[
    {
        "id": 205065,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1966",
        "page_number": 21,
        "title": "RAS-1966",
        "content_text": "16\n\nJOHN J. NOLDE\n\nFirst of all, it is generally agreed that Imperial authority throughout the empire had begun to weaken during the latter years of the eighteenth century. After the era of the great Ch'ien-lung emperor, China was governed by two rather weak rulers. The sale of offices increased markedly in the latter part of the Chia-ching period and continued throughout that of Tao-kuang. Provincial authorities were being held in more and more contempt by the local populace and the gentry. We have, in short, a typical example of the setting in of a traditional dynastic decline. The mandate of heaven was running out for the Ch'ing Dynasty, and nowhere is this usually more apparent than in the outer reaches of the empire... the areas farthest from the Imperial center of power. Especially was this true in an area such as Kwangchou, with its linguistic, racial, and economic uniqueness. My guess is that Imperial control in Kwangchou had at best always been tenuous. Now it was almost non-existent,\n\n17\n\nSecondly, Kwangchou, during the 1820's and 1830's, suffered a series of severe natural calamities. In 1822 a disastrous fire swept Canton itself, doing incalculable damage. Beginning in the late 1820's catastrophic floods ravaged the area. In 1829 high tides \"to a degree unprecedented in the memory of the oldest inhabitant\", flooded the provincial city and swept away villages. Hundreds were drowned, and the rice crop was largely destroyed. An English-language journal reported that \"the loss of property far exceeds the sum of that sustained at the great fire of 1822\". The most serious of these disasters occurred during the summers of 1833 and 1834. Torrential rains raised the level of the rivers as much as ten feet above normal. Boats were reported navigating the streets of Canton. In July, 1833 10,000 lives were reported lost, 1,000 in the large town of Fushan alone. Most of the rice crop was lost in 1833 and the destruction of the mulberry-plantation-dykes in the southern part of Nan Hai Hsien resulted in the loss of the silk crop. The latter disaster would, of course, have long-range consequences. In September, 1833 the crew of the ship-wrecked vessel Bee, returning overland to Canton, reported \"the greatest possible distress among the inhabitants and a destruction of property such as has not been witnessed for many years\". The flood of 1834 was even worse and the loss of property and damage to the rice crop exceeded that of the previous",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
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    },
    {
        "id": 208394,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 118,
        "title": "RAS-1978",
        "content_text": "GUANGXI\n\nYangjiang\n\nGUANGDONG\n\nGuangzhou\n\nNANHAI XIAN\n\nGuangzhou\n\nSha\n\nFushan\n\nwan\n\nHong Kong\n\nArea of larger map\n\nYANGJIANG\n\nXIAN\n\nHISTORIC SHIWAN SITES\n\nDONGGUAN XIAN\n\nJishi\n\nHONG KONG\n\nFUSHAN\n\nShiwan\n\nansh\n\nXiqiao\n\nAreas of recent excavation\n\nFigure 1. Map showing historic Shiwan sites. Insert showing areas of recent excavation is based on a map published in Wen Wu by Chen Zhiliang (***) (see Reference 2).\n\n102\n\nFREDRIKKE S. SCOLLARD",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208395,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 119,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n103\n\nMy own research on Shiwan has continued in the Department of Fine Arts and the Centre of Asian Studies over the past two and a half years. This included in March of 1978, the opportunity for a three-week individual study trip in Guangzhou and Shiwan. Encountering the concrete reality of what I had researched for so long, discovering a wealth of material I had no idea existed, while adjusting to completely different perceptions of life and study methods within a socialist system, heightened my sense of exploration. Hence the intent of the present lecture is to introduce, in a little more depth, a few of the problems explored on that trip.\n\nExploration across the border revealed that significant archaeological research relating to Shiwan had been carried on for a number of years. There was great excitement over these discoveries and I was warmed by the measure of trust placed in me by the researchers who, despite their own uncertainty, showed me the new discoveries before publication.2\n\nThe research itself calls for the re-thinking of traditional beliefs concerning the history of Shiwan pottery. These traditional beliefs can be traced back to two major written sources. In 1941, Li Jing-kang (*), principal of the Clementi Middle School in Hong Kong, wrote what was up until that time the most careful and logical account of Shiwan history, taking into account scanty written references, oral traditions, and actual objects available. His main source was a handwritten manuscript in the possession of “a certain gentleman in Fushan\". This manuscript recounted that Shiwan pottery