[ { "id": 204316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 84, "title": "RAS-1961", "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n80\n\nthat a Taoist priest entered her chamber. She was indignant and shouted, \"This is my inner room; how dare you, a stranger, come in!\" The Taoist priest said, \"Hurry up, madam, receive your marvellous child!\" Before she had had time to reply, the priest pushed something into her arms and she awoke, and her body was wet with cold sweat. She was frightened and before she could tell her husband all about the dream, she was again seized with a birth spasm. Li Ching went to the sitting room which was adjoining and thought over the matter. Suddenly two maids came out exclaiming “Madam has given birth to a monster!” Li Ching held his sword and rushed into the chamber. The room was filled with red mist which emitted a strong fragrance. A lump of flesh was rolling round the room like a wheel. Li Ching cut it with his sword and a baby jumped out, bathed in red light. The boy was very handsome; his face was as white as powder; on his right wrist was a golden bracelet; and his belly was covered with a piece of red silk gauze, which shone with a golden glow. He was a god, a re-incarnation (avatar) of the Ling-chu-tzu (Master of the Intelligent Pearl) and was destined to be the vanguard under Marshal Chiang Tzu-ya.\n\nTo give birth to a lump of flesh is something unusual in Chinese legends. But similar cases can be cited from the Buddhist sutras translated into Chinese as early as the third century. In the tale of Putrah (7) in chüan 7 of the Avadanasataka (# E), it is said that \"when the Buddha was in the country of Kapilavastu (E6) under the nyagrodha tree (ficus Indica), there was an elder who was very rich and his treasures were abundant and beyond measure. He married a wife from a notable family whom he loved very much, and with music and dances he used to entertain her. Now she conceived and when ten months elapsed she gave birth to a freak—a lump of flesh. The elder was vexed about it and thought it inauspicious. In the Fu-kuo Chi (DE \"A Record of Buddhistic Kingdoms\") under the \"stupa in the Vaisali” (œÊME) it is recorded,\n\n+\n\n·\n\n•\n\n•\n\nOn the upstream of the Ganges River there was a king whose concubine gave birth to a lump of flesh. The formal wife was jealous and said it was inauspicious, so she ordered this lump to be put in a wooden box and thrown into the river. Another king went out for an excursion on the river and opened the box in which he found a thousand babies who were extraordinarily handsome and dignified. The king took care of them until they grew up, when they were brave\n\n23 No. 20, The Tripitaka in Chinese.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204327, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 95, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n91\n\nyou will be one of his vanguards. Well, I think I can do something for you in this matter. He ordered Chin-hsia to bring two stalks of lotus and three lotus leaves to him, and with them he made a human shape on the ground, using the stems to represent the joints and articulation of the bones, and set the seed of a golden pill in the middle. He employed his divine power and spoke the magic spells while he pushed No-cha's souls toward the lotuses, and suddenly there sprang up a young No-cha who was handsome and full of vitality, with a rosy complexion, red lips, intelligent eyes and was sixteen feet tall. Thus was No-cha reincarnated from lotuses. (Ch.14)\n\nAs I have said, in chuan 3, Lun-1 P'in (Discourses) of the Ta-fang-pien-fu Pao-ên Ching there is a Buddhist legend which can be summarized as follows:\n\nThe king of Varanasi (*) married Lady Doe-mother who conceived and gave birth to a lotus which was cast into a pond. The lotus then grew five hundred leaves and under each leaf a boy was born. When these five hundred boys grew up they became giants, each of whom was strong and brave enough to fight against a thousand men single-handed. These brothers, from the first one to the four hundred and ninety-ninth all forsook their noble life and became Buddhist priests. The youngest brother attained the fruition of a Pratyeka-Buddha ninety days later and, manifesting his miraculous powers, he preached the dharma for the benefit of his parents.\n\nThis can be cited as an illustration that the story about reincarnation from a lotus had a religious background. In the paragraph in chuan 2 of the Wu-têng Hui-yüan I have quoted, the last sentence of the text is “現本身,運大神通,為父母說法” (manifesting his original body and by his miraculous powers preached the dharma for the benefit of his parents), and now in this sutra the corresponding sentence is “...” which would make no difference in translation. We may consult Ch.27, \"King Resplendent and Buddha Thunder-voice\" (¥2) of the Lotus Sutra, in which the two sons of the king, Pure Treasury (*) and Pure Eyes (), worrying about their father's attachment to the heretical teaching which deviated from the right course, revealed to him some of their supernatural powers (...) and brought him to faith and discernment.3 So we may believe the original story that No-cha “rending himself asunder, gave his flesh back to his mother and his bones to his father”.