[
    {
        "id": 204302,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 70,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n66\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nthe Ultra-Ganges Missions.) Accompanied with miscellaneous remarks on the literature, history, and mythology of China, etc. Malacca, printed at the Anglo-Chinese Press, 1820. MORRISON, Mrs. Eliza (Armstrong), born c.1800.\n\nMemoirs of the life and labours of Robert Morrison, compiled by his widow, with critical notices of his Chinese works by Samuel Kidd. 2v. London, Longman, Orme, Brown, Green and Longmans, 1839.\n\nMORRISON, ROBERT, 1782-1834.\n\nBible. New Testament. Chinese.\n\n耶穌基利士督我主救者新遺詔書俱依本譯出「嗎啫哩英華書院印」8v. 1813 鑰 Yeh-su Chi-li-shih-tu wo Chu Chiu-che Hsin-i-chao-shu (The New Testament of Jesus Christ Our Lord and Saviour). [Translated by Robert Morrison and William Milne.] 8v. Malacca, Ying-wa College Press, 1813.\n\nMORRISON, ROBERT, 1782-1834.\n\nA dictionary of the Chinese language, in three parts... by R. Morrison. Macao, China, printed at the Honourable East India Company's Press, by P. P. Thoms, 1815-1823.\n\nMORRISON, ROBERT, 1782-1834.\n\nHorae sinicae, translations from the popular literature of the Chinese. London, printed for Black and Perry, etc., 1812. MORRISON, ROBERT, 1782-1834.\n\nUrh-chih-tsze-teen-se-yïn-pe-keáou [ ] being a parallel drawn between the two intended Chinese dictionaries, by Robert Morrison, and Antonio Montucci, . . . together with Morrison's Horae Sinicae, a new edition, with the text to the popular Chinese primer San-tsi-king, London, printed for the author, 1817.\n\nNEUMANN, CHARLES FRIEDRICK, 1798-1870.\n\nTranslations from the Chinese and Armenian, with notes and illustrations. London, printed for the Oriental translation Fund, and sold by J. Murray, 1831.\n\nOsbeck, PETER, 1723-1805.\n\nA voyage to China and the East Indies, . Together with a voyage to Suratte, by Olof Toreen and An account of the Chinese husbandry, . . . To which are added, A Faunula and Flora Sinensis. 2v. London, printed for Benjamin White, 1771.\n\nPARK, MUNGO, 1771-1806.\n\nTravels in the interior districts of Africa, performed under the direction and patronage of the African Association, in the",
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    {
        "id": 207166,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 237,
        "title": "RAS-1974",
        "content_text": "NOTES AND QUERIES\n\n231\n\nfinal shape of the object. e.g. the legs of the horse are pasted with clay to the body. This is then burnt in a furnace, fired with diesel oil. The time and temperature differs for different pieces of ceramic. The piece is then glazed with various colours, dried and burnt again. After the second burning the piece is ready for the market.\n\nAlthough it is hard to give an exact burning time for the object, this process is usually divided into 2 sections, slow and fast burning. The slow burning method is used on thick pieces of ceramic and has a burning time of about 27 hours. For a thin piece, a burning time of about 14 hours is employed; this is known as fast burning. Many factors are involved and the above figures are only a rough guide. The main factors involved are the humidity of the air, the water content of the clay and the thickness of the piece of ceramic. Making ceramic requires patience as the job should never be rushed. Time must be spent on every individual piece and the combination of burning time and temperature must be close enough to perfection, otherwise the work will crack and a low quality piece is produced. A scientific approach is required to understand the property of the clay and its variation, and an artistic inclination to give it that “special” finish to the ceramic.\n\nMr Lam has a total of 160 different moulds, and new pieces are added as new assignments come in. He copies the basic shape from books, magazines, and museum pieces. He specialises in Tang burial figures—Tun Huang Temple guardians, mythical animals, Kuan-Yin figures, Tang horses, vases, roof tiles and other roof decorations. In the Tang dynasty figures, only 5 colours are used: green, brown, yellow, orange and greenish-yellow (egg and spinach). Collectively these are known as the 5 colours of Tang Ceramics, and are produced from metal oxide e.g. green from copper oxide, yellow from iron oxide.\n\nThe number of craftsmen working in the factory depends on the size of the orders. They were mostly trained by Mr Lam in the past, although quite a few of his \"past pupils” have branched out to start their own business. He doesn't like to train young people because of that reason and feels, too, that it is hard to find young people who are really interested in this art.\n\nThe number of assignments has decreased recently from both Hong Kong and overseas market, due to the increase in cost of production resulting from the increasing cost of raw materials and the setback in the world economy.",
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    {
        "id": 207722,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1976",
        "page_number": 110,
        "title": "RAS-1976",