began in Yangjiang Xian (縣), where due to the turmoil of war, potters migrating from the Jun (鈞) kilns in Northern Honan Province (河南), established kilns sometime in the late Southern Song dynasty (early 13th century). In the Ming period (A.D. 1368-1643), according to Li, these Yangjiang potters moved to the present location of the potteries in Nanhai Xian (Figure 1). Xu Zhiheng (#2), a Cantonese, and professor of Chinese literature at Beijing University in the early Republican period, recounts the same story and describes this so-called \"Yang-jiang ware\" as having sky blue-indigo blue-ash blue flambe (i.e. streaky multicoloured) glaze, which imitated Honan Jun ware.4 A group of wares which corresponded to this description were identified and placed on exhibition at the Fung Ping Shan Library in 1940.5",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208396,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 120,
        "title": "RAS-1978",
        "content_text": "104\n\nFREDRIKKE S. SCOLLARD\n\nArchaeological excavations to date have failed to uncover any flambe wares in Yangjiang Xian of the above-described type. In 1955, excavations instead indicated that pottery produced in Yangjiang Xian in the Song period (A.D. 960-1279), belonged to the green celadon tradition. Furthermore, even more recent discoveries in the vicinity of Shiwan town in Nanhai Xian at a location called Ji Shi (†), Northern Song (A.D. 960-1127) “dragon kilns” (i.e. sloping tunnel-like kilns) are found built on top of earlier Tang dynasty (A.D. 618-906) \"mantou kilns” (i.e. round bun-shaped kilns). (Figures 1 & 2.) In association with the Northern Song kilns have been discovered shards with an early type of blue flambe glaze. As the date of these shards is much earlier than the Southern migration of the Honan potters in the Southern Song period, the discoveries raise the possibility that this blue flambe glaze was an indigenous development and not stimulated by influx of Northern potters and techniques. Combined with the earlier excavation in Yangjiang Xian, where no flambe glaze of the Song period was found, archaeologists in Guangdong now seriously question the historical connection of Shiwan village in Yangjiang Xian with the present Shiwan village in Nanhai Xian.\n\nIn addition to the above discoveries, archaeological finds reveal a succession of kilns from the Tang site of Ji Shi (*) to the present day village of Shiwan as, over the centuries, the potters moved down the river closer and closer to Fushan municipality (†) which by the Ming and Qing periods (A.D. 1368-1912) had developed into an important commercial and handicraft centre.\n\nAs it developed, Fushan was no elite or scholastic art centre, but rather an unpretentious city of craftsmen with the pervasive idea that beautiful things could be made from waste materials. The town is said at one time to have had a population of over 300,000 which supported over 240 different types of business. The artists were famed for their skill in turning commonplace and useless materials into godlike creations. Clay and papier mache were moulded to look like old pottery, copper and jade; sesame seeds created figurines; silkworm cocoons made decorative flowers and grass. Every year at the time of the autumn festival, a competition was held in Fushan in which people vied to make the best \"autumn colours\" (i.e. paper handicrafts), not for the purpose of gaining fame or making money, but rather simply for the enjoyment of the people.*\n\nPage 120\n\nPage 121",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208397,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 121,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n105\n\nExploration around the modern city of Fushan reveals present-day continuation of the handicraft industries of painting (Plate 11), textiles, paper-cutting, papier mache, and of course pottery in the neighbouring town of Shiwan. The famed Ancestral Temple in a short distance from the Overseas Chinese Hotel, is full of the work of handicraft artists of the past, with excellent examples of metalwork (Plate 12), gilt wood carving (Plate 13), brick carving and papier mache, not to mention the rooftops which are covered with long and elaborate Shiwan pottery friezes (Plate 15).\n\nThe Shiwan potters' use of waste and inexpensive materials led to the development of a rather unique art aesthetic. The use of all different types of waste materials, in addition to being economical, was perfectly suited to the development of a wide range of colourful and variegated flambe glazes, which indeed has been unequalled. Descriptive names such as \"tiger skin\", \"leopard skin\", \"pomegranate red\", \"peacock's feather\", \"sesame seed\", etc., were bequeathed according to colour and configuration. In addition, the inexpensive pottery clay with a high content of sand was much more pliable and suitable for sculpture than fragile porcelain clay. Taking advantage of the nature of this material, the potters sculpted their vessels in high relief forms from plant and animal worlds (Plate 16).