[ { "id": 204309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 77, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204313, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 81, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n77\n\nprobably the pagoda was a mistake for the parasol originally held by Vaisravana, as stated in the Ekottarik-agamas (增一含經):\n\nThe heavenly king Vaisravana held in his hand a parasol of the seven treasures (七寶) over the Tathagata in the air to protect the Tathagata from dust and soil,15\n\nBut since the circulation of the Tantric sutras was more or less encouraged by the authorities in the Tang dynasty, the public accepted that legend without scepticism.\" According to a Tantric text, Nata (No-cha 哪吒) is the third son of Vaisravana, who attends his father and holds the pagoda with both hands. But on the twenty-first day of every month, when the son is charged to go on some mission, so that they have to separate, Nata gives the pagoda to his father. This is not at all a thrilling story and there is no combat. The author of the Fêng-shên Yen-i created his own story of No-cha, the third son of Li Ching, based upon his profound knowledge of religious beliefs and popular literature, and made No-cha one of the famous heroes in Chinese literature. In order to analyse the parts which are the creative work of the author and to explain from what sources some of his materials may have been taken, I divide the story of No-cha into several sections below.\n\n2. MU-CHA AND CHIN-CHA\n\nBefore the publication of the novel Feng-shên Yen-i and the prompt-book Ssu-yu-chi, No-cha's (哪吒) name was usually Na-cha (那吒) in many of the plays of the Yüan dynasty which preserved the original transliteration found in the Tantric sutras.17 In the Hsi-yu-chi (Ch.7), one of the \"Four Travels\", the second\n\nHi To P'in (TPE), 30, Ekottarikagamas, chian 22, The Tripitaka in Chinese.\n\n10 In the year A.D. 838 (3rd year of K'ai Chiêng), on the 15th day of the 12th month, Lu Hung-chêng (盧弘正) wrote an inscription for the image of Vaisravana in the Hsing-t'ang Monastery (興唐寺) describing him as \"having a sabre in his right hand, and in the left hand a pagoda.\" cf. Ku-chin T'u-shu Chi-ch'êng, Shên-I Tien, chian 91.\n\n27 In Yang Ching-hsien's Yang San-tsang Hsi-tien Ch'ü-ching, Scene 8, “Nacha San Tai-tzu\" (哪吒三太子); anonymous play Menglich Na-cha San Pien-hua (孟麗哪吒三變換) in the Ku-pên Yüan Ming Tsa-chü\n\n*Z9M) edited by Wang Chi-lieh (王季烈), Shanghai, Commercial Press Ltd., 1941; anonymous play Ting-ting Tang-tang P’ên-êrh-kuei (丁丁當當甕兒鬼), Act 1, \"Hê-lien Na-cha\" (黑面哪吒), Act 2, \"Na-cha Fa\" (哪吒法), the last two are influenced by Tantric works. Besides, Na-cha (哪吒) appears in many plays of the Yuan dynasty, not to mention the tune called Nacha Ling (哪吒令).", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204317, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 85, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n81\n\nand strong and victorious in fighting. Now the king sent them to invade their own country, and the father was much worried.\n\n24\n\nThis kind of Buddhist story would not pass without leaving some traces in the prompt-books, sources of which are predominantly Buddhist ballads. For instance, in the prompt-book Hsin-pien Wu-tai Liang-shih P'ing-hua (“Popular Tales of the Five Dynasties, Period of Liang”), chüan 1, we read,\n\nThe wife of Huang Tsung-tan was pregnant for fourteen months. One day she gave birth to a substance which looked like a lump of flesh, but inside it was a piece of purple silk gauze in which was wrapped a baby. When the wrapper was opened, purple mist of dazzling brilliance filled the room.\n\n25\n\nThus his mother gave birth to Huang Ch'ao. Again in the Ch'ien Han-shu P'ing-hua (“Han Hsin's Death at the Hands of Empress Lü”), chüan 3, when \"Madam Po (a concubine of the first emperor of the Former Han dynasty) was in labour, Empress Lü went to see her. She was glad to find that the baby was a freak without eyes or eyebrows, like a lump of flesh.\"\n\nIn the anonymous Yüan play, Chin-shui-ch'iao Ch'ên-lin Pao Chuang-ho, in Act 2, when Empress Liu ordered the palace maid K'ou Ch'êng-yü to stab the baby prince and throw him into the river from the bridge, the latter hesitated for she saw \"red light and purple mist enshrouding the body of the prince.\"\n\nWe may now admit that the novel Fêng-shên Yen-i has a closer relation with the \"Four Travels\" than with other prompt-books. In Ch.8 of the Nan-yu-chi, the Buddha of Light told the Flowery Light “to be re-incarnated in the shape of a lump of flesh.” Consequently the Flowery Light, floating about in the air, arrived at the village Hsiao-chia Chuang of Wu-yüan, Anhwei, and darted into the womb of Madam Hsiao who had been pregnant for twenty months. \"Now the maid came out to report to the elder, 'Madam has given birth.' 'A boy or a girl?' the elder asked. 'It is neither a boy nor a girl. It is just like the belly of an ox.' The elder was very much frightened. When they decided to throw the lump away into the river, it...\n\n24 Fu-kuo Chi, translated by James Legge as \"A Record of Buddhistic Kingdoms\", Oxford, 1886, Ch. 25, p. 73.\n\n25 Hsin-pien Wu-tai Shih P'ing-hua, photolithographed edition, published by Prof. Tung K'ang, Wu-chin Tung-shih Sung-fên-shih (AAS), 1911. There are also several popular editions available.