[
    {
        "id": 205563,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 105,
        "title": "RAS-1968",
        "content_text": "100\n\nMORRIS I. BERKOWITZ\n\nThe data presented above is based upon information gathered from 35 households currently living within the new housing area, supplemented by information from depth interviews with some respondents. Of these 35 households, in 17 we interviewed both husband and wife, in an additional 16 we were able to interview only the wife, and in only two cases did we interview only the husband. In all cases, we will only use one respondent from each family for this analysis.\n\nWillingness to Move and Present Happiness\n\nThe villagers report that they were overwhelmingly favorable to the idea of moving when it was first presented to them, although there were significant numbers who showed some reluctance. It would be tempting to conclude that life conditions in the village, which were undeniably harsh and economically marginal, had created this willingness, but such a conclusion may not be justifiable. It is quite possible that this retrospective happiness is an attempt to lessen psychological dissonance in the present: at least the prospect should be entertained. But with this reported willingness to move is a similarly reported unhappiness with living in the resettlement area. A majority of these respondents avow they are now unhappy and would prefer living in the villages.\n\nCloser examination of the data reveal that twelve people (9 males and 3 females) prefer living in the resettlement area, 16 (6 M., 10 F.) preferred the village, and 7 were unwilling to choose or liked both equally (5 M. and 2 F.). The women are by far the more traditionally oriented and prefer the village despite the fact that their lives in the resettlement area are probably physically easier. The difference becomes more impressive when male employment figures are examined: five of the six males who would prefer returning to the village are currently unemployed. The ownership of additional flats, per se, in the resettlement area seems to have little or nothing to do with contentment, and one might be tempted as a result to say that the current dissatisfaction stems largely from non-economic grounds. This would be premature as there are many economic problems revealed in the interviews, but economics does not seem to be the only central issue. Supporting this preliminary conclusion are two other pieces of information: of the six men with no schooling, three preferred the village while of those men with schooling of any kind, only 3 of 10 preferred the former life.\n\nPage 105\n\nPage 106",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
        "rank": 0
    },
    {
        "id": 206850,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 127,
        "title": "RAS-1973",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 121\n\nis called Lo Foo Ts'z T'ong (老虎祠堂), Tiger Hall. The floor of the cave is quite smooth with a lot of small stones almost like a mosaic. Though the actual site of the school is not known, old tiles have been found from time to time on the hillside, and one of these can be seen in a house called Cheung Ch'un Yuen (祥泉園) of Shui Tau (水頭) village. In the same house is a flower vase of interest that was dug up on Hong Kong island about 30 years before the British settled there.\n\nAs mentioned before, four of the \"five Yuens\" eventually left Kam Tin and founded branches of the Tang family elsewhere, and it has even been said that Yuen Leung, the ancestor of the Kam Tin branch, moved to Mok Ka Tung (莫家洞) near Shek Lung, but this removal is generally attributed to Yuen Leung's daughter-in-law, a princess of Sung dynasty whose story reads almost like a romance. She was a daughter of the Emperor Ko Tsung (高宗) of Sung Dynasty, who before becoming emperor of China was Prince Hong Wong (康王). The Tartars at that time were attacking the North of China, and in the 2nd year of Tsing Hong (靖康) A.D. 1127 they entered the Sung capital, captured the two emperors Fai Tsung (徽宗) and Yam Tsung (欽宗) together with both the mother and wife of Hong Wong, who was himself away in another part of the kingdom fighting the Tartars as he held the appointment of Tin Ha Ping Ma Tai Yuen Sui (天下兵馬大元帥), the commander-in-chief of all the emperor's forces. Hong Wong's little daughter was only ten years old and she was protected by her women servants who fled with her to the South. In the 3rd year of Kin Yim (建炎) A.D. 1129 they arrived in the Kiangsi province where Yuen Leung was district officer of Kung Yuen (贛縣) district. He was very zealous to help the Emperor and had collected together an army of soldiers, with the intention of marching North. Kiangsi was full of the Tartar forces, and the princess found herself surrounded by enemies. One day she saw the Sung flag over the encampment of Yuen Leung's army and she went to him for protection. She stayed with Yuen Leung, moving about with his soldiers, and eventually when he returned to Kam Tin he brought her back with him. He did not know who she was, as the servants had told him only that she was the daughter of a high official in the North. The princess found happiness and security in Kam Tin. She was like a daughter in Yuen Leung's house, helped with the household duties and was quite content. Eventually she revealed",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 207326,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 94,
