[ { "id": 207118, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 189, "title": "RAS-1974", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n183\n\nroad,” now Victoria city, and So Kwun Po (7). From the fact that these references occurred in the Leung Ch'aak (##) or Register Book of Tung Kwun district, one may judge that the land was owned by the Tangs before the 1st year of Maan Lik, A.D. 1525, as after that the San On district was formed.\n\nTo the East of Shui Mei village there is an ancestral Hall called Mau King T'ong (N). It was built by the descendants of Tang Chan (1) Tang Yui (*) and Tang Kuen (#) the three younger brothers of Tang Yam (3) the father of Tang Tsing Lok. When the descendants of Tang Yam completed the building of Sz Shing Tong, the descendants of the three younger brothers felt it was a disgrace that there were no ancestral halls for their respective ancestors. However they were far from being rich, so they decided to combine together and build one hall under the leadership of Tang Man Wai (4X4), who was a man of rank and a descendant of Tang Chan. On the top of the front door they carved the characters §; › §¡› ✯ ✯✯ “Chan, Yui, Kuen, the three Ancestors Hall,\" and on a signboard the three big characters ✯✯ Mau King Tong, were written by Ts'oi Hok Yuen (4) a scholar of San On, and hung in the hall in the 22nd year of Ka Hing, A.D. 1817, of Ts'ing dynasty.\n\nThe reason why the name Mau King Tong was chosen was on account of the old story \"Tin Shi King fa fook mau” ( # A#*M*) “the Judas-tree of T'in family again becomes luxuriant.\" The story is as follows:--\n\nT'in Chan (₪) and his two younger brothers T'in Hing (w A) and T'in Kwong (□), natives of Chiu Shing district (#K) of Shantung, during the Hon dynasty, decided to divide their family property between them. Among other things, they owned a Tsz King (**), judas tree, and the evening before the dividing up was to take place they found to their surprise that the tree was withered. This upset T'in Chan's feelings very much, he sighed and said to his younger brothers, \"The different branches of the tree come from one root; now that they have heard that they are to be divided up, they have become melancholy and look sorrowful. Now we brothers are human beings, but although we have separate bodies we all came from the same parents, so why should we divide the family property and live separately? Do we not feel ashamed in seeing the appearance of this tree?\" Then the younger brothers were moved by this, and they never mentioned the idea of dividing the family property", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 209325, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 228, "title": "RAS-1981", "content_text": "214\n\nKING, Miss Carol A. KIRKBRIDE, Mr K.M.G. KROPATSCHECK, Mrs Hannemarie\n\nKWAN, Mrs Alice W.S.C. KWOK, Mr Ping Leong LACK, Mr Alan J. LAI, Miss Merlin S.C. LANG, Mr Frederick G. LAWRENCE, Mr Anthony LAWTON, Mr David LEE, Mr Peter E.I. LEE, Mr Peter J. LEE, Mrs R.M.\n\nLEE, Miss Sandra Suk Yee LEE, Mrs S. Jane LERNER, Mr Bernard LEVIN, Mr David A. LEVIN, Ms. Stephanie S. LI, Mr Edwin Lao LI, Mr Shi-Yi LIARDET, Mr A.J. LIN, Mr Tien-Wai\n\nLIU, Miss Dimon\n\nLLOYD, Mrs Aileen S. LLOYD, Mrs Waltraud E.\n\nLO, Miss Alexandra Dak Wai LO, Mr Shu-wing LOCKING, Mr J.R. LOFTS, Prof. Brian LOK, Dr Leonora Shin U. LOK, Miss Wai Kwan LOVELL, Mrs Hin-Cheung LUNNEY, Mr Raymond LUTZ, Mr Hans F. MA, Prof. Ho-Kei MA, Mrs Jackie\n\nMA, Prof. Meng, MBE MACCABE, Mrs S.J. MACCALLUM, Mr. I.\n\nMACCALLUM, Mrs Wendy M.\n\nMACGREGOR, Mr Keith\n\nMAHLKE, Mr William J.\n\nMANSON, Mr James B.\n\nMAO, Dr Philip Wen-chee MARKEY, Mr J.C. MARTIN, Dr Michael R. MASON, Mr A.K. MATHEW, Mr David\n\nMATHEWS, Mr J.F. MAYERS, Mr Walter MCLEAN, Mrs Robyn H. MCCULLY, Mrs Arthur M. MCDONALD, Mrs John R. MCELNEY, Mr Brian S. MINERS, Dr N.J. MINTER, Mr C.J.W. MITCHELL, Mr Eion A. MITCHELL, Mrs Ruth M. MORGAN, Ms V. Elaine MOSER, Mr Michael J. MOYLE, Mr G.C. MULLOY, Mr G.N. MURPHY, Mr Francis S. NEWBIGGING, Mr D.K. NEWBIGGING, Mrs Carolyn NG, Dr Margaret N. NG, Miss Tonia NGUYET, Mrs Tuyet O'HARA, Mr Randolph ONG, Prof. Guan Bee OUTCH, Mr William T. ORR, Mr Iain Campbell OXLEY, Mr C.W.B. PARRINGTON, Miss June PARRY, Mr Roger H. PERESYPKIN, Mr Oleg P. PICKARD, Mrs Jane PICKFORD, Mr John B. PRESCOTT, Mr Jon A. PRYOR, Dr E.G.\n\nQUESTED, Mrs Rosemary RAM, Mrs Jane REDDING, Dr S.G.\n\nREYNOLDS, Prof. W.A.\n\nREYNOLDS, Mrs Johanne\n\nRHODES, Mr Peter F.\n\nRIBEIRO, Mrs Susan\n\nRICHARDS, Dr S.F.\n\nRICHARDS, Mrs J.K. RICK, Mr D.R. RIGG, Mrs Jillian R. ROBERTSON, Mrs A.G. ROBERTSON, Mrs W.G. ROHRS, Mr Kenneth R. ROPER, Mr G.W.\n\nROSS, Mr David M. ROWARK, Mrs Sally", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 210751, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 102, "title": "RAS-1986", "content_text": "85\n\nusual style of indigenous houses. He confirmed that those were pig farms and small factories - making beancurd, vehicle body, etc. run by outsiders. A few years ago the land of the whole village was sold to a developer for construction of luxury residences, but the developer had not yet taken possession of the land. Few villagers remained; many, in all likelihood, had moved out to live in the city. He also told me the village had a Bak Dai temple, which I did not see. Formerly, they used to select the ritual representatives for their own jiu celebrations at this temple. They later joined Shek O and Tai Long Wan because there were not enough people to take up the work required by a separate celebration.\n\nIII. Participants\n\nAs in the case of the jiu celebrations in the New Territories, participants at the jiu paid a subscription and had their names included in a list put up in a major rite on the main day. They also participated by organizing the festival and by taking part in worship, while a minority took leading roles or represented the celebrating population in the rites. Unlike most jiu festivals in the New Territories, these participants included later settlers as well as indigenous residents.\n\nI noticed that there were about 550 entries in the contribution list posted on one side of the entrance to the main ritual area. Members of the same family were grouped together, as in the New Territories, in the list of participants. There were altogether about 220 families, many of them covering three generations.\n\nIn the case of Shek O, participation and subscription were not required of all residents, indigenous or otherwise. Moreover, the amount of subscription was left to each individual participant. Three men were selected as the yn-sau ritual representatives by casting bui divination blocks at the Tin Hau temple. The chosen three were called the yn-sau and his two \"deputies\". All the other participants, even if they were foreigners, were indiscriminately called seun-si (believers), which title was reserved for indigenous residents at the New Territories celebrations. After the ritual representatives were chosen, Choi Paak Lai, a well-known date-chooser, was consulted for the dates and times for the major", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210766, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 117, "title": "RAS-1986", "content_text": "100\n\nCHAN WING HOI\n\nNOTES\n\nBesides \"three-day jius\", there are more elaborate “five day jiu” celebrations in the New Territories.\n\nThe annual ritual takes place typically in Chiu Chau, Wai Chau and Hoklo settlements to make offerings to uncared-for dead spirits.\n\n1 The oldest dated object in the Tin Hau Temple, which housed the main god of the festival, was about one hundred years old. I shall refer to this again later.\n\n6\n\nThere could have been more than one \"chairman\".\n\nProbably part of the golf club, or otherwise a similar establishment.\n\nTanaka Issei 田仲一成, Chugoku saishi engeki kenkyū 中国祭祀演劇研究 (Tokyo: Institute of Oriental Culture, University of Tokyo 1981) p. 891.