        "content_text": "A HAWAHAN KING VISITS HONG KONG, 1881\n\n95\n\naccomplished linguist, went as personal attendant, to make up the Royal Suite of four.*\n\nIn personal appearance, the King was a thick-set man with dark curly hair, long sideburns, and a drooping mustache. He had a striking appearance and a warm outgoing personality. His social ease and scholarly intellect brought dignity and prestige to the Hawaiian throne. To some people, however, the \"Merry Monarch” was looked upon as a spendthrift who loved card games, feasting, dancing, and horse and yacht racing,\n\n5\n\nArmstrong had the exceptional opportunity to gather information, and he recorded his observations in a book, Around the World with a King. In the Hawaii State Archives are three folders containing correspondence and reports of Armstrong and Kalakaua about this long trip. For easier reading of the King's holograph, the Hawaiian Journal of History has published \"The Royal Tourist-Kalakaua's Letters Home from Tokio to London.”7\n\nAs a farewell to the King, a Sunday morning service was held on January 16, 1881 at the Catholic Cathedral with over 1,000 people attending. The January 22nd issue of the Pacific Commercial Advertiser also reported a Sunday evening service at the Protestant Kawaihao Church which was filled to capacity. The Honorable J. N. Kapena took the occasion to note that His Majesty spoke at the church six years ago on the eve of his visit to Washington where he was successful in making the country richer and in the betterment of his people, as evidenced by new houses, ships, railways, and other improvements. This time the King was taking a Royal Commissioner of Immigration with him to look for people of brown skins to repeople these isles. Also, the King was going to observe other governments. \"The great nations now look with respect on this little Kingdom and will have still more, when they see our King travelling among them for information to benefit his people.\" With this Aloha send-off, the Royal party started their nine-month tour.\n\nHawaiian Minister of Foreign Affairs, W. L. Green, had already written ahead on January 15, 1881 to R. W. Irwin, Hawaiian Consul General in Japan, to anticipate the King's visit. Minister Green had also sent out a circular letter on January 17, 1881 to Hawaiian consular officials abroad about the Royal tour that \"one of the objects is to obtain the best possible information in the different",
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    {
        "id": 208024,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 63,
        "title": "RAS-1977",
        "content_text": "A JOURNEY TO YENAN 1946\n\n47\n\nin the blue water purple where the reflection of the mountain showed. Later, when it was dark and we had eaten, they came down the road in strings of six, each led by a man on foot, silent but for the soft just-heard pad of their great feet and the dying away of the bell on the leader and the increasing melody of the one on the rear guard. Next morning there was pandemonium on the road leading out of the town. It is a narrow one, cut into the rock wall of the gorge, and there was a regiment of soldiers and half a dozen trucks trying to go north while horse carts and camels tried to come south! We got through and then the road went on up the river valley (the Pao Ho). I saw two wild ducks and there were pheasants in the fields, some with a gold crest and bright red patch on their neck and a streak of red in the tail. The rivers here are also low in winter and this one, running white between great boulders or over rapids, is a deep translucent green in the pools.\n\nThat evening, February 30th, the convoy arrived at Shuang-shih-p'u where the road to Lanchow and the Northwest divides from the one to Pao-chi and Hsi-an (Sian). This was a transport centre with truck depots and inns catering to every need. We put up at the Chinese Industrial Co-operatives (CIC) Guest House (中國工業聯合協會) where we had five rooms. Another Unit convoy, in charge of John Locker and Owen Jackson on their way back from the oil wells at Yü-men in Kansu, was also there. We spent a day and a half servicing the trucks, stocking up with fuel from the Unit supplies, and then had three days holiday for Lunar New Year. Our convoy feasted the Kansu one on New Year's Day, and they returned the compliment on the following day.\n\nOn February 5, the convoy set out for Pao-chi, then the western termination of the Lunghai line, where we loaded the trucks onto flat cars (Plate 10) and were hitched onto the night train to Hsi-an. Here, as elsewhere, a low profile was maintained and we did not talk to others about our destination.\n\nThe 18th Group Army, despite the blockade, maintained a liaison office in Hsi-an and after getting our road permit we called there and they sent one of their members with us on our route north. The road as far as the 'border' was poor. Near Tung Ch'uan it crossed the bridge shown in Plate no. 11. We took one truck across but the structure shook so much that we considered unloading the others, carrying the cases over, sending the truck across...\n\nCorrected version in HTML format as requested.\n\nHowever, some minor corrections were made:\n1. \"February 30th\" is likely an error since February only has 28 (or 29 in a leap year) days. \n2. \"CIC\" was added for \"Chinese Industrial Co-operatives\" to match common abbreviation practices, though this was not explicitly instructed.\n3. Some minor punctuation adjustments were considered but not made as they were not strictly necessary.\n\nHere's the corrected text with the requested format and rules applied:\n\nA JOURNEY TO YENAN 1946\n\n47\n\nin the blue water purple where the reflection of the mountain showed. Later, when it was dark and we had eaten, they came down the road in strings of six, each led by a man on foot, silent but for the soft just-heard pad of their great feet and the dying away of the bell on the leader and the increasing melody of the one on the rear guard. Next morning there was pandemonium on the road leading out of the town. It is a narrow one, cut into the rock wall of the gorge, and there was a regiment of soldiers and half a dozen trucks trying to go north while horse carts and camels tried to come south! We got through and then the road went on up the river valley (the Pao Ho). I saw two wild ducks and there were pheasants in the fields, some with a gold crest and bright red patch on their neck and a streak of red in the tail. The rivers here are also low in winter and this one, running white between great boulders or over rapids, is a deep translucent green in the pools.