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 96, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n92\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nfather\" was only one of revelation of supernatural powers (神通), and it was because of the imagination and the literary gifts of the author of the Fêng-shên that the story became so impressive and full of emotional appeal. The author continues:\n\nThe Immortal T'ai-I asked No-cha to follow him to the peach-garden and taught him personally how to use his \"fiery-pointed spear\" (火尖槍) which the master now bestowed on him. After that, the Immortal gave him the wind-wheel and fire-wheel which he might tread on while chanting incantations and which served him as a magic vehicle; and also a bag made of panther skin in which were the magic bracelet, the red silk gauze and a brick of gold completed his new armour. No-cha prostrated himself before his master once more, and after thanking him, held the magic spear in hand, safely mounted his wind-and-fire wheels and darted straight to the Ch'ên-t’ang Pass and challenged Li Ching, his father. (Ch.14)\n\n**\n\n** In order to prove again how the author of the Fêng-shên Yen-i adapted and utilized confused and promiscuous materials from previous works, we may list some of the arms used by No-cha with their earlier appearances in other prompt-books or plays as follows:\n\n(a) Fiery-pointed spear. In Act 4 of the anonymous play of the Yüan dynasty, Han Kao-huang Cho-tsu Ch'i Ying-pu (漢高皇祖母齊英布), the spear used by Hsiang Yu (項羽) is a \"fiery-pointed spear\".\n\n(b) Wind-wheel. The wind-wheel is originally the wheel, or circle of wind below the circle of water and metal upon which, according to Buddhist teaching, the Earth rests. It appears in many sutras including the Surangama-sutra (楞嚴經), Ch. 4. In Nan-yu-chi (南遊記) (Ch. 2 and 11) and Pei-yu-chi (北遊記) (Ch. 15) it is one of the arms of the Flowery Light (Hua Kuang or Ling Yao 華光, or San-yen Ling Yao 三眼華光). Ling Yao with a deva-eye).\n\n(c) Fire-wheel. The alatacakra, a wheel of fire produced by rapidly whirling a fire-brand. In chuan 3 of his Lêng-yen Ching Shu-chih (楞嚴經疏治) (? “The Principles of the Surangama-sutra\", in the First Series, Second Collection of the Tripitaka in Chinese, 大藏經, 1912), Lu Hsi-hsing says \"as the whirling of a fire-brand, reality does not exist\". In Nan-yu-chi (Ch. 2 and Ch. 11) and Pei-yu-chi (Ch. 15), the fire-wheel is also a weapon of Flowery Light.\n\n(d) Gold brick, The gold brick is also one of the arms of Flowery Light in Nan-yu-chi (Ch, 2 and Ch. 11) and Pei-yu-chi (Ch. 15). But both the gold brick and the fire-wheel are attributed to Flowery Light also in Yang Ching-hsien's T'ang San-tsang Hsi-t'ien Ch'ü-ching, a play of the Yüan dynasty, Scene 8. In Hsü Fu-tso's (徐復祚) T'ou-so Chi (鬧府記), Scene 19, these two weapons belong to Nata of Eight Arms (八臂那吒).\n\n(e) Magic bracelet. In Ch. 11 of the Nan-yu-chi, one of the weapons of No-cha is a \"purple-gold bracelet with raised flowers\" (紅花紫金圈) and it is the origin of the magic bracelet (ch'ien-k'un ch'üan 乾坤圈 the Bracelet of Vitreous & Resinous Electricity) in the Fêng-shên Yen-i,", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204398, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 30, "title": "RAS-1962", "content_text": "NESTORIAN CROSSES\n\n21\n\nNestorian community in his letters, and their king George, whom he converted from Nestorianism to the Catholic faith.\n\nThe scattered references to the Nestorians in the accounts of the friars are confirmed by Marco Polo (1271-1295) who with his father and uncle can represent for us the second group of travelling merchants. Everywhere through Central Asia and China Marco found Nestorian Christians, usually in the service of the Court, and probably more often than not of Syrian, Persian or Turkish race, employed as administrative officials by the alien government on account of their high standard of literacy.\n\nMarco Polo also confirms the existence of a Nestorian Christian tribe with their Christian king George (whom he confuses with Prester John as Odoric also does) at the Yellow River bend. It seems likely that the name 'Tenduc' which he gives to the region is the early pronunciation of T'ien-tê which was an old name of the present city of Kuei-hua{ in that region, near which is the important market town of Pao-t'ou in which Mr. P. M. Scott found the first fourteen crosses of our paper. Similarly the Tozan of Odoric may be identified with Tung-sheng, an early name for the same region. The Christian Mongol tribe situated by the Ordos bend of the Yellow River is known from various sources to have been the Onguts (Wang-ku people), to which Marco Polo refers, though confusedly, in calling their king Ung-Khan.\n\nThese facts are confirmed in a remarkable way by a Syriac document describing a pilgrimage of two Eastern Nestorian monks—one an Ongut, the other of Uigur stock—from their monastery near Peking to the seat of the Nestorian Patriarch in Mesopotamia in A.D. 1278. In the course of their journey they visited the Christian Ongut tribe by the Yellow River bend, and from them received a touching farewell.19\n\nIV. NESTORIAN RELICS IN CHINA AND MONGOLIA\n\nWith the expulsion of the Mongols from China at the fall of the Yuan dynasty in A.D. 1368, the Christianity both Nestorian and Franciscan that had been associated with their regime disappeared.\n\n17 Letters of Montecorvino, see Yule, op. cit., and Moule, op. cit., pp. 171 ff.