[ { "id": 204470, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 102, "title": "RAS-1962", "content_text": "LIFE IN THE NEW TERRITORIES \n\n91 \n\nwhich it had supplanted eighteen years before. Great hardship was encountered which is hardly surprising, and the people were eternally grateful to their benevolent officials and commemorated them in several temples dedicated in their honour. One of these was burned down in 1955 during the fire which destroyed Shek Wu Hui near Fanling, and others are to be found at Sha Tau Kok and Kam Tin, and Sai Heung in Chinese Territory. In addition a school was named in their honour at Kam Tin, and when it was repaired in 1744 the San On magistrate of the time composed a Confucian discourse which was inscribed on the wall of the restored building, to instruct the pupils and their parents. An interesting survival which still existed in 1898 was the appearance of an old beggar in the Yuen Long villages every Chinese New Year who brought statues of WONG and CHOW for the people to worship, and incidentally to supply him with food and money.'' To these men-become-gods for whom the construction of a temple was necessary to ensure their better worship and resulting favours, there must be added an equal and possibly much older faith in sacred tree spirits and the multitude of earth spirits known as pak kung ih, tai wong ★, and ordinary she taan 4, who look after villages and localities such as passes, bridges, and fords over streams.\n\nThis insurance with the spirits who ruled this world and would assuredly be encountered in the next was expressed in the continual reconstruction of temples. A great many of the temples in the New Territory to-day owe their present fabric, or a great part of it, to repairs made during the last fifty years of the Ching dynasty. It was evidently a highly necessary part of the proceedings that the god should be informed of the names of the contributors so that his benefits should not pass anyone by, since their names, and often the amounts they gave, were scrupulously inscribed on the commemorative tablet which was always let into the wall to mark the occasion. Sometimes over a thousand names had to be recorded in this way, most of them in respect of trifling amounts, even for a small and out of the way temple, as in the reconstruction of the Tin Hau temple at Cheung Chau in the second year of the last Ch'ing Emperor (1909).\n\nThe magistrate, too, was expected to play his part in warding off disaster. The District History mentions that CHAN Kuk", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 205024, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 132, "title": "RAS-1965", "content_text": "NOTES AND QUERIES\n\n123\n\nhappened recently at Tong Fuk on Lantau Island, a multi-clan Cantonese village with a population of 198 at the Hong Kong Census of 1911. Its present population is about the same number. In 1958 the scheme to build a new reservoir at Shek Pik was confirmed and work went ahead on the dam and associated works. Behind Tong Fuk there were to be catchwaters for which an access road had to be constructed to the west of the village. This led to difficulties with the villagers, because in feng shui ideology the place was held to be the seat of the White Tiger. They therefore requested a ceremony known locally as a tun fu (符) — to propitiate the gods and spirits who would, as they thought, be aroused by digging earth and blasting stones in this particular place.\n\nPrecedents were cited by the village elders. They said they had carried out such a ceremony thirty-five years before, following several unexpected deaths in the village. The inhabitants had worshipped at the Hung Shing (廟) temple on the beach nearby, praying for the removal of the malignant influence. It transpired that a villager had cut stone from this particular spot to build a house. The elders then invited a Taoist priest — a Hakka — to come from one of the neighbouring villages to carry out the propitiatory observances usually made under such circumstances. They also said that a similar ceremony had also been conducted twenty years before in the adjoining Cantonese village of Shui Hau, this time by a priest engaged from the urban area. Deaths had also occurred there and had been traced to one of the villagers having constructed a cowshed in front of his house on ground with feng shui properties.\n\nReturning to the 1958 case, the elders proposed to call in the services of the nephew of the priest who had supervised the ceremony thirty-five years before. He was a man of forty years of age who had followed in his uncle's footsteps. Such persons are known locally as feng shui hsien sheng (風水先生).\n\nThis ceremony was supposed to cause considerable inconvenience for the villagers, in theory if not in practice. One week of vegetable diet was obligatory for all and there was also a three-day prohibition on entering and leaving the village: that is, if the ceremony was to realize its full value. This meant that no cows could be grazed or grass or firewood cut on the hills; nor, presumably, could men go out to work in the fields.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205025, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 133, "title": "RAS-1965", "content_text": "124\n\nNOTES AND QUERIES\n\nFor the priest the ceremony was to involve two days' work: on the first day of the ceremony and on the last. On the opening day, I was told, he comes to the village and prepares various pots. Into each pot he puts five bamboo sticks. Each of these sticks carries an inscription which he writes especially for the occasion and is then covered with lucky red joss paper. Before being placed in the pot the sticks are dipped in the blood of a live chicken. The priest decides how many pots are required. The pots have then to be placed at various spots in the works area and must stay there until the offending operations have been completed. A procession of village people follows the priest to the places he has chosen to put each pot. With them they bring various articles for worshipping at each place such as candles, incense sticks, joss paper and offerings of food and drink together with chicken and roast pork, and fresh and preserved fruits.\n\nSince the object of the ceremony is to appease all the gods who may conceivably be offended by the proposed works, especially the local earth gods, the priest issues a general invitation to them to partake of the offerings. In so doing it is hoped to dispose them favourably towards the village despite the offence given by the works. It is interesting that the ceremony is not connected with either of the two village temples, one of them dedicated to Hung Shing and another inside the village wall dedicated to Kwan Tai (關帝) the god of war and agriculture. It only takes place on the hills and not inside these temples, although the effigies of their gods are taken around with the procession which deposits each of the pots.\n\nOn the conclusion of the engineering works the priest returns to the village. On this day each family prepares a plate of roast pork and chicken to thank the gods for turning evil away from them during the period of the work. The priest visits all the pots in turn, dismisses the gods and burns the pots.\n\nThis account is taken from my notes of what was supposed to happen during the ceremony. Pressure of other duties prevented me from seeing the ceremonies on either day... but I did see some of the pots in their appointed stations!\n\nA similar ceremony took place at Keung Shan near Tai O in 1960 during the construction of another road, and I know of two similar cases from the Sai Kung district in 1960/61.\n\nJ. W. HAYES", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205381, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 143, "title": "RAS-1967", "content_text": "136\n\nREV. MR. KRONE\n\ncalled \"Sha-tau\"; or the Gods of the Earth and Soil, called “Pak-kung.\" Sometimes images represent these gods, but more commonly there is only a smooth stone to be seen on the altar.\n\nThe Monasteries and Convents are either Buddhist or Taouist. There are in Sanon about twenty-five Buddhist monasteries, which are inhabited by about seventy monks, and fifteen convents, which contain a like number of nuns. The most noted of the Buddhist monasteries is that of Wan-kai, near Sha-tsing, the abbot of which claims a sort of superiority over all the Buddhist establishments of the district. Some of these buildings are situated on hills, and command a fine view,\n\nThere are about twenty Taouist monasteries in the district, with some sixty priests who are engaged in medical practice, and in fortune-telling. They are more highly esteemed than their Buddhist brethren, and are employed in the temples, as is the case at Chik-wan. There are also establishments on Castlepeak, and on a mountain near Fuk-wing. On this mountain a renowned Taouist is said to have distilled the Elixir of Life, and then to have ascended to heaven. There are no nuns in the district.\n\nAs regards religion: \"The three different ways,\" as they are called by the Chinese, Confucianism, Buddhism, and Taouism, all find their followers in the Sanon district. It must not however be supposed that the line of demarcation is strictly drawn, that a man must belong solely to one of these sects, for it frequently happens that the same individual embraces all three beliefs.\n\nThe doctrines of Confucius are taught in all the schools, and are firmly believed in as far as they go. But the great deficiency in the system of Confucius is, that it does not pretend to say anything of the state of the soul after death; and in consequence we find the staunchest adherents of Confucius take refuge with the Buddhist priests at the hour of death, and engage them to say mass for their souls, that they may gain admission into heaven,\n\nThe Taouist religion is had recourse to in any supposed case of need, as in sickness, or for the purpose of divining future events,\n\nThe Christian religion has been introduced into the province only a few years. There are some Roman Catholic convents in the district, but their number is not known. There is a Roman Catholic chapel at Tsin-wan, but no European missionary resides there. The first attempt at a Protestant missionary establishment...", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205480, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 22, "title": "RAS-1968", "content_text": "CHINESE RELIGION AND RURAL COHESION\n\n17\n\nboth officials and people were encouraged to participate in the rites associated with them.\n\nThese god-officials, housed in temples in the chief cities of districts, counties and provinces, were often former government officials who had worked in the locality and people were encouraged to help in their selection. The gods were expected to report social misdeeds — evasion of taxes for example — to higher gods who could punish offenders by bringing misfortune. It is said those not afraid to perjure themselves in court were often afraid to do so before the gods, and so such cults encouraged obedience to law and order.13\n\nWhen these cults worked well they focussed people's interests on the administrative area of which their village was part and at the same time emphasized the position of the local village unit in the larger territorial administration. But temple-keepers and yamen clerks are said to have embezzled funds set aside for the rites and performed them in a perfunctory manner. The influence of such cults over villages more remote from city centres would probably, as with the cults to local worthies described above, be less than over nearby villages.\n\nBut the village itself was usually more directly connected with another god, to some extent operating independently of this spiritual hierarchy and standing more for local interests. This was the earth god: protector, in some of his roles, of such places as graves, bridges, rivers and canals, but also protector of a village unit or sometimes a section of a village. It is said that the earth god was usually somebody who had rendered local public service in his former human life.14 The earth god's cult was more usually associated with an open shrine than a temple, with his image being placed on the ground. His festival commonly generated a great deal of group activity: various occupational groups in a village would collect money to contribute to the festival's religious and social functions and would “elect” one of their number to serve on the committee formed to organize the festival.\n\nWhile it appears unusual for the cult of the earth god to have become associated with a complex land owning organization with control over a village or village section as in the case of ancestral cults, cults to other popular gods sometimes did so. Temples built for gods who had special meaning in the life of a village", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205494, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 36, "title": "RAS-1968", "content_text": "CHINESE RELIGION AND RURAL COHESION\n\n31\n\ning divided sects, in the nineteenth century) leaders were required to travel about the country recruiting members and raising money.\n\nLeaders had to have some education, not only to pass examinations but also to write scriptures and sutras encouraging members to join and explaining the purpose of religious practices. Literacy was needed for reading and writing messages (sometimes sent even today in elaborate codes) to leaders in other areas. In some sects degrees could be purchased but a leader would have little power unless he were at least literate.\n\nThe sects however offered various attractions. Some offered to bestow degrees on ancestors of members bringing money or honour or power to the sect (T’ung-shan She, a non-vegetarian sect existing in Singapore today, still does this). And it was expected that leaders would take a percentage of the moneys they collected. Sectarian ideologies were sometimes likely to appeal to scholars. Although syncretic they could be quite sophisticated. Sometimes items of ideology were revealed by gods during seances using automatic writing, a type of seance popular as a past-time with elderly educated gentlemen in traditional China. A common Chinese notion was that social and natural disorders were the result of earth being out of phase with heaven. Sectarians often emphasised that this came about when leaders of the country lacked virtue and failed to teach the Truth stemming from Heaven. When the emperor lacked virtue there were national disasters; when local officials were corrupt, local catastrophes, floods and droughts were a result.\n\nIdeology provided, then, an explanation and even suggested action when the conditions of life deteriorated, which might be attractive to both scholar and the ordinary man experiencing hardship. Vegetarian halls, like those of the Buddhists, provided a home for the unattached; there was one in Hankow which provided for destitute and unattached seamen in their old age.3\n\nOne might expect the leaders of sects to be, then, individuals with some education and time on their hands; perhaps those with frustrated ambitions, looking for ways for compensating for their lot in secular society who desired degrees and administrative power; those feeling they had better qualities and more virtue than local officials; persons sensitive to wrongs and injuries and not tied too closely to gentry codes of behaviour and not too re-", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 206634, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 182, "title": "RAS-1972", "content_text": "176\n\nKEITH STEVENS\n\ncyclical characters of the year.\" Hodous appears either to be confusing T'ai Sui and Kou Mang, or to be giving T'ai Sui yet another alias.\n\nIn T'aip'ing in Malaya two images of mud bulls are to be seen standing on a pile of paper hell money on the altar beside T'ai Sui. The reason for their inclusion on the altar was not known by the temple keeper nor by the devotees who said that they had always been in that position as far back as anyone could recall. (See Plate 15).\n\nThe Rev. Wm Milne4 in Ningpo in the mid 1840s noted \"the festival of the Beating in of Spring\" when on the first day of spring the Chief Magistrate of the city beat the \"god of spring\", a multi-coloured paper ox, which was then torn to pieces by the crowd, for luck. Milne claimed to have seen this same ceremony elsewhere in Central China, and said that in some districts the bull is made of mud. “The colouring varies as laid down in the Peking annual book of ceremonies. The variations in colours such as red horns, black tail and feet, white body, blue head and neck are regarded as prognosticating the portents of the coming year. The amount of black signifies sickness, blue winds, white rain and floods, red fire and yellow the fruits of the earth. There are also a number of smaller mud oxen mainly sold for household good fortune.”\n\nThe Rev. Milne also reported that “the \"god of spring\" was seen in the shape of a youthful human image, the son of an early Emperor. He too is attired in a fashion prophetic of the fortune of the coming year: bareheaded predicted cold weather, and white robe augurs a dry year etc.\" This youthful image is almost certainly T'ai Sui. In all temples where he was observed in the \"scroll or bell-holding\" two-armed version, his image was seen very frequently to be balanced on wads, sometimes very high wads, of hell money. This is the paper money purchased from temple keepers to be burnt by devotees for the use of deceased members of the family in the Underworld. This custom is usually only to be seen in temples under wealth gods, but in the case of T'ai Sui, the wads are offerings to T'ai Sui for protection and not for transmission by burning to deceased relatives. Shyrock in his Temples of Anking says hell money is burnt for use by ancestors and is never presented to Gods. It would appear to be otherwise in Central and South China.\n\n4 Milne, W. C., Life in China (London, Routledge, 1857).", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206848, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 125, "title": "RAS-1973", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 119\n\ncrow their feathers all fell down on the earth. Nine suns were shot down, but one was too far away to be reached, and that is the sun that still remains to this day. Ngai was very afraid of dying, and he went to a fairy called Sai Wong Mo (1) who gave him some medicine for long life. Sheung Ngoh stole it, and took it in secret. She became lighter and lighter and eventually floated up to the moon where she became a toad. She had a palace to live in which was called the Shim Kung. Another story tells of a Kwai tree growing in the moon, 5,000 Chinese feet tall. A man called Ng Kong (吳剛), who had been sent to the moon as a punishment by the gods for having committed something wrong when learning to become an immortal, was always chopping it with a large chopper. He never managed to cut it down, because as soon as a cut was made in the trunk, it instantly grew together again. Thus the saying \"Shim Kung Chit Kwai\" which applied to those who passed the highest government examinations, gradually came into use since the T'ong (唐) dynasty, A.D. 618. There were many Kwai trees on the hillsides of Kwai Kok Shaan, either planted by Tang Foo or someone later, and the teachers are supposed to have sent their pupils out from the school to pluck the sprigs of flowers with the idea of encouraging them to further effort.\n\nAnother name for the hill is Ngo T'aam Shaan (鵝潭山), turtle pool hill. There is a pool still to be found on the hillside, which, according to one story, used to have turtles living in it. Another story says that it had a rock looking like the head of a large turtle. In olden times all the successful candidates who had passed the government examination, Tsun Sz (進士) went up to the emperor's palace to sit for a further examination named Tin Shi (殿試). Those who passed had their names put in order of merit on a list written on gold paper, and at a ceremony known as Ch'uen Lo (傳臚) the names were read out. The two candidates at the top of the list were led up the steps of the palace by the master of ceremonies, who then presented the first candidate, called the Chong Yuen (狀元) with the list. At the top of the stairs was a turtle carved in stone, and finally the Chong Yuen was caused to stand with his foot on its head. Thus he was known as \"Tuk chim ngo t'au\" (獨占鰲頭). The scholars at Kwai Kok Shaan when wandering on the hillsides would amuse themselves by standing on the turtle-head rock and shouting “I am the only man to put his foot on the head of the turtle!\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206881, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 158, "title": "RAS-1973", "content_text": "152\n\nNOTES AND QUERIES\n\nThe making of verses was a gentlemanly pursuit in early Victorian days, encouraged of course by the system of classical education which emphasised translation from Latin and Greek and hence a detailed knowledge of the rules—or mechanics—of prosody. Mercer received such a traditional education: he was educated at Exeter College, Oxford, where he took a B.A. degree, and for a time was at the Inner Temple, though he did not take the Bar examination. When he came to Hong Kong as his uncle's private secretary, he sought solace from the chores of day-to-day colonial administration in his poetic exercises and the result was Under the Peak.\n\nThere are five poems in this book—‘a string of sonnets’—which refer specifically to Hong Kong. They are, respectively: The Peak; The Bay; The Triads' Cave; The Water Fall; The Temple on Taplichow; The Pic Nic Cottage at Heong-Kong; and The Chinaman's Grave on the Lonely Hill Side. According to Mercer's note on the poem, The Triads' Cave, ‘a cavern romantically situated, has now disappeared before the utilitarian demand for granite. It was long the chosen resort of the members of the infamous San hop hwai, or Triad Society', where:\n\nThe robber horde oath-bound to mutual aid\n\nWould plan foul murder and unpitying raid\n\nO'er midnight counsel in their secret den?\n\nThe gem among these sonnets is without doubt The Chinaman's Grave, and should be given in extenso:\n\nOh Chow, or Wong! or by whatever name\n\nMen call'd thee, or the Gods may call thee now,\n\nWhy so extravagantly vast thy claim\n\nTo mortuary earth upon the brow\n\nOf yon fair hill? If all men spread as thou\n\nNo room for things created would be found\n\nThroughout the Seric land, but all the ground\n\nWould teem with graves, and well might it be said\n\nThat living ones were push'd from off their stools\n\nBy men all useless, now that they are dead\n\nAnd vanish'd. Did Confucius leave no rules\n\nTo bind a soul's ambition by the tomb?\n\nThen let survivors show themselves no fools,\n\nBut dig thy bones up to make elbow-room", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 208070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 109, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n93\n\nenter the homes of the beater and her family. (Incidentally, they did the same with the \"small people\" a common man (Hsiao Jen A) who are gossips causing untold trouble. They are depicted on a black-printed charm as a row of men, and represent anyone who bears a grudge or gossips about their neighbours.)\n\nThough Ch'ao Chow and Hoklo temples have no Under Altars, keepers in temples used by these communities claim that other unspecified Hoklo and Ch'ao Chow temples do have them. In practice, however, most have a stone White Tiger, blackened with age, crouching on the floor in front of one of the secondary altars. In one Ch'ao Chow temple, what at first glance could be confusing, were two large and untarnished black and yellow striped tigers seated before the temple's Earth God. According to the watchman, they were normal tigers and not White Tigers, awaiting his orders.