\n\n7 The Fuk-Wai-Chiu immigrants had their own gods and their operas in the Tin Hau festival. According to Tanaka, eleven or twelve gods other than Tin Hau were sacrificed to (op. cit., pp. 891-3). One of them, the Daai Wong Paak Gung of Naam Bin Chyn, is attributed by Tanaka to the Hoklo residents. Tanaka also points out that the Fuk-Wai-Chiu members of the organizing committee were alone responsible for a special part of the festival, that is, the performance of Wai Chau and Chiu Chau operas.\n\n8 Piu-sik are usually carried on frames at a height far above that of the audience in a parade. Because of the rain during the procession this time they stood in a lorry instead.\n\nAbout half of the gods sacrificed to in the Tin Hau Festival, including the Fuk-Wai-Chiu deity mentioned above, were not found among the spirit tablets in the jiu festival.\n\n10 \"Picking green\". In this case the two lions competed in capturing a bank note hanging near the entrance to the house.\n\nGlossary\n\nChoi Paak Lai 蔡伯勵\n\nchoi-cheng 採靑\n\nDai Wong (Ye) 大王(爺)\n\nba-wong-dei 霸王地\n\nChiu Chau 潮洲\n\nbaai-chaam 拜懺\n\nBaak Mou Seung 白無常\n\nBaak-gung 伯公\n\nBak Dai 北帝\n\nBao'an 寶安\n\nbui 杯\n\nbin-ngaak 匾額\n\nChai Wan 柴灣\n\nChan Wa 陳華\n\nCheung Chau 長洲\n\nDaai Si (Wong) 大士(王)\n\ndaai-gat 大吉\n\ndiu-lau 碉樓\n\nDongguan 東莞\n\nfa-laam 花籃\n\nfa-paai 花牌\n\nFaaigou jeungdaai ...", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211438, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 154, "title": "RAS-1988", "content_text": "130\n\nand settled in a new home at the East Gate of Shekki. A son, Tin Suk, was born a year later, followed by two daughters, Ah Fook and Ah Look. When all three children came down with a serious illness, only Tin Suk survived.\n\nI treasure a vignette of Grandfather beside a horse tied to a tree behind our Iwilei home, ready to leave for Kaneohe, and another one of him sitting on a chair and asking me to press my face against the stub of his whiskers. I pushed his face away, but Ruth did not resist. He told Mother that he liked my 'spirit', a trait she considered as stubbornness, and tried to subdue by applying the rod generously.\n\nIt is hard to understand why Grandfather did not leave any money to Uncle when he left Hawaii. This meant years of hardship for Uncle and his family. Everyone had to share in the numerous tasks. The children had many chores: cutting grass to feed the pigs, beating kerosene cans to frighten flocks of birds which came to dine on ripening grain, pasting bags out of newspaper to protect melons from destructive insects, helping with the threshing of grain and bagging of the paddy, and on and on. Aunt's work was endless. In addition to child-bearing, she shared in the planting and harvesting of both rice and vegetables, chopped guava trees which were in great abundance on the hillside for firewood, cooked three meals every day, and saw to the needs of the children. Although Annie, the oldest child, was not a boy, she had to help in ploughing the fields at an early age, and had little opportunity to attend school.\n\nOne crop of rice a year was general, but some years Uncle managed two plantings. Vegetables were also grown: cucumber, bitter melon, mustard cabbage, napa, bak choy, water chestnut, watercress. At harvest time, as well as during the planting season, itinerant workers had to be hired. It was men against weather. They transferred the rice seedlings into the watery mud fields, inserting a few stalks at a time in neat, straight rows. When the grain ripened, the rice stalks were cut with sickles and laid row on row in neat piles for bundling. Sheaves of grain, balanced on each end of a long pole, were carried on the shoulder to the threshing ground, which was a large concrete area with a stake in the centre. A horse tied to it would be driven round and round to stomp the grain from the stalks, which were then pitch-forked away into a mountain-high pile that served as a play area for the children.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211937, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 352, "title": "RAS-1989", "content_text": "327\n\nNaam-Bin (\"South Side\") and Bak-Bin (\"North Side\"). Bak-Bin includes only two villages: Shui Tau and Shui Mei. Naam-Bin includes Kat Hing Wai, Tai Hong Wai, Wing Lung Wai, Ko Po, Kam Hing Wai, Tsi Tong Tsuen, Tai Hong Tsuen and Kam Tin Shi. The division into Naam-Bin and Bak-Bin corresponds to the geographic location of residence as well as to agricultural and ritual activities. The village patrol corps of Kam Tin were also organized in terms of Naam-Bin and Bak-Bin.\n\nB. The Village Guard System\n\nThe village guard system continued well into the 1960s. It used to be called cheun-ding, but later was called ji-wai-deui. There was one for Naam-Bin and one for Bak-Bin. The Naam-Bin guards consisted, more or less, of two men from each of Tai Hong Wai, Wing Lung Wai, Kat Hing Wai and Ko Po. The Bak-Bin guards were from Shui Tau and Shui Mei. The guards worked in two shifts, the first from 8 p.m. to midnight and the second from midnight to about 5 a.m. The Naam-Bin village guards patrolled the area reaching Au Tau to the west, gwai-waan to the east, Wong Chuk bei to the south, and the river before Pak Wai chyun to the north. Sha Pui Leng (Sa Bui Leng) was within the scope of their protection. The villagers of this village paid levies to the corps, but none of them were members.\n\nThe village corps was rewarded by levies on sweet potato and rice crops. They charged 10% on potato. Before harvest, one in ten rows (laar) of the potato had already been allocated to the village guards. The rate of the levy on rice was a prescribed amount some tens of catties on each mu of cultivation. When the villagers' paddy fields suffered loss from theft, they got compensation from the village corps responsible for its protection. The corps would compensate in full the estimated loss.\n\nIn earlier times the head of each village corps was selected by bidding. Each candidate would offer a certain quantity of rice (guk) which he would give back to the member villages. But in the case of the head for the year 1954, who I interviewed, he was appointed by the elders. This was because few people wanted the post.\n\nAround 1954 there was government involvement in the village guard system. \"The police station asked us to organize [village corps]”. There were more than ten guards, armed with 6 guns. The guards also had passes issued by the police. They were also given used uniforms for", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211938, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 353, "title": "RAS-1989", "content_text": "328 \n\nwinter. Once in a year they practised shooting at a police shooting range near Man Kam To. In earlier times the guards had used gwan sticks.\n\nC. The village market\n\nAt present there are a few shops, mostly food stalls, in Kam Tin Shi. Some Dangs also live there. They are descendants of the senior branch, including descendants of Wan-Guk and Wan-Gaan. The place used to be the local market. It was active before the Japanese occupation. It had a sign in the form of an arch, which was removed by the Japanese. Some documentary information about the market has survived in a rent record.29 One of the shops entered into the rental contract in 1851. The rent book included entries for five shops in Kam Tin Shi. Among them one was run by a tailor. It also mentioned the names of three streets. These were Upper Main Street (Sheung Taai Gaai) and Lower Main Street (Ha Taai Gaai) as well as Middle Street (Jung Gaai). The elders remembered that the market had two or three butchers and two or three fishmongers. Besides these there were a few other shops. Two sold jaap-fo (“sundry goods”). Kam Tin Shi is remembered to have mainly catered for the needs of the Kam Tin people. Very few outsiders came.\n\nSome informants added that there was even one pawn shop inside Kat Hing Wai. The owner was a descendant of Wan-Gaan jou. I have no idea when the pawnshop was started. There was also a peanut oil factory which was started more than 100 years ago. It was owned by a Wan-Yu jou person.