[ { "id": 206061, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 141, "title": "RAS-1970", "content_text": "136 \n\nS. F. BALFOUR \n\nThe Tanka or the Tan people are the Cantonese-speaking fishing population. The word Tan is a proper name and dictionaries define it as follows: \n\n\"Tan is the name of a people. They are held to be a branch of the Man tribe. They live in boats along the coast of Fukien and Kwangtung making fishing their livelihood. They are pearl divers. Since the T'ang dynasty (A.D. 618) they have been counted by able-bodied males for purposes of taxation. In the year 1618 they were classified according to families, headmen were appointed among them and anchorages in the rivers were set apart for them. A yearly tax of fishing produce was collected.” \n\nIn 1723 an imperial edit was passed allowing them all the privileges of ordinary Chinese citizens, except the right to compete in the public examinations which they never obtained. \n\nLet us now pass to the Hoklo. The word Hok is a dialect variation of Fukien and the Hoklo are the Fukienese fishing people of our region, but there is another term for them always used in literature, Man. We have already seen that the Tanka are considered a branch of the Man tribe. The word is very ancient and is used synonymously for \"barbarian\" or \"uncouth\". From the name alone you can judge that the Hoklo were once considered by the Chinese as barbarians. \n\nThe Punti are the Cantonese-speaking peasants. The word means \"native to the country\" and it is a weak adjective of the type used by one man to describe himself in relation to a different person. It therefore gives no clue to the origin of the people bearing it. They themselves claim to be of pure Chinese stock and to have colonised the province of Kwangtung from North China, and they refer to themselves as men of T'ang, meaning the T'ang dynasty. In many cases they can trace their ancestry back to Chinese settlers of northern stock, though there is no record of any arriving in the region earlier than the Sung dynasty (A.D. 960). \n\nThe word Hakka means the \"stranger people\", it is used to describe the peasants of a different dialect to Cantonese who have \n\nIn the topographies for instance Man is used for Hok-lo.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206062, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 142, "title": "RAS-1970", "content_text": "HONG KONG BEFORE THE BRITISH\n\n137\n\nsettled in the hills and along the coasts of our region. They themselves acknowledge that they are the latest comers into the region, and that they have migrated from exclusively Hakka-speaking country between Kwangtung, Fukien and Kiangsi provinces. The Hakka of those parts declare that they migrated from North China and this tradition is confirmed in every way by scholars, often Hakka themselves, who have collated separate family histories. From these studies it is possible to know that the Hakka did not migrate south of Kiangsi before the 10th century A.D. and we can infer from this that their appearance in this region was several centuries later.\n\n7\n\nFrom the evidence of their names we can begin to distinguish two kinds of inhabitants--one pure Chinese and one of non-Chinese origin. But on the other hand there is much negative evidence that could be brought forward. In the first place in customs and religion the Tanka and Hoklo seem to follow Chinese tradition; they have the same reverence for ancestors, the same surnames, they marry and bury the dead with the same ceremonies. They have an identical calendar of feast days, and their dialects, Cantonese and Fukienese, have nothing either in place-names, or vocational expressions or any other vocabulary which might contain archaisms to suggest that they ever used another language.\n\nIn the second place there is absolutely no apparent evidence that the Tanka and Hoklo are of the same extraction. They do not look alike physically and they do not intermarry nor mix freely in spite of being in close contact with one another. Indeed, the Tanka are much more akin to the Cantonese in outward appearance, and but for a difference of pronunciation it would be almost impossible to distinguish between them.\n\nIn the third place, the Hakka and Punti differ in their religious customs on one important point. The Dragon Boat Festival is celebrated by the Punti, Tanka and Hoklo on the 5th day of the 5th moon every year. The Hakka do not keep this feast. The importance of the Dragon Boat Festival as a clue to origins of culture will be described in a later section of this article.\n\nHowever there is one broad distinction which can be made. In their differences in occupation and dwellings the population divides\n\n7 For instance, Lo Hsiang Ling (#); K'o Chia Yen Chiu (3 RMX).", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206077, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 157, "title": "RAS-1970", "content_text": "152\n\nS. F. BALFOUR\n\nTheir presence in Tongkin and Annam attracted traders from the South Seas and from India. The later Han history mentions that in A.D. 132 the towns of Jih Nan farthest south in Annam, Chiu Chên and Chiao Chih were focal points of navigators. \"Cattigara\" was mentioned by Ptolemy about this time as the port of the Chinese; it has been identified with Chiao Chih or Hanoi. Traders came to it from India and from Yeh T'iao or Java. During the 3rd or 4th century these foreign traders penetrated as far as Canton.\n\nBut the Chinese did not do more than encourage the foreign traders to come. What coastal trade existed must have been carried on by the aborigines, who were practically unaffected by the Chinese conquest. These aborigines, particularly in the seas between Annam and Canton, turned themselves into pirates and harassed the early western traders to an enormous extent.\n\nAn independent centre of trade remained in Min Yüeh which was practically untouched by the Chinese until the T'ang dynasty. This centre must have been in touch with the civilised region of Wu, at the Yangtze mouth, and no doubt had contacts further with Japan. Little is known about it, but its importance must have been very great and it was lasting. Even in the Middle Ages Marco Polo referred to South China as Manzi or the Land of the Man-Tzů. In one or two ways the modern Fukienese show traces of contact with Japanese culture in their use of wooden utensils for instance. It is quite likely that the porcelain, especially the glazed type, found in our region was imported from the North East.\n\nWhen the Han dynasty broke up in A.D. 220 the empire they had founded from Canton to Indo-China was disrupted. The garrisoned towns were emptied of troops during the civil wars of the Three Kingdoms period, and right up to the T'ang dynasty the Chinese never regained their imperial hold over the South coast. The region was therefore left to the semi-tutored aborigines and to the foreign traders. There is no evidence at all of any settlement of peasants. The Cantonese language is not an archaic form of Chinese, and some of the eldest sub-dialects, for instance that of T'oi Shan district, do not point to a pre-Tang population. We must therefore recognise a break between the Han and Tang dynasties when the aborigines continued their tribal life and", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206091, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 171, "title": "RAS-1970", "content_text": "166\n\nS. F. BALFOUR\n\nThis site is near Kowloon City where the present Pak Tai temple stands. In the past some rare tiles of a dark ochre colour have been found there and apparently at one time a part of the foundations of the building were to be seen behind the temple. A village there was named Two Kings (I Wong) in commemoration of their visit and there is a tradition that they used the low hill covered with boulders just above it as a terrace or royal look-out. They remained there for about five months whilst their agents reported the movements of their enemies round Canton.\n\nAt the end of this period their position became desperate. Wen T'ien-chiang had organised an army on the Kiangse-Fukienese border and was trying to march on Canton and save the court from being cut off. But in the seventh and eighth moon he lost battles and was unable to make any progress. The Mongols then marched south from Canton against the Kings' army which they engaged in the ninth moon at Ts'ün Wan.19 There seems to be no local tradition about this battle, although it is mentioned in the most authentic texts on the subject. The Sung loyalists were defeated there and the court fled first to Lantao island and then farther west.\n\nWe now come to the death of the uncle of the two little kings, Yang Liang-chieh. He was the elder brother of the Kings' mother, and history does not mention him after the court had left Foochow. Local tradition is very positive that a marquis Yang (Yeung Hau) who on account of his loyalty to Sung was made a king (Yeung Wong) lived somewhere in the region, and he is worshipped as a god in a principal temple near Kowloon City which bears an inscription calling him Yang and saying that his first name is unknown. The identification with Yang Liang-chieh was made quite recently by a Chinese scholar20 and there is every reason to suppose that it was true that he accompanied the Emperors as far as this region where he died and was perhaps given the title of King after his death. Although the principal temple to him is at Kowloon there are others all over the region and two important ones on Lantau Island. This leads me to guess that he might have died on Lantau during the court's flight after their defeat at Ts'ün Wan. There is in any case mention in a particularly\n\n19 **\n\n20 In 瓜廬文賸 by 陳伯陶", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206092, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 172, "title": "RAS-1970", "content_text": "HONG KONG BEFORE THE BRITISH\n\n167\n\nof Lantau as being the place where many loyal servants of Sung are buried.\n\nThe same scholar who identified the marquis Yang also states that the elder of the two kings died on Lantau. But this cannot be correct.22 The place of his death is Kong Chow and there is no reason to identify it, as he had done, with Tai Yü Shan or Lantau. After the defeat at Ts'ün Wan the movements of the fugitive court are not very clear and there are contradictions in the various accounts, but it seems that they fled as far as they could westwards from the battlefield. During their journey they met with a storm as a result of which the eldest Emperor, who was afterwards given the title of Tuan Tsung, fell sick. The texts on the subject often state that the storm they encountered was a typhoon, but commentators have been careful to point out that typhoons do not occur in winter and that it happened in the 12th moon. However, this is most unimportant.\n\nThe Mongol armies were bent on catching the Emperors since their death was to mean the end of all resistance in South China. The chief minister, Ch'en I-chung, who had accompanied the court so far, deserted them and fled to Annam, and many other desertions must have occurred at this time. Their army, which is said to have numbered 200,000, was concentrated mostly in boats and commanded by Chang Shih-chieh, somewhere west of the Canton estuary. A Mongol fleet equipped at Canton was searching for them in the estuary. Tuan Tsung died in the 4th moon of the year 1278. He was then eleven years old. His brother was declared Emperor by the chief minister Lu Hsiu-fu. He was eight years old.\n\nThe last Emperor Wei Wong or Ti Ping, to give him his posthumous title, still had a slender chance of regaining his kingdom if Wen Tien-chiang, the minister who was organising resistance on the Kiangsi-Fukienese border, had been able to gain a battle. In the 3rd moon, Wen Tien-chiang had advanced as far as Kan-chow and there was a chance of his being able to attack Canton and relieve the pressure on the Emperor's army. The new\n\n21 廣東新語\n\n22 Professor Hsu Ti-shan has, however, just published an article in which he reaffirms this theory. (See X).", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206267, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 84, "title": "RAS-1971", "content_text": "78\n\nCARL T. SMITH\n\nfor the surname is, but the English in Hong Kong spelled it Tso, while the Portuguese in Macao used Chow. Thus in Hong Kong records a name is likely to appear spelled one way and in Macao yet another. For the period covered in this study, there was no officially approved system of Romanization in Hong Kong. Romanization was also influenced by the dialectal variations in the Chinese language itself: the spelling of a name might vary according to the place of origin of the individual, whether Hakka, Tiuchau, Fukienese or Cantonese. The sources often have a number of variations in the Romanized form of a name. I have used the form that occurs most commonly. The Chinese characters have been given wherever they are available, but they are not given on all source documents or other records.\n\nGOVERNMENT AND THE ÉLITE\n\nIn China there was traditionally a close connection between the government and the élite group. With the introduction of the imperial examination system the élite or gentry were recruited from the ranks of the scholars. Success in the examinations, appointment to government office, and the accumulation of capital and economic power were usually concomitants.\n\nObviously this relationship could not be duplicated in Hong Kong. In the years following the establishment of the Colony, there was a radical hiatus between the Chinese population and the colonial government. Their points of contact were few. As long as the Chinese did not create trouble, the Government was content to let the Chinese community manage its own affairs: the hope being, of course, that the management would be in the hands of responsible leaders. However, the social and economic conditions within the community, both before and after British seizure of the Island, mitigated against control being exercised by responsible individuals.\n\nOfficial government structures on the local level were at a minimum before the arrival of the British. Hong Kong was one of many \"barren rocks\" on the edge of San On (later called Po On) District, one of the least important in the Kwang Chau Prefecture. Originally San On had been a part of the Tung Kwun District but it had been separated in 1573. The separation left it small and insignificant. The limited exercise of government", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206274, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 91, "title": "RAS-1971", "content_text": "CHINESE ELITE IN HONG KONG\n\n85\n\nsome of his property was sold at Sheriff's sale in 1847. Akow and Company sold its Queen's Road property in 1850, though Kam Cheong remained in Hong Kong. In 1852 he contributed five dollars to Dr. Hirschberg's Hospital. His last recorded activity in Hong Kong is the sale of two lots in 1855. At this time Akow and Company was operating a hotel for foreigners in Canton.\n\nAfter the death of Chinam the government still had hopes of attracting substantial merchants. A group of Fukienese inquired regarding conditions for settlement. For several generations a number of these merchants had operated large Hongs in Macao and the Hong Kong Government would have liked to induce them to move to Hong Kong. The Government therefore welcomed application from Fukien merchants for land grants. In the light of the ancient rivalry between Cantonese and Fukienese, it was felt that the allocation of land to this group needed to be handled with care. The Governor explains in his report to England that,\n\nThese people constitute a very peculiar race, being far more commercial, migratory, and maritime in their habits than any other natives of China. Their spoken language is altogether unintelligible to the people of Canton, between whom and themselves a species of irreconcilable feud has existed from time immemorial. Hence they cannot inhabit the same neighbourhood without quarrels, and occasionally bloody conflicts. If land is put up by auction the Fokien (or Chinchew men) would in competition with the Cantonese either be excluded altogether, or mingled with the Cantonese be to the prejudice of general peace and order. It is important to secure the settlement of this class of people (in the present instance men of substance). The Council agreed with me to grant them a special location... placed much to their satisfaction in the neighbourhood of East Point, and they have commenced building on five contiguous lots,\n\n15\n\nThis report was dated July 1845. However, in the Surveyor General's return of registered allotments as of 24 June 1846 he reports that the lots granted to the Chinchew merchants had been thrown up by them. So again the prospect of the settlement", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206278, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 95, "title": "RAS-1971", "content_text": "CHINESE ELITE IN HONG KONG\n\n89\n\nFukienese merchants to settle in Hong Kong. Several other merchants appear on the earliest of the élite lists indicating their presence in the first decade of the Colony's history.\n\nIn 1852 \"Cun-wo A Kwi, merchant\" contributed five dollars to Dr. Hirschberg's Hospital. This is Chow Aki* of the firm Cong-wo, which had been established in the Lower Bazaar in 1842, having a branch at Canton. In 1849 he bought the lease of the Central Market, holding it until 1857. He became a large investor in real estate, but sold out most of his property in 1866 and retired to Macao.\n\nA merchant who survived the pitfalls of commerce in early Hong Kong was Wong Ping1. He is named as a silk merchant on the land-owners' petition of 1848, but he was one of Hong Kong's first industrialists in that he owned a rope walk beyond the western end of the Lower Bazaar. He was one of three trustees to hold Inland Lot 361 in Taipingshan on behalf of the Chinese community. The lot was granted in 1851 and upon it was built a temple \"for the reception of Tablets to the memory of... deceased countrymen\".22 The building was used, however, not only for memorial tablets but also as a depository for those who were about to die, following established Chinese custom. When this use came to the notice of the European community it was shocked. The reaction and public discussion which followed resulted in Government allocating a grant from the revenues of the gambling monopoly to the Chinese community for the erection of a suitable hospital to be known as Tung Wah. Wong Ping was not a member of the Organizing Committee of the Hospital, though he was on the Kai Fong Committee for 1872. He died in 1887. Wong Yue Yee alias Wong Yick Bun, of the Chun Cheong Wing Nam Pak Hong, a Director of the Tung Wah in 1872, may have been a relative as Wong Ping is mentioned in 1881 as a managing partner of the Chun Cheung Hong for some twenty years. He also was associated with the Tsui Shing firm and the Tuck Mee Hong.\n\nIn the 1850s the Taiping Rebellion upset the social and economic structures of China. The changes in China were reflected in changes in Hong Kong. The Taiping threat upon Canton created a refugee group which sought in Hong Kong more stable conditions. Some were wealthy and brought their", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206630, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 178, "title": "RAS-1972", "content_text": "172\n\nKEITH STEVENS\n\nT'ai sui is worshipped to avert calamities and appears on altars individually; although in Cantonese, Shanghainese and possibly in other areas, he is usually to be seen in groups of sixty images, often each with the dates for which they are responsible marked on their base or above their heads. In some areas of China he is said to be also a Member of the Ministry of Thunder, which is the premier Celestial Ministry in the spirit world. No Cantonese devotee of T'ai Sui with whom this has been discussed appears to have heard of Yin Ch'iao; whereas Fukienese and Chinese of the Yangtse will know him as Marshal Yin rather than T'ai Sui. In some eastern and south-eastern parts of China T'ai Sui was referred to as the God of Spring.\n\nT'ai Sui was listed in Ch'ing Dynasty regulations in the seventeenth century A.D. to receive official worship as a second-rank deity.\n\nThe words T'ai Sui mean the \"Great Year\", the Jupiter Year, the twelve-year sidereal period which the planet takes to travel around the sun. This figure of 12 is extended to include the 12 hours (each of 120 minutes) of the Chinese day, the twelve months of the year, and the 12 constellations of the zodiac which are believed in North China to be all ruled over by this key star, Jupiter.\n\nConfusing though it may seem, the actual Ministry of Time is itself called T'ai Sui. Depending upon which part of China you are in, it consists of either sixty or one hundred and twenty officials who rule the hours, days and months.\n\nThe Story of Yin Ch'iao\n\nGeneral Yin Ch'iao was the eldest son of the evil King Chou of Shang. He is depicted in the Deification of the Gods as both a good human and an evil, very ugly deity with a face as blue as indigo, and with long protruding fangs. He is also referred to in another famous novel of the same era, the Hsi Yu Chi (The Travels to the West) as blue-faced with ugly protruding teeth. T'ai Sui, according to the Feng Shen Yen I (The Deification of the Gods) was\n\n1 In order to calculate a person's horoscope by the traditional Chinese method, the two characters for the hour, day, month and year on which he was born and which govern his fate forever, are required. These four pairs of eight characters comprise one from each of two sets: one set of 12 called Branches, the other of 10 called Stems. These combinations of characters produce a cycle of 60, the cycle of Cathay, which are 120 binomial terms.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206637, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 185, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n179\n\nIn c. above, he is two different beings, his benevolent form is as a man with two eyes, “ear pressing\" tufts of hair, three pairs of arms, and hair standing erect on the back of his head. In his malevolent form he is depicted as a man with a leopard's head, three eyes, a lion's nose, a tiger's mouth, a bear's tongue, a boar's tusks, and three pairs of arms. Again, above his ears are \"ear pressing\" tufts of hair, and on top of his otherwise bald head is a headdress called a k'ui ying.\n\nIn the two and a half thousand or so temples visited in South East Asia, Hong Kong, Macao, and Taiwan, the basic forms listed above can be grouped into general categories. T'ai Sui/Yin Ch'iao were seen in 48 temples; among which 11 were Fukienese, 28 Cantonese, 2 Hakka, 2 Ch'ao Chow and two inter-community Buddhist temples. Of these, 18 were in Singapore, 15 in Malaya, 9 in Hong Kong, 3 in Macao, 1 in Cambodia and 2 in Taiwan. The 'youths with a scroll' are mainly Cantonese, as are the majority of the 'youths holding a bell.' The ‘elderly man with a bell' was seen in two Hakka temples and one Cantonese community temple. The images of the 'fierce general' was seen only in Fukienese community temples and a few images of 'youths with bells or scrolls' were seen in Fukienese temples.\n\nThe groups of sixty images have been seen in Shanghai, Hong Kong and Macao, and in Fukien by Hodous. In Singapore and Kuala Lumpur large but odd numbers of T'ai Sui, including a mix-ture of them with scrolls or bells, were seen in two Cantonese community temples.\n\nThese images have not been seen in any Hainanese temples. Only in Cantonese and Hakka temples were these images observed standing on wads of hell money.\n\nThe four charms carried by T'ai Sui, according to a Fukienese god carver, are:\n\na. a seal of office, which, if shaken, causes the heavens to quake.\n\nb. two swords, one male and one female, which are able to destroy demons and wrong-doers.\n\nc. a bell, called Jung Kuei Ch'ung (*) which causes one to lose the way when rung. This bell causes demons to forget their tasks and to wander aimlessly. It is also a magic teller of time.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206638, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 186, "title": "RAS-1972", "content_text": "180\n\nKEITH STEVENS\n\nIf the image of T'ai Sui wears shoes, claimed a Fukienese temple keeper, a drought is presaged, and if without, floods are expected; but if one foot is shod and the other is bare, then balanced weather will be the lot of the region. Images of T'ai Sui with one bare foot have been seen in temples in Hong Kong, Singapore and Bangkok.\n\nVariations from the basic characteristics\n\nThe youth holding a scroll or plaque of split bamboo is depicted seated, except in a very few sightings where he stands. In the sixty-year cycle of Chinese deities, each year is ruled by a particular image of that year, who is called the “T'ai Sui of the present year\" and the scroll has one of the following inscriptions on it:\n\nTang Nien T'ai Sui (††★★). Liu Nien T'ai Sui (*) Chih Nien T'ai Sui (††✯✯) or Chia Nien T'ai Sui (P‡★A)\n\nYin Ch'iao as a fierce general often has three eyes and six arms, wears armour, and a Taoist crown on a bald head, and has fierce, almost vertical, eyebrows. He holds in five of his hands two discs, one with the character for the sun and the other with the character for the moon, a large ring, a fly whisk, whilst his sixth hand rests on his left knee.\n\nIn Foochow, in the temple of the City Guardian, one of the side altars was devoted to T'ai Sui. His image was dressed in yellow garments, he had a black beard and a necklace of skulls about his hand. The skull necklace, according to Hodous, is a symbol of his authority over the lives of men. Beside him on his left is a trio of small images a foot high representing the present year, last year and next year. Also on either side of him, are the twelve images representing the twelve months or branches and pictures of the twenty-four seasons.\n\nIn only two sightings, one in Penang and one in Singapore, had he a blue face, fierce fangs, was standing, dressed in armour, and carried a mace in each of his hands. One of these images of T'ai Sui, labelled the Great Year of the Moon (A) was one of the twenty-four Celestial Generals (A) who range down each side of some temples. (Plate 17)", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206640, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 188, "title": "RAS-1972", "content_text": "182\n\nCo-location of deities\n\nKEITH STEVENS\n\nIn Fukienese temples in Singapore and Malaya, the T'ai Sui images are often seen with Hsuan Tien Ta Ti (***) or with the Goddess of Mercy (##). In Cantonese and Amoy temples there, the T'ai Sui images are occasionally to be seen with the medical deities Lu Tung Pin (†) or Hua To ($) and in one temple with T'ai Shang Lao Chün (LB).\n\nIn another Fukienese temple in Singapore a triad occupying the centre altar was said by the temple keeper to be three of the Nine Emperors (g). Two were positively identified, one as the second brother of the main deity Chiu Hwang ( ). He is black skinned, bare footed, with one foot on a fire wheel, has protruding eyes, black beard, and his hair is wound into a top knot. His two arms are at his side, otherwise he is very similar to Fa Chu Kung (✯✯2). The second identified image is on the right of the main deity, and he is, without doubt, Wang Tien Kung (1A). The third unidentified image on the left of the main deity could easily be T'ai Sui. He is black faced and bearded, a standing general in armour, holding a bell in his left hand and a sword in his right; he has three eyes, ear tufts of hair, and wears a Taoist crown.\n\nIn one Fukienese temple in Taipei, Yin Ch'iao was seen together with Ch'ü Kung Chen Jen (AA). (Plate 19)\n\nIn North China in Kalgan his second brother Yin Hung ( *) is a special deity said to save people from the \"fifteen bad deaths\". He sits on the opposite side of the central deity, the Jade Emperor (11), from Yin Ch'iao. Both brothers are naked and, surprisingly, have claws, beaks and wings. Grootaers10 says that Yin Ch'iao is never to be seen except as an attendant to the Jade Emperor. It would appear that either the local god maker in Kalgan did not know the identification features of Yin Ch'iao and has confused him with the Thunder God; or that there is a local legend which we do not know about; or thirdly that Grootaers misidentified the two attendants of the Jade Emperor.\n\nC. B. Day bought a hand-painted scroll in Hangchow, depicting five Buddhist figures and six Taoist ones. This pantheon chart included T'ai Sui Ti Chün ( *#*#) together with the San Kuan\n\n10 W. A. Grootaers, Rural Temples around Hsüan Hua (Folklore Studies vol. 10).", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206641, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 189, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n183\n\n(E), Pei Chi Sheng Ti (1), the Pen Ming Hsing Chün ($*£*) who is the local earth god, and the provincial city god. All five are connected with the fate of mankind.\n\nIn a Ch'ao Chow temple in Johore Bahru, Tai Sui a youth with a scroll (***) is on the altar of Hung Chün Lao Tsu (#$ *). (Plate 20)\n\nFather Doré says that in one temple outside the South Gate of Jukao, in the Yangtze Valley, Yin Ch'iao (F) is to be seen on the right as you face him, with Marshal Ma () on the left. Both have six arms, stand on clouds, and hold swords, amulets, gourds, bells and banners in their hands. Ma has three eyes and wears a hat, whilst Yin is bare from the waist upward and has his hair in a large upswept tuft on the top of his head. Yin is worshipped here as a member of the Ministry of Thunder.\n\nOther interesting sightings.\n\nIn Lavender Street in Singapore a Cantonese temple has sixty-two T'ai Sui images. About half the images hold scrolls and are, according to the temple keeper, the administrators of the fortune; whereas the others with silken slippers, fans, bells, etc. are those who actually provide the fortune.\n\nOne image of a young man, standing with one slipper on and one bare foot, is to be seen in Bukit Purmei temple in Singapore. He is prayed to for rain, and for good crops. (Plate 21)*\n\nCarver's drawings of Yin Ch'iao\n\nA Fukienese god carver prepared, on request, drawings of many deities. From memory he drew:\n\na. An image of T'ai Sui, seated, robed like a monk, wearing sandals, a band around his hair, and holding an open scroll with Tang Nien T'ai Sui (****).\n\nb. Yin Ch'iao's father, seated astride a large, long-beaked bird, holding a fly whisk in his right hand and a seal in his left hand. He is bearded, with a Taoist top knot and crown. His robes are covered in the Yin and Yang circle pattern.\n\nc. Yin Hung(); a standing young man with a spear in his left hand, and a mirror raised in his right, which is flashing beams towards his enemies.\n\n* Plates 22-24 also relate to representations of T'ai Sui.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206642, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 190, "title": "RAS-1972", "content_text": "184\n\nd.\n\nKEITH STEVENS\n\nAn image in the form of Yin Ch'iao; with six arms, a blue face covered in spots like warts; two fangs, two banners, a bell, two swords and one arrow.\n\nPossible Misidentifications\n\nThe images of Yin Ch'iao/T'ai Sui can be confused with several deities who have similar characteristics. These are:\n\na. One version of the Fukienese god of actors, Tien T’o Yuan Shuai (*), is a standing general with a sword in his right hand and a hand bell in his left. He has or should have, however, a pink face, and his usual identifying characteristic, a crab painted over his mouth or his forehead.\n\nb. In a Singapore Foochow clan temple of the Hsu (✯) family there is a seated general in armour, with a blue face and fangs, called Liu Chin Sheng Ho (Hr). He holds an axe in each hand and is prayed to for the good health of the clan and for the rapid recovery of the sick.\n\nc. Pu Tu Kung (#2) who releases souls from the Under-world during the seventh lunar month, is often shown as blue-faced and with two fang-like teeth showing. Normally, however, he does not carry anything in his two hands.\n\nd. One of the two attendants of Fa Chu Kung (✯È2) is a general with a sword raised in his left hand and a handbell held in his right. He wears a tiger's head hat and is called Hu Ye (A). He has a pink face and a black beard.\n\nAn image of the Golden Youth (✯✯), one of the assistants to Kuan Yin, could be mistaken under certain conditions with the manifestations of T'ai Sui as a seated youth with the scroll. The Golden Youth has a similar seated pose, the same style head and hair but normally holds a fly whisk in the right hand. If this is lost the image looks at first glance like a T'ai Sui without a scroll.