[ { "id": 204306, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 74, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n70\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n(P'u-hsien), and Avalokitesvara (Kuan-yin). Only certain Buddhas of the Tantric Sect, such as Cundi (Chun-t'i) and Vairocana (P'i-lu-chê-na) are mentioned as \"saints from the West\"; but even these are given Taoist-sounding titles like tao-jên. In this way, the mainly Taoist framework of the novel is preserved. This amalgamation of Buddhist and Taoist deities is highly interesting and may have influenced actual religious practice in China. The practice of worshipping Taoist gods side by side with Buddhas and Bodhisattvas seems to have started after the publication of the novel, for in earlier Taoist literature we find no Buddhist deities mentioned among Taoist gods. For instance, in the Yün-chi ch'i-ch'ien, chüan 103, we find an account of the Taoist pantheon as it was in the eleventh century, which contained no Buddhist deities or fictional gods. But after the sixteenth and seventeenth centuries, various Taoist gods mentioned in the novel came to be worshipped together with Buddhist ones. What is more, most of the temples which apparently first adopted such practice were situated in northern Kiangsu, near Hsinghua, the native district of Lu, the author of the novel. It is therefore not unreasonable to suggest that the novel influenced the composition of the Chinese pantheon and contributed to the amalgamation of Buddhist and Taoist gods in popular belief.\n\nThe amalgamation of Buddhist and Taoist gods seems to have been achieved purposely by the author of the Fêng-shên. As a concrete illustration, I propose to describe how Vaisravana (P'i-sha-mên Tien-wang), one of the Four Heavenly Kings in Buddhist belief, and his third son Nata (Na-cha or No-cha), became important characters in this novel. Vaisravana was of course an Indian god, but during the T'ang and Sung periods he became identified with the Chinese general of the T'ang dynasty, Li Ching. But stories about him were disconnected before the novel Fêng-shên Yen-i was compiled. In various prompt-books which existed before the novel, such as the Nan-yu-chi (\"Prince Hua-kuang or The Voyage to the South\") and the Hsi-yu-chi (“Pilgrimage to the West”, the prototype of the famous novel of the same name) in the Ssu-yu-chi (\"The Four Travels\"), there were already stories about this god and his son. But in the hands of the author of the Fêng-shen these fragmentary and disconnected stories were reorganized and transformed into a vivid tale which can almost stand on its own as an interesting story apart from the whole\n\n* For illustrations of some of these temples, such as the Kuang Fu Monastery in Tai-hsing, Yangchow, and the Tu Tien Temple in Hai-men, Kiangsu, see Père Henri Dore, Recherches sur les superstitions en Chine, (10 vols., Shanghai, 1913-38), Bk. 9, Pt. 2, in Vol. 6.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 77, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204315, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 83, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n79\n\nBut this does not explain satisfactorily the record in the Mahavaipulya Mahasamnipata-sutra (李大集遺設堂訴言),21 in Catur-maharaja (四大天王), which maintains that each maharaja has ninety-one sons, but gives no names. And this does not explain the case (in the Janavasabha suttanta22 in chüan 5 of the Dirghagama) of the other god who, because of his accumulated merits would be re-born after his death as a son of Vaisravana in the Caturmaharajakayika (四大天王部). In the Buddha Preaching Jên-hsien Ching (作請人軟訣),* (AB jên-hsien being the Chinese translation for rsi jina) concerning the future of King Bimbisara (望界藤王), it is alleged that he would be re-born as the son of Vaisravana,\n\nPerhaps such confusion would explain why the author of the Fêng-shên, though knowing a good many of the Tantric legends, and adopting (in Ch.99 of the novel)23 the Chinese names for the four heavenly kings as \"Protectors of the Tripitaka and the Country, and Regulators of Wind and Rain\", abandoned the use of the name of Tu Chien and, in order to make his name conform to those of his younger brothers, invented Chin-cha (\"金吳), as the name of the eldest son of Li Ching. Chin-cha, though his origin does not appear in any reliable records, may, I suspect, come from the Tantric dharanis. Also, I have found in Act 1 of the anonymous play, Yüeh-ming Ho-shang Tu Liu-ts'ui (月明和尚堂留利清)24 of the Yuan dynasty, the following words chanted by a priest:\n\nAn! Ch'ih ling Chin-cha, Chin-cha, Sêng Chin-cha, Wo chin wei ju chieh Chin-cha, Chung pu wei ju chieh Chin-cha, An!\n(Listen! I am speaking of Chin-cha. Chin-cha, monk Chin-cha, I come to release you from Chin-cha, not to tie you up with Chin-cha. Listen! 哈！我今為你解金吳, 终不為你縋金吳。哈！)\n\nSince the author of the Fêng-shên was interested in both Buddhism and Taoism and is proved to have known many plays and other works of popular literature, he might have made use of materials such as those quoted above, in his creation of his characters.\n\n3. A LUMP OF FLESH WAS BORN\n\nThe story of No-cha's mother giving birth to him, in Ch.12 of the Fêng-shên Yen-i is as follows:\n\nLi Ching's wife, née Yin, had been pregnant for three years and six months, so he became very much vexed at it.\n\nThe wife dreamed one night at three strokes of the watch\n\n21 No. 397, translated by Dharmaraksa.\n\n22 Tseng-chang, Kuang-mu, To-wên, Ch'ih-kuo, see No. 665, Suvana-prathasa Sutta Sutra (Chin-kuang-ming Tsui-shêng-wang Ching 金光明最膤王訣), 11 & 12.\n\n*9*", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204331, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 99, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n95\n\nB\n\n(c) The T'ao T'ien-chün ( or Celestial Master T'ao), one of the four attendant-generals forming the retinue of the Premier Wên T'ai-shih in the Fêng-shên Yen-i is an invention of the author of the Fêng-shên for a particular reason.3\n\nIn any one of the earlier works before the Fêng-shen, whether Taoist canonical texts or popular literature, we can find the other three T'ien-chün but not this one. This fact strengthens the hypothesis that this particular character was created with a purpose. But he appears also in Wu Ch'êng-ên's Hsi-yu-chi. (Ch.4 etc.)\n\n(d) Yin Chiao () in his transformed figure is an ugly and evil god. \"His face was as blue as indigo, and he had long projecting teeth\" (Ch.63, Fêng-shên Yen-i). He was canonized as the T'ai-sui (✯ the God of the Cycle) in Ch.99 of the Feng-shên. Now in Wu's Hsi-yu-chi there is a line of verse, \"The other had a blue face and protruding teeth as ugly as the T'ai-sui.”\n\n(56)\n\n(e) In Wu's Hsi-yu-chi, when Sun Wu-k'ung ( the Monkey) was repelled by Hsüan-tsang (), he thought of “going to the islands (hai-tao ) but he was rather ashamed to meet those immortals in the three fairy-lands (san-tao chu-hsien l)\". (Ch.57) This is probably influenced by the islands and the immortals there (hai-tao tao-yu fă‡) in Chs.38, 47 and 59 of the Fêng-shễn. In Ch.59 of the Feng-shên when Lü Yüeh (BG) was defeated by the troops of Chiang Tzu-ya, he fled to the islands as his last resort.\n\n(f) In Wu's Hsi-yu-chi (Ch.60), the Demon-king of Oxen (Niu Mo-wang 4E) rode on a \"water-proof golden-pupiled monster\" (Pi-shui Chin-ching Shou HR). I think this name was invented after the \"fire-spitting golden-pupiled monsters\" (Huo-yen Chin-ching Shou ) ridden by Chêng Lun, Chiên Ch'i and Ch'ung Hei-hu in the Fêng-shên Yen-i.\n\n(g) In Ch.61 of the Wu's Hsi-yu-chi there are the \"four great Vajras\" (MAI) which are no doubt an adaptation of the “four great heavenly kings\". One of their dwelling-places is in the Chin-hsia Tung ( Golden Clouds Cave) of Mt. K'un-lun. In fact this Chin-hsia Tung is exactly the name of the grotto where the Yü-ting Chên-jên (EMRA Immortal of the Jade Urn) lives in the Fêng-shên Yen-i, and Mt. K'un-lun is the sacred mountain of the Promulgating Sect.\n\n37 Ibid., pp. 251-55.