\n\nThe pliable pottery clay was also good for figure sculpture which became a Shiwan specialty. The potters soon found that if they left flesh areas unglazed, more detailed and warm human expression would result. For subject matter they drew on a wide range of characters from folklore, history and religion as well as the common man, in each case attempting to distill the nature of the individual into a small size artistic creation. Anatomic exactness was sometimes deliberately altered to better convey spirit.10 (Plate 7).\n\nThe superiority of Shiwan pottery sculpture over that of porcelain was recognized when in the late 1920's three of Shiwan's best artists, Pan Yushu (**), Chen Weiyan (), and Chen Zhi (*), were invited to the Jingdezhen (✯{1⁄2§4) porcelain potteries to sculpt figures. According to Silva Mendes, Macau barrister and Shiwan collector, who personally knew the potters, the results were not good because porcelain is not as adequate a material as clay for this type of work, (i.e. sculpture). A porcelain figure of the goddess Guan Yin (†) in a private Macau collection with the mark of Shiwan potter Chen Weiyan, verifies this point, displaying",
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    },
    {
        "id": 208398,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 122,
        "title": "RAS-1978",
        "content_text": "106\n\nFREDRIKKE S. SCOLLARD\n\nnone of the human warmth characteristic of Shiwan sculpture. (Plate 18).\n\nWith familiarity, this very human art then becomes so charismatic that it is often referred to as loveable. The sentiment was well expressed by one of the potters of the Republican period who styled himself “Liang Zui Shi” (#45) (literally Liang drunken rock). Literally translated, Shiwan means \"rock bay\". As Liang's son explained, the style actually referred to the fact that his father was \"drunk\" with “Shi” wan.\n\nIn addition to its handicraft art, in the Qing period Fushan was also the pivot centre for Cantonese opera. Every year between autumn and summer, opera companies from all over the province would come to Fushan to hold auditions. This activity involved the whole community and especially the Shiwan potters who drew material from it for their iconography and figure sculpture, and who in their long rooftop friezes preserved and immortalized this evanescent drama which was so much a part of their lives. (Plate 15).\n\nAccording to Fushan archaeologist Mr. Chen Zhiliang (陈志亮), these ceramic rooftop friezes had two meanings. On the one hand the gala opera scenes such as Jiang Tai Gong deifying the gods (姜太公封神), and Guo Ze Yi celebrating his birthday (郭子仪庆寿), unfolding on the rooftops were auspicious symbols. On the other hand they disguised the anti-Manchu sentiments of \"overthrowing the Qing and restoring the Ming\" (†). In his short history of Guangdong opera, one of Mai Xiaoxia's major thrusts is to reconstruct scattered evidence in emphasizing the opera's role, and especially that of the Guangdong branch, as a disseminator of revolutionary thought. With the fall of the Ming and the advent of the Qing dynasty, heads were shaved, dress and language changed, and the civil service examination system was proclaimed open. But actors and actresses were despised as people of the lower nine grades of society and were prohibited from taking the examinations. Mai describes the opera as being the one loophole in one hundred prohibitions in which everywhere was hidden significance of national revolution. Ming costumes were preserved, except for non-Manchu enemy barbarians who were dressed in Manchu clothing; themes of Song loyalists such as the Yang Family Generals were common. One thousand pieces, Mai says, shared",
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    },
    {
        "id": 208399,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 123,
        "title": "RAS-1978",
        "content_text": "SIIIWAN POTTERY EXPLORED\n\n107\n\nthe theme of \"restoring rivers and mountains\" to the point of becoming formula, but no one complained.\n\nMai further describes how the Guangdong opera actors practised the martial arts of the Shaolin branch (*) and finally put this art to use when in 1854 their leader, the actor Li Yunmao (***) also known as Wen Mao () led three armies of actors to join the Taiping effort against the Manchus. These armies were destroyed along with the rest of the Taiping army, and in the aftermath, the Qing court issued an order forbidding the performance of Guangdong opera and had the actors' Qiong Hua (hortensia flower) Association Hall (1446) in Fushan burned to the ground.\n\nA gilt wood carved altar in the Ancestral Temple in Fushan, and a Shiwan frieze depicting the story of the Yang Family Generals, preserve in their carvings the significance of these events and their broader implications for a community not under the domination of a foreign Manchu government, but also besieged with Caucasian foreigners pressing for trade and territorial rights.