[
    {
        "id": 204494,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 126,
        "title": "RAS-1962",
        "content_text": "A NEW ARCHAEOLOGICAL SITE\n\n111\n\nMaglioni continued archaeological work further afield. After his death, Maglioni roughly outlined the area of their researches and designated it as the Han-Chu region, naming it this because it is bounded by the Han and Teng Rivers in the East and the Chu (or Pearl River) and Tung in the West.\n\nMaglioni divided the neolithic era into three main periods, to each of which he assigned one of the cultures he found. SON was early neolithic, SAK was middle neolithic, and PAT was late neolithic.* All three names were taken from parts of the names of the villages nearest to the sites where the cultures were first discovered.\n\nThe stone artifacts that I have found are typical of the middle neolithic era, and they also closely resemble the SAK artifacts in the Maglioni collection. They differ strikingly from the PAT materials found in the Western part of the Colony. Unlike the latter, they are almost exclusively made of chert. They are also cruder and less sophisticated, with traces of chipping left in spite of the polishing, as if the chipping had been too deep. The cutting edge of the axes as well as the adzes is not bevelled as in the case of those from Lamma and Lantao. They are almost all longer in shape and narrower, not as thick in cross-section as the latter, and to my unpractised eye, they resemble more the stone artifacts displayed in the Hong Kong University Museum from Annam and Laos.\n\nThe most typical element of SAK culture is its pottery, which is a fine ware of smooth mix and is stamped with a variety of patterns, the most common one being a basket weave and others including a herring-bone and concentric circles. The pots are of a small size (perhaps because the SAK people were nomadic), globular in shape, with a shallow ring-like foot, which was added after the pots had been shaped and stamped. They were frequently decorated with an equatorial band in bas-relief as well as other bands above and below it. These bands were also added after the pot had been shaped and stamped. The SAK potters made great progress in both preparing and baking the clay. Maglioni says: \"They utilized clays which received their bright colour when fired, added little or no sand, made very thin ware,\n\n\"PAT appears to have continued uninterruptedly from the stone age into historic times,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
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    },
    {
        "id": 204922,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1965",
        "page_number": 30,
        "title": "RAS-1965",
        "content_text": "NIAH CAVE, 1947 - 1964\n\n23\n\n9. Jeragun a very high cave up a barely accessible cliff, discovered in 1960 (c.600 square feet). Crammed with primary burials of small-bodied adults and urn burials of infants and some women. Very simple material culture, perhaps of a more primitive group (Punans?) integrated economically with the Great Cave people. The deposit has been entirely removed, owing to danger of guano-extraction and difficulty of control at this point. This material is being studied as a unit in Britain, by Dr. Calvin Wells and others.\n\nMATERIAL FINDS\n\nA new building in Kuching, completed in 1958, now houses the bulk of the materials from Niah and related excavations just described. These include stone tools from fully palaeolithic \"hand-chopper\" and flake tools, through to neolithic polished round axes and then to quadrangular adzes — about 5,000 pieces in all. Bone-tools are richly represented and have been recently classified tentatively into seventeen categories by Lord Medway and the writer. A great quantity of food-bone remains are all kept. Where possible, these are sent abroad to zoological specialists and reported upon separately (see below). Animals now extinct in Borneo include tapir, rhinoceros, giant pangolin, and tiger. Food shells abound. Samples are kept for each trench; all others are counted-off as excavated, against a coded species identification list. Shell tools (including fossil oyster) are less common. Skeletons are treated as above; plus several thousand scattered teeth which are being studied on the spot by Dr. Yim Khai Sun and assistants.\n\nIn the upper levels, earthenware pottery (studied on the scene by Dr. W. S. Solheim) in a wide range of types starts in the neolithic and reaches an apotheosis in massive \"three-colour ware\" urns, several of which have been reconstructed and are on museum display. Some of this pottery was made in the caves; one such site has been excavated. Pottery and bone were also used for beads in the neolithic. Glass replaced bone as a bead material a little later and shell and bone jewellery then became scarce in the sub-surface. Several fragments of fine bronzes, carved ivory, and also iron tools came in the topmost levels or in the special burial caves. A few textile fragments\n\nPage 30\n\nPage 31",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653",
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    },
    {
        "id": 205763,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 69,
        "title": "RAS-1969",
        "content_text": "MILITIA. MARKET AND LINEAGE\n\n63\n\n61 Ibid., p. 154.\n\n62 Ibid., p. 159.\n\n63 Liu Wan-kuk, of Sheung Shui, later described the inaugural meeting and its consequences in the following terms. \"On the 1st of the 3rd moon (10th April), the Un Long Division made a great show of force, and stated in a most peremptory manner that if we refused to join in the resistance of the British, thousands of men from the Un Long Division with arms would proceed to level to the ground the villages belonging to the Liu, Tang and Pang families. The Sheung U Division was therefore compelled on the 3rd day (12th April) to request the Hau, Liu, Pang, Tang, Man clans to meet in the temple dedicated to a former Governor of Kwang Tung province. There it was decided to raise a small public subscription.... It was also decided that the various villages in our Division should have their trainbands (or militia) in readiness so that we should not be....powerless to check disorder. Our Division was the victim of circumstances.... Our trainband (or militia) was intended solely for the protection of the old and young in our Division.\" Translation of a statement made to the Colonial Secretary of Hong Kong, 26th April 1899, Papers. Despatches..., op. cit., p. 74. Here and subsequently, the spelling of place names and parenthetical remarks are those of the original translator. Remarks in brackets are my own.\n\n64 Correspondence ..., op. cit., p. 226. Jingals are \"long tapering guns, six to fourteen feet in length, borne on the shoulders of two men and fired by a third. They have a stand, or tripod, reminding one of a telescope being less liable to burst than cannon, they form the most effective gun the Chinese possess.\" J. Dyer Ball, Things Chinese, London, 1904 edition, p. 44.\n\nPage 13\n\nCorrespondence\n\n65 Stewart Lockhart described the flag as follows: \"the flag has a red border and a white centre, on which are seven Chinese characters meaning: Train band sanctioned by the Government: -Tai Kai (village), surname Man.' The village referred to.... is also known by the name of Tai Hang\n\n, op. cit., p. 180. The militia were so martial in appearance and conduct that the British at first thought they were regulars. The Viceroy commented: \"the Governor of Hong Kong suspected that they were regular troops from the fact that they had guns, cannon, and uniforms. He was not aware that the villagers of Kwangtung, in their constant fights with each other, are always erecting forts, and use guns and cannon, and wear uniforms. This is a matter of common notoriety.\" Ibid., p. 304.\n\n66 Ibid., pp. 188ff. These and similar letters were found in the T'ai Ping Kung Kuk at Yuen Long. A proclamation issued by the Council of the Yuen Long Division was also discovered. It supports Liu Wan-kuk's claim that coercion was a feature of the resistance movement:\n\n\"The English barbarians are about to enter our territory, and ruin will come upon our villages and hamlets, All we villagers must enthusiastically come forward to offer armed resistance and act in unison. When the drum sounds to the fight, we must all respond to the call for assistance. Should anyone hesitate to take part or hinder or obstruct our military plans he will most certainly be severely punished, and no leniency will be shown. This is issued as a forewarning.\" Ibid.\n\n67 Ibid., p. 171.\n\n68 Papers\n\n69 Ibid.\n\nDespatches\n\n, op. cit., p. 66.\n\nop. cit., p. 166.\n\n70 Correspondence",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    },
    {
        "id": 206383,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 200,
        "title": "RAS-1971",
        "content_text": "174\n\nREV. JAMES LEGGE\n\nthe Central Market was formed; and on the other side were some foreign Stores, and a tavern or two. Looking up Aberdeen Street, you saw a few indications of building, and a house on the south of Gage Street, forming the headquarters of a Madras Regiment; and looking up Pottinger Street, you could see the Magistracy and Gaol of the day, where the dreaded Major Caine presided, and below them were two or three other buildings. On from Pottinger Street, a few English merchants had established themselves, and the house which long continued to be known as the Commercial Inn was a place of great resort. On the west of D'Aguilar Street, not then so named, building was going on, and just opposite to it, was a small house called the Bird Cage, out of which was hatched the Hongkong Dispensary. All the space between Wyndham Street and Wellington Street was garden ground, with an imposing flat-roofed house in it, built by Mr. Brain, of the firm of Dent & Co. That great firm had its quarters where the Hongkong Hotel is now, and further on was Lindsay & Co.'s house. All else on the north side of the street was blank, on to the Artillery Barracks, which were building. On the south of the street was the Harbour Master's establishment on Pedder's Hill; and as conspicuous as are now Messrs. Heard & Co.'s Offices, which have been manufactured from it, rose the house of Mr. Johnstone, who had been administrator of the island on its first occupancy. On the Parade Ground was a small mat building, which was the Colonial Church, and above it, about where the Cathedral and Government Offices now stand, were the unpretending Government Offices of that early time and the Post-Office. Far up, if I recollect aright, might be seen a range of barracks, out of which have been fashioned the present Albany residences, and beyond the site of the present Government House was a small bungalow where Sir Henry Pottinger and Sir John Davis after him held their court. Crossing the bridge from the Artillery Barracks, there were some poor buildings for military purposes where the Naval Yard now is, and the houses of Gemmell & Co. and Fletcher & Co., the former of which has since been metamorphosed into the Commissariat Offices. On the right was the General's House, looking much as it does now, and below it was the Canton Bazaar, mainly occupied by troops.\n\nFollowing the bend of the road, one met with a few Chinese houses on the bluff opposite the present Military Hospital, and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
        "rank": 0
    },
    {
        "id": 206624,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 172,
        "title": "RAS-1972",
