[
    {
        "id": 209599,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 256,
        "title": "RAS-1982",
        "content_text": "CARL T. SMITH\n\nCoward was followed, in 1923, with a science-fiction drama, \"R.U.R.\" or \"Rossum's Universal Robots\". It was written by Karel Capek, a Czechoslovakian. The reviewer linked some political events with the theme of the play: \"Saturday night brought us definite news of the elections at Home indicating how the workers of the country, dissatisfied with their lot, turned upon the Government and rose in support of the red flag of Labour. It was a coincidence that on the same night the Hong Kong A.D.C. introduced to the Colony a race of soulless, voteless men-machines, made by man in his own image to do the work of the world while the rest of us recline leisurely in our armchairs; told us they developed discontent and turned and rent their human tyrants\".\n\nWalter Sinclair left Hong Kong in 1925. He continued his directing career in Toronto, Canada and the United States.\n\nAfter his departure, the A.D.C. largely reverted to comedy. It would be unfair, however, to suggest that all their productions fell into the category of the title of a 1925 piece of the A.D.C., \"A Little Bit of Fluff\". In the years immediately preceding the Japanese occupation of Hong Kong, plays were presented by such respectable authors as Emlyn Williams, Terrance Rattigan and Somerset Maugham.\n\nTHE LOCAL SCENE\n\nOpportunities were seized to inject local allusions in productions. As an example we give excerpts from the burlesque \"Fra Diavolo\" given by the Rifle Brigade. The author J. H. Thresher used the original by Byron only as a skeleton on which to lay topical references. His efforts were described as having a decided Gilbertian vein.\n\nAs befitting a production of the garrison some of the local allusions were military, as for instance the following references to the barracks at Kowloon. During an altercation between Lord and Lady Allcash, the Lord says to the Lady:\n\nMadam, drive me not,\n\nFor if you do, I'll show you soon what's what; I'll make things fly, just like the late typhoon",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209616,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 273,
        "title": "RAS-1982",
        "content_text": "251\n\n1932/33\n\n1933/34\n\n21 Feb. 1933 \"Nine to Six\" all female cast (Aimee and Philip Stuart, 1930) performance at Kings Theatre.\n\n—\n\n11, 12, 13, 14 Apr. 1934 \"The First Mrs. Fraser\" (St. John Ervine, 1929) performance at China Fleet Club to 1941.\n\n17, 20, 21, 23, 24 Feb. 1934 Armstrong)\n\n1934/35\n\nJ\n\n5, 6, 7, 8 Dec. 1934\n\n1935/36\n\nvenue\n\n\"Ten Minute Alibi” (Antony Mackenzie)\n\n\"Fresh Fields\" (Ivor Novello)\n\n18, 19, 20, 21 Dec. 1935\n\n1936/37\n\n4, 5, 6, 7 Nov, 1936\n\n—\n\n1937/38\n\n7\n\n\"Musical Chairs\" (Ronald Rattigan)\n\n\"Night Must Fall\" (Emlyn Williams)\n\n7, 8, 9, 10, 11 Dec. 1937 - \"Outward Bound\" (Sutton Vane)\n\n23, 25, 26, 27 Feb. 1938\n\n—\n\n\"French Without Tears\" (Terrence)\n\n1938/39\n\n8, 9, 10 Mar. 1939 \"The Shining Hour\" (Keith Winter)\n\n1939/40\n\nT\n\n22, 23, 24 Feb. 1940 \"The Circle\" (Somerset Maugham)\n\n(Note: all notices are taken from the English newspapers in Hong Kong, in most cases from editions of the dates given).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    }
]