\n\n18 Yule, The Book of Ser Marco Polo, revised by Cordier, London, Murray, 1903.\n\n19 Budge, The Monks of Kublai Khan, London, R.T.S. 1928.\n\nPage 30\n\nPage 31", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204888, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 191, "title": "RAS-1964", "content_text": "166\n\nRATH, F. C.\n\nREID, A. R.\n\nRICHARDS, G.\n\nRIDE, Lady L. T.* RIDE, Sir L. T.*\n\nROBINSON, F. C.\n\n+\n\nROOKE, Miss B. E.\n\nROSS, Cdr. R. D.\n\nROTHE, U.*\n\nROY, Dr. A.\n\n+\n\nRUDGE, Mrs. A. K.\n\nRUMJAHN, S. M.\n\n+\n\nRUTTONJEE, Mrs. A.\n\nRUTTONJEE, Hon. D.\n\nRYAN, The Rev. Father T. F.\n\nRYDINGS, H. A.\n\nSAUNDERS, J. A. H.\n\nSCHOYER, B. P.\n\nSCHWARZ, Miss M. D.*\n\nSCOTT, A. C.\n\nSCOTT, J. M.\n\nSELLERS, D.\n\nSELLETT, G.*\n\nSHEKURY, Miss E.\n\nSHEPHARD, A. J.\n\nSHU, Dr. H. T.\n\nSHUI, Chien-tung\n\nH\n\n+\n\nMuller & Phipps (China) Ltd., P.O. Box 25, H.K.\n\nP.O. Box 479, H.K.\n\n19, Douglas Apts., Old Peak Road, H.K. The Lodge, 1 University Drive, H.K.\n\nAs above.\n\nc/o The British Council, Gloucester Building, H.K.\n\n3-B, 3 University Drive, H.K.\n\nH.M.S. Tamar, H.K.\n\nc/o Deutsch-Asiatische Bank, Postfach 944, 2 Hamburg 1, Germany.\n\nChung Chi College, Ma Liu Shui, New Territories.\n\n2 Macdonnell Road, H.K.\n\nP.O. Box 448, H.K.\n\n2 Conduit Road, H.K.\n\nAs above.\n\nWah Yan College, 281, Queen's Road, East, H.K.\n\nH.K. University Library, H.K.\n\nc/o H.K. & Shanghai Banking Corpn., H.K.\n\nNew Asia College, 6 Farm Road, Kowloon.\n\n1 Clovelly Court, 12 May Road, H.K.\n\nUniv. of Wisconsin, Dept. of Speech, 2201 Univ. Ave., Madison 6, Wisconsin, U.S.A.\n\nc/o H.K. Exchange Control, Fung House, H.K.\n\nc/o Labour Department, 22 Ice House Street, H.K.\n\n\"Pinecrest\", N.K.I.L. 3543 Tai Po Road, Kowloon.\n\n14 Braga Circuit, Kowloon.\n\nc/o Colonial Secretariat, Lower Albert Road, H.K.\n\n70 Mt. Davis Road, Ground floor, H.K. Tsing Hua College, 263 Prince Edward Road, Kowloon.\n\nLife Member\n\nPlease notify the Hon. Secretary of any inaccuracy", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 206419, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 236, "title": "RAS-1971", "content_text": "BOOK REVIEWS\n\nEARLY MING WARES OF CHINGTECHEN. A. D. Brankston. 106 pp. 45 plates (1 coloured), 18 text-illus. Re-issue 1970. Vetch and Lee, Hong Kong $60; Lund Humphries, London, £5.\n\nThe appearance of a reissue of A. D. Brankston's book Early Ming Wares of Chingtechen will be welcomed by the collector, connoisseur and dealer alike and will fill a long-awaited need to possess this classic in the field of Chinese ceramics. The original edition, published by Mr. Henri Vetch in Peking in 1938 was limited to 650 copies and has been, until now, virtually unobtainable to the layman, despite the fact that it is frequently referred to by writers on Chinese Porcelain and freely quoted from in sales catalogues. The present edition has been faithfully reproduced on the off-set press and Mr. Vetch is to be congratulated for turning out a most pleasing volume which retains much of the charm of the original.\n\nArchibald Brankston was born in Shanghai in 1909. He followed his father's profession as a civil engineer and, after schooling in England, came to Hong Kong to work on the Shing Mun Valley Water Scheme. Being obliged to return to England due to ill health, he was fortunate to be employed in the setting-up of the International Exhibition of Chinese Art in London in 1935. This led to his appointment as a travelling student by the Universities China Committee in London and he was thereby enabled to journey into the interior of China and visited the kiln sites around Chingtechen from which he recovered a variety of samples which now form part of the British Museum study collection. He was also fortunate in being acquainted with well-known Chinese collectors of that time, including Mr. Wu Lai-hsi and others. Back in England, he was employed in the Department of Oriental Antiquities of the British Museum for two years until he had to return to the Far East on behalf of the Ministry of Information. He died in Hong Kong in 1941 at the early age of 31.\n\nThe book deals mainly with blue and white wares of the 15th Century covering the reigns of Yung Lo, Hsüan-Tê, Ch'êng Hua and Hung Chih and also includes some information on the", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206794, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 71, "title": "RAS-1973", "content_text": "PERSIANS, ARABS in T'ANG CHINA\n\n65\n\nit was the fashion to copy the foreigners. Art, music, drama, dress and personal adornment were all full of foreign elements. It must be pointed out, however, that not every Chinese was in complete accord with these innovations. Yüan Chen lamented with patriotic emotion:\n\nEver since the Western horsemen began raising dirt and dust, Fur and fleece, rank and rancid, have filled Hsien and Lo. Women make themselves Western matrons by the study of Western make-up, Entertainers present Western tunes, in their devotion to Western music,32\n\nIt was also a fashion to learn a foreign language or languages. A Turkish-Chinese dictionary was made available for serious students.33 Never before had a dynasty been so fond of 'foreign things' as the T'ang, and never again was this kind of epidemic to spread in China.