\n\nIV. SETTLEMENTS AND LINEAGE SEGMENTS\n\n4\n\nAccording to Sung (1973:111) Hon-Faat, the first Dang ancestor to come to the province, built the first house at the bottom of a hill called [Gwai Gok Saan] about three-quarters of a mile away from the present Kam Tin\". His grandson Fu-Hip lived there on retirement and founded a school called Lik Ying Jai (ibid.: 116). The descendants of Fu-Hip's grandson Seui, lived in the Naam Wai and Bak Wai villages around the beginning of Ming dynasty (1368). The division of the Kam Tin settlement into Naam-Bin and Pak-Bin remain today. Yun-leung, father of the gwan-ma and one of the sons of Seui, remained in Kam Tin. The other four descendants of Fu-Hip moved to nearby Ping Shan and places in Dongguan county, among other places. The descendants of many of the sons of the gwan-ma moved away to Lung Yeuk Tau, Tai Po Tau,\n\n30", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211939, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 354, "title": "RAS-1989", "content_text": "329\n\nLoi Tung, among other places, including some to Dongguan and Xiangshan counties. The cousins of Hung-Yi moved away to nearby Ha Tsuen and Xiangshan county, among other places. Hung-Yi's brother Hung-Ji moved to Ha Tsuen. Thereafter, all the remaining Dangs of Kam Tin were descendants of Hung-Yi.\n\nCasually asking the Dang elders about the relationship between lineage segmentation and settlement, one is given both concrete examples that suggest a correspondence as well as general observations that there is no correspondence. For example, one would be told that the descendants of the third branch (Yeui), which are very few in number, all live in Wing Lung Wai, and that all the others of that village were descendants of the first fong. Unless one asks about a particular segment, the answers would be in terms of the four branches of the lineage, and the conclusion will be that no single segment lives in a village of its own except in the case of Tai Hong Wai where all the villagers are descendants of Man-Wai and his brothers.\n\nGoing down the level of segmentation, to the lineage divisions focussed upon ancestors of the 17th to 19th centuries, there is correspondence in the sense that members of these segments all live in the same village. As already mentioned, all the members of the third branch live in Wing Lung Wai. Similarly, all the Ji-Ga Tong people live in Shui Tau, all the descendants of Wan-Yu live in Wing Lung Wai, and all the descendants of Gwong Yu Tong and Lei Ging Tong live in Tai Hong Wai. Another example is the descendants of Wan-Gaan, who, according to one account, had three sons: Fau-Ng, Jan-Ting and Gai-Jau. Gai-Jau's segment live in Kat Hing Wai. Fau-Ng's descendants are divided into three sub-segments. One of the three lived in Ko Po, another in Kat Hing Wai, and the other in Kam Hing Wai.\n\nSome segments of the lineage settled elsewhere. The descendants of Hung-Yi's second son Jan had moved to Ying Lung Wai near the Yuen Long Old Market at a very early date. I was told by its head of branch that many more lived in Zhongshan county. Some of the descendants of San-Fung, a son of Wan-Guk, also had settled elsewhere. I was told that most of them live in Kat Hing Wai, but some had moved to Tong Fong near Ping Shan. The ritual handbook for Ching-Lok's ancestral hall had a special provision for the descendants of San-Fung, which said that they had moved to Naam Tau, in a street outside the city wall.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211947, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 362, "title": "RAS-1989", "content_text": "337\n\nThe Jau and Wong Temple also used to house spirit tablets to \"heroes\". The tablets (three in total, without names) were moved to the Yau-Leun Tong from the side altar in the temple about 50 years ago because they were siu-yan (“small people”), and it was unseemly to house them in the same temple as the two great men (daai-yan). As mentioned before, villagers agreed that the “heroes” were those who had died in fighting (da-saat) between Kam Tin and its enemies.\n\nKam Tin has quite a number of other temples. There are the Man-Cheung Temple and Hung-Sing Temple in Shui Tau, and the Tin-Hau Temple in Shui Mei. Many of the other villages, e.g. Kam Hing Wai, Tai Hong Wai, Kat Hing Wai, Tsi Tong Tsuen, and Wing Lung Wai, which do not have “standard” temples, have a san-teng, a house with an altar for a spirit tablet for about ten popular temple gods. The gods of some of the vanished temples, which include a Yeung-Hau Temple and a Bou-Dak Chi in Shui Mei, and the Hung-Fan Taam Temple of Shui Tau, are still worshipped in the jiu festival, as are the gods of two nunneries, in Shui Mei and Tai Hong Wai respectively, which no longer exist.\n\nThese temples and nunneries hold tablets or images of some 20 different gods, if we are to include the Earth God for temples, and Wai-To for Buddhist establishments. The other 18 include the popular temple gods Yeung-Hau, Tin-Hau, Bak-Dai, Man-Cheung, Gwun-Yam, Gwaan-Dai, Hung-Sing, the God of Wealth, Gam-Fa, Taai-Seui, the Dragon King, and the Buddha. The Bou-Dak Chi housed spirit tablets for Jau and Wong. There is not much information about this other temple dedicated to Jau and Wong, but it was worshipped probably only by the villagers of Shui Tau, where it was situated.\n\nFui-Sing, and Fa-Gung Fa-Mou are probably respectively responsible for success in imperial examinations and the health of children. Hoi-Saan Suk-Lou is a title found in some other local temples as well, and represents the earliest settlers of the place. Hong-Wong is a title that I have not seen elsewhere in the New Territories.\n\nThe titles of localized gods found in most of the Kam Tin villages include the God of Earth and Grain, the Water God of wells, and the Earth God for the gates of the walled villages. There are, in some of the villages, a Tree God and Earth Gods for bridges and for the gate to a complex of houses. In addition, there are Ngau-Wong and Pun-Gu,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211954, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 369, "title": "RAS-1989", "content_text": "344\n\npolice. A cluster of smaller temporary structures were built to house the paper images of the Jade Emperor, the City God, the Daai-Si Wong and Baak Mou-Seung. The Daai-Si Wong, also known as Gwai-Wong (King of Ghosts) is a transformation of the goddess Gwun-Yam, who has a fierce appearance befitting his role in the ritual: to oversee the ghosts when they come for the offerings. The Baak Mou-Seung, literally the White Unpredictable, is one of the two Unpredictables, both members of the Underworld bureaucracy who take peoples' spirits when they are to die. Further away from the main paang was a larger structure for general gods, which was to house most of the gods invited from local temples and shrines.\n\nDecked out with many fa-paai banners from the villagers and outsiders, the main structure had several partitions. At the entrance in front were two huge paper images of two armed gods, who served as the supernatural guardians of the paang. Beside them were two horses with attendants, and a pair of lions. Furthest from the entrance was a stage divided into three sections, all facing the entrance. The middle one is the Taoist altar where the priests performed many of their rites. To the right was the altar for the Dang ancestors Hung-Yi and his two wives. On the left side was the puppet stage, on which plays were performed. On both sides of the central area of the paang were rooms for each of the five gu villages/groups of villages, plus Ying Lung Wai. On the same rows were two rooms for the guards for the festival site, one for guards drawn from the young men of Bak-Bin and the other from those of Naam-Bin. Nearer the front on the right side was a temporary altar for Gwun-Yam.