[ { "id": 204309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 77, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 124, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n120\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nIn the New Territories, there are at present no funeral parlours and few undertakers. As in the agricultural interior of China, practical responsibility still falls mainly on the kinsmen of the deceased. The customary burial of villagers is in two stages: initial coffin burial, and subsequent exhumation and re-interment of remains. Having encoffined the body, the relatives normally sustain the vigil directly outside the home under a temporary shelter. Burial then takes place in a traditional village area, but no monument is erected beyond a small unshaped stone at the head of the grave. After five years or more, the body is exhumed. The bones will be cleaned by the family and be placed either in a funerary urn (kam t'aàp) or in a formal masonry grave (shaan fan) shaped like a horseshoe. In the funerary urn, the bones will be arranged in a manner as if the deceased were sitting in the Buddhist lotus posture.\n\nThe siting of funerary urns and horseshoe graves is of particular importance. Relatives will go to great lengths to ensure that the jung shui of the site is propitious. In other words, they wish to ensure that the benevolent influence of the site will protect the deceased, as a member of the family, so that he in turn will look kindly upon his relatives. The site is usually high up, commanding a view of water, and on a ridge or spur which represents, for instance, a dragon, snake, shrimp or crab in its formation. Standing with one's back to a horseshoe grave, one sees a half circle within a radius of ten yards, which is normally regarded as sacrosanct. Disturbance of the ground is regarded with strong disfavour. Traditionally, the left arm of the panorama in front should consist of a long ridge (containing a \"green dragon”) and the right arm of a shorter ridge (containing a \"white tiger\"). In a horseshoe grave, the exhumed remains are buried in a jar in the centre, just in front of a stone plaque (pei shek) that records the name of the deceased, the date of his death, and other details. Important graves of recorded ancestors or founders of a clan are often flanked by a small shrine (haû tỏ) on either side and sometimes another behind, at a distance of ten to twenty feet from the main grave. The object of the shrines is to persuade the earth god to look after the grave.\n\nWhether the exhumed remains are to be placed in a funerary urn or in a horseshoe grave seems to be governed by the sex and general standing of the deceased in the clan, or even by the financial state of the relatives at the time of exhumation. The remains are normally fit for exhumation after a minimum of five years of burial, but, even so, exhumation should not strictly take place unless there has been no pregnancy amongst the deceased's close female relatives in the immediately preceding nine months. This requirement, which would tend to impose some hardship", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204470, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 102, "title": "RAS-1962", "content_text": "LIFE IN THE NEW TERRITORIES \n\n91 \n\nwhich it had supplanted eighteen years before. Great hardship was encountered which is hardly surprising, and the people were eternally grateful to their benevolent officials and commemorated them in several temples dedicated in their honour. One of these was burned down in 1955 during the fire which destroyed Shek Wu Hui near Fanling, and others are to be found at Sha Tau Kok and Kam Tin, and Sai Heung in Chinese Territory. In addition a school was named in their honour at Kam Tin, and when it was repaired in 1744 the San On magistrate of the time composed a Confucian discourse which was inscribed on the wall of the restored building, to instruct the pupils and their parents. An interesting survival which still existed in 1898 was the appearance of an old beggar in the Yuen Long villages every Chinese New Year who brought statues of WONG and CHOW for the people to worship, and incidentally to supply him with food and money.'' To these men-become-gods for whom the construction of a temple was necessary to ensure their better worship and resulting favours, there must be added an equal and possibly much older faith in sacred tree spirits and the multitude of earth spirits known as pak kung ih, tai wong ★, and ordinary she taan 4, who look after villages and localities such as passes, bridges, and fords over streams.\n\nThis insurance with the spirits who ruled this world and would assuredly be encountered in the next was expressed in the continual reconstruction of temples. A great many of the temples in the New Territory to-day owe their present fabric, or a great part of it, to repairs made during the last fifty years of the Ching dynasty. It was evidently a highly necessary part of the proceedings that the god should be informed of the names of the contributors so that his benefits should not pass anyone by, since their names, and often the amounts they gave, were scrupulously inscribed on the commemorative tablet which was always let into the wall to mark the occasion. Sometimes over a thousand names had to be recorded in this way, most of them in respect of trifling amounts, even for a small and out of the way temple, as in the reconstruction of the Tin Hau temple at Cheung Chau in the second year of the last Ch'ing Emperor (1909).\n\nThe magistrate, too, was expected to play his part in warding off disaster. The District History mentions that CHAN Kuk", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204936, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 44, "title": "RAS-1965", "content_text": "# THE POPULATION OF CHINA \n\n37\n\nWhile so many elements of vitality are in a state of activity for the reproduction and sustenance of the human race, there is probably no part of the world in which the harvests of mortality are more sweeping and destructive than in China, producing voids which require no ordinary appliances to fill up. Multitudes perish absolutely from want of the means of existence; inundations destroy towns and villages and all their inhabitants; it would not be easy to calculate the loss of life by the typhoons or hurricanes which visit the coasts of China, in which boats and junks are sometimes sacrificed by hundreds and by thousands. The late civil wars in China must have led to the loss of millions of lives. The sacrifices of human beings by executions alone are frightful. At the moment in which I write, it is believed that from 400 to 500 victims fall daily by the hands of the headsman in the province of Kwang-tung alone. Reverence for life there is none, as life exists in superfluous abundance. A dead body is an object of so little concern, that it is sometimes not thought worth while to remove it from the spot where it putrefies on the surface of the earth. Often have I seen a corpse under the table of gamblers; often have I trod over a putrid body at the threshold of a door. In many parts of China, there are towers of brick or stone where toothless — principally female children — are thrown by their parents into a hole made in the side of the wall. There are various opinions as to the extent of Infanticide in China, but that it is a common practice in many provinces admits of no doubt. One of the most eloquent Chinese writers against infanticide, Kwei Chung Fu, professes to have been specially inspired by \"the God of literature\" to call upon the Chinese people to refrain from the inhuman practice, and declares that \"the God\" had filled his house with honors, and given him literary descendants, as the recompense for his exertions. Yet his denunciations scarcely go further than to pronounce it wicked in those to destroy their female children who have the means of bringing them up; and some of his arguments are strange enough: \"To destroy daughters,\" he says, \"is to make war upon heaven's harmony\" (in the equal numbers of the sexes): \"the more daughters you drown, the more daughters you will have; and never was it known that the drowning of daughters led to the birth of sons.\" He recommends abandoning children to their fate \"on the wayside\" as preferable to drowning them, and then says \"there are instances of children so exposed...", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205025, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 133, "title": "RAS-1965", "content_text": "124\n\nNOTES AND QUERIES\n\nFor the priest the ceremony was to involve two days' work: on the first day of the ceremony and on the last. On the opening day, I was told, he comes to the village and prepares various pots. Into each pot he puts five bamboo sticks. Each of these sticks carries an inscription which he writes especially for the occasion and is then covered with lucky red joss paper. Before being placed in the pot the sticks are dipped in the blood of a live chicken. The priest decides how many pots are required. The pots have then to be placed at various spots in the works area and must stay there until the offending operations have been completed. A procession of village people follows the priest to the places he has chosen to put each pot. With them they bring various articles for worshipping at each place such as candles, incense sticks, joss paper and offerings of food and drink together with chicken and roast pork, and fresh and preserved fruits.\n\nSince the object of the ceremony is to appease all the gods who may conceivably be offended by the proposed works, especially the local earth gods, the priest issues a general invitation to them to partake of the offerings. In so doing it is hoped to dispose them favourably towards the village despite the offence given by the works. It is interesting that the ceremony is not connected with either of the two village temples, one of them dedicated to Hung Shing and another inside the village wall dedicated to Kwan Tai (關帝) the god of war and agriculture. It only takes place on the hills and not inside these temples, although the effigies of their gods are taken around with the procession which deposits each of the pots.\n\nOn the conclusion of the engineering works the priest returns to the village. On this day each family prepares a plate of roast pork and chicken to thank the gods for turning evil away from them during the period of the work. The priest visits all the pots in turn, dismisses the gods and burns the pots.\n\nThis account is taken from my notes of what was supposed to happen during the ceremony. Pressure of other duties prevented me from seeing the ceremonies on either day... but I did see some of the pots in their appointed stations!\n\nA similar ceremony took place at Keung Shan near Tai O in 1960 during the construction of another road, and I know of two similar cases from the Sai Kung district in 1960/61.\n\nJ. W. HAYES", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205480, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 22, "title": "RAS-1968", "content_text": "CHINESE RELIGION AND RURAL COHESION\n\n17\n\nboth officials and people were encouraged to participate in the rites associated with them.\n\nThese god-officials, housed in temples in the chief cities of districts, counties and provinces, were often former government officials who had worked in the locality and people were encouraged to help in their selection. The gods were expected to report social misdeeds — evasion of taxes for example — to higher gods who could punish offenders by bringing misfortune. It is said those not afraid to perjure themselves in court were often afraid to do so before the gods, and so such cults encouraged obedience to law and order.13\n\nWhen these cults worked well they focussed people's interests on the administrative area of which their village was part and at the same time emphasized the position of the local village unit in the larger territorial administration. But temple-keepers and yamen clerks are said to have embezzled funds set aside for the rites and performed them in a perfunctory manner. The influence of such cults over villages more remote from city centres would probably, as with the cults to local worthies described above, be less than over nearby villages.\n\nBut the village itself was usually more directly connected with another god, to some extent operating independently of this spiritual hierarchy and standing more for local interests. This was the earth god: protector, in some of his roles, of such places as graves, bridges, rivers and canals, but also protector of a village unit or sometimes a section of a village. It is said that the earth god was usually somebody who had rendered local public service in his former human life.14 The earth god's cult was more usually associated with an open shrine than a temple, with his image being placed on the ground. His festival commonly generated a great deal of group activity: various occupational groups in a village would collect money to contribute to the festival's religious and social functions and would “elect” one of their number to serve on the committee formed to organize the festival.\n\nWhile it appears unusual for the cult of the earth god to have become associated with a complex land owning organization with control over a village or village section as in the case of ancestral cults, cults to other popular gods sometimes did so. Temples built for gods who had special meaning in the life of a village", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205504, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 46, "title": "RAS-1968", "content_text": "CHINESE RELIGION AND RURAL COHESION\n\n6 Ibid., p. 329.\n\n41\n\n7 When carrying out research on lineage villages and communes in 1964 by interview of immigrants in Hong Kong, I questioned respondents on the surname composition of their village of origin. In many cases it was stated that people of a single surname lived in the central part of a village and those of other and various surnames lived beyond boundaries of old village walls, or beyond their previous location where they had been pulled down.\n\n8 Freedman, Lineage Organization, p. 105. But he adds that politically and ritually the lineage was a centralized unit within which the peace could usually be kept.\n\n9 Hsiao, op. cit., p. 329.\n\n10 Ibid., p. 227. As early as the eighteenth century it was found necessary to scrutinize names recommended carefully. It was suspected that officials serving in the imperial capital and who came from the same province as the persons under consideration were inclined to favouritism.\n\n11 Ibid., p. 228 and p. 229.\n\n12 Ibid., p. 228.\n\n13 Ibid., p. 225.\n\n14 On the earth god see E. T. C. Werner, A Dictionary of Chinese Mythology (Shanghai, Kelly and Walsh, 1932) pp. 527-528.\n\n15 Some of these were deified Sung and Ming figures of note and not all stood for solidarity with the Ch'ing dynasty.\n\n16 See his Village Life in China: a Study in Sociology (New York, Fleming H. Revell Co., 1899) pp. 136-138.\n\n17 Hsiao, op. cit., p. 226.\n\n18 Ibid., p. 278.\n\n19 Ibid., p. 279.\n\n20 Op. cit., p. 138.\n\n21 For example, Hsiao, op. cit., p. 280.\n\n22 Ibid., p. 279.\n\n23 Ibid., p. 281.\n\n24 Ibid., p. 231.\n\n25 Ibid., p. 230.\n\n26 Cf. Chan Wing-tsit, Religious Trends in Modern China (New York, Columbia University Press, 1953) p. 81.\n\n27 Some aspects of Buddhist \"kinship\" are discussed in Holmes Welch, \"Dharma Scrolls and the Succession of Abbots in Chinese Monasteries\" T'oung Pao, vol. L, Liv, 1-3, 1963, pp. 93-149. At the time of writing this paper little else was available on this form of organization in the published literature and I rely largely on my own research notes and documents shown to me during this research. Since that time Welch has also published The Practice of Chinese Buddhism, 1900-1950 (Cambridge, Mass., Harvard University Press, 1967) and chap. IX particularly has additional relevance.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 206126, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 206, "title": "RAS-1970", "content_text": "NOTES AND QUERIES \n\n199 \n\ntide and is reached by a single bamboo ladder. The verandah is railed, and is sometimes covered and sometimes not. The shed stands on five pairs of piles, the front two of bamboo and the other three of local granite. The roof is pitched and normal save that it is covered with palm leaves and not with tiles. The hut itself is made entirely of wood.\n\nIt will be seen from the plan that the main part of the shed has three partitions to provide four rooms, each of which has a door and two windows, one at each side of the room. The kitchen is on the right-hand side of the first room leading off the verandah with a hearth, fuel beside it, and an altar to To Tei (1), the earth god and to Tso Kwan, (#) the kitchen god. [The notebook does not say of which material the hearth was, but it was presumably of brick or stone in a wooden dwelling.] The next room was apparently used as a bedroom by the master [and presumably mistress] of the house; the third was given over to the ancestral altar, that, like the kitchen altar, was set against the east wall; whilst the fourth and last room was used by a married son and his wife. Inspection of neighbouring sheds also shows the cooking place and ancestral altar on the east side.\n\nOn the day of the visit it happened that a new shed was being built nearby. See Fig. 2. [The structure was new though it could have been a reconstruction on old piles.] It was rather smaller than the one just described, measuring 7′ 6′′ wide and 18′ 6′′ deep with a 'round roof' (sic). There was also a verandah-to-be, not yet constructed. From this verandah a door led into one large room. This had a side door onto an open platform that ran outside and along the full depth of the main structure. Beyond the main room was a second, smaller one, with a window opening onto the open platform. There were three pairs of stone piles for the main structure. Again it appears that the cooking was to be carried out on the east side, but this time on the open platform.\n\nThe structure was entirely built of wood, with bamboo slats supporting the roof. The roof beam was already in position and from the centre hung over and down from it a red cloth with a single \"cash\" or Chinese copper coin at each corner, put over it and pinned. In addition two oranges hung over it at one edge.