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204936, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 44, "title": "RAS-1965", "content_text": "# THE POPULATION OF CHINA \n\n37\n\nWhile so many elements of vitality are in a state of activity for the reproduction and sustenance of the human race, there is probably no part of the world in which the harvests of mortality are more sweeping and destructive than in China, producing voids which require no ordinary appliances to fill up. Multitudes perish absolutely from want of the means of existence; inundations destroy towns and villages and all their inhabitants; it would not be easy to calculate the loss of life by the typhoons or hurricanes which visit the coasts of China, in which boats and junks are sometimes sacrificed by hundreds and by thousands. The late civil wars in China must have led to the loss of millions of lives. The sacrifices of human beings by executions alone are frightful. At the moment in which I write, it is believed that from 400 to 500 victims fall daily by the hands of the headsman in the province of Kwang-tung alone. Reverence for life there is none, as life exists in superfluous abundance. A dead body is an object of so little concern, that it is sometimes not thought worth while to remove it from the spot where it putrefies on the surface of the earth. Often have I seen a corpse under the table of gamblers; often have I trod over a putrid body at the threshold of a door. In many parts of China, there are towers of brick or stone where toothless — principally female children — are thrown by their parents into a hole made in the side of the wall. There are various opinions as to the extent of Infanticide in China, but that it is a common practice in many provinces admits of no doubt. One of the most eloquent Chinese writers against infanticide, Kwei Chung Fu, professes to have been specially inspired by \"the God of literature\" to call upon the Chinese people to refrain from the inhuman practice, and declares that \"the God\" had filled his house with honors, and given him literary descendants, as the recompense for his exertions. Yet his denunciations scarcely go further than to pronounce it wicked in those to destroy their female children who have the means of bringing them up; and some of his arguments are strange enough: \"To destroy daughters,\" he says, \"is to make war upon heaven's harmony\" (in the equal numbers of the sexes): \"the more daughters you drown, the more daughters you will have; and never was it known that the drowning of daughters led to the birth of sons.\" He recommends abandoning children to their fate \"on the wayside\" as preferable to drowning them, and then says \"there are instances of children so exposed...", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205377, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 139, "title": "RAS-1967", "content_text": "132\n\nREV. MR. KRONE\n\nTo the left of the temple of Confucius, is the temple of “Kwan-kung”關公—the God of War; and on the right another one dedicated to \"Man-tai\", the God of Literature. Behind the latter is the hall Ning-lun, in which the public examinations are held. The literati and elders meet here on special occasions. In the vicinity of these edifices is the temple of “Sha-nung”神農—the God of Agriculture; and before it extends a piece of ground, on which the chief magistrate has to plough a few furrows at the beginning of spring, in accordance with an ancient custom. Near the sea-shore is a large space of ground, which serves for drilling the military, and on which the military examinations are also held. On it also a hall is erected for the accommodation of the officers.\n\nNot far from this place is a Buddhist temple, which contains images of the three Buddhas, and of the eighteen Lo-hou, which are Buddhist demi-gods. In front of the three Buddhas is a tablet, before which the devotees worship the reigning dynasty. On this tablet is the inscription \"Ten Thousand years!\" Farther above this is another tablet with the characters \"Protect my black-haired people.\" The chief magistrate is obliged to repair here once a month, and to prostrate himself before these tablets.\n\nOther edifices worthy of notice are, a five-storied pagoda, a temple to the well-deserving mandarins Wong and Lau, and an altar to the Gods of Land and Grain. Outside the town is the execution ground, and here, in 1854, many rebels were decapitated, and there might be seen at times the heads hung up in baskets as a warning to the people.\n\nThe fort and city of Kowloong are sufficiently known, and there is but little to say of them. The low walls and miserable forts have often been visited by foreigners. The environs of Kowloong contain some curious mementoes of history, of which the rest of the district is destitute. Ping-tai, the last of the Southern Emperors of the Sung dynasty, fled with the remnant of his faithful adherents to the province of Canton. Near Kowloong he attempted to build himself a palace, which however he was unable to complete, and the situation is now marked by a temple to \"Pak-tai”北帝—the God of the North. One of his high officers died here, and his tomb is situated on a hill, which is called to this day Sung-wang-tai. These three characters are engraved on\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205420, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 182, "title": "RAS-1967", "content_text": "BOOK REVIEWS \n\n175 \n\nbeliefs and practices still occupied an important role in the lives of the people (we have so little information on the contemporary position of the popular cults), it is doubtful whether we could ever cover the immense range of variation in the material. \n\nGods worshipped by the ordinary folk, the celebration of their festivals, stories about them, and what they were believed able to do for the people in a community, differed not only from region to region, as we know from the literature on the subject, but even between different localities within a region. \n\nBut immigrants from various parts of the homeland have taken many of their local beliefs and practices with them (although they have sometimes come to occupy a different role in their societies). And it is still possible, therefore, to enlarge our knowledge of such things from study of the Chinese overseas. \n\nThis short handbook by Father Saso, a Jesuit living in Taiwan, provides us with some welcome new material on some of the beliefs and practices of the region as followed by the Taiwanese, a people originating from round the Amoy area in Fukien province. \n\nThe author takes us through the lunar year discussing gods of local popularity and their festivals, and the social customs associated with them. He also discusses some local customs associated with festivals which enjoyed a wider popularity in China, and some of their possible origins. Discussion is based on written sources, including some in Taiwanese and Japanese, on information from a temple to the city god in Hsinchu, which helped him track down stories and identify the many temple \"patrons\", and on his own observations particularly of the celebrations and customs of one family. \n\nThe reader not approaching Chinese religious phenomena from a Christian angle might be disconcerted to read that divinities in the temples can hardly be called gods because they are spirits of human beings who lived long ago, and the student of religion will recognise some of the pitfalls of trying to disentangle the various elements which go to make up this typically syncretic Chinese folk-type religious material. Nevertheless, points such as these are not unduly distracting. There is much of interest in the book. \n\nThose working on problems of comparative religion might have welcomed more information on who, more precisely, in the", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205482, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 24, "title": "RAS-1968", "content_text": "CHINESE RELIGION AND RURAL COHESION\n\n19\n\nancestral hall association of the village, and since both temple and hall were run by the same people the two organizations were perhaps unlikely to compete for power. If however, a mono-lineage village had both an ancestral hall and a temple organization promoted and operated by different people, their competition in property accumulation and devices for controlling the community could mean much disharmony for the village.