        "title": "RAS-1975",
        "content_text": "86\n\nHELGA WERLE\n\nching the room they find the parting letter on her desk. The mother starts wailing, cursing her husband. They call the servants to check the house, and the two male servants return and report that they found the back-gate open. They panic, and the wet-nurse rushes out to inform the groom's family.\n\nAct X\n\nThe servants lead the way with lanterns to the river. Mr. and Mrs. Su are followed soon after by the eldest of the Su clan, and by Mr. Yang and his wet-nurse. Then the group meets T'ao-hua and she joins in the search. Mr. Su now accuses Mr. Yang of having pushed their daughter to commit suicide. Mr. Yang reads Liu-niang's last letter but is not impressed. Perhaps it is a trick to avoid the marriage. He will not believe it until he has tangible proof.\n\nAfter walking in many circles they come to the bank of the river, where a servant discovers the shoes of Liu-niang. The parents wail and scold Mr. Yang, and finally the old ferryman approaches with his oar. When asked whether he had seen Liu-niang, he answers that he did not see anybody, but heard a big splash. Whereupon the whole party decides to return home.\n\nThe ferryman calls back T’ao-hua and triumphantly tells her that he can now finish the couplet of the 13th month, because every so many years there is in fact an intercalary 13th month. And on this gay note the play ends, providing the reason why this opera is colloquially called \"T'ao-hua Crosses the River”.\n\nAct VIII is the climax of the play and Act IX and X the anti-climax.\n\nFOOTNOTE\n\nChiuchow Opera and Peking Opera\n\nThe repertoire of Chiuchow opera contains plays taken from the Peking opera, as well as plays based on Chiuchow's local traditions. Ch'en San Wu-niang and Su Liu-niang are both typical Chiuchow operas which have no parallel in the Peking opera. Both are elegant and refined literary operas, with a very strong local flavour in the treatment and development of the subject, and in the music and performance style.\n\nIn a Peking opera the hard laws of society, the five relationships instituted by Confucius, are more important than human happiness; and in Peking opera the same plot would have quite a different dénouement, most probably with a tragic end. How would a well-kept young lady ever dare",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 209865,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 124,
        "title": "RAS-1983",
        "content_text": "102\n\nThe first valley is that of Shek Pik (\"Rock Wall\"). This lies right under the steep south-west face of Lantau Peak. The main village stands at some distance from a creek with a big sandbar which makes a good harbour for small boats. To the east is a little hamlet, Tung Wan (\"East Bay\"), where a sandbar has silted across the mouth of a stream, making a marsh. A bay a little west of the creek faces the surf, and so has no landing and is in consequence deserted except for cultivation and pasture1a.\n\nShui Hau and Tong Fuk (\"Creek Mouth\" and \"Banked Happiness\"), which form the second group of villages, have poor landing-places. They lie at one end of the long stretch of beach which extends to Pui O (“Cup Haven\")14 which is the name of the third group of villages.\n\nThe chief features of Pui O are its fine woods with their ancient trees: the very long sand-spit enclosing a lagoon where boats can lie: and the double storm beach, the second one to the rear being the older. There is an old brick or pottery kiln built on this beach. Passes go from Pui O to Mui Wo and Shap Long.\n\nBeyond Pui O to the southeast is a rugged granite peninsula; it only has one village of importance, Tai Long (\"Great Waves\"). This village has one very fine sand beach with another to the west, which, because it is much more exposed, has no village15. To the east of Tai Long are the wells from where the Cheung Chau waterboats get their water.\n\nOn the north coast of this granite peninsula are bays and hamlets where sand junks used to dig sand. At its innermost point is Shap Long (\"Ten Ridges\", but this translation is particularly doubtful), a plain with a sandbank in front; the sea is so shallow sand junks cannot approach. A few years ago an epidemic of smallpox made the villagers think something was wrong with their abode, so they left the houses all standing and moved into huts further down the valley, on its northern side.\n\nThe next point of interest on the Lantau coast is the Silver Mine Bay, a beautiful valley with a big sand beach in front, and with four villages, Mui Wo (\"Plum Nook\"), Tai Tei Tong (\"Big Land Pond\"), Luk Tei Tong (\"Deer Land Pond\"), and Pak Ngan",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 210094,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 65,
        "title": "RAS-1984",