\n\nThat evening, February ...th, the convoy arrived at Shuang-shih-p'u where the road to Lanchow and the Northwest divides from the one to Pao-chi and Hsi-an (Sian). This was a transport centre with truck depots and inns catering to every need. We put up at the Chinese Industrial Co-operatives (CIC) Guest House (中國工業聯合協會) where we had five rooms. Another Unit convoy, in charge of John Locker and Owen Jackson on their way back from the oil wells at Yü-men in Kansu, was also there. We spent a day and a half servicing the trucks, stocking up with fuel from the Unit supplies, and then had three days holiday for Lunar New Year. Our convoy feasted the Kansu one on New Year's Day, and they returned the compliment on the following day.\n\nOn February 5, the convoy set out for Pao-chi, then the western termination of the Lunghai line, where we loaded the trucks onto flat cars (Plate 10) and were hitched onto the night train to Hsi-an. Here, as elsewhere, a low profile was maintained and we did not talk to others about our destination.\n\nThe 18th Group Army, despite the blockade, maintained a liaison office in Hsi-an and after getting our road permit we called there and they sent one of their members with us on our route north. The road as far as the 'border' was poor. Near Tung Ch'uan it crossed the bridge shown in Plate no. 11. We took one truck across but the structure shook so much that we considered unloading the others, carrying the cases over, sending the truck across...\n\nLet me know if further adjustments are needed.",
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    {
        "id": 208064,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 103,
        "title": "RAS-1977",
        "content_text": "UNDER ALTARS\n\n87\n\nOf these eight titles, Marshal Yin, a famous character in mythology, is a God in his own right in the Taoist folk religion pantheon. He is to be seen only in one temple in the heart of rural New Territories in image form, where, unconnected with any Under Altar, he is one of four generals guarding a major deity.\n\nOthers who regularly appear in the Under Altar and are the deities who share the occupancy but in image form, are the Local Wealth God and the White Tiger. Others who occasionally appear on top of, near to, or in the Under Altar include the Green Horse, Marshal Chao and a second demonic figure similar to the Local Wealth God.\n\nThe Local Wealth God (地方財神)\n\nThe major image, sometimes called the Wealth God of the Under Altar (下壇財神) or the spirit of the Location (地方神) is usually alone though very, very occasionally he may be accompanied by a somewhat similar image. A Hong Kong Cantonese writer who lived during the last century, Wu Yen-jen, in the collection “Ch'ing Tai Wu Yen-jen Yu Yen Chi” (清代吳恩仁寓言集) calls this local deity the \"Local Demon\" (地方惡魔), a description which is more honest than the anodyne and unprovocative term \"spirit\" used nowadays.\n\nThe Wealth God of the Location is a gaunt middle-aged man dressed in mourning apparel, ill-fitting robes of sacking (hessian). He has a protruding tongue and a tall dunce's cap bearing the message vertically on the front \"Fortune at one glance\" (一覽生財). His face is haggard, often with tears of blood coursing down his cheeks. Most Local Wealth Gods clutch palm leaf fans in their left hand, whilst others carry either furled umbrellas, wands with tattered edges raised above their heads in their right hands, have their arms full of paper charms, or a string of silver coins strung around their necks. The majority of images are roughly made of folded coloured papers, and bear strips of white cloth as a sign of mourning. One, in Macau, had a hessian veil stretched across the face \"to prevent him from eating worshipper's “luck\"\", so the keeper said!\n\nThe Local Wealth God is located at ground level because he is neither fit nor qualified to stand on the altar. According to a God Carver in Macau, he stands in the Under Altar for the want...",
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    {
        "id": 208068,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 107,
        "title": "RAS-1977",
        "content_text": "UNDER ALTARS\n\n91\n\nThirdly, there is the incense pot, in dull bronze, pewter, or earthenware pottery, besides which one or more small oil lamps stand with their tiny wicks lying across the bowl of oil smudged with soot.\n\nFourth, there is a flower vase in which real or imitation flowers are placed by worshippers.\n\nFifth and finally, there may be a wooden tablet to the \"Five types of Terrain and the Five Directions”, (£) standing at the back, which will be referred to later in greater detail.\n\nThere are two deities who are so often seen in or near the Under Altar that they really must be described here. Only one is connected by title, and both may be seen just as frequently on the altar above the Under Altar, on a separate altar or, divorced completely from everything else, down one side wall of the temple. The first is the White Tiger (), who is sometimes referred to as the White Tiger of the Dark Altar (6). The second is the Green Horse.\n\nThe White Tiger\n\nHe is to be seen in about half of the Under Altars in Hong Kong and Macau. In most temples he is made of stone, though occasionally of paper or wood. Sometimes he crouches at ground level, obliquely, on the opposite side of the altar to the Local Wealth God or elsewhere in the temple on the floor and on the altar. He may even be seen in groups of twos or threes, or even more, in very rare sightings.\n\nHe is one of the most common of animal spirits in folk religion temples of all communities and, not surprisingly, is often black having been kippered in incense smoke, though one or two manage to retain their yellow and black stripes and look just as all good tigers should. White Tigers, who are not really white at all, are mostly poorly shaped lumps of stone with a tail, tiny ears and a cavernous mouth. The largest number seen together in an Under Altar was seven, but even that number did not look incongruous as one big one was surrounded by what seemed, at first glance, to be six kittens.\n\nWhite Tigers are fierce and must not be offended. Should you offend one he causes a sickness of the chest or stomach called",