\n\nThe Green Horse\n\nThe second is the Green Horse (*) who occasionally has a groom though, rarely, a rider. Not surprisingly the horse actually is green, although it is possibly called so because Liu (green) is a homophone for \"lucky\". In a few temples he is colloquially referred to as the \"Money Horse\". He is to be found in several temples where there is no Under Altar, no White Tiger, and no Local Wealth God. Green Horse stand on their own four legs and are seldom made of a permanent material, though two in Macau and one in Hong Kong are made of what appears to be painted concrete about half life size. Most are coloured paper pasted over a bamboo frame, frequently decorated with tall, gold paper floral crowns and red rosettes.\n\nThe Green Horse is variously offered prayers and incense for assistance in keeping in touch with distant relatives, for bearing petitions to unapproachable Gods, for stopping quarrels and rumours and, according to some, for wealth. Some even refer to the Green Horse as the Protector of Women. Many Green Horses seen in temples are heavily ensnared or trussed with long, fine red (or on very rare occasions, white) cords bound around the forelegs. Occasionally pairs of red chopsticks are bound to the Horse by these red cords. Both the chopsticks and the cords are charms, placed there by wives who pray that their travelling or erring husbands will be faithful to them, or return immediately to them leaving the...", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208073, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 112, "title": "RAS-1977", "content_text": "96 \n\nK. G. STEVENS \n\npasted up on the upper lintel of the altar, or across the sides, where they remain until Spring-cleaning, or just drop off with time. They are called petitions, Pang (#). Another form of charm connected with the Green Horse is a simple postcard-sized piece of rice paper, block-printed in three colours, depicting a galloping green horse and his groom, on which is the petition (****). This is only used during the lunar New Year and, too, is burnt. One temple keeper very carefully folded such a paper inside a piece of red paper, producing a package no larger than a cigarette, ready for devotees to burn. \n\nOccasionally, green and red paper cut-outs are pasted on the Under Altar, or tied to the Green Horse's nose, head or back. These are said to represent \"messages\" from humans to the Gods asking for general benefits, and passed directly on by the Green Horse without going through a spirit medium or being dispatched by incineration. These \"messages\" without inscription are entrusted to the Green Horse at all times of the year. Although borne aloft to the Gods by the Green Horse, he is never expected to bring back a reply; the general benefits doubtless will manifest themselves in time. \n\nPaper charms obtained from the temple keepers, bearing printed prayers and pictures begging the Gods for safety, protection and blessings, are thrust into the belt or hands of the Local Wealth God or again tied to the back of the Green Horse. \n\nThe slips themselves go under the generic title for red ones of \"the Nobleman\", and for green ones of “Green Horse\". These are also regarded by many as charms to ward off demonic influence and not as messages, and are therefore pasted on certain altars and figures. \n\nOccasionally street shrines, such as the one on the corner on Taipingshan Street and Pound Lane, dedicated to the local Earth God (), have a further role as an Under Altar. The roof of the shrine and wall above it are heavily coated in red and green Green Horse and Nobleman slips which normally should be burnt. Many of the slips of paper are, in this case, pasted over the top of white or black cut-out papers which represent the Mean Ones, the Hsiao Jen. These appear in two forms; as individual human figures with large ears in black paper, and as white or black cut-out slips which look like carnival masks for a man with five eyes!", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208081, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 120, "title": "RAS-1977", "content_text": "104 \n\nYUEN-FONG WOON \n\nHeaven image and place it in their own tang-liu. Whoever had a son born that year would buy a lamp and hang it there. The number of lamps thus meant the number of additions to the lineage. If one's lamp had not been lit at the tang-liu during the year of his birth, he would not have the right to receive the ritual meat at his ancestral hall, \n\nThe lantern remained lit until the fifteenth day of the first lunar month. On that day, each lineage lighted a whole chain of beautifully decorated firecrackers and then sent the hang-tseung (be it Kwaan-kung or the Goddess of Heaven) back to its own heung temple where it would remain until the following New Year. Whoever caught the first firecracker falling down would have all the luck for the year. So everyone struggled to catch it. Fights often occurred in the attempt. This was known as the fa-paau event (打炮). \n\nAnother event connected with the New Year Festival was the village opera. Sometimes professionals were invited to perform puppet shows; sometimes a Cantonese Opera troupe was invited and sometimes the villagers themselves performed. In all these cases, the Kwaan and the Oo organized their own performances. \n\nThe worship of the Earth God happened on the twenty-eighth day of the seventh lunar month. The Kwaan and the Oo worshipped their own Earth Gods in their own ancestral hall. \n\nIn contrast to Na-loh, Lung-tsai She was a picture of integration in its ceremonial life. There were no ancestral halls in the village for the Kwaan, the Wong or the Tang, only a community temple. Nonetheless, my informants called it their \"village ancestral hall”. This was probably because it had a lay-out similar to an ancestral hall. Like the latter, there was a huge wooden board inside the temple with the name Lung-tsai Hall (龍仔堂) written on it. Below this was an altar for putting all the sacrificial meat. Underneath was an Earth God shrine. But unlike an ancestral hall, there were no tablets at all in the temple. \n\nThe village also owned a hang-tseung of the Goddess of Heaven which was placed in a multi-surname heung temple on the outskirts of Ts'ung-long Heung. The hoi-tang ceremony was performed in the Lung-tsai Hall instead of a tang-liu. On New Year's day, the Wong, the Kwaan and the Tang each sent representatives to form a joint procession to take the Goddess back to the hall. When the \n\nPage 120\n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208338, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 62, "title": "RAS-1978", "content_text": "46\n\nKEITII STEVENS\n\nMu. The whole is best known as a Taoist Heaven (*). The temple at its peak bears the title of Fan Ch'ih Kung (£) \"The Palace of the Essence of Brahma\". The slip of paper in Tou Mu's back relates that Huang Wen-yuan, a sincere believer, born on the 27th day, 11th moon of the Year i wei (about December, 1835), residing south of Lu Ling City, Chi An Prefecture, Kiangsi Province, together with the whole of his family, on a lucky day of the 9th moon, of the Year keng wu during the Tung Ch'ih reign (about October, 1870), prayed before Tou Mu stating, \"I respectfully implore Most Reverend Tou Mu, a heavenly Goddess of Sacred Virtue, having the immense brilliance of T'ien Hou, generosity, the magic powers of suppressing demons and spirits, and the ability to produce amulets and prescriptions for saving people with serious afflictions, to effectively respond to my earnest prayers and wishes, and wield her supernatural powers to protect all the members of my family and to increase not only the number of children but also all kinds of happiness and prosperity\".\n\nOf the score or so images, only three deities are categorically identifiable, Kuan Ti, Kuan Yin, and Chao Kung-ming, the deities of loyalty, mercy and wealth respectively. Two of the images seem to be local Earth Gods (+) (Plate 8). They are of a style very commonly seen but with what are probably provincial characteristics. They are seated old men, clutching a fly whisk by the end of its handle allowing the handle itself to rest along the forearm and the whiskers to hang from about the elbow. They have a \"shoe\" of gold in their left hand, long white beards, white eyebrows and white hair under a green floppy form of skull cap with their hair drawn up into a bun through a hole in the top of it. They are wearing long robes bound by a red belt tied in a bow at the front, and black shoes. A female carved in the same pose, holding a fly whisk in the same manner, and dressed in a floral robe but without the “shoe\" of gold, has unbound feet, and hair, without a cap, drawn into two short pigtails. She may perhaps, be the consort of the Earth God.\n\nA final image, unidentified, has a spectacular face (Plate 9). He is an unidentified monk, seated cross-legged on a bench and with the ends of his robes hanging beneath him concealing the bench. He holds a fly whisk in his right hand in the same manner as the Earth God and in his left hand he holds a rosary. He has the face of an elderly man but with the characteristics more frequently", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208367, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 91, "title": "RAS-1978", "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA \n\n75\n\nlinguistic terms and customary conduct. Ta qing may not only have been an expression of periphery, it may also have been a ritual activity of visiting non-agricultural, non-productive land: 'the people tread on the green on the outlying wastelands'.94 It is a visit to the yin ancestors in their graves and the yin ancestors are, by virtue of the location of their graves, part of nature.\n\n11. Worship to the Family Spirits.\n\nOne piece of information tells us that in Yingshan people made gong & offerings to the jiashen, 'the family spirits'.95 This may be an offering in the ancestor hall but jiashen might also mean something like 'household gods'. The latter interpretation is the more likely. However, if jiashen should mean 'dead forefather' it must then be an offering in the ancestor hall. The term shen indicates this, and furthermore, the grave offerings are described after this entry, so the gong and the jiao to the graves must be different. According to my previous preliminary analysis of the Chinese calendar system as a system of ancestor worship, Qingming should definitely not be a day for worship to the tablets in the hall. Curiously enough, it may be that this gong is linked to the willow twigs. The chronicler says:\n\nthis day people collect willow twigs and make offerings to the family spirits. Some insert [willow] in the hair at the temples.\n\nSo it may be that this note should be interpreted in such a way that the use of willow was a gong offering to the jiashen, probably the protective godlings of the household.\n\n12. A Hypothesis.\n\nWhat bearing have these data on my earlier studies in the calendar system of ritual events in traditional Chinese society? Arguing from materials from the middle Yangzi valley I have maintained that the Qingming festival is a symbolic statement on the sowing of rice, and I have pointed to some similarities between the spring practices and the customs of Chongyang in the autumn. In both cases we deal with ritual gatherings of people away from built-up areas in natural surroundings. The main difference is that at Qingming activities were focussed on the ancestral graves, at Chongyang on mountain tops. I proposed that Qingming had affinity with yin ancestors, graves, earth and underground. Chongyang,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208374, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 98, "title": "RAS-1978", "content_text": "82\n\n68 GJTSJC II:51, 19b.\n\nGÖRAN AUMER\n\n69 GJTSJC VI:1259, RG 2a.\n\n70 GJTSJC VI:1193, 風俗考 26; 1130, 風俗考 2a; 1142, 風俗考 38; 1120, 風俗考 5a; 1166, 風俗考 5a.\n\n71 GJTSJC VI: 1259, + 2ab. For two interesting discussions on foodstuffs as part of offering rituals, and in terms of cooked and raw food, see Emily M. Ahern, The Cult of the Dead in a Chinese Village. Stanford: Stanford University Press, 1973, pp. 167-170, and Arthur P. Wolf: Gods, Ghosts, and Ancestors, pp. 131-182 in Arthur P. Wolf (ed.), Religion and Ritual in Chinese Society, Stanford, Cal.: Stanford University Press, 1974.\n\n72 Chroniclers report this custom from Hanzhou (GJTSJC VI:1130, 1b), Jingshan (VI:1142, 3a), Zhongxiang (VI:1142, 6b), Chongyang (VI:1120, 4a), and Yingshan (VI:1166, 3b, 4a).\n\n73 GJTSJC VI:1120, 4a.\n\n74 A local tradition from Daye (GJTSJC VI: ... 17a) tells of a persecuted jiao dragon that turned itself into an ox island in a river; this was henceforth called Bull Island. A similar transmutation is mentioned in a legend referring to the Yuan River; see E. T. C. Werner, A Dictionary of Chinese Mythology, Shanghai: Kelly and Walsh Ltd. 1932, p. 116f.\n\n75 In Tongshan, there was an idea of a pair of Earth Gods, She Gong and She Mu. I have no other evidence for ideas of a female counterpart in the Dongting area; GJTSJC VI:1120, 6b.\n\n76 GJTSJC VI:1193, 2a. This may be compared to the use of a mixture of rice and red beans, sometimes contained in a pot, on other ritual occasions; see Aijmer, The Dragon Boat Festival, p. 76.\n\n77 GJTSJC VI:1259, 1b.\n\n78 GJTSJC VI:1142, 2a.\n\n79 GJTSJC VI:1259, 1b.\n\n80 #Ma juan 3: 8a. 風俗考\n\n81 GJTSJC VI:1120, 4b.\n\n82 GJTSJC VI:1142, 4b.\n\n83 GJTSJC VI:1120, 3a.\n\n## 4b.\n\n84 GJTSJC VI:1166, 4b. 風俗考\n\n85 GJTSJC VI:1193, 2a. 荆楚歲時記 Seasons in Jing and Chu. Auth. Tsung Lin\n\n86, juan 13:4a.\n\n87 GJTSJC VI:1130, 1b. 風俗考\n\n88 GJTSJC VI:1120, 4b.\n\n89 GJTSJC VI:1120, 2b.\n\n90 Aijmer, A Structural Approach... p. 95.\n\n91 GJTSJC VI:1142, 1b, 2b.\n\n92 荊楚歲時記 7b. 風俗考 16, 2b. M16\n\n93 GJTSJC VI:1142, 2a.\n\n94 loc. cit.\n\n95 GJTSJC VI:1166, 5b. Records of the ... Ed: MELAR‡ n.d.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208732, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 189, "title": "RAS-1979", "content_text": "162\n\nJULIAN F. PAS\n\nare, of course, an enormous number of deities mentioned and described in Taoist ritual texts, of whom the common people do not even know the names. They belong to the esoteric tradition of Taoism and are only known to Taoist priests. But besides those, the majority of deities worshipped in the temples belong to the popular religion, although many border cases may exist of mutual absorption between the three traditional religions and the popular religion. Some of the most ‘popular' deities of Taiwan religion belong to the popular or community religion: examples are Matsu, Kuanti, the earth god(s), the Wang-Yeh gods, the city god(s), Prince Nat'o or T'ai-tzu, Pao-sheng ta-ti and even the so-called supreme god of Taoism, Yü-huang Ta-ti. A number of originally Taoist or Buddhist deities have been absorbed into the folk religion and have become part of it: Kuan-yin and Ti-tsang wang for the Buddhist side; the kitchen god, Yü-huang (Jade Emperor), the 8 Immortals for the Taoist side.\n\nAccording to the third criterium mentioned above, ownership of a temple, several categories exist greatly coinciding with the division based on the other two criteria. Temples may be government-owned (Confucian temples); owned by the local community on the neighborhood or town levels (these are the community temples); or privately owned, either by individuals, families, sectarian groups or monastic institutions.\n\nFinal sub-section of Chapter Three. After this long digression, I had better return to my book review. In this last part of Chapter Three the author discusses the 'genesis of temples'. Although strictly speaking there is a difference between temple and cult, between temple and deity worshipped in it, still the two should be discussed together. In fact there is a special chapter on the Genesis of Gods. However, since the author prefers to discuss the genesis of temples separately, we had better follow him. He distinguishes several ways of temple development:\n\n(A) by process of fen-shen or \"splitting bodies\" (p. 125). The reason of the spread and construction of new temples is the god's efficacy.\n\n(ii) by process of proselytization or a conscious effort on the part of the believers to spread the cult. This applies to Buddhist temples (and Christian churches).\n\n(iii) by transformation of a private home or temple into a community temple.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208740, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 197, "title": "RAS-1979", "content_text": "170\n\nJULIAN F. PAS\n\nto the hungry gods\" (p. 235). This statement is contradicted by the custom of ending great festivals with a huge banquet offered to the ghosts: at the end of a chiao festival there always is this p’u-tu ritual. I have seen it performed as well at the conclusion of a temple consecration, of an installation of new deity statues, etc. I feel that the author over-states his case in order to strengthen his thesis.\n\nIn Chapter VI: \"The Genesis of Gods” (pp. 238-269), the author formulates a new theory of how the gods, or cult-symbols, are created by the community. Since the gods, per definition, are symbols of community cohesion, they must appeal to the community as a whole. Ancestors are naturally excluded as candidates, and so the author decides that \"gods evolved from hungry ghosts\" (p. 239). Such a theory comes as a shock: it goes against the grain of most religious traditions, in which candidates for sainthood and deification are chosen from among the highest models of virtue, reflecting ideals of human perfection to be imitated by all men. Here, however, gods are born on the \"garbage piles” of society; they are among the outcasts who have no known family, no known descendants. That this theory is at first alarming does not necessarily undermine its validity. However, before it can be accepted, we must carefully scrutinize it.\n\nFirst of all, it is clear that the author only talks about the deities of the community religion. A great number of \"supernatural” beings are therefore not included: for example: the higher gods of Taoism, the Buddhist Holy Ones; their genesis is quite different. Also excluded are the gods of the \"state religion\" of ancient times, still worshipped nowadays: Heaven, Earth, the nature gods like the spirits of thunder, of rain, of mountains and rivers, etc. These are rather personifications of natural phenomena. The author also excludes the Taoist immortals, although in legend and literature they are often close to the people. It seems therefore that only one group remains to develop into cult symbols, the hungry ghosts. The fact of their evil origins is later on camouflaged.\n\nA priori I do not see any serious reason to reject this theory even if it appears to be shocking. However, I want to see solid arguments brought forward. And I find that the author does not provide them, except for one case (see later). When the author takes up the Matsu cult as an example he undermines his own thesis when he says that it is possible that her cult \"began as the cult...", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208757, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 214, "title": "RAS-1979", "content_text": "RELIGIOUS LIFE IN PRESENT-DAY TAIWAN \n\n187 \n\nThis may at first appear as a tautology: all religions are naturally human. However, in contrast again with the Judaeo-Christian and Islamic traditions, in which God is seen as the Absolutely Holy and Transcendent One, the Chinese worshippers in the folk-religion conceive of their deities and relate to them in very human or humanistic terms. This can be explained in many different ways. One aspect is the magico-religious treatment of the gods, just mentioned, but there are several other angles to look at this complex phenomenon. The Chinese deities are often man-made: created by the people, and sometimes in the past appointed by the imperial government. Many gods and goddesses are actually apotheosized historical figures of special reputation or virtue who after their death proved to possess spiritual powers to assist the suffering people. There exists even the conception that the whole Chinese pantheon (not including the Buddhas-bodhisattvas) is modelled after the imperial government: they present a mirror-image of this world with the emperor — the Jade Emperor at the top. Underneath him are the various boards or ministries, the provincial governors, district and city officials down to the lowest rank of neighborhood inspectors. The humble Tu-ti-kung or Earth-spirits are thus the lowliest rank in the divine hierarchy. Gods and goddesses can be promoted or fired just like humans; in cases of mismanagement or misconduct they are sent into exile or otherwise punished. Man's imagination sees this whole spiritual world as operating by virtue of rules and relationships characteristic of his own this-worldly society. Perhaps the most striking manner to illustrate the humanity of the Chinese religion is that it is so evidently utilitarian. The gods and goddesses are worshipped by the people mainly and perhaps exclusively to obtain divine assistance in various difficult or important circumstances. These may be of individual significance or may relate to social concerns: family and community. But most often the blessings requested belong to the sphere of this life: health and wealth, fertility and progeny, position, success in business, cures of diseases (often in the past: epidemics) and overall protection against evil forces, evil spirits who threaten to destroy human happiness. Concern with the after-life may also be a motivation of religion, but then life after death is seen as a continuation of life on earth. The deceased are imagined to have the same needs as in this world: food, shelter and clothing are their most important concerns. Therefore, the ancestor cult is utilitarianistic in two ways: if it is not intend-", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208758, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 215, "title": "RAS-1979", "content_text": "188\n\nJULIAN F. PAS\n\ned for the happy state of the dead themselves, its objective is to obtain various worldly benefits through the ancestor's intervention.\n\nIt seems, in other words, that the Chinese people are not concerned about religious attitudes, so much stressed in religions like Christianity: adoration, praise and reverence or submission to the will of a Holy and transcendent God. Thanksgiving and repentance are present, but are equally utilitarian: the gods are thanked for benefits granted, and man apologizes for offenses that disturb the deities and may endanger the bestowing of future blessings.\n\nAll this is perhaps an injustice done to the Chinese worshippers, or a wrong interpretation of actually observed religious behaviour. But a Western observer is easily led to make the conclusion that Chinese religion on the popular level is utilitarian and mundane. The attitude of worshippers in the temple offers the clearest illustration: paipai (worship) is very casual, almost purely ritualistic and mechanical: as long as the prescribed ritual action is performed, everything is all right. The temple gods are there to listen to the people's complaints or wishes and \"if the price is right\", the prayers will be heard. If the god is efficacious, people will flock to his temple, otherwise he may be gradually forgotten and ‘discontinued'. This attitude of the temple-goers may be the reason why Western and Chinese authors have claimed that the Chinese people are not religious: they are not religious in the same way as, for instance, Christians. Their religion is of a different type: earth-bound, humanistic. Therefore, once again, Western-based definitions and concepts should be re-examined before they are applied to other cultures, especially when value judgments are appended to them. Who will decide that Chinese religion is inferior to Christianity just because it is less transcendent? The function of religion is to fulfill particular human needs and if Chinese religion fulfills those needs, it has achieved its purpose and is a valid alternative type of religious behaviour.