[
    {
        "id": 208291,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 15,
        "title": "RAS-1978",
        "content_text": "CONTENTS\n\nEDITORIAL -\n\nPRESIDENT'S REPORT -\n\nHON. TREASURER'S REPORT -\n\nTHE LIBRARY -\n\nPage\n\n1\n\n3\n\n9\n\n12\n\nArticles :\n\nThe Reform of Military Education in Late Ch'ing China, 1842-1895 -- RICHARD J. SMITH\n\n15\n\n41\n\nAltar Images from Hunan and Kiangsi KEITH STEVENS Is Face the Same as Li? — A critical note on Agassi and Jarvie, 'A Study in Westernization' MARGARET N. NG\n\n49\n\n0 Ancestors in the Spring -- The Qingming Festival in Central China GÖRAN AJMER\n\n-\n\n59\n\n(83\n\nThe Politicization of Chinese Craft Organization in Post World War II Hong Kong - EUGENE COOPER Shiwan Pottery Explored-FREDRIKKe Skinsnes ScollaRD\n\n101\n\nVillage Government in China [1933]—C. MARTIN WILBUR\n\n113\n\nWoodblock Printing, an Essential Medium of Culture Inheritance in Chinese History — DAVID H. S. CHAU\n\n175\n\nNOTES AND QUERIES:\n\n=\n\n国\n\n-\n\nMissing Maps: Sowerby's \"Sport & Science on the Sino-Mongolian Frontier\" - H. A. RYDINGS Brook's Gecko Found in Macau - J. D. ROMER Mud Skis or Scooter, Deep Bay, Hong Kong The Saintly Guo- KEITH STEVENS - The Immortal Fan - KEITH STEVENS\n\nAncestral Images - KEITH STEVENS StevENS Marble Hall Peter Wesley-Smith Distribution of Forts and Guard Stations on Lantau Island during the late Ch'ing period -\n\nThe Cannons on the Wall of the Tung Chung Fort, Lantau Island, Hong Kong\n\n-\n\nThe Fat Tong Mun Fort (or the Tung Lung Fort)\n\n-\n\n- 190\n\n191\n\n·\n\n-\n\n· 192\n\n-\n\n- 193\n\n-\n\nANTHONY K. K. SIU\n\nFirst Record of the Pelobatid Frog-J. D. ROMER Two Bibliographical Notices JAMES HAYES\n\nBOOK REVIEWS\n\n-\n\n-\n\n- 198\n\n200\n\n- 202\n\n205\n\n607 (09\n\n- 211\n\n- 213\n\n214\n\nV\n\nPage 15\n\nPage 16",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    {
        "id": 208394,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 118,
        "title": "RAS-1978",
        "content_text": "GUANGXI\n\nYangjiang\n\nGUANGDONG\n\nGuangzhou\n\nNANHAI XIAN\n\nGuangzhou\n\nSha\n\nFushan\n\nwan\n\nHong Kong\n\nArea of larger map\n\nYANGJIANG\n\nXIAN\n\nHISTORIC SHIWAN SITES\n\nDONGGUAN XIAN\n\nJishi\n\nHONG KONG\n\nFUSHAN\n\nShiwan\n\nansh\n\nXiqiao\n\nAreas of recent excavation\n\nFigure 1. Map showing historic Shiwan sites. Insert showing areas of recent excavation is based on a map published in Wen Wu by Chen Zhiliang (***) (see Reference 2).\n\n102\n\nFREDRIKKE S. SCOLLARD",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208396,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 120,
        "title": "RAS-1978",
        "content_text": "104\n\nFREDRIKKE S. SCOLLARD\n\nArchaeological excavations to date have failed to uncover any flambe wares in Yangjiang Xian of the above-described type. In 1955, excavations instead indicated that pottery produced in Yangjiang Xian in the Song period (A.D. 960-1279), belonged to the green celadon tradition. Furthermore, even more recent discoveries in the vicinity of Shiwan town in Nanhai Xian at a location called Ji Shi (†), Northern Song (A.D. 960-1127) “dragon kilns” (i.e. sloping tunnel-like kilns) are found built on top of earlier Tang dynasty (A.D. 618-906) \"mantou kilns” (i.e. round bun-shaped kilns). (Figures 1 & 2.) In association with the Northern Song kilns have been discovered shards with an early type of blue flambe glaze. As the date of these shards is much earlier than the Southern migration of the Honan potters in the Southern Song period, the discoveries raise the possibility that this blue flambe glaze was an indigenous development and not stimulated by influx of Northern potters and techniques. Combined with the earlier excavation in Yangjiang Xian, where no flambe glaze of the Song period was found, archaeologists in Guangdong now seriously question the historical connection of Shiwan village in Yangjiang Xian with the present Shiwan village in Nanhai Xian.\n\nIn addition to the above discoveries, archaeological finds reveal a succession of kilns from the Tang site of Ji Shi (*) to the present day village of Shiwan as, over the centuries, the potters moved down the river closer and closer to Fushan municipality (†) which by the Ming and Qing periods (A.D. 1368-1912) had developed into an important commercial and handicraft centre.\n\nAs it developed, Fushan was no elite or scholastic art centre, but rather an unpretentious city of craftsmen with the pervasive idea that beautiful things could be made from waste materials. The town is said at one time to have had a population of over 300,000 which supported over 240 different types of business. The artists were famed for their skill in turning commonplace and useless materials into godlike creations. Clay and papier mache were moulded to look like old pottery, copper and jade; sesame seeds created figurines; silkworm cocoons made decorative flowers and grass. Every year at the time of the autumn festival, a competition was held in Fushan in which people vied to make the best \"autumn colours\" (i.e. paper handicrafts), not for the purpose of gaining fame or making money, but rather simply for the enjoyment of the people.*\n\nPage 120\n\nPage 121",