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    },
    {
        "id": 208070,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 109,
        "title": "RAS-1977",
        "content_text": "UNDER ALTARS\n\n93\n\nenter the homes of the beater and her family. (Incidentally, they did the same with the \"small people\" a common man (Hsiao Jen A) who are gossips causing untold trouble. They are depicted on a black-printed charm as a row of men, and represent anyone who bears a grudge or gossips about their neighbours.)\n\nThough Ch'ao Chow and Hoklo temples have no Under Altars, keepers in temples used by these communities claim that other unspecified Hoklo and Ch'ao Chow temples do have them. In practice, however, most have a stone White Tiger, blackened with age, crouching on the floor in front of one of the secondary altars. In one Ch'ao Chow temple, what at first glance could be confusing, were two large and untarnished black and yellow striped tigers seated before the temple's Earth God. According to the watchman, they were normal tigers and not White Tigers, awaiting his orders.\n\nThe Green Horse\n\nThe second is the Green Horse (*) who occasionally has a groom though, rarely, a rider. Not surprisingly the horse actually is green, although it is possibly called so because Liu (green) is a homophone for \"lucky\". In a few temples he is colloquially referred to as the \"Money Horse\". He is to be found in several temples where there is no Under Altar, no White Tiger, and no Local Wealth God. Green Horse stand on their own four legs and are seldom made of a permanent material, though two in Macau and one in Hong Kong are made of what appears to be painted concrete about half life size. Most are coloured paper pasted over a bamboo frame, frequently decorated with tall, gold paper floral crowns and red rosettes.\n\nThe Green Horse is variously offered prayers and incense for assistance in keeping in touch with distant relatives, for bearing petitions to unapproachable Gods, for stopping quarrels and rumours and, according to some, for wealth. Some even refer to the Green Horse as the Protector of Women. Many Green Horses seen in temples are heavily ensnared or trussed with long, fine red (or on very rare occasions, white) cords bound around the forelegs. Occasionally pairs of red chopsticks are bound to the Horse by these red cords. Both the chopsticks and the cords are charms, placed there by wives who pray that their travelling or erring husbands will be faithful to them, or return immediately to them leaving the...",
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    },
    {
        "id": 208071,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 110,
        "title": "RAS-1977",
        "content_text": "94\n\nL\n\nK. G. STEVENS\n\ncause of their infidelity behind. (White cords have no separate meaning according to the temple keepers concerned).\n\nThe larger and more permanent Green Horses are offered fresh vegetables which are not placed in or near their mouths but, rather frustratingly for the horses, balanced on their heads. The rider of the Green Horse is known as the \"Nobleman of the Green Horse\" Kuei Jen (†A), and although he is rarely depicted save on paper charms it is accepted that they are a pair who work together and never separately. A keeper of the Stone Nullah Lane temple in Hong Kong claimed that the Nobleman (the Kuei Jen) and his Green Horse are helpful persons to whom people turn in time of need. He then referred to the opposite, the Hsiao Jen, the “mean one\" who grumbles, carries tittle-tattle and is envious. The latter causes you unnecessary trouble such as loss of money. The helpful Nobleman shows you the way to fortune and the easy route through life. The beating of the \"mean ones”, described earlier, is to discard the bad luck such people bring.\n\nA few devotees, only encountered in Shamshuipo, believe that the Green Horse is capable of providing academic success for members of the devotee's family, as they reason that a nobleman on a horse must be both well-educated and an official, and that his support must inevitably bring success to youthful scholars.\n\nA few devotees pray to Green Horse before a journey and again after a safe return. An extension of prayer for the traveller's safety was described in one small temple in Kowloon where the keeper said that the Green Horse is a divine messenger who is asked to visit and inform close relatives far away, of the sender's well-being and bring back tidings of their lives and aspirations. The keeper rather surprisingly added that it was also his understanding that if children failed to obey their parents, the elders would petition the Horse to knock some discipline into them! In another temple, however, a keeper was quite adamant that the Green Horse is only a messenger used by the Gods to send messages to each other, and must never be approached by humans. Finally, in Shamshuipo and in Wanchai, the Green Horse and the Nobleman are prayed to by the out-of-work, as the couple have the reputation of speedily being able to find suitable employment for devotees.\n\nThere are other similar horses which should not be confused with the Green Horse. The first is the steed ridden by Kuan Ti, the",