\n\nA third aspect of modern Chinese religion as observed in Taiwan is its mediumistic, almost ecstatic nature. This does not mean that one finds medium-cults in all the temples; on the contrary, the larger temples usually do not play host to mediumistic performances. But there is an increasing number of smaller temples or even home-shrines where either 'divining youths' attract worshippers or where an organized divinatory writing cult exists.19 The two are quite", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208784, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 241, "title": "RAS-1979", "content_text": "214\n\nNOTES AND QUERIES\n\nThe location of the first major incident was the wooded slope of a steep hillside covered with pine trees and shrubs which was held under forestry licence by the Tsing Yi Rural Committee on behalf of the island community. The occasion for it was the entry of a bulldozer in connection with site investigation surveys (by boring rigs) to this area, where engineering works were held up pending negotiations with the villagers for the removal of several villages.\n\nIn the event, an unauthorized entry was made without the knowledge of the supervising engineer or District Office land staff. The bulldozer made tracks some 300 yards long in several zig-zags across the front of the hill, to the imagined and claimed detriment of three old villages whose fung shui area it has long been. The bulldozer's tracks were approximately 8 feet wide and it had effectively knocked over trees, taken up shrubs and exposed red earth, as clearly shown in Plate 4.\n\nThe villagers were prompt in their response; not only to complain to the District Office, but also to take early action to reduce the harm thought to emanate from the uncovered earth scars across the hill face. They sent parties of people to the spot who quickly cut adjoining grass, shrubs and the lower branches of trees to cover up the red earth. This took place over much of the tracks (Plate 4). They also hired a geomancer from Kowloon who set up a shrine beside a major clan grave whose side had been closely skirted by the bulldozer (Plate 5). He also provided charms which were set beside the shrine, to avert any bad influences coming from the uncovered earth nearby (Plate 6). In their turn the villagers sent a man at early morning and dusk to light joss-sticks and candles, change the oil in the little lamps on the shrine, so as to try to ensure that harm was averted by showing devotion to the earth god and to the ancestors. This service was provided in turn by a certain class of men styled fuk chù (±) from each of the villages affected by the excavation. This term means elderly persons who are thought to have received blessings from the gods e.g. by having many sons and health in old age.\n\nThe District Office 'made amends' by paying for the expenses/labour costs of the remedial work, and for the cost of the ceremonial rites styled tun fu (#). The effect of the remedial work thus undertaken was estimated to last for 6 months, after which the process would be repeated.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208870, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 32, "title": "RAS-1980", "content_text": "4\n\nKEITH G. STEVENS\n\nTemples and monasteries, despite their outward appearance are not always simple, self-contained religious units. Quite frequently they contain a number of major and minor deities, each with its special shrine or altar, hall or building.10 The original major deity may, for one of several reasons, be relegated to a secondary position and a new primary deity installed on the main altar. After some years and changes in abbots or temple keepers, the identity of certain deities, including surprisingly, major gods and goddesses, have been forgotten and, so as not to lose face, their identities are guessed at by temple staff, often wildly inaccurately.\n\nThere are several groups or complexes of folk religion temples in the two territories and to identify the number of individual temples on one particular site apart that is from where it is possible from reading the titles over the entrances-it is necessary to count the number of Earth Gods and Door Guardians in their niches inside the temple on the inside walls, usually opposite each other, facing across the various entrances. A single or pair of these deities is usually found in each individual temple within a complex of temples irrespective of how many entrances there are. The Wen Wu temple (or Man Mo in Cantonese) in Hollywood Road, Hong Kong is an example, with two temples side by side seeming to be one having only one courtyard. The Wen Wu itself, a large traditional temple, is to the east with its Door Official and Earth God sitting side by side in one shrine. In the smaller \"Temple of the Buddha of Light\" on the west, there is only a single image, a lone deity called the \"Door Official Earth God\", a title which amalgamates the titles of the two usual deities.\n\nUrban and rural11 folk religion temples differ in that the former tend to be more sophisticated, always have a keeper and several other staff, cater for worship by individuals at any hour (between 8am and 6pm) and have a wealth of images. Rural temples, in the main also boast keepers, but these are usually absent as they are \"pensioners\",12 very elderly people who spend much of their time asleep, calling on friends or shopping. Devotees visiting a rural temple normally find no one to assist them, and presumably, as this is an accepted facet of rural life, nobody seems to mind. The urban temple keeper on the other hand has to earn his living or recoup his investment of an annual tender, and so he ensures that a member of the staff is permanently in the temple during opening hours to assist in devotions, offer for sale incense, oil, charms and", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208882, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 44, "title": "RAS-1980", "content_text": "16\n\nKEITH G. STEVENS\n\noften picked out in green or left in their natural state, though very quickly they are covered with incense soot.\n\nTraditional temples in Hong Kong and Macau have two predominant styles of facade. The first has a verandah, which stretches from side to side across the front and is covered by the roof (Illustration 7). The second style, the more common, consists of a regular oblong plan with the entrance door and the section of the front facade which fronts the main hall, set back about two feet into the whole facade. The facade fronting the two side halls is usually windowless, though occasionally it is decorated with long murals at roof height (Illustration 8).\n\nThe verandah of the first style is occasionally enclosed in a low, open balustrade. Above it the roof is supported by a stone beam from each side wall, reaching to and resting on the vertical columns which flank the entrance. Stone animals occasionally grace the beams, and more often than not the wooden support beams which stretch from the facade to the vertical pillars are heavily carved or support carvings depicting Chinese social life. In some villages, the Deng Family clan temple at Ha Tsun for example, the carvings depict everyday life, such as fishermen wading ashore from their grounded boats. In other temples, under the eaves high above the long verandah, murals of scenes in three dimensions in Shekwan pottery decorate the facade.\n\nThe majority of temples in Macau are single-hall temples (a total of 19 out of 32). The main halls of the two largest traditional temples in Macau, the Lin Feng Miao and the Guan Yin Miao are much the same basic size as those in the large Hong Kong traditional temples. However, the side halls and annexes of the two Macau temples are considerably larger. The large main hall of the Lin Feng Temple in Almirante Lacerda, facing WNW and backing onto the hill Colina de Mong Ha, has a main altar with two secondary altars on either side and, in addition, a second main altar in the front of the court, facing the main entrance. The whole Lin Feng complex has four separate major altars. There are two in the main hall, one at the front and one at the back and one each in the two side halls (with the one to the east having a further altar in a separate room). The temple's two side halls, each with its own main altar, are more than likely looked upon as separate temples as they have their own Earth Gods beside their entrances.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208887, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 49, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n21\n\nbefore them in both rural and urban areas. In round terms, they are miniature unmanned temples or open air altars often called in Chinese \"small temples” (1). They fall into two categories. The first is the roofed, open-fronted, doorless structures which protect a public deity or deities. The second is an unroofed area surrounding a natural rock, tree, stone or marker which is considered a spirit and is offered incense and other minor offerings. (Illustration 13).\n\nThe first can be as large as a single room the size of a small garage (but with a low roof), as small as a dog kennel or even smaller, a miniature temple some 1'6” high, 1' wide and some 2” to 3\" deep. All shrines house a deity and an incense pot. A wooden plaque, a framed print or an uncut or undressed rock or stone may represent the deity. In the case of shrines dedicated to the Earth God, probably the undressed rock is the most common representation. Very occasionally the Earth God is joined by his consort, and quite frequently by one or two unidentified and usually unconnected images placed there by devotees.\n\nLarge street shrines (Illustrations 14 and 15) of a more temporary nature are now few and far between in Hong Kong21 and are referred to officially, as we have already seen, as “illegal temples\". They generally consist of a large altar with numerous often unconnected folk religion and Buddhist images and several dozen framed prints of various gods. The jumble is arranged in an open-fronted shed, or in an open-fronted lean-to in a side alley and is cared for by one or two very elderly, often infirm men or women. In Macau none have been found however, though there are some two to three dozen in Hong Kong.\n\nSmall shrines are to be seen at the side of streets, footpaths, at crossroads or outside temples and monasteries, inside temples and monasteries in ones or groups of two or more, in homes and also in shops and factories.\n\nHousehold or family shrines, very common in Hong Kong, particularly in peasant and urban working class homes, are probably not always quite what foreigners expect. They often consist of a tiny shelf or alcove, painted vermilion, bearing or containing an incense pot (often the ubiquitous red-painted cigarette tin), before a representation of one or two deities.\n\nThe more elaborate household shrines have miniature doors,", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208888, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 50, "title": "RAS-1980", "content_text": "22 \n\nKEITH G. STEVENS \n\ncolumns, boards, boards bearing auspicious phrases, balustrades, roofs and lattice windows exactly like full-size temples (Illustration 16). Several wooden miniature shrines seen on lower decks of large sea-going junks were heavily ornamented and the carving exquisitely detailed. At the other end of the scale, soap boxes, painted red and upended, serve as the simple shrine of the less affluent household. \n\nActual images of gods in homes are few, and their worship is very limited. Usually, there is just a framed print, and routine offerings consist of a daily incense stick burnt before the print with, in addition, a small offering of tea or rice on the first and fifteenth day of each lunar month. The majority of Chinese who have a household shrine display on their main altar the bodhisattva Guan Yin, who is, without a doubt, the most popular deity of Chinese everywhere. Most homes also have a second “altar”, the Kitchen or Stove God, whose title on a red board is hung up, or when written on a red paper is pasted up near the family cooking range. \n\nShop or factory shrines usually stand or hang on walls at shoulder height, constructed of wood and painted vermilion. The majority of shop shrines contain plaques or prints of Guan Di as patron deity of merchants and Tu Di Gong, the Earth God. Those in fire stations and police stations bear prints of Guan Di in his role as the patron deity of loyalty. \n\nOn days marked Chu (除)22 in the Almanac (i), old lady devotees offer prayers in the street before unpainted wooden boxes used as shrines. They are propitiating the demons who cause disasters, and are also attempting to change their luck for the better. They use one of their shoes to strike the \"small men” (1-A) banging small figures of humans cut out of black paper and at the same time calling out in high-pitched voices for the demons to flee. The voice is pitched particularly high when calling back the roaming soul of a sick child (the absence of the soul being the cause of the sickness). \n\nApart from modern concrete decorative structures in places like the Tiger Balm Gardens and on the foreshore of Repulse Bay, there is only one pagoda in Hong Kong or Macau. This is at Ping Shan, in the New Territories, and was built of stone blocks some three hundred years ago. Like other Chinese pagodas, it has little use other than to enshrine some sacred object, in this case, several images", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208896, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 58, "title": "RAS-1980", "content_text": "30\n\nKEITH G. STEVENS\n\nor halls.32 Nearly 70% of all nunneries are on Lantau island, whereas only 10% of the monasteries are; and three hundred and fifty-three temples and monasteries have resident staff.\n\nThere are thirty-two temples in Macau, of which two are well-nigh derelict. Of the thirty-two temples, six are coastal, twenty-four are urban, and two rural. The majority of temples contain a mixture of Buddhist and folk religion images (no temples contain only Buddhist images), and the remainder contain only folk religion deities.\n\nDegrees of popularity of the major deities in temples and shrines\n\nThe total number of temples dedicated to a specific deity throughout the two areas reflects the importance of that deity to devotees. In Hong Kong and Macau, forty-four different gods each have at least one temple dedicated to him (or her), whilst only seven gods have more than five temples to him (or her). The seven, in order of precedence (based simply on them being the main deity of a temple or monastery), are Tian Hou (seventy-eight) (*), Sakyamuni Buddha (thirty-nine), Guan Yin (thirty-eight), Guan Di (twenty-one), Hong Sheng (twenty), Bei Di, who is better known as the Northern Emperor, (ten), and Lu Zu or Lu Dongbin (seven). Although this gives only a very rough guide, the number of images of Guan Yin throughout Hong Kong and Macau vastly outnumbers those of Tian Hou. However, when the criterion is the number of temples in Hong Kong and Macau in which a particular deity is to be found (on any altar and not necessarily as the main deity), then the first five are Guan Yin, whose image appears in at least seventy-five temples, Tian Hou (114), Guan Di (88), Qi Tian Da Sheng (Monkey) (61), and Di Zang Wang (59).\n\nThe Kitchen God, most frequently depicted by a reddish-orange paper pasted on the chimney above the stove, is the most common deity to be seen on the household altar, followed closely by Guan Yin, whose image, as we have noted, is also to be seen in 70% of all temples. The most common deities outside the home are Tu Di Gong, the Earth God (the local tutelary deity), in both urban and\n\n* The totals are not the number of images seen but the number of temples in which the deity is the main image in both Hong Kong and Macau.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209890, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 149, "title": "RAS-1983", "content_text": "127\n\nthe 18th to 20th days of the 1st moon, the birthday of the earth god. To celebrate the occasion, a Committee of twelve members was formed. One of these was the Chairman (Chung Li), one the Vice-chairman (Hip Li) and the rest were ordinary Committee members (Chik Li). All the Committee members were chosen from among those interested in taking up the post by casting divining blocks before the gods on the altar, as at Ap Lei Chau; thus, as we have seen, in a different way from the nearer Sheung Fung and Tai Ping Shan shrines. The Committee was also responsible for subsidizing the function in case there was a deficit.\n\nThe annual celebrations took place, not at the shrine, but in Hau Wo Street, a few hundred yards away. A temporary metal structure of about 12' X 8' was erected for the purpose of staging a puppet show. Sacrifice was offered and joss papers and candles were burnt. To conclude the ceremony, there was a distribution of gifts, mainly rice and other foodstuffs, to the poor of the district.\n\nAccording to Mr. Chow, local residents were generally very interested in this event. They believed that by celebrating the festival they would be more fortunate and prosperous throughout the whole year.\"4\n\nThe Earth God Shrines at Nam On Fong and Sai Wan Ho, Shau Kei Wan\n\nI turn now to other shrines of this kind at Shau Kei Wan, in the eastern part of Hong Kong Island. Shau Kei Wan has a good harbour and was a fishing port and boat people's anchorage long before 1841. Its land population was given as 1,200 persons in the first Hong Kong census of May 1841. By 1860 it was listed as having 2,561 land dwellers and 4,338 boat people. In the mid 1860s it was said to have had 307 houses and shops, and 603 boats. In the 1871 census it had 2,360 land inhabitants. At the 1911 census the land population had risen to 11,727 and the number of persons on boats was given as 6,440.5\n\nThese figures include not only the town section of Shau Kei Wan, long known as Tung Tai Kai (東大街) or Great East Street, but a number of villages, and stone quarries with their attached", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209894, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 153, "title": "RAS-1983", "content_text": "131\n\nobservances on the days usually associated with earth gods in the first and second lunar months. Even in the pre-war period, and as far back as memory and local tradition serve, the group celebrated the Yue Lan festival in the seventh moon. At this time each year, a committee of residents arranged for a religious service and a performance of puppets to be performed on some open ground near the former pier that served the Shau Kei Wan-Hung Hom-Hong Kong Central District ferry.\n\nThe traditional practice for providing the leadership for these occasions differed from that described for the Nam On Fong shrine. From at least 1920 and, it is understood locally, for longer still, each year's leaders have been decided mainly by financial considerations and mutual agreement. Whichever among the group of interested parties was willing to pay the highest amount became the Chung Lei for that year. Lots could be drawn in the event of a tie, or a disputed choice, but this very seldom happened; probably because the group was fairly constant in its composition, all were known to each other, and the chance came round every year.\n\nThe Chung Lei had assistants, as elsewhere. He usually selected his own, from among his friends in the body of subscribers. This was varied for practical considerations in the early post-war stage. There were then four assistants, besides the body of chik lei. It was the practice that if the leader came from the Sai Wan Ho shops, the first and third assistant had to come from among the body of chik lei associated with the Tai Koo docks and sugar refinery, the largest single employer of labour in Shau Kei Wan. Established in 1908 and 1884 respectively, their works and dockyard were located at the Sai Wan Ho end of the Shau Kei Wan area.40 In the late 1960s, if not earlier, the ceremonies were held in matsheds erected inside the dockyard.\n\nThe chik lei could be men or women, and come from any dialect group. However, they had to come from the Sai Wan Ho end of the Shau Kei Wan. The same geographical restriction was applied to canvassing for subscriptions. The managers sent out to raise funds among the shopkeepers and residents were not permitted to go beyond the traditional boundaries of the sub-district. In addition to those chik lei who used their personal", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210283, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 254, "title": "RAS-1984", "content_text": "Date \n\nAug 31 \n\nTime \n\nAnnounced Programme \n\n22:00 \n\nSept. 1 \n\n7:00 \n\nmorning lesson and \n\nKaiko\" WANA \n\nTable 1. Time Table \n\npre-offering 前传施戰鬼 \n\nObserved Programme \n\nInviting the gods \n\nnight ritual \n\npre-offering \n\nmorning ritual 1 \n\nmorning ritual 2 \n\nTime \n\n15:00 \n\n20:00-20:45 \n\n22:00-22:40 \n\n7:00- 7:20 \n\n10:00-10:30 \n\n15:00 \n\nafternoon Kaiko \n\n15:00-15:50 \n\nand Reporting NAJLA \n\nritual and prayer for \n\nreincarnation \n\n15:50-16:10 \n\nReporting \n\n18:00 \n\nnight lesson and \n\n20:00-20:45 \n\nnight ritual \n\nrepentance 晚課拜懺 \n\n20:00-22:00 \n\nmovie \n\n22:00 \n\nthe great offering 大拖能鬼 \n\n10:10-11:00 \n\nthe great offering \n\nSept. 2 \n\n7:00 \n\nmorning lesson and \n\n7:00-7:20 \n\nmorning ritual \n\n[ \n\nkaiko朝課间间 \n\n10:00-10:25 \n\nmorning ritual 2 \n\n15:00 \n\nafternoon kaiko, FEMA \n\n15:00-16:15 \n\nLantern floating \n\nReporting and lÆSLA \n\n16:20-16:40 \n\nReporting \n\nLantern floating \n\n18:00 \n\nnight lesson and \n\n20:00-20.45 \n\nnight ordinance and \n\nrepentance 晚課拜懺 \n\nrepentance \n\n22:00 \n\nthe great offering R \n\n20:00-22:00 \n\n22:10-23:00 \n\nmovie \n\nthe great offering \n\nSept. 3 \n\n7:00 \n\nmorning lesson and \n\n7:00- 7:20 \n\nmorning ritual 1 \n\nkaiko悯課川河 \n\n10:00-10:20 \n\nmorning ritual 2 \n\n15:00 \n\nafternoon kaiko and Reporting \n\n14:30-15:00 \n\nFOR \n\nFRASILA \n\n15:00-15:15 \n\nafternoon reincarnation \n\nReporting \n\n18:00 \n\nnight lesson and \n\n20:00-21:00 \n\nnight repentance \n\nrepentance # \n\n20:00-21:45 \n\n22:00 \n\nthe great offering AAMUE \n\n22:00-23:55 \n\nSept. 4 \n\n0:00- 0:40 \n\n7:00 \n\nLate Kaiko \n\nH \n\n10:50-11:05 \n\n11:10-11:15 \n\nmovie \n\nthe great offering \n\nBurning \n\nThank the Temple Gods \n\nThank Heaven \n\n11:20-11:25 \n\n15:00 \n\n* = in Japanese, means reincarnation through praying \n\nOffering to the late \n\nand handicapped ghosts. Feast. \n\n+ \n\nIL. \n\nthe prayer book for the offerings is 瑜伽燄口科怆 reincarnation it is A LAKE \n\n233 \n\nfor the ritual and \n\nAccording to the priests, the morning and night rituals are their normal daily rituals in the temple ( Wat ), only the 'Offering', the 'Reporting', the 'Lantern Floating', and the three rituals on the last day were performed specially for the Festival. During the night rituals, after reciting charms and presenting in- \n\ncense sticks to the altar of Heaven-and-Earth (T’ien Di T'an AM), all the priests, except one who kept on striking a drum 天地壇 \n\nin the Tao Ch'ang area, walked through the whole festival area. At the same time, the main priest bowed to every object of worship.