[
    {
        "id": 209604,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 261,
        "title": "RAS-1982",
        "content_text": "239\n\nThe Sailor Prince, of course, I mean; To welcome him, may he always be\n\nFound playing on the side of the Royal Navy.\n\nThe military groups were at times strengthened by the addition of actresses. Until the time when Hong Kong resident ladies appeared on the stage, the actresses were from visiting professional companies.\n\nActresses not only provided beauty but at times a necessary gentle touch. The 20th Regiment was performing the farce \"Turn Him Out\" in 1867, all was progressing well when suddenly one of the players became temperamental and refused to proceed. To soothe the anger of the audience, which was becoming boisterous, the guest actress, Miss Annie Hill, was prevailed upon to announce the suspension of the performance. While a male would have been greeted with hoots and catcalls, the gallantry of the audience gave Miss Hill hearty applause. Some felt, however, that the incident might be a serious threat to the reputation of all garrison performances.\n\nIn spite of such fears, the Band Company disregarded adverse publicity and presented themselves to the public. According to a report, there was in attendance \"a gay concourse of people, with many ladies and their friends\". At times rowdy behavior discouraged respectable patronage. At a performance at the Garrison Theatre in 1867 it was said that \"some behaved in a style savoring more of a 'penny show' than a respectable theatre, where ladies form a portion of the audience\". Performances put on and patronized by the military were more subject to the plague of rowdyism than those produced by the A.D.C. in the dignified setting of the Theatre Royal at City Hall.\n\nAnother hindrance to military performances was the ruling by the military authorities that no placards could be posted announcing productions. In retaliation, some pranksters put up posters over town announcing a forthcoming play by an officer's dramatic group, though no such production was ever intended.\n\nDespite such difficulties, Hong Kong has had a long history of performances by the Garrison.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 214480,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 338,
        "title": "RAS-1998",
        "content_text": "307\n\nReport of the Committee of the Shanghai Cricket Club and a Statement of Accounts for 1940. Articles on cricket include, Days of Yore, China Coast Cricket (1922-23), A Brief History of Cricket in Hong Kong, by Peter Hall, written in the 1990s, and Cricket in Shanghai (2 pages). In 1981, Arnold Graham donated a large collection of cricketing books and magazines to the Hong Kong Cricket Association.\n\nIn fact, when Arnold Graham came to play cricket in Hong Kong in 1933, he was married in Saint John's Cathedral and there is a wedding photograph to prove it.\n\nAnother of Arnold Graham's pastimes appears to have been the Garrison Players and, on different occasions, he played the role of both producer and actor. Various plays, mostly with a British ring about them, were staged. These included HMS Pinafore, Trial by Jury, Merrie England (1926) and The Scarlet Pimpernel.\n\nIn the box sent by Arnold Graham's daughter there were also a number of photographs and snaps of places like Hangchow (1932 and 1933) and the Hong Kong and Shanghai Bank on the Bund. Also included is what could have been a soccer team where all players are Chinese, except for one European. There are also photocopies of pictures of groups of people taken at the Hankow Races in 1888, the Hankow Club in 1934 and 1935, and a picture of the stewards of the Shanghai Paper Hunt Club, season 1926-27. Many of the pastimes, years ago in Shanghai, were similar to those of Europeans in Hong Kong.\n\nArnold Graham also spent much of his spare time with the Shanghai Volunteer Corps, over a period of 13 years, and there is a paper about the socio-military history of the Corps (14 pages). There are photographs of a military tattoo and another of a group of officers, mainly Europeans (one presumes of the Corps), taken in 1937. There is also a large, dark-blue epaulette, which appears to have been cut from a uniform, embroidered with a gold dragon.\n\nHaving had only one home leave in 13 years he managed to persuade his employer to grant him furlough during the Second World War, whereupon he joined the army in New Zealand. For the latter part",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    }
]