\n\n3 \"The Lotus of the Wonderful Law\" (Saddharma Pundarika Sutra), translation by Prof. Soothill, Oxford, p. 256.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 205354, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 116, "title": "RAS-1967", "content_text": "A NOTICE OF THE SANON DISTRICT\n\n109\n\nThe third remarkable mountain lies a few miles south of the district town, and is called \"Nam-shan\" — 南山 the Southern mountain. In a bay at the foot of this mountain is the famous temple of \"Teen-h'aou” — the Queen of Heaven at Chek-wan; and to the right and left of the entrance to this bay are two forts, now in ruins and unoccupied. A tolerably broad highway leads from the district town to this temple, and four or five rest-houses are erected along the road for the convenience of its devotees. Several altars exist on different parts of the mountain, and to these the Mandarins resort, to worship in times of scarcity or danger,\n\nLastly, is mentioned the mountain of Castlepeak, called by the Chinese \"Poe-lou-shan\" ✯✯J, on the western borders of the province, near the bay of Tun-wan. This mountain, remarkable for the fine view it affords, has near its summit a monastery occupied by Tauist priests. The mountain is reckoned one of the eight wonders of the Canton province. Some of its large granite boulders are said by the priests to represent various mythological monsters; and several springs well-up near the top, which are also esteemed supernatural wonders by the Chinese. The mountain is often visited by students and literati, and its wonders and beauties have been celebrated by them in many verses. The legends connected with the mountain seem not to be very clearly understood. The most remarkable of them is the following, which gave it the name it now bears: Hundreds of years ago there lived a renowned Buddhist priest who went by the name of \"Poi-tow,\" the Tea-cup Navigator. One night he took up his quarters in a certain house, and went away the next morning carrying with him the golden idol belonging to his host. This man started out in pursuit; but though he could see the priest before him, travelling on foot, apparently very leisurely, he could not, though he was on horseback, overtake him; and presently he saw the holy man carried over a river in a Tea-cup, and so gave up the pursuit as useless.\n\nSome time afterwards this priest effected the cure of a woman of rank, merely by writing a charm; often she had applied in vain to many doctors and sorcerers. Gratitude attached the whole family of the patient to him. Not long after this he died on his travels. Five years after his death he again appeared, and declared that he should now go into the Canton province, and accordingly he took up his residence on Castlepeak mountain; and being seen", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 206644, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 192, "title": "RAS-1972", "content_text": "186\n\nKEITH STEVENS\n\nfeatures, but as with all Chinese images there are local variations of which two major ones observed have been:\n\na. A shiny black Fa Chu Kung with six arms and standing barefoot, holding in his six arms:\n\n(1) a sword held in each of three of them,\n\n(2) a scimitar in one,\n\n(3) a magic ring in one (this is identical to the bracelet of San T'ai Tzu),\n\n(4) the sixth has a hand making the magical sign described above.\n\nHe is dressed in flowing golden robes, and has a small snake entwined around the arm with the hand making the magical sign. (Plate 25)\n\nb. A Ch'ao Chow style carving of Fa Chu Kung has two pillars protruding from the base on either side of his body reaching to his waist height, making two \"side table\" tops on either side of him. On one side, on the \"table top\", stands a vase and on the other stands a bowl. Otherwise he is exactly as described in the basic description.\n\nThe images most likely to be confused with Fa Chu Kung are those of his two brothers which apart from the colour of their faces are identical to his. They have never been observed on an altar without him.* Also possibly confused with Fa Chu Kung is T'ai P'ao or Sha Ho Shang who is described at the end of this article.