\" \n\nAfter returning to the Tao Ch'ang area and purifying a small dish", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210290, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 261, "title": "RAS-1984", "content_text": "240\n\nCHOI CHI CHEUNG\n\nburnt and vegetarian food was offered by many worshippers there.\n\nAt the entrance of the Tao Ch'ang, 4 notices stated: \"The water and land cross-over is at this Tao Ch'ang ()\" separating the Tao Ch'ang area from the other areas. Within the area, there were 39 worshipping objects. There were three distinct areas to the Tao Ch'ang: i) On one side of the entrance, there were the territorial gods of the human world, and, on the other side of the entrance, there was a god who holds the key to the door between earth and hell (two of his runners were with him). ii) In the main hall, there were tablets of different spirits who were supposed to come from the ten courts of the underworld, and tablets of the Taoist Saints. Two Generals were put in the centre of the hall to watch over the spirits. iii) At the back of the area, was the altar (or Hoza in Japanese) where the priests practised their rituals under the images of the 3 Buddhas and the Goddess of Mercy. Compared with the typical Buddhist arrangement for rituals for appeasing the dead, the Tao Ch'ang area of the Kobe Chinese 'Yue Lan' was more inclusive and closer to Chinese folk tradition, though the priests were all Buddhists.\n\n32\n\nThere were 7 types of objects worshipped (Table in the Appendix):\n\ni) Those represented by incense bowls and offerings only.\n\nii) Paper-made figures.\n\niii) Paper-made lanterns.\n\niv) Porcelain statues.\n\nv) Paper-made houses.\n\nvi) Paper-made tablets.\n\nvii) Paintings.\n\nNot all worshippers knew the names and roles of all the objects worshipped. During the festival, worshippers presented incense sticks to all the objects of worship in the festival area. However, besides the Ming-che and the \"Ancestral Hall\", the two runners attracted the most attention from the worshippers. Worshippers bribed them with bundles of paper money. One Cantonese lady of about 75 years old explained that by doing so, it was hoped that the runners \"would take care of our ancestors whose spirits are com-", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210292, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 263, "title": "RAS-1984", "content_text": "242\n\nCHOI CHI CHEUNG\n\nnese News (MA###); reports about the Ghost Festival in Kobe no longer emphasised the role of the Hokkienese. Thus, the secondary identification (identity of being a Chinese and/or of being a resident in Kobe) instead of the primary identification (identity of blood relation and/or of origins) became the central idea of the Festival. Thus the Festival is more inclusive now.\" The Festival, though including all elements of the secular world as well as the sacred world, stressed only ancestor-worship because only ancestor worship supercedes the boundaries of all social groupings and categories, eases the tension of group competition among the Chinese, and connects all social groupings and categories into one worshipping group which is based primarily on the relationship of the worshippers with Kobe, and secondarily on their territorial identity as Chinese.\n\nNOTES:\n\nThe original meaning of 'Yue Lan' is \"hanging upside down” (of the hungry ghost in Hell). However, during the festival, participants used terms like: Obon (Mah, Japanese term for the festival), Chung Yuan (†, middle of the year, which is a term mainly used by the taoists for the same event), and/or Kuai Chie (m, ghost festival). Some Cantonese even called it a Chiao (M) (simply meaning a festival dedicated to the Gods). Moreover, the documents used during the festival spoke of it as 'Pu Tu' (#), meaning general offering and place where spirits can cross over to this world, e.g. the papers that hung over the entrance of the Tao Ch'ang (entrance A) wrote \"The water and earth Pu Tu is held in this Tao Ch'ang' (*), at the entrance B, it was written 'the Great Occasion of Pu Tu' (E), the invitation card wrote \"the great meeting of Pu Tu' (#★#), and the same term was also used in the P'ang.\n\n1 See Kobe Kakyou Ho (#), no. 71, 1976.3.10. In 1974, there were 46944 Chinese in Japan. 8585 of them lived in Hyogo Prefecture of which 7071 were concentrated in Kobe city. The distribution of the origins of the Chinese in Hyogo Prefecture was as follow: Taiwan (41%), Cantonese (21%), Hokkien (11%), Kiangsu (11%), Shantong (5%), Chekiang (4%), others (7%).\n\nSee plan at the Appendix to this paper, and Plate 15.\n\nPlate 16.\n\n3 Plates 17, 18, 19.\n\n6\n\nSometimes informants called the paper-made houses \"Cho' () without distinguishing between the house for the 'Newly Dead', and that for the gods. Here, Ming-che is used for the house of the \"Newly Dead', and Cho for that of the gods.\n\n7 Plate 20.", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210418, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 25, "title": "RAS-1985", "content_text": "6\n\nBARTHOLOMEW P.M. TSUI\n\nSupreme Deity is most emphatically affirmed, and the basis of affirmation is the Patriarch's personal experience and communication with Him. One can experience the Supreme Deity because He has \"signs\" (hsiang). Yet, being transcendent, He is without form. That is why Lo says, \"God is formless but manifests himself in signs.\"19 Patriarch Lo is very much aware of the transcendent nature of the Supreme Deity. Words applicable to limited beings like existence, form, name, nature, desire, activity, like or dislike, speech, quantity are all inapplicable to Him.20 In this respect, Lo's struggle with a theological language is not unlike Lao Tzu's pithy pronouncements on the Being and Non-Being (yu, wu), or Medieval scholars' formulation of analogy or the Mutazilites' discussion of the names of Allah. In spite of the inadequacy of language when talking about the Supreme Deity, He is worthy of veneration and praise and the worshipper's sentiment overrules philosophical difficulties. A hymn of praise forms the very first passage of Lo's most important book, the T'ai-hsüan's Discourse on the Truth. \"(Oh Thou art) the most great and most venerable! Thou art the God above all gods, the origin of myriad beings. Thou art timeless, beginningless, endless. In Thee there is no mark of destination, no quantity, no form, or name. Thou art present everywhere and there is nothing Thou canst not do. With Thy assistance the heavens become pure, the earth obtains peace, the sun and moon become bright, gods and men become spiritual, the great way is born, the Universe becomes established. Oh, Thou art great and holy, the most great and most venerable! Thy honour is supreme. Thou art so great that no name is adequate.”21\n\nPatriarch Lo contrasts the Supreme Deity with other spirits and ghosts by saying that the former is the origin of myriad beings,22 whereas the other gods are merely certain spiritual essences of the Universe. In other words, he recognizes the vast difference between the Supreme Deity and other gods in Chinese popular religion. The latter exist but ought not to become the objects of worship. That is why in his sect, the Supreme Deity alone is the object of veneration. Such a state of affair is reflected in this sect's shrine. Only the character “shen” (神) or the text I have just quoted appears on the wall directly behind and above the altar. No images or name-tablets of other gods are allowed on", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 210421, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 28, "title": "RAS-1985", "content_text": "religious thought never progressed beyond his initial experiential phase.\n\nV. Morality\n\nPatriarch Lo allocated a lot of space to the discussion of morality. In both T'ai-hsüan's Discourse on the Truth and T'ai-hsüan's Discourse of Various Topics he listed twenty-six virtues that one should develop and twenty-five vices that one should avoid. They are all concerned with social relationships. In fact, they are hardly distinguishable from Confucian morality. Even the same terms like jen (仁), i (義), hsiao (孝), chung (忠), hsin (信) and others are used. The slight bit of difference comes only in his discussion of internal and external virtues. (Midiya) 35 \"The internal aspect of virtue is called Simplicity (素) or Truth (真); the external aspect is called Benevolence (仁) or Righteousness (義).\" I believe this is an attempt to harmonize Taoist concepts with Confucian ones.\n\nThe Patriarch thought that social morality is continuous with cultivation. Virtue in its ultimate effect is indistinguishable from the goal of cultivation. In answer to the question about the highest virtue (德) he says, \"The highest virtue is to preserve the Truth and to bring human nature to its completion so that one is in harmony with heaven and earth; and to save the world and give assistance to the people so that one attains the virtue which enables one to be in communication with the gods.\" 36\n\nIV. Religious Institutions and Practices\n\nTan Tse Tao is not only a body of abstract religious thought. It is also a community of believers, and a community must have a boundary which separates it from the larger family of human beings. The institutions which make up this boundary are few but they do provide a distinct identity.\n\nFirst, the community is governed hierarchically. At the top of this hierarchy was Patriarch Lo. Below him were four Elders of", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 210756, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 107, "title": "RAS-1986", "content_text": "90\n\nCHAN WING HOI\n\nDaai Si Wong and Baak Mou Seung, an altar for the dead to receive blessings, an altar for Tin Hau and local earth gods, paper images of Yuk Wong and his underlings, and the festival office. Except for the dead, the spirits noted on the altars were the usual ones found in jiu festivals. Among Tin Hau and her companions were gods of Shek O itself. The Daai Si Wong, a deity related to the underworld like the Baak Mou Seung, had the important role of overseeing the ghosts which came for the offerings.\n\nOn one of the altars, there were 105 spirit tablets of ancestors to whom offerings were to be made. Mr. Lau, the restaurant owner I talked to, did not think this a new feature of the festival. But he associated the spirit tablets with the Chiu Chau and Hoklo newcomers. Those immigrants had left their ancestors at their native places. Because it was not easy to return to these places to sacrifice to them, it was necessary to entertain and make offering to the ancestors through the festival. The indigenous villagers had no need to set up the spirit tablets of their ancestors there. They worshipped their ancestors at home where they had set up their altars. Whatever the validity of the reasoning, what Mr. Lau said suggested that very few of the locals had put up spirit tablets for their deceased relatives in the ritual. More than half of these tablets bore only the characters hin-hau or hin-bei, indicating they represented only either the father or the mother. I think this indicates that the other parent was living, and this must mean that these tablets were set up for the recently deceased rather than ancestors of old. In the case of many jiu festivals in single surname settlements, the spirit tablets of the common ancestors were included on one of the festival altars. Here the ancestors were parents of people who had paid for the privilege of leaving the tablets there.\n\nIn a broader sense the ritual site should also include the other areas delimited by flag posts (faan-gon). There were four of those posts at Shek O, marking out the north, south, east and west corners, I was told. In addition, there were two each at Tai Long Wan and Hok Tsui. We learned from the New Territories that faan-gon posts were indications set up for wandering ghosts to inform them they might enjoy offerings at the jiu. However, responding to my question about the faan-gon posts, a local woman replied that the", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210757, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 108, "title": "RAS-1986", "content_text": "91\n\nlanterns affixed on the posts shone on Shek O and Tai Long Wan people.\n\nThe priests and ritual representatives visited the faan-gon posts and made offerings three times a day in a procession called haang-chiu (audience procession). When I followed one of those processions in Shek O, however, I discovered that not all four of the faan-gon posts were erected at the corners of the settlement. The first faan-gon post in Shek O visited by the haang-chiu procession was between the school playground and the quarters of the cleansing unit of the Urban Services Department. One of the local members of the procession volunteered the information that the post was set up there because three years ago a fatal accident took place at the spot. Two young boys who lived in the quarters of the cleansing unit were playing there when a stone pillar fell down suddenly and killed both of them.\n\nV. The local gods\n\nThe Tin Hau was represented by her wooden image at the centre of the altar. Behind the image was a piece of red paper on which the titles of ten local deities were written. With the exception of the Sea Goddess (shui sin) of the small temple at one edge of Shek O Beach, they were Baak-gung and Daai-wong earth gods of Tai Long Wan, Shek O, and Seung Wai. One of them, styled jang-paang daai-wong (earth god of the stakenets), was a reminder of the former fishing activities of the local residents. Many others had probably existed for the protection of villagers in fishing and farming. The change in land use is evident in the reply given by Mr. Wong, the local leader, when asked where the god's place was. He said, \"Below the number 10 alley of the Westerners' residences of Tai Long Wan,\" linking the god with the change that had taken place in the locality. He gave the same description for the location of another god, the Earth god of the Banyan Tree Place. For the Seung Wai daai-wong, he explained that it was below no. 1 alley, which had become a residential area for Westerners. It used to be the villagers' settlement which was removed to Shek O for the construction of the golf club. There were also three gods whose names were not known to Mr. Wong. He believed that those were from Hok Tsui, the village which joined in", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210758, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 109, "title": "RAS-1986", "content_text": "92\n\nCHAN WING HOI\n\nthe celebration only this time. Neither the yn-sau nor his indigenous deputy whom I talked to knew anything about the gods except for Tin Hau.\n\n9\n\nNeglecting my question as to whether the gods other than Tin Hau had been invited at their own places, the priest Chan Wa expounded his theory of the connection of each god with a locality. He started with the earth gods. The earth god of the “head” of a village guarded the “head” of the village, and his counterpart of the \"tail\" of the village guarded the \"tail\" of the village. Other earth gods, such as the earth gods of the homes of individual families and of hills and graves, guarded their own locations of responsibility. The same principle applied even to Tin Hau (“Ma-neung”). Each village (heung) was guarded by a different ma-neung, each of whom received offerings from the temple of her village. To stress that there was more than one Tin Hau, the priest alluded to the belief that the title was applied to three sisters, not one goddess. He compared the localized nature of the gods with the Qing administration of this region. The Dongguan and Bao'an counties were once under the same magistrate. As communication between different spots of the vast area was inconvenient, the place was later split into separate counties each under its own administration.\n\nMy impression was that although most gods were localized, some were more so than others. While the influences of earth gods were strictly limited to their localities, temple gods were given guardianship of their localities as well as a more or less global portfolio. It is therefore to be expected that when the interest of an individual or a group becomes less localized, it is gods such as Tin Hau whose protection extends beyond a narrowly defined geographic area that remain important, and localized gods whose influence is limited to a small area would receive less attention. In the case of Shek O, some of the latter were earth gods who protected the villagers while they fished and farmed. Now that Shek O residents had given up farming and fishing, although these gods continued to be invited to the jiu, many at the festival hardly knew who they were.", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211015, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 77, "title": "RAS-1987", "content_text": "T \n\n52 \n\ntent with the motive of maximizing the market, ranging, as it does from the local Chinese literati to domestic servants of European residents, and even to \"country youths\", presumably from the recently acquired \"New Territories\". \n\nThe principal contents of English Made Easy comprise Mok Man Cheung's “unique system” for enabling non-English speakers to pronounce the English alphabet, numbers, words, phrases, and sentences, plus an anthology of \"model letters\". Fascinating insights into the quality of the social life of upwardly mobile Chinese at the turn of the century are provided by the selection of materials for these sections of the book. \n\nSeveral of the categories of objects and phenomena, invented by Mok Man Cheung to organize his work, offer evidence about the ambivalence of this sort of person at this time in the face of influences from both East and West. In his list of words referring to \"Objects of Nature\", for example, the earliest words on the list (“Sky”, “Earth”, “Sun”, “Moon”, “Wind”, “Clouds”, “Rain”, etc.) may have been chosen for their compatibility with such traditional Chinese concepts as \"Feng Shui”1 and with other widespread beliefs. \"Spirits”, “Gods”, “Ghost”, and “Devil” are all included. The later entries seem to concentrate more on practical and modern realities, such as “reclamation ground”, “rough sea”, “typhoon”, “drizzle” [sic], “low-tide”, “flood”, and, to conclude happily, \"calm-sea\". In his suggested vocabulary for \"Time and Seasons\", he includes \"Intercalary moon”, “Full moon Festival”, \"Dragon Boat Festival\" and \"Winter Solstice\" as well as “Christmas day\", the days of the week and months of the year by Western reckoning, and a battery of non-culture-specific temporal terms. Mok Man Cheung's list of \"Persons and their Occupations\" begins, perhaps because it was politic to do so in 1905, with \"Emperor\", \"Empress\", \"Crown Prince\", and proceeds to deal with “Mandarin” and “General”, leading on to such occupations as “Maidservant” and “Captain”, before referring to \"Governor\", \"Policemen\" (juxtaposed with “Thief”) and \"Student\". It would not be uncharacteristic of Chinese style if the precise order in which these “Persons and Occupations” are presented is meant to be significant. Even if this is not the case,", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211062, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 123, "title": "RAS-1987", "content_text": "98\n\nNOTES\n\nResearch for this paper was carried out in Hong Kong in the Spring of 1984. We would like to thank John Dolfin, Director of the Universities Service Centre, for the use of that invaluable facility during our research, and John Ashton of Memorial University for some helpful suggestions. Parts of the paper were included in a presentation at a colloquium of the Sociology Department, Hong Kong University, May, 1984.\n\n1 \"Wong Tai Sin\" is the most common transliteration in Hong Kong of the god's name. The pinyin transliteration is Huang Daxian. Here, the common Hong Kong transliterations are used, except for place-names in China such as Guangzhou (Canton), Guangdong (Kwangtung), and Chejiang.\n\n2 The cases to be described are here termed motifs in the sense used by Allen and Montell (1981:38-9), who note that \"the characteristic feature of these migratory narrative elements is their transferability among stories about different events or persons.\"\n\n3 This is the only Wong Tai Sin temple known to most believers in Hong Kong, and the prominence of the god in Hong Kong has occurred entirely as a result of the success, for various historical reasons, of this one temple. There is also a private Wong Tai Sin temple in Kowloon, as well as a small private shrine in Macau, but they have had no influence on the popularity of the god.\n\nbut\n\nSome temples in Guangzhou were indeed destroyed early in this century by Nationalists rather than by the elements (see for instance Rhoads, 1975:255). Perhaps our informant's account of the destruction of the temple was a tradition dating back to these events.\n\n5 The fact that the icon of the god brought to Hong Kong from Guangdong is a picture rather than a statue suggests, as we argue in another paper (Lang and Ragvald, 1988), that the god was worshipped in Guangdong as the patron god of a family herbal medicine business (see Day, 1969, on these \"paper gods\" and their role in family worship).\n\nThe organization which manages the temple, the Sik Sik Yuen, has published the official history of the temple in commemorative brochures, especially: Sik Sik Yuen, 1971; 1981; 1982,\n\n7 Ogura (1980) argues that the drifted deity tradition evolved from an earlier tradition of belief in periodic visits by gods from their abodes beyond the sea. There is no such tradition in the Hong Kong area.\n\n1 The temple's version of the Taoist hermit's life on earth before he became a god is in the form of a short autobiography, supposedly dictated by the god to a Taoist. It appears on a plaque in the temple, and also in brochures published by the Sik Sik Yuen. It has been discovered by Dr. Shiu-hon Wong of Hong Kong University that this account follows closely a capsule biography of the hermit written in the 4th century A.D. as part of the collection \"Biographies of Immortals\", by Ge Hong. This literary version holds that the Taoist hermit Wong, while herding sheep in Chejiang province, discovered a method of achieving immortality. He also manifested his power by turning a hillside of boulders into sheep. These two achievements figure prominently in the temple's \"autobiography\" of the god.\n\nThe story of a saint whose body remains uncorrupted and even sweet-smelling long after burial is a common motif in Christian legends. Loomis (1948:54) cites about two hundred instances.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211640, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 55, "title": "RAS-1989", "content_text": "30\n\non an altar in a folk religion temple in Pongol in northern Singapore.\n\nIn the Feng Shen Yen I, mythical tales known to most Chinese, Yang Chien is described as the nephew of the Jade Emperor. Yang, also known as Erh Lang in some stories and in some temples, was a mythical general fighting for the legendary Shang (Yin) dynasty during the wars of the 12th century BC.\n\nAnother popular romance of the Ming, the Journey to the West, better known as the story of Monkey, tells of the incident when a heavenly being was exiled to Earth for re-incarnation as a punishment for assaulting one of the Jade Emperor's daughters. By mistake he entered the womb of a sow and was born half-man and half-pig and is now best known as Piggy, one of Monkey's assistants.