[
    {
        "id": 206808,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 85,
        "title": "RAS-1973",
        "content_text": "SWATOW HORIZONTAL STICK PUPPETS\n\n79\n\nthe Pear-Garden Opera School, the Ch'aochow actors and puppe-teers have backstage a tablet or image of Feng-huo-yuan T’ien-yuan-shuai. Feng, the First Heavenly Commander. His biography can be found on page 125 of E.T.C. Werner, A Dictionary of Chinese Mythology, and reads as follows: \"Tien Hung-i, his real name, was the second of three brothers, Hsun-liu and Chih-piao who, during the K'ai-yuan Period (AD 713-742) of the T'ang Dynasty became famous court musicians....\n\n\"They were such skilled players that even clouds stopped to listen to them, and the la-mei hua (very fragrant flowers which open only in the coldest part of the winter) blossomed. The Emperor having fallen ill, saw them in a dream playing the mandolin and violin, and was promptly restored to health. As a reward he bestowed on them the title of Marquis.\n\nA ravaging epidemic having broken out, the Grand Master of the Taoists sought the musicians' aid. T'ien Yuan-shuai had a large shen-chou, spirit-boat, built, and called together a million spirits, whom he instructed to beat drums placed on it, whereupon all the demons came out of the city to listen to the music, and were seized and expelled by the musician and the Taoist Grand Master. This is said to be the origin of the dragon-boats to be seen everywhere in China on the fifteenth day of the first moon,\n\nChang Ta-shih having recognised his great ability and power, memorialized the Emperor, who canonized the three brothers as Marquises, and all the members of their family and near relatives were given posthumous titles.\"\n\nThis account indicates clearly the Feng was chosen as a patron: namely for the beauty of his music and its magical power of exorcising the evil spirits. It shows a very basic approach to music and brings to mind the many opera and puppet-performances which are staged by the Ch'aochowese at all festivals and ceremonies that deal with ghosts of which the main one is the Ta-chiu in the 7th lunar month. As a contrast it is interesting to know that the Peking opera actors have chosen T'ang Ming Huang, who already in his life time was a patron of opera as a sophisticated entertainment of the court.\n\nAnother interesting characteristic of Ch'aochow puppets (though not unique to them) is the ceremonies required to cleanse the theatre stage. Besides the veneration of the patron saint the ceremony of",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
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    },
    {
        "id": 208751,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1979",
        "page_number": 208,
        "title": "RAS-1979",
        "content_text": "RELIGIOUS LIFE IN PRESENT-DAY TAIWAN\n\n(c) Taoism\n\n181\n\nTaoism, as a religion nowadays, is hard to define; it is much more than Buddhism caught up in popular religion and very often identified or confused with it, not only by students of Chinese religions but by believers as well. Examples are lists of temples in Taiwan, where temples are identified either as Taoist or Buddhist, with the rare exceptions of Confucian temples and ancestral halls. If we see the folk-religion as a separate category, then Taoism as such should be stripped of all the folk-religious elements and seen in its purity. In that case, only a few temples can be identified as Taoist, and the Taoist religion has thus basically to be identified with the various sects of Taoist priests. The matter has become more complicated since the institution of a Taoist Association in 1950. This is organized and run by Taoist laymen but has requested and obtained membership among many temples of the folk religion (in many temples, one can see the metal membership plates on the wall).\n\nThe Taoist priesthood is divided into 3 (or 4) sects: the ling-pao, cheng-yi, or t'ien-shih and san-nai sects. The cheng-yi sect, or the sect of the Heavenly Master, has been trying for a long time to control the Taoist priesthood of all sects to unify them (and collect their dues). The 64th successor to Chang Tao-ling, living in Taipei, confers ordinations and promotions all over the island. However, as over the centuries, candidates to the priesthood (often hereditary) are not well trained in Taoist philosophy: they start their instruction as apprentices of a particular master, but throughout their training, they usually do not go beyond learning to recite the sacred texts and performing the various rituals. There are, happily, exceptions to the rule, and a fascinating example is Master Chuang of Hsinchu city, who is not only a master of rituals but performs the esoteric meditations of inner alchemy as well.\n\nIn Taiwan, there are no Taoist monasteries where priests live as celibate monks, although there seems to be a movement of return to the ancient model: in one temple in Kaohsiung, the Tao-Te-Yuan, a group of young women have been ordained as Taoist priests and have made the vow of celibacy. The same temple also organizes study sessions for laymen to foster a deeper understanding of Taoist philosophy. As in Buddhism, the laymen again are promoters of a more serious involvement in Taoism.",