        "content_text": "166\n\nW. SCHOFIELD\n\nand exported them to Hong Kong. Even a scrap of tin, perhaps smelted from ore obtained on the Kwangtung coast, was found during excavation at one site where bronze axes were cast. At the same time, the bead trade, so active in Malaya and the great islands, and even in the Philippines, appears to have passed South China by, for the only beads found are either of jade or of soft greenish local stone used as a substitute. This bead trade is in fact coextensive with Indian influence in the Archipelago.\n\nFifth, these finds raise the vast question of the immigrations of the Polynesians and Indonesians from Asia into the Pacific, and the routes they followed. Having regard to the distribution of anthropological types today, we cannot suppose that any large number of Polynesians ever visited the China coast; but there is the strongest probability that tribes of the types of those inhabiting Hainan, Formosa, the Philippines and Borneo frequented the coast, and perhaps started from it to their present seats. It may be possible eventually to prove that survivors of these peoples still live on the coast; personally, I am disposed to regard the Tan Ka or boatpeople of the Kwangtung coast as such survivors. Certain tribes of the interior, the Yui or Yao, and the Siapo of Foochow, may be similar remnants.\n\nThe archaeology of the historic periods has, inevitably, been comparatively neglected in the attractions of unearthing ancient and unknown cultures. Pottery of types familiar to archaeologists in Canton, and attributed to the Han and the Six Dynasties period (100 B.C. to 600 A.D.), has been found at several Hong Kong sites: urns probably of pre-T'ang date (615 A.D. or earlier) have been unearthed at Sheung Shui near the border and elsewhere; and pottery and porcelain of Sung, Yuan and later dynasties can be found everywhere, especially near villages. Forts and watch-posts are to be seen on islands and promontories, and walled towns and villages are frequent inland; such fortifications are, however, post-mediaeval, and the oldest are late Ming, designed for coast defence against Japanese pirates. Of megalithic remains, such as are known as near as the Laos country in Indo-China, no trace exists. No ancient porcelain kilns, such as exist in North and Central China, were ever started within the Colony, though one small establishment for making rice bowls and cooking pots has been found. In one road cutting a mass of broken porcelain of early Ming date, much",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206899,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 176,
        "title": "RAS-1973",
        "content_text": "170\n\nBOOK REVIEWS\n\nto have visited twenty Asian countries; and while critics of later generations found some of his facts mixed with folk-lore and fable, his descriptions of community existence, family relationships, flora and fauna provided—and still provide exciting reading based on observations which the editor regards as both acute and just.\n\nThese expeditions (in part commercial in part diplomatic) comprising fleets of the largest vessels then afloat, are chiefly significant, however, as unprecedented feats of naval organisation and navigation. In this, 'the Elizabethan age' of Chinese expansion, the Chinese excelled as fighters, traders, diplomats and navigators. Appendix 3 provides informative notes on Chinese ships and seamanship. The European of the time might have had more accurate charts, and such instruments as the quadrant, but the Chinese had long used the lead-and-line, the cross-staff and the compass, and they even made rough calculations of longitude ‘by noting the number of watches which elapsed during the run at a speed estimated from the time taken by the ship to pass a floating object'. But Cheng Ho's last voyage (1431-3) marked the end of the heroic age of maritime expansion. The Ming court lost interest in sea power and its imperial implications, and with this curious and sudden withdrawal from the dawning international order, the doors closed on a unique period of Chinese history.\n\nMr. Mills has not been daunted by the complicated question of texts, and he compares and evaluates the various versions. His own translation is based on the definitive text established by the distinguished Chinese scholar Feng Ch'eng-chun, first published in Shanghai in 1935. Appendices contain a gazetteer of southern Asian place-names known to the Chinese in 1433, as well as an expert and fascinating commentary on 'the Mao K'un Map' which indicates the presumed courses of Cheng Ho's various itineraries. Here, an attempt has been made to identify all the names and legends, five hundred and seventy-seven in number.\n\nFormerly Puisne Judge of the Straits Settlements, the editor belongs to that select band of British administrators and proconsuls who were not simply colonial servants, but who in addition might be explorers or archaeologists or scholars of distinction. Only a scholar of great learning and infinite patience could have made this outstanding contribution to history.\n\nJanuary, 1974.\n\nGERALD S. GRAHAM",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
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    },
    {
        "id": 207016,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 87,
        "title": "RAS-1974",
        "content_text": "BRIDGEMAN'S LETTERS FROM CHINA AND HONG KONG\n\n81\n\npulled down and so there is an end to all amateur acting for the future.12\n\nShortly after the ignominious end of amateur dramatics in Hong Kong, Orlando found a pastime to his taste. Perhaps his interest originated with the visit to the Macao aviary, for he began to keep birds, but even this seemingly innocuous pastime had its hazards.\n\nMy only amusement here is in keeping birds. I have a great many canaries and remarkably fine one(s). They sing beautifully and in the daytime I sit in my balcony and read and listen to their beautiful singing. They are at times almost too much, for the moment one begins they all strike up and sing and try (to see) which can make the most variations.13\n\nEarly in the new year, he found another small amusement, the band, and a new problem, rats.\n\nMy chief amusement here is listening to the band at practising hours, so heavily does our time hang on our hands. I walk occasionally for a couple of hours in the afternoon, and the rest of the day I read and write. You talk of mice overrunning your house, our places are so full of rats that even whilst we are reading and writing in our rooms they come out and play in the middle of the floor. They eat up the legs of our tables and chairs which are made of camphor wood and of which they are very fond. Your description of one being found drowned in the milk is certainly very nasty, but even there you are better off than us, for we have not even the luxury of milk for them to drown themselves in. Although in China, I have not tasted one cup of tea half so good as I have in England.14\n\nWithin a few months, Bridgeman had acquired a taste for Chinese tea and was even admitting a fondness for it.15 He even went as far as to admit that some of the best tea he had ever tasted had been in Hong Kong. He became such a connoisseur of tea that he insisted on keeping his own teapot at mess as the other officers didn't brew it quite to his liking.\n\nBy his own admission Orlando had few close friends while stationed in China and Hong Kong.16 His letters give the impression he led a very isolated and solitary existence. Occasionally though, mention is made in his letters of individuals of interest to the present day student of nineteenth century China. Thomas Francis Wade,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207710,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 98,
        "title": "RAS-1976",
        "content_text": "\"PATTERNED BANDS\" IN THE N.T. OF HONG KONG\n\n83\n\nto the edge and the tassels allowed to fall free at each side, swinging at either side of the wearer's face. In Yuen Long, the band is not worn this way but instead a longer band (145 CM) is used to tie the hat under the wearer's chin.\n\nA patterned band approximately 85 CM long, with relatively small tassels, is often used to hold the rectangular headcloth worn by Hakka women both indoors and outdoors when a hat is not worn. The band is doubled over the top of the headcloth and fastened at the back of the neck below the woman's bun, thus serving as an ornament and to hold the headcloth in place.\n\nIn addition, a band approximately 75 CM long may be used to fasten the small apron (1) across the back. To attach the band, buttons are sewed to the ends of the bands near the tassels, and these are buttoned through loops in the apron. The bib of the apron is commonly fastened around the neck with a silver chain on which old Hong Kong silver five-cent pieces serve as buttons. These aprons are worn by Hakka women both on special occasions and for everyday use.\n\nIn Tsuen Wan, at least, the bands traditionally served other purposes as well. Women said that they had to weave great numbers of them before their marriages, because of the role they played in the ceremonies, and for a week or so beforehand they stopped all other work and stayed indoors to weave. The bride was expected to give them as gifts to all the older women relatives who came to attend the festivities. Patterned bands were also used to tie back the mosquito nets on the marriage bed, and were tied around the foot-washing basin which is an important dowry item and fertility symbol. One was used as the bride's trouser string, and one was even given as a gift to the little boy whose job it was to kick open the sedan chair door upon the bride's arrival. When a son had been born, a very long red patterned band was hung over the lantern which was raised in the ancestral hall at the hoi tang (H) ceremony, symbolizing the birth of a son into the lineage.4\n\nTechnique of Manufacture\n\nThe weaving of patterned bands was the only textile art form produced, in recent years at least, by Tsuen Wan women. Their only other artistic outlet was the singing of \"mountain songs\" (山歌*) while working together in groups, and the spontaneous singing",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
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    },
    {
        "id": 207727,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 115,
        "title": "RAS-1976",
        "content_text": "TIN-YUKE CHAR\n\nand by boat to Honolulu, arriving on October 29, 1881, after a tour of nine months and eight days. The harbor of Honolulu was crowded with people welcoming the safe return of the King. The Royal Hawaiian Band played \"Home, Sweet Home.\" Arches entwined with flowers spanned the streets. The Chinese merchants of Honolulu erected a triumphal arch at the intersection of King and Fort Streets. As King Kalakaua mentioned in his July 3rd letter from Rome, \"The trip appears as if a mixed panorama and a dream. We have seen Emperors, Kings, temples, and pagodas until one gets apparently confused which end to commence and where and how it will be finished. So many varieties of the people, the different nationalities, the customs and scenery of the places we have visited that have made our travels so pleasant.\"\n\nAs one historian commented, \"The trip had been a great experience. Kalakaua had stood where Alexander the Great had stood and Julius Caesar, and Napoleon; and the foremost rulers of his own day had welcomed him with cannon salutes and guards of honor. Pomp and circumstance agreed with Kalakaua. He came home, more convinced than ever that a king should rule as well as reign.\"10\n\nAnother result of the King's tour was the legislative approval of his proposal to provide education in foreign countries for selected Hawaiian youths. This progressive policy was inspired by what he observed on his journey. One of the students sent abroad was Kapaa who went to China in 1883. The Reverend Andrew Happer in Canton was asked to be Kapaa's instructor and guardian as evidenced in the March 7, 1883 letter from Walter Gibson, then Hawaiian Minister of Foreign Affairs, to F. Bulkeley-Johnson, Hawaiian Consul General in Hong Kong: \"that Mr. Kapaa's visit to China is made in pursuance of a resolution of the Legislature, providing for the education of Hawaiian youths. His Majesty the King desired that one of these should proceed to China and there study the Chinese language and customs. I, therefore, invoke your good offices on behalf of young Kapaa, who has been selected for this career, and shall be obliged by your placing him where he can learn the dialects (Cantonese and Hakka) chiefly spoken by the Chinese who are here, and the written language, acquiring at the same time familiarity with Chinese manners and ideas. I am, of course, anxious that while pursuing this course of study, Mr. Kapaa should not lose such European culture as he has acquired.\"",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