\n\nIII\n\nForeigners in Tang China made tremendous contributions towards Chinese artistic, medical, literary and political activities. The following shows how these foreigners had contributed their versatile talents to T'ang China:\n\nYü-chih Po-chih-na and Yü-chih I-seng\n\nYü-chih Po-chih-na and his son Yü-chih I-seng were the most eminent painters of Buddhist icons in early T'ang period.34 Artists in early T'ang period were fond of showing the gods or goddesses of foreign lands either in painting or in sculpture. The Yü-chihs were from Khoten, a Central Asian state that had long been closely related to China. According to Li-tai ming-hua chi by Chang Yen-yüan of the late T’ang period, in chapters 8 and 9, records the background of these two painters as follows:\n\nYü-chih Po-chih-na, foreigner, excels himself in painting Buddhist icons. (He) was very popular at that time and is now known as Ta Yü-chih.\n\nYü-chih I-seng was a man from Khoten. His father Po-chih-na was mentioned in the previous chapter.... (I-seng) was a great master in painting Buddhist icons. Contemporaries call him Hsiao Yü-chih, and his father Ta Yü-chih.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 86, "title": "RAS-1975", "content_text": "78\n\nHELGA WERLE\n\npart, and even the music was streamlined by her. There are up to date eight plays in their repertoire: Pa-pao kung-chu† ± princess Pa-pao; T'ao-hua huo tu*; also called Su Liu-niang*; Shih yü-cho£; The Jade-bracelet; Ch'en San Wu-Niang: Tze Liang Chi : Tang Po-hu tien ch'iu-hsiang唐伯虎點秋香(三笑姻緣); Shou Shu-yüan搜書院; and Tze Lang-chu辭郎洲.\n\nHere is the content of two of these operas as they were performed by Hsiao Nan-ying in Hong Kong in 1975.\n\nSTABBING LIANG CHI (✯✯M✯)\n\nLiang Chi, a treacherous prefect, passes through the streets and his guards catch a man who roamed about instead of retiring at the approach of the prefect. When questioned, it turns out that he is a fortune-teller. The prefect dismisses his entourage and encourages the fortune-teller to look at his face and tell his fortune. After some hesitation he talks professional terminology about Liang's eyes and physiognomy and asks him about his age. 63 was the answer. Then he would be stabbed in the next 3 days; but if he could avoid it he would be very successful thereafter. If he wants to avoid it—and he asked the lord to go backwards 3 steps—then he should not go out of his house and not see anyone from outside for 3 days.\n\nThe fortune-teller, although afraid, was rather satisfied with the prospect to see this wretched lord killed.\n\nAfter this the fortune-teller wished to get out of the house as fast as possible, but the lord called his housekeeper and ordered him to feed the fortune-teller,\n\nThe gates were locked and orders given, and then the lord planned to enjoy these 3 days of unexpected leisure. As he had just got a new lady in his residence, he gave orders that she should serve him the wine that night.\n\nThe new lady (performed by Hsiao Nan-ying) was in fact the daughter of a fisherman whom the lord had killed with an arrow. The fisherman's daughter had come instead of another, in order to avenge her father. When she was summoned, she knew that this was her chance to fulfill her vows. She took a hair pin from her hair, and decided that she would stab him with it. The ladies-in-waiting brought a crown and gorgeous red garments to dress her for", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207322, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 90, "title": "RAS-1975", "content_text": "82\n\nHELGA WERLE\n\ning without giving any thought to it, and above all without hearing the opinion of their daughter about it. But the father repudiates these comments, saying that it is the duty of parents to choose a husband for their daughter and the duty of the daughter to obey.\n\nAct IV\n\nAs soon as the daughter has returned from cousin Kuo's home, the parents inform her about the arranged marriage. Completely shocked she says that this is out of the question, and that they should ask T'ao-hua for the reason. Then she bursts into tears and runs out. T'ao-hua is terribly frightened and follows her, but is summoned back by Mr. Su.\n\nNow the questioning begins. A girl servant fetches \"the law of the house\" [two approx. 60 cm long bamboo-halves fastened together on one side as a handle*]. It comes out that as the daughter spent so many happy years playing and studying with her cousin, the children's fondness for each other has grown into love. They have already openly declared their love and vowed to marry.\n\nT'ao-hua is scolded and accused of letting all this happen, and is asked why did she not inform the parents. Mr. Su beats her. The movements of this scene are beautifully mimed and choreographed into dance, as T'ao-hua kneels and whimpers cries for mercy. Mr. Su holds her left hand and mimes to beat her back. She walks in a circle around him using the ai-tze-pu (dwarf-step) very characteristic of Chiuchow opera. It has been suggested that this imitates the shadow-puppet's way of hurried walk. The knees are bent because the puppet has a joint there, but this joint is not controlled. [In this dwarf-step one foot is put on the ground, then that knee is put on the ground, then the other foot, and then the other knee, etc.].\n\nBut then the mother scolds the father for bringing their only daughter into such a calamity. They now both listen to T'ao-hua's clever arguments and sympathise with their daughter and her maid. They decide to put off the intended marriage with the Yang family until they find a way out of this contract.