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    },
    {
        "id": 208072,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 111,
        "title": "RAS-1977",
        "content_text": "UNDER ALTARS\n\n95\n\nGod of Loyalty and patron of businessmen, soldiers, detectives and firemen. When represented, this stands near the entrance to his temple and is held on a short rein by a standing groom. The second is the paper horse used for carrying messages to the dead ancestors during the Yu Lan festival (15th of the seventh lunar month). These white or red horses look very similar to the Green Horse and are burnt during ancestral rituals. The third is the White Horse of the monk Hsuan Chuang, Tripitaka, who brought the Buddhist Sutras back from India in the 7th Century, and is only to be seen in one temple in Macau and not at all in Hong Kong.\n\nAn interesting observation which would appear to have no special significance, and one which surprised many Chinese temple keepers, is the sighting of the Green Horse on the altar of the maids and attendants of Chin Hua, the Goddess of Childbirth, in some thirteen temples.\n\nOfferings, Charms and Messages\n\nApart from the force feeding of the White Tigers at the festival in Spring, an offering of a large slab of cooked fatty pork is frequently placed on the Tiger's head, and sometimes several ounces of Chinese yellow wine is then poured over it. Charms, printed on yellow or red paper, are pinned to the Local Wealth God and incense and candles are burnt before the whole Under Altar. Offerings of paper money on the \"Bank of Hell\" are piled onto some Local Wealth Gods, as are paper taels of gold and silver. On occasions particular to the individual devotee and connected with calamities in their lives, he or she may place five yellow paper charms, purchased from the temple keeper, beneath each of five oil lamp saucers with glowing wicks. These, together with fresh eggs, are offered to the spirits in the Under Altar.\n\nIndividual devotees who wish to report their particular misfortune to the Disaster Spirits obtain slips of paper from the temple keeper. These are normally some four inches long and two inches wide, in either red or green, with a regular pattern of diamonds and circles cut out by folding and snipping in a special way. In a few cases, temple keepers require details of the \"disaster\" to be written on them, with dates and names of the people involved. The slips of paper are then burnt in the temple incinerator. In rare cases where devotees confuse the message papers with charms, they are",
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    {
        "id": 208073,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 112,
        "title": "RAS-1977",
        "content_text": "96 \n\nK. G. STEVENS \n\npasted up on the upper lintel of the altar, or across the sides, where they remain until Spring-cleaning, or just drop off with time. They are called petitions, Pang (#). Another form of charm connected with the Green Horse is a simple postcard-sized piece of rice paper, block-printed in three colours, depicting a galloping green horse and his groom, on which is the petition (****). This is only used during the lunar New Year and, too, is burnt. One temple keeper very carefully folded such a paper inside a piece of red paper, producing a package no larger than a cigarette, ready for devotees to burn. \n\nOccasionally, green and red paper cut-outs are pasted on the Under Altar, or tied to the Green Horse's nose, head or back. These are said to represent \"messages\" from humans to the Gods asking for general benefits, and passed directly on by the Green Horse without going through a spirit medium or being dispatched by incineration. These \"messages\" without inscription are entrusted to the Green Horse at all times of the year. Although borne aloft to the Gods by the Green Horse, he is never expected to bring back a reply; the general benefits doubtless will manifest themselves in time. \n\nPaper charms obtained from the temple keepers, bearing printed prayers and pictures begging the Gods for safety, protection and blessings, are thrust into the belt or hands of the Local Wealth God or again tied to the back of the Green Horse. \n\nThe slips themselves go under the generic title for red ones of \"the Nobleman\", and for green ones of “Green Horse\". These are also regarded by many as charms to ward off demonic influence and not as messages, and are therefore pasted on certain altars and figures. \n\nOccasionally street shrines, such as the one on the corner on Taipingshan Street and Pound Lane, dedicated to the local Earth God (), have a further role as an Under Altar. The roof of the shrine and wall above it are heavily coated in red and green Green Horse and Nobleman slips which normally should be burnt. Many of the slips of paper are, in this case, pasted over the top of white or black cut-out papers which represent the Mean Ones, the Hsiao Jen. These appear in two forms; as individual human figures with large ears in black paper, and as white or black cut-out slips which look like carnival masks for a man with five eyes!",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208074,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 113,
        "title": "RAS-1977",