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206634, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 182, "title": "RAS-1972", "content_text": "176\n\nKEITH STEVENS\n\ncyclical characters of the year.\" Hodous appears either to be confusing T'ai Sui and Kou Mang, or to be giving T'ai Sui yet another alias.\n\nIn T'aip'ing in Malaya two images of mud bulls are to be seen standing on a pile of paper hell money on the altar beside T'ai Sui. The reason for their inclusion on the altar was not known by the temple keeper nor by the devotees who said that they had always been in that position as far back as anyone could recall. (See Plate 15).\n\nThe Rev. Wm Milne4 in Ningpo in the mid 1840s noted \"the festival of the Beating in of Spring\" when on the first day of spring the Chief Magistrate of the city beat the \"god of spring\", a multi-coloured paper ox, which was then torn to pieces by the crowd, for luck. Milne claimed to have seen this same ceremony elsewhere in Central China, and said that in some districts the bull is made of mud. “The colouring varies as laid down in the Peking annual book of ceremonies. The variations in colours such as red horns, black tail and feet, white body, blue head and neck are regarded as prognosticating the portents of the coming year. The amount of black signifies sickness, blue winds, white rain and floods, red fire and yellow the fruits of the earth. There are also a number of smaller mud oxen mainly sold for household good fortune.”\n\nThe Rev. Milne also reported that “the \"god of spring\" was seen in the shape of a youthful human image, the son of an early Emperor. He too is attired in a fashion prophetic of the fortune of the coming year: bareheaded predicted cold weather, and white robe augurs a dry year etc.\" This youthful image is almost certainly T'ai Sui. In all temples where he was observed in the \"scroll or bell-holding\" two-armed version, his image was seen very frequently to be balanced on wads, sometimes very high wads, of hell money. This is the paper money purchased from temple keepers to be burnt by devotees for the use of deceased members of the family in the Underworld. This custom is usually only to be seen in temples under wealth gods, but in the case of T'ai Sui, the wads are offerings to T'ai Sui for protection and not for transmission by burning to deceased relatives. Shyrock in his Temples of Anking says hell money is burnt for use by ancestors and is never presented to Gods. It would appear to be otherwise in Central and South China.\n\n4 Milne, W. C., Life in China (London, Routledge, 1857).", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206641, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 189, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n183\n\n(E), Pei Chi Sheng Ti (1), the Pen Ming Hsing Chün ($*£*) who is the local earth god, and the provincial city god. All five are connected with the fate of mankind.\n\nIn a Ch'ao Chow temple in Johore Bahru, Tai Sui a youth with a scroll (***) is on the altar of Hung Chün Lao Tsu (#$ *). (Plate 20)\n\nFather Doré says that in one temple outside the South Gate of Jukao, in the Yangtze Valley, Yin Ch'iao (F) is to be seen on the right as you face him, with Marshal Ma () on the left. Both have six arms, stand on clouds, and hold swords, amulets, gourds, bells and banners in their hands. Ma has three eyes and wears a hat, whilst Yin is bare from the waist upward and has his hair in a large upswept tuft on the top of his head. Yin is worshipped here as a member of the Ministry of Thunder.\n\nOther interesting sightings.\n\nIn Lavender Street in Singapore a Cantonese temple has sixty-two T'ai Sui images. About half the images hold scrolls and are, according to the temple keeper, the administrators of the fortune; whereas the others with silken slippers, fans, bells, etc. are those who actually provide the fortune.\n\nOne image of a young man, standing with one slipper on and one bare foot, is to be seen in Bukit Purmei temple in Singapore. He is prayed to for rain, and for good crops. (Plate 21)*\n\nCarver's drawings of Yin Ch'iao\n\nA Fukienese god carver prepared, on request, drawings of many deities. From memory he drew:\n\na. An image of T'ai Sui, seated, robed like a monk, wearing sandals, a band around his hair, and holding an open scroll with Tang Nien T'ai Sui (****).\n\nb. Yin Ch'iao's father, seated astride a large, long-beaked bird, holding a fly whisk in his right hand and a seal in his left hand. He is bearded, with a Taoist top knot and crown. His robes are covered in the Yin and Yang circle pattern.\n\nc. Yin Hung(); a standing young man with a spear in his left hand, and a mirror raised in his right, which is flashing beams towards his enemies.\n\n* Plates 22-24 also relate to representations of T'ai Sui.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206893, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 170, "title": "RAS-1973", "content_text": "164\n\nNOTES AND QUERIES\n\ntraditional Buddhist scenes. Wat Suwannaram on Klong Bangkok Noi is one of the best known temples for murals. The building was constructed in the reign of Rama I and its paintings, dating from the time of Rama III, were executed by two artists, Luang Vichit Chetsada and Kru Khonpae, whose names have, unusually, come down to us. The wall inside the entrance illustrates the conquest of the Buddha over the spirit of evil, Mara, and the wall behind the altar shows the Buddha descending to the earth, the Traibhumi. At the upper levels on the long side walls are rows of orahan or followers of the Buddha, and between the windows the jataka tales, the stories of the last ten incarnations of the Buddha-to-be, are represented, the whole of the left-hand wall being given over to the very last jataka, the Vessuntarajataka, or renunciation. The paintings are remarkable for their delicacy and charm.\n\nSome more examples of traditional Siamese painting were to be seen in the collection in Krisnavara House, the home of the epigraphist and art historian Alexander B. Griswold, which was opened specially for the tour. Mr. Griswold's collection of rare Sukhothai porcelains and ancient stuccos and bronzes was much appreciated.\n\nThe Siam Society, a learned body established in 1904, has a traditional northern house, the Kamthieng museum, re-erected in one corner of its fine grounds. The Society was the setting for an introduction to traditional Siamese folk opera, likay. Especially for the tour, the Hom Huan troupe of actors performed with verve the story of Chantakorop. The prince of this name falls in love with a fickle girl Mora who has come from a magic casket and who agrees to be his wife, but she is then attracted by a bandit leader and enables him to kill Chantakorop. The prince is taken up to heaven by the god Indra, the bandit leader runs away from his new wife who is alone and hungry in the jungle. Indra, disguised as a bird, offers her food on condition she marries the bird. She agrees and is transformed into a gibbon as a reward for her fickleness.\n\nLikay is an old theatrical form, possibly of southern or Malay origin, but having by syncretism absorbed most other Thai theatrical forms including the masked dance khon. Once extremely popular, it is now dying out in the capital. It is rumbustious and bawdy, and incorporates popular songs, traditional dance and improvised dialogue. The costumes are gay, extravagant and imaginative. The small orchestra of six performed on traditional instruments.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206995, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 66, "title": "RAS-1974", "content_text": "60\n\nCAROLE MORGAN\n\nOther ceremonies involving dogs are mentioned in the Chou Li, the Chou Book of Rites (a utopian picture of Chou society compiled from late Chou, Chin and Han sources in the 1st Century B.C.). In the nu (（）) sacrifice to drive away pestilence, a dog was dismembered and his remains buried in front of the main gates of the capital.10\n\nThe ba (*) sacrifice to ward off evil required the participation of the Emperor himself. Riding in a jade chariot it was his duty to crush a dog under the wheels of his carriage. An analysis of the character ba clearly shows what took place in the ceremony. The term ba is written with the radical for cart and a phonetic element (（）) which originally meant an animal whose legs had been bound. It was the duty of a specially appointed official to supply a dog of one colour and without blemishes for the sacrifice.12\n\nAccording to one author, Schindler, the origin of using dogs as sacrificial animals dates back to a primitive cult in honour of a dog-shaped god of vegetation whose worship later became amalgamated with that of Shang Ti, god of agricultural production and reigning deity of the Shang pantheon.13 The fact that alone among domestic animals dogs and horses were buried (dogs being wrapped in reed mats and horses in sheets) gives some support to this theory.14\n\nIn Chou times, horses too were used as sacrificial victims. In the ma (（）) ceremony horses were used as chthonic sacrifices to the Earth Goddess;15 and Ssu Ma Ch'ien tells us that Duke Hsiang of Ch'in (776-766 B.C.) sacrificed a red colt to the White Emperor of the West.16 In such cases the horse to be sacrificed was first shot with an arrow and then buried.17\n\nBut as horses became more valuable the practice of using them as sacrificial victims gradually died out. By 103 B.C. Ssu-Ma Ch'ien informs us all live horses had been replaced by wooden statuettes except in cases such as the chiao (*) sacrifice, celebrated by the Emperor himself, during which he informed his ancestors that he was about to undertake a punitive expedition.18\n\nHorses, however, were not only used as sacrificial animals, they were also entitled to a cult of their own.\n\nAccording to the Chou Li it was the duty of an official, the Hsiao Jen, to sacrifice in Spring to the ma tsu (（马祖）), the ancestors of horses. It was the duty of the same official to honour the \"tamer", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 206996, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 67, "title": "RAS-1974", "content_text": "DOGS AND HORSES IN ANCIENT CHINA \n\n61 \n\nof horses\" in Summer, sacrifice to the ma she (1) or earth god of horses in Autumn and the ma bu (✈) in Winter.19 (According to K'ang Ch'eng, a commentator of the Chou Li, the ma she was a spirit who sat in judgement on horses.) \n\nThe Chou Li also tells us that other officials were entrusted with the care of horses. It was, for instance, the duty of the mu shih (**) or Herdsman to supervise the imperial horse pastures and see to it that they were annually improved by burning off the top grass.20 The Herdsman was also required to perform a curious task which consisted of clamping bamboo pins on the ears of any restless two-year-old fillies, a treatment guaranteed to soothe the most restive animal.21 \n\nTo treat sick horses there was not only a veterinarian but also a horse sorcerer or wu ma (4) to assist him. It was the sorcerer's task to diagnose a sick animal's ailment by studying its gait, after which the veterinarian bathed the horse in a herbal decoction (which may have had mildly analgesic properties) before undertaking any other course of treatment.22 The sorcerer also had to be conversant with the sick horse's pedigree in order to sacrifice to its ancestors. If, despite these ministrations, the animal died, one of the two merchants attached to the sorcerer's office had to sell the carcass and return the money to the officer in charge of the corral.23 \n\nThat horses were used both as sacrificial victims and as cult objects may be due to the fact that traces of two completely different cultures survived into Chou times. According to Schindler horses were used as chthonic sacrifices because the Earth Goddess had originally been horse-shaped.24 The author bases his argument on a passage from the I Ching (Hexagram 1 and 2) which states that \"Earth is a mare.\" (This passage may have been responsible for a taboo, current in Han times, against riding mares.25) But in the Shuo Gua section of the I Ching we find a statement to the effect that \"Heaven is a horse and Earth is an ox.\" Obviously this is a relic from a different culture which identified horses with the virile qualities of heaven,26 \n\nDogs and Horses as Sources of Food \n\nIn ancient China it was customary to use as sacrificial victims only animals whose flesh was habitually eaten. Thus, the custom of eating both dogs and horses goes back to very ancient times.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207138, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 209, "title": "RAS-1974", "content_text": "NOTES AND QUERIES\n\n203\n\nAt this time the population of Ha Wan was 4861 (G.N. 21 of the Government gazette for 5th March 1859).\n\nObservation Point must be the Observation Place shown on the Map accompanying Mr. Chadwick's Report on the Sanitary Condition of Hong Kong, published by the Colonial Office in 1882. The map shows Ha Wan as District No. 6 and Wanchai as District No. 7. This indicates that Wanchai was taken from it at some date between 1857 and 1882. Observation Place is shown at p. 46 of the Index to the Streets, House Nos., and Lots in the Colony of Hong Kong, 1903, and may be identified with the lower end of the present Tin Lok Lane, near its junction with Hennessy Road, then seashore.\n\nWanchai was one of the first districts to be developed after the British Occupation of the Island in 1841. The Reverend Carl T. Smith has kindly provided an account of this development, based on his original researches into Hong Kong records. This is attached as a separate Note.\n\nThe Itinerary and Places of Interest\n\nThe party will follow a circuitous route among the back streets, steps and terraces of old Wanchai between Monmouth Path in the west and Stone Nullah Lane on the east.\n\nAmong the places of interest to be visited are several Chinese temples and shrines as follows:\n\n1) The Pak Kung Shrine at the side of No. 7, Star Street. This was established before the War, probably upwards of 70 years ago. The shrine is a To Tei Miu (±普普) or altar to the earth god. The main festival of the year falls on the 2nd day of the second lunar month when the management committee of local residents organises a religious and social celebration.\n\n2) Hung Shing Temple, Queen's Road East. This temple is one of the oldest of the area and may even have existed as a shrine before the British Occupation of the Island. According to Carl Smith there was a small settlement nearby which may have provided the body of regular worshippers, along with visiting boat people.\n\nThe present structure dates from Hsien Feng 10th year (1860-61), repaired in T’ung Chih 6th year (1867-68) when the persons responsible are listed as 'the whole body of devout Hong Kong believers'. These dates point to an earlier origin, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207203, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 274, "title": "RAS-1974", "content_text": "Plate 5.\n\nA Singapore carving of Lu Tung-pin the physician (呂洞賓).\n\nPlate 7.\n\nTaiwanese mud god showing its stuffing of rice husks.\n\nPlate 6. Teochew carving of Kan Tien Ta Ti (乾天大帝) centre: with an Earth God (二土地) on each side. (The right hand one is a cheap and simple pottery image.)", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207749, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 137, "title": "RAS-1976", "content_text": "CARL T. SMITH\n\n122\n\nKwun.\" In September there is an entry for \"Li Khi Sen, from Tseang ye\". This is probably the friend Khi-sem who was one of Tsin-kau's travelling companions.\n\nThe Hong Kong missionaries were delighted with the arrival of these refugees who were willing to receive Christian instruction and baptism. They seized upon their desire to join their relatives and friends in Nanking as a God-given opportunity to put the Taiping movement upon a more solid Christian foundation. There had been much discussion regarding the type of religious belief held by the Taiping leaders, and serious doubt had arisen regarding their interpretation of Christianity. The Rev. Hamberg hoped to raise sufficient funds through his publication of The Visions of Hung Siu-Tschuen to finance Hung Jen-kan's trip to Nanking. In reporting to the Mission Society he states:\n\nI have spent much on Fung [the Hakka version of the surname Hung] and his friends, and in order not to put a burden on the Mission have translated into English the account of the first [i.e. Hung Jen-kan] and written a small book which is now ready to be printed. Fung and his two friends left today for Shanghai. I have furnished them with the three different translations of the Old and New Testaments, Barth's Biblical History, Genahr's Catechism, a calendar and other writings, also a map in Chinese of the world, a map of China and one of Palestine, a model of a steel punch, copper matrices and the usual types, in order to show how Chinese characters can be printed in the European manner. In addition a few trifles, such as telescope, compass, thermometer, knives, etc. I am often asked if I will go to Nanking, however I have decided, and will not change my mind, that I will not go until I have received a regular and definite invitation to go. I have sought to establish what my obligations and duties are in this matter. The people who were brought to me I have baptized, instructed and assisted them on the way insofar as I was able. I believe that Fung respected me and would like to see me in Nanking, as he so often said. However, we cannot be definite about it, because we do not yet know if he will be successful in arriving at Nanking, and further, we cannot be sure that his friend there will welcome the idea, or that no obstacle will be placed in the way of foreigners, or that they have a real desire to be led deeper into the truths of God's words.