\n\nAct V\n\nMr. Yang travels with his wet-nurse to Chiuchow to visit the Su family personally. Being betrothed to Su Liu-niang he wants\n\n, used for punishment.\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207324, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 92, "title": "RAS-1975", "content_text": "84\n\nHELGA WERLE\n\npromises the wet-nurse that, if he becomes a mandarin, he will erect such a monument to her chastity, whereupon the wet-nurse cries. Asked why, she answers that this is not possible and that his father knows very well why.\n\nAct VI\n\nThe eldest of the Su clan together with the Hsiu-tsai Yang come to visit Mr. and Mrs. Su. Mr. Yang, whom the parents see now for the first time, is very aggressive and accuses his parents-in-law of being responsible. Mr. Yang makes a very bad impression on them, being ugly and of mean character. They are determined to get out of this marriage contract. But Mr. Yang threatens to take them to court. Mr. Su finds it difficult to answer why he does not want to keep his word. How can he and his wife confess that their daughter has fallen in love and that they support her romantic choice? It would be against all rules of decency. So they repeat the fact that she is their only child and still so young, and that the Yang family is living so far away. But Mr. Yang argues that she is already over 16, which is the right age for a girl to marry.\n\nT'ao-hua is also present and argues with Mr. Yang with her quick and sharp tongue. The parents are pleased to get help against this ruffian, but the eldest Su is appalled. \"How can you allow your slave-girl to have a say in your affairs?\" he asks. At this point the parents realise that this is against all the rules, and they send T'ao-hua away.\n\nHowever, the eldest of the Su clan is annoyed by the arrogant behaviour of Mr. Yang. He asks him to leave and let him handle this awkward matter. When the three of them are alone, the parents try again to persuade the eldest Su to help them to get out of this contract, and start to explain why. But the eldest does not want to listen, and states what a shame it would be for the whole Su clan if the daughter is allowed to follow her own inclination. The eldest finally forces the parents to send their daughter to the Yang family's house on the next morning. The eldest Su exits with a content 'haha', as the mother is scolding the girl's father, saying that it is all his fault.\n\nAct VII\n\nThe daughter Lu-niang in her chamber is desperate at the news that she has to be married tomorrow to the Yang family. When", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207760, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 148, "title": "RAS-1976", "content_text": "NOTES ON FRIENDS AND RELATIVES OF TAIPING LEADERS\n\n133\n\nGützlaff ever met each other in 1848 when Feng returned from Kwangsi and stayed in his native place for a short period to wait for the return of Hung Hsiu-ch'üan. I cannot see how the fable started. It may be that some members of the Union did join the Taiping army and recognized superficially the similarity of the organizations of Feng and Gützlaff with practically the same contents in their teachings, thus misunderstanding the identity of the two groups; and thus, Feng was mistaken for a fellow-member of the Union. All in all, this problem needs further study and intensive research before a conclusive answer can be obtained.\n\n(2) Li Tsin-kau ($£$)\n\nAccording to Hamberg's account, Li Ching-fang (***) was Hung Hsiu-ch'üan's cousin who lived in Lien Hua Tang (##) in Hua-hsien where Hung taught. The Tai P'ing pamphlet T'ai Ping T'ien Jih (***ŋ) identifies him. Hung first studied Liang Fa's pamphlets seriously with him.\n\nW. Oehler, Die Taiping-Bewegung (1923), asserts that Ching-fang was the grandfather of Li Tsin-kau. For certain reasons I believe Ching-fang was more likely the father, as Tsin-kau was seemingly too young to befriend and discuss such serious matters with Hung.\n\nThe late Rev. Chang Chu-ling (✯✯✯) told me a very amusing anecdote about Li Tsin-kau. After establishing his capital in Nanking, Hung Hsiu-ch'üan ordered Tsin-kau to recruit followers in Kwangtung. Tsin-kau failed in this mission but went north personally. When he arrived at Shanghai on the way to Nanking, he heard that the God whom Hung saw in his visions years ago wore a black robe. He thought that God, the True God, should be dressed in white, and therefore what Hung had seen was really the Devil. The result was that he turned back to Hong Kong immediately without attempting to see Hung again. (See my Taiping Tienkuo Chuan-shih, pp54-55, notes pp58-59) This story corroborates with the account Carl Smith found (p. 124), but the call to come to Nanking might be from Hung Jen-kau rather than from Hung Hsiu-ch'üan.\n\n(3) Hung Jen-kau (Shield King †1##)\n\nAt last, the question 'who financed Hung Jen-kau's trip to Nanking?' is solved with Carl Smith's finding that the London", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 210792, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 143, "title": "RAS-1986", "content_text": "126\n\nD.L. MICHALK\n\nby governors and generals striving to grasp independent power, and China was plunged into bloody civil war. Guangdong Province, the birth-place of the republican movement, immediately proclaimed itself independent. Sun Yat-sen, the \"Father of the Republic\", was elected generalissimo, and in 1924 the Kuomintang (the People's Party) was formed. Upon the death of Dr. Sun in 1925, Chiang Kai-shek, backed by his modernized army, emerged as the Kuomintang (KMT) leader, and with assistance from Communist factions began campaigns against the north which culminated in the fall of Shanghai in 1927.