[ { "id": 212120, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 62, "title": "RAS-1990", "content_text": "39\n\nKat Hing Wai and Wing Lung Wai terminated their own independent Jiao but continue to participate actively in the Jiao of the whole Kam Tin community. Still others, like Tai Wai and Tin Sam, celebrate their own Jiao festivals on the one hand but also participate as members in the Jiao celebrated by the Sha Tin Kau Yeuk (Sha Tin Village alliance). Reasons such as the Japanese occupation or economic recession given by villagers themselves cannot explain the diversities found in the New Territories. All villages experienced the Japanese occupation. With regard to economic constraints, a community like Ping Shan, though as prosperous and powerful as Kam Tin and Ha Tsuen, stopped the celebration for some unknown reason. Therefore, the continuity or discontinuity of the Jiao festival depends on the effectiveness of the festival's communal structure and organization. In Lam Tsuen, the Jiao festival is a means to reconfirm the roles of its alliances (the Luk Hap Tong [Lui He Tang] “Hall of the Six [Sc. Village Clusters] United\"). In Kam Tin and other single lineage communities, the Jiao plays an essential role in re-establishing the structure of the segmented lineage as well as in re-confirming membership in the branches. The question of whether Jiao festivals will survive after the 1997 take-over is in fact a question of whether or not there is a need to preserve such a tradition in the community.\n\nNOTES\n\nLiu Zhi-wan, \"Taiwan Taibeixian Zhonghexiang Jianjiao Jidian\" Bulletin of the Institute of Ethnology, Academia Sinica 33 (1972): 135-64.\n\nTanaka, Issei, Chugoku Kyoshon Saishi Kenkyu: Chihogeki no Kankyo [Village Festival in China: Background of Local Theatres] (Tokyo: Tokyo Univ. Press, 1989), 799. Some fishing villages in Hong Kong like Kau Lau Wan, Tap Mun and Kat O name their Jiao festivals \"An Long Qing Jiao\" meaning the Jiao celebrated to pacify the earth dragon.\n\nTanaka claimed that originally \"Qi An Jiao\" was celebrated only when there was need to pray for peace (Ibid., 799). However, evidence in Hong Kong, at least, shows that the festival is celebrated in a regular cycle. The shortest cycle is the Jiao of Cheung Chau where it is celebrated yearly. The longest is Sheung Shui and Shuen Wan where the Jiao is said to be celebrated once every 60 years. In some fishing villages in the New Territories, it is celebrated once every two or seven years. A five-year cycle is also practised in some agrarian communities like Tai Hang. However, a ten year cycle is the most popular in agrarian communities. Nonetheless, the method of counting also differs from one community to another. For instance, Lam Tsuen claims to celebrate the Jiao once every ten years but they actually celebrate it once in nine years. Their Jiao festival was celebrated in the following years: 1963, 1972, 1981, 1990.\n\nMr. Cheung Chi-fan (Zhang Zhi-fan), JP, and Mr. Chung Chi-leung (Zhong Ji-liang), interviewed by author, Lam Tsuen, Dec. 1, 1990. According to Dean, about 80,000 Chinese yuan was spent on the Jiao in a village in Zhangzhou, Fujian in 1986. See", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212121, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 63, "title": "RAS-1990", "content_text": "40\n\nDean. Kenneth “Revival of Religious Practices in Fujian: a Case Study in Pas. Julian F. (ed.) The Turning of the Tide: Religion in China Today (Hong Kong: Hong Kong Branch of the Royal Asiatic Society & Oxford Univ. Press, 1989), 72.\n\n4\n\nMr. Pang Cheng-chuen (Peng Zheng-chuen), interviewed by author, Fanling, Dec. 30. 1990.\n\nP\n\nDean. 54. A student of the University of Hong Kong told me on Feb. 3, 1991 that he saw, by chance, a Jiao festival in 1990. He could not recall the exact date and location. However, he was very sure, from the celebrating flower boards, that it was a Jiao festival.\n\nK\n\nIbid., 776.\n\nLiu Zhi-wan, Taibeishi Songshan qi an jian jiao jidian, Institute of Ethnology Academia Sinica Monograph, no. 14, (Taipei: The Institute, 1967). Besides Liu, the research team from the Academia Sinica included Song Lung-fei and Xu Jia-ming. Song's paper concentrated on aspects of folk architecture and decoration while Xu focused on the economic and social aspects. See Song Lung-fei \"Song-shan jian jiao jiao tan jianzhu di zhuan shi Yi shu\" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 157-217; Xu Jia-ming: \"Songshan jian jiao yu shequ\" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 109-153.\n\n4\n\nLi Zian-zhang. \"Daojiao jiaoyi di kaizhan yu xiandai di jiao” Sinological Researches 5 (1968): 261.\n\nIbid., p. 201.\n\nSaso, Michael R., Taoism and the Rite of Cosmic Renewal (Washington: Washington State Univ. Press, 1972), 34.