[ { "id": 212520, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 74, "title": "RAS-1991", "content_text": "54\n\n-\n\npreferred not to enter government service. He was a contemporary of Hong Liangji on the personal staff of Bi Yuan. Ling excelled in phonetics, textual criticism, the Classic of Rites, including music, as well as astronomy and mathematics both the Chinese and Western tradition. He was asked by Ruan Yuan to tutor his son Ruan Changsheng (adopted 1793, d. 1833). It was Ling who brought the excitement of the Tian yi ge collection to Ruan Yuan's attention. Ling, with Li Rui and Jiao Xun, had worked on the chou ren zhuan from the beginning. His own manuscript, Li jing shi li (Exposition on the Classic of Rites), 13 juan, was edited by and printed by Ruan Yuan after Ling's death. His prose, Jiao li tang wen chỉ [Collected prose of Ling Tingkan], 36 juan, first printed in 1812, has been useful in research on Ruan Yuan as well.\n\nZhang Jian (1768-1850) was one of the scholars who had been associated with Ruan Yuan from the beginning of the latter's official career until after his retirement. Zhang had served on the personal staff of Ruan Yuan, together with Yang Fenghao (1755-1816), Shi Guochi, and He Yuanxi (1766-1829). As a scholar, Zhang worked on various compilations, such as the Jing chỉ zhuan gu, and lectured at the Gu jing jing she. He was more useful to Ruan Yuan in his government, however. Zhang was best known for his expertise on sea transportation of tribute grain. It has been understood that Ying-he's famous memorial on sea transportation was based on Zhang's work. Zhang edited Ruan Yuan's papers on famine relief (in Ying zhou bi tan) and Liang Guang yen fa zhi [Salt Administration of Guangdong and Guangxi]. Zhang also supervised the compilation of Ruan Yuan's nian-pu, Lei tang an zhu di zu ji.\n\nLiu Wen chi (1789-1856) of Yangzhou had studied under Bao Shicheng at Mei hua Academy. He was a nephew of Ling Shu (1775-1829), another scholar who had been close to Ruan. Liu was of a younger generation of scholars who had not known Ruan Yuan in his heyday. Being a neighbour, however, he had corresponded with Ruan Yuan before the latter's retirement in 1838. In 1837, Ruan wrote a preface to Liu's work, Yang zhou shui dao ji. Ruan Yuan in retirement was an important figure in Liu's diary and they worked together on several works including a new printing of a Song-Yuan edition of a prefectural gazetteer of Zheng jiang, for which Liu wrote a preface in Ruan's name (1843). Liu recorded that he had written prefaces to several other works for Ruan Yuan, as the latter grew more\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 215068, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 164, "title": "RAS-2000", "content_text": "121\n\nHong Kong having agreed that each of the sixty is a stellar deity in his own right with a title, formerly a human deified after his or her death; one temple keeper then gave as an example the Taisui of 1980 [EM KM] being Luo Dashou a legendary individual who at the age of eleven had obtained his degree and then lived for more than one hundred years. Others must have been similarly identified with legendary and mythical individuals, not only in Hong Kong but throughout China. The question remains, do they vary from place to place? or are they universal throughout China?\n\nAn image of Yin Jiao and known only as that and not as Taisui, is prayed to individually in a small private temple in Taipei, where he is portrayed as the fierce six-armed general, sitting, with a black beard, a third eye and ear-pressing tufts. Lone images of a fierce Taisui portrayed with six arms have been seen in a few temples apart from the one in Taipei including one in Penang. More commonly seen are lone images with the usual pair of arms, depicting him holding a bell in his left hand and a spear or long-handled sword in his right. One such image, in Tungkang in southern Taiwan, is identical with a gilded image on a rural temple altar in northern Malaysia. The hand-bell is claimed by god carvers to be an important attribute indicating as it does the passage of time.\n\nA further image, known only as Marshal Yin, stands at ground level in a rural temple at Mong Tsung Wai on the coast of the New Territories of Hong Kong at Deep Bay. He is portrayed as a martial figure holding a magic sword which at first glance looks like a truncheon, but without any unique characteristics. The temple keeper had no idea who he might be but as he is collocated with Hua Guang, Kang Wang and Zhao Yuanshuai, all characters from the Fengshen Yanyi, it is almost certain that he is Yin Jiao.\n\nImages of what in Cantonese and Fukienese community temples is often regarded as the typical Taisui of the group of sixty, but standing alone on altars nearly always portray him as a seated clean-shaven youth holding a bell12 or a scroll in his right hand. He is usually dressed in a green or gilt apron covering his chest and just below his waist only being secured by a cord around the back of his neck, and with a girdle around his waist. Those with scrolls are regarded as holding an administrative appointment and those with bells, silken shoes, fans,", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 216203, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 502, "title": "RAS-2002", "content_text": "436\n\nAfter a good Chinese lunch at the Lai Yue Mun Restaurant in Xin Hui we took a taxi (RMB250) through the County city of Tai Shan and past some interesting old Chinese villages, including Yeung Do. We arrived at the Guang Hai Bay port of Shen Ju in good time to catch the 4:00 pm public ferry to Shang Chuan Island. The timetable shows ferries leave daily at 9:30 am, 11 am, 2 pm, and at 4 pm, for the crossing that took us just over an hour. They are scheduled for the Shang Chuan to Shen Ju crossing at 7:30 am, 9:30 am, 12:00 and 2:00 pm. A group could otherwise hire a speedboat.\n\nWe were told that the island had been closed to visitors until 1983 and that there was still a sizeable PLA naval base there. As we entered the fishing harbour at the NW side of the island we passed some naval vessels and fishing boats. We also had our first view of the St Francis Xavier Church on the hillside. There were several modern large tourist hotels in the Fei Sha Tan Tourist Resort at the eastern side of the island. We took a public minibus from the port to the Resort. Probably the best of the hotels was the Biyun Tian Hotel (Eastern Harbour View Hotel), though we chose a smaller one. Both faced the beach, with a pleasant esplanade packed with plenty of hawkers in the evening. The choice of restaurants was uninspiring. In the morning we hired a minibus with driver for a half day (RMB150) to show us around the island. He took us to the fishing village, purpose-built in 1992, and over the Cheung Po Chai pirate pass with the Twin Treasure Rocks. He also took us to a grotesque Laughing Buddha cave with little figurines representing the Journey to the West.\n\nSuch were the delights the driver thought we should enjoy, but for us the highlight was the visit to the Church of St Francis Xavier at the NW side of the Island. The church was a simple white tiled building with a plaque above the porch dating the church at 1869. There was reported to have been a church at the spot since 1700 with various restorations from 1813 to 1932. The caretaker unlocked the church for us. There are several rows of pews facing a large wooden cross. On the altar stands a statue of a bearded priest in front of which is a statue of the Virgin Mary. Religious paintings were hanging on the walls. In the centre of the church lay a stone sarcophagus with some Chinese inscriptions.\n\nOutside, a modernist sculpture had been erected by the Yamaguchi", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]