[
    {
        "id": 204528,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 9,
        "title": "RAS-1963",
        "content_text": "September 27th\n\nOctober 16th\n\nShow of three documentary films made by Mr. Hugh Gibb for B.B.C. Television:\n\n\"Rituals of Rice\" (colour) describes rice growing in Japan and old Shinto practices associated with transplanting and harvest festivals.\n\n\"Zen\" (black and white) is the first film to be made in a Zen Buddhist monastery in Japan. Permission was granted only after several months of negotiation and then the film had to be shot in one morning.\n\n\"Dance and Drama\" (colour) won the Gran Premio award for T.V. documentaries at the Bergamo Film Festival in 1961 and describes the evolution of dance and drama in Japan including the Kagura, the traditional village drama, and abridged performances of puppet plays, Noh and Kabuki theatre.\n\nThree further films made by Mr. Hugh Gibb: \"The Dyaks\" tells the story of the communal life and customs of the Sarawak \"Long Houses.\" \"Birds' Nest Soup\" was made in the Great Cave of Niah in Sarawak, where edible birds' nests are collected from the walls and ceilings to prepare one of the most expensive delicacies in the world.\n\n\"Turtle Island\" takes place on a small island off the coast of Sarawak where as many as one hundred turtles come in the course of one night to dig their nests and lay their eggs. The film tells the story of the cumbersome process and of the scientific work on these edible turtles, the collection and sale of whose eggs is a considerable industry.\n\nThe lectures in January and February by Professor S. H. Hansford on \"Some Problems of Ancient Chinese Jades and Bronzes\" and by Mr. R. D. Bromhall on \"Underwater Photography in Eastern Seas\" will be included in the Report for the coming year.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
        "rank": 0
    },
    {
        "id": 204707,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 10,
        "title": "RAS-1964",
        "content_text": "# PRESIDENT'S REPORT\n\n1963\n\nThe year 1963-1964 - the fourth year of the Society in Hong Kong after its revival - was a very successful one. The membership has steadily increased each year. At the end of the first year, we had 160 members, of whom 20 were life members; at the end of the second, 266, of whom 25 were life members; at the end of the third year, 280, of whom 33 were life members; and at the end of last year, the fourth, we had a total of 371, of whom 41 were life members. Since then, more than 30 have joined as ordinary members and 2 as life members.\n\nThe great increase in the number of members last year is doubly welcome in that it reflects the increasing interest of the younger generation in the objects and activities of the Society. It is a healthy and gratifying sign of the intellectual vitality of the young people of the Colony to see them join. We rely largely on them to ensure the future success of the Society.\n\nDuring 1963, we had twelve meetings, all of which were very well attended. On several occasions, the capacity of the City Hall was fully taxed. The expedition to Tung Chung on Lantao Island was a highly popular feature.\n\nThe lectures given were:\n\nJanuary 21st\n\nMarch 4th\n\nMarch 25th\n\nApril 22nd\n\nProfessor S. H. Hansford\n\n\"Some Problems of Ancient Chinese Jades and Bronzes\"\n\n(Illustrated by colour slides)\n\nJ. D. Bromhall\n\n\"Underwater Photography in Eastern Seas\"\n\n(Illustrated by colour slides made by the speaker)\n\nDr. Maurice Freedman\n\n\"Social Anthropology and the Study of China\"\n\nMiss B. T. Chiu\n\n\"Flowers of Hong Kong\"\n\n(Illustrated by colour slides taken by Miss Chiu and Mr. F. A. Nixon)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
        "rank": 0
    },
    {
        "id": 204708,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 11,
        "title": "RAS-1964",