\n\nThe Qing dynasty gilt wood altar carving has double meaning. The carving depicts the story of Tang dynasty Li Yuanba fighting the dragon colt (*£#£#6). On a second level however, the horse represents the unruly foreigners, and Li Yuanba, having the same surname, represents Li Wenmao. Verifying this are two hidden plaques hung above the scene which can only be seen from a crouching position. One reads \"Great Ming Mountains and Rivers\" (11) and the other \"Qiong Hua Hall\" (44), with the middle character Hua (4) substituted as disguise for the similar sounding Hua (*) of the Hortensia Flower (Qiong Hua) Association. Furthermore, according to Mr. Zhang Tao (**), curator of the Ancestral Temple, the characters on these two wood plaques were originally covered with extra slabs of wood and were only discovered while renovation was being done to the temple between 1971 and 1972. (Plate 14).\n\nIn addition to this gilt wood altar scene, a beautiful ceramic frieze depicting the story of the Yang Family Generals, Song dynasty loyalists, is displayed in the rear courtyard of the Ancestral Temple. In addition to this anti-Manchu theme (the Yang family's loyalty to the native Song dynasty during the period of barbarian Yuan conquest, symbolising the loyalty of the Chinese people to the",
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    {
        "id": 208400,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 124,
        "title": "RAS-1978",
        "content_text": "108\n\nFREDRIKKE S. SCOLLARD\n\nnative Ming dynasty while under barbarian Qing rule, close scrutiny reveals the presence of two men in European dress—a strange phenomena in a Song dynasty setting. According to the curator, this scene refers to an incident involving French aggression in the Fushan area. (Plate 19).\n\nA similar incident involving skirmishes between troops led by British Consul Harry Parkes and residents of Fushan led the Shiwan potters to create pottery urinals and pillows out of the likeness of Harry Parkes. Most of these were destroyed by British order, but in 1942 one was discovered and put on exhibition, attracting much attention.13 (Plate 20).\n\nWhile I was contemplating these earlier evidences of cross-cultural interaction in Shiwan, it seemed of great significance to the town members that I was the first foreigner to be driven around the entire town. This heightened my own sense of exploration. The town itself evidences stark contrast between modern construction and underdevelopment, panoramically revealed from the observation deck on top of the new five-story \"Pottery Capital Restaurant.\" To the northwest are seen a heavy concentration of pre-1949 red brick residential houses, some prominently displaying roofs with \"ears\" which used to indicate the residences of wealthier families. The background is dominated by shorter chimneys of the traditional \"dragon kilns\" (sloping tunnel kilns). To the southeast the contrast is striking, with new concrete residential buildings and factories under scaffolding, and the tall slender chimneys of modern continuous kilns crowding the sky. The people can clearly remember the layer of soot which previously covered the town and made houses difficult to clean, and appreciate the cleanliness of the new kilns. The town has had paved roads since 1958; to the northwest of the town a public park with an artificial lake is being built, and a new \"Pottery Capital Restaurant\" was opened in March of 1978 largely to meet the demands of increased numbers of tourists.\n\nInside the factories the differences in the rate of modernization are just as striking. While the daily utensil factories as a whole operate eight continuous kilns, Daily Utensil Factory No. III operates only four dragon kilns (one dating back to the Ming Dynasty became a protected monument in 1964). The Arts Factory, which hosts all the tourists visiting the town, includes two new and large modern buildings with a partially yellow-tiled roof. The Daily",
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    },
    {
        "id": 208401,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 125,
        "title": "RAS-1978",
        "content_text": "SHIIWAN POTTERY EXPLORED\n\n109\n\nUtensil Factory No. I makes use of many low buildings built just post-1949, as well as a few larger, more modern buildings, while in the grounds of Daily Utensil Factory No. III, the workers' residences consist of pre-1949 buildings in narrow alleyways. The new look of the town inspires optimism, while its old structures invite comparison with the past and are a constant reminder of its developing state.14\n\nJust as the town combines old and new, so the potters in the Fushan Shiwan Arts Pottery Factory combine a new work force with a preserved family tradition.\n\nIn 1952, two members from PLA \"propaganda units\" (i.e. publicity units), Zhuang Jia(4) and Zeng Liang(R), joined the newly established State-owned arts factory, under the tutelage of the two best-known artists in Shiwan at the time, Liu Quan(F*) for figure sculpture, and Ou Qian(§#) for animal sculpture. After 1958 there was a concerted policy of bringing in outsiders to build up the industry. Of the 21 designers in the design studio, seven came to Shiwan between 1961 and 1963 directly from specialized pottery training in technical or art schools. Four out of these seven have married spouses in the pottery business.