\n\nThe Jade Emperor's festivals are celebrated on his birthday, the 8th and 9th of the first lunar month, and on the 6th of the eleventh lunar month, the anniversary of his ascension. In parts of Taiwan he is also feasted on the 24th of the sixth lunar month, and in South-East Asia on the 6th of the fourth, and fifth of the eighth lunar months. Though it is not a date on which humans especially revere the Jade Emperor, all the gods of Heaven assemble on the 19th of the first lunar month to pay their respects to him.\n\nHe is offered a feast on his birthday which includes duck and chicken, but must include pork. These offerings are placed on a table in the open, before the front entrance to the courtyard, together with candles and the large-size sticks of incense. Two whole sugar canes with leaves intact are especially popular offerings in Fukien communities to celebrate the escape of Fukienese who hid amongst the fields of cane to avoid being killed by an enemy. The survivors offered such canes to the Jade Emperor in thanks and the custom has persisted.\n\nIn general, routine offerings before the altar of the Jade Emperor consist of the standard three sticks of smouldering incense. However, offerings of a vegetarian feast are made to him in Hong Kong on the first day of the lunar new year, accompanied by the burning of spirit money. Not all families perform this ritual, many Hoklo and Hakka families prefer only to offer the basic vegetarian meal.\n\nThe Jade Emperor is usually accompanied on the altar by images of", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211646, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 61, "title": "RAS-1989", "content_text": "36\n\nto have a soft cloth crown either with or without a top knot, usually coloured blue. Again, a carver in Taipei put this and the other differences down to the whim of individual carvers. According to legend in Singapore, one of the Pestilence Wang Yeh, after he had received his deification authority from Heaven saw a plague demon scattering plague pellets over the Earth. The Pestilence Wang Yeh, Yeh Wang Yeh according to the raconteur, gathered them all up and swallowed the lot to save mankind from being inflicted. At once his hair stood on end and his eyes protruded in their sockets, and this is how his image is portrayed. However, when we examined the image the only characteristic noted were his round protruding eyes.\n\nAll Pestilence Wang Yeh are portrayed seated, rarely with anything in their hands though the occasional one has a drawn sword held at waist height, but this is rare. Most have their feet resting on small animals, usually stylised lions. A god carver explained, in relation to the Pestilence Wang Yeh, that it is important that the feet of senior or powerful deities do not rest directly on the ground, it is just not done!\n\nFrom the earliest pioneering days of the colonization of southern China by northern Chinese epidemics have ravaged southern populations. Devastating epidemics of plague and parasites, fevers and contagious diseases linked with lowered resistance in the hotter and humid south left the settlers in dread of smallpox, paratyphoid, cholera, dengue and malaria. Contemporary medical expertise was completely out of its depth and unable to be of much help, leaving the immigrants only their gods to turn to for protection and a cure. The settlers brought south with them the concept, already well known to the colonizers from north and central China that sickness was caused by the forces of evil. These forces, invisible armies of demons led by demonic generals had to be repelled and, if possible, destroyed. As these forces were from the other world the best, and possibly the only counter would be to use the righteous and virtuous spiritual forces in the other world,\n\nEventually, within the Chinese pantheon a Ministry of Epidemics was conceptualised incorporating the various sickness-countering deities, each bearing not only its personal name and title but also local colloquial titles the best known of which is probably the Sickness Spirits (or gods) (Wen Shen). These are known amongst Fukienese communities as the Pestilence Spirits, the Wang Yeh.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211947, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 362, "title": "RAS-1989", "content_text": "337\n\nThe Jau and Wong Temple also used to house spirit tablets to \"heroes\". The tablets (three in total, without names) were moved to the Yau-Leun Tong from the side altar in the temple about 50 years ago because they were siu-yan (“small people”), and it was unseemly to house them in the same temple as the two great men (daai-yan). As mentioned before, villagers agreed that the “heroes” were those who had died in fighting (da-saat) between Kam Tin and its enemies.\n\nKam Tin has quite a number of other temples. There are the Man-Cheung Temple and Hung-Sing Temple in Shui Tau, and the Tin-Hau Temple in Shui Mei. Many of the other villages, e.g. Kam Hing Wai, Tai Hong Wai, Kat Hing Wai, Tsi Tong Tsuen, and Wing Lung Wai, which do not have “standard” temples, have a san-teng, a house with an altar for a spirit tablet for about ten popular temple gods. The gods of some of the vanished temples, which include a Yeung-Hau Temple and a Bou-Dak Chi in Shui Mei, and the Hung-Fan Taam Temple of Shui Tau, are still worshipped in the jiu festival, as are the gods of two nunneries, in Shui Mei and Tai Hong Wai respectively, which no longer exist.\n\nThese temples and nunneries hold tablets or images of some 20 different gods, if we are to include the Earth God for temples, and Wai-To for Buddhist establishments. The other 18 include the popular temple gods Yeung-Hau, Tin-Hau, Bak-Dai, Man-Cheung, Gwun-Yam, Gwaan-Dai, Hung-Sing, the God of Wealth, Gam-Fa, Taai-Seui, the Dragon King, and the Buddha. The Bou-Dak Chi housed spirit tablets for Jau and Wong. There is not much information about this other temple dedicated to Jau and Wong, but it was worshipped probably only by the villagers of Shui Tau, where it was situated.\n\nFui-Sing, and Fa-Gung Fa-Mou are probably respectively responsible for success in imperial examinations and the health of children. Hoi-Saan Suk-Lou is a title found in some other local temples as well, and represents the earliest settlers of the place. Hong-Wong is a title that I have not seen elsewhere in the New Territories.\n\nThe titles of localized gods found in most of the Kam Tin villages include the God of Earth and Grain, the Water God of wells, and the Earth God for the gates of the walled villages. There are, in some of the villages, a Tree God and Earth Gods for bridges and for the gate to a complex of houses. In addition, there are Ngau-Wong and Pun-Gu,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211950, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 365, "title": "RAS-1989", "content_text": "340\n\nrespected person in a family. I found in Wing Lung Wai that the households take their turn to take care of the incense and lamps of their san-teng. It probably plays an important part in major celebrations: in Tai Hong Wai I noticed that wedding deui-lyuns couplets had been put on both the san-teng doors and the village gate.\n\nOf a similar status were the places for the Gods of Earth and Grain, where communal worship (jou-se) is held once or twice a year. In addition, there is the hoi-dang ceremony for the new born children of the village. In the case of Tai Hong Wai, Kat Hing Wai, and Wing Lung Wai village-level collective worship includes a jiu. It is held once in seven years at Tai Hong Wai, once in five years, at Kat Hing Wai, and once in ten years at Wing Lung Wai. The Tai Hong Wai case is probably representative. The rituals are simpler than the one for Kam Tin as a whole, and lasted only two days and one evening. The main feature is the offering of paper clothing to hungry ghosts.\n\n49\n\nIn some cases the social unit involved in the rites for the new born and other collective rites is a lineage segment in a village and in one case a main village and its associated smaller settlements. Some villages have more than one place for the God of Earth and Grain. Shui Tau has two. The one belongs to the whole village of Shui Tau while the other one belongs only to the descendants of Gam-Tin jou, who have their hoi-dang there. Similarly, there is more than one place for the God of Earth and Grain in Shui Mei. One of them is worshipped by the Git-Sau jou people alone, who make offerings of paper clothing there at the Yu-Laan Festival. In the case of Tai Hong Wai, its jiu, and the rite for the newly born include as participants the villagers of Tsi Tong Tsuen and Tai Hong Tsuen. The hoi-dang at the Ching-Lok ancestral hall is not precisely a lineage event: only his descendants living in Shui Tau and Shui Mei take part.\n\nBesides worship associated with membership in residential and sometimes partially lineage segment units, there is worship organized by ritual associations. There are quite a few ritual associations (san-wui) in Kam Tin. Each has its landed property, which ranges from one daam-jung (about 65 thousand square feet) to about 500 thousand square feet of farm land. A share was inherited by all the descendants of the original shareholders. In some cases, one share was actually shared by a few dozen people. Some of the shares were acquired by the present holder by purchase. Worship by these associations takes place once a year, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211969, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 384, "title": "RAS-1989", "content_text": "359\n\nThe offerings included fruits and cha-gwo pastries. In addition to these they burnt paper clothing for Jau and Wong, and a yellow piece of paper with the characters wing-bou-ping-on (\"unremitting protection\") and some yun-bou for the earth god.\n\nB. Setting up the ghost flags\n\nEarly in the morning of the opening day, after the rite of Fetching Water, the ritual representatives on their own installed faan flag posts for the worship of ghosts. There were five of these posts, each set up by the ritual representatives of one gu.\n\nThe ritual representatives took precautions in this rite, since it dealt with ghosts. They told each other the taboos to observe in installing the posts. One should avoid speaking people's names out loud while this was being done. It would be wise to be silent. It was said (by the ritual representatives) that those who posted a faan should be those to dismount it afterwards. Some of the ritual representatives complained about not getting red packets for doing the rite. It was not for the money, they said, but for the good fortune.\n\nThese faan posts were initiated by the priests in the first Procession of Offerings.\n\nC. Inviting the gods\n\nBeside the temple gods and other localized gods of Kam Tin, gods were fetched from the Pat Heung Temple at Sheung Tsuen and the Yuen Kong Temple. These two places were included because the places, I was told by the villagers, originally belonged to Kam Tin. Also fetched was the portrait of the Heavenly Master from his altar inside the village gate of Tai Hong Wai.\n\nGenerally the ritual representatives of each gu were responsible for fetching their own gods: e.g. the gods at the Hung-Sing Temple and Man-Cheung Temple were fetched by the ritual representatives of Shui Tau. There were special arrangements for the gods important to the Kam Tin Dangs as a whole, and gods from outside the heung: (1) Ritual representatives no. 1 to no. 5 went to Ling-Wan Ji, as well as to the temples of Yuen Kong and Sheung Tsuen; (2) All 60 ritual representatives went to fetch the Heavenly Master from Tai Hong Wai; (3) The Head", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211971, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 386, "title": "RAS-1989", "content_text": "361\n\nBack at the ritual site, the ritual representatives installed the image of Gwun-Yam in the temporary altar dedicated to her, and the spirit tablets for the others in the san-paang altar for general gods. These, with the spirit tablets for the gods from the villages, gradually filled up the three levels of the temporary altar. Two ritual representatives fetched the tablet of Hung-Yi from the Ching-Lok Ancestral Hall to his altar on the stage. The portrait of the Heavenly Master was fetched from the village gate of Tai Hong Wai, and installed at a temporary altar set up for him in the Mau-Ging Tong ancestral hall.\n\nThere were also a few deities to be invited from the sky. They included Tin-Dei-Sheui-Yeung, the gods of the realms of Heaven, Earth (the Underworld), Water, and the human world; Gods of the Naam-Dau (\"North Dipper\") and Bak-Dau (\"South Dipper\"), both for blessings to men; the City God and the Lei-Wik (who supervises the local Gods of Earth and Grain and the Earth Gods); Tin-Chyun San-Gwan (two common titles of the highest deities); and the Dragon King. In the last stage of the Opening Rite there were complaints that those gods were omitted. But later on that day temporary spirit tablets for them were seen in the san-paang.\n\nD. Procession of incense I\n\nThe first Procession of Incense took place on the main day of the ritual, to the participating villages of the Kam Tin heung. It was to visit all the temples, shrines, and major ancestral halls to worship the gods and higher-level ancestors. There did not seem to have been a clearcut rule about the lower-level ancestral halls. When I mentioned to an elder that the procession had stopped and worshipped at Lai-Gaan Tong, his first response was that the procession should not have worshipped there. But he changed his mind later: the worship in the rite was indiscriminative, it went to every ancestral hall if the doors were open.\n\nA very large number of villagers participated. Priests took part in the procession as well, but their part was limited to a brief invocation. Most of the villagers wore hats with special ornaments indicating their villages. The procession was accompanied by the sound of large gongs, a flag saying jeun-heung (\"to offer incense\"), and the priests' musician playing sona. There was one lion dance group, and Luk Gwok flags and percussion teams playing drum and gong on lo-gu ga frames representing each of the five main villages. There were also flags", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211972, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 387, "title": "RAS-1989", "content_text": "362\n\nassociated with lion dance groups. The ritual representatives held incense burners, but the joss sticks in them were not lighted from the beginning to the end of the procession.\n\nMr. Dang Jik-Wai, an elder of Tai Hong Wai, with an outsider who had lived in Kam Tin since shortly after the war and was employed by the rural committee, led the procession. Mr. Dang had a list on a piece of paper of the gods to worship. The procession left the main ritual area where the participants had been waiting since the end of the rite of posting the Memorial.\n\nThey first stopped at the Wa-Bou altar for the God of Earth and Grain at Shui Tau. From there they proceeded to the Tin-Hau Temple at Shui Mei and worshipped at the Temple, and two nearby altars for the God of Earth and Grain. The procession then turned south to Ching-Lok Ancestral Hall at Shui Tau, and worshipped at the Ancestral Hall, and at the Hung-Sing Temple. Next they worshipped at another altar for the God of Earth and Grain of Shui Tau, the Yi-Dai School (i.e. Man-Cheung Temple), and the altar for the God of Earth and Grain for the Mui Jai Yun section of the village.\n\nThey entered Kam Hing Wai and worshipped at the san-teng, the earth god's place at the former village gate, as well as the altar for the God of Earth and Grain.\n\nThe party proceeded to Kam Tin Shi, where they worshipped at an altar for the God of Earth and Grain. They intended to enter Yau-Leun Tong to worship too. But it was locked and no one in the procession had the key. So they made the offerings at the door. They then entered Sa Bui Leng and worshipped at the ruin of a former san-teng and the god of the well.\n\nThey continued the procession to Ko Po, where they worshipped the God of the well, the God of the village gate, and an altar for the God of Earth and Grain.\n\nThe procession turned back and continued towards Kat Hing Wai, where they worshipped at its altar for the God of Earth and Grain outside the village wall, and then entered the village and worshipped at the san-teng. The procession then took Kam Sheung Road to the san-teng (?) of Naam-Teng.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211984, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 399, "title": "RAS-1989", "content_text": "374\n\nwhich has been copied in an untitled manuscript in the possession of Mr. Dang Yu-Hing).36 Dang Kei-faan Genealogy in the Baker Collection of New Territories genealogies in the British Library.\n\n37 The elder was Dang Wing-Sau, the head of the lineage. I do not know which generation he was in. See Taga (1982:92).\n\n38 Translated in Sung (1974:177-179).\n\n39\n\n40 See table above and the genealogy in Kam Tin Historical Documents, vol. 1.\n\nProbably Dang Hei-Seui. See Sung (1974:166-168) and a genealogy of his segment included in Hugh Baker's Collection of Genealogies.\n\n41 Patrick Hase has drawn my attention to the importance of the monastery as central to the establishment Hung-Yi's descendants in Kam Tin, just as Ling To nunnery is to the Dangs of Ha Tsuen. The monastery and the earlier temple are a major element in the fung-seui of the Pat Heung valley and Kam Tin. The rivers important to irrigation in the area all flow from the mountain on which the monastery stands.\n\n42\n\n41\n\n44 I have not tried to find further information on this man in gazetteers.\n\nSee Sung (1973:112-113) for the Hung Sing Temple.\n\nThis was one of two stories. They were thought of as alternatives although there is no contradiction between them. I shall relate the other one later.\n\n45 I was told that the Juk-Yun Am used to be at the present site of the Gwaan-Dai Temple of Shing Mun San Tsuen, and San-Sin Fu near Shui Mei.\n\n46 Two items in Kam Tin Historical Documents vol. 2 were probably intended for this very grave. These were among the papers of Dang Ting-sam from the year 1873. The first was a request for donations towards the establishment of a charitable grave. The second was intended for a stone inscription. There is strong evidence that the charitable grave was established before the British came, although many present-day Dangs believe that those buried in the grave were those who died fighting against the British. The jiu festival record for 1895 included the Dei-Jong Wong of Tung-Fuk Tong among the gods to be invited, and an elder in his nineties remembered seeing gam-taap jars for bones when he was very small. He deduced that those must have been the remains of people who died before 1898, because one had to wait for many years he suggested ten — until the bones could be extracted after a first burial.\n\n47 A bin-ngaak (horizontal inscribed board) presented to the Buddhist altar at its completion included ten names who were believed to be the share-holders of the Tong. They were three Wan-Guk jiu descendants of Shui Mei: Baak-Cheung, Daat-Hung, and Jik-Hing; three brothers Yat-Wa, Seui-Chuen, Gam-Wa and two of their nephews, and Baak-Yi, all descendants of Wan-Gaan; and a Hin-Yiu of Kam Tin Shi.\n\n48 Plus a inscribed stone on the ground saying Naam-mo O-Mei-To-Fat, set up to offset the bad influences that caused traffic accidents near the stone.\n\n49 Hoi-dang for a village did not always take place at an altar for the God of Earth and Grain. In the Shui Mei case it took place at the Tin-Hau Temple.\n\n50 The elders made it clear that gu here does not mean “shares\".\n\n51 The subjects for these paper images were specified in the contract made with the craftsmen. The contract was included in the general record for the festival and was copied from the previous ones. But neither the organizers nor the contractor seem to have paid much attention to the details of the prescription.\n\n52 The object is probably more commonly known by the name dong 'an and is more often installed over the central area of the Taoist altar rather than in the backstage room. See", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212589, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 143, "title": "RAS-1991", "content_text": "the Buddhist hall. After this was finished close mourners changed into everyday, brightly coloured clothes. A meal was held in a restaurant. There were seven courses. About 50 people attended. Meat was served.\n\nThe immediate family members then went home and took a second bath with pomelo and wampee (variant spelling wampi) leaves to purify the water. Lucky packages were opened. Besides money they contained pieces of hibiscus, foo paak (†), a homonym also meaning wealth or riches. Another packet contained, in addition to money, a needle and thread, and a lady's hairpin, described as kat lei ( ). This is interpreted as pierce or sharp, also as lucky or profit. Anything that could bring bad luck, such as black objects, had been burned. Things that were brought home, for good luck, included white mourning shoes and white attire. These were known as tsoi paak (ĦĦ ), for ‘good luck'. The large photograph used at services was later hung in the dead woman's home. Some maintain it should be packed away or it can bring bad luck.\n\nAshes\n\nThe day after the fifth tsat the immediate relatives went to the funeral parlour to collect the ashes. Everyone expressed pleasure that these were 'fairly white'. They are often blackish. There was a short ceremony. Joss sticks and ‘gold bars' were burned, together with a rosette made up with yellow papers with blessings printed on them.\n\nAt Ching Chung Koon (Temple) permission to enter was requested from the two door (earth) gods. Everyone bowed three times. An orange was placed on each shrine. The niche selected two weeks earlier to hold the ashes of the dead woman, together with another alongside for her husband, was not too high so it was accessible. His remains were moved from another niche. The cost for each, in 1988, was $10,800, increased from $600 in 1966. (Business is thriving and extensions are continually being built to the columbarium.) The mother's niche number is '17' which can be interpreted, 'certainly you will get it.' The father's niche is '18', read as 'definitely will prosper'.\n\nThe mourners bowed three times to 'spirit neighbours' of father and mother and burned single incense sticks in all vases in that room. An effort was made not to offend and not sit on ledges in front of other", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212596, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 150, "title": "RAS-1991", "content_text": "Topley asks whether the poor trace hardships, basically, to lack of money. Cash can solicit and secure worldly and spiritual favours, advantages as well as goods.” At a funeral there is abundant, cheap, 'mock' money which mourners 'remit' to the deceased. The dead can be 'looked after' in a style not often possible on earth.\n\nOther ritual ingredients are belief in supernatural powers making up driving forces of the universe, whether these be magic, the complementary powers of yin and yang, ‘dragon vapours' (lung hei) of feng shui, fuk hei (divine blessings) or other superstitions. They must be handled correctly so no one is alienated.\n\nThere are, nevertheless, inconsistencies. If even the average Chinese does appear to believe that everything depends upon impersonal whims and pulsation of feng shui through the universe he does not resign himself entirely to fate. The contradiction is that most Chinese display a strong motivation to achieve wealth, power and prestige. Ability and education are valued. To complicate the issue further there is the Buddhist karmic belief that one's afterlife depends upon morality and performing good deeds on earth. So with a broad streak of pragmatism, if, with ancestor worship, forefathers do not provide adequately for present generation - even though forebears' bones have turned white instead of black - the living will still try to achieve objectives in other ways, such as by following the Confucian work ethic. But the need to perform the will of the gods, if one wishes to be saved, is also stressed, although ascetic practices and abstaining from worldly comforts appeal to a limited number of Chinese. But effort on its own is not enough. Something else, something special, is required.