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    {
        "id": 208760,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1979",
        "page_number": 217,
        "title": "RAS-1979",
        "content_text": "190\n\nJULIAN F. PAS\n\nbe followed. In other words, for the average Chinese, religion is a socially important value system to make for a smooth functioning of human relationships as much as it is a method to obtain divine favours to increase the effectiveness of human efforts toward the realization of a happy life.\n\nEND-NOTES\n\n1 This paper was first presented at the joint panel of the CASA and the CSSR on Chinese Religion at the Conference of the Learned Societies in Saskatoon, May 1979.\n\n2 Compare the five-volume work written by J. J. M. de Groot: The Religious System of China; although it is mainly based on his field work done in Amoy, it is considered to be a standard work on Chinese religion in general.\n\n3 See P. C. Baity, Religion in a Chinese Town (Asian Folklore and Social Life Monographs, no. 64), Taipei: The Orient Cultural Service, 1975. (See my review article pp. of this issue).\n\n4 See various ceremonial and memorial booklets issued by the Municipal Government of Taipei, Tainan and Taichung, e.g., Ta-ch'eng chih-sheng hsien-shih K'ung-tzu shih-tsun chien-shuo, Taipei, 1974, Ta-ch'eng chih-sheng hsien-shih K'ung-tzu shih-tsun chien-chieh (Memorial Service for Confucius on his Birthday), Taichung, 1977.\n\n5 See Y. Raguin, S.J., \"Buddhism in Taiwan\", pp. 179-185 in H. Dumoulin, ed. Buddhism in the Modern World, London, New York: Collier Macmillan Publishers, 1976.\n\n6 Questions and Answers about the Republic of China (Taipei: Chung-hua Information Service, 1978), p. 17.\n\n7 W. L. Grichting, The Value System in Taiwan 1970: A Preliminary Report. Taipei, 1971. (Quoted by Y. Raguin).\n\n8 See for example Taiwan Tzu-miao ch'uan-chi, Ed. by Wang I-han, Taichung Luan-yu Journal Society, 1977. Lists of local temples issued by municipal governments follow the same pattern. However, the more scholarly but antiquated list published in the Taiwan Gazetteer and adopted by Lin Heng-tao divides the temples into three main groups: Taoist, Buddhist, folk-religion (t'ung-su).\n\n9 See Lin Heng-tao, Taiwan Szu-miao Ta-ch'uan, Taipei: Ch'ing-wen Publishing Company, 1974.\n\n10 See M. Saso \"The Taoist Tradition in Taiwan\", China Quarterly No. 41 (1970), 83-102.\n\n11 M. Saso, \"Red-Head and Black-Head: the Classification of the Taoists of Taiwan according to the Documents of the 61st Heavenly Master,\" Bulletin of the Institute of Ethnology, Academia Sinica (Taipei), 30 (1970).\n\n12 See H. Welch, \"The Chang T'ien-shih and Taoism in China\", Journal of the Oriental Society 4 (1957-58), 188-212.",
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    {
        "id": 209054,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1980",
        "page_number": 216,
        "title": "RAS-1980",
        "content_text": "A BIBLIOGRAPHY OF TAOISM IN ORIENTAL LANGUAGES\n\nWILLIAM Y CHEN*\n\nINTRODUCTION\n\nTaoism is a philosophical-religious tradition which has greatly contributed to shaping Chinese cultural and social life for more than two thousand years.\n\nThe philosophy of Taoism (Tao-chia 道家) is based on the advocacy of Huang-Lao (Huang-Ti or Yellow Emperor, and Lao-tzu) on wu wei (non-action), quiescence, and the unity of man with nature. With the later addition of magico-religious arts, of the immortality or longevity cults, Taoist religion (Tao-chiao 道教) gradually took shape.\n\nAccording to the Taoist tradition, Taoist philosophy originated during the reign of the legendary Yellow Emperor who is believed to have ascended to heaven about 4,600 years ago, after he had mastered the essence of Taoism and become an immortal. The major breakthrough of Taoist philosophy, however, came with the Tao te ching (Classic of the Way and its Power), attributed to Lao-tzu. It was the beginning of a philosophical spiritual stream that would develop through the centuries into a mighty river.\n\nThe formal organization of the Taoist religion, with hierarchy and rituals, is the work of Chang Tao-ling (2nd century A.D.), who became the first \"Heavenly Master\", or spiritual head of Taoism, whose 64th successor controls the Taoist \"Church\" in present-day Taiwan. Most modern sects of Taoism consider Chang Tao-ling as their founder. He infused into Taoism its formal priesthood, as well as aspects of magical faith-healing and exorcism; moreover, moral conduct and the performance of good works became a characteristic of Taoism ever since Han times.\n\nTaoism gradually created its own pantheon, but a distinction should be made between the gods worshipped by the people (gods of \"latter heaven\") and the supreme deities of \"former heaven\".\n\n*Mr Chen is a member of the library staff at the University of Saskatchewan, Saskatoon, Canada.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 210425,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 32,