\n\nOn the left side was a large partition dedicated to four separate groups of paper images, many with pottery/ceramic heads. The area was known as the yau-saan, a place to harbour ghosts. Each of these groups was divided into three levels. Two large groups depicted the ten Kings of the Underworld on the topmost level. Under the Kings on the middle level were ten shops, each with signs indicating the business: barber's, brothel, sundry goods shop, pawnshop, second-hand clothing, department stores (two), tailors, porters, and “cool” drinks. On the lower levels were some devils, ghosts under torture in the Underworld, and many shoppers. The subjects of the two other groups were more difficult to identify. One of them was labelled Zizhu Lin, “Purple Bamboo Grove”, the place associated with the Goddess Gwun-Yam. She and her male and female attendants were recognizable among the images on the topmost", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211956, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 371, "title": "RAS-1989", "content_text": "346\n\nthe 71st birthday of Dang Nga-Chyun, a member of a rich family descended from the mou-geui-yan Dang Ying-Yun. Also on display in the same room were other scrolls of calligraphy and painting. Put on display for a couple of hours were relics of the wong-gu. As many of the Dangs were proud of telling, there were two of them (1) a set of twelve small paintings known as Gwai-Fei Tip, believed to be the work of Fu Qing, a lady-in-waiting in the Song court; and (2) a painting of an eagle, reputed to be the work of the Emperor Song Huizhong; both given to the wong-gu as souvenirs.54 Although they were put on display during a visit by about 200 members of the Hong Kong Branch of the Royal Asiatic Society, to put those two antiques on display had always been part of the tradition.55\n\nEach of the villages was decked out with fa-paai banners too. In most cases there was a fa-paai presented by all the members of the village in celebration of the ten-yearly jiu. In the case of Tai Hong Wai there was one from all the descendants of Sung-Gok jou (father of Dang Man-Wai and his brothers) as well as one from the \"youngsters\" of Tai Hong Wai. The village gate had red slips of paper saying Fast (tsai-gai) and Clean (git-jing).\n\nC. Ritual Representatives\n\nIt was explained to me that the people in each gu divided into family groups (chu). In some cases, the nearest common ancestor such a \"family\" group could trace was more than ten generations distant. For example, under Mr. Dang Tim-Kau's entry were his blood brothers, the sons of his father's brothers, as well as others who were more remotely related to him. The nearest common ancestor of the chu as a whole was Git-Sau jou, who was, from the standpoint of Dang Tim-Kau's grandsons, 12 generations up the lineage tree. The selection of ritual representatives was done by divination with bui.56 The theory of an elder is that each chu chooses its own candidate for ritual representative. But, according to a younger ritual representative, if a man failed in the divination, then his son would try his luck in the same selection process. The candidate who got the longest series of sing-bui would be the no. 1 ritual representative. The others were chosen and ranked in the same manner. But there were additional rules. Each gu section must have one man among the no. 1 to no. 5 ritual representatives, and each had to have three men among the no. 1 to no. 15 ritual representatives. The last three places (58-60) were, as a rule, alloted to the Ying Lung Wai people,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211958, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 373, "title": "RAS-1989", "content_text": "348\n\nD. The Taoist Priests and Their Rites\n\nThe Taoist priests who performed the rites in this festival were hired on a contract basis. More than ten of them were involved, among whom four were in a senior position. The oldest of the four, Mr. Lam Pui, born before 1910, was from the New Territories. Another, Mr. Jeung Hoi, was from a village just across the present Chinese border. Mr. Lam Choi was probably from the New Territories too. Both were born about 1920. These three had been active as ritual experts in the area since when they were young, and had been in leading positions at least in the last few decades. The four had all performed in the 1965 celebration of the Kam Tin jiu festival. The other senior priest, Mr. Chan Gau, was from Sa Jeng in the western area of Bao'an county. He had come to Hong Kong more than ten years ago and since then has worked in the New Territories. Mr. Leung Tung, though not a priest by profession, had been working with this group of priests as a musician, and had trained in an early stage of his career in ceremonial music bands in the Bak Bin villages. Chan Gau, Jeung Hoi and Lam Pui were the partners who undertook to provide the priestly services on this occasion, and the other members of the team were hired to help.\n\nBesides the three-times daily Scripture chanting and small processions to make offerings at different spots, the priests performed about 20 rites in the festival. About ten of them were more elaborate and were considered to be the main ones.\n\nEach of the four senior priests took the leading role in different rites. Mr. Lam Pui, being the oldest and the most knowledgeable, acted as the high priest in most of the main rites, including the Opening Rite, the Purification of the Ritual Area, the Posting of the Placard, the Escort of the Holy Ones, and the Great Offering to Ghosts. Mr. Chan Gau, being younger and good at acrobatic feats, took care of the more martial rituals: the martial arts section of the Purification of the Ritual Area, and Going through the Gates of Life and Death, and headed the team for the Dipper Rite. Mr. Jeung Hoi acted as the main priest in some of the other important rites. Mr. Lam Choi, partly because he was not one of the partners, played secondary roles. The morning, noon-time, and afternoon Scripture chanting and offerings were performed by the more junior members of the team, as were the short concluding rites on the last day.\n\n60\n\nAlthough the rites differ one from another, there were many elements", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211962, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 377, "title": "RAS-1989", "content_text": "352\n\nF. Theatre\n\nAfter the seven-day rites period, the main paang was modified for use as the opera theatre. The raised area originally partitioned for the Taoist rites, puppet plays and the ancestral altar was converted into the opera stage. The ancestral tablet of Hung-Yi and the statue of Gwun-Yam were moved into the smaller paang for the general gods. The rest of the main paang became a raised audience seating area divided into left and right halves. The right half was for Bak-Bin and the left for the Naam-Bin. Here Bak-Bin included Ying Lung Wai. There was also a clear partition of each half into two sections. One section was for males and the other for females. Between the seating areas for Naam-Bin and Bak-Bin was a separate area, the front part of which was seating for guests, and the rear part of which was left empty, probably for standing audience.\n\n64\n\nIn the afternoon before the first opera performance, the rite of exorcism, Jai Baak-Fu, was performed by the opera players on the stage. To the accompaniment of percussion patterns played on large cymbals, gongs, and drums, a man in black fought with a yellow \"white tiger”. Although the opera troupe's ritual practice was to perform this ritual only at places where there had never been any theatrical performance before, the Dangs, for the sake of safety, made a special request and paid the troupe an additional fee to have the rite performed.\n\nThe allocation of theatre seats caused some conflicts among the villagers. I had been told that the seating was allocated on the morning of 24th December, and a chu was allocated seats according to its position in the jiu Memorial. A young man from Shui Tau told me that a fight almost broke out on account of the seating arrangements. There was hot disagreement between some youngsters of Wing Lung Wai on one side and those of Kat Hing Wai on the other. There were more than ten of these young villagers from each of the two villages who were quite ready to fight.