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    },
    {
        "id": 208103,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 142,
        "title": "RAS-1977",
        "content_text": "126\n\nGREGORY E. GULDIN\n\nfor community organizations, both formal and informal, to develop to promote and protect the community's interests. Although this may very well occur at times, or even perhaps is the usual occurrence, we should not therefore make the assumption that a shared sense of solidarity, of community, is always dependent on formal organization; indeed, what is striking about North Point's Little Fujian is the generally minor role that formal institutions and organizations play. Associations are not the major aspect of Fujianese community in Hong Kong: kin, quasi-kin (i.e. “tong-xiang” and fictive kin relations), and friendship ties also carry the burdens of ethnicity and community in Little Fujian.\n\nIn great contrast to North Point's majority Guangdongese who regard the area as \"nothing special — it's just a convenient place to live,\" Fujianese are quick to tell you they live in North Point \"because it's Little Fujian.\" Fujianese regard North Point as their \"capital\" in Hong Kong and it is through Little Fujian that most business and friendship networks meander. While most Fujianese admit that North Point is \"most likely\" predominantly Guangdongese, this does not stop Fujianese from all but ignoring that majority proportion; to those Fujianese living in North Point, it's in Little Fujian that much of their lives are spent and not “North Point” in general.\n\nLittle Fujian as a sub-neighborhood could be said to physically exist in the narrow band of streets, shops and buildings in North Point that are peopled and frequented by high percentages of Fujianese. Equally significant though, it exists as a community in those specifically Fujianese social relationships or patterns of activities that appear like currents in the ebb and flow of North Point life. Sub-neighborhood and community may overlap, but they don't have to. Little Fujian can thus be found in the offices of the Fujian Province Association, in the homes of Fujianese, in the Chun Yeung Market, between two Fujianese friends on King's Road, or in the many other public and semi-public Fujianese and non-Fujianese places of North Point,\n\nWhen sub-neighborhood and community do overlap, however, it is a powerful combination. To North Point's Fujianese it is often seemingly small things like walking down a “Fujianese” street with friends from the home county and hearing a Southern Fujianese folk song broadcast from a Fujianese shop that makes life in Hong",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208120,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 159,
        "title": "RAS-1977",
        "content_text": "CHEUNG CHOW LONG ISLAND\n\n143\n\npainted to the eyes, and clad in gay garments. Behind these a band of native musicians, youths dressed in gaudy clothes, provide the melody and rhythm. The dragon shakes his head and stamps his feet to the rhythm, the bearers grunt and sweat, the musicians fiddle and bang and blow, the spectators spit and chew, laugh and talk, admire and applaud. The last player disappears round a bend in the street and another procession begins to form itself with much good-natured chaff and chatter. Meantime the dragon processions which have already been sent off wander through the distant fields, and the curious rhythm of the dance rises and falls in every corner of the glens.\n\nSo much we have seen for ourselves, but our kind host, who has lived on the island for many years, tells us that on the great day of the feast, all the small processions meet at the special matshed, where are assembled also some of the local gods, as well as visiting deities who have been brought by the folk from other towns and villages. All these gods are then carried in procession to the Pak Tai Temple to make their how to the occupant. Following this they are carried about a mile to the temple of the Queen of Heaven, the Lady of the fisherfolk, through the streets densely packed with fishermen and townsfolk, and thousands of visitors. At this temple the processions stand aside, and the gods in their chairs of state are raced back to the special matshed. The first god to arrive, even if he arrives in several pieces, brings to his devoted supporters the best of luck during the year.\n\nIn the afternoon the cones are overturned and there is a scramble for the cakes, which are then eaten with the happiest consequences for all concerned. It would be interesting to hear more exactly what these benefits are, for the whole feast looks like an ancient fertility cult.\n\nWe are much indebted in this account to notes jotted down by Mr. A. C. Franklin, and kindly put at our disposal. The opportunity to witness the Moon-cake festival was also due to his kindness. If we have not reproduced all the interesting and suggestive comments which those notes contain, it is because we hope that he will find time to throw them into literary form and publish them. Meantime we would welcome corrections, and an elucidation of the meaning of the feast from our students, some of whom might well take time to visit Cheung Chow for that purpose.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
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    },
    {
        "id": 208127,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 166,
        "title": "RAS-1977",
        "content_text": "150 \n\nW. SCHOFIELD\n\nmorning visiting Nei Kwu Chau to discuss the problem of their fifteen children. They had been taught by a private teacher in the ancestral temple: but he had left, and the Education Department were asked to find someone to replace him. They had replied that the children would have to go to Cheung Chau, thus raising in an acute form the problem common in villages all over England to-day. Few if any teachers would volunteer to teach fifteen children in so poor an island as Nei Kwu Chau in those days. The problem of providing one was then found insoluble, and as the only means of transport to Cheung Chau was by junk or sampan, I fear the rate of literacy on Nei Kwu Chau must have declined badly.\n\nAnother event which affected life in Cheung Chau in 1925-6 was the change of Governor in November 1925, during the great Communist-inspired but mainly Nationalist strike which started in June that year. Sir C. Clementi increased the D. O. South's public works vote from the absurdly small figure of $400 to $1000 or more. This made it possible to repave some of the chief streets of the village with granite blocks set in concrete, which cost about $800. He also paid a State visit to the island in the summer of 1926. Flags and decorations were put up, and practically all the proceedings were in Chinese, including a lengthy prepared speech by H.E., written out in characters by (I believe) Mr. Sung Hok Pang. He walked through the main streets, keeping up conversation with the Kaifongs, and showing that despite a long absence in British Guiana and elsewhere his Chinese scholarship had undergone no observable decline. The chief impression of the day that remained with me was the heat!\n\nWhile I was District Officer South I attended two other functions of importance, both in the Northern district. In 1925 the Government had had the imagination and sympathy to restore to the Tang clan the village gates of Kam Tin, removed in 1899 because of the clan's opposition to the original leasing of the New Territory and taken, as I heard, to Sir Henry Blake's estate in Ireland. The ceremony of reopening the restored gates took place in May, just before the big Strike began: its central point was to be the opening of the gates to admit H.E. Sir R. Stubbs. As he rose up from his seat the local band struck up, and this so startled a small pig rooting in the moat that he fled for shelter over the causeway to his sty in the village, just getting ahead of H.E. and bursting through the gates! The reward for the Government's attitude was seen in the autumn",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
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    },
    {
        "id": 210736,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 87,
        "title": "RAS-1986",
        "content_text": "70\n\nD.A. GRIFFITHS AND S.P. LAU\n\nBy 1884 all the land available for the extension of the Gardens had been completed.\n\n\"The exceptionally sterile nature of the soil of this barren rock, the exposed aspect of the Gardens and absence of water for artificial watering in the dry season, necessitate the expenditure of a great deal of thought, time, and means than is usually experienced in establishments of this kind.\"\n\nAt least one specimen of each kind of tree or shrub by now carried a label and an exchange of plants and seeds was established with more than 40 organisations. On the cultural side the Annual Flower Show had been organized since 1872 and there was a weekly musical performance by the Regimental Band. Plants were also on sale to the public.\n\nFord had become a tireless worker in establishing a scientific approach to Hong Kong's flora and he was undoubtedly the person to whom credit must be given in establishing, describing and preserving a wide variety of botanical finds both in Hongkong and in China as well as further afield in the Island of Taiwan. He was deeply committed to the more economic aspects of Botany and introduced a wide variety of economically important exotic plants to the area. He also had an abiding interest in forestry and was one of the first people to realise the importance of forest trees as objects of beauty as well as instruments to prevent further soil erosion and thus preserve what little remained of the barren soil of the island.\n\nIn 1886 Ford explains how expenditure had outstripped estimates but sensibly sugars the unpalatable pill:\n\n\"The actual revenue for this year will be at least $200,000 in excess of the estimated revenue. Our plantations are thriving splendidly. I am planting very extensively true Camphor trees which will be, I estimate, most valuable to the Colony in due time. I planted many thousands last year and they have all done amazingly well.\n\nIn 1887 (July 26th) he is again complaining about the lack of support from within the Government but knowing he has the tacit support of Governor he states philosophically:\n\n¦",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 211397,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 113,
        "title": "RAS-1988",
        "content_text": "89\n\ntouched anything belonging to the people, however. They then ventured up the Canton river, burning ships and attacking Canton itself. At last Chau was captured by the Ts'ing general, Cheung (), and Lei put out to sea again and kept his junks near Taai P'aang (A) now Kowloon city. In the 3rd year of Hong Hei, 1664, a battle was fought off Kowloon city between Cheung and Lei. The latter was beaten, and was forced to take refuge at Tung Ch'ung (Hafi) on Taai Ue Shaan (AMBULI), Lantau Island.\n\nThere now followed a time of great distress for the unhappy country people. More villages were forced to move, and the people treated with great harshness. Many of them who refused to go or even hesitated were killed by the soldiers. At the beginning of the Ts'in Fuk the people imagined that it was only a temporary measure and they managed to keep together with their wives and children. But after three years had passed they found themselves without means of livelihood. So the husbands left their wives, the fathers left their children, and the elder brothers younger brothers, each pushing north in the hope of finding work, leaving behind them the sound of crying and sorrow.\n\nIn the 8th month of the 3rd year of Hong Hei a man named Yuen Sze To (AP48), a Foo Muk (11) (an official title meaning \"Head of relief and soothing of the people\") disobeyed the order to move over the boundary, and collecting a crowd of discontented country people, he made a stronghold in Lik Yuen (HM) a village near Sha Tin. He had other quarters in Kwun Foo (1fif), now Kowloon city and his followers acted as bandits robbing and killing as they pleased. They gave much trouble to the Ts'ing government, as when the soldiers were sent out to search the solitary parts for people hiding in order to avoid being moved, they were often set on by Yuen's band and either robbed or killed by them. Eventually they were exterminated after a long time by an officer named Tseung Wang Yun (1479) who was sent with a large company of soldiers to Sha Tin for that purpose.\n\nThe following year a system of beacons was started along the coast to be used as signals in case of attack. In the same year the retiring Viceroy Lei Sut T'aai (4) in his Wai Soh (6) a valedictory address to Emperor Hong Hei, asked him not to press too firmly the question of removing the people over the boundary. \"When I was in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