\n\nThe Indian Buddhist deity of death, Mara, could understandably be mistaken for T'ai Sui, Mara (A) in his Chinese form normally has a greenish hue, has a frightful face with two tusk-like teeth, holds a bell in his right hand, but has bare feet, is bare to the waist and wears a fur skirt. He is usually accompanied by two demon attendants, one black and one white, who are the Yamen runners, the Wu Ch'ang Kuei (❀❀Ą), who collect the souls of", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206643, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 191, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n185\n\nthe newly dead. Mara has a cleft head, ear-pressing tufts and protruding eyes. His skirt can be made of leaves and on occasions he has a staff in his right hand.\n\nTHE CULT OF FA CHU KUNG\n\nBackground\n\nThe localised cult of Fa Chu Kung appears to have originated in the areas of An Chi and Ying Ch'uen in Fukien Province and has been carried by emigrants to their new homes in Taiwan and South East Asia. Fa Chu Kung is renowned amongst his devotees for his ability to cure any illness, and is believed to be capable of such potent magic that many Chinese are fearful even to mention his name. In addition it is claimed in some areas that he is able to cause and stop rain at will, and in one Cantonese temple in Kuala Lumpur he is specifically prayed to for confirmation that a marriage in process of being arranged will be successful. A Fukienese temple keeper in Singapore, who was not too fearful to discuss the deity, confided that Fa Chu Kung is the powerful leader of a large group of gods which includes the Northern Emperor Hsuan Tien Ta Ti and has very many disciples. He also claimed that Fa Chu Kung is able to transform himself into anyone or anything and that Chinese spirit mediums can only approach other gods through Fa Chu Kung. Therefore Fa Chu Kung's goodwill and agreement are always necessary before any petition or prayers may be offered to any god apart from the supreme deity, the Jade Emperor.\n\nRecognition Features\n\nFa Chu Kung is more often to be found as a minor deity on an altar dedicated to another god rather than the main deity on an altar or of a temple. His image is very easy to recognise. The basic recognition features are his shiny black face and body, his unkempt hair and slightly protruding eyes; his unsheathed sword is held at the ready in his right hand and a red snake curls round his neck and shoulders and over his left arm. His black feet are bare and are resting on fire wheels, and finally his left hand is making a magical sign. This is made by his whole left hand stretched forward at waist level and pointing vertically with his index and little finger; his thumb and the other two fingers are pressed to the palm. The whole hand is twisted to face the right. Most images have all these", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206644, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 192, "title": "RAS-1972", "content_text": "186\n\nKEITH STEVENS\n\nfeatures, but as with all Chinese images there are local variations of which two major ones observed have been:\n\na. A shiny black Fa Chu Kung with six arms and standing barefoot, holding in his six arms:\n\n(1) a sword held in each of three of them,\n\n(2) a scimitar in one,\n\n(3) a magic ring in one (this is identical to the bracelet of San T'ai Tzu),\n\n(4) the sixth has a hand making the magical sign described above.\n\nHe is dressed in flowing golden robes, and has a small snake entwined around the arm with the hand making the magical sign. (Plate 25)\n\nb. A Ch'ao Chow style carving of Fa Chu Kung has two pillars protruding from the base on either side of his body reaching to his waist height, making two \"side table\" tops on either side of him. On one side, on the \"table top\", stands a vase and on the other stands a bowl. Otherwise he is exactly as described in the basic description.\n\nThe images most likely to be confused with Fa Chu Kung are those of his two brothers which apart from the colour of their faces are identical to his. They have never been observed on an altar without him.* Also possibly confused with Fa Chu Kung is T'ai P'ao or Sha Ho Shang who is described at the end of this article.\n\nTitles\n\nFa Chu Kung is known by various names or titles than by his best known title of Fa Chu Kung. According to Fukien temple keepers, Fa Chu Kung means the Controlling Duke. There is, however, a Buddhist term, Fa Chu, for the Lord of the Dharma, which is the Buddha himself. It is unlikely that this is the origin of Fa Chu Kung's title, even though several informants have suggested that, as he is black, he was an Indian and was formerly a trader from India. The various titles and names by which he is referred to, are:\n\na. Fa Chu Sheng Chün 法主聖君\n\nTitle given in Mutseh near Taipei to the group of the three brothers, all to be seen on one\n\n* See Plate 26. A Fukienese god-carver's sketch of Fa Chu Kung is at Plate 27.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206647, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 195, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n189\n\nMalaya, in nine of which he is the main deity. Twenty-seven of these temples are run by Fukienese emigrants or their descendants; one is run by Hakka, three by Cantonese, two by Ch'ao Chow and one by Hainanese. In Taipei all eleven observed images are in temples maintained by Ch'üan Chow emigrants. There are three Cantonese temples in Malaya in which he has been seen; one is in Seremban and two are in Kuala Lumpur. In one of the Kuala Lumpur temples he is to be seen beside a sand divination table; the temple keeper in the other said that he was a lesser deity donated by a Fukienese devotee. The Seremban temple had all three brothers seated together on an altar in a temple devoted to Hsuan Tien Shang Ti (玄天上帝).\n\nIn a Hainanese temple in Singapore there is a standing image of Fa Chu Kung with the usual unkempt hair, but he has only one foot resting on a fire wheel. He is the secondary deity in the temple, which is dedicated to Wen Chow Hou Wang (溫州侯王) who is a specifically Hainanese deity.\n\nIn one spirit medium temple in Singapore, where Fa Chu Kung is the main deity, the medium and the keeper are both Fukienese. The female medium speaks with a very deep voice, said to be that of Fa Chu Kung, and writes prescriptions for medicines dictated by him. To stimulate the spirit to reply, and thereby causing considerable interest to the spectators around the table, the female medium pauses between writing each prescription and extinguishes a lighted candle on the roof of her mouth.\n\nProfessor Wolfram Eberhard has confirmed that in his researches he has encountered this deity, the god of the cult of tea merchants localized in the areas of Ying Ch'üen (#) and Te Hui (德惠) whose birthday is on the 27th day of the 7th lunar month. Law suits were settled before this deity, who is mentioned in the Taiwanese folk almanac of 1963.\n\nMyths concerning the origins or deification of Fa Chu Kung\n\nMost temple keepers who have an image of Fa Chu Kung in their temples tell a different story about his origin. These tales do, however, contain certain common factors:\n\na. Fa Chu Kung is the head of all demons and is to be feared. His black face signifies his demonic origins. He warned all gods in the area of Ying Ch'üen in Fukien that the area was too\n\nPage 190 is missing\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206650, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 198, "title": "RAS-1972", "content_text": "192\n\nKEITH STEVENS\n\nof insufficient fire wood, he stuck his foot in the stove, and the flame shot up cooking the food in but a few moments. The second is no less than Li T'ieh Kuai (*), one of the Eight Immortals. One of the stories told about him is that, when he was young and very poor, his mother ordered him to go into the hills every day to collect wood but he was never able to collect more than sufficient for one day. When it rained they had none. His aunt cursed him and said they would use his legs as fuel. Now Li T'ieh Kuai had learnt some tricks from the Immortals in the hills and stuck his foot into the fire which blazed up much more brightly. His aunt shouted that she was only joking and pulled his foot from the fire. Because of this the bottom part of his leg fell off and became poisoned. The story ends by his aunt using the burnt-off leg to bank up the cinders!\n\nConclusion\n\nAlthough this Fukienese local deity is mostly to be seen, as is to be expected, in those areas of Taiwan and South East Asia where Fukienese immigrants from An Ch'i, Ying Ch'üan and the immediate surrounding areas are to be found, he is also to be found in Hainanese, Ch'aochow and Cantonese temples in South East Asia; where presumably this cult has been adopted by the other immigrant groups who wished to take advantage of his power.\n\nTai Pao(*)\n\nOne image likely to be confused with Fa Chu Kung is Tai Pao. Tai Pao is the monk Sha (*) who usually wears a necklet or waistband of skulls, but in many temples these have been lost and the black, unkempt figure of Tai Pao at first glance can easily be confused with Fa Chu Kung.\n\nTHE CULT OF THE EUNUCH ADMIRAL CHENG HO\n\nA deified hero and a Taoist Saint\n\nBackground\n\nThe intercourse between China and the West under the widespread rule of the Mongols lapsed with their withdrawal into Central Asia. The Ming dynasty emperor Yung Lo made great efforts to re-open trade routes and to expand the much diminished foreign trade by despatching between the years 1405 and 1431 A.D. seven major expeditions to the Southern Seas, commanded by eunuchs", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206652, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 200, "title": "RAS-1972", "content_text": "194\n\nKEITH STEVENS\n\nin Thailand and at Nakorn Sri Thammarat. The few observed examples of his statue have all been in temples run by Fukienese emigrants, and probably the most famous statue is to be seen in Malacca in a temple run by Fukienese emigrants from An Chi county. (Plate 28)\n\nThere does not appear to be a standard identification characteristic for images of Cheng Ho. The Malacca statue is of sandal wood, carved some 8\" high, in Amoy style, depicting a Mandarin seated on a throne with his right hand clutching his girdle, his left palm cradling a flat elongated plaque of office or sceptre, which rests in the crook of his left arm. He is beardless and has the raised eyebrows so often seen on Chinese opera generals; he is wearing a military hat with one pompom on top, and a tassel hanging from each side of it over his shoulders. He is accompanied by two standing attendants; the one on his left a military attendant is carrying his sheathed sword, and the one on the right a civil attendant is carrying his seal of office wrapped in a red cloth. Alongside, on the same altar, is Kuan Kung, the Chinese god of loyalty and patron of soldiers, who is also the patron of Chinese businessmen. In the temples listed above, Cheng Ho has several birthdays and feast days, the most common of which is the 30th day of the sixth lunar month.\n\nOne of the many images on sale in a Singapore godshop, was another Amoy style carving of Cheng Ho, some 10″ high in wood, now in the possession of an English news correspondent. This image of the Admiral depicts him as an elderly benign man without a beard, dressed in gilt dragon robes, and standing with a fly whisk in his right hand and a scroll in his left. (Plate 29)\n\nCheng Ho in Java and the Philippines\n\nThe Admiral is held in the highest esteem in Semarang in Java as the Chinese patron deity of the town. It is said that he left behind in Java some ten men under his sick navigator, Ong King-hong, who founded the town of Semarang. Before 1724 a statue of Cheng Ho together with four carved wooden attendants was brought from China, and these stand in a cave near the town. During the British occupation of Java in 1945 the commander of the British forces recommended the Chinese of Semarang to evacuate the town for their own safety. After consultation with Cheng Ho, they decided\n\n11 Willmott, D. E., The Chinese of Semarang, (Cornell U. P., 1960).", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206712, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 260, "title": "RAS-1972", "content_text": "Plate 15. An altar in a Fukienese temple in Taiping, Malaya dedicated to Chu Sheng Niang Niang. On the piles of paper \"hell money\" are perched two images of T'ai Sui, and two \"spring\" bulls in mud.\n\nPlate 16. An array of T'ai Sui images in a Hong Kong temple, 1968.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206713, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 261, "title": "RAS-1972", "content_text": "Plate 17. In a Fukienese temple in Singapore. Two of the twenty-four Celestial Generals. Monkey is on the left and General Yin Ch'iao is on the right. 1966.\n\n乘\n\nPlate 18.\n\nA Pearl River image standing on \"bell-money\" on Cheung Chau Island, Tai Sui who flies back.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206714, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 262, "title": "RAS-1972", "content_text": "Plate 19. In Taipei in a Fukienese temple General Yin Ch'iao with six arms together with two images of Ch'u Kung Chen Jen, 1970.\n\nPlate 20. T'ai Sui holding a scroll on the altar of Hung Chun Lao Tsu in Johore Bahru. The second daughter of the Jade Superior is the large deity. In a Ch'ao Chou temple, 1969,", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206715, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 263, "title": "RAS-1972", "content_text": "Plate 21, T'ai Sui in Singapore on a Fukienese altar with one shoe on and one bare foot.\n\nPlate 22. T'ai Sui Ye in Ngau Chi Wan, Hong Kong, holding a bell, 1970.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206717, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 265, "title": "RAS-1972", "content_text": "Plate 25. Fa Chu Kung with six arms in a Fukienese god shop in Singapore. 1969.\n\nPlate 26. In a Fukienese temple in Singapore, Fa Chu Kung seated below his two brothers, top left Hsiao Kung and top right Chang Kung, 1969.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206718, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 266, "title": "RAS-1972", "content_text": "永春石露洞\n\n者聖\n\n公張\n\n所色面黑鬚圆日散是赤足身背\n\n蛇\n\n主法公張\n\nPlate 27. Fukienese god carver's sketch of Fa Chu Kung.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206719, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 267, "title": "RAS-1972", "content_text": "Plate 28. The image of Admiral Cheng Ho between his two assistants in a Malacca Fukienese temple 1969. In front of them is Kuan Yin and on their right are two of the eight Immortals.\n\nPlate 29. The Amoy-style carving of Cheng Ho, in a Singapore god shop. 1970.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206805, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 82, "title": "RAS-1973", "content_text": "76\n\nHELGA WERLE\n\nThe hands are made of wire (Plate VII) which facilitates the fastening of the sticks or arms, but their appearance is ugly.\n\nThe sticks have the length of chopsticks. Made of iron, they form a small ring at one end and have a wooden handle on the other, to prevent the sticks from slipping out of the hands. The third stick is thicker and is hooked into a hole at the puppet's back from below. The puppeteers tell that in Ch'aochow some puppets were considered so precious that they were handled with sticks made of pure gold.\n\nNeither the waist nor the stick is movable.\n\nThe Historical Background in Ch'aochow\n\nAlthough well proportioned and even beautiful, this puppet has many technical disadvantages compared to the Cantonese rod-puppet or the Fukienese string or glove-puppet. The reason for this incongruousness can be found in the dominance of Ch'aochow's ancient leather shadow-puppet tradition, which was definitely well established in the Ming dynasty in that area. One can assume that it existed earlier but any proof is lacking so far.\n\nIn Ch'aochow these shadow-puppets were cut out of cowhide (which is very rough when compared to the donkey-hide used in North China or Szechuan) which was coloured. They have two-jointed arms and legs and are handled with three sticks attached to the hands and the back of the two-dimensional puppet. The author has seen such Min-nan shadow-puppets in Taiwan, and some old Ch'aochowese confirmed that the Ch'aochow ones had exactly these features. By the end of the last century, supposedly under the strong influence of the extraordinary perfection of the string and glove puppets of Ch'uan-chou, Fukien, a new type of puppet evolved, a hybrid with the beauty of a Ch'uan-chou puppet, but handicapped in movement by the technique of a two-dimensional puppet. The name paper-shadow-theatre chih-ying-hsi was also applied to the new puppet. These two kinds of puppets existed side by side for one generation, and according to witnesses the leather shadow-puppets disappeared in the 1920s.\n\nIt is yet possible to receive first-hand accounts of the time when puppets were much used. An educated elderly Ch'aochow gentleman, Mr. Su related that in his childhood, at the beginning of the Republic, there were still 3 different kinds of puppets: shadow, horizontal stick-puppets and a third kind which he describes as...", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206806, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 83, "title": "RAS-1973", "content_text": "SWATOW HORIZONTAL STICK PUPPETS\n\n77\n\nbeing 2-3 feet high but cannot remember how they were manipulated. They were probably Fukienese string-puppets, which would not be surprising, as Fukienese Min-nan opera groups were popular in Ch'aochow, so why not Fukienese puppets? In Mr. Su's home, in Ch'aochow city, the greatest pleasure children derived was to play their own leather-shadow puppets behind the paper-screen. Besides the ceremonial puppet-shows at the temple festivals there were always puppet-shows performed for public entertainment in those days. He recalls that the leather shadow-puppets were by far the most interesting to watch.\n\nApart from traditional subjects, they offered a kind of political cabaret caricaturing the confusion after the 1911 Revolution or performing an amusing burlesque. They are said to have given realistic renderings of the feats and behaviour of the warlords and bandits who roamed the country between 1911 and the 1930s. These street performances were usually given by a team of two opera-singers who were too old to perform on stage. From a bamboo pole balanced on their shoulders hung a bundle of personal belongings at the rear end, and a trunk containing puppets, stage, and musical instruments at the front end. The two would set up their bamboo-frame stage in a rich private house or a public square, adjusting their lamp behind the paper-screen. They manipulated the puppets, spoke, sang, and played musical instruments using their mouths, hands, and feet simultaneously.\n\nOne very special occasion in Ch'aochow was the lantern festival on the fifteenth day of the first moon, when puppets were of prime importance. In the evening, a crowd would throng the streets to find a place at one of the many puppet-performances. Street-vendors offered puppets, with delicate heads made of clay and complete with clothes, for sale. The puppets looked exactly like those for performances, but were immovable and had no sticks at their hands or back. If parents wished to have a son or a daughter, or a groom or bride for their children, they would buy an appropriate doll on this day and keep it at home.\n\nThe transition from shadow to round puppets is clearly stated in the Chinese literary sources.* It is there repeated that shadow-puppets came to Ch'aochow in the Sung dynasty and were always performed behind a paper-screen on a bamboo-frame called chu-chuang44* (bamboo-window); and that by the end of last century\n\n* See Liu and Sun under Bibliography to this article.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207003, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 74, "title": "RAS-1974", "content_text": "THE CRAFT OF GOD CARVING IN SINGAPORE\n\nKEITH G. STEVENS*\n\nIn my research into Chinese iconography I made a considerable nuisance of myself in three particular two-storey shophouses in the middle of Singapore's Hokkien (Fukienese) area (see plate 1), by questioning the god carvers' every action during the process of carving and repairing images of Chinese gods.\n\nIn Singapore three families are in partial competition, yet from their full order books business would appear to be thriving. Two of the families are Hokkien originating from near Foochow and Amoy respectively and the third is Teochew (Ch'ao chou) from Swatow, all being second or third generation Singaporeans who have never visited their homeland. Into these shophouses are crowded the unmarried longterm employees in addition to the families themselves, notably the apprentices who sleep on campbeds in the shop and eat en famille. One master carver bewailed the shortage of apprentices who in this age of affluence were unwilling to undertake a long and poorly paid apprenticeship.\n\nI have always referred to these craftsmen as god carvers and their shops as godshops. My article \"Three Deities\" in this Journal in 1972 provoked the editorial comment that the term was colourful and as such would be left unedited. My terminology is a far cry from the jargon of the anthropologist and it is my intention to describe, in my own terms, the production of gods in one of these godshops.\n\nThese godshops are ten foot square or ten by twenty foot work-spaces on the ground floor of the shophouses. Here new gods are carved and painted and the old repaired, not only for the island of Singapore but also for places as far north as Thailand and Cambodia, as far east as Borneo and Brunei and as far south as Java. This group of godcarvers is unique in being the only Fukienese and Ch'ao chou specialist carvers still plying their trade save for a few\n\n* Major Stevens' other contributions on the interesting subject of Chinese gods in South-east Asia and Taiwan appeared in Vols. 12-13 of this Journal.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207005, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 76, "title": "RAS-1974", "content_text": "70\n\nKEITH G. STEVENS\n\nand Kwangtung, the Southern maritime coastal boat people's stylized wooden images and the stone, porcelain and hard stone household images of the wealthy. However, it is the Fukienese style I am about to describe, although the carving styles of the Teochew and Hokkien in Singapore do not differ all that markedly (Plates 6 and 7).\n\nThe Singaporean god carvers were well versed in recognizing the mode and marks of craftsmen from the other Southern Chinese maritime provinces, particularly the handiwork of their forefathers, and each master carver has a widely recognized style of his own. One carver spent considerable time showing me the variations which principally occur in the decoration on the front face of the base of the image. A hundred years ago special artists were employed to paint this \"front face trade mark”, one of the more exquisite being a rose on a long stem adopted by a Foochow city carver of note,\n\nThe carvers did not work from plans or sketches, having a clear idea of the image in their mind; but it took all my powers of persuasion to make one of the carvers sit down and sketch the main features of as many gods as possible, as he knew them (Plate 8).\n\nWhen questioned about how specific were the individual gods' features and markings, it was soon apparent that each carver had his own ideas about head-dresses, robes, beards and also, rather surprisingly, over posture. An example was the carving of Lu F'ung P'in (Plate 7), a famous doctor, the patron of barbers and one of the Eight Immortals. There were many variations, the carvers agreed, and each carver knew he wore a flat “tile” hat, carried a fly whisk, an umbrella or a gourd and was robed in blue; and when I produced an image of him wearing green robes, they fell over themselves claiming the decorator had been either ignorant or colour blind. Having been unanimous about this, however, they promptly disagreed over the Northern Emperor (✯✯✯) whose recognition features are a snake and tortoise, bare feet, unkempt hair and a fore finger of the left hand pointing vertically at waist height. Quite a riotous scene ensued during which snippets from various books such as the Ming dynasty novel \"The Deification of the Gods\" (###), and quotes from great carvers, together with recollections of their handiworks, were voiced to prove a point.\n\nIt was quite obvious that the carvers were far from unanimous about details of the Northern Emperor figure. The tortoise could", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207010, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 81, "title": "RAS-1974", "content_text": "CRAFT OF GOD CARVING IN SINGAPORE\n\n75\n\nwas usual for silver or golden entrails, a religious tract, or a live insect to be placed ceremonially in a cavity in the image's back and sealed there providing the image with life. Another and more usually a Taoist ceremony, used particularly by the Fukienese, is for blood from a freshly killed cock to be smeared over the breast of the image.\n\nThe carving of an average image takes about twenty working days which necessitates the whole team cooperating and working to a schedule. But as would be expected when order books are full, the actual time from the taking of the order to the handing over of the finished image can be as long as two and a half months. God shops are open most days from 9 am-8 pm, although of late Sunday has tended to be a day off. They may have some half dozen gods on the production line at one time.\n\nGod carvers spend a considerable portion of their time repairing damaged or renovating old images. I have often felt considerable dismay seeing an old image having its handsome gold leaf patina stripped, to be re-painted with the most vivid of modern commercial lacquers.\n\nNew ideas are incorporated into the process. The use of western commercial paints, or the appearance of a spirit astride a bicycle when formerly he only rode a horse, shows originality but most changes have been slow, and as I see it, have been due in the main to misunderstanding.\n\nThe god carvers are teaching their children the craft, but confided that all were at school and should they show promise will be encouraged to enter one of the academic professions. They also feared that at the present rate of change very few Chinese will require the services of god carvers and the craft will disappear; just as surely as the story tellers who, less than ten years ago, gathered their audience about them not more than one hundred yards from the god carvers' shops have been overwhelmed by television.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207035, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 106, "title": "RAS-1974", "content_text": "100\n\nR. G. IRWIN\n\n25 Lettres édifiantes et curieuses, écrites des Missions Étrangères (Paris, 1781, nouvelle édition), Vol. XVIII, 455-6.\n\n26 SKCS catalogue, 49/3b.\n\n27 See W. Fuchs, op. cit., 101; also Chinesische und Mandjurische handschriften und seltene drucke (Wiesbaden, 1966), 137, no. 43.\n\n28 T'ao Hsiang, Ku-kung tien-pen shu-k’u hsüan-ts'un-mu (Peiping, 1933), 2/1a.\n\n29 Biography by Fang Chao-ying in ECCP I: 65-6. See also his biography of Galdan in ibid. I: 267-8.\n\n30 Any work ordered by the emperor should be listed in the Ssu-k'u ch'üan-shu catalogue. But no title remotely resembling this is included. My colleague, Mr. Fang Chao-ying, hazards the guess that de Mailla is referring here to Ming-chi chi-shih by a Fukienese scholar, Lin Shih-shan (T.), a native of T'ung-an in Ch'üan-chou prefecture, whose work in 10 or more chüan on the conquest of Fukien covers the years 1646-1683. This has never been published; de Mailla must have consulted a manuscript copy, several of which are known to have existed. Cf. Liu Hsien-t'ing (1648-95, see ECCP 1: 521) in his Kuang yang tsa-chi (Shanghai, 1957), 2/83, who mentions learning that a certain Yang Yu-liang had seen a copy in Peking.\n\n31 A detailed letter concerning this trip and his observations was written to Père de Colonia in August, 1715; see Lettres édifiantes (1781), Vol. XVIII, 413-67.\n\n32 de Mailla, op. cit., Vol. XI, 369, n. 1.\n\n33 Idem.\n\n34 de Mailla, op. cit., Vol. XII, 1, n. 1. The reference is to the 1703-76 edition of Lettres édifiantes, in 34 vols.\n\n35 de Mailla, op. cit., Vol. XII, 61-62, notice historique.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207051, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 122, "title": "RAS-1974", "content_text": "116\n\nJAMES HAYES\n\nindicates that the main users of the outer islands through the centuries were probably outsiders, and not Cantonese. Hsü points out that Fukien people use the character yue (shữ) to mean a small island, and use the characters chou and shan for larger ones: whereas the Kwangtung people rarely use yue for this purpose. He cites this, together with the use of the homophonous character for 'fish' in the name for Lantau given in the Ta Ch'ing I T'Ung Chih of 1738, to suggest that the persons who first gave the island this name were either fishermen or pirates from Fukien. There may be something in what Hsü says, because Giles', Eitel's and Wells Williams' dictionaries all support the Fukienese usage of 'Yue'.1 Hsü states that the 36 'Yue' round Tai Yue Shan, mentioned in the older Chinese local sources,2 are islands of this kind, and derive their name in this way. The use of these important local seaways by turbulent Fukienese seamen helps to explain official concern with security.\n\nI shall conclude this section on Hsin-an in Chinese historiography by doing what the Chinese histories do not do; considering the outer islands as settlements and, for the purposes of this article, showing their former connection with parts of present-day Hong Kong.\n\nMost of the Hsin-an and adjacent islands are shown on the 1:20,000 British maps of the Hong Kong area, published in 1948 but based on earlier mapping. They have not been included in the latest maps, now issued in full3 because since 1949 it has no longer been possible to land survey parties on or overfly adjacent Chinese territory, to the disadvantage of all geographers and historians.\n\nBy the late 19th century, it seems, their settled inhabitants were mostly Hakkas who had strong economic ties with Hong Kong island, Cheung Chau and Tai O on Lantau. Many women came on marriage to Hong Kong and the inner islands, especially to Lantau. Private property also linked the islands and the mainland, in that some of them belonged in whole or in part to the Wong clan of Nam Tau and Cheung Chau. These connections were\n\n1 Giles, p. 593; Eitel, p. 919; Wells Williams, p. 819. The last named states 'An islet which has level arable land at the foot of its hills; applied to many islands on the coast of Fukien'.\n\n2 e.g. TMITC chuan 79.\n\n3 Cooper, p. 137.\n\n4 See Hayes 1963: 90-92 for this major local lineage.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207543, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 311, "title": "RAS-1975", "content_text": "NOTES AND QUERIES\n\n303\n\nCHIEF MARSHAL T’IEN, PATRON OF THE STAGE, OF MUSICIANS AND WRESTLERS-EAST AND SOUTH EAST CHINA\n\nMiss Werle in her fascinating article1 on Swatow horizontal stick puppets referred to Chief Marshal T'ien (###)* patron of Fukienese and Ch'aochow actors and musicians, and quoted from Werner's2 extract from Doré's translation of the Han dynasty classic Shan Hai Ching (1), which partly explains T'ien's deification.\n\nMarshal T'ien appears on altars as a tablet bearing his titles, or as a lone image on the small, portable altar found backstage of most Fukienese or Ch'aowchow travelling operas and theatres in Taiwan and South East Asia, or less frequently with attendants who only appear on temple altars.\n\nHis image is easily recognised by one unique characteristic: one or two crabs painted on his face. He is also unusual, though not unique, in having a small dog under one of his feet or beside him. This animal, called the 'Dragon Dog' (#14) is normally black, though white and piebald have been seen. It is comically dressed in a theatrical jacket with trousers of red, yellow and green and is often represented kneeling and carrying a small, wrapped package said to be T'ien's official seal (Plate 19).\n\nT'ien himself generally is depicted as a teenager, seated, with protruding eyes and a tightly rolled scroll in his right hand. His left hand is raised waist height with one finger or two fingers together, pointing vertically in a theatrical manner (Plate 20). His robes are shiny, golden and heavily decorated, and occasionally he has two long pheasant tail feathers protruding from the top of the head trailing down behind him. The crab may be painted around his mouth, across his forehead or both.