        "content_text": "2\n\nMay 13th\n\nJune 17th\n\nAugust 19th\n\nProfessor C. P. FitzGerald\n\n\"The Succession Crises in the Manchu Dynasty after the Death of the Tung Chih Emperor\"\n\nProfessor Yao Hsin-nung\n\n\"K'un Ch'u — The Classical Chinese Drama” (Illustrated with colour slides and a demonstration by Miss Hsiao Fang-fang in full make-up and costume)\n\nMr. Ho Tickon\n\n\"Method and Technique of Chinese Painting\" (Illustrated by the artist/lecturer)\n\nSeptember 30th \"Conquest of Everest\"-film (British Council)\n\nOctober 20th\n\nExpedition to Tung Chung, Lantao island to visit the old fort.\n\nOctober 25th\n\nDr. W. Hellmich\n\n\"Tasks and Results of the Research Scheme Nepal Himalaya”\n\n(In co-operation with the Faculty of Science, University of Hong Kong)\n\nNovember 18th Mr. K. M. A. Barnett\n\n\"Hong Kong before the Chinese — the Puzzle and the Missing Pieces\"\n\nDecember 10th Documentary films on Hong Kong:-\n\n\"This is Hong Kong\"\n\n\"Sea Festivals of Hong Kong\" \"The Boat People\"\n\nthe Frame,\n\nIt is no mean tribute to the standing of the Hong Kong Branch of the Society that it has succeeded in attracting as guest speakers such eminent and world-wide authorities as Professor Hansford, Dr. Freedman, Professor Fitzgerald and last month Professor Fairbanks. It is equally a tribute to the rich local talent of the Society that six of the addresses — all of high standard and of great interest — during the year were given by local members, while the more recent address by Mr. Cranmer-Byng proved to be one of the most appreciated of all.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
        "rank": 0
    },
    {
        "id": 205650,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 192,
        "title": "RAS-1968",
        "content_text": "GULLAND, W. G.\n\nTHE LIBRARY\n\n187\n\nChinese porcelain; with notes by T. J. Larkin. London, Chapman & Hall, 1902-11. 2 vols.\n\nHACKNEY, Louise Wallace, and YAU, Chang-foo.\n\nA study of the Chinese paintings in the collection of Ada Small Moore, London, Oxford Univ. P., 1940.\n\nHALL, D. G. E.\n\nA history of south-east Asia. 2nd ed. London, Macmillan, 1964, reprinted 1966.\n\nHANSFORD, S. Howard.\n\nChinese jade carving. London, Lund Humphries, 1950.\n\nHARRISSON, Tom.\n\nHistory, science, the arts and nature in Sarawak (1960-61) and (1961-62). [Kuching, Government Printing Office, 1961-62].\n\nReprinted from Sarawak's annual report, 1961 and 1962.\n\nHENDERSON, Norman K.\n\nThe education of handicapped children; recent trends and research, with implications for Hong Kong. Hong Kong, University Press, 1964.\n\nHENDERSON, Norman K.\n\nEducational developments and research, with special reference to Hong Kong. Hong Kong, University Press, 1963.\n\nHENDERSON, Norman K.\n\nStatistical research methods in education and psychology. Hong Kong, University Press, 1964.\n\nHERRFAHRDT, Heinrich.\n\nSun Yatsen, der Vater des neuen China: ein Beispiel west-östlicher Begegnung. Hamburg, Drei-Türme-Verlag, 1948.\n\nHEWLETT, Sir Meyrick.\n\nForty years in China. London, Macmillan, 1943.\n\nHEYWOOD, G. S. P.\n\nRambles in Hong Kong. 2nd ed. Hongkong, Kelly & Walsh, 1951.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
        "rank": 0
    },
    {
        "id": 207569,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 337,
        "title": "RAS-1975",
        "content_text": "328\n\nBOOK REVIEWS\n\nof George Eumorfopolos edited by Professor Perceval Yetts is certainly representative; and with respect to the latter, a good example is the first volume of the catalogue about the Charles Seligman Collection, on Chinese, Central Asian and Luristan bronzes, edited by Professor Howard Hansford.\n\nProfessor Li's latest publication, although independently associated with a book title, yet, by its nature, should be classified as an illustrated catalogue about a private collection of Chinese art, since every item discussed by the author in Volume I and illustrated in Volume II is from the collection of Dr Charles Drenowaltz in Switzerland.\n\nVolume I consists of 15 chapters. I propose to give a brief summary for each chapter before presenting other remarks about this book in this review. Chapter I:\n\nChapter II:\n\nChapter III:\n\nChapter IV:\n\nChapter V:\n\n\"Introduction\", gives a general account of how European collectors built up their collections of Chinese art. It also gives a survey of the general development of Chinese painting. \"Figure painting: Persistences and Transformation of the past\", Here the central discussion is focused on figure paintings by Chao Liu (ca. 1350-1370) of the late Yuan Dynasty, and Hsieh Shih-chen (1487-after 1567), Chen Hung-shou (1599-1652) and Ting Yün-peng (b. 1547) of the Ming Dynasty; also Chao Yuan of the late Ch'ing Dynasty. \"Landscape painting of Ming and Ch'ing: A point of view\", serves as a general introduction to this branch of Chinese painting over some 500 years. \"The Wu School: Re-establishment of the Yuan Tradition\", emphasis is laid upon works by five literati artists of the Ming Dynasty; Shen Chou (1427-1509), Wen Cheng-ming (1470-1559), Lu Chih (1496-1576), Ch'en Kuan (ca. 1570-1640). In addition, works by artists of the school of T'ang Yin (1470-1523), and an album painting by an anonymous artist are also discussed.