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    },
    {
        "id": 211521,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 238,
        "title": "RAS-1988",
        "content_text": "214\n\nMeasurements:\n\n―\n\nAg. wt.: 4.60g - 0.43g. (wt. of 3 pins and lock) Size: 1.8 cm, diam., 4 mm. thick.\n\n=\n\n= 4.17 g\n\nSimilar original gold coins weigh 132.7 grain = 8.547 g. and have a diameter of 0.7 inches. It is only natural that the silver coin weighs much less, its density being 10.7868 compared to that of gold which is 19.6967.\n\nThe comparative volume of the coins shows a great approximation, Au. 43/Ag. 39, despite the difficulty in assessing the weight of the silver of similar original silver coins one.\n\nReports point to the possibility of the present coin being original. It is true that while gold was the precious metal ‘par excellence’ in Europe and in Asia Minor, silver was more commonly sought after in Asian countries. The coin is probably a contemporary or near contemporary copy of the gold original, probably made somewhere in the Persian Empire.\n\nDescription of the Coin\n\nObverse:\n\nHead of Demeter or Hera (?) wearing stephane (head band) and veil on the back of the head, earring and necklace. On the left, in front of the forehead, the letters TAPA (in Greek: Tara). A dolphin at the left, down the side, and a letter K near the neck, in front. A border circular line.\n\nReverse:\n\nYoung horseman (Kastor or Taras), naked, with javelin in the right hand and resting on the right shoulder. The horse is galloping or cantering. Below: AΠOΛ. In front of the horse's head a thunderbolt. On certain parts of the coin border dots are visible.\n\nNotes:\n\n1. TAPA is an abbreviation for TAPANTΩN, (Taranton), of the Tarantines.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
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    },
    {
        "id": 211805,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 220,
        "title": "RAS-1989",
        "content_text": "195\n\nhis alarm allayed amidst the warmest applause from the audience for his clever and successful \"sell\". In addition the editor wrote that this Prologue afforded H. E. more valuable hints how to treat the Rebellion than all the suggestions that have been submitted to him since his arrival. Apparently Bonham was \"so much delighted that we are not without hopes a report on the performances may form the subject of his first despatch from Shanghae”. So much for modesty. As regards the performances themselves, the writer had it in confidence from a tall whiskered male who occupied a front seat disguised in a dress coat, that although Hong Kong theatre is now more conveniently lit up in the Victoria Theatre in acting Shanghae would not suffer by comparison\". \"That treaty port chauvinism was not lacking even at that early stage was made clear when the visitor insisted that our Head Actor has been brought from Hong Kong”. Despite his earlier lukewarm praise he must have made some sour remarks too, for the editor wrote that \"except as to the heroine, his critical skill was evidently at fault in discriminating the excellences of the other performers in Betsey Baker; and all he could be got to say regarding Apartments was something about Mr. and Mrs. Keeley having many worse imitators” (Robert Keeley, 1793-1869; and Mrs. Keeley (Mary Ann Coward), 1806-1899: famous British actors). (NCH 26.3.1853).\n\n5.5.1853 (Thur)\n\nG.A.A. BECKETT: \"Siamese Twins\" (1834)\n\nT: Farce (1 act)\n\nR. BUTLER: \"The Irish Tutor\" (1822)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of the Susquehanna\n\nTh: Imperial Theatre (B)\n\nN: Final performance of the season\n\nR: The close of the season by the amateurs who called themselves the \"Lily Troupe\" for a \"bumper house\"; with some “admirable music by the Band of Susquehanna\" — a steamer belonging to the U.S. Japan Squadron. (NCH 7.5.1853).\n\n8.3.1854 (Wedn)\n\nJ.M. MADDOX: “A Fast Train! High Pressure!! Express!!!\" (1853)\n\nT: Farce\n\nW.B. BERNARD: “A Practical Man\" (1849)\n\nT: Farce\n\nC: Amateurs\n\nP: Music\n\nTh: Tac Ming Theatre (C)\n\nR: At the start of the evening a, for part of the audience at least, unexpected treat was in store: “On the rising of the curtain a ludicrous incident quite upset our friend BUSKIN. He was set down to enact \"Colonel Jack Delaware\" (in A Fast Train — JH) but a storm met him as soon as he appeared on the stage and he was fairly hissed off when a stranger leapt over the footlights and announced his intention of supporting the character. The curtain dropped and after a short delay the volunteer Yankee came forward, dressed in the most extravagant fashion and took up the part with great spirit\". Was the leading actor-manager really taken by surprise? This could hardly be, and it must be assumed that it was, like the \"rebellion\" before, a set up. At any rate the \"interloping Yankee was enrolled in Buskin's company. The musical department was sustained by \"Messrs Thalberg and Koenig with their usual talent and success\". Both these noms de théâtre were after well known musicians: Sigismund Thalberg (1812-1871), a Swiss pianist and composer; and Friedrich Koenig, a German violinist. (NCH 11.3.1854).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211820,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 235,
        "title": "RAS-1989",
        "content_text": "210\n\nBagshaw and Bradshaw, the critic had to admit that \"what it was all about we were utterly unable to discover\" (NCH 4.6.1859).\n\n15.2.1860 (Wedn)\n\nL.S. BUCKINGHAM: \"Take that Girl Away\" (1855)\n\nT: Comedy (2 acts)\n\nC. SELBY: \"A Fearful Tragedy in the Seven Dials\" (1857)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (F)\n\nN: First performance of the season\n\nR: The new theatre was only a small one and therefore it was announced in the Herald of February 11 that \"admission will only be given to ticket holders. Tickets will be distributed with the Bills to the various Hongs and any Gentleman who may be accidentally omitted will be supplied on written application to the Manager\". From time to time politics continued to turn up in the playhouse. It was the time of the English and French wars in China; the United States was not taking part in them, only sharing in the spoils, yet the following remark closed the review: \"We beg permission to observe that we should have been glad to have seen the 'Star Spangled Banner' floating over the proscenium along with the colours of France and England. All honour to the Anglo-French Alliance! But our American cousins form, in every respect, so important a section of this community that the absence of their flag on an occasion like Wednesday evening would seem to be a discourtesy of which we feel very sure that the worthy management never was intentionally guilty\". Tonight, and on March 15, the faces of Messrs. PICKWICK, BRUSHWOOD, and TINTINNABULUM as well as that of Mrs. NESBIT were absent from the stage; others like Miss WALTERS and Mr. PETREL had remained. Making their debut were Mr. ADOLPHE, \"gifted with both self-possession and a good voice\"; Mr. WITHAM who, as Cuttle (in Take that Girl Away) \"displayed a steadiness and a clearness of enunciation calculated to make him a valuable actor in 'utility' parts\"; and Mr. NATIVE whom the reviewer thought \"better fitted to shine as a sentimental than as a grotesque lover\". Miss WALTERS was \"dressed to perfection, played as well as ever (can we say more!) and was charmingly feminine\". In A Fearful Tragedy in the Seven Dials, there was the first night of Mr. C. AITCH as Slumpington for whom **a great future success in 'character parts' was predicted. These hopes were not realised, however, for I have not found his name again. For the umpteenth time, the Herald judged the pieces that were represented weak - to put it mildly. (NCH 18.2.1860).\n\n15.3.1860 (Thur)\n\nT. TAYLOR: \"Still Waters Run Deep\" (1856)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: \"Poor Pillicoddy\" (1848)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Imperieuse\n\nTh: N.N. (F)\n\nN: Second performance of the season\n\nR: This second night took place in a house that was \"crowded in every part\" and proved \"in every respect highly successful\". The \"Man on the Bund\" had no longer a say in the theatrical reports, and the piece about which he had been so dissatisfied (see 23.4.1857), Still Waters Run Deep got a far better critique now: \"in that scene in the second act in which the villain Hawksley is unmasked, the interest was raised to an exciting pitch and sterling dramatic ability displayed by the performers\". No actors were mentioned, but in Poor Pillicoddy, a \"young gentleman made his first appearance",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211822,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 237,
        "title": "RAS-1989",
        "content_text": "212\n\n26.12.1861 (Thur)\n\nConcert by Signor Robbio, violin, and some local amateurs, Programme:\n\n4\n\nL. VAN BEETHOVEN; Trio for strings in E-flat opus 3, V. BELLINI: “Norma”, the aria 'Casta Diva' arranged for violin, C.A. DE BERIOT: Tremolo\", C. GOUNOD: **Meditation upon J.S. Bach's first prelude\", i.e., the famous Ave Maria, C.M. von WEBER: \"Der Freischütz”, cavatine (presumably \"Und ob die Wolke sie verhülle”, act III), arranged for cello and piano. Sir Henry BISHOP: \"Home sweet home\" (from the opera \"Clari, the maid of Milan'), Sr ROBBIO: \"Grande Valse Diabolique“, In addition: some quartet and solo singing by amateurs.\n\nTh: N.N.\n\nR: Today the second concert by the violinist Signor ROBBIO came off \"for a very large audience\". In November he had made his debut in Shanghai but because of a gap of three November issues in the file of the Herald I have been using no details can be given. Once more, however, the paper seems to have been discontented with the selection of the pieces. Not so tonight, with the exception of one composition by Sr Robbio himself, **a work of the Paganini school” of which the critic was evidently not a lover. About the interpretations by the violinist, though, there was but praise; e.g. \"he greatly charmed his audience by the power and feeling with which he executed the beautiful air from Norma, 'Casta Diva'\". So all was enjoyable, the more so as \"for the moribund piano used at the last concert a fine 'Broadwood' was substituted, which displayed to great advantage the admirable playing of the gentleman to whom St Robbio was so much indebted for his accompaniment\". One letter writer went even so far as to exclaim that such delights in Shanghai are indeed 'like angels' visits few and far between' \"' (NCH 28.12.1861).\n\nFebruary and March 1861\n\nPerformances by \"Lewis' Australian Hippodrome” Loc: Commercial House in Hongkew\n\n-\n\n―\n\nוי\n\nN: During the months of February and March \"Lewis' Equestrian Australian Troupe\" gave a large number of performances, of which the first one was announced for February 15 and the last for March 17. The public was entertained with horses and artists, among whom Mr. and Mrs. COUSINS, Mr. BARLOW, Senior RAPHAEL, Jessi GARDONI, **Austin Shanghai**, and “Little Ella\". For all, benefits were held in March. It was not the first time that the troupe had operated on the China Coast. In December 1859 they had visited Hong Kong (CM 15.12.1859, 22.12.1859).\n\n13.2.1863 (Fri)\n\nJ.M. MORTON: \"Our Wife, or the Rose of Amiens\" (1856)\n\nT: Comic drama (1 act)\n\nH\n\nA. MAYHEW & H. SUTHERLAND EDWARDS: The Goose with the Golden Eggs T: Farce (1 act)\n\nC: Amateurs (Local and British officers)\n\n13.2.1863 (Fri)\n\nJ.M. MORTON: \"Our Wife, or the Rose of Amiens\" (1856)\n\nT: Comic drama (1 act)\n\nA. MAYHEW & H. SUTHERLAND EDWARDS: \"The Goose with the Golden Eggs' T: Farce (1 act)\n\nC: Amateurs (Local and British officers)\n\nF: Music by the band of the 67th regiment\n\nTh: Theatre Royal (G)\n\nN: First performance of the season\n\nR: Casts:",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211830,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 245,
