[
    {
        "id": 205329,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 91,
        "title": "RAS-1967",
        "content_text": "84 \n\nA. D. BLUE \n\nChina coasters came from all parts of the Commonwealth, but with a preponderance of English, Irish, Scots, and Welshmen. There was never any lack of Welshmen, and no coaster was complete without its Jones or Evans, invariably prefixed by 'Dai' or 'Taffy'. Australians and New Zealanders were not uncommon, and there were also a few Anglo-Indians. In my time, however, I can recall only one Canadian and one South African. One pleasant feature of coast life was the friendship and harmony between deck and engine departments, something still too rare on home ships. The small number of Europeans on the average coaster may have contributed to this, seldom more than three mates and four engineers, with the radio officer often a Hong Kong Chinese.\n\nThe riverboats were a special species of 'China coaster', and many of their officers spent their entire careers on the Yangtse. The Lower Riverboats, which ran between Shanghai and Hankow, operated a fortnightly schedule, of which three days were spent in Shanghai and two in Hankow. During the summer months of high water, however, some Lower Riverboats continued to Ichang, which extended their schedule to three weeks. Jardines, the China Navigation Company, and the China Merchants Steam Navigation Company each had a daily sailing from Shanghai to Hankow, calling at the intermediate ports, of which the most important were Chinkiang, Nanking, Wuhu, Anking, Kiukiang, and Yochow and Shasi on the Middle River between Hankow and Ichang. The China Navigation Company's Lower Riverboats left the French Bund at three o'clock in the morning, so that they could navigate the tricky Lungshan Crossing at the estuary in daylight, and it was not unknown for junior officers to miss their ship. By catching an early morning train from Shanghai, however, they could rejoin at Nanking in the afternoon, an extreme form of pierhead jump.\n\nIf riverboat men were a special species of 'China coaster', the men who sailed on the Upper Yangtse were a distinct sub-species. The Upper Riverboats ran between Ichang and Chungking, the section of the Yangtse which included the famous and spectacular Yangtse Gorges. The men on these ships had some justification for considering themselves the aristocrats of the China coast. The slightest error in navigation, or the slightest engine mishap, would almost certainly have meant a serious casualty. The Gorge boats",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g",
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    {
        "id": 206022,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 102,
        "title": "RAS-1970",
        "content_text": "J\n\nA NEW LOOK AT CANTONESE EXPLETIVES\n\n97\n\nand none at all of that cross-thread I mentioned, which all the time we are speaking one phrase is guiding us away from a score of similar phrases which are not what we mean. This constant unconscious avoidance of saying what we don't mean is the pattern we must all set up when we would speak a second, third or fourth language.\n\nI hope what I am about to say will help you in this task. For most of us, when children, were crippled by being brought up to talk only one language; to those whose minds have been thus crippled, like the girls of Manchu China whose feet used to be bound in childhood, the idea of \"thinking in a language\" is as natural as the unnatural tiptoe tottering gait seemed the \"natural\" way for women to walk. The unbinding of bound feet was, I am told, a very painful matter and after a certain age could not safely be done.\n\nSo come, if you dare, and let me unbind your linguistic feet.\n\nEnglish is a language of the Indo-European family: a family the branches of which extend from Sanskrit, Old Persian and their descendants in South-Central Asia, through the Slavonic languages of Eastern Europe, Lithuanian and the Celtic languages (originally of Asia Minor, but now found only on the Atlantic and Baltic shores), Ancient and Modern Greek, the languages of ancient Italy, through Latin to the modern Italian, Spanish, French, Portuguese, Rumanian and Catalan, Old Norse and Icelandic down to modern Norwegian, Swedish and Danish, Gothic and Old High German down to the modern German dialects and Dutch; then again overseas with the Colonizers to North and South America, Australia, New Zealand, Southern Africa and as a second language of convenience in the shape of a special kind of English\n\n- back to India again where it may all have started.\n\nA great deal of work has been done on this family of languages, but it is well for us to remember that it is less than 200 years since the identity of such a family was observed and not much more than a century since Indo-European linguistic studies were firmly established.\n\nBefore that, and to some extent ever since, European scholars were taught to regard Latin and Greek as the only models of linguistic organization: therefore any language had to be studied",
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    },
    {
        "id": 206215,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 32,
        "title": "RAS-1971",
        "content_text": "26\n\nSTEPHEN UHALLEY, JR.\n\nabout in the preceding three days, beginning with a request apparently from the Ch'ing tao-t'ai of Ningpo for British and French naval support for his impending attack on the city. Consul Harvey noted that this was \"an extraordinary coincidence,\" and one that \"was far too good an opportunity to be thrown aside and lost.\" The attack was to consist primarily of the vessels of a famous pirate of the region by the name of Apak who had gone over to the Manchus. Some effort was made to conceal the joint nature of the attack at the outset, for Captain Dew wrote for the record that he told his Ch'ing collaborators that since the rebels had refused his demands he had no objection to their fleet passing up river, \"but that they were not to open fire till well clear of our men of war.\"28 The fiction of this position was made clear by subsequent events, and by other evidence. The ultimatum of May 8, stated that had the demands been agreed to, the English and French should have felt bound in honour to prevent an attack on the Taipings from the settlement side by approaching Ch'ing forces \"which in countless numbers and heavily armed ships advance to attack you.\" The ultimatum proclaimed neutrality unless fire came from the battery or walls opposite the settlement on the advancing Ch'ing forces \"(thereby endangering the lives of our men and people in the foreign settlement).\"29\n\nIt is of interest to note how this exchange of correspondence was characterized by Consul Harvey and Captain Dew. Harvey said that \"... the whole tenour of their letters was as bad and sarcastic as it was defiant,” and he assured his respondent “that nothing could have been more friendly, reasonable, and patient than the tone of our letters, as well as of all our demands on the Taipings.\"30 Dew was a bit more candid, for as he reported later: \"I now commenced a lengthy correspondence with the Taiping chiefs, which was met on their side by the most subtle reasoning and arguments soon convincing me that but one argument, viz: that of cannon balls would avail with them....\" The two men substantiated their interpretation of events and attitude in the correspondence with two memoranda written by an interpreter. The first, based upon \"information supplied by certain respectable natives,\" claimed that General Fan had been sent from Nanking “to turn the foreigners out of Ningpo.\"32 The second memorandum purported to be extracts of a speech made by General Huang\n\n31",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
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    {
        "id": 206234,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 51,
        "title": "RAS-1971",
        "content_text": "THE DEBATE ON NATIONAL SALVATION\n\n45\n\nHo Kai's judgment was keen indeed. China voluntarily and in an humiliating fashion concluded the Sino-Franco War on the verge of victory. The tragic end of the Foochow fleet, however, was due to the ill-judgment and incapacity of her commander-in-chief, Admiral Ho Ju-chang, which gave the French the chance to destroy the whole fleet in half-an-hour.14\n\nThe situation of the Chinese army, in the eyes of Ho Kai, was no better than that of the navy. He said:\n\nThe Chinese make fine soldiers if properly disciplined and armed, and placed under brave leaders. Let their salaries be paid regularly and adequately according to law, and not cut down and kept in arrears for months together, let their drills be conducted regularly. Does China wish to have an army worthy of the name? Let her then first reform her internal administration in this department. One point I wish to impress especially upon those who have the guidance of affairs is, that the efficiency of an army does not so much depend upon the number of soldiers composing it as on their collective and individual proficiency. I cannot leave the topic without recalling to mind the achievements of the Ever Victorious Army when under the distinguished leadership of that renowned chief, the late lamented General C. G. Gordon,\n\nAs to China's relations with foreign powers, Ho Kai admitted that she had much cause for complaint. China was bound down by treaties to do much that was incompatible with her rights and dignity as an independent sovereign state. She was often sharply pulled up and rebuked for the least semblance of a breach of an article in such treaties, while some foreign nations were not very careful in observing their part of the agreements and extremely tardy in rendering justice to her claims. The Chinese, as a matter of fact, had not always received the respect and consideration which they deserved, and in some places they were even treated as if they were more devils than men. The only way to save China from this injustice and maltreatment was to make immediate reforms. High officials must find the true cause of their country's degradation and then apply the proper remedy. The army and navy were not the key to the problem of China's weakness. The real weakness of China was",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