        "content_text": "44\n\nJULIAN PAS\n\n6. Hou-wang ling-ch'ien 14, published by Tsui-ching tang f**, Canton, n.d. (block print edition; 64 oracles).\n\n7. Pei-ti ling-chien w, published by Wu-kui t'ang in Canton, n.d. (block print; 50 oracles, identical with above Shang-ti ling-ch'ien).\n\n(iv) Oracles reproduced in the Tao-tsang\n\n1.\n\n2.\n\n3.\n\n4.\n\n5.\n\n6.\n\n✯ (−TT), 1977 Taipei reprint. Szu-sheng chen-chin ling-ch'ien 145, vol. 54, pp. 44056-44080, TT. 1298 (1 scroll; 49 oracles).\n\nHsian-chen ling-ying pao-ch'ien KERAK, vol. 54, pp. 44081-44137, TT. 1299 (3 scrolls; 365 oracles, divided over 12 daily hours each of which has 30 slips, i.e. 360 plus one slip for each of the five agents).\n\nTa-tz'u hao sheng chiu-t'ien wei-fang Sheng-mu yilan-chun ling-ying pao-ch'ien KkP;AMP@!#MEW, vol. 54, pp. 44138-44150, TT. 1300 (1 scroll; 99 oracles).\n\nHung-en ling-chi chen-chân ling chien light hi. Vol. 54, pp. 44150-44154, TT. 1301 (1 scroll; 53 oracles).\n\nLing-chi chen-chün chu-sheng ling ch’ien OBZIRAR, vol. 54, pp. 44155-44159, TT. 1302 (1 scroll; 64 oracles).\n\nFu-t'ien kuang-sheng ru-i ling-ch'ien KQE✯, vol. 54, pp. 44160-44190, TT. 1303 (1 scroll; 120 oracles).\n\n7. B-2 Hu-kuo chia-chi chiang-tung-wang ling-ch'ien ARMORIA, vol. 54, pp. 44193-44213, TT. 1305 (1 scroll; 100 oracles).\n\n8. Hsuan-t'ien Shang-ti kan-ying ling-ch'ien K, vol. 60, pp. 48479-48506 (49 oracles).\n\n(v) 1. Sham Francis, Trans., Kwun Yum Fortune Slip Predictions. Hong Kong: Tung Wah Group of Hospitals, Board of Directors, 1983. (This set corresponds with the Kuan Yin set found in Lukang; B-11 and -12).\n\n2. Sham Francis, Trans., Predictions of Wong Tai Sin. Hong Kong: Tung Wah Group of Hospitals, Board of Directors, 1984. Chai, Tung-yeh # !f, \"Ling-chien malo-chii” NUE.\n\n3. Heaven-Earth-man Journal Ke (published in Taichung, Taiwan), no. 1 (1968), 117-147.\n\nB. Studies\n\n1. BAUER, Wolfgang, China and the Search for Happiness. Recurring Themes in Four Thousand Years of Chinese Cultural History. (Translated from the German by Michael Shaw.) New York: The Seabury Press, 1976 (German Ed.: 1971)\n\n2. EBERHARD, Wolfram, \"Oracle and Theater in China\", pp. 191-199, Studies in Chinese Folklore and Related Essays, The Hague: Mouton, 1970.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 210833,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 184,
        "title": "RAS-1986",
        "content_text": "167\n\nDr. Legge was not happy about this and was somewhat bitter toward Miss Grant for stealing one of his ministerial candidates.\n\nSeveral years after his marriage Song Hoot-kiam entered the Singapore office of the Peninsula and Oriental Steam Navigation Company. In this position he is described as \"honest, punctual, sober, industrious and conscientious.” As an ideal employee he worked for the company for forty-two years, retiring in 1895. He died five years later. After the death of his first wife, there were two subsequent marriages. He left fourteen surviving children.\n\nThough he departed from his youthful intention of becoming a minister, a notice of his death appearing in the Straits Chinese Magazine suggests he took seriously the moral foundation laid by Dr. Legge's instructions: “Song Hoot-kiam was neither rich nor great, but he was a specimen of the best type of Chinese character. Sober, persevering and conservative, he was a mighty rock to his large family. Half a century of honest, steady and successful work for others is a sufficient commentary on the man's character. As a friend Mr. Hoot-kiam is loved wherever he is known, but he is known only to a small circle. Being of a shy and retiring disposition, he spent most of his time among his family, and those of us who can realise the happiness of this simple domesticity may well envy the coolness, the contentment and the goodness of our friend who has just departed.”\n\nOne of his sons, Song Ong-siang, became a prominent lawyer and in 1923 published, One Hundred Years' History of the Chinese in Singapore. Though Hoot-kiam never became an ordained minister, he served as a lay preacher, singing precentor and treasurer of the Prinsep Street Chapel in Singapore.\n\nThe next student Dr. Legge lost was Lee Kim-leen. He had accompanied Song to Singapore but went on from there to visit his family in Malacca. Unlike Song, he returned to Hongkong though somewhat belatedly in June.\n\nDr. Legge expressed the opinion that the visit had not been of much benefit to him as it led to his friends constantly urging him to return. His excellent knowledge of English made a great impression...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 211415,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 131,
        "title": "RAS-1988",
        "content_text": "107\n\nPo Ling, Uncle's sole heir, was in business in Malaysia for many years, but returned to Hong Kong following a stroke. He has been married twice. His first wife, née Auyoung, died of tuberculosis early in their marriage. His present wife, Su Min Kan, is the mother of three daughters and two sons: Linda, Judy, Lillian, Robert and Chi Fai, all of whom were educated in England. I met Su Min for the first time when she and Po Ling toured the United States in 1978 with Linda and Robert. Po Ling's concubine, Grace Kam Siu Wai, born 28 February 1918, and her two children, Anthony F, born 12 May 1945, and Rosita b, born 20 July 1953, are settled in Australia. Anthony, married to an Australian, Dorothy, has five daughters. Rosita, married to Robert Ting, has one child. Because of the distance between Uncle's family and ours, contacts are infrequent and I am afraid family ties will weaken and be lost in time.