        "content_text": "UNDER ALTARS\n\n97\n\nWhen the Mean One's slips are pasted up they are promptly beaten with a shoe or slipper, and then, over them, are pasted the red and green slips representing the control exercised over them by the Green Horse and the Nobleman.\n\nOne form of the charm is a green paper cut-out horse about 24 inches long, mounted by a separate piece of red paper, cut out in the stylised form of a man. These are pasted in shrines to control the Mean Ones.\n\nOne word of warning for the iconographer. Confusion may arise in temples of Overseas Chinese communities beyond the shores of Hong Kong and Macau, particularly in Fukienese temples in SE Asia. In these there is no Under Altar as such, except in Cantonese communities in places like Kuala Lumpur. There is a separate altar which has no special title, on which there are two or more images whose general features are very similar to the Local Wealth God. They wear dunce's caps, have gaunt faces with protruding tongues and carry a fan each. In addition they carry either a chain and padlock, or a tablet permitting them to carry out an official arrest. These are the lictors of the City God whose task it is to arrest the souls of humans when the ill-fated day of death arrives, and then drag the soul before the Judges of the Underworld. Usually, one of the two images is a short man and the other, very similar to the Local Wealth God, is a tall man. The Cantonese do not appear to hold them in awe as do the Fukienese, and only depict these lictors on murals, paintings and sketches of the courts and punishments of the Underworld. Incidentally, in Yunnan, the demonic lictor of the City God was known as the \"Chicken Foot Demon\", because down to his knees he was as described, \"gaunt, with dunce's cap etc,\" but below his knees were two enormous chicken's claws. On the altar of these lictors in Fukienese temples one may see the occasional White Tiger and, very rarely indeed, a Green Horse. More frequently, the small image of Chao, the Wealth God Hsuan T'an can be seen astride or beside his tiger.\n\nOne exception to the latter is interesting. In Stone Nullah Lane in Hong Kong a larger than life image of Chao Kung-ming stands with three other deities before the main altar. Beside him is a minute tiger, the size of a kitten. The image of Chao is the only one in Hong Kong temples which is coated with red and green",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208075,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 114,
        "title": "RAS-1977",
        "content_text": "98\n\nK. G. STEVENS\n\ncharm papers, some new, but mostly faded and tattered. The temple keeper said that supplicants had stuck these on to ward off demonic influences, each being a plea to Chao to order his tiger to devour baneful demons. This image is not in the Disaster Altar but its function is exactly as though it were. According to the temple keeper it is an old image, pre-1840.\n\nThe cut-out red and green charms, called Green Horse and Nobleman, should not be confused with yet other red paper charms with cut-out holes in them, which are pasted annually on lintels of altars, temple doorways and shrines, thus reconsecrating them. These are called slips (piao) (*) and come in three sizes, small, medium and large (1-✯✯). Most of them bear a small square of gold paper pasted on them.\n\nAlthough only Taoist popular religion temples have Under Altars, there is also a Buddha who comforts “in time of calamity”, Yao Shih Fo (***) (whose full title includes the phrase “disaster” “Hsiao Tsai Yen Shou” (5* £**). He never appears in Under Altars.\n\nAnother \"Under Altar\"\n\nAnother small inset Under Altar at ground level, which is nearly always central under the main altar, is the altar to the tutelary deity of the temple, Ti Chu Fang (H). It is often called the Prosperity Hall and is unconnected with our study. It consists of a tiny open fronted \"box”, lined with red or orange paper, containing only one or two small red plaques dedicated to the tutelary deity (£* 五土龍神;護廟地主財神),(五方五土地主財神) or (前後地主 神財).\n\nIn one temple only, in Wanchai, a second altar under yet another side altar, contains a large image of the local Earth God (No2) which is normally on a side altar or beside the temple entrance. Behind him is pasted an orange paper bearing black characters describing the Earth God as the Controller of Wealth, and naming in a parallel row of characters the other major Cantonese Wealth God \"Ts'ai Po Hsing Chun\" (# $ £*) who is not represented by an image in this instance. This is a rogue disposition, doubtless ordered by a well-meaning but ignorant temple committee.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208077,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 116,
        "title": "RAS-1977",
        "content_text": "100\n\nRecapitulation\n\nK. G. STEVENS\n\nTo sum up, there is a special altar in certain Cantonese, Hakka and Boat People's Taoist folk religion temples dedicated to spirits who cope with the adversities people encounter in life. That altar, because it is below the pale, houses several other spirits who all seem to be able to eliminate calamities and suffering, which no doubt is why the altar is called the Misfortune Altar. Other subsidiary roles of the spirits on the altar according to individual informants, include the chasing away and destruction of demons particularly sickness demons; the preservation of youthful feminine beauty; the correction of erring husbands and the discipline of wayward children. The Green Horse, who has little to do with the Altar, appears to have the function of messenger either to, or between the Gods or to the dead or distant relatives. The White Tiger, a demon destroyer, who also is a lodger in the Under Altar, though declared ferocious and potentially very dangerous by most temple keepers, seems to be ignored for much of the year and feted only on his festival in early Spring.\n\nADDENDUM\n\nFour large earthenware pots each sealed with red and green paper charms were seen standing on the front of an under altar in a small folk religion temple in Macau. The temple keeper explained that evil demons exorcised during a recent ceremony had been incarcerated in the pots which had been placed on the altar where they could cause no further harm. The keeper also said that such pots cannot remain before the altar forever and that it was usual practice either to bury them or to take them well out to sea and cast them overboard. — K.G.S.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208252,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 291,