        "title": "RAS-1989",
        "content_text": "220\n\nR: In the advertisement it was stated that tickets could be obtained from Messrs Lane, Crawford & Co, G.A. Bretts' Auction Room and Astor House Hotel. Lane, Crawford was a general store that had been established in Kiangsi Road (ex Church Street) since June 1862. The Astor House Hotel was situated in Hongkew (see also Survey).\n\n17.6.1864 (Fri)\n\nPerformance by Messrs J.R. Black and Marquis Chisholm (piano)\n\nTH: N.N. (H)\n\nN: Benefit for Mr. Chisholm\n\nR: John Reddie BLACK (1827-1880) was born in Scotland, but went to Australia to earn a living as a singer in the goldfields. After arriving in Japan, 1861, he became the editor of some English newspapers and from 1876-1880 he edited several papers in Shanghai. In 1864 he still managed to combine his two vocations. His entertainment was \"composed of songs interspersed with anecdotes and conversation of the most lively description which he varied every evening. He has a splendid voice and sings with great taste and feeling\" (NCH 4.6.1864). His accompanist on the piano was Mr. L.C. PHILIPPS (cf. 1.4.1864), but the latter died of cholera and his place was taken by Mr. Marquis CHISHOLM who was no newcomer to the Shanghai public. On June 17 he played a fantasia on Japanese airs, composed by himself. As a matter of coincidence there was \"an absence of ladies, many of whom are at present rusticating in Japan\", but for the other evenings \"the audience has always comprised the majority of the ladies resident in the Settlement\". Evidently this had come to be considered as most desirable, perhaps to lend an air of respectability to the performance. (NCH 11, 18.6.1864).\n\n22.6.1864 (Wedn)\n\nH.J. BYRON: \"Il Treated Il Trovatore\" (1863)\n\nT: Burlesque extravaganza (1 act)\n\nC: Shanghai Amateur Burlesque Company\n\nF: Music by the Rhenish Band\n\nTh: Olympic Theatre (H)\n\n+\n\nR: The first night of a new company, the \"*Shanghai Amateur Burlesque Company\" and, if we may believe the Herald, the Shanghai world \"was completely taken by surprise. So minute an acquaintance with stage proprieties was shown that many of the audience were disposed to believe that they were witnessing a display of professional talent”. (NCH 25.6.1864).\n\n29.6.1864 (Wedn)\n\nH.J. BYRON: \"Ill Treated 11 Trovators\" (1863)\n\nT: Burlesque extravaganza (1 act)\n\nT.H. LACY: \"A Silent Woman\" (1835)\n\nT: Farce (1 act)\n\nC: Shanghai Amateur Burlesque Company\n\nF: \"New burlesque music\" by the Rhenish Band\n\nTh: Olympic Theatre (H)\n\nR: This is one of those increasing occasions in which only a short summary was published in the Herald, while the full report had appeared in the North China Daily News, no longer extant for this year. In any case the hope was expressed that more would be seen of the company \"as soon as the cool weather sets in\" (NCH 2.7.1864). According to the advertisement, tickets were obtainable from Lane, Crawford & Co (see 13.6.1864), Hall & Holtz (Ship chandler, general store and bakers; at the corner of Foochow Road (ex Mission Road) and Kiangsi Road (ex Bridge Street); MacKenzie & Co (shipchandlers, general store and general agents on the Yangkingpang in the French Concession); the Astor House Hotel; and Phillips Restaurant (Phillips, Moore & Co, Nanking Road-ex...)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211835,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 250,
        "title": "RAS-1989",
        "content_text": "225\n\n\"Lady Audley's Secret\", for which HED lists the following authors: C.H. HAZLEWOOD (1863), G. ROBERTS (1863) and W.E. SUTER (1863).\n\nC: Shanghai Amateur Burlesque Company\n\nTh: N.N. (I)\n\nR: For the first time we have at our disposal another source than the \"North China Herald\" for reviews of the Shanghai theatre, viz. the \"Shanghai Commercial Record\". In general, though, the reports were in the same vein as those in the Herald had been, but sometimes more information was given and different accents set. Hardly so for tonight's pieces: they \"reflected great credit on the talent of the performers and their endeavour to provide for the amusement of their fellow exiles has we are sure been highly appreciated\" (SCR 7.1.1865). The Herald only published an announcement (NCH 24.12.1864).\n\n11.1.1865 (Wedn)\n\nD. BOUCICAULT: \"The Octaroon\" (1859)\n\nT: Drama (4 acts)\n\nC: Thorne (travelling) Company\n\nTh: Lyceum Theatre (1)\n\nR: Sometimes the availability of two sources does not make it easier to make a judgement about the truth of things. What to think e.g., of the following reports on the Thorne Company: The Herald was short in its weekly summary of 14.1.1865: \"The Thorne Company have given a successful representation of the Octoroon at the Lyceum Theatre and announce a second performance for this evening\" (i.e., Saturday). In contrast, the Shanghai Commercial Record reported in its issue of January 25: \"We have had another theatrical troupe here, calling themselves the Thorne Troupe. But whether it is that Shanghai has had too much of this class of entertainment lately, or that the pressure of the times is so great that people do not care to attend the Theatre, we cannot say. Both these causes combined probably to render the patronage bestowed on the Thorne Troupe extremely small. Indeed, when they opened on Wednesday evening last [this should read January 11 - JH] it was literally to an empty house for we hear there was actually no one present to view the performance. The company, as well they might be, were so disgusted that they left next day for San Francisco where we sincerely trust they will be more successful\" Cf. however, Survey, note $2.\n\n14.1.1865 (Sat)?\n\nAs above?\n\n4.2.-10.2.1865\n\nConcert by Mr. Desvachez and Signor Enrico Grossi. Th: Town Hall of the French Concession\n\nR: The violinist DESVACHEZ returned to Shanghai, this time accompanied by the bass singer Enrico GROSSI who had earlier, in December 1863, performed with the Faylor Company in Macao (see BGM 14.12.1863). The concert had called for favourable comment at the hands of our music critic” — indicating that a more detailed review had appeared in the North China Daily News (NCH 11.2.1865).\n\n15.2.1865 (Wedn)\n\nAnnual Volunteer Concert by the Volunteer Band and the \"Shanghai Amateur Quartet Club**.\n\nTh: Shanghai Club\n\nR: The Commercial Record of 22.2.1865 gave the following impression of this concert: \"The Volunteer Band was assisted by the Shanghai Amateur Quartette Club and several gentleman amateurs. The large room in the Club House was lent for the occasion and we were glad to see it well filled. The gay uniforms of the Shanghai Mounted Rangers, mingled with the more sober dress of the Volunteers gave the room a very gay",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211836,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 251,
        "title": "RAS-1989",
        "content_text": "226\n\nappearance. The music selected afforded great satisfaction to the audience and was really very well performed. The violin solos by a gentleman Amateur of the place were most deservedly encored. Indeed we fancy few home concerts could show anything of the same sort much better. Amateur concerts we are sure rarely could\".\n\n23.2.1865 (Thur)\n\nConcert by Signor Enrico Grossi, assisted by Messrs Desvachez and Terry, and the Rhenish Band.\n\nTh: Astor House Hotel\n\nR: All professional artists performed without any government subsidies so they had every reason to look forward to as large an audience as possible. Signor GROSSI evidently was a freemason for the Commercial Record reported that \"his masonic relations produced for him a full house\" (SCR 8.3.1865). Freemasonry, which had been introduced in Shanghai in 1849, was rather widespread among the (male) foreign residents and the brethren who had turned up rewarded Sr GROSSI's \"efforts to please by frequent bursts of applause\" (NCH 25.2.1865). No details of the programme were given.\n\n14.3.1865 (Tue)\n\nConcert in aid of the Shanghai Volunteer Club fund.\n\nTh: Shanghai Club\n\nR: RCH 18.3.1865\n\n21.3.1865 (Tue)\n\nJ. COURTNEY: \"Time Tries All\" (1848)\n\nT: Drama (2 acts)\n\nJ.M. MORTON: \"To Paris and back for $5\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTh: Lyceum Theatre (1)\n\nN: First performance of the season\n\nR: Not unexpectedly the Herald thought it \"needless to descant here upon the merits and talents of the Company\" (NCH 25.3.1865). The same pieces had been given on May 15, 1860.\n\n23.3.1865 (Thur)\n\nM. BARNETT: \"The Serious Family\" (1849)\n\nT: Comedy (3 acts)\n\nJ.R. PLANCHE: \"The Invisible Prince\" (1846)\n\nT: Extravaganza (1 act)\n\nC: Lewis' Australian Drama Company\n\nTh: Lyceum Theatre\n\nR: Lewis' Australian Drama Company had come back to Shanghai in early March (NCH 11.3.1865) for a second season of farce and comedy, but owing to difficulties in reaching an agreement with the Lyceum Theatre about the rent that was to be paid, the first night took place only on March 23 (NCH 18.3.1865). For the members of the Company see Survey; most of them appeared on the first night in The Serious Family. According to the Commercial Record (25.3.1865) \"the acting was very equal throughout and the admirable manner in which the different actors and actresses assisted one another contributed largely to their success\" - which seems to be a rather meaningless comment. The Invisible Prince, too, was put on the stage effectively and the mise en scene was very good.\n\n27.3.1865 (Mon)\n\nW.B. GILL: \"Which is Which?\"\n\nT: Farce\n\nL...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211841,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 256,
        "title": "RAS-1989",
        "content_text": "231\n\nattitude to such interpolations, 13.2.1863). The qualities of most players have already been touched upon; others were JOHN EDOUIN, “a capital dancer\"; his sister ROSE EDOUIN who, in burlesques, was \"not to be overlooked; there is a style about her which commands and her gesture is sufficiently theatrical to impose upon her audience where a little less or a little more demonstration might have failed.\" Mr. W.B. GILL whose acting was not \"thoroughly under command\", nevertheless had \"his place marked out for him and we hope some day to see him take up a leading position as a low comedian\". On the other hand Mr. ANDREWS was a useful actor who is careful in his parts does not do more than he needs to do\". The Company had had tolerably good houses and their departure was regretted for it was felt that Shanghailanders had seen \"perhaps the best company East of the Cape\". It went on to Foochow, Amoy and other southern ports. (SCR 5.5.1865).\n\n6.5.-12.5.1865\n\nTwo concerts by Mr. and Mme Simonsen (violin and singing resp.)\n\nTH N.N.\n\nR: For the first time since August 1863 Martin SIMONSEN came to the port, with his wife who was a singer, after recitals in Hong Kong. Rather disappointingly the first two concerts “did not draw very large houses\", but \"they were warmly applauded by all who listened to the spirit-stirring sounds of Mr. SIMONSEN's violin and the melting tones of Mme SIMONSEN's voice\", (NCH 13.5.1865).\n\n8.5, 1865 (Mon)\n\nPELHAM HARDWICKE: (= C. MATHEWS) \"A Bachelor of Arts\" (1853) T: Comic drama (2 acts)\n\nJ.M. MORTON: \"The Two Bonny Castles\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTh: Lyceum Theatre (1)\n\nR: According to both the Herald and the Record the pieces went off successfully (NCH 13.5.1865; SCR 22.5.1865).\n\n17.5.1865 (Wedn)\n\nConcert by Mr. and Mme Simonsen\n\nTh: Lyceum Theatre (1)\n\nR: In order to draw more people the admission charge at the Lyceum Theatre had been reduced to $3 with the result that a \"full audience was present” (NCH 20.5.1865). No programmes of these concerts were published.\n\n20.5.1865 (Sat)\n\nConcert by Mr. and Mme Simonsen, with the Band of the 67th Regiment.\n\nProgramme:\n\n\"Kathleen Mavourneen\" (song), **No not I** (song), C.A. de BERIOT: “Air varié”, N. PAGANINI: \"Carnival of Venice\", C.M. von WEBER: \"Aufforderung zum Tanz”, \n\n'Monastery Bells\", \"Valse de concert\" (song).\n\nTh: Lyceum Theatre (1)\n\nR: This was the last concert given by the SIMONSENS in Shanghai. According to the Shanghai Commercial Record it was a great success. Mme SIMONSEN sung the song \"Kathleen Mavourneen\" which \"literally “brought down the house\" (this must have been an exaggeration), after which she gave with great effect a very charming little skittish song “No not I'\". Her husband repeated some of the pieces he had performed seven years earlier (October 1858); Paganini's \"Carnival of Venice\" (with which the critic was \"not so much pleased\") and the variations by De Bériot. In addition \"he introduced one or two movements [into the Carnival of Venice? – JH] which we have",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211842,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 257,
