[ { "id": 205144, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 100, "title": "RAS-1966", "content_text": "FOREIGN RELATIONS OF BUDDHISM\n\n11 Yin-shun, T'ai-hsü, p. 213.\n\n12 Eastern Buddhist 3.2 (July-September, 1924), 190.\n\n95\n\n13 Chinese lay devotees went to Japan to learn Tantric Buddhism from Shingon masters. Chinese monks went for academic study (two in 1936 and two more in early 1937; see Chinese Year Book 1937, Shanghai, 1937, p. 73.\n\n14 That is, the Chung-jih fo-chiao hui. At about the same time the Sino-Japanese Tantric Association (Ching-jih mi-chiao hui) was established. See Chinese Year Book 1937, p. 73.\n\n15 Takada, p. 14.\n\n16 Takada, p. 24-36, lists a total of eleven temples established between 1876 and 1937, but on p. 14 he speaks of ten temples having been set up before 1937 and of forty-nine (not forty-six) being in operation as of December, 1942. It seems clear that he does not include temples that have gone out of operation, like those in Nanking and Changsha (see note 2), and possibly those in Fukien. The only temple outside Shanghai that survived from the era before 1937 was the Honganji temple in Hankow, established 1906, which in 1942 had 1,200 Japanese and 150 Chinese parishioners.\n\n17 For example, in 1942 at the original Honganji temple in Shanghai the number of Japanese parishioners was 4,930 and the number of Chinese was zero. This temple was obviously not engaged in missionary work, but exclusively in serving the Japanese community.\n\n18 Two officers of the Ching-an Ssu in Shanghai are said to have been arrested and in Canton the abbot of the Liu-jung Ssu, T'ieh-ch'an, was executed.\n\n19 H. G. Quaritch Wales, \"Buddhism As an Instrument of Japanese Propaganda\" Free World 5.5 (May 1943), 428.\n\n20 Takada, p. 1, states that the alliance was set up in April 1937 in accordance with the policy formulated in October 1938. Perhaps the first date is a misprint.\n\n21 Takada, pp. 1, 4, 5. The changes in the bureaucratic status of the Great Harmony Religious Alliance appear to have been as follows. After being set up under the military authorities, it was transferred to the liaison office of the Central China Liaison Office of the Office for the Resurgence of Asia (Koain), which had been set up in December 1938 directly under the Cabinet in order to formulate policy on and handle relations with China. In April 1942 the Alliance was placed under the supervision of the Foreign Ministry through its representatives in Shanghai. In November 1942 it seems to have been returned to the Office for the Resurgence of Asia, when the latter was integrated into the Ministry for Great East Asian Co-Prosperity.\n\n22 Takada, pp. 24-36.\n\n23 The most significant absentee was Yüan-ying, the national head of the Chinese Buddhist Association (Shanghai, 1929).\n\n24 H. Hackmann, A German Scholar in the East, pp. 118-119. John Blofeld, who visited Wu-t'ai Shan in 1937, describes a monastery with several hundred monks where \"the main pavilion... was arranged in the Chinese way, but many services were held in a smaller building where purely Tibetan rites were performed\" (Jewel in the Lotus, London, 1948, p. 97).\n\n25 Fa-p'u, a disciple of Ta-yung, is stated to have reached Lhasa and earned a ko-hsi degree. Yin-shun, T'ai-hsü, p. 17.\n\n26 Chinese Year Book 1937 (Shanghai, 1937), p. 73.\n\n27 Shirob Jaltso, for example, was a member of the People's Political Council (1938-1949); an alternate member of the Kuomintang Sixth Super-", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 206119, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 199, "title": "RAS-1970", "content_text": "192\n\nNOTES AND QUERIES\n\neleven players representing China at the Berlin Olympic Games in 1936 were Tai Hang men, including the team captain.\n\nNear Tai Hang is the Lin Fa Kung (E), a temple of unusual shape which is unique in Hong Kong and the New Territories. This temple, formerly like Tai Hang situated on the seashore, is over one hundred years old in its present form.\n\nThe construction date over the entrance is the mid winter months of the second year of the Tung Chi reign i.e. 11 December 1863-8 January 1864.\n\nOld Main Street, Shau Kei Wan (*****)\n\nFor this section of the visit a shortened version of the extended programme notes now at pp. 183-188 was provided. It is not repeated here.\n\nChai Wan Military Cemetery\n\nOpened in 1947, this cemetery, which is managed by the Imperial War Graves Commission, contains 1,558 graves, mainly those of officers and men killed during the Defence of Hong Kong against the Japanese in 1941.* Set high on a once remote hillside in rural surroundings, it now overlooks a heavily populated resettlement estate and industrial area. Nearby is the New Military Cemetery and the Chinese Permanent Cemetery, Cape Collinson, with its 8,027 graves set in 20.5 acres of hillside administered by a Board of Management: also the new Crematorium.\n\nStanley Fort\n\nThis peninsula was set aside for military use in the 1930s and the barracks date from then. The parade ground was formerly the site of the village of Wong Ma Kok (⇓⇓) from which the peninsula takes its Chinese name. The inhabitants were removed to Stanley Village where a row of red-brick houses (still standing) was built for them by the Hong Kong Government. This village was the scene of the spectacular murder of two British officers in 1849 (see John Luff's book The Hong Kong Story (Hong Kong, South China Morning Post, 1959) chapter 8).\n\n* Information provided by the Urban Services Department,", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206408, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 225, "title": "RAS-1971", "content_text": "bination with rattan\n\nNOTES AND QUERIES\n\n199\n\n() for net frames only. The ropes were usually up to 20-28 in length and could be even 30+ ★, in which case the rope was turned round and carried part of the way back the rope road. Mr. Yue recalled that the first type of rope had been used by trawlers up to and through the Japanese Occupation but had stopped shortly after the Liberation. The second type had been made and used in local fishing craft up to his brother's death some 7-8 years ago.\n\nThe ropes were twisted from three strands, so that there were three stands with handles at one end of the rope road and a single one at the other. Up to ten persons were employed in the work. Unlike dyeing, this business had been in the Yue family for several generations as both Yue's father and grandfather are reported to have engaged in this work.\n\nThere were several pools at Ta Lam Lo filled with sea water and lime in which the ... was soaked for 10 days to soften it and preserve it. If fresh water was used salt had to be added.\n\nThere is still some rope-making on Ap Lei Chau at a place beyond the Kwun Yum temple but the material used is nylon and wire. This place had also been used to manufacture the other kinds of rope in the earlier period and was known locally as Lam Lo Mei (44), being subsidiary to the main area.\n\nA short description of the calendering process is given at p. 190 of the 1970 Journal. This dates from the 1860s, and probably relates to Central China,\n\nHong Kong, April 1971.\n\nJAMES HAYES\n\nCHARCOAL BURNING IN HONG KONG\n\nIn his compendious work on China published in 1878 Archdeacon Gray of Canton wrote:\n\n\"As coal is not used for domestic purposes, charcoal is in great demand, and charcoal-burners are to be seen daily on the hills. The hillsides of Pun-yu, Fa-yune, and Tsung-fa -districts of Kwun Tung- are studded with their fires; and on the slopes of the Lew-Shan range of mount-\n\nPage 225\n\nPage 226", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206640, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 188, "title": "RAS-1972", "content_text": "182\n\nCo-location of deities\n\nKEITH STEVENS\n\nIn Fukienese temples in Singapore and Malaya, the T'ai Sui images are often seen with Hsuan Tien Ta Ti (***) or with the Goddess of Mercy (##). In Cantonese and Amoy temples there, the T'ai Sui images are occasionally to be seen with the medical deities Lu Tung Pin (†) or Hua To ($) and in one temple with T'ai Shang Lao Chün (LB).\n\nIn another Fukienese temple in Singapore a triad occupying the centre altar was said by the temple keeper to be three of the Nine Emperors (g). Two were positively identified, one as the second brother of the main deity Chiu Hwang ( ). He is black skinned, bare footed, with one foot on a fire wheel, has protruding eyes, black beard, and his hair is wound into a top knot. His two arms are at his side, otherwise he is very similar to Fa Chu Kung (✯✯2). The second identified image is on the right of the main deity, and he is, without doubt, Wang Tien Kung (1A). The third unidentified image on the left of the main deity could easily be T'ai Sui. He is black faced and bearded, a standing general in armour, holding a bell in his left hand and a sword in his right; he has three eyes, ear tufts of hair, and wears a Taoist crown.\n\nIn one Fukienese temple in Taipei, Yin Ch'iao was seen together with Ch'ü Kung Chen Jen (AA). (Plate 19)\n\nIn North China in Kalgan his second brother Yin Hung ( *) is a special deity said to save people from the \"fifteen bad deaths\". He sits on the opposite side of the central deity, the Jade Emperor (11), from Yin Ch'iao. Both brothers are naked and, surprisingly, have claws, beaks and wings. Grootaers10 says that Yin Ch'iao is never to be seen except as an attendant to the Jade Emperor. It would appear that either the local god maker in Kalgan did not know the identification features of Yin Ch'iao and has confused him with the Thunder God; or that there is a local legend which we do not know about; or thirdly that Grootaers misidentified the two attendants of the Jade Emperor.\n\nC. B. Day bought a hand-painted scroll in Hangchow, depicting five Buddhist figures and six Taoist ones. This pantheon chart included T'ai Sui Ti Chün ( *#*#) together with the San Kuan\n\n10 W. A. Grootaers, Rural Temples around Hsüan Hua (Folklore Studies vol. 10).", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206642, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 190, "title": "RAS-1972", "content_text": "184\n\nd.\n\nKEITH STEVENS\n\nAn image in the form of Yin Ch'iao; with six arms, a blue face covered in spots like warts; two fangs, two banners, a bell, two swords and one arrow.\n\nPossible Misidentifications\n\nThe images of Yin Ch'iao/T'ai Sui can be confused with several deities who have similar characteristics. These are:\n\na. One version of the Fukienese god of actors, Tien T’o Yuan Shuai (*), is a standing general with a sword in his right hand and a hand bell in his left. He has or should have, however, a pink face, and his usual identifying characteristic, a crab painted over his mouth or his forehead.\n\nb. In a Singapore Foochow clan temple of the Hsu (✯) family there is a seated general in armour, with a blue face and fangs, called Liu Chin Sheng Ho (Hr). He holds an axe in each hand and is prayed to for the good health of the clan and for the rapid recovery of the sick.\n\nc. Pu Tu Kung (#2) who releases souls from the Under-world during the seventh lunar month, is often shown as blue-faced and with two fang-like teeth showing. Normally, however, he does not carry anything in his two hands.\n\nd. One of the two attendants of Fa Chu Kung (✯È2) is a general with a sword raised in his left hand and a handbell held in his right. He wears a tiger's head hat and is called Hu Ye (A). He has a pink face and a black beard.\n\nAn image of the Golden Youth (✯✯), one of the assistants to Kuan Yin, could be mistaken under certain conditions with the manifestations of T'ai Sui as a seated youth with the scroll. The Golden Youth has a similar seated pose, the same style head and hair but normally holds a fly whisk in the right hand. If this is lost the image looks at first glance like a T'ai Sui without a scroll.