\n\nTitles\n\nFa Chu Kung is known by various names or titles than by his best known title of Fa Chu Kung. According to Fukien temple keepers, Fa Chu Kung means the Controlling Duke. There is, however, a Buddhist term, Fa Chu, for the Lord of the Dharma, which is the Buddha himself. It is unlikely that this is the origin of Fa Chu Kung's title, even though several informants have suggested that, as he is black, he was an Indian and was formerly a trader from India. The various titles and names by which he is referred to, are:\n\na. Fa Chu Sheng Chün 法主聖君\n\nTitle given in Mutseh near Taipei to the group of the three brothers, all to be seen on one\n\n* See Plate 26. A Fukienese god-carver's sketch of Fa Chu Kung is at Plate 27.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206984, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 55, "title": "RAS-1974", "content_text": "ADVENTURERS IN HONG KONG\n\nForeign Adventurers\n\n49\n\nThe word 'adventurer' derives etymologically from the French aventurier, a term applied in the fifteenth century to a gamester. Over time the word has evolved to encompass a number of social types such as the soldier of fortune, the speculator, the impostor, and a person who lives by his wits. The Grand Larousse encyclopédique states magistrally that the aventurier is a 'personne qui vit d'intrigues, et n'est pas très scrupuleuse sur les moyens de se procurer de l'argent, le pouvoir, etc.' The concept includes two important elements—the idea that an adventurer is one who freely chooses to take risks and is involved, if only faute de mieux, in some kind of imposture or degree of deceit. This latter quality is particularly attached to the role of the adventuress, for she is perceived as someone who will stick at nothing to gain her ends, including the prostitution of her body; but it must be granted that the terms ‘adventurer' and ‘adventuress' are not simply the male and female equivalents of the same thing, they are linked to social roles, each of which, the male and female, has a different content. An adventurer may be an extremely moral person, like the Marquis de Morès, but an adventuress can hardly be that.\n\nPsychologically, adventurers may be positioned on various points of a continuum, ranging from the atavistic adventurer (the adventurer per se or sui generis) at the one end, to the run-of-the-mill soldier of fortune,54 hardly distinguishable from any other professional, at the other. Mayréna exemplifies the first species; a poseur, liar, gambler, swindler, and crook; his morals were those of the barnyard, though he was often extremely brave. The aristocratic and patriotic Morès, devoted husband and father, a devout Catholic of impeccable private morality, was more a soldier of fortune, as were many of his Spanish forefathers in Sardinia; he was a gentleman who simply enjoyed danger, challenge, movement; he was exhilarated by life in exotic climes. Thus Mayréna and Morès represent two extremes of a class of adventurers, a social category equivalent to that of bandits, feminists, sportsmen, terrorists.55\n\nThe golden age of the European adventurer spanned the hundred years from Waterloo to the First World War. It is true that adventurers of all types flourished before that period—condottierri, landsknechten, conquistidores, filibusters, freebooters, buccaneers, explorers, imposters, swindlers and tricksters—but the hundred years of", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207991, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 30, "title": "RAS-1977", "content_text": "14\n\nLEIGH WRIGHT\n\nAt the height of Brunei's \"golden age\" the earliest contacts with Europeans occurred. The best records of the early contacts are found in the account of Antonio Pigafetta, the chronicler of Magellan's circumnavigation voyage. In 1521 Magellan's fleet visited Brunei. I quote at some length a description of Brunei under Sultan Bulkiah.4\n\nWhen we reached the city, we had to wait two hours in the prau, until there had arrived two elephants, caparisoned in silk-cloth, and twelve men, each furnished with a porcelain vase, covered with silk, to receive and to cover our presents. We mounted the elephants, the twelve men going before, carrying the presents. The present for the king consisted of a vest velvet in the Turkish fashion, a chair of purple velvet, five yards of red broad-cloth, one cap (beretoo), a gilded goblet, a glass vase with a lid, three quires of paper, and gilded inkstand. We brought for the queen three yards of yellow broad-cloth, a pair of silver-embroidered shoes, and a silver case filled with pins. We thus proceeded to the house of the governor, who gave us a supper of many dishes. Here we slept for the night on mattresses stuffed with cotton (Bambagic), and cased with silk. Next day, we were left at our leisure until twelve o'clock when we proceeded to the king's palace. We were mounted, as before, on elephants, the men bearing the gifts going before us. From the governor's house to the palace the streets were full of people armed with swords, lances and targets: the king had so ordered it. Still mounted on the elephants we entered the court of the palace. We then dismounted, ascended a stair, accompanied by the governor and some chiefs, and entered a great hall full of courtiers, whom we shall call barons of the realm (Baroni del regno). Here we were seated on carpets, the presents being placed near to us.