        "title": "RAS-1989",
        "content_text": "232\n\nnot heard before and of which the best that can be said is that they are decidedly original. They seemed an imitation of the noise of braying of donkeys, but still they elicited great applause from the gallery [which was generally not regarded as very complimentary JH] perhaps from a certain feeling of sympathy. An amateur played Weber's \"Aufforderung zum Tanz\" with a \"perfect feeling\". To conclude the evening Mme SIMONSEN sung the \"Valse de concert\" (composer unmentioned) in which \"she displayed her powers more than in any other piece she has sung\" (SCR 22.5.1865).\n\n24.5.1865 (Wedn)\n\nH. MAYHEW: \"The Wandering Minstrel“ (1834)\n\nT: Farce (1 act)\n\nJ.P. PLANCHE: \"The Knights of the Round Table” (1854)\n\nT: Drama (5 acts)\n\nC: Amateurs of the Shanghai Mounted Rangers\n\nF: Music by the Band of the 67th Regiment; prologue read by Capt. Markham\n\nTh: Lyceum Theatre (1)\n\n―\n\nR: In lieu of the old time favourites, Messrs Brushwood, Pickwick, Newcome and Mrs. Nesbit had come new faces. Most foreigners had not yet made Shanghai their permanent place of residence, so turnover in the theatre too was rather high. Tonight could be admired Mr. SMALLWEED who, in the Knights of the Round Table, as \"the blameless king shewed a keen appreciation of his part and while he delivered the burlesque passages with much humour, proved by the taste with which he pronounced the prophetic eulogium on the Queen of England that he need not necessarily confine himself to broad burlesque in order to gain well-merited applause\"; Mr. Edmund (also a member of the Amateur Burlesque Company) won golden opinions as Launcelot, whereas Mr. PEEKT as Merlin \"displayed much cleverness in personating feeble old men\". In The Wandering Minstrel \"Mr. R.T. Larff, better known to the theatrical world as Mr. Wynnge (did this mean that he had two stage names? JH) sustained the reputation he has already gained as a low comedian and makes us the less deplore the absence of the well known and inimitable Brushwood” (last recorded performance 10.5.1860). Of course the female roles were taken by men, which led, as it always does, to some ridiculous scenes: \"The company possesses great strength in the important particular of lady performers. The only drawback which, however, is immaterial in burlesque, lies in the great height and muscular development of the fair ones\". Yet Miss Mary MIDDLESEX \"bore away the palm for natural feminine get-up\" and \"nothing could excel the dash which Kate COVENTRY threw into the part of the vivandière\", (NCH 27.5.1865). That not all patrons were equally pleased became evident from the Shanghai Commercial Record (5.6.1865) when it wrote: \"an allusion which was considered too personal led to a corresponding in our columns\" (i.e. the \"Shanghai Recorder\" which to the great regret of all historians treating the history of foreign Shanghai can no longer be found). At the end of the evening a number of toasts were proposed, among others to \"Alabaster, to whose exertions much of the success of the company was due\". This was a reference to Chaloner Alabaster (1831-1890), the British vice-consul who was also active in the North China Branch of the Royal Asiatic Society. In conclusion the Herald reported that \"the arrangements were excellent and notwithstanding the warmth of the evening and the crowded state of the theatre, the air within the walls did not become oppressively hot. Punkahs were slung over the front seats and during the temporary pauses kept up a current of air\",\n\n27.5.1865 (Sat)\n\nPerformance by Mr. Benjamin Seare. Programme unknown (reading, etc)\n\nTh: Lyceum Theatre (1)\n\nR: Both the Herald and the Record agreed that Mr. SEARE \"is possessed of great talent\"",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211843,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 258,
        "title": "RAS-1989",
        "content_text": "233\n\n(SCR 5,6. 1865). \"The gentleman is gifted with rare powers of voice and action which enable him to throw an immense amount of dramatic spirit in his readings and recitations\" (NCH 3.6.1865). It was his second (recorded) performance; earlier he had been successful on March 3 1857.\n\n1.6.1865 (Thur)\n\nPerformance by the Shanghai Amateur Burlesque Company Ltd.\n\nNo titles have been recorded. (NCH 3.6.1865; SCR 5.6.1865)\n\nR: It was \"not quite so successful as some of their previous representations\" (SCR).\n\n3.6.1865 (Sat)\n\nPerformance by Mr. Benjamin Seare.\n\nTh: N.N. (I)\n\nEarly June 1865\n\nConcerts by the Police Band on the Bund.\n\n17.6.1865 (Sat)\n\nC. SELBY: \"The Unfinished Gentleman\" (1834)\n\nT: Farce (1 act)\n\nC: Amateurs of the 67th Regiment\n\nF: Music\n\nTh: N.N.\n\nR: Whereas in days gone by it was quite usual that there were only a couple of theatrical or musical entertainments during the whole season, now, after a fortnight since the last occasion, the Herald complained that \"considerable dullness has prevailed in Shanghai during the week owing to the lack of any public amusement of any description\" (NCH 17,6,1865). The night of the 17th was \"well attended and gave great satisfaction” (NCH 24.6.1865).\n\n30.9.1865 (Sat)\n\nW. BROUGH & A. HALLIDAY: \"The Area Belle\" (1864)\n\nT: Farce (1 act)\n\nH.J. BYRON: \"The 'Grin' Bushes or Missis Brown of the Mississippi\" (1864)\n\nT: Burlesque extravaganza (1 act)\n\nC: Shanghai Amateurs Burlesque Company Ltd\n\nTh: N.N. (1)\n\nR: This was the first night of the new season (NCH 30.9.1865). No review was published in the Herald or the Record.\n\n10.11.1865 (Fri)\n\nH.J. BYRON: \"Princess Springtime\" (1864)\n\nT: Fairy extravaganza\n\nJ. KENNEY: “Turn Out!\" (announced as \"Turn Him Out!'')\n\nT: Musical farce (2 acts)\n\nC: Amateurs of the Shanghai Mounted Rangers\n\nF: Prologue spoken by Capt. Markham\n\nTh: N.N.\n\nR: The evening \"proved a complete success. The acting throughout was excellent and not a single hitch occurred\" (NCH 16.11.1865)\n\n20.11.1865 (Mon)\n\nRepeat of 11.11.1865,\n\nR: The proceeds of this performance went to the Shanghai Hospital, an institution founded",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 212129,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 71,
        "title": "RAS-1990",
        "content_text": "48\n\nby the conversion to Christianity of a number of important Turkish steppe tribes, including the Kerait, the Naiman, and the Ongut. These successes were achieved despite competition from Buddhist, Moslem, and Manichean missionaries. But although the Nestorian church made considerable headway among the tribes whose territory lay between Persian Khurasan and the northern borders of China, little evidence has yet been produced to suggest that many converts were made within China itself.\n\nThere is abundant evidence for Christians in China during the Yüan period. It is quite clear that, while many churches and monasteries were built in China, there were few Chinese Christians. Nestorian and Latin priests competed for the allegiance of the Ongut' tribe, Turkish Christians who lived within the Great Bend of the Yellow River, and John of Montecorvino, the Franciscan archbishop of Khanbalik from 1308 to 1328, struggled to keep Alan Christian mercenaries in the Mongol imperial guard firm in the orthodox faith and safe from the errors of Nestorius: but we do not hear of either church preaching the Gospel to the Chinese. John of Montecorvino had the Bible translated into Latin, Turkish, and Persian, the languages of Khanbalik's foreign residents, but not into Chinese. Christian priests in Yüan China probably guessed that the Chinese would be unreceptive to a foreign religion associated with the unpopular rule of the Mongols, but their own behaviour was not always a good advertisement for their religion. We know of a Nestorian Christian administrator, Mar Sargis, who abused his position as governor (darugha) of Chinkiang to build Christian monasteries on land which he had confiscated from a Buddhist temple. Christians were resented, and it is therefore scarcely surprising that in 1368 both Latin and Nestorian Christians were driven from China along with their Mongol protectors.\n\nAlthough the earlier wave of Nestorians was not disadvantaged by such an association with a foreign occupying power, the few Nestorian churches known to have existed in T'ang China also seem to have been mainly there to serve the religious needs of foreigners resident in China. Syrian and Persian traders could be found in both capitals, Ch'ang-an and Lo-yang, and the number of Nestorians in China was probably at its largest during the reign of Kao-tsung (649-683), when this merchant community was augmented by an influx of refugees from Sassanian Persia. The Sassanian empire was overthrown by the invading armies of Islam at the battles of Qadisiya in 636 and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
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    },
    {
        "id": 212700,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 9,
        "title": "RAS-1992",
        "content_text": "ROYAL ASIATIC SOCIETY\n\nHONG KONG BRANCH\n\nPRESIDENT'S REPORT FOR 1992/93\n\nIn the Society's journal Volume I (1960-61) you will find that the then president wrote these words 'It is with great pleasure that I submit a report of the activities of the Hong Kong Branch of the Royal Asiatic Society for the first year of its existence after its revival in December 1959.' That was just over thirty-three years ago, at the time of the resuscitation of the Society, as a result of the enthusiasm of a small band of interested members led by our late president, Dr. J.R. Jones. The first meeting took place on 28 December, 1959, when the present constitution was adopted and the inaugural meeting was held on 7 April, 1960 in the Loke Yew Hall of the University of Hong Kong. It was to be presided over by the then governor, Sir Robert Black, had illness not prevented it. The inaugural address was delivered by Professor F. S. Drake, Professor of Chinese at the University of Hong Kong and was entitled 'The study of Asia: a heritage and a task.'\n\nYou will notice that the word 'resuscitated' is used because the original Hong Kong Branch of the Royal Asiatic Society was founded in 1847 (the parent company was founded in 1823), but primarily due to personal animosities prevalent in Hong Kong in the early days it collapsed in 1859. We, to-day, having survived for 33 years are clearly more enlightened and harmonious.\n\nSome of you here this evening will be fully aware of these facts; for those who are not you will find them all and much more in that first journal. My reason for drawing your attention to them, besides encouraging you to buy this back journal and all the other journals to improve our finances if nothing else, is to focus your attention on the historical mission of the Society, and to bring out that we have now been in existence for a very long time in the context of the history of Hong Kong. And in to-day's context, where the changes in Hong Kong are so apparent, where there is a charged political atmosphere, and where there is a feeling of uncertainty for the future, a Society such as ours, small as it is, can continue to play an enlightening and a stable role for Hong Kong. We are not of course a political society, nor would we ever wish to be one, but clearly we need to remind ourselves that academic freedom must be seen to be preserved, and not just paid lip service to.\n\nVil",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