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    },
    {
        "id": 206424,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 241,
        "title": "RAS-1971",
        "content_text": "BOOK REVIEWS\n\n215\n\nThe opium trade of Shanghai may have taken place \"on the busy Bund\", but not until after 1858. The authors apparently never have heard of Woosung and its hulks.\n\nThe authors, intent on opium, assert an oil painting of an island with a British flag on a pole on the shore is \"Lintin”. In the background, with top masts housed, are ships. It is painted and signed \"C. Cramer 1803\", obviously an European artist. Evidently the authors do not realize that opium trading in 1803 was conducted at Whampoa and only reached Lintin in 1821. They also err when they state Jardine Matheson & Co. “diverted their ships to Lintin Island and other independents followed suit”. In 1803 Jardine Matheson & Co. was not in existence. They maintain the ships in the background are \"Scandinavian flag-ships”. Of course there is no such thing as a Scandinavian flag, and a look at the poor photograph shows a white field and a dark cross on a flag, more indicative of the St. George ensign than either a Danish or Swedish flag with its dark field and light cross. You will find this Scandinavian error repeated 5 other times. To cap it all, one finds a British sailor rolling a barrel along the shore, surely an impossibility in 19th century China. Can the scene be somewhere in the Mediterranean where there are islands and mountains and British warships in 1803?\n\nThe authors manage to insert a most extraordinary amount of misinformation into their nautical writings. In plate 37, correct to a French \"bark”, not a “schooner\". The liner Empress of Japan is identified correctly in plate 44, but why date the picture \"circa 1880\" when the steamer begins service in 1891? The painting is on the \"stern\" of the Chinese Merchant Junk, plate 63, not the \"prow\", as the rudder shows clearly just below. For the English \"clipper\" dated 1866, substitute \"bark\". Evidently they know nothing of monsoons or they would revise \"the cumbersome East Indiamen which could only make two round sailings each season between India and China”. Of course the answer is one sailing per season. The numerous islands between Macao and the China Sea \"make a landfall at Macao\" almost prohibitively difficult.\n\nSome of the identifications of Port Scenes are ludicrous. Any person who locates \"the Praya Grande bordering the bay of the inner harbor” at Macao or \"the Governor's Palace at the northern",
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    },
    {
        "id": 206975,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 46,
        "title": "RAS-1974",
        "content_text": "40 \n\nH. J. LETHBRIDGE \n\nMayréna's reputation was totally destroyed: \"The \"King of the Sedangs\", in truth, seems to have followed the example of a brother \"King\" of French origin, who after establishing a Kingdom in a district on the borders of French Guiana, ended an illustrious career in the inside of a French prison. Of course we do not say that the denouement will be the same in this case.' But it was clear to the readers of the Mail that the editor thought that Mayréna was jail material. \n\nBy the beginning of the year 1889 it became clear to Mayréna that nothing more was to be gained by staying in Hong Kong. His overtures to the German Consul in Hong Kong and to his colleague at Canton had borne no fruit. Although he offered to put his kingdom under the protection of the German Emperor, his offer was rejected. He decided—there was no other option—to return to Europe and seek support from financial circles there. On 20 January 1889 the King of the Sedangs left Hong Kong for Genoa by the German steamer Bayern, travelling as a second-class passenger and under the pseudonym of ‘le comte de Drey'.36 \n\nMayréna's exit from Hong Kong was in sharp contrast to his triumphal embarkation at Haiphong in November 1888. Then the royal standard of the King of the Sedangs fluttered above the Frejr and the deferential Captain Lund had greeted him as 'Votre Majesté' and all had been bowing and scraping by a perspiring crew. Nevertheless, Mayréna left Hong Kong in 1889 with some panache. Many friends and well-wishers were at the waterfront to see the popular King go, although no band played, no royal standard adorned the Bayern, and no representative of Sir William Des Voeux was present. Mayréna looked very much a king in exile; among the throng many, like Fraser-Smith and J.J. Francis, were truly sorry to see their old drinking companion go. \n\nMayréna's departure from Hong Kong was greeted by a jubilant article in the Mail, which began: 'Another King has gone into exile. M. de Mayréna, a Frenchman who arrived here about two months ago with a flourish of trumpets, telling a story of adventures worthy of ranking with 1001 in the Arabian Nights, quietly left Hong Kong, we believe, by the Bayern, for Genoa, on Sunday morning'. The writer continued: 'We need scarcely say that in publishing the revelations which put an end to his schemes in Hong Kong we were actuated solely by a desire for the public interest \n\nAs,",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
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    },
    {
        "id": 206986,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 57,
        "title": "RAS-1974",
        "content_text": "ADVENTURERS IN HONG KONG \n\n51 \n\nboarded Huck Finn's raft on the Mississippi went by the names of the Duke of Bilgewater (Bridgewater) and the Dauphin. But a title not only helped to disarm potential sceptics but allowed an adventurer to secure credit, often a necessity for the realisation of his schemes. Mayréna, as we have seen, kept himself afloat for some time by the sale of bogus titles, decorations and honours. A title, as it were, gave the claimant a fake persona, a social mask or facade behind which the predator could lurk. In this century, however, a devaluation of titles has taken place coincident with the rise of meritocracy.\n\nPoor communications helped an adventurer of the impostor or swindler type, for if knowledge of his past leaked out too soon, this would undermine any claim to respectability and diminish confidence in his intentions. News flowed more sluggishly in the nineteenth century, though it was a period of great achievements in the development of a network of world-wide communications. In 1853 the P. and O. had established a regular mail service between Hong Kong and Calcutta, thus establishing fortnightly communications with England; in 1863 the French Messageries Maritimes opened a route to the East; telegraph connection with Manila was achieved in 1880, with Canton in 1882. Nevertheless, mail, newspapers, and reading matter of all kinds took time — usually a month — to reach Hong Kong from Europe, even at the end of the century. There was also no Interpol to flash news by telegraph or wireless about international swindlers, pretenders and other social pests. The Hong Kong public had to wait several weeks before Le Courrier d'Haiphong brought news of the accusations Father Guerlach had levelled against Mayréna. It was not until 24 December 1888, six weeks after his arrival in Hong Kong, that the general public acquired some knowledge of Mayréna's chicanery and general untrustworthiness.\n\nIt was not only the pursuit of adventure, of fame or fortune, that drew adventurers to alien shores. Some left their homelands to escape from the cultural constraints and legal bind of their own societies — an escape, as they saw it, into freedom, innocence and, its corollary, libertinage.57 Laurence Hope, the wife of Lieutenant-General M. H. Nicolson of the Bengal Army, in 1902 wrote:\n\nUpon the City Ramparts, lit up by sunset gleam,\n\nThe Blue eyes that conquer, meet the Darker eyes that dream,58",
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    },
    {
        "id": 207041,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 112,
        "title": "RAS-1974",