\n\nIn the early part of this century a French priest on the Yangtze plain, Père Doré, described the three musician brothers T'ien as\n\n*It is difficult to translate To Yuan Shuai meaning fully: literally it means 'the marshal of the Capital'.\n\n1JHKBRAS, 13, (1973), pp. 73-84.\n\n2E. T. C. Werner: A Dictionary of Chinese Mythology, pp. 125, 322 & 574.\n\n3Père Doré: Récherches sur les superstitions en Chine (Zikawei 1961) Vol. IX, p. 188, and Vol. XI, p. 1,004.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207544, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 312, "title": "RAS-1975", "content_text": "304\n\nNOTES AND QUERIES\n\npatrons of musicians and sketched them without either crab decorations or the dog. The main brother was shown holding a fan in each hand whilst the other two stood beside him with two attendants. Later in this Note, you will see that one of Chief Marshal T'ien's titles is Wu Tai Yuan Shuai. Père Doré described Wu Tai separately and sketched him as a young man with green twigs behind the ears, a large crab on his forehead, a tiny Taoist crown on his bald head and dressed in loose-fitting robes. Wu Tai, according to Doré, was accompanied by two male and two female attendants. This would appear to be the southern provinces' temple version which Doré did not realize was a manifestation of Marshal T'ien.\n\nThere are, as one would expect, many variations in characteristics in Ch'aochow and Fukienese carvings. For instance, occasionally he is represented as bald, or the front of his hair is shaven in Ch'ing fashion making him half-bald; in others he has a long queue or two long pigtails; sometimes he wears a military helmet or a scholar's cap, and in some images he has a black cock under his other foot. In several places he is represented as a youth standing on one foot with both arms raised in a dramatic, theatrical stance, and in others he is standing stolidly, with both feet together holding one or two swords. A sketch of T'ien To Yuan Shuai by a Singaporean Fukienese god carver depicted him with a red face, staring eyes and dressed in scholar's robes. (Plate 21). An actor, one of a company of Ch'aochow players in Bangkok, explained that they only had a tablet in their portable shrine, and that their image with only one crab painted on his forehead, was permanently in a temple. He told me that the single crab on the forehead meant that T'ien was the patron of actors, whereas others with the crab on the mouth represented the middle brother of the T'ien trio who is only prayed to for good health.\n\nIn one sighting in Ipoh, in North Malaya, Marshal T'ien was wearing armour, carried a sword and bell, but was barefoot and had a crab painted on his mouth. He was known to the temple priests to have been a vegetarian monk from Ch'aochow, insane as a child who had cured himself and is now worshipped for a similar cure by parents of the mentally sick. (Plate 22).\n\nAbove his image on a small backstage altar of a Foochow opera troupe in Singapore, was the carved inscription ‘Ministry of Wind", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207548, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 316, "title": "RAS-1975", "content_text": "308\n\nNOTES AND QUERIES\n\nfind that for a joke, which he would be unable to explain to his friends, she had painted a crab in indelible ink around his mouth. The prince got away with it the first time by telling his friends that he had painted it himself for amateur theatricals. However, when next she painted one on his forehead, he was at a loss as to how to explain it away and never again demanded the company of the businessman's wife.\n\nHaving examined Chief Marshal T'ien in some detail, let us move on to a Swatow articulated figure with which it is closely connected. At the back of a bamboo temporary stage of a travelling Ch'aochow opera company in Singapore there was a small shrine (Plate 23) on one of the crates used for transporting the actor's robes. This shrine contained Marshal Tien seated well back, under a plaque bearing the title Han Lin Yuan (✯✯E) (The Han Lin Academy*). Before it, between a doll's size wicker chair and a bamboo pot of incense sticks, was a seated articulated puppet (Plate 24) dressed in a short-sleeved jacket and knee-length trousers. He was known as Chi Hsiang Ko (**) (Lucky Brother) and, as one of the actors explained, he is a three-year-old child, another form of Marshal T'ien, who when seen outside the bounds of the theatre is an extremely potent fertility deity and who, when on a permanent altar in a temple, is also prayed to for luck. This articulated image of a child deity can be seen in several temples, (one especially attractive one—rather surprisingly nude—being in a cave temple near Tanjong Rambutan in Perak), all worshipped by the childless of the Ch'aochow communities for sons and daughters. One temple keeper, possibly with tongue in cheek, said that Chi Hsiang is the brother of Kuan Yin, who in one of her forms is the 'Giver of Sons'***.\n\nThe Three Jesters\n\nIn his articles on three prominent puppets Schipper explains that the 'Jesters' who stand out amongst the total of 72 puppet heads and 36 bodies of the Fukienese puppet theatres, are the three gods of marionettes. He continued that puppet plays are connected\n\n* The Chinese nation's highest academic institution during Imperial times.\n\nSK. M. Schipper: 'The Divine Jester', Academica Sinica 21:1961, pp. 81-94.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207549, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 317, "title": "RAS-1975", "content_text": "NOTES AND QUERIES \n\n309 \n\nwith Taoist exorcisms and are performed at wedding ceremonies to obtain from Heaven the happy union, using the ritual of a local Taoist folk religion heterodox cult of the Three Ladies' (三娘). The 'Three Jesters' are called by the puppeteers the \"Three Brothers' (三兄弟) or, individually, the Great, Second and Third Wang Yeh.* \n\nSchipper then explained that he and his informants had made many conjectures in order to identify the Three Jesters. He believed tradition links the Three Brothers (Three Jesters) with the Three Tien Brothers and thus with Tien To Yuan Shuai, and this seemed to him to be better founded than other conjectures. He continued that the identity of T'ien is extremely confused, and claimed that T'ien is reputed to be the master of T'ang Emperor Ming Huang (唐明皇) and to have taught the actresses of the Peach Garden (梨园), popularly believed to be the first academy of the theatre. Iconography, he said, represents T'ien the puppet as the 'laughing lad', similar to T’ien To Yuan Shuai. \n\nSchipper observed that when the plays are of the northern Fukienese type, the Three Jesters are identified with T'ang Ming Huang, the patron of the theatre of North China. When the play is Southern Fukienese or Ch'aochow, T'ien To Yuan Shuai (Chief Marshal T'ien) is the patron, and the Three Jesters are identified with him. The T'ang Emperor is also often referred to in Taiwan and South East Asia, where he is also accepted as the God of Actors bearing the title of the Imperial Prince or King of the Western Ch'in (Hsi Ch'in Wang Yeh, 西秦王爷) or Hsi Ch'in Lao Wang Yeh (西秦老王爷), or, on Taipei and Keelung altars just as Hsi Ch'in Wang (西秦王). (He is called the King of the Western Ch'in because of his exile in Szechuan, in Western China). His image is more colloquially referred to as The Young Gentleman (小哥) and less respectfully as The Old Boy (老郎). Schipper agreed all this might seem highly incongruous, but, he continued, the tradition which links the 'Three Brothers' (The Jesters) with Tien To Yuan Shuai (Chief Marshal T'ien) seems, as we said earlier, better founded than others. \n\nWang Yeh \n\nSchipper has linked the Three Jesters with the Fukienese epidemic gods by the title of Wang Yeh. He also noted the legend \n\n* More often than not Wang Yeh (Imperial Princes) in Fukienese communities are epidemic deities.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207550, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 318, "title": "RAS-1975", "content_text": "310\n\nNOTES AND QUERIES\n\nof the assistance given to Chang T'ien Shih (*) the First Master of Orthodox Taoist folk-religion, by the Three Jesters when they played their music, attracted and led the evil spirits (as the Pied Piper led the rats) to the spirit boat on which they were shanghaied, whereupon the epidemic immediately ended.\n\nNow we know from many sources, in addition to our own observations, that the rite for expelling pestilence performed by the Fukienese of Taiwan and South East Asia consists of a ceremony at which the spirits of the Wang Yeh encourage the demons of pestilence to board a paper boat which is set fire to and pushed out midstream. These Fukienese pestilence gods, the Wang Yeh (*), an heterodox cult of folk religion, although they are worshipped as one on altars, can be classified into two types. The first is the large group of musicians or scholars, varying from 36 to 360, who in legend died at the whim of an Emperor and were deified; the second group are individual spirit generals bearing family surnames, said to be either blood brothers or close friends. These appear individually or in groups of up to six on altars. Wang Yeh from both groups have identical roles, the prevention of epidemics. Most Chinese with whom I have discussed these Wang Yeh, although they subconsciously realized it existed, had not considered this separation into two groups. They had unconsciously accepted the multitude of blood brothers with their individual surnames as individual musicians or scholars from the large group. Du Bose6, incidentally, heard another legend which described one single Fukienese deity, the Wang Yeh, as a scholar who sacrificed himself and saved the village from a demon-infested public well.\n\nThe Wang Yeh festival of expelling the pestilence demons usually takes place during the fourth month, when sickness is (or was) rife. In South East Asia and in Taiwan individual images of Wang Yeh (seated, unarmed and bearded generals) are taken down to the water's edge during the launching ceremony, and occasionally a wooden image is actually launched aboard a more substantial miniature boat, and wherever it lands a temple is supposed to be built to house the deity, thereby spreading the cult.\n\nChief Marshal T'ien is not the localized cult deity Miss Werle believed him to be. He has appeared not only in Ch'aochow and\n\n6 H. C. du Bose: The Dragon, Image & Demon. Partridge & Co., London, 1886.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207551, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 319, "title": "RAS-1975", "content_text": "NOTES AND QUERIES\n\n311\n\nFukienese communities but also on the Yangtze, possibly in at least two areas, and is not only the patron of most entertainers (musicians, boxers, wrestlers, actors etc.) but also has the secondary function as a health and fertility god, possibly performed by the middle brother.\n\nMersham, Kent, 10 February, 1975\n\nKEITH G. STEVENS\n\nCHANG YU-TANG AND AN OLD HANGING SCROLL FROM CHEUNG CHAU\n\nThis note relates to an interesting local figure and Kwangtung worthy. It is thought that readers will be interested both in the content and style of writing of such literary pieces.\n\nIt is not known where the following material (First and Second Accounts) was obtained, nor why there should be two similar pieces in the Hong Kong Wai Chau General Association Bulletin. There are no biographies of Yu-tang in the Kwei Shin district gazetteer (last edition seems to be Ch'ien Lung 48, which is, of course, too early) nor in the Kuang Hsü 7 edition of the Wai Chau prefectural gazetteer, the most likely sources for biographical aid. (Information supplied by Mr. Arthur Lai Shue-tim of the Chinese Library, University of Hong Kong, who kindly checked them at our request).\n\nFIRST ACCOUNT [translated from the Chinese of p. 109 of the Hong Kong Wai Chau General Association Bulletin, 1964 by Francis Sham Shui-yu].\n\nGen. Cheung Yuk-tong* was appointed as the Kowloon Deputy Garrison Commander at Taipang (A). Under his charge, the inhabitants along the coasts enjoyed security and peace. Later when the southern part of the Kowloon Peninsula was ceded to Britain as a colony [in 1860] he contributed immensely to establishing the demarcation line which forms the Boundary Street of today. The relics in connection with him which are partially left behind are what is called the \"Spare-the Waste-Paper Pavilion” (***) as well as his fist-writing (*) of Chinese calligraphy. One can hardly refrain from sighing with admiration whenever we think upon the historical relics.\n\n* Cantonese romanization.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207697, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 85, "title": "RAS-1976", "content_text": "70\n\nDOUGLAS W. SPARKS\n\nwere not antagonistic toward each other in China. Teochiu, if asked why they dislike Hoi Luk Fung, will reply that although there are many similarities, Hoi Luk Fung are very different in personality, and that it is their aggressive and rough nature that distinguishes them from Teochiu. Teochiu also resent Hoi Luk Fung for identifying themselves as Teochiu to outsiders who cannot distinguish between the two; for example, it is often stated by Teochiu that Hoi Luk Fung criminals identify themselves as Teochiu and thus the police have an unjustified opinion of Teochiu and crime statistics for Teochiu are inflated by Hoi Luk Fung wrong-doing. Teochiu consider Fukienese, however, to be distantly related and feel a special friendship as a result, although very few Teochiu within the estate know any Fukienese. This is interesting in that Teochiu and Fukienese are linguistically and historically related and are perceived in a positive manner, whereas Hoi Luk Fung are even more closely related and are so negatively perceived.\n\nThe nature of Teochiu perceptions of Hoi Luk Fung is exemplified in the following incident known to me. The son of a particular Teochiu was severely beaten by another boy; the father (A) wanted to revenge the act and attack the other boy's father. Another Teochiu (B) told me that the reason for (A)'s desire to assault the man was because he is very hot-tempered and that although (A) is from Hui Lai, his village is near the border with Hoi Luk Fung. Hence (A) has acquired a Hoi Luk Fung temperament! Other people from the same village might not be considered in a similar manner but because (A) is over-reacting in (B)'s eyes, (A) is behaving like a Hoi Luk Fung and is actually seen by (B) to be similar to Hoi Luk Fung in temperament. Cases of over-reaction in Teochiu from villages distant from Hoi Luk Fung would not, of course, be susceptible to (B)'s logic and assumptions.\n\nAlthough there are no phenotypic differences between Teochiu and Hoi Luk Fung, they can easily distinguish each other's speech. A Teochiu can immediately determine whether a Southern Min speaker is Fukien, Teochiu, or Hoi Luk Fung, and it usually requires only several hours or days of conversation for Teochiu to completely understand a particular Hoi Luk Fung. They are readily identifiable to each other, and cognitive boundaries and conceptions are thus easily acted upon in interaction. Cantonese and other ethnic groups, with the exception of Hakka originally from north-", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207922, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 310, "title": "RAS-1976", "content_text": "NOTES AND QUERIES\n\n295\n\nThere was a 'fleshy body' in Anking in Central China. It had been placed in a large earthenware k'ang filled with willow charcoal and left for three to four years. The corpse was then gilded and set up beside an image of the Buddha, Sakyamuni7.\n\nThe shrivelled and varnished body of a Taoist priest named Sun (), who died in 1703 aged 94, was enshrined in a glass case in the Grotto of the Immortals in the east side of the lower Court of the Temple of either the Jade Emperor or, as stories vary, of the Three Sovereigns on T'ai Shan in Shantung. He had lived in the temple nearby for some sixty years under the religious title of Chen Ch'ing and was known as \"the Immortal\". Apparently he felt divinely inspired, and slowly starved himself to death; he became just skin and bone sitting cross-legged. He had requested his fellow priests not to inter him but instead to leave him in a vacant room. This they did, and he remained withered but not decayed as a relic for future generations of believers. One could see, apparently, only the bare bones of his arms and legs. His face had been replaced by a mask in his likeness and all that remained on his hands was skin and nails.\n\nIt was not only monks who had their bodies preserved. In 1878 Reverend MacKay, a missionary in Taiwan, wrote of a Chinese girl who died of consumption not far from Tamshui, North of Taipei. Someone in the neighbourhood more gifted than the rest announced that a goddess was present, and her wasted body immediately became famous. She was given the title of the Virgin Goddess, (Sien Lu Niu in Fukienese) and a small temple was erected and dedicated to her. Her body was immersed in salt and water for some time, and then placed in a sitting position in an armchair with a red cloth around her shoulders and a wedding cap on her head. Seen through the glass of the case in which she was placed she looked to MacKay, with her black face and teeth exposed, very much like an Egyptian mummy. Before many weeks had passed, hundreds of sedan chairs were to be seen bringing worshippers, especially women, to her shrine, and rich men sent presents to adorn the temple. Another preserved body of a female was exhibited in a temple near Fenchow in Szechuan. She was a Buddhist devotee who died there in a sitting position: being Tibetan she was particularly worshipped by the local aborigines?.\n\nThe most recent example of a 'fleshy body' has been the mummification of the corpse of the Buddhist monk, Yueh Chi Fa Shih", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208074, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 113, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n97\n\nWhen the Mean One's slips are pasted up they are promptly beaten with a shoe or slipper, and then, over them, are pasted the red and green slips representing the control exercised over them by the Green Horse and the Nobleman.\n\nOne form of the charm is a green paper cut-out horse about 24 inches long, mounted by a separate piece of red paper, cut out in the stylised form of a man. These are pasted in shrines to control the Mean Ones.\n\nOne word of warning for the iconographer. Confusion may arise in temples of Overseas Chinese communities beyond the shores of Hong Kong and Macau, particularly in Fukienese temples in SE Asia. In these there is no Under Altar as such, except in Cantonese communities in places like Kuala Lumpur. There is a separate altar which has no special title, on which there are two or more images whose general features are very similar to the Local Wealth God. They wear dunce's caps, have gaunt faces with protruding tongues and carry a fan each. In addition they carry either a chain and padlock, or a tablet permitting them to carry out an official arrest. These are the lictors of the City God whose task it is to arrest the souls of humans when the ill-fated day of death arrives, and then drag the soul before the Judges of the Underworld. Usually, one of the two images is a short man and the other, very similar to the Local Wealth God, is a tall man. The Cantonese do not appear to hold them in awe as do the Fukienese, and only depict these lictors on murals, paintings and sketches of the courts and punishments of the Underworld. Incidentally, in Yunnan, the demonic lictor of the City God was known as the \"Chicken Foot Demon\", because down to his knees he was as described, \"gaunt, with dunce's cap etc,\" but below his knees were two enormous chicken's claws. On the altar of these lictors in Fukienese temples one may see the occasional White Tiger and, very rarely indeed, a Green Horse. More frequently, the small image of Chao, the Wealth God Hsuan T'an can be seen astride or beside his tiger.\n\nOne exception to the latter is interesting. In Stone Nullah Lane in Hong Kong a larger than life image of Chao Kung-ming stands with three other deities before the main altar. Beside him is a minute tiger, the size of a kitten. The image of Chao is the only one in Hong Kong temples which is coated with red and green", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208089, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 128, "title": "RAS-1977", "content_text": "\"LITTLE FUJIAN (FUKIEN)\": SUB-NEIGHBORHOOD AND COMMUNITY IN NORTH POINT, HONG KONG\n\nGREGORY E. GULDIN⭑\n\n\"Ethnic neighborhoods\" are found not only in city guidebooks but squat smugly astride the intersection of Urban Anthropology with Ethnicity Studies. Mention of such a neighborhood conjures up visions in both folk and anthropological minds of a distinctive and discrete portion of a city marked off by spatial as well as social boundaries from the rest of the urban area. Cultural peculiarities and perhaps even physical oddities predominate on the streets, in the homes, in the shops.\n\nSo much for popular and anthropological expectations. Field research in the British Crown Colony of Hong Kong has disclosed to me how misleading such a priori notions of ethnic neighborhood can be. In Hong Kong, certain neighborhoods are known as districts inhabited by certain groups of ethnically distinct Han Chinese,1 yet in every district in urban Hong Kong the majority Guangdongese (Cantonese) is indeed the majority group and not the purportedly dominant minority group.\n\nSince all these districts are peopled by a majority of Guangdongese, I submit it is rather imprecise to speak of a neighborhood such as North Point as \"Little Fujian\" when only 1/5 of the population there is Fujianese (Fukienese). To avoid the clumsiness of a terminology of \"universal,\" \"substantial,\" or \"bare\" majority predominance in a neighborhood, we should instead simply sharpen our tools and terms of urban analysis. We should realize that in the case of North Point and Hong Kong (and, I suspect, in many other cases) the concepts of \"neighborhood\" and \"community\" do not overlap, that the geographical/spatial boundaries of a neighborhood may not be coterminous with the sociocultural ones of a community. A city-wide ethnic community may encompass a number of neighborhoods or sections of neighborhoods. Conversely, a neighborhood may be composed of a number of spatially distinct sub-neighborhoods and/or a number of socio-culturally distinct communities.\n\n* Professor Guldin is on the faculty of the Department of Anthropology, Brooklyn College, City University of New York.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208091, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 130, "title": "RAS-1977", "content_text": "114\n\nGREGORY E. GULDIN\n\nand Tsat Tsz Mui Road became the foci of middle-class Shanghaiese life in Hong Kong (see Fig. 1). If there was ever a time that North Point had a majority non-Guangdongese population, this was it.*\n\nBy the early 1960s, however, changes had occurred in North Point which were having a profound effect on the area's demographics. A high-rise apartment building boom, replacing many of the post-war three or six-storey structures with 20-storey buildings, had led to an oversupply of apartments and a consequent drop in rents. Middle-income Guangdongese, who had been moving into North Point slowly but surely throughout the 1950s, could now afford to live in the once exclusive neighborhood and they poured into the area. Soon they found themselves the overwhelming majority not only in the high-rise buildings but in all of North Point as well.\n\nThe Shanghaiese, certainly, could not fill all the empty spaces, for their immigrative tide had already begun to ebb. Since the late 1950s, there had been a net outflow of Shanghaiese from North Point as those who had found ways to replenish their wealth moved to richer areas and the many who had not adjusted so well, pauperized and forced into lower-status occupations, were no longer able to afford the high rents of Fort Street and North Point and also moved away. With a dearth of available Shanghaiese residents, the old system by which North Point's Shanghaiese had maintained their neighborhood's Shanghaiese identity by permitting only Shanghaiese (or approved others) entry into their three-storey buildings — rapidly collapsed under the sudden challenge of the seemingly cavernous 20-storey high-rises. As the Shanghaiese began to leave, another minority population, the Fujianese, began to arrive in North Point in greater and greater numbers until their total eventually surpassed their predecessors' and \"Little Shanghai\" was eclipsed by \"Little Fujian.\"\n\n+\n\nTo \"Little Fujian\"\n\nMost Fujianese who arrived in North Point in the late 1950s to form the basis of a future \"Little Fujian\" community had ironically already been living in a Fujianese community. Since the early 1950s, the few thousand Fujianese resident in Hong Kong had been living in Hong Kong Island's Sheung Wan and Sai Ying Poon districts, areas close to the city's commercial and trading centers. As the Fujianese (along with the Guangdongese) are one of Southern China's peoples who have adopted the strategy of seeking overseas", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208092, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 131, "title": "RAS-1977", "content_text": "VICTORIA HARBOUR\n\nVDLVES\n\nPASSENGER\n\nFI\n\nTONG SHUI RE\n\nHORN FELT ÅD.\n\n園\n\n177\n\nremittances to supplement inadequate income sources at home, for these Southern Fujianese there were generations-old connections with the Nanyang (Southeast Asia) and it was near the shipping companies that both serviced and profited by these connections that the early Fujianese residents of Hong Kong made their home.\n\nThe overseas tie of the Southern Fujianese to the Nanyang, however, was badly disrupted after the founding of the People's Republic of China (PRC) in 1949 and the subsequent Cold War\n\nVICTORIA\n\nPARK\n\nBRAEMAL\n\nRESERVOIR\n\n\"LITTLE FUJIAN (FUKIEN)\"\n\n2s#wife #€$ 1\n\nKEYA[]% Fujianese\n\nE 5-15% Shanghaics\n\nHifil 14-24% Shangherese |\n\nYA MI\n\nFig. 1 North Point Blocks by % of Fujianese and Shanghaiese3\n\n115", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208093, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 132, "title": "RAS-1977", "content_text": "116\n\nGREGORY E. GULDIN\n\nisolation of China. In the immediate post-1949 years little contact (aside from intermittent remittances channeled through Hong Kong) between Southern Fujianese and their mostly male kinsmen in the Philippines and elsewhere in Southeast Asia was possible, causing great human and economic hardship. When China relaxed her emigration policy following the Bandung Conference in Indonesia in 1955, however, thousands upon thousands of Fujianese women and children began arriving (illegally) in Hong Kong with the intent not of going to the Philippines or elsewhere to join their overseas husbands and fathers but merely to rendezvous with them in Hong Kong. Weeks and months, if not a year or two, though were often necessary to make the arrangements to bypass or overcome Filipino travel restrictions. For many Fujianese their \"temporary\" stay in Hong Kong turned first indefinite and then permanent as they both adjusted to Hong Kong life and sought ethnic comfort in the Fujianese community.\n\nSai Ying Poon, the early destination of nearly all these Fujianese, could not accommodate all these newcomers into its crumbling and dilapidated housing. As the immigrative stream swelled in the early 1960s, Sai Ying Poon rents soared and more and more Fujianese began to settle directly in North Point which, we may recall, was at that time experiencing a housing boom and a drop in rents. North Point's attractions to these Fujianese also included a population who could speak Mandarin, the Chinese lingua franca, as well as a middle-class ambience which accorded well with the orientations of many of the more bourgeois, wealthier and overseas-related Fujianese.\n\nAlthough Fujianese emigration to Hong Kong slowed to a trickle during the Cultural Revolution in China (1965-1969), North Point continued to attract residents from Sai Ying Poon and by the end of the decade had far surpassed it as the center of Southern Fujianese life in Hong Kong. The resumption of legal emigration from Fujian in 1972 has helped spur the growth of satellite Fujianese communities in nearby Quarry Bay and across the harbor in Hung Hom, To Kwa Wan and Kwun Tong but the hub of the Fujianese settlement in Hong Kong has remained in North Point.\n\nLittle Fujian as Sub-Neighborhood\n\nThe postwar expansion of North Point has thus been quite swift, with the peak population increase corresponding roughly to the", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208094, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 133, "title": "RAS-1977", "content_text": "\"LITTLE FUJIAN (FUKIEN)”\n\n117\n\ntimes of first Shanghaiese and then Fujianese in-migration (see Figure 2). Extrapolations of government census figures also provide us with an ethnic portrait of North Point that is quite distinct from that of Hong Kong in general (see Figure 3). The estimate of 35,000 Fujianese is a conservative one; probably it is safest to say that nearly three out of every ten Hong Kong Fujianese lives in North Point and that Fujianese in North Point make up about 1/5 of the area's population (Department 1971: Tables 7, 119, 121).\n\nNorth Point is also atypical in that it is a distinctively middle-class neighborhood in contrast to the working-class milieu of most Hong Kong neighborhoods. It depends, though, where in the district you live. Up on the hill overlooking the harbor and the rest of North Point, for instance, new high-rise buildings have been built that are definitely in the luxury class. Few Fujianese live there. Instead, Little Fujian is to be found in the crowded gaggle of three, six, and twenty-storey apartment buildings located within a few blocks of King's Road and Electric Road.\n\nThe first Fujianese neighborhood (sub-neighborhood) in North Point was in the Electric Road vicinity, along Shell, Jupiter, and Mercury Streets; even today's Mercury Street market is heavily patronized by Fujianese. These blocks were the sites of many of the six-storey buildings erected in the late 1950s, and they attracted a large proportion of the Fujianese newcomers. More affluent Fujianese migrated to the Little Shanghai area of Fort and Kin Wah Streets. As more Fujianese poured into the area, even the blocks between the two sections along Electric Road were utilized as they gradually absorbed more and more Fujianese. In 1966, the construction of high-rise apartment houses financed by Overseas Chinese was initiated.\n\nFig. 2 North Point Population 1921 - 1980\n\n(Combined North Point and Shau Kei Wan)\n\n \n 1921\n 3,108\n Little Shanghai established\n \n \n 1931\n 12,518\n \n \n \n 1955\n 98,000\n \n \n \n 1958\n 110,000\n \n \n \n 1959\n 114,000\n Little Fujian emerges\n \n \n 1961\n 132,994\n \n \n \n 1971\n 175,998\n \n \n \n 1975\n 193,000\n \n \n \n 1980\n 210,000\n (Government forecast)", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208095, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 134, "title": "RAS-1977", "content_text": "% of Total\n\nHK Population\n\n118\n\nGREGORY E. GULDIN\n\nFig. 3-Hong Kong and North Point Population by Place of Origin—19758\n\n \n Place of Origin\n % of North Point Population\n % of Total HK Population\n \n \n Guang Zhou area\n 54%\n 46%\n \n \n Sae Yup\n 17%\n ...\n \n \n \n 82%\n 16%\n \n \n \n \n 69%\n \n \n Hong Kong, Macao area\n 5%\n ...\n \n \n Guangdongese9\n 1%\n ...\n \n \n Guangdongese9\n \n ...\n \n \n Elsewhere in Guangdong\n 6%\n 6%\n \n \n Chao Zhou\n 10%\n 5%\n \n \n Shanghaiese (including Jiangsu and Zhejiang prov.)\n 3%\n 6%\n \n \n Fujianese\n 3%\n 18%\n \n \n Northern and Central Chinese (excluding Jiangsu and Zhejiang provinces and Shanghai)\n 1%\n 1%\n \n \n Others\n 2%\n 1%\n \n \n TOTAL\n 100%\n 100%\n \n\nChinese led to the further expansion of the Fujianese sub-neighborhood across Tong Shui Road for the first time. Since then Little Fujian's explosive growth has slackened a bit although the last decade or so has seen the Fujianese move a block or two further east across Quarry Bay.