[
    {
        "id": 205880,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 186,
        "title": "RAS-1969",
        "content_text": "180\n\nTHE LIBRARY\n\nMost of the periodicals have been received in exchange for our own journal, and form a valuable portion of the collection, many of the titles not being easily accessible elsewhere in Hong Kong. Exchange agreements were made with the following three additional institutions: Monumenta Serica Institute, Royal Anthropological Institute of Great Britain and Ireland, and Instituto do Luis Camões, Macao.\n\nThe following is a list of titles added to the Library of the Hong Kong Branch since the publication of the previous list in volume VIII of the Journal. Items marked* are kept at the University Library, and the remainder at the British Council.\n\nALISJAHBANA, S. Takdir.\n\nA41\n\nIndonesia: social and cultural revolution. Kuala Lumpur, Oxford U. P., 1966.\n\nC517\n\nCH'EN, Yüan (†)\n\nWestern and central Asians in China under the Mongols; their transformation into Chinese (R$). Los Angeles, Monumenta Serica, 1966.\n\nCHINA. Laws, Statutes, etc.\n\nC531\n\nTa Tsing leu lee (#1); being the fundamental laws and a selection from the supplementary statutes of the penal code of China ... Taipei, Ch'eng-wen Publ. Co., 1966.\n\nCOLLIS, Maurice.\n\nC71\n\nWayfoong: the Hongkong and Shanghai Banking Corporation. A study of East Asia's transformation, political, financial and economic, during the last hundred years. London, Faber, 1965.\n\nDOOLITTLE, Justus.\n\nD69\n\nSocial life of the Chinese; with some account of their religious, governmental, educational, and business customs and opinions with special but not exclusive reference to Fuhchau. Taipei, Ch'eng-wen Publ. Co., 1966.\n\nEITEL, Ernest J.\n\nE36e\n\nEurope in China: the history of Hongkong from the beginning to the year 1882. Taipei, Ch'eng-wen Publ. Co., 1968.\n\n*FERREIRA, José dos Santos.\n\nF38\n\nMacau să assi, Macau, Tipografia da Missao do Padroado, 1967.\n\nGILES, Herbert A.\n\nG47g\n\nGems of Chinese literature. 2d ed., rev. and greatly enl.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
        "rank": 0
    },
    {
        "id": 206531,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 79,
        "title": "RAS-1972",
        "content_text": "SIR JAMES HALDANE STEWART LOCKHART\n\n73\n\ntions, being a translation of the Ch'eng Yu K'ao by Ch'iu Chin (A.D. 1419-1495), a famous scholar of the Ming Dynasty. It is, in Herbert A. Giles' words: 'usually the first work of reference suggested by the teacher when his pupils' acquaintance with book-Chinese passes from mere acquisition of individual characters in simple locutions to the study of the figurative and allusive language which forms the backbone of general literature'.47 The first edition of 300 copies was published in Hong Kong by Kelly and Walsh and was well received at first by such reviewers as E.J. Eitel and E.H. Parker; but an unsolicited, detailed and acerbic review by the relentless controversialist and sinologue, Herbert A. Giles, gave rise to a lengthy debate in the China Review, which reverberated through three volumes of the journal.48 This debate on the meaning of certain Chinese characters is a splendid example of odium sinologorum and furor academicus. Lockhart, after suffering Giles' first furious onslaught on his credentials as a Chinese scholar, asked Ho Kai for an opinion on Giles' linguistic strictures and the obliging doctor responded with a short letter to the China Review in which he stated of Giles' review that about one-third is correct and consequently valuable, another one-third on doubtful and trivial points not altogether right; the remaining one-third is totally wrong.”49 Giles rushed into print in a further lengthy article to crush the very judicious Ho Kai. He wrote: 'Of Dr. Ho Kai as a \"competent native scholar\" I had never before heard; and as he has not yet thought fit to submit to public approval any specimens of his scholarship, competent or otherwise, he may be dismissed incontinently from the case.'50 Dismissed he was for Ho Kai did not venture to re-enter the lists.\n\nThe controversy centred, among other linguistic problems, on the meaning of the characters, translated by Gustave Schlegel as 'cowcloth'. This eminent Dutch Professor of Chinese at Leyden University, co-editor with Henri Cordier of T'oung Pao, provided a magisterial summing-up in 1897 of the linguistic issues involved.51 There the controversy came to an end with, it would seem, the contestants mutually exhausted. Lockhart, who was a warm-hearted and balanced man, appears not to have borne Giles malice. In 1931 he paid Giles, by now Professor of Chinese at Cambridge University, the tribute of producing a compilation of the Chinese texts which underlay the passages published in the prose volume of Giles' Gems of Chinese Literature, the first edition of which appeared in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
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    },
    {
        "id": 206532,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 80,
        "title": "RAS-1972",
