[
    {
        "id": 208972,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 134,
        "title": "RAS-1980",
        "content_text": "102\n\nJULIAN F. PAS\n\nPour forth, we beseech thee, O almighty God, thy abundant blessing on this lighted candle23 and behold, O invisible regenerator, the brightness of this night: that not only the sacrifice that is offered this night may shine by the secret mixture of thy light; but also into whatever place anything of this mysterious sanctification shall be brought, there, by the power of thy majesty, all the malicious artifices of the devil may be defeated. Through Christ our Lord. Amen.24\n\nAfter this prayer the deacon, who has changed from purple to white ritual garments, receives the consecrated Easter candle. A procession is formed and proceeds toward the church, which is now in total darkness. Upon entering the church building, the deacon sings aloud: \"The light of Christ.\" to which all present respond, kneeling: \"Thanks be to God\". Then the officiating priest lights his own candle from the blessed Easter candle. A second time, in the middle of the church, the deacon sings in a higher tone: \"The Light of Christ!\", and all the clergy present light their candles. Finally arriving in front of the altar, a third intonation of \"The light of Christ!\" is followed by the lighting of the candles of all those present. The lights in the church are also switched on. The Easter candle is then placed on a standard in the middle of the choir and after the usual ritual of incensing, the deacon, standing in front of the Easter candle, intones the beautiful hymn “Exsultet”.\n\nThis whole series of ritual acts is rich in symbolism and this has been pointed out by Christian authors. For the people attending, the symbolism provides an immediate experience in which they intuitively grasp the significance and the solemnity of the Easter events. From a critical viewpoint, however, several layers of symbolism can be discovered: the inner structure of the ritual, although overlaid with later essentially Christian meanings, points toward its ancient roots in pre-Christian times: the taking of new fire as a renewal ceremony. The first adaptation, also pre-Christian, was to see in this act a symbolical victory of the powers of light and goodness over the powers of darkness and evil. The second adaptation, made by the Christian church, was to identify light with Jesus Christ, who after having been overcome by the powers of darkness, triumphs again by his resurrection. However, since the Christian tradition has been partially grafted on the rich heritage of Judaism, it is no surprise that we find in the Easter celebration several themes reminiscent of the Jewish Passover. The texts of the Christian",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 208973,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 135,
        "title": "RAS-1980",
        "content_text": "SYMBOLISM OF THE NEW LIGHT\n\n103\n\nrituals are quite explicit in pointing out these numerous themes.\n\nDescribing the Easter candle, Abbot Guéranger says:\n\n+\n\nIt is of unusual size. It stands alone, and is of a pillar-like form. It is the symbol of Christ. Before it is lighted, it typifies the pillar of cloud, which hid the Israelites when they went forth from Egypt; under this form, it represents our Lord, lying lifeless in the tomb. When lighted, we must see in it both the pillar of fire which guided the people of God, and the glory of the risen Christ.25\n\nThe text of the Exsultet, however, is even more explicit;\n\nFor this is the Paschal feast, in which the true Lamb was slain, with whose blood the doors of the faithful are consecrated.\n\nThis is the night wherein of old thou didst bring forth our forefathers the children of Israel from Egypt, leading them dry-shod through the Red Sea. This is the night which cleansed away the darkness of sin, by the pillar of fire. This is the night which now delivers, throughout the world, the faithful of Christ from the wickedness of the world and darkness of sin, restores them to grace, and to the fellowship of sanctity. This is the night in which Christ snapped the chains of death, and rose conqueror from hell.26\n\n3. Points of Comparison and Contrast\n\nAfter studying one by one the Taoist and the Christian rituals, it is difficult to cast aside the impression of great similarity.27 Since the \"striking of new fire\" is possibly like an archetype, found in many different societies, the question of historical links between the two traditions studied here should not normally arise. There are, however, in the two traditions some characteristics that go beyond archetypal similarity and can perhaps only be explained by a process of direct influence. It is worthwhile to further analyse these analogies, even if at the end of such a study any positive conclusion remains uncertain.