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    {
        "id": 208398,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 122,
        "title": "RAS-1978",
        "content_text": "106\n\nFREDRIKKE S. SCOLLARD\n\nnone of the human warmth characteristic of Shiwan sculpture. (Plate 18).\n\nWith familiarity, this very human art then becomes so charismatic that it is often referred to as loveable. The sentiment was well expressed by one of the potters of the Republican period who styled himself “Liang Zui Shi” (#45) (literally Liang drunken rock). Literally translated, Shiwan means \"rock bay\". As Liang's son explained, the style actually referred to the fact that his father was \"drunk\" with “Shi” wan.\n\nIn addition to its handicraft art, in the Qing period Fushan was also the pivot centre for Cantonese opera. Every year between autumn and summer, opera companies from all over the province would come to Fushan to hold auditions. This activity involved the whole community and especially the Shiwan potters who drew material from it for their iconography and figure sculpture, and who in their long rooftop friezes preserved and immortalized this evanescent drama which was so much a part of their lives. (Plate 15).\n\nAccording to Fushan archaeologist Mr. Chen Zhiliang (陈志亮), these ceramic rooftop friezes had two meanings. On the one hand the gala opera scenes such as Jiang Tai Gong deifying the gods (姜太公封神), and Guo Ze Yi celebrating his birthday (郭子仪庆寿), unfolding on the rooftops were auspicious symbols. On the other hand they disguised the anti-Manchu sentiments of \"overthrowing the Qing and restoring the Ming\" (†). In his short history of Guangdong opera, one of Mai Xiaoxia's major thrusts is to reconstruct scattered evidence in emphasizing the opera's role, and especially that of the Guangdong branch, as a disseminator of revolutionary thought. With the fall of the Ming and the advent of the Qing dynasty, heads were shaved, dress and language changed, and the civil service examination system was proclaimed open. But actors and actresses were despised as people of the lower nine grades of society and were prohibited from taking the examinations. Mai describes the opera as being the one loophole in one hundred prohibitions in which everywhere was hidden significance of national revolution. Ming costumes were preserved, except for non-Manchu enemy barbarians who were dressed in Manchu clothing; themes of Song loyalists such as the Yang Family Generals were common. One thousand pieces, Mai says, shared",
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    {
        "id": 208400,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 124,
        "title": "RAS-1978",
        "content_text": "108\n\nFREDRIKKE S. SCOLLARD\n\nnative Ming dynasty while under barbarian Qing rule, close scrutiny reveals the presence of two men in European dress—a strange phenomena in a Song dynasty setting. According to the curator, this scene refers to an incident involving French aggression in the Fushan area. (Plate 19).\n\nA similar incident involving skirmishes between troops led by British Consul Harry Parkes and residents of Fushan led the Shiwan potters to create pottery urinals and pillows out of the likeness of Harry Parkes. Most of these were destroyed by British order, but in 1942 one was discovered and put on exhibition, attracting much attention.13 (Plate 20).\n\nWhile I was contemplating these earlier evidences of cross-cultural interaction in Shiwan, it seemed of great significance to the town members that I was the first foreigner to be driven around the entire town. This heightened my own sense of exploration. The town itself evidences stark contrast between modern construction and underdevelopment, panoramically revealed from the observation deck on top of the new five-story \"Pottery Capital Restaurant.\" To the northwest are seen a heavy concentration of pre-1949 red brick residential houses, some prominently displaying roofs with \"ears\" which used to indicate the residences of wealthier families. The background is dominated by shorter chimneys of the traditional \"dragon kilns\" (sloping tunnel kilns). To the southeast the contrast is striking, with new concrete residential buildings and factories under scaffolding, and the tall slender chimneys of modern continuous kilns crowding the sky. The people can clearly remember the layer of soot which previously covered the town and made houses difficult to clean, and appreciate the cleanliness of the new kilns. The town has had paved roads since 1958; to the northwest of the town a public park with an artificial lake is being built, and a new \"Pottery Capital Restaurant\" was opened in March of 1978 largely to meet the demands of increased numbers of tourists.\n\nInside the factories the differences in the rate of modernization are just as striking. While the daily utensil factories as a whole operate eight continuous kilns, Daily Utensil Factory No. III operates only four dragon kilns (one dating back to the Ming Dynasty became a protected monument in 1964). The Arts Factory, which hosts all the tourists visiting the town, includes two new and large modern buildings with a partially yellow-tiled roof. The Daily",