\n\nAs for me, fond memories of Uncle and Small Aunt linger still, and I cannot forget his affection and concern for me when he took a launch from Shameen, Canton, to True Light Middle School at Paak Hok Tung, to comfort me upon the untimely and tragic death of my fiancé. To have lived in his truly Chinese home was to experience the joys of an extended family, the sharing of sadness and happiness, the concern for one another's well-being, the responsibilities falling upon and assumed by the head of the family, and the respect towards our elders and for each other — attributes which have drawn our families close for several generations and which have increased my appreciation of the ancient culture of my people.\n\nSecond Paternal Uncle\n\nMuch of the information on Second Paternal Uncle comes from letters he wrote to Father and from the autobiography of his eldest son, Toby, written in Chinese.\n\nUncle, the second son in the family, was born in our ancestral village on 17 August 1870. His 'milk name' was Ping I; his marriage name, On Kiao; his adult name, Chung Chi. The last was the name he was known by outside the family. He was taught in the village by a tutor and most likely had studied some English in Hong Kong before Grandfather sent him at the age of 16 to join First Uncle in San Francisco.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211466,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 182,
        "title": "RAS-1988",
        "content_text": "158\n\nRuth's death in 1932, after several years of illness, was a physical and emotional drain on Mother, but surprisingly, she took this loss with much fortitude. In times of adversity and loneliness, she must have found support, solace and strength in her religious faith, in her loving family and in her close friends.\n\nMother died on 20 November, 1974, following a stroke, at the age of 87. We three daughters had tried to make life easier and happier for her. She had the companionship of Dora and her two sons since 1950 when they returned to Honolulu to live with her. Mother had made several extended visits with Helen in Chicago and with me in Brookline and had travelled with me by car as far north as Bar Harbour and as far south as Philadelphia, and across the United States through the Southwest via Yosemite Park to San Francisco. I earnestly hope that we had given her some real happiness. We are grateful for the sacrifices she had made without expecting anything in return. A simple, unobtrusive and intelligent lady, devoted to husband and children, loyal to family and friends, and strong in her religious beliefs this was my Mother. She had been my support, my counsellor one who gave me life and nourished me with love. I shall miss her always.\n\nMy Sisters and I\n\nWe were a family of five girls\n\n―\n\n▬\n\nRuth, Me Yuk, Helen, Dora and I. The three older ones were about 20 months apart in age and were born in our first home on Prison Road. In those days Chinese women did not have the benefit of either prenatal care or professional attendance at time of delivery; they relied on the help of midwives or experienced relatives. Although Mother had arranged for me to be delivered by a midwife, the latter could not keep her commitment because my arrival was too close to the lunar New Year. It was fortunate that a Hawaiian neighbour was available. She cleaned my eyes, massaged them so that they would become large and round, and sucked my breasts so that they would grow large and full.\n\nI have no recollection of Me Yuk as she was sent to California while still a baby. Ruth and I were each other's playmate most of the time in those early years. I recall having only one doll between us named To Gai and Tong Chen (words without meaning that we had concocted),",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211869,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 284,
        "title": "RAS-1989",
        "content_text": "259\n\ntimes. Even the captains and sailors say it is very rough.\n\nBut there is a kind providence over us, who I feel sure will protect us. For myself I feel no danger. I know that the many earnest prayers offered on my behalf, by many dear friends, will be answered, and that come what may, it will all be for the best. Although alone, without a single being that I can hold any rational conversation with, yet I feel very happy and contented with my lot, and doubt not that when the weather improves I shall be as happy as a king; although I know there can be no more real pleasure and happiness for me till I return to old England, and get along with some of my warm-hearted relations and friends. I must now stop for today, as it is quite late.\n\nMonday, March 25th\n\nSince I wrote the last, things have gone on improving on the whole. On Friday night the wind changed, after a calm, and on Saturday morning we were right off with a fair wind, going at eleven knots an hour. On Saturday alone we made a good distance, and on Sunday nearly as much, although the wind has gone down a little and we are not today going so fast. This foul weather will have made a difference of nearly a fortnight in our passage, and ships leaving the Downs about twelve days after us will now only be a short distance behind. It is rather vexing, only it cannot be helped.