\n\n\"The Wu School in the Seventeenth century: A Host of Little Masters\", points of view are based on works by the following seven artists: Ch'en Kuan, Ch'en Huan (act. 1600-20), Chang Hung",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207581,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 349,
        "title": "RAS-1975",
        "content_text": "340\n\nBOOK REVIEWS\n\nChinese bronze is again by Prof. S. Umehara and was separately published in Kyoto in 1961.\n\n2 The Senoku Seisho is sub-divided according to nature of bronzes, into two parts. The first part dealing with ritual vessels is by Prof. K. Hamada while the next part, devoted to Chinese bronze mirrors, is edited by Prof. Yoshito Harada.\n\n3 In addition to these catalogues about the Sumitomo collection, in 1951 Prof. S. Umehara has also edited Kakkaku Kikkin Senshu (Selected specimens of the Chinese Bronze collection in the Hakkaku Art Museum), an illustrated and descriptive catalogue on Chinese bronzes housed in a private museum possessed and financed by Mr. Jihei Kano in Kobe.\n\n4 For instance, among his various studies on ancient Chinese bronzes, there are three catalogues. The first, \"Bronzes in the Hellström Collection\", is in the Bulletin of Museum of Far Eastern Antiquities (hereafter abbreviated as BMFEA) (1948, Stockholm), No. 20, while the second, \"A catalogue of the Chinese Bronzes in the Alfred F. Pillsbury Collection\" was published in Minneapolis in 1951. The third, \"Bronzes in the Wessen Collection”, is in BMFEA, (1958, Stockholm), No. 30.\n\n5 For instance, his Fruhe chinesische Bronzen aus der Sammlung Trautmann (1939, Peking).\n\n6 For instance, the Chinese Bronzes from the Buckingham Collection, (1946, Chicago), jointly edited by M. C. Chen and Charles F. Kelley.\n\n7 Alfred Salmony (1890-1958): Archaic Chinese Jades from the Edward and Louis B. Sonnenschein Collection (1952, Chicago).\n\n8 W. Perceval Yetts (1878-1957): The Georg Eumorfopoulos Collection: Catalogue of the Chinese and Corean Bronze, Sculpture, Jade, Jewellery, and Miscellaneous objects (1929-32, London).\n\n9 Howard Hansford: The Seligman Collection of Oriental Art, Vol. I, (1957, London).\n\n10 Yoshito Yonezawa: Painting of the Ming Dynasty, (1956, Tokyo).\n\n11 Osvald Siren: Chinese painting, Vol. VII, (1958, London).\n\n12 Victoria Contag: Chinese Masters of the 17th Century (1969, London).\n\n13 The date of Hsuan-ho hua-p'u is not known. But a general date, 1120, the second year of the Hsuan-ho era during the reign of the Emperor Hui-tsung of the Northern Sung Dynasty, associated with its preface, is normally considered to be the date of completion of its compilation. Regarding its authorship, it has been previously suggested by scholars in the Ch'ing Dynasty, such as Wang Wan, as having been edited by Emperor Hui-tsung himself, and by Chou Chung-fu as being by Tsai Ti, and by Pien Yung-yu as being by Hu Kuan. But according to Yu Shao-sung, a 20th-century specialist on the historiography of Chinese art, none of these old identifications are reliable. Instead, a possible editor of this imperial catalogue is perhaps an anonymous eunuch of the Northern Sung palace. For detailed discussion see his Shu-hua shu-lu chieh ti (hereafter abbreviated SHSLCT), \"A Collection of Summary of content and Studies of Titles of Books on Chinese calligraphy and painting\", (1931, Peking).\n\n14 Although it carries a preface by the author, this book is undated. In general, as Yu Shao-sung has suggested (SHSLCT Chuan 12, p. 9), Hsu Hsin must have lived in the transitional period of Ming and Ch'ing but the book itself is written in early Ch'ing.\n\n15 See Yen-Tzu chun-chiu, Nei pien, 10th chapter of the Tsa-hsia section. This book is generally regarded as a work of the 6th century B.C.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    }
]