\n\nAt the end of the great hall, but raised above it, there was one of less extent hung with silken cloth, in which were two curtains, on raising which, there appeared two windows, which lighted the hall. Here, as a guard to the king, there were 300 men with naked rapiers (stochi nudi) in hand resting on their thighs, at the further end of this smaller hall, there was a great window with a brocade curtain before it, on raising which, we saw the king seated at a table masticating betel, and a little boy,\n\nPage 30\n\nPage 31", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208013, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 52, "title": "RAS-1977", "content_text": "36 \n\nG. C. EMERSON \n\ncheques to fellow internees who had extra yen. These cheques were payable after the war and were called ‘duress cheques' as they had been written under duress. After the war the Hong Kong Government announced that people should not feel obligated to honour them. However, as those who signed the cheques had done so willingly and felt that in many cases they had saved them from starvation, almost all the cheques were honoured. As a result, a few of the internee-traders who held many of these cheques became wealthy.\n\nOne man was said to have done this:\n\n1st he traded 8 lbs. of rice for a tin of golden syrup\n\n2nd — he sold the syrup for HK$500\n\n3rd — he sold the HK$500 for ¥3000\n\n4th he sold the ¥3000 at ¥10 to £1 for a £300 cheque.\n\nThus his original 8 lbs. of rice, which before the war was worth about 1 shilling and 4 pence, was eventually turned into 300 pounds sterling!\n\nFood and the Black Market occupied much of Camp \"gossip\", and another topic frequently talked about was repatriation. For the British, repatriation never occurred, partly because in exchange for them, the Japanese asked for a group of Japanese interned in Australia who had been pearl fishermen there and hence knew the coastline very well. Fearing a possible Japanese invasion of Australia, for which these people would have been invaluable, the British government refused to allow their repatriation. The Americans and Canadians in Stanley Camp were, however, repatriated. On 29th June 1942, the first group, mostly Americans and numbering about 300, left on the Asama Maru for Lourenco Marques, Mozambique, where they met the Gripsholm bringing Japanese from America. Changing ships, the Americans reached New York on 25th August 1942. The second repatriation took place in September 1943, when approximately 140 internees, mainly Canadians, returned home.\n\nOne internee, watching the Americans march down to the jetty in Stanley Bay to board small boats which took them out to a ferry for transference to the Asama Maru, wrote:\n\nWe sat on the wall of the cemetery and with deep emotion watched them go. We had dreams of good food for them, of", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208158, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 197, "title": "RAS-1977", "content_text": "NOTES AND QUERIES\n\n181\n\nHe must have come by boat as the record states that \"he left his boat at Tuen Mun - the present-day Castle Peak Bay - and rambled through the woods of the New Territories and visited many mountains. He fell in love with the scenery, and found many excellent grave sites for he was an accomplished geomancer.\"\n\nAfter he finished his official tour of duty in Yeung Chun County, he returned to his native home at Kiangsi and brought down the exhumed remains of his great grandfather TANG Hon-fat (#) and his great grandmother and those of his grandfather TANG Kun () and his grandmother to this area for reburial, presently the New Territories of Hong Kong.\n\nHe buried his great grandfather and great grandmother in a grave at a site called Yuk Nui Pai Tong (#), meaning \"the newly married girl is presented to her in-laws\", at a small hill near Wang Chau (#), Yuen Long. He also buried his grandfather TANG Kun and his grandmother in a grave the site of which is called Kam Chung Fook Fo (4ƒƒX), “the golden bell covers the flame”, on a small hill behind the present Pok Oi Hospital on the main road from Kam Tin to Yuen Long. Both sites were considered auspicious.\n\nWe do not know whether TANG Fu-hip's father TANG Yuk (e) was brought here dead or alive. He and his two wives were buried in a grave on a small hill not far from the Tsuen Wan District Office. The name of the site is called Pun Yuet Chiu Tam (*AR), “a half moon is shining over the water pond”.