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207854, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 242, "title": "RAS-1976", "content_text": "SOCIAL RESEARCH IN THE N.T. OF HONG KONG, 1963\n\n227\n\nhis wife to bury him in the crucial spot when he came to die, which in good time she did, wrapping him in a mat because she was too poor to pay for a coffin. Time passed and her son grew up to become a great scholar. Summoned by the Emperor to Peking he made the long journey north. On the way the boat he was travelling in got into difficulty but was saved by a god in a nearby temple. The people with whom the young scholar was travelling honoured the god for his help, but he refused to do so, going so far in arrogance as to strike the god on the head with his fan. Eventually he reached the capital and after a while returned home in triumph. He then showed himself so overbearing, especially in his behaviour towards his maternal uncle, that his mother rebuked him, reminding him that his father had died a humble death and had been buried in a mat. The scholar agreed to rebury his father in a fitting manner, but when he came to search for the body it was not to be found. While men were fruitlessly hunting for it round the spot indicated by the widow, the god whom the scholar had insulted appeared in the guise of a stranger and advised him to throw lime into the duck-pond, whereupon the body would appear. The scholar took the advice. The body rose at once to the surface but along with it came nine dead fish, only one of which had its eyes open.\n\nNine bright possibilities, that is to say, had been stored away in the fung shui; one of them had been realised in the success of the scholar — and that was now at an end; the others were ruined. (When I recounted this story to a Chinese friend in Singapore he capped it with one in which a passing scholar, on being told of the enormous success of a family which had stolen another family's fung shui and acted cruelly towards its members, sat down by the stolen grave and lamented. If such people could prosper by the principles of Earth, where were the principles of Heaven? He had hardly spoken when lightning smashed the tomb and put an end to the fortunes of the wicked family.)\n\n61. I have already referred to the tomb of Sun Yat-sen's mother in Pak Fa Lam. I was taken to see it by a part-time geomancer. (He looks like an old-fashioned scholar. In his youth he was a graduate student at a famous American university and held some official post in Canton until the arrival of the Japanese. He now teaches in Hong Kong). His analysis of the site was briefly as follows. The high peak at the rear is excellent; it stands for authority and power. The front aspect is also very good; there is", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207968, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 7, "title": "RAS-1977", "content_text": "176\n\nDAVID FAURE\n\nTse Che and Man Wo (both single surname villages of the surname Uen) also attended, not because they were related to surname groups in Ho Chung, but because they were located nearby. These last two villages contributed to the repair of the Ch'e Kung Temple in 1934. Besides the decennial ta tsiu, the entire village donated towards the costs of worship at the annual Ch'e Kung Festival.38\n\nThe Cheungs had settled in Ho Chung for several hundred years.\n\nIt is instructive to see how the Chans, a new-comer lineage, were integrated into the village. They came in the middle of the nineteenth century, and built an ancestral hall of their own in the village, decorated with exquisite carvings.* They were accepted firstly because they were invited to Ho Chung by the Lais, who had been among the first to settle in the village. Secondly, they were rich, and when they settled in the village, they set up the Luen Hing T'ong, which functioned as a money-lending trust in which other villagers of Ho Chung could hold shares. At the end of each year, the T'ong slaughtered a pig and divided the meat among the share-holders. Thirdly, as already noted, they were connected with officialdom, and were people of some influence in the county.39\n\nOther villages had institutions similar to Ho Chung's. Pak Kong had a village-wide institution known as the \"tso she\" (\"celebration at the earthgod's shrine\" or \"communal celebration\") which consisted of a religious homage and a feast at the earth-god's shrine on the Festival of the Great King Earthgod on the 15th of the Second Month. A five-year rota was set up whereby villagers took turns to be responsible for the feast. The rota was written on a wooden board that was kept in the Loks' ancestral hall. The group of villagers responsible for the worship in any year would collect the money contributions due from the other villagers, would provide and slaughter the pig that was needed for the worship, and would then mount the feast.40 In Sha Kok Mei, the term \"tso she\" was not used, but a small wooden board was circulated among resident households that took turns in groups of three to be responsible for communal worship at the beginning and the end of the year, and for worship of T'in Hau on her Festival Day at her temple at Leung Shuen Wan. Apparently,\n\n* Plate 3.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 109, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n93\n\nenter the homes of the beater and her family. (Incidentally, they did the same with the \"small people\" a common man (Hsiao Jen A) who are gossips causing untold trouble. They are depicted on a black-printed charm as a row of men, and represent anyone who bears a grudge or gossips about their neighbours.)\n\nThough Ch'ao Chow and Hoklo temples have no Under Altars, keepers in temples used by these communities claim that other unspecified Hoklo and Ch'ao Chow temples do have them. In practice, however, most have a stone White Tiger, blackened with age, crouching on the floor in front of one of the secondary altars. In one Ch'ao Chow temple, what at first glance could be confusing, were two large and untarnished black and yellow striped tigers seated before the temple's Earth God. According to the watchman, they were normal tigers and not White Tigers, awaiting his orders.\n\nThe Green Horse\n\nThe second is the Green Horse (*) who occasionally has a groom though, rarely, a rider. Not surprisingly the horse actually is green, although it is possibly called so because Liu (green) is a homophone for \"lucky\". In a few temples he is colloquially referred to as the \"Money Horse\". He is to be found in several temples where there is no Under Altar, no White Tiger, and no Local Wealth God. Green Horse stand on their own four legs and are seldom made of a permanent material, though two in Macau and one in Hong Kong are made of what appears to be painted concrete about half life size. Most are coloured paper pasted over a bamboo frame, frequently decorated with tall, gold paper floral crowns and red rosettes.\n\nThe Green Horse is variously offered prayers and incense for assistance in keeping in touch with distant relatives, for bearing petitions to unapproachable Gods, for stopping quarrels and rumours and, according to some, for wealth. Some even refer to the Green Horse as the Protector of Women. Many Green Horses seen in temples are heavily ensnared or trussed with long, fine red (or on very rare occasions, white) cords bound around the forelegs. Occasionally pairs of red chopsticks are bound to the Horse by these red cords. Both the chopsticks and the cords are charms, placed there by wives who pray that their travelling or erring husbands will be faithful to them, or return immediately to them leaving the...", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208073, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 112, "title": "RAS-1977", "content_text": "96 \n\nK. G. STEVENS \n\npasted up on the upper lintel of the altar, or across the sides, where they remain until Spring-cleaning, or just drop off with time. They are called petitions, Pang (#). Another form of charm connected with the Green Horse is a simple postcard-sized piece of rice paper, block-printed in three colours, depicting a galloping green horse and his groom, on which is the petition (****). This is only used during the lunar New Year and, too, is burnt. One temple keeper very carefully folded such a paper inside a piece of red paper, producing a package no larger than a cigarette, ready for devotees to burn. \n\nOccasionally, green and red paper cut-outs are pasted on the Under Altar, or tied to the Green Horse's nose, head or back. These are said to represent \"messages\" from humans to the Gods asking for general benefits, and passed directly on by the Green Horse without going through a spirit medium or being dispatched by incineration. These \"messages\" without inscription are entrusted to the Green Horse at all times of the year. Although borne aloft to the Gods by the Green Horse, he is never expected to bring back a reply; the general benefits doubtless will manifest themselves in time. \n\nPaper charms obtained from the temple keepers, bearing printed prayers and pictures begging the Gods for safety, protection and blessings, are thrust into the belt or hands of the Local Wealth God or again tied to the back of the Green Horse. \n\nThe slips themselves go under the generic title for red ones of \"the Nobleman\", and for green ones of “Green Horse\". These are also regarded by many as charms to ward off demonic influence and not as messages, and are therefore pasted on certain altars and figures. \n\nOccasionally street shrines, such as the one on the corner on Taipingshan Street and Pound Lane, dedicated to the local Earth God (), have a further role as an Under Altar. The roof of the shrine and wall above it are heavily coated in red and green Green Horse and Nobleman slips which normally should be burnt. Many of the slips of paper are, in this case, pasted over the top of white or black cut-out papers which represent the Mean Ones, the Hsiao Jen. These appear in two forms; as individual human figures with large ears in black paper, and as white or black cut-out slips which look like carnival masks for a man with five eyes!", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208075, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 114, "title": "RAS-1977", "content_text": "98\n\nK. G. STEVENS\n\ncharm papers, some new, but mostly faded and tattered. The temple keeper said that supplicants had stuck these on to ward off demonic influences, each being a plea to Chao to order his tiger to devour baneful demons. This image is not in the Disaster Altar but its function is exactly as though it were. According to the temple keeper it is an old image, pre-1840.\n\nThe cut-out red and green charms, called Green Horse and Nobleman, should not be confused with yet other red paper charms with cut-out holes in them, which are pasted annually on lintels of altars, temple doorways and shrines, thus reconsecrating them. These are called slips (piao) (*) and come in three sizes, small, medium and large (1-✯✯). Most of them bear a small square of gold paper pasted on them.\n\nAlthough only Taoist popular religion temples have Under Altars, there is also a Buddha who comforts “in time of calamity”, Yao Shih Fo (***) (whose full title includes the phrase “disaster” “Hsiao Tsai Yen Shou” (5* £**). He never appears in Under Altars.\n\nAnother \"Under Altar\"\n\nAnother small inset Under Altar at ground level, which is nearly always central under the main altar, is the altar to the tutelary deity of the temple, Ti Chu Fang (H). It is often called the Prosperity Hall and is unconnected with our study. It consists of a tiny open fronted \"box”, lined with red or orange paper, containing only one or two small red plaques dedicated to the tutelary deity (£* 五土龍神;護廟地主財神),(五方五土地主財神) or (前後地主 神財).\n\nIn one temple only, in Wanchai, a second altar under yet another side altar, contains a large image of the local Earth God (No2) which is normally on a side altar or beside the temple entrance. Behind him is pasted an orange paper bearing black characters describing the Earth God as the Controller of Wealth, and naming in a parallel row of characters the other major Cantonese Wealth God \"Ts'ai Po Hsing Chun\" (# $ £*) who is not represented by an image in this instance. This is a rogue disposition, doubtless ordered by a well-meaning but ignorant temple committee.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208079, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 118, "title": "RAS-1977", "content_text": "102\n\nYUEN-FONG WOON\n\nat Kwong-ue Ancestral Hall and all male members were entitled to the ritual pork there. In Freedman's terminology, the Kwaan of Na-loh was a segment of the \"localized lineage\" of T’oh-fuk, while the Kwaan at Lung-tsai She was a branch of \"the dispersed lineage\" of the Kwaan at T’oh-fuk with an intermediate market town, Che-hom, as its ritual headquarters.\n\nBesides ritual connections with T'oh-fuk, the two villages were similar on two other counts. Firstly, both exhibited a pattern of residential segregation. In Na-loh, the Kwaan occupied ten alleys to the east of the village while the Oo occupied the remaining six alleys to the west. In Lung-tsai She, the Kwaan lived at the village head, the Tang in the middle and the Wong at the village tail. Secondly, there were very little intra-village marriages. My Kwaan informants from Na-loh had not heard of the Kwaan marrying the Oo there. One said, \"They might marry the Oo from other villages but never in Na-loh itself.\" When asked why, he replied, \"I do not know, it just didn't happen. The Oo were low class people, no one knew how they supported themselves.\" Informants also answered in the negative when I asked them about the incidence of marriages between the Kwaan, the Tang and the Wong in Lung-tsai She.\n\nDespite these similarities, the two multi-surname villages were very different in ceremonial life. Na-loh exhibited a pattern of ritual segregation. There were two ancestral halls in the village: the bigger one in the middle for the Kwaan, the smaller one in the western corner for the Oo. Each had its own corporate property to sustain the rituals. These ancestral halls were similar to the ones found in the vicinity. In the middle of each hall was an altar. Under it was the Earth God Shrine. On top was hung a wooden board with the name of the hall. Below this board were two large ancestral tablets dedicated to the founder and his wife. On the altar itself were numerous tablets which were placed according to the genealogical hierarchy. These were admitted any time into the ancestral hall without a fee. But during the period of major repair or enlargement of the hall, a fund raising campaign would be held and any member who wanted tablets to be admitted ahead of the genealogical position would have to pay five dollars for each tablet. During this period, some even put their own tablets, known as \"long-life tablets\" (寿牌) there.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208081, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 120, "title": "RAS-1977", "content_text": "104 \n\nYUEN-FONG WOON \n\nHeaven image and place it in their own tang-liu. Whoever had a son born that year would buy a lamp and hang it there. The number of lamps thus meant the number of additions to the lineage. If one's lamp had not been lit at the tang-liu during the year of his birth, he would not have the right to receive the ritual meat at his ancestral hall, \n\nThe lantern remained lit until the fifteenth day of the first lunar month. On that day, each lineage lighted a whole chain of beautifully decorated firecrackers and then sent the hang-tseung (be it Kwaan-kung or the Goddess of Heaven) back to its own heung temple where it would remain until the following New Year. Whoever caught the first firecracker falling down would have all the luck for the year. So everyone struggled to catch it. Fights often occurred in the attempt. This was known as the fa-paau event (打炮). \n\nAnother event connected with the New Year Festival was the village opera. Sometimes professionals were invited to perform puppet shows; sometimes a Cantonese Opera troupe was invited and sometimes the villagers themselves performed. In all these cases, the Kwaan and the Oo organized their own performances. \n\nThe worship of the Earth God happened on the twenty-eighth day of the seventh lunar month. The Kwaan and the Oo worshipped their own Earth Gods in their own ancestral hall. \n\nIn contrast to Na-loh, Lung-tsai She was a picture of integration in its ceremonial life. There were no ancestral halls in the village for the Kwaan, the Wong or the Tang, only a community temple. Nonetheless, my informants called it their \"village ancestral hall”. This was probably because it had a lay-out similar to an ancestral hall. Like the latter, there was a huge wooden board inside the temple with the name Lung-tsai Hall (龍仔堂) written on it. Below this was an altar for putting all the sacrificial meat. Underneath was an Earth God shrine. But unlike an ancestral hall, there were no tablets at all in the temple. \n\nThe village also owned a hang-tseung of the Goddess of Heaven which was placed in a multi-surname heung temple on the outskirts of Ts'ung-long Heung. The hoi-tang ceremony was performed in the Lung-tsai Hall instead of a tang-liu. On New Year's day, the Wong, the Kwaan and the Tang each sent representatives to form a joint procession to take the Goddess back to the hall. When the \n\nPage 120\n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208082, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 121, "title": "RAS-1977", "content_text": "CEREMONIAL LIFE OF 2 MULTI-SURNAME VILLAGES\n\n105\n\nGoddess came, firecrackers would be lit. That was when the fa-paau event occurred.\n\nThe Spring Rites ceremony and the hoi-tang ceremony took place at the same time. After the Goddess of Heaven was installed in the Lung-tsai Hall, the Kwaan, the Wong and the Tang performed the kowtow and the three prostrations in no special order whatsoever. Whoever had a son born that year would hang the lantern there on the same day. After the ceremony, there was a feast. As there was no temple property, each villager brought his own meat for the feast. Occasionally, the village opera would crown the event. The Goddess of Heaven then remained in the Hall until the end of the year when it would be sent back to the same heung temple just for a few days before the next New Year.\n\nBesides the fa-paau, the hoi-tang ceremonies, the Spring Rites, and the village opera, there was also the worship of the Earth God on the twenty-eighth day of the seventh lunar month. This again was participated jointly by the Kwaan, the Wong and the Tang together in the Lung-tsai Hall.\n\nNot only were the three lineages in Lung-tsai She co-operating in celebrating their festivals of the year, they were also very integrated in their economic life. Those who wanted to rent or sell land would offer it to the villagers first, be they members of the Kwaan, the Wong or the Tang, before they would offer it to people outside the village. This was in direct contrast to the practice in Na-loh. There, both private and corporate property were open to bidding every three years. Only the Kwaan could bid for Kwaan land and the Oo for Oo land. If no tenants were found among the Kwaan in Na-loh, Kwaan land would be offered to tenants in the rest of T'oh-fuk; if no tenants were found among the Oo in Na-loh, Oo land would be offered to the Oo outside the village.