\n\n65\n\nSome others solved their seating problems in a more peaceful manner. I learned about the case of a Kat Hing Wai family which was not one of the ritual representatives and had therefore been allocated seats very far from the stage. But the eldest son of the head of the family managed to purchase some seats for his parents to express his filial piety. Another Kat Hing Wai villager had asked him (the son) for a loan of a few", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211970, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 385, "title": "RAS-1989", "content_text": "360 \n\nof the Lineage, or his representatives, went to Ching-Lok Ancestral Hall for Hung-Yi. \n\nEach party took with them sets of paper clothing, fruit, tea, wine, yun-bou and a gong. \n\nI was told that the two officials Jau and Wong would be invited from the temple before the first five ritual representatives went to the Ling Wan Monastery. They departed for Ling-Wan Ji on a goods vehicle. A nun was there to meet them. The nun said that in the celebrations in the past they always heard the sound of the party's gong before the ritual representative's party arrived, this time the party was so quiet that she had no warning of their approach. (She had known that the jiu was to take place, though). \n\nA brief worship was conducted by the nun at the main altar. After that the paper clothing was burnt, and the ritual representatives made offerings of incense, tea, wine and a plate of vegetarian food. Then temporary spirit tablets of paper prepared in advance by the villagers for this occasion were each inserted into a piece of Chinese carrot and put on the altar table. There were a total of seven gods, including Gwaan-Dai, Fui-Sing, Choi-Baak-Sing-Gwan and Man-Cheung. Upon the suggestion of the nun, they added a temporary tablet for Gaam-jaai, a god to oversee observation of vegetarian diet. A concluding baai-san was accompanied by the villagers' gong and the nun's “chime”. Among the gods from Ling-Wan Ji, only Gwun-Yam was invited in the form of an image. \n\nNext the party went to the Pat Heung Temple. A woman of about 70 met them and the Kam Tin men explained that they were inviting the gods to see the opera and they would be brought back afterwards. The gods were Tin-Hau, Yeung-Hau, Gwun-Yam and Wa-Gwong. The woman instructed them to make an offering and burn yun-bou before they fetched the gods, which they did. Here they took no statue of the gods. \n\nThen they went to the Yuen Kong Temple. The ritual representatives had expected the presence of a temple keeper, probably for guidance. But none was to be found. Only Yeung-Hau and Bak-Dai were fetched, although the Kam Tin men made offerings of incense to the other gods of the temple too. After this the party went back to Kam Tin.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211971, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 386, "title": "RAS-1989", "content_text": "361\n\nBack at the ritual site, the ritual representatives installed the image of Gwun-Yam in the temporary altar dedicated to her, and the spirit tablets for the others in the san-paang altar for general gods. These, with the spirit tablets for the gods from the villages, gradually filled up the three levels of the temporary altar. Two ritual representatives fetched the tablet of Hung-Yi from the Ching-Lok Ancestral Hall to his altar on the stage. The portrait of the Heavenly Master was fetched from the village gate of Tai Hong Wai, and installed at a temporary altar set up for him in the Mau-Ging Tong ancestral hall.\n\nThere were also a few deities to be invited from the sky. They included Tin-Dei-Sheui-Yeung, the gods of the realms of Heaven, Earth (the Underworld), Water, and the human world; Gods of the Naam-Dau (\"North Dipper\") and Bak-Dau (\"South Dipper\"), both for blessings to men; the City God and the Lei-Wik (who supervises the local Gods of Earth and Grain and the Earth Gods); Tin-Chyun San-Gwan (two common titles of the highest deities); and the Dragon King. In the last stage of the Opening Rite there were complaints that those gods were omitted. But later on that day temporary spirit tablets for them were seen in the san-paang.\n\nD. Procession of incense I\n\nThe first Procession of Incense took place on the main day of the ritual, to the participating villages of the Kam Tin heung. It was to visit all the temples, shrines, and major ancestral halls to worship the gods and higher-level ancestors. There did not seem to have been a clearcut rule about the lower-level ancestral halls. When I mentioned to an elder that the procession had stopped and worshipped at Lai-Gaan Tong, his first response was that the procession should not have worshipped there. But he changed his mind later: the worship in the rite was indiscriminative, it went to every ancestral hall if the doors were open.\n\nA very large number of villagers participated. Priests took part in the procession as well, but their part was limited to a brief invocation. Most of the villagers wore hats with special ornaments indicating their villages. The procession was accompanied by the sound of large gongs, a flag saying jeun-heung (\"to offer incense\"), and the priests' musician playing sona. There was one lion dance group, and Luk Gwok flags and percussion teams playing drum and gong on lo-gu ga frames representing each of the five main villages. There were also flags", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211974, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 389, "title": "RAS-1989", "content_text": "364\n\nThey left the festival site, passing Tai Hong Wai and Ko Po, where those who took part were offered drinks. They next reached Ying Lung Wai, where they were met by the lion dance of the village, and treated to soft drinks. They first worshipped at the altar of the God of Earth and Grain of Ying Lung Wai, then the san-teng and the village gate.\n\nThey proceeded to Tung Tau Tsuen, where they worshipped at the Tin-Hau Temple and then the Gwun-Yam Temple. No one came to meet them. But nearby two elderly ladies exchanged these remarks among themselves, \"The two temples belong to Kam Tin fellows, they wanted to repair them, but Tung Tau Tsuen would not let them\".\n\nThey proceeded to the Old Market. First they worshipped at the market gate then at the Bak-Dai Temple, and then at the Daai-Wong Temple.\n\nThen they moved on to Nam Pin Wai, where they worshipped at the altar of the God of Earth and Grain, the san-teng and the village gate. A man in his fifties sitting under a tree cursed the Dangs when he saw the Ambulance which was in attendance in case anyone was overcome by the heat. He said, \"Right. Let this Ambulance carry these Kam Tin fellows\".\n\nAt the nearby Sai Pin Wai they worshipped at an altar for the God of Earth and Grain. There was a reception. They proceeded to a Lam Yi-Hing Tong” inside Sai Pin Wai, and then the village gate and an altar of the God of Earth and Grain.\n\nThe procession finished with the Old Market and the surrounding villages, and went on to Yuen Long New Market. When they reached Sau Fu Street, they were offered soft drinks by people who had come from Kam Tin for that purpose. From there they walked back to the festival site at Kam Tin.