\n\nOne suspects that, generally speaking, ancestral hall and temple organizations must have been alternative forms for controlling village affairs, the one being based on mono-lineage villages and the other on multi-lineage villages. Although the literature does not always tell us the relationship of temple organization to the composition of villages in kinship terms, it is clear that the two forms of organization often performed identical functions. A temple organization in one area has been compared, in fact, to an ancestral hall association by Hsiao: it had extensive property and maintained a school.18 Births and deaths might be reported to the temple as they were to the ancestral hall and temples for popular gods sometimes drew up regulations for village control, including such economic arrangements as weights and measures and marketing days.\n\nThose promoting popular temples usually did so by forming an association, or using an existing association in a village or part of a village. It has been noted that some temple associations (she) had headmen \"from whom all villagers took orders\".19 It is said also that sometimes families with common ditches or paths, that is neighbouring groups, joined together to make up a she. One might find, perhaps, the she division by neighbourhood taking place in the larger villages, or perhaps in those sections of a village occupied by different kin-groups without an ancestral hall association. Arthur Smith notes that it was commonly said the local god at one end of a village had nothing to do with the affairs at the other.20 Larger villages, then, might have been divided into several communities organized round different temples.\n\nSometimes a she appears, however, to have crossed village boundaries with many villages supporting the \"incense and fire\" (term for temple contributions) of a temple: this would then foster inter-village solidarities. Fairs and festivals in temples situated in areas with many villages provided opportunities for inter-village trade and further associations.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205483, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 25, "title": "RAS-1968", "content_text": "20\n\nMARJORIE TOPLEY\n\nBut there might be factors connected with temple organization even in multi-lineage villages which could make for disruption. Where there were several wealthy individuals from different families competing for influence through the organization, quarrels over management of temple property might arise.2 In villages with large populations or with much social differentiation a number of temples might be built also to gods specialising in their various interests. Where local gods, or rather their temples, had nothing to do with each other's affairs (Hsiao gives an example from Shantung of two temples, one patronized mainly by rural scholars and another by farmers) they need not compete.22 A village might be divided into sections at least for some organizational purposes. But when temples offered gods and facilities appealing to the same sorts of persons rivalry and competition might occur over funds and members, unless they agreed to divide their areas of recruitment.\n\nIf promoters and managers were concerned with secular activities in the main, who organized the ritual affairs of such temples? Much of popular Chinese worship is of course performed alone, but in some areas, notably Fukien, there were spirit-medium cults (the god offering advice through the medium), and everywhere there were festivals for gods, in some cases several in a year. People in trouble also sometimes engaged in occasional rites involving popular gods and goddesses and might need special arrangements and specialist attentions. Cult organizers are described in the literature as \"predatory elements\": that is, not members of the regular peasantry.23 Some might have been members of the dislocated peasantry living outside villages, who saw a chance to improve their economic position; others, Taoist priests, of the kind who lived in their own homes and engaged in religion sometimes as a part-time occupation (see below); and still others the kind of persons associated with secret societies and religious sects. At any rate, we know such temples were sometimes borrowed as premises for secret societies, and temples just outside villages sometimes became meeting places for thieves and bandits.\n\nThe State believed that temple festivals offered opportunities for secret heretical groups to plan their insurrections and when evidence that this was the case came to light popular festivals were banned.24 Sometimes those promoting religious activities", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205504, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 46, "title": "RAS-1968", "content_text": "CHINESE RELIGION AND RURAL COHESION\n\n6 Ibid., p. 329.\n\n41\n\n7 When carrying out research on lineage villages and communes in 1964 by interview of immigrants in Hong Kong, I questioned respondents on the surname composition of their village of origin. In many cases it was stated that people of a single surname lived in the central part of a village and those of other and various surnames lived beyond boundaries of old village walls, or beyond their previous location where they had been pulled down.\n\n8 Freedman, Lineage Organization, p. 105. But he adds that politically and ritually the lineage was a centralized unit within which the peace could usually be kept.\n\n9 Hsiao, op. cit., p. 329.\n\n10 Ibid., p. 227. As early as the eighteenth century it was found necessary to scrutinize names recommended carefully. It was suspected that officials serving in the imperial capital and who came from the same province as the persons under consideration were inclined to favouritism.\n\n11 Ibid., p. 228 and p. 229.\n\n12 Ibid., p. 228.\n\n13 Ibid., p. 225.\n\n14 On the earth god see E. T. C. Werner, A Dictionary of Chinese Mythology (Shanghai, Kelly and Walsh, 1932) pp. 527-528.\n\n15 Some of these were deified Sung and Ming figures of note and not all stood for solidarity with the Ch'ing dynasty.\n\n16 See his Village Life in China: a Study in Sociology (New York, Fleming H. Revell Co., 1899) pp. 136-138.\n\n17 Hsiao, op. cit., p. 226.\n\n18 Ibid., p. 278.\n\n19 Ibid., p. 279.\n\n20 Op. cit., p. 138.\n\n21 For example, Hsiao, op. cit., p. 280.\n\n22 Ibid., p. 279.\n\n23 Ibid., p. 281.\n\n24 Ibid., p. 231.\n\n25 Ibid., p. 230.\n\n26 Cf. Chan Wing-tsit, Religious Trends in Modern China (New York, Columbia University Press, 1953) p. 81.\n\n27 Some aspects of Buddhist \"kinship\" are discussed in Holmes Welch, \"Dharma Scrolls and the Succession of Abbots in Chinese Monasteries\" T'oung Pao, vol. L, Liv, 1-3, 1963, pp. 93-149. At the time of writing this paper little else was available on this form of organization in the published literature and I rely largely on my own research notes and documents shown to me during this research. Since that time Welch has also published The Practice of Chinese Buddhism, 1900-1950 (Cambridge, Mass., Harvard University Press, 1967) and chap. IX particularly has additional relevance.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 206071, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 151, "title": "RAS-1970", "content_text": "146\n\nS. F. BALFOUR\n\npeoples. They too are an ancient population living on the seaboard without any trace of their earlier habitat. But as we have seen in the first chapter they have been so overwhelmed by the force of Chinese culture that not a trace remains of their original customs. However it is proposed to show that some aspects of their life might suggest a connection with the \"Indonesians\", however far fetched the theory may be,\n\nThe Tanka boats must be of recent design, and they were probably evolved as a result of contact with foreign peoples, even as late as the Portuguese. The eyes painted on the prows of Hoklo boats may also point to earlier contacts, although it is possible that this custom evolved quite independently. What seems more likely to be the survival of an earlier boat is the “dragon boat” or huge canoe used by the Tanka, Punti and Hoklo in their yearly festival.