\n\nThis intra-North Point history makes today's ethnic settlement pattern understandable. Figure 1 maps out the spatial distribution of both Fujianese and Shanghaiese in North Point and indicates the location of today's Little Fujian sub-neighborhood as well as the boundaries of the 1950s Little Shanghai area. As suggested by the over-lapping boundaries, Little Fujian has supplanted Little Shanghai as North Point's major sub-neighborhood. Indeed, we can even go so far as to maintain that Little Shanghai no longer exists in North Point as a distinct sub-neighborhood, although a diminished and outwardly directed sense of Shanghaiese community does persist. There are more to these ethnic enclaves though than a few street blocks; equally important are the social ties that bind a community together. Since the Shanghaiese community no longer centers in North Point let us turn to the Fujianese community of", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208096, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 135, "title": "RAS-1977", "content_text": "“LITTLE FUJIAN (FUKIEN)”\n\n119\n\nNorth Point to explore that other aspect of the \"ethnic neighborhood\": the sense of community.\n\nLittle Fujian as Community: Organized Ethnicity\n\nFormal associations are not a major aspect of Fujianese ethnicity in Hong Kong; few Fujianese belong to traditional clan or district organizations in Hong Kong. Considering the extensive literature on the importance of such organizations on Chinese social life at home and abroad (Amyot 1973; McBeath 1973; Freedman 1958; Li 1970; Skinner 1958) this phenomenon is surprising. Yet a careful consideration of Little Fujian's demographic profile would cause us to be severely shocked if such organizations did exist in Hong Kong in full flower, for the bulk of Little Fujian's population has always consisted of women and their children. With the wealthiest, most prestigious and greatest numbers of adult-aged men residing not in Hong Kong but the Philippines and elsewhere where such organizations do indeed exist in the proper forms,* few Fujianese think it necessary to establish Hong Kong branches of these male-dominated structures in the essentially \"domestic\" community of Little Fujian.\n\nOther organizations, moreover, do meet the needs of Little Fujian, both as a local community and as the hub of Fujian-Nanyang connections. The two most important such organizations, the Fujian Province Association and the Fujian Commercial Association, cater to the two-tiered demands of Fujianese in Hong Kong and abroad and are by nature more universalist in appeal and function than clan and district associations. Politically aligned with the People's Republic, these \"patriotic\" associations also serve as a sort of semi-official \"Liaison Office” or “Consulate\" to link the Overseas Fujianese of Hong Kong and the Nanyang to the home province.\n\nThe most widely known Fujianese organization, the Fujian Province Association, was originally located in Hong Kong's first Fujianese sub-neighborhood, Sai Ying Poon. The Association, however, followed the Fujianese move to North Point in the early 1960s and has since become the public focus of Fujianese organized\n\n* For instance, the Hon. Editor of this Journal has informed me of a special publication commemorating the 60th anniversary (1901-1961) of the Fuchow association of Sibu, Sarawak (#**#£#*+0+K&#).\n\nPage 135\n\nPage 136", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208097, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 136, "title": "RAS-1977", "content_text": "120\n\nGREGORY E. GULDIN\n\nethnicity in North Point. Primarily concerned with community and social welfare projects, the Association sponsors performances of Fujianese provincial operas, folk dances and songs; organizes film showings and outings to the countryside, operates health clinics, a Guangdongese language program and a Fujianese discount grocery; and arranges for inexpensive trips back home to Fujian (Zheng Yi 1974:2-4).\n\nWith all these services and activities the Fujian Province Association is a genuinely popular and community-wide organization among North Point's Fujianese. All Fujianese are familiar with at least some of its services and activities whether or not they have ever personally visited its offices or benefited from its services. They know that the Association is there to help Fujianese, and especially Southern Fujianese, with the problems of housing, jobs, travel to Fujian and access to Fujianese products. With its 3000 active members (2.3% of the 1975 Fujianese Hong Kong population) the Association serves as the main organizational terminal through which many of little Fujian's ethnic and social currents are strengthened and channeled.\n\nAlthough not physically located in North Point, but in the old Sheung Wan district of Fujianese and other trading corporations, the Fujian Commercial Association has exerted a guiding force in the Fujianese community's development. In addition to facilitating PRC trade with the Overseas Fujianese of Southeast Asia and Hong Kong, the Association has acted as the unofficial coordinator of the other pro-PRC Fujianese organizations in Hong Kong.11 Composed of the wealthy, influential and active members of an already unusually depleted older male population, the Commercial Association is usually the prime mover in the few community activities that do occur.\n\nOne such activity, and one in which the Commercial Association's role is most conspicuous, is in the organization and direction of the annual \"All-Fujianese National Day Banquet.\" Although the Fujian Province Association, the Fujian Middle School and the Fujianese Physical Education Association all co-sponsor this \"patriotic\" affair, it is the Commercial Association that foots the bill for the evening and which handles all questions of etiquette and policy. If anything in Hong Kong comes close to being a \"center of Fujianese power,\" the Commercial Association does, diffuse and", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208098, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 137, "title": "RAS-1977", "content_text": "\"LITTLE FUJIAN (Fukien)\"\n\n121\n\nindirect though that power may be. In general, though, and especially when compared to other Chinese \"overseas\" communities, neither the Commercial nor the Province Association dominates the Fujianese community.\n\nLittle Fujian as Community: The Social Networks\n\nEthnicity and community are also expressed in less formally structured ways than associations and organizations. Informal patterns of economic, religious and social behavior have arisen and guide life in Little Fujian to a significant degree. Of these three areas perhaps it is the economic and business aspects of Little Fujian that are most visible to outsiders, more visible because they are public.\n\nIn the retail \"Fujianese markets\" of Chun Yeung and Mercury Streets, Little Fujian as a sub-neighborhood intersects with Little Fujian as social community. Each market street is located along an artery of the Fujianese sub-neighborhood and caters to Fujianese tastes in everything from food to jewellery to clothes. Non-Fujianese (Guangdongese, Chau Zhou and/or Shanghaiese) markets adjoin these Fujianese business areas but are socially as well as physically distinct; most Fujianese women prefer to shop on Chun Yeung or Mercury Street where they can be sure of finding people who sell Fujianese specialties prepared in the right manner and who will bargain with them in a familiar tongue. To younger Fujianese, though, language is not so great a barrier and they will often just as comfortably shop on the adjoining but “Fujianese-less” markets of Marble Road or elsewhere in search of a bargain. Yet even for these frugal shoppers the buying habits of childhood and the chance to meet Fujianese friends pulls them repeatedly back to Chun Yeung and Mercury Streets to buy things Fujianese style.\n\nAs with business, so too has religion developed along ethnic lines in North Point.12 Twenty years ago there were no specifically Fujianese Buddhist temples in North Point and early arrivals frequented the one convenient temple in the area: the predominantly Guangdongese Yuet Fei temple on Electric Road.* During the first decade of Fujianese settlement in North Point the percentage\n\n* The origins of this temple are given in a Hong Kong Government file (Secretariat for Chinese Affairs 1/631/1948) which contains a minute dated 3rd April 1948 by the then Secretary for Chinese Affairs, Mr. R. R. Todd:", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208099, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 138, "title": "RAS-1977", "content_text": "122\n\nGREGORY E. GULDIN\n\nof Fujianese attending the Yueh Fei temple gradually rose until today perhaps 70-80% of the worshippers there are Fujianese. Even so, the temple is not a Fujianese temple; both the people who run the temple and the deity itself are Guangdongese.\n\nThis arrangement was less than satisfactory to the Fujianese. Since Fujianese and Guangdongese ritual practices and religious concepts are not always isomorphic, arguments over what food was properly offered to Guan Yin (Kuan Yin) or what was expected of a medium, etc., frequently erupted. Such disputes, complicated by the language barrier, made many Fujianese feel uncomfortable about worshipping in a \"barbarian\"-run temple.\n\nTen years ago this situation began to change as the Cultural Revolution in China increased attacks on the old religious organizations back in Fujian. Temple personnel such as Buddhist monks and nuns began to arrive legally and illegally in Hong Kong and served to staff a new type of temple, a form particularly suited to Hong Kong's crowded situation. Apartments were rented to serve as temples in many of the apartment buildings which contained a heavy Fujianese population. North Point branches of Sai Ying Poon temples were likewise also begun in this manner.\n\nEach apartment-temple is dedicated to a particular god; sometimes it is a pan-Chinese spirit such as Guan Yin but it can also be a specifically local one such as Sheng Gung of Fujian Province's Nan An county. Sheng Gung's original temple is now in disrepair back in Nan An but the god's statue and objects were brought to Hong Kong a few years back. Hong Kong may thus have the only Sheng Gung temple left functioning in the world.\n\n\"I have visited this little Temple, or joss-house, and have discussed its history with one of the local Kaifong, Mr. Lo Ho Ching, of 129 Electric Road, Ground Floor.\n\n\"The little Temple is dedicated to the God of Warriors, Ngok Fei, and has been in existence about 40 years. According to Mr. Lo it was built by the late Kwok Shut Ting, Compradore of the Asiatic Petroleum Company (A.P.C.), at the time when the A.P.C.'s installation at North Point was built. At present the little Temple is looked after by an old woman appointed by the Kaifong.\n\n\"The little Temple is a picturesque little structure, half embedded in a large boulder and covered by a tree. The Kaifong and I too would be reluctant to see it removed, but if it has to be removed I do not think the Kaifong will object provided that an alternative site for it can be found in the vicinity and if it is re-erected by Government at the time when the new Police Station at Bay View is built.\"\n\nThis information was provided by the Hon. Editor of this Journal.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208100, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 139, "title": "RAS-1977", "content_text": "\"LITTLE FUJIAN (FUKIEN)\"\n\n123\n\nSunday is the most convenient time for a temple visit during a six-day work week although the temples, run by individuals as a profit-making business, are open every day. On Sundays, especially before noon, one can find the more popular temples jammed with Fujianese all providing offerings, burning incense and making supplications for help or blessings. The worshippers are overwhelmingly female and are all Southern Fujianese, and as more people arrive in Hong Kong from Fujian the numbers that go to temples are constantly rising. For the past ten to fifteen years, though, their average age has also been rising; most worshippers readily acknowledge the reluctance of younger people to go to the temples for formal worship.\n\nYet for middle-aged Fujianese women, especially those who came to Hong Kong in the mid-1950s, the temples serve as one of the few places available to women to get together and share their problems and thoughts with each other. Anxious over events they have little control over (such as business earnings abroad) and worried about the health and welfare of husbands and families hundreds of miles away in the Philippines and in Fujian, the women come to secure blessings and protection for their families. It is no wonder that middle-aged Fujianese women are the mainstay of the traditional religious tradition in Little Fujian. The comfort and support of the other women there, though, is often as important as that derived from the spirits.\n\nThis woman-to-woman bond is a key one in male-deficient Little Fujian and can also be seen in the common practice of a woman and her children sharing a flat with other such households. Such joint ventures are usually undertaken only with women from the same locality in Fujian. As such the pattern is also representative of the heavy reliance on \"tong-xiang” (lit. \"same district,\" but more broadly, one's fellow ethnics) to help one adjust to Hong Kong life and to make life a bit more pleasant. Close friends are almost invariably all “tong-xiang”, and even in places of work or recreation where groups are ethnically integrated in the spatial sense there exists informal friendship networks that are substantially ethnically enclosed. Lunch-hours and work schedules are often arranged around these groupings as workers \"re-segregate” to eat and work with their ethnic-mates. The Fujianese do not see this as discrimination or unusual; they consciously acknowledge their separateness and explain it by proclaiming:", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208101, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 140, "title": "RAS-1977", "content_text": "124\n\nGREGORY E. GULDIN\n\nWe Fujianese are conservative and don't just start talking or making friends with strangers. Anyway, you'll only meet your best friends through already close friends or relatives or \"tong xiang\".\n\nThis ethnic feeling of separateness (as well as the reality of separation) has led to the emergence in Little Fujian of what Milton Gordon (1964:30) has called an \"ethnic sub-societal network\" that enables Fujianese to form nearly all of their solidary and stable relations—relatives, friends, and neighbors—with Southern Fujianese like themselves. Furthermore, even the characteristically unidimensional and fleeting nature of many urban roles (Southall 1973: 82) turns out to have a remarkable ethnic coloration in Little Fujian, as witness social interaction in the Chun Yeung Street market, for example, where shopkeepers, clerks and customers are all Fujianese. In North Point, because of patterns of ethnic selection and preference, these roles are at the same time both unidimensional and ethnic.\n\nLittle Fujian: Sub-Neighborhood and Community\n\nEthnically-significant patterns do then exist among the Fujianese of North Point. Does this in itself qualify North Point's Little Fujian as a community? Some sociologists suggest that residential segregation is crucial to the maintenance of ethnic community or solidarity (Joy 1972; Lieberson 1970) but Drieger and Church (1947:30) have rightly criticized this unidimensional insistence on residential segregation as too crude a diagnostic.\n\nUnfortunately, they too propose (1974:36) a crude diagnostic that of the ethnic percentage of a neighborhood's population. A better approach would be the realization that a sense of community is not automatically reached when the actual ethnic population counters reach a certain total but when the intensity of ethnic social interaction reaches a point that it gives an overall ethnic flavoring to the social interaction of a specific group. Enveloped in the substantially ethnically-enclosed networks of Little Fujian, the Fujianese of North Point without doubt live in such a social reality.\n\nA quick analytical divorce between the concepts of “neighborhood\" and \"community” is also imperative; “ethnic neighborhood” (or \"ethnic sub-neighborhood” if need be) should refer to a spatially segregated or clustered resident population while “ethnic community”...", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208102, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 141, "title": "RAS-1977", "content_text": "\"LITTLE FUJIAN (FUKIEN)\"\n\n125\n\nnity\" should be reserved for ethnic social interaction and organization. If this divorce were to be granted it would clear up much confusion in the writings on neighborhood and community. We would thus realize that the disagreement between Joy/Lieberson and Drieger/Church is due to their concern with neighborhood on the one hand and community on the other.\n\nApplication of such insights to Hong Kong's Fujianese helps us to evade the myopia that Fox (1977: 12) and others have recognized in all too many urban \"community\" studies. Viewing the city as a whole we are thus free to conceptualize the Fujianese community of Hong Kong as a somewhat dispersed entity - stretching from parts of North Point, to parts of other neighborhoods, and to the offices of the Fujian Commercial Association in Sheung Wan. Little Fujian as a local community is thus just one part of the larger Fujianese community of Hong Kong and cannot be understood without reference to it, just as village life cannot be fully grasped without a wider social perspective.\n\nSimilar insights into the Shanghaiese community yield quite a different reading of the Shanghaiese status quo. Their ethnic sub-neighborhood, Little Shanghai, is gone, with only pale reminders of its once thriving communality dotting North Point's urban landscape. Yet a Shanghaiese community definitely persists in Hong Kong as both formal organizations and informal sociocultural patterns help maintain a level of interactional intensity sufficient for a \"sense of ethnic community.\" Of course the study of such a community presents far greater methodological and analytical difficulties than are usually encountered in most urban studies. Communities based in clearly recognized and spatially distinct ethnic (sub-) neighborhoods are far easier to deal with; it is no wonder urban anthropologists have preferred to map out such discrete and concentrated domains.\n\nSuch urban studies have been likewise drawn to communities with well-organized and formal social structures. These studies (Charsely 1974; Drieger and Church 1974; McBeath 1973; Neville 1975) have stressed the importance of formally organized institutions in giving that \"sense of ethnic community\" to otherwise anomic and isolated ethnics. Drieger and Church even go so far as to suggest (1974:36) that whenever an ethnic group's proportion of the population approaches 25% there is a corresponding tendency", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208103, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 142, "title": "RAS-1977", "content_text": "126\n\nGREGORY E. GULDIN\n\nfor community organizations, both formal and informal, to develop to promote and protect the community's interests. Although this may very well occur at times, or even perhaps is the usual occurrence, we should not therefore make the assumption that a shared sense of solidarity, of community, is always dependent on formal organization; indeed, what is striking about North Point's Little Fujian is the generally minor role that formal institutions and organizations play. Associations are not the major aspect of Fujianese community in Hong Kong: kin, quasi-kin (i.e. “tong-xiang” and fictive kin relations), and friendship ties also carry the burdens of ethnicity and community in Little Fujian.\n\nIn great contrast to North Point's majority Guangdongese who regard the area as \"nothing special — it's just a convenient place to live,\" Fujianese are quick to tell you they live in North Point \"because it's Little Fujian.\" Fujianese regard North Point as their \"capital\" in Hong Kong and it is through Little Fujian that most business and friendship networks meander. While most Fujianese admit that North Point is \"most likely\" predominantly Guangdongese, this does not stop Fujianese from all but ignoring that majority proportion; to those Fujianese living in North Point, it's in Little Fujian that much of their lives are spent and not “North Point” in general.\n\nLittle Fujian as a sub-neighborhood could be said to physically exist in the narrow band of streets, shops and buildings in North Point that are peopled and frequented by high percentages of Fujianese. Equally significant though, it exists as a community in those specifically Fujianese social relationships or patterns of activities that appear like currents in the ebb and flow of North Point life. Sub-neighborhood and community may overlap, but they don't have to. Little Fujian can thus be found in the offices of the Fujian Province Association, in the homes of Fujianese, in the Chun Yeung Market, between two Fujianese friends on King's Road, or in the many other public and semi-public Fujianese and non-Fujianese places of North Point,\n\nWhen sub-neighborhood and community do overlap, however, it is a powerful combination. To North Point's Fujianese it is often seemingly small things like walking down a “Fujianese” street with friends from the home county and hearing a Southern Fujianese folk song broadcast from a Fujianese shop that makes life in Hong", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208104, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 143, "title": "RAS-1977", "content_text": "# “LITTLE FUJIAN (FUKIEN)”\n\n127\n\nKong's North Point feel more familiar and therefore more comfortable. Overhearing a conversation between friends in the accents of the homeland while listening to a soft Fujianese melody wafting gently from a shop, one could close one's eyes and imagine being back in Fujian. With eyes open again, though, Little Fujian would have to suffice.\n\nNOTES\n\n1 E.g. Fujianese (Fukienese) and Shanghaiese in North Point; Shanghaiese in Tsim Tsa Tsui; Chau Zhou (Chiu Chau, Teochiu) in Chai Wan, Western District and Kwun Tong; Boat People in Aberdeen and Tai Po. See Guldin (1977) for a discussion of Han Chinese ethnicity and identity levels.\n\n2 See below, fig. 3.\n\n3 In the parlance of the times, and to a lesser extent even today, \"Shanghaiese\" often referred broadly to all Central (and sometimes even Northern) Chinese.\n\n4 Accurate figures are lacking; no detailed colony-wide or North Point censuses were conducted between 1930 and 1960.\n\n5 Based on analyses of Census Block Tally Sheets from 1971 Census made available to me through the kindness of the Commissioner.\n\n6 By \"Fujianese\" I refer specifically to \"Southern Fujianese,\" the Min-Nan speaking Fujianese of Xiamen (Amoy), Quan Zhou (Chuan Chow), Zhang Zhou (Chang Chow) and the surrounding counties. Other Fujianese are present in Hong Kong but Southern Fujianese are the overwhelming majority.\n\n7 Based on 1971 Census: table 4; Wai 1957:5; Lam 1967:35; 1975 Census Update.\n\n8 Based on 1971 Census, immigration statistics, and 1975 Census Update.\n\n9 A problem with these categories is the Hakka, a distinct ethnic group, whose places of origin often overlap with those of ethnic Guangdongese. One source though (Kuo 1964:65) has estimated the Hakka population of Hong Kong as 12% of the total. For urban North Point the percentage of the predominantly rural Hakka would be substantially lower than for Hong Kong as a whole.\n\n10 Although membership in these \"Fujian\" associations is theoretically open to all Hong Kong Fujianese and some non-Southern Fujianese do indeed belong, the Northern Fujianese of the Fuzhou (Foochow) area have set up their own associations.\n\n11 Fujianese organizations not aligned with the PRC do exist in Hong Kong but are mostly \"paper\" associations.\n\n12 Few Fujianese in Hong Kong are Christians (perhaps 4 or 5%), but those that are mostly arrived in Hong Kong earlier than the bulk of late 1950s and later immigrants and have been largely isolated (both physically and socially) from most aspects of life in Little Fujian.\n\n13 Aidan Southall (1973) makes a related point in using the concept of interaction intensity as key to a definition of \"urban.\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208105, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 144, "title": "RAS-1977", "content_text": "128\n\nGREGORY E. GULDIN\n\nREFERENCES CITED\n\nAmyot, Jacques\n\n1973 The Manila Chinese, Quezon City, R.P.: Institute of Philippine Culture, Ateneo de Manila Univ.\n\nCharsley, S. R.\n\n1974 \"The Formation of Ethnic Groups.\" In Urban Anthropology. A. Cohen, (ed.). Pp. 337-68. London: Tavistock Publications.\n\nDepartment of Census and Statistics, Hong Kong Government\n\n1966 By-Census. Hong Kong.\n\n1971 Census Report. Hong Kong.\n\n1975 Census Update. Hong Kong.\n\nDrieger, Leo and Glenn Church\n\n1974 \"Residential Segregation and Institutional Completeness: A Comparison of Ethnic Minorities.\" The Canadian Review of Sociology and Anthropology 11:1. Pp. 30-52.\n\nFox, Richard G.\n\n1977 Urban Anthropology: Cities in their Cultural Settings. Englewood Cliffs, New Jersey, Prentice-Hall, Inc.\n\nFreedman, Maurice\n\n1958 Lineage Organization in Southeast China. LSE Monographs on Social Anthropology. London: The Athlone Press.\n\nGordon, Milton\n\n1964 Assimilation in American Life. New York.\n\nGuldin, Gregory E.\n\n1977 Overseas at Home: The Fujianese of Hong Kong. Ph.D. dissertation, University of Wisconsin Department of Anthropology. Madison, Wisconsin.\n\nJoy, Richard\n\n1972 Languages in Conflict.\n\nKuo Shou Hwa\n\n1964 History of Hakka Chinese. Taipei, Taiwan. [in Chinese]\n\nLam, Mickey\n\n1967 Postwar Development of North Point. Unpublished Hong Kong University B.A. thesis. Univ. of Hong Kong Architecture Department.\n\nLi Yih-Yuan\n\n1970 An Immigrant Town: Life in an Overseas Chinese Community in Southern Malaysia. Monograph Series B No. 1. Taipei, Taiwan: Institute of Ethnology Academia Sinica. [in Chinese]\n\nLieberson, Stanley\n\n1970 Languages and Ethnic Relations in Canada,", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208337, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 61, "title": "RAS-1978", "content_text": "ALTER IMAGES FROM HUNAN AND KIANGSI\n\n45\n\nof a scarlet bird', 'bowels like (or as long as?) nine rivers', 'as many as 84,000 teeth' and etc.\n\nThe fifth image (Plate 6) dedicated in 1799, from Kiangsi, is of a different style. It is very similar to certain of the Ch'ao Chow and Fukienese carvings, and particularly like certain Japanese Buddhist temple guardians such as Jikoku Ten. He was less dusty or greasy than the others, though he has been badly kippered by incense smoke and repainted with a cheap gold paint at some time. His original fine gilt lacquer is just visible in places on his lower back. He has lost his weapons, and his beady eyes, guaranteed to frighten when new, have been lost into the general contours of his face. The slip of paper from his back is best preserved of all six. It is recorded as a \"Viscera Statement\" (it) and relates that devotee Chen Ta-chiang, living in Lu Ling County, Chi An prefecture together with his wife, son, daughter-in-law and two grandchildren, on this lucky day of the 10th moon of the fourth year of Chia Ching (November 1799) presented the image of the Heavenly General (** ) with a Viscera Statement enclosed, and prayed saying \"Your Most Reverend Spirit of the Chief General and Heavenly Ruler, having become perfect and entered Nirvana during the Shang dynasty, your reputation is as high as the heaven; you have the ability of suppressing all demons and spirits, the power of deciding on all matters of disasters and blessings in the human world without the slightest partiality, the ability to recommend the choosing and establishment of construction sites with favourable geomantic influences, and of leading right people to prosperity. I therefore most respectfully present this new image for eternal worship by us and our future generations under your protection”. \n\nThe sixth image (Plate 7), also from Chi An in Kiangsi and dedicated in 1870, is a multi-image object consisting of a two foot three inches high piece of wood carved in the round, into a series of grottoes and caverns, steps and paths up to a small temple at the summit. This contains the only moveable and identifiable deity, a miniature Tou Mu (44) with her six arms and crown, seated cross-legged and with the cavity in her back which contained the identifying slip of paper. The other immovable thirteen images are of Taoist worthies, unidentified immortals, ten of them standing, one on horseback, the two more holding tablets before them standing beside the temple, probably the guardians or aides to Tou Mu.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208339, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 63, "title": "RAS-1978", "content_text": "ALTER IMAGES FROM HUNAN AND KIANGSI \n\n47 \n\nidentified as those of the long-face northern Chinese, with narrow almost closed eyes, a furrowed brow and a black pointed beard resting on his upper chest. \n\nThe rest of the images, all with empty back cavities, consisted of one man similar to the first above, six women seated, dressed in robes, with their right hand carefully holding the edge of their robes and their left hand concealed, similar to the second of the six images described above, and one other Kuan Yin with an empty cavity in her back.\" \n\nOne slip only of the seven suggests that the Yin family placed an image on a family altar of a standardised, impersonal image of a female named Jen (perhaps the deceased wife of Mr. Yin). Perhaps it was the practice to place such standardised images of deceased relatives on family altars in Hunan? Cantonese god carvers in Kowloon were all quite positive that such a custom is not observed in Hong Kong, nor in their memory was it performed in Kwang-tung province. Several said that they understood that the Fukienese, and in particular the people from around Amoy, customarily placed stylised ancestral figures of old men and women on personal altars but never on temple altars. They also said that there is the well-known custom of the Boat People of South China, of placing standardised images of all deceased members of the family on the family altar irrespective of the age at death. (See my article on \"Soul images and Gods of the Boat People\" in Arts of Asia, volume 7, Number 6, Nov/Dec 1977). \n\nRegrettably, Hunan was ill-served by foreign travellers and writers, particularly about its temples and gods, and so no collateral information would seem to be available. A photograph taken in the sixties in the entrance hall to Mao's birthplace near Chang-sha in Hunan province, shows the family altar, with Chao Kung-ming the wealth God and Kuan Yin both easily identifiable, the remainder being indistinguishable. None, however, look like the images described above. \n\nAn example of the Fukienese custom is the lady, Madam Hsieh (###), from a family household shrine in Singapore. The image, carved in 1931, some six inches high (see Plate 10) is again a standard, impersonal likeness of an elderly dowager. She is recognisable as an ancestral image by the white duck(?) under each of her bound feet. Otherwise, she is dressed in elaborate robes,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208493, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 217, "title": "RAS-1978", "content_text": "NOTES AND QUERIES \n\n201 \n\nCHANG'S descendants did not know his name, and so he was simply called by them Millionaire CHANG (...). When the writer first saw the images of CHANG and his family they were covered with dust and cobwebs. There was also a wooden carving of an award from the Emperor of that time. CHANG'S images in the bedroom, and parts of the other images, reflect the mood prevailing at that time. CHANG'S image in particular depicts him as a contemplative but determined old man.\n\nHis image depicts him seated, his forehead is high and long, his face too is longish; he has a slightly protruding jaw and thick lips which appear to be smiling. His head is inclined slightly to the left; his shoulders are level and his arms lowered with his left hand on the arm rest of the chair while his right hand rests on his lap. He wears the everyday robes of the man in the street, and despite the age of the image the carving is still well defined.\n\nThere was also an image of a female, probably his daughter-in-law, and another of a younger man dressed in official robes, perhaps CHANG'S son. Both these latter two have been carved by the same craftsman and probably at the same time. However, the image of CHANG is older. All in all, the three are rare works of art.\n\nThere are no descendants left of the CHANG family in the old house, and the images are worshipped by people in the neighbourhood. The writer found a woman of about 30 who claimed that she was one of CHANG'S descendants but she knew nothing about the legendary figure. Whether she was or not, the images are of great significance in Taiwanese folk art.