\n\nF. The Procession with the King of Ghosts\n\nThe procession with the King of Ghosts took place during the evening before the Great Offering to Ghosts. In the first stage the Bak-Bin villagers carried the huge image of the Daai-Si Wong through their villages. Their Naam-Bin counterparts waited near Kam Hing Wai to take over the paper image for the second part of the procession. These were 22 young men, many carrying long bamboo poles with metal ends", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211975, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 390, "title": "RAS-1989", "content_text": "365 \n\nfor supporting the back frame of the King of Ghosts. From their conversations I learned that the procession was to exorcise \"dirty\" things. Such evil spirits resided at places such as waterfronts where people had been drowned and the sides of the road where traffic accidents had taken place. Such spots were \"cleansed” by letting the King of Ghosts face them for a short moment. The procedure was referred to as \"shining on [the dangerous place]\" (jiu) by the villagers. \n\nAs in the other rites where ghosts were involved, speaking peoples' names out loud in the procession was taboo. One of the young men told his companions to phone the Ko Po people, \"Tell them not to speak peoples' names\", as it was unauspicious to do so. Although those young men gave the impression of a taboo against women seeing the King of Ghosts in the procession, this was denied by an elder and a middle-aged lady whom I talked to. According to the elder it was unlucky only for pregnant women to see it. The lady told me that some women, including herself, were afraid of the ghosts, and therefore would avoid seeing the Daai-Si Wong. \n\nThe procession was accompanied by simple gong patterns played by one of the villagers. The exact pattern to use was made clear near Tai Hong Wai when the gong beater was told to correct the rhythm. The pattern he was beating was that for funerals (which was a quick succession of beats). The appropriate rhythm was two medium quick beats followed by a short pause, which sounded, to me, the same as the one used in processions with the statues of the gods. \n\nAt about eight o'clock in the evening the Bak-Bin team arrived with the King of Ghosts, which was about 25 feet tall. The first thing their Naam-Bin counterpart had to do was to take over the gong and continue the beating. The paper image was lowered from the supporting poles of the Bak-Bin villagers and was carried flat before it was raised on the poles of the Naam-Bin team, who performed the second part of the procession. \n\nThe Naam-Bin procession went towards the Mung Yeung School, avoiding trees and lamp-posts on either side of the narrow road. From near the school they proceeded towards Ko Po on the main road. On the way they turned the paper image occasionally towards either side of the road. Once they were in Ko Po the team shouted to a few young girls who watched, “Close your doors, and do not come out to look”. \n\nPage 390\n\nPage 391", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211978, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 393, "title": "RAS-1989", "content_text": "368\n\nSung, Hok-p'ang et. al. (1984), pp. 1-9.\n\n1973 \"Legends and stories of the New Territories: Kam T'in', JHKBRAS xiii, 1973, pp. 28-40.\n\n1974 \"Legends and stories of the New Territories: Kam T'in\", JHKBRAS xiv, 1974, pp. 160-185.\n\nTaga, Akigoro Tanaka, Issei\n\n1982 Chugoku Sofu no Kenkyu, vol. 2, Tokyo.\n\n1985 \n\nTsui, Bartholomew\n\nWatson, Rubie S.\n\nWolf, Arthur P. (ed.)\n\nA Chiu 亞潮(?) baai 拜 baai-san\n\nBaak Mou-Seung Ú Baak-Ging\n\nBaishe Zhuan\n\nLineage and Theatre in China. Interdependence of Festival Organization, ritual, and theatre in the lineage society of South China, Tokyo.\n\n1989 Village Festivals in China: Backgrounds of Local Theatres. Tokyo\n\nforthcoming\n\n\"Daojiao Yili ya Jishen Kiju zhijian de Guanxi”,\n\nforthcoming\n\n\"Taoist Ritual Books of the New Territories\".\n\n1985 Inequality Among Brothers: Class and Kinship in South China, Cambridge University Press.\n\n1974 Religion and Ritual in Chinese Society, Stanford.\n\nGLOSSARY\n\nchiu-gaan chiu-dou * Chiu-Yip #\n\nchu 柱\n\nChuk Yuen 竹園\n\nChung E\n\nChung Yeung 重陽\n\nChung-Saan\n\nU\n\nBak Bin 北便\n\nBak Dai 北帝\n\nbei 陂\n\nbong 榜\n\nBou-Dak Chi #AM\n\nbui\n\ncha-gwo 茶果\n\nChan Gau 陳九\n\nChan 陳\n\nchau-san\n\n+\n\nChenghua 成化\n\ncheun-ding\n\nT\n\ncheun-fu 巡撫 Cheung-Cheun Yun cheung-saam Chi-Naam Ching Ming U Ching-Lok\n\nChung-Yut Я\n\nchyun 村\n\nDaai-Si Wong ✰±\n\nDaai-Wong E\n\ndaai-yan ★A daai-yau daam\n\ndaam-jung da-jai 打仔 da-jiu 打醮 dan 躉 Dang 鄧\n\nDang Chung 鄧璁 Dao 道 da-saat\n\nDei-Jong Wong E", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211979, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 394, "title": "RAS-1989", "content_text": "deui-lyun dim-dang Wif ding-hau T`LI\n\nDongguan 東莞 dong-ji\n\nDung Ping Guk 東本局 faan\n\nFa-Gung Fa-Mou (EAEN\n\nfa-paai TEMP\n\nFau-Ng ởH\n\nFong 兒\n\nfong\n\nfong-jeung\n\nFu Qing (47\n\nfu 伏\n\nFu-Hip\n\ngwan-ma 郡馬\n\nGwok-Yin\n\nGwong-Yu\n\nK\n\nGwong-Yu Tong Gwun-Yam #E\n\nGyun 銷\n\nHa Tsuen 厦村\n\nHa Che 下崟\n\nhaang 坑\n\nha-fu F\n\nHak-Sa\n\nha-yan FA\n\nHei-Ye 起野\n\nheui-lok\n\nHeung\n\nheung\n\nFui-Sing !!\n\nFung Yuk-Daan MƒU!!\n\nGaai-Yut\n\ngaam-sang\n\nGai-Jau #\n\nheung-on\n\nHo fil\n\nhoi-dang EH hou 號\n\nHung-Fan Taam\n\ngam-taap\n\nGam-Tin\n\nGaozong h\n\nGau Ga Chyun **†\n\nhung-jeuk FL\n\nHung-Ji 孔子\n\nHung-Ji 洪贄\n\nHung-Sing #\n\nHung-Yi 洪儀\n\ngeui-yan\n\ngit-jing #7\n\nGit-Sau\n\ngu l\n\nGuangdong MAC\n\nGuangzong 光宗\n\nguk 榖\n\ngung-chou Y\n\ngung-sang\n\nGwaan-Dai BNR\n\nGwai-Ting\n\ngwai-waan\n\n(?)\n\nGwai-Wong\n\nE\n\ngwan 棍\n\nGwan-Haak 7K\n\nGwan-Leung R\n\njaap-fo 雜貨\n\nJai Baak-Fu Jan 鈞 Jan-Ting Jau M Jau-Man B jau-tung 州同 Jeung Hoi Jeung 張\n\nJeung-Luk A\n\njeun-si 進士\n\nJiangxi 江西\n\nJi-Ga Tong #18 2 Jik-Gin\n\njiu BE\n\nPage 369", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211983, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 398, "title": "RAS-1989", "content_text": "373\n\nMany Dangs attributed the deceased worshipped in their Altar for Heroes (Ying-Hung Chi) and those buried in the big grave known as yi-chung to the battle with the British in 1898. We found that the number of \"heroes\" for whom paper clothing were ordered for the jiu of 1955 is only 2 more than the 1895 figure, i.e. only two can be attributed to the 1898 incident.\n\nSee also Law and Lau (1985) about this dispute.\n\n19\n\nAccording to this informant the Dangs married villagers of Lam Tsuen, Tai Hang, Sheung Shui and places like Sha Tau across the border. Other Tangs who discussed the point included Tuen Mun and Gak Tin, a place of the Wong surname, also known as Fuk Tin, across the border.\n\n20 Another stone inscription dated 1786 recorded a similar case. Although it has been cited by many scholars as another rent dispute case that involved the Dangs of Kam Tin as the landlords, I cannot find any of Dangs whose names appear in the inscription in other documents.\n\n21\n\nIn Kam Tin Historical Documents, vol. 2.\n\n11 The original expression is that the villagers were the diding of the Dangs. Diding refers to tax on land and persons.\n\n73 See also Kamm (1977:213-214) on other similar disputes.\n\n24 See Cheng (n.d.).\n\n25\n\nBesides the formal names that appear in local documents and present-day road signs and maps, many of these villages had other names that were used in everyday conversation.\n\n10\n\nFormal names\n\nKam Hing Wai\n\nKat Hing Wai\n\nPak Wai\n\nTai Hong Wai\n\nWing Lung Wai\n\nAccording to the jiu festival record of the year.\n\n\"Nickname\"\n\nGaak Seui Yun\n\nFui Sa Wai\n\nLaan Bak Wai\n\nTaan Wai\n\nSa Laan Mei\n\n27 Tanaka (1985:935-7), quoting A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories, Hong Kong, pp. 172-173.\n\nThe original expression was \"Tai Hong Wai and Tsuen\" and probably included only the part of Tai Hong Tsuen whose residents were considered Tai Hong Wai people.\n\n20\n\nKam Tin Historical Documents vol. 2.\n\n30 See the account dated 1966 in the Si Kim Tong genealogy.\n\n31 According to a descendant of Fau-Ng. The genealogical relationships among the ancestors he gave may be wrong.\n\n32 Ying Lung Wai is part of Shap Pat Heung, the group of villages which was involved in several disputes with the Kam Tin Tangs. It seems that the Ying Lung Wai Dangs join the Kam Tin Dangs only in the jiu festival and the worship at the Mau Ging Tong ancestral hall. I have not heard anything about its position in the disputes between Kam Tin and Shap Pat Heung.\n\n33 Sung (1974:168) says Tai Hong Tsuen. This is my interpretation.\n\n34 Ditto.