time and the patrons of trades and professions. As these are not uniquely Hainanese deities I will not refer to them again.\n\nThere are two exceptions: the first is a deity identified as either the popular and frequently noted deity, the Thunder God, Lei Gong, or Lei Zu, the President of the Ministry of Thunder. He has been noted on two Singaporean Hainanese temple altars where he was only known as the Chief Leader of All the Heavens, Wantian Zhushi, His title was displayed on the temple list in two other Hainanese temples, one in Pontian in southern Malaysia, and the other near Kranji in northern Singapore. His image depicted him with his usual attributes a bird's beak, an axe or hammer held aloft and a chisel in his left hand. In one of the two temples, in Paya Lebar Crescent, he was riding either a tiger or a Qilin a mythical beast, and according to the temple custodian he is the only deity permitted to do so. He was identified by temple keepers as Lei Gong and his image co-located with that of Doutian Fushuai, said to be Lei Zu. However, in the other temple, at Rumba Bomba Circus, he was also portrayed astride what looks like an unusual tiger and here he was identified as Lei Zu.\n\nThe second is Ma Zu Qiong, the Respected Mother of the Hainanese3. Although Tian Hou, the patron goddess of seafarers along the entire coast of China, is revered throughout Hainanese communities, she is also known in a number of Hainanese temples by this unique title. The usual title by which Tian Hou is known in most Hainanese temples is Nantian Shengniang Tian Hou, The Saintly Lady of the Southern Heavens, 南天聖娘天后.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 105, "title": "RAS-2001", "content_text": "53\n\nby the Hainanese and especially those from the Hainanese county of Wanning where he is primarily prayed to by the sick. He is claimed to be extremely efficacious and able to cure or heal any sickness or injury. He usually sends his Black or White Horse Generals to help devotees and only leaves the Heavens himself for very important cases. His image has only been seen in Singapore, Kuala Lumpur, Borneo, Bangkok and Phnom Penh where his festival is generally celebrated on the 15th of the fifth lunar month. However, he must never be prayed to for prosperity.\n\nTwo entirely different legends describe the origins of this deity, one more popular in Singapore and southern Malaysia, and the other in Thailand and Cambodia. In neither is the Marquis identified by name and he therefore remains unidentified.\n\nHe is also referred to as:\n\nthe Lord of the Seas, Wenzhou Haizhu Houwang\n\nTongzhu Houwang The Marquis Lord of the Aboriginal People\n\nShanqin Houwang The Imperial Marquis of the Mountains\n\nThe first legend claims that a petty king in China was waved by an individual who, in the city of Wenzhou on the coast of Zhejiang province, north of and nearly opposite the island of Taiwan, was awarded the title of Marquis. This happened a long, long time ago. The ruler of Hainan, as a separate state, so the legend continued, had an image of the Marquis brought to the island of Hainan and placed in a specially built temple where he has been worshipped ever since.\n\nThe second story relates that the Marquis was, variously, a Ming governor of Hainan island or a minister of an ancient dynasty against whom, through jealousy, evil ministers plotted. They killed him and threw his body into the sea where it turned into a log and floated away. A fisherman found it, realised that it had spiritual properties and so carved it into a statue which he revered and quickly became wealthy,\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216481, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 240, "title": "RAS-2003", "content_text": "190\n\nof his first command and the position of trust in which his employers had placed him. The Euphrates and Tigris Shipping Company had come into possession of the Shushan after it was no longer required for the Nile expedition and decided to use it to extend their operations into South West Iran up the Karun River beyond Ahwaz. They were already running a regular passenger and freight service up to Ahwaz but were unable to proceed further because of a series of rapids that had effectively closed the river to conventional steam traffic.\n\nPlant picked up his new command at Basra and was introduced to his engineer officer, a young Englishman called Stanley Webber with whom he would be sharing his Persian adventure. Together, they and a temporary crew from Basra, made their way down the Shatt al Arab to Mohammerah, a town at the mouth of the Karun River and from there, up river to Ahwaz. His next task was to take the Shushan up and over the rapids at Ahwaz, where the water rushed down a seemingly impenetrable rocky slope although, it was said, there were a few fast water channels through which the craft might proceed with safety provided it had sufficient paddle power. To be on the safe side he obtained some long safety lines and hired a crowd of pullers and heavers to man them should the craft not be able to manage the rapid under its own steam.\n\nRiver pilotage\n\nThus, all was made ready for the assault on the feared Ahwaz rapids. The great day came and so did the crowds to see the fun - but his hard work and planning paid off. With a full head of steam and Plant on the wheel the Shushan climbed the first rapid and then went full ahead upstream for the next gap between two great rocks where the river 'poured through like a sluice.' She just made it and then moved up to through the next rapid that was just a little easier and finally entered the calmer waters above the town. Here, the crew was discharged and sent back to their home port while Plant made preparations for taking the Shushan on its first trip to Shuster some 50 miles up river.\n\nFirst, he had to find and train a permanent crew, including someone with knowledge of the river and a Tindal (bo'sun) to take charge of the deck hands. He also needed an interpreter, through whom he could give instructions to the crew, most of whom spoke no English. He would\n\nPage 240\n\nPage 241", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]