[ { "id": 204311, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 79, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n75\n\nwith the worship of the Pole Star and with astrology. These can be found in the Tao Tsang (Two Collections of Taoist Literature). To identify him with the Vaisravana of popular legends was advantageous both to the Buddhists and Taoists.\n\nIt has been said that Vaisravana helped the Emperor T'ai Tsung during the war which led to the founding of the T'ang dynasty. But in some Tantric texts, the story is dated in the year A.D. 742 (the 1st year of Tien Pao in the reign of Hsuan Tsung). When the city of An-si (2) was besieged by the troops of five states including Tashkend and Samarkand, Vaisravana appeared above the tower of the city-gate with his celestial soldiers and defeated the invading troops. The sutra reads,\n\nIt was in the 1st year of T'ien Pao, the cyclic year being Jên-wu (4), when the city of An-si in Kansu was besieged by the troops of five states, Tashkend, Samarkand ... (five characters missing in the text). On the 11th day of the second month the commander of the city sent a petition for reinforcements. The Emperor told the Monk I-hsing (一行), “An-si is twelve thousand li away from our capital and it would take eight months for our reinforcements to reach there. I am afraid the city will fall.\" I-hsing said, \"Why does Your Majesty not supplicate the celestial soldiers of Vaisravana, the heavenly king of the North, for help?\" \"How do I get his help?\" the Emperor inquired. I-hsing said, \"Your Majesty need only summon the foreign priest Amogha and he will do everything.\" Amogha was summoned and said, \"Your Majesty sent for me. Is it not because the city of An-si is besieged by the troops of five states?\" The Emperor answered, “Yes.” Amogha said, \"Bring your urn and follow me to the place of worship and I will supplicate the celestial soldiers of Vaisravana the heavenly king of the North to rescue the city from danger.\" Hardly had he finished chanting his spells for the fourteenth time when the Emperor saw celestial soldiers clad in armour standing in front of the hall. \"Who are they?\" the Emperor asked. \"Tu Chien (毘建), the second son of Vaisravana, who is leading the celestial troops to An-si, has come to say farewell.\" The Emperor gave them food and dispatched them. In the fourth month the commander of An-si reported again, “On the 11th\n\n13 Li Ching's name appears in the Tao-chiao Hsiang-ch'êng Tzu-ti Lu *(道教相承次第録 \"Order of Taoist Teaching\") in Yün-chi Ch'i-ch'ien (雲笈七籤)(XL). chüan 4. In the Tao Tsang (道藏), Tung-shên Pu (洞神部)(1), Fang-fa Lei (方法類)(5) T'ien-lao Shên-kuang Ching *(天老神光經) is attributed to him.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 96, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n92\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nfather\" was only one of revelation of supernatural powers (神通), and it was because of the imagination and the literary gifts of the author of the Fêng-shên that the story became so impressive and full of emotional appeal. The author continues:\n\nThe Immortal T'ai-I asked No-cha to follow him to the peach-garden and taught him personally how to use his \"fiery-pointed spear\" (火尖槍) which the master now bestowed on him. After that, the Immortal gave him the wind-wheel and fire-wheel which he might tread on while chanting incantations and which served him as a magic vehicle; and also a bag made of panther skin in which were the magic bracelet, the red silk gauze and a brick of gold completed his new armour. No-cha prostrated himself before his master once more, and after thanking him, held the magic spear in hand, safely mounted his wind-and-fire wheels and darted straight to the Ch'ên-t’ang Pass and challenged Li Ching, his father. (Ch.14)\n\n**\n\n** In order to prove again how the author of the Fêng-shên Yen-i adapted and utilized confused and promiscuous materials from previous works, we may list some of the arms used by No-cha with their earlier appearances in other prompt-books or plays as follows:\n\n(a) Fiery-pointed spear. In Act 4 of the anonymous play of the Yüan dynasty, Han Kao-huang Cho-tsu Ch'i Ying-pu (漢高皇祖母齊英布), the spear used by Hsiang Yu (項羽) is a \"fiery-pointed spear\".\n\n(b) Wind-wheel. The wind-wheel is originally the wheel, or circle of wind below the circle of water and metal upon which, according to Buddhist teaching, the Earth rests. It appears in many sutras including the Surangama-sutra (楞嚴經), Ch. 4. In Nan-yu-chi (南遊記) (Ch. 2 and 11) and Pei-yu-chi (北遊記) (Ch. 15) it is one of the arms of the Flowery Light (Hua Kuang or Ling Yao 華光, or San-yen Ling Yao 三眼華光). Ling Yao with a deva-eye).\n\n(c) Fire-wheel. The alatacakra, a wheel of fire produced by rapidly whirling a fire-brand. In chuan 3 of his Lêng-yen Ching Shu-chih (楞嚴經疏治) (? “The Principles of the Surangama-sutra\", in the First Series, Second Collection of the Tripitaka in Chinese, 大藏經, 1912), Lu Hsi-hsing says \"as the whirling of a fire-brand, reality does not exist\". In Nan-yu-chi (Ch. 2 and Ch. 11) and Pei-yu-chi (Ch. 15), the fire-wheel is also a weapon of Flowery Light.\n\n(d) Gold brick, The gold brick is also one of the arms of Flowery Light in Nan-yu-chi (Ch, 2 and Ch. 11) and Pei-yu-chi (Ch. 15). But both the gold brick and the fire-wheel are attributed to Flowery Light also in Yang Ching-hsien's T'ang San-tsang Hsi-t'ien Ch'ü-ching, a play of the Yüan dynasty, Scene 8. In Hsü Fu-tso's (徐復祚) T'ou-so Chi (鬧府記), Scene 19, these two weapons belong to Nata of Eight Arms (八臂那吒).\n\n(e) Magic bracelet. In Ch. 11 of the Nan-yu-chi, one of the weapons of No-cha is a \"purple-gold bracelet with raised flowers\" (紅花紫金圈) and it is the origin of the magic bracelet (ch'ien-k'un ch'üan 乾坤圈 the Bracelet of Vitreous & Resinous Electricity) in the Fêng-shên Yen-i,", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204343, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 111, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n107\n\nV. WELFARE ACTIVITIES OF THE SANGHA\n\nGenerally speaking, the monasteries of the Colony do little in the way of public service, except in so far as a few of them provide food and, in some cases, accommodations for visitors (the most famous in this regard being the Po Lin Tsz near Lantao Peak). An increasingly active role in welfare work, however, is being played by the nunneries of Hong Kong.\n\nFirst mention should probably be given to the 30 nuns and 50 lay devotees of the Tung Lin Kok Yuen A, a Pure Land nunnery established by Lady Clara Ho Tung in 1935. Housed in a handsome set of buildings, it operates: (1) the Colony's only Buddhist \"seminary\" for nuns, which provides an eight-year course in Mahayana Buddhism; (2) a primary day school; (3) a primary night school; (4) the Po Kok Vocational Middle School; and (5) a branch primary school in Ping Shan F, New Territories. The total enrollment (all girls) at these various schools is 1,256,* ranging from 503 for the primary day school to 26 for the seminary. All the schools except the seminary receive a government subsidy, which according to the regulations of the Education Department means that they must charge the standard tuition fees of HK$50 a year at primary level and HK$320 at secondary level. Only 10 per cent of the enrollment in the case of a primary school, and 30 per cent in the case of a secondary school, may be free of tuition. The subsidy covers all operating expenses not covered by tuition, that is, about 80 per cent of gross expenditures for urban schools, and over 90 per cent for rural schools (where tuition is only HK$10 a year). The Education Department does not object to having the tuition partly or wholly donated by the school or its supporters. Thus, in effect, the tuition requirement is only for the purpose of computing the amount of the subsidy.\n\nIn the case of the Tung Lin Kok Yuen, pupils all come from poor families and pay HK$20 a year at primary level and HK$40 a year at secondary (which means that most of their tuition is donated). About one-third of the operating expenses comes from gifts and the nunnery's general income on the real estate that forms its principal endowment. About two-thirds comes from a government subsidy.\n\nThe study of Buddhist sutras forms part of the curriculum for all pupils (other main subjects being Chinese, English, history, and mathematics, plus vocational training in the middle school). Pupils attend Buddhist services in rotation at least once a week; and before each year's graduation they all are given a lecture by a prominent dharma master. After graduation a small number\n\n* Here and below all school enrollment figures are as of June 30, 1960.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204391, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 23, "title": "RAS-1962", "content_text": "14\n\nF. S. DRAKE\n\na swastika, turning to the left or to the right; Type 3, a simple cross drawn vertically; Type 4, a simple cross drawn diagonally; Type 5, a figure similar to a Roman capital I; Type 6, a solid circle or dot; Type 7, a hollow circle; Type 8, Miscellaneous. No attempt has been made to illustrate all of these on the plates. When the nineteen types according to shape are combined with the eight types according to design, a total of 152 well-defined types is given. But within this total an infinite variety of individual differences is possible; in the present collection not more than one pair of duplicates has been identified as coming from the same mould (No. 463 and the sixth unnumbered seal). It would seem therefore that duplication has been purposely avoided, perhaps for security reasons.\n\nOf the 979 pieces in the Collection about three fifths are cruciform in shape, about one fifth are bird-shaped, some of which, a single bird with spread wings, may suggest a cruciform outline, while the bird itself is also a Christian symbol.\n\nOf the central patterns the greater number are the swastika, whether turning to the left or to the right, a symbol adopted by the Buddhists, but being of older origin, and used also in such Christian monuments as the Nestorian Tablet of Sianfu (A.D. 781). Next in number comes the cross, whether placed vertically or diagonally. Attempts to read Greek letters in the other linear designs have not succeeded.\n\nThe backs of the crosses are flat, with a strong loop (or two loops crossing each other) fixed for attaching a leather thong for suspension (Pl. II, Fig. f). Some of these are worn through, as though carried for a long time on the person by a horseman.\n\nThe designs are in high relief, too deep for an ordinary seal, but admirable for impressing on a slab of mud.\n\nII. THE NESTORIAN CHURCH\n\nman.\n\nWe may now ask how it came about that these bronze crosses of Mongolian workmanship and of Christian origin became buried in the sands of the Ordos region beyond the memory of living. We must remember that in the beginning Christianity not only spread westwards from Palestine into Europe, but that it moved eastwards at the same time through Syria to Persia and India. According to ancient Christian tradition St. Matthew and St. Thomas evangelized the East as St. Peter and St. Paul", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204424, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 56, "title": "RAS-1962", "content_text": "THE BUDDHIST CAREER\n\n47\n\n(in the big monasteries one had to get permission every time he left the premises). Talking was permitted during meals and people could go to bed when they felt like it. Some small temples were centers of institutionalized laziness--and worse.\n\nBut small temples were very necessary, not only to provide a break from the rigor of life in the big monasteries, but also as a link between the clergy and the laity. The big monasteries were often remote in the mountains, whereas in most Chinese cities there was a small temple “just around the corner.\" More important than this, however, was the fact that a monk could not accept tonsure disciples \"in his capacity as officer or resident of a big monastery, but only in his capacity as officer or resident of a small temple. The novice during most of his training prior to ordination could not live in a big monastery, but only in a small temple. Thus small temples were the channel through which all new recruits had to enter the Sangha.\n\n55\n\n**\n\nThe crowning stage of a monk's career was being the old monk lao ho-shang, a term usually applied to an ex-abbot. He lived either in his own small temple or in special quarters of the big monastery that he had headed. He had no obligations, although he probably still carried on with his work of teaching. In fact, this might be the most productive part of his life, when he had the widest following and exerted the greatest influence, particularly on the laymen who came in great numbers to listen to him expound sutras and to take the Refuges with him. It is extraordinary how old some old monks got to be. The most famous case of recent times is Hsü-yün, who died at the age of a hundred and twenty in 1959. Now we have T'an-hsü, who is eighty-eight and still preaches on the Surangama Sutra every Sunday evening at nine o'clock. I recommend that you go to the Buddhist Library, 144 Boundary Street, and listen to him some Sunday, for he is a wonderful person.\n\n77\n\nHere in Hong Kong, I have often wondered why certain monks lived to be so old. They would attribute it, perhaps, to the peace that comes with enlightenment. A more prosaic explanation might be that they have a low cholesterol count. Dr. C. A. Wang, who will return to Hong Kong in 1962, tested a number of monks two years ago and found that, presumably because they ate vegetarian food, they", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 205132, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 88, "title": "RAS-1966", "content_text": "FOREIGN RELATIONS OF BUDDHISM\n\nL\n\n83\n\nTibet so that he could learn the language and some day return to translate Tibetan books. In 1933 he was given a scholarship at the Chinese Tibetan Language School, which moved in January 1934 to Chungking. There he became the disciple of a lama on the faculty. After completing the two-year course, he entered the Central Political University, which had been set up by the Kuomintang to train cadres. After a year and a half the government selected him to go to Tibet for further training.28 He lived for eight years at the Drebung Monastery outside Lhasa—the largest monastery in Tibet and probably in the world—and received a high ecclesiastical degree. His final years in Lhasa were spent running a school for Tibetan children and working in the Tibetan office of the Mongolian and Tibetan Affairs Commission, so that he kept his dual role of monk and political agent. This is not to imply that there was anything sinister in what he was doing. It was simply that the Chinese Government had enabled him to pursue his interest in Buddhism for their own purposes, which he naturally expected to serve.\n\nThe presence in China of an increasing number of Tibetan lamas2 and monks returned from Lhasa further stimulated interest in Tantrism among the Chinese laity. In November 1935 a group of devotees set up the Bodhi Society in Shanghai to promote the translation and study of Tantric texts. The Panchen Lama was president and the members included some high-ranking ex-officials.30 This society was one of the regular stops on the lecture tours of the lamas and Lhasa-trained monks.\n\nAmong the most active of the latter was Neng-hai (see p. 11) who had been a Nationalist general before he had taken the robe. About 1938 he became the abbot of the Chin-tz'u Ssu in Chen-tu, which until then had been a typically Chinese monastery. Neng-hai changed the daily ritual and routine to incorporate Tibetan elements. He also started a scriptural translation institute that published Tibetan books in Chinese. Since some 250 monks were usually in residence, this monastery might have exerted a wide influence towards the \"Tantrification\" of Chinese Buddhism if it had been able to carry on after 1950.\n\nRelations with Theravada Buddhists\n\nThe Japanese and Tibetans were Mahayana Buddhists with whom it would be natural for Buddhists in China, who were", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205141, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 97, "title": "RAS-1966", "content_text": "92\n\nHOLMES WELCH\n\ngeneration by generation, they became lavish patrons of Buddhism, both where they lived and when they returned home. Monks from China therefore made fund-raising tours of the overseas Chinese communities, while monasteries in certain parts of China received much of their income from overseas Chinese pilgrims.\n\nMonks traveled not only to raise funds, but to spread the dharma and to visit the holy places of Buddhism. One of the most inveterate travelers of the past century was Hsü-yün. In 1889 he visited the holy places of Tibet, India, Ceylon, and Burma.48 In 1905 he went to spread the dharma in Burma, Malaya, and Taiwan. In Malaya alone 10,000 persons became his disciples after hearing him preach.49 Here and elsewhere, almost all of his audience was overseas Chinese, since he spoke no foreign language—this was not the beginning of a dialogue with the Theravadins. On a tour in 1907, however, he won a foreign disciple no less a person than the King of Siam! Interested to hear that Hsü-yün had been in trance for nine days, the King came to see him, invited him to the royal palace, took the Refuges with him, and gave him a large tract of land, which Hsü-yün allocated to the use of the Chi-le Ssu in Penang.50\n\nSometimes he did not get so royal a welcome. In 1916 he was on his way back from Rangoon, where he had gone to get a Buddha image (another common motive for trips abroad51). When he reached Singapore, he was taken off the boat on the suspicion of being a revolutionary. Along with five other monks, he was hustled to the police station, cross-questioned, bound, beaten with fists, put out in the hot sun, and not allowed to move. \"If we moved, we were beaten. They gave us nothing to eat or drink and would not allow us to go to the latrine. This went on from six in the morning to eight at night.