\n\nOwing to the proximity to the urban area and its easy accessibility, the Tang clan led by their elders come here every year on the 19th day of the Tenth Moon (lunar calendar) to pay homage to this ancestor.\n\nThe record does not tell us how TANG Fu-hip brought the bones of his ancestors from Kiangsi, whether by boat or by the overland route.\n\nWhen TANG Fu-hip died, he was buried in a grave he had chosen himself. The name of the site is called Sin Yan Tai Tso (^) “the grand seat of the fairy\", and it is located not very far from where he buried his great grandfather and great grandmother.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208293, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 17, "title": "RAS-1978", "content_text": "EDITORIAL\n\nWith this Journal, No. 18 in the series, our printer and member, Mr. Lam Yung-fai, has completed eighteen years of sterling work for the Society. In my twelve years as Hon. Editor and to my knowledge before that, Mr. Lam has always treated the Journal as a special job, something dear to his heart and therefore the subject of his special attention. I have not been the best of the editors because my official duties leave little time and less energy for other pursuits, and in consequence Mr. Lam and his staff have had to accept papers as and when I was able to deal with them and often \"bad copy\" in my poor hand. It is largely owing to Mr. Lam's tolerance, patience, and his affection for the Society that a satisfactory Journal is produced each year. For this, we are indeed most grateful. It is therefore with great pleasure that I record here the Council's decision to appoint him an Honorary Member of the Society in recognition of his services to the Branch.\n\nIt is eleven years since I penned an editorial. During that time and since its inception, the Journal has provided a useful, indeed major, outlet for work on Hong Kong. The result is, by now, a large body of material on the subject that is of value to the Hong Kong community and of use to many persons seeking background to their own studies and literary work of all kinds. Perhaps the greatest compliment paid was the extensive and acknowledged use of material from the Journal in P.H.M. Jones' Golden Guide to Hong Kong published by the Far Eastern Economic Review in 1968; though of course, much more has appeared in these pages since then, thanks to the interest in Hong Kong and China that draws so many researchers here for academic work.\n\nMuch of the material provided is historical. This is important in a period of sweeping change when, otherwise, much of value that would provide essential background to the current, ever-changing scene, is swept aside and lost forever unless recorded. Some of it relates to the contemporary, equally threatened by the rapid pace and face of change. Most is sociologically-based. Here, I renew the thought expressed in 1967, and earlier by our first Hon. Editor, Professor Cranmer-Byng: that since ethnography is a particular", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208841, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 3, "title": "RAS-1980", "content_text": "202\n\nTo\n\nand\n\nsites were also rendered ineffective by the emperor's golden pen. My knowledge, the elders knew of four sites. One of them was on Tiu Chung Chau at Kau Sai in Saikung. The fungshui of this site was ‘a golden bell hanging on a silk thread'. Every year at the Double-ninth festival, nine buffaloes came to worship at the grave; there was also the sound of a bell being struck. A second site was at Yuen Chau Chai at Kei Leng Ha Village. The fungshui name was 'the general comes down from his horse to drink three cups of wine'. In the middle of the sea, there is Wu Chau (with the adjacent island of Sam Pui Tsau) that resembles a pig, three cups of wine and two cups of tea. Another site was at To Tau Tsui at Wu Kai Sha, which is opposite Nga Chau (usually nowadays called A Chau) in the Tai Po Hoi. The fungshui name was crows going into the ocean. Legend has it that in the old days a mud embankment connected Wu Kai Sha to Nga Chau which sank into the sea after the emperor put down the dragon. The embankment has not been seen again. One more site was on Ap Chau opposite Kat O. The fungshui name was 'precious duck going through the lotus'. The legend is that Ap Chau used to be able to swim between Sam Mun Kan and Mirs Bay. Later, it was blocked by a duck pole, that is, the place currently known as Hak Ngam Kok. After that, when paddy ripened in the Yim Tin Village area near Sha Tau Kok, there was no rice grain on the stalk, because it was all eaten by the duck. After the emperor put down the dragon with his golden pen, the head of the duck... and then there was grain again.\n\nI know about the fungshui of only these four grave sites.