\n\nA large number of people on the Pescadores 300 years ago were of Fukienese origin and whilst we do not know the ethnic origins of CHANG Pai-wan, it is probable that he was either of Fukienese or Ch'ao-chow origins.\n\nIn addition to the discovery of these 300 year old ancestral images, I have also seen a couple, husband and wife, carved in wood, seated on the front of the ancestral shelves in the Hall of Remembrance at the side of the Cheng Hoon Teng Temple in Malacca (See Plate 23). There is no identifying detail and the temple keeper was unable to say who they were.\n\nThe man, sitting together with and on the right of the woman on a high-backed bench with sides, is dressed in blue robes bearing", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208494, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 218, "title": "RAS-1978", "content_text": "202\n\nNOTES AND QUERIES\n\ngilded roundels and a scholar's cap. He is clean shaven and holds a short-handled round fan in his left hand. His wife is dressed in faded robes and is bareheaded. Both have strong faces, probably adequate if not good likenesses. The images are about 12 inches high.\n\nMalacca too, has strong Fukienese connections, and again I would expect this couple to have been of Fukienese origin.\n\nHong Kong.\n\nOctober, 1979\n\nKEITH STEVENS\n\nMARBLE HALL*\n\nMarble Hall was a very fine private residence in Conduit Road, Hong Kong, built by Sir Catchik Paul Chater. It has since disappeared, but the photographs which this note supplements reveal how imposing and sumptuously furnished a home it once was.\n\nThe owner\n\nSir Paul Chater, born on 8 September 1846 of Armenian parents from Calcutta, arrived in Hong Kong in 1864. His career began in a bank, but he soon went into business as an exchange and bullion broker and later ventured into various successful commercial enterprises. He established the Hong Kong and Kowloon Wharf and Godown Company, having been authorised by two ordinances in 1884 to construct piers and wharves in Victoria harbour, and was a co-founder (with Jardine, Matheson & Co) of the Hong Kong Land Investment and Agency Co Ltd (now better known simply as \"Hong Kong Land\"); later he formed the Hong Kong Mining Company to exploit deposits of iron ore in the New Territories and operated coal mines in Tonking. He was a public-spirited gentleman who initiated the Praya reclamation scheme in 1887 and campaigned vigorously for acquisition by Britain of the territory where he later discovered iron. Chater served as an unofficial member of the Legislative Council for nearly twenty years, elected to that position by his fellow Justices of the Peace, and was one of the first unofficials to be appointed to the Executive Council.\n\n*Plates 24-32 illustrate this Note,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208770, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 227, "title": "RAS-1979", "content_text": "200 \n\nNOTES AND QUERIES \n\ncap, the songkok. His inclusion is quite logical when you consider that the Chinese know that every location has its resident Ti Chu Kung (土地公), the tutelary spirit of the building and its surrounding land. The immigrant Chinese appear to have accepted that the local Ti Chu Kung in a Malay area must be a Malay, and burnt incense and laid offerings before him, and prospered. His image is seen in many rural areas of Malaysia, in the niche within the entrance to local temples or under the main altar, where in Chinese temples in other areas the tablet dedicated to the Chinese Ti Chu Kung usually would be found. \n\nThe usual title of the Malay, Ti Chu Kung, is Na To Kung (拿督公), or Na-tuk, the Cantonese form of the Malay honorific title of Dato. In Fukienese and Ch'aochou communities in Malaysia he is also referred to by the same title, Na T'o, but using the characters 哪卓 and 藍卓. \n\nIn many parts of Malaysia nowadays Na T'o Kung's image, or a rock dedicated to him, stands beside or near an image of the Chinese Earth God. This is not unexpected as in temples elsewhere, such as Hong Kong and Taiwan, the image of or the tablet dedicated to the Earth God would be beside or certainly separate from the tablet dedicated to the Ti Chu Kung. \n\nOccasionally, Na T'o Kung has a shrine to himself. A very rough but adequate shrine, for example, stands at the edge of a rubber estate near Labis in Johore, Malaysia. There is no image, no keeper nor nearby resident, only a tablet, and an urn filled with the stub ends of consumed incense sticks. \n\nA sketch by a Fukienese god carver in Singapore (plate 1) depicts Na T'o as a seated elderly man dressed in the cap, jacket and robes of the Malay, holding a walking stick in his right hand and a pipe in his left. He has a dark skinned face with a short moustache and is described as the \"Malay Landowner Gentleman”. Some places have him swathed in white “arab” robes, and some images of him depict him clutching a book or writing materials in his left hand instead of a pipe. \n\nThere are several local versions of his origins. One of the more widespread is that he is the spirit of a popular, long dead Malay foreman on a rubber estate, a Haji named Osman. Another claims that he is the spirit of a long dead Arab, the forebear of a major Malay family.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208831, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 288, "title": "RAS-1979", "content_text": "馬未地主公\n\n你色面八棕手蛇手\n\n杖\n\n斗友鞋哈艺悄\n\n皮\n\n公督拿\n\nPlate 1. A sketch by a Fukienese god carver in Singapore of Na T'o, the Malay Dato, the tutelary deity of a building and its surrounding land.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208898, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 60, "title": "RAS-1980", "content_text": "32\n\nKEITH G. STEVENS\n\ninclude the burning of incense every day. This amongst other things saves the individual having to perform the rite before his ancestral tablets daily.\n\n4 There are no Confucian temples in either Hong Kong or Macau.\n\n5 Although there are obvious and major differences between Daoism, Buddhism and Folk religion, their beliefs and practices are so interwoven and syncretized beyond description, that in practice there is almost a single religious scheme of things. A handful of folk religion temples, mostly in Chaozhou and Min An community resettlement areas, are also centres for spirit medium activity. Chaozhou and Min An people customarily communicate with the major gods through minor gods and spirit mediums, Folk religion is very occasionally referred to as \"Spirit worship” (Shen jiao), albeit more by foreigners than by Chinese.\n\nChaozhou and Min An spirit mediums are usually males who speak with the more junior gods, whilst Cantonese spirit mediums are normally female and speak with the spirits of the dead.\n\n* The natives in both Hong Kong and Macau are Cantonese. Immigrants over the centuries who brought their own cultural heritage with them are the Hakka, Min An, Hoklo, and Chaozhou. The Chaozhou are speakers of the Chaozhou (sometimes called Swatow) whose native area is eastern Guangdong province. In folk religion the Chaozhou have more in common with their immediate neighbours to the north, the Min An and other Fukienese rather than with their Cantonese neighbours.\n\nThe total of 450 temples reflects the number found and visited by the author. The total given by the Hong Kong Government Temples Committee of the Home Affairs Department of over 500 private temples registered in Hong Kong is misleading in that their total includes to the author's knowledge quite a number of small temples which have been destroyed, removed or closed down. The author's number of 450 is also inaccurate as there are bound to be a number of very small temples hidden away in residential blocks of flats which would defy discovery without a visit to every floor of every apartment building.\n\n* County towns were the centres for official, commercial and religious activities. Villages within present day Hong Kong before the arrival of the British came under the jurisdiction of the mandarin at the county town of Hsin An (present day Pao An), north of the Sino-Hong Kong border.\n\n* However, an engraved title can easily be superseded when a more popular deity has been promoted to the main altar, without the title over the entrance being changed.\n\n10 Images on, beside, before and under altars can be categorised into the deities themselves, and their disciples, guardians and attendants. There are also two other categories of figures, seen only on separate altars in some Buddhist temples. These are the likenesses of the founding Abbot and of major donors and their wives.\n\n11 Urban and rural are terms used for the areas where the temples were established, and many a rural temple is now lost in the centre of a vast modern housing estate. Urban temples do not include village temples, they do however include the temples of the market towns such as Taipo and Yuen Long.\n\n12 These \"pensioners\" are normally the most needy and worthy elderly males or females of the community, voted or appointed into the post and supported there by subscription.\n\n13 See Hong Kong 100 Years Ago (Hong Kong City Hall, 1970) on the sixth page of photographs, though under another titling.\n\nPage 60\n\nPage 61", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209945, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 204, "title": "RAS-1983", "content_text": "182\n\nNOTES\n\n1 For historical developments of Taoism, see Ch'en, 1963; Stein, 1979: 53-82; and for a fuller discussion of Jiao-shi, see Saso, 1972: 32-83, Liu, 1974, and Keuper, 1977: 79-94.\n\n\"They hold Jiao-shi in either Cantonese or Fukien dialects and in general, Cantonese-speaking dao-shi provide Jiao-shi to Cantonese-speaking communities and Fukienese-speaking dao-shi to Fukienese-speaking communities.\n\n* The two dao-shi groups who conducted Jiao-shi at these two locations are among the few practicing Taoist groups in Hong Kong. Dao-shi who performed Jiao-shi in Fanling were Cantonese-speaking and in Cheung-chau, Fukienese-speaking.\n\n4\n\nExact instrumentation varies according to the practice of different regions; for example, Fukienese-speaking Taoist team performing at the Cheung-chau Bun Festival employs an er-hu in addition to the melodic instrument suo-na. Ch'en Guo-fu, 1963, mentions that the instrumentation of Jiao-shi music in the Jiang-nan area is quite similar to that of the Shi-fan-luo-go of that area which consists of the melodic instruments of di, xiao, sheng, er-hu, xian-zi, yun-luo, pi-pa and percussion instruments.\n\n6\n\nIt goes without saying that changes of the pitches in the original pattern will result in rhythmic changes as well; they are viewed nevertheless as pitch-variants. In rhythm-variant, the pitches remain relatively stable while rhythmic details change.\n\n• Based on the examples which I have analysed, it seems that the rhythm-variants are rarely used and even if they are used, they are often accompanied by some kind of pitch-variant (e.g.,).\n\n+\n\nOnly the vocal part is included in the transcription. The er-hu part plays the same melody an octave higher. The percussion instruments of luo and po, played by the Taoist priest himself in this case, repeat the following pattern throughout:\n\nluo ро\n\n33 XX- -X333\n\n*This structure makes it possible for the suo-na players to prolong their playing whenever necessary by repeating the middle part several more times before going on to motif k.\n\n• The similar use of instrumentation and seating arrangement, and melodic and rhythmic motives in Jiao-shi music and regional opera of the same locality are two ready examples. Chen, 1963, describes Taoists performing Kun-ju excerpts during Jiao-shi. See also Note 4.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209946, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 205, "title": "RAS-1983", "content_text": "References Cited\n\n183\n\nCh'en Kuo-fu\n\n1963 Tao-tsang yüan-lin k'ao. Peking: Chung hua Press.\n\nKeupers, John\n\n1977 \"A Description of the Fa-ch'ang Ritual as Practiced by the Lü Shan Taoists of Northern Taiwan,\" in Michael Saso and David W. Chappel, eds., Buddhist and Taoist Studies (Hawaii: The University Press of Hawaii).\n\nLiu Chih-wan\n\n1974 Chung-kuo min-chien hsin-yang lun-chi. Academia Sinica Special Monograph no. 22. Taipei: Academia Sinica.\n\nSaso, R. Michael\n\n1972 Taoism and the Rite of Cosmic Renewal. Pullman: Washington State University Press.\n\nStein, Rolf A.\n\n1979 “Religious Taoism and Popular Religion from the Second to Seventh Centuries\", in Holmes Welch and Anna Seidel, eds., Facets of Taoism: Essays in Chinese Religion (New Haven: Yale University Press).\n\nAPPENDIX\n\n1983 Cheung Chan Bun Festival\n\n長洲一九八三年(癸亥年)建太平清醮\n\nDate: May 16-20, 1983.\n\nPlace: Playground in front of the Bai-di temple\n\nA.\n\nTaoist Team: five Fukienese-speaking dao-shi, with Wei Guo-xin as the head dao-shi; five musicians, also Fukienese-speaking.\n\nMay 16\n\n13:00 Greeting the Gods\n\n20:00 First operatic performance begins on temporary stage adjacent to the Taoist altar.\n\nMay 17\n\n1:00 Beginning of Jiao-shi\n\nResidents of Cheung-chau begin the three-day fast\n\nOperatic performances continue, afternoon and evening shows.\n\nMay 18\n\nOperatic performance continues, two shows per day.\n\n12:00 Offering to the Gods\n\n15:00 Dotting of eye\n\nMay 19\n\n12:00 Vegetarian diet ends.\n\nMay 20\n\n10:00 Divide the Buns\n\n14:00 First day of Procession 第一天會景巡遊\n\nOperatic performance continues, two shows per day.\n\n14:00 Second day of Procession\n\nOperatic performance continues, two shows per day.\n\nFast ends.\n\nMay 21-22 Operatic performance.\n\nBeginning on May 17 and ending on May 22, Jiao-shi were conducted in three sessions each day, generally in the morning, afternoon, and evening.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210811, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 162, "title": "RAS-1986", "content_text": "145\n\nPerhaps the break between 1856 and 1914 does not strictly qualify the present Ying Wa College for the title of the oldest in Hongkong, but it can legitimately claim the tradition of the school founded in 1818.\n\nThe Anglo-Chinese College opened at Malacca was the result of the labours of two missionaries of the London Missionary Society, the Rev. Dr. Robert Morrison and the Rev. Mr. William Milne. Dr. Morrison was the initiator of the project and raised most of the funds. The Rev. Mr. Milne was its first Principal.\n\nIt was a very ambitious project, as it was envisaged that it would be a meeting place for the language, philosophy, literature and science of the East and the West. Its student body would be composed of both Europeans and Asians.\n\nDr. Morrison expressed his hope for the school as follows: \"God grant that it may prosper, that it may be an honour to my country, and a blessing to China; and thus unite in its name, and in its benefits, the West and the East; and finally blend in peaceful intercourse the extremities of the world, the islands of Britain and Japan.\"\n\nUnfortunately the early death in 1822 of the Rev. Mr. Milne prevented the college from fulfilling Dr. Morrison's dreams. A succession of men were principals after Mr. Milne, and it seemed that with each the school progressively declined. It faced many problems, one of the principal ones being the proper language of instruction.\n\nMany of the boys had Malay mothers. Their fathers were often Fukienese. The additional task of mastering a third language, Mandarin, was formidable.\n\nThere is an interesting account of the foundation stone laying of the college building in 1818. It was written by Abdullah, a Moslem youth who taught Mr. Milne the Malay language.\n\n\"Mr. Milne received instructions from his society to provide a building for the college... When everything was ready Mr. Milne", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211410, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 126, "title": "RAS-1988", "content_text": "102\n\nand others. Grandfather was the book-keeper and his 'sworn brother', Lum Gam Chin, was the manager. In those days Chinese immigrants were very clannish and used these stores for various purposes. Consequently Wing On Tai was patronized by those from the See Dai Doo District. They spoke a subdialect of Fukienese known as Nam Long. Many of them were rice farmers from Waiahole, Waikane and Punaluu on Oahu and from the Panalei Valley on Kauai. They would charge their purchases during the year and would clear their accounts just before the arrival of the lunar New Year; they would send their grain to be milled and sold; they would remit money to their families in China through the store facilities; they would stop by to socialize; and some would use the living quarters located behind the store as a temporary stop-over place. In those days meals were served to the employees, an amenity extended to visitors. Therefore, Wing On Tai was not only a place of business but also a community centre, as were other stores to their own clansmen.\n\nIt was around 1899 that Wing On Tai started the Iwilei Rice Mill on a large piece of land on Iwilei Road, in the heart of the then Red Light district. Ping Lim wrote to Father in Hilo that Yim Quon, one of the principal shareholders, had selected Chew Lum Chan (probably a distant cousin) to oversee the weighing of the grain. There were also living quarters on the grounds for the employees and I remember being there with Mother to visit Mrs. Lum Gwo, a daughter of a Chan clansman married to the book-keeper who succeeded Grandfather. Even for that short distance we went there in a hack, a horse-drawn buggy. In the early 1920s when Lum Siu Bun was manager, the two businesses were dissolved and the mill property was sold to the Hawaiian Pineapple Company and on this land stands the huge pineapple tank. Because Grandfather had deeded his holdings to Father when he left for China, Mother and we children received several thousand dollars of the liquidation distributions. Mother sent her share to First Paternal Uncle and Second Paternal Uncle, and used the balance to build a duplex on our Fort and Kuakini Streets property where a store was already standing.\n\nGrandfather cared very much for his second wife. When she became ill, reportedly from tuberculosis, he nursed her tenderly. When she died on 4 October 1899, he felt the loss so keenly that he sought solace in opium. His grief was compounded by the death of Ping Lim a few years", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211591, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 6, "title": "RAS-1989", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nHON. TREASURER'S REPORT\n\nHON. LIBRARIAN'S REPORT\n\nARTICLES:\n\nDan Waters\n\nLIBRARIES\n\n138 1937. vii\n\nAR\n\nIn the Steps of Lu Pan: Reminiscences of Building in Hong Kong\n\nK.J.P. Lowe\n\nHong Kong, 26 January 1841: Hoisting the Flag Revisited\n\nKeith Stevens\n\nThe Jade Emperor and his Family, Yu Huang Ta Ti\n\nKeith Stevens - Fukienese Wang Yeh (Ong Ya [Hokkien])\n\nP.H. Munro-Faure\n\nThe Kiukiang Incident of 1927\n\nA.D. Blackburn\n\nHong Kong, December 1941 July 1942\n\nChan Ka-yan\n\nJoss Stick Manufacturing: A Study of a Traditional Industry in Hong Kong\n\nP.H. Hase\n\nCheung Shan Kwu Tsz, An Old Buddhist Nunnery in the New Territories and its Place in Local Society\n\nJ.H. Haan\n\nThalia and Terpsichore on The Yangtze, Survey of Foreign Theatre and Music in Shanghai 1850-1865\n\nFred Dagenais\n\nJohn Fryer's Early Years in China: I. Diary of His Voyage to Hong Kong\n\nChan Wing-hoi\n\nThe Dangs of Kam Tin and Their Jiu Festival\n\nxxi\n\nxxiii\n\n8\n\n18\n\n34\n\n61\n\n77\n\n94\n\n121\n\n158\n\n252\n\n302\n\nNOTES AND QUERIES:\n\nE. Sinn\n\nNotes on the Robert Hart Papers at the University of Hong Kong Library\n\n376\n\nP.H. Hase\n\nA Song from Sha Tau Kok on the 1911 Revolution\n\n382\n\nP.H. Hase\n\nThe Mutual Defence Alliance (Yeuk) of the New Territories\n\n384\n\nP.H. Hase - More on The Man the Emperor Decapitated\n\n388\n\nIssei Tanaka\n\nThe White Tiger\n\n389\n\nKeith Stevens - British Chinese Labour Corps Labourers Buried in England\n\n390\n\nAnthony Siu Kwok-kin\n\nThe History of Hong Kong: From A Village to A City\n\n391\n\nAnthony Siu Kwok-kin\n\nHistorical Records\n\nAnthony Siu Kwok-kin\n\nBOOK REVIEWS\n\nTai Yu Shan from Chinese\n\n394\n\nA Tung Lo Wan\n\n399\n\n400\n\nV", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211630, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 45, "title": "RAS-1989", "content_text": "20 \n\nsecure a writ of pardon for a soul in the Underworld. Buddhists have occasionally accused the Taoists of stealing him from their pantheon. The Buddhist Indra, known as Yu Ti (**玉帝**), literally The Jade Emperor, was, they say, adopted by Taoists to counter Buddhist power. Others suggest that the Jade Emperor was a creation of a Chinese emperor to help maintain the authority and stability of his rule. In one popular version the Sung emperor Chen Tsung (**宋真宗**) in AD 1012, in order to divert his ministers from an unfortunate treaty he had been obliged to sign with some barbarian tribes, announced with great pomp that he had been visited in a dream by an immortal with a letter from the Jade Emperor. In the letter the Jade Emperor explained that he was sending one of the emperor's ancestors in person. The Sung emperor then claimed that a dazzling deity appeared before him in a dream and informed him that he was the Jade Emperor, Master of Heaven and Earth, and the Incarnation of Tao. Later the emperor, having announced that the visit had taken place, ordered that thereafter the Jade Emperor, “one of his ancestors\", was to be treated as a major deity. The next year, in 1013, the Jade Emperor's image was cast and placed in a special temple, the Jade Palace (**玉皇殿**) where it was worshipped by the whole court. One hundred years later, the Sung emperor Hui Tsung (**宋徽宗**) built an even more magnificent temple for the Jade Emperor and thereafter the image was portrayed in imperial robes.\n\nH. Y. Feng3 claimed that the earliest reference to the Jade Emperor was in a poem by Han Yu (768-824), a Confucian scholar who wrote, admiring plum blossom, \"Riding clouds we came together to the home of Yuh Huang', proving, he states, that the Sung emperor's claims were after the fact. However, state recognition by emperor Chen Tsung made the Jade Emperor an important deity in the pantheon.\n\nA Fukienese legend describes the Jade Emperor as being born to a queen who conceived miraculously after a visit by T'ai Shang Lao Chun (Lao Tzu) in a dream. When this prince in due course became king, he ruled with great compassion and concern, and was a model ruler who later devoted part of his life to religion and attained sainthood. This was, however, many centuries before the Sung emperor Chen Tsung popularised the cult.\n\nAnother popular version explains how the Jade Emperor appeared in his visible manifestation to a Sung emperor and told him that he, The Jade Emperor, was the manifestation of the power and thought of Tao,\n\nPage 45\n\nPage 46", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211633, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 48, "title": "RAS-1989", "content_text": "23\n\nhe examines each human's conduct and adds his comments to the records kept on each person against the day when that human will die and be summoned to enter the Courts of the Underworld for judgement.\" A temple dedicated to the Jade Emperor on Coal Hill in Peking was where the living emperor of China prayed for rain during long droughts, requesting the Jade Emperor to instruct the Dragon King to cause rain to fall.\n\nReverend Hutson in Szechuan recorded his observation that lanterns hanging before the altars of Yuh Huang were taken home by childless couples and a new lantern presented in its place if a son was born to them. These lanterns were also hung in orchards and elsewhere to secure a good crop.\n\nThe Jade Emperor is a puritanical god, offended, for example, by the sight of a pregnant member of the family attending a sacrifice. In some places women are not permitted to worship him. As supreme Sovereign of the universe he is rarely approached directly, and usually only receives devotional offerings. Worship is therefore performed with great care, and his image and altar is treated with the greatest solemnity. The common man is loath to approach him unless he has little choice. The main reason for doing so is to obtain a prediction of fate; he knows that he cannot always change it, but if the common man is aware of what is in store he can plan ahead.\n\nThe Jade Emperor is only approached directly, with great trepidation, when the plea being submitted by the devotee is of the greatest import, or when the Jade Emperor's underlings have failed to come up with the goods, and devotees' expectations have not been achieved; under normal circumstances pleas are submitted to the Jade Emperor through lesser deities. In a small temple in an immigrant community in Kowloon, the Jade Emperor, their only main deity, is approached by devotees for remission of punishment for their sins in return for promises of future good deeds. The devotees have to submit their pleas to the Jade Emperor through the temple keeper. He in turn voices their pleas to an unnamed invisible bodhisattva (pusah) who approaches the Jade Emperor on their behalf.\n\nIn many parts of China the Jade Emperor was considered too holy, too awesome, and too powerful to be represented by an image, and only a tablet bearing his title was permitted to be placed on the altar (see Plate 1). In other parts, amongst the Fukienese in particular, he is believed to reside in the ash of the main incense pot on his altar (the main altar)", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211637, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 52, "title": "RAS-1989", "content_text": "27\n\nOne of the unique features of the cult of the Jade Emperor is the extent to which members of his immediate family also appear on altars. In Taiwan and South-East Asia in Fukienese community temples, some of the daughters of the Jade Emperor are portrayed in image form on altars both with their father and alone, and prayed to in their own right. The Jade Emperor is said to have sons and four, or according to others, seven daughters. Temple keepers, when asked, without exception denied that the sons and daughters were approached by devotees who hoped for indirect but preferential treatment of their requests from the Jade Emperor.\n\nGraham in Suifu noted two statues in Jade Emperor temples portraying his daughters. (Regrettably Graham did not provide characters, simply giving their titles as Yin Fei U Nu and U Giang U Nu (the U Nu probably being Yuh Nu)).\n\nThough his daughters did not become prostitutes in the ordinary sense of the word, many amusing and ribald stories are told about them. The Jade Emperor's seventh daughter, Chang Ch'i-chieh (A) [Chang the seventh sister] chose to marry a woodcutter who, from the description in the legend, must have been not far off mentally defective. He did not even understand what a wife was. She overcame the woodcutter's mother's natural reluctance to see a beautiful and intelligent young woman throwing away her life to marry her idiot son. Ch'i Chieh was a good wife and all went well. However, unfortunately, she came to the notice of a rich and handsome young man who was determined to have her. She arranged to marry him in exchange for a very large bride-price to be paid to the idiot and, being an immortal, she punished the rich man severely on their wedding night. He promptly changed his mind and released her, whereupon she returned to the idiot who was now rich, and bore him a son. She then returned to Heaven having fulfilled the curse, but at the same time, she had punished the wicked and rewarded the filial, if idiot son.\n\nIn one temple only, small images of the mother and two wives of the Jade Emperor stand alone in a small shrine behind the main altar on which stands the image of the Jade Emperor himself. This temple layout in Silat Avenue in Singapore is very rare as the consort of the Jade Emperor, according to several different god carvers, is never portrayed on the altar. However, Graham, in Suifu in Szechuan in 1928, noted an image of the Jade Emperor's mother on the side altar in his temple, called Yuh Huang.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211640, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 55, "title": "RAS-1989", "content_text": "30\n\non an altar in a folk religion temple in Pongol in northern Singapore.\n\nIn the Feng Shen Yen I, mythical tales known to most Chinese, Yang Chien is described as the nephew of the Jade Emperor. Yang, also known as Erh Lang in some stories and in some temples, was a mythical general fighting for the legendary Shang (Yin) dynasty during the wars of the 12th century BC.\n\nAnother popular romance of the Ming, the Journey to the West, better known as the story of Monkey, tells of the incident when a heavenly being was exiled to Earth for re-incarnation as a punishment for assaulting one of the Jade Emperor's daughters. By mistake he entered the womb of a sow and was born half-man and half-pig and is now best known as Piggy, one of Monkey's assistants.\n\nThe Jade Emperor's festivals are celebrated on his birthday, the 8th and 9th of the first lunar month, and on the 6th of the eleventh lunar month, the anniversary of his ascension. In parts of Taiwan he is also feasted on the 24th of the sixth lunar month, and in South-East Asia on the 6th of the fourth, and fifth of the eighth lunar months. Though it is not a date on which humans especially revere the Jade Emperor, all the gods of Heaven assemble on the 19th of the first lunar month to pay their respects to him.\n\nHe is offered a feast on his birthday which includes duck and chicken, but must include pork. These offerings are placed on a table in the open, before the front entrance to the courtyard, together with candles and the large-size sticks of incense. Two whole sugar canes with leaves intact are especially popular offerings in Fukien communities to celebrate the escape of Fukienese who hid amongst the fields of cane to avoid being killed by an enemy. The survivors offered such canes to the Jade Emperor in thanks and the custom has persisted.\n\nIn general, routine offerings before the altar of the Jade Emperor consist of the standard three sticks of smouldering incense. However, offerings of a vegetarian feast are made to him in Hong Kong on the first day of the lunar new year, accompanied by the burning of spirit money. Not all families perform this ritual, many Hoklo and Hakka families prefer only to offer the basic vegetarian meal.\n\nThe Jade Emperor is usually accompanied on the altar by images of", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211642, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 57, "title": "RAS-1989", "content_text": "32\n\nHuang T'ien Shang Yi (LR)\n\nSan Chieh Yu Huang Ta Ti (三界玉皇大帝)\n\n(The San Chieh altar before a temple entrance in Fukienese and Ch'aochou communities, represents the Supreme Deity, T'ien Kung (The Jade Emperor). It is a trinity of Heaven, Earth and Mankind, and the altar is usually higher than normal altars.)\n\nYuan Chih T'ien Tsun (X) (Taiwan)\n\nYu Huang Chih Tsun(玉皇至尊)\n\nYu Huang Ta T'ien Tsun (X) (Taoist)\n\nCh'ing Ching Tzu Jan Chiao Wang Ju Lai (a**=**)\n\nSome temple keepers claim that Yuan Shih Tien Tsun is an incarnation or alternative title for the Jade Emperor. Though Yuan Shih T'ien Tsun is often claimed to be the Supreme Emperor of the Beginning of time, he is primarily a member of the Trinity, the San Ch'ing (), and its first member. He is the First Principle, he has no beginning and no end, is the source of truth and his doctrine leads to Immortality. He dwells in the Kunlun Mountains and was possibly a deity invented by the Taoists to counter the then growing influence of Buddha. His image appears with that of the Jade Emperor on a number of temple altars, thus highlighting the difference between the two deities.\n\nMost of the information related above about the Jade Emperor is reasonably well known; however, the question of the images of the children of the Jade Emperor is a subject which appears not to have been investigated before. Most of the children, numbering up to seven daughters and four sons, appear on altars with their father, in groups on their own or individually alone as deities in their own right. Temple keepers without exception did not know why the particular son or daughter was represented on the altar in their temple though some suggested that the children were really well known major deities such as T'ien Hou and Kuan Yin. However, it is understandable that individual members of the Jade Emperor's family who are referred to on a number of occasions in the legendary history, the Feng Shen Yen I, together with mythical apotheosised heroes from the same legends whose images appear on Chinese altars, should themselves also appear on Chinese altars.