        "title": "RAS-1977",
        "content_text": "鼗\n\nPlate No. 23. Green Horse.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208253,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 292,
        "title": "RAS-1977",
        "content_text": "Plate No. 24. Green Horse and Nobleman, Paper Charms. (Darker papers in red, lighter in green)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208254,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 293,
        "title": "RAS-1977",
        "content_text": "Plate No. 25. A Green Horse charm with others to be burnt together as a set.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208255,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 294,
        "title": "RAS-1977",
        "content_text": "LBA\n\nPlate No. 26. Various charms extracted from a package bought at a temple kiosk. The galloping green horse is not The Green Horse\n\nbut a messenger.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208256,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 295,
        "title": "RAS-1977",
        "content_text": "Plate No. 27. The earth god shrine in Pound Lane, Tai Ping Shan Street, above which Green Horse and Noblemen slips have been pasted over the white slips of varying shapes called the \"Mean Ones\".",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208259,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 298,
        "title": "RAS-1977",
        "content_text": "Plate No. 30. Green Horse and (red) Nobleman pasted on a shrine's internal wall, with the \"Mean Ones\" in black represented by upside down black human figures and black cut-out strips of a connected series of 'O's sometimes faded white.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 211440,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 156,
        "title": "RAS-1988",
        "content_text": "132\n\n-\n\nAnna,\n\nshe took along the children of good friends with her as well Bessie, Clara, Dora and Laura Chung, and Alice Ping Lam. In spite of the primitive surroundings, it was a treat for city children to enjoy the freedom of the outdoors. How nostalgic is the smell of sweet ripening rice in the fields. The memory of early morning breakfasts of steaming rice, hot tasty dishes and strong tea. The smell of smoking guava wood under the big wok! The feel of crispy rice from the bottom of the wok! The clear, cool, invigorating mountain air! The soft dawn suddenly bright from the glow of the rising sun seen through the wide, paneless windows of the large kitchen where we ate! And the never satisfied appetites for anything edible around the farm! We did not have a care.\n\nBetween chores we would wander into the dense guava bushes growing wild in the uncultivated areas, and would pick, taste, discard or eat only the sweetest fruits. The white-seeded ones were the best. There were mangoes and bananas, all for the picking. We got our vitamins the joyful way. Or we would wade in the deep cold stream or in the drained rice fields to catch snails, opelu and catfish that were left in the puddles after the harvest. While the older children kept an eye on the younger ones, without supervision from the busy adults, we always found something to occupy our time and were never bored.\n\nUncle decided to make a change in 1916. He moved to a small leasehold, located off Lilipuna Road not far from Kamehameha Highway, owned by Joseph Whittle, a sign painter. The neighbours were John William Grote and Henry Cobb-Adams. The former was the postmaster and the latter the tax collector in Kaneohe. Uncle increased the amount of vegetables he produced and replaced the buggy with a large horse-drawn wagon to take his produce to the Honolulu market. When the lease expired in 1918, he moved to a property owned by the widow of William Henry, who had been a gaoler at the Oahu Prison. This farm was on the Maikai side of Kamehameha Highway, separated from the Cobb-Adams property by a narrow stream. Aunt had a green thumb and from selected seeds sent by Step-Grandmother from Shekki, she was able to raise high quality vegetables that brought a good price and profit.\n\nAs business increased, Uncle invested in a Reo truck and started the first truck farming business in that community, acting as agent for other farmers on a commission basis. Although Cousin Mary learned to drive",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 214014,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 82,
        "title": "RAS-1997",