\" Finally, some of his disciples heard of his plight and got him released on bail. The reason for this treatment was said to have been a desire on the part of the Singapore police to please their \"good friend\" Yüan Shih-k'ai.52\n\nHsü-yün was not the only monk who went on pilgrimages and lecture tours overseas. In 1902-1906 Yüeh-hsia visited Japan, Southeast Asia, India, and Europe (sic).53 Before 1924 Wan-hui had studied in India and Ceylon.54 Overseas travel became commoner as ships and trains made it more convenient, as Chinese abroad became increasingly able to finance it, and as certain...", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205146, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 102, "title": "RAS-1966", "content_text": "FOREIGN RELATIONS OF BUDDHISM\n\n97\n\n38 I have heard this from many informants. See also Reichelt, The Transformed Abbot, London, 1954, p. 156, and J. B. Pratt The Pilgrimage of Buddhism, New York, 1928, p. 311. A Buddhist monk once explained to me that although it was true that Jesus had risen after three days, no one should think he had done this \"just by becoming a Christian\". He had performed religious exercises (hsiu-hsing) and that was how he had achieved resurrection. There was no attempt on the part of this monk to deny the miracle of resurrection, only to fit it into the Buddhist scheme.\n\n39 Rev. Joseph Edkins, The Religious Condition of China, London, 1859, p. 75. In 1875 Timothy Richard, when he was baptising converts in Shantung, found that there was no building convenient to the river where they could change their clothes before and after. He explained his problem to the monk in charge of the Buddhist temple there who \"readily consented\" to lend some of its rooms for this purpose. See Richard, Forty-five Years in China, New York, 1916, p. 95. In 1879 the largest lama temple in Peking allowed a colporteur of the National Bible Society of Scotland to run a bookstore within the temple, where on several days a week Christian books were sold. See C. F. Gordon Cumming, Wanderings in China, London, 1888, pp. 4-9.\n\n40 Harry A. Franck, Roving Through Southern China, New York, 1925, pp. 575-576.\n\n41 In the early 1890's De Groot reported: \"It has often happened to the author of these lines that when he was taking his meal in one of the monasteries where he was staying, he was visited by monks who were curious to see how he ate and what he ate: but it was enough for them to smell the odour of his roast of pork or his leg of mutton and they would be forced to make a hasty exit from the room: they felt overcome by nausea. Such strict vegetarianism, it goes without saying that when non-vegetarian lay people came to stay sometimes in a monastery they are not allowed to have their food prepared in the monks' kitchen. There are small separate kitchens for them, where their own servants can stew things up for them.\" (Le Code du Mahayana en Chine, Amsterdam, 1893, p. 103). In 1908, when Boerschmann stayed on P'u-to Shan, he grew tired of the vegetarian fare and sent his cook to smuggle in some chickens (Pu-t'o Shan, Berlin, 1911, p. 166). In these and other instances the monks are portrayed as tacitly or even gleefully cooperating in getting meat onto the foreigner's bill of fare. It seems more likely that their cooperation, when it was forthcoming (and often it was refused), was reluctant and indignant. There was a compelling practical reason for this. If Chinese pilgrims saw meat being eaten on the premises of a monastery, many of them would take their patronage elsewhere. This was understood by early Western travellers like A. J. Little (Mount Omi and Beyond, London, 1901, pp. 75, 81, and 83). Little also provides an example of the Westerner's tendency to haggle (pp. 68, 83). The meanest bit of haggling was probably perpetrated by Mrs. C. F. Gordon Cumming. In 1879 she visited the Tien-t'ung Ssu, one of the model monasteries of China. After she and her party had enjoyed an \"excellent dinner,\" they were asked to give the equivalent of English tenpence, Mrs. Cumming offered eight pence. When the offer was accepted, she tipped the waiter tuppence halfpenny, and noted that he \"grinned with delight. Can I give you a better proof that we have reached a spot where foreigners are almost unknown?\" (Wanderings in China, London, 1888, p. 291). Mrs. Cumming was quite mistaken, of course, about foreigners being unknown: probably more had stayed at T'ien-t'ung than at any other monastery.\n\nEven today Westerners with plenty of dollars in their pocket take pride in doing the poor Chinese shopkeeper out of a few cents, partly to show their savoir faire and partly out of fear of being cheated themselves. But the monastery was not a shop, and this sort of behaviour was regarded as most inappropriate there.\n\n42 W. E. Soothill, Timothy Richard of China (London, 1924), pp. 162-163.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205354, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 116, "title": "RAS-1967", "content_text": "A NOTICE OF THE SANON DISTRICT\n\n109\n\nThe third remarkable mountain lies a few miles south of the district town, and is called \"Nam-shan\" — 南山 the Southern mountain. In a bay at the foot of this mountain is the famous temple of \"Teen-h'aou” — the Queen of Heaven at Chek-wan; and to the right and left of the entrance to this bay are two forts, now in ruins and unoccupied. A tolerably broad highway leads from the district town to this temple, and four or five rest-houses are erected along the road for the convenience of its devotees. Several altars exist on different parts of the mountain, and to these the Mandarins resort, to worship in times of scarcity or danger,\n\nLastly, is mentioned the mountain of Castlepeak, called by the Chinese \"Poe-lou-shan\" ✯✯J, on the western borders of the province, near the bay of Tun-wan. This mountain, remarkable for the fine view it affords, has near its summit a monastery occupied by Tauist priests. The mountain is reckoned one of the eight wonders of the Canton province. Some of its large granite boulders are said by the priests to represent various mythological monsters; and several springs well-up near the top, which are also esteemed supernatural wonders by the Chinese. The mountain is often visited by students and literati, and its wonders and beauties have been celebrated by them in many verses. The legends connected with the mountain seem not to be very clearly understood. The most remarkable of them is the following, which gave it the name it now bears: Hundreds of years ago there lived a renowned Buddhist priest who went by the name of \"Poi-tow,\" the Tea-cup Navigator. One night he took up his quarters in a certain house, and went away the next morning carrying with him the golden idol belonging to his host. This man started out in pursuit; but though he could see the priest before him, travelling on foot, apparently very leisurely, he could not, though he was on horseback, overtake him; and presently he saw the holy man carried over a river in a Tea-cup, and so gave up the pursuit as useless.\n\nSome time afterwards this priest effected the cure of a woman of rank, merely by writing a charm; often she had applied in vain to many doctors and sorcerers. Gratitude attached the whole family of the patient to him. Not long after this he died on his travels. Five years after his death he again appeared, and declared that he should now go into the Canton province, and accordingly he took up his residence on Castlepeak mountain; and being seen", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205493, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 35, "title": "RAS-1968", "content_text": "30\n\nMARJORIE TOPLEY\n\norganization as their only method for organizing members. There are certainly some overseas today which still retain the patriarch type of organization but several are run only by \"family heads\" (chia-chang). Such \"family\" groups have also fragmented to form separate off-shoots of the religion.\n\nThere is evidence also that for at least some of the vegetarian sects of China the dangers of running their organization through vegetarian halls was well recognised: that although sometimes such halls existed as centres for administration, for ordinary members meetings were more normally conducted in their own homes. De Groot writing on the Lung-hua sect in the town of Amoy (this sect is also an off-shoot of Hsien-t'ien Ta Tao as I discovered from my researches) talks of sectaries meeting in each other's homes. Their vegetarian halls were rooms in private dwellings (this is still true of some of the \"halls\" in urban Hong Kong today but not all of them). He says, however, a patriarch lived in a residence which \"may be something like a Buddhist convent\".35\n\nTo what extent were ordinary members operating in their own homes residents of villages? Sects certainly appear to have operated in villages in this century. Several organizations found in villages of Ting Hsien, a district of Hopei and described as \"Taoist societies\", listed meeting days which are special meeting days for the Singapore sects I worked with and not celebrated by any other religious group I know of. Nine of these societies reported sixty-eight village organizations and one was represented in twenty-two villages. It was said probably half, possibly two-thirds, of the villages had one or more of the groups represented among their inhabitants.36\n\nBut was villager membership likely to have been common? And what about the leaders, what sort of men were they and where did they come from? A look at the sort of qualifications some sects demanded for rank-holders and satisfactions they offered to members might give us an idea.\n\nLeadership was not for the busy, first of all. Much study and practice of religious tasks was necessary for passing the required examinations and vegetarian sects required leaders to practise abstinence. Sometimes, when for example a proselytizing campaign was underway (sectarian records in Singapore show there were often such campaigns, and also campaigns aimed at reamalgamating...", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205861, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 167, "title": "RAS-1969", "content_text": "NOTES AND QUERIES \n\n161 \n\nA PAIR OF POTTERY COVERED JARS FOUND AT SHEK PIK, LANTAU ISLAND \n\nThe Shek Pik area in the south-western corner of Lantau Island has yielded archaeological finds of more varied interest than any other area in Hong Kong. Before the construction of the reservoir in the valley (1958-62), it was mainly known by the neolithic sites on the raised beach which W. Schofield excavated in the thirties. During and since the building of the reservoir various archaeological finds of comparatively recent periods have been made. The latest of these finds is a pair of earthenware jars with identical blue and white porcelain bowls as covers. They were discovered in February 1968 and February 1969 by James Hayes who had reported all post-war archaeological finds at Shek Pik†. Both pairs of jar and bowl were broken when discovered and the first pair has now been restored by the City Museum and Art Gallery (see Plates 19 and 20).\n\nThese jars and bowls were located on a sloping hillside west of the former village of Shek Pik Wai (abandoned before the War for sites a few hundred yards lower down the valley). The area had been scoured by bulldozers for 'fill' for the dam and the jars were found in an exposed bank. This was, in fact, the site of the earlier discoveries reported by Hayes. Though located less than a foot away from each other and each about two feet from the surface, the pots were discovered singly as progressive eroding of the bank by rain brought them to light. Mr. WAN On (溫安) of Pui O, South Lantau was with Mr. Hayes on both occasions.\n\nThe porcelain bowls are the first known pieces of Ming blue and white porcelain reported in Hong Kong, at any rate since the War, although they are a type of trade porcelain which is commonly found in the Philippines and in Indonesia. The bowls have fairly straight slanting sides and high foot-rims. They are decorated on the outside with vertical fern leaves (sometimes identified as plantain leaves) with wavy edges and with a band of floral design round the mouth rim. On the inside they are decorated with a double ring near the mouth and with a lotus flower within a circle in the centre. The lotus flower (Sanskrit padma) is one of the \"eight glorious emblems\" in Buddhist art\n\n† See reference to this article at p. 73 of this issue. Ed.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206635, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 183, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n177\n\nIn Chinese communities in Malaya and Cambodia, T'ai Sui is prayed to for rain, good crops, fine weather and for all the usual hopes of farmers. Also in South East Asia he is presented with offerings 30 days after the safe birth of a child, to ensure that its full life span had been pre-ordained.\n\nAlternative names and titles\n\na. Yin Yuan Shuai (陰元帥) Generalissimo Yin\n\nb. Yin Tien Chün (陰天君) Heavenly Master Yin\n\nc.\n\nd.\n\nYin Ing No (characters unknown) (Ch'ao Chow speakers) T'ai Sui Ye (太歲爺)\n\ne. Tai Sui Ti Chün (太歲帝君) Emperor Tai Sui\n\nす。\n\nTa Sheng (大聖) The “Great Life,” a nickname in Malacca.\n\ng. Chin Ting Nu (真定奴) His name whilst living with the\n\nh.\n\nhermits\n\nMarshal Yin T'ai Sui (陰太歲) One of the 36 escorting heavenly masters.*\n\nFeast Days\n\nThe only identifiable feast date was one given on four separate occasions, three in present day Malaya and one in Shanghai in 1871, the nineteenth of the seventh lunar month. He was officially sacrificed to on the twenty-eighth day of the twelfth lunar month in the Temple of Heaven in Peking.\n\nDescriptions of characteristics of T'ai Sui and Yin Ch'iao\n\nThere are eight basic forms of this deity:\n\na. as a shaven headed youth with a tonsure, in Buddhist monk's robes and sandals, holding either:\n\nb.\n\n(1) a scroll or split-bamboo plaque in both hands\n\n(2) a bell in his right hand\n\n(3) his empty right hand above his head, as though holding a raised sword.\n\n(4) seated with his hands on his knees\n\nas an elderly man in Mandarin's robes:\n\n(1) seated with both hands on his knees or (2) holding a bell in his right hand\n\n5 Doré, Father Henri, Recherches sur les superstitions en Chine, (Shanghai 1914-1929, 15 vols.)\n\n6 Grootaers, W. A. Chahar, Peking, Catholic University, Monumenta Serica, 1948).", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206905, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 182, "title": "RAS-1973", "content_text": "176\n\nBOOK REVIEWS\n\non Chinese phonology”, 佛教東傳對中國音韻學之影響 by Chou Fa-kao which appeared in Collected Essays on History of Buddhism in China + ***£*4, pp. 775-808, 1961, Taipei, is another example.\n\nThe most remarkable Indian influence on Chinese culture could perhaps be regarded as the latter's adaptation of rock-cut caves in Indian fashion, although there are 'Chitaya' and 'Vihara' caves in China. Geographically speaking, such rock-cut caves in China have not only been constructed in at least fourteen provinces, but also cover a vast territory which extends from Chinese Turkestan in the West to Manchuria in the East, and from the high-land area of the Yellow River in the north crossing the Yangtze River's basin in middle China to the basin of Pearl River in the South. Furthermore, chronologically, these rock-cut caves seem to have been continuously practised in China for as long as eight centuries. It is certainly essential to give, at least, a brief account of the Chinese adaptation of such caves of Indian origin, in terms of their place in the history of Chinese art and architecture, in relation to the transmission of Buddhism as a whole.\n\nSecondly, it seems that the author has apparently overlooked certain important studies contributed by 20th-century scholars. In Chapter 6, Mr. Zürcher has devoted his discussion on the early history of a Buddho-Taoist conflict in relation to the nature of \"Sutra in Forty-two Sections\". Yet, as early as 1935, Hu Shih ♬ in has convincingly demonstrated in his Tao Hung-ching Ti Chen-Kao K'ao # 3 & 43 A ✯ ✯ (Notes on Tao Hung-ching's Chen-kao, in Ts'ai Yuan-pei Memorial Volume, Part II, pp. 539-554, edited and published by the Institute of History and Philology, Academia Sinica, in Peking, 1933), that the Chen-kao Д, one of an important Taoist writings written in the 5th century by T'ao Hung-ching ₪✯ ✯ (457-536), contains 13 different sections which are plagiarisations taken from the \"Sutra in Forty-two sections\". The Taoist borrowings from Buddhist sutra would be one of the best examples of documentary clarification of the religious conflict between Taoism and Buddhism in medieval China.\n\nThe second instance of oversights of this kind occurs in dealing with the maps in this book. Except for Map II, which deals with the main routes and trade centres in later Han time, the others all refer to Buddhism in China from the first to the fourth century", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206906, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 183, "title": "RAS-1973", "content_text": "BOOK REVIEWS\n\n177\n\nA.D. The most authentic maps on Buddhism in China are those produced by a Japanese scholar, Oshio Dokuzan ★§♪λ in Shina-Bukyo Shi Chizu £*£ published in 1924 in Japan. Although I have no way to put the maps of Zürcher and Oshio side by side, since the latter's version is not available at this moment in Hong Kong, yet I see that Zürcher has made no use of Oshio's maps. As to Map II about the trade routes of Later Han, Albert Herrmann's An Historical Atlas of China (first edition printed in 1935 and second in 1966) has not been consulted,\n\nThirdly there are some minor editorial and textual blemishes in this important book. In the first place it seems that the author has been rather careless in the editing of his Bibliography. For instance, although Chen Yin-k'o's well-known study on Chih-Min-tu, a Buddhist monk of the Eastern Chin Period, Chih Min-tu Hsueh-Shuo K'ao £*£*** (which appeared in Ts'ai Yüan-pei Memorial Volume, Part I, pp. 1-18,) is mentioned by Zürcher in his 85th footnote for Chapter III (in Vol. II, p. 353), it is not included in his bibliography, although he has listed a second article also by Chen Yin-k'o there.