\n\nhe cut off\n\nPassage 2\n\nRecorded by Ho Kei Fook\n\n\"An extraordinary person saw that Huang Hsiao-yang [rebel in the Canton area in the early fifteenth century] had features fitting to make him emperor and gave him a bamboo shoot to plant at home. When the 'bamboo grew to the height of his brows', he was supposed to be able to make an arrow out of it which he could use to kill the emperor with and thereby take over the throne. Huang planted the bamboo shoot as he had been instructed and a bamboo stem grew", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209882, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 141, "title": "RAS-1983", "content_text": "119\n\nduties each year; but old residents have supplied information on this point. A Heung Shan (Chung Shan) man who was a tai chik lei (Chairman) for the Sau Hing Fong, in the 11th to the 20th years of the Chinese Republic (1922-1931) and knew of past practice, has said that in his time there were within the Fong one tai, aided by three fu chik lei (Vice-chairman) and some 8-10 ordinary chik lei (managers).\n\nTogether, when it came to their Fong's turn to arrange for the temple rituals, these men would make all the arrangements for celebrating all three major religious occasions on the island on behalf of the whole community. The body of chik lei came together because of their interest and willingness to contribute, and to spend their time and effort on the work. The selection of the four senior chik lei was done in the Hung Shing temple, by casting the divining blocks (kau pui) before the altar.\n\nThis was described locally as man Hung Shing or as man pui; that is 'asking Hung Shing god' or 'asking the divining blocks'.18\n\nIn another of these bodies, the Fuk Hing Fong of San On residents, an old member (born in 1897; and interviewed in 1966) confirmed the mutual coming together by the body of chik lei with a view to selecting a leader, but in this Fong they met in the shop of one of its leading members. The leaders were not chosen by using the divining blocks in the temple, but were selected by the leading shopkeepers and manufacturers of the Fong from among themselves, on the basis of their business success, good reputation and interest in the work of securing a continuance of blessings through the faithful performance of religious observances in each lunar year.\n\nWhichever method was adopted—and it may have varied from time to time—the selection of persons as senior chik lei was celebrated by the preparation and presentation of an ornamental tablet described as a (*). This was a red painted wooden board, draped with a red cloth and surmounted by golden flowers or tassels. Black characters on the board gave the name, post and date of the senior chik lei. When the board was ready, it was borne along the street in procession accompanied by Taoist priests or nam mo lo and musicians and fixed", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 213621, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 217, "title": "RAS-1995", "content_text": "190\n\nher son would produce two images of the Patriarch if the son was cured. The son then produced the now famous Liu Tsu image, copying the mummified body, one small and one large, which have now been copied by most temples.\n\nThe Taoist Seven True Ones\n\nThe Taoist Patriarch Chung-yang founded the Taoist Ch'üan-chen sect during the Southern Sung dynasty. His seven disciples, enlightened ones, were known as the Seven True Ones (of the Northern school), though in some places, notably in Taiwan, it is believed that he and Ch'iu Ch'ang-ch'un were both only members of the group of Seven, and not the founder and senior member respectively. He and his seven disciples lived during the eras of the Southern Sung and Yüan dynasties, the 12th and 13th centuries AD. The Seven taught that meditation and exercises were the path to perfection through internal transformation of mind and body. Most of the Seven have not been noted in image form on altars, though tales of their lives, struggles and attainments to achieve the Tao are written up and available in a number of southern Chinese Taoist temples, though none have been encountered in Taiwan. The monastic headquarters of the Sect was first established in Shantung province, later moving to the Pai-yün Kuan in Peking. The tenets of the sect advocate the path to Tao through meditation and the transformation of mind and body rather than through physical exercises and the use of medicinal herbs. The secondary title of the Sect is the Golden Lotus Orthodox Belief, Chin-lien Tseng-tsang, reflecting the influence of Buddhism on the Sect.\n\nImages of Wang Chung-yang and of all Seven were noted in a major monastery in Shansi early this century, and are still to be seen in the temple at the base of Hua Shan in Shensi province.