\n\n35 Siu-Geui, with his father and others, made a new stone inscription for the grave of the wong-gu in 1483. Kei-Fong's will is dated 1562. (See the genealogy in Kam Tin Historical Documents vol. 1 for both.) Kai-Wa was born in 1494 (See inside text of his spirit tablet,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211985, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 400, "title": "RAS-1989", "content_text": "375\n\nOfuchi (1983).\n\n5.1 These two kinds of embroidery were always found in major festivities and at temple altars.\n\n54\n\nBoth are reproduced in the Dang Clan Association handbook in Huge Baker's collection of genealogies, with commentary. One of the Dangs I talked to had some doubt about the authenticity of the alleged painting of Song Wuizong. He observed that the calligraphy was not of the typical style of the emperor, the shou-zhen ti.\n\n55 Although the wong-gu was a common ancestress, her relics were not public property. The painting of the eagle belonged to a wealthy leader of the Dangs of Kam Tin, and the other pieces to the Wan-Gaan jire segment or one of its members.\n\n57 On this divination instrument, see Ahern (1981:45-47).\n\nDiscussed in the next part of this report.\n\nSV For more information on Lam Pui and his family, see Tsui (1985).\n\n60\n\nThe rite is locally found probably only in the Kam Tin jiu festival. The priests explain it by alluding to the legendary Baiguai Zhen battle formation of Zhuge Liang, a stateman and strategist in the period of the Three Kingdoms (220-265). I think it is probably more directly related to the gimen dunjia style of magic.\n\n42\n\nA handheld small metal idiophone with a handle.\n\nSee Schipper (1974) for a thorough discussion of the Memorials in the Taiwan case, which is very close to the one I am describing.\n\nThe Oral History Project collection and Osuchi (1983) include most of the manuals used in this festival.\n\n64 The actual seating no longer observed the segregation of the sexes, although this used to be the practice.\n\n65 The difficulty was due partly to the fact that there were more Naam Bin people than their Bik Bin counterparts, even when the Ying Lung Wai villagers were added to the latter. As I have mentioned already, the seating area was divided into two halves, one for Naam Bin and one for Bak Bin. This gave the Bak Bin chu more seats each.\n\nI learned from a different source that the elder left early on the day because he felt that some younger villagers were being hostile to him.\n\n67 The informant explained that it was usual for the Village Representatives to keep their position until they die. Therefore, those who are interested in becoming one always fail, except in Shui Tau, where the villagers generally have more exposure to the outside world and re-elect their V.R. once every two years.\n\n68 I saw another lady doing waan-san at Ying Lung Wai. In addition to the san-seng, she made offerings at the village gate as well, which I guess is the normal practice.\n\nThe two men were elders/ritual representatives, neither was the head of the lineage, probably due to the lineage head's age.\n\n70\n\nExcept in the case of Tin-Chyun San-Gwan, I have relied on the Daojiao Yuenliu, the priests' manual to which they often refer when asked to explain their tradition, for interpretation.\n\nThere were some young ladies in the procession this time, which represented a recent development.\n\n72 Ancestral tablets could be seen inside, but Mr. Dang Jik-Waai said that the place used to be a sun-teng, and was worshipped by the procession because of this.\n\n73\n\nIn which case only the woman herself would suffer.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212250, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 192, "title": "RAS-1990", "content_text": "THE OFFERING TO THE WHITE TIGER\n\nIN CANTONESE OPERA\n\nSAU Y. CHAN*\n\n169\n\nIntroduction\n\nSymbolically, the White Tiger is a mystic figure in Cantonese folk religion. Though it can also bring merits to people, it is often referred to as a fierce devil. Thus the ritual known as zae bak fu (Offering to the White Tiger) should be held from time to time so that the harm caused by the White Tiger could be minimized. It is performed in a variety of Cantonese folk religious practices and a comparatively more elaborate form of the ritual has been preserved in the tradition of Cantonese opera, where it is also called zuk bak fu (capturing the White Tiger), zae toi (offering to the performing stage), po toi (breaking or initiating the performing stage), da mau (beating the cat) and occasionally as tiu coi sen (dance of the Deity of Fortune) and tiu jyn tan (dance of the Jyn Tan deity). As it has often been criticized as a superstitious act in mainland China, troupes there have, according to some informants, ceased to perform this ritual in recent decades. Nowadays this operatic form of White Tiger ritual is mainly preserved by troupes performing in Hong Kong, Singapore and Malaysia.\n\nI\n\nThe Exorcistic Function of the Offering\n\nAccording to interviews with many Cantonese operatic employees, whenever a theatre, whether temporary or permanent, is built on a piece of land that has never been used for such a purpose, the performing stage is called a sen toi (new stage) and the White Tiger ritual has to be performed for the protection of members of the troupe and the community which hires the troupe. It is believed that a tiger turns white when it reaches the age of 500. It would then make use of people's mouths to harm other people. Before the ritual is done, if one calls the name of another person, or simply talks, the words will be made use of by the White Tiger and the one who responds will be harmed. In the past, disasters such as the flooding, collapse and\n\n* Music Department, the Chinese University of Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212527, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 81, "title": "RAS-1991", "content_text": "Liang Zhe fang hu (ling qin ci mu) lu (REHE)* Zhejiang kao\n\nKu jing jing she wen ji 詁經精社文集\n\n(Wang fu zhai) zhung ding kuan shi (E) H**\n\nXue shi zhong ding kuan shi 薛氏鐘鼎款識\n\nJiao shan ding-kao 焦山定陶鼎考\n\nHuang Qing bei ban lu\n\nHai tang zhi 海塘志\n\nJi gu zhai zhung ding yi qi kuan shi ****\n\n海連考\n\nHai yun kao I\n\nLiang Zhe jin shi zhi 兩浙金石志\n\nShi san jing zhu shu fu jiao kan ji +¶EAH\n\nYang zhou Ruan shi jia miao bei 揚州阮氏家廟碑\n\nYen jing shi wen ji 擘經室文集\n\nSui Wen xuan lou ming\n\nYing zhou shu ji 瀛舟書記\n\nQu jiang ting ji 曲江亭記\n\n**\n\nSi ku wei shou shu mu ti yao 四庫未收書目提要\n\nTian yi ge shu mu 大一閣書目\n\nLing yin shi shu zang mu\n\nChou ren zhuan AM\n\nShi san jing jing fu +*\n\n****!\n\nYi li shang fu da gong zhang zhuan zhu chuan wu Kao x\n\n功章傳注舛考\n\nHan Yen xi xi yue Hua shan bei kao ✶✶U**\n\nRu lin zhuan kao ####N\n\nGuo shi wen yuan zhuan 國史文苑傳\n\nJiao shan shu cang shu mu 焦山書藏書目\n\n(Song ben) shi san jing zhu shu (**)+***\n\nJiang su shi zheng #\n\nJiang xi gai jian gong yuan hao she bei ji 江西改建貢院號舍碑記\n\nGuangdong tong zhi 廣東通志\n\nGai jian Guangdong xiang shi wei she zhuo bei ji *****\n\n碑記\n\nShi shu gu shun 詩書古訓\n\nYen jing shi ji 擘經室集\n\nChong xiu Ruan shi zu-pu CEE**\n\nHuang Qing jing jie 皇清經解\n\nXue hai tang zhi 學海堂集 Yen jing shi shi lu 擘經室詩錄 Shi hua ji 石畫記\n\n61", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212529, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 83, "title": "RAS-1991", "content_text": "10\n\n[bid\n\n||\n\n63\n\n&£#* (The\n\nHe You sheng, \"Chen Lan Fu di xue shu ji chi yen yuan\" [learning of Chen Lan Fu and its origins], Gu Gong Wen xian 2.4 (Taipei, 1971), 1-19. He's study on Ruan Yuan can also be found in \"Ruan Yuan di jing xue ji chi zhi xue fang fa\" [Classical scholarship of Ruan Yuan and his education policy], Gu Gong Wen xian 2:1:19-34 (1970).\n\n12 Liang Chi chao, qing dai xue wen gai lun [A discourse on Qing learning], (1921, Taipei Commercial Press reprint, 1975), 22\n\n13 Xiao Yi shan, ging dar tung shi [History of the Qing dynasty], (1935, Taipei Commercial Press reprint, 1976), 11 717.