\n\nThis festival occurs on the 5th of the 5th month when the 'dragon' constellation is highest in the sky and celebrates the death of a poet Chü Yûan who drowned himself in a river in Hunan because his King would not take his advice. But it is difficult to understand the connection between the poet and the rather war-like parade of boats accompanied by the beating of a drum and throwing of rice into the waters. In fact, the festival appears more likely to be an annual sacrifice to a fishing god, or in places where rice culture depends upon irrigation caused by floods, to an agricultural god. Its distribution (in connection with the Chü Yuan legend) is confined to South China and to Szechuan. In Fukien, besides the poet a famous general is sometimes commemorated. Remembering the tendency of all religions to adapt new gods to old customs, we may be justified in discounting Chü Yuan from the festival's origin,\n\nThe regatta is formed by a number of very long canoes paddled to the rhythm of a drum beaten in the middle of the boat by some forty to eighty half naked men. It is unlike any other Chinese feast and the canoe and style of paddling are more reminiscent of Polynesian methods than of Chinese. Similar regattas exist all over the Indonesian regions; in Pnom-penh, for instance, it is almost identical (see accompanying illustrations),* and the first mention of the feast in Chinese literature occurs in books written\n\n* Plates 17-18.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 208430, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 154, "title": "RAS-1978", "content_text": "138\n\nC. MARTIN WILBUR\n\ncenters. The occurrence of this Ti-pao complicates the discussion of village government for several reasons. In the first place, when his position is firmly established he seems to infringe somewhat upon the purely democratic nature of village government, because he usurps many of the duties of the elders. Secondly, the fact that his authority is not always equally great makes it difficult to fit him into the picture of the free village, for the greater his power from above the less complete may the self-government be said to be. For the present this individual will be left out of the discussion, though it must be remembered that his existence as an underling of the Hsien government does modify theoretic village government.\n\nThe village temple is the recognized center of government in the village. Usually it has a minor religious significance, being dedicated to some beneficent deity such as the god of literature, of war, of mercy, or of rain, who is calculated to bring a particular blessing to the village. More essentially it is the social center of the village and the seat of government, a sort of town hall. This temple enjoys what amounts to a corporate existence; it has perpetual being, owns property, can buy and sell and enter into contract, and it acts through a body of officers, a council, which is regularly elected. Many typical administrative duties in the village are undertaken by the temple, through its council, for the civic good.\n\nThis council is either composed of all the heads of various families in the village, or more probably of a group elected or taken in rotation from among the heads of families. It receives no recognition from the central government, being an internal administrative body pure and simple, handling village business only. It meets whenever village business needs to be discussed or attended to. Bazin reports that minutes (Pao tan) are kept of these meetings, one set in grass characters to be passed around among the villagers, and a second, more complete in large characters to be pasted upon the door of the temple. Whether this is an usual practice, however, it is impossible to say.\n\nIII\n\nFirst among the administrative duties of the village temple is the handling of village finances. There are various sources of revenue.\n\n1 Leong and Tao; Village and Town Life in China, p. 34.\n\n2 Bazin; op. cit., I, p. 64.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208733, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 190, "title": "RAS-1979", "content_text": "CHINESE RELIGION REDISCUSSED\n\n(iv) by transformation of a ghost shrine into a temple. The author might have added one more group :\n\n163\n\n(v) construction of temples for deity statues washed up on Taiwan shores. Many cases of famous gods are mentioned\n\nin the literature and folk traditions. Once a temple is built, the cult may spread by virtue of the god's efficacy,\n\nIn fact, the author does not explain the initial stimulus why a cult becomes popular and a god efficacious. Cult-formation should be treated before 'genesis of temples'.\n\nChapter IV, \"Purity and Pollution, Life and Death” (pp. 136-188) is on the one hand easy to summarize, but on the other hand difficult to judge. It seems to me that the author has mixed together a great amount of factually correct observations with logically incoherent interpretations; in other words, this chapter suffers greatly from 'subtle distortions', due perhaps to his exclusively anthropological method, with neglect of philosophical analysis and especially of historical perspective.\n\nLet me first summarize the main ideas expressed in this chapter. First of all, the author states that the idea of yin and yang, with its ritual application of impure (or polluting) and pure, or of rituals for the dead and rituals for the living is \"probably the major theme which runs throughout the folk religion” (p. 136). Also important is the distinction and separation between private and public, family and community interests (p. 137).\n\nMan alive lives in a world between the two extremes: the yang world of the gods and the yin world of the ghosts (p. 138). He tries to increase his yang power, which generates wealth, offspring and longevity, but also tries to maintain the \"balance of the universe through his ritual actions in worshipping the spirits\" (p. 140). Because of the ritual separation of pure and polluted, no temple can offer services to all categories of spirits but tends to specialize its services for special groups. It seems that community temples tend to offer services for the benefit of the living: such are the ch'iu-p'ing-an, li-tou and chiao rituals, whereas rituals for the dead are performed in ancestral halls (chin-chu) and Buddhist temples (chin-r'a). However, the author clearly states that there is no \"exclusive association of Taoism with life-oriented services, or (of) Buddhist with death\" (p. 173).", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208881, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 43, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n15\n\nIn single-room and larger temples the major altar, which faces the entrance, may be either one large space reaching from side wall to side wall or it can be divided into three, five or more individual altars with, on occasions, a separate altar or two constructed down the side walls. (Plate 6).\n\nIn quite a number of traditional temples the main hall is divided longitudinally by partition walls from floor to ceiling. These stretch a short distance into the main hall from the rear wall of the temple, one on either side of the main altar. The two side altars are therefore outside the partitions, and in practice these partition walls serve to isolate the side altars.\n\nIn many traditional temples several major deities, and even a few minor deities, have a side hall dedicated entirely to themselves and their attendants. These include the God of Loyalty and Literature Guan Di; the fertility goddess Jin Hua Niang Niang; the bodhisattva Guan Yin and the wealth god Cai Bo Xing Jun. It is not necessarily a down-grading of the importance of the deity but a late recognition and addition to the temples' complement. A great many side hall altars contain a group of unconnected and unidentifiable minor images around the major and identifiable deity's image, all placed there over the years by zealous devotees.\n\nA side hall in one temple contained the lone image of the Earth God on the only altar, although the characters above the altar read Jin Hua Niang Niang. Presumably over the years the images of this fertility Goddess and her attendants had been removed and replaced by the image of the Earth God without the title above the altar being changed.