        "content_text": "106\n\nMICHAEL SMITHIES\n\nrepresenting the age of the person who placed the offering in the temple, and also long metal forks offered to priests indicating their age. In the grounds of Vat Vixun is the melon-shaped stupa in memory of a Lao queen, the That Mang Mo and another vihara, unrestored, lies nearby. Vat That Luang is raised on a mound overlooking a sports field and is very sober. The vihara has a two-tiered roof and rises from an ornamental stucco band with medallions on the walls. There is an excellent and large carving of a scene from the Ramayana at the back of the altar, and the temple possesses a number of fine palm-leaf manuscripts which are copied by novices. At each end of the vihara is a chedi; the square one to the south is topped by bronze metal plates and is impressive.\n\nThis is by no means an exhaustive list of the temples of the city; temple building still continues, and Vat Monnorom, which used to consist of nothing except a large torso of an antique Buddha statue, is now being rebuilt around the statue. The energetic may climb to the top of the Phu Si less to visit the shrine, which is without interest, but to admire the magnificent view over the Mekong valley and that of its tributary, the Nam Kam. The Vietnamese temple is in hideous taste but again has fine views over the river. The small modern royal palace may not be visited and the residence of the crown prince is a modest French-style colonial building. A number of side streets are worth strolling down, if only for their tranquility; they are unpaved, the houses are of bamboo matting and atap, the gardens bright with bougainvillias and children look with amazement at westerners.\n\nSome thirty kilometres up the Mekong river are the Pak Ou caves. The scenery becomes ever wilder, the mountains more dramatic and the rapids stronger. Pak Ou consists of a limestone block straddling a bend in the river at the point where the Nam Hu joins it. There are two caves; the first, Tham Tong, contains numerous statues of the Buddha left there by the faithful (and some of which have recently been removed by the unfaithful, which is why it is necessary to report to the police on arrival and to be watched throughout the visit); through the frangipanni trees a path leads upwards to a second cave which goes further into the rock. The entrance to this is of carved wood and it is guarded by a jovial Buddha of Chinese inspiration; remnants of carved and decorated posts are to be found inside, leading one to suppose that there might have been a kind of baldachino.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 208692,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 149,
        "title": "RAS-1979",
        "content_text": "122\n\nREVS. J. SMITH AND WM. DOWNS\n\nHotel. Well, we did justice to that meal! Sister Paul also lost no time in informing us that we had every hope of getting out of the Colony within a few weeks, and that even then she was working on our necessary passes and permits to go to Kwongchauwan. Right then and there we signed our forms, affixed our photographs (she, in her admirable foresight, had even these all prepared) and after the second group had arrived and carried out their part of the program, it was time to sit down to another real honest-to-goodness meal. Of course, these were still wartime meals, but we enjoyed them hugely. Then we trekked down to the bund, caught the eight o'clock bus to Aberdeen, and soon were knocking at the door of Bethany, where we were heartily welcomed by the Superior, Father Bos and Father Chaye, the Belgian priest, who, it will be recalled, was once our fellow-internee at Stanley. They were the only two priests in the House, and the rest of it was at our disposal. Our rooms were all prepared and we lost no time in getting under real covers and settling down to rest, after such an exciting and memorable day.\n\nThe next morning found us saying Mass at real altars in a real Chapel, and sitting down to breakfast table at which we enjoyed some of the food which again Sister Paul had previously provided. She had also very thoughtfully engaged a cook and a house-boy for us, and everything was shipshape.\n\nBethany is a sort of Rest House for sick and aged Paris Foreign missioners, and the scriptural inscription over its main portal is pregnant with meaning: \"Magister, quem amas, infirmatur” \"Master, he whom thou lovest, is sick.\" Just across from Nazareth is the Retreat House and Printing Press of the same society; it is situated on a knoll overlooking the beautiful South China Sea, and on the slopes of its hill are the graves of a hundred of its valiant missioners who have labored in almost all parts of the Far East. Its little Gothic chapel has a charm all its own, and must be redolent of memories for those who have spent some time within the walls of Bethany. Needless to say, we Maryknollers were delighted to have this haven of refuge and we are all more than grateful to the French Fathers who have been so uniformly kind.\n\nOn the Monday following our arrival, we went to the city in company with Father Troesch in order to secure our ration cards and to register our names and addresses with the proper precinct.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
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    {
        "id": 208705,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 162,
        "title": "RAS-1979",
        "content_text": "THE MARYKNOLL MISSION, HONG KONG 1941-46\n\n135\n\nmany of our friends were on the wharf to see us off, and promptly at twelve noon we pulled away from the bund. The day before, while at Bethany, we saw a large liner of the Asama Maru class, slowly enter the harbor, and wondered what it portended. The next day, as we left the harbor for Macao and Kwangchauwan, this majestic ship, painted a war-gray, was still in the harbor, but just as we started, it also got underway and our ship had to slow her engines so that the liner could pass us on her way to sea. Ranged on her decks we could see the familiar military uniform of the Canadian soldiers who were, no doubt, being taken to some other internment camp outside of Hong Kong.\n\nA few hours' run brought us to Macao where we met Sister Paul and made some visits, the first of which was to the Maryknoll Sisters' new orphanage for homeless and destitute children. It was quite a sight to see 400 little tots making away with bowl after bowl of rice, furnished by the kindness of the Portuguese Government. We then called on the Jesuits, formerly of Hong Kong, who had gone to Macao to open a school for boys, and at the Seminary, and the next day at noon pulled out of the Macao fairway for Kwangchauwan, a run of some twenty hours. By this time Bishop Paschang and the Kongmoon priests, Frs. Paulus, Smith and North, had already slipped back into \"Free China.\"\n\nTravelling on an enemy ship in wartime made us naturally a little apprehensive. Some of the passengers told us of the occasional presence of submarines in this area, and we hoped that we would not meet any, even if they were from our homeland. However, we reached Kwangchauwan the next morning safely at 10 o'clock, and went ashore to the French Procure where we met the Procurator, Father Lebas and Father Moran, a Jesuit from Hong Kong, assisting him. With their assistance, we arranged for our travel inland. At Kwangchauwan, we met some of our other Hong Kong friends, one of whom was the wife of Andrew Tse of the Clover Flower shop, and Father Downs baptized her baby, Teresa Elizabeth.\n\nAt Kwangchauwan, Father Toomey left us to proceed to Fachow in the Kongmoon Vicariate, and the rest of us engaged chairs for a six-day trip to Watlam, the first of our Wuchow stations. At Watlam, we again separated, Fathers Troesch, Moore and McKeirnan and Brother Thaddeus, and also one or two Sisters, going to Wuchow. The remainder of the group, consisting of",
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    {
        "id": 209616,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 273,
        "title": "RAS-1982",
        "content_text": "251\n\n1932/33\n\n1933/34\n\n21 Feb. 1933 \"Nine to Six\" all female cast (Aimee and Philip Stuart, 1930) performance at Kings Theatre.\n\n—\n\n11, 12, 13, 14 Apr. 1934 \"The First Mrs. Fraser\" (St. John Ervine, 1929) performance at China Fleet Club to 1941.\n\n17, 20, 21, 23, 24 Feb. 1934 Armstrong)\n\n1934/35\n\nJ\n\n5, 6, 7, 8 Dec. 1934\n\n1935/36\n\nvenue\n\n\"Ten Minute Alibi” (Antony Mackenzie)\n\n\"Fresh Fields\" (Ivor Novello)\n\n18, 19, 20, 21 Dec. 1935\n\n1936/37\n\n4, 5, 6, 7 Nov, 1936\n\n—\n\n1937/38\n\n7\n\n\"Musical Chairs\" (Ronald Rattigan)\n\n\"Night Must Fall\" (Emlyn Williams)\n\n7, 8, 9, 10, 11 Dec. 1937 - \"Outward Bound\" (Sutton Vane)\n\n23, 25, 26, 27 Feb. 1938\n\n—\n\n\"French Without Tears\" (Terrence)\n\n1938/39\n\n8, 9, 10 Mar. 1939 \"The Shining Hour\" (Keith Winter)\n\n1939/40\n\nT\n\n22, 23, 24 Feb. 1940 \"The Circle\" (Somerset Maugham)\n\n(Note: all notices are taken from the English newspapers in Hong Kong, in most cases from editions of the dates given).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
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    },
    {
        "id": 209825,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 84,
        "title": "RAS-1983",