        "title": "RAS-1985",
        "content_text": "13\n\nMaster Sect of Chang Tao-lin. All these sects claim to have received a special revelation. They all teach that disease is caused by sin and/or demons. Healing must go hand-in-hand with repentance. They all decline the use of medicine but resort to prayer and exorcism. They are all organized into religious sects. Do these similarities among healing sects speak for a type of religious expression? Perhaps, underneath the conscious mind, all men have something in common which, when manifested externally, is constituted along similar lines.\n\nThe second reflection to which I would like to draw attention concerns the association of Tan Tse Tao with Taoism. As can be seen from the history of the Supreme Deity's revelation and the teaching as recorded in Lo's important writings, there is little hint that Tan Tse Tao is a form of Taoism. Yet in its later development, Tan Tse Tao was considered as such by the Patriarch and his disciples. It is in fact at present a member of the Hong Kong Taoist Association. It is not too clear how this could have occurred. Perhaps Patriarch Lo felt that the ineffable quality of the Supreme Deity is the same as the \"Tao\" discussed by Lao Tzu, and that the quiet-sitting is similar to Chuang Tzu's \"sitting in forgetfulness.” Or perhaps he found an identity in the terminology used in his own religion and that of Taoism. Or perhaps the association with Taoism is simply revealed.42 Whatever the reason for the association, it must have provided a strong support by reason of Taoism's reputation as the most ancient native Chinese religion. This association is a parallel to the association of the Heavenly Master's sect with Lao Tzu. Scholars with Confucian sympathies have invariably ridiculed the association of the Han Dynasty faith-healing sect with Lao Tzu. In their minds the faith-healers have simply twisted the meaning of Lao Tzu to fit their own purpose. The association of Tan Tse Tao with Lao Tzu should make us think again. Perhaps the association is not as arbitrary as Confucian scholars make it out to be. Perhaps Maspero's conjecture of a religious base to Lao Tzu is still a live issue.43\n\nThe last notable character about Tan Tse Tao is its exclusive veneration of the Supreme Deity. This practice is unprecedented in Chinese cults. Writers have often drawn attention to the fact",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
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    },
    {
        "id": 211628,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 43,
        "title": "RAS-1989",
        "content_text": "18\n\nTHE JADE EMPEROR AND HIS FAMILY\n\n玉皇大帝\n\nYU HUANG TA TI\n\nKEITH STEVENS\n\nThe Jade Emperor, also known as the Lord of Heaven (T`ien Kung), is the chief deity of the pantheon of the Cheng I sect of Taoism. He is only a secondary deity of the Taoist Lungmen sect. He was worshipped China-wide as the supreme ruler of the Heavens, and even of some of the Underworld. In folk religion, he is worshipped as the protector of all mankind, having replaced Lao Tzu in that role and as head of the Taoist faith, possibly because people were uncomfortable taking their problems to a philosopher. According to a majority of Taoists his earthly mouthpiece was Chang T'ien Shih, The Heavenly Master and his descendants.\n\nAlthough he is well known to both Chinese and to interested foreigners, what is not so well known are the ramifications of his family and the extent to which several of its members have their own cults.\n\nThe development of the supreme deity in China is far from clear. In earlier times the all-seeing, all-powerful, unseen god was Shang Ti who even now is occasionally referred to as the all-highest. Not only is the term Shang Ti used by Protestants for the Supreme Deity, God, but also the late Chairman Mao in his statement that, at the age of 72, “he was soon going to see God“, used this expression.\n\nHoward Smith, a missionary in China for 24 years, describes how the Chou dynasty (ca 1050-256 BC) founded its government on religion and transformed 'Shang Ti', probably originally a term used for the deified spirits of the imperial ancestors under the previous dynasty, the Shang, into a high God, independent and supreme, He added \"The importance of this change cannot be over-emphasised. When this supreme deity finds the rule of an emperor abhorrent, whenever a king fails, by persistent misrule, in his duties to God, then God rejects him and seeks out a suitable substitute.\" The transfer of the mandate of Heaven, based on the belief in a supreme deity, carried with it strong ethical implications, and continued down to the last dynasty, which fell in 1911.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211660,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 75,