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211644, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 59, "title": "RAS-1989", "content_text": "34\n\nFUKIENESE WANG YEH (王爺)\n\n(ONG YA [HOKKIEN])\n\nKEITH STEVENS\n\n'Wang Yeh' is the popular and workaday title given to a large number of Chinese deities China-wide and not, as widely believed, just in South China. The Wang Yeh of the Fukienese in South-East China, for example, are in no way connected with, and have nothing in common with, for instance, the Szechuanese riverboat people's Wang Yeh.\n\nAll Wang Yeh in Fukienese communities tend to be thought of by outsiders as pestilence deities; that is, protectors of communities against plague and epidemic. This is not necessarily so. Fukienese Wang Yeh fall into two categories. The first category comprises those whom the Fukienese know to be disease spirits or demons but, by using the polite honorific 'Wang Yeh', they not only avoid voicing the spirits' or demons' true identity and offending them, but also, in practice, honour them, with the consequential hope of buying them off. These are the Pestilence deities. The second category, revered by the majority of Fukienese believers, not only in Fukien province itself (on the mainland opposite Taiwan), but also by Fukienese settlers in South East Asia and Taiwan, consists of a number of individual deified folk heroes, bona fide deities from the higher echelons of the pantheon.\n\nA number of Taiwan temple keepers claim that the Wang Yeh were once all pestilence deities but nowadays in the eyes of the devotees they are gods 'who are everywhere and can do anything'. Pestilence Wang Yeh are second in the list of popular cults in Taiwan (based on the number of temples in which they are the main deity) following close on the heels of the very popular fishermen's protective deity T'ien Hou, often referred to as Ma Tsu or T'ien Shang Shengmu. Despite this, the appeal of the Pestilence Wang Yeh is limited and their status in comparison much lower.\n\nWithin Fukienese communities all Wang Yeh are now regarded as protectors. The specific Wang Yeh of the first category protect against plague and other pestilence; they have no history of earthly lives whereas the second category Wang Yeh, the community deities, are general...", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211646, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 61, "title": "RAS-1989", "content_text": "36\n\nto have a soft cloth crown either with or without a top knot, usually coloured blue. Again, a carver in Taipei put this and the other differences down to the whim of individual carvers. According to legend in Singapore, one of the Pestilence Wang Yeh, after he had received his deification authority from Heaven saw a plague demon scattering plague pellets over the Earth. The Pestilence Wang Yeh, Yeh Wang Yeh according to the raconteur, gathered them all up and swallowed the lot to save mankind from being inflicted. At once his hair stood on end and his eyes protruded in their sockets, and this is how his image is portrayed. However, when we examined the image the only characteristic noted were his round protruding eyes.\n\nAll Pestilence Wang Yeh are portrayed seated, rarely with anything in their hands though the occasional one has a drawn sword held at waist height, but this is rare. Most have their feet resting on small animals, usually stylised lions. A god carver explained, in relation to the Pestilence Wang Yeh, that it is important that the feet of senior or powerful deities do not rest directly on the ground, it is just not done!\n\nFrom the earliest pioneering days of the colonization of southern China by northern Chinese epidemics have ravaged southern populations. Devastating epidemics of plague and parasites, fevers and contagious diseases linked with lowered resistance in the hotter and humid south left the settlers in dread of smallpox, paratyphoid, cholera, dengue and malaria. Contemporary medical expertise was completely out of its depth and unable to be of much help, leaving the immigrants only their gods to turn to for protection and a cure. The settlers brought south with them the concept, already well known to the colonizers from north and central China that sickness was caused by the forces of evil. These forces, invisible armies of demons led by demonic generals had to be repelled and, if possible, destroyed. As these forces were from the other world the best, and possibly the only counter would be to use the righteous and virtuous spiritual forces in the other world,\n\nEventually, within the Chinese pantheon a Ministry of Epidemics was conceptualised incorporating the various sickness-countering deities, each bearing not only its personal name and title but also local colloquial titles the best known of which is probably the Sickness Spirits (or gods) (Wen Shen). These are known amongst Fukienese communities as the Pestilence Spirits, the Wang Yeh.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211649, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 64, "title": "RAS-1989", "content_text": "39\n\nmajor festival held every five years, hence their title. The ten are Chang (H), Hsu (1), Keng (I), Wu (5), Ho (FPJ), Hsuch (B‡), Feng (B), Chao (#), T'an (M) and Lu (F).\n\nThe generally accepted leader of the Pestilence Wang Yeh is Chih Wang Yeh (1) who is also known by other honorifics, as are other Pestilence Wang Yeh, as Chih Fu Wang Yeh (b); Chih Fu Yuan Shuai (EBD); Chih Fu Ch'ien Sui (af); Chih Fu Tai Hsun (£FF{X); Chih Ch'ien Sui (-1) or Tai T'ien Chin Fu (RX##). In Singapore and Malaysia a not uncommon title for the Pestilence Wang Yeh is 'Great One' (Ta Jen AA), a title more frequently given to non-Pestilence Wang Yeh in Taiwan. In Ang Mo Kio in Singapore three Pestilence Wang Yeh, Li, Liu and Chin who occupy the main altar are referred to both as Ta Jen and Wang Yeh in temple notices. They are prayed to not only for protection from disease but also for tranquility in the home. In Taiwan and South-East Asia a number of what would be non-Pestilence Wang Yeh in Fukienese communities are referred to as Lao Yeh (Em) and Ta Jen. They are mainly in Hakka communities and are very local deified and revered worthies.\n\nPestilence Wang Yeh are identifiable by the honorific 'Touring and Inspecting on behalf of Heaven' (Tai T'ien Hsun Shou X). The various other titles borne by Pestilence Wang Yeh in Taiwan include Tsun Wang (Honourable Prince), with the three on the altar being the First, Second and Third Honourable Princes (AZE); Ch'ien Sui (Prince or Excellency T); En Wang (Prince of KindnessE); Wang Kung (Prince 4), and 'An Emissary for Disaster Relief' (Hsing Ts'ai Shih Chih 77(K).\n\nA number of temple keepers differentiate between a Wang Yeh and a Ch'ien Sui. The former they claim to be permanent whilst Ch'ien Sui are only temporarily on Earth 'for less than one thousand years'. The Wang Yeh are said to be the senior, promoted on orders from Heaven, whilst the Ch'ien Sui are deities promoted by popular acclaim. They are, however, prayed to in the same way, for the same things and with the same results. The latter are also the patrons of sorcerers (wushih ZEL) who use them as a go-between between them and their spiritual contacts. There is little functional differentiation as all are believed to be capable of fending off disasters and curing sickness.\n\nIn one instance, and probably in others too, the full title of a particular", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211652, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 67, "title": "RAS-1989", "content_text": "42\n\nBoats. Pestilence Wang Yeh are also quite common on the altars of Fukienese community temples in Malaysia, Singapore and Indonesia having been carried there by emigrants.\n\nAlthough there are no Pestilence Wang Yeh on the altars of temples in Hong Kong and Macau, there are two deities bearing the same honorific, and also there is the concept of pestilence demons being exiled during a major festival. One of the two deities is the comparatively rare Cantonese cult deity, Chang Wang Yeh (E), consulted before building a house or fixing the date for a wedding. His image is to be seen on a side altar in a secondary hall in the Hung Hsing Temple in Wanchai, and again in another Cantonese temple in Waterloo Street in Singapore where his title is Chang Wang Lao Yeh. The other deity is K'ang Wang Yeh (E). He is one of the four life-size images at floor level before the main altar of the Northern Emperor [Chen Wu] in Mong Tseng Wei near Deep Bay in the New Territories. These four are known simply as the Four Generals and whilst the other three are relatively common deities from Chinese mythology, Hua Kuang, Chao Yuanshuai and Yin Yuanshuai, nothing is known in this temple about K'ang Wang Yeh.8\n\nThe Five Ubiquitous Ones, the Wu T'ung (F), formerly worshipped in North China as pestilence deities have been seen in Ch'aochou (Teochew) illegal squatter temples in Hong Kong but not in Taiwan. According to several temple keepers the Five are potentially harmful unorthodox (H) spirits and not beneficial spirits (#). One keeper added that the Five had been worshipped in Kiangsu and Chekiang provinces as well as by Ch'aochou people and that they were in some way connected with the roaming spirits of the tens of thousands soldiers killed during the wars which ended the Mongol (Yuan) dynasty and led to the founding of the Ming. The Five have no individual identities whereas the Pestilence Wang Yeh do have surnames.\n\nUnlike other deified Chinese, images of the Pestilence Wang Yeh are floated out to sea or burnt to carry away the pestilence demons associated with them. The nearest in comparison here would be the paper images of deities burned after major festivals such as the image of Kuan Yin, the Goddess of Mercy in her form as Ta Shih (±) the very ugly demonic form which she assumes to prevent lustful demons from assaulting her when visiting the Afterworld during her missions of mercy. Her image as Ta Shih in paper and bamboo is burnt to carry her over", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211653, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 68, "title": "RAS-1989", "content_text": "43\n\nto the Afterworld during the major festival of the Hungry Ghosts.\n\nIn Chinese ethnic communities other than the Fukienese, pestilence deities are rarely known as such, though individual 'deified doctors' (deities prayed to for specific cures and illnesses) are believed to have special abilities to prevent or cure plague and pestilence. They are not referred to or considered as Wang Yeh. A good example of this is the image of Sui Ching-po (#24(1)) brought to Hong Kong in 1894 during a major outbreak of plague.\n\n4\n\nAmongst the large number of Pestilence Wang Yeh temples in Taiwan the most popular is, as already mentioned, at Nan K'un Shen at Peimen, just north of Tainan. This modern temple is located on the site where the Five Wang Yeh are believed to have first arrived in Taiwan from Fukien province some four centuries ago aboard their Spirit Boat. It began, as did most modern temples, as a tiny shrine of mud and stone, and as time passed and the community became wealthier, and of course, when the cult proved efficacious, the building progressed from wattle and daub, to wood and then to brick and tile. The Nan K'un Shen (A) temple contains a blend of cults, of Wang Yeh, of a protective general and the spirits of the unknown dead, the Yu Ying Kung.\n\nLegend has it that several hundred years ago a youth looking after cattle took shelter from the rain under a tree and stayed dry due to the special quality of the tree. The boy died young, seventeen according to some, and was buried under the tree as he had stipulated in his last wishes. From time to time his spirit, which was at first called the Spirit of the Broom (k) appeared to villages who built a small shrine for him referring to him now as Yu Ying Kung (A).\n\nHe was looked upon as the 'prince' of the surrounding area. However, later five Wang Yeh arrived in their Spirit Boat and the spirit of a general was brought over to Tainan; they asked the Yu Ying Kung spirit to permit them to have a temple in which they could live to be built nearby. The Yu Ying Kung refused and said that he had stuck a needle into the ground to mark his possession of the territory. The Wang Yeh countered this by claiming that they had buried a coin in the ground and thus they too had a claim on the territory. It came to blows until Kuan Yin intervened and a compromise was reached with the two temples standing side by side sharing one common wall which separated them. Thus it is that the Plague Gods (The Wang Yeh), the general (an unidentified and unnamed", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211660, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 75, "title": "RAS-1989", "content_text": "50\n\neach bearing a different surname. Depending upon which source you accept the maximum number of individual surnamed Pestilence Wang Yeh would appear to be a mere 106 or 132 out of the 360.\n\nThere are at least five or six different legends describing the origins of these spirits which vary enormously both in general and in detail with the most popular story heard repeatedly in Taiwan and South-East Asia being of 360 musicians deified by an emperor of China. Cautionary stories about the threat to the populace from the 360 Plague Gods were common throughout China but other than in Fukienese communities they were not referred to as Wang Yeh. In some versions the spirits of the musicians spread out all over China and in our major legend five particular spirits, deemed special protectors of the area, ended up in the Changchou and Ch'uanchou area of Fukien.\n\nThe different legends, in general, claimed that the group of Pestilence Wang Yeh were 'scholars killed by Ch'in Shih Huang Ti, the unifier of China in 210 BC, who ordered the burning of books and the burial of Confucian scholars'; 'T’ang dynasty literati who died as a result of the folly of the emperor T'ang Ming Huang (685-762AD)'; 'The 360 Ming literati who refused to serve the usurping foreign dynasty, the Ch'ing and hanged themselves, (mid-seventeenth century AD)'; 'The five scholars who killed themselves to save villagers from an infected well'; or, finally, are 'spirits of the man-in-the-street who died of plague and became Plague gods'.\n\nA few temple keepers claim that the Pestilence Wang Yeh are subordinate to the Lord of Mount T'ai and of the Underworld (T’aishan Ta Ti 泰山大帝).\n\nThe following are a number of the legends in greater detail. The first relates that during the reign of T'ang T'ai Tsung (627-649 AD) five scholars who had been unsuccessful at the imperial civil service examinations had stayed on in the capital living on what they could earn playing music. The emperor summoned them to the palace to play for him and had at the same time the Taoist 'pope' Chang T'ien Shih (Chang the Heavenly Master) in audience. The emperor wishing to test the 'pope's' magical powers ordered the musicians to play in the cellar whilst he told the ‘pope' that there were five demons in the basement. The 'pope' using his secret arts killed all five. The emperor was both appalled and ashamed of what he had caused and deified all five.\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211668, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 83, "title": "RAS-1989", "content_text": "58\n\nTaiwan is dedicated to General Su. He is worshipped by Lukang traders of Quemoy (Chinmen) stock for protection. Two images of him stand on the main altar, one being the main image (Su Fu Ta Wang Yeh *) and the other a secondary image (Erh Wang Yeh Em). According to the temple keeper the latter was carved to satisfy the demand of worshippers for a portable image to take home for private reverence. A third image known as the San Wang Yeh (=E) was placed on the altar of a nearby branch temple (Fen miao). A number of branch temples dedicated to Su as a Wang Yeh, a Ch'ien Sui and as a General or Marshal (Chiangchun and Yuanshuai é) are to be found in many places in central and northern Taiwan.\n\nHis image on the main altar of his temple in Lukang portrays him as black faced and black bearded, a standard carving of a seated dignitary wearing a scholar's gilded cap. Before him are seated five other images, one is the portable image of him in the centre, flanked by the four minor Ch'ien Sui, Chiu, Liang, Chin and Ts'ai,\n\nIt is interesting to note that the deities in the temple at Lukang are colloquially referred to as Su Fu San Wang Yeh, The Three Su Wang Yeh. This despite them being but one person, and there being only two images in the main temple whilst the third is in a temple nearby.\n\nFinally, some dozen or so small images of standing soldiers in a V formation together with their commander crowd a secondary altar in the temple. They represent the army of General Su.\n\nThese four are examples of non-pestilence protective deities referred to as Wang Yeh; there are a few other deities, not protective deities as such, who are also referred to as Wang Yeh in Taiwan. A good example is the T'ang emperor Ming Huang, patron of actors and actresses, known also as the Prince of the Western Ch'in (Hsi Ch'in Wang Yeh Еƒ). He fled to Szechuan province in the far west of China after he abdicated which led to him being given this title. T'ang Ming Huang is probably best known to foreigners for his infatuation with the concubine Yang Kuei-fei which nearly lost him his throne.\n\nTo conclude, the large cult of Pestilence Wang Yeh, almost exclusively worshipped nowadays by the Fukienese and referred to simply as Wang Yeh has been confused over the years with other cults whose individual deities have borne the same honorific which, despite being protective", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211669, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 84, "title": "RAS-1989", "content_text": "59\n\ndeities are not pestilence deities. The confusion has been compounded by the Fukienese themselves when over the years they unconsciously accepted all deities bearing the honorific Wang Yeh as protectors from epidemics.\n\nNOTES\n\nThe term Wang Yeh is best translated perhaps as 'The Excellencies'. It was a title given to imperial princes or lords, and interestingly it was also a term used by robbers for their brigand chief. See Plates 9-14 for illustrations to this article.\n\n2 There has long been controversy whether the Pestilence Wang Yeh are shen (Supernatural beings, spirits or deities) or kuei (shades of the human dead and pejoratively used for ghosts, spectres and demons). One god carver in Singapore explained that Pestilence Wang Yeh are \"half-deities\", (pan shen) that is half-shen and half-kuei. However, whilst a number of Pestilence Wang Yeh have ferocious faces, the great majority are portrayed as standard deities with no indication of demonic characteristics. An elderly and authoritative Fukienese god carver in Singapore explained in hushed tones that the Pestilence Wang Yeh are neither gods nor demons, are feared but not revered, and not only protect against plague but also cause it. They are, he repeated, semi-deities from the lower echelons of the bureaucracy of the Afterworld who do not like the human world and therefore cause trouble and bring calamity and misfortune. However, if prayed to they are quite prepared to care for devotees who seek protection. For this reason, more often than not the scale of devotion and offerings to the Pestilence Wang Yeh is greater than that provided to more powerful but orthodox gods.\n\nE\n\nDoolittle J. Social Life of the Chinese 2 Vols: New York: (1865).\n\nA god carver in Singapore suggested that Pestilence Wang Yeh have been given surnames so that no particular surname group is left without a specific deity to worship.\n\nThe only time that all images can be guaranteed to be on their altar in their temple is during the temple's annual festival.\n\nThe altar of Chu Wang Yeh in a temple in Lukang, Taiwan was destroyed by a flood some fifteen years ago. Of the three Wang Yeh images in the temple at that time (Chu, Ting and Nieh) only one image, that of Chu, was recovered. Although a new temple has been built for the three but only containing one image, the one of Chu recovered from the flood, devotees have largely stopped away. They seem to have lost confidence in deities who were unable to protect themselves against disaster.\n\n7\n\n**At Cheung Chau Island in Hong Kong in the afternoon of the third day (of the chiao festival of ritual purification held every ten years) a ('paper boat') ritual to chase away the Demon of Pestilence is performed. A Taoist issues orders to a Heavenly Envoy to carry off the boat and puts the Demon of Plague on a boat and leaves it in the outer seas. The Heavenly Envoy, like the King of Ghosts (Yenlo Wang), has a fierce-looking face. It is an image of about one metre high and the boat is a small one of about one and a half metres long. A Taoist lifts the Heavenly Envoy to a stage in the matshed theatre and chants a question-and-answer song which instructs the Heavenly Envoy. Having finished that, the villagers then put the Heavenly Envoy into the boat loaded with offerings. The boat is taken to the sea shore and left on the waters.\" Tanaka Issei: \"The Jiao festival in Hong Kong and the New Territories\", The Turning of the Tide Religion in China Today: Hong Kong Branch, Royal Asiatic Society, and Oxford University Press (Hong Kong); (1989), p. 287.\n\n8 There is a K'ang Yuanshuai, ie Marshal K'ang, on several Taiwanese altars where he", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212159, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 101, "title": "RAS-1990", "content_text": "78\n\nicon form on minor altars in Taiwan. These icons are understandable as portraits of Sun the 'Father of the Nation' appear with those of Chiang Kai-shek in offices, schools, barracks etc. where they were bowed to each morning as a sign of respect. Among the less literate and more superstitious it is not difficult to see how this has led to such icons appearing on altars with incense burnt before them.\n\nIn the mid-1960s, the Kuomintang organised a political demonstration in Cambodia on the 15th day of the seventh lunar month, the middle of the month during which Hungry Spirits return to the human world for thirty days. During the demonstration public sacrifices to the spirits of the victims of the communists in China were performed. There was also talk of deification of one or two but this came to nothing.\n\nIt has not been unknown for outstanding living persons to have a sanctuary built in their honour. The magistrate of Ch'ing-ho district in Hopei was such a man. He brought about a substantial reduction in taxes and other government levies and thus lightened the financial burden on a hard pressed people. In 1886, two years after he had been transferred to administer another district, the grateful populace of Ch'ing-ho built a shrine in his honour.\n\nIn Singapore in 1970 a new cult was founded near Woodlands on the northern tip of the island when the deity, Wu T'ien Chu, appeared to a Singapore Fukienese man in a dream. The deity explained to the Fukienese that he, Wu T'ien-chu [The Military Master of Heaven], was a mighty deity who had chosen the Fukienese man to become the 'Master Warrior' of his cult. He required a new bungalow to be converted into accommodation for the founder with the lounge becoming the altar hall. He told the Fukienese man that he would protect his devotees, cure their illnesses and bring them good fortune. A statue of the deity was carved in the likeness of the spirit as he appeared in the founder's dream and placed on the altar. The founder, the Fukienese man, explained that with his wide knowledge of all religions he encourages devotees from every nation and creed to worship in his temple. He explained that the world's most powerful deity is the Jade Emperor, with Sakyamuni, The Buddha, as his deputy. Next in seniority is Kuan Yin followed by Wu T'ien-chu who has a great many assistants and warriors under his charge, none of whom is ever portrayed in image form. He continued that the four pillars of the cult are \"the four gods (shen) of other religions, Buddha, Christ, the Pope and Mohammed”.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212167, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 109, "title": "RAS-1990", "content_text": "86\n\nA local Ch'ao-chou cult image seen on a secondary altar in a tiny makeshift rural temple in Ulu Sembawang in Singapore is said to represent the spirit of a nine-year-old boy who died in the late 1960s. He is the medium spirit who speaks through his aunt, providing advice for local devotees. His aunt raised the image after she found that the spirit of the boy returned to her in a dream offering to help people. The boy is known by the title of 'the Prince of the East of the Sea', Hai-tung Tai-tzu.\n\nA Cantonese Kuomintang soldier, Huang Chin-ch'uang, crossed to Taiwan in 1949 with the retreating KMT forces. He was posted to Pingtung near Kaohsiung and served with a unit near the main village on the island of Little Liuchiu where some time later he became ill and died. The people of the village, remembering his kindness and goodwill and knowing that he had no family of his own, buried him in an auspicious spot on the hillside. He became the spirit guarding the hills above the village and also gained renown for his ability to protect fishermen in danger. A shrine, a privately run temple, was built in his honour and an image of him placed on the altar where he is now known as Marshal Huang despite having been a mere private soldier.\n\nWang was a sailor left behind in Java by the great Ming explorer Cheng Ho at the beginning of the sixteenth century. His image is to be seen on a side altar in the Earth God temple at Ancol, not all that far from Jakarta, whilst tablets dedicated to him are to be seen in Chinese temples in Semarang and near Sourabaya, all on the island of Java. Local Chinese belief is divided as to whether he was pure Chinese or Javanese, and whether he was a shipwright, navigator, or senior member of Cheng Ho's crew, or merely a Javanese interpreter. They are at one, however, that Wang was a Moslem and that he married a Javanese wife and lived out his days, dying peacefully in Semarang.\n\nOf these ten male and two female spirits, all but two are represented by stylised images on altars, and they are taken from each of the main ethnic groups along the south China coast, the Cantonese, Fukienese, Hakka, Ch'ao-chou, and Hainanese.\n\nFive originated during the past fifty years, three some time during the past century, whilst four definitely developed during the Ch'ing dynasty.\n\nOnly six of the spirits still have their full names remembered, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212383, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 325, "title": "RAS-1990", "content_text": "302\n\nNOTES\n\nL\n\nThis same carver also referred to the Fukienese Pestilence Wang Yeh as \"pan-shen pan-kuei\" (Note 1: Page 59 of Vol 29: 1989 Journal) as they too are neither gods nor demons, but 'humans of the other world'.\n\nSee Plates 7-9.\n\nTHE MAKING OF A HUSK-GRINDER\n\nMr Chung Yick Ming, the Chairman of Tai Po Rural Committee took me to see Mr Chung Koon Tai (#) who is a villager of Chung Uk Village in Lam Tsuen Valley in Tai Po, New Territories.\n\nMr Chung Koon Tai is now 76 years old. He first joined the trade of husk-grinder (A) making when he was 16 years old as an apprentice. His teacher was a fellow clansman. He retired in 1980. He also got an apprentice to succeed to the craft of husk grinder making. Because of the decline of rice farming in the New Territories since the 60's, the apprentice could not find a living with his profession, and therefore has migrated to UK.\n\nIn those golden days of husk-grinder making, Mr Chung received orders for grinder making from villages all over the New Territories. He had to travel to these villages on foot and stayed there for three to four days to make a husk-grinder. He also made husk-grinders for rice-grinding shops (*) in the old market towns in Tai Po, Yuen Long and Tuen Mun. Chan Yat Sun (H), the former Heung Yee Kuk Chairman, was also his customer when he owned a rice-grinding shop in the town of old Castle Peak (Tuen Mun today).\n\nThere used to be two skilled workers working together to make a husk-grinder. When they arrived at the village, they first went to find some bamboo which was available almost everywhere in the New Territories. They cut down some bamboo and then stripped the bark off layer by layer into long narrow pieces of a quarter to a half inch wide. They then wove these long narrow bamboo strips into the upper and lower parts of the outer framework of the grinder, which looked like two empty baskets. The upper part was fixed with a wooden handle and a wooden funnel which helped the grain to go to the grinding surface. The lower part was also fixed with an axis of iron in the centre.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212658, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 212, "title": "RAS-1991", "content_text": "193\n\nto and honouring the memory of Wang Te-lu, an Imperial fleet commander who helped clear the Straits of Formosa of pirates during the early years of the nineteenth century. The Wang Clan Temple in T'ai-pao village in Chia I county in central Taiwan was an elegant building first built during the late 19th century by the proud clan whose surname Wang Te-lu bore. It was rebuilt in 1979, this time a modern metal frame construction retaining the comparatively small single hall in which there is but one altar on which stands one large multi-ancestor tablet and three ancestral tablets. The flanking walls bear texts, with Wang Te-lu referred to in a number of the captions as Wang Ta-jen, i.e. His Excellency Wang, and paintings of Wang Te-lu stage left and of his primary wife stage right.\n\nAlthough we know little about Wang's early life apart from what has been retrieved from local folk memory which, as with all family recollections, is highly subjective and probably exaggerated out of all reality, we do have official records of the highlight of his life. This \"five minutes of glory\", depicted in a painting hanging in his Memorial Chapel illustrating the incident, was his victory over pirates who had been causing immense and terrible problems up and down the coasts of the southern provinces of Chekiang, Fukien and Kuangtung since the late 1790s. One pirate fleet in particular had sailed the Fukien coast under its dreaded Fukienese leader, Ts'ai Ch'ien. The Chinese Imperial naval commander, Li Ch'ang-keng, commanding the joint fleets of Fukien and Chekiang province, determined to suppress them, successfully defeated the pirates on a number of occasions but was killed in action in 1808, following which his two subordinate admirals, of whom Wang was one, were entrusted with continuing the task. Wang, in charge of the Imperial Fukien fleet, together with the Chekiang fleet under Admiral Ch'iu, fought the major battle in September 1808 near the Tai-chou islands off the Chekiang coast. The pirate fleet was destroyed with Ts'ai Ch'ien going down with his ship.\n\nWang was born and named Te-lu, literally meaning \"To become prosperous and happy\", in 1771, the thirty-fifth year of the emperor Ch'ing Ch'ien Lung, in Kiangsi's provincial city of Nanch'ang, and in later years acquired the courtesy name of Pai-ch'u, literally \"All Honours are concentrated within Him\"; and the literary name, Yü-feng, literally meaning \"The Jade Peak\". He died at the age of 71 in 1842 on the Pescadores, an archipelago in the middle of the Straits of Formosa, and having been borne in honour back to Taiwan, was buried in Hsin-", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212940, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 8, "title": "RAS-1993", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nHON AUDITOR'S REPORT\n\nARTICLES:\n\nKarina Lam Wai-Ling - The Concern of a Nation's Face: Evidence in the Chinese Press Coverage of Sports. ............................ 1\n\nJanet George - The Lady Doctor's 'Warm Welcome': Dr Alice Sibree and the Early Years of Hong Kong's Maternity Service 1903-1909 .. 81\n\nKeith Stevens - Three Fukienese [Min-nan] Cults: Pao-sheng Ta-ti, Ch'ing-shui Tsu-shih and San P'ing Tsu-shih ....................... 111\n\nGerald Choa - The Lowson Diary: A Record of the Early Phases of the Bubonic Plague Epidemic in Hong Kong 1894 ................ 129\n\nPatrick Hase - Eastern Peace: Sha Tau Kok Market in 1925 ............ 147\n\nNOTES AND QUERIES\n\nMary Pang - Reflexivity in Research and a Question of Culture ..... 