        "content_text": "74\n\nHENRY JAMES LETHBRIDGE\n\n1883 and the second in 1922. Gems of Chinese Literature was in its time 'probably the most comprehensive selection of translations from the Chinese that has appeared in any European language.'52 Lockhart's Manual of Chinese Quotations, which gave so much offence to Giles, was re-issued in 1903 in a second, enlarged edition of 1,000 copies; and a reviewer in the Chinese Recorder spoke of it now as 'a splendid book'.53\n\nIn 1930 the Oxford University Press published the Index to the Tso Chuan, compiled by Sir Everard Duncan Home Fraser and revised and prepared for the press by Lockhart. The text, with its many Chinese characters, was printed by the Commercial Press of Shanghai. The Tso Chuan is the famous commentary upon the Spring and Autumn Annals of Confucius; it is also a narrative of events in China from 722 to 462 B.C. Dr. Legge, in Lockhart's words: 'had appended to each of his translations of the Chinese Classics a valuable Index, (but) he had made an exception in the case of the Tso Chuan because, as he stated, the time and labour necessary for such an undertaking were more than he could command. He, therefore, had to satisfy himself by giving a list under the different Radicals of such characters as are found in the Tso Chuan, in addition to those given in his Index to the Chinese Characters and Phrases in the Ch'un Ch'iu. This list, though useful to a certain extent, does not meet the need of a complete Index, and it is that want that the Index now published is intended to supply'.54\n\nE.D.H. Fraser, who compiled the Index, was appointed Student Interpreter in China in 1880, a year after Lockhart was appointed a Hong Kong cadet; Fraser became Consul-General at Shanghai in 1911 and died there in 1922. He was, like Lockhart, a Scot, educated at Aberdeen University; and the two scholars were very close friends. Fraser, according to Lockhart, was 'one of the best scholars of Chinese in H.M. Consular Service which has produced such eminent scholars as Watters, Parker and Giles.'55 The Index had been completed for many years before Fraser died but for some reason, presumably financial, it was left unpublished at his death. A reviewer in the T'oung Pao praised Lockhart for 'la révision minutieuse à laquelle M. J.H. Stewart Lockhart l'a soumis, le travail est fait et bien fait.'56\n\nIn the second half of the nineteenth century the study of folklore57 became, like the study of botany, geology and zoology through-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    {
        "id": 206686,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 234,
        "title": "RAS-1972",
        "content_text": "228\n\nBOOK REVIEWS\n\nThis book is one of the gems of a vast movement. Between the two world wars, Chinese scholars took a great interest in the study of ethnology and folklore. The two most important groups were in Peking University and in the Sun Yat-sen University of Canton. After the May Fourth Movement, Chinese intellectuals fought against their traditional culture and its Confucian interpretation, and looked toward the West.\n\nEthnology was one of the by-products of this new fashion for the Occident and Science. Dissatisfied with a mere copy of Western culture, some people realised at this time that they had, in China itself, a whole culture buried in scorn, which deserved to become part of modern culture. And the movement towards a mass culture, in the early thirties, used for propaganda both by left-wing intellectuals and by missionaries, saw it as a gold mine to be exploited.\n\nThis interest in folk culture was not something new in China. In the Ming dynasty, scholars scandalously proclaimed certain popular novels and plays to be masterpieces comparable to famous classics, while the staid scholars did not even grant them the dignity of literature. Moreover, in Chinese literary history, a keen interest in folk literature has periodically risen in attempts to revive a stereotyped academism. However, in the XXth century, this movement was brought about by ethnologists, and not by avant-garde scholars of literature.\n\nThis ethnological interest had a certain influence. Several modern poets used the tone of popular songs; Lao She studied the folklore of Peking and recalled it in his novels; Wen Yi-tuo used ethnological data to explain the Songs of Ch'u and thus gave more insight into this famous anthology than philological interpretations had ever done.\n\nAmong the materials brought by Chinese ethnologists, the Choice of \"Yang ke\" from Ting Hsien is now a classic, and its translation is very welcome. It was part of a general survey made by a team on rural life in that district, situated about 128 miles south of Peking. The original meaning of \"Yang ke\" is folk songs sung while transplanting the young rice shoots. But it took on a broader sense: short operas performed by amateurs in villages, with music and singing mainly drawn from folk songs. In Peking and elsewhere, these short scenes were sometimes sung by actors on stilts, in processions.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
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]