        "title": "RAS-1989",
        "content_text": "50\n\neach bearing a different surname. Depending upon which source you accept the maximum number of individual surnamed Pestilence Wang Yeh would appear to be a mere 106 or 132 out of the 360.\n\nThere are at least five or six different legends describing the origins of these spirits which vary enormously both in general and in detail with the most popular story heard repeatedly in Taiwan and South-East Asia being of 360 musicians deified by an emperor of China. Cautionary stories about the threat to the populace from the 360 Plague Gods were common throughout China but other than in Fukienese communities they were not referred to as Wang Yeh. In some versions the spirits of the musicians spread out all over China and in our major legend five particular spirits, deemed special protectors of the area, ended up in the Changchou and Ch'uanchou area of Fukien.\n\nThe different legends, in general, claimed that the group of Pestilence Wang Yeh were 'scholars killed by Ch'in Shih Huang Ti, the unifier of China in 210 BC, who ordered the burning of books and the burial of Confucian scholars'; 'T’ang dynasty literati who died as a result of the folly of the emperor T'ang Ming Huang (685-762AD)'; 'The 360 Ming literati who refused to serve the usurping foreign dynasty, the Ch'ing and hanged themselves, (mid-seventeenth century AD)'; 'The five scholars who killed themselves to save villagers from an infected well'; or, finally, are 'spirits of the man-in-the-street who died of plague and became Plague gods'.\n\nA few temple keepers claim that the Pestilence Wang Yeh are subordinate to the Lord of Mount T'ai and of the Underworld (T’aishan Ta Ti 泰山大帝).\n\nThe following are a number of the legends in greater detail. The first relates that during the reign of T'ang T'ai Tsung (627-649 AD) five scholars who had been unsuccessful at the imperial civil service examinations had stayed on in the capital living on what they could earn playing music. The emperor summoned them to the palace to play for him and had at the same time the Taoist 'pope' Chang T'ien Shih (Chang the Heavenly Master) in audience. The emperor wishing to test the 'pope's' magical powers ordered the musicians to play in the cellar whilst he told the ‘pope' that there were five demons in the basement. The 'pope' using his secret arts killed all five. The emperor was both appalled and ashamed of what he had caused and deified all five.\n\nPage 75\n\nPage 76",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211959,
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        "series_slug": "histsyn-rashkb-journal-engine",
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        "document_key": "RAS-1989",
        "page_number": 374,
        "title": "RAS-1989",
        "content_text": "349\n\ncommon to them. Most of them took place at one small space which I shall refer to as the ritual site. In most of the rituals, the ritual site was the Taoist altar in the main hall. Wherever a rite took place, the focus was one or more tables decorated with red embroidery, and covered with offerings of candle-sticks, incense, tea, wine, and sweets and food. In many cases the images of the gods to whom the rite was addressed were placed on the table. In most of the rites that took place at the Taoist altar, a distinction could be made between an \"inner table\" for the three Pure Ones and an \"outer table\" for the general gods of heaven. The priests put on their different Taoist robes and hats, which, in the main rites, distinguish the high priest from the others, and performed a series of actions to the accompaniment of music, which was played on cymbal, gong, dong-jiu and sona, and in the cases of scripture chanting and a few other rites which consist mainly of chanting, the \"wooden fish\" and \"chime\".\n\nThe other common objects used in the rites included manuals, charms, charm water, a bushel measure, knife, seal, and the faan flags for the Emperors of the Five Directions. To pay their respects to the gods, in many rites the priests held a chiu-gaan tablet before the breast as officials did when received in audience by the Emperor, or held a small incense burner with handles. At certain stages of the rites, typically when reporting their Taoist title and invoking the gods, the priest instructed the ritual representatives to kneel. The bushel measure was on the ritual table during most of the major rites. It contained, besides the faan flags, the sword and seal which represented the power of the Heavenly Master, Zhang Tianshi. With these two symbols of authority the head priest performed his magic steps to purify the ritual area, often using charm water as well. Besides the charms used with water for purification, there were charms for summoning different spirits in the Taoist cosmology.