\n\nLaw, Joan & B.E. Ward, Chinese Festivals (Hong Kong: South China Morning Post, 1982), 83.\n\nOkada, Yuzuru, Kiso Shakai (Tokyo: Kobundo, 1949).\n\nSee Brim, John A. “Village Alliance Temples in Hong Kong\" in Wolf. A.P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford Univ. Press, 1974), 93–103; and Suenari, Michio \"Sonbyo to sonkyo: Taiwan Hakka shuraku no jirei kara” [Village temple and village boundary: a case study of the Hakka communities in Taiwan] Bunka Jinna Gaku [Cultural Anthropology] (1985) 2:255-260.\n\n15 Ueno, Hiroko, \"Taiwan nanbo no osho to sonraku: Tainanken hito saishiken no sonraku aida kankei\" (Wang Jiao and villages in southern Taiwan: worshipping area and village relationship] Bunka Jinriú Gaku 5 (1988): 64-82.\n\n+\n\nTaylor, W.A. \"The Spirit Festival\" Bulletin of the Cheung Chau Bun Festival 1980 (Cheung Chau: n.p., 1980), 39-41. (reprinted from Wide World Magazine, Dec. 1953). The annual Cheung Chau Jiao festival is better known to westerners as the Bun festival because of the three tall \"bun mountains\" erected at the ritual area. The festival is the most studied Jiao festival in Hong Kong probably due to the fact that (1) the island is comparatively easy to get to, (2) it is celebrated every year and (3) it is widely publicized by the Hong Kong Tourist Information Bureau. Besides Tanaka's accounts (see note 36), see also Jonathan Chamberlain and Ian Lambot's photographic account. The Bun Festival of Cheung Chau (Hong Kong Studio Publications, 1990).\n\nדן\n\nI owe my interest in the Jiao festival to Prof. Ward who first introduced me to Jiao festivals in 1980. She then suggested that I participate in the Jiao festival in Kau Lau Wan.\n\nK\n\nLaw & Ward, 83-84.\n\nHayes, James W., The Rural Communities of Hong Kong: Studies and Themes (Hong", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213876, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 228, "title": "RAS-1996", "content_text": "202\n\nstate through the mandarinate and extended downward. Dependence on the favour of aristocratic protection found in Europe was represented in China by dependence on the favour of personified officialdom from the central extending all the way down to the localities. Accordingly, the rivalry within central officialdom would extend downward to their protégés in the local regions. The Cantonese experience can illustrate this point.\n\nAs such \"reform-minded\" officials such as Li Hongzhang and Zhang Zhidong were competing for national influence, their protégés recruited in the provinces were also competing among themselves. After the opening of Shanghai and Tianjin, increasing numbers of men from Ningpo and Zhejiang were appointed compradores of western firms or advisors to the reform-minded officials. Even within the Cantonese group, some were more influential than others.\n\nIn terms of national influence, those Cantonese engaged in economic reforms always gained the upper hand from those engaged in legal reforms. As shall be seen, for those Cantonese engaged in economic reform (from Tang Jingxing to his nephew Tang Shaoyi, and through him to Liang Shiyi), they eventually advanced to positions in Beijing and monopolized the influential Board of Communications, which commanded huge economic resources in steamships, railways, mining and telegraph. This group of Cantonese was known as the Communications Clique. Their interests were vested in a China united under the central control of Beijing. This partly explains why Liang Shiyi and his clique were willing to finance Yuan Shikai's government after 1911, as well as his monarchical movement in 1916.\n\nThose Cantonese advisors such as Wu Tingfang and Ho Kai (He Qi) who were engaged in legal and diplomatic reforms, had not established their power base in Beijing and so eventually they based their influence in south China. After all, they were appointed Legislative Councillors in Hong Kong, the highest political posts that the Hong Kong Chinese could expect. They were sympathetic to the revolutionary activities in south China. As shall be seen, they sided with Guangdong in reform, in revolution, and in independence. Remarkably, both the Communications Clique and the \"legal-reform group\" turned out to be political patrons for competing groups of Cantonese merchants in Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214353, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 211, "title": "RAS-1998", "content_text": "176\n\nimage with one of the other titles is the same god.