\n\nAgain, there are quite a few misprints or mistakes in the Chinese characters, in these two volumes. As regards the former, at p. 221 of Vol. I, and again at p. 367 of Vol. II, the Chinese character “To” f£ is misprinted as ft. Similarly, on p. 444 of Vol. II, the first Chinese character for the title, Yen-tieh-lun #*, a famous treatise written in the Han Dynasty, is incorrectly printed as. Again, at p. 394 and p. 444 of Vol. II, the studio name Yü-Han Shan-fang has appeared twice. Although in its first appearance, the last Chinese character for this studio name is printed correctly, it is however, printed with a wrong form as second appearance. In addition to these, a commonly used Chinese character, Ming, has been rather frequently used by Mr. Zürcher (in p. 105 and p. 126 of Vol. I and p. 341 of Vol. II), and is always associated with a wrong form in its.\n\nLastly, concerning the author's interpretation of terms. For instance, \"Pa-ta\" Ait, a term which appears twice in p. 79 of Vol. I, has not been properly interpreted and translated except in inadequate English as \"eight-ta”. Yet already in 1938 T. K. Chuan in his study, \"Some Notes on Kao Seng Chuan\", (T'ien Hsia Monthly, Vol. VII No. 5, pp. 452-468, the well-known Journal in", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206907, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 184, "title": "RAS-1973", "content_text": "178\n\nBOOK REVIEWS\n\nEnglish published in Shanghai), had interpreted the same term as \"eight emancipated\". It is obvious that T. K. Chuan's translation may not be the only fixed one, yet, on the other hand, it does seem that it is at least a good reference for Zürcher to cite. Furthermore, T. K. Chuan's Kao Seng Chuan or Biographies of Eminent Monks is once again a useful reference in Zürcher's field of study that has been neglected entirely. In another example, the term “Ke-i\" is interpreted as \"elucidating Buddhist terms” (p. 12 Vol. I). However, it is differently rendered as \"matching meanings” on p. 184 of the same volume. Such interpretational discrepancy together with the misprints seem to show that Mr. Zürcher must have worked on the revision of his book over a considerable period of time, but may have neglected to make a final check of his manuscript.\n\nThese points deal with minor details which can be considered when the third impression of this book is prepared. They detract little from the outstanding scholarship of Mr. Zürcher and his important contribution to the history of Buddhism in Medieval China.\n\nCHUANG SHEN\n\nUniversity of Hong Kong, 1973.\n\nA CONCORDANCE TO FIVE SYSTEMS OF TRANSCRIPTION FOR STANDARD CHINESE. Compiled by Olov Bertil Anderson, Studentlitteratur, Lund, 1970, pp. 228.\n\nI assume that differences of opinion over transcription systems for Chinese will always be with us. For many decades now we have seen a stream of alternatives to Wade-Giles and have heard the discussions over the relative merits of favorite systems. Each time the shade seems laid to rest it pops up very much alive in some new stronghold of sinology. For some reason this problem plagues mostly the English-speaking segment of the field while those who publish in French, German, and Russian have long ago reached reasonable agreement on transcription and have gone on to other often more productive fields of study. But unfortunately the rest of us cannot agree, and nothing is more hopelessly visionary at this point than the dream of some grand concourse of sinologists all accepting a single system which all will use to the exclusion of any other.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207004, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 75, "title": "RAS-1974", "content_text": "CRAFT OF GOD CARVING IN SINGAPORE\n\n69\n\nin Taiwan. Elsewhere, in most Asian cities with a large Overseas Chinese community there are retailers who sell gods but who neither carve nor repair them. (Plate 2)\n\nBy way of background let me explain the various types of image produced by Chinese. The majority of north and central China's images used to be made of mud and straw and painted with a dull gold paint. (Plate 3.) They have been destroyed by the myriad in the course of the numerous iconoclastic anti-superstition campaigns conducted on the mainland in the past fifty years or so and are rarely to be seen. The next group are the bronze, iron and other metal images of which only the smaller are still in existence, mostly in America and Europe; the larger having been too large to move have long since been melted down for scrap.\n\nThe third group consists of the carved and painted or lacquered wood images mainly from the forested south of China. The best materials for these images, so Chinese have assured me, were camphor and sandalwood and the finest carvings were from Amoy where a group of seven families produced their famous images over eight generations ceasing production only in 1950. Amoy figures were precise in detail, well-proportioned and expensive but rather baroque in their appearance.\n\nIn very general terms, Cantonese images tend to be rather ill-proportioned and stylised; commonly they are gilt-painted figures with heavy features (Plate 4). Hainanese images are generally recognisable by their short limbs; Taiwanese carvings are usually identifiable by their heavy use of blues and sea-greens, and nowadays for their gaudy, cheap and shoddy plastic images. Some Taiwanese images have been made from varnishing wadded rice husks into shape (Plate 5).\n\nFor several generations the Yangtze valley produced large numbers of well carved, handsome and beautifully finished gold lacquer images, predominantly for Buddhist temples, although many were also Taoist folk religion deities. Since 1949 a factory has grown up near Kai Tak airport in Hong Kong in which Shanghai refugees still produce these for Hong Kong and for export. A fifteen foot bodhisattva was being finished whilst I was there, rolled on its back prior to being shipped to Singapore, swathed in plastic sheeting.\n\nThere are very many other local styles such as the knotted-root carvings of Shantung, the boxwood carving of the upper Yangtze\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207923, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 311, "title": "RAS-1976", "content_text": "296 \n\nNOTES AND QUERIES \n\n(A✯✯) who founded the Ten Thousand Buddha Temple above Sha Tin in the New Territories, Hong Kong in 1951 (erroneously recorded as 1961). He was a widely known and admired monk who at the age of 24, according to the Temple broadsheet, had been named Buddha Simba in recognition of having perceived the cause of the Universe. He was born in Yunnan in 1878 into the Wu (A) family and was educated in Shanghai and Peking. In the latter place, the record states, he was a \"professor of philosophy\" at Yenching University at the early age of 19 in 1897 before he became a monk. He preached throughout his life and died in April 1965 at the age of 87 in his temple in Sha Tin.\n\nThe story of his interment, exhumation and preservation is described in the temple brochure. The body was placed in a seated position, cross-legged in a wooden box and buried on the hillside behind the temple. There it remained for eight months. Yueh Chi, during his latter days, had instructed that his body should be exhumed after such a period of time, and when uncovered it was found that very little decomposition had taken place. A mark on the lower side of the right ribs excited comment as it appeared to be an image of a tiger, and another on the breast that of a human head. The body was then gilded, dressed in a salmon pink robe and a five-leaf vairocana crown, and enthroned in May 1966 in front of the large image of Amida Buddha which towers some twenty-five feet above him (plate 28). Another image, carved ostensibly in his likeness, is enshrined in a glass case in the rear of a Buddhist nunnery on a spur some two miles from the Ten Thousand Buddha Temple. This carving, one suspects, is stylized. It is gilded, apart from a heavy beard and a head of hair painted shiny black. The image holds a fly whisk, and has a pair of slippers before his throne, but has no crown.\n\nOther forms of image based on human remains, usually of laymen rather than of monks, such as those seen in Singapore and Ipoh made of a mixture of concrete, sand and human ashes, have not been included in this article. Whereas most wealthy devotees achieve recognition by having their donation details carved on the monastery wall, a few, however, will their ashes to be mixed and made into an image in their likeness, warts and all, in addition to donating a final large sum to the establishment.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208471, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 195, "title": "RAS-1978", "content_text": "# WOODBLOCK PRINTING\n\n179\n\nthan eight thousand volumes together with the world's oldest wood-block printed book are now kept by the British Museum in London. In 1908 a Frenchman, Professor Paul Pelliot, took away two thousand five hundred more volumes. What remained in the library, around eight thousand volumes, were sent to Peking in 1911 and are now kept in the Peking Library.\n\nBuddhism came to China along the Old Silk Road first from Central Asia at the end of the last millennium BC and again in 67 AD when a mission sent to India by the Han Emperor Ming Ti (***) returned with two learned Indian scholars. Chinese pilgrims, notably Fa-hsien (3); §) 399-424 AD and Hsuan-tsang (✯✯) 625-645 AD, used the Old Silk Road. All went through Tun-huang,\n\nBy the time of the Tang Dynasty, 618-905 AD, woodblock printing had already developed to a high state of artistry. Buddhists made full use of the printing technique to popularize their religion. Buddhism was very prosperous at that time. There were more than five thousand temples in existence, and around three million people became monks or nuns. The temple authorities and their followers engaged in publishing Buddhist texts or sutras with great enthusiasm, as they believed that the more texts or sutras that could be published and circulated the more merit would be rewarded. Most of the sutras were printed with images and illustrations so that they could be better understood by those followers with only little education.\n\nIn the year 931 AD the government of Late Tang (k) set up a special printing section under the Education Department (§76) to engage scholars, carvers, and printers to make woodblocks to print all classical texts copied from the stone texts, the first official textbook printing in Chinese history. It took twenty-two years to accomplish the whole series, consisting of nine classical texts totalling one hundred and thirty volumes and finished in the year 953 AD, Late Chou (£§).\n\nThe great advance in wood engraving skill should be credited to Northern Sung Dynasty (a). In the period of the tenth or twelfth centuries, the production of both classical texts and illustrated novels, including imprints of stone and woodblock folk prints, increased in quantity and quality. Books of fiction printed in the Sung Dynasty 960-1179 AD were amply illustrated, with illustrations\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208878, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 40, "title": "RAS-1980", "content_text": "12\n\nKEITH G. STEVENS\n\nA typical Daoist temple is the very bare flatlet on the fourteenth floor of a high-rise block in crowded Shamshuipo, established by a widow from Fujian province in about 1965. Now in her early eighties, she lives alone in the flat, which has a resounding Daoist temple name, and has services performed once a week by a visiting lay priest. She recalled eight occasions when near death, she was saved by a specific Daoist Immortal, Lou Da Zhen Jun (**★**IA) who died late in the Ming dynasty, in Fujian, but who appeared again in spirit form in the twenties of this century in Amoy successfully to persuade a Bank of China manager to stop gambling. Lou's likeness is the only icon in the temple, and before it, services are held and sand-table prognostications obtained.\n\nA modern major religious complex above Lo Wai, Tsuen Wan, has on its main altar large images of Confucius, Lao Zi, and Sakyamuni, representing the three religions: Confucianism, Daoism, and Buddhism. Above the altar hall, which is a modern pagoda, there are several buildings dedicated entirely to memorials, and in two of these halls, Daoist services for the dead are frequently performed.\n\nFolk Religion Temples\n\nThere are some two hundred and forty-six folk religion temples in Hong Kong. When sub-divided into architectural groups, approximately two-thirds of them are traditional buildings, two-ninths are modern constructions, legally built with the Hong Kong Government's permission,18 and one-ninth resettlement shacks, huts, or other illegal constructions. These latter fall into those tolerated by the Hong Kong authorities and those not tolerated.* The latter are regularly pulled down, often to be built illegally again nearby.\n\nTraditional temples in rural areas tend to have flourished around a catchment area of a village or two and have been built on the outskirts of one of the villages. Frequently, there is an adjacent open space used primarily for holding elaborate festivities on the main deity's annual feast day.\n\nAlthough most traditional folk religion temples built before World War II have a similar plan and general layout, no\n\n* To be explained by the periodic amnesties given to older, but still not tolerated illegal structures. 1976 saw the last to date, the purpose being to provide a new, realistic baseline for demolition of new structures (Hon. Editor).", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208895, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 57, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n29\n\nZhi Gong and over Lunar New Year, and has a \"red-pig\" fund30 for the feast at each occasion.\n\nCertain lands in rural areas in Hong Kong are designated as 'temple property',() and the income from them is devoted to the upkeep of the temple and its deity as well as providing financial support for the temple keeper. In many cases the deed of ownership is made out in the name of the principle deity, whilst selected elders of the village act as trustees.\n\nA foreign missionary once described how funds were raised in China for religious purposes.31 An old Buddhist temple to the north of Tak Hing, west of Guangzhou which had been allowed to fall into ruin, was to be rebuilt in 1903 because a geomancer discovered that the floods and crop failures of 1902 were due to the neglect of the deity who formerly had occupied the temple. The deity had come back, according to the geomancer, and had been seen in the form of a woman. Villages and cities even as far distant as forty miles sent processions to help subscribe towards the rebuilding. The missionary described the local collections as \"frequently barefaced extortion”. He explained that \"women went round to collect the money and asked every man for a sum based on what they knew him to be worth. If their demand was not complied with, they would refuse to take anything at all and threatened to post the family name all over the city walls as niggards who refused to help towards the public weal\". Perhaps too, in Hong Kong this may still go on to some extent.\n\nStatistics — Temples in Hong Kong and Macau\n\nHousehold altars and unmanned sea-side and streetside shrines have not been included in the statistics, except in the case of the streetside shrines which are roofed buildings large enough to entertain several humans standing up. These have been included under temples. The unmanned smaller public shrines run to about several hundred in Hong Kong with a further eighty in Macau.\n\nThere are about three hundred and ninety-six temples and monasteries in Hong Kong. Of these as many as ninety-eight are (or were before reclamation projects were completed) coastal temples dedicated to gods or goddesses of the seas; one hundred and thirty-five are Buddhist monasteries or nunneries; two hundred and forty-six are folk religion temples and two dozen are Daoist temples", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208896, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 58, "title": "RAS-1980", "content_text": "30\n\nKEITH G. STEVENS\n\nor halls.32 Nearly 70% of all nunneries are on Lantau island, whereas only 10% of the monasteries are; and three hundred and fifty-three temples and monasteries have resident staff.\n\nThere are thirty-two temples in Macau, of which two are well-nigh derelict. Of the thirty-two temples, six are coastal, twenty-four are urban, and two rural. The majority of temples contain a mixture of Buddhist and folk religion images (no temples contain only Buddhist images), and the remainder contain only folk religion deities.\n\nDegrees of popularity of the major deities in temples and shrines\n\nThe total number of temples dedicated to a specific deity throughout the two areas reflects the importance of that deity to devotees. In Hong Kong and Macau, forty-four different gods each have at least one temple dedicated to him (or her), whilst only seven gods have more than five temples to him (or her). The seven, in order of precedence (based simply on them being the main deity of a temple or monastery), are Tian Hou (seventy-eight) (*), Sakyamuni Buddha (thirty-nine), Guan Yin (thirty-eight), Guan Di (twenty-one), Hong Sheng (twenty), Bei Di, who is better known as the Northern Emperor, (ten), and Lu Zu or Lu Dongbin (seven). Although this gives only a very rough guide, the number of images of Guan Yin throughout Hong Kong and Macau vastly outnumbers those of Tian Hou. However, when the criterion is the number of temples in Hong Kong and Macau in which a particular deity is to be found (on any altar and not necessarily as the main deity), then the first five are Guan Yin, whose image appears in at least seventy-five temples, Tian Hou (114), Guan Di (88), Qi Tian Da Sheng (Monkey) (61), and Di Zang Wang (59).\n\nThe Kitchen God, most frequently depicted by a reddish-orange paper pasted on the chimney above the stove, is the most common deity to be seen on the household altar, followed closely by Guan Yin, whose image, as we have noted, is also to be seen in 70% of all temples. The most common deities outside the home are Tu Di Gong, the Earth God (the local tutelary deity), in both urban and\n\n* The totals are not the number of images seen but the number of temples in which the deity is the main image in both Hong Kong and Macau.