203\n\nDan Waters - Tales of a Venerable Chinese Gentleman ................. 211\n\nDan Waters - Taking a Godson ............................................... 215\n\nGeoffrey Roper - Visits to the Swire Institute of Marine Science at Cape D'Aguilar 1993 and 1994 ............................................... 217\n\nBOOK REVIEWS ....................................................................... 221\n\nvii\n\nix\n\nxvi", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213062, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 130, "title": "RAS-1993", "content_text": "111\n\nTHREE FUKIENESE (MIN-NAN) CULTS\n\nPao-sheng Ta-ti, Ch'ing-shui Tsu-shih and San P'ing Tsu-shih\n\nKEITH STEVENS\n\nNot more than seventy miles distant from Amoy, though in different directions, three separate cult centres remain extremely popular not only with local residents but with Chinese emigrants from the area who now live as far afield as Java, Sumatra, Singapore, Malaysia and Taiwan. They are the cults of the health protector, Pao-sheng Ta-ti; and of two individual and distinctive Buddhist monks deified centuries ago, Ch'ing-shui Tsu-shih and San P'ing Tsu-shih.\n\nPao-sheng Ta-ti\n\nThe first, Pao-sheng Ta-ti, was traditionally a Sung dynasty local herbalist doctor, Wu T'ao or Wu Pen, who remained a bachelor and died in AD 1035. He is remembered not only for the magic spells he performed, such as spraying spirit water from his mouth on corpses or human skeletons bringing them back to life but, as his fame as a successful herbalist spread beyond Fukien, it led several centuries later to him being officially deified by Imperial Decree. It is not surprising therefore that his paramount role as a deity is to heal the sick. Known throughout his district, near Amoy, as the expert doctor who used his skills to cure the man in the street, he is remembered as having given his services free to the poor and by becoming a local deity by popular acclaim very shortly after his death. An image was carved by a local carver not long after his demise, said to be a true likeness but, according to another legend, it was how the carver had seen him in a dream. He is said by some to have been accompanied by a former petty official, only known as the Great Saint who Flew Off to Heaven [Fei-t'ien Ta-sheng], who also helped with his medical services. Pao-sheng Ta-ti is the patron deity of herbalists in Taiwan who claim he wrote a major medical encyclopedia and was a specialist in acupuncture in addition to his other skills.\n\nWu T'ao, born around AD 979, is said to have lived a virtuous life.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213066, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 134, "title": "RAS-1993", "content_text": "115\n\npossibly the one said to have been carried over by Koxinga, had miraculously brought it under control\n\nImages of Pao-sheng Ta-ti have been noted on altars in only two temples in Hong Kong, one in a Ch'ao-chou refugee community and the other in a Hakka community temple. Although his image has not been seen in any Cantonese temples there, it has been noted in temples where Cantonese are predominant in Ipoh and Kuala Lumpur in Malaysia.\n\nIn Pao-sheng Ta-ti temples, in SE Asia in particular, devotees take articles of clothing usually worn by a sick person who is unable to come to the temple in person, and wave them through the incense smoke before his altar. This can be done by the devotee himself, but normally the act is performed by a priest or member of the temple staff with a formalised ritual. The article is then taken back to the sick person who, wearing it, believes that Pao-sheng now knows about his illness and will do something about it.\n\nHakka vendors of herbal medicines venerate the Great Emperor as their patron, and in Malaysia a Hakka devotee claimed that this deity is worshipped mainly by Hakkas, with Wu T'ao himself having been a Hakka. Vaughan in Singapore in 1878 also claimed that Hakkas in eastern Kuangtung worshipped him, but as the King of Medicine, Yao Wang, and described the image of Pao-sheng Ta-ti in the temple in Telok Ayer Street as a ‘jolly looking elderly gentleman who watches over the sick and afflicted.' Vaughan explained that the title, that of Ta Tao Kung, was particularly used by Singaporean Hakkas.\n\nIn SE Asia, Pao-sheng Ta-ti shares the main altar with one or two other deities from much the same part of Fukien. These are Ma Tsu and Ch'ing-shui Tsu-shih, with Ch'ing-shui Tsu-shih the senior and Pao-sheng Ta-ti the junior deity. There have also been a number of innuendoes hinted at by temple keepers that there is constant friction between Ma Tsu and Pao-sheng Ta-ti following the failure to successfully arrange a marriage between the two.\n\nCh'ing-shui Tsu-shih\n\nThe second of the three cults, that of The Patriarch of Clearwater, Ch'ing-shui Tsu-shih, is a popular local Fukienese healing deity", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213068, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 136, "title": "RAS-1993", "content_text": "117\n\nCh'uanchou immigrants overseas, and in particular those from Yangchun. There are more than seventy-three temples in Taiwan dedicated to the deity, mostly in the Yunlin area, and as would be expected, he is very popular in Southeast Asian Fukienese communities where his images are to be seen in a great number of temples. However, his image has not been noted in either Hong Kong or Macau, nor had the local carvers in the two colonies heard of the deity.\n\nIn Taiwan and Fukienese communities in Southeast Asia, many small images are grouped in comparatively large numbers on the main altar tables of Ch'ing-shui temples. These are borrowed by the sick or by close relatives who beat them home, where they are venerated, often to diagnose sickness before prescribing a remedy. This is done through a medium, though occasionally a villager who has never been in a trance before may suddenly voice the advice of Ch'ing-shui. Some families purchase their own image of Ch'ing-shui for their family shrine, usually after the deity has approached a member of the family in a dream and suggested the idea to him or her. Very rarely do laymen approach the god directly; he is consulted through a medium who recites incantations and receives instructions at a séance during which the deity determines the cause of the problem and prescribes the remedy.\n\nIn Penang, Ch'ing-shui Tsu-shih is the main deity in the famous snake temple, where a great number of vipers hang from beams and branches and are known as the lieutenants of Ch'ing-shui or 'blue dragons', being referred to by devotees simply as 'dragons'. In another Penang temple, four images of soldiers in armour flank the image of the main deity, Ch'ing-shui Tsu-shih, with all four having surnames and together being known as the Four Great Marshals (of Ch'ing-shui) [Ssu Ta Yuan-shuai].\n\nLegends about Ch'ing-shui are numerous and varied. One or two temple custodians have tried to place him amongst the mythological heroes of the Feng-shen Yen-i, including Purcell, but nowhere in the legends of the early dynastic era is there any reference to Ch'ing-shui Tsu-shih. In general, he appears to have been a Buddhist monk, born in Yangchun during the Sung dynasty, in AD 1044, and to have died in ca. 1124. Amongst the various claims, one custodian suggested that he was a Sung military adviser, Ch'en Ming-chao, who fought a losing battle against foreign invaders and then fled south with the defeated dynasty and settled.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213072, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 140, "title": "RAS-1993", "content_text": "121\n\nhe was a hero who helped pacify the San P'ing area of Changchou who then had settled in the area, and when the T'ang philosopher, Han Yu, was banished to Ch'aochou in AD 819 he and I-chung saw much of each other.\n\nHis legends are so similar to those told about Ch'ing-shui Tsu-shih that it is more than likely that they have been confused and adapted by devotees. His image portrays him as a seated Buddhist monk, holding a fan in his right hand, but without any unique identifying characteristics. His festival is generally celebrated on the double sixth. It is also celebrated on two other dates, lesser festivals, the 26th of the sixth, being the anniversary of his enlightenment, and the 26th of the tenth, the anniversary of him being borne off to Heaven.\n\nThree temples in Taiwan are dedicated to him, two in Taman and one in Nantou, though his image also appears on a number of secondary altars elsewhere in Taiwan. In a large temple in central Taman his image is the centre one of a triad flanked by Ch'ing-shui Tsu-shih on his right hand, and San Tai Tsu-shih on his left. They are said to have been sworn blood brothers.\n\nHis image has not been seen in Hong Kong or Macau, and has only been noted on one altar in SE Asia, in Singapore where he is said to have been an incarnation of Ti-ts'ang Wang. They claimed that he died in Amoy where he sank into the ground and disappeared. He is portrayed on the Singapore altar as a standing gilded figure wearing a Buddhist mitre, and holding a rattle stick in his right hand and a bowl in his left.\n\nSan Tai Tsu-shih\n\nAnother separate southern Fukienese cult appears to be confused with Ch'ing-shui Tsu-shih. Three individual images have been noted on two altars, both in Yunlin county in central Taiwan, under the title of The Three Generations of Patron Saints or, as it was explained in one of the temples, that the three images represented one deity, The Third Generation Patron Saint, San Tai Tsu-shih. The main deity of the three is said to be the Second Buddha of the 31st kalpa. Some Taiwanese hagiographies claim that Ch'ing-shui Tsu-shih and San Tai Tsu-shih are one and the same deity, though one of the two temple keepers refuted this and explained that Ch'ing-shui Tsu-shih is the deputy to San Tai Tsu-shih.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213073, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 141, "title": "RAS-1993", "content_text": "122\n\nshih. The latter has not been noted in any altars in southern Fukien province, nor in SE Asia, though it is almost certainly a local Fukienese cult. However, in one of the temples in Singapore containing the image of San P'ing Tsu-shih it was claimed that there was a trio of sworn blood brothers, San Tai Tsu-shih, San P'ing Tsu-shih and Ch'ing-shui Tsu-shih. This group logically ties together the concept of a trio, with Ch'ing-shui being involved as a junior deity and with a black face.\n\nThe confusion arises presumably due to the similarity of the images. San Tai Tsu-shih is also depicted as a standard image of a monk, sitting cross-legged, wearing the five-leaf bodhisattva crown, but with a pink face. He is also depicted holding a fly whisk in his right hand and his left hand in a Buddhist mystical sign. Legend, as related in one of the temples, claims that the three generations, the father, grandfather and son, were fortune tellers of great renown who lived a thousand years ago in Ankur in Fukien, who cured the sick. In several successive years of desperate drought and famine, so the legend continues, they disposed of all their worldly wealth, giving it away to the poor and needy. Revered predominantly by emigrants from the Ankur region the triad is prayed to for a cure for all forms of sickness. They are also revered by local people who bear the same surname, Lin, with people referring to the old grandfather for advice on land purchase and before starting up a new business.\n\nThese three cult deities are revered separately and on their own altars in different temples both in the Amoy region and elsewhere, and are regarded as important cult units. Ostensibly the latter two, the deified Buddhist monks, would seem to be Buddhist deities; however, in practice all three cults are to be seen nowadays only in popular religion temples though never together. As with virtually all popular religion cults, they are not revered in isolation and stand on their own altars in temples beside altars bearing other deities of unconnected cults.\n\nNOTES\n\nOthers claim that it was the Lord of the North Star (Pei-tou Hsing-chun) who introduced this deity to mankind.\n\nThis is one of the instances when he appears to be being confused with Sun Ssu-miao.\n\nChang Sheng-che was identified in a rural temple in Chin-mei, on the mainland across the strait from Amoy island as the 'magician' Fa-chu Kung [qv]", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213472, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 68, "title": "RAS-1995", "content_text": "35\n\nTU\n\n=\n\n\"Egg families\" or \"Egg people”— an expression used by the land-dwellers but never used by the Tanka to describe themselves as they regard it as derogatory (vide Barbara E Ward's article “A Hong Kong Fishing Village” Journal of Oriental Studies, Vol 1 No 1 (January 1954) p. 195, and Reports, DCNT, 1955-56, para 8, and 1959-60 para 48) They prefer instead to refer to themselves as \"Nam Hoi Yan” (= “people of the southern sea”) or \"Shui Sheung Yan\" (= \"water-borne people\") (Reports, DCNT, 1955-56 and 1959-60, loc cit)\n\n71 Report, DCNT, 1954-55 para 8\n\nTH\n\nReport, DCNT, 1955-56, para 8\n\nReport, DCNT, 1954-55, para 8\n\n24 Report, DCNT, 1954-55, para 9\n\nTA\n\n&\n\nT\n\nReport, DCNT, 1959-60, para 48\n\nop cit p 332\n\nReport, DCNT, 1955-56, para 8, vide Ward, loc cit\n\nTH Reports 1959-60, DCNT, para 46.\n\nTo Balfour states \"The word Hoklo is a dialect variation of Fukien and the Hoklo are the Fukienese fishing people of our region, but there is another term for them always used in literature, Man. We have already seen that the Tanka are considered a branch of the Man tribe. The word is very ancient and is used synonymously for \"barbarian\" or \"uncouth\". From the name alone you can judge that the Hoklo were once considered by the Chinese as barbarians\" (op cit p. 332)\n\nEXOD\n\nReport, DCNT, 1954-55, para 8\n\n* Report, DCNT, 1959-60, para 47\n\n* Report, DCNT, 1954-55. para 8.\n\nop cit p 336\n\n*For example, I have omitted the subjects of house-building and names, which appear in Wilson's Notes (vide footnote 35 supra)\n\n**That was the view taken by the late Mr. G.E. Strickland, Solicitor General of Hong Kong, and his view was endorsed by the 1948 Committee vide Committee Report, 1953, Appendix IX p 120 and Chap. II para 13. (Section 25 of the New Territories Regulation Ordinance, 1910 has now become Section 17 of the present Ordinance (Cap. 97) vide supra)", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213615, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 211, "title": "RAS-1995", "content_text": "184\n\nfrom China, whose image has not been noted during my travels around Chinese temples in South-east Asia nor in Taiwan, and almost certainly Hokkien as the main deity, the Third Prince Nazha, and the other deities in the original village temple included Fa-zhu Gong, Sun the Monkey deity and several unnamed pestilence Wangye.\n\nAn elderly carver in Singapore told me during the early 1960s that he knew nothing about the deity apart from having drawn a sketch for his personal records a year or so earlier. The deity is portrayed as a dishevelled fierce male, sitting, dressed in armour covered by a long red robe. He has bare feet, round staring eyes, and unkempt hair and beard. His skin is chocolate brown apart from the shaven or bald front half of his head and his cheeks which are decorated with white and coloured stripes of red and green. Such markings are very uncommon. Similar ones, typical of the painted faces of opera characters, have been noted on Fukienese pestilence Wangye and on minor warriors, escorts to major deities.\n\nSo, apart from his title and his possible ethnic group, Hokkien, we do not know his legend and background, nor do we know why or for what he was revered.\n\nHowever, now that his image has reappeared on an altar, in Tampenis New Town, who knows what might happen. It is not impossible for a miracle, revealed perhaps in a dream or trance, to be attributed to Qixing Dadi and for the cult to take on a new direction and life.", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 214009, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 78, "title": "RAS-1997", "content_text": "44\n\nthe news to Tsung-pao.\n\nAt this point the commander of the Liao army arrogantly demanded that the Sung forces surrender. Miss Mu, angered by the enemy commander's comment about the Sung general dallying with her and being afraid to fight, fired a single arrow which took the helmet off the enemy commander's head. She then fired a second arrow at his left eye but he had already turned to flee and it struck his armour instead. Her popularity and prestige soared and the Liao Khitan forces' morale plummeted. Miss Mu led her force to victory whilst Yang the Fifth killed one of the Liao commanders and Yang Tsung-pao another, leading their forces in a rolling battle which lasted all of twenty-four hours. The defeated Liao Khitan fled, broken, back north leaving the field to the Sung. Peace reigned for the first time for decades and lasted for the following ten years.\n\nFinally, we have the tales told in temples, individual stories told not only by temple custodians and devotees about members of the Yang family with the father, Yang Yeh, the main character, but also by professional tea-house story tellers. One might expect versions of the lives of the Yang family as related by temple staff and devotees would reflect the religious traditional tales of story tellers and theatrical stories. As will be seen this is not always so.\n\nYang Yeh, his wife, daughters and sons were deified for their heroism and loyalty to the Sung dynasty. Images of Yang Yeh, alone or with his wife, the Lady Yü, Yü Lao T'ai-chun, also known as Yang Ling-p'o, and with one or more of his seven [eight] sons, can be seen in two temples near the Great Wall in northern China as well as on Fukienese community altars in Taiwan and South-east Asia. Yang Yeh, when portrayed on altars, is also known as The Holy Prince of the Yang Family 楊老令公.\n\nIn the majority of Singaporean and Taiwanese temples the staff were quite clear in their own minds that the two major deities of the cult are Yang Yeh, the powerful general and father of the family, and his Fifth Son. Confusion over definitive identifications of images on altars has arisen out of this almost universal belief. The reason for the popularity in temples of the Fifth Son, rather than the greater hero, the Sixth Son, is almost certainly due to the Fifth's religious background.", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214015, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 83, "title": "RAS-1997", "content_text": "49\n\nIn one temporary temple run by Chaochou immigrants in Hong Kong the Fifth Son was portrayed simply by a stylised painting depicting him as a ferocious warrior, unarmed, standing on one foot. This likeness was on a secondary altar whilst the main deity, also represented by a portrait, was of the first emperor of the Sung, Sung T'ai Tsu. The temple keeper explained that the Fifth of the eight sons of General Yang Ling Kung, who is better known as Yang Yeh, was a bodyguard to the first emperor of the Sung.\n\nA story related in Tainan county claims that a herdsboy who, having picked up a piece of wood which had the outward appearance of a Buddhist priest, was playing with it. A teacher, having seen him with the odd-shaped wood, requested a medium to clarify whether it was an image of a spirit. He was taken aback when the answer was an affirmative and that the spirit was that of a local man who had been borne off to Heaven in the not too distant past. Furthermore, the deceased had been an incarnation of the loyal Sung \"minister\" [sic], Yang Wu Lang, who had now become a Buddha. The piece of wood was placed on the altar in the village temple where it is prayed to as the spirit of the Fifth Son, and known as Yang Wu Sai Yuan-shuai 吳賽元帥.\n\nAn image of a black-bearded general with protruding eyes, five flags on his shoulder rack, and a magic sword raised in his right hand, stands on the main altar of a rural temple in Muar near Malacca. He is only known as Yang Wu Shih is said to be \"the Fifth Son of a famous general who lived a thousand years ago\".\n\nYang Yen-chao, is known as Yang the Sixth, Yang Liu Lang or Liu Shih-yeh. His image on the main altar in the temple near Taichung is one of two individually identified. The temple near Taichung would appear to be the only temple in Taiwan in which the Sixth Son is the main deity and the temple keeper, proud of his deity's uniqueness, explained that Liu Lang was captured by the Tatars and had even married a Mongol bride. His image has not been seen in any temple in South-east Asia though a story told in Penang claimed that a massacre of Fukienese by an army under a 'cruel general, Yang Liu Lang' continued for several days until, on the 8th of the first lunar month, many were able to escape by hiding in sugar cane fields. Ever since, annually on that date, sugar canes with foliage have been placed", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214016, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 84, "title": "RAS-1997", "content_text": "50\n\nin pairs on Min [Fukienese] community altars as offerings to the Jade Emperor, whose birthday is celebrated the following day and who had persuaded Yang to call off the pursuit.\n\nAn image categorically identified as the Seventh Son, Yang Yen-ssu has only been observed in one temple, in Medan in Sumatra, where it stands alone on a separate side altar simply marked, Yang Ch'i Yeh. He is portrayed as a black-bearded general, standing dressed in long yellow robes and holding a long staff but without any unique features. In a temple near Taichung where he is depicted together with the rest of his brothers he is inexplicably portrayed with a ferocious, decorated face and a bird's beak mouth. His black skin is decorated with a white [opera-style] face pattern, whilst the beak with a red edging is under a human nose. His eyes are staring, round and bulging, and he is holding an unsheathed sword at the ready. All in all, an extraordinary image which, whilst accepted and labelled as the Seventh Son by the temple staff, is completely out of character.\n\nFinally, in Seremban in central Malaysia, the temple keeper of a small rural temple pointed out a small standing figure of a soldier in armour at the rear of a crowded secondary altar. The image has no unique characteristic and could be any soldier/deity. The temple keeper identified him as Yang Sung-pao, a T'ang general who had been the protector of a Sung emperor. In Seremban he was also known as the Venerable Golden Lion, Chin-shih Ta-jen, as well as the Great General, Ta Chiang-chün.\n\nThe Eighth Son, Yang Pa Yeh, has only been noted on two altars in northern China despite the two Yang Family Daughters being numbered Eight and Nine, Yang Pa Chie and Yang Chiu Mei. These two daughters were involved in several battles fighting alongside the Sixth Son.\n\nPost Script\n\nChinese characters carved into a roadside rock beside the modern main road from the Fen River plain in northern Shansi to Inner Mongolia proclaimed that the nearby old temple had been dedicated to Wu Lang, the Fifth Son of the Yang. This was confirmed by a local peasant. The temple was in a col between two mountains, itself several thousand", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214803, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 218, "title": "RAS-1999", "content_text": "183\n\n \nFriedman, Jonathan 1999 'The Hybridization of Roots and the Abhorrence of the Bush', Spaces of Culture: City - Nation - World, ed. Mike Featherstone and Scott Lash. Sage Publications. London, Thousand Oaks, New Delhi.\n\nGuldin, Gregory E 1997 'Hong Kong Ethnicity: Of Folk Models and Change', Hong Kong: The Anthropology of a Chinese Metropolis, ed. Grant Evans and Maria Tam. Richmond; Curzon Press.\n\n1977a 'Little Fujian ('Fukien'): Sub-neighbourhood and community in North Point, Hong Kong', Journal of the Hong Kong Branch of the Royal Asiatic Society (112-119).\n\n1977b Overseas at Home: the Fujianese of Hong Kong. Unpub. Ph.D. thesis, University of Wisconsin-Madison.\n\nHamilton, Gary 1999 'Hong Kong and the Rise of Capitalism in Asia' in Cosmopolitan Capitalists: Hong Kong and the Chinese Diaspora at the end of the Twentieth Century, ed. Gary Hamilton. Seattle. University of Washington Press.\n\nHarvey, David 1989 The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Cambridge (US), Oxford. Basil Blackwell.\n\nHobsbawm, Eric 1983 'Introduction: Inventing Traditions', The Invention of Tradition, ed. Eric Hobsbawm and Terry Ranger. Cambridge. Cambridge University Press.\n\nHughes, Christopher 2000 'Nationalism in Chinese Cyberspace' Cambridge Review of International Affairs Spring-Summer Vol XII no. 2 195-209\n\nJohnson, Graham 'Links to and through South China: Local, Regional, and Global Connections', Hong Kong's Reunion with China: the Global Dimensions. Ed. Gerard Postiglione and James Tang. New York. M.E. Sharpe.\n\nJolly, Margaret 1992 'Specters of Inauthenticity', The Contemporary Pacific 4;1, Spring (49-72)", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215062, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 158, "title": "RAS-2000", "content_text": "Fang Xiang\n\nLi Bing\n\n李丙\n\nHuang Chengyi Z\n\n丞乙\n\nZhou Deng\n\n周登\n\nLiu Hong\n\n劉供\n\n115\n\nThe Spirit who is the Bearer\n\nof News\n\nThe Spirit who Superintends the Year\n\nThe Spirit who Superintends the Month\n\nThe Spirit who Superintends the Day\n\nThe Spirit who Superintends the Period\n\nThe Iconography of Taisui\n\nIn a few temples Taisui is represented simply by an image of the President, Yin Jiao,* where he is depicted as a fierce figure with eight arms and a third eye. In the majority of temples there is either a lone image or more usually in southern China, sixty images or sixty tablets representing each of the Taisui, one for each of the years within the sixty-year cycle of years.¥ The cycle was known as Hua Jia Hua Jiazi¥, which was the measurement of time during Imperial days.\n\nIn a few temples a large deeply carved gilded tablet dedicated to Taisui stands in the centre of the Taisui hall, in addition to the one or sixty images.\n\nIn Fukienese communities in Taiwan and South-east Asia his single image tends to stand alone, an awesome deity, whereas in Cantonese, Chaozhou and Hainanese communities his image either stands alone, a benign conventional young man, sitting holding either a ruyi [sceptre] or, more usually, an extended scroll bearing Chinese characters. The Taisui can also be portrayed in a group of sixty each one of whom is again usually a benevolent young or middle-aged man. Each of the sixty serves for one year, in rotation, within the Chinese sixty-year cycle. All sixty images are generally carefully carved and decorated, each being different, some being radically different. An aspect of Taisui", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215065, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 161, "title": "RAS-2000", "content_text": "118\n\nand the ten celestial trunks.\" These indicate the cardinal points and all other directions, as well as calculating various phenomena according to Chinese beliefs, by which the specialist can work out the geographical position of Taisui and the times and places threatened by his presence. To find where Taisui will be during the forthcoming year, and he is believed to move annually, the compass is used by a fengshui expert, a geomancer; or for every day general use prognostications are simply looked up in the Farmer's Almanac.\n\nNowadays, the birth hour and date of an individual are matched to the movements of Taisui given in the Almanac thereby obtaining the auspicious and inauspicious dates for most social functions such as weddings, travel, starting a business or journey, launching a ship or burying the dead. Individuals whose future has been identified as clashing with the particular cycle through which Taisui [or his planet Jupiter] is passing must avoid major events such as travel, moves, marriage or house construction. Although he is greatly feared as he can not only protect and provide happiness he can also invoke disease misfortune, calamity and must be placated especially before embarking on any new major project. Despite the importance of this deity he is worshipped on as few occasions as possible as he is so alarmingly unpredictable. He is, however, prayed to when a child is born for a long, comfortable and happy life. Taisui is also prayed to in Fukienese temples, especially in Malaysia, for good luck at the races.\n\nAs an agricultural deity, one of the most important rôles of Taisui, was to control rainfall, and to provide sufficient and no more for a good harvest. In Fujian and other eastern Chinese provinces Taisui was also known as Mang Shen or Gou Mang, \"the youth with the Spring Ox.\" A colourful and symbolic ritual, not observed in Hong Kong or Macau but still to be seen in Taiwan, was the beating of the Ox at the beginning of Spring. The ox, fashioned from mud or coloured papers, was based on the Farmer's Almanac, with its size and colouring determined by the portents for general well being and weather for the coming year. The ceremony consisted of a float bearing the mud images of the ox and Taisui, followed by city officials bringing up the rear. It ended with the ox being beaten by the local mandarin outside his yamen and broken up, followed by devotees scrambling for parts which they either fed to their pigs for fertility, buried them in the fields for abundant crops, or kept them in their homes for good fortune. The first illustration", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215068, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 164, "title": "RAS-2000", "content_text": "121\n\nHong Kong having agreed that each of the sixty is a stellar deity in his own right with a title, formerly a human deified after his or her death; one temple keeper then gave as an example the Taisui of 1980 [EM KM] being Luo Dashou a legendary individual who at the age of eleven had obtained his degree and then lived for more than one hundred years. Others must have been similarly identified with legendary and mythical individuals, not only in Hong Kong but throughout China. The question remains, do they vary from place to place? or are they universal throughout China?\n\nAn image of Yin Jiao and known only as that and not as Taisui, is prayed to individually in a small private temple in Taipei, where he is portrayed as the fierce six-armed general, sitting, with a black beard, a third eye and ear-pressing tufts. Lone images of a fierce Taisui portrayed with six arms have been seen in a few temples apart from the one in Taipei including one in Penang. More commonly seen are lone images with the usual pair of arms, depicting him holding a bell in his left hand and a spear or long-handled sword in his right. One such image, in Tungkang in southern Taiwan, is identical with a gilded image on a rural temple altar in northern Malaysia. The hand-bell is claimed by god carvers to be an important attribute indicating as it does the passage of time.\n\nA further image, known only as Marshal Yin, stands at ground level in a rural temple at Mong Tsung Wai on the coast of the New Territories of Hong Kong at Deep Bay. He is portrayed as a martial figure holding a magic sword which at first glance looks like a truncheon, but without any unique characteristics. The temple keeper had no idea who he might be but as he is collocated with Hua Guang, Kang Wang and Zhao Yuanshuai, all characters from the Fengshen Yanyi, it is almost certain that he is Yin Jiao.\n\nImages of what in Cantonese and Fukienese community temples is often regarded as the typical Taisui of the group of sixty, but standing alone on altars nearly always portray him as a seated clean-shaven youth holding a bell12 or a scroll in his right hand. He is usually dressed in a green or gilt apron covering his chest and just below his waist only being secured by a cord around the back of his neck, and with a girdle around his waist. Those with scrolls are regarded as holding an administrative appointment and those with bells, silken shoes, fans,", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215091, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 187, "title": "RAS-2000", "content_text": "3\n\n144\n\nDoré, Le P. Henri : Recherches sur les Superstitions en Chine : Hème Partie : Tome X: Shanghai: 1915: pp 831-832\n\n* See below under Yang Ren for an alternative to Yin Jiao as Commander of the Twelve Branches.\n\n5 No Cantonese devotee appears to have heard of Yin Jiao whereas Fukienese and Chinese of the Yangzi basin knew him as Marshal Yin rather than as Taisui.