\n\n14 Hu Shi, Dai Dong yuan di zhe xue [The philosophical studies of Dai Zheng], 138.\n\n15 This is the only work of Ruan Yuan's that I have not been able to find. It was never printed because Ruan Yuan was not satisfied with the draft. The manuscript had been kept with Ruan Yuan's papers in his lifetime and subsequently disappeared. There was no indication whether it perished in the fires that destroyed the Ruan residence in Yangzhou in 1843, or that which burned down his studio, Wen xuan lou, in 1935.\n\n16 Ruan Yuan himself, as well as contemporary and modern scholars, complain often of the many errors in this edition. Ruan Yuan gave the excuse of not having had time to proofread the manuscript himself. In fact, he had been receiving admonitions from the Jiaqing Emperor at that time that he was expending too much time and energy on scholarly activities instead of concentrating on the affairs of state. Gungzhong dang (Palace memorials) Jiaqing 017818 (1817/29).\n\n17\n\nThis work was not printed during Ruan Yuan's lifetime, but is in Qing shi kao (Draft history of the Qing dynasty).\n\n18 There are a large number of these biographies of individual scholars, not necessarily all Ruan Yuan, scattered throughout rare book collections in various libraries. Copies of the biographies are also among the Guo Shih Guan (Qing Historiography Office) documents in the National Palace Museum (Taipei).\n\n19 For example, the Provincial Gazetteer of Fujian by Chen Shouchi, the Gazetteer of Yicheng by Liu Wenchi, and a new edition of the Gazetteer of the Prefecture of Yangzhou by Jiao Xun.\n\n20\n\nA contemporary print is in the collection of the Harvard-Yenching Library.\n\n21 Struve, 233\n\n22 Ruan Yuan, Ding Xiang ting bi ji [Informal notes from the Ding Xiang studio] 4:1b-2a.\n\n23 [bid.\n\n24 Ruan Heng, Ying zhou pi tan [Notes from Yingzhou] 1.4b; also Ruan Yuan, Yen jing shi ji [Notes written in the Yen jing studio] 11:8:8a.\n\n24 Zhang Jian, et al, Let tang an zhu di zi ji [The life of Ruan Yuan as recorded by his sons and students] 1:19b.\n\n26 The preface was dated 1804, but the work was not printed until later, in 1807 when the manuscript was finally acceptable to Ruan Yuan.\n\n27 Preface of a work entitled Ji Gu Zhai Chong ding yi chi kuan shi, printed in 1853. A copy can be found in the Fu Ssu-nien Library of the Academia Sinica in Taipei.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 213803, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 155, "title": "RAS-1996", "content_text": "126\n\n47\n\nform of incense ashes rather than tablets suggests that the ancestor halls did not use tablets to represent ancestors individually. It is also found in the Yingsheng (\"Reception of the Holy\") dedicated to the main honoured gods during the Jiao festivals, and the Yingshen Guiwei (\"Escorting gods to their places\") during the Hongchao festival of Fanling, both conducted by Cantonese Daoist priests in the New Territories. An elder of Kam Tin compared the Yingsheng ritual with the ancestral hall ritual found in the Qingle ancestral hall of Kam Tin, to which I shall refer below. I am not sure if a cloth “bridge” is used in this ancestral hall ceremony.\n\nOp cit pp 142-144. In a recent visit to Cheng Tau, a woman in her 60s referred to the ancestral hall as a-gong ha (\"the Place of Ancestors\"), which seems to have been the more usual expression for ancestral halls among the Hakka. Compare the expression with Bak-gong ha ('the Place of the Bak-gong earth god'). It is interesting that the title of this category of earth god, whose territory is more limited than the dawang, shares the expression for \"elder brother of grandfather\".\n\nibid p. 224 » 10\n\n174\n\nibid p 160\n\nDiscussion of this aspect of ancestral worship is summarized in C Fred Blake, Ethnic Groups and Social Change in a Chinese Market Town, The University Press of Hawaii, 1981, pp 92-93, 115 n 1, 116 n 2. A possible example is the case of Wo Hang, N. T. where an ancestral hall of the second fang houses the spirit tablets of the first and second generation. See Allen John Lueck, Lun Chun, Land is to live: A study of the concept of isu in a Hakka Chinese village, New Territories, Hong Kong, unpublished PhD dissertation, Department of Anthropology, University of Chicago, 1985, p 273.\n\nCompare H G H Nelson, \"Ancestor Worship and Burial Practices\", in Arthur P. Wolf ed., Religion and Ritual in Chinese Society, Stanford University Press, 1974, pp. 263-267, on the shen-ting which fulfilled the functions of domestic altars for the households in each area” in a Cantonese village in the New Territories. He observes that the shenting \"occupy a place half way between [tang ancestral halls] and domestic altars”.\n\nVol under Donga jie (\"Winter festival\")\n\nTON Op cit. pp 147-148\n\nOp cit. p 12\n\nOp cit. p 176\n\n100\n\nIt is interesting to note the distribution and context of Mountain Songs. It is interesting to note that Mountain Songs were sung only by the male villagers (in some festivals with women hired from other villages) in the Cantonese villages whose dialect is known to others as daaih ga wo (\"big family language\"), and which correspond to the area of the five big clans. In some of the other Cantonese villages, e.g. in Shatin and Saikung, Mountain Songs were sung by the women on the eve before a wedding at the bride's home. Mountain Songs, and related pre-marital courtship, was more popular among some female Cantonese villagers in the Kowloon area who cut grasses for sale as fuel. The livelihood of these women, like that of the Hakka immigrants, depended more on the city. I know much less", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214603, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 18, "title": "RAS-1999", "content_text": "first time that an RASHKB representative, in this case your President, has been invited to sit on a government committee of this nature.\n\nThe Branch has also been notified by various bodies who were searching for scholars: for instance the Urban Council which was looking for a Hong Kong Researcher(s) to compile a monograph on the history of the Urban Council. We have also received a number of queries from the media, scholars, students and members of the public. Such queries referred mainly to Hong Kong history, culture or customs. We were generally able to answer such enquiries. Subjects ranged from conditions in prisoner-of-war camps under the Japanese; to the retaking of Hong Kong in 1945 after World War Two; to a doctorate student seeking information about Wei Hai Wei. In another case the business house of Swire was trying to find out where the place, Bak Hin Hok, was. This was found to be, thanks to Dr Joseph Ting, a district in Canton as it was so named a century or so ago. In some cases, with such queries, a number of RAS members and considerable time, research and interviews have been necessary.\n\nThe RASHKB Volunteers\n\nThis working group of well over 20 members on roll has, for much of the year, gone off on expeditions every other week or so, to inspect and report on various buildings or sites. These have included such structures as the old Kai Tak Airport, military installations and Chinese shop-houses. There is no doubt that these inspections, which are another form of community service, are of significant value to the Government Antiquities and Monuments Office to whom reports are submitted. We are grateful to all our Volunteers many of whom put in a considerable amount of time and effort which includes research and writing up reports. A special vote of thanks must go to Bill Greaves and Bob Horsnell, both Chartered Surveyors, historians and long-time residents of Hong Kong, who lead our band of stalwart Volunteers.\n\n'Friends' of the RASHKB\n\nThis group of overseas RASHKB members has completed another successful year in Britain and a report, written by David Gilkes (RASHKB Immediate Past President), the 'Friends' Chairman, has been prepared. Your President was pleased to be able to attend their AGM in\n\nxvii", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 } ]