\n\nWe are all now beginning to know each other on board. The only persons I think anything about are the chief mate, the captain's wife, and the Chinese boy, whose name is Fin. I only wish the captain were like his wife, for then it would be some pleasure to be in his society. Captain Moult is just such another, a worldly, thoughtless, swearing man. Neither of them have the least spark of religion in them, and in fact they ridicule everything in the shape of religion, and seem to take a delight in making all the fun of it that lies in their power. Mrs. Harper keeps in her cabin nearly all the day, so that it is but seldom that I can get a chance to exchange a word with her. Their son is a regular spoilt one, and deserves to be much pitied. He will turn out a radical some of these days, and no wonder, to see what an example he has before him continually.\n\nThe steward had a fine time of it. He did not, certainly, understand his duty, but he wanted a little patience and he would have soon",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211997,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 412,
        "title": "RAS-1989",
        "content_text": "387\n\nWith this in mind the people of our Yeuk, all joining together in a meeting, showed a spirit of mutual assistance and unanimity. A notice was pasted up in red characters, and young men began to practice martial arts. Action was taken to guard against bandits and precautions were taken against thieves. Severe rules were agreed. Should any outsider now loiter about or enter our premises, or any outside bandits form gangs, or anyone break into houses to rob and steal, then they will at once be captured and investigated. Every detail will be uncovered. Patrols will capture bandits, and send them to the Magistrate for interrogation, and there will be no question of influence getting them off.\n\nThereafter bandits from outside will not dare to cause trouble here: within the Yeuk the people will be happy and live in auspicious peace. Then in the future we will see fine customs; they will spread everywhere. Everyone will sing and dance, as the sun rises in peace: every family will enjoy a common happiness as in the times of Yao. Thus it is written.\n\nA public announcement by the community of ... Yeuk.\n\nKuang Hsu... Year, ... Month, ... Day.\n\n[Note: punctuation in the translation basically follows that in the transcription]\n\n犯約服罪式\n\n立服罪人〔^姓名]口後不敢復爲非禮之等情因〔^口〕係不守法有鄉犯規竊得[^姓名]物[“幾多]小因彼〔姓名〕拿得贜眞證確今悔遇自身求免送官按情願徑衆公罰日後永迎約束規條如有復行非禮之時任案公送官法徵此係並服約束亦不敢挾盖陪害等情恐口憑立並服數據照\n\n【從read經,東read諫〕\n\nExemplar of a Document by which someone confesses a crime against the rules of the Yeuk\n\nThe writer of this document [... name], who confesses his crime, will hereafter not dare to commit anything improper again. The reason is that, on [... date] I did not obey the law, but was guilty of breaking the rules of the Heung, and stole things [... quantity, [... name], and also because I was captured by [... name], with the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212134,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 76,
        "title": "RAS-1990",
        "content_text": "53\n\n1\n\n景案\n\n+\n\n'brilliant scholars', and a Christian community ching-chung\n\nthe 'brilliant assembly'. The Christian monasteries which\n\nappeared all over China in Kao-tsung's reign filled the land with 'brilliant happiness', ching-fu. Christ is described as 'the brilliant and reverend (ching-ch'uan) Messiah'. At his birth a brilliant star (ching-shu) told of good fortune'. In the most emotionally-charged context of all, ching occurs in a veiled and ambiguous reference to the crucifixion: the Messiah 'hung up a brilliant sun (ching-jih) to take by storm the halls of darkness'. The use of the character ching in this way shows that the composer of the Sian tablet inscription wanted to extend and deepen its normal meaning 'brilliant', thereby adding to its effectiveness as a descriptive term for Christianity.\n\nUntil the beginning of this century the Sian tablet was the only source for the expression Ta-ch'in ching-chiao, Syrian brilliant teaching', as an official identity for Nestorian Christianity in T’ang China. We now have more evidence for its use. The expression occurs in a number of Nestorian manuscripts discovered in 1980 at Tun-huang, where there was a Nestorian monastery in the Tang period. Altogether seven separate works, all in Chinese, have been discovered. Two, the Book of Jesus the Messiah, and the Essay on Monotheism, are seventh-century documents composed shortly after Reuben's arrival in China, and neither the geographical term Ta-ch'in nor the descriptive term ching-chiao are found in these early works. Of the other five works, one, the Book of the Secret of Peace and Joy, contains three occurrences of the term ching-chiao, but none of Ta-ch'in. The manuscripts of three other works, the Hymn in Adoration of the Transfiguration of Our Lord, the Hymn in Adoration of the Holy Trinity, and the Book of the Origin of Origins, all display Ta-ch'in ching-chiao prominently in their titles, but neither Ta-ch'in nor ching-chiao occurs in their contents. All three works, however, are listed in a fifth work, the Book of Praise, with the phrase Ta-ch'in ching-chiao omitted from their titles. The Book of Praise, which was found together with the Hymn in Adoration of the Holy Trinity on a single manuscript, is rather different in style from the Hymn in Adoration of the Holy Trinity. It contains one reference to Ta-ch'in pen-chiao, ‘our teachings of Syria', but does not contain the expression ching-chiao, 'brilliant teaching'. All occurrences of ching-chiao in these documents use the curious variant form of the character ching found on the Sian tablet.\n\n12",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212144,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 86,