\n\nThese Seven Disciples or Taoist Masters, known as Chen-jen, were:\n\nThe first of the disciples is Ch'iu Ch'ang-ch'un, Ch'iu, the Perfect One of Eternal Youth. A master of alchemy and now a Taoist saint and Immortal, he lived towards the end of the twelfth century, the period of Tatar rule over China, and is renowned as the", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 214133, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 201, "title": "RAS-1997", "content_text": "172\n\nin the Colony), it could also be seen at Sha Tau Kok and at San Hui in Castle Peak Bay.7\n\nIn certain places along the route on our way to Huizhou, where there was apparently good fung shui, there were concentrations of graves and funerary urns, the latter, in Chinese, known as 'golden pagodas'. These contain human bones, placed in anatomical order, in the shape of a foetus, ready to 'return to the womb' for rebirth at reincarnation. Often, as one sometimes sees in Hong Kong's New Territories, small clusters of these urns were placed in tiny shelters. In some places however, along the road to Huizhou, these small structures were painted in garish colours.\n\nOften one would pass in China brick and tile kilns very similar to those simple kilns which one could find in the Castle Peak district of Hong Kong in the 1950s. A few years later these small firms were put out of business by less expensive clay, building-products which were imported into Hong Kong from Guangdong.\n\nThe author contrasts this visit to Huizhou, in beautiful short-sleeve-shirt weather, with a visit led by RAS Member Phillip Bruce, also undertaken in November, about a decade earlier. The previous visit took place on one of the coldest November days on record with temperatures down to freezing. The author wore a deerstalker hat with ear-flaps to protect him from the biting wind! At the time, limited development had taken place in Huizhou. It is surprising how things have changed.\n\nAcknowledgements\n\nThe RASHKB is grateful to Geoffrey Roper and his Activities Committee members, and especially to Dr Joseph Ting and Peter Rull, for organising this visit. The author is also grateful to RAS Member Charles Slater for the three photographs which illustrate this article.\n\nNOTES\n\nPeter Rull and Joseph Ting, Outline Programme for RAS Huizhou Visit 15 and 16 November 1997, handout\n\nGeoffrey Roper, An Introduction to the Tan Gong (Tam Kung) Temple below the Julung", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214241, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 99, "title": "RAS-1998", "content_text": "62\n\nbonnet. He has a Chinese face, white moustache and beard and rather hooded eyes.\n\nHowever, in the Pi-yun Ssu, also in the Western Hills, his modern image depicts him in what appears to be a sarong held up by a long blue bow, and with a bare chest. His shoulders are covered with a decorated blue robe down to his knees, parted revealing his bare chest, and an unusual bonnet which appears to have a pair of short wings extending out beyond his ears. He has a squat nose, large mouth and is holding his right hand making a mystic sign at chest height. His left hand grips an incense-stick holder at waist height. He looks marginally less Chinese than the other images but does not look Indian.\n\nPaired with Indra, he stands in prime position at the head of one of the two rows of fourteen Deva.\n\n2] Indra, known in Chinese as Ti Shih and Yin-t'o-lo\n\nHe is the greatest of the Vedic deities with the dual function of weather and war god, known also as Sakra Devanam. He has been adopted by Buddhists as representative of secular powers, protector of the religious body but inferior to any Buddhist saint. He is said to have taken an oath to defend Buddhism during a former incarnation and was reborn as the King of the Yakshas.\n\nAlthough some Chinese Buddhists identify Indra as the Taoist supreme deity, the Jade Emperor, Brahma is much more commonly accepted as a form of the Jade Emperor.\n\nHis image is present in both the Ta Pei Ssu and in the Pi-yun Ssu, and in both he is completely Chinese with no hint whatsoever of foreign origins. He is standing, an ancient minister, dressed in colourful decorated Chinese robes and imperial bonnet, with pink flesh, a black moustache and goatee, and with both hands held together before his chest, fingers pointing upward.