\n\nBurton Pasternak, in his work Kinship and Community in Two Chinese Villages (Stanford 1972), has given a detailed description of two multi-surname villages in Taiwan-Tatich and Chungshe--which may throw some interesting lights on the differences between the two multi-surname villages in Hoi-p'ing described in this paper.\n\nTatich was similar to Lung-tsai She in social organization. Firstly, none of the lineages there had an ancestral hall of its own or owned corporate property. All the members worshipped in a community temple. Secondly, like Lung-tsai She, members had the", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208256, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 295, "title": "RAS-1977", "content_text": "Plate No. 27. The earth god shrine in Pound Lane, Tai Ping Shan Street, above which Green Horse and Noblemen slips have been pasted over the white slips of varying shapes called the \"Mean Ones\".", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208336, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 60, "title": "RAS-1978", "content_text": "44 \n\nKEITH STEVENS \n\n1871) offered sacrifices at the City God temple and reported, in writing, that he and the whole family with gratitude had made an image of the Duke Wei which he presented to undergo the rite of consecration, so that it would protect all members of his family and all his domestic animals and poultry. The image is of a seated soldier, dressed in armour and military cap, his right hand is clenched and rests on his right knee. His left hand, the first and fifth fingers only, pointing vertically, is held at waist height in a magical sign. Wei had a gilded face, traces of which can still be seen, five tufts of black beard, the stubble only remaining and gilt armour covered by a red and blue robe again only traces of which are still visible. This image was blackest and greasiest of all and is quite surprisingly handsome now that the film of filth has been removed. Wei could possibly be Yu-ch'ih Ching-te (*), the Door Guardian who according to Mathews' dictionary is well-known as one of the two door guardians on temples and is “depicted with a black face and the fingers of one hand twisted up\". The image, dressed in loose robes over armour and chain mail, has a gilded face but otherwise, has his fingers twisted up. In reality Yu-ch’ih was a general who served the T'ang Emperor T'ai Tsung in his wars against rebels and died in 659 A.D. \n\nThe fourth image (Plate 5), also from Shan Men district, Wu Kang county in Hunan and dedicated in 1938 is of the bodhisattva Kuan Yin. The image, easily identifiable as such by her five-leafed bodhisattva crown, beads and vase, is seated cross-legged on a lotus, and dressed in gilded robes, The slip of paper in Kuan Yin's back relates that Petitioner and worshipper Mrs. Yin Wu-chi together with her five sons, four daughters-in-law, and one grandchild, on the 21st of the 6th moon of the 27th year of the Chinese Republic (18th July 1938) offered sacrifices to the Earth God at the City God temple in Lao Chai, presented and installed a new image of Kuan Yin. This has been done, the slip said, so that this Buddhist deity can be resorted to in her natural form and can kindly bestow good luck and eternal protection and prosperity on the Yin family and its future generations. In words of glowing praise, the petitioner described the heart, the liver, the lungs, the kidneys, the soul, the gall, the eyes, teeth, the bones, the bowels and the spirit of Kuan Yin, as 'the liver of a green dragon', 'lungs of a white tiger', ‘kidneys \n\nPage 60\n\nPage 61", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208338, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 62, "title": "RAS-1978", "content_text": "46\n\nKEITII STEVENS\n\nMu. The whole is best known as a Taoist Heaven (*). The temple at its peak bears the title of Fan Ch'ih Kung (£) \"The Palace of the Essence of Brahma\". The slip of paper in Tou Mu's back relates that Huang Wen-yuan, a sincere believer, born on the 27th day, 11th moon of the Year i wei (about December, 1835), residing south of Lu Ling City, Chi An Prefecture, Kiangsi Province, together with the whole of his family, on a lucky day of the 9th moon, of the Year keng wu during the Tung Ch'ih reign (about October, 1870), prayed before Tou Mu stating, \"I respectfully implore Most Reverend Tou Mu, a heavenly Goddess of Sacred Virtue, having the immense brilliance of T'ien Hou, generosity, the magic powers of suppressing demons and spirits, and the ability to produce amulets and prescriptions for saving people with serious afflictions, to effectively respond to my earnest prayers and wishes, and wield her supernatural powers to protect all the members of my family and to increase not only the number of children but also all kinds of happiness and prosperity\".\n\nOf the score or so images, only three deities are categorically identifiable, Kuan Ti, Kuan Yin, and Chao Kung-ming, the deities of loyalty, mercy and wealth respectively. Two of the images seem to be local Earth Gods (+) (Plate 8). They are of a style very commonly seen but with what are probably provincial characteristics. They are seated old men, clutching a fly whisk by the end of its handle allowing the handle itself to rest along the forearm and the whiskers to hang from about the elbow. They have a \"shoe\" of gold in their left hand, long white beards, white eyebrows and white hair under a green floppy form of skull cap with their hair drawn up into a bun through a hole in the top of it. They are wearing long robes bound by a red belt tied in a bow at the front, and black shoes. A female carved in the same pose, holding a fly whisk in the same manner, and dressed in a floral robe but without the “shoe\" of gold, has unbound feet, and hair, without a cap, drawn into two short pigtails. She may perhaps, be the consort of the Earth God.\n\nA final image, unidentified, has a spectacular face (Plate 9). He is an unidentified monk, seated cross-legged on a bench and with the ends of his robes hanging beneath him concealing the bench. He holds a fly whisk in his right hand in the same manner as the Earth God and in his left hand he holds a rosary. He has the face of an elderly man but with the characteristics more frequently", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 80, "title": "RAS-1978", "content_text": "64\n\nGÖRAN AIJMER\n\nA chronicler of Yuanjiang2 states that people used cut paper 'to hang money on the mountain'. This was called 'to drink wine on the grave and hang up.' The chronicler goes on to say:\n\nIf it is graves of newly buried, then there is affection. On Earth God Day and earlier, one suspends and sweeps. The proverb says: For the new graves one does not pass she. For old graves one suspends when thirty nights have passed.14 A record of local customs in Yiyang tells us that at Qingming to sweep the graves were repaired. This was called sao mu 'the graves'. Paper money was suspended on the graves. This was called gua shan 'to hang up on the mountain'.15 From Baling we learn that, in the Qingming solar period, women hung up cut paper strips on the graves. It was called gua fen 'to hang on the grave'. Paper money was burnt and wine poured out. It is said that this practice gave rise to much mournful thought 哀思.16\n\nIn Anxiang it was the practice that 'scholars' and 'commoners' swept their grave mounds: Officials arrange money, prepare cattle, and arrange in order wine. Thereby are made ji sacrifices.17\n\nIn Hanzhou the graves were swept and there was much offering.18 In Jingshan the graves were visited, there were ji offerings, sweeping, and suspension of paper money on them.19 Similarly, in Wuchang, the old graves were swept and paper money hung up on them. Here people encircled the grave wailing loudly.20\n\nIn Chongyang everyone made ji offerings at the graves. People used 'top branches' with paper money on top of the graves.21 In Yingshan it was the practice to construct offering tables in front of the graves. This was called 'to welcome (the ancestors?) to return'. This celebration was continued up to the end of the moon.22\n\nI said above that Qingming is a period of about fifteen days. When our sources mention visits to the graves we may assume that these were spread out over this duration. It may well be that the visits were initiated on the Qingming day, the first day of the solar period: I will soon provide some evidence for the importance of", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208357, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 81, "title": "RAS-1978", "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA\n\n65\n\nthe first day or days. But before we continue to discuss such social messages as may have been conveyed by way of the grave ritual, I wish to draw some further attention to the distribution in time of grave worship. Consider the following cases:\n\n+\n\nIn Baling, it is recorded, all families cut paper, 'climb the mounds' £*, and repair the graves on the third day of the third moon.23 Grave offerings were considered at Gold Food or Hanshi in Wuling.24 From Zhongxiang #the chronicler reports that on the same date sons and daughters pay respect with cattle meat as ji offerings on the graves of the deceased. Paper streamers were hung up and the graves were worshiped #. Loud lamenting was to be heard.25 In Jiangxia the graves were swept at Cold Food.26 Cold Food is an occasion of one to three days, celebrated 105 days after the winter solstice. This means that it coincides with the opening days of the Qingming solar period. There is good reason to return to this calendar event in the following discussion. In Baling the grave worship had crossed from the solar calendar to the lunar almanac; the third day of the third moon will be a varying solar date in the spring.\n\nSome other data are more interesting--and puzzling. We find, widely dispersed in time, grave worship of a form which strongly resembles the accounts presented above. Consider the following notes: The chronicler of Baling tells us:\n\nthe people during the leisure of the first moon pay respect # to and sweep the graves. It is named 'to pay respect to the year on the grave' Moreover, matters of death resemble the way of life 車死如生之道也.27\n\nThe last phrase may be taken to mean that the paying of respect at or on the graves in the festive season of the first moon followed an order which resembled the conventions of paying respect between living relatives at the lunar New Year.\n\nWe have noted already that grave worship occurred in Yuanjiang on Earth God Day in the second moon,28 before the spring equinox. A further record from Wuchang states that in that ‘county\", in the second moon, on Earth God Day people si je offered fresh things on the graves.29 On the same day the graves in Chongyang were decorated with 'top branches' and were given ji offerings. In the same locality it was customary to make ji offerings on the graves on the sixth day of the sixth moon to the shen † spirit(s?) of the", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208364, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 88, "title": "RAS-1978", "content_text": "GÖRAN AIJMER\n\nfor wine are used, jiu H, and it's 'sweet wine'. It is hard to tell from the data whether different kinds of wine were used on different occasions. More generally, we may remember that wine is manufactured from rice; in fact, it is rice transmuted into liquid form.\n\n7. Food\n\nFood was sacrificed and eaten on the graves after they had been swept. Again, the lack of detailed data makes it difficult to interpret the presenting of food as a ritual act. Some notes could be observed here. In Yiyang people ate 'stalks and grass', which, being unusual food, probably signified 'non-rice' or 'non-food'.65 We are told that in Anxiang officials prepared 'cattle'. The term may have a more narrow sense of 'beef'. Meat seems to have been paired with rice wine in many sacrifices throughout the area: on the Lantern Festival (in the first moon) in Jiangling, on Earth God Day in Wuling and Zhongxiang,7 on the Dragon Boat Festival (in the fifth moon) in the Yozhou prefecture (around Baling), and Yunmeng #,68 on Zhongyuan (in the seventh moon) in Wuling,69 and on Churia, New Year Eve, in Jiangling, Hanzhou, Jingshan, Chongyang, and Yingshan.70\n\nAgain, in the temple dedicated to General Goan in Mienyang, mentioned above, the offerings on the 13th day of the fifth moon consisted of 'cattle' meat and sweet wine. A chronicler mentions that in Tauyuan, at mourning, there was an 'excess' of slaughtering.71\n\nIf we assume that the wide category of sheng-cattle-indicates that cows, oxen and buffalos, and such bovine animals were of primary interest as slaughtering animals on Qingming (although pigs may have been included in the category), it may be interesting to associate that circumstance not only with the excessive slaughtering which was part of the mourning practices in Tauyuan, but also with the display of a clay oxen at the Lichum 'Establishment of Spring' festival around the 5th of February in the solar calendar.72 In Chongyang the 5th day of the fifth moon was called niu ri ✈ a Ox Day. Then the buffalos or cows were fed, and it was not allowed to whip the beasts or swear at them on this day.73 These practices seem all to have a close link with agriculture.74\n\nThe fact that cattle was modelled in clay seems to indicate that the nature of cattle was earthly. The breaking of the clay oxen may,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208365, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 89, "title": "RAS-1978", "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA \n\n73 \n\non one hand, have had connotations of slaughtering, and on the other, associations with 'breaking of clay or earth', as is done in ploughing. This is, of course, but a vague hunch; if, for the sake of our present argument, we accept this interpretation, we could transpose this hunch to the universe of Qingming and say that what is given to the ancestors as edible meat and drinkable wine is earth and rice. \n\n8. Order in Worship \n\nThe note from Yuanjiang, quoted above (p. ), tells us that grave worship started before Earth God Day which falls around the vernal equinox in the second moon. The ceremonies directed to the new graves took place before that particular date. Then there seems to have been an intermission of thirty days before the ritual was continued, and then it was focussed on the old graves. There is no explanation given in the chronicle for the different categories of 'new' and 'old' graves, so we will assume that new graves were those of the recently deceased. If we accept this we must look for possibilities to account for this difference between the two categories as it is represented in time, and why in that mode of representation the point of reference is She ri, Earth God Day. \n\nThis particular day was devoted to offerings to She ji, the Earth God.75 Meat and wine were used in this ritual. From Jiangling we learn that the meat for the She offerings was a mixture of pork and mutton which was placed inside a pumpkin.76 In Wuling the term sheng describes the meat. The day was generally for divining about the coming crops, and qi gu 'prayer for grain'. In Zhongxiang, according to the chronicler, there were shamanistic performances accompanying the offerings.78 \n\nThere are at least some superficial similarities between the Qingming practices and the offerings on She ri. In this context one main question concerns the sort of relations conceived of in this area of China as linking the grave ancestors and the She. I have found no substantial information from the Dongting area to provide us with any further clues. But it appears as if it was necessary to do the grave rituals for the recent dead before one could go ahead with the worship of the Earth God. And perhaps the She offerings were a necessary precondition for a successful grave worship at the older graves. At any rate, the note from Yuanjiang stresses the", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208369, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 93, "title": "RAS-1978", "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA\n\n77\n\nOur findings lend support to my earlier suggestions as to the nature of the Qingming festival and its place in the annual calendar. What is new is a vague hunch that the yin and yang aspects of the ancestors, manifest in graves and tablets, are less clearcut categories than we have hitherto assumed. I even suggested as a guideline for future research that the bones needed the animation of the ancestral force associated with the tablets to be productive.\n\nWhat remains puzzling is the distribution of ritual events in time. It is as if there was a 'vocabulary' of complex signs which conveyed some sort of basic messages; but there is no clear fixed order between the ceremonies. In our survey of the Dongting area we have found that, for instance, grave worship was part of the New Year celebrations, Earth God Day, Qingming, and occurred further in the sixth, eighth, and tenth lunar months. In the Chinese 'standard' calendar as we know it from late imperial times, Qingming is the grave day—although, in some parts of the country, Chongyang forms a counterpart. Unless we satisfy ourselves with a reference to the ever-present diversity of local custom, we should attempt at explaining the distribution of ritual events within the annual cycle.\n\nThe oldest record of customs from the Dongting area I know of is the Jingchu shuishi ji, compiled in the Liang dynasty of the early 6th century. It is a calendar which describes the annual festivals and in which is added a philosophical commentary to explain the popular customs in terms of celestial phenomena, and so on. This work gives us a picture of the ritual year which may serve as a baseline for an understanding of historical processes affecting the system. It is possible, of course, that there was just as much variation in the Liang dynasty; still, the source may be useful in forming a hypothesis about the calendar system.