        "content_text": "# OF HONGS AND TONGS AND ALL THAT JAZZ: A NOTE ON LEXICAL BORROWING FROM CHINESE IN ENGLISH WITH SPECIAL REFERENCE TO HONG KONG\n\nMIMI CHAN\n\nUNIVERSITY OF HONG KONG\n\nIn a language contact situation such as exists in Hong Kong, and has existed since the mid-nineteenth century, there is bound to be some degree of mutual exchange. The extent to which English has affected the vocabulary of Hong Kong Chinese is notable, but, as I have discovered in a previous study undertaken by myself and my colleague, Helen Kwok, by no means as extensive as might be expected, considering the tremendous influx of new 'things' and concepts from the West. In general the local population has to a large measure relied on native resources of vocabulary-building to fulfill lexical needs as they arise.\n\n2\n\nIn a second joint study, just completed, of which this paper gives a summary, I am concerned with Chinese words which have entered the vocabulary of English with special reference to the English used in Hong Kong. It is of course a well-known fact that the English vocabulary is a highly heterogeneous one, made up of borrowings from many Western as well as Eastern languages. Studies of the origins of English words tend to give detailed lists of words borrowed from Greek and Latin, French, Germanic and Middle Eastern languages among others. They also tend to include quite a number of examples from Eastern languages like Indian and Malay. But when it comes to Chinese the inclusions tend to be few indeed. Otto Jespersen, in The Growth and Structure of the English Language, giving examples of English words borrowed from various sources, writes, 'From Chinese we have kowtow?' A careful search of the Oxford English Dictionary and various editions of the Webster will reveal a somewhat larger number of words, the etymology of which is at least conjecturally Chinese. But the words themselves and/or their etymologies tend to be little known generally. I have",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 211772,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 187,
        "title": "RAS-1989",
        "content_text": "162\n\n* 12\n\nactors On the occasion of a performance of Buckingham's Take that Girl Away and Selby's A Fearful Tragedy in the Seven Dials, on February 15 1860 it was observed that \"the weak point of our Amateurs has been the selection of their pieces\".1 From time to time this argument crops up; but, as with all opinions about the theatre, it was a matter of taste. A regular writer for the Herald, \"The Man on the Bund\", had the audacity to react adversely to the choice of Tom Taylor's Still Waters Run Deep, performed on April 23 1857, which he thought \"one of those incongruous mixtures of French novel morality and English domestic life as offensive and preposterous as ludicrous\". In a letter to the Editor \"Another Man on the Bund\" (!) was furious about this attitude: \"Are we to take the opinion of this would be critic, this damp orator, in preference to the unanimous opinion of the rest of the community? What meant those thunders of applause repeated again and again in a manner that has never been heard in Shanghai. (...) My own and the general opinion is that the 'Man on the Bund' at the time of writing was (...) labouring under a severe attack of bile (...) (see also Calendar, 23.4.1857).\n\n14\n\nIn quite a different vein, writing about Colman's Heir at Law (1797) and Townley's High Life below Stairs (1759) the chronicler “would recommend our Amateurs to expunge from their plays all profane oaths and ambiguous phrases. In the time they were written too many of them were in keeping with the language and manners of the day, but nowadays no Gentleman would sully his breath with such irreverent epithets; they neither add wit or point to the dialogue and grate harshly on all refined ears especially in the presence of ladies\".2 Of course no examples were given.\n\nWhen it came to the professional, travelling, companies a generally favourable attitude was maintained. \"Standards of excellence\" were kept up by Lewis' Australian Drama Company;3 and, discussing the 1865 performances, another critic thought that \"where so much talent is shown it is almost invidious to single out any one actor or actress in preference to the rest\".\n\n18\n\nIn the musical field the efforts of the amateurs, although they were less numerous than in dramatics, were also duly appreciated. About a concert in aid of the Lancashire Relief Fund, given on April 17 1863, the Herald thought \"it was pleasing to see the gentlemen (...) entertain con amore their less gifted fellow residents with a charming chamber",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211782,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 197,
        "title": "RAS-1989",
        "content_text": "172\n\nstationed in Shanghai during the 1860s were nearly always open air ones. But sometimes a theatrical company co-operated with one of the bands, like the Amateur Burlesque Company on June 29, 1864. Otherwise, performances took place on the Bund, or Embankment, along the river, which was the favourite promenade of the foreigners as well as the most prestigious section of the Settlement. Records have come down to us of concerts by the French 101st regiment in March 1861 (“By permission of Colonel Pouget [who was the commanding officer of the regiment JH] we are authorised to state that the band of the 101st regiment will perform every Sunday and Thursday (weather permitting) before the headquarters of General De Montauban at Messrs Rémi, Schmidt & Co. [this was in the French Concession JH] between the hours of 3 and 4”*. Further concerts by the Rhenish Band and the band of the 67th regiment in June and July 1864 provided entertainment which “the residents evidently appreciated (...) large numbers (...) congregating during the performances”.67\n\nProfessional musicians\n\nFrom time to time professional musical artists visited Shanghai, and, as with the travelling dramatic companies, 1864 and 1865 were a golden age for the public. In the first decades of the twentieth century Shanghai was honoured with recitals by, to name just a few, Feodor Chaliapine, John MacCormack, Fritz Kreisler and Amelita Galli-Curci, but during the fifties and sixties it was only the lesser gods that came to the city. In fact, hardly any one of the artists in this period can be traced in contemporary reference works. This does not mean, of course, that they could not have been capable musicians able to provide enjoyment during an evening. That such was not always the case, though, has already been shown by the criticism drawn by the performance of Prof. Shonbrun, which led the Herald to state that \"in this remote place we have so few opportunities of hearing really good music that we hunger for it and can ill brook disappointment\".68 But then there were Messrs Desvachez and Grossi whose concert in February 1865 had \"called for favourable comment at the hands of our music critic\".69\n\nYet, bearing in mind the conditions of travel in the 19th century, it is amazing enough that European musicians were at all willing to undertake an Asian tour with only very uncertain financial prospects.\n\n\"The first public concert (properly so called) that has ever been given",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211793,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 208,
        "title": "RAS-1989",
        "content_text": "183\n\nJanuary 27 1874 William Suter's Incompatibility of Temper and Tom Taylor's Masks and Faces or Before and Behind the Curtain opened the season in the New Lyceum Theatre. This one lasted much longer than its predecessor, indeed, until 1929 when it was sold to be resuscitated in the French Concession in 1931.\n\n——\n\nBut to return to pre-1867 conditions, some final notes should be added. Shanghai saw its first tentative steps in lighting its streets with gas in 1865 which was no luxury as the state of the roads was often rather dubious. Lighting in the theatre therefore, both the auditorium and the stage, was by means of either candles or oil lamps, the danger and inadequacies of which require no further comment.\n\n—\n\nRegulation of the climate in the hall was also difficult. Temperatures in Shanghai can be as low as 12°C in January and as high as 40°C in June-August. In order not to deter the audience, heating had to be provided in winter, which was duly advertised: \"Thoroughly warmed with splendid stoves\", whereas in summer which was certainly in the early years an unusual time for entertainment - one could read that \"to obviate the excessive heat of a crowded house, the Company beg to state that they have had two large Punkahs hung and have otherwise improved the ventilation\" (a punkah was a large rectangular fan suspended from the ceiling and moved by servants).\n\nPerformances started generally at 8 o'clock or 8.30 (even 9) (1864-1865) and entry prices were $3 for the best seats and $2 for the other ones (back seats and gallery) (The Mexican dollar, one of the currencies used in Shanghai, fluctuated in value, but may be said to have been worth about 4/6 during these years — so no \"shilling gallery\" here).\n\nIn addition to the godown theatres there were a number of other localities where artistic entertainment occurred in 1865. On February 23 1865 a concert was given at the Astor House Hotel. This hotel had been founded by an American, D.C. Jansen, in 1860 and it was situated in a part of the Settlement known as Hongkew (or American Settlement), north of the Soochow Creek, near the bridge. It was destined to become one of the most famous hotels in Shanghai and it was rebuilt several times. But in 1865 it was still a low construction. Other concerts, on October 17 1864, February 15 and March 1865, were given at the Shanghai Club, a redoubtable pillar of society located at the southern end of the Bund where it was opened in 1864. It was built in a neoclassical",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211811,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 226,