\n\nAn examination of the designers' family trees, however, revealed the continuation of old family traditions and the beginning of new family traditions. Three old Shiwan families are represented in the design studio; two in the fourth generation (families of Liu Quan(#1), and Liao Hongbiao(A)), and one in the fifth generation (family of Liu Zemien(###), Plate 21). In addition, the sons of both former PLA members Zhuang Jia and Zeng Liang have joined the pottery industry, indicating that these new families are now thoroughly integrated into the industry and beginning new family traditions.\n\nFamily involvement appears to be characteristic of the industry as a whole. Of the 21 artists in the design studio there are three married couples, two brothers and three father and son teams. Seventeen of the 21 designers have family members in other aspects of the pottery industry at Shiwan.\n\nThese artists vigorously carry on the tradition of Shiwan ceramic art, continuing to sculpt historical and folklore figures in addition to personalities of contemporary society, both well-known ones",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208403,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 127,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,",
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    {
        "id": 208517,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 241,
        "title": "RAS-1978",
        "content_text": "Plate 11. Modern day handicraft of Fushan: painting.\n\n(Plates 11-21 by courtesy of Fredrikke Skinstes Scollard)\n\n  \n    TE\n    JJ.\n  \n\nPlate 12. Iron incense burner at the Ancestral Temple, displaying the art of ancient Fushan's metallurgic industry.",
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    {
        "id": 210335,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 306,
        "title": "RAS-1984",
        "content_text": "285\n\nwho can wear a colourful ribbon), and for his father and grandfather he applied for 2nd grade titles to be conferred on them.\" His filial piety was difficult to surpass. He died in Vietnam at the age of 73. When his sons and grandsons carried the coffin back to his native village, thousands of Chinese and foreigners, officials and commoners, accompanied it until they reached the ship. There were people crying for him, drawing pictures of him, and writing essays about him. Cities far away, such as Singapore, also had his life-story written in the newspapers with the headline ‘Death of a Philanthropic Gentry' (*). He was really a great man. I am his old colleague, thus, I know all about his personality and activities. Here I cannot give the details, but can only give a general account of him.\n\n“Written in 1904 by Chen chao-ch'ang (陈兆昌), a Tsun Sz (遵司), appointed by Imperial Command an official of the Han Lin Academy, and humbly offered while the writer was in charge of the Shan Hai Kuan area (山海关).\n\nNOTES\n\nEitel, E.J., Europe in China: History of Hong Kong, 1895. p. 311 ff. Ah-lum's wife and children were poisoned, and Eitel clearly had doubts as to his involvement in the crime. The defence of Ah-lum was conducted in a lynch law atmosphere and his arrest and deportation, even though he had been found innocent had, according to Eitel \"reduced (him) from affluence to beggary.”\n\n2 Hsiang-shan T'ieh-ch'eng Chang Shih Tsu-pu (AKA) (Clan Record of the Chang clan of Heung Shan and Fat Shan) (1934). Chi-ching Pu (2) section, Hang Chuang (孝庄) sub-section, pp. 8-9a.\n\n1 According to the Clan record, ancestor Chung-te (忠德) immigrated to Shih-t’ou village (石頭村), eight miles to the southwest of T'ieh-ch'eng (铁城) Fatshan (Foshan) during the latter part of the Southern Sung dynasty. The lineage then segmented into 3 sub-lineages in the 7th generation. The 1st remained in the original settlement, the 2nd moved to Nan-Ping (南屏), and the 3rd to Long-Mei (龙美) in Hsiang-shan (Heung Shan) county. 3 generations later, in the 10th generation, 3 descendants of the 1st sub-lineage emigrated to Ping-Lan (坪兰), Ya-Kang (雅岗) and Wai-chieh-yung (外借涌) in Heung Shan, respectively. Ancestor Ch'un-chen (纯真) of the 10th generation was the first to move to Ya-kang, but the family was not regarded as native to Ya-kang until ancestor Miu-hsien (妙贤) of the 14th generation registered and started a new segment of the lineage (开户立户). Thus, an Ancestral Hall was built in the middle of the Chia Ching (嘉靖) period in memory of him. Ah-lum was of the 18th generation of the Cheung lineage, and the 9th of the Ya-kang segment. He was born in 1828, and died in 1900.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 210659,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 10,
        "title": "RAS-1986",