\n\nIf we look at spring in the seasonal records of Jingchu, we may say that this season is ritually introduced on the Spring Equinox when sowing was started. On that day people did not burn grass. The avoidance of fire marks that the day was under special yin influences. On the Earth God Day there were offerings of meat and wine. People moved out to huts among the trees'. Meat was offered also to the shen spirits of the deceased. Then comes Cold Food when it was forbidden to make fires for three days — again a marker of a yin dominated period. The source mentions ritual cock fighting and swinging.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208370, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 94, "title": "RAS-1978", "content_text": "78\n\nGÖRAN AIJMER\n\nAt this stage I am not prepared to give a full interpretation of this Liang dynasty rustic calendar. But one thing is quite striking: Qingming is not mentioned, nor is grave worship. Instead we find a ritual period starting at the Equinox, concerned with sowing and marked by the absence of fire in the fields. Then the focus is on the Earth God who receives offerings. People move out of their houses and provide offerings for the ancestors - but how is unclear. At Cold Food the emphasis is shifted to the domestic sphere and to consumption. No fire was lit and cold food was eaten for three days. On the third day of the third moon, finally, people went to the river banks and set afloat small bowls. This may have been some sort of departure ceremony for the ancestors who had received offerings earlier on Earth God Day.\n\nIf grave worship was introduced in the area at a somewhat later stage, there was some option as to when the graves should be visited. If we assume that the sweeping and eating on the graves were linked to Qingming, then Cold Food, which falls on the same day, would be of importance; and, indeed, the latter name is frequently mentioned in the sources. But, on the other hand, the customs of Earth God Day were much more in consonance with the idea of grave visits, and in many places it seems as if the concern with the bones of the dead merged with that day of open air celebrations in the second moon. Thus some of the variation may be due to local adaptation to a superimposed standard Chinese system. Then we can accommodate for some variation within a system which has ritualized the sowing of rice and incorporated grave worship as part of this. But some further factors may have been of additional importance. In the first place I am thinking of the introduction of double cropping. This was not common, and it was late. In the seventeenth century only one crop of rice was grown, but in the late seventeenth and eighteenth centuries great efforts were made by officials to promote the planting of second crops. This meant two sowings, two transplantations, and two harvests in those places which had opted for agricultural innovation. But such new technical arrangements disarranged the traditional semantics of the rice cycle.\n\nAs was mentioned earlier in this essay, Baling is the only place from which we have found mention of the adoption of some sort of system with two crops. There sowing took place in the second moon, transplanting in the third, another sowing in the third moon,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208512, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 236, "title": "RAS-1978", "content_text": "Plate 8. Possibly an image of a local earth god.\n\nPlate 9. Unidentified image, in monk's dress.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208729, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 186, "title": "RAS-1979", "content_text": "CHINESE RELIGION REDISCUSSED\n\n159\n\ngroup or individual, enshrining distinctly Taoist deities for worship and aiming at promoting the cultivation and practice of a Taoist way of life. Such temples are perhaps rarely found in Taiwan, but if any of the criteria is not realized, the designation of such a temple as Taoist is incorrect and confusing. Therefore the great majority of temples in Taiwan do not fall under any of the above three categories and are to be considered as temples of the popular religion (group 4). Here again several sub-categories can be distinguished.\n\nFourth, the temples of the popular religion consist of several types. The most important and visible type is the formal community temple, established and controlled by the community or its representatives. Since the deities of some temples have proven special efficacy, they will attract worshippers from across the geographic boundaries of their own communities: one could consider them as temples of regional or even provincial (in China: national) communities. On the other hand, within a particular community (of a town or city) one frequently sees smaller social groups like hamlets or even neighborhoods with enough cohesion and economic power to build their own neighbourhood shrines or temples: one may call them neighbourhood temples: they are similar to the large community temples in origin and administration and are essentially public temples, although very often small and humble structures. In this group fall the majority of Earth-god shrines, and similar shrines built to house the bones of orphan spirits, or built to house the spirits of strange phenomena, like stones and rocks. Not all of them are public or community shrines: in many cases they are erected by individuals or individual families, which makes them private rather than community temples. Here the distinction is not always clear.\n\nThe second type of temples that I consider as belonging to the popular religion are the ancestral halls, built and controlled by clans. They are private or semi-private according to each case. They even in rare cases develop into community temples.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208732, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 189, "title": "RAS-1979", "content_text": "162\n\nJULIAN F. PAS\n\nare, of course, an enormous number of deities mentioned and described in Taoist ritual texts, of whom the common people do not even know the names. They belong to the esoteric tradition of Taoism and are only known to Taoist priests. But besides those, the majority of deities worshipped in the temples belong to the popular religion, although many border cases may exist of mutual absorption between the three traditional religions and the popular religion. Some of the most ‘popular' deities of Taiwan religion belong to the popular or community religion: examples are Matsu, Kuanti, the earth god(s), the Wang-Yeh gods, the city god(s), Prince Nat'o or T'ai-tzu, Pao-sheng ta-ti and even the so-called supreme god of Taoism, Yü-huang Ta-ti. A number of originally Taoist or Buddhist deities have been absorbed into the folk religion and have become part of it: Kuan-yin and Ti-tsang wang for the Buddhist side; the kitchen god, Yü-huang (Jade Emperor), the 8 Immortals for the Taoist side.\n\nAccording to the third criterium mentioned above, ownership of a temple, several categories exist greatly coinciding with the division based on the other two criteria. Temples may be government-owned (Confucian temples); owned by the local community on the neighborhood or town levels (these are the community temples); or privately owned, either by individuals, families, sectarian groups or monastic institutions.\n\nFinal sub-section of Chapter Three. After this long digression, I had better return to my book review. In this last part of Chapter Three the author discusses the 'genesis of temples'. Although strictly speaking there is a difference between temple and cult, between temple and deity worshipped in it, still the two should be discussed together. In fact there is a special chapter on the Genesis of Gods. However, since the author prefers to discuss the genesis of temples separately, we had better follow him. He distinguishes several ways of temple development:\n\n(A) by process of fen-shen or \"splitting bodies\" (p. 125). The reason of the spread and construction of new temples is the god's efficacy.\n\n(ii) by process of proselytization or a conscious effort on the part of the believers to spread the cult. This applies to Buddhist temples (and Christian churches).\n\n(iii) by transformation of a private home or temple into a community temple.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208757, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 214, "title": "RAS-1979", "content_text": "RELIGIOUS LIFE IN PRESENT-DAY TAIWAN \n\n187 \n\nThis may at first appear as a tautology: all religions are naturally human. However, in contrast again with the Judaeo-Christian and Islamic traditions, in which God is seen as the Absolutely Holy and Transcendent One, the Chinese worshippers in the folk-religion conceive of their deities and relate to them in very human or humanistic terms. This can be explained in many different ways. One aspect is the magico-religious treatment of the gods, just mentioned, but there are several other angles to look at this complex phenomenon. The Chinese deities are often man-made: created by the people, and sometimes in the past appointed by the imperial government. Many gods and goddesses are actually apotheosized historical figures of special reputation or virtue who after their death proved to possess spiritual powers to assist the suffering people. There exists even the conception that the whole Chinese pantheon (not including the Buddhas-bodhisattvas) is modelled after the imperial government: they present a mirror-image of this world with the emperor — the Jade Emperor at the top. Underneath him are the various boards or ministries, the provincial governors, district and city officials down to the lowest rank of neighborhood inspectors. The humble Tu-ti-kung or Earth-spirits are thus the lowliest rank in the divine hierarchy. Gods and goddesses can be promoted or fired just like humans; in cases of mismanagement or misconduct they are sent into exile or otherwise punished. Man's imagination sees this whole spiritual world as operating by virtue of rules and relationships characteristic of his own this-worldly society. Perhaps the most striking manner to illustrate the humanity of the Chinese religion is that it is so evidently utilitarian. The gods and goddesses are worshipped by the people mainly and perhaps exclusively to obtain divine assistance in various difficult or important circumstances. These may be of individual significance or may relate to social concerns: family and community. But most often the blessings requested belong to the sphere of this life: health and wealth, fertility and progeny, position, success in business, cures of diseases (often in the past: epidemics) and overall protection against evil forces, evil spirits who threaten to destroy human happiness. Concern with the after-life may also be a motivation of religion, but then life after death is seen as a continuation of life on earth. The deceased are imagined to have the same needs as in this world: food, shelter and clothing are their most important concerns. Therefore, the ancestor cult is utilitarianistic in two ways: if it is not intend-", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208758, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 215, "title": "RAS-1979", "content_text": "188\n\nJULIAN F. PAS\n\ned for the happy state of the dead themselves, its objective is to obtain various worldly benefits through the ancestor's intervention.\n\nIt seems, in other words, that the Chinese people are not concerned about religious attitudes, so much stressed in religions like Christianity: adoration, praise and reverence or submission to the will of a Holy and transcendent God. Thanksgiving and repentance are present, but are equally utilitarian: the gods are thanked for benefits granted, and man apologizes for offenses that disturb the deities and may endanger the bestowing of future blessings.\n\nAll this is perhaps an injustice done to the Chinese worshippers, or a wrong interpretation of actually observed religious behaviour. But a Western observer is easily led to make the conclusion that Chinese religion on the popular level is utilitarian and mundane. The attitude of worshippers in the temple offers the clearest illustration: paipai (worship) is very casual, almost purely ritualistic and mechanical: as long as the prescribed ritual action is performed, everything is all right. The temple gods are there to listen to the people's complaints or wishes and \"if the price is right\", the prayers will be heard. If the god is efficacious, people will flock to his temple, otherwise he may be gradually forgotten and ‘discontinued'. This attitude of the temple-goers may be the reason why Western and Chinese authors have claimed that the Chinese people are not religious: they are not religious in the same way as, for instance, Christians. Their religion is of a different type: earth-bound, humanistic. Therefore, once again, Western-based definitions and concepts should be re-examined before they are applied to other cultures, especially when value judgments are appended to them. Who will decide that Chinese religion is inferior to Christianity just because it is less transcendent? The function of religion is to fulfill particular human needs and if Chinese religion fulfills those needs, it has achieved its purpose and is a valid alternative type of religious behaviour.\n\nA third aspect of modern Chinese religion as observed in Taiwan is its mediumistic, almost ecstatic nature. This does not mean that one finds medium-cults in all the temples; on the contrary, the larger temples usually do not play host to mediumistic performances. But there is an increasing number of smaller temples or even home-shrines where either 'divining youths' attract worshippers or where an organized divinatory writing cult exists.19 The two are quite", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208770, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 227, "title": "RAS-1979", "content_text": "200 \n\nNOTES AND QUERIES \n\ncap, the songkok. His inclusion is quite logical when you consider that the Chinese know that every location has its resident Ti Chu Kung (土地公), the tutelary spirit of the building and its surrounding land. The immigrant Chinese appear to have accepted that the local Ti Chu Kung in a Malay area must be a Malay, and burnt incense and laid offerings before him, and prospered. His image is seen in many rural areas of Malaysia, in the niche within the entrance to local temples or under the main altar, where in Chinese temples in other areas the tablet dedicated to the Chinese Ti Chu Kung usually would be found. \n\nThe usual title of the Malay, Ti Chu Kung, is Na To Kung (拿督公), or Na-tuk, the Cantonese form of the Malay honorific title of Dato. In Fukienese and Ch'aochou communities in Malaysia he is also referred to by the same title, Na T'o, but using the characters 哪卓 and 藍卓. \n\nIn many parts of Malaysia nowadays Na T'o Kung's image, or a rock dedicated to him, stands beside or near an image of the Chinese Earth God. This is not unexpected as in temples elsewhere, such as Hong Kong and Taiwan, the image of or the tablet dedicated to the Earth God would be beside or certainly separate from the tablet dedicated to the Ti Chu Kung. \n\nOccasionally, Na T'o Kung has a shrine to himself. A very rough but adequate shrine, for example, stands at the edge of a rubber estate near Labis in Johore, Malaysia. There is no image, no keeper nor nearby resident, only a tablet, and an urn filled with the stub ends of consumed incense sticks. \n\nA sketch by a Fukienese god carver in Singapore (plate 1) depicts Na T'o as a seated elderly man dressed in the cap, jacket and robes of the Malay, holding a walking stick in his right hand and a pipe in his left. He has a dark skinned face with a short moustache and is described as the \"Malay Landowner Gentleman”. Some places have him swathed in white “arab” robes, and some images of him depict him clutching a book or writing materials in his left hand instead of a pipe. \n\nThere are several local versions of his origins. One of the more widespread is that he is the spirit of a popular, long dead Malay foreman on a rubber estate, a Haji named Osman. Another claims that he is the spirit of a long dead Arab, the forebear of a major Malay family.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208784, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 241, "title": "RAS-1979", "content_text": "214\n\nNOTES AND QUERIES\n\nThe location of the first major incident was the wooded slope of a steep hillside covered with pine trees and shrubs which was held under forestry licence by the Tsing Yi Rural Committee on behalf of the island community. The occasion for it was the entry of a bulldozer in connection with site investigation surveys (by boring rigs) to this area, where engineering works were held up pending negotiations with the villagers for the removal of several villages.\n\nIn the event, an unauthorized entry was made without the knowledge of the supervising engineer or District Office land staff. The bulldozer made tracks some 300 yards long in several zig-zags across the front of the hill, to the imagined and claimed detriment of three old villages whose fung shui area it has long been. The bulldozer's tracks were approximately 8 feet wide and it had effectively knocked over trees, taken up shrubs and exposed red earth, as clearly shown in Plate 4.\n\nThe villagers were prompt in their response; not only to complain to the District Office, but also to take early action to reduce the harm thought to emanate from the uncovered earth scars across the hill face. They sent parties of people to the spot who quickly cut adjoining grass, shrubs and the lower branches of trees to cover up the red earth. This took place over much of the tracks (Plate 4). They also hired a geomancer from Kowloon who set up a shrine beside a major clan grave whose side had been closely skirted by the bulldozer (Plate 5). He also provided charms which were set beside the shrine, to avert any bad influences coming from the uncovered earth nearby (Plate 6). In their turn the villagers sent a man at early morning and dusk to light joss-sticks and candles, change the oil in the little lamps on the shrine, so as to try to ensure that harm was averted by showing devotion to the earth god and to the ancestors. This service was provided in turn by a certain class of men styled fuk chù (±) from each of the villages affected by the excavation. This term means elderly persons who are thought to have received blessings from the gods e.g. by having many sons and health in old age.\n\nThe District Office 'made amends' by paying for the expenses/labour costs of the remedial work, and for the cost of the ceremonial rites styled tun fu (#). The effect of the remedial work thus undertaken was estimated to last for 6 months, after which the process would be repeated.