\n\nChoosing not to expropriate the capitalist bankers in Shanghai as demanded by the Communists, the KMT and Communists became bitter rivals which re-ignited armed struggle in south China. Fuelled by Communist propaganda, there came a genuine uprising of the peasantry against the KMT for failure to deliver promised tax and land reforms throughout the southern provinces. As part of this general uprising, the first group of “freedom fighters\" appeared on Hainan in 1927 and staged guerilla warfare on the island until Liberation, twenty-three years later (Fairfax-Cholmeley, 1963).\n\nAlthough armed conflicts between Peking and southern forces had occurred previously on Hainan such as those which led to the capitulation of General Lung's army in 1918 (Moninger, 1919), fighting was confined to the soldiery. However, the Communist tactics brought the conflict to the common citizens by inciting peasants to take up arms against the oppressive gentry and greedy merchants. The effects of lightning raids caused havoc in northern Hainan: numerous villages were abandoned, others sacked and reduced to ash-strewn rubble, and large tracts of farming land were deserted (McClure, 1934b).\n\nIn fact, the revolutionary play, Red Detachment of Women, was loosely based on incidents which occurred in Hainan in 1931. At a bridge about one kilometre south of the present Xinglong Overseas Chinese State Farm, a guerilla band led by Hong Chang-qing assassinated Nan Ba-tian, a cruel landlord. In reprisal, the landlord's forces captured and executed the guerilla leader. However, a slave girl, Wu Qing-hua, took his place as commander and", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210869, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 220, "title": "RAS-1986", "content_text": "203\n\ned his brother by raising much of the capital needed to open the mines.\n\nIn 1883 King-sing was sent to Europe and America to inspect mining operations and machinery. His elder brother took over the management of the China Merchants' during his absence. It was a time of troubles.\n\nThe French were expanding their interests in south China and war broke out. As a precaution, the property of the China Merchants' was transferred to the firm of Russell and Company. This would prevent their ships from being seized by the French as they would be flying the American flag. After cessation of hostilities and peace was restored, the Chinese again assumed control.\n\nEven though Mow-chee assumed these extra duties, he retained his position with Jardines until his death. In his latter years, however, he was able to place the management of the compradore's office under the care of his son Tong Kidson.\n\nThis son had been one of the boys sent by the Chinese Government to be educated in the United States under the Chinese Educational Mission.\n\nThe scheme was initiated by Yung Wing who had been a classmate of Tong Mow-chee in the Morrison Education Society School. Several of Kidson's cousins were also students of the mission. The most famous was Tang Shao-i, a leading political figure during the Republican period, Tong Kai-son, or as he was also called, Tong Kwok-on, after following his father Tong King-sing in the administration of the Kaiping Mining Company, became the first President of Tsing Hua College in Peking. Tong Yuen-cham, a student of the mission and a graduate of Columbia University, New York City, became Director-General of the Imperial Chinese Telegraph Administration.\n\nNo doubt the position and influence of Tong King-sing and Tong Mow-chee enabled these students of the Educational Mission to arrive at their own high position in the Government of China in the early part of the 20th century.", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210981, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 43, "title": "RAS-1987", "content_text": "18\n\nLes yeux fixés au large et les cheveux au vent Nous nous embarquerons pour la Mer des Ténèbres Avec le coeur joyeux d'un jeune passager.\n\nLL\n\nJust as in the old days we would leave for China Our eyes looking out to sea and our hair streaming in the wind We shall sail henceforward for the Sea of Darkness Cheerful and lighthearted as a young traveller.\n\nThis is a major reversal, from the China ‘trip' into the Sea of Darkness. This is a remarkable and prophetic insight on the part of Baudelaire, a poetic formulation which is most relevant to our present-day intellectual crisis. We shall refer to it again a little later.