\n\nThe temple incinerator, and the temple keeper's kiosk or counter from which he sells charm papers and incense, are usually in one or other of the side halls or courts between side halls.\n\nSide halls also contain large ritual items such as the temple bell, drum and the removable head and tail from the village dragon boat, and in one of the side halls of most Boat People's temples replicas of early junks (some 8' to 10' in length) also gather dust in the gloom. These model junks are used only on festival days when offerings are placed on the decks. The devotees thank Tian Hou for good catches over the previous year and request similar benefits for the coming year.\n\nThe roofs of traditional temples consist of interlocking tiles resting on lathes supported by strong cross beams. The latter are", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208885, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 47, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n19\n\nGod and tutelary deity of the village) sits in a niche inside the ground floor of the tower of the gateway, watching over his parishioners. In the attic of the gateway of some of these villages, out of sight and only accessible by a rickety ladder, is an image of Gui Xing, one of the Gods of Literature, placed there for students to pray to prior to taking an examination, and for parents to pray to for the blessing of a bright child.\n\nThe majority of more recent temple structures, mostly built on hillsides during the past twenty-five years, mainly by Chaozhou immigrants and a few by Min An immigrants, have been extended room by room over a period of years and may be any shape and size, according to the possibilities of the site, and may have a dozen or so rooms for one use or other.\n\nQuite a few of the temples constructed by ethnic minorities contain very local cults brought to Hong Kong from the area in China from which the emigrants came, and the temples themselves are a focus for the ethnic or sub-ethnic groups concerned. Thus, in Hong Kong over the years, separate shrines, halls, and finally complete buildings have been built by Chaozhou, Min An and Hoklo immigrants. There are even a few built by refugees from Shanghai and the north.\n\nA unique structure in concrete, shaped and moulded to look like rock, was demolished in 1979 in Tsuen Wan to make way for a major new housing estate. The building, a squatter temple built by immigrants from Swatow, covered a large area and had three major and four minor altars. The inside of the temple was shaped to resemble a large rocky cavern with the altars shaped like small caves, fronted with glass and illuminated with neon lights. The outside walls were painted smooth concrete. The roof, however, was a phantasmagoria of small concrete figures from Chinese legend amidst miniature buildings, more caves and grottoes, all painted in vivid colours. The whole was over-shadowed by a large vividly crimson concrete structure which can only be described as a massive red pepper standing vertically on a greeny-blue base, and punctured by small holes to act as windows. Although the building looked a ghastly monstrosity to foreigners, it had a unique character and was very popular amongst the Chaozhou immigrants of Tsuen Wan and Kowloon.\n\n* It has been resited, and is in course of redevelopment, but alas not in such a picturesque form! Hon. Ed.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 210811, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 162, "title": "RAS-1986", "content_text": "145\n\nPerhaps the break between 1856 and 1914 does not strictly qualify the present Ying Wa College for the title of the oldest in Hongkong, but it can legitimately claim the tradition of the school founded in 1818.\n\nThe Anglo-Chinese College opened at Malacca was the result of the labours of two missionaries of the London Missionary Society, the Rev. Dr. Robert Morrison and the Rev. Mr. William Milne. Dr. Morrison was the initiator of the project and raised most of the funds. The Rev. Mr. Milne was its first Principal.\n\nIt was a very ambitious project, as it was envisaged that it would be a meeting place for the language, philosophy, literature and science of the East and the West. Its student body would be composed of both Europeans and Asians.\n\nDr. Morrison expressed his hope for the school as follows: \"God grant that it may prosper, that it may be an honour to my country, and a blessing to China; and thus unite in its name, and in its benefits, the West and the East; and finally blend in peaceful intercourse the extremities of the world, the islands of Britain and Japan.\"\n\nUnfortunately the early death in 1822 of the Rev. Mr. Milne prevented the college from fulfilling Dr. Morrison's dreams. A succession of men were principals after Mr. Milne, and it seemed that with each the school progressively declined. It faced many problems, one of the principal ones being the proper language of instruction.\n\nMany of the boys had Malay mothers. Their fathers were often Fukienese. The additional task of mastering a third language, Mandarin, was formidable.\n\nThere is an interesting account of the foundation stone laying of the college building in 1818. It was written by Abdullah, a Moslem youth who taught Mr. Milne the Malay language.\n\n\"Mr. Milne received instructions from his society to provide a building for the college... When everything was ready Mr. Milne", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211060, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 121, "title": "RAS-1987", "content_text": "96\n\nperformed by others into the legends of another Taoist, Chang San-feng (Wong, 1979:25). Religious lore is particularly susceptible to transfers of miracle-events from one legend to another during pre-literate periods, before chroniclers have had a chance to stabilize the legends by recording some versions for posterity. In describing the evolution of the images of the Olympian gods during the migrations and mixing of peoples in pre-literate Greece, Gilbert Murray suggested that the gods were\n\nexceedingly confused and cloudy and changing concepts, in the minds of thousands of diverse worshippers and non-worshippers. They change every time they are thought of... Even in the height of the Achaean wars the concept of any one god would be mixed up with traditions and associations drawn from the surrounding populations and their gods (Murray, 1951:46).\n\nBut why should these processes be apparent in modern Hong Kong?\n\nWe suggest that borrowing from other traditions during oral accounts occurs in Hong Kong for the following reasons. First, there are a large number of gods and temples in Hong Kong, each one surrounded by numerous legends and miracle stories, and many worshippers visit several temples each year. Thus, they are exposed to a variety of traditions. Second, a very large number of these worshippers entered Hong Kong from China as illiterate or semi-literate adults, and thereafter were seldom exposed to official doctrine or canonical literature. Finally, and equally important, most temples are staffed only by a caretaker and one or more fortune-tellers, neither having any interest in regulating legend. Hence, even the most devout worshippers are free to believe whatever they wish about the history and powers of their favourite deities. In the absence of sermons or widely disseminated official texts, there is little opportunity for the inhibition of legend. Naturally, believers rely on the stories they have heard when constructing narratives about temples and gods.\n\nThus, when interviewing local people for scraps of historical\n\ni", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211155, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 216, "title": "RAS-1987", "content_text": "191\n\nA-king's \"temple\" near the shore of the Lower Bazaar may have been little more than a shrine. It is probable that a man whose power over the community was based on such activities as gambling, prostitution and piracy did not view temples as an integrative institution necessary for his control of community life. However, since they served this function in China they should not be overlooked among his own sphere of interests.