\n\nThe Fengshen Yanyi records numerous departments of the Celestial World including, for example, the Department of Thunder. It has a chief, General Wen, and twenty-four subordinates, amongst whom are the spirits of wind, rain and lightning; these are often referred to as the Five Spirits of Thunder, Lei Shen. Another is the Department of Fire Spirits. Its departmental head, Luo Xuan of Fire Dragon Island, called himself Yan Zhong Xian, the Immortal of the Flames, and was a fierce-looking iron-toothed, red individual. His immediate subordinate was Liu Huan, a yellow-faced demonic being who, during the Shang-Zhou struggle, brought along the materials with which they nearly destroyed the capital of Xi Ji, before being themselves routed. Luo Xuan was awarded the title The Chief Spirit Ruler of the Southern Region Three Atmospheres Fire Virtue Star: Nan Fang San Qi Huode Xingjun Zhengshen. Among his subordinates are a pig, monkey, tiger and snake spirits, all representing the different kinds of fires. The tiger is the 'tail fire' which is very hot; the pig is a 'house fire' which bursts out unexpectedly; the monkey is the 'nose fire' which comes suddenly through openings; whilst the snake is the 'winged fire' which leaps from one place to another. Liu Huan causes fires to spread.\n\nThe story begins with the last ruler of the Shang making an offering at the temple of the goddess Nü Wa. Having written a poem on the wall of the temple, a graffiti that offends her, she sends three monsters to bewitch him.\n\nThe following résumé of the last two chapters of the book brings into focus the tenor and style of the story. Jiang Ziya, about whom tales are told of his ineffectual efforts to become a trader and thus satisfy his wife's demands that he should do something useful, was eventually introduced to the Court and King Zhou Xin, who gave him a high position. Jiang antagonised Dan Ji, Zhou Xin's concubine, by getting rid of one of her vampire friends who had disguised herself as a human to share with the evil queen the flesh and blood of the victims she had slaughtered. Jiang was being taken away to be executed outside the palace but managed to slip through a hole in a bridge and disappeared. The guards sought him everywhere and finally assumed that he had been drowned. He had however been able to conceal himself.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 214, "title": "RAS-1998", "content_text": "179\n\nwas the decapitation of a Fox Fairy, possibly the wicked King's concubine, Dan Ji. In legend the spirit of a fox inhabits the body of a beautiful young woman who then bewitches and captivates men. When killed such woman immediately revert to their fox body origins. In the exhibit the young woman is standing and as the sword descends her head rolls off and rolls about on the floor before immediately reverting to its original position on her body. The boys were only too delighted to press the button to cause the head to roll again and again. Another was the birth of the Third Prince out of his caul. In legend he is born an apparent monster but after a swift slash with a sword the caul opens and the child emerges. Once more the boys played this for us several times.\n\nThis was possibly not the most ideal way to be introduced to the Fengshen Yanyi. A year or so earlier my daughter and I heard of the small temple dedicated to Zhou Gong, located at the foot of Phoenix Mountain in a rural area north of Qi Shan in Shaanxi province. We drove there to find in the main hall of a memorial temple, which had just been renovated, an image of Jiang Ziya flanked by two mythological deities, Na Zha and Yang Jian [see Note 8]. The first of the two, is a seven year old youth who caused havoc in Heaven and, better known as the Third Prince. He is nowadays the primary guardian of temple altars in Taiwan where his image stands on the altar table before the main altar. His is a traditional story tracing the age-old conflict between generations, and conflict of power and responsibility. Yang Jian has certain magic powers, which he used during the conflict but is also regarded as a potent deity who protects against demonic attack. He is often referred to as Er Lang, and he and his small dog are to be seen in a number of temples and in many he is regarded as the patron deity of dogs. The murals across the whole of the main hall's side walls depict episodes from the Fengshen Yanyi complete with Jiang Ziya first mobilising the deities of heaven to help the Duke Fa, and finally, the scene of the Investiture itself on the Terrace of the Investiture.\n\n10\n\nA number of temples in the central-west of China used to contain large gilded 'mountains', carved structures representing a mountain with crags and caves on which were superimposed a number of carved wooden gilded images of Daoist deities. The vast majority of these were also characters from the Fengshen Yanyi.11", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 } ]