\n\nWith Chinese civilisation going back to the Shang Dynasty (circa 1600 to 1100 B.C.) beliefs do not usually change overnight. Yet, as explained in this paper, a number of Hong Kong funeral customs have altered significantly since World War II, such as acceptance of cremation and streamlining of funerary formalities. In many ways, Hong Kong Chinese think differently to westerners and even to their mainland cousins. Yet, if a European reflects after attending a Chinese funeral, many aspects are very meaningful. These can help a westerner strengthen Christian beliefs.\n\nEven those Hong Kong Chinese who do not profess a faith still usually engage Taoist or Buddhist monks to perform last rites. The author recalls\n\nPage 150\n\nPage 151", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212929, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 238, "title": "RAS-1992", "content_text": "223\n\nconcerning Birrell's thoughts on appropriate dividing lines. Birrell's beliefs on this have implications for her work, certainly. For instance, when Birrell writes that 'no known city of ancient China....... is linked to an illustrious mythological founder' (p. 255), she has presumably assigned P'an Keng to history, rather than to myth. Her theoretical stance probably also accounts for Birrell's disinclination to cite Chinese ritual practices (present or past) to elucidate the basic meaning of her texts.\n\nThere are a few misleading statements in the book. The 'Appended Texts' of the I Ching is apparently dated to 800 B.C. in one place (p. 44), for instance. There are misstatements. Twice (on pp. 55 and 240) Birrell speaks of a single author for the Classic of History (Shu ching). When she moreover assigns a major commentary of the Shu ching to a K'ung An-kuo in the 2nd c. B.C., she ignores all recent scholarship on the subject. Ko Hung was not an alchemist (p 46), as Nathan Sivin has demonstrated, and Han interest in immortality techniques definitely did not decline (p. 182), as the dynastic histories show. Birrell's talk of mythic passages ‘appeal to tourism' (e.g., p. 42) discounts a more probable motive for mentioning specific mythic sites: to use physical 'evidence' to 'prove' improbable assertions. And in a very few cases, Birrell's analysis of a passage does not quite tally with her own translation. For example, of a fabled land Birrell writes that its male children are 'left to die before they reach the age of three,' while her text simply states that 'within three years, the [male child] will die prematurely' (p. 249).\n\nThere are disappointingly few references in Birrell's work to either recent archaeological reports or to Han apocrypha. The apocrypha in particular preserve valuable pre-Han information on mythological heroes, marvelous flora and fauna, and cosmology.' Furthermore, a number of topics in Chinese Mythology simply cry out for further discussion. Almost nothing is said of numerology, despite interesting studies by Wen Yi-to and others on the subject. And the Chinese notion of human invention as it relates to patterns of Heaven-and-Earth merits a full discussion. As it is, the reader is left with the erroneous impression that it is always wrong for humans to imitate the gods (p. 60). For a bibliography that is generally complete, there are lacunae, including Yü Ying-shih's classic work on early Chinese views on immortality and Susan Cahill's study of the Queen Mother of the West. Finally, Birrell's editor should have checked the multiple indices more carefully, since they do not include all books (e.g., the History of the Chou) or all mythic figures (e.g., Ch'in\n\ni", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213279, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 101, "title": "RAS-1994", "content_text": "81\n\nThe vegetation on the Peak corresponds to the fung shui woods (where stillborn babies are sometimes buried) positioned at the rear of traditional, symmetrical New Territories' villages. In addition to acting as, so called, 'green dragons', untouched shelter belts and firebreaks, these fung shui groves, which may house a temple or a shrine, are considered almost sacred. These woods also act as barriers against malevolent forces. They are the homes of spirits and gods and are considered essential for the wellbeing of a village.\n\nThere are well over 300 fung shui woods in Hong Kong (Webb, 1995:44), and, although the largest covers as many as 14 hectares they average two hectares each. Historically, they provide materials for culinary, medicinal, ceremonial and structural use, if, for instance, a length of timber is required for repairs to the temple, or bamboo carrying poles are needed for weddings or funerals. Banyans, heung (incense) trees, camphor, bamboo, rose-apple, longan, lychee, mango and breadfruit, some of which play important parts in Chinese folk religion, are common in fung shui coppices. One of the best examples of a fung shui wood is in Shing Mun Country Park, at the north end of Jubilee Reservoir. This wood is reputed to be around 400 years old (Dudgeon, 1994:73).\n\nA well-sited village is not only protected from the elements, such as typhoons, heatwaves and pollution, by fung shui groves. Such a site is also sheltered by hills and spurs. In turn, graves are situated out of sight on a hill behind the village. And so, as is written in Ecclesiastes 1,4:\n\nOne generation goeth and another generation cometh\n\nthe earth abideth for ever\n\nBut sacred woods are not just found in Chinese communities. In India, Nepal, Bhutan and Japan, as well as in various parts of Europe, people have their groves where religious ceremonies are performed. The druids in ancient Britain, who were also bards and soothsayers, had sacred woods. Oaks in Sherwood and other forests were the abodes of spirits. The fruit of the oak, the acorn, was also sacred. So was the mistletoe.\n\nBut even in Hong Kong views can change and modernisation can take its toll. In the mid-1990s, a venerable fung shui banyan in a Lantau village was felled merely to improve television reception.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213284, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 106, "title": "RAS-1994", "content_text": "86\n\nIn England between 1697 and 1851, a tax on windows was imposed. Consequently, many were blocked up. For different reasons, Chinese living in villages in the New Territories also consider carefully before cutting a hole through a wall to construct another window or door. These are viewed as 'noses' and 'mouths'. An opening can admit evil influences and bring sickness or death. Their position, size and proportions are important. So is the way they open and swing.\n\nIn the flat in the case study the Chinese amah (maid) was frequently sick. 'Move the gas cooker,' the lady of the house was instructed. 'It is not good for the cooker to face the door.' After this was done, although it could have been coincidence, the amah said her health improved. She had faith that if the cooker was moved she would feel better. Afterwards, she assured the author she did.\n\nWith Chinese culture embracing so many aspects of the universe and influencing daily life, aesthetics have always been considered important. Door gods, for example, sometimes adorn entrances to ward off evil. In turn, colour and lighting affect both mind and wellbeing. If a person prefers dark colours, then, to balance, they should choose patterns that have light backgrounds. Colour and beauty are meant to complement.\n\nColour symbolism has been linked to the Five Elements, the forces of nature (Wood, Fire, Earth, Metal and Water), since the fourth century BC. These are not just looked upon as five kinds of fundamental matter but more as five fundamental processes. Fire, for instance, is linked to red. Not only does it look good but it protects the wearer from evil (Baker, 1981:154). For example, the talismanic red spot on the white headdress of a mourner at a funeral service; worn in the nature of an amulet, red (often vermillion) attracts good fortune. It is a yang colour: the colour for weddings and celebrations. It signifies joy, festivities, virtue and sincerity. Yet to have red paint on the end of a bamboo pole, on which the washing is hung high above the street, is not considered appropriate. It could fall and kill. Red symbolises blood.\n\nRegarding the other four primary colours which are linked to the Five Elements. Yellow (emblematic of earth), a natural and loyal colour of old China was sacred to the emperor. It is the colour of the garments of Taoist priests. It signifies longevity and is the colour for burying the dead. Geomantic blessings and charms, to ward off evil influences, are frequently written or painted on yellow paper representing the earth.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213375, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 197, "title": "RAS-1994", "content_text": "184\n\nIn its strict forms, fung shui does not involve the presence of a deity but in the rural villages in the New Territories, especially in the Hakka villages, a belief in fung shui is intimately interwoven with an older animistic belief in earth gods and tree spirits. Fung shui is intimately interwoven with the Tao and is an aspect of popular Chinese belief systems,\n\nThe comments and examples given in this account are taken from a doctoral thesis in social forestry carried out by the author on fung shui woods in the New Territories from 1990 to 1994 (Webb, 1995b). The study identified 337 fung shui woods in the New Territories from air photographs, examined the botanical composition of 60 woods, and carried out in-depth interviews with village representatives in 20 villages to determine how villagers used and perceived their woods today.\n\nOf great importance to the fung shui of a village are the shrines to the village spirits and earth gods. The earth gods have the generic name poo sat (good spirit), but may also have their own local names. For example, the earth god's name at the Tai Wong shrine of Ma Mat Wai near Fanling is 'Hin Tan'. The earth gods are territorial because they are thought of as spirits of the locality (genii loci) in which their shrine is situated. They are typically located by a large boulder or venerable banyan tree. The earth god, in its various forms, is seen as the presiding deity of the village, its protector and arbiter of disputes. Villagers will make offerings to them in return for favours at specific times (Burkhardt, 1958)\n\nThe earth gods may also be known generically as Tai Wong (great king) and Paak Kung (paternal great uncle), and are associated with shrines also bearing these names. At first sight and without local knowledge, it is often difficult to distinguish the two, but generally the former type of shrine is the more elaborate. The wealthier the village the more elaborate is the shrine, but no study has yet been done on styles of shrine in the New Territories. Just as village houses were constructed by travelling groups of masons (Hase, 1992), so village shrines may also have been built in the same manner, so that within any one district the shrines may display the same style of design.\n\nA Tai Wong shrine may have its own stone or cement platform with a similar \"armchair\" shape to that seen in the layout of traditional graves. On the altar, the focus of the shrine, often a special stone or inscribed plaque, may be provided with a roof. To one side of the shrine there may", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213377, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 199, "title": "RAS-1994", "content_text": "186\n\nin matters relating to personal relationships. During Lunar New Year, hundreds of people come from all over the Territory, even from as far away as Aberdeen on Hong Kong Island, to offer prayers at the foot of the tree and to throw red and yellow prayer flags, attached to strings weighted with stones, up into the branches.\n\nOnly in four villages was it claimed that the special trees were the home of earth gods. At Lin Au, the large, old Cinnamomum trees were planted by the villagers when the settlement was founded in order to protect the shrine that was built to honour the ancestors. The earth gods have their home in the trees and also roam about in the wood. Lin Au and Sheung Tsuen were the only cases found where this was said to happen, but it may be that such a belief could have been more widespread in the past. At Pak Kong, a grove of six trees protects the Tai Wong shrine to Tin Hau beside which is a smaller Paak Kung that is used to worship the earth gods who live in the trees. Kuk Po is also an example of an ancestral tree which is also the home of the local earth god.\n\nIn most cases, however, the tree adjacent to the shrine is there simply to provide shelter. In the study carried out by the author, a variety of reasons were given as to why specific trees were protected and the commonest reason given was that the trees protected the important shrines of the village, which were both Tai Wong and Paak Kung shrines. The shrines were situated at important fung shui locations, usually protecting the entrance points of the village from loss of chi (good luck or prosperity) and affording protection from undesirable forces. The spirits live in the shrines rather than in the trees themselves. For example, at Tai Om, camphor trees protect each of the three Paak Kung shrines in the village and trees protect four of the principal shrines in Man Uk Pin. Such trees are commonly banyan, or camphor, although other species may be used. The commonest shrine trees found during the study were;\n\n \n Ficus microcarpa\n Banyan\n 19\n \n \n Cinnamomum camphora\n Camphor\n 13\n \n \n Euphoria longan\n Longan\n 5\n \n \n Gironniera nitida\n \n 5\n \n \n Litchi sinensis\n Lychee\n 4\n \n\nin addition to 26 individuals of other less common species.\n\n19", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213378, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 200, "title": "RAS-1994", "content_text": "187\n\nIn Ho Sheung Heung, the 'guarding star' at the entrance to the village is a bamboo. However, it is not always the case that a tree growing beside a shrine has any relationship to that shrine. At Ho Sheung Heung trees besides the southern Pauk Kung have no fung shui significance and have simply grown up there. At Tar Om trees near the main shrine have grown up in the seventy years since the shrine was built and have little, if any, fung shui importance. None of the villagers questioned thought that the fung shui woods had any sacred or spiritual value outside their fung shui importance.\n\nAnother important reason for the protection of large, old trees was that they had been planted by the ancestors. Examples are at Man Uk Pin, Ma Mat Wai, Ping Kong, and Ma Tsuek Leng. Few of these trees were individually venerated except for the 'grandfather tree' at Kuk Po which was planted by the founders of the village to honour the local earth gods.\n\nVillages often have examples of many types of fung shui tree. An example is the village of Sheung Wo Hang which has an inviolable fung shui wood in which all vegetation is protected, in addition to ancestorally planted trees which guard particular shrines and which reinforce certain fung shui locations, as well as earth god trees without shrines.\n\nIn some cases, shrines may not be dedicated to an earth god. At She Shan Tsuen in Lam Tsuen valley, a small shrine at the edge of the fung shui wood makes the spot at which hunters would gather to make offerings before the hunt. There is a parallel here with those shrines in the sacred forests of Nepal at which hunters gather to worship (Mansberger, 1991).\n\nBoth Tar Wong and Paak Kung shrines guard the important places and fung shui points of the village, such as the wells, irrigation dams, \"dragon veins\" and especially the entrances to the village. The latter are often marked by a Tar Wong shrine. Where a path or road leaves a village, invariably where an approaching path curves around the end of a fung shui wood, the site is known as \"the mouth of water\", (the flow of a road symbolising water). The site is often associated with a clump of bamboo, a large rock or a large camphor or banyan tree, or sometimes all three, known as a \"guarding star\" in fung shui terms, as it guards against excessive outflow of chi from the village.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213380, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 202, "title": "RAS-1994", "content_text": "189\n\ncourt robes and glided along the path only to disappear into the base of a tree once he drew parallel to the watcher. Villagers have also seen fires at the Paak Kung shrines even during rain\n\nThe village with the greatest number of shrines, out of the 20 villages examined in detail in the study, is Sheung Tsuen (Pat Heung). The more important Tai Wong shrine is housed in the 200 year old temple and is the governor of the village. There are also ten other Paak Kung and earth god shrines located around the village. Six of the Paak Kung protect the village at night while four earth gods of a lower rank are located in each of the four directions and are 'on duty' for twenty four hours a day as general security guards and to prevent people from becoming lost. All the shrines are worshiped on the first and fifteenth day of each lunar month and on major festivals\n\nWorship at the shrines varies from village to village, although it is common that worship is carried out on the first and fifteenth days of the lunar new year. Seven of the villages performed rites at their shrines at this time. Offerings may also be made with prayers at the main Chinese festivals, particularly during Lunar New Year and the Mid-Autumn Harvest festival, as well as at weddings, births and the birthdays of elders and ancestors and for general thanksgiving.\n\nSome villages have their own special ceremonies. At Ma Mat Wai, the Paak Kung shrine to the earth god 'Hin Tan' is worshipped on 'farmer's day' on July 14th and at the harvest festival on August 15th. The shrine at Pak Kong is worshipped on the birthday of the popular sea-goddess Tin Hay. The Hei Shą Fuk festival is only carried out at Wo Hop Shek, near Fanling, at the end of the last month of the lunar year and at the end of the first month of the lunar calendar. Each family in the village contributes $30 to buy pork which is cooked with vegetables on stoves built into the Tai Wong shrine. February 13th of the lunar calendar is the god Hung Shing's birthday in Ho Sheung Heung, which is even more important for the village than Lunar New Year. For three days before the god's birthday, an opera is held in front of the Tze Tong while a feast and dragon dance takes place on the day itself. In June a feast day is also held to commemorate two officials, Chou and Wong, sent by the Emperor to save the village from pirates. This may represent those officials who came to rescind the Imperial evacuation order in 1669. The festivals in Ho Sheung Heung are organized by the master of the temple but in other", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213381, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 203, "title": "RAS-1994", "content_text": "190\n\nvillages, worship at the shrines is carried out on an individual or family basis usually involving the elderly ladies of the family.\n\nApart from occasional worship within the village, the earth gods and tree spirits are regularly given wider recognition. It is believed that over time a spiritual malaise builds up in an area, resulting from disputes, illness, deaths and general wrong-doing, that requires a major ceremony to cleanse and restore spiritual balance and harmony. The expense involved with holding such a ceremony means that only a group of villages will be able to afford a Da Chiu ceremony every ten years. The whole community is involved and overseas members will make a point of returning for the Da Chiu \"because we want our children to know our old customs\", and because having one's name registered on the Bon, or roll of village names, confirms one as a member of the village. It is a public statement of unity and of belonging to the community. For a fuller description of the Da Chiu see Ward and Law (1993).\n\nThe main temporary structure at the Da Chiu is the temple which holds every god worshipped or known in the district, including the earth gods, well gods and tree spirits. A small ceremony will be held at the fung shui tree at which the residing spirit is invited to enter a sweet potato into which a bamboo is tucked bearing the name of the god on a piece of red paper. The god is then brought to the temple and after the Da Chiu is returned to its tree or shrine with due ceremony.\n\nThe presence of shrines and large, old venerated trees adjacent to fung shui woods, are parallel features to those found in sacred forests in India and Nepal (Mansberger, 1991). They are features which help to classify the fung shui woods of the New Territories of Hong Kong as a form of sacred wood, or culturally protected forest, unique to South China, but with parallels throughout southern Asia.\n\nREFERENCES\n\nBurkhardt, V.R. (1958) Chinese Creeds and Customs South China Morning Post 3 69\n\nFickeler, P. (1962) Fundamental Questions in the Geography of Religions In Wagner, P. & Mikesell, M. (eds) Readings in Illinois, 94-117", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213788, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 140, "title": "RAS-1996", "content_text": "111 tablets were set up on a table before the picture. The one in the middle is dedicated to Taishang Laojun (styled Taishang Hunyuan Jiaozu Daode Tianjun) and the masters of the priest. On the right was one for the ancestors of the groom styled Pengshi Tangshang Shigaozhengzu Kaobi shenwei (“Founding ancestors, and great grandfather and grandfather\"). On the left-hand side was one for the gods of the four domains Heaven, Earth, Water, and Yang. Offerings on the table included plates full of homemade red-colored buns from, I was told, each household of the village.\n\nThe rite started at a quarter to 7 p.m. and continued, with intermissions, until about half past 4 a.m. the next morning. The assistant who dressed as a woman joined the priest in most of the rites, with the exception of the first rite “invitation of gods”, and probably the last one of “seeing off the gods” which seems to have been performed by the priest alone, and the rite of “pacifying the kitchen god\" which was performed by the \"woman\" assistant alone. The assistant held a fan in one hand and a handkerchief in another. The two danced together, forming postures in which the priest kicked at his \"female\" assistant. The rituals made frequent use of the horn, the divination block, and mudra formations. A third assistant played percussion instruments to their accompaniment.