        "title": "RAS-1990",
        "content_text": "63\n\nmonastery by his famous general Kao Li-shih, to the temple nameboard written in Hsüan-tsung's own calligraphy, and to lavish carpets donated by Jazedbouzid. We are also told that Reuben was escorted into Ch'ang-an by Tai-tsung's chief minister Fang Hsüan-ling; that Kao-tsung appointed Reuben 'spiritual lord of the empire'; that Hsüan-tsung's five brothers, all princes, visited the monastery in the 720s; that Su-tsung refounded a number of Nestorian churches; and that Tai-tsung invited the leaders of the Nestorian church to attend his birthday feasts. These are a curiously assorted selection of honours, and the reason that they are mentioned is doubtless because complimentary scrolls or other souvenirs of these occasions were on public display in the Ch’ang-an monastery, and therefore needed some historical explanation.\n\nGiven its likely readership, the Sian tablet inscription is a masterpiece of tact and suavity. It says what it needs to say and glosses over what is inconvenient. Nothing would have made a worse impression on such an audience than a frankly evangelical message. The Book of Jesus the Messiah is evidence, if evidence is needed, that the Nestorians in Tang China did not conceal the fact that the founder of their religion had been a crucified criminal. Nevertheless, many Chinese would have found this a shocking idea, and Adam sensibly avoided mentioning the crucifixion in an inscription aimed at casual visitors to an exotic foreign monastery, and dwelled on aspects of the \"brilliant teaching\" which were more likely to appeal to his audience. The Christian cross, therefore, which was prominently displayed on the tablet, was explained as a symbol of the four corners of the earth, and the crucifixion was mentioned only indirectly.\n\nInstead, the inscription argued that the 'brilliant teaching' promoted happiness and good order. It scotched any suggestion that Christianity was a religion from some vague western Eldorado by stressing that the Messiah had been born in Ta-ch'in, just west of Persia, a country which had been precisely located by eminent Chinese scholars. It tactfully insinuated that China had been most prosperous under those emperors who had encouraged the 'brilliant teaching'. It subtly suggested that a religion which could win compliments from a succession of T'ang emperors was a religion worthy of respect, and dwelled particularly on the favours of the four most recent emperors, Hsüan-tsung, Su-tsung, Tai-tsung and Te-tsung, towards the Christian religion. Middle-aged readers would remember all of them. Finally,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 213287,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 109,
        "title": "RAS-1994",
        "content_text": "89\n\nunease (even dread) if certain lore is followed concerning the construction or the furnishing of a building. A Chinese geomancer will probably be able to give specific reasons why it is so. It is not difficult to imagine that if someone's home is 'tranquil', and that if he or she feels 'comfortable' there, that this will be 'picked up', sensitively, eventually resulting in a greater degree of self-possession and, consequently, greater accomplishment.\n\nIn Chinese communities talismanic paper emblems above door frames, like the 'Five Happinesses' (signifying long life, wealth, health and peace, love and virtue, and natural death after a full span) are common. Understanding something of metaphysics one realises the power of the negative word. The Chinese characters signifying 'Coming or leaving go in peace', painted on a strip of red paper and pasted by the entrance, although by no means hypnotic or yogic techniques, mean a great deal to many. It psychologically 'hearts are put at ease' by constantly reading such messages (a form of auto-suggestion) then the desired effect is achieved.\n\nSome Chinese symbols can be compared with an old shoe tied to the back of the car of a newly married English couple; or a horseshoe (which must hang the right way up) by the door of a cottage. Inside the parlour you might find the motto, 'Bless this house', displayed. Certainly during World War II a number of British aircraft crew members, on bombing missions over Germany, carried lucky charms, such as rabbits' paws.\n\nFung shui has been likened to the pull of gravity or high voltage electricity. Others describe it as dei mat, the veins through which the pulse of the earth can be sensed. The end result, many believe, is directly proportional to the degree of skill of the fung shui practitioner. With the cosmos in a constant state of flux his task is to analyse bad elements and to advise on cures to help balance or restore the build-up and circulation of chi. Often it is accepted the fung shui specialist cannot prevent something from happening. But if he has mastered his art he can make the effects less severe.\n\nOf course it does not always happen so. 'My fung shui lo (\"fellow\") did not tell me so much red in my flat would upset Ng Wong (the Fifth King God),' a Chinese woman told the author. 'Also, he did not forecast the death of my friend's mother. All he is concerned with now is taking on as...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 214721,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 136,