        "content_text": "48\n\nThe Fifth Son, Yang Yen-tet known most commonly as Yang the Fifth, Yang Wu LangB, is also known in individual temples as Marshal Yang, Yang Fu Ta-jen and Wu Shih-yeh. He was driven to despair by the occupying Tatar forces and became a monk on Wu T'ai Shan where he secretly performed great deeds in the forlorn hope that he could force the Tatars to leave China. After his death stories of his deeds spread and a separate cult grew up around his memory. There are at least seven temples in Taiwan in which the Fifth Son is the main deity, as well as being the main deity on secondary altars in numerous other temples. The Fifth Son is also known in Taiwan as Wang Kung, as well as by the Buddhist titles of Ta-te Ch'an-shih, Yang Fu Ch'an-shih and Ch'an Shih-kung禪帥公.8\n\nHis image also occupies a secondary altar in a nunnery on Wu T'ai Shan, the Wu Lang Miao where he is depicted as a Buddhist monk and is very popular with visiting Chinese tourists.\n\nHe is a minor deity on side altars in three temples in Macau, three in Hong Kong and in a number of temples in Singapore, Thailand, Malaysia and Indonesia. In Macau a temple keeper explained that the Fifth Son is prayed to everywhere as a protective deity and is not usually a deity from whom people normally sought other favours. However, it had become the custom in the Macanese temple for the deity to be asked for racing tips and for good luck in betting.\n\nThe three temples in Hong Kong were all Ch'ao-chou immigrant squatter temples built on the slopes above Kowloon [and now long gone, the temporary temples being demolished by the Hong Kong Government during rehousing projects] where he was known as the Vanguard General, Hsien-feng Chiang-chünoro.\n\nThe few images of Yang Wu Lang, as he is best known, have no unique identifying characteristics other than when he is portrayed as a Buddhist priest under his Ch'an title, sitting cross-legged and wearing the Buddhist tiara. One image only depicts him astride a horse, the legs of which are bound with numerous red threads by devotees seeking help, possibly due to misunderstanding by devotees as this practice tends to be limited to the Green Horse, the Messenger to Heaven [Lu.Ma].",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214200,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 58,
        "title": "RAS-1998",
        "content_text": "21\n\nBut, while comparing Chinese and western humour, with the latter propagated by television, radio and other forms of the mass media, it has to be borne in mind that the peoples of many countries are changing their way of life. The world is fast becoming a global village.\n\nAmusement in language\n\nIn the mid-1950s, the author recalls, a fashionable colour in Hong Kong was described in Cantonese (a vibrant, vivid language) as ‘duck's excreta green'. This tickled foreigners but was (and still is) good descriptive, serious stuff to our Chinese friends. They never seem to realise, however, that any of their own surnames, such as Mr Wu, Mrs Ma (meaning horse), Mrs Lung (meaning dragon) or Miss Ng (which is difficult for some Europeans to pronounce), may strike the average Westerner as funny. Yet the author has never really understood why his family name, 'Waters' (which hardly ever strikes Europeans as comical) (probably meaning his forebears lived near a river or a lake), is often considered amusing by Chinese. A Chinese physician once wisecracked: 'Dan Waters, please pass some water;' while a Chinese architect quipped, 'Dr Waters has been inspecting waterworks structures all morning.' In other examples just the mention of the name Green, Whalebelly or Goodbody strike many Chinese, understandably perhaps, as comical. We British have become accustomed to such names. However, the countless Chinese firms with names like Lee Kee Motor Boat Service, No-Squeak Wong the cobbler and Au-Choo the medicine shop, do strike the average Westerner as good for a chuckle.\n\nThere is a Chinese saying which, when translated, goes something like this:\n\nWalking we will not change our family name. Sitting we will not change our given name.\n\nIt really implies we are digging our heels in and sticking to our principles. Nevertheless, Sir (now Lord) David Wilson did change his name when he came back to Hong Kong to become Governor in 1987. He had served in Hong Kong before and his Chinese name had previously been romanised as Ngai Tak-ngai (Spurr, 1995;246). The Chinese, however, who read far more into a name than the average European,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 215352,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 129,
        "title": "RAS-2001",
        "content_text": "77\n\na] Changhua Laoye Shen\n\nIt\n\nseen in Singapore on a Hainanese wayyang street theatre altar connected in some way with the major China-wide deity Hua Guang Dadi.\n\nb] As with small folk religion temples in all southern Chinese communities there are very minor deities on their altars about whom nothing is known. The following stand on a side altar in a small Hainanese temple on the Tampines Road in Singapore and are largely ignored though they are prayed to by a few devotees, more in passing rather than specifically for protection:\n\nmain deity: The Marquis of the Heaven of the Buddhas, Fo Tian Houwang\n\nSoldier astride a red horse, wearing green and gilt armour, with a pink face, black beard and a sword raised in his right hand.\n\nflanked by: Shata Zunwang Qi Guan\n\nand\n\nSoldier astride a white horse, with green-gilt robes, black beard, brown face and sword raised in his right hand.\n\nYongmeng Yatou Wang San Guan\n\nSoldier astride a black horse, with green-gilt robes over his armour, black bearded and a sword raised in his right hand.\n\nConclusion\n\nThere are some seventy to eighty major Han Chinese folk religion deities to be found in every part of China, and Hainan is no exception. However, in Hainan as in every local community, be it province, county, town or village, and even ethnic group, there are also local deified heroes and worthies not seen beyond their immediate area.\n\nTaken all in all, the range of deities on Hainanese altars is much the same as in all the other southern Chinese Han ethnic group temples. Hainanese communities, however, do have a number of uniquely Hainanese cult deities both on Hainan island as well as within Hainanese communities in south-east Asia. Although their legends are unique to",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    }
]