\n\nThe series of rituals begin with an invitation of gods. I recorded in my notebook that in the final section of the rite the priest faced the table at the ancestral altar and mentioned langming and gongming in a recitation about the purpose and scope of the ritual. I have already mentioned the rituals connected with the maintenance of an army under the control of ancestors. Another important session is the Jianchao, \"witnessing the Chao”, which is an offering of a raw pig. The pig was placed before the table at the altar, with its head facing inside. The offering included the whole pig, with even blood and hair. On the back of the pig's neck, three cuttings had been made; fixed in the middle one were incense sticks and the two sides candle sticks. The chicken song should have been performed in the series. Some of the villagers present expected to hear it. But the priest and his \"female\" assistant omitted the singing because they had not recovered from their sore throats that had resulted from the Anlong rite they performed at Cheng Lan Shue a few days ago.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213803, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 155, "title": "RAS-1996", "content_text": "126\n\n47\n\nform of incense ashes rather than tablets suggests that the ancestor halls did not use tablets to represent ancestors individually. It is also found in the Yingsheng (\"Reception of the Holy\") dedicated to the main honoured gods during the Jiao festivals, and the Yingshen Guiwei (\"Escorting gods to their places\") during the Hongchao festival of Fanling, both conducted by Cantonese Daoist priests in the New Territories. An elder of Kam Tin compared the Yingsheng ritual with the ancestral hall ritual found in the Qingle ancestral hall of Kam Tin, to which I shall refer below. I am not sure if a cloth “bridge” is used in this ancestral hall ceremony.\n\nOp cit pp 142-144. In a recent visit to Cheng Tau, a woman in her 60s referred to the ancestral hall as a-gong ha (\"the Place of Ancestors\"), which seems to have been the more usual expression for ancestral halls among the Hakka. Compare the expression with Bak-gong ha ('the Place of the Bak-gong earth god'). It is interesting that the title of this category of earth god, whose territory is more limited than the dawang, shares the expression for \"elder brother of grandfather\".\n\nibid p. 224 » 10\n\n174\n\nibid p 160\n\nDiscussion of this aspect of ancestral worship is summarized in C Fred Blake, Ethnic Groups and Social Change in a Chinese Market Town, The University Press of Hawaii, 1981, pp 92-93, 115 n 1, 116 n 2. A possible example is the case of Wo Hang, N. T. where an ancestral hall of the second fang houses the spirit tablets of the first and second generation. See Allen John Lueck, Lun Chun, Land is to live: A study of the concept of isu in a Hakka Chinese village, New Territories, Hong Kong, unpublished PhD dissertation, Department of Anthropology, University of Chicago, 1985, p 273.\n\nCompare H G H Nelson, \"Ancestor Worship and Burial Practices\", in Arthur P. Wolf ed., Religion and Ritual in Chinese Society, Stanford University Press, 1974, pp. 263-267, on the shen-ting which fulfilled the functions of domestic altars for the households in each area” in a Cantonese village in the New Territories. He observes that the shenting \"occupy a place half way between [tang ancestral halls] and domestic altars”.\n\nVol under Donga jie (\"Winter festival\")\n\nTON Op cit. pp 147-148\n\nOp cit. p 12\n\nOp cit. p 176\n\n100\n\nIt is interesting to note the distribution and context of Mountain Songs. It is interesting to note that Mountain Songs were sung only by the male villagers (in some festivals with women hired from other villages) in the Cantonese villages whose dialect is known to others as daaih ga wo (\"big family language\"), and which correspond to the area of the five big clans. In some of the other Cantonese villages, e.g. in Shatin and Saikung, Mountain Songs were sung by the women on the eve before a wedding at the bride's home. Mountain Songs, and related pre-marital courtship, was more popular among some female Cantonese villagers in the Kowloon area who cut grasses for sale as fuel. The livelihood of these women, like that of the Hakka immigrants, depended more on the city. I know much less", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213831, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 183, "title": "RAS-1996", "content_text": "156\n\nIn recent years, mass emigration to the cities has further weakened the lineage tradition at some villages. Only the Mos at Mok Ka and the Los at lower Shek Lau Po seem to have maintained the status of their lineages. As the strongest lineage in Tung Chung, the Mos managed to rebuild their ancestral hall, the Mo-yu-t'ang, and continue to visit the graves of their focal ancestors collectively. As for the Lo lineage at lower Shek Lau Po, the reconstruction of their ancestral hall, the Lo-yu-chang t'ang, in the 1970s, as a centre for ancestor worship, contributed to the reinforcement of lineage identity. Nevertheless, the majority of Tung Chung's villagers worship their ancestors inside their family halls.\n\nThe worship of the earth god in Tung Chung also occurs on a small scale. Symbolically, the earth god stands for the spirit of the village at which he is located, and is represented usually by a rock at an open-air shrine or by an old banyan tree. Variously known as Ta-wang (great king) or Po-kung (lord or paternal great-uncle), the earth god guards a village at its entrance or rear. As a guardian deity at the basic level of rural organization, the god helps to mark the territorial line between villages. In Ngau Au, for example, four Po-kungs are located there at both the entrance and the rear of the village. Three of them, as a village elder confirmed, are more than three hundred years old. At Mok Ka, earth gods are enshrined, two by the stream and one at the village entrance, and one at the rear of the village. As the oldest village, Shek Mun Kap has the largest earth god, represented by a giant boulder.\n\nOn the 1st and 15th of every lunar month, during the major festivals, and on the earth gods' collective birthday, Ta-wang or Po-kung are offered sacrifices. On auspicious days of their choice, villagers also come to pray for the god's blessings and repay his protection. The ceremonies concerned include the display of wine and animal sacrifices in front of the shrine, the spraying of the wine on the ground, the burning of paper offerings, and kowtow to the god. Compared to ancestor worship, the earth god worship functions more directly to enhance the village identity, especially among individual members of a mix-lineage community. In Tung Chung, however, the ceremony has never taken the elaborate form of the tso-she (doing the she), i.e., special collective rituals and celebratory activities consisting of a feast in honour of the neighbourhood god at various times of the year. Being", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213837, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 189, "title": "RAS-1996", "content_text": "162\n\nbeen built in 1765. Since its establishment, the building has been renovated several times, in 1878, 1910, 1962, and 1978.7 The first recorded reconstruction, that is the one in 1910, is evident on the commemorative tablet installed on the interior wall of the temple. It is fortunate that the architecture through all these ages has retained its original style and character,\n\nThe temple, which can be considered a well-endowed and elaborate structure for its time, consists of three halls. In the main hall, a wooden idol of Houwang is installed at a shrine, covered with a canopy with the title \"Imperial Bestowed Loyal and Brave Marquis Yang\" (JAKE) written on each side. Clay statues of a civil official and a military official stand on the left and the right, respectively, as attendants to the local god. Enshrined in the side hall on the left are three spirit tablets. The one in the middle is for the pioneer villagers who established the temple; the one on the left is for those who donated the construction fee; the one on the right is for the men in charge of the reconstruction. In the side hall on the right, secondary divinities, such as mountain gods and earth gods, are enshrined. (See the floor plan of the temple.)\n\nThe facade of the temple is decorated by murals of scenes on walls and doors. On the left and right tips of the roof, there are streaked clay decorations in three dimensions. Figures of the martial arts, embellished with coloured glaze, are installed on the central ridge of the roof. It is recorded that these ceramic figures, of high quality workmanship, were manufactured at the well-known Shekwan kilns in 1910. In terms of structure and design, the Houwang Temple can be considered architecture of characteristic style. If the construction of a temple reflects the wealth of a community, Tung Chung's Houwang Temple seems to indicate that people there fared quite well before the locale declined into a periphery along with the shift of Hong Kong's economic core.\n\nIt is also surmised that a village coalition was being formed at the time of the construction of the Houwang Temple. As hundreds of immigrants moved into the New Territories after the \"Coastal Evacuation\" order in the early Ch'ing had been abolished, cult worship might have contributed to social integration and community building. Tung Chung's Houwang Temple, as mentioned above, is believed to", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214243, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 101, "title": "RAS-1998", "content_text": "64\n\nMaritchi [or Marici Deva], [a Sanskrit term for the Indian mythological form of Parbati, the wife of Siva]; and Ma-yeh, the mother of Sakyamuni, The Buddha, the whole being confused by devotees who tend to describe them all as Chun-t'i, with the legends of Maritchi and Cundi producing an inextricably involved and perplexing picture.\n\nImages of Marici are present in both the Ta Pei Ssu and the Pi-yun Ssu and in both temples he, rather than she, is portrayed as a standing Buddhist deity with eight arms and with three faces. The face facing forward is of a benign human with hooded eyes commonly seen on Tibetan images. He has a third eye in the centre of his forehead. The other two are faces of a pig and of a human. He is dressed in colourful robes and a five-leaf Buddhist crown, and is barefoot.\n\nThe association between Chun-t'i and Kuan Yin goes back to the original relationship in Buddhism of Chun-t’i with the bodhisattva Avalokitesvara who promised to save mankind and bring them to deliverance before they, the two bodhisattvas, Chun-t'i and Avalokitesvara themselves entered Nirvana. Marici has the face and eight arms of Chun-t'i, and is one of the six manifestations of Avalokitesvara who is concerned especially with humans, rather than the deities and demons. Chun-t'i in the form of Avalokitesvara is a male deity, though Tantric sects, giving her an entirely different role left her feminine.\n\nLegends about Chun-t'i usually include stories of her valour in battle. According to the Ming novel The Deification of the Gods [Feng-shen Yen-i], from which many of the beliefs of folk religion devotees have evolved, Chun-t’i was summoned to Heaven during the legendary period of Chinese history when the heroes and Immortals were emerged, in order to acquire the necessary skills to take on K'ung Hsüan, one of the contestants for the dynastic throne. This was because she had attained the required degree of perfection on Earth. She found herself whisked aloft in a rainbow, and having acquired the skills necessary she reappeared in a cloud of fire with twenty-four heads and eighteen arms and, throwing a silken cord around her adversary's throat, she turned K'ung Hsüan into a one-eyed peacock on which she rode off to the Western Heavens.\n\nImages of Chun-t'i show her with four or nine pairs of arms, each", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214255, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 113, "title": "RAS-1998", "content_text": "76\n\nfact that he is listed in Soothill as one of the Twenty Deva. His image is to be seen in both the Ta Pei Ssu and the Pi-yun Ssu. In both temples he is depicted as a ferocious guardian general with a wide gaping mouth, large round eyes and a highly decorated Buddhist crown. He holds the standard weapon, the vajra, the diamond sword, resting in his left hand and against his left shoulder, and has the swirling scarf behind his head. He is stripped to the waist, has bare legs beneath a highly colourful decorated skirt, and sandals. A mural in the Sakyamuni Pagoda in Ying county in Shansi province depicts Guhyapati in much the same form.\n\nThe Chin-kang as a group are minor deities, guardians belonging to the class of Lokapalas borrowed by Buddhism from Brahmanism. The standard four Chin-kang, the Diamond Kings, are each the ruler of the four continents surrounding Mount Sumeru and though Guhyapati Raja is a Chin-kang he is not one of the usual four. The standard four are the Ssu Ta T'ien-wang [see 23-26 below].\n\n23-26] Ssu Ta T'ien-wang XX The Four Great Celestial Kings\n\nThe Four Deva Kings, known also as the Four Diamond Kings, Ssu Ta Chin-kang X, are the four guardians whose images stand, usually portrayed much larger than life-size, just inside temple entrance doorways, in pairs, two to either side.\n\nWerner points out that these are not gods but guardians, Buddhist protectors who should be thought of as minor divinities. Chinese Buddhists adopted four Hindu Brahmin deities from Indian Buddhism, the Lokapala, the guardians of the four sides of the fabulous Mount Meru [the Guardians of the Four Corners of the World] who, in turn, were later adopted by the Taoists from the Chinese Buddhists. The Four were probably first introduced into China during the T'ang dynasty [6th and 7th centuries AD] and still today are regarded as the grim-faced temple guardian generals, enormous statues in T’ang armour, tamed demons who were redeemed and who now symbolise the seasons and control the elements of fire, water, earth and air. Although the majority of images of the Four stand up to and even over fifteen feet high they can also be as tiny as eighteen inches high. They used to be deities in their own right and offered worship, reverence and offerings. Nowadays however although most devotees solemnly place one smoulder-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214263, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 121, "title": "RAS-1998", "content_text": "84\n\nShan is one of the five sacred mountains of China and is located in Shantung. It is believed to be inhabited by many divinities both male and female with T'ai-shan Yeh the primary deity for most pilgrims to the mountain even though the main deity in the temple on the peak is the Jade Emperor. Temples dedicated to the Lord of T'ai-shan were to be found in all parts of China, where he was regarded as the guardian of life and death.\n\nAs the Supreme Lord of the Underworld he has a very large bureaucratic organisation responsible to him for the maintenance of the Book of Life, the register of the due date on which the soul of every living soul must be summoned to appear before the Judges of the Underworld. Popular belief claimed that the entrance to the Underworld was to be found in one of the temples at the base of the mountain. The arrest and escort of souls is carried out by lictors and runners from the yamen of the local City Gods who drag each soul before the local City God, together with the biography and report on the soul prepared by the local Earth God [T'u-ti] who has carried out the first, very preliminary interview to ensure that the right soul has been arrested and is ready for onward despatch. Again, after verification of the identity of the soul the City God endorses the Earth God's report and if available adds any further information on the soul he might possess, and sends the soul under escort to the First Court of the Underworld where the process of purging the soul of all sin commences. After the soul has passed through all Ten Courts and been fully purged of its sins, it is then despatched either to the Western Heaven [Celestial Paradise] or for rebirth in an incarnation to be decided upon depending upon the weight of sins incurred during the previous incarnation.\n\nIn parts of China and in Taiwan, the alter ego is Tung-yüeh Ta-ti with Yen-lo Wang being the senior and chief of the Ten Judges who are under his charge. This dual role played by both Tung-yüeh Ta-ti and Yen-lo Wang is a further complication and a confusion which appears to be insoluble. The former is not only the Supreme deity of the Underworld but also the Judge of the Seventh Court whilst Yen-lo Wang is not only the senior Judge in charge of all Courts but also the Judge of the Fifth Court. The latter has been explained as Yen-lo Wang having ten different forms, as Judges in each of the Ten Courts. This, however, would mean that T'ai-shan Yeh of the Seventh Court would also be a form of Yen-lo Wang.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214366, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 224, "title": "RAS-1998", "content_text": "190\n\nfor\n\nmany years. Although the government had turned a blind eye to such activities in the past, mainly in the name of making tourist dollars, it now focused attention on these 'superstitious rituals' which were said to be daily corroding the ideology of the people. The magazine, saying that market forces had prompted a resurgence of 'backward' religious practices, described how the system of traditional beliefs which had been finding fertile ground in the countryside was now creeping towards urban centres. This would seem neither to have inhibited nor prevented Taiwanese pilgrims flying into mainland China bearing Taiwanese images of deities to their particular cult centres in Fukien and Chekiang provinces for their 'power' [ling] to be renewed. It has to be remembered, however, that Taiwanese visitors are treated as privileged guests.\n\nProblems of luck and fate are as real today in China as they are in any rural society, and as they were in pre-communist China. Some private firms are reported maintaining altars on company premises and are making offerings to the traditional God of Wealth in the belief that this would help ensure their success in business. Buddhist statues have been placed in cultural centres and tutelary deities adorn the roofs of schools. Children too seem to have succumbed to the craze. A survey of 1,622 children between 11 and 12 in Changchun showed 50 per cent believed in fate and 40 per cent believed in the immortality of the soul. A further 40 per cent of boys and nearly 60 per cent of girls believed in spirits and in Heaven and Hell. It went on to describe the resurgence of superstitious practices and the appearance of several 'reactionary sects.' The September 1996 issue of Democracy and Legal System magazine said that tens of thousands of temples dedicated to China's colourful assembly of gods were being illegally built or restored. It quoted 20,1692 in Fukien province, 9,000 in Honan and 10,000 in Shansi provinces had been destroyed, and even 597 state-run restaurants in Peking had taken down and removed Buddhist shrines during one month alone. A further report described a similar crackdown in Hupei province where 1,600 'pagan' shrines, mostly dedicated to the Earth God, had been destroyed as part of the nation-wide crackdown. Similar action had been taken in Kueichou province where nine illegal temples had been closed in one month. A report about Chekiang province about the same time claimed that provincial officials had brought under control 17,900 Taoist, Buddhist or Christian [sic] temples and monasteries.\n\nThe mainland newspaper, Paok'an Wenchai, had about this same time criticised the widespread superstitious practices in the building", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214646, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 61, "title": "RAS-1999", "content_text": "25\n\nSeven, rather than into any relationship with Po Kong. Tai Hom was the only Hakka village in the League of Seven. It was probably this Hakka ethnicity, their rejection by Po Kong, and their relative isolation from Nga Tsin Wai that led the Tai Hom villagers to establish a temple of their own outside their village, somewhere in the period 1821-1850, probably late in the period: it was greatly expanded in 1904. This temple, the Tung Shan Temple (it was dedicated to Kwun Yam) became, for a short period during the 1920s and 1930s, the main religious focus of the \"thirteen villages of Kowloon\", that is, the villages of both the League of Seven and of the Six Villages Alliance, but it was left ruined in the War.\n\nThe land south of Ma Tau Kok formed part of the Alliance of Three (三聯盟) of Hung Hom (Hung Hom including Tai Wan, Hok Yuen including Shek Shan, and To Kwa Wan, probably including Ma Tau Kok). The land east of Ngau Chi Wan and Pak Uk Tsai formed the inter-village alliance called \"The Four Stone Hills\" (四石嶺). This was a sworn alliance of the quarry-villages of this mountainous and infertile area (Ngau Tau Kok, Sai Cho Wan, Cha Kwo Ling, and Lei Yue Mun).\n\nInter-village alliances normally centre on joint worship by the elders, either at the higher earth god of the area, or at the local temple. Nothing is now remembered in Nga Tsin Wai of any inter-village worship by the elders of the League of Seven as a group at any higher earth god shrine, nor of any She, * , Feast of the elders in front of the shrine. However, the Nga Tsin Wai villagers do not now even remember where their earth gods used to stand - they were all removed by the Japanese, except for the earth god of the Village Gate - so too much should not be made of this. The elders of the villages of the League of Seven did and do worship the Nga Tsin Wai Tin Hau, however, on her Birthday each year (the Tai Hom elders consider the villages of the League of Seven as \"belonging to the Tin Hau of Nga Tsin Wai\"): it is likely that this was the ritual focus of the League, and that the meetings of the elders of the district took place after the worship. The elders hold a feast today after the worship of Tin Hau, and this is probably a very ancient tradition. The Temple, however, was the property of Nga Tsin Wai alone (it is owned by all three of the Nga Tsin Wai clans, and the Manager of the Temple, chosen by the elders of the three clans, is the Village Headman): it was probably for this reason that, on her Birthday, the", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214706, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 121, "title": "RAS-1999", "content_text": "85\n\nof tun fu ceremonies which, collectively, were said to be the largest of their kind ever held in Hong Kong.*\n\nAfter referring to the Chinese almanac, Tung Sing, believed by some to be the world's oldest, continuous publication, an auspicious day, the 7th day of the Second Moon in the Year of the Rabbit, was selected for holding the main tun fu ceremony. The Author was invited. Thirty-six committee representatives attended with some of the larger of the 26 villages taking part having two representatives. Previously, other smaller tun fu ceremonies for individual villages at Pat Heung had been held, the first at the time of Lap Chun. This festival marks the advent of spring in the Chinese solar calendar, when winter ends, the earth awakens and there is a spirit of renewal in the air. In 1999, the year this tun fu festival was held, Lap Chun fell on February 4. Each village taking part in the Pat Heung ceremony displays at least one tun fu pot which each holds one split-bamboo talisman. Such a practice is not uncommon as, in the dawn of Chinese history, charms were frequently carved on bamboo. At Pat Heung, in 1999, some villages had three and some even as many as eight pots.\n\nDuties for the person(s) performing tun fu ceremonies start well before the due date. He has to decide how many pots are required. Where will they be placed? Why should they be placed here and not there? How many talismans will be put in each pot and which gods will be summoned. Which magical forces will be brought to bear to protect the fung shui? What supplications will be written on the split bamboo talismans? Although the main rules that priests or masters follow may be similar there will be differences in detail, which can be pronounced, as the reader will see later.