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208979, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 141, "title": "RAS-1980", "content_text": "SYMBOLISM OF THE NEW LIGHT\n\n109\n\nIn the Taoist liturgy, however, even if historical influences were at play, they are not so easily detected. But it is worthwhile to investigate concrete examples to illustrate how cultural borrowings work and eventually contribute to mutual enrichment. I believe that traditions which isolate themselves from all others, tend to petrify and become uninspiring, whereas those which are open to extraneous influences, remain living faiths and increase their vitality.\n\nIn the concrete case-study at hand, the hypothesis of Christian influence on Taoism should not be seen as a purely academic exercise in fruitless speculation; even if a positive borrowing cannot be established, the analysis and comparison itself will lead to a deeper understanding of this archetypal religious phenomenon.\n\nLet us now investigate the hypothesis in detail. If Christian influences have been operative, the concrete Sitz-in-Leben is to be found in the Nestorian presence in T'ang China. The arrival and successes of this Ching-chiao (as Nestorianism is called in China) have been well established in several monographs.42 The best known studies were made by P. Y. Saeki who was aware of the probability of various influences at play during the T'ang dynasty. One shortcoming in Saeki's work, however, is that he is too eager to discover links of influence, esp. between Nestorianism and Buddhism. Still, his hypotheses should be taken seriously: Christian influence may well have been operative in the concrete forms of an originally Buddhist ritual; the Ullambana. The 7 times 7 days of celebration with the final ceremony on the 50th day reminds one too well of the Christian Pentecost. A simplified modern adaptation of this once grandiose liturgy still survives in the popular Chinese funeral rites: every 7th day after a person's death rituals are performed until the 7th week or 49th and 50th day.\n\nSaeki also discusses the probability of Nestorian influence on Taoism.43 His thesis has been more recently re-examined by a Chinese scholar Lo Hsiang-lin.44 The heart of the argument is as follows: in the biographies of Lü Tung-pin, a famous Taoist master of T'ang China (later on apotheosized as one of the Eight Immortals of Taoism), one finds a very strange text - 4 stanzas written in Chinese transliteration. Saeki's opinion is that these verses are either in Syriac or in Sanskrit. He states that the opinions of scholars are divided. Lo Hsiang-lin, on the other hand, does not mention the possibility of a Sanskrit origin, but opts for...", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208985, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 147, "title": "RAS-1980", "content_text": "SYMBOLISM OF THE NEW LIGHT\n\n115\n\nBuddhist influence in the Chinese Nestorian Church), JIBS, VI (1957), 138-139; H.1. Lo, T'ang-yuan Erh-tai chih Ching-chiao (Nestorianism in the T'ang and Yüan Dynasties) (Hong Kong, 1966).\n\n1951.\n\n4* P. Y. Saeki, The Nestorian Documents and Relics in China, Tokyo,\n\n44 Lo H.-1. Tang-yuan erh-tai chih Ching-chiao, Hong Kong, 1966.\n\n4 P. Y. Saeki, Nestorian Documents, p. 121.\n\n+\n\nThe Nestorian Monument in China, p. 56.\n\n47 E. T. C. Werner, A Dictionary of Chinese Mythology (New York: The Julian Press, Inc., 1969), p. 298, gives as the dates of Lü Tsu, identified as Lu Tung-pin or Lü Yen: 755-805. This is in contrast with E. Schafer, Pacing the Void (University of California Press, 1977), who believes that Lu Yen, later to become one of the Eight Immortals, failed the great examinations during the second half of the 9th century. However, in Lü's biography Lü-tsu ch'üan-shu (p. 28) one finds the statement that he was born in the 14th year of the chen-yuan period or 798, during the reign of emperor Te-tsung.\n\n48 Lü-tsu ch'üan-shu (Tao-tsang ching-hua, Series 9, vol. 4), p. 146. Cp. Lo H-1, op. cit., p. 146.\n\n49 See Lo H.-1, p. 147.\n\n50 L. Wieger, A History of the Religious Beliefs and Philosophical Opinions in China. (New York: Paragon Reprint Corp., 1969; or original ed.: 1927), pp. 519 and 567. With regard to Basilides, it must be kept in mind that he was a Gnostic teacher of the 2nd century A.D., who had influenced Manicheism, rather than Nestorianism. (See Encyclopedia of Religion and Ethics, vol. 2, pp. 426-433).\n\n» Chou-chih is the location of a great Nestorian monastery, the site where the famous Nestorian monument would be erected in 781.\n\n12 L. Wieger, History, pp. 507-8.\n\n53 K. Schipper, Le Fen-Teng, pp. 33-38.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209027, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 189, "title": "RAS-1980", "content_text": "NOTES AND QUERIES\n\nANOTHER (MISSING?) LIBRARY\n\n157\n\nIn 1935, after two years' travel and study in China, Gerald Yorke's book China Changes was published by Jonathan Cape of London. In Chapter Eight, entitled \"In Search of a Hermitage\", the following extract (p. 159) refers to a library at, it would appear from the final paragraph, \"the temple of the Mountain Cave (Tung Yuan) above Lanchi.\" This is county in Chekiang Province.\n\n\"In the meantime Li [Li Yuen-tzu, his companion, interpreter and friend, to whom the book is dedicated] had heard of a temple in the hills behind the town. It was not easy to find, and at first sight proved disappointing; for a family of peasants were in charge. But a draper's assistant, whose master had failed, was staying there to study. I had stumbled on a library presented by a scholar (Chao Ke-lao) in the first quarter of the sixteenth century. A tablet in his handwriting still bears witness to the gift. The books are in their original bindings and as fresh as if printed yesterday. Several appear to be of great age. This is hardly surprising, as the Tripitaka, the Bible of Chinese Buddhism in over one thousand volumes (the San Ts'ang), was first struck off wood blocks in the nine hundred and seventy-second year of Our Lord.\n\nThe draper's assistant knew his way about and picked out for me volumes with exquisite woodcuts as frontispieces. Unfortunately, he never distinguished between the dynasty in which a book had been written or translated, and the century in which it had been printed. I longed for a bibliophile to enlighten me. Over two thousand books printed before the year 1500 survive in as clean a condition as anyone could wish. Before taking them from their cases, sticks of incense and candles are lit by the peasant in charge. It gave me a real thrill to find such a treasure so respected in the hills. The veneration in which learning is held in China has no counterpart in the West.\n\nThere were too many people living at the temple of the Mountain Cave (Tung Yuan) above Lanchi. I decided to return to the Ch'ientang gorges, where the temple of the Master of the Water Rushes (Lu Su Chen Kung) had attracted me with its name.\"\n\nDoes anyone know if this library still exists?\n\nHong Kong. January, 1981.\n\nJAMES HAYES", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209180, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 83, "title": "RAS-1981", "content_text": "RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN THE CASE OF 1-KUAN TAO 69\n\nagainst I-kuan Tao see L. Deliusin, “The I-kuan Tao Society\", in Popular Movements and Secret Societies in China 1840 – 1950, ed. by J. Chesneaux, (Stanford, 1971) pp 225-233.\n\n21 In orthodox Buddhism San Pao stands for Triratna, i.e. Buddha, Dharma and Sangha (W. E. Soothill and L. Hodous: A Dictionary of Chinese Buddhist Terms, Reprint Taipei 1970, p 63)\n\n22 Cf. for example Ching-fen Hsiao, loc.cit., p 17.\n\n23 Cf. Shih Wen-tu *, \"Wo tsen-yang t'uo-li I-kuan Tao” #, in Chuch Shih #(Kao-hsiung, Sept. 1977) pp 20 -- 32.\n\n24 Since these accusations can neither be proved nor refuted by the observer it is very difficult to give a fair description of the sect.\n\n25 Cf. Chao Wei-pang, \"The Origin and Growth of the Fu-chi\", in Folklore Studies, 1 (1942) pp 9 — 27; Hai Ti-shan #, Fu-chi mi-hsin ti yen-chiu *****(Taipei 1966).\n\n26 Cf. G. Seaman, Temple Organization in a Chinese Village, (Asian Folklore and Social Life Monographs, No. 101 Taipei 1978) pp 20 – 35.\n\n27 Cf. Halao, loc. cit., pp 12 – 16. For a case-study ref. Seaman, op. cit.\n\nThe members trace the origin of the sect back to Fu Hsi and have an elaborated list of the transmission of the Tao through the centuries. The historical evidence for the existence of I-kuan Tao as a separate tradition does not reach beyond the last century, however.\n\n29 The ordinary fu-luan cults have sessions much more often, in general eight or twelve times every lunar month.\n\n30\n\nObviously many teachings of the fu-luan cults have their origin in the popular \"Buddhist” tradition which is also a main source of the I-kuan Tao teachings. It is difficult, however, to assess to which degree there is a direct influence of I-kuan Tao on these cults in Taiwan today. Probably there is a mutual influence since many followers of I-kuan Tao participate also in ordinary fu-luan cults. Actually, some fu-luan cults seem to be reservoirs of potential I-kuan Tao proselytes.\n\n31 Tian-jan *, 2 (Hsinchu Febr. 1980) pp 2 - 3.\n\n32 Cf. K. Ch'en: \"Anti-Buddhist Propaganda During the Nan-Ch'ao\", Harvard Journal of Asiatic Studies 15 (1952) pp 166 - 192.\n\n33\n\nFor examples see J. Chesneaux ed. Popular Movements and Secret Societies in China 1840-1950, (Stanford 1972).\n\n34 Of course, Mohammed is not regarded as a god in Islam. The knowledge of Islam in China, however, is rather poor and Mohammed is thought to be a divine person much like the Chinese \"historical\" gods or for that matter – Jesus.\n\n36\n\nThe medium belonged to the Sheng-hsien t'ang in Taichung.\n\n36 W. Grootaers, \"Une société secrète moderne, I Kuan Tao: Bibliographie annotée\", in Folklore Studies 5 (1946) p 332f.\n\n37 Tian Tao Kai Lun (1979 2nd printing), p 61.\n\n38 ibid., pp 61 – 62.\n\nby Su Ming-tung (Kaohsiung, 1978)", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 210285, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 256, "title": "RAS-1984", "content_text": "20\n\n235\n\nhand-gestures implying that he was going to replace the ghosts who were suffering in Hell.\" After that, he threw six Man Taus as if he was offering millions of bread to the hungry ghosts who had been released from Hell. All three representative worshippers of the committee, each holding a small incense stick, attended each night offering ritual. During the last ‘Offering', the Tao Ch'ang area was crowded with worshippers who were mainly family members and relatives of the 'Newly Dead'. Everyone attending the last ‘Offering' held a small incense stick. According to the informants, the ‘Last Offering', different from the other offerings, was especially for the ancestors of the worshippers.\" After the ritual, all the paper-made figures, Chos, and Ming-ches were burnt with paper-made gold and silver hills, bundles of paper money, and fire crackers. As each Ming-che was burning, the family members and the relatives of the 'Newly Dead' bowed down to send it off. For most of the worshippers, the festival had now ended, and only the committee members attended the rituals held on the last morning.\n\nOn the last day, there was a ritual to (i) thank the temple god, Kwan-ti, (ii) thank Heaven, and (iii) give offerings to those handicapped ghosts who were supposed to have come late. For the first time in the whole festival, meat was presented at this ritual.” The festival ended with the priests' departure after the rituals. The Association held a feast in the afternoon of the last day to celebrate the successful completion of the festival.\n\nIII. Composition of the Participants\n\nFour categories of the participants should be specially mentioned. They are: (a) the priests, (b) the common worshippers, (c) the families of the \"Newly Dead,” and (d) the committee members and workers.\n\nA team of nine priests, including eight monks and one nun, were employed from the Huang Po (## Obakku in Japanese) Buddhist sect from the Wan Fu temple (万 Manfukuji in Japanese) in Uji (宇治), Kyoto.23 Although (as at least two informants told me) in the past the priests in this temple were mainly Chinese, they are now all Japanese. They used to have\n\n4:2", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210363, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 334, "title": "RAS-1984", "content_text": "313\n\nteachings of the mission are Christian, the appearance of the eight-sided church and its surroundings are uncompromisingly Chinese, a gesture to the Buddhist pilgrim monks who found shelter there.\n\nKarl Ludvig Reichelt was born in 1877 at Bardu, near Arendal, Norway. The son of a sea captain, who died when Karl Ludvig was a child, he trained as a teacher at Notodden. He taught for a short period in Telemark and became a lay preacher in his spare time before entering the Norwegian Missionary Society training college at Stavanger.\n\nShortly after his ordination, Reichelt sailed for China, where, after language study, he was appointed to Ninghsiang, Hunan, where the Norwegian Missionary Society was active. It was his experience at Ninghsiang that influenced the rest of his missionary career. The impressions gained while on a visit to the famous Weishan monastery remained with him for the rest of his life.\n\n“I got a glimpse,” he wrote, “of a peculiar and exclusive world, a world charged with deep religious mysticism, a world full of tragedy and heart-rending but also marvellously rich in points of contact with sacred religious material.”\n\nIn response to what he felt to be a call from God, Reichelt decided to prepare for “special work among these people by the cultivation of friendly intercourse with the monks and enlightened lay people.”\n\nFrom that time Reichelt devoted himself to the study of Far Eastern religions and became in time one of the greatest contemporary authorities on the subject.\n\nReichelt's influence grew and he was later appointed to the staff of a Lutheran Theological Seminary at Shekow, near Hankow. His ideas on a Christian-Buddhist relationship matured sufficiently for him to submit to his home board a proposal for special work among Buddhists in China. He received support from his own missionary society, from the Church of Sweden and the Danish Missionary Society. He also toured Germany, Finland and the", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210433, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 40, "title": "RAS-1985", "content_text": "21\n\n1415 as a place for private burial. The Board appointed a committee to investigate (Weekly Press, 20 February 1909). It reported back to the Board in April with the opinion that it was not advisable for land to be disposed of for isolated detached cemeteries. By way of concession it recommended that, “If, however, any Chinese of affluent circumstances wishes to have space reserved as a private graveyard, remission might be given for an area to be so reserved, and railed off, whether in an existing Chinese cemetery or on land adjoining such a cemetery at a rate of $2 per square foot, same as grave spaces in Class D of Chinese Cemeteries.” (Weekly Press, 3 April 1909).\n\nBut this arrangement did not fully satisfy those who wanted better accommodations for their dead. A satisfactory solution was finally arrived at in 1913 when land was set apart at Aberdeen (Aberdeen Inland Lot No. 78) for a permanent cemetery for Chinese permanently resident in the Colony. The cemetery was under the control of a Board of Management made up of recognised leaders of the Chinese community. Those who had resided in the Colony for eight years, and had subscribed $100 (later increased to $500) were entitled to graves; however, no more than four grave spaces were to be allotted for one coffin. Part of the problem of a satisfactory cemetery arrangement for wealthy Chinese was their wish to have a traditional horseshoe-shaped grave, a form which could use a great deal of space. The more area a grave included, the more important the person, and the greater the public statement of the wealth and position of the family.\n\nIn February 1909 the Sanitary Board considered an application from the son of a deceased Chief Interpreter of the Supreme Court for permission to exhume the body of his father that he might be reburied in a larger site in the same cemetery along with two sons, and two of his wives, who were to be exhumed from the cemetery for Chinese at Mount Caroline.\n\nThis request added fuel to the fire which was burning over the presence of Japanese Buddhist graves among those of Christians. One of the European members of the Board protested “against allowing our cemetery to be used for re-interment of bodies from", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 211059, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 120, "title": "RAS-1987", "content_text": "95\n\nHong Kong as Wong Tai Sin. Her informant claimed that\n\nOne day he was found dead sitting in a Buddhist meditation position at the base of a cliff and covered with earth from a land-slide. When his body was removed it was found to be sweet-smelling and uncorrupt. (Topley and Hayes, 1966:129)\n\nThis version conflicts sharply with the temple's version of the hermit's life on earth, a version based on classical literary sources. Obviously Topley's Cantonese informant had not had access to the official account. But such unusual details as she related are unlikely to have been fabricated on the spot by the informant herself. Where then did the informant get her version of the story? It was not long before we discovered the probable source: a similar story would have been circulating in Hong Kong in 1966 concerning the monk Yuet Kai, who had died in 1965 at the age of 87 after presiding over a Buddhist temple and pagoda in Sha Tin, New Territories, since the early 1950's. After he died,\n\nHis body was placed in a sitting position in a square box. It was then buried in the hillside behind his temples, and, after eight months, the body was exhumed. People who were there have recorded that there was hardly any sign of decay, and that the body had a phosphorescent glow. (Savidge, 1977:107)\n\nThe coincidence of details between the two cases — the individual was buried in a sitting position on [or at the base of] a hillside, and when exhumed his body had not decayed — suggests that the Cantonese lady was transferring a miracle story she had heard about an obscure monk to explain the origins of a famous god who was once an equally obscure hermit.