\n\nWithin a few years of the establishment of British Hongkong, a temple appears to have become a recognised centre for the Chinese community. This is the conclusion I draw from schedules of Chinese buildings published in the Hongkong Blue Book.\n\nIn 1845 and 1846 a “Town Hall\" is listed.\n\nI chose to identify this with the Shing Wong Temple which was on the hillside south of Gough Street. Shing Wong was the traditional “city god.” The present Shing Wong Street takes its name from the temple.\n\nThe building was pulled down in 1877 when the area in which it was located was cleared in anticipation of the erection of a new building for the Central Government School (Queen's College).\n\nI assume that a notice about Hongkong published in The Chinese Repository of October 1843, refers to this temple: \"A new Chinese temple is about to be undertaken. Handbills and placards are out, for the purpose of raising money for the erection of the building.\"\n\nIn the 1847 schedule of Chinese buildings, two town halls are listed. It was in this year that the temple on Hollywood Road was erected, dedicated to the gods of literature and war (Man and Mo). The category of “town hall” does not appear in subsequent schedules.\n\nThe Government grant for the land on which the Hollywood Road temple was built was given to the Chinese community in 1847 to be used for educational purposes. But instead of being used exclusively as a school, the building served a number of", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211612, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 27, "title": "RAS-1989", "content_text": "2\n\nfor 1959 and 1972 when he was on leave). After the Kwong Chow was demolished, these events were held in the Ying King Restaurant, in Wanchai. Many architects, engineers, surveyors, Public Works Department staff, and contractors attended these functions. Speeches were made, and all present, at a given moment, paid their respects by bowing three times to a portrait of Lu Pan.\n\nBut a builder's life is not all brandy and shark's fin soup. Steep, rugged, rocky Hong Kong is not ideal terrain for many projects. In the early days of the Colony, when roads and reservoirs were built (the first reservoir, at Pok Fu Lam, was completed in 1864), there was little in the way of mechanical equipment. It was not until 1962 that the first crane was used to construct a building, the Hilton Hotel (originally named the American Hotel).\n\nEven today, for structures up to 150 metres high, the ubiquitous bamboo, which typifies an exemplary man's life in that it grows tall, straight, and yet is flexible and versatile, with rings marking important achievements in a person's career — is still used for scaffolding. It bends rather than breaks and is about one-third the price of steel. Bamboo is, or has been, also used for making (among other things) chipboard, woven bed mats, furniture, water pipes, fishing rods, summonses for secret-society meetings, and Chinese medicine. In addition, bamboo shoots provide a tasty dish.\n\n10\n\nAlthough some old building techniques, like bamboo scaffolding, are still in use, many have long since disappeared, along with the ancient structures built using them.” A few of the latter are, however, still left.\" These include \"walled\" villages, such as Kat Hing Wai at Kam Tin, and the 600-year-old, three-storey Tsui Shing Lau at Ping Shan in the New Territories. This was built in a geomantically favourable location to placate the God of Literature and originally had seven floors. But the upper part was damaged in typhoons. This Man Pat (its local name) Pagoda was built to improve the performance of the Tang clan of Ping Shan in the imperial examinations. Academic results indicate the edifice proved effective.\n\nIn the urban area, Victoria Prison, off Arbuthnot Road in Central, which was completed in 1843, is said to be the oldest jail still in use for that purpose in the Commonwealth. Hangings used to take place there (the last in Hong Kong was at Stanley Prison on November 6, 1966),", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 213777, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 129, "title": "RAS-1996", "content_text": "100\n\npersonalities were the same. In an enumeration of patriarchs of their magic the Yao manuals from Liannan do name Xu Jiangyang (i.e. Xu Xun) just before a Zhang Zhao Lang (probably referring to Zhang Zhao Er Lang) and a Zhao San Lang (probably Zhao Hou San Lang). Comparing the position of Xu Xun in this account with the Cantonese DJYL which alleged the Zhang Zhao Er Lang and Zhao Hou San Lang were disciples of Lü Shan Jiu Lang, one may surmise that Lü Shan Jiu Lang is none other than Xu Xun. 36\n\nWe notice three different styles of names in this genealogy of the magic of sorcerers related by Bai. The first group had titles ending with wang \"King\", the second titles beginning with what looks like the name of a mountain followed by a number and the word lang, and the third beginning with a surname and ending in a pattern similar to the second. The first two characters in the titles of the third group seem at first reading two surnames which leads one to guess they refer to more than one person (3 in the case of Zhao Hou San (3) Lang and 2 in the case of Zhang Zhao Er (2) Lang). Of the gods of the second group the format of their title bears close resemblance to the names of some gods found since at least the Southern Dynasties. It was this third format that we have seen above appearing as ritual names of some class of persons initiated by traditions of magic found among the Yao, the She and the Hakka.\n\nThe Southern Song passage has a note under Lu Shan saying that it was a mountain in Luzhou or what is Liaoning province in Northeastern China. A work of anecdotal literature of the Jin period, by Yuan Haowen (1190-1257), did mention a Lu Shan Gong temple or Lu Shan temple in Guangning, near Lu Shan in the present Liaoning province, which was certainly in honor of the god of the Lü Shan. The temple was said to be very daunting. It housed ugly and fearful images, so much so that people who entered during day time were frightened. The name of the other two mountains can be found in many different parts of China, making it difficult to determine their locations. In the case of Heng Shan, the one referred to in the name of the god may be related to the one in the story of Sishan Zhang Daidi\". But a popular novel from Fujian in late Qing dynasty, featuring as its central figure Chen Jinggu, allegedly the disciple of Lu Shan Fazu, quoting what it claims to be a saying known in Fujian at its time, suggested that the place is in Fujian province itself. I believe that Lu Shan could have been somewhere in", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213778, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 130, "title": "RAS-1996", "content_text": "101\n\nSouthern China, as the Liannan document saying the Lü Shan Jiu Lang (written Lu Shan Jiu Lang) buried his father on a mountain in Gaozhou.\n\nOne major source of information of religious practice during the Song is the Southern Song work of anecdotal literature, the Yi Jian Zhi. It made frequent mentions of the well-known styles of Daoist magic such as the Thunder Magic and the Tian Xin Zheng Fa, the Buddhist Weize spell related to the Yujia style of exorcism, as well as various popular gods, and magicians who were neither Daoist or Buddhist. Some of these lay magicians practiced magic of the Daoist and Buddhist varieties mentioned above. Noticeably some of those lay magicians blew the horns [of animals] in their rites, and some were practicing what is called Mao Shan magic. It curiously made no mention of Lú Shan Jiu Lang or his immediate disciples found in Bar's passage.