[
    {
        "id": 209502,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 159,
        "title": "RAS-1982",
        "content_text": "What these crude figures estimates 137 suggest is that They are less Chinese are a familiar sight in most British cities. exotic, less strange; as a group, more acculturated, more Westernised. They also symbolise the regeneration of a great nation, reinvigorated China, one of the world's great powers. Chinese behaviour is no longer obscurely difficult to interpret; its motivation understandable.\n\nConclusions 51 The two cases discussed above have, one would think, intrinsic interest for criminologists and criminal lawyers: each is curious, fascinating. When capital punishment was a legal penalty, a verdict of guilt resulted in a mandatory death sentence in most cases (although only some of those convicted finally met the hangman). The last executions in Britain took place on August 13, 1964, when Gwynne Owen Evans and Peter Anthony Allen were hanged, the one at Manchester's Strangeways Gaol, the other at Liverpool's Walton Prison (both were convicted of the same crime).52 In Hong Kong, the last to hang suffered at Stanley Prison on November 16, 1966. Since that date it has become customary in Hong Kong to commute a death sentence into imprisonment for life, despite the fact that the Murder (Abolition of Death Penalty) Act, 1965, has not become law in the Colony. Because murder trials have become less final, less gladiatorial, largely as a result of the amelioration of punishment, public interest in such events appears to have waned (noticeably in Britain),53\n\nThe great era of domestic murder, as public dramaturgy, is over, overwhelmed by other forms of violence, horror, brutality, of which the media provides daily a surfeit for the public.\n\nThis article focuses mostly on problems of cultural understanding and misunderstanding. A younger generation of Englishmen is less likely to be as puzzled by Chinese murder as were Marshall Hall and Travers Humphreys. The change has come about from a number of factors demographic (more Chinese in Britain, many of superior education), cultural (a better understanding of Chinese culture and society, at least among the educated or sophisticated), and political (the vastly improved",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 214276,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 134,
        "title": "RAS-1998",
        "content_text": "97\n\nNOTES\n\nMacGowan J : Men and Manners of Modern China: T Fisher Unwin: London 1912\n\n2 Werner in his Dictionary of Chinese Mythology gives the Eight Classes of Dragon Kings as follows:\n\n3 Deva naga, Yaksha, Gandharva, Asuras, Garudas, Vinnaras, Mahonagas and Rakshas Soothill in his Dictionary of Chinese Buddhist Terms lists the Eight Classes of Supernatural Beings as follows: Deva, Naga, Yaksha, Gandharva, Asura, Garuda, Kinnara and Mahoraga.\n\nMajor well known Brahmanist deities not included in the groups of Deva in the Western Hills of Peking include Hanuman, Parbati and Ganesh.\n\n* A Student Interpreter: Where Chineses Drive : English Student Life in Peking Wm Allen & Co : London: 1885\n\n6 As with a number of titles the romanised spelling varies depending upon the form used and, as examples, we have Siva and Shiva, Pancika and Panchika. He is the esoteric cult Deva, a masculine form of the wife of Siva. He is the tutelary god of Mongolian Lama Buddhism, and is also said to be an incarnation of Vairocana for the purpose of destroying demons.\n\n7 Werner, ETC: A Dictionary of Chinese Mythology:\n\n8\n\n9 x stands for an illegible character. Although images iconographically look like the standard Buddhist image of the Temple Guardian, Wei T'o, they have been identified as being one of three Vedic deities. Lessing in his Yung-Ho-Kung [Stockholm 1942] and the Taiwanese guide to The Guan Yin Hall of the Ta Pei Ssu both identify Wei T'o's origin as Skanda whilst Soothill claims that he is Viharapala.\n\n10 Occasionally Yüeh T'ian-wang, that is the 12th century hero Yüeh Fei, takes the place of Li Yüan-shuai.\n\n\"Chin-se are the Five Primary Colours permutated in various ways to represent various ideas; also, a five coloured emblematic cord, a Brahman sign worn on",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    }
]