[
    {
        "id": 208875,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 37,
        "title": "RAS-1980",
        "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n9\n\nThese are the wooded valley running down from Lantau Peak through Luk Wu to Tai O, the wooded area around Lo Wai to the north of and above the new town of Tsuen Wan, and the oldest of all, the easterly wooded slopes of the hill known to foreigners as Castle Peak. (Plate 2)\n\nBuddhist temples can also be established by a monk wishing to set up an establishment of his own to earn credit. The usual pattern would be first to open a small temple consisting of a Buddha Hall, a living room and kitchen. As others join him, if of course they do and if the temple retains its popularity, so the establishment will thrive and grow. However, should he die prematurely, his establishment usually dies with him.\n\nBuddhist monasteries, nunneries and temples usually follow a pattern based on the origins of the monk who first founded or organized the establishment. Hence, a monk from Shandong will reflect his provincial background in the organization and iconographical features of the establishment.\n\nBuddhists rarely have simple temples. Whereas traditional folk religion temples consist of a single storey, monasteries tend to have an upper and lower hall. Buddhist and Daoist monasteries and temples may best be described as being a series of \"boxes\" which, unlike a very high proportion of traditional temples, do not need to be symmetrical. They tend to run to complexes with their numerous rooms and halls, separate buildings and shrines, each housing one or more images. In each devotional hall the main sanctuary or altar which holds the image or symbol of the deity (or in the case of the Halls of Long Life and Rebirth, the spirit tablets) serves as the focal point of devotions and rites. Some monasteries and a few temples have a separate hall dedicated to the Ten Judges of the Underworld (with Di Zang Wang on the main altar) or the Eighteen Luohan (the disciples of the Buddha Sakyamuni).\n\nThere are, in addition to the devotional halls, monks' and nuns' quarters, kitchens, visitors' halls, refectories, study rooms, reading and meditation halls. Many small images are to be seen in each, though they are not always Buddhist. The occasional state religion cult hero or folk religion deity may be seen usually donated by a not too discriminating devotee. Abbots rarely refuse an image, particularly if it is accompanied by a donation to the establishment.\n\n*路盧遮那寺 in Lo Wai.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 208876,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 38,
        "title": "RAS-1980",
        "content_text": "10\n\nKEITH G. STEVENS\n\nInside the library large cases of books cover the walls and some books, used more frequently, are individually wrapped in cloth and lie on tables and altars. The larger monasteries have rooms for the aged, and most have halls where ashes of devotees may be deposited.\n\nIn general, a visit to a Buddhist monastery would take you first past the shrine of the folk religion tutelary deity of the neighbourhood, the Earth God (1✯✯). (Illustration 3) Once through the gates and the entrance hall with its six \"guardians” (Mi Luo Fu, Wei Tuo and the Four Heavenly Kings) the layout follows a fairly standard pattern. The main altar will be straight ahead in the Great Hall which houses the main Buddhas. The main altar may be occupied by a single image, a group of three, or an array of a dozen or so. On and along the secondary altars, altars down the side walls and side halls there are images of other lesser deities. These, in twelve monasteries and temples in Hong Kong and Macau, include the well-known groups of eighteen or five hundred Luohan. Frequently, immediately behind the main altar and back to back with the main deity, stands the most popular and honoured of the Bodhisattvas, Guan Yin, with her two assistants.\n\nMahayana Buddhist temples contain a large number of images of Buddhas and major Bodhisattvas, some of which are considered to be more important than the image of Sakyamuni Buddha himself, unlike the Theravada Buddhist temples of Thailand, Vietnam, Burma and Srilanka in which Sakyamuni is the most important.\n\nThere appears to be only one temple in Hong Kong in which Lamaist images are worshipped, although there is one other, above Tsuen Wan, where in a private room, some forty or so Lamaist bronze images are on display.* The temple in which the Lamaist images appear on its altars is a shoddy, fairly modern concrete and corrugated iron construction above a new estate in North Point, where an elderly and now deceased Cantonese gentleman settled after spending some years in Tibet. Most devotees appear to have little idea of the style or origins of imagery, and the rituals and ceremonies performed in the temple by the widow of the founder are identical with those in other temples in Hong Kong.\n\n* Guan Yin temple in Fu Yung Shan,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 214265,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 123,
        "title": "RAS-1998",
        "content_text": "86\n\npray to him for the blessing of a son. However, in Cholon [Saigon] his image, seen in several temples are known as Tzu-wei Ta-ti but identified as T'ai-sui, the god of the planet Jupiter and of Time, though in the major Jade Emperor temple in Cholon images of both T'ai Sui with his bell and Tzu-wei astride his lion stand side by side.\n\nHis standard image in Cantonese communities portrays him as a clean-shaven youth with large round protruding eyes, astride or sitting side-saddle on a reclining mythical beast, possibly a stylised lion. He is holding a seal aloft in his right hand, a talisman bearing the inscription \"The Star looks Straight On\" R. He also has a unique feature, a flag pole behind him on to which is fixed a sheathed sword. The youth holds a conch shell in his left hand and is dressed in only trousers and a cape which hangs round his neck and down his back. He is wearing shoes and has neck-length hair which is held in place by a tiara from which two objects, like insects' feelers, protrude upwards.\n\nIn yet another tale, an extraordinary and complicated legend, an emperor had eighteen robes specially embroidered for the Eighteen Lohan. These were being delivered by a trusted minister who reached their palace in the Western Heavens only to find seventeen Lohan. He sought the eighteenth and found him dead in the kitchen crawling with big fat lice. As this Lohan was the god of the star Tzu-wei and this star represented the emperor of China, the minister knew immediately that the emperor had died since his departure and the spirit of the dead Lohan had been incarnated as the new emperor. The minister was puzzled - what he should do? Finally, he placed the cape around the body of the dead Lohan and returned to Earth bearing a box from the other Lohan which would, they assured him, prove that he had accomplished his mission. When, after months of travel, he reached home, the new emperor opened the box and out flew a crane up into the sky and back to the stars. Artists customarily depict this in their portrait of Tzu-wei.\n\n39] Lei Shen The Spirit of Thunder\n\nLei Shen is portrayed and named as such in only one of the two temples, the Pi-yun Ssu. The problem is that Lei Shen, as such, has been noted on remarkably few altars. Lei Kung, the God of Thunder is",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    }
]