\n\n—\n\n12\n\nAs the nineteenth century went on, as French political involvement in China and Vietnam became more effective, it was not unusual for French intellectuals to visit China and to empathize with her but always as isolated individuals. Such a one was Father Huc,1 a Catholic missionary whose minority voice, uncertain as it was, insisted on the specific values of Chinese culture and habits. China was a source of inspiration for diplomats posted there, such as Eugene Simon, whose book La Cité chinoise is a minor classic modelled on Fustel de Coulanges's standard essay La Cité grecque, and later Paul Claudel, a young consul in Tianjin, expressing his emotions in Connaissance de l'Est, a collection of poems in the Symbolist manner. French visitors to China included naval officers such as Pierre Loti, who had witnessed approvingly another sack of Peking by Western Allied forces after the Boxer Rebellion, or Victor Segalen, poet and archaeologist. Later still, intellectuals turned into revolutionaries, such as the young André Malraux who was involved in the 1926-27 Communist revolution in Canton, and who drew on this experience for his two major novels, Les Conquérants and La Condition humaine. Huc, Simon, Claudel, Segalen, Loti and Malraux had indeed very little in common except that they were somehow marginal figures on the French intellectual scene of their time. Even for those who were later to achieve international fame, such as Claudel and Malraux, China had not been much more than an", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 213399, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 221, "title": "RAS-1994", "content_text": "209\n\nNevins, John Livingston (1829-1893), China and the Chinese, New York Harper, 1869\n\nNorthey, James E, People Go to Church the Story of Greater Lancashire, London Salvationist Publication and Supplies, 1973\n\nOliphant, Laurence (1829-1888), Narrative of the Earl of Elgin's Mission to China and Japan in the Years 1857, 1858, 1859, New York Harper, 1860\n\nOrleans, Pierre Joseph d' (1641-1698), History of the Two Tartar Conquerors of China. Including the two Journeys into Tartary of Father Ferdinand Verbiest, in the Suite of the Emperor Kang-Hi from the French, London printed for the Hakluyt Society, 1854\n\nOsbeck, Per (1723-1805), A Voyage to China and the East Indies Together with an Account of Chinese Husbandry by John Reinhold Forster - Appendix of Faunula and Flora Sinensis, London B White, 1771\n\nOwen, David Edward, British Opium Policy in China and India, London and Oxford Oxford University Press, 1934\n\nParker, Edward Harper, Chinese Customs, a Lecture, Shanghai Kelly and Walsh, 1899\n\nParliamentary Papers, House of Commons (1857) Session 2, No XLIII, papers relating to the opium trade in China 1842-56 (Opium Trade 1932, Correspondence Relating to China 1840, Additional Correspondence Relating to China 1840, Report from the Select Committee on the Trade with China 1840)\n\nPaterno, Roberto M, The Yangtze Valley anti-Missionary Riots of 1891, Harvard University PhD dissertation, 1967\n\nPelliot, Paul, Notes on Marco Polo, Paris Imprimerie Nationale, 1957-1963\n\n1\n\nLe voyage de MM Gabet et Huc a Lhasa (a reprint of 1850 article) in Toung Pao 24 133-78 (1926)\n\nPennell, Wilfred V, A Lifetime with the Chinese, Hong Kong Privately printed, 1974\n\nPercival, William Spencer, The Land of the Dragons, My Boating and Shooting Excursions to the Gorges of the Yangtze. London Hurst, 1889\n\nTwenty Years in the Far East, Sketches, London Simpkin, 1905\n\nPereira, Thomas, The Treaties and the Sino-Russian Treaty of Nerchinsk, 1689, the Diary of Thomas Pereira, SJ, Rome 1961 (Bibliotheca Instituti Historici S J vol 18)\n\nPlayfair, G M H, The Cities and Towns of China, a Geographical Dictionary, Shanghai Kelly and Walsh, 2nd edition, 1910 (Taipei Reprint Ch'eng-wen publishing)", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213778, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 130, "title": "RAS-1996", "content_text": "101\n\nSouthern China, as the Liannan document saying the Lü Shan Jiu Lang (written Lu Shan Jiu Lang) buried his father on a mountain in Gaozhou.\n\nOne major source of information of religious practice during the Song is the Southern Song work of anecdotal literature, the Yi Jian Zhi. It made frequent mentions of the well-known styles of Daoist magic such as the Thunder Magic and the Tian Xin Zheng Fa, the Buddhist Weize spell related to the Yujia style of exorcism, as well as various popular gods, and magicians who were neither Daoist or Buddhist. Some of these lay magicians practiced magic of the Daoist and Buddhist varieties mentioned above. Noticeably some of those lay magicians blew the horns [of animals] in their rites, and some were practicing what is called Mao Shan magic. It curiously made no mention of Lú Shan Jiu Lang or his immediate disciples found in Bar's passage.\n\nBut as I have mentioned, sources on Chinese religion of ancient times do have many examples of divinities with names of the same form as the Lú Shan Jiu Lang and his colleagues. The latter appear to be part of the trend between Tang and the Five Dynasties during which many of these other divinities are recorded. Some of the popular gods mentioned in Yi Jian Zhi do bear four character names ending with a numeric character and lang, resembling the names of Lü Shan Jiu Lang. Earlier examples include the Zhu Wang San Lang shen mentioned during the Southern Dynasties, which the book alleges to be the name in use at its time of writing in Yielang county in the present Sichuan Province, although in this example San Lang referred to three people rather than one. During the Tang, a work of anecdotal literature recorded that during the Emperor's visit to the mountain god of Huayue, he was told about a San Lang, who appeared to be a son of the god. Another work of anecdotal literature of about the same time recorded a female shaman(?) who specialized in communicating with the Jin Tian Wang (God of Hua Shan) and