\n\nThe Indian Buddhist deity of death, Mara, could understandably be mistaken for T'ai Sui, Mara (A) in his Chinese form normally has a greenish hue, has a frightful face with two tusk-like teeth, holds a bell in his right hand, but has bare feet, is bare to the waist and wears a fur skirt. He is usually accompanied by two demon attendants, one black and one white, who are the Yamen runners, the Wu Ch'ang Kuei (❀❀Ą), who collect the souls of", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206643, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 191, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n185\n\nthe newly dead. Mara has a cleft head, ear-pressing tufts and protruding eyes. His skirt can be made of leaves and on occasions he has a staff in his right hand.\n\nTHE CULT OF FA CHU KUNG\n\nBackground\n\nThe localised cult of Fa Chu Kung appears to have originated in the areas of An Chi and Ying Ch'uen in Fukien Province and has been carried by emigrants to their new homes in Taiwan and South East Asia. Fa Chu Kung is renowned amongst his devotees for his ability to cure any illness, and is believed to be capable of such potent magic that many Chinese are fearful even to mention his name. In addition it is claimed in some areas that he is able to cause and stop rain at will, and in one Cantonese temple in Kuala Lumpur he is specifically prayed to for confirmation that a marriage in process of being arranged will be successful. A Fukienese temple keeper in Singapore, who was not too fearful to discuss the deity, confided that Fa Chu Kung is the powerful leader of a large group of gods which includes the Northern Emperor Hsuan Tien Ta Ti and has very many disciples. He also claimed that Fa Chu Kung is able to transform himself into anyone or anything and that Chinese spirit mediums can only approach other gods through Fa Chu Kung. Therefore Fa Chu Kung's goodwill and agreement are always necessary before any petition or prayers may be offered to any god apart from the supreme deity, the Jade Emperor.\n\nRecognition Features\n\nFa Chu Kung is more often to be found as a minor deity on an altar dedicated to another god rather than the main deity on an altar or of a temple. His image is very easy to recognise. The basic recognition features are his shiny black face and body, his unkempt hair and slightly protruding eyes; his unsheathed sword is held at the ready in his right hand and a red snake curls round his neck and shoulders and over his left arm. His black feet are bare and are resting on fire wheels, and finally his left hand is making a magical sign. This is made by his whole left hand stretched forward at waist level and pointing vertically with his index and little finger; his thumb and the other two fingers are pressed to the palm. The whole hand is twisted to face the right. Most images have all these", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206646, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 194, "title": "RAS-1972", "content_text": "188\n\nKEITH STEVENS\n\nthe 23rd day of the sixth lunar month. In Singapore and in Malaya the usual date is the 23rd of the seventh lunar month; but other comparatively common dates are the 6th of the third lunar month, the 18th of the fifth lunar month, the 26th of the sixth lunar month, and the 10th of the eighth lunar month.\n\nNames of his family\n\nFa Chu Kung's family name was Chang (**張**) and he was called Chang Kung (**昌公**). His two brothers are called variously:\n\na. Chang Kung (#2); red face; in Fukien temples\n\nb. Hsiau Kung(); pink face; in Fukien temples\n\na. Hung Kung (#2); pink face; in Fukien temples\n\nb. Hsiau Kung (2): white face; in Fukien temples\n\na. Chiang Chün Ye (*): red face; this last group was seen in a Cantonese temple in Seremban\n\nb. Fa Ch'ing(): white face; this last group was seen in a Cantonese temple in Seremban\n\nHis four assistants have been observed in one temple only, a Hengwa Fukien temple, and are called:\n\na. Liu 劉\n\nb. Lien 遵\n\nc. Chang 張\n\nd. ...\n\nHe has two main disciples:\n\nMa Ye: white faced; with a bell in right hand for punctuating prayers, and wearing a horse head hat.\n\nHu Ye: red faced; with a bottle in his left hand containing magic water for frightening demons, and wearing a tiger head hat.\n\nCommunity Groups worshipping Fa Chu Kung\n\nEach temple in which Fa Chu Kung has been observed has had a temple keeper, appointed by the temple committee or from whom he had purchased his franchise. The main community groups in which Fa Chu Kung is to be found are from the An Chi and Ying Ch'üen areas of Fukien province. Other community groups which have images to Fa Chu Kung are Foochow City, T'ung An and Heng Wa. He is to be seen in at least 34 temples in Singapore and", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206647, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 195, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n189\n\nMalaya, in nine of which he is the main deity. Twenty-seven of these temples are run by Fukienese emigrants or their descendants; one is run by Hakka, three by Cantonese, two by Ch'ao Chow and one by Hainanese. In Taipei all eleven observed images are in temples maintained by Ch'üan Chow emigrants. There are three Cantonese temples in Malaya in which he has been seen; one is in Seremban and two are in Kuala Lumpur. In one of the Kuala Lumpur temples he is to be seen beside a sand divination table; the temple keeper in the other said that he was a lesser deity donated by a Fukienese devotee. The Seremban temple had all three brothers seated together on an altar in a temple devoted to Hsuan Tien Shang Ti (玄天上帝).\n\nIn a Hainanese temple in Singapore there is a standing image of Fa Chu Kung with the usual unkempt hair, but he has only one foot resting on a fire wheel. He is the secondary deity in the temple, which is dedicated to Wen Chow Hou Wang (溫州侯王) who is a specifically Hainanese deity.\n\nIn one spirit medium temple in Singapore, where Fa Chu Kung is the main deity, the medium and the keeper are both Fukienese. The female medium speaks with a very deep voice, said to be that of Fa Chu Kung, and writes prescriptions for medicines dictated by him. To stimulate the spirit to reply, and thereby causing considerable interest to the spectators around the table, the female medium pauses between writing each prescription and extinguishes a lighted candle on the roof of her mouth.\n\nProfessor Wolfram Eberhard has confirmed that in his researches he has encountered this deity, the god of the cult of tea merchants localized in the areas of Ying Ch'üen (#) and Te Hui (德惠) whose birthday is on the 27th day of the 7th lunar month. Law suits were settled before this deity, who is mentioned in the Taiwanese folk almanac of 1963.\n\nMyths concerning the origins or deification of Fa Chu Kung\n\nMost temple keepers who have an image of Fa Chu Kung in their temples tell a different story about his origin. These tales do, however, contain certain common factors:\n\na. Fa Chu Kung is the head of all demons and is to be feared. His black face signifies his demonic origins. He warned all gods in the area of Ying Ch'üen in Fukien that the area was too\n\nPage 190 is missing\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206649, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 197, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n191\n\nChu Kung with his feet stretched out under the pan and flames leaping up from them boiling the rice and, being frightened, she screamed. Fa Chu Kung transformed himself into a god, flew up the chimney and thus became black on the way.\n\ne. In the An Chi area of Fukien province there was a very large snake which required one youth or maiden to be fed to it annually. Chang (3), a common straw sandal maker, and two men who had been chased from the An Chi area to a cave in Ying Ch'üen, fought and killed the snake after a battle lasting three days. Chang was so exhausted that he turned black. He was deified Fa Chu Kung and the two men who had helped him were deified with him as his foster brothers, for ridding the place of the nightmare.\n\nf. In a Singapore Hainanese temple a variation of e. above tells that Fa Chu Kung met an old man weeping. He told Fa Chu Kung that his grandchild had to be sacrificed to the big snake. Fa Chu Kung told the old man not to worry and went out and strangled the big snake; but, because he was bitten so badly, he turned black, his eyes became staring and he died.\n\ng. Fa Chu Kung was originally called Chang Kung (2) but later, after he had cured the Empress's boils which had been pronounced incurable by all the other physicians and magicians, he was given the title of Shen Chün (#).\n\nh. Fa Chu Kung was an Indian sailor or trader who settled in Fukien and helped the poor and the sick.\n\nThese various tales tell of Fa Chu Kung's ability to do magic, give a reason for his blackness and several explain why he has a snake wrapped round his arm. The snake is reminiscent of other sacrificial stories and may well be a story dating back to one of the early local cultures in Fukien. There is no indication of what era Fa Chu Kung is supposed to have lived—if, of course, he ever did. Temple dates in South East Asia and Taiwan are of little assistance here and the only dating the temple keepers suggested was the usual \"several hundreds of years ago\" or \"during the T'ang or Sung Dynasties\" (650-1100 A.D.).\n\nThere are at least two other major legends of people who use their legs as fuel for the stove. The first, in Ch'üan Chow, is the monk I Po who gave great assistance during the construction of the famous bridge there. He caused great astonishment when, because", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206841, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 118, "title": "RAS-1973", "content_text": "112\n\nSUNG HOK-P'ANG\n\nland, distributed in various parts of the mainland, and on the island, having fields in Kowloon, Ch'eung Sha Wan (*) Kw'an Taai Lo (###) (where the city of Victoria now stands) Causeway Bay, Pokfulum and Aberdeen. He immediately promised to give one thousand piculs. When Yau Tai K'in heard of it he thought there must be some mistake, but the officer said, “At first I also thought he made a mistake, so I asked him again, and he said quite plainly, one thousand piculs!” So Yau T'ai K'in was very pleased, and he at once went off to visit Tang Yuen Fan, who said, “My rice is quite ready in the granary.” The magistrate sent off word to the \"Yamen\" to have junks sent to collect the rice, and on the day it was collected the river was so covered with the junks that the water could not be seen, and all the people gathered to watch shouted for joy. Yau remained with Tang several days and spent much time walking about the country admiring the scenery. He was much impressed by the fine buildings, open fields and pleasant woods, and exclaimed, “Why should the village have such a name? Sham T'in, it should be called Kam T'in instead!” The villagers were delighted with the new name, and it has remained till the present day.\n\nThe name, however, now embraces quite a large collection of villages each with its own name, but most of the villagers still belong to the Tang family and the name of Ch'an has disappeared. There are a certain number of people with other surnames to be found among the Tangs, but they have come in from other places at different times and are not really native to the place in the same way as the Tangs are. A new village which goes by the name of San Ts'uen (††††) new village, has been built very recently for the Cheng (*) family who had to move from the Shing Moon (M¶) district when the reservoir was started.