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    },
    {
        "id": 212910,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 219,
        "title": "RAS-1992",
        "content_text": "204\n\nbombard the enemies with mud balls.\n\nAs children we did not go often into the town except to walk to church. This we did along streets paved with enormous stones laid five at a time along the road and then five across. The roads were elevated above the fields and along the creeks with which the whole delta is riddled. In times of flood these dykes protected the fields. Occasionally they would be breached and then a general alarm would be raised as the whole population rushed to repair the damage before the countryside was flooded.\n\nThe creeks, one of which passed at the foot of our garden, carried the commerce of the villages and, in the fifth month, the dragon boats. For weeks before the actual festival, dragon boats would be paddled along the creeks of the delta and, from time to time, one would pass our garden. These were magnificent vessels bearing only superficial resemblance to those used for racing here. The largest had over a hundred paddlers. In the centre was an enormous drum with two drummers. Gongs were placed at other parts and large ornamental, cylindrical umbrellas, beautifully embroidered with colours and mirrors, added decoration. They had a frightful time negotiating the bend in the creek outside our house, a feat which was only accomplished with tremendous shouting added to the cacophony already supplied by the percussion. As the fifth month approached we were on the lookout for the dragon boats which we could hear long before we could see them. With the first sounds of the drums and gongs we would drop everything and rush down the gap in the bamboo hedge from which we had a grandstand view.\n\nLast Visit to Fatshan\n\nAll these events occurred in the period from about 1928 to 1933. After that we went on leave from which I returned to school in North China. I did however make one last journey to Fatshan in the spring of 1938. Normally our long school holidays were in the winter but, with the Japanese war starting in 1937, we had a short holiday that winter and a long holiday in the following spring. It was great fun to return to the old house and try and pick up a bit of Cantonese again. Canton was under attack by the Japanese who would fly over and bomb the city from time to time. We were close enough to hear the bombs but not to suffer from them. Nevertheless we had a sandbagged air raid shelter in the garden. Out of curiosity I went into this gloomy recess one day only to scurry",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
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    },
    {
        "id": 213817,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 169,
        "title": "RAS-1996",
        "content_text": "141\n\nthe verandah and afterwards in the little parlour I was soon deep in an argument with Eitel and Winness, as to the general tendency and aim of Paul's preaching, and we maintained the point a long time, without either giving way. At last Winness is a fine Chinese scholar, and we had a long talk about religious publications in the Chinese language, of which he has written several. Then we turned in for the night, after our evening devotions, and after hearing Mr Winness' evening service, in his chapel. Really the singing of his boys was melodious to a high degree. He has about 20 whom he teaches German, etc. One is now at Hong Kong waiting to go to Germany to be educated as a missionary, and can play the Harmonium quite well.\n\nWe then turned in. The only two rooms in the house for Europeans served our turn. Four in one, and three in the other. It was sharp work. The mosquitoes were immense great things, and big enough, and many enough to suck all the blood out of one man, but with seven of us, they could not quite manage it. So in the morning we were all able to get up. Few of us slept much. I slept but very little, although I had the best bed.\n\nIn the morning I took a walk over the hills with Eitel for an hour or two, and then after breakfast we prepared to go on the hills pheasant shooting. I got a long two-barrelled gun, and Stringer got another, and so four of us started, with a guide. Two at last struck out one way, and then Capt Drummond and I went the other.\n\nWe were soon out of sight and hearing of the rest. But no pheasants were to be seen. This Drummond is a fine fellow, and has no foolery about him. He appears to be as good a Christian officer as could be expected, considering the many things they have to make them wild and dissipated. His right hand and shoulder were bitten severely by a great tiger in India, which caught him and carried him off. The tiger was soon wounded, and at length dropped him, and next day was shot dead. It just gave him a pat on the head with its paw, and made him insensible. It was a narrow escape. The tiger was rather old and its teeth were almost worn out, or it would have been far worse with him.'2 We walked a long time, but shot nothing.\n\nSo we began to bend our steps home through the village of Lilong. We looked at many houses and things, and even entered some of them and looked about. We were much amused with the immense great wheelbarrows the people use. The wheel is made of planks, sawed...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    {
        "id": 213892,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 244,
        "title": "RAS-1996",
        "content_text": "218\n\nLaboratory in 1923. The site was about 200,000 square metres, and the buildings were the government offices in Canton, which were to be sold to the Bank of Canton for a nominal price of just $550,000. This figure was eventually adjusted to only $220,000, being the deduction of the overdue interest that Sun had to pay to the Bank of Canton for all the loans that he had previously borrowed from the Siyi men. Showing their generosity, the Bank of Canton promised to pay $5,000 for the removal of the government offices from the site of the Laboratory. The agent in this purchase was none other than Yang Xian (), the Minister of Finance, a member of the Siyi \"thirty men subscription team\" and a principal shareholder of the Bank of Canton. After the purchase, the Bank announced its intention to sell the Experiment Station. They asked for a price of $850,000, four times the purchase price.\n\nThe sales of \"public properties\" evoked severe criticism by the press, and by those lineages, temples and monasteries whose properties were being confiscated. The Cantonese expressed their resentment toward Sun in a very satirical way; the Chinese press recorded that a \"Sun Yat-sen hairstyle\" was then very popular in the province. The Cantonese were abandoning the old method of using vegetable liquor to fix and to gel their hair. They simply let loose their hair. The idea of the \"Sun Yat-sen hair-style\", therefore, was intended to laugh at Sun's practice of letting loose everything in the province and leaving things in a great mess.\n\nThe Coming of the Soviet Influence\n\nThe Siyi men's attempts to re-organize the financial situations in Guangdong were never successful. Among other examples, a record in the Shenbao reported that soon after Yang Xian was appointed the Minister of Finance, a small band of Yunnanese soldiers came to his office to cash in a future cheque of $3,000 issued by Sun Yat-sen. When the office failed to pay immediately, Yang Xian was searched, fastened and detained by the Yunnanese soldiers. He was released only after his relatives paid the \"ransom\" of $3,030.\n\nSun Yat-sen, thereafter, turned to another alternative. When Sun Yat-sen returned to Canton in 1923, he brought with him two groups of allies from Shanghai. The first group was the Soviet advisors, and",
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    {
        "id": 214198,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 56,
        "title": "RAS-1998",
        "content_text": "19\n\neration to be found in wine. Then there is Journey to the West, which has been translated into English, where the Monkey King goes in search of immortality. We have Chinese opera and puppets (Liu, 1995:43-58). A great deal of mirth is to be found at Hong Kong festivals, whether it be at the Cheung Chau Bun Festival or the festival of the Hakka Boy God, Tam Kung. Then again, close friends of a bridegroom get a great deal of enjoyment from making fun of him on his wedding night.\n\nThere is also considerable humour (funniness) in the countless everyday expressions of 'old one-hundred names' (the man in the street). Such sayings which can be described as 'words that work,' are as common in China as chopsticks. For example, inserting money in a car-parking meter is known as 'feeding the hungry tiger,' and, when one is 'booked,' the 'ticket' placed under the windscreen wiper of one's car by a traffic warden, is called naau yuk kon (4), which is slang meaning a thin slice of Chinese dried, sweet beef. There is also a great deal of humour in the vocabularies of merchants and con men, nicknames and clever allusions to everyday objects and curses (Bolton, 1997:299). To scold someone is also an art which onlookers often treat as entertainment. The art is for the person to stand there and give the other person face and let him or her have their say. Then, after remaining quiet, the other person steps in and lets the other party have it!\n\nThe Chinese language abounds with expressions, many commonly used, which make you smile on the outside and laugh within. There are amusing adages such as:\n\n(a) Melon fields, under the pear tree.\n\n(Cantonese know, when this is said it means: don't bend down in a melon field or adjust your hat under a pear tree, or people may think you are stealing melons or pears. Thus, it implies, do not arouse suspicion.)\n\n(b) When a pretty woman marries an ugly man it is like sticking fresh flowers behind the ears of a donkey.\n\n(c) Local ginger is not hot.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    {
        "id": 215004,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 100,
        "title": "RAS-2000",
        "content_text": "56\n\nSpecial envelopes were printed for use by the CLC with a central red band and black printing in English, French and Chinese. In France this mail was posted in special boxes and transported by despatch riders to and from Noyelles. Mail between CLC companies in France did not require stamps or special envelopes.\n\nThe Imperial War Museum also holds two notebooks, written in literary Chinese, which may have been compiled by a clerk or labourer in his leisure time. There are random jottings with notes on, amongst other topics, the ancient political system in China, moral precepts, quotations from Chinese poets, lists of 95 individuals' names and places of birth, and also three letters.\n\nThese letters reveal the feelings of an ordinary man, rural and urban labourers, and his feelings for others. The first letter is addressed to the Kaiser and is a petition to end the war. It was written by 'Spiritual Man Yuan Chun'.\n\nTo the Great Emperor of the German Empire.\n\nThe war in Europe is a matter that does not concern us, the Chinese people, and as Your Majesty knows the world is full of people with greater talents than we have.\n\nHowever, as the ancients have said, a model emperor would be a brave warrior and merciful; however, if one loves war for its own sake and treats human lives as blades of grass, you will invoke the anger of the gods.\n\nWe Chinese came to Europe as neutrals, our aim is to make a paltry living; however, the war made our journey to Europe somewhat less than peaceful.\n\nAn examination of the world situation now shows that within the universe we are all one family, and a virtuous ruler would seize this opportunity to put righteousness before profit, to follow the will of the gods and the wishes of men, to stop the evil of the world and together with other nations create a new world. A virtuous ruler's name will be remembered for ten thousand generations, so why not halt your troops and select",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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    },