        "title": "RAS-1989",
        "content_text": "201\n\n+\n\nhimself uncomfortable, with one of the nicest looking creatures for a wife imaginable. (...) Mr. BRUSHWOOD did the 'green eyed monster' admirably and the character suited him well—we mean of course artistically. By a skilful arrangement the warmth of a kiss was made to be followed by Cool as a Cucumber. Did the manager intend this to impart a deeper meaning than is conveyed on the face of the \"play-bill\"? We have an esteem for him and hope not: for although a kiss is, sometimes, but the prelude of a coolness that surpasses even that of a cucumber, we would not have Mr PROTEUS openly hint as much\". This piece called forth all the powers of the manager himself, and so perfectly was the coolness of Mr. Plumper exhibited, whether as regards the criticism of Mr. Barkins' face or his sherry, that, had he stepped from the neighbouring ice-house directly upon the stage, he could not have looked cooler (this was a reference to the Commercial Hotel; see note 94) What a desirable companion he would make, we thought, for the hot weather, but Mr. Proteus must be so, indeed, in any weather. The playing was well sustained throughout and Mr. BRUSHWOOD did his best — and that was not a little — to fret and fume as ‘Old Barkins' — but we can scarcely say that he looked a heavy father\" (the heavy father was one of the specialist roles in a stock company). A Conjugal Lesson was \"decidedly the crowning piece of the evening and was performed with an amount of case and artistic ability which elicited loud and well merited applause\". And as the critic had evidently taken a fancy to \"Mrs. NESBIT” he continued that she “looked more fascinating and piquant than ever and quite won the hearts of the bachelor portion of the audience who were altogether at a loss to understand the bad taste of Mr. Lullaby who could stay away from such an attraction till three in the morning!” (NCH 28.3.1857).\n\n23.4.1857 (Thur)\n\nT. TAYLOR: \"Still Waters Run Deep\" (1856)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: “A Capital Match” (1852)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (C\n\n—\n\nR: That other favourite of the reviewer, Peter PROTEUS, had resigned and so the evening had to do without him. In the introduction to his report, the \"Man on the Bund\" referred to the playbill which informed him \"in capitals of vermillion that Still Waters Run Deep and of other matters besides in the like flaming manner”. About the piece he was not at all content: \"Muddy waters, however, as well as still, they turned out to be. This piece is one of those incongruous mixtures of French novel morality and English domestic life, which is as offensive and preposterous, as it is ludicrous. London milliners may persist in imitating the extravagances of French crinoline and superabundant circumference: they dress up our wives and sisters until they have destroyed every graceful curve they may have and make them look like balloons endowed with feminine heads and shoulders; and with a growl we may submit to this perversion of taste and whim of fashion. But when our playwrights, in their dearth of invention, ransack the repertories of the minor Parisian theatres for something new, which they themselves cannot originate, and stumbling upon the old and stale subject of Parisian conjugal infidelity, try to fit it into English social life, especially that of the middle class, the attempt excites at once our scorn and laughter, and ought, like monstrous bandorgans and other nuisances, to be put a stop to\". Small wonder then that in it \"there was much good acting thrown away. Mr. CLAY performed, throughout, the part he had undertaken, admirably. His conception of his character was good and was given with fidelity and ability. It was just how a blunt, honest Englishman might have been expected to act when, by some extraordinary chance, his domestic privacy is invaded by such a frenchified monstrosity as Captain Hawkesley. Mr. ROLLER too did the lean and slippered Pantaloon most successfully. His ease of manner on the stage and finished...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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        "rank": 0
    },
    {
        "id": 211812,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 227,
        "title": "RAS-1989",
        "content_text": "202\n\nByeplay showed that, although his first appearance here, it is by no means his first attempt at acting\". But another anti-French jibe was added when he wrote: \"Mrs. NESBIT and Miss DEXTER play indifferently and we are rather proud of it — for as they only profess to play English female characters it was no wonder that they did not feel at home\". These acid comments drew forth a letter from \"Another Man on the Bund\" in the Herald of May 2 in which a counterweight was offered: \"Are we to take the opinion of this would-be orator in preference to the unanimous opinion of the rest of the community? What meant those thunders of applause repeated again and again in a manner that has never been heard in Shanghai and the repeated calls at the fall of the curtain; are we to believe that a piece that has had an almost unprecedented run in both England and America and in the former country was played by the express command of Her Majesty at her own palace is worthless or so bad because condemned by 'The Man on the Bund?' (...) My own and the general opinion outside is that The Man on the Bund at the time of writing the above was either labouring under a severe attack of bile or intensely disgusted that the acknowledged best performance ever given here should have been given without the assistance of himself or his darling Peter Proteus\". After, at any rate his disappointment about Still Waters, in A Capital Match Mr. BRUSHWOOD restored \"The Man on the Bund\" to his comfort and equanimity, nay more, utterly overturned our critical gravity and made us laugh like the veriest schoolboy at a favourite pantomime\". Mr. Beverly NEWCOME made his debut and he appeared to be quite at home in the naval character and we admired his style almost as much as the widow did. And the widow; none other than Mrs. NESBIT. It was also the occasion on which the critic showed his disapproval of the new interior of the theatre: \"'On entering the Thespian temple, I observed that there had been a change in the decoration of it - I cannot add improvements. The same taste which had furnished me with a posting bill streaked all over with lightning threatened to overwhelm me with a fall of flowers and garlands from the roof and treat me as if I were a prima donna or the boeuf gras of a Parisian festival\". Yet, thinking about Mrs. Nesbit, he continued ironically: \"What will a man not undergo when a woman is on the tapis! So, in imminent danger of being garlanded, like the Ass of Silenus [attendant of Bacchus usually represented as riding on an ass, drunken and crowned with flowers — JH] in a classic fresco, I took my seat and, unfolding my portentous play bill, began to scan it over at my leisure\". (NCH 25.4.1857).\n\n8.10.1857 (Thur)\n\nM. BARNETT: \"The Serious Family\" (1849)\n\nT: Comedy (3 acts)\n\nB.N. WEBSTER: \"The Golden Farmer\" (1832)\n\nT: Domestic drama (2 acts)\n\nJ.S. COYNE: \"Binks the Bagman\" (1843)\n\nT: Farce (1 act)\n\nC: The \"Union Theatrical Company of the U.S.S. San Jacinto\"\n\nTh: On board ship\n\nN: More entertainment had been given by the crew of this ship, but this is the only one which has been recorded.\n\nR: Specially noticed was the prison scene in The Golden Farmer wherein the robber \"takes a tender farewell of his beloved wife and infant daughter Louisa. It brought moisture to the eyes of many\". Could it be of laughter, bearing in mind the ruling travesties? (NCH 10.10.1857). The San Jacinto was a U.S. warsteamer with a crew of 218.\n\n29.12.1857 (Tue)\n\nEntertainment by Mr. George Henri, a conjurer and ventriloquist. Th: Theatre Royal (C)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211820,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 235,
        "title": "RAS-1989",