\n\nThe only trace of the old Ch'an T'in village that remains is the temple known as Hung Shing Kung (g) in Shui Pin Ts'uen (k). This temple which was built by the Tangs is known in the village as the Big Temple although small, because formerly it was merely a shrine and was enlarged to its present size at a later date. The exact date of the temple is not known. Some say it was built when the first Tang came to Kwai Kok Shaan; others, that it was built first as a small shrine in the time of Shing Fa (✯ft) A.D. 1465-1487 of Ming dynasty when the Tang family built the village", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207039, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 110, "title": "RAS-1974", "content_text": "104\n\nMICHAEL SMITHIES\n\nhome of the Lao royal family and the small royal palace at the foot of the Phu Si or central hill sets the modest tone of the town. Its temples are so numerous that it would be impossible to detail each one, and unrewarding, for many are extremely simple, testimonies to the faith of an unaffected and devout people.\n\nThe most splendid is undoubtedly Vat Xieng Tong, originally approached from the Mekong river up a broad stairway. It is the largest temple in area and the compound has a number of interesting buildings; the vihara has high curving roofs coming down very low to the sides and surmounted by an elegant dort xoi fa (flowers pointing to heaven), the many-pronged symbol of the universe, each point tipped with a tiered parasol, that is to be found on nearly every Lao temple roof. The carved portico is striking and the inside of sober simplicity; the altar has a large antique Lao Buddha statue and the ceiling is coffered and painted. The runnels with decorative dragon-head spouts used in ordination ceremonies are kept in many temples in Luang Prabang and there is a good example in Vat Xieng Tong. At the back of the altar, on the outside wall, is a mosaic representing the tree of life, and nearby a small chapel to a Lao hero, Sri Sawai, is entirely covered with charming mosaics on a red background. There are a number of other chapels in the grounds, as well as a small building for a prayer drum. The most opulent of these is undoubtedly the building containing the royal funeral carriages; the carving and gilding is almost overwhelming on the outside, and if the inside of the building is simple, the objects it contains are not; the royal funeral carriages are masterpieces of carving which, until the present king changed the tradition of burning them after the cremation of the monarch they had borne, used to disappear without trace.\n\nAlong the main street going towards the Phu Si is Vat Sene, with a three-tiered roof in the Lao style. The entrance is elegant and raised on octagonal columns and the walls are decorated gold on a red background. Nearby is Vat Pak Khe, one of the most unusual temples in Luang Prabang, with Siamese style frescoes inside and on one of the entrances are supposed to be represented Dutchmen and on a window Venetians. Certainly the objects of the panel carver's attention are European and the style of the dress dates from two to three centuries before the founding of the temple in 1861. Father de Leria visited Vientiane between 1642 and 1647 and his information is recorded in Father Filippo de Marini's book", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207139, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 210, "title": "RAS-1974", "content_text": "204 \n\nNOTES AND QUERIES \n\nthere is a shrine at the rear inscribed Tao Kuang 27th year (1847-48). \n\nPoints of interest are the excellent granite work screen and balustrade along the whole front of the temple: the Shek Wan pottery decorations on the roof (Hsuan-Tung 1st year: 1908-09) and the large boulder inside the building which was probably the uncovered site of the original shrine. (There is a similar one inside the Lin Fa Kung temple at Tai Hang, which is of approximately the same age.) \n\n3) The Sui Tsing Pak temple at Tik Lung Lane. This is not housed in a temple building but in several houses in a terrace. The god is said to have been a man named Chan (**陈**) enobled as marquis (**侯**) who lived in the Sung dynasty and performed many good deeds. His title means the 'Pacifying Marquis' (**遂清侯**). The date of its establishment is not known, but several of the memorial boards inside the temple carry inscriptions in the late Kuang Hsü reign (1875-1908). Among them are boards presented by residents of 'The Thirty Houses' (the local Chinese name for Staunton Street, in Central District) and another by the community of Hung Hom village in Kowloon. \n\nThe upstairs rooms are devoted largely to the care and worship of memorial tablets, many with photographs of the deceased, placed there for a subscription by friends and relatives. This temple is of particular interest for the various art objects and antiquities kept inside the upper rooms, which make it almost a museum. They include paintings and porcelain. The interior decoration of the temple should also be noted especially the screens and fittings for the various altars upstairs which are probably at least 60 years old. \n\n4) Yuk Hai Kung Temple (**玉皇宫**), Stone Nullah Lane. This temple to Pak Tai, the god of the North (**北帝**), is again of early origin. According to an inscription above the entrance, the present structure dates from the first year of the T’ung Chih reign (1862-63). This is a large temple with side rooms which is still in an excellent state of repair. The building on the right of the temple is a public office or kung sor (**公所**) in which the temple management committee met to discuss the affairs of the temple and the neighbourhood. It was, as Carl Smith remarks, under the control of the Wanchai Kaifong from 1882 and before. \n\nPage 210\n\nPage 211", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207562, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 330, "title": "RAS-1975", "content_text": "322\n\nNOTES AND QUERIES\n\ngreat blaze they saw was not being fed by the engine sheds and the numerous and extensive buildings of the Company there.\" (Daily Press, Dec. 17, 1884).\n\nAfter the fire, the area was laid out into regular lots and the government began disposing of them at public auction. It was at this time that the building sites were regularized and the streets were officially named. Fronting the Dock Company's property and the sea was Bulkely Street, with buildings only on the north side. Behind it was Market Street (now Wuhu Street). The Public Market built in 1886 occupied a block on the north side of this street in the centre of the laid out portion of the village. These were the two main streets running east and west. At the east end of the village was Hill Street, (now Tientsin Street) running north and south, next to the west was Dock Street, then Station Street leading up to the Police Station situated on a hill behind the village, then an unnamed street (now Marsh Street) and finally Temple Street leading up to the Kun Yam Temple nestled under the hill behind Market Street. Also behind Market Street both on the east and west side of the village were rows of small family houses.*\n\nIn the 1890's the area of Hung Hom near the present Chatham Road was being developed for industrial establishments. The area was known as West Hung Hom. At the turn of the century, there was at Hung Hom a match factory, a sugar candy factory, a glass factory, and a dozen or so boat building yards. There was also a Hotel and Tavern, owned by an Indian who left a will.\n\nVarious Hong Kong capitalists invested in Hung Hom lots. The partners of Lapraik and Company owned several blocks in front of the Market House. These were later sold to the Hong Kong Land Company. When new lots were laid out to the west in the 1890's, Ho Tung and later Lau Chu Pak, of the Yaumati Ferry Company, bought several of the blocks. Li Kwong also owned valuable lots at Yaumati.\n\n(b) Some local institutions: Schools\n\nA Government-subsidized village school was established under the direction of the local community, and several Christian schools were opened. The Church Missionary Society had lots at the east end of the village, the London Missionary Society in 1883 applied\n\n* Two maps showing Hung Hom in 1892 and 1901 are printed respectively at p. 321 and between pp. 322 and 323.\n\nPage 330\n\nPage 331", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207854, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 242, "title": "RAS-1976", "content_text": "SOCIAL RESEARCH IN THE N.T. OF HONG KONG, 1963\n\n227\n\nhis wife to bury him in the crucial spot when he came to die, which in good time she did, wrapping him in a mat because she was too poor to pay for a coffin. Time passed and her son grew up to become a great scholar. Summoned by the Emperor to Peking he made the long journey north. On the way the boat he was travelling in got into difficulty but was saved by a god in a nearby temple. The people with whom the young scholar was travelling honoured the god for his help, but he refused to do so, going so far in arrogance as to strike the god on the head with his fan. Eventually he reached the capital and after a while returned home in triumph. He then showed himself so overbearing, especially in his behaviour towards his maternal uncle, that his mother rebuked him, reminding him that his father had died a humble death and had been buried in a mat. The scholar agreed to rebury his father in a fitting manner, but when he came to search for the body it was not to be found. While men were fruitlessly hunting for it round the spot indicated by the widow, the god whom the scholar had insulted appeared in the guise of a stranger and advised him to throw lime into the duck-pond, whereupon the body would appear. The scholar took the advice. The body rose at once to the surface but along with it came nine dead fish, only one of which had its eyes open.\n\nNine bright possibilities, that is to say, had been stored away in the fung shui; one of them had been realised in the success of the scholar — and that was now at an end; the others were ruined. (When I recounted this story to a Chinese friend in Singapore he capped it with one in which a passing scholar, on being told of the enormous success of a family which had stolen another family's fung shui and acted cruelly towards its members, sat down by the stolen grave and lamented. If such people could prosper by the principles of Earth, where were the principles of Heaven? He had hardly spoken when lightning smashed the tomb and put an end to the fortunes of the wicked family.)\n\n61. I have already referred to the tomb of Sun Yat-sen's mother in Pak Fa Lam. I was taken to see it by a part-time geomancer. (He looks like an old-fashioned scholar. In his youth he was a graduate student at a famous American university and held some official post in Canton until the arrival of the Japanese. He now teaches in Hong Kong). His analysis of the site was briefly as follows. The high peak at the rear is excellent; it stands for authority and power. The front aspect is also very good; there is", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207922, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 310, "title": "RAS-1976", "content_text": "NOTES AND QUERIES\n\n295\n\nThere was a 'fleshy body' in Anking in Central China. It had been placed in a large earthenware k'ang filled with willow charcoal and left for three to four years. The corpse was then gilded and set up beside an image of the Buddha, Sakyamuni7.