\n\nThis process of the adoption of a miracle story originating in another context to embellish a narrative or fill gaps in one's knowledge may or may not be deliberate. Doubtless in some cases it results from faulty memory. While these \"errors\" seldom leave identifiable traces in literary sources, occasionally they can be detected, as for instance in the apparent assimilation of deeds\n\nPage 120\n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 212261, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 203, "title": "RAS-1990", "content_text": "180\n\nCLUES TO THE LIFE AND ACADEMIC ACHIEVEMENTS OF ONE OF THE MOST FAMOUS NINETEENTH CENTURY EUROPEAN SINOLOGISTS – JAMES LEGGE (AD 1815-1897)\n\nLAUREN F. PFISTER*\n\nJames Legge (1815-1897) was perhaps the most important intellectual, among both foreigners and Chinese, in 19th century Hong Kong. His eight-volume set of translations of the Chinese Classics, written in Hong Kong, has passed through at least nine reprintings (the most recent being in 1985). Numerous independent copies have been made of the second edition of the Four Books, which Legge himself re-edited (1893-1895) before he died in 1897. The complete set of translations, commentaries, and critical notes earned Legge much international recognition.\n\nThe international acclaim arrived as a result of correspondence which passed between Legge and the brilliant sinologist of the French Academy, Stanislas Julien, during the 1860s. When the latter died in 1872, an international prize for Chinese Literature was established under his name; Legge was its first recipient in 1875. This led a group of English businessmen and friends to promote the creation of a chair in Chinese for the retired missionary. Funds were raised, and Legge was accepted on rather unusual terms at Oxford University in Corpus Christi College as the First Professor of Chinese Language and Literature (1876-1897).\n\nDuring Legge's tenure at Oxford, he was an active member of the Royal Asiatic Society, completed six further volumes of Confucian and Taoist translations for F. Max Müller's series, The Sacred Books of The East, while writing and lecturing to students and the general public in Oxford on a broad range of issues including Chinese language and literature, Taoism, Buddhism, Chinese History, Indian and Syrian influences in early Chinese History, as well as topics in Chinese philosophy and political thought.\n\n#\n\n* This article is edited from a longer manuscript with the consent of the author [Editor]\n\n \n7", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212275, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 217, "title": "RAS-1990", "content_text": "194\n\nrole as a scholar-missionary.\n\nIn the diary he kept during this furlough period (now in the Bodleian Library), there is an astounding set of reflections written during his eight-month voyage back to Hong Kong. These self-conscious re-evaluations led to certain definite decisions about the direction of his own research. His personal attachment to China and his scholarly concerns are cogently captured in these meditative jottings.\n\n\"I look at China\n\nnot as a philosopher, but with the\n\neye of philosophy. It is to me a great story, and my own mind demands to be satisfied as to its language, its history, its literature, and its moral and social state.\n\nThe specific terms of this commitment he proceeded to itemize:\n\n(a) Language: \"On what principles was it formed? Through\n\nwhat modifications has it passed?\"\n\n(b) History: \"To what point of antiquity can we trace it with any certainty? Where did the people come from originally? What relations can be discovered between them and other races and nations? What light may their language and literature mutually reflect upon each other?\n\n(c) Literature: \"principally the different religions and ethical systems that obtain in the country. \"Confucianism, Taouism and Buddhism\" must all be unfolded.... Their doctrines must be exhibited and these doctrines referred to principles. The truth in them must be separated from error.\"\n\nFurther\n\n\"Was there not a religion and an ethics in China from time immemorial which will deserve research? What of it is in Confucianism? and what of it is in Taouism? On all these topics let me get ideas\n\ndefinite, palpable and precise.\"\n\n(d) Finally, with regard to the \"Social, Moral and Political State of China:", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212582, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 136, "title": "RAS-1991", "content_text": "116\n\nThe stylised format remains similar to the 5th century edition. Traditionally, preparing this almanac was the responsibility of the Board of Astronomy.\n\nThe funeral service in this study involved five Taoist (sometimes Buddhists are engaged) monks who, as is customary, chanted mantras. They were accompanied by an orchestra. 'Wooden fish' (*), namely sound boxes, bells and small brass singing bowls were struck. A high-pitched flageolet, a musical instrument with six or eight finger holes, played what some would describe as discordant music. As the coffin was wheeled into the hall, head first on a bier, relatives crouched and mourners born in the Year of the Monkey were instructed over a microphone not to look at the casket. If they did it could bring bad luck. With the head of the corpse towards the altar (in a Christian church feet usually face east towards the altar) the 'body was shown to the gods'.\n\n26\n\nWith patrilineal kinship ties, if there are sons or grandsons in the family a ceremony of 'buying water' (A) takes place. With a traditional funeral in Hong Kong's New Territories this still consists of the eldest son, the chief mourner, being escorted to the nearest stream or well, dropping three cash (old copper coins) in and bringing back a bowl of water. The ritual can vary from bathing the corpse to a symbolic dab on the dead parent's forehead. This, in Confucian tradition, signifies filial piety. It also helps to ensure the lineage continues. 'I have no sons to buy water!' is a not uncommon lament by some husbands, which, in the old days, meant taking a concubine because the first spouse did not give birth to an heir. As there were no sons in this study the three daughters kowtowed three times and walked around the open coffin three times. Other mourners then bowed.\n\nThe public 'lying in state' continued until the 'last glance', towards the end of the ceremony. With the upper portion of the body visible through a clear, plastic 'window' family mourners, followed by the congregation, filed around the coffin. There was weeping. Some children were held up to look at the corpse. (By contrast, I have heard it said a mourner should not get too close for fear of being 'possessed'.) The lid was then secured.\n\nAfter the service the dead person's spirit was 'led' to Chung Yam Fat Ser (Pine Shade Buddhist Association). This hall is situated in multi-", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212583, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 137, "title": "RAS-1991", "content_text": "|17\n\nstorey, basically domestic, accommodation in crowded, busy Kowloon, The eldest daughter, in the front seat of the car, carried the enlarged photograph of Mother in her 'spirit shrine' (jing tong), made from coloured paper stretched over a bamboo frame. A short ceremony was held at 'Pine Shade Hall' with two Buddhist nuns in attendance. Pine is an emblem of longevity.\" It frightens away evil, such as ghouls that prey on corpses.\n\nLater, a meal with three tables (about 12 people to a standard Chinese round table) was provided at a nearby restaurant. A place was filled at intervals. It was the first time relatives had eaten meat for two days.\n\nIt is bad luck to return to the funeral parlour on the same day (to retrieve something left behind, say) and it is not propitious to go straight home. One should 'leave' the bad luck elsewhere. All close relatives, however, were given a piece of bright red cloth, about eight inches square, cut from the shroud. This they still keep as souvenirs.\n\n28\n\nBecause of congestion long funeral corteges with pedestrians, some in good spirits, and close relatives and professional mourners weeping unashamedly, are no longer allowed. Up to the late 1960s when these were still common, an elaborately carved, nine-foot high funeral chair with a portrait of the deceased would lead the procession followed by the hearse.29 Large bamboo and wicker frames covered with silver and blue papers and flowers, with characters reading, for example, ‘Funeral of Wong Family', and describing the dead person's outstanding characteristics, would also be shouldered by coolies or transported on tricycles. The names of the three genial Gods of Happiness, Wealth and Longevity, Fuk, Luk and Shau, would also sometimes be displayed as would names of donors. Chinese bands, some engaged by friends to proffer condolences, played western hymns: like Abide with Me, or pop tunes such as Polly-wolly Doodle all the Day. Paper scatterers left trails for souls to find their way back home.\n\n28\n\nThe cortege of Kwok Acheong, who died in 1880, was supposed to have taken one hour and 13 minutes to pass. The author recalls a quarter-mile long cortege in 1956, with 16 separate bands and musicians' uniforms ranging from white-waiter-style, to Salvation Army blue, to Confederate grey. The procession completed one circuit of Happy Valley before stopping at the then Colonial Cemetery gate. On such occasions newspapers recorded, \"The funeral passed the Monument at such a time.\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212590, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 144, "title": "RAS-1991", "content_text": "124\n\nniches. If this happened, one bowed and apologised aloud to the spirits.\n\nThe ceremony was conducted by a Taoist brother who carefully poured the ashes through a white cloth folded in the neck of a funnel. The deceased's gold bracelet together with a piece of jade were also deposited in the urn. The top was tied on with red ribbon. Her name was written on the outside of the urn with red paint, 'free hand' (without butt of hand resting on anything). The Taoist painted fine characters although he professed to have had little schooling. After mourners bowed three times flowers were arranged in vases. Paper rosettes were burned. Also, two tables were placed in front of the two niches and a feast, including fruit, cakes and rice wine, was laid out. The two urns, each covered in white cloth, were then inserted in their respective niches, the doors were sealed with plaster and more joss sticks and yellow rosettes were burned. The six mourners then lined up, recited Buddhist prayers and received lucky packets. It was necessary for the Chinese candles to burn out before bowing goodbye and leaving the columbarium for a late, 4.00 pm, vegetarian 'lunch'.\n\nSixth Tsat\n\nAlthough official ceremonies ended with the fifth, the family paid a further visit to Ching Chung Koon, where the ashes are kept, on the sixth tsat. Joss sticks in clusters of three (one each for heaven, earth and mankind), paper 'gold bars' and a large rosette made up of coloured paper were burned. These eight-inch squares of yellow paper had been 'blessed' by an old woman. She meticulously burnt a hole in the centre of each single sheet with a joss stick. Also, single joss sticks were placed in all vases for other souls in that room of the temple.\n\nCharity\n\nAt this stage, the three daughters were informed by a fortune teller that, for their mother to enter kik lok shai kaai (extremely happy world) it would help if they performed some charitable deeds. A donation of $2,000 was made to a poor, elderly watchman to help with medical expenses. 'Give to a charitable organisation, with heavy overheads, there is no telling where the money goes,' one daughter said.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212762, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 71, "title": "RAS-1992", "content_text": "56\n\ntogether with his regular recommendations to the Chinese government, such as the one for the Chinese capital under a new regime to be moved from Peking but not to Nanking which would, he suggested, be the natural Chinese choice, but to Si-an, nearer central China and better able to be defended from invaders, were interspersed amongst other more mundane factual paragraphs.\n\nVery occasionally his stories verged on the salubrious, but were never risqué. He described Patriarch Lu Tsu, one of the Eight Immortals, as the author of an extraordinary work on the art of massage. By a certain process of massage, if systematically continued for some time, it was possible, so wrote Mesny, to deprive young men and women of their desire for sexual intercourse. They were practically rendered impotent and maintained so, without injury to their health or intellect. This was practised in Szechuan and Hupei provinces, especially in the large monasteries and nunneries of the Taoist and Buddhist priesthood, wherein celibacy was strictly enforced and easily maintained.\n\nMesny was not above writing very puerile articles. One such in 1896 was a parody on the subject of the Shanghai Mixed Court in the British Concession, referred to by him as the 'tribunal of injustice', which is now practically impossible to understand without knowledge of the personalities of the day, whom Mesny disguised behind pseudonyms. It filled some five columns on four pages and may have amused some readers and rid Mesny of some of his spleen, but a century later it reads so poorly that it is embarrassing. Something at the Mixed Court had so upset Mesny that he must have rushed into print, writing in the vein of many similar letters to the press in England at that time signed by 'Disgusted of Tunbridge Wells' etc.\n\nThe contents of the Miscellany included serialised weekly parts running for a couple of months or so on substantial subjects such as:\n\n[1] The Taiping Rebellion or the Life and Adventures of a British Pioneer in China. This provided many pages of detailed and often petty experiences, such as his voyage up the Yangtze in 1868, where he repeats minor incidents often ad nauseam. Better descriptions of, for example, voyages up the Yangtze have been written by other westerners, such as Little, with excellent photographs, something Mesny appears not to have", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213324, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 146, "title": "RAS-1994", "content_text": "127\n\n1\n\n# NOTES\n\nThe Manchus established the Ch'ing dynasty in AD 1644, having overthrown the native Chinese Ming rulers. The Manchus were related to the central Asian group speaking a language akin to Mongol who settled in Manchuria many centuries earlier. They were usually referred to by Europeans as Tatars.\n\n2. Lach garrison town, including Chapu, contained a Tatar walled city separate from the Chinese city.\n\nIn 1840 HMS bug Algerine paid a flying visit to Chapu and was fired upon from some batteries near the town. During the attack on Chapu in 1842, these batteries were quickly put out of action by the Royal Navy.\n\n4. Under command of Vice-Admiral Sir William Parker.\n\n*The Westmorland Regiment was granted the China Dragon superscribed “China” for service during the China War of 1840-42.\n\n*The Nemesis was the first iron steamer to round the Cape of Good Hope. She was never commissioned as one of HM's vessels of war, yet was generally commanded by Royal Navy officers. She was of the greatest use throughout the First China War and after the Treaty of Nanking returned to Bombay.\n\nA joss-house is the Victorian name for a Chinese temple or shrine, the house where the joss (god, from the Portuguese \"Deos\") was situated. From contemporary sketches and descriptions, the joss house in question would appear to have been a medium-sized Buddhist establishment, and although there were no references to priests, monks, or nuns, it had residential accommodation in addition to the usual altar halls.\n\nLung Fu was a company commander, Iso-ling (grade 4a), of one of the Eight Manchu Banners.\n\n*Parker, L. II. Chinese Account of the Opium War.\n\nA Tao-tai was an imperial Circuit Intendant, a member of the hierarchy controlling several prefectures.\n\nI-li-pu (1770-1847) was a member of the Manchu Bordered Yellow Banner and an Imperial Clansman. He was banished for disobedience in 1841 but recalled and appointed acting assistant military lieutenant-governor at Chapu in early 1842, his predecessor having died of wounds during the British attack. Chapu was still occupied by the British, and I-li-pu had to remain in Hangchou, where he received orders to move to Soochou as it was understood that he was respected by the British, and the Court wished him to be on hand to carry out negotiations.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213618, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 214, "title": "RAS-1995", "content_text": "187\n\nTWO GROUPS OF CHINESE DEITIES RARELY SEEN ON CHINESE ALTARS\n\nKEITH STEVENS\n\nImages of Chinese deities on altars either stand alone, with their aides and assistants where applicable, or in groups of two, three, five, eight, ten, eighteen as dictated by their legend or custom. There are many such groups, most of which are to be seen on a number of temples. However, two groups, though quite frequently referred to in scripture and legend have only been noted once. The first, the Six Patriarchs of Buddhism, stand on three altars, side by side, in a secondary hall of a popular religion temple run by Ch'aochou devotees in Chonburi, a city just south of Bangkok. The second, the Taoist Seven True Ones (of the Northern School), the disciples, enlightened ones, of Wang Chung-yang can be seen in a separate side hall dedicated to them of a temple at the base of Hua Shan in Shensi province.\n\nThe Patriarchs of Buddhism, Tsu\n\nThere are two separate groups of Buddhist patriarchs, those of the West, that is, with Indian and Hindu origins, and those of the East, that is, Chinese. Indian patriarchs of Western Buddhism totalled twenty-eight, a few of whom were still revered in mainland Chinese temples during the earlier part of this century.\n\nThe Chinese patriarchs of Eastern Buddhism, a total of six, the Tung-tsu Liu(1), belong to a relatively late stage in the development of Buddhism in China of which one, the last and Sixth, Liu Tsu, is still regarded as a major deity in his own right by the Cantonese. However, images of Liu Tsu, together with the other five Patriarchs are to be seen in Chonburi, in a large combined Buddhist-Taoist temple.