        "content_text": "210\n\nBagshaw and Bradshaw, the critic had to admit that \"what it was all about we were utterly unable to discover\" (NCH 4.6.1859).\n\n15.2.1860 (Wedn)\n\nL.S. BUCKINGHAM: \"Take that Girl Away\" (1855)\n\nT: Comedy (2 acts)\n\nC. SELBY: \"A Fearful Tragedy in the Seven Dials\" (1857)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (F)\n\nN: First performance of the season\n\nR: The new theatre was only a small one and therefore it was announced in the Herald of February 11 that \"admission will only be given to ticket holders. Tickets will be distributed with the Bills to the various Hongs and any Gentleman who may be accidentally omitted will be supplied on written application to the Manager\". From time to time politics continued to turn up in the playhouse. It was the time of the English and French wars in China; the United States was not taking part in them, only sharing in the spoils, yet the following remark closed the review: \"We beg permission to observe that we should have been glad to have seen the 'Star Spangled Banner' floating over the proscenium along with the colours of France and England. All honour to the Anglo-French Alliance! But our American cousins form, in every respect, so important a section of this community that the absence of their flag on an occasion like Wednesday evening would seem to be a discourtesy of which we feel very sure that the worthy management never was intentionally guilty\". Tonight, and on March 15, the faces of Messrs. PICKWICK, BRUSHWOOD, and TINTINNABULUM as well as that of Mrs. NESBIT were absent from the stage; others like Miss WALTERS and Mr. PETREL had remained. Making their debut were Mr. ADOLPHE, \"gifted with both self-possession and a good voice\"; Mr. WITHAM who, as Cuttle (in Take that Girl Away) \"displayed a steadiness and a clearness of enunciation calculated to make him a valuable actor in 'utility' parts\"; and Mr. NATIVE whom the reviewer thought \"better fitted to shine as a sentimental than as a grotesque lover\". Miss WALTERS was \"dressed to perfection, played as well as ever (can we say more!) and was charmingly feminine\". In A Fearful Tragedy in the Seven Dials, there was the first night of Mr. C. AITCH as Slumpington for whom **a great future success in 'character parts' was predicted. These hopes were not realised, however, for I have not found his name again. For the umpteenth time, the Herald judged the pieces that were represented weak - to put it mildly. (NCH 18.2.1860).\n\n15.3.1860 (Thur)\n\nT. TAYLOR: \"Still Waters Run Deep\" (1856)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: \"Poor Pillicoddy\" (1848)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Imperieuse\n\nTh: N.N. (F)\n\nN: Second performance of the season\n\nR: This second night took place in a house that was \"crowded in every part\" and proved \"in every respect highly successful\". The \"Man on the Bund\" had no longer a say in the theatrical reports, and the piece about which he had been so dissatisfied (see 23.4.1857), Still Waters Run Deep got a far better critique now: \"in that scene in the second act in which the villain Hawksley is unmasked, the interest was raised to an exciting pitch and sterling dramatic ability displayed by the performers\". No actors were mentioned, but in Poor Pillicoddy, a \"young gentleman made his first appearance",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211821,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 236,
        "title": "RAS-1989",
        "content_text": "211\n\non any stage with ease and aptitude. And the part of the soubrette was acted \"in a manner for which we had not given the young lady who sustained it credit\" (NCH 17.3.1860).\n\n10.5.1860 (Thur)\n\nJ. COURTNEY: “Time Tries All\" (1848)\n\nT: Drama (2 acts)\n\nJ.M. MORTON: “To Paris and back for £5\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the Germania Singing Club and the band of the 101st regiment\n\nTh: N.N. (1)\n\nN: Third and last performance of the season\n\nR: Time Tries All was a revival from 1858 and in it some of the old familiar faces could be admired again. This time Mr. TINTINNBULUM personified Matthew Bates and he \"threw an amount of grace and feeling into his acting that make us well regret his absence in the two former representations“. Mrs NESRIT gave a repeat of her Laura Leeson. One of the newcomers, Mr. ADOLPHE, “has assumed the character of negative instead of the positive villain of the last representation and almost succeeded in making us gape, so natural was his representation of that peculiar because catching disease\". Phunago BRUSHWOOD reappeared in To Paris and back for £5 and this farce offered **full scope to his laughter moving capabilities, both as to acting and costume\". There was music too, by the Germania Singverein – which reminded the critic “of their own charming Soirées Musicales\" (not recorded). However, the construction of the theatre was \"such as to mar to a considerable extent the effect of their well chosen and well executed pieces“ (NCH 12.5.1860).\n\n17.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme:\n\nG. DONIZETTI: \"La Favorita\", D.F.E. AUBER: \"La Part du Diable\", overture, **Haydée” (an opéra-comique), fantaisie, George BOUSQUET (1818-1854); “Hélène” (waltz), DENEAUX: Mazurka.\n\nLocation: Headquarters of General De Montauban at Messrs. Rémi, Schmidt & Co French Concession. (NCH 16.3.1861).\n\n24.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme:\n\nGURTNER: Pas redoublé, DUMAS: Ronde tyrolienne. D.F.E. AUBER: \"La Muette de Portici\", overture, G. ROSSINI: **[Il Barbiere di Siviglia” fantasia, D.F.E. AUBER: **Les Diamants de la Couronne\", overture, “La Brise”.\n\nLocation: as on 17.3.1861 (NCH 23.3.1861).\n\n31.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas.\n\nProgramme:\n\nBOSCH: Pas redoublé. C.W. VON GLUCK: \"Armide\", F.M.V. MASSE: \"La Chanteuse Voilée\", overture, G. ROSSINI: \"Mosè in Egitto”, chorus **Valse allemande“. GURTNER: \"France\" (polka).\n\nLocation: as on 17.3.1861 (NCH 30.3.1861)\n\nNovember 1861\n\nConcert by Signor Robbio.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211830,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 245,
        "title": "RAS-1989",
        "content_text": "220\n\nR: In the advertisement it was stated that tickets could be obtained from Messrs Lane, Crawford & Co, G.A. Bretts' Auction Room and Astor House Hotel. Lane, Crawford was a general store that had been established in Kiangsi Road (ex Church Street) since June 1862. The Astor House Hotel was situated in Hongkew (see also Survey).\n\n17.6.1864 (Fri)\n\nPerformance by Messrs J.R. Black and Marquis Chisholm (piano)\n\nTH: N.N. (H)\n\nN: Benefit for Mr. Chisholm\n\nR: John Reddie BLACK (1827-1880) was born in Scotland, but went to Australia to earn a living as a singer in the goldfields. After arriving in Japan, 1861, he became the editor of some English newspapers and from 1876-1880 he edited several papers in Shanghai. In 1864 he still managed to combine his two vocations. His entertainment was \"composed of songs interspersed with anecdotes and conversation of the most lively description which he varied every evening. He has a splendid voice and sings with great taste and feeling\" (NCH 4.6.1864). His accompanist on the piano was Mr. L.C. PHILIPPS (cf. 1.4.1864), but the latter died of cholera and his place was taken by Mr. Marquis CHISHOLM who was no newcomer to the Shanghai public. On June 17 he played a fantasia on Japanese airs, composed by himself. As a matter of coincidence there was \"an absence of ladies, many of whom are at present rusticating in Japan\", but for the other evenings \"the audience has always comprised the majority of the ladies resident in the Settlement\". Evidently this had come to be considered as most desirable, perhaps to lend an air of respectability to the performance. (NCH 11, 18.6.1864).\n\n22.6.1864 (Wedn)\n\nH.J. BYRON: \"Il Treated Il Trovatore\" (1863)\n\nT: Burlesque extravaganza (1 act)\n\nC: Shanghai Amateur Burlesque Company\n\nF: Music by the Rhenish Band\n\nTh: Olympic Theatre (H)\n\n+\n\nR: The first night of a new company, the \"*Shanghai Amateur Burlesque Company\" and, if we may believe the Herald, the Shanghai world \"was completely taken by surprise. So minute an acquaintance with stage proprieties was shown that many of the audience were disposed to believe that they were witnessing a display of professional talent”. (NCH 25.6.1864).\n\n29.6.1864 (Wedn)\n\nH.J. BYRON: \"Ill Treated 11 Trovators\" (1863)\n\nT: Burlesque extravaganza (1 act)\n\nT.H. LACY: \"A Silent Woman\" (1835)\n\nT: Farce (1 act)\n\nC: Shanghai Amateur Burlesque Company\n\nF: \"New burlesque music\" by the Rhenish Band\n\nTh: Olympic Theatre (H)\n\nR: This is one of those increasing occasions in which only a short summary was published in the Herald, while the full report had appeared in the North China Daily News, no longer extant for this year. In any case the hope was expressed that more would be seen of the company \"as soon as the cool weather sets in\" (NCH 2.7.1864). According to the advertisement, tickets were obtainable from Lane, Crawford & Co (see 13.6.1864), Hall & Holtz (Ship chandler, general store and bakers; at the corner of Foochow Road (ex Mission Road) and Kiangsi Road (ex Bridge Street); MacKenzie & Co (shipchandlers, general store and general agents on the Yangkingpang in the French Concession); the Astor House Hotel; and Phillips Restaurant (Phillips, Moore & Co, Nanking Road-ex...)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211835,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 250,
        "title": "RAS-1989",