\n\nThe shrivelled and varnished body of a Taoist priest named Sun (), who died in 1703 aged 94, was enshrined in a glass case in the Grotto of the Immortals in the east side of the lower Court of the Temple of either the Jade Emperor or, as stories vary, of the Three Sovereigns on T'ai Shan in Shantung. He had lived in the temple nearby for some sixty years under the religious title of Chen Ch'ing and was known as \"the Immortal\". Apparently he felt divinely inspired, and slowly starved himself to death; he became just skin and bone sitting cross-legged. He had requested his fellow priests not to inter him but instead to leave him in a vacant room. This they did, and he remained withered but not decayed as a relic for future generations of believers. One could see, apparently, only the bare bones of his arms and legs. His face had been replaced by a mask in his likeness and all that remained on his hands was skin and nails.\n\nIt was not only monks who had their bodies preserved. In 1878 Reverend MacKay, a missionary in Taiwan, wrote of a Chinese girl who died of consumption not far from Tamshui, North of Taipei. Someone in the neighbourhood more gifted than the rest announced that a goddess was present, and her wasted body immediately became famous. She was given the title of the Virgin Goddess, (Sien Lu Niu in Fukienese) and a small temple was erected and dedicated to her. Her body was immersed in salt and water for some time, and then placed in a sitting position in an armchair with a red cloth around her shoulders and a wedding cap on her head. Seen through the glass of the case in which she was placed she looked to MacKay, with her black face and teeth exposed, very much like an Egyptian mummy. Before many weeks had passed, hundreds of sedan chairs were to be seen bringing worshippers, especially women, to her shrine, and rich men sent presents to adorn the temple. Another preserved body of a female was exhibited in a temple near Fenchow in Szechuan. She was a Buddhist devotee who died there in a sitting position: being Tibetan she was particularly worshipped by the local aborigines?.\n\nThe most recent example of a 'fleshy body' has been the mummification of the corpse of the Buddhist monk, Yueh Chi Fa Shih", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208081, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 120, "title": "RAS-1977", "content_text": "104 \n\nYUEN-FONG WOON \n\nHeaven image and place it in their own tang-liu. Whoever had a son born that year would buy a lamp and hang it there. The number of lamps thus meant the number of additions to the lineage. If one's lamp had not been lit at the tang-liu during the year of his birth, he would not have the right to receive the ritual meat at his ancestral hall, \n\nThe lantern remained lit until the fifteenth day of the first lunar month. On that day, each lineage lighted a whole chain of beautifully decorated firecrackers and then sent the hang-tseung (be it Kwaan-kung or the Goddess of Heaven) back to its own heung temple where it would remain until the following New Year. Whoever caught the first firecracker falling down would have all the luck for the year. So everyone struggled to catch it. Fights often occurred in the attempt. This was known as the fa-paau event (打炮). \n\nAnother event connected with the New Year Festival was the village opera. Sometimes professionals were invited to perform puppet shows; sometimes a Cantonese Opera troupe was invited and sometimes the villagers themselves performed. In all these cases, the Kwaan and the Oo organized their own performances. \n\nThe worship of the Earth God happened on the twenty-eighth day of the seventh lunar month. The Kwaan and the Oo worshipped their own Earth Gods in their own ancestral hall. \n\nIn contrast to Na-loh, Lung-tsai She was a picture of integration in its ceremonial life. There were no ancestral halls in the village for the Kwaan, the Wong or the Tang, only a community temple. Nonetheless, my informants called it their \"village ancestral hall”. This was probably because it had a lay-out similar to an ancestral hall. Like the latter, there was a huge wooden board inside the temple with the name Lung-tsai Hall (龍仔堂) written on it. Below this was an altar for putting all the sacrificial meat. Underneath was an Earth God shrine. But unlike an ancestral hall, there were no tablets at all in the temple. \n\nThe village also owned a hang-tseung of the Goddess of Heaven which was placed in a multi-surname heung temple on the outskirts of Ts'ung-long Heung. The hoi-tang ceremony was performed in the Lung-tsai Hall instead of a tang-liu. On New Year's day, the Wong, the Kwaan and the Tang each sent representatives to form a joint procession to take the Goddess back to the hall. When the \n\nPage 120\n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208082, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 121, "title": "RAS-1977", "content_text": "CEREMONIAL LIFE OF 2 MULTI-SURNAME VILLAGES\n\n105\n\nGoddess came, firecrackers would be lit. That was when the fa-paau event occurred.\n\nThe Spring Rites ceremony and the hoi-tang ceremony took place at the same time. After the Goddess of Heaven was installed in the Lung-tsai Hall, the Kwaan, the Wong and the Tang performed the kowtow and the three prostrations in no special order whatsoever. Whoever had a son born that year would hang the lantern there on the same day. After the ceremony, there was a feast. As there was no temple property, each villager brought his own meat for the feast. Occasionally, the village opera would crown the event. The Goddess of Heaven then remained in the Hall until the end of the year when it would be sent back to the same heung temple just for a few days before the next New Year.\n\nBesides the fa-paau, the hoi-tang ceremonies, the Spring Rites, and the village opera, there was also the worship of the Earth God on the twenty-eighth day of the seventh lunar month. This again was participated jointly by the Kwaan, the Wong and the Tang together in the Lung-tsai Hall.\n\nNot only were the three lineages in Lung-tsai She co-operating in celebrating their festivals of the year, they were also very integrated in their economic life. Those who wanted to rent or sell land would offer it to the villagers first, be they members of the Kwaan, the Wong or the Tang, before they would offer it to people outside the village. This was in direct contrast to the practice in Na-loh. There, both private and corporate property were open to bidding every three years. Only the Kwaan could bid for Kwaan land and the Oo for Oo land. If no tenants were found among the Kwaan in Na-loh, Kwaan land would be offered to tenants in the rest of T'oh-fuk; if no tenants were found among the Oo in Na-loh, Oo land would be offered to the Oo outside the village.\n\nBurton Pasternak, in his work Kinship and Community in Two Chinese Villages (Stanford 1972), has given a detailed description of two multi-surname villages in Taiwan-Tatich and Chungshe--which may throw some interesting lights on the differences between the two multi-surname villages in Hoi-p'ing described in this paper.\n\nTatich was similar to Lung-tsai She in social organization. Firstly, none of the lineages there had an ancestral hall of its own or owned corporate property. All the members worshipped in a community temple. Secondly, like Lung-tsai She, members had the", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208471, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 195, "title": "RAS-1978", "content_text": "# WOODBLOCK PRINTING\n\n179\n\nthan eight thousand volumes together with the world's oldest wood-block printed book are now kept by the British Museum in London. In 1908 a Frenchman, Professor Paul Pelliot, took away two thousand five hundred more volumes. What remained in the library, around eight thousand volumes, were sent to Peking in 1911 and are now kept in the Peking Library.\n\nBuddhism came to China along the Old Silk Road first from Central Asia at the end of the last millennium BC and again in 67 AD when a mission sent to India by the Han Emperor Ming Ti (***) returned with two learned Indian scholars. Chinese pilgrims, notably Fa-hsien (3); §) 399-424 AD and Hsuan-tsang (✯✯) 625-645 AD, used the Old Silk Road. All went through Tun-huang,\n\nBy the time of the Tang Dynasty, 618-905 AD, woodblock printing had already developed to a high state of artistry. Buddhists made full use of the printing technique to popularize their religion. Buddhism was very prosperous at that time. There were more than five thousand temples in existence, and around three million people became monks or nuns. The temple authorities and their followers engaged in publishing Buddhist texts or sutras with great enthusiasm, as they believed that the more texts or sutras that could be published and circulated the more merit would be rewarded. Most of the sutras were printed with images and illustrations so that they could be better understood by those followers with only little education.\n\nIn the year 931 AD the government of Late Tang (k) set up a special printing section under the Education Department (§76) to engage scholars, carvers, and printers to make woodblocks to print all classical texts copied from the stone texts, the first official textbook printing in Chinese history. It took twenty-two years to accomplish the whole series, consisting of nine classical texts totalling one hundred and thirty volumes and finished in the year 953 AD, Late Chou (£§).\n\nThe great advance in wood engraving skill should be credited to Northern Sung Dynasty (a). In the period of the tenth or twelfth centuries, the production of both classical texts and illustrated novels, including imprints of stone and woodblock folk prints, increased in quantity and quality. Books of fiction printed in the Sung Dynasty 960-1179 AD were amply illustrated, with illustrations\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208737, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 194, "title": "RAS-1979", "content_text": "CHINESE RELIGION REDISCUSSED\n\n167\n\ntake place at the home or in ancestral temples, less frequently in \"bone temples\". But secondly, community temples are not intended to offer funeral rites: their whole significance lies elsewhere. Funeral rites from very early times on used to be a family or clan affair and had no direct relationship with the community as a whole. With the coming of Buddhism and the growing success of their eschatology, monks started to take over or at least participate in funeral services. The author has overlooked a very simple alternate explanation: the proverb may have been coined at a point in history where the Ullambana ritual (or hungry ghost festival) was purely Buddhist, whereas the li-tou from its inception was a Taoist creation and in earlier times only performed by Taoist priests. Later changes occurred, but the saying continues.\n\nOn p. 175 author states that (Buddhist) \"bone temples” “cannot be used as a site for the popular chiao festivals\": the gods are not willing to descend in a death-polluted location (p. 176). This may not be the true reason. Those \"bone temples\" are not real temples (they are pagodas) and certainly not community temples: therefore they obviously will not do as sites for the chiao festival which is the community celebration par excellence. It seems to me, however, that Buddhist temples are organizing great rituals parallel to or equivalent to the chiao, which they call ta fa hui (great dharma meeting). This is a substitute ritual for their own Buddhist devotees, and a ritual for the living at that.