        "content_text": "20 December, 1986: Mai Po and Lau Fau Shan Dr. Richard \n\n14 March, 1987: \n\nIrving \n\nShing Mun Arboretum and Tai Po Kau Forest Reserve James Hayes \n\nBesides the local visits, there were two weekend tours to the city of Foshan in Guangdong organized and conducted by Dr. David Faure of our Council. The May 1986 visit was so popular that it was repeated in December. Arrangements were also made during the year for members to participate in a Bhutan tour for early 1987 arranged by Mrs. Peggy Craig, one of our members and a well-known travel specialist. \n\nThe Council noted the high quality of the programmes and wishes to express its deep appreciation to the lecturers, visit and tour leaders. Special thanks go to Elizabeth Sinn, Chairman of the Programme Sub-committee, and her helpers for such a satisfactory outcome. The Council also wishes to thank the Curator, Hong Kong Museum of History, Kowloon Park, for the regular use of its well-equipped lecture hall, and the assistance of his staff there. \n\nThe Council continue to discuss venues for lectures. Mindful of the fact that not everyone finds it easy or, dare I say natural to go to lectures at the Museum of History at Kowloon Park, Tsimshatsui, we try to find venues on Hong Kong Island. Some suitable places have been suggested, but in most cases require more advance booking than we are usually able to contrive. However, we will try to improve on the position. \n\nAdministration \n\nDuring the year, we benefitted from the conscientious, thoughtful and strong support given by our new Assistant Secretary, Mrs. Rukhshana Daroowala who worked closely with the Hon. Secretary, Mrs. Robyn McLean. It was therefore a double blow when, unexpectedly, Mrs. Daroowala had to leave Hong Kong early in 1987 when her banker husband was posted to Canada, and at more or less the same time Robyn McLean left Hong Kong to return to Australia after fourteen years' residence, the last six of \n\nix",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 211292,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 8,
        "title": "RAS-1988",
        "content_text": "PRESIDENT'S REPORT, 17 March 1989\n\nThe year has seen a continued great increase in membership, a fuller and more varied programme of activities, more sales of our stock of publications, an improved (but still not satisfactory) financial situation, and a start to the work of the several new committees set up following acceptance at last year's AGM of recommendations stemming from the Symposium Report on the Future of the Society. Thanks to Phillip Bruce, I am also happy to table the Society's new brochure.\n\nI have fought unsuccessfully my tendency to be long-winded: but truly there is much to report, and I believe it will be of interest to those present tonight and to the wider audience reached through the Journal.\n\nMembership\n\nOur Assistant Secretary, Mrs. Bruce, reports that there are currently around 700 Local Members, plus 116 Overseas Members and 5 Institutional Members. There has thus been another big increase in the past year, with 41 since 1st January 1989 alone. The gains obviously greatly offset the losses, but there have been about 50-60 deletions owing to departures and longstanding non-payment of annual fees. The local \"Ordinary\" membership includes 129 Joint Members (258 persons), as well as 104 Life Members and 10 Student Members. Approximately three-quarters of the local membership lives on Hong Kong Island.\n\nProgramme\n\nDuring the year, the Activities Committee, continuing under Dr. Elizabeth Sinn's energetic and imaginative leadership gave us a record-breaking 11 talks, 8 local visits, one outside tour to Foshan, Guangdong, and a Chinese Dinner at City Hall and a Cocktail Party besides the Annual Dinner after the AGM. A full list of these events follows:\n\nProgramme Events\n\nApril\n\n9\n\n16\n\nTour of St. John's Cathedral (organiser: Mrs. Doreen King)\n\nDiscovery Central (tour: organiser Phillip Bruce)\n\nPage vii",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211293,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 9,
        "title": "RAS-1988",
        "content_text": "27 \n\nMay \n\n9 \n\n30 \n\nJune \n\n10-13 \n\n27 \n\nJuly \n\n11 \n\nAugust 1 \n\nOctober 1 \n\n17 \n\nNovember 1 \n\n26 \n\nDecember 1 \n\n10 \n\nJanuary 6 \n\n21 \n\nFebruary 24 \n\n25 \n\nMarch \n\n4 \n\n10 \n\n17 \n\n\"Women in China\" (lecture: Dr. Maria Jaschok) Cocktail Party for New Members \n\n\"Britain and Vietnam, 1948-1955\" (lecture: Prof. Mary Turnbull) \n\nVisit to Foshan (organiser: Dr. Michael Lau) \n\n\"Fortune & Safe Passage: Chinese Paper Folk Art (Kam Fa)\" (lecture: Dr. Janet Lee Scott) \n\n1 \n\n\"Ancestors\" (lecture: Mr. Frank Ching) \n\n\"Pirates in the Pearl River Delta\" (lecture: Prof. Dian Murray) \n\nVisit to Fung Ping Shan Museum, Hong Kong University (organiser: Dr. Michael Lau) \n\n**Introduction to Chinese Musical Instruments\" (lecture: Prof. Tong Kin-woon) \n\nChinese Dinner for Members \n\nTour of Central Police Station and Royal Hong Kong Police Museum (organiser: Mr. Geoffrey Roper) \"Jade Carving\" and \"Chinese Costume\" (joint lecture: Mrs. Sydney Fung and Mrs. Valery Garrett) \n\nWalk around Western District (organiser: Dr. James Hayes and others) \n\n\"Influenza: the Asian Connection\" (lecture: Prof. K. F. Shortridge) \n\nIntroduction to New Territories Villages (tour: organiser Dr. Patrick Hase) \n\n**Shanghai Entrepreneurs in Hong Kong\" (lecture: Prof. Wong Siu-lun) \n\nTour of Kowloon Walled City (organiser: Dr. James Hayes) \n\nTour of Country Parks (organisers: Dr. James Hayes and Mr. K. C. Iu) \n\n\"The Tale of the Norma Bell\" (lecture: Mr. John Chetwynd-Chatwin) \n\nAnnual General Meeting and Dinner \n\nWe are grateful to all speakers and organisers, and following last year's innovation have continued the practice of inviting them to attend the Annual Dinner as guests of the Society. It is gratifying to report that eleven of them have accepted our invitation this year. In addition, we \n\nvili",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 212482,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 36,