        "content_text": "225\n\n\"Lady Audley's Secret\", for which HED lists the following authors: C.H. HAZLEWOOD (1863), G. ROBERTS (1863) and W.E. SUTER (1863).\n\nC: Shanghai Amateur Burlesque Company\n\nTh: N.N. (I)\n\nR: For the first time we have at our disposal another source than the \"North China Herald\" for reviews of the Shanghai theatre, viz. the \"Shanghai Commercial Record\". In general, though, the reports were in the same vein as those in the Herald had been, but sometimes more information was given and different accents set. Hardly so for tonight's pieces: they \"reflected great credit on the talent of the performers and their endeavour to provide for the amusement of their fellow exiles has we are sure been highly appreciated\" (SCR 7.1.1865). The Herald only published an announcement (NCH 24.12.1864).\n\n11.1.1865 (Wedn)\n\nD. BOUCICAULT: \"The Octaroon\" (1859)\n\nT: Drama (4 acts)\n\nC: Thorne (travelling) Company\n\nTh: Lyceum Theatre (1)\n\nR: Sometimes the availability of two sources does not make it easier to make a judgement about the truth of things. What to think e.g., of the following reports on the Thorne Company: The Herald was short in its weekly summary of 14.1.1865: \"The Thorne Company have given a successful representation of the Octoroon at the Lyceum Theatre and announce a second performance for this evening\" (i.e., Saturday). In contrast, the Shanghai Commercial Record reported in its issue of January 25: \"We have had another theatrical troupe here, calling themselves the Thorne Troupe. But whether it is that Shanghai has had too much of this class of entertainment lately, or that the pressure of the times is so great that people do not care to attend the Theatre, we cannot say. Both these causes combined probably to render the patronage bestowed on the Thorne Troupe extremely small. Indeed, when they opened on Wednesday evening last [this should read January 11 - JH] it was literally to an empty house for we hear there was actually no one present to view the performance. The company, as well they might be, were so disgusted that they left next day for San Francisco where we sincerely trust they will be more successful\" Cf. however, Survey, note $2.\n\n14.1.1865 (Sat)?\n\nAs above?\n\n4.2.-10.2.1865\n\nConcert by Mr. Desvachez and Signor Enrico Grossi. Th: Town Hall of the French Concession\n\nR: The violinist DESVACHEZ returned to Shanghai, this time accompanied by the bass singer Enrico GROSSI who had earlier, in December 1863, performed with the Faylor Company in Macao (see BGM 14.12.1863). The concert had called for favourable comment at the hands of our music critic” — indicating that a more detailed review had appeared in the North China Daily News (NCH 11.2.1865).\n\n15.2.1865 (Wedn)\n\nAnnual Volunteer Concert by the Volunteer Band and the \"Shanghai Amateur Quartet Club**.\n\nTh: Shanghai Club\n\nR: The Commercial Record of 22.2.1865 gave the following impression of this concert: \"The Volunteer Band was assisted by the Shanghai Amateur Quartette Club and several gentleman amateurs. The large room in the Club House was lent for the occasion and we were glad to see it well filled. The gay uniforms of the Shanghai Mounted Rangers, mingled with the more sober dress of the Volunteers gave the room a very gay",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211854,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 269,
        "title": "RAS-1989",
        "content_text": "art \n\nof \n\nFrench \n\nconcession \n\nYANG KIM PANG \n\nGATE \n\nSTREET \n\nRace course \n\nTEMPLE \n\nBARRIER \n\nCHURCH \n\nNOISSIW \n\nROAD \n\n244 \n\nROAD \n\nROAD \n\nROADE \n\nROAL \n\nNORTH \n\nBRIDGE \n\nTHE \n\nSTREET \n\nᄆᄆᄆ \n\nBUND Shanghai Club \n\nWONG \n\n- \n\nPOO \n\nAVENUE \n\nS \n\nCONSULATÉ \n\nOf \n\nBRIDGE \n\nSTRECT \n\nKIRK \n\nROAD \n\nCHURCH \n\nROAD \n\nSOD CHOW \n\nAmerican \n\nROAD \n\nCREEK \n\nVoĮsseɔuo; \n\nAIVER \n\nTHE \n\nb Theatre Royal \n\nTae-ming Theatre \n\nOlympic Theatre \n\nd \n\nLyceum Theatre \n\nAppendix I!! \n\nPlan of Shanghai \n\nBUND \n\nPart \n\nStar \n\nHouse \n\nHotel",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211876,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 291,
        "title": "RAS-1989",
        "content_text": "266\n\nthe best of it.\n\nThe weather has now grown intensely hot. In the shade the thermometer is now standing at 84°, which is rather inconveniently warm. Since we have a lady on board, we are obliged to keep ourselves quite dressed, and really sometimes at meals it is very oppressive. At night even lying without clothes at all is very warm work. But in the day time on deck it is a trifle cooler when there is any breeze. In fact I have almost lived on deck for above a fortnight. It is pleasant of a night, especially now the moon shines. The stars however are all strangers to me. There is one fine constellation, the southern cross which is very pretty. The north star is just now going out of sight, and after tomorrow I shall not see it again for a while.\n\nI am getting more and more used to sea, although I shall never be very fond of it. It is all very pleasant to sit on deck and read all day, but soon one gets tired of it. It is the same thing every day, and no variety. Not even a sail has appeared for several days. The other day I saw a herd of grampusses, and the other evening a great fellow about 30 feet long, came blowing around the ship for some time. The flying fish are now very numerous, and sometimes a great shoal of them dart out at once from the water, and skim along above the waves. Today I spent some time in watching the stormy petrels as they skim along. Several of them have followed the ship for some days.\n\nI am now making some progress with Chinese, so that I can get on slowly through the gospel of St. Matthew in Chinese. I should do famously if the Chinese servant on board was only a Cantonese. I can of course make him understand in writing, but his pronunciation is as different as French from English. I also shall try to get some German if possible out of Captain Moate, so that I can discourse with the German missionaries.\n\nWe must now call at Anger [Anjer] for a fresh supply of fowls, and perhaps of water. I shall then hope to get hold of some fruit, which of course cannot be procured on board ship. I am very glad we may stop there, because I shall perhaps be able to send you a line just to say I am all right. I expect there will be a wonder at not hearing from me sooner. I fear however it will be impossible, since there appears no chance of falling in with an homeward bound ship. My health continues good, and if this hot weather does not last, I hope to keep all right.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 212203,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 145,
        "title": "RAS-1990",
        "content_text": "122\n\nOur office had removed to a new building, a tall building with lifts and American plumbing. But the old office was still there, a little way down the Bund, in the French Concession, built of red bricks in a style which can only be described as Sino-Edwardian, though decked with a hangover of that rococo embellishment, which was not one of the glories of Queen Victoria's reign. It was in that office so many years ago that a dear old Chinese merchant had patiently explained to me how in Hankow the yolks of all the eggs were in the centre of the egg, because Hankow was in the centre of China. Not a little bit up the egg, or a little bit down, but just in the centre. I asked him where the yolk of the egg was up in the north at Tientsin, but he said he did not know as he had never moved far from Hankow; and, I fear, he attributed my ill-concealed scepticism to callow youth. I do not suppose all those young Chinese officers who now walked briskly along the road worried where the yolk of the egg was. For since the fall of Nanking, eight months earlier, Hankow had been the capital of China, and also the headquarters of the army. The Japanese were held up at the Mateng bluff, where the Yangtze narrows some miles below Kiu Kiang, but the pressure was increasing and it was thought that Kiu Kiang might fall soon.\n\nBefore leaving Hongkong I had taken the precaution of providing myself with six bottles of whisky, as I had heard that supplies were running short in Hankow. My information was not quite accurate. I found there was plenty of whisky, but it was a green colour, derived from the solder-flux of the Kerosene tins in which it was despatched from Hongkong. Freight on the railway was reserved for war material, and it was easier to bring up an odd tin of whisky than to find space for a case. The green whisky, it was discovered, could be taken, in the usual small doses, with impunity. Nevertheless my six bottles, containing liquid of a more agreeable shade, were acceptable. They unfortunately did not go far. I heard afterwards that an enterprising chemist found a way of removing the green colour from the imported whisky to the joy of patrons who had qualms regarding the effect of solder-flux on gastric juices.\n\nHankow was a very busy place. Amongst other things the rolling stock, which had been salvaged from the north China railways, was being ferried as quickly as possible over to the south bank. Locomotives of diverse size and vintage were shunted down to Hengyang onto sidings where they were held for spare parts or for...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
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    },
    {
        "id": 212204,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 146,
        "title": "RAS-1990",