\n\nOn p. 180 the author distinguishes two groups of worshippers in Buddhist temples, so-called the “living” and the “dead”. (As long as quotation marks are used, these expressions although not ideal, can be accepted, but on p. 182 the author speaks of dead worshippers, without the marks). The two groups do not meet at the same times and participate in different rituals. This whole passage is informative but does not clarify or further substantiate the author's thesis. The so-called “dead worshippers” do not belong to the real congregation of the temple: they place the urn or tablet once and for all, often to rid themselves of an awkward responsibility. The monks have received their lump sum payment and do not expect them back therefore they are almost forgotten on purpose. The \"living worshippers\" are cultivated because they provide the regular temple income.\n\nOn p. 185, the author speaks of the \"Taoist\" Matsu deity. This is a wrong identification as author should be aware of. Further", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208991, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 153, "title": "RAS-1980", "content_text": "SOCIAL & CULTURAL HERITAGE IN N.T.\n\n121\n\nfew places in the world where genuine social enquiry is nearly completely free and, second, that, exactly as Dr. Wang Sung-hsing has just told us, the traditional ways of South Chinese rural life have been retained longer here than elsewhere. A simple example about marriage customs will show you what this can mean: In 1950, when I arrived here first, all rural weddings included the bride being carried to her husband's home in a red sedan chair (fa k’iu ##). I well remember the astonishment of a Mainland Chinese anthropologist friend when he saw this \"relic\" of what to him was an ancient, extinct custom of the remote past that he had never seen in his life before, and he had travelled almost all over China.\n\nAn interesting paper could be written about the paradox that the preservation of the traditional has been a direct result of colonialism. It happened in rather similar ways almost everywhere in the rural parts of the British colonial empire (and most parts were rural) but there is no time to discuss it this evening. Suffice it to say here that, contrary to popular opinion today, it was not usually the intention of the British colonial administrators (District Officers and the like) to impose alien ways and force change but to leave well alone (as long as in their eyes it was well) and interfere as little as possible. (The well-known book Myself a Mandarin by Austin Coates, once a District Officer in the New Territories, is a fairly representative account of common grass-roots administrative attitudes.) The result was that at least up to the time of the Second World War British colonialism almost everywhere tended to act in one sense rather like a refrigerator, \"freezing\" the local social and cultural systems at more or less the stage they had been when the British first arrived, and to a surprisingly large extent inhibiting changes that might otherwise have happened.\n\nThat something like this was certainly the case in the New Territories is obvious. Here, though rice is no longer grown, largely traditional villages can still be found, lineage and clan organisation still exists, formal ancestor worship in ancestral halls (ch'i t'ong: **) is still observed, and people still have a strong sense of local as well as cultural identification which is expressed in temple festivals, with Cantonese opera performances and fa p’aau (JE#) and kam chue (✯*), as well as in the continuance of old local rivalries in new political and administrative forms. Here, too, we can still talk with old people who remember the still recent more", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208996, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 158, "title": "RAS-1980", "content_text": "126\n\nNOTES AND QUERIES\n\nwith fa daai across in red/white cotton, pink/white and black/white. The mother of the groom had an artificial red rose and streamers attached to her black sam fu, and the grandmother of the groom, for whom it was an important day also, wore her purple/black sam fu saved for special occasions like this, with a red badge and streamers.\n\nThe second in line of the five houses was that belonging to the groom's parents. That entrance, and that of the chi tong, or ancestral temple which was fourth in line, had red cloth draped around the doorway, and red paper strips with black inscriptions at each side. The third and fifth house had white paper with black inscriptions at the sides. At the right side of the groom's parents' house was hanging a large leg of pork. This was the payment to the match-maker for arranging the wedding.\n\nThe groom had lived in Blackpool, England for many years, aged mid-thirties, and had been running the \"New World Take Away\" Chinese fish and chip shop. He had returned here six months before with the desire to get married. Three months later, a matchmaker had found a suitable mate in the form of a \"country girl\" from Taipo, horoscopes and other credentials were exchanged and the marriage was on. This was to be the second wife to come to this village from Taipo.\n\nAs people finish their meal, a gong and cymbals are struck by some men. Food is cleared away, and mah jong is played to the accompaniment of Chinese music on the cassette player.\n\nIn the old days, the bride would arrive from her village in a red sedan chair, her face covered with a heavily embroidered veil. The groom would tap on the door of the chair with his fan, and the bride would get out. The groom would raise the veil, and view his new bride for the first time. Some traditions change and this groom had gone over to Taipo to collect his future wife in a motor car, leaving his village to the accompaniment of fire crackers being set off.\n\nAt 11.45 the car returns, and draws up on the opposite side of the road. The car is decorated with the customary rosettes, doll at the bonnet, and streamers seen at many weddings here. But because this was a country wedding, a 5' length of sugar cane was strapped to the left-hand side, to indicate that life should be sweet for the happy couple. A procession of people playing the cymbals", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209946, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 205, "title": "RAS-1983", "content_text": "References Cited\n\n183\n\nCh'en Kuo-fu\n\n1963 Tao-tsang yüan-lin k'ao. Peking: Chung hua Press.\n\nKeupers, John\n\n1977 \"A Description of the Fa-ch'ang Ritual as Practiced by the Lü Shan Taoists of Northern Taiwan,\" in Michael Saso and David W. Chappel, eds., Buddhist and Taoist Studies (Hawaii: The University Press of Hawaii).\n\nLiu Chih-wan\n\n1974 Chung-kuo min-chien hsin-yang lun-chi. Academia Sinica Special Monograph no. 22. Taipei: Academia Sinica.\n\nSaso, R. Michael\n\n1972 Taoism and the Rite of Cosmic Renewal. Pullman: Washington State University Press.\n\nStein, Rolf A.\n\n1979 “Religious Taoism and Popular Religion from the Second to Seventh Centuries\", in Holmes Welch and Anna Seidel, eds., Facets of Taoism: Essays in Chinese Religion (New Haven: Yale University Press).\n\nAPPENDIX\n\n1983 Cheung Chan Bun Festival\n\n長洲一九八三年(癸亥年)建太平清醮\n\nDate: May 16-20, 1983.\n\nPlace: Playground in front of the Bai-di temple\n\nA.\n\nTaoist Team: five Fukienese-speaking dao-shi, with Wei Guo-xin as the head dao-shi; five musicians, also Fukienese-speaking.\n\nMay 16\n\n13:00 Greeting the Gods\n\n20:00 First operatic performance begins on temporary stage adjacent to the Taoist altar.\n\nMay 17\n\n1:00 Beginning of Jiao-shi\n\nResidents of Cheung-chau begin the three-day fast\n\nOperatic performances continue, afternoon and evening shows.\n\nMay 18\n\nOperatic performance continues, two shows per day.\n\n12:00 Offering to the Gods\n\n15:00 Dotting of eye\n\nMay 19\n\n12:00 Vegetarian diet ends.\n\nMay 20\n\n10:00 Divide the Buns\n\n14:00 First day of Procession 第一天會景巡遊\n\nOperatic performance continues, two shows per day.\n\n14:00 Second day of Procession\n\nOperatic performance continues, two shows per day.\n\nFast ends.\n\nMay 21-22 Operatic performance.\n\nBeginning on May 17 and ending on May 22, Jiao-shi were conducted in three sessions each day, generally in the morning, afternoon, and evening.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210685, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 36, "title": "RAS-1986", "content_text": "19\n\nHis admission was moved by the Attorney General, Julian Pauncefote, before the Chief Justice, J.J. Smale, who in addressing Francis said \"As you have not been in England I may as well tell you that, though in this court you attain to rights and privileges equal to those enjoyed at home, you will hold yourself bound by all the practices of the court and look upon it as your first duty to aid in the administration of justice, subject to which is your other great duty of protecting your client in every way. From what I have seen of you I have no doubt your career will be a prosperous one”. Smale also observed that a good feeling prevailed among the attorneys of Hong Kong and that they did not seek to take advantage of each other. Gaskell's death no doubt worked both ways for Francis who appears to have practised from the same office. One of his first clients was John D. MacDonald, the executor of Robert Henry Grant, a clerk in the Naval Yard. Francis advertised the fact for so long in the Gazette that I suspect it was a way of advertising that he was in practice. According to the Hong Kong Telegraph Francis soon came to the front as a solicitor and built up a remunerative practice. He brought out from England M.J.D. Stephens to act as his managing clerk. Stephens was admitted to practise in 1874. He also had working for him H.L. Dennys who was admitted in 1874, clerks called Smithers and Guttierrez and an interpreter called Mun Choy. The Chinese name for his firm was Fa Lan Shea Shi Chong Sz. In 1873 Francis decided to give up practice as a solicitor and study to be called to the Bar. He sold his practice to Stephens and in December 1873 had himself taken off the Roll. It was no doubt a courageous thing for him to do, but he had an example in the person of E.H. Pollard who was admitted as a Solicitor in 1850 and as a barrister in 1859 and elected to act as a barrister only in 1865 (in conformity with Ordinance No. 13 of 1862). No doubt also he was able to weigh the likely competition with a fair degree of accuracy; and the hazards to health in Hong Kong ensured that only the fittest survived the pressures of work.\n\nIn January 1874 Francis was admitted as a student of Gray's Inn. His witnesses were Wellington Cowper of the Inner Temple and C.W. Bardswell of Lincoln's Inn. He gave his addresses as 27, Belsize Park Gardens, South Hampstead and 14, Serle Street, Lincoln's Inn Fields, and described himself as late of Victoria in", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210766, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 117, "title": "RAS-1986", "content_text": "100\n\nCHAN WING HOI\n\nNOTES\n\nBesides \"three-day jius\", there are more elaborate “five day jiu” celebrations in the New Territories.\n\nThe annual ritual takes place typically in Chiu Chau, Wai Chau and Hoklo settlements to make offerings to uncared-for dead spirits.\n\n1 The oldest dated object in the Tin Hau Temple, which housed the main god of the festival, was about one hundred years old. I shall refer to this again later.\n\n6\n\nThere could have been more than one \"chairman\".\n\nProbably part of the golf club, or otherwise a similar establishment.\n\nTanaka Issei 田仲一成, Chugoku saishi engeki kenkyū 中国祭祀演劇研究 (Tokyo: Institute of Oriental Culture, University of Tokyo 1981) p. 891.\n\n7 The Fuk-Wai-Chiu immigrants had their own gods and their operas in the Tin Hau festival. According to Tanaka, eleven or twelve gods other than Tin Hau were sacrificed to (op. cit., pp. 891-3). One of them, the Daai Wong Paak Gung of Naam Bin Chyn, is attributed by Tanaka to the Hoklo residents. Tanaka also points out that the Fuk-Wai-Chiu members of the organizing committee were alone responsible for a special part of the festival, that is, the performance of Wai Chau and Chiu Chau operas.