\n\nThe similarities which I am able to point out relate to five aspects of the 'new fire' ritual: the name, the method of striking new fire, the trinitarian formula, the light procession and the liturgical context.\n\nPage 135\n\nPage 136",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 208974,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 136,
        "title": "RAS-1980",
        "content_text": "104\n\nJULIAN F. PAS\n\n(1) The names fen-teng or chu-teng appear to have replaced an older name jan-teng which is found in older manuscripts, dating from the fifth century.28 The change of name to fen-teng appears in the later manuscripts (Sung dynasty) and must have a special reason: the name indicates the significance of the rite as a whole; a new name implies a new meaning perhaps not totally replacing the old one, but certainly emphasizing a new theme in the structure.\n\nSimilarly the name chu-teng points to a new perspective in meaning. It is not clear where this name came from, but ‘blessing’ or 'consecrating' fire-light appears to be an innovation in Taoist liturgy. The Christian parallel is very clear: 'blessing' of light, like so many other types of blessing, is a truly Christian ritual act; in the texts of the Easter candle the terms 'sanctify' and 'bless' occur several times.29 By contrast, no type of \"benediction\" or blessing is found in the Chou-Li. The idea and even the expression \"fen-teng\" is also found in the Christian ritual: during the Exsultet chanted by the deacon, this passage occurs:\n\nAnd now we perceive the glory of this pillar, which the sparkling fire lights for the honour of God. Which, (fire) though now divided (divisus in partes) suffers no loss from the communication of its light.30\n\nBefore the Easter liturgy was changed in recent times, this was the moment when the lights in the church (the lamps or candles in older times) were lit from the Easter candle: the very moment of fen-teng.\n\n(ii) The actual striking of new fire is amazingly similar in the Taoist and Christian liturgies: in contrast with the Chou Li where light was said to be taken directly from the sun with a mirror (and therefore presumably in bright daylight), the rituals here both take place in the hours of darkness. In M. Saso's description, \"striking a match\" produces the new fire:31 this, however, is certainly a modern adaptation, and since a mirror cannot be used at night, we may assume that the striking of rocks must have produced a new fire in older times.\n\nThe similarities go even further: the new fire is produced outside the temple or church building in both cases; also, the lights in temple and church are extinguished and are relit after the new fire has been taken inside.\n\n(iii) The Trinitarian formula. In the Christian liturgy, there are three successive moments of lighting a candle during the en-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 208977,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 139,
        "title": "RAS-1980",
        "content_text": "SYMBOLISM OF THE NEW LIGHT\n\nmeaning of he three Taoist rituals.\n\n107\n\nIn the Christian Easter liturgy, after the deacon has finished chanting the Exsultet, there is next a sequence of readings from the Old Testament, followed, at least since recent changes, by a renovation of the baptismal vows by all those present. Towards midnight, the solemn Easter Mass takes place with the joyful intonation of the Alleluia to mark the resurrection of Christ which happened in the early hours of Easter Sunday. Just before Mass, however, the celebrant and assistants change their ritual garments from purple (mourning) to white (expressing joy). At the same time, the sanctuary undergoes a quick metamorphosis: all signs of sorrow are removed: the purple curtains behind the altar are taken off, the purple veils covering the holy images since Passion Sunday (two weeks before Easter) are taken away and flowers are put on the altar. In just a short time there is a dramatical transformation from sorrow to exultation, symbolizing the sudden triumph of the live Jesus rising from the dead.