\n\n62\n\nOne of the ritual objects which appeared several times in the series of Taoist rites was the Memorial, which existed in three different forms for different purposes.\n\nIn all its versions the Memorial contained a general statement about the ritual, and a list of all the participants in the ritual, i.e. all the villagers. One version was bound in the form of a book and was usually carried by the no. 1 ritual representative in a paper \"pavilion\". This Memorial was read in summary during the first stage of most rites, and in full in a few major rites. Used in most of the major rites were Memorials in the form of scrolls, which were at the end of the rites sent off to the different sections of the supernatural",
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    },
    {
        "id": 213773,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1996",
        "page_number": 125,
        "title": "RAS-1996",
        "content_text": "96\n\nthat the religion is of Han origin. e.g. the use of Han language in the manuals, especially when the Yao use it for ritual purposes alone; that the Southern Song Daoist's description, to be discussed later, of the \"ancestry\" of the sorcerers magic does not mention at all that this is the practice of a minority people; and that major elements of the tradition (though perhaps not ordination itself) is shared by the Fujian, Cantonese and Hakka ritual specialists.\n\nHakka genealogies have adopted different theories about those names. One asserts that those names were given by \"Daoists\". One example is a genealogy of the Lius, revised probably in 1920.\n\nIn the previous compilation names of ancestors from Song to Yuan times had names calling them fa and lang, with numbers involving ten, hundred, thousand to ten thousand, and disregarding seniority among brothers. It was because customs of those times gave Daoists considerable power, to the extent that names were given by Daoists.\"\n\nSimilarly, the genealogy of the Lins of Hang Ha Po explained that \"during that time [which?] it was popular to be ordained by the Heavenly Master Zhang. Those who obtained such ordination are to be called by their famung and langhao, which is to be passed down to future generations and never forgotten.\" That such a claim cannot be wholly true can be shown easily by comparing the names with those found in Daoist ritual documents. There the Daoist names, although possibly different from the everyday names that they identify, are not different in form from ordinary names.\n\nAnother example, the Sixing He's 4th Genealogy, claimed that the eleven sons and one daughter of an ancestor Weitai, had all attained the status of immortals; they are therefore identified by langming ordination names in their entries. Yet another theory is proposed in the genealogy of the Luos of Luobo, compiled between 1914 and 1930. It contains a lengthy attempt to refute interpretation of lang names as ordination names. It objected to what it alleged to be popular belief that such names were religious names given by Shimu sorcerers. Basically, it brings our attention to lang being used as a rank during the Yuan and Ming dynasties, and numbers possibly used to refer to heads of household. This does not explain the combination of lang and the numeric expressions, especially those prefixed by a non-numeric character. Nor does it explain the ordination names of the other format. More importantly, his theory",
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    {
        "id": 214316,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 174,
        "title": "RAS-1998",
        "content_text": "138 \n\nLegends surrounding the birth, life and death of Xu Sun are numerous, complicated and tangled stories. Just before his birth his mother is said to have dreamed that a golden phoenix dropped a pearl from its beak into her hand. A popular story claims that he was born either in Henan province or at Nanchang in Jiangxi, ca AD 240 where he lived out his life as a saintly doctor. Xu Sun passed the imperial examinations, became a prefect of a district and distinguished himself by his benevolence. According to some versions, his popularity was due to his power and ability to heal diseases using secret preparations. Others claim that he was an official who, having served in Sichuan province, died in about AD 293 or AD 374 when still only in his fifties. In another version, a typical mythological finale to a virtuous and extraordinary life, he died at the great age of 134 and was borne off to Heaven 'together with his wives, children, dogs, chickens