\n\n8 Piu-sik are usually carried on frames at a height far above that of the audience in a parade. Because of the rain during the procession this time they stood in a lorry instead.\n\nAbout half of the gods sacrificed to in the Tin Hau Festival, including the Fuk-Wai-Chiu deity mentioned above, were not found among the spirit tablets in the jiu festival.\n\n10 \"Picking green\". In this case the two lions competed in capturing a bank note hanging near the entrance to the house.\n\nGlossary\n\nChoi Paak Lai 蔡伯勵\n\nchoi-cheng 採靑\n\nDai Wong (Ye) 大王(爺)\n\nba-wong-dei 霸王地\n\nChiu Chau 潮洲\n\nbaai-chaam 拜懺\n\nBaak Mou Seung 白無常\n\nBaak-gung 伯公\n\nBak Dai 北帝\n\nBao'an 寶安\n\nbui 杯\n\nbin-ngaak 匾額\n\nChai Wan 柴灣\n\nChan Wa 陳華\n\nCheung Chau 長洲\n\nDaai Si (Wong) 大士(王)\n\ndaai-gat 大吉\n\ndiu-lau 碉樓\n\nDongguan 東莞\n\nfa-laam 花籃\n\nfa-paai 花牌\n\nFaaigou jeungdaai ...", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211654, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 69, "title": "RAS-1989", "content_text": "44\n\nCommander of the Main Army [ff]) and the Yu Ying Kung share the sanctified premises and all offerings. The stalls in front of the temple sell 'gold paper' for the Wang Yeh and 'silver paper' for the Yu Ying Kung together in one bundle. Worshippers have to pay their respects at both temples or their prayers will not be answered. These are special characteristics of this temple.\n\nThe temple was completed in 1824 and Wang Te-lu (E), an Escort to the Crown Prince and a native of Taiwan, went to Nan K’un Shen to pay his respects to the Wang Yeh. It was generally believed at that time that such deities are incarnated officials and are feared by demons. The way to test whether a deity is a genuine incarnation or not is for a living high official to kick the effigy of the god and if it is a demon in disguise then the effigy will fall over. Wang Te-lu kicked an image of one of the Five Wang Yeh with his boot but the image did not budge.\n\nThe Yu Ying Kung is known in this temple as The Lord of the Myriad Kindnesses (Wan Shan Yeh). He is also referred to colloquially as the Infant Duke (FA).\n\nAccording to legend, one of the Five Wang Yeh of Nan K'un Shen in 1820 made a tour of inspection to the north of their area and encountered the local magistrate also on tour, in what is now Chia I. Neither would give away to the other and a dangerous confrontation took place. A nearby illiterate farmer suddenly had supernatural powers and wrote in the soil with his hoe, \"Representing Heaven in order to deal with both the Yin and Yang worlds. Hope that the bad government will change for the better\". The magistrate seeing these words hurriedly gave way. The local Prefect heard of the incident and decided that he would like to test the power and genuineness of the Wang Yeh. By coincidence the Wang Yeh was on his way to Tainan, where the Prefect had his Yamen, in the course of his inspection tour. So the Prefect ordered his men to tie an effigy of the Wang Yeh on the altar to a large tree stump and announced that if the effigy was unable to free itself from the tree stump then he, the Prefect would chop the effigy up for firewood. Nothing happened for two days and then, on the third day at midday two large black dogs appeared, jumped on to the shrine and tore away the large tree stump. The Prefect was very impressed and pledged that he would go each year to the shrine to worship before the Wang Yeh.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211931, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 346, "title": "RAS-1989", "content_text": "321\n\nThese accusations were made at the county magistracy. The Kam Tin Dangs got news of the accusation and arranged that all their young men gathered in the various ancestral halls and temples to read, so as to deceive the investigators from the county government. The county magistrate was deceived, and believed that the Kam Tin Dangs were all scholars and would not give any time to the accusation. Therefore he did not pursue the case any further.\n\nSome of the Dangs believe that the fighting between the people of Kam Tin and those of Pat Heung was over agricultural resources such as irrigation water. The Dangs of Kam Tin used only one bei reservoir, the one called Fui Sha bei. The water flowed from Pat Heung, near Lin Fa Tei, and the Pat Heung people could stop the water. One recent (about 100 years ago) example of a dispute over agricultural resources was the Ngau Wong Wui association which had been started to organize the cowherds of Kam Tin, to protect them against their Pat Heung counterparts, and to preserve Kam Tin pasture rights.\n\nOne piece of documentary evidence of the conflict between the Dangs and their Pat Heung tenants has survived. It is a stone inscription dated 1777 found in both the Daai-Wong Temple of Yuen Long Old Market and the Jau and Wong Temple of Kam Tin. It records a rent dispute.\n\nFive Dangs are named as the landlords in this inscription. In general terms, the document calls the landlords \"the Dang surname\", and the land \"the land of the clan\". It is therefore clear that the landlords were all from the same lineage and the property was considered as linked to the lineage as a whole albeit it was probably individually owned. Four of the five names can be found in various documents from Kam Tin. All four appear in a silk embroidery presented to a Dang of Kam Tin to celebrate his birthday in 1771. We have more specific information about two of them: one, Dang Si-Daan, was a descendant of Yam's second son Gwong-Yu, and the other, Dang Chung, is a descendant of one of the other sons of Hung-Yi, most probably Gyun. It is therefore clear that one of the parties to the dispute were many of the Dangs of Kam Tin, including members of different branches and represented in general terms the Dang lineage.\n\nA few names are also given of the tenants. There were about the same number of Dangs and non-Dangs among them. While the landlords were referred to as members of a lineage, the tenants were referred to as", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211932, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 347, "title": "RAS-1989", "content_text": "322\n\nmembers of several neighbouring villages. Among the seven named, two have been identified by Cheng (n.d.) in ancestral tablets of Lin Fa Tei [Fung Yuk-Daan] and Yuen Kong [Leung Gwan-Daat], both of Pat Heung.\n\nThe dispute was over the size of the measure for the rent rice. The inscription mentioned an earlier case of 1726 when some tenants accused the landlords of using a larger measure than that which was agreed. As a result of that earlier case, the authorities had ascertained the actual volume of the original measures and issued some standard measures. From then on there had been no more dispute until the 1777 case. According to the inscription, some of the tenants instigated those of the other heungs to take the case to the county magistrate. Meanwhile they fraudulently forged some measures in order to pay less than the agreed rent. The authorities applied the same method as in the previous case: they declared a standard conversion ratio for the different measures. They also decided to punish the tenants who had started the case and had forged the measures, as well as an outsider who had involved himself in helping the tenants. The punishment was waived in consequence of a general royal pardon.\n\n20\n\nA document dated 1873 suggests that the hostility between the Kam Tin Dangs and the Pat Heung villagers continued to that time. Some Dangs of Kam Tin, including Dang Ting-sam, who, as we have seen, had been involved in disputes between the Dangs and outsiders, made a formal complaint against five people among whom the names of two appear in the 1886 and 1861 stone inscriptions for repair/rebuilding of the Pat Heung Temple. The complaint was against a Leung of Pat Heung. The Dangs had found that their ancestral grave (which was over 200 years old) had been damaged but had failed to find the evil-doer. On Ching Ming festival of that year a named Dang went to worship at the grave with his younger brothers and nephews. For no reason at all, the accused, Leung, ordered his people to cause further damage to the grave. In the document the Dangs demanded that the accused repair the grave on a suitable day. If he should fail to do so, the Dangs threatened to take further action.\n\nB. Shap Pat Heung\n\nHostility between the Dangs of Kam Tin and the Shap Pat Heung villages, especially those around the old market, is still evident today.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211947, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 362, "title": "RAS-1989", "content_text": "337\n\nThe Jau and Wong Temple also used to house spirit tablets to \"heroes\". The tablets (three in total, without names) were moved to the Yau-Leun Tong from the side altar in the temple about 50 years ago because they were siu-yan (“small people”), and it was unseemly to house them in the same temple as the two great men (daai-yan). As mentioned before, villagers agreed that the “heroes” were those who had died in fighting (da-saat) between Kam Tin and its enemies.\n\nKam Tin has quite a number of other temples. There are the Man-Cheung Temple and Hung-Sing Temple in Shui Tau, and the Tin-Hau Temple in Shui Mei. Many of the other villages, e.g. Kam Hing Wai, Tai Hong Wai, Kat Hing Wai, Tsi Tong Tsuen, and Wing Lung Wai, which do not have “standard” temples, have a san-teng, a house with an altar for a spirit tablet for about ten popular temple gods. The gods of some of the vanished temples, which include a Yeung-Hau Temple and a Bou-Dak Chi in Shui Mei, and the Hung-Fan Taam Temple of Shui Tau, are still worshipped in the jiu festival, as are the gods of two nunneries, in Shui Mei and Tai Hong Wai respectively, which no longer exist.\n\nThese temples and nunneries hold tablets or images of some 20 different gods, if we are to include the Earth God for temples, and Wai-To for Buddhist establishments. The other 18 include the popular temple gods Yeung-Hau, Tin-Hau, Bak-Dai, Man-Cheung, Gwun-Yam, Gwaan-Dai, Hung-Sing, the God of Wealth, Gam-Fa, Taai-Seui, the Dragon King, and the Buddha. The Bou-Dak Chi housed spirit tablets for Jau and Wong. There is not much information about this other temple dedicated to Jau and Wong, but it was worshipped probably only by the villagers of Shui Tau, where it was situated.\n\nFui-Sing, and Fa-Gung Fa-Mou are probably respectively responsible for success in imperial examinations and the health of children. Hoi-Saan Suk-Lou is a title found in some other local temples as well, and represents the earliest settlers of the place. Hong-Wong is a title that I have not seen elsewhere in the New Territories.\n\nThe titles of localized gods found in most of the Kam Tin villages include the God of Earth and Grain, the Water God of wells, and the Earth God for the gates of the walled villages. There are, in some of the villages, a Tree God and Earth Gods for bridges and for the gate to a complex of houses. In addition, there are Ngau-Wong and Pun-Gu,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212389, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 331, "title": "RAS-1990", "content_text": "308\n\nThe Dance is performed on three evenings. The official invited to officiate on the first evening is an officer of the civil authority (Man), whilst the official on the second evening is an officer of the military authority (Mo), represented by the Royal Hong Kong Police. The third evening is regarded as the Village's own celebration.