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    },
    {
        "id": 208402,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 126,
        "title": "RAS-1978",
        "content_text": "JİSHİ \n\nANCIENT SHİWAN KILN SİTE \n\nTANG-N. SONG (618-1127 A.D.) \n\nA 'DRAGON' KILN IS BUILT OVER THE \n\nREMAINS OF AN EARLIER MANTOU” KILN \n\nSquare Bricks \n\n21x6cm Round Bricks \n\nCLAY & SAND \n\nEXCAVATION \n\nMANY CROSS COVERED 'MANTOU' KILNS \n\nFLAMBE SHARDS \n\nFigure 2. Diagram of “dragon\" and \"mantou\" kilns at the Jishi archaeological site.\n\n110 \n\nFREDRIKKE F. SCOLLARD",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208403,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 127,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,",
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    },
    {
        "id": 208404,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 128,
        "title": "RAS-1978",
        "content_text": "112\n\nFREDRIKKE S. SCOLLARD\n\n12 Mai Xiaoxia (44), “Guangdong Xi Ju Shi Lue” (广东戏剧史略), Guangdong Wen Wu (广东文物) (1941) Vol. 8, pp. 141-185.\n\n13 Zhang Weichih (##), Guangdong Shiwan Tao Qi (广东石湾陶器), Guangdong Ren Min Chu Ban She (广东人民出版社) (1957) p. 47.\n\n14 Development and modernization in the town of Shiwan is discussed more fully in: Fredrikke Skinsnes Scollard, \"Modernization in Shekwan (*): From \"Pottery Capital\" to \"Comprehensive Pottery and Porcelain Production Base\", Conference on Modernization in China, University of Hong Kong, Centre of Asian Studies, October-November 1978. (In Press).\n\n15 Op. Cit. Ref. 10.",
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    },
    {
        "id": 208517,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 241,
        "title": "RAS-1978",
        "content_text": "Plate 11. Modern day handicraft of Fushan: painting.\n\n(Plates 11-21 by courtesy of Fredrikke Skinstes Scollard)\n\n  \n    TE\n    JJ.\n  \n\nPlate 12. Iron incense burner at the Ancestral Temple, displaying the art of ancient Fushan's metallurgic industry.",
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    },
    {
        "id": 208561,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 18,
        "title": "RAS-1979",
        "content_text": "community which was the subject of his earlier book on New Territories' emigration.\n\nIn June Dr. Rosemary Quested, Senior Lecturer in Hong Kong University's Department of History and who is completing an historical study of Russia in Manchuria, spoke on the Russian Community there from the point of view of a Slavic counterpart to foreign communities in Hong Kong and Macao. Also in June we heard from Professor Wang Gungwu, well known for his work as professor of Far Eastern History and Director of the Research School of Pacific Studies at the Australian National University, Canberra. He gave us a most original talk on \"Rhetoric and Diplomacy in Sung Dynasty China\". After a break for the summer, when we find more and more of our members are out of Hong Kong, we continued in October with a talk by Dr. David Long, Professor of American History at the University of New Hampshire and at that time Visiting Lecturer in History at Hong Kong University. He spoke on American armed intervention at Canton in 1856. In November Ms. Fredrikke Scollard injected a more cultural note into the programme with a talk, illustrated with some very fine slides, on Shekwan pottery, Ms. Scollard who is currently engaged in research on this kind of pottery from Kwangtung, spoke of her work during three weeks in Canton and Shekwan, discussing also recent archeological research in Shekwan and introducing us to some of the contemporary artists working in that area.\n\nIn January Sir Raymond Firth, Professor Emeritus of London University and a very well known social anthropologist both for his work in Oceania and his contribution to the theoretical side of the discipline, talked about the social function of personal names: their purpose in identifying people in a variety of social roles, taking examples from different cultures. Also in January, Major Oliver Lindsay, author of a recent study of Hong Kong's war years, spoke on this subject illustrating his talk with slides. February brought another kind of subject to us with a talk by Dr. Stella Thrower, research fellow in biology at the Chinese University, on \"Food for Free\" in which she surveyed edible flora and fauna of Hong Kong. Hopefully it served of some practical use as well as general interest, with our rising cost of living. To end the programme for the year, Dr. Mary Turnbull, Reader in History at Hong Kong University spoke in the earlier part of this month on a subject\n\nviii",
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