        "title": "RAS-1991",
        "content_text": "16 \n\nShunde \n\nDongguan \n\nSanshui \n\nGaoyiu \n\n2 \n\n3 \n\nI \n\nI \n\n1 \n\n1 \n\nN \n\n| \n\n10 \n\n2 \n\nOut of delta region \n\nNon-Cantonese \n\n5 \n\n& \n\n13 \n\n2 \n\n1 \n\n- \n\n1 \n\n4 \n\nHang Kong \n\n1 \n\n༣ \n\n2. \n\n3 \n\n1 \n\n8 \n\nUnidentified \n\n18 \n\n30 \n\n72 \n\n132 \n\n17 \n\n422 \n\nTotal \n\n20 \n\n46 \n\n105 \n\n186 \n\n193 \n\n550 \n\nSource: Hong Kong Record Series #144. The Supreme Court of Hong Kong. Probate Jurisdiction - Wills. \n\nFrom the 894 Chinese wills of the period between 1850-1906 deposited in the Hong Kong Public Records Office, 550 were believed to be held by merchants. Merchants were defined here as owning business, joining in partnership and holding properties. As indicated in table 1, there were 128 out of 550 who stated their native origins. Most of them came from the Pearl River Delta region, Xiangshan men being the largest in number, followed by Nanhai, Xinning, Xinhui, Shunde, Dongguan, Panyu and so on. More interesting, though they had been doing business in Hong Kong for a number of years, they did not claim they were Hong Kong people. Instead they identified with their native place. More frequently they were probably absent from Hong Kong and had resided in Canton and Macau. A puzzling question is that a large portion of these 442 persons had not told in their wills where they came from. Can we take it for granted they did not state it because there was no need to specify as they had identified with Hong Kong? Nevertheless, there were eight cases reported where they were definitely identified as Hong Kong persons. Some claimed “Victorians\", some were \"Hong Kong people\" and some identified with the place where they lived such as Kowloon, Shaukiwan, etc. \n\nIt is supposed that during the nineteenth century the majority of the Chinese in Hong Kong did not settle permanently but returned home or moved to other places in China. They retained ties with their home villages in China. As a scholar points out, wealthy Hong Kong Chinese usually held landed property in Hong Kong, but from the wills we know there were also frequent references to fields and houses in the home villages and houses in Canton, Foshan and Macau. The landed properties they held were mostly houses and land, and little were shares",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212492,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 46,
        "title": "RAS-1991",
        "content_text": "26\n\nRun, it is difficult to assess Tang's personal wealth accumulated during his compradorial years due to the absence of sources. However, it is not impossible to have an idea of his business activities through his connections with other Cantonese merchants and compradors.\n\nTang Tingshu left Jardines in 1873 when he was appointed General Manager (Zongban) of the recently organised China Merchants' Steam Navigation Co. The reason why he was appointed to the post was first his political patronage from Li Hongzhang; and second, his experience in organising steamship business. Tang put capital in Jardine's associate companies such as the Canton Insurance Office in 1868 and China Coast Steam Navigation Co. in which he had 40% of shares at 40,000 taels. Tang was mostly interested in this modern steamship business; he invested in and became one of the directors of the Union Steam Navigation Co. and also North China Steamer Co. established in 1867 and 1868 respectively. In 1870, Tang with his friends, purchased the steamer Nanzing and sold it to Jardines in which he had a personal investment of not more than fifteen thousand taels. At that time, Tang also put his capital into the steamer Suwonada of Augustine Heard & Co. and ships of two small steamship companies, Morris Lewis & Co. and H. Muller & Co. Although no evidence shows why the foreign owners of these companies invited Tang to join in partnership other than the motive of raising capital, it is certain that Tang was not inexperienced, for he was, as expressed by Liu Kwang-ching, \"in some cases actually performing full managerial functions\" in the modern steamship enterprises. More interesting is that Tang brought with him Cantonese capital as well as managerial staff to the China Merchants' Steam Navigation Co. Tang and Xu had entered with many management officers. Starting from Shanghai, these Cantonese spread to other treaty-ports such as Tianjin or Hankou.\n\nTang frequently joined with Xu Run and another Cantonese comprador at Shanghai, Zheng Guanying, in coordinating business investment. For example, with Xu Run, he invested in Anhui Guichi mines in 1877; Pingchuan Copper Mines in 1887 and Qian'an Iron Works in 1888. With Zheng Guanying, he invested sixty-five thousand taels in Tianjin Tanggu Cultivation Co. in 1881, and ten years later, they planned to build a paper manufactory. Tang and Zheng united to open two wharf companies, one at Foshan in 1882 and one at Canton in 1890. And last but not least, Tang and Xu as well as Xu's uncle, contributed a thousand taels each in founding, in 1872, the first Cantonese Chamber of Commerce in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    },