\n\nThe Dragon is 220 feet long and has a team of 120 dancers. It consists of the head, body (32 segments), and tail and is preceded by two dancing Dragon Pearls (Lung Chu) whose purpose is to attract the Dragon forward. It is accompanied by a drum and clashing cymbals, as well as by banners and costumed children carrying lanterns. The dragon itself is composed of grass, the head being on a cane base, and it is liberally stuffed with burning incense sticks; the throwing of firecrackers ended with the 1967 ban on fireworks. The grass is 'pearl' grass, obtained these days from the New Territories. Incense sticks from the Dragon are taken home by the dancers to worship their Tai Hang ancestors who have previously taken part in the Dance. Dragon cakes from the Temple are taken home on the third day for the same purpose. The Dance ceremony starts with the decoration of the Dragon and its stuffing with incense sticks and continues throughout the evening through the streets of Tai Hang. At the end of the three days of celebrations the Dragon is thrown into the waters of the harbour.\n\nChinese Dragons are the essence of the Yang, or male, principle, and the Tai Hang Fire Dragon is no exception. Until recent years female participation was limited to the cutting of grass. Ladies were not allowed to touch the Dragon and they were not admitted during the Dragon's visit to the Lin Fa Kung Temple (sited to the east of Wun Sha Street and dedicated to Kwun Yum). Pregnant women with two daughters and no sons were, however, allowed to pass under the Dragon, with the intention of the birth of a son.\n\nThe Royal Asiatic Society of Hong Kong is grateful for the assistance given with this visit and in the preparation of these notes by Mr Ho Choi-Chiu, Chairman of the Tai Hang Residents Welfare Association, and by Mr Chan Tak-Fai, of the Association's Dance Organising Committee.\n\nGEOFFREY ROPER", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213615, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 211, "title": "RAS-1995", "content_text": "184\n\nfrom China, whose image has not been noted during my travels around Chinese temples in South-east Asia nor in Taiwan, and almost certainly Hokkien as the main deity, the Third Prince Nazha, and the other deities in the original village temple included Fa-zhu Gong, Sun the Monkey deity and several unnamed pestilence Wangye.\n\nAn elderly carver in Singapore told me during the early 1960s that he knew nothing about the deity apart from having drawn a sketch for his personal records a year or so earlier. The deity is portrayed as a dishevelled fierce male, sitting, dressed in armour covered by a long red robe. He has bare feet, round staring eyes, and unkempt hair and beard. His skin is chocolate brown apart from the shaven or bald front half of his head and his cheeks which are decorated with white and coloured stripes of red and green. Such markings are very uncommon. Similar ones, typical of the painted faces of opera characters, have been noted on Fukienese pestilence Wangye and on minor warriors, escorts to major deities.\n\nSo, apart from his title and his possible ethnic group, Hokkien, we do not know his legend and background, nor do we know why or for what he was revered.\n\nHowever, now that his image has reappeared on an altar, in Tampenis New Town, who knows what might happen. It is not impossible for a miracle, revealed perhaps in a dream or trance, to be attributed to Qixing Dadi and for the cult to take on a new direction and life.", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 214355, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 213, "title": "RAS-1998", "content_text": "178\n\namends. King Wu also held an audience at which he announced that certain Daoists and generals who had bravely fought and died should be regarded as heroes and revered as such. At that point a number of Daoist mythological heroes stepped forward and declared that as they were uncultured, having lived in the mountains and countryside, they now wished to return to report to their masters. They added that they were unable to accept honours or rewards as they had simply followed the orders of their masters. All seven left the Court, and the following day after a feast, they were reluctantly permitted to leave by King Wu.\n\nMy daughter, a friend and I during a visit to Song Shan in Henan province, one of the Daoist holy mountains, came across a large modern temple which, as we approached its entrance, looked real enough until we came to enter it. There were several young women in a uniform of sorts knocking a badminton cock around to while away the hours and, of all things, a turnstile. We then saw the name of the temple was Fengshen Gong, the Palace of the Investiture of the Gods, and entered wide-eyed wondering what could possibly be inside.\n\nOnce inside we were taken by our guide down a short corridor and out into what proved to be a massive wax-works, images of scenes from the Fengshen Yanyi as well as images of the major local deity, the Lord of Zhong Yüeh, the Lord of the Central Peak [Song Shan]. The exhibition, we were informed, had been built by the Tourist Board of the local city, Deng Feng, for Chinese visitors. Well over 200 images, mostly static but with some dozen or so automatons, lined the winding path leading through the large exhibition hall. With a not too subtle gesture our guide switched each on and off until, apparently bored by her foreign guests who spent quite some time at each exhibit, she abandoned us and returned to her badminton. The place was deserted apart from four small boys who were delighted to be alone with us and took enormous pleasure in switching on and off the various exhibits for our benefit without any guide being there to chastise them.\n\nScenes included the wicked Zhou Wang ascending his throne; Na Zha, the Third Prince, Causing Trouble with the Dragon King; Duke Fa [King Wu] subjugating Zhou Wang; the Terrace of the Investiture on which Jiang Ziya is reading out the decree canonising the heroes, and the Five Sacred Ones returning to Heaven. Several of the automated exhibits had the small boys in fits of giggles; one in particular", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 214, "title": "RAS-1998", "content_text": "179\n\nwas the decapitation of a Fox Fairy, possibly the wicked King's concubine, Dan Ji. In legend the spirit of a fox inhabits the body of a beautiful young woman who then bewitches and captivates men. When killed such woman immediately revert to their fox body origins. In the exhibit the young woman is standing and as the sword descends her head rolls off and rolls about on the floor before immediately reverting to its original position on her body. The boys were only too delighted to press the button to cause the head to roll again and again. Another was the birth of the Third Prince out of his caul. In legend he is born an apparent monster but after a swift slash with a sword the caul opens and the child emerges. Once more the boys played this for us several times.\n\nThis was possibly not the most ideal way to be introduced to the Fengshen Yanyi. A year or so earlier my daughter and I heard of the small temple dedicated to Zhou Gong, located at the foot of Phoenix Mountain in a rural area north of Qi Shan in Shaanxi province. We drove there to find in the main hall of a memorial temple, which had just been renovated, an image of Jiang Ziya flanked by two mythological deities, Na Zha and Yang Jian [see Note 8]. The first of the two, is a seven year old youth who caused havoc in Heaven and, better known as the Third Prince. He is nowadays the primary guardian of temple altars in Taiwan where his image stands on the altar table before the main altar. His is a traditional story tracing the age-old conflict between generations, and conflict of power and responsibility. Yang Jian has certain magic powers, which he used during the conflict but is also regarded as a potent deity who protects against demonic attack. He is often referred to as Er Lang, and he and his small dog are to be seen in a number of temples and in many he is regarded as the patron deity of dogs. The murals across the whole of the main hall's side walls depict episodes from the Fengshen Yanyi complete with Jiang Ziya first mobilising the deities of heaven to help the Duke Fa, and finally, the scene of the Investiture itself on the Terrace of the Investiture.\n\n10\n\nA number of temples in the central-west of China used to contain large gilded 'mountains', carved structures representing a mountain with crags and caves on which were superimposed a number of carved wooden gilded images of Daoist deities. The vast majority of these were also characters from the Fengshen Yanyi.11", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214550, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 408, "title": "RAS-1998", "content_text": "377\n\ntranslated into Italian, then into French. It was the undated French version that we saw. It had been written, possibly in Macau, on the instructions of the Pope and described the persecution of priests. There was also a massive hand-written \"Tartare-Mantchou French dictionary” 1st edition, Paris 1789, in 3 volumes. Another interesting book was \"Dr Fryer's Travels: A new account of East India and Persia in eight letters, being nine years travels\" by John Fryer MD (Cantab) and Fellow of the Royal Society, published in 1898.\n\nThe more linguistically accomplished of our members interpreted these works for the benefit of all and there was much erudite discussion. This was the Society at its best and we could have spent many more hours, even days, delving into this fascinating collection. [Illustration Two].\n\nOn Saturday afternoon we drove out to Fa Hai (Sea of Dharma) Temple, in the distant western suburbs at the southern foot of Cuiwei Mountain. The temple was begun in 1439 during the Ming Dynasty (1368-1644) with funds raised by Li Tong, a favourite eunuch of the Emperor. It was completed in 1443 and named by Emperor Ying Zhong. The most outstanding features are the frescoes, which completely fill the walls of the main, Mahavira, hall. These reflect a relatively pure Buddhism without Taoist depiction. They are of Buddhas, Avalokiteshvara (Kuan Yin) and the three other bodhisattvas, devas, wonderful animals, auspicious clouds, flowers and realistic landscapes. There are five Buddhas on either side with the 10 Buddhas together representing the full power of Buddhism, and possibly also the idea of east and west. The colours are subtle and not too faded (although the viewing of a colour-enhanced video prior to touring the Temple helped our appreciation). In the temple grounds are unusual pine trees with silver-white bark; ancient trees, said to resemble dragons, and a bell engraved in Chinese characters expressing Sanskrit teachings. The auspicious clouds inside were matched outside, for misty rain added to the atmosphere of the temple, set in the mountainside woods.\n\nOn Easter Sunday we were up very early to go to the oldest Christian church in Beijing - the Cathedral of Immaculate Conception of Blessed Mary, on Qianmen Avenue. This is also known as Nan t'ang, or South Church. The Emperor bestowed on Matteo Ricci the lands and funds to build the church near the then Calendrical Bureau inside", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214552, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 410, "title": "RAS-1998", "content_text": "379\n\nmeeting place where candidates from the two provinces could stay while attending imperial examinations. An opera hall was added in 1830 and it became a centre for Beijing opera masters including Mei Lanfang. The hall was restored in 1992 and the site also houses a small opera museum. We watched a very lively performance of excerpts from famous Beijing Operas, the highlight of which was the Monkey King in Journey to the West defeating a rapid succession of opponents through brilliant acrobatics and martial arts.