\n\nThe first patriarch of Chinese Buddhism is Bodhidharma who was also the 28th and last Patriarch of Indian Buddhism. He left India when already an old man and in about AD 520 after travelling for about three years he reached Canton bringing with him the sacred alms bowl of the Indian Patriarchate. He died some ten years later and, according to different schools of thought, is buried either near Loyang or near...", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213623, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 219, "title": "RAS-1995", "content_text": "192\n\nAnother claim suggests that Ch'iu was the adviser to the Yuan emperor Shih Tsu [better known as the Great Kublai Khan] though as Ch'iu is said to have died in AD 1227 this would be impossible; yet another claim which is again fanciful, Ch'iu is said to have been the author of the dramatic version of the \"Journey to the West\" the well-known story in which Monkey [Ch'i-t'ien Ta-sheng] aids a famous monk to carry Buddhist scriptures to China from India.\n\nHis mausoleum was in the influential Taoist White Cloud Monastery, the Sect centre, in Peking. Temple records in the Pai-t'a Dagoba in the Pei Hai in Peking noted that he died at the age of 80 in AD 1227.\n\nHis image is to be seen on two altars in Hong Kong, both in Taoist monasteries where he is portrayed as a seated Taoist figure dressed in robes, blue in one monastery and golden in the other, with a black beard. He is wearing the tiny Taoist crown and holds a fly switch in his right hand. He has no unique identifying characteristics, though in private images he is often depicted with his blue robes decorated with pa-kua signs. His image, in both monasteries, is on a secondary altar in a main hall dedicated to Wang Ch'ung-yang, with Lu Tung-pin being the sole deity in the other secondary altar. These three Immortals are known collectively as the Three Generations, with Lü the eldest, Wang the second generation and Ch'iu the third generation and the junior.\n\nHis great weakness, which he had to overcome, was his impatience. He was renowned for his propensity to butt in and offer his opinion, often after reaching conclusions prematurely.\n\nIn Peking, his image in the Tan-chi Kung depicted him as a young man without eyebrows or whiskers and with a whey-coloured face. In Singapore, his old gilded image stands on an altar in an old temple in Telok Blangah where he shares a shrine on an altar with Lu Tung-pin, one of the Eight Immortals, with the other shrine occupied by images of Ho Hsien-ku, another of the Eight Immortals, and Sun Fu-jen, an unidentified matron.\n\nCh'iu was deified by the Yuan dynasty emperor Shih Tsu [Kublai Khan, ca AD 1260] as: Ch'ang-ch'un Yen-tao Chu-chiao Chen-jen (MIÈ3⁄4Ç^). Later, at the time of Yuan Wu Tsung [ca. AD 1308],", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 214010, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 79, "title": "RAS-1997", "content_text": "45\n\nas a Buddhist monk. The problem of identifying which members of the family are portrayed by images on altars has been complicated by temple keepers having their own personal views of the exact identity of each deity on their altars. At least four of Yang Yeh's other sons are individually revered on altars, with the complete family, usually seven sons, revered in at least four temples, though in two of these there are eight sons, together with Yang Yeh's two young daughters and several of his sons' wives.\n\nLegends recounted by tea-house story-tellers claimed that General Yang Yeh defeated the Mongols near Heng Shan in Shansi early in the Sung dynasty becoming one of the most powerful supporters of the Sung. Later he, together with his heroic sons, tried to save the emperor from the invading hordes, and with his wife chose to die rather than surrender. All but two of their sons died with them. The Fifth and Sixth made their separate ways home after many adventures. After falling in battle fighting the enemies of the Sung, Yang Yeh was awarded the title of The Marshal who Protected the Sung, Sung-pao Yüan-shuai*. His body was recaptured from the enemy, so legend relates, by a valorous captain who had used a secret weapon to defeat them. He caused fire to flow from a pot thereby scorching the hillside and then, having exhumed the general's corpse, he returned to the capital at Kaifeng where it was buried in state. A temple keeper in Kowloon Tsai in Hong Kong claimed that General Yang Yeh was killed by the Tatars who hung his body on a gate tower where, daily, Mongol soldiers fired arrows at it to cause pain to his soul.\n\nA popular opera describes how the Commander-in-Chief of the Sung forces, General Yang Yeh, was encircled by the Tatars and seeing no other way out defied capture by knocking out his own brains on a stone monument dedicated to the loyal Su Wu, the unyielding plenipotentiary of the Han dynasty. The Tatars recovered his remains and honouring his bravery built a mausoleum in the Hung-yang cave, but covertly buried his remains in a secret place elsewhere to avoid the Sung forces taking the corpse back to be buried in the family grave. Meng Liang, a junior officer serving with the Yangs [and possibly now represented by the image of the unidentified deity on the temple altar beside the main altar bearing the images of the Seven, near Taichung] bravely recovered the corpse from the false coffin which, as the Tatars had feared, then was buried back home. However, Yang Yeh's spirit", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214015, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 83, "title": "RAS-1997", "content_text": "49\n\nIn one temporary temple run by Chaochou immigrants in Hong Kong the Fifth Son was portrayed simply by a stylised painting depicting him as a ferocious warrior, unarmed, standing on one foot. This likeness was on a secondary altar whilst the main deity, also represented by a portrait, was of the first emperor of the Sung, Sung T'ai Tsu. The temple keeper explained that the Fifth of the eight sons of General Yang Ling Kung, who is better known as Yang Yeh, was a bodyguard to the first emperor of the Sung.\n\nA story related in Tainan county claims that a herdsboy who, having picked up a piece of wood which had the outward appearance of a Buddhist priest, was playing with it. A teacher, having seen him with the odd-shaped wood, requested a medium to clarify whether it was an image of a spirit. He was taken aback when the answer was an affirmative and that the spirit was that of a local man who had been borne off to Heaven in the not too distant past. Furthermore, the deceased had been an incarnation of the loyal Sung \"minister\" [sic], Yang Wu Lang, who had now become a Buddha. The piece of wood was placed on the altar in the village temple where it is prayed to as the spirit of the Fifth Son, and known as Yang Wu Sai Yuan-shuai 吳賽元帥.\n\nAn image of a black-bearded general with protruding eyes, five flags on his shoulder rack, and a magic sword raised in his right hand, stands on the main altar of a rural temple in Muar near Malacca. He is only known as Yang Wu Shih is said to be \"the Fifth Son of a famous general who lived a thousand years ago\".\n\nYang Yen-chao, is known as Yang the Sixth, Yang Liu Lang or Liu Shih-yeh. His image on the main altar in the temple near Taichung is one of two individually identified. The temple near Taichung would appear to be the only temple in Taiwan in which the Sixth Son is the main deity and the temple keeper, proud of his deity's uniqueness, explained that Liu Lang was captured by the Tatars and had even married a Mongol bride. His image has not been seen in any temple in South-east Asia though a story told in Penang claimed that a massacre of Fukienese by an army under a 'cruel general, Yang Liu Lang' continued for several days until, on the 8th of the first lunar month, many were able to escape by hiding in sugar cane fields. Ever since, annually on that date, sugar canes with foliage have been placed", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214230, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 88, "title": "RAS-1998", "content_text": "IMAGES OF SINICISED VEDIC DEITIES ON CHINESE ALTARS\n\nKEITH STEVENS\n\n51\n\nIntroduction\n\nThe rear halls of two temples in the Western Hills of Peking each contains some twenty-eight images which, though predominantly Chinese in appearance and style, are Vedic deities referred to in English in Chinese temple brochures as the Deva. The main question arising from this unique pantheon asks what led to its arrangement and character?\n\nBuddhism in China numbers among its many deities several score borrowed from Brahmanism and other Indian religions, other words Hindu deities with Chinese appearance and bearing. These tend to be well-known forms, accepted by Chinese devotees as Chinese and with little suggestion that they had an alien Indian origin. The concepts and forms of Buddhist deities on altars in China were almost exclusively brought there from India either by the northern route over the mountains and deserts of North-western China or the Southern route by sea to Kuangtung or Fukien provinces. The transit of South Asian Buddhism and its statuary to China began during the first century AD with the statuary being uniquely Buddhist, taken from Hinduism via Buddhism.\n\nThe Revd. J MacGowan1, during the early days of this century wrote that \"the practical, every-day, common religion of the Chinese is idolatry, pure and simple. Ancestor worship is too profound and too ideal and not quick enough to meet the problems that constantly face the Chinese in their struggle for existence. To provide for this difficulty, idols innumerable have been enshrined in homes and in temples all over the land....and many of these idols are of Indian origin, as can be seen by their faces, as well as by the liturgies that are used, which are certainly adaptations from the ancient Sanskrit.\"\n\nWe are particularly interested here in the specifically Hindu deities referred to in English in Chinese brochures as the Devas, but in Chinese guise, on altars in two temples in the Western Hills, the Ta Pei...", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214231, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 89, "title": "RAS-1998", "content_text": "52\n\nSsu and the Pi-yun Ssu. They were first placed there some three hundred years ago, towards the end of the last fully Chinese dynasty, the Ming and before the overthrow of the Ming by the non-Chinese Manchus.\n\nThe Two Temples in the Western Hills\n\nThe old Kuan Yin Hall of the Ta Pei Ssu X, the fourth of the Eight Great Places in the Western Hills of Peking, is sealed off and not available to the general public. It contains a modern image of the major deity, the bodhisattva Kuan Yin with a Thousand Arms and a Thousand Eyes together with old but refurbished images of the Deva with their name in Sinicised Sanskrit but without providing any hint as to their origins and legends. The statues of the Deva were originally made during the Ming, ca. 1500 AD, and consist of clay reinforced with hemp. They are referred to in temple literature as the Group of 28 Great Immortals +. The image of the Thousand Arm and Thousand Eye Kuan Yin was replaced by the Japanese after the Second World War in an attempt to make amends for having taken the original and melted it down for the brass content during the War.\n\nThe Kuan Yin Hall in the Ta Pei Ssu contains in addition to the one bodhisattva, Kuan Yin, twenty-eight images, which can be categorised as follows: twenty-six deities with Sanskrit titles including the five T'ien-wang [Guardians] together with two Chinese folk religion deities. Of the twenty-six, five are deities specifically referred to separately in the Eight Classes of Supernatural Beings? [Deva, Mahoraga, Kinnara, Asura and Gandharva]\n\nIt is lamentable that the Kuan Yin Hall is closed to the public; however, fortunately, there is also a Hall of Bodhisattvas in the second temple, the Pi-yun Ssu #, some five kms. to the north of the Ta Pei Ssu, which is open to the general public and it too contains the Twenty-eight Deva; however, the images here have all been made within the past fifteen years, probably replacements for the original images destroyed during the Cultural Revolution and yet again without any signs to indicate that they are anything other than Chinese deities. The fact that all but three were originally Hindu deities brought to China by Buddhism is not explained in temple literature, though the monks un-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214232, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 90, "title": "RAS-1998", "content_text": "53\n\nderstood that all twenty-eight of the deities in the hall were followers or disciples of the Kuan Yin with the Thousand Arms and Thousand Eyes.\n\nThe twenty-eight images in the Bodhisattva Hall of second temple, the Pi-yun Ssu, (apart from the main deity Kuan Yin), fall into three categories: four bodhisattvas [P'u Hsien, Wen Shu, Ta Shih Chih and Ti-tsang Wang - but not including the main deity, the Bodhisattva Kuan Yin]; seventeen deities with Sanskrit titles [including four T’ien-wang Guardians] and three Chinese native folk religion deities.\n\nThe monks also explained that a stream which ran through the area had attracted imperial favour and several temples had been sited and built by palace eunuchs to enable the emperors to relax during the summer heat or visit the nearby shrines of deities of longevity and prosperity. Amongst these were the Ta Pei Ssu and the Pi-yün Ssu. They also understood that when the decision was taken to set up the images in the Hall each image was specially constructed and given a name or title all in accordance with Buddhist sacred writings.\n\nHowever, these two temples in the Western Hills are not quite unique in that a further 28 deities can be seen in a cave-tunnel in a comparatively modern temple near Taipei in Taiwan, each labelled with a Sinicised Sanskrit or pseudo-Sanskrit name, similar to the deities in the two temples in the Western Hills. Such alien names mean nothing to most Chinese.\n\nIn the Ta Hui Ssu X, a third temple, within the city of Peking, statues referred to in the temple as the Twenty-eight Protectors of the Buddhist Law line the flanking walls of the main hall. These too are very similar in style and appearance to the Twenty-eight Deva in the Ta Pei Ssu in the Eight Great Places and though not individually identified as such in the Ta Hui Ssu they are probably similar Deva.\n\nAccording to Soothill's Dictionary of Chinese Buddhist Terms Deva is a general designation of the gods of Brahmanism, celestial beings whom he lists as the Twenty Deva [+]. The Sinicised Sanskrit titles of the deities seen in the two temples in the Western Hills, compared with the list of twenty in Soothill's dictionary, con-\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214233, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 91, "title": "RAS-1998", "content_text": "54\n\nfirms that the majority of deities in these two temples are Deva. The categorization of the Twenty-eight Immortals as Deva was arrived at by comparing the Sanskrit identities of the twenty-eight images and the list of the Twenty Deva provided by Soothill. The minor variation in inclusion and omission between the Twenty Deva listed by Soothill, the Twenty-two Deva in the Ta Pei Ssu and the Twenty-five in the Pi-yun Ssu cannot be explained.\n\nIn some temples the Deva have been equated with the Asuras. This is incorrect as the Asuras are those who are not only not Deva but are, according to some writings, the greatest enemies of the Deva and, in others, it is written that the Asuras are anti-gods and not, as claimed so often in English, demons.\n\nIt would not have been possible to identify any one of the images of the Deva without its Sinicised Sanskrit title on the tablet before it apart, that is, from the three fundamentally Chinese deities with their Chinese titles included within the Deva groups, Wei T'o and the four T'ien Wang Guardians.\n\nImages within the Two Temples in the Western Hills\n\nWithin the main hall of both temples, apart from the images of the Deva lining the side walls, stands the popular and well-known Buddhist bodhisattva, the Goddess of Mercy, Kuan Yin adapted from images brought from India where he [a male deity at that time] was the Brahmanist deity Avalokitesvara. In the Ta Pei Ssu she is alone whereas in the Pi-yun Ssu she is sitting crossed-legged and is flanked by two pairs of secondary bodhisattva. The first pair is Wen Shu and P'u-Hsien, whose Sanskrit titles are Manjusri and Samatabhadra respectively. They were two of the twelve divine Buddhist teachers. They in turn are flanked by another pair of bodhisattvas, Ti-tsang Wang, the Saviour of the Underworld and Ta-shih Chih. The latter is one of the members of the retinue of Amitabha [O-mi-t'u Fu] known in Sanskrit as Kshitigarbha and Mahasthama respectively. Mahasthama is believed to be the deified Maudgalyayana, the right hand disciple of the Buddha, Gautama.\n\nIn the Pi-yun Ssu, the bodhisattva Saviour of the Underworld, Ti-tsang Wang, is depicted in his modern standard form, sitting side-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214234, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 92, "title": "RAS-1998", "content_text": "55\n\nsaddle on his recumbent lion, holding his rattle-stick in his right hand and his pearl in his left. He wears monk's robes and the five-leaf Buddhist crown and is a benign middle-aged monk. However, in the Ta Pei Ssu he is without any unique characteristics, and is portrayed as a middle-aged deity, standing, with palms held together in prayer before his chest; he is dressed in multi-coloured robes and an ornate crown. Without his label it would not have been possible to identify him.\n\nNative Chinese Deities co-located but unconnected with the Deva\n\nTwo of the Twenty-eight deities in the Ta Pei Ssu are not Deva, being native Chinese deities. One is known as the Lord of the Purple Planet, Venus, Tzu-wei Ta-ti and the other, the Lord of the Underworld, Tung Yüeh Ta-ti.\n\nIn the Pi-yun Ssu the additional native Chinese deity, bringing the total to three, is the Spirit of Thunder, Lei Kung, though in practice he might perhaps be regarded as originally Hindu in that he is a form of Garuda, a human with wings, the beak of a bird and clawed feet.