\n\nIn Hong Kong he has been paired with Brahma on altars and is portrayed carrying a golden bowl somewhat similar to an incense pot. He is depicted in a form and dress virtually identical with that of Brahma,", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214682, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 97, "title": "RAS-1999", "content_text": "61\n\nSee) Hong Kong 1987, WW#ENS \"明 (*1##AB) (Forts and Batteries Coastal Defence in Quangdong during the Ming and Qing Dynasties), Urban Council, Hong Kong, 1997, A Lui Yuen ching Forts and Pirates A History of Hong Kong, Hong Kong History Society, Hong Kong, 1990, p 29\n\n5 On the foundation of Po Kong, see Jen Yu wen, \"The Southern Sung Stone-Engraving at North Fu Tamg\" Journal of the Royal Asiatic Society, Hong Kong Branch, Vol 5, 1965, pp 65-68 The founder was the great grandfather of a significant local leader in the Kowloon area in 1274, the man responsible for managing the rebuilding of the Tin Hau Temple in Joss House Bay in that year Given his local standing, it is likely that this man was in his 50s or 60s in 1274 This being so, his great-grandfather was probably born in the period 1120-1140, and a foundation date for Po Kong in the 1160s would therefore seem very likely\n\nE\n\n6 On this incident see Jen Yu wen, \"The Travelling Palace of Southern Sung in Kowloon\" Journal of the Royal Asiatic Society, Hong Kong Branch, Vol 7, 1967 pp 21-38, Jen Yu-wen, ed , Hong Kong, 1960, , Hong Kong, 1959, #M, (R), op cit, Chapter 4, 蕭國健,“香港王廟奉[楊大王]”in <香港前代史論集> ed 國健 and 大厅, Taipei, 1985\n\n7 Jen Yu wen, \"The Travelling Palace of Southern Sung\", op cit p 33\n\n8\n\n* The young princess was drowned at sea, and the body was lost the grave had buried in it, to represent the deceased, a golden figurine the grave was known locally as the 'Grave of the Golden Maiden'\n\n፡፡\n\n\"Some scholars doubt this ascription (for instance, in his \"FAI PREFLEX\", op cit) but the identification seems certain to me The identification was first made by the eminent late Ching scholar, Chan Pak-to (B) in a tablet he placed in the Hau Wong Temple, Kowloon City, in 1917 (the text is to be found in 科大,陸鴻基,吳倫霞<香港碑銘彙編> (D Faure, B Luk, A Ng, The Historical Inscriptions of Hong Kong), Hong Kong, Urban Council, 1986, Vol 2, pp 446-449) I find the reasons given by Chan Pak-to and Jen Yu wen (loc cit) on this very compelling\n\n10 In 1846, as shown by the drawing of that date by Lt Collinson, the market comprised just the one main street, and the pier had not yet then been built The", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 216041, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 340, "title": "RAS-2002", "content_text": "274\n\nThere also used to be an early Buddhist shrine dedicated to the former abbot of renown, Fa Hai, concealed in a cave on the hillock. In recent times the few foreign tourists visiting Zhenjiang have been perplexed by the description of Jin Shan being an island when it is so obviously part of the mainland. The reason is all too obvious. Alluvial silt left by the Yangzi floods down the past hundred and fifty years has not only completely joined the island to the mainland but also reclaimed part of the River, land now used for agriculture. 19th century western accounts of the town usually tended to begin with a description of the view from the Yangzi of the pagoda of the temple on the island of Jin Shan or, during the storming of the town by British forces in 1842, of troops being disembarked on the mainland across the strip of water at that time still separating Jin Shan from the mainland.\n\nAccording to Doré's description of the Jin Shan temple following his visit during the early days of the twentieth century, \"the visitor was confronted on entering with the Falstaffian figure of the Buddha Maitreya [Mile Fo], the Buddha of the Future, squatting in his turret as guardian of the precincts. Behind him opens out a vast vestibule at the sides of which are four gigantic statues - about fifteen feet in height - of the Four Heavenly Kings, Si Da Jingang, inner guardians of the monks and the monastery. Crossing the inner court, one entered the great Hall. On the altar were two Buddhist triads. Facing North are gigantic statues of Sakyamuni, Yao Shi Fo and Mile Fo, the Buddhas of the Present, Past and Future. Beside Sakyamuni in the centre, stand his two disciples, the old Kasyapa and the young Ananda. Right and left of the altar are the two guardians Li, the Pagoda-bearer and Wei Tuo. Facing South is the Triad San Da Shi: Guan Yin, Wen Shu and Pu Xian. Guan Yin rides over the waves on a sea monster; near by are the rocks of her sacred isle, Pu Tuo and, in between these, sundry immortals and Buddhas were housed. The Golden Boy, Shan Cai and the Naga Maiden, Long Nu are conventionally in attendance on Guan Yin whom the authorities in the temple recognise as formerly having been a god - not a goddess\".\n\nThe second large Hall was the Hall of the Yangzi Spirit, Jiang Shen [Spirit of the River]. Serving as a military barracks at the time of Doré's visit “it retained of its former glories only one ordinary-sized statue of the god, in a lateral niche, viz. a fish about three metres in length carved in wood with a copper plaque providing the honorific", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]