\n\n6 \"Werner E. T. C. in his Dictionary of Chinese Mythology: Kelly and Walsh: Shanghai: 1932 claimed that the Ministry consisted not of 60 but of 120 spirits as he included the deities controlling the months and days\n\n7 The cycle of sixty years was the basis for the Chinese lunar calendar with its twelve branches and ten stems. The sixtieth year of a man's life signified a turning point, this being the normal life span of a human being, and anyone who is fortunate enough to be older than sixty begins the round again. Other deities are entreated for a prolongation of life beyond the normal span.\n\n* DuBose, Rev. Hampden C: The Dragon, Image and Demon or The Three Religions of China: Partridge and Co.: London : 1886\n\n\"The combination of branch and stem provides the date, with the branches and stems depicting and belonging to one of the five primordial essences [water, wood, fire, metal and earth]. The concentric rings within the compass contain information on planetary movements, the ba gua and yin and yang; the five elements; the twelve animals of the Chinese zodiac, etc.\n\n10 The reason for this is simple. The basic Farmer's Almanac is produced and printed in Taiwan, a predominantly Fukienese community, but with copies sent to Hong Kong and elsewhere for local binding and distribution.\n\n\"According to religious specialists each of the stellar deities of the Twenty-eight Constellations has a title and a specific role, the latter differing depending upon the individual ritual specialists or books. In early China the visible stars were divided into 28 zones or constellations, with seven in each of the four directions. Other similar groups are the Thirty-six Stars of the Plough (T'ien-kang Hsing XXI) and the Seventy-two Stars of Evil Omen [Ti-sha Hsing]\n\n1. Each of the Thirty-six was a legendary hero recorded in one of the numerous stories of the deification of and struggles between the deities. They", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215107, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 203, "title": "RAS-2000", "content_text": "160\n\nThe Emperor\n\nTang Ming Huang was the third son of the fifth emperor of the Tang. His personal name was Li Longji [AD 685-761], though popularly known as the Third Son, San Lang. He is now the patron of actors and professional musicians, worshipped backstage by Fukienese devotees in Taiwan and several places in South-east Asia. Prior to 1949 he was also revered throughout northern China as the patron of actors, actresses and musicians, with incense burnt before his altar prior to every performance [Photograph 1].\n\nHe succeeded his father who abdicated in his favour in 713, and ruled the country fairly. The first part of his reign approximated that of his great-grandfather, Tai Zong, in prosperity and glory. He began by economising and by 740 the country was reasonably prosperous. Being a man of the arts he surrounded himself by a brilliant court, welcoming such men as the poet Li Bo. It quickly became the most glorious period of Tang culture. He loved song and dance and he had built within his palace an area known as the Pear Orchard, Liyuan, to bring together the best actors and actresses, dancers and singers in all China. The title, Liyuan, later became a common designation for anyone who sang, acted or danced professionally.\n\nMany myths are particularly centred on Tang Ming Huang - and stories about him abound describing him as a very sociable man, fond of music and drama, with men and maidservants being trained as actors and musicians for whom he composed tunes. He also founded a school of dramatic art.\n\nThere are at least six temples in Taiwan dedicated to this deity, in Taipei, Taichung, Changhua and Kaohsiung where his festival is celebrated on or about the 24th of the sixth lunar month.\n\nAs a deity he is known by a number of titles, including Ming Huang Dadi 明皇大帝; Lao Lang Ming Huang 老郎明皇; Lao Lang 老郎; and in Beijing Xi Shen, the God of Happiness. In Sichuan, however, his images were simply referred to as the Bodhisattva Prince, Taizi Pusa and, as elsewhere, were worshipped backstage, principally to prevent actors and actresses from bursting out into uncontrolled laughter or forgetting their lines. He is the patron in", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215109, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 205, "title": "RAS-2000", "content_text": "162\n\nthe altar and the altar table is a typical temple offertory box into which devotees have thrust cash offerings [Photograph 3],\n\nBoth the sad emperor Tang Ming Huang and his putative doctor, Lei Haijing, are both popular religion cult deities revered particularly in Fujian communities. Images vary from temple to temple, all being standard scholar-official figures with none having any special attribute or feature\n\nSome believe that Lei Haijing, commonly referred to as Marshal Tian Dou, (Tian Dou Yuanshuai), when his image is on an altar, was a doctor who accompanied 'the Emperor in the West' during his flight. After Lei died during the emperor's escape to Sichuan province his spirit remained on, guarding and protecting the emperor who\n\nSaw and recognised the two characters 'Tian Dou' of his protector floating in the air. And once he had arrived in the relative safety of Sichuan the emperor created Lei Haijing - Marshal Tian Dou.\n\nOthers claim that Lei was a musician popularly referred to a thousand or more years ago in Fujian as the 'Marshal'. Lei Haijing is another patron of actors, but predominantly from southern Fukienese communities. There are two Marshals Tian Dou revered on altars within Fukienese communities, with their legends so enmeshed that they virtually become one and the same deity.\n\nIn the most commonly repeated legend Tian Dou was a young prince named Lei Haijing, whose age has varied from ten to his mid-twenties. He lived in Fujian province where he was obsessively keen on practical jokes and opera. As a twenty-year old he lived for pleasure and one day having used his position and rank to force a married woman spend the night with him woke to find that she had painted a crab around his mouth in indelible ink, some say to punish him, others to ensure that his lasciviousness received wide publicity. The prince got away with it the first time by telling his friends that he had painted the crab on his mouth for amateur theatricals; however, when he forced her yet again to spend the night with him she painted another crab on his forehead which this time he was unable to explain away. Another version claims that he slept with a young girl who as a joke painted the crab around his mouth whilst he slept and again, several nights later, as he had been so annoyed at the first joke she drew one on his forehead", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215112, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 208, "title": "RAS-2000", "content_text": "165\n\nIn 755, during the revolt of An Lushan, Guo helped defend the capital, and in 760 he was despatched to recover territory from Central Asian barbarians and finally, three years after the Turfans [Uighurs] had captured the capital, Guo raised an army and drove them out, more by cunning than military force. The disasters which broke out during the declining years of the Tang Ming Huang emperor were suppressed chiefly by the vigour and determination with which Guo wrested province after province from the hands of the insurgents. He spent a considerable part of his life in warfare and was uniformly successful.\n\nHis images in temples in Northern and Central China usually portrayed him as an old mandarin, with a parted beard, both halves held separately in each of his hands, and with a tiered hat. Occasionally his image depicted him as an old man, sitting, with a long white beard and a white robe, carrying a ruyi sceptre engraved with the four characters for 'Everything shall be as You Desire'. According to one sect, the Jin Dan H., Guo is said to have founded the sect in collaboration with Lü Dongbin, the doctor of renown and one of the Eight Immortals. His image on altars in Sichuan was referred to as Cifu Tianguan14 where he was regarded as a God of Wealth.\n\nNo images of Guo have been noted on temple altars in Taiwan, Hong Kong, Macau or South-east Asia, though a temple in Haikang in Tainan county bears the hall title of Fenyang Dian and contains on its main altar not an image of him but one of a local provincial cult deity, Guangze Zunwang, the patron of the Guo clan.\n\nBoth Mesny and Timothy RichardR claim that Guo Ziyi was a follower of Nestorian Christianity, Mesny even claiming that Guo's name was carved on the famous Nestorian tablet at Xi'an.\n\nWe move on to images of the two major deified heroes of the era on temple altars who have had their historic figures embellished by tea-house story-tellers down the centuries include:\n\nZhang Xun✯ and Xu Yuan,F are heroes of renown and unique deities whose images have been seen on temple altars in Zhejiang, Taiwan, Hong Kong and South-east Asia [Photographs 6 and 7]. Both are protective deities worshipped particularly by the southern Fukienese, both within Fujian province and in southern Fukienese", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215113, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 209, "title": "RAS-2000", "content_text": "166\n\ncommunities outside mainland China, and also local non-Fukienese Chinese in the vicinity of Hangzhou, sometimes individually, alone on an altar or together as a pair.\n\nFrequently confused both by devotees and professional god carvers, the two deities are known to Chaozhou-speaking devotees as the Civil and Military Lords of Peace (Wenwu An Zunwang) or individually, Zhang Xun as Wen'an Zunwang and Xu Yuan as Wu'an Zunwang. They are also known by titles respectively [possibly within Chuanzhou communities only] as Baoyi Zunwang 保儀尊王 and Baoyi Dafu 保儀大夫. Both deities hereafter will be referred to as Zhang and Xu, and in a number of temples an individual, lone deity of either Zhang or Xu is known as the patron of local Zhang or Xu clans.\n\nThe most common story of the two heroes as related by a great number of temple keepers describes how Zhang and Xu were loyalists opposed to the rebel An Lushan. They died heroically defending the provincial city of Suiyang in Henan province in AD 757, which fell to the enemy after a siege of 49 days. Most temple keepers claim that they died by their own hands rather than fall into those of the enemy, though some claim that the heroic defenders were betrayed by cowards after the food gave out.\n\nZhang was born in Henan on either the 10th of the fourth or the 12th or 29th of the fifth lunar months in AD 709 and died with Xu on either the 15th of the second or the 9th of the tenth lunar months in 757. These are now celebrated annually with temple festivals in Zhang's honour.\n\nZhang was the military mandarin in Suiyang and is occasionally referred to in temple records as Zhang Suiyang. He had been employed in military operations in Central Asia before being posted to Suiyang, where his discipline was legendary. In 756, during the rebellion of An Lushan, he fought many battles, was wounded on a number of occasions, and performed prodigies of valour. The climax was reached by his heroic defence of Suiyang against the army of An Lushan's son. He refused to yield and even sacrificed his favourite concubine to no avail. The enemy broke in, and as he scorned to offer allegiance to his conqueror, was immediately put to death. It is said that during the siege", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215115, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 211, "title": "RAS-2000", "content_text": "168\n\ntheir aid.12 Thus it was that although neither of the two deities had ever set foot in the Chaozhou area during their human existence, yet their divine spirits helped the native Chaozhou people and became their patrons. Chaozhou emigrants to Taiwan bore their cult from their local cult centre at Chaoyang, together with images, over to the new lands where at present there are some ten or so temples dedicated to the pair.\n\nSeveral versions of the tales of their heroism during the siege of Suiyang are related by temple keepers and devotees. Individual stories about Zhang and Xu are well known to Chaozhou devotees, describing how they dug holes to catch rats during the siege, and about Zhang slaughtering his beloved concubine, either to spare her being taken by the enemy or, more morbidly, to be eaten by the starving defenders. Each of the stories highlights their heroism in the face of starvation with no hope of relief from the siege, and their choice of death rather than surrender.\n\nThe two deities are revered together on the main altar in at least five temples in Taiwan. Zhang has some eight temples dedicated to him alone in Taiwan, whilst Xu has a further nine. A further fifteen temples contain one of these two deities under their other titles, with both deities, again under their true names of Xu and Zhang, being noted as the main deity on secondary altars.\n\nA Chuanzhou immigrant named Chen brought an incense pot with him from the cult centre of Baoyi Dafu [Zhang Xun] in Fujian and set it up as a branch temple in Shen Keng village near Taipei. According to temple lore, the deified Zhang Xun proved very efficacious in helping villagers with both good fortune and excellent harvests. Later, as the cult developed, it emerged from dream messages that Baoyi Dafu was also very effective in coping with the ravages of insect pests and, moreover, had won local renown by helping Chinese immigrants overcome the original hill tribesmen.\n\nHowever, in the centre and south of the Taipei Basin, Xu and Zhang together were known by Chuanzhou Fukienese by the single title of Wang Gong 尪公, Wang Yuanshuai 尪元帥 or Wang Wang 王王. Their local legend claims that Wang Gong appeared to a temple keeper in a dream, warning him and the local inhabitants of the San Hsia, Mucha, and Hsintien areas of an intended raid by head-hunting tribesmen from", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215121, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 217, "title": "RAS-2000", "content_text": "174\n\nWangye literally means Prince; however, it is a not uncommon honorific used for deities within Fukienese and Chaozhou communities - often for protective deities.\n\n15 One has to bear in mind that the term Jiangjun, normally translated as general, used to be used to indicate a commander of an independent or subordinate force, often consisting of no more than one hundred men.\n\n16 According to some Li Fu Wangye was the spirit of a local sugar worker, Li Chaosheng who had returned to Earth to assist his former neighbours and had advised them of his euhemerisation in a dream.\n\n17. This is not confirmed in biographies.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215131, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 227, "title": "RAS-2000", "content_text": "184\n\nMarshal Tiandou is the patron of actors and a popular deity revered in particular by southern Fujianese. He is said to have been Lei Haijing, the doctor who accompanied the Tang emperor during his flight to Sichuan province during the An Lushan rebellion. After his death in exile his spirit remained with the emperor as his protector. This image, with the crab painted round his mouth, is in the same small temple in Seremban in central Malaysia as Tang Ming Huang.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215329, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 106, "title": "RAS-2001", "content_text": "54\n\nThe Marquis is usually represented on altars by tablets though where there is an image it conventionally portrays him as a scholar-official, sitting wearing a scholar's winged cap. He has a pink face, a black beard, a rolled scroll in his left hand and a plaque bearing the characters 'May the State Prosper and the People Enjoy Peace' in his right hand.\n\nHe is usually accompanied by two aides, generals on horseback:\n\nYinma Jiangjun The Silver Horse General [mounted on a white horse]\n\nJinma Jiangjun The Gold Horse General [mounted on a black horse]\n\nIn the temple in Hougang Avenue 5 in Singapore where the main deity is Shuiwei Shengniang, the side altar stage left is dedicated to Wenzhou Houwang whose image stands on the left hand of and paired with a deity simply known as 'Da Laoye' whose image is remarkably similar to that of Wenzhou Houwang. Da Laoye has two guardians mounted on horses and armed with long handled swords. They are Generals Gan and Meng [see below 4e - list of deities in temple loose-leaf records]\n\nb] \"The Holy Mother of Shuiwei,' Shuiwei Shengmu, is primarily a Hainanese local deity who, in Hainan, was a protective deity prayed to mainly by fishermen. In South-east Asia where her cult has been established within Hainanese communities, she has also been adopted by devotees of other Chinese ethnic groups. In Singapore she is worshipped as a goddess who heals the sick by both Fukienese and Chaozhou devotees, the two ethnic groups which dominate the Chinese community in the island state. Her shrines have been seen in Malaysia, Thailand, Indonesia [even in a Chinese temple on the island of Bali], in Vietnam and Cambodia but not in either Hong Kong or Taiwan. It is claimed that the oldest Chinese temple in Thailand is dedicated to Shuiwei Shengmu, at Paknam pho. Other old temples dedicated to her have been noted in Korat and the surrounding area. Her images have no unique identifying characteristics. She is a motherly matron, sitting on a throne, attended by several assistants, and in several places she is portrayed wearing a cap bearing one to five birds with open wings.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215355, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 132, "title": "RAS-2001", "content_text": "80\n\n21 This is present day Maoming in western Guangdong province, not too far from the Liaozhou peninsula leading down to Hainan.\n\n22 A city in south eastern Guangdong province, half way between the Liaozhou peninsula and the Pearl River.\n\n23 Note that there are two different deities, Longwei Shenggong worshipped by the Hainanese and Longwei Shengwang worshipped by the Chaozhou people. The latter is, to all intents and purposes, a local Earth God.\n\n24\n\n25 Laomu, Old Mother [or Elderly Matron], is a title often mentioned in popular stories. In Xue Dingshan's Campaign to the West Laomu was Fan Lihua's teacher who, in eight years, taught her the art of moving mountains and raising armies from a handful of beans.\n\nAn elderly Chaozhou man in a Kowloon temple confided that Lishan [‘Fan Lihua' he called her] is a fictional character to support the story of the two generals Xue, and that much of their legends have little or no historical basis.\n\n26 Xue Dingshan's father, Xue Rengui, also a general, was an early Tang hero who not only also led an expedition to the west, he also served in the Korean campaign of Tang Tai Cong. Xue Dingshan, otherwise known as Xue Gang, is claimed to have saved the life of his emperor and is now a Fukienese cult deity, the face of whose image is characterised by extraordinary and colourful decorations.\n\n27 William Mesny relates that recumbent iron images of oxen were believed to be a protection from floods when these images were placed along the banks of river courses and lakes likely to overflow. He noticed several along the banks of the Grand Canal in 1874 and was told that they had been placed there by Liu Bowen Mesny's Chinese Miscellany: Vol. IV: Shanghai: 11 February 1905.\n\n28 As in Taipan, the Senior Boss.\n\n29 The shrine and its images disappeared, doubtless into a high rise flat, though it could have gone the way of so many minor cults and disappeared due, perhaps, to the aged temple keeper's demise.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215395, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 172, "title": "RAS-2001", "content_text": "121\n\n“呈盧督頌詞”\n\n這是一幅絹質卷軸，周邊加了金色外框，中央部分是盧督頌詞的全文，結尾是贊助這份禮物的87名捐贈者名字。當中許多都是為人熟識的名人。除兩人外，所有捐贈者的身份或相關商號都能確定。\n\n“呈盧督頌詞”的捐贈者中，52人同時是香港大學華人籌集資金小組委員會的成員，53人更以私人名義捐贈大學的營運基金，金額由100元至5,000元不等。主要捐贈者包括1913年中華商會的主席何福(1,000元)和總理招雨田(10,000元)，Douglas Lapraik Steamship Company的陳席儒和陳廢虞(各2,000元)，他們分別兼任大學籌集資金小組委員會的司庫和副主席，以及在港福建商人的領袖理鄉(50,000元)。\n\n到了2001年的今天，“呈盧督頌詞”幾乎是完整無缺地保持了它在1910年4月28日的模樣。\n\nThe Tribute\n\nThe centre piece of the satin scroll, framed by a gold border, is the text of the message to Lugard and a list of the 87 donors who contributed to the cost of producing The Tribute. Many are well known, others less so. The positions or affiliations of all but two of these 87 donors have been identified.\n\nFifty-two donors to The Tribute were also members of The Hong Kong University Chinese Fund-Raising Sub-Committee, and 53 of them made personal contributions of between $100 and $50,000 to the Hong Kong University Endowment Fund. Among the major benefactors were: Ho Fook ($1,000) and Chiu Yee-ting ($10,000), who were respectively President and Director of the Chinese Chamber of Commerce in 1913; Chan Chik-yue and Chan Kang-yi ($2,000 each), compradors of the Douglas Lapraik Steamship Company and who were respectively Treasurer and Vice-Chairman of the University Chinese Fund-Raising Sub-Committee; and Ng Li-hing ($50,000), leader of the Fukienese business community in Hong Kong.\n\nThe Tribute as found in 2001 appears to be complete and nearly in as pristine condition in all aspects, as it was on April 28, 1910.\n\nNg Li-hing, donor of $50,000 to the Hong Kong University Endowment Fund\n\n吳理卿捐贈50,000元予香港大學作常年基金。", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215526, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 303, "title": "RAS-2001", "content_text": "253\n\n'106\n\nWestern side of Cheung Chau Island and about half a mile to the South-West of the village of Cheung Chau and containing about 5.19 acres, was authorized. This was the first cemetery designated on an outlying island and was later extended in 1921.107\n\n108\n\nIn 1912, two Chinese cemeteries were authorized. The first one was situated at 'New Kowloon Survey District 1 Lot Nos. 582 and 583,' very close to Sai Yu Shek Cemetery. The cemetery appeared in a 1924 map109 and was marked as 'Fukienese Cemetery.' In another 1940 HKGG Notification, the cemetery was also referred to as 'Fukienese Cemetery.' The second cemetery appointed, a Christian cemetery, was 'to be known as the Tsun Wan Christian Cemetery situate and being near Tsun Wan in Demarcation District No. 453 in the New Territories in the Colony of Hongkong, containing an area of 10,000 square feet,'111\n\nIn the following year, a site 'to be known as the Hau Pui Loong Cemetery situate and being near Hau Pui Loong in Kowloon in the Colony of Hongkong containing an area of about 19 acres' was appointed.112\n\nThe Chinese Permanent Cemetery in Aberdeen\n\nAlthough a number of Chinese cemeteries were authorized and appointed since the 1870s, these cemeteries were not intended for the upper and wealthier classes. By the early 20th century, the absence of what were considered proper and decent sites for these Chinese who wished to settle in Hong Kong was apparent. In 1901, the Cemeteries Committee of the Sanitary Board moved to set apart a piece of hillside between the Aberdeen Channel and Deep Water Bay for wealthy Chinese as a burial ground.113 However, for some reason, eventually this site was not appointed. Eight years later, the issue was presented again to the Sanitary Board by Lau Chu-pak, a member of the Board and one of the most prominent members of the Chinese community in the Colony,114 Lau said:\n\nThe better class of Chinese who had made Hong Kong their permanent home had not a decent cemetery in which to bury their dead, and the Chinese had no control on what were called Chinese Cemeteries. These cemeteries were simply tracts of barren land set apart by the", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215534, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 311, "title": "RAS-2001", "content_text": "261\n\nChinese Christian Cemetery\n\nPokfulam\n\n1882\n\nKaulung Cemetery\n\nMa Tau Wai\n\n1885\n\nLater renamed Ma Tau Wai Cemetery, removal of graves ordered 1925.\n\nShaukiwan Cemetery\n\nChai Wan\n\n1885\n\nSheko Cemetery\n\nShek O\n\n1885\n\nClosed 1926.\n\nStanley Cemetery\n\nStanley\n\n1885\n\nRemoval of graves ordered 1933.\n\nAberdeen Cemetery\n\nHindu Cemetery\n\nAberdeen\n\n1885\n\nHappy Valley\n\nFirst graves: 1888\n\nMount Davis Chinese Cemetery\n\nMount Davis\n\n1891\n\nRemoval of all graves and urns ordered 1949.\n\nCaroline Hill Cemetery\n\n*Chiu Yuen Cemetery\n\nCaroline Hill\n\n1891\n\nPokfulam\n\nEarliest graves: 1892.\n\nPlague Cemetery\n\nTown\n\n1901\n\nPlague Cemetery\n\nCheung Sha Wan\n\n1901\n\nHindu Cemetery\n\nKing's Park\n\n1900\n\nIndian Cemetery\n\nHo Man Tin\n\nClosed 1927. Details not known.\n\nSai Yu Shek Cemetery\n\nLo Fu Ngam\n\n1903\n\nRenamed New Kowloon Sai Yu Shek (Christian) Cemetery\n\nPo Kong Po Cemetery\n\nLo Fu Ngam Po Kong\n\n*Chinese Christian Cemetery (New Kowloon Cemetery No.1)\n\nSham Shui Po Cemetery\n\nKowloon City\n\n1904\n\nCemetery No.4\n\n1930. Details not known.\n\nClosed in 1903. Details not known.\n\nSham Shui Po\n\n1904\n\nKowloon Tong Cemetery\n\nTai Hang Tung\n\nChristian Chinese Cemetery, Kowloon Tong\n\nTai Hang Tung\n\nKai Lung Wan Cemetery\n\nPokfulam\n\n1907\n\nTseung Loong Tin\n\nRemoval of graves ordered 1923.\n\nIn existence 1920. Removal of graves and urns ordered 1949. Early history not known. Removal of graves and urns ordered 1950. Early history not known.\n\nA plot of land had been in use as cemetery prior to 1907.\n\nKai Lung Wan East Cemetery\n\nFukienese Cemetery\n\nCha Kwo Ling\n\n1907\n\nPokfulam\n\n1907\n\nRemoval of all urns was ordered 1949.\n\nLo Fu Ngam\n\n1912\n\nAdjacent to Sai Yu Shek", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216094, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 393, "title": "RAS-2002", "content_text": "327\n\nin China. They did not complain. In any case Government did not answer letters written to newspapers but people did not generally criticise Government. That was why, when a column called \"Tiger Talk\" was written by an English solicitor in 1962 and published in the Sunday Tiger Standard, it attracted considerable attention.\n\nThe district of West Point, where legalised brothels for Chinese had been situated up to the mid-1930s, was still an important entertainment district in the mid-1950s, with restaurants with 100 or more Chinese tables capable of seating in excess of 1,200. Sing song girls, the Chinese version of the Japanese geisha, could still be found there.\n\nMy Chinese wife, born in 1936, lived in Hong Kong during the Japanese occupation. After the War Canadian Sergeant Major John Osborn, who was born in Norfolk, the same county where I was born and raised in England, was posthumously awarded the Victoria Cross. It is the most prestigious British award for gallantry on the field of battle. It was the only such award ever made in the colony.\n\nDuring the Japanese occupation my wife recalls seeing arms and legs lying in the streets first thing in the morning. Breakers of the curfew had been mauled by Japanese police dogs. Women did their best to make themselves look old, ugly and undesirable. People wandered the hillsides and seashores as hunters and gatherers looking for anything to eat. Occasionally, human flesh was on sale in butchers' shops, something sometimes denied today. As my wife's family owned a salt-fish shop they were better off than most. They had food and something to barter. My wife and her two sisters survived the occupation although their father never forgave them and his wife for not having a son to \"buy water\" for him at his funeral (Today a symbolic ceremony based on filial piety and the washing of the corpse by the eldest son.).\n\nWhen I arrived in Hong Kong in the mid-1950s conditions had already improved considerably. Although there was rationing still in Britain, you could buy just about anything in Hong Kong - provided you had the money. I stayed together with other government servants in Winner House, a small hotel at North Point, a district sometimes known as Little Shanghai. A number of Fukienese also lived there.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216182, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 481, "title": "RAS-2002", "content_text": "415\n\nAnd even after the first Opium War in 1841 the secret of tea remained an enigma. As it became possible to travel in China the Royal Horticultural Society of London sent botanist Robert Fortune to procure 'the finest varieties of the Tea-plant, as well as native manufacturers and implements, for the Government Tea plantations in the Himalayas.' (Goodwin p.12) Goodwin describes the torturous process that resulted in the first Assam tea reaching London in 1839. (Goodwin p.148) It was not a huge success, mainly because no one in India knew how to process tea.\n\nFinally, in 1848 Fortune determined that green and black tea came from the same plant, the only difference being in their manufacture. The secret was in a process referred to as fermentation, which is entirely unrelated to fermentation of sugars and starches to make alcohol. It is actually manipulation of the leaves to promote the oxidation of the leaves. (Goodwin p.132/3)\n\nportable greenhouses\n\nEmploying the latest technology Fortune successfully transported tens of thousands of Chinese tea plants to India. (Kit p.61) Goodwin describes this success as a 'mummy's curse' because Chinese teas crossed with Indian teas to ‘become a shrubby Frankenstein's monster, popping up all over the place and spoiling the planters' rest' (Goodwin p.121). Despite this unfortunate genetic engineering disaster by the 1880's Indian teas overtook Chinese teas in the ever-expanding British market. (Goodwin p.221) Initially Chinese teas were blended with Assam tea but ultimately Assam teas held their own. The massive outbound migrations of Fujianese on tea clippers were a direct result of the collapse of the tea industry in China, as the world markets became less dependent on Chinese tea. Hopefully the current intellectual property issues and trade imbalances between China and the USA will be resolved more amicably than those of the 19th century.\n\nWhile Chinese were reluctant to divulge details of the tea manufacturing process there were other sources of information. Lu Yu's Tea Classic of the Tang Dynasty describes the growing and manufacturing process in enough detail for practical purposes. Even if the book was not available in China it was in Japan where it formed the foundation of the tea ceremony. Japan, too, had a thriving tea industry. It is surprising the resourceful tea hunters did not try there.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216330, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 89, "title": "RAS-2003", "content_text": "38\n\nThe Co-Hong\n\nThe Co-Hong was the group of security merchants, not members of a guild but individually licensed, who had been made responsible to the Hoppo for the foreign trade, in all its particulars, and especially in regard to revenue. In practice, this meant that every ship and its crew had to be \"secured\" by one of the Hong merchants, who remained responsible for it, and them, until it quitted China on its homeward voyage.\n\nAlthough domiciled in Canton for several generations, the Hong merchants were not Cantonese, but were of Fukienese origin. They were committed to the foreign trade because they had emigrated to Canton to participate in it, and it was their livelihood. By 1740, their group was already in control of the trade.34\n\nTheir responsibilities were heavy and wide-ranging. In 1836-37, they were responsible for the trade and good behaviour of 307 foreign residents, 55 foreign firms, and over 200 foreign ships and their crews, with total tonnage in excess of 100,000.35\n\nOn the domestic front, they had policing powers over house and ships' compradors, linguists, the more than one hundred shopkeepers who enjoyed limited right to carry out a retail trade with foreigners, and up-country suppliers. Above all, the merchants had good relations to maintain and their goodwill to purchase.36\n\nTheir notion of social advancement remained conventional or became so - to escape from the merchant class into the scholarly or landed gentry class. Their methods were traditional, namely the purchase of property, ranks, degrees and titles. This is why their portraits invariably show them in official dress, as in Plate 6.37\n\nThe Hong merchants' life was not a bed of roses. Quite apart from being held responsible by the senior officials for everything from sailors' disorderly behaviour to foreigners' debts, they were milked unmercifully for public and private causes. Donations towards a famine, a Yellow River flood, the ransom paid to the British for not attacking Canton in 1841, paying off Chinese debts to foreign traders, were typical of what Morse called the 'supplementary exactions' practised upon them by", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]