and beasts'. \n\nMembers of the Daoist Jingming sect claim that he was the founder of the cult with its centre at the temple dedicated to him in Nanchang city. This no longer exists; however, a temple dedicated to him in the small town of Xi Shan [Western Hill] some twenty miles south-west of Nanchang, is the present cult centre. A large notice before his altar in the temple informs devotees that he lived during the Eastern Jin [317-420 AD] and during a twenty year struggle managed to solve the problem of annual flooding in the province and that he should be revered mainly for his success in water conservancy in northern Jiangxi, particularly around the Boyang Lake. The notice also claims that he lived for 136 years. \n\nHis cult centre in Xi Shan is now a bustling temple complex with two main halls and some four lesser halls set in large grounds. The two large main halls, side by side, are dedicated one to Xu and the other to the Jade Emperor. The inside walls of the hall dedicated to Xu are lined with some twenty or so anonymous minor perfected lords whilst the Jade Emperor's hall is lined by sixteen guardian generals, again unnamed. The Jade Emperor is flanked by four major Daoist deities, the philosopher Lao Zi; the founder of the Heavenly Master sect Zhang Daoling; the doctor of the Eight Immortals Lü Dongbin and the Northern Emperor, Zhen Wu. The main altar in Xu's hall bears two images of Xu, one tall gilded statue of Xu standing, and a smaller, portable image of him sitting swathed in red robes. Neither has any unique characteristic and he is depicted with a black beard, pink face and holding a tablet in both hands before his chest. He is attended by two youthful attendants.",
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 225,
        "title": "RAS-1998",
        "content_text": "191\n\nindustry. It was common, so it claimed, for construction teams to hold Taoist rituals, including the sacrifice of oxen before work began.*\n\nOn the other side of the coin, according to the Bureau of Religious Affairs, about 200 Taoist temples have been re-opened to the public in China since the 1980s and seven Taoist provincial associations have been established. One of these temples is the former Taoist Cheng-i sect centre, the Heavenly Master Sect temple [T'ien-shih Miao] on Dragon and Tiger Mountain, Lung-hu Shan, in Kiangsi province. It was burned down in 1945 and work on rebuilding it did not begin until 1983. This consisted of the renovation of the main hall and the re-sculpturing of the images of the San Ch'ing, the Three Pure Ones, and fourteen other clay statues. Other sites nearby have also been renovated, including the Shang Ch'ing Palace, where the Immortals lived, and the Lien-tan Ch'ih, the Furnace [where pills of immortality were made]. It is interesting to read that both local and central authorities donated more than half a million yuan towards the project.\n\nAbout the same time as the iconoclastic campaign began, a ban was also imposed in Tsingtao, the port in southern Shantung, on the manufacture, sale and burning of funeral objects in a bid to curb a resurgence in superstition.\n\n...\n\nDespite all of these reports of the destruction of illegal temples and the crackdown on superstition, my daughter and I during the years 1995-1997 have visited a number of temples both urban and rural in remote areas of China as well as in cities and towns which, without doubt, fall under the category of superstitious religious establishments. We have not only been guided to several such temples by policemen but also in one instance we found the local party cadre actually lived with his mother inside a small popular religion temple. The only instance where a member of a temple staff had reason to explain that an activity was banned because it was superstition happened in the suburbs of Shanghai. When we asked why there were no oracular blocks on the altar with which to obtain the deity's answers to questions posed by devotees, we were told by the temple guardian that this particular practice was superstition and not permitted, whereas other routine rituals seen in temples in Hong Kong and Taiwan were. A Chinese scholar recently explained that in his view illegal temples are the structures built without permission because local State authorities have not had the quid pro quo erection of a village school, crèche or health centre paid for by the villagers with the same sum funded for the project as\n\nPage 225\n\nPage 226",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 216309,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 68,
        "title": "RAS-2003",
        "content_text": "17\n\nIn the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge).\n\nIt will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery.\n\nDuring a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time?\n\nAfter a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]