\n\nBut as I have mentioned, sources on Chinese religion of ancient times do have many examples of divinities with names of the same form as the Lú Shan Jiu Lang and his colleagues. The latter appear to be part of the trend between Tang and the Five Dynasties during which many of these other divinities are recorded. Some of the popular gods mentioned in Yi Jian Zhi do bear four character names ending with a numeric character and lang, resembling the names of Lü Shan Jiu Lang. Earlier examples include the Zhu Wang San Lang shen mentioned during the Southern Dynasties, which the book alleges to be the name in use at its time of writing in Yielang county in the present Sichuan Province, although in this example San Lang referred to three people rather than one. During the Tang, a work of anecdotal literature recorded that during the Emperor's visit to the mountain god of Huayue, he was told about a San Lang, who appeared to be a son of the god. Another work of anecdotal literature of about the same time recorded a female shaman(?) who specialized in communicating with the Jin Tian Wang (God of Hua Shan) and his son Hua Yue San Lang. This name, and many others, which are closer to Lu Shan Jiu Lang in form, is also found in Tang stories included in the Song compilation Taiping Guang Ji. During the Five Dynasties the Lu Yi Ji recorded a Pan Gu San Lang temple in a Guangdu county of the present Sichuan Province. An early Song work on the history of the Five Dynasties mentioned that in the year 932 the Emperor of Hou Tang conferred a title (styled \"General\") to a Tai Shan San Lang. Early during the Song it is reported\n\n41", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213779, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 131, "title": "RAS-1996", "content_text": "102\n\nthat around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang.\" This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang.\n\nLang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults\" called themselves gu (for female) and lang (for male).\n\nThe use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic.\n\n54\n\nWe have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of...", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213864, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 216, "title": "RAS-1996", "content_text": "190\n\nmost denomination which puts much emphasis on evangelization. From the publications of the church, it is learned that a \"Teachers and Students for Christ Campaign\" was started in all Lutheran schools in 1983. The schools are now taken as bases for evangelization work reaching students for God.\n\nThe Methodist Church also regards evangelization as an important objective of involvement in education. A special feature of this denomination is that it equates Christian education (education in church schools) with Christian nurture, and Biblical references are frequently used in their writings and discussions about school education. Issues on 'human nature', 'human growth', 'education', etc. are viewed through a Biblical perspective. The data from the questionnaire survey reveals that the Methodist Church has a strong inclination towards 'providing Christian nurture among students' as the top priority (Refer to Table 2).\n\nLiterature from the Baptist Convention shows that the Baptist Church regards education as very important, yet she has not neglected evangelistic work in schools. The Baptist Church is able to maintain a balance of the two (education vs. evangelization) when compared with the other denominations. The Baptist Church has a virtuous tradition of 'democracy and freedom'. They therefore highly respect the freedom of the students. Although they regard evangelistic work in schools as important, they never impose religious beliefs on students. On the other hand, they can infuse the Christian faith into their educational ideals. The survey reveals that the Baptist Church regards education as very important and she comes second in ranking 'education for the whole person' as the top priority for educational ideals (Refer to Table 2).\n\nThe perception of supervisors, principals, and panel chairmen (or teachers) on church involvement in education does not vary much. Table 3 shows that supervisors, principals, and teachers were mostly under the column 'regard both as important', with the percentage 38.46%, 33.87%, and 35.29%, respectively. The second largest group of teachers belongs to 'regard education as quite important' (25%). Besides, there is a remarkably high percentage of supervisors who belong to 'regard evangelization as very important'. The percentage is 15.38%, whereas the overall percentage under the column reads only 4.9%.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 215060, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 156, "title": "RAS-2000", "content_text": "113\n\nTHE CELESTIAL MINISTRY OF TIME\n\n太歲\n\nKEITH STEVENS AND JENNIFER WELCH\n\nIntroduction\n\nBelief in a Celestial bureaucracy was universal throughout China, particularly within peasant and the less literate urban communities and it is still believed in by devotees not only within China itself but also in Taiwan and the Chinese communities throughout South-east Asia. The Celestial bureaucracy is headed by the Ruler of Heaven, the Jade Emperor, with the various functions of the officials of the celestial departments being performed within the confines of numerous ministries, though possibly the former term of boards might be better, ranging from the Ministries of Water, Finance and Literature to the Ministry of Public Works, each with the aim of protecting or doing good for mankind. One such ministry is the Ministry or Board of Time.\n\nTaisui\n\nThe President of the Celestial Ministry of Time, the deity Taisui is possibly better known in English as the Ruler of the Year and the God of the Sexagenary Cycle. He is generally thought of as the Supreme Ruler of the Year and of the Seasons. He is one of the fiercest gods in the pantheon who must be placated whenever ground is disturbed for any reason, and is well known as the deity who strikes down any who offend him. In popular belief he is thought of as demonic and, if not regularly placated, he is at least to be avoided. His cult is comparatively commonplace, though the manifold forms it takes in temples throughout China, as well as the disparate names and titles of members of the Ministry, make an interesting picture. Taisui is not only the President but is also the name of the Ministry itself.\n\nIt is accepted by most Chinese that a number of factors control human lives; these include geomancy and astrology. Geomancy, in Chinese fengshui, concerns location whilst astrology is concerned with the auspicious or inauspicious nature of dates and times, and involving the stellar deity Taisui in particular.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 166, "title": "RAS-2000", "content_text": "123\n\nscroll stands in the centre and is flanked by two images each with his right arm raised holding a bell. The faces are one red and one black, and the pair are known as the Red Taisui and the Black Taisui, all three functioning as one deity.\n\nA six-armed image of Taisui in the side hall of the Penang City God temple shares the main altar with Guan Yin and the Great Saint [Qitian Da Sheng - though better known as the Monkey God]. In Cholon, Saigon, three separate deities are portrayed on one altar, each with Taisui added to his title. These are Ziwei Xingjun, Wenchang and Xuantan, the first being a stellar deity whose likeness is pasted or nailed to doors as a popular charm to ward off demonic attack, the second is the God of Literature and the third, a Wealth God. This nomenclature would appear to be a local whim, not seen nor heard of elsewhere.\n\nOnly in very few instances does Taisui have any assistants. Several temple keepers in Taiwan and Singapore explained that Taisui, like so many protective deities, has Five Demon Armies under his command. These he despatches to cope with recalcitrant humans who fail to honour Taisui properly or who have insulted him in any way. When humans come under any form of demonic attack the cause and source of the attack is usually revealed to them by mediums, who are then in a position to advise the individual what should be done to counter and ward off the evil effects, particularly so when the attack is mounted by tamed demons under the control of a deity, Taisui. They advise the human to immediately propitiate him and request him to call off his demonic forces.