\n\nOn Monday, our final day, we visited the former Legation Quarter, now called Dong Jiao Min Xiang. This quarter had long been the place where tributary visitors, such as Mongols, Tibetans and Vietnamese stayed, and during late Qing times became a virtual \"state within a state\".\n\nDr Ting guided us on a walk which began at St Michael's Church, in Taijichang Street (formerly known as Rue Marco Polo) and built by French Vincentians in 1901. Inside the church is simple and modest with some of its services still conducted in Latin. We went on past the sites of the Russian Embassy and the former British Embassy, as well as the present Beijing Municipal Government offices, the Supreme People's Court and the Beijing Public Security Bureau. There still exists one interesting road sign, Rue Hart, named after the famous founder of the Imperial Maritime Customs, Sir Robert Hart.\n\nOur visit to Beijing ended with a brief look at the antique market Liulichang (Glazed Tile Factory) an area named after a pottery which, in Ming times, produced tiles for the roofs of the Forbidden City. It had been famous for centuries for its old book shops, pictures, rubbings, jewellery, bronzes and porcelain and for some years now it has been revived as an antique market, (but one has to bargain very hard to get a good price).\n\nWe returned to Hong Kong on Easter Monday afternoon having visited a capital undergoing both revival and development, with room for both Matteo Ricci and Nina Ricci, for both the study of history and plans for a future based on past experience; and for both the tranquillity of the Fa Hai Temple and the boisterous artistry of the Monkey King. We look forward to further insights in Qingdao during Easter 1999.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215406, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 183, "title": "RAS-2001", "content_text": "132\n\nof the façade as part of broader surveys on the church of St. Paul's or the architecture of the Jesuits in China and, regretfully, not much new has been added to this particular question.\n\nIn order to make clearer certain developments related to the façade of St. Paul's, a limited number of churches and altarpieces in Spain and in Portuguese India will be discussed. But because of limitations of time, any detailed references to the ground plans, elevations, and dimensions of St. Paul's or any of these structures or buildings will be left out. It is mainly the façades of buildings as they relate to the main topic that are of greater importance here. Besides these analogies, I will further explore some relevant questions on the development of Jesuit buildings in India first expressed in an article written several years ago.\n\nThe Church of St. Paul's, Macao\n\nWhat once was the Jesuit Church of Madre de Deus, or St. Paul's, is today merely a church front, some 70 feet high, with narrow sections of aisle-walls holding it up at either side at the back. This seventeenth-century ruin is the only remnant of a catastrophic 1835 fire, which destroyed the entire complex of educational and residential buildings of which it was part (Fig. 1).\n\nThe impression that it makes today, when it is mainly admired as a relic of a bygone age, is quite different from that which it made to visitors over three and a half centuries ago. At that time, the church stood in full visible splendour on a hill near the city walls, facing the Portuguese city below and the open sea beyond. Ironically, a fire in November of 1600 had destroyed a previous church, which led to the construction of the church of Madre de Deus, the one that in time became the most splendid Christian temple in a transitional Early Baroque style ever to have been built in China. Seventeenth-century visitors marvelled at what was then the new church of a university college, started two years after the November fire and at the time only recently completed with the addition of a brand new façade.\n\nThis added structure was an amazing showcase of artistic and social co-operation. Artists of East and West had created it. The Portuguese rectors had supported it. The wealthy citizens of Macao had financed it.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215430, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 207, "title": "RAS-2001", "content_text": "156\n\nPopular Jesuit devotional manuals of the times prove useful. A good example is a 1617 book of poetry that was quickly disseminated after its author's death. The Officium parvum Immaculata Conceptionis, or Small Office, by the Spanish Jesuit St. Alfonso Rodriguez intersperses a brilliant cluster of Marian symbols amongst its prayers. Besides the Fountain, the Spotless Mirror, the Enclosed Garden and the Cypress, the Small Office also sings the praises of the Palm tree, the New Star of Jacob, the Eastern Door of the Temple of Jerusalem, the Port of Shipwrecks and others. Thus, the closed door underneath the decorative pyramid topped by a globe seen on the farthest right-hand bay of the façade can be equated to Rodriguez's porta orientalis of the Temple of Jerusalem, taken from Ezekiel, which remained ever closed after the Lord Yahweh had passed through it.\n\nOther carved symbols can be deciphered with other contemporary texts. For instance, one of the three left bay reliefs carved on the base of the third storey shows the seven-branched candlestick of the Jewish Tabernacle. Here it is reasonable to infer that this is a literary conceit typical of much of sixteenth century Mannerist literature in Europe. Thus, through allusion Mary's immaculate earthly body has been likened to a tabernacle and related to the Eucharistic mystery. This is because Mary carried the baby Jesus in her womb in the same way that the consecrated host is housed in a tabernacle, a cryptic simile known from Counter-Reformation religious literature.”\n\nSuch an interpretation is further confirmed by the reliefs decorating the section of the base of the third storey below the two adjoining bays, as well as the left volute. They show a stylised vine and a small monstrance amid branches with berries.\n\nThese reliefs correspond to the flowering plants that adorn the mirror on the right. Like the flowered pedestals of the columns, these plants seem to be more decorative than symbolic, depicting specimens of Chinese or Japanese flora in which Far Eastern artists have been encouraged to integrate more traditional painterly images with images of Western origin. As is the case with the gargoyles in the form of Chinese lions, they attest to the significant role played by Chinese and Japanese artists in the design and execution of the decoration of the church.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216041, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 340, "title": "RAS-2002", "content_text": "274\n\nThere also used to be an early Buddhist shrine dedicated to the former abbot of renown, Fa Hai, concealed in a cave on the hillock. In recent times the few foreign tourists visiting Zhenjiang have been perplexed by the description of Jin Shan being an island when it is so obviously part of the mainland. The reason is all too obvious. Alluvial silt left by the Yangzi floods down the past hundred and fifty years has not only completely joined the island to the mainland but also reclaimed part of the River, land now used for agriculture. 19th century western accounts of the town usually tended to begin with a description of the view from the Yangzi of the pagoda of the temple on the island of Jin Shan or, during the storming of the town by British forces in 1842, of troops being disembarked on the mainland across the strip of water at that time still separating Jin Shan from the mainland.\n\nAccording to Doré's description of the Jin Shan temple following his visit during the early days of the twentieth century, \"the visitor was confronted on entering with the Falstaffian figure of the Buddha Maitreya [Mile Fo], the Buddha of the Future, squatting in his turret as guardian of the precincts. Behind him opens out a vast vestibule at the sides of which are four gigantic statues - about fifteen feet in height - of the Four Heavenly Kings, Si Da Jingang, inner guardians of the monks and the monastery. Crossing the inner court, one entered the great Hall. On the altar were two Buddhist triads. Facing North are gigantic statues of Sakyamuni, Yao Shi Fo and Mile Fo, the Buddhas of the Present, Past and Future. Beside Sakyamuni in the centre, stand his two disciples, the old Kasyapa and the young Ananda. Right and left of the altar are the two guardians Li, the Pagoda-bearer and Wei Tuo. Facing South is the Triad San Da Shi: Guan Yin, Wen Shu and Pu Xian. Guan Yin rides over the waves on a sea monster; near by are the rocks of her sacred isle, Pu Tuo and, in between these, sundry immortals and Buddhas were housed. The Golden Boy, Shan Cai and the Naga Maiden, Long Nu are conventionally in attendance on Guan Yin whom the authorities in the temple recognise as formerly having been a god - not a goddess\".\n\nThe second large Hall was the Hall of the Yangzi Spirit, Jiang Shen [Spirit of the River]. Serving as a military barracks at the time of Doré's visit “it retained of its former glories only one ordinary-sized statue of the god, in a lateral niche, viz. a fish about three metres in length carved in wood with a copper plaque providing the honorific", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216326, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 85, "title": "RAS-2003", "content_text": "34\n\nthe City, it had long been associated with the Old China Trade.\n\nIt was one of the places approved for recreational visits by the foreign merchants in the Factories, under long-standing regulations imposed by the Chinese authorities which had otherwise confined them to their own residences save on certain days of the month and to certain places\n\n20\n\nR\n\nThese locations included the famous Honam Temple, the Sea Banner Monastery, which dated from around 1600 and was one of the most celebrated temples of Canton. There was also a suburb named Fa Tei (Flower Ground), where several of the Co-hong merchants had homes and extensive gardens.21\n\nThe people in contact with foreigners\n\nThese comprised a wide range, from Manchu and Chinese high officials and their entourages, to the Canton-domiciled merchants of the Co-hong through whom the foreign merchants had to transact their business, and the many minor functionaries and underlings of civil office who were mostly locals, as well as the boat people, a race apart, who supplied essential transportation services and pilots. Most of the naval and military forces also comprised natives of the province.\n\nI shall first say something in general about the Cantonese, and then the boat people, who, between them, constituted the great majority of the persons with whom the foreigners came into contact, in the course of time spent in Canton and the Delta.\n\nThe Cantonese\n\nThe Cantonese were the principal inhabitants of Canton and indeed the province. They are to be distinguished from the Hakka and other long-established residents. They style themselves \"men of Tang,\" as opposed to \"men of Han\" on account of their having come into the South during that dynasty.22\n\nThis self-identification brings out the differences between the local inhabitants of north and south China, reminding us, also, of the well-known antipathies between the two groups and of the disparaging", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]