\n\nThe great majority, if indeed not all Chinese visitors to these temples, be they devotees or merely sight-seers, tend to assume that the deities were legendary Chinese figures, possibly because the sign-board outside one of the halls describes them as P'u-sa [bodhisattvas], a term Chinese are familiar with considering it to be Chinese. Having said that, a number of the deities have titles on individual tablets before them which, though in Chinese characters, are obviously not Chinese names such as Kan-ta-p'o, the Sinicised version of Gandharva. These names can be somewhat confusing if not bewildering as different Chinese characters for the alien sounds are used. In addition they are not always the full titles provided in Buddhist religious literature.\n\nThere are several major differences between the array in the Ta Pei Ssu and in the Pi-yun Ssu. Primarily, though both groups stand within a hall dedicated to Kuan Yin, the image of the goddess in the closed temple hall stands some fifteen feet tall and is the thousand-arm, thousand-eye Tantric version, standing, with two of her arms resting one each on the heads of her two attendants. The image of Kuan", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214237, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 95, "title": "RAS-1998", "content_text": "58\n\nseen in a comparatively modern temple near Taipei. A lengthy tunnel connects the main part of the Kuan Tu temple complex, to the North-west of Taipei, with the front entrance overlooking the Tamshui River. Some twenty-eight images stand in glass-fronted niches carved into the rock down the sides of the tunnel. These large individual images are of the Early Buddhas, the Ku Fo; the Buddhas of pre-history, the Buddhas who came before Sakyamuni, The Buddha. They have no altars and as there is an altar dedicated to the Thousand-arm and Thousand-Eye Kuan Yin P'u-sa at the river end of the tunnel they are not offered incense individually.\n\nSeveral aspects of the hagiography of the images in the cave/tunnel are intriguing. First of all, those holding weapons have them in their left hand. They are mostly dressed in gilded armour, and finally, their titles in Chinese, though Sinicised Sanskrit, have proved impossible to translate into the original Sanskrit and are therefore unidentified. Several of these unidentified deities have been depicted in Taiwanese religious literature but without any explanation apart from being listed under a general title of Supportive Incantations to Buddha, Ta Pei Chou Fo 大悲咒佛.\n\nThe following Vedic deities who have been noted in one or both of the temples in the Western Hills would seem not to be present in the cave/tunnel:\n\nMarici, Pancika, Hariti, Pippala [Bodhidruma], Laksmi, Prthivi, Surya, Candra, Vimalakirti, Nanda Upananda and Skanda/Veda.\n\nOf the scores of books, both the popular illustrated and monastic academic, produced over the last half century in Taiwan describing the Buddhas, bodhisattvas and the hundreds of minor deities of Buddhism, one at least has listed what they have called The Celestial Guardians Division. This list includes not only the Four Diamond Kings, the T'ien Wang, [Vaisravana, Dhrtarastra, Virudhaka and Virupaksa] but nine of the Deva seen in the Western Hills. These are Indra [Sakra-devanam], Brahma [Maha-Brahman], Marici, Laksmi [Sri-maha-devi], Sarasvati, Yamaraja, Guhyapati, Skanda [Wei T'o] and Gandharva.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214242, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 100, "title": "RAS-1998", "content_text": "63\n\nthe golden bowl being his unique characteristic.\n\nMahesvara, Mahadevi or Siva, known in Chinese as Mo-hsi-shou-lo T'ien 摩醯首羅天\n\nMahesvara is one of the numerous titles borne by one of the best known of the Indian deities, Siva. He has come to be regarded as the Supreme Being though he more generally represents the more malignant forces and destruction, all part of the cycle of creation and destruction. He is married to either Uma Mahesvara [also known as Parvati], by whom he had a son named Skanda [see 21 below], or to Kali, who is also Durga. The latter is known as Hariti [and in Chinese Kuei-tzu Mu: see 6 below] whose image is also one of the twenty-eight Devi. Hariti has one face, six arms and a necklace of skulls\".\n\nImages of Siva stand in both the Ta Pei Ssu and the Pi-yun Ssu. In the Ta Pei Ssu he is portrayed as a typical northern Chinese deity dressed in multi-coloured robes and a tall Buddhist crown, but with six arms and an ageless Chinese face of indeterminate sex. He looks like and could easily be confused with other multi-arm Buddhist deities as he has no unique characteristic. In the Pi-yun Ssu he is naked apart from a skirt in colourfully decorated cloth down to his knees. He has four arms and a smaller head on top of his normal head. He has red spiky hair on both heads and fangs rising out of the lower jaw of his normal head.\n\nSoothill described Siva as having eight arms, three eyes and riding a large white bull, holding a handful of snakes and a small drum, and can be represented as the phallic symbol.\n\n4] Maritci [Maritchi or Marici] known in Chinese as Chun-t'i P'u-sa\n\nThe Tantric [Lamaist] bodhisattva, Chun-t'i, is the Buddhist form of the Hindu personification of light and an offspring of Brahma, Cundi or Candi. She is often confused with the Tantric many-armed Kuan Yin and the Taoist stellar deity, Tou-mu Hsing-chün. Two separate deities also are referred to by Chinese devotees as Chun-t'i; these are as", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214243, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 101, "title": "RAS-1998", "content_text": "64\n\nMaritchi [or Marici Deva], [a Sanskrit term for the Indian mythological form of Parbati, the wife of Siva]; and Ma-yeh, the mother of Sakyamuni, The Buddha, the whole being confused by devotees who tend to describe them all as Chun-t'i, with the legends of Maritchi and Cundi producing an inextricably involved and perplexing picture.\n\nImages of Marici are present in both the Ta Pei Ssu and the Pi-yun Ssu and in both temples he, rather than she, is portrayed as a standing Buddhist deity with eight arms and with three faces. The face facing forward is of a benign human with hooded eyes commonly seen on Tibetan images. He has a third eye in the centre of his forehead. The other two are faces of a pig and of a human. He is dressed in colourful robes and a five-leaf Buddhist crown, and is barefoot.\n\nThe association between Chun-t'i and Kuan Yin goes back to the original relationship in Buddhism of Chun-t’i with the bodhisattva Avalokitesvara who promised to save mankind and bring them to deliverance before they, the two bodhisattvas, Chun-t'i and Avalokitesvara themselves entered Nirvana. Marici has the face and eight arms of Chun-t'i, and is one of the six manifestations of Avalokitesvara who is concerned especially with humans, rather than the deities and demons. Chun-t'i in the form of Avalokitesvara is a male deity, though Tantric sects, giving her an entirely different role left her feminine.\n\nLegends about Chun-t'i usually include stories of her valour in battle. According to the Ming novel The Deification of the Gods [Feng-shen Yen-i], from which many of the beliefs of folk religion devotees have evolved, Chun-t’i was summoned to Heaven during the legendary period of Chinese history when the heroes and Immortals were emerged, in order to acquire the necessary skills to take on K'ung Hsüan, one of the contestants for the dynastic throne. This was because she had attained the required degree of perfection on Earth. She found herself whisked aloft in a rainbow, and having acquired the skills necessary she reappeared in a cloud of fire with twenty-four heads and eighteen arms and, throwing a silken cord around her adversary's throat, she turned K'ung Hsüan into a one-eyed peacock on which she rode off to the Western Heavens.\n\nImages of Chun-t'i show her with four or nine pairs of arms, each", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214244, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 102, "title": "RAS-1998", "content_text": "65\n\nhand holding a precious object including a rosary, cudgel, jar, spear, pagoda, golden arrow, halberd, or bell, etc. and it is therefore not surprising that the images of Chun-t'i on the altars of both Buddhist and folk religion temples portray her with eight or eighteen arms and hands, the main two hands being held palms pressed together before the chest in prayer. The uppermost hands hold discs of the Sun and Moon respectively and the remainder, individually, hold various attributes including a seal of office, a sword, shield and fly switch. She is variously represented with three heads though predominantly she is depicted with one head with three faces one of which is that of a sow. Chun-t'i again often has a third eye in the centre of her forehead, usually a Taoist form but attributed to her Indian origin as a metamorphosed caste mark. She is generally portrayed sitting on a lotus throne in the same posture adopted by the Buddha and, in one of her poses, also by Kuan Yin P’u-sa. According to Werner the legend explaining the third face being that of a sow and the creatures supporting the lotus also being pigs relates how one of the abbesses of the Semding monastery in Tibet in whom the goddess Chun-t'i was believed to be successively incarnated, had an excrescence resembling a sow's ear at the back of her head.\n\nIn northern and central China in Tantric Buddhist temples, the Lamaist goddess Maritci, portrayed in a chariot drawn by seven pigs is identified as Chun-t'i; in the south however, where Tantric Buddhism hardly penetrated, images identified as Chun-t'i are said by priests, should devotees enquire, to be the Brahmanic cult of Maritci. However, in Tibetan and Mongol [Tantric] Buddhism Tou-mu is a common deity with her three eyes and many arms; she is considered to be an incarnation of Avalokitesvara, the bodhisattva known throughout China as Kuan Yin and this doubtless explains the confusion with Kuan Yin in central and southern China. She has been identified as Tou-mu Yuan-chün, the main deity in the T'ai Sui Hall in the Jade Emperor temple in Tainan, where she is flanked by two Tantric aides, Ch'ieh-ch'ih and Yao Ya.\n\nIn her Taoist form she is portrayed seated on a lotus, again of Indian origin, which in a number of temples rests on the back of a tortoise which in turn rests on three or seven pigs. Most likely this is no more than a reflection of the tale in the Feng-shen Yen-i in which one of the disciples of Tou-mu, Shui-huo Tung-tzu, who changed into a tortoise, bore off Tou-mu to the Western Heavens.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214245, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 103, "title": "RAS-1998", "content_text": "66\n\nIn Malaysia where a number of Tamils also pray in certain Chinese folk religion temples, they refer to Tou-mu on her tortoise and pigs as the sister of the deity Maritci.\n\n5] Pancika known in Chinese as Pan-chih-chia\n\nPancika is the third of the Eight Great Yakshas, one of the Eight Generals of Vaisravana, husband of Hariti. An image of Pancika is present in both the Pi-yun Ssu and the Ta Pei Ssu. His image in the latter depicts him as a semi-demon, with dark skin, large round eyes and a narrow coronet with a sunburst facing forward. He is dressed in colourful robes over armour and has the swirling scarf round the back of his head, draped over his arms. He is making a 'v' sign horizontally with his right hand pointing to his left, using his fore- and middle-fingers. He has no other unique characteristic. In the Pi-yun Ssu, however, he could easily be taken for Wei T'o but without Wei T'o's diamond sword. His hands are grasped together before his chest; otherwise, he is much the same as in the Ta Pei Ssu.\n\n6] Hariti known in Chinese as Kuei-tzu Mu The Mother of Demons\n\nHariti is also known as the Mother of Loving Children, the children sometimes being known as the malevolent Yaksha [Yeh-sha]. She was the mother of one thousand demons, half of them living in Heaven and the rest on Earth. She is one of the standard group of Twenty Devas [Erh-shih T'ien] though she, too, is regarded by some as a Yaksha.\n\nOriginally her diet had consisted solely of human children and only after Sakyamuni, the Buddha, snatched one of her five hundred children and hid it, causing her great anguish, did she come to realise the suffering she was causing to humans by her diet. She became a vegetarian and a devout Buddhist. She eventually became a Buddhist deity whose images were to be seen in a few temples in northern China, in Shansi in particular, portraying her as a tall, slim beautiful woman whilst beside her stood one or more tiny demonic creatures, some of her offspring.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214249, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 107, "title": "RAS-1998", "content_text": "70\n\nthe primary one in China being as the Lord of the Underworld known as Yen-lo Wang. In later Brahmanist mythology he is one of the eight Lokapalas, the guardian of the south and judge of the dead. He was the son of the sun, with a twin sister Yamuna - regarded by some Hindus as the first human pair. An image of Yama is present in both the Pi-yun Ssu and the Ta Pei Ssu.\n\nIn northern China images of Yen-lo Wang have been noted in several old temples where he is portrayed as a benign elderly human, dressed in court robes and cap of dynastic China. In the Kuan Yin Hall of the Ta Pei Ssu in Peking his image depicts him thus, with his hands held palms together before his chest. He has no unique characteristics and is known simply as Yen Mo Lo. He is referred to by the temple staff as Yama and appears to have no other title and is looked upon by the monks as the Lord of the Underworld. In the Pi-yun Ssu he is a general wearing armour under his colourful robes and has an axe clutched in his right hand. His left hand is held across his body pointing with two of his fingers. He has dark skin, round eyes, a short black beard and moustache and a scarf swirling behind his head hanging down in front of his body.\n\nThere is also Yen-mo Hu-fa, a Lama Buddhist [Tantric] deity, whose image stands in the Lama Temple in Peking. It is typical Tibeto-Mongol iconography, swathed in silken robes obscuring the body leaving only the fierce head and the raised right arm visible. The head, which looks somewhat like a blue pig with gold eyebrows and red mouth, has a row of skulls across the top of the head mounted on a coronet, with a fiery nimbus behind that. He is holding in the air in his right hand a short rod [a heavenly cane] with a miniature white skull mounted on the top. Without the silken robe the deity is revealed standing on a blue horse or mule which, in turn, is prostrate on a naked human. The deity has another small blue-skinned demonic figure standing before him, facing him and holding its hands up towards the deity in supplication.\n\n14] Sagara known in Chinese as P'o-chie Lung-wang and P'o-chie-lo\n\nSagara is the Naga King of the Ocean Palace north of Mount Meru,", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214251, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 109, "title": "RAS-1998", "content_text": "72\n\n17] Kinnara known in Chinese as Chin-na-lo The heavenly musicians\n\nListed as one of the twenty Deva in Soothill, and also one of the Eight Classes of supernatural beings in the Lotus Sutra. They are a group who, in Java for example, are portrayed as half-bird and half-human, and known in their plural as Kinnari. They are also one of the twelve spirits connected with the cult of Yao-shih Fo, the Buddhist Master of Healing. Another version claims that they are the musicians of Kuvera, with bodies of humans and heads of horses. In yet another version they dwell in the tall trees which grow on Gandhamadana, Incense Mountain.\n\nThere are images of a Kinnara in both the Ta Pei Ssu and in the Pi-yun Ssu. In the former he is portrayed as a military figure, standing in armour and helmet and with a scarf swirling round the back of his head and down across his arms. His hands are clasped before his chest and his face, pink and friendly, has a short black beard and mutton-chop moustache. In the Pi-yun Ssu the image has a similar friendly face but this time he is wearing robes and cap of an official and not those of a soldier.\n\n18] Mahoraga known in Chinese as Mo-hu-lo\n\nMahoraga is one of the twelve spirits connected with the cult of Yao-shih Fo, the Master of Healing and the Buddha of Medicine. He is one of the twelve guardian spirits each of whom is associated with one of the twelve hours of the day. The twelve include Vajra, Indra and Kinnara.\n\nAn image of the Mahoraga has only been seen in the Ta Pei Ssu and not in the Pi-yun Ssu. He is portrayed as an extremely ugly, ferocious inhuman demon with black skin. Dressed merely in a decorated and multi-coloured skirt he is standing and has a swirling scarf behind his head and a snake held in his right hand. He has spiky hair on either side of his head protruding like small snakes, and his large protruding jaw and upper lip and his sloping forehead make his face almost animal. The hair on the head is pulled up into a high point, with two ear-pressing tufts one on either side. His eyebrows are like white flames, and his", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214252, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 110, "title": "RAS-1998", "content_text": "73\n\nlarge, wide, gaping mouth has but four small teeth showing, these being normal human-size incisors top and bottom. Finally, he has three small white skulls across his forehead held in place by a pink band.\n\n19] Gandharva known in Chinese as Kan-t'a-p'o\n\nThe Gandharva are one of the eight classes of supernatural beings referred to in the Lotus Sutra. They are Indra's musicians and also in the retinue of Dhrtarastra [they are the same as or similar to the Kinnaras]. They do not eat meat nor drink wine but feed on incense and fragrance.\n\nAn image of the Gandharva is in the Ta Pei Ssu but not in the Pi-yun Ssu. His image portrays him standing, dressed in multi-coloured robes over armour, a helmet over black spiky hair, and is clean shaven. His face is semi-demonic, with large protruding eyes. He has no unique characteristics.