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208846, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 8, "title": "RAS-1980", "content_text": "207\n\n36 1911 Census.\n\n37 For a brief discussion of these ideas, see David Faure, \"Hongkong and China in the village world\", JHKBRAS 21 (1981). A noteworthy variation is the shrine for the Taai Shing Yan Kung Ma at Luk Mei Village, which is both an ancestral figure and a territorial god. See research notes on Ue Lan Festival at Luk Mei, 5-7.8.81.\n\n* Ints. Mr. Cheung T'o 29.5.81, 15.6.81, Mr. Cheung Ts'oi 20.6.81, Mr. Tse Ming 8.81, and notes on the ta tsiu at Ho Chung, 27.12.81 - 31.12.81. For the donations of the Uens towards the repair of the temple, see Ch'e Kung Temple tablet and ints. Mr. Uen Chi Ming 16.1.81, 13.2.81, 7.3.81. Our interviews did not discover if only villagers of Ho Chung contributed towards the annual Ch'e Kung Festival, or if other villagers in the villages that took part in the ta tsiu also did.\n\n3 Int. Mr. Chan P'aang Hing 29.5.81.\n\n40\n\nInts. Mr. Cheng Ip 14.5.81, Mr. Lei Yiu T'ing 23.6.81, Mr. Lei Kau 23.6.81, Mr. Lok Kau Kei 26.6.81, 21.7.81.\n\n41\n\nInts. Mr. Tse Wing 9.6.81, Mr. Tsang 25.6.81, Mr. Tsang Yung 25.6.81, Mrs. Wai 27.6.81\n\n42 Ints. Mr. Cheung Ts'oi 20.6.81, Mr. Cheung Wing 1981; see also Mr. Sung Kw'an 23.6.81 for similar arrangements for raising pigs in Tit Kim Hang, and Mr. Shing Uen Wan 10.7.81 in Pik Uk.\n\n43\n\nInts. Mr. Shing Ip On 14.6.81, Mr. Leung Yung Hei 16.6.81. Every year, on the 28th of the First Month, all the five surnames of Mang Kung Uk joined in the worship of the earth god. A matshed was built in the village, on which lanterns were hung. See int. Mr. Ue Shun Hing 10.7.81. See also Patrick Hase, “Observations at a Village Funeral\", presented at the Conference on Hong Kong Society and History at the Chinese University of Hong Kong, December 1981, (papers to be published shortly).\n\n44\n\n** Mr. Leung Yung Hei 16.8.81.\n\n* Ints. Mr. Sung 22.6.81, Mr. Tang Kei Faat 25.6.81, Mr. Hoh King 24.6.81, Mr. Yau T'aam Shang 8.5.81, Mrs. Lau Lei Loi T'aai 28.6.81, store keeper at Wong Chuk Wan 28.6.81, Mrs. Hoh née Lau 29.6.81, Mr. Kuet Po Shing 2.7.81, and notes on the ruined temple at Wong Chuk Wan 28.6.81. The composition of the Shap Heung given by Mrs. Hoh née Lau and Mr. Kuet differs slightly from that in the text here. Other village groups in the Sai Kung area include one that consists of Tse Keng Tuk, Chiu Hang, Ta Ho Tun, and Ma Nam Wat (int. Mr. Chan Uet Shing 24.6.81), another that consists of the three villages at Man Yee Wan (int. Mr. Lei Shiu Yam 8.5.81), yet another the seven villages that made use of the sugar press at Ko Tong (int. Mr. To 19.6.81). Apparently, Tai Long, Pak Tam Au, and Chek Keng, and then Sham Chung, Lai Chi Chong, and Pak Sha O were two groups of villages that had close social ties (int. Madam Chiu I Mooi 7.5.81).\n\n48 Ints. Mr. Tse Wing 20.6.81, Mr. Yau 28.7.81. Fung shui was involved in the dispute in Sha Kok Mei. The villagers considered that part of a hill nearby, known to them as the \"tiger's land\" (foo tei) was essential to the fung shui of the village. Sha Kok Mei would not permit burial, grass or tree cutting on the foo tei.\n\n\"Mr. Chau T'in Shang 9.7.81, Mr. Lok Kau Kei 26.6.81, Mr. Yau Taai Hin 8.81, Mr. Tse Ming 8.81. Major temple celebrations before World War II were held in at least the following places: Leung Shuen Wan, Sai Kung, Tai Miu, Hang Hau, Pan Long Wan, Tseung Kwan O, Kau Sai. Pak Kong and Ho Chung had a ta tsiu every ten years, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208870, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 32, "title": "RAS-1980", "content_text": "4\n\nKEITH G. STEVENS\n\nTemples and monasteries, despite their outward appearance are not always simple, self-contained religious units. Quite frequently they contain a number of major and minor deities, each with its special shrine or altar, hall or building.10 The original major deity may, for one of several reasons, be relegated to a secondary position and a new primary deity installed on the main altar. After some years and changes in abbots or temple keepers, the identity of certain deities, including surprisingly, major gods and goddesses, have been forgotten and, so as not to lose face, their identities are guessed at by temple staff, often wildly inaccurately.\n\nThere are several groups or complexes of folk religion temples in the two territories and to identify the number of individual temples on one particular site apart that is from where it is possible from reading the titles over the entrances-it is necessary to count the number of Earth Gods and Door Guardians in their niches inside the temple on the inside walls, usually opposite each other, facing across the various entrances. A single or pair of these deities is usually found in each individual temple within a complex of temples irrespective of how many entrances there are. The Wen Wu temple (or Man Mo in Cantonese) in Hollywood Road, Hong Kong is an example, with two temples side by side seeming to be one having only one courtyard. The Wen Wu itself, a large traditional temple, is to the east with its Door Official and Earth God sitting side by side in one shrine. In the smaller \"Temple of the Buddha of Light\" on the west, there is only a single image, a lone deity called the \"Door Official Earth God\", a title which amalgamates the titles of the two usual deities.\n\nUrban and rural11 folk religion temples differ in that the former tend to be more sophisticated, always have a keeper and several other staff, cater for worship by individuals at any hour (between 8am and 6pm) and have a wealth of images. Rural temples, in the main also boast keepers, but these are usually absent as they are \"pensioners\",12 very elderly people who spend much of their time asleep, calling on friends or shopping. Devotees visiting a rural temple normally find no one to assist them, and presumably, as this is an accepted facet of rural life, nobody seems to mind. The urban temple keeper on the other hand has to earn his living or recoup his investment of an annual tender, and so he ensures that a member of the staff is permanently in the temple during opening hours to assist in devotions, offer for sale incense, oil, charms and", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208876, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 38, "title": "RAS-1980", "content_text": "10\n\nKEITH G. STEVENS\n\nInside the library large cases of books cover the walls and some books, used more frequently, are individually wrapped in cloth and lie on tables and altars. The larger monasteries have rooms for the aged, and most have halls where ashes of devotees may be deposited.\n\nIn general, a visit to a Buddhist monastery would take you first past the shrine of the folk religion tutelary deity of the neighbourhood, the Earth God (1✯✯). (Illustration 3) Once through the gates and the entrance hall with its six \"guardians” (Mi Luo Fu, Wei Tuo and the Four Heavenly Kings) the layout follows a fairly standard pattern. The main altar will be straight ahead in the Great Hall which houses the main Buddhas. The main altar may be occupied by a single image, a group of three, or an array of a dozen or so. On and along the secondary altars, altars down the side walls and side halls there are images of other lesser deities. These, in twelve monasteries and temples in Hong Kong and Macau, include the well-known groups of eighteen or five hundred Luohan. Frequently, immediately behind the main altar and back to back with the main deity, stands the most popular and honoured of the Bodhisattvas, Guan Yin, with her two assistants.\n\nMahayana Buddhist temples contain a large number of images of Buddhas and major Bodhisattvas, some of which are considered to be more important than the image of Sakyamuni Buddha himself, unlike the Theravada Buddhist temples of Thailand, Vietnam, Burma and Srilanka in which Sakyamuni is the most important.\n\nThere appears to be only one temple in Hong Kong in which Lamaist images are worshipped, although there is one other, above Tsuen Wan, where in a private room, some forty or so Lamaist bronze images are on display.* The temple in which the Lamaist images appear on its altars is a shoddy, fairly modern concrete and corrugated iron construction above a new estate in North Point, where an elderly and now deceased Cantonese gentleman settled after spending some years in Tibet. Most devotees appear to have little idea of the style or origins of imagery, and the rituals and ceremonies performed in the temple by the widow of the founder are identical with those in other temples in Hong Kong.\n\n* Guan Yin temple in Fu Yung Shan,", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208881, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 43, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n15\n\nIn single-room and larger temples the major altar, which faces the entrance, may be either one large space reaching from side wall to side wall or it can be divided into three, five or more individual altars with, on occasions, a separate altar or two constructed down the side walls. (Plate 6).\n\nIn quite a number of traditional temples the main hall is divided longitudinally by partition walls from floor to ceiling. These stretch a short distance into the main hall from the rear wall of the temple, one on either side of the main altar. The two side altars are therefore outside the partitions, and in practice these partition walls serve to isolate the side altars.\n\nIn many traditional temples several major deities, and even a few minor deities, have a side hall dedicated entirely to themselves and their attendants. These include the God of Loyalty and Literature Guan Di; the fertility goddess Jin Hua Niang Niang; the bodhisattva Guan Yin and the wealth god Cai Bo Xing Jun. It is not necessarily a down-grading of the importance of the deity but a late recognition and addition to the temples' complement. A great many side hall altars contain a group of unconnected and unidentifiable minor images around the major and identifiable deity's image, all placed there over the years by zealous devotees.\n\nA side hall in one temple contained the lone image of the Earth God on the only altar, although the characters above the altar read Jin Hua Niang Niang. Presumably over the years the images of this fertility Goddess and her attendants had been removed and replaced by the image of the Earth God without the title above the altar being changed.\n\nThe temple incinerator, and the temple keeper's kiosk or counter from which he sells charm papers and incense, are usually in one or other of the side halls or courts between side halls.\n\nSide halls also contain large ritual items such as the temple bell, drum and the removable head and tail from the village dragon boat, and in one of the side halls of most Boat People's temples replicas of early junks (some 8' to 10' in length) also gather dust in the gloom. These model junks are used only on festival days when offerings are placed on the decks. The devotees thank Tian Hou for good catches over the previous year and request similar benefits for the coming year.\n\nThe roofs of traditional temples consist of interlocking tiles resting on lathes supported by strong cross beams. The latter are", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208883, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 45, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n17\n\nThe even larger Guan Yin temple, facing south west on the reverse of the same hill, has a similar layout, though in this complex the side halls are separated from the main hall by unroofed passageways.\n\nA third large temple, but not of traditional architectural style, the Lin Dai Temple off the Estrada do Repouso, has two separate secondary halls to the west but only one to the east. Each of the two western secondary halls are sub-divided into two altar halls, one to the front and one to the rear, making a total of seven separate altar halls.\n\nThe nearest equivalent in Hong Kong to the two largest traditional temples in Macau, are the traditional temples in Hollywood Road in Central Victoria, Temple Street in Yaumati and Stone Nullah Lane in Wanchai. Nowadays the traditional temple in Yaumati (Illustration 9) is in practice four individual temples under the management of the Tung Wah Hospital Group. Originally it was a single temple consisting of a large main hall with two side halls on either side, each hall separated from the next by an uncovered passageway. For at least thirty years, however, the complex has consisted of the main major temple, with the two secondary halls to the north being divorced from it and becoming individual temples with their own keepers, controlling committees and cults. The two secondary halls to the south have again been divorced from the main hall. One is an individual temple with its own cult etc and the other is a clinic and dispensary. The main cults in the four temples from north to south are Guan Yin, the City God, Tian Hou and again Guan Yin, though in addition the major deities worshipped in the second and fourth temples are the Ten Judges of the Underworld and She Ji (**) the Spirit of the Harvest and Crops. The carved titles of the main deities over the four temples' entrances, are interesting. The first is Fu De (**), the Earth God (and not Guan Yin as one would expect), the second has the title of the City God Temple above its entrance, the third has Tian Hou and the fourth has She Tan (***) (again not Guan Yin as one would expect). The last entrance, the clinic, has the characters for the Library over it.20\n\nThe traditional temple in Stone Nullah Lane in Wanchai is comparatively larger than other similar temples in the colony and is made up of four individual halls. The main hall, roughly 40 feet wide by 55 feet long, has three side-altars on each side of the\n\nPage 45\n\nPage 46", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208887, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 49, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n21\n\nbefore them in both rural and urban areas. In round terms, they are miniature unmanned temples or open air altars often called in Chinese \"small temples” (1). They fall into two categories. The first is the roofed, open-fronted, doorless structures which protect a public deity or deities. The second is an unroofed area surrounding a natural rock, tree, stone or marker which is considered a spirit and is offered incense and other minor offerings. (Illustration 13).\n\nThe first can be as large as a single room the size of a small garage (but with a low roof), as small as a dog kennel or even smaller, a miniature temple some 1'6” high, 1' wide and some 2” to 3\" deep. All shrines house a deity and an incense pot. A wooden plaque, a framed print or an uncut or undressed rock or stone may represent the deity. In the case of shrines dedicated to the Earth God, probably the undressed rock is the most common representation. Very occasionally the Earth God is joined by his consort, and quite frequently by one or two unidentified and usually unconnected images placed there by devotees.\n\nLarge street shrines (Illustrations 14 and 15) of a more temporary nature are now few and far between in Hong Kong21 and are referred to officially, as we have already seen, as “illegal temples\". They generally consist of a large altar with numerous often unconnected folk religion and Buddhist images and several dozen framed prints of various gods. The jumble is arranged in an open-fronted shed, or in an open-fronted lean-to in a side alley and is cared for by one or two very elderly, often infirm men or women. In Macau none have been found however, though there are some two to three dozen in Hong Kong.\n\nSmall shrines are to be seen at the side of streets, footpaths, at crossroads or outside temples and monasteries, inside temples and monasteries in ones or groups of two or more, in homes and also in shops and factories.\n\nHousehold or family shrines, very common in Hong Kong, particularly in peasant and urban working class homes, are probably not always quite what foreigners expect. They often consist of a tiny shelf or alcove, painted vermilion, bearing or containing an incense pot (often the ubiquitous red-painted cigarette tin), before a representation of one or two deities.\n\nThe more elaborate household shrines have miniature doors,", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208888, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 50, "title": "RAS-1980", "content_text": "22 \n\nKEITH G. STEVENS \n\ncolumns, boards, boards bearing auspicious phrases, balustrades, roofs and lattice windows exactly like full-size temples (Illustration 16). Several wooden miniature shrines seen on lower decks of large sea-going junks were heavily ornamented and the carving exquisitely detailed. At the other end of the scale, soap boxes, painted red and upended, serve as the simple shrine of the less affluent household. \n\nActual images of gods in homes are few, and their worship is very limited. Usually, there is just a framed print, and routine offerings consist of a daily incense stick burnt before the print with, in addition, a small offering of tea or rice on the first and fifteenth day of each lunar month. The majority of Chinese who have a household shrine display on their main altar the bodhisattva Guan Yin, who is, without a doubt, the most popular deity of Chinese everywhere. Most homes also have a second “altar”, the Kitchen or Stove God, whose title on a red board is hung up, or when written on a red paper is pasted up near the family cooking range. \n\nShop or factory shrines usually stand or hang on walls at shoulder height, constructed of wood and painted vermilion. The majority of shop shrines contain plaques or prints of Guan Di as patron deity of merchants and Tu Di Gong, the Earth God. Those in fire stations and police stations bear prints of Guan Di in his role as the patron deity of loyalty. \n\nOn days marked Chu (除)22 in the Almanac (i), old lady devotees offer prayers in the street before unpainted wooden boxes used as shrines. They are propitiating the demons who cause disasters, and are also attempting to change their luck for the better. They use one of their shoes to strike the \"small men” (1-A) banging small figures of humans cut out of black paper and at the same time calling out in high-pitched voices for the demons to flee. The voice is pitched particularly high when calling back the roaming soul of a sick child (the absence of the soul being the cause of the sickness). \n\nApart from modern concrete decorative structures in places like the Tiger Balm Gardens and on the foreshore of Repulse Bay, there is only one pagoda in Hong Kong or Macau. This is at Ping Shan, in the New Territories, and was built of stone blocks some three hundred years ago. Like other Chinese pagodas, it has little use other than to enshrine some sacred object, in this case, several images", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208896, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 58, "title": "RAS-1980", "content_text": "30\n\nKEITH G. STEVENS\n\nor halls.32 Nearly 70% of all nunneries are on Lantau island, whereas only 10% of the monasteries are; and three hundred and fifty-three temples and monasteries have resident staff.