        "content_text": "cannibalisation. Until the Japanese advance, in the autumn of 1944, flowed over Hengyang you could see a harlequinade of locomotives there in various states of disintegration. Without these reserves, saved through the foresight of the railway personnel, the Chinese would have found it impossible to maintain the service between Kukong, Hengyang, Kweilin and the west as long as they did.\n\nThere was much activity in the airfields, the civil field over at Wuchang, and the military field near the Race Club behind Hankow. From the latter the Russians were operating light bombers, which would pass over in twos and threes on missions beyond Kiu Kiang; and Russian fighters laid in wait for Japanese raids. As I was riding down the Bund one day in a rickshaw - petrol was scarce and under control - a single Russian bomber flying overhead, for no apparent reason, blew up.\n\nThe foreign married women and children had long since left Hankow. The two faded cabaret dancing-halls prospered even more than usual. Artistes, who spoke Russian with a Harbin accent, so I am told, made lots of hay; but, as will happen when news and women both are short, it was chiefly at the clubs that the men foregathered. It was the fashion to go out to the Race Club of an evening. There on the lawn after sunset you would see the British, the Americans, and the French. Hitler had recently recalled the officers of von Falkenhausen's mission, so that the usual sprinkling of German officers was missing, but occasionally Russian air-force officers came to sit huddled in a group by themselves.\n\nI was able to book a berth on a ship of the China Merchants Steam Navigation Company leaving for Kiu Kiang. It is an overnight journey. I do not propose to enlarge on the minor discomforts of travel in China. In the railway carriages, in the ships, and even in the cinemas, the bedbugs and fleas take a long rest during the winter from November to February. It was only June and so I was up on deck soon after dawn to watch the familiar banks go by. As we moved alongside the same old hulk I observed the Kiu Kiang Bund. It had grown shabbier. The process of degeneration, which appears to follow on the withdrawal of the foreigner, was evident. Flaking paint, dirty window panes, broken plaster, left their mark. The Chinese are not good at maintenance, whether it be of houses or machines.\n\nApart from Shanghai, Hankow, and Tientsin, where there were large\n\nIII",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
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    },
    {
        "id": 212217,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 159,
        "title": "RAS-1990",
        "content_text": "136\n\nAmerican films were flown over quickly from Hollywood, and pictures would often be released earlier in Shanghai than in London. When the newsreels of the war began to come along, they led to disturbances; the Germans got nasty and wanted to break things up. Cinema owners did not wish to see their cinemas wrecked and in the end the showing of newsreels was discontinued. Unfortunately, they also did not dare show pictures, like \"The Great Dictator\", which were critical of Fascist methods. The French were, however, determined to see \"The Confessions of a Nazi Spy\", an anti-Nazi picture which was doing much in the States to open the eyes of the population to the methods of the German 'Bund'. They stationed two armoured cars outside the cinema, while inside armed police, with drawn automatics, stood along the gangways. The picture had a very popular run for two weeks, without incident.\n\nSince the disturbances of 1927 the leading Treaty Powers had maintained garrisons at Shanghai. The Japanese forces were quartered in the section of the International Settlement north of the Soochow creek, where the majority of the Japanese population lived; the British, American, and Italian contingents guarded sectors of the perimeter south of the creek; and the French garrisoned their own Concession. There was a local understanding of live and let live, and even after the Italians came into the war, the Grenadiers of Savoy, decked out in patches of red on collar and sleeve, and the baggiest of plus-fours, continued to man their sector: but to avoid argument with Thomas Atkins and Jack Tar they were confined to their own particular taverns. Blood Alley remained an Anglo-Saxon preserve, where Johnnie Doughboy sometimes threw his weight about.\n\nIt was in January, 1940, that the Royal Navy stopped the Asama Maru, within a few hours steaming of the Japanese Coast, and removed 21 Germans from on board. The Japanese, of course, went up in the air at this alleged insult to the Imperial flag, and the British community in Shanghai questioned the expediency of the action. The incident was settled by negotiation, 9 of the captives being returned, and the Japanese undertaking not to convey in their ships military personnel of the belligerents. It is interesting to remember that, when the S.S. \"President Hoover\" ran aground on the East Coast of Formosa, in Japanese territorial water, closed to foreign shipping, the Japanese refused to allow the Americans to salvage her, but insisted on the work being done by Japanese firms. Soon after, the Asama",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
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    },
    {
        "id": 214797,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 212,
        "title": "RAS-1999",
        "content_text": "177\n\nquite the reverse. Richard Coyne (1999) has recently pointed to the romantic stream in digital narratives, which implicates them in notions of utopia through the discourse of the 'global village and the electronic cottage', the return to a tribal stage of freedom and a Golden Age equality, the ideal of preindustrial arts and crafts. It may well be, as Coyne argues, that such 'digital narratives', whether romantic or rationalist, necessarily provide spaces of interpretation rather than referring to contextual realities beyond language.\n\nPerhaps as part of a general tendency in anthropology away from getting dirty hands by doing fieldwork in local sites, my more recent research has tended towards a great interest in the power of the Internet, and its World Wide Web, to forge new ties of community between Hmong in France, Canada, Australia and New Zealand, French Guyana, Thailand, Laos, Vietnam and China (Tapp 1999). Of course the Hmong voices represented on the Internet are the voices of those most in the position of being able to represent themselves in this way; that is, the most educated, most literate, and those with computer access. Yet these representations of themselves, both those aimed purely at other Hmong and those aimed at others, are of considerable interest for the way they so often speak directly of the losses and separations suffered by the Hmong community as a whole, and the need to reunite and re-bond, the memories of particular households and the life in Laos or Thailand, or an ancestral home in China. Evans (1998) also draws attention to the power of these nationalist images of homeland among groups of overseas Hmong refugees from Laos.29 These are moving, and deeply felt, images, and they are not necessarily emanating from those Hmong with a particular political agenda, or even from those Hmong who individually left Laos themselves, but often from members of the younger generations, college students who cannot themselves recollect such pasts or places.\n\n20\n\nCoupled with the facts of overseas Hmong tourism to South East Asia and China, return family visits and the emergence of small-scale transnational businesses, we must I think see these Internet representations, these uses of the Internet together with other forms of telecommunication, as directly contributing to the formation of a new kind of Hmong identity and Hmong community, on a global scale, the kind of identity which more nearly approximates our understanding of a nationality or national group, perforce without a state or sovereign",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
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    },
    {
        "id": 215004,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 100,
        "title": "RAS-2000",
        "content_text": "56\n\nSpecial envelopes were printed for use by the CLC with a central red band and black printing in English, French and Chinese. In France this mail was posted in special boxes and transported by despatch riders to and from Noyelles. Mail between CLC companies in France did not require stamps or special envelopes.\n\nThe Imperial War Museum also holds two notebooks, written in literary Chinese, which may have been compiled by a clerk or labourer in his leisure time. There are random jottings with notes on, amongst other topics, the ancient political system in China, moral precepts, quotations from Chinese poets, lists of 95 individuals' names and places of birth, and also three letters.\n\nThese letters reveal the feelings of an ordinary man, rural and urban labourers, and his feelings for others. The first letter is addressed to the Kaiser and is a petition to end the war. It was written by 'Spiritual Man Yuan Chun'.\n\nTo the Great Emperor of the German Empire.\n\nThe war in Europe is a matter that does not concern us, the Chinese people, and as Your Majesty knows the world is full of people with greater talents than we have.\n\nHowever, as the ancients have said, a model emperor would be a brave warrior and merciful; however, if one loves war for its own sake and treats human lives as blades of grass, you will invoke the anger of the gods.\n\nWe Chinese came to Europe as neutrals, our aim is to make a paltry living; however, the war made our journey to Europe somewhat less than peaceful.\n\nAn examination of the world situation now shows that within the universe we are all one family, and a virtuous ruler would seize this opportunity to put righteousness before profit, to follow the will of the gods and the wishes of men, to stop the evil of the world and together with other nations create a new world. A virtuous ruler's name will be remembered for ten thousand generations, so why not halt your troops and select",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    }
]