\n\nIn several novels Taisui is described as having ten assistants the last four being the gods of the year, the month, the day and the hour. All were described in the Deification of the Gods as having been slain at the famous battle between the good and evil forces at Wan Xian Chen and have been named as:\n\nLi Bing\n\n李丙\n\nHuang Chengyi\n\n黃丞乙\n\nZhou Deng\n\n周登\n\nLiu Hong\n\n劉洪\n\nIn a temple in Kalgan, a city known today as Zhangjiakou in the Chinese province of Inner Mongolia, Yin Jiao's second brother, Yin", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215972, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 271, "title": "RAS-2002", "content_text": "205\n\nbecause of this specific claim.\n\nSeveral points of interest should be underscored in this account. Although Ch'ea had stopped the rituals of ancestral veneration at home and during the festival seasons, he continued to live in accordance to other accepted norms, including \"cleaning the graves\" of his ancestors. Apparently wanting to be with people and to share his message, Ch'ëa had obviously worked through the ethics of which traditional practices did not hinder his Christian life and so developed means of approach to others through them. Kot was very specific about the themes Ch'ea spoke about, some which he might have heard from Ho and Legge in Hong Kong in the spring of 1856. What Kot remembered were themes on \"the bounty of God in creation and providence,\" the latter an issue expressed in Legge's sermons and most likely in Ho's elegant Chinese homilies, as well as elaborations on the nature of the soul, why people should not worship idols, and \"the propitiation made by Jesus Christ for the sins of men.\" In spite of the disbelief of many listeners in the cemetery after Ch'ea mentioned that he had the “divine books\" in his possession, Kot kept note of where he lived and made it a point to visit him nearly a month later.\n\nCertainly the fact that Kot waited a full month before attempting to visit Ch'ea suggests that he did not feel very comfortable or highly motivated to do so. Apparently Kot had begun questioning his village neighbours about many of the issues Ch'ea had raised, and so a greater curiosity about Ch'ea's actual \"domestic arrangements\" prodded Kot to see if this local preacher lived by what he taught. Once he found Ch'ea's home, Kot was invited in and saw, perhaps to his surprise, that \"there was in his house neither Koon Yum (Guanyin, the famous Chinese female Boddhisatva), nor Kwan Ty (Guandì, the spirit guardian, often the image placed on doors as a protector of homes), neither ancestral tablets, nor incense pot.\" Willingly receiving Christian literature from Ch'ea at that time, Kot returned to his village only to find his neighbours still taking Ch'ea \"to be mad.\" After intermittent reading of the books and later repeated visits by Ch'ëa (in \"my house three or four times\"), Kot began to join Ch'ea in \"worship[ping] God\" and \"convers[ing]\n\n+62", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216044, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 343, "title": "RAS-2002", "content_text": "277\n\npleaded with him and explained that she was a good person and truly loved her husband. She added that she was due to bear his child in the not too distant future. The Abbot, who is the villain of the tale, would have none of it and White Snake at her wits end called on her allies, the fish and crustaceans of the Great River to her aid. The violent and prolonged rainstorm flooded the entire area around Jin Shan island in an attempt to free her husband and as the waters rose White Snake again pleaded with the Abbot offering to call off the dangerous river waters. He refused to listen, used his own cloak to quell the waters and even tried to catch her in his magical urn to incarcerate her but to no avail as she was protected by Wen Chang, the God of Literature, as her future son was destined to achieve the status of Zhuang Yuan, the First Scholar in the whole country. The Abbot immediately knew that he was no longer able to catch or destroy White Snake but would be able to do so once she had borne the child.\n\nThe Abbot gave Xu his magical urn and explained that once the son had been born he was to capture her in it and she would then be incarcerated forever. Xu returned home and after tearful explanations from both husband and wife they were reconciled, though once the child was born Xu threw the urn at his wife. Having been captured by the magic urn she turned back into her original form. Almost immediately the Abbot materialised and took the urn with its prisoner and placed it under the Thunder Peak Pagoda on the shores of Hangzhou's lake. Xu bitterly repented betraying his wife and sought obscurity as a solitary Buddhist monk far away.\n\nThe son grew into a handsome and talented youth and only when he had become the long forecast First Scholar, a Zhuang Yuan, was he told the sad tale of his ill-fated father and mother. At an auspicious time on an auspicious day he prepared an elaborate sacrificial ceremony in memory of his mother and there, before the Thunder Peak Pagoda he knelt in prayer. His mother, freed for a very short period as a gesture by the local guardian deity, appeared dressed in white. She approached her son and full of tears explained her love for his father and the sad ending, and especially the dreadful punishment she was suffering for having caused the deaths of so many innocent people in and around Zhenjiang by ordering the land to be flooded. She was escorted back to the Pagoda to continue her agony - for all eternity.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 75, "title": "RAS-2003", "content_text": "24\n\nas seated, holding a long-stemmed lotus flower with a small temple perched on the blossom, and has a third eye in the centre of his forehead. Wei Tuo Pusa is represented by a golden statue in which he poses wearing armor and holding a drawn sword. Wei Tuo is the protector of all Buddhist temples.\n\nOn the other side of the Tian Wang Dian is the third courtyard, on the far side of which is the Hall of the Great Hero (Da Xiong Bao Dian). This hall's origins date to an 1878-1879 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebels' attacks on Shanghai in 1860-1862. The hall was closed for a massive reconstruction and renovation in November 2002, but had been reopened by January 2004. The interior is now nothing less than spectacular. Three large Buddhas (San Fo) are placed in the centre. Sakyamuni Buddha stands in the centre, flanked on the left by the bodhisattva Samantabhadra (Pu Xian) seated on an elephant, and on the right by the bodhisattva Manjusri (Wen Shu) seated on a blue lion. Overhead the hall's ceiling is pierced by a massive wooden dome that spirals upward, looking much like the wooden domes (Zao Jing) often found over traditional Peking Opera stages (Xiju Wutai). Behind the San Fo facing out the rear exit is a large Guanyin statue in front of a floor-to-ceiling landscaped rockery covered with smaller figurines depicting the Buddhist heaven and hell. Along the side walls stand 36 quite expressive human statues of the Buddhist saints, 18 on each side of the hall. This is an unusual number, which seems to include 16 Arhats (Luohan) and 20 Devas (Zhu Tian), and an assortment that includes such non-Buddhist figures from Chinese tradition as Confucius (Kong Fu Zi), the War God (Guan Di), the God of Literature (Wen Chang), and the Kitchen God; Hindu gods such as Brahma, Indra, and Yama (Yen Lo); as well as Buddhist deities such as the Four Heavenly Kings (Si Tian Wang) and the bodhisattva Wei Tuo as well. The hall also houses one of Longhua's three bronze bells, this one dating from 1586.\n\nOn the other side of the Da Xiong Bao Dian is a fourth courtyard. On the far side of this fourth courtyard is the Hall of the Three Gods (San Sheng Dian). This hall is dominated by enormous floor-to-ceiling golden statues of three Buddhas (San Fo) who appear side by side in an unusual standing position with golden flames rising up behind them. In the centre is Amitabha Buddha (O Mi Tuo Fo), to your left is the bodhisattva Da Shi Zhi, and on your right is the bodhisattva Guan Shi Yin.\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]