\n\nThere are thirty-two temples in Macau, of which two are well-nigh derelict. Of the thirty-two temples, six are coastal, twenty-four are urban, and two rural. The majority of temples contain a mixture of Buddhist and folk religion images (no temples contain only Buddhist images), and the remainder contain only folk religion deities.\n\nDegrees of popularity of the major deities in temples and shrines\n\nThe total number of temples dedicated to a specific deity throughout the two areas reflects the importance of that deity to devotees. In Hong Kong and Macau, forty-four different gods each have at least one temple dedicated to him (or her), whilst only seven gods have more than five temples to him (or her). The seven, in order of precedence (based simply on them being the main deity of a temple or monastery), are Tian Hou (seventy-eight) (*), Sakyamuni Buddha (thirty-nine), Guan Yin (thirty-eight), Guan Di (twenty-one), Hong Sheng (twenty), Bei Di, who is better known as the Northern Emperor, (ten), and Lu Zu or Lu Dongbin (seven). Although this gives only a very rough guide, the number of images of Guan Yin throughout Hong Kong and Macau vastly outnumbers those of Tian Hou. However, when the criterion is the number of temples in Hong Kong and Macau in which a particular deity is to be found (on any altar and not necessarily as the main deity), then the first five are Guan Yin, whose image appears in at least seventy-five temples, Tian Hou (114), Guan Di (88), Qi Tian Da Sheng (Monkey) (61), and Di Zang Wang (59).\n\nThe Kitchen God, most frequently depicted by a reddish-orange paper pasted on the chimney above the stove, is the most common deity to be seen on the household altar, followed closely by Guan Yin, whose image, as we have noted, is also to be seen in 70% of all temples. The most common deities outside the home are Tu Di Gong, the Earth God (the local tutelary deity), in both urban and\n\n* The totals are not the number of images seen but the number of temples in which the deity is the main image in both Hong Kong and Macau.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208897, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 59, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n31\n\nrural areas, and the very ancient agrarian cult, the God of the Harvest, Soil and Grain, She Ji(4) whose shrines are found usually at the edge of villages and, like those of the Earth God, are too numerous to count.\n\nThe only general conclusion to be drawn from all this suggests that the vitality of the cults of deities has in general declined, whereas a limited number, in squatter resettlement areas, continue to thrive by acting as a focus for the minority Chaozhou, Hakka and Minnan immigrants.\n\nNOTES AND REFERENCES\n\nThis is Hong Kong: Temples. By Joyce Savidge, Hong Kong Government Printer, 1977.\n\n2 Dong Fong Ri Bao.\n\n* In this article the English word \"temple\" is used to include uniquely Buddhist and uniquely Daoist temples and monasteries; popular or folk religion temples (which may or may not contain Buddhist and Daoist deities); community temples (both private and public), and ancestral or clan temples. A shrine is an open-fronted room or box-like construction, either at the wayside, under a tree, outside a temple or monastery or hanging on a wall. Outside permanent shrines are referred to in Hong Kong as \"Exposed temples\" (露天廟). They are by definition unmanned.\n\nA \"community temple\" is one built by funds raised within a limited community and administered by a committee, either of a city, village or suburb, or of an ethnic group of expatriates. Private temples are built by private bodies such as:\n\n(a) A family or clan.\n\n(b) An individual monk or nun who raises funds by subscription and who leaves the temple to an acolyte at his or her death.\n\n(c) A trade or profession.\n\nPrivate temples, despite being private and closed to outsiders, are also usually controlled by a committee. A few private temples continue to remain so but gradually most become public, particularly as the number of devotees and images of deities within the temple increase. Some Buddhist temples, privately owned with the affairs and finances in the hands of the owners, are usually also the home of the owners and the ancestral tablets of the owner's family appear on the altars with or beside the deities. Privately owned is not the same as being open or closed to the public. Some indeed may be closed, but the majority are open to the public.\n\nOnly very occasionally are icons or images of deities to be found in clan temples, whereas ancestral tablets are frequently to be seen in community temples. Advantage is taken in the latter of the duties performed by the temple keeper (which clan temples do not have) which", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208903, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 65, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\nPLAN OF A TYPICAL MEDIUM-SIZED\n\nTRADITIONAL FOLK RELIGION TEMPLE-HONG KONG\n\n(with main hall and secondary halls)\n\nFig. 3\n\n1. Table for offerings\n\n2. Altar table\n\n3. Main altar in main hall\n\n4. Secondary altars in main hall\n\n5. Main altar in secondary hall 6. Spirit doors\n\n7. Shrine\n\n8. Shrine\n\nDoorway Official (11)\n\nThe Earth God\n\n(土地公)\n\n9. Main doors with guardians\n\npainted on them\n\n10. The tutelary deity of the building a tablet under the main altar\n\n11. Side altar\n\nA. Under altar (T) (beneath a\n\nsecondary altar)\n\nB. Side room (44) (storage areas) C. Side room (temple keeper's\n\naccommodation)\n\nD. Entrance hall (\")\n\nE. Forecourt (*)\n\nF. Passageway ()\n\nG. Courtyard (unroofed) (#)\n\nH. The main hall (EA) otherwise known as the Zheng Dian (EM) or Gong (palace) (g)\n\nK. Secondary hall\n\nL.\n\nX\n\nIncinerator\n\nLife size images of aides to the main deity\n\n33d", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208953, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 115, "title": "RAS-1980", "content_text": "FUNG SHUI; ILLUSTRATED BY KAT HING WAI, N.T.\n\nKai Hing Wat. the walled Hamlet of Good Fortune\n\n83\n\nKat Hing Wai, Walled Hamlet of Good Fortune, is the residence of an extended family of the Tang lineage. All the people who live here are closely related in Chinese kinship terms. It is situated in the middle of the Kam Tin Valley separated from most of the Tang hamlets by a modern highway. The dwelling units built by the clansmen during 1465–1487 are flanked by a fortified wall and moat of later construction, 1662-1721. The walls, measuring 275 feet by 290 feet, form roughly a square plan with gun towers about 25 ft at the four corners. Along the 18-ft high walls there are gun slots near the parapets. The moat of about 20 ft width is crossed by a stone bridge at the entrance, fenced by a pair of wrought iron gates. The entire hamlet with its main entrance and the entrances of the houses orient toward the west instead of the usual southerly orientation.\n\nThe layout of the hamlet is highly formalised and symmetrical. The main street, 10 ft wide, running from the entrance gate to the shrine at the opposite end, forms the central axis. On both sides of the main street are row houses with 10 units per row, six rows on each side, and three foot lanes separating the rows. All public facilities such as storerooms, washing facilities and animal shed are located on the periphery walls enclosing the compound. Guarding the main entrance is the shrine of the Earth God. There is no commercial establishment within the hamlet. It is a kind of communal dwelling similar to others in Kwangtung and Fukien. Shared facilities such as the market square, schools and ancestral temples are not found within the hamlet, but are located in proper places where governed by fung-shui principles, as indicated on the map.\n\nAccording to the villagers, there were as many as 600 members living here at one time; the present population is about two hundred.\n\nAll individual dwellings are identical in size and layout, with the exception of those in the first and last row where the front room is missing. It is basically a three-part house with a front room 10 ft wide by 12 ft deep, a t'ien-ching (courtyard) of 10 by 8 in the middle and a back room equal to the size of the front room. A\n\nKat Hing Wai Kam Tin 錦田\n\nfung-shui * t'ien-ching #", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208956, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 118, "title": "RAS-1980", "content_text": "86\n\n-\n\nDAVID LUNG\n\nconducted in the New Territories, the British anthropologist ascertains that \"... action in geomancy can be seen to be a form of social control, which works as long as the individuals or communities in contrast are concerned in the long run to maintain peace among themselves,”13 “It is not social,” says Stephen Feuchtwang, the author of An Anthropological Analysis of Chinese Geomancy (1974), more precisely, \"but the social world is subject to it. It is not a supernatural order such as would entail the concepts of fate or predestination. A good site is where this order is unconfused. The [geomancy] manuals continually stress this in their concern with the clear recognition of patterns, with proper balance, with elegance, and in the frequent injunctions to avoid disaster, confusion and conflict,\"14\n\nThe segment of fung-shui practice which perplexes a great number of foreign scholars, especially the missionary-sinologists, is the application of the principle to burial sites. They find this metaphysical aspect deceptive and superstitious — how can the fortune of the living be benefited from the proper burial of the dead? This has to do with ancestor worship, a cult which is as old as Chinese civilisation itself. The Chinese believe that after a person is dead, he does not turn into a god or deity, but becomes part of the \"principles of Earth, [and] Earth is the source of amoral fortune.\"15 While the bones of the dead are buried underground, the spirit resides in the tablets housed in the ancestral hall. That is why the siting of graves and of the ancestral hall is of prime importance. The location of the ancestral hall should have a commanding view not impeded by any obstacle in front. Thus, such halls are never built inside walled hamlets. Despite all the rituals and rites performed in a ceremonial ancestor worship service, one has to grasp the spiritual essence of the belief. While one is paying tribute to one's ancestor, at the same time, one is teaching (very subtly) one's children to have respect and filial piety towards the aged. Having children who will take care of one at old age is the highest form of virtue in Confucian ethics. Hence, this goes back to the anthropocentric cosmic schemata of Heaven, Earth and Man, where man is in it and part of it.\n\nMicrocosm of Kam Tin's Fung-shui\n\nThe microcosm of Kam Tin's fung-shui can be traced through its topographical features. The Kam Tin village area lies in a", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208959, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 121, "title": "RAS-1980", "content_text": "FUNG SHUI: ILLUSTRATED BY KAT HING WAI, N.T.\n\n89\n\nfor defensive purpose, it is my firm belief that careful planning was previously done in order to make possible the coherent relationship that I have mentioned. If original planning was not enhanced, then what had prompted the builders 200 years later to know where and how to trim off excess settlements in order to build the orthogonal wais? Above all, compared to the Hakka walled village in Sheung Shui, the enclosing wall which was also built during the same period and also for the same protective reasons as Kat Hing Wai, is of much more irregular shape. This further reinforces my assumption.\n\nNone of the four wais coincides in size and proportion. This variation is partly due to the size of the extended family, but most importantly, such adjustments are essential to achieve the subtle relationships after each hamlet's position and orientation have been determined. Thus, a square is not a perfect square, but an idealised (or symbolised) square. The dependency of geometrical configuration and proportion in physical forms in China is not so rigid as that of the Western counterpart of the Renaissance period (incidentally concurrent with Ming Peking and Kat Hing Wai): As Joseph Needham points out in his work Science and Civilisation in China, \"the Chinese did not feel the need for [geometrical] forms of explanation — the component organism in the universal organism followed their Tao [way] each according to its own nature.”21 Compared to the T'ang Dynasty capital Ch'angan, one that has been designed most closely with the canonical prescription, Kat Hing Wai is the epitome of the cosmic archetype, the most fundamental stratum of agricultural China. The organic expression of wall and moat architecture is symbolic of Heaven and Earth. The palace in the north in the capital can be seen to parallel the shrine of the Earth God in Kat Hing Wai in which both are protective powers guarding their respective territories. The orientation to the four quadrants, the representational north-south axis, and the division of the compound into smaller living units are all too profound for the sinologist and missionary Arthur H. Smith to grasp the intricacy. In Village Life in China, he writes:\n\nIt is customary in Western lands to speak of ‘laying out' a city or a town. As applied to a Chinese village, such an expression would be most inappropriate, for it would imply that there have been some traces of design in the arrangement of the parts, whereas the reverse is the truth. A Chinese village, like Topsy.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208968, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 130, "title": "RAS-1980", "content_text": "98\n\nJULIAN F. PAS\n\nwords. The Ch'ing-ming festival, now usually seen as a festival to commemorate the dead, was in its origin a celebration of spring: all the fires, including the kitchen fires, had to be extinguished in the country; only cold food was used for two or three days. On the third day, new fire was struck, and the spring festival taking place was called “pure” and “bright”: the new fire was pure since taken directly from the source of light, the sun, and bright since it symbolized the growing strength of sunlight that was on the increase after the equinox. This interpretation of the Ch'ing-ming makes better sense than the more usual and popular explanation.14 Although the old name was retained, the meaning of the festival shifted at a later time, probably due to Buddhist influence.\n\nDe Groot sees this relighting of the fires in ancient China as a parallel with the Easter festival and with similar celebrations taking place in the ancient world, where every year the god's ritual death was followed by his resurrection:\n\nAll those legends speaking of death and resurrection, all those feasts passing from mourning to the most exuberant joy have all had one only purpose: the symbolical reproduction of the history of the sun's light and of the phases through which it passes on earth. What one worshipped was this sacred fire of Nature, which is the soul, the life of the universe, and which finds itself engaged in an ever recurring struggle against the god of Darkness, of Death, which exerts itself incessantly to obstruct it in its dispensation of benefits to man. The most significant of all the phases in this solar cycle is the one when the sun reaches the spring equinox, celebrates its victory over darkness and the days grow longer than the nights. The whole earth then starts a new life.15\n\nWhereas in many societies the god's death and resurrection was thus ritually enacted, the Chinese example is characterized by a more rationalistic, naturalistic tendency: the object of the cult was not a particular god for whom a new name was created, but was the sun itself, as one of the heavenly bodies without strong supernatural overtones.\n\nThat this ancient custom might have inspired the Taoist priesthood to introduce it in their own rituals is not unlikely. The relationship between imperial sacrifices, Buddhist rituals, and Taoist practices is not an exception: the eclectic nature of Taoism has", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209086, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 248, "title": "RAS-1980", "content_text": "OFRAN\n\n*\n\nPlate 3. An Earth God shrine outside the entrance gates of a temple below Lion Rock, built by Chaozhou immigrants.\n\nL\n\nPlate 4. A small, single room boat people's temple at Wong Uk, now far inland due to extensive reclamation. It has a very small stylised ridge decoration and murals on the upper face of the facade.\n\n1\n\n?", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209087, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 249, "title": "RAS-1980", "content_text": "聖德醬香姐豆\n\nPlate 5. Spirit doors seen from inside the temple. In the photograph they are closed, obscuring the front entrance. One leaf of the front door, which is open, can be seen with its guardian general painted on the outside.\n\nPlate 6. A main altar in a small single-hall boat people's temple in Wong Uk dedicated to Tian Hou. The two side altars contain, on the left a plaque dedicated to Huang Da Xian (Wong Tai Sin) and on the right an image of the Earth God, Tu Di Gong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209091, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 253, "title": "RAS-1980", "content_text": "Plate 13. An unroofed open shrine in rural Macau, dedicated to She Ji.\n\nthe spirit of the Soil and Harvests.