\n\nThen Holy Mass starts in a shortened form until the intonation of the hymn Gloria in Excelsis by the celebrating priest. A new eruption of joy follows: while the chorus starts singing the ancient hymn, the organ for the first time since Holy Thursday starts playing; and at the same time altar bells and the big church bells join in with their respective sounds of jubilance. They all manifest a cosmic rejoicing at the resurrection of Jesus.\n\nThe very sequence of the three rituals in the Christian liturgy37 provides an excellent hypothesis to interpret the sequence of the Taoist rituals. Although each of the three Taoist rites contains its own logic and significance, yet the sequence appears to be obscure and somehow unrelated. It makes one wonder whether the original version (both meaning and sequence) has been gradually forgotten and therefore invested with a new symbolism in later times.\n\nFirst of all, the 'Rolling up of the Screen' is to be interpreted as a preparatory act before the Taoist priests enter into an audience with the Three Pure Ones.38 Therefore it seems to be out of place here and explains why some Taoists perform it during the Noon Audience on the second day of the chiao.39 If that is the original meaning of the ritual, there is no apparent similarity with the Christian act of decorating the sanctuary. One can only wonder why it was performed in the context of the fen-teng and just before the “sounding” ritual.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209097,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 259,
        "title": "RAS-1980",
        "content_text": "p.61\n\nlast line\n\np.62\n\nline 17\n\n+\n\np.63\n\nline 16\n\nFor \"contrtdiction” read “contradiction\"\n\n\"resistence\" read \"resistance'\n\n**\n\n\"late\"\n\nP.64\n\nline 7\n\n**\n\n\"Histoy\"\n\np.65\n\n**\n\nline t\n\np.65\n\nline 3\n\nP.65\n\nline 10\n\np.72\n\nsixteenth line from foot For\n\np.77\n\nline 11\n\np.79\n\nfootnote 14\n\np.83\n\nline 1\n\n**\n\np.86\n\nline 16\n\nHong Kong Daily Press in italics Delete second note 13\n\nInsert Daily after Hong Kong\n\n\"ae\" read\n\nDelete the second “any”\n\n\"are\"\n\nFor \"centur\" read \"century\"\n\n\"Kai\" supersitious\" read\n\n\"later\"\n\n\"History\"\n\n\"Kat\"\n\np.88\n\nthird line from foot\n\n++\n\n**beieve\" read \"believe\"\n\np.88\n\n\"superstitious\"\n\nsecond line from foot\n\n\"weis\"\n\np.89\n\n**\n\nline 14\n\n**\n\n“wais”\n\n**\n\n“determinded” read “determined\"\n\n44\n\np.90\n\n“determined\"\n\nline 10\n\n**\n\np.91\n\nfootnotes 2 and 3\n\np.93\n\n‘scienfitic” read \"scientific*\n\n\"Rubos\"\n\n\"Dubos\"\n\nline 3\n\n14\n\np.94\n\nline 3\n\nDelete \"to\"\n\n\"anthropilogical\" read “anthropological”\n\np.101 fourteenth line from foot Delete second comma after\n\np.107 line 1\n\np.107 line 3\n\np.112 note 10 line 1 p.113 note 20 line 2 p.114 note 41 line 3\n\np.116 eighth line from foot\n\np.117 fourteenth line from foot p.118 third line from foot p.119 line 2\n\n\"changed\"\n\nFor \"he\" read “Exsultet” to be in italics\n\n\"the\"\n\nFor \"occasion\" read \"occasions\" Insert bracket before \"London\"\n\nFor \"Uterageri” read “Unter Ageri\"\n\n\"granduate\"\n\n\"graduate\"\n\n\"crucial\"\n\n\"curcial\"\n\n++\n\nInsert \"on\" after “study”\n\nInsert \"study\" after “careful” For \"Territiries\" read\n\np.119 line 7\n\n\"Territories\"\n\np.119 line 10\n\np.119 line 13\n\n\"if\"\n\n\"and\"\n\n\"of\"\n\n\"and\"\n\n**\n\n++\n\np.120 line 20\n\n**\n\n\"Vitually\"\n\n+\n\np.120 fifth line from foot\n\n**\n\n\"palced\"\n\n17\n\n\"Virtually\"\n\n\"placed\"\n\np.121 line 10\n\np.122 line 5\n\np.166 line 7\n\np.212 line 1\n\n++\n\n++\n\n\"extint custom” read “extinct custom of\"\n\n\"new\" read “now”\n\n\"publir\"\n\n**\n\n\"public\"\n\n\"in\"\n\n\"is\"\n\n**\n\n1+\n\nI regret these errors which I am bound to ascribe to defective eyesight and looking at the text too often, or both, and wish to thank Mr. H. A. Rydings for his help.-J.W.H.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    }
]