\n\nThe main ceremony, which the Author attended, was held in Sheung Tsuen (Village), in Pat Heung District, on March 24, 1999, where obviously a great deal of planning and preparation had been necessary before the big day. Here, alongside a 150 or so year-old, small-leaf, Chinese banyan tree, a matshed, approximately 9-metres long by 6-metres deep by 10-metres high, had been erected. For a religious ceremony to take place near a tree, with wood being one of the Chinese Five Elements, is quite natural. The banyan after all, with its trailing roots, gives the impression of multiplication, and from there the move to 'fertility' and the extended Chinese family is but a small", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214707, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 122, "title": "RAS-1999", "content_text": "86\n\nstep (Baker; 1981,15).\n\nThe matshed consisted of a light bamboo frame clad with thin metal sheets, which are more fire resistant than the old rattan mats that were used years ago (see Figure 1). A compartment at one end housed four henchmen and their god, called by the villagers Tai Wong Ye, sometimes translated as 'Great Ancient King' (Myers; 1975,19)(see Plate 3). The same god in urban Hong Kong is usually called Daai Si Wong (Baker; 1979,121). Different names for the same god can cause confusion. The matshed faced southeast (feng shui south), in the direction of the Kwan Yin Ancient Temple. The number of Taoist priests taking part in the ceremony inside the matshed, with some arriving late, fluctuated from five to seven. Even priests get caught in traffic jams. There was a small group of musicians in the matshed playing, between them, a trumpet, gongs, cymbals and a small drum. Percussion instruments took pride of place. The matshed also contained dishes of fruit, to be offered up to the gods, and paper offerings. Joss sticks were burned.\n\nThere was a great deal of incantation, much read from a book taken off the altar, and some kneeling. Rice wine was deliberately spilled on the floor in the process of purification and offering it up to the gods. The gods of east (the Green King), south (the Red King), west (the White King), north (the Black King) and centre (the Yellow Emperor) were beseeched, in rising and falling tones, to come down to protect the district in words that were not easy to link together and to understand. The Chinese animal sign of the year is said to represent a direction. There the planet Jupiter is located (Lo; 1992,162). This has important feng shui implications. One should not disturb the earth in this direction. The Taoist priests who perform such ceremonies are often called, in slang, naam moh lo.$\n\nLooking at Figure 2, in the bottom right-hand corner one can see a metal container in which are situated the five bamboo talismans on which, during the ceremony, are written the respective entreaties to the appropriate gods. Also on the crudely framed timber altar (see Figure 2), draped with a red cloth, are bowls of fruit, three cups of tea, three cups of wine and various items used during the ceremony.\" They include a book of chants, a crown worn by the head priest, musical instruments and sticks for the musicians to strike the percussion", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214708, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 123, "title": "RAS-1999", "content_text": "87\n\ninstruments.\n\nTwo native Cantonese speakers remarked at the ceremony that they each understood only about 10 per cent of what the priests were chanting. Thus, it was not always easy to follow exactly what was going on. This helps keep the priestly profession a closed shop. Priests are paid not only for performing ceremonies but also for knowing how to perform them.\n\nNote (see Plate 1) the five tun fu pots used to guard and protect each direction of the Chinese compass (including centre), with one talisman in each. These were later lined up in front of the matshed. After 'heaven and earth were made ready' messages to the respective gods were written on each strip of split bamboo (each about 75 centimetres long and four centimetres wide) after each strip, and the brush, had been purified by prayer and incense. The red paper horse at the front of the matshed acted as an emissary for letters, pleas and charms dispatched to heaven (Stevens: 1997, 121). The horse was constantly being blown over in the wind and one wondered, unless it could be anchored down in a secure way (which it never was), whether its magical powers would be affected. Anyway, few seemed concerned. During much of the ceremony ordinary villagers came in ones and twos and burnt joss sticks in front of Tai Wong Ye and his four henchmen.\n\nThe ceremony in the matshed lasted about one hour. After this was over we were bussed to an expanse of open ground not far from Lin Fa Tei (Lotus Ground), a 10-minute drive away. From here, we could see where the new railway tunnel's northern portal will be situated. A further ceremony took place not far from this spot, again officiated over by the same Taoist priests and attended by the same village elders, committee representatives, and government officials (see Plates 4 and 5). There was more chanting, more joss sticks and paper offerings were burned, and medium-sized roast pigs (brought from the ceremony inside the matshed) were presented up to the gods. Rice wine was again sprinkled on the ground for purification.\n\nIt was pointed out by a villager, who had lived in Britain for over 30 years and spoke fair English, that over 1000 village graves and burial urns had been moved to make way for the new tunnel. A small river had been filled in. In spite of the landscape having been considerably", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214711, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 126, "title": "RAS-1999", "content_text": "90\n\ntemples. Nevertheless, in the case of the Pat Heung tun fu ceremony, the party did go into the temple as the reader saw, but only briefly to pay respects to the gods.\n\nAs another example, again in a predominantly Hakka community at Tai Wo Village, also in Pat Heung district, another tun fu ceremony took place on Wednesday 14 April, 1999, near an earth god shrine again close to a banyan tree. The Author attended. This time it was conducted by a single, part-time, feng shui master (not by a Taoist priest) who did not really look the part in his black, Chinese jacket, jeans and the ubiquitous sports shoes. He lives in a village on Tai Mo Shan. However, in this case, a native Cantonese speaker remarked he could understand most of what the officiating person was chanting. The Author, too, could understand a certain amount. A short walk followed this one-hour long ceremony, with the feng shui master leading the party over to the well to offer up prayers to its god. The village has had mains water for twenty years or so. Obviously, in the past, it was important to pay respects to the well god. Yet the practice continues. Precautions need to be taken to safeguard this valuable commodity, understandably, whether the supply is from a well or from the mains.\n\nEveryone present at this Tai Wo ceremony was given a red lai shi, lucky envelope containing $20, which apparently came from the coffers of the village. This appeared not to be too affluent. One wondered at the time, how many onlookers felt great and mysterious things were happening during this ceremony? It was, nevertheless, all followed by a pleasant picnic-style lunch under the banyan. Again, all present ate roast pork, which had previously been offered up to the gods. A government officer informed the Author that the villagers were pleased he was present, taking an interest in their tun fu ceremony. This pleasure appeared genuine. Certainly, everyone was very friendly, including the feng shui master who, in this case, willingly answered the Author's questions without any hint that he wanted to keep the profession a closed shop.\n\nNot only with tun fu but with Christianity, too, different denominations' beliefs and practices vary, sometimes markedly. Even within the Church of England with its high church and low church, and from one clergyman to another - with their different leanings, political or otherwise, variations can be considerable, not to mention far greater", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214721, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 136, "title": "RAS-1999", "content_text": "'double happiness', to sprigs of foo paak (hibiscus), a homonym also meaning 'wealth' or 'riches'. By comparison in the West, in rural England, a horseshoe is sometimes displayed at the entrance of a cottage to bring luck.\n\n3\n\nThe Pat Heung Valley covers an area of just over 50 square kilometres.\n\n* The Kowloon-Canton Railway Corporation later reimbursed the Hong Kong Government.\n\n5\n\nBecause of the rising and falling naam moh sound of their chanting. Lo means 'fellow'.\n\nf These are normally in threes. One is offered up for heaven, one for earth and one for mankind.\n\n7\n\nThe number of urban Chinese who have never partaken of a basin meal frequently surprises the Author.\n\n*To make them more attractive and presentable for the gods.\n\nThe Author has been informed that tun fu ceremonies do take place outside Hong Kong although he has never observed them or seen anything about them in writing. Although there has been a religious revival in China in recent years, he has never observed any tun fu pots on the Mainland although that does not mean they do not exist. A fellow researcher has told him that they may be seen in Xiamen.\n\n10\n\nBy comparison, at Pat Heung there were five pots with one talisman in each. At the Sha Tin ceremony there was one pot with five talismans and the same at Kam Tin and Tai Wo. At Ma Wan there were two pots with three talismans in each.\n\nThe same applies to feng shui where different schools exist. Again, masters have their own ideas. One who the Author accompanied on assignments in urban Hong Kong believes in placing crystal in homes to absorb impure influences. A similar custom is also found in the West.\n\n12\n\nFor which the Hong Kong Government is said to have paid $40,000.\n\n13\n\nIt was made illegal to let off firecrackers in 1967 (the year of prolonged riots).", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214821, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 236, "title": "RAS-1999", "content_text": "202\n\nTo this day, services for the departed, whether as newly-deceased souls or as wandering spirits, command the greater part of the time of practitioners from the two religions. Apart from the varied religious services carried out in the homes of the deceased, or in the temples and monasteries where similar rites were held for the departed, both Buddhists and Taoists are prominent in the rituals carried out in public places at the Hungry Ghost Festival.23 This, the most important ritualistic pacification of wandering souls and spirits during the lunar year, is still performed throughout Hong Kong on behalf of the general public by priests of the two religions, hired by local committees and associations.\n\nWhat People Want: Individual Expectations from Acts of Worship\n\nIn approaching the gods, whether in the temples and monasteries, or at the earth god shrines on the street or in the fields, the worshippers had specific requirements in view. Then as now, worshipping itself was principally devoted to obtaining divine assistance in time of trouble or to attain the object of one's desire or supplication. These usually concerned health and wealth, as well as general preservation from all ills, for oneself and for family members, deceased as well as living. There was also the need to obtain protection (because of their great potential for harm) from the general body of those many departed souls without living male descendants to care for them.\n\nUnlike the ritual services, worshipping was not carried out with the help of intermediaries from the two religions. It is a personal act, usually conducted by the individual before the altars in temples, monasteries or nunneries, or at the tombs of deceased family members and ancestors at certain fixed times of the lunar year.\n\nAs Archdeacon Moule says - and it bears repeating because it is so basic to an understanding of how Chinese people think and act - the prayers of the worshippers one sees in the temples are being \"addressed to images representing deities of living and present power.\n\n24 In Hong Kong, a visit to a large city temple like the Wong Tai Sin Temple in New Kowloon at a major festival leaves one in no doubt that the people believe in the ability of the god to grant their requests. Nor is satisfaction kept to oneself. The word soon gets around, and since the worship", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214823, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 238, "title": "RAS-1999", "content_text": "204\n\nEarth Gods and Tree Spirits\n\nBesides the gods of Buddhism and Taoism worshipped in the village temples, there were also the gods of each locality. In the villages of the Hong Kong Region, in addition to whatever temples had been erected to the deities, it was usual for there to be several earth gods in each village, and in each of the streets in the local market centres. These animistic spirits were equally sought out by the village people.30 Besides the regular acts of worship performed at the shrines, with their supplications and thanksgivings, it was common practice to place children, especially boys, under the protection of a temple deity, an earth god or a tree spirit during the uncertain years of childhood, in order to secure protection against the many dangers that beset young lives. If a tree died or had to be felled, the protégés were transferred to another protector, with the appropriate ceremonies of disengagement (recognition of and thanksgiving for favours bestowed) and adoption at each place.31 Either Buddhist or Taoist priests were required for such rituals.\n\n31\n\nChinese Women and Religion\n\nFinally, it should be noted that Chinese women are considered to be more religious than their menfolk. As Rev. Dr. Robert Morrison's biographer observed in the last century:\n\n46\n\n'...their nature is much more religious than that of the men...it is they who visit the temples. The incense pots which smoulder before the placid countenance of Buddha are filled and kindled by them; they burn ten sheets of paper to the men's one....The men can do without worship, the women cannot.”32\n\nFrom my observations in Hong Kong and elsewhere, I believe this to be as true of today's worshippers as when it was written one hundred years ago.\n\nNOTES\n\nWilliam Frederick Mayers, The Chinese Reader's Manual (Shanghai, American Presbyterian Mission Press, 1874) called them \"The Three systems of Doctrine (or Religion)\" and stated that they “constitute the recognized systems of religion,", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215073, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 169, "title": "RAS-2000", "content_text": "126\n\nWorkload of the Gods\n\nAn idle passing thought - The endless stream of pleas for assistance and advice by devotees to the gods and goddesses in general is beyond our comprehension, especially when we consider the burden of the daily workload of the God of Sickness, the Maternity Goddess, as well as that of the God of Wealth, particularly on race days at the Jockey Club in Hong Kong or the Canidrome in Macau. If we then reflect on the daily workload of the members of the Ministry of Time, what exactly do they all do? Apart from the image of the President, the images of the ten members of the Ministry do not appear on altars and are therefore not venerated by devotees nor are they approached for specific blessings. It would be blasphemy to suggest that their posts are sinecures but looking back at the rôle of certain mandarins during dynastic times, with the celestial mandarinate so strongly paralleling their terrestrial counterparts, it does leave one with a strong suspicion that the Gods of Time are not exactly overworked in their celestial duties. The workers, the Sixty Taisui, do however have an onerous workload, complying with the requests of devotees seeking from their individual Taisui of their year, protection from all evil and calamities.\n\nAlthough Taisui is the Minister of Time, another major deity, Fu Xi, has been credited not only with the establishment of kingly rule and of marriage laws, but also the computation of time by inventing a form of calendar using a knotted cord. The Eight Trigrams (bagua) are attributed to Fu Xi as well as the development of a system of fortune telling using these trigrams, which has governed the lives of a great many Chinese ever since. Geomancers to this day use their specialist compass to read the future. It comprises concentric bands in which there are the Eight Trigrams of Fu Xi, the twelve branches, the ten stems, the twenty-four solar periods, the Twenty-eight Constellations,\n\nas well as the Thirty-six Stars of the 'Plough' [Tiangang Xing 太綱星] and the Seventy-two Stars of Evil Omen [Disha Xing 地煞星].\n\nTime and Calendars\n\nAlthough time is no more than the distance the Earth turns in one day, together with its human sub-divisions, there are two separate and distinct types of time, the first being lunar and solar time, and the second,", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215235, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 12, "title": "RAS-2001", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nFRIENDS OF THE HKBRAS (UK) REPORT\n\nHON. AUDITOR'S REPORT\n\nHON. LIBRARIAN'S REPORT\n\nARTICLES\n\npage\n\nxiv\n\nxxix\n\nxxxii\n\nxlii\n\nNorman Miners - Industrial Development in the Colonial Empire and the Imperial Economic Conference at Ottawa 1932...\n\n1\n\nGöran Aijmer - Earth God Wine and the Meeting of the Fluttering Butterflies: Local Customs of Early Spring in Late Imperial Central China...\n\n25\n\nKeith Stevens - The Popular Religion Gods of the Hainanese ...........\n\n43\n\nValery Garrett - Chinese Baby Carriers: A Hong Kong Tradition Now Gone\n\n95\n\nAnthony Hedley and Alfred Lin - The Lugard Tribute...............\n\n109\n\nCésar Guillén-Nuñez - The Façade of St. Paul's, Macao: A Retable-Façade?\n\nRobert Nield - Bhutan - Why Not?\n\n131\n\n189\n\nKo Tim-keung - A Review of Development of Cemeteries in Hong: 1841-1950........\n\n241\n\nLouis Ha and Dan Waters - Hong Kong's Lighthouses and the Men Who Manned Them\n\n281\n\nNOTES AND QUERIES\n\nKeith Stevens - A Tale of Sour Grapes: Messrs. Little and Mesny and the First Steamship Through the Yangzi Gorges\n\n321\n\nix", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215321, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 98, "title": "RAS-2001", "content_text": "46\n\nmuddy plats, eventually reached the first \"gun-house,\" as the crumbling fort was known to the Chinese. Finally, the passengers reached the Custom House and on to whatever accommodation they had reserved or could find in this very primitive European backwater.\n\nChinese immigrants from Hainan, along with those from Fujian, Guangxi, and Guangdong, flocked down to the foreign colonies of south-east Asia. Though integrated into the greater Han Chinese population of Singapore and Penang, as well as within towns and cities in North Borneo, Java, and Sumatra, even today Hainanese have remained in one or two linguistic pockets, such as is to be found in the area of Rengam and Kluang in southern Malaysia.\n\nOnly a few of all the Chinese temples visited in South-east Asia have been categorically identified as exclusively founded by Hainanese immigrants. Others, predominantly Hokkien, have a Hainanese altar stuck away in one corner, erected by the few local Hainanese, though two temples stood out, both in southern Malaysia, in which the images of the deities were predominantly uniquely Hainanese, though the temple custodians, the devotees, and the other images were all Hokkien. The picture gained from Hainanese staff and devotees in temples containing uniquely Hainanese images revealed the following minimum of temples being predominantly, if not entirely, Hainanese - six in Singapore, two in Penang, one in Kuala Lumpur, one in Seremban, and two in or near Kluang in southern Malaysia; on Sumatra, one in Medan and two in Palembang; on Java, one in Jakarta, one in Cirebon, and one in Semarang. There are several in Ha Tien in southern Cambodia and others scattered across southern Thailand. The strangest of all was the lone, small Hainanese temple on Bali.\n\nHainanese temple altars bear the usual accoutrements and have the same layout as altars in other Chinese communities, though, to generalise, with less clutter, particularly on altars in Hainanese Huiguan [community club houses]. Major China-wide deities, such as Guan Yin, Guan Gong, Hua Guang, City Gods, Earth Gods, and the Wealth Gods, are the same as in every Chinese community. There are also a number of predominantly Cantonese, Chaozhou, and even Minnan deities in many of the Hainanese temples both in Hainan and in South-east Asia, adopted from other immigrant ethnic groups, including Jinhua Niangniang, Caibo Xingjun, Fazhu Gong, Qi Tian Da Sheng, Longwei.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215323, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 100, "title": "RAS-2001", "content_text": "48\n\nbetween Han ethnic groups but also both inter-ethnic fratricide and distrust, prevented legends of one ethnic group about their deities being passed to another. The stories of the minority Hainanese are therefore known to few non-Hainanese Chinese.\n\nFolk Religion Deities on Altars in Hainanese Community Temples\n\nDeities worshipped by Hainanese, both in their temples and on their household altars, can be categorised into eight groups:\n\nThe first are the deities revered China-wide such as Guan Yin, Guan Gong, the City God, the Earth God, the Gods and Goddesses of Climate and Time and the patrons of trades and professions. As these are not uniquely Hainanese deities I will not refer to them again.\n\nThere are two exceptions: the first is a deity identified as either the popular and frequently noted deity, the Thunder God, Lei Gong, or Lei Zu, the President of the Ministry of Thunder. He has been noted on two Singaporean Hainanese temple altars where he was only known as the Chief Leader of All the Heavens, Wantian Zhushi, His title was displayed on the temple list in two other Hainanese temples, one in Pontian in southern Malaysia, and the other near Kranji in northern Singapore. His image depicted him with his usual attributes a bird's beak, an axe or hammer held aloft and a chisel in his left hand. In one of the two temples, in Paya Lebar Crescent, he was riding either a tiger or a Qilin a mythical beast, and according to the temple custodian he is the only deity permitted to do so. He was identified by temple keepers as Lei Gong and his image co-located with that of Doutian Fushuai, said to be Lei Zu. However, in the other temple, at Rumba Bomba Circus, he was also portrayed astride what looks like an unusual tiger and here he was identified as Lei Zu.\n\nThe second is Ma Zu Qiong, the Respected Mother of the Hainanese3. Although Tian Hou, the patron goddess of seafarers along the entire coast of China, is revered throughout Hainanese communities, she is also known in a number of Hainanese temples by this unique title. The usual title by which Tian Hou is known in most Hainanese temples is Nantian Shengniang Tian Hou, The Saintly Lady of the Southern Heavens, 南天聖娘天后.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]