        "title": "RAS-1999",
        "content_text": "'double happiness', to sprigs of foo paak (hibiscus), a homonym also meaning 'wealth' or 'riches'. By comparison in the West, in rural England, a horseshoe is sometimes displayed at the entrance of a cottage to bring luck.\n\n3\n\nThe Pat Heung Valley covers an area of just over 50 square kilometres.\n\n* The Kowloon-Canton Railway Corporation later reimbursed the Hong Kong Government.\n\n5\n\nBecause of the rising and falling naam moh sound of their chanting. Lo means 'fellow'.\n\nf These are normally in threes. One is offered up for heaven, one for earth and one for mankind.\n\n7\n\nThe number of urban Chinese who have never partaken of a basin meal frequently surprises the Author.\n\n*To make them more attractive and presentable for the gods.\n\nThe Author has been informed that tun fu ceremonies do take place outside Hong Kong although he has never observed them or seen anything about them in writing. Although there has been a religious revival in China in recent years, he has never observed any tun fu pots on the Mainland although that does not mean they do not exist. A fellow researcher has told him that they may be seen in Xiamen.\n\n10\n\nBy comparison, at Pat Heung there were five pots with one talisman in each. At the Sha Tin ceremony there was one pot with five talismans and the same at Kam Tin and Tai Wo. At Ma Wan there were two pots with three talismans in each.\n\nThe same applies to feng shui where different schools exist. Again, masters have their own ideas. One who the Author accompanied on assignments in urban Hong Kong believes in placing crystal in homes to absorb impure influences. A similar custom is also found in the West.\n\n12\n\nFor which the Hong Kong Government is said to have paid $40,000.\n\n13\n\nIt was made illegal to let off firecrackers in 1967 (the year of prolonged riots).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 215082,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 178,
        "title": "RAS-2000",
        "content_text": "135\n\nCelestial Stems, in the form of the Five Planetary deities, and the other five their counterparts according to the Five Elements. As an example we shall look at just one of the Five Planetary deities, the first stem, Jia, together with its counterpart humanised form the element Wood. The individual Planetary deity portrayed, Jia, is carrying a dish of peaches and is identified as Jupiter. This is the same deity as the one seen elsewhere with the small arms and hands emerging from the eye-sockets. A second wall dedicated to the Lord of the Southern Dipper, Nan Dou Xingjun, depicts the other Five Planetary deities and their counterparts.\n\nReverence of, and Ritual and Sacrifice to Taisui\n\nEach of the sixty Taisui is a guardian of the individual year, and is regarded as the deity in charge of his particular year responsible for the happiness of mankind, and for births and deaths during that year. Chinese place their offerings on the altar before or under the image of Taisui bearing their cyclic year-date of their birth. When such cyclical characters are used they are interpreted from a chart held by the temple keeper who is able to read off the year. In the City God temple in Yau Ma Ti in Jiulong, each of the sixty images which stand in serried rows down a side wall, is an identifiable deity but without its individual name or title being displayed. In Chinese folk religion temples in both Cambodia and Thailand, Taisui is presented with offerings 30 days after the safe birth of a child to ensure that a full life span is pre-ordained. In several of the Macau temples, slips of red paper have been pasted above each of the sixty images identifying the year and title of each of the Taisui. In other places, a number of characters on the front face of the base of each image identify which year of the sixty-year cycle the particular image represents, and in two temples at least, presumably for simplicity's sake, the number of the year is clearly written in ordinary characters.\n\nIn Hong Kong and South-east Asia, devotees place placatory offerings of spirit money under the image which bears the two characters for their year of birth of the sixty in the cycle, together with an oral request for a good year. Such piles of paper spirit money are a sure identification of the Taisui cult. These wads of \"hell\" paper money, either printed notes on the Bank of Hell25 or gold paper \"ingots\"26 [sheets representing offerings of precious metal], are placed beneath",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215111,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 207,