\n\n20] Nanda Upananda known in Chinese as Nan-t'o Pa-nan-t'o 跋難陀\n\nLittle seems to be known about Nanda Upananda apart from being a protector of Magadha [near Bihar]. His image has only been seen in the Ta Pei Ssu and not in the Pi-yun Ssu. It depicts him as an elderly man but with a semi-demonic face. He has round eyes, small ugly protrusions on his cheeks, a gaping mouth and fang-like eye-teeth, no moustache but a short pointed beard, and is wearing decorated robes and cap. His hands are held together as if holding a tablet [which may well be missing].\n\n21] Skanda, Viharapala or Veda' known in Chinese as Wei T'o #BE\n\nWei T'o, a Hindu deity, the Deva Protector of the Dharma, guards the sanctuary of virtually all Chinese Buddhist temples. He stands with his back to the main entrance in the inner temple hall facing the main altar and back-to-back with the Laughing Buddha of the Future, Mi-lo Fo, who greets visitors with his smiling welcome. Wei T'o is also to be seen guarding many a folk religion temple, though only very rarely does he appear on a household altar. Because of the prayers offered to", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214272, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 130, "title": "RAS-1998", "content_text": "93\n\nAppendix D\n\nTHE TWENTY-EIGHT BUDDHAS OF YORE\n\nTwenty-eight images of the Early Buddhas, the Ku Fo; the Buddhas of pre-history, the Buddhas who came before Sakyamuni, The Buddha, are to be seen in the Kuan Tu temple complex, to the north-west of Taipei. These 28 'Old Buddhas' are:\n\nTa Fan T'ien Wang 大梵天王\n\n[Maha Brahman - Brahma]\n\nP'i-p'o Chia-lo Wang 毘婆迦羅王\n\n[Vipasyin: the first of the Seven Buddhas of antiquity]\n\nKan-ta-p'o Wang 乾達婆王\n\n[Gandharva: the gods of fragrance and music: the musicians of Indra]\n\nTi-shih T'ien 帝釋天\n\n[Indra]\n\nTa Pien-ts'ai 大辯才\n\n[Sarasvati]\n\nMa-hsi-shou-lo 摩醯首羅\n\n[Siva: Mahesvara]\n\nTa Hai Lung Wang 大海龍王\n\n[Sagara - Lung Wang]\n\nChien-na-lo Wang 監那羅王\n\n[Kinnara]\n\nWu Pu Ching 五部凈\n\nChin-p'i-lo Wang 金毘羅王\n\n[Yama - as protector of the 1000 arm Kuan Yin]\n\n[Kumbhira - a Yaksha king, who was converted and became a guardian of Buddhism]", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214276, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 134, "title": "RAS-1998", "content_text": "97\n\nNOTES\n\nMacGowan J : Men and Manners of Modern China: T Fisher Unwin: London 1912\n\n2 Werner in his Dictionary of Chinese Mythology gives the Eight Classes of Dragon Kings as follows:\n\n3 Deva naga, Yaksha, Gandharva, Asuras, Garudas, Vinnaras, Mahonagas and Rakshas Soothill in his Dictionary of Chinese Buddhist Terms lists the Eight Classes of Supernatural Beings as follows: Deva, Naga, Yaksha, Gandharva, Asura, Garuda, Kinnara and Mahoraga.\n\nMajor well known Brahmanist deities not included in the groups of Deva in the Western Hills of Peking include Hanuman, Parbati and Ganesh.\n\n* A Student Interpreter: Where Chineses Drive : English Student Life in Peking Wm Allen & Co : London: 1885\n\n6 As with a number of titles the romanised spelling varies depending upon the form used and, as examples, we have Siva and Shiva, Pancika and Panchika. He is the esoteric cult Deva, a masculine form of the wife of Siva. He is the tutelary god of Mongolian Lama Buddhism, and is also said to be an incarnation of Vairocana for the purpose of destroying demons.\n\n7 Werner, ETC: A Dictionary of Chinese Mythology:\n\n8\n\n9 x stands for an illegible character. Although images iconographically look like the standard Buddhist image of the Temple Guardian, Wei T'o, they have been identified as being one of three Vedic deities. Lessing in his Yung-Ho-Kung [Stockholm 1942] and the Taiwanese guide to The Guan Yin Hall of the Ta Pei Ssu both identify Wei T'o's origin as Skanda whilst Soothill claims that he is Viharapala.\n\n10 Occasionally Yüeh T'ian-wang, that is the 12th century hero Yüeh Fei, takes the place of Li Yüan-shuai.\n\n\"Chin-se are the Five Primary Colours permutated in various ways to represent various ideas; also, a five coloured emblematic cord, a Brahman sign worn on", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214357, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 215, "title": "RAS-1998", "content_text": "180\n\nOne of the many deities canonised by Jiang at the Investiture was Tai Sui, the Ruler of the Year. In the Feng-shen Yanyi he is also known as Yin Jiao and under that title is usually represented on altars by one image. In southern Chinese communities, however, as Tai Sui he is more often portrayed by sixty separate images each representing a year of the sixty-year cycle of the Chinese calendar, and devotees wishing to seek his aid will place spirit money offerings under the image in the group representing the year of the devotee's birth. In a number of the smaller popular religion temples in Hong Kong and Macau several rows of Tai Sui images, depicting all sixty, line one of the sidewalls of the main hall. Although in a few temples each of the sixty images is carved with unique characteristics, in the majority they are merely sixty identical heads, each mounted on a frame concealed under a red cloth robe. Even when the deity is portrayed as a single image, normally he can easily be identified by the pile of spirit money placed under his image.\n\nSome months later, this time in central Shanxi province, we came across a former temple which had been converted into what can only be described as a \"waxworks\" museum of celestial and historical deities. The contents of the former temple had been destroyed during the Cultural Revolution, whilst the structure had recently, in 1995, been turned into a museum. It stands on the major highway between Taiyuan, the provincial capital, and Pingyao, to the south, but rather surprisingly no attempt seemed to have been made to advertise its presence to passing motorists. The halls had been labelled guiding visitors to Historical Heroes, The Eight Immortals, Mythological Worthies and the Underworld.\n\nThese two examples, and there are probably more, are local provincial or county initiatives to remind Chinese of their cultural, feudal heritage but without offering any opportunity for worship or reverence. Similar refurbishing has taken place of many of the old, larger Buddhist and Daoist monasteries in northern China but with a difference. These too are places where visitors can nowadays pass several hours of pleasurable 'tourism' but a number of them have also reverted to being working temples and monasteries with priests and rituals. The weekend visitors from the cities enjoy the scenery and ambience and in some temples offer up incense without let or hindrance to one or more of the major deities. Although to foreign visitors what we saw", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214363, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 221, "title": "RAS-1998", "content_text": "187\n\nTEMPLES ARISE\n\nFROM THE ASHES OF REVOLUTION\n\nKEITH STEVENS\n\nReturning from each of our tours of temples in Mainland China the question most frequently posed is the extent to which religious freedom exists in China? I find this difficult to answer. I have yet to visit an area where we have observed any form of obvious religious discrimination or evidence of current iconoclasm. At the risk of being accused of being a 'blind' observer in a country with a record of political suppression, I know that constraint of religion by the State exists as I have read numerous articles in the Chinese press about Chinese government calls for crackdowns on illegal temples and superstitious practices, but the extent to which these instructions have been carried out has not been apparent during our tours around the countryside. Indeed, there are few signs of religious suppression in any form. In late 1997 we came across a small rural temple in one of the loess canyons some fifteen or so miles north-east of T'aiyüan in Shansi province and were told by one of the villagers that the local Public Security Police had ordered it be pulled down as it was 'a bad element, a manifestation of superstition'. The small modern shrine, constructed some eight years ago, contained just one deity, a very rough and amateurish, modern baked-mud and concrete image of the local protective spirit, Ts'ai T'ai-yeh. The PSB had passed through the village many times during the two years since they issued the order for the destruction of the image; however, the villagers had simply ignored it and even when crowds of visitors drove in by car during the annual festival on the fifteenth of the first lunar month, the PSB again had simply turned a blind eye.\n\nChina's constitution theoretically protects the freedom of religion in China with party members being dissuaded from practising. Whilst permissive religion is unquestionably allowed within certain bounds I suspect 'tolerance' should be substituted for the word freedom. The Bureau of Religious Affairs under the State Council in Peking permits the five major organised religions to worship as they wish, within reason. These are Taoism, Buddhism, Roman Catholicism, Protestantism [known in China as 'Christian'] and Islam. The Bureau does, however, frown on and frequently clamps down on popular religion, [also known as folk religion and even as Taoism by foreigners who have not perceived the difference] and some of the smaller proselytising western", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214550, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 408, "title": "RAS-1998", "content_text": "377\n\ntranslated into Italian, then into French. It was the undated French version that we saw. It had been written, possibly in Macau, on the instructions of the Pope and described the persecution of priests. There was also a massive hand-written \"Tartare-Mantchou French dictionary” 1st edition, Paris 1789, in 3 volumes. Another interesting book was \"Dr Fryer's Travels: A new account of East India and Persia in eight letters, being nine years travels\" by John Fryer MD (Cantab) and Fellow of the Royal Society, published in 1898.\n\nThe more linguistically accomplished of our members interpreted these works for the benefit of all and there was much erudite discussion. This was the Society at its best and we could have spent many more hours, even days, delving into this fascinating collection. [Illustration Two].\n\nOn Saturday afternoon we drove out to Fa Hai (Sea of Dharma) Temple, in the distant western suburbs at the southern foot of Cuiwei Mountain. The temple was begun in 1439 during the Ming Dynasty (1368-1644) with funds raised by Li Tong, a favourite eunuch of the Emperor. It was completed in 1443 and named by Emperor Ying Zhong. The most outstanding features are the frescoes, which completely fill the walls of the main, Mahavira, hall. These reflect a relatively pure Buddhism without Taoist depiction. They are of Buddhas, Avalokiteshvara (Kuan Yin) and the three other bodhisattvas, devas, wonderful animals, auspicious clouds, flowers and realistic landscapes. There are five Buddhas on either side with the 10 Buddhas together representing the full power of Buddhism, and possibly also the idea of east and west. The colours are subtle and not too faded (although the viewing of a colour-enhanced video prior to touring the Temple helped our appreciation). In the temple grounds are unusual pine trees with silver-white bark; ancient trees, said to resemble dragons, and a bell engraved in Chinese characters expressing Sanskrit teachings. The auspicious clouds inside were matched outside, for misty rain added to the atmosphere of the temple, set in the mountainside woods.\n\nOn Easter Sunday we were up very early to go to the oldest Christian church in Beijing - the Cathedral of Immaculate Conception of Blessed Mary, on Qianmen Avenue. This is also known as Nan t'ang, or South Church. The Emperor bestowed on Matteo Ricci the lands and funds to build the church near the then Calendrical Bureau inside", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215333, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 110, "title": "RAS-2001", "content_text": "58\n\nclaiming that the Society used to worship ‘openly' in Hainanese temples before convening a meeting. One hundred and eight is also a Buddhist number, the number of the beads in a rosary, the number of passions and delusions, and the number of tolls of the monastery bell at dawn and dusk. A further connotation of the number 108 is reflected in the number of times temple keepers claimed that the Brothers were the 108 heroes at Liang Shan Po in the classic novel, Shuihu Chuan, 'The Water Margin,' but when pressed, in every case they admitted that this had been no more than a guess.\n\nThe Brothers are also known as:\n\nYibai You Ba Gong 一百有八公\n\nYibai You Xiongdi 一百有八兄弟 and\n\nYibai Lingba Xiongdi Zhonghun 一百零八兄弟忠魂\n\nLu Bode and Ma Yuan are two generals revered in Hainanese temples, often on the same altar, with both bearing the same honorific, the Wave Conquering General, [Fupo Jiangjun13].\n\nThe first general, Lu Bode, subjugated large areas of what today is Guangdong province during the Earlier Han [ca. 120 BC]. A native of Pingzhou, he served with distinction under He Chubing who became the president of the Board of War. In BC 120 he subjugated large portions of what is today Guangdong and Guangxi, and received further honours.\n\nThe second general, Ma Yuan [14BC - AD 49], was also awarded the title of the Wave Conqueror for the pacification of the southern region some hundred years later. Popular in Guangdong province he used also to be particularly honoured in Guangxi where he was revered as a river god, \"The Wave Conquering General - Fupo Jiangjun' and in Hengzhou in Hunan he used to be the main deity in a small temple where he was worshipped as the protective deity at the local river rapids.\n\nMa Yuan, also known as the Vanguard General, Xianfeng14 led a further southern expansion of the Han empire and has been popularly worshipped from about the fifth century AD by Han settlers", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215372, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 149, "title": "RAS-2001", "content_text": "98\n\ncotton, approximately 60cm to 75cm square and gathered slightly at the top edge. Red silk ones, padded for warmth, were embroidered in satin stitch with designs of birds, flowers, or the qilin, a mythical animal, which symbolizes great wisdom. A wide band at the neck formed a comfortable shield against cold winds, while others had fur lining and hoods. Covers made by the Hoklo women were extremely decorative, and embellished with embroidery, appliqué, braid, rickrack, wool tassels, fringing, sequins, strings of tiny beads and bells, matching the carriers they covered (Plate 4). True works of art, they took many months to complete.\n\nDesigns of Carrier Centres\n\nThe centre of the carrier was decorated in many different ways. The early style had a square of red silk or sometimes wool embroidered with satin stitch. Bats, symbolizing happiness, and the Eight Buddhist emblems surrounded auspicious designs of flowers, or often the qilin. At the centre top of the square, was a small folded triangular piece of cloth, from three to five layers thick. It was considered to be a lucky charm and originally represented the five blessings: health, wealth, happiness, long life, and the right to a natural death. In recent times only one or two layers were used. As well as being a lucky charm, it had the advantage of indicating which way up the carrier was usually worn, thus conforming to the shape of the child.\n\nThe Cantonese and Hakka women favoured red, considered an auspicious colour, or vibrant shades of flaming orange or bright pink. The ground cloth was usually of cotton or rayon satin for special occasions. Various good luck symbols were brightly embroidered in fuchsia, orange, lemon and vivid green satin stitch in floss or twisted silk on the centres. A pair of mandarin ducks symbolized marital fidelity and conjugal happiness, while the lotus flower represented purity and, with its seedpod, a wish for fruitfulness (Plate 5). Likewise, pomegranates with their many seeds stood for abundance in all things, especially sons.\n\nMany of the designs had a charming period feel: the influence exerted by books of embroidery designs popular in Shanghai in the 1920s and '30s was still strong (Plate 6). Chinese characters were used frequently for long life and good fortune; those for 'double happiness'", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216105, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 404, "title": "RAS-2002", "content_text": "338\n\nour concrete framed building, where I lived in Argyle Street, Kowloon, swayed. You could hear glass breaking, there was a constant job of mopping up. Water seals were sucked out of toilets.\n\nA problem of people\n\nAs Claude Burgess, Colonial Secretary from 1958 to '63, was fond of saying, Hong Kong has a problem of people. They have swum in on pigs' bladders across Mirs Bay and Deep Bay and come in by just about every means possible. Up until 1980 there was a touch base policy. Any illegal immigrant who reached the urban area was allowed to stay. But after that date all illegal immigrants caught have been repatriated.\n\nIn 1962, the Communists had a trial run and opened the 'flood gates.' Over a period of 25 days something like 70,000 men, women and children were allowed to surge into Hong Kong. The communist guards stepped back and directed the masses. They walked over the hills. Hong Kong was overwhelmed. And then, just as abruptly as they had opened, the flood gates shut. It seems to have been a move by the People's Republic to embarrass the colony. They wanted to show that they could take over Hong Kong at any time.\n\nWater shortage\n\nHong Kong was invariably short of water, from the early years of British rule when everyone depended on streams and wells. Up to comparatively recent years the water supply situation was a common subject of conversation.\n\nIn 1963, 'the year Hong Kong ran dry,' we were down to four hours of water on tap once every four days. In resettlement estates people started queuing for water eight hours before it was turned on and at Diamond Hill, it was reported, 20,000 people were dependent on one hydrant. Thieves stole water. Hindus, Taoists, Buddhists and Christians all prayed for rain. Water was shipped in by tankers from higher up the Pearl River.\n\nPeople would say at a reception, 'I must slip off early. Our water is turned on tonight.' Of course we, who lived in flats, also stored water. Bathing in a small amount of water was an art. Children went in the", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]