    {
        "id": 214931,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 27,
        "title": "RAS-2000",
        "content_text": "Appendix Two\n\nActivities - Visits\n\nDate 2000\n\nSaturday 8 April: Private View-The 'Mosseum' of Sculpture, led by Roger Moss, with lunch at Lok Yu Teahouse\n\nApril 1 to 4: Foshan, Tinghu and Zhaoging, led by Dr Joseph Ting\n\nSaturday 27 May: Museum of Coastal Defence, at Lei Yue Mun, led by Dr Joseph Ting and Phillip Bruce\n\nSaturday 24 June, Bethanie Church Pokfulam, led by Phillip Bruce\n\nSaturday 23 September, Chi Lin Nunnery, led by Professor Puay Peng Ho\n\nHase\n\nSeptember 29 - October 6: Central Vietnam, led by Dr Patrick\n\nSaturday 18 November: Police Museum at Wanchai Gap, led by Curator Wong Nai Kwan\n\n2001\n\nSaturday 13 January: Hong Kong Heritage Museum, at Shatin, led by Valery Garrett and May Holdsworth\n\n22 to 29 January: Goa: Former Portuguese Enclave, led by Dr Patrick Hase\n\nSaturday 10 February: Saltfields at Tai O, led by Dr Patrick Hase\n\nSaturday 3 March: Buddhist Sculptures: New Discoveries at HK Museum of Art, led by Rose Li Assistant Curator\n\nxxvi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215697,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 474,
        "title": "RAS-2001",
        "content_text": "427\n\nD.C. Bray, Hong Kong Metamorphosis, Hong Kong University Press, 2001, pp 245. index, plates.\n\nDenis Bray was born in Hong Kong, and entered the Hong Kong Government in 1950 as a Cadet Officer, retiring in 1985 as Secretary for Home Affairs and Deputy to the Governor: since his retirement, he has continued to live in Hong Kong. Given this history, he is uniquely qualified to speak about the development of Hong Kong in recent decades. His book, however, is not a history. It is a series of reminiscences. Many parts of his career are passed over. He does not produce any deep analyses of events; nor does he philosophise on what it was that inspired and motivated him. He merely describes those events which, looking back, he remembers with affection and continuing interest.\n\nThe book opens with one of the best and sunniest descriptions of a happy childhood that I have read for many years. His home in Foshan, in the centre of Guangdong Province, where his father ran a missionary hospital, his holidays in Hong Kong, his schooling in North China, and the journeys to and fro, are all remembered and described well. His family's return to England as war approached, his education at Cambridge, and his discovery of rowing, follow, in an almost equally beguiling account. This was first given as a lecture to HKBRAS, as is handsomely stated in the book.\n\nThe central half of the book relates scenes from his early career in Hong Kong before he reached the level of Secretary for Home Affairs with a seat on the Legislative and Executive Councils. Few personal details intrude, apart from occasional glimpses of Denis on his dinghy, or, later, his yacht. What we see is Denis the administrator, and what a splendid glimpse he gives of a classic Colonial Service administrator of the best type! He notes that a Colonial Service officer could be assumed to 'be used to championing the interests of the people where he was working against the tendency of London to give more importance to the interests of Britain' (p. 171), and, again, ‘everyone knew that our job was to look out for the ordinary citizen' (p. 138). Time and again, Denis describes situations where hide-bound bureaucrats, anxious only to \"play it by the book,” and to maximise Government income, were creating unfairness for ordinary people. Denis, once and again, comes up with some scheme to eliminate the unfairness, often by bending the rules, or introducing some extra-legal administrative procedure, which",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 216005,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 304,
        "title": "RAS-2002",
        "content_text": "238 \n\nDà chéng diàn \n\nDàoguāng \n\n大成殿 \n\n道光 \n\ndi \n\n帝 \n\nDú shǐ cónggǎo \n\n讀史存稿 \n\nFányí \n\n番夷 \n\nFang Xing \n\n方行 \n\nFatsaan \n\nFóshān \n\nFùzǐ miào \n\n(see Foshan) \n\n佛山 \n\n夫子廟 \n\nGé Hóng \n\n葛洪 \n\nGuandì \n\n關帝 \n\nGuǎngdōng \n\n廣東 \n\nGuangōng \n\n關公 \n\nGuāngōng mínjiān zǎoxíng zhī yánjiù: \n\n關公民間早型 \n\n之研究: \n\nyǐ Guāngōng chuánshuō wèi \n\n以關公傳說為 \n\nzhōngxīn de kǎochá \n\n中心的考察 \n\nGuangōng xìnyǎng \n\n關公信仰 \n\nGuǎngzhōu \n\n廣州",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    }
]