        "title": "RAS-2000",
        "content_text": "164\n\nThe next of our euhemerized heroes is the loyal victor, Guo Ziyi, whose armies were to a great extent the power behind the throne during the rebellion. He is best known to many by his title, Fenyang Wang, the King of Fenyang, an erstwhile name for Anhui province. He is one of the most renowned of Chinese generals, greatly distinguished following service under four successive Tang emperors. He lived to the then great age of 84, dying in AD 781 having been blessed with innumerable progeny, the offspring of his eight sons and seven sons-in-law, all of whom occupied high official posts. Legend claims that he had one hundred sons and one thousand grandsons, hence another of his titles, the Ancestor of Five Generations [Wu Dai Tongtang]. He is also known as Father of the Realm [Shang Fu] and having such a wealth of sons and grandsons, is popularly regarded and worshipped China-wide as the God of Happiness, Lushen. The image of the God of Posterity and Happiness, stage left in the trio of elderly men, the San Xing, the Three stellar Gods of Wealth, Fortune and Posterity, is frequently identified as Guo Ziyi. Such groups of three are to be seen in many Chinese homes and in the UK in most Chinese take-away shops [Photographs 4 and 5]. The standard image portrays him as an elderly scholar-official, standing, dressed in blue robes leading or holding his eight year old son in his arms. The blessings he enjoyed, namely honours, riches, longevity and posterity, were attributed in popular legend to the stellar maiden Zhi Nü, who was said to have appeared to him once on the day consecrated as her annual festival, the double seventh, when she promised him these rewards.\n\nIn temple legend he was born of a peasant family whereas in fact he was the son of a wealthy official, born in the far north in Shaanxi province. In southern China, however, he is claimed by Hakkas to have been a Hakka. His youngest son married the daughter of the Gao Zong emperor, and among the many stories related about Guo and his relationship with the Tang Court, possibly the best known tells of the princess refusing to offer her greetings to Guo, her father-in-law, on his eightieth birthday, as he was a mere commoner. Her furious husband beat her causing her to return to the Palace to complain to her father, the emperor. Meanwhile, Guo had his son bound and sent to Court for punishment. The emperor, recognising Guo's years of service and that domestic affairs were nothing to do with the Court, set his son-in-law free whilst the empress advised her daughter reach an accord with her husband.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215372,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 149,
        "title": "RAS-2001",
        "content_text": "98\n\ncotton, approximately 60cm to 75cm square and gathered slightly at the top edge. Red silk ones, padded for warmth, were embroidered in satin stitch with designs of birds, flowers, or the qilin, a mythical animal, which symbolizes great wisdom. A wide band at the neck formed a comfortable shield against cold winds, while others had fur lining and hoods. Covers made by the Hoklo women were extremely decorative, and embellished with embroidery, appliqué, braid, rickrack, wool tassels, fringing, sequins, strings of tiny beads and bells, matching the carriers they covered (Plate 4). True works of art, they took many months to complete.\n\nDesigns of Carrier Centres\n\nThe centre of the carrier was decorated in many different ways. The early style had a square of red silk or sometimes wool embroidered with satin stitch. Bats, symbolizing happiness, and the Eight Buddhist emblems surrounded auspicious designs of flowers, or often the qilin. At the centre top of the square, was a small folded triangular piece of cloth, from three to five layers thick. It was considered to be a lucky charm and originally represented the five blessings: health, wealth, happiness, long life, and the right to a natural death. In recent times only one or two layers were used. As well as being a lucky charm, it had the advantage of indicating which way up the carrier was usually worn, thus conforming to the shape of the child.\n\nThe Cantonese and Hakka women favoured red, considered an auspicious colour, or vibrant shades of flaming orange or bright pink. The ground cloth was usually of cotton or rayon satin for special occasions. Various good luck symbols were brightly embroidered in fuchsia, orange, lemon and vivid green satin stitch in floss or twisted silk on the centres. A pair of mandarin ducks symbolized marital fidelity and conjugal happiness, while the lotus flower represented purity and, with its seedpod, a wish for fruitfulness (Plate 5). Likewise, pomegranates with their many seeds stood for abundance in all things, especially sons.\n\nMany of the designs had a charming period feel: the influence exerted by books of embroidery designs popular in Shanghai in the 1920s and '30s was still strong (Plate 6). Chinese characters were used frequently for long life and good fortune; those for 'double happiness'",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    }
]