his son Hua Yue San Lang. This name, and many others, which are closer to Lu Shan Jiu Lang in form, is also found in Tang stories included in the Song compilation Taiping Guang Ji. During the Five Dynasties the Lu Yi Ji recorded a Pan Gu San Lang temple in a Guangdu county of the present Sichuan Province. An early Song work on the history of the Five Dynasties mentioned that in the year 932 the Emperor of Hou Tang conferred a title (styled \"General\") to a Tai Shan San Lang. Early during the Song it is reported\n\n41", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214042, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 110, "title": "RAS-1997", "content_text": "77\n\nhealth and fortune would not be harmed by evil spirits. In fact, these two religious activities are held in Fanling Wai (the settlement of the Pang lineage in Fanling) by the Pangs exclusively. The Pang villagers, be they in Fanling Wai or in other settlements, will enjoy the supernatural benefit from these activities through the descent line of their father or husband.\n\nThis figure was collected from the Lands Department in the North District Office.\n\n12 See Fong, Peter, K. W., op. cit.\n\n\"But the Lees in Wo Hang, Sha Luk Kok recognised that renting village houses out would\n\ninfringe on the values contributing to the maintenance of their community as a whole. The villagers defined occupancy within the village as permanent residence, and the rights for it could only be enjoyed and inherited by their fellow villagers through the male line. Houses were not simply residential structures but constituted Wo Hang as an agnatic village community. The house was a source of the rootedness that permitted the natives to claim identity with their natal village community through their right of occupancy.\" See Allen Chun, op. cit., pp. 249-50.\n\nDavid Faure, The Structure of Chinese Rural Society: Lineage and Village in the New Territories, Hong Kong, pp. 2-4. Hong Kong: Oxford University Press.\n\nLiao Hua Chuan, \"Xin Jie Yifan Lai Min Quan Yi Lu You\" (The Origin of the New Territories Indigenous Inhabitant's Prerogative), p. 144, in Lu Yan (Ed.), Xiang Gang Zhang Gu (Legends of Hong Kong), Xiang Gang: Guang Jia Jing, 1987.\n\n16 See GWE Jones, “Rural Housing in Hong Kong\", in Lok, S. K. Wong (Ed.), Housing in Hong Kong: A Multi-Disciplinary Study, Hong Kong: Heinemann Educational Books (Asia), Hong Kong, 1975; Kwok Kam-chau, Planning for Village Development in the New Territories, M.Sc. thesis, The University of Hong Kong, 1987; Allen Chun, op. cit.; and James Hayes, Chinese Customary Law in the New Territories of Hong Kong, paper proceedings of the fourth International Symposium on Asian Studies in 1988.\n\n18 For details, see Heung Yee Kuk (Ed.), Xin Jie Xiao Xing Wu Yu Zheng Ce Te Ji (Special Collection of the New Territories Small House Policy), 1980.\n\n**Of this total of twelve houses, four were built in 1979, five in 1980, two in 1981, and one in 1982.\n\n19 The one allowed to build ding wu on Crown land had to pay a premium of about $4,000 at that time.\n\n20 210 hectares of this new town were designated for residential and commercial development, 50 hectares for industrial development, and 140 hectares for government and community use. See Hong Kong Government, Hong Kong 1984 (Annual Report), p. 132. Hong Kong Government Press.\n\n21 Hong Kong Government, Hong Kong 1985 (Annual Report), p. 183. Hong Kong Government Press.", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214358, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 216, "title": "RAS-1998", "content_text": "181\n\nmay be unremarkable, in Mao's China not all that long ago folk religion was taboo, and even in today's China that they offer such displays of the old deities without blatant propaganda is surprising.\n\nNOTES\n\n1 The Feng-shen Yen-i is usually attributed to Hsü Chung-lin who lived during the first half of the 16th century.\n\n2 The mythological gods of the Creation and pre-history are different from the “human” deities, the latter being canonised since the 11th century BC [and, indeed, up to the present day]\n\n3 Confusion between the new dynasty, the Chou and the last ruler of the Shang, Chou Hsin was so general that it became the convention for a while to romanise the name of the last ruler of the Shang as Tsou rather than Chou.\n\nDuke Fa of the Shang vassal state of Chou, the later King Wu [Wu Wang], the first emperor of the Chou dynasty\n\nFilial piety prohibited a son from bearing a higher title than that borne by his father. Should he acquire the throne it was necessary that the title should first be conferred on his father, dead or alive. We therefore hear of names like Wen Wang [the Emperor Wen] and Chou Kung, awarded to his father and brother respectively, these being the titles\n\n6 A mural portraying Duke Chou is one of the panels, together with others depicting Christ, Confucius, Lao Tzu and Mohammed, around the inside of the dome above the main hall of the cult centre temple of the I-kuan Tao at Nan Hua near Tainan.\n\n7 The only image of Pai Chien noted in today's temples is in Havelock Road in Singapore where he is one of the 24 Heavenly Generals.\n\n* The seven, who not long after this became Immortals, free from the cycle of rebirth and death, were:\n\nLi Ching\n\nThe Three Princes, Chin Cha, Mu Cha and Na Cha\n\nYang Chien\n\nWei Hu", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 } ]