    {
        "id": 215372,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 149,
        "title": "RAS-2001",
        "content_text": "98\n\ncotton, approximately 60cm to 75cm square and gathered slightly at the top edge. Red silk ones, padded for warmth, were embroidered in satin stitch with designs of birds, flowers, or the qilin, a mythical animal, which symbolizes great wisdom. A wide band at the neck formed a comfortable shield against cold winds, while others had fur lining and hoods. Covers made by the Hoklo women were extremely decorative, and embellished with embroidery, appliqué, braid, rickrack, wool tassels, fringing, sequins, strings of tiny beads and bells, matching the carriers they covered (Plate 4). True works of art, they took many months to complete.\n\nDesigns of Carrier Centres\n\nThe centre of the carrier was decorated in many different ways. The early style had a square of red silk or sometimes wool embroidered with satin stitch. Bats, symbolizing happiness, and the Eight Buddhist emblems surrounded auspicious designs of flowers, or often the qilin. At the centre top of the square, was a small folded triangular piece of cloth, from three to five layers thick. It was considered to be a lucky charm and originally represented the five blessings: health, wealth, happiness, long life, and the right to a natural death. In recent times only one or two layers were used. As well as being a lucky charm, it had the advantage of indicating which way up the carrier was usually worn, thus conforming to the shape of the child.\n\nThe Cantonese and Hakka women favoured red, considered an auspicious colour, or vibrant shades of flaming orange or bright pink. The ground cloth was usually of cotton or rayon satin for special occasions. Various good luck symbols were brightly embroidered in fuchsia, orange, lemon and vivid green satin stitch in floss or twisted silk on the centres. A pair of mandarin ducks symbolized marital fidelity and conjugal happiness, while the lotus flower represented purity and, with its seedpod, a wish for fruitfulness (Plate 5). Likewise, pomegranates with their many seeds stood for abundance in all things, especially sons.\n\nMany of the designs had a charming period feel: the influence exerted by books of embroidery designs popular in Shanghai in the 1920s and '30s was still strong (Plate 6). Chinese characters were used frequently for long life and good fortune; those for 'double happiness'",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
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    {
        "id": 215576,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 353,
        "title": "RAS-2001",
        "content_text": "303\n\ngenerals and an admiral, he must have had a very patriotic, British father.\n\nAs a British subject, Charlie Stilwell was interned in Stanley prison camp during the Second World War. A great story-teller he liked to recount how a police superintendent escaped. In reprisal, the entire police contingent at Stanley was incarcerated in Stanley Prison proper. Some had brought musical instruments from the police band into camp. As they were marched away to prison, Thirlwell recounted, the musicians struck up the well known, stirring march, Colonel Bogey, and everyone in camp joined in singing: 'And the same to you!' As a result, the Japanese felt they were losing control of the situation and fired their revolvers into the air (Sinclair; 1997, 32).\n\nAfter the war, besides working as a lighthouse keeper, Thirlwell led an active life when on shore leave. This included community service. Thirlwell had close connections with the Chaiwan fisher folk and boat people and his wife, in fact, was one of them.\n\n'He was a nice, cheerful man,' Dr James Hayes recalled, ‘and yes, he sang very well...' (Hayes; 1999).\n\nHe not infrequently sang stylised, Cantonese opera, with correct tones. He even sang lusty, boat-people songs which were beyond the capabilities of most native Cantonese. This surprised many who did not know his background. Charlie's appearance was much like a European. In reality, he was a Hong Kong born and bred Eurasian and he started learning Cantonese at his mother's breast. Perhaps surprisingly, he spoke English with a bit of a North Country English accent.\n\nHKBRAS member Louis Thomas agreed with Hayes: 'Yes, he was a jolly man, humorous, and one of those people who seemed to know everyone. He was well thought of. He enjoyed a glass of beer.'\n\nThomas said that at one stage his Round Table in Wanchai linked up with a boat people association at Chaiwan to provide assistance. Thirlwell was one of their leading members. He did a great deal of much needed community service.\n\nDeservedly, for his work as a loyal lighthouse keeper (and later in",
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    {
        "id": 215639,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2001",
        "page_number": 416,
        "title": "RAS-2001",
        "content_text": "368\n\nand he should always live in good correspondence and amity. It is a whitish, agate-looking stone about a foot and a half long, curiously carved and highly prized by the Chinese, but to me it does not appear to be of any great value....\n\nThe Emperor then presented me with a ju-eu-jou of greenish-coloured stone of the same emblematic character; at the same time he very graciously received from me a pair of beautiful enamelled watches set with diamonds, which I had prepared in consequence of the information given me, and which, having looked at, he passed to the Minister.\n\nAfter delivering the King's letter there followed a sumptuous banquet at which the Emperor sent Macartney and Sir George Staunton several dishes from his table and after an interval, he, the Emperor, sent for Macartney and Sir George and gave them each a cup of warm wine to drink in his presence. Members of the party then spent the whole of the week sightseeing in Jehol, visiting the Potala, attending an opera and going to the Emperor's birthday party:\n\nThe Emperor did not show himself, but remained concealed behind a screen, from whence, I presume, he could see and enjoy the ceremonies without inconvenience or interruption. All eyes were turned towards the place where His Majesty was imagined to be enthroned, and seemed to express an impatience to begin the devotions of the day. Slow, solemn music, muffled drums, and deep-toned bells were heard at a distance. On a sudden the sound ceased and all was still; again it was renewed and then intermitted with short pauses, during which several persons passed backwards and forwards, in the proscenium or foreground of the tent, as if engaged in preparing some grand coup de théâtre.\n\nAt length the great band both vocal and instrumental struck up with all their powers of harmony, and instantly the whole Court fell flat upon their faces before this invisible Nebuchadnezzar,",
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    {
        "id": 216070,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2002",
        "page_number": 369,
        "title": "RAS-2002",
        "content_text": "303\n\nup to Zhenjiang where he was stopped, searched and arrested for carrying arms. He was returned to Shanghai where he was tried and gaoled for nine months. The Chinese were furious having wanted his head'.\n\nMason's own version described his life in some detail and, in particular, his escapade in Zhenjiang and Shanghai in 1891. He began his book with a lengthy piece about him charting his aims and future some year or so after he had arrived and settled in China as a member of the Chinese Imperial Customs. He had decided to make himself king of a great country, first by forming a band of robbers to attract more desperate men and expand the band until he was strong enough to seize a city and plunder its public treasuries and arsenals. From there on he foresaw that things would move rapidly. As he wrote many years later, describing in a summary of his aims and objectives, he had decided to make himself the King of China because, he reasoned, he was in China, was popular with the Chinese, spoke their language and the Imperial Government was weak. He decided to use the Gelao Hui to further his aims. He planned it for some two years, so he wrote, and then in 1891, at the age of 25, he embarked upon his scheme. The plan was to bring a cargo of arms from Hong Kong and distribute them to Sha's [a Gelao Hui chief] five hundred men in Zhenjiang, and they would then rise and attack the authorities.\n\nHaving purchased the rifles, he had them shipped by coastal steamer to Shanghai where, following an informer's tip, Customs men were waiting. Mason, confronted by a Shanghai-based Customs officer, declared that he had been keeping the shipment under observation of his own volition all the way from Hong Kong. He was at first believed or at least given the benefit of the doubt, and was taken off to lunch by the Shanghai Customs Commissioner, Bredon. Mason, hating himself for being a turncoat, fled Shanghai to Zhenjiang where he was promptly arrested, and interrogated at the Customs headquarters in Shanghai by the local Chinese Imperial Daotai. Having confessed all to him but having also refused to name names, even after having been shown photographs of his mangled, tortured and decapitated Chinese friends, he was put before the British Supreme Court in Shanghai where he pleaded guilty and was sentenced to a year or so in gaol followed by deportation. He never mentions Mesny, nor any aspect of the case as described by Mesny.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
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    {
        "id": 216398,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 157,
        "title": "RAS-2003",
        "content_text": "107\n\nto the submarine was so great that a major salvage operation probably would be necessary.\n\nMost unfortunately too no more survivors were to come to the surface from the sunken vessel.\n\nAt 1300 hours on the 13 our ship sent her Chaplain, The Rev. F. Freeman, MA, and Royal Marine band across to MEDWAY. An hour later HERMES weighed for Wei-Hai-Wei where she anchored in Four Funnel Bay at 1643 hours. The summer base of the Royal Navy was that close to the scene of the accident.\n\nThe entire fleet mourned the very sad loss, and amongst their fellow submariners the mood was sombre.\n\nA memorial service was held on Sunday, the 14th.\n\nOn Monday, 15th June 1931 a Court of Inquiry was opened. The President was a submariner of note, and the recently appointed Flag Captain in SUFFOLK, Geoffrey Layton.\n\nIt transpired that while steaming in a south-westerly direction, course 235 degrees, at 1212 hours on Tuesday, 9th June H.M. Submarine POSEIDON had come into collision with the Chinese cargo steamer YUTA, Captain T. Iyeishi, steaming in a north-westerly direction on course 42 degrees magnetic. In other words, the two ships had been about to cross at right angles to each other. The sea was calm and visibility about six miles, position 37.49.5N 122.16E which, as suggested above, is just to the east of the easter point of the Shantung peninsula.\n\nS.S. YUTA was on passage from Shanghai to Newchwang with a cargo of 27,000 bags of flour and carrying no passengers.\n\nAt the time of the collision, several crew members in the submarine had jumped off her into the sea. One able seaman, J.E. Halsall, seeing his opportunity actually had had the presence of mind to take hold of a loose bight of cable hanging from the bow of YUTA and had climbed onboard to safety. Of the remainder, and as related, six men had escaped from the wreck of whom one died.",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
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