\n\nア\n\nMLE\n\nPlate 14. A street shrine in Western district dedicated to the Earth God\n\nand his consort. maintained by an elderly lady.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209163, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 66, "title": "RAS-1981", "content_text": "52 \n\nHUBERT SEIWERT \n\nof fu-luan cults in Taiwan in recent years?\". \n\nThere are many links between fu-luan cults and practices and the I-kuan Tao sect. Most of the texts which expose the teachings of this sect have been revealed by \"spirit-writing\" since the beginning of the sect in the nineteenth century28. Fu-luan sessions are held regularly, normally four times a year?, during which new revelations and instructions are received. Furthermore, the content of the teachings which are propagated by I-kuan Tao show strong similarities to those of many of the common fu-luan cults10. This is the case especially where the religious interpretation of the present time, the assessment of the historical role of the Chinese tradition and the confrontation with Western influence is concerned. It is these elements of the beliefs which show most clearly the popular religious responses to the modernization process. \n\nReligious interpretation of the present time: traditionalism \n\nTo illustrate some basic elements of the world-view of these cults I quote a few passages from a revelation of the god Shang Ti which was given during a fu-luan session in 1977: \n\nFrom 1914 to 1939 two world wars broke out. As a result the correct truth was almost eradicated and the traditional culture went up in flames. Streams of blood were shed and millions of corpses covered the earth. Wives were separated from their husbands and their sons scattered to the four winds, unbearable was the misery. If this happens again, if a third world war breaks out, mankind will face destruction. For the military weapons which are developed by the modern sciences are being improved day by day, nuclear weapons are perfected day and night. In such a situation we must give up our hope for the Great Harmony and the peace in the world. Therefore, there is only one way, if we want to avoid the final catastrophe: the original orthodox tradition of the Tao which our Chinese nation possesses has to be restored. The four social relations (szu wei9) and the eight virtues (pa teλ) [must be put into practice again]. We must continue the past in order to save the future, that means to follow the orthodox tradition of the Tao which has been transmitted from Yao, Shun, Yü, T’ang, Wen Wang and Wu Wang, Confucius and Mencius. Only in this way can one escape this huge cosmic catastrophe.", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209816, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 75, "title": "RAS-1983", "content_text": "53\n\nother, and on a ridge or spur which represents, for instance, a dragon, snake, shrimp or crab in its formation. The principle is that the animal represented is a beneficial one which will guard the deceased who, in his turn, will watch over the interests of his descendants on this earth if sufficiently propitiated in the next world by his earthly descendants. This conception is important because it explains the strenuous objections usually met where the fung shui (K) of a burial place is disturbed. The commonest objections are against the cutting or digging of the ridge or spur at any point directly above the grave itself, since this will destroy the creature whose influence is protecting the deceased.\n\n(d) Important graves are frequently ones of recorded ancestors or founders of a clan. These graves are normally flanked by two small shrines (hau to), one on either side at a distance of roughly 20 feet, and sometimes one above as well. Their object is to persuade the earth god to look after the grave.\n\n(c) A shan fan sometimes falls into disuse and neglect by reason of the disappearance of all descendants or through other reasons. A sure sign of this is the removal of the pei shek (Z) or stone plaque on which details of the deceased are recorded. At the two grave-worshipping festivals of Ching Ming () and Chung Yeung (†), it is normal to tidy up huet chong (*), kam tap (4), and shan fan (4) and to decorate them with patches of white lime and lucky money as well as joss sticks.\n\n(f) Standing with one's back to the pei shek (%) of a shan fan (1) and facing the same way as the grave, a half circle in front with a radius of 10 yards is normally sacrosanct. Disturbance of the ground is regarded with strong disfavour. Traditionally, the left arm of this half moon is protected by a green dragon and the right arm by a white tiger.\n\n(g) The degree of fung shui (IK) involved is relative and, in some cases where there apparently exists no strong feeling on the subject, a road or cutting may be allowed right up against a grave. At other times, very strong objections indeed may be raised. Generally the strongest feelings lie with clans that have sufficient land and money to carry on traditional ancestor worship and to keep the proper spirit alive.\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209819, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 78, "title": "RAS-1983", "content_text": "56\n\nwith kuk (*) and the other with mai (*), and candles and joss-sticks placed standing in the rice. Worshipping takes place at the shrines of the earth god (t'o tei £) and kitchen god within the house. If the applicant can still afford it, he holds a feast for friends and relatives who often bring presents of mirrors and furniture.\n\n12. Some Fung Shui (¥) Problems\n\n(a) Certain localities, particularly hills, are sometimes regarded as throwing out good or bad influences, according to the animal which the locality represents. In the same manner, strong objections are frequently raised to the opening of windows in a house that faces some other house or temple. The window represents the open mouth of a tiger ready to swallow up the occupants of the building facing it. A lamp flashing in the direction of a house is equally obnoxious.\n\n(b) Antidotes to these evil rays or influence are often difficult to apply. One method is for the aggrieved householders to put up a paat kwa (^) or eight-sided diagram on the outside of their house. Alternatively, a mirror sometimes will suffice to reflect the evil rays. A third method is to erect some effective barrier in between, such as trees or bamboos, with a temporary wall until the trees have attained sufficient height and bushiness to be an effective screen.\n\n(c) These objections are for the most part confined to Cantonese rather than Hakka (). However, because of their greater belief in animism, Hakka (*) are the more concerned with fung shui (¥) trees and rocks, damage to which they will strenuously oppose.\n\n13. Oaths\n\n(a) Before the lease of the New Territories to the Crown in 1898 and the coming of British law, the question of which party to a dispute was telling the truth was customarily settled by a form of trial by ordeal in a temple. Both parties would attend at a mutually agreed temple (miu, never a clan temple or Tsz t'ong) with witnesses and all interested villagers.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209884, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 143, "title": "RAS-1983", "content_text": "121\n\ntemple repairs. Ap Lei Chau was a fishing port and its temples were very popular with the boat people in the anchorage. They thronged to them at the festivals and to the performance of opera and puppets organized by the chik lei, but it seems that they were not allowed to share in the management of these events. My informants recalled that at one time, even, because of a dispute over seating arrangements at an opera performance, it was decided not to seek donations from boat people in future at festival times. This happened before the Pacific war, and from that time on, the decision has been followed. On the other hand, the boat people's contributions have been sought for temple repairs whenever these have become necessary.\" The tablets in both temples on the island show that, as at Tai O and Cheung Chau, other large centres of boat and land populations, both communities have combined on these occasions, no doubt because the high cost of the work made it necessary to get contributions from every possible source.\n\nThe Earth God Shrines at Sai Ying Pun and Tai Ping Shan\n\n(1) Sheung Fung Lane (4)\n\nAt Sheung Fung Lane in the Sai Ying Pun district of Hong Kong Island there is an old shrine to the Fuk Tak Kung, the earth god of that locality. It has a large granite altar, carved with figures at each end, which has corners cut to simulate bamboo trunks and is inscribed with Chinese characters. These give the names of the persons (listed by their shop names) styled tai chik lei who contributed the costs of erection in the year 1910-1911, together with the name of the overall organiser, styled chung lei (1) dated the year before. However, this was a reconstruction, as the present managers have in their possession, dated from the year 1905-1906, a large banner, a hanging cloth and an umbrella, all well-preserved and made for use in processions round the area in time of need of spiritual protection*. Local tradition supports an earlier origin of the shrine, and traces its beginnings to a great epidemic that caused many deaths in the district at \"an earlier time\". This might have been the great\n\n* Plates 1 to 5 illustrate this section.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209885, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 144, "title": "RAS-1983", "content_text": "122\n\noutbreak of bubonic plague in 1894.22 The reason given by old members for establishing a Fuk Tak Kung(4) is that in his lifetime the god was a noted Chinese medical practitioner, and therefore well suited to become the guardian god of a crowded city district. The shrine may, however, be even older than this. The district was already well established by the 1850s,28 and probably had guardian shrines from the outset.\n\nThe god looked after a specific area of the city. The old 'chops' and wood-block charms that survive from pre-war days carry the name Sai Ying Pun in the title. The boundaries, as given by the leaders active in the mid 1960s, some of whom had been associated with the committee from their earliest years through their fathers and grandfathers' service as managers, centred on the shrine's location at Sheung Fung Lane. However, it is said that, in pre-war years, among the many persons who came regularly to worship at the shrine on the god's birthday on the 18th day of the first lunar month, were people from outside the boundaries and even from Kowloon, so great was the reputation of the shrine. Many of the outside worshippers came in groups known as pao wui.(4)25 It was stressed, too, that this shrine had no connection with the Tai Ping Shan Fuk Tak Kung described below, for that earth god shrine lay in, and the god looked after, a completely separate locality.\n\nThe shrine was tended by a keeper appointed by the managers. When my informants were young, the keeper was an old woman who lived on the premises and died there about 1930, aged over 80. There is a splendid photograph of her still kept in the shrine.\n\nThe body of managers comprises a minimum of 34 persons each year, but has often been around the 40-50 mark. Its duties are solely to do with arranging for chanting by nam mo lo(1) (Taoist priests) at the god's birthday in the first moon and at the Yue Lan or Hungry Ghosts festival in the seventh moon. At the god's birthday, but not at Yue Lan, the religious rituals have always been accompanied by a puppet show (never opera) for the traditional three days and four nights.20 The managers also have the responsibility of arranging for the procession of the god through the district under his protection", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209889, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 148, "title": "RAS-1983", "content_text": "126\n\nmatters only. It was not a kaifong that looked after the general affairs of the area. This duty seems to have been performed in the early period by a committee of merchant and trade guild elite figures drawn from a wider area. This body sat in the Man Mo Temple in nearby Hollywood Road, and a special kung sor (kung so) or 'public affairs office' was built for its meetings in the first year of the T'ung Chih reign (1862-1863). This is the date of the inscription above the door of the building, which is still in existence. This Kaifong was later (from 1871) effectively subsumed in the Tung Wah Hospital Committee.”1\n\nThe Earth God Shrine at Li Po Lung Path, Kennedy Town\n\nThere was another, lesser Fuk Tak Kung shrine in an adjoining, equally old urban area at Li Po Lung Path, Kennedy Town. When I made enquiries in 1974, no one could tell the whole history of the shrine or in which year it was established.\n\nAccording to an old kaifong Mr. Chow Kwok-kwan, one of the former managers of the shrine, who was 90 years old in 1974, the shrine was already located on the slope behind 14 Li Po Lung Path when he first came to live in the district in 1914. At that time the shrine was only a wooden hut measuring about 12' x 5' with a height of about 8'. He was told by some elderly kaifongs that the shrine had been there for more than twenty years, which may link its origins to the great plague of 1894, as with the altar at Sheung Fung Lane. At first the shrine only housed the Sam Shing Kung, the deities representing Heaven, Earth and Man, the three Powers of Nature; another deity was added to the shrine: the Fuk Tak Kung or earth god (To Tei) who is responsible for the peace and prosperity of the district. Finally, an image of Kwun Yam, Buddhist Goddess of Mercy, was also placed there. In view of its shabby state, Mr. Chow himself reconstructed the temple as a brick structure of more or less the same size about the year 1940.\n\nLater\n\nIn June 1966 it was destroyed by torrential rain, but up to 1974, when I made my enquiries, none of the interested parties had come forward with a reconstruction or resiting project.\n\nSince 1940, it had been the regular practice for the residents of Kennedy Town to celebrate at the shrine annually, usually on...", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209890, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 149, "title": "RAS-1983", "content_text": "127\n\nthe 18th to 20th days of the 1st moon, the birthday of the earth god. To celebrate the occasion, a Committee of twelve members was formed. One of these was the Chairman (Chung Li), one the Vice-chairman (Hip Li) and the rest were ordinary Committee members (Chik Li). All the Committee members were chosen from among those interested in taking up the post by casting divining blocks before the gods on the altar, as at Ap Lei Chau; thus, as we have seen, in a different way from the nearer Sheung Fung and Tai Ping Shan shrines. The Committee was also responsible for subsidizing the function in case there was a deficit.\n\nThe annual celebrations took place, not at the shrine, but in Hau Wo Street, a few hundred yards away. A temporary metal structure of about 12' X 8' was erected for the purpose of staging a puppet show. Sacrifice was offered and joss papers and candles were burnt. To conclude the ceremony, there was a distribution of gifts, mainly rice and other foodstuffs, to the poor of the district.\n\nAccording to Mr. Chow, local residents were generally very interested in this event. They believed that by celebrating the festival they would be more fortunate and prosperous throughout the whole year.\"4\n\nThe Earth God Shrines at Nam On Fong and Sai Wan Ho, Shau Kei Wan\n\nI turn now to other shrines of this kind at Shau Kei Wan, in the eastern part of Hong Kong Island. Shau Kei Wan has a good harbour and was a fishing port and boat people's anchorage long before 1841. Its land population was given as 1,200 persons in the first Hong Kong census of May 1841. By 1860 it was listed as having 2,561 land dwellers and 4,338 boat people. In the mid 1860s it was said to have had 307 houses and shops, and 603 boats. In the 1871 census it had 2,360 land inhabitants. At the 1911 census the land population had risen to 11,727 and the number of persons on boats was given as 6,440.5\n\nThese figures include not only the town section of Shau Kei Wan, long known as Tung Tai Kai (東大街) or Great East Street, but a number of villages, and stone quarries with their attached", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209892, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 151, "title": "RAS-1983", "content_text": "129\n\nBefore its first removal to permit further development of the area, the shrine is said to have been very popular with local villagers, shopkeepers and quarrymen. The whole village of Tsin Shui Ma Tau, to which my informants belonged, went down to the shrine on the god's birthday, and the customary dinner was held in the open near the pier. After its removal to another site, it was less popular with local people who apparently did not like the new location. This site was cleared in its turn in the mid 1960s, and the incense burner and other property were moved for safe-keeping to one of the Shau Kei Wan temples. Eventually, the committee gathered funds for a proper temple and for the first time in its history the god was housed in a permanent building and not, as previously, in the open or in a wooden hut. A brief account with excellent photographs appeared in The Star newspaper for 27 January, 1970.*\n\nIn the post-war period this shrine has been linked with the Nam On Fong Yue Lan (M) Festival Committee but before the war, and up to the time of its first removal, there was no such Yue Lan committee. Moreover, the annual celebration was not, as now, held during the Yue Lan festival in the 7th lunar month but took place on the earth god's birthday on the 2nd day of the 2nd month. The religious service was, at that date, always accompanied by a puppet show. The arrangements were in the hands of a group of village elders, later joined by local shopkeepers as the population grew. The local people visited it on the first and fifteenth days of each month, and offered a pig's head on the birth of a son and a chicken on the birth of a daughter. The change in the date of the main celebration came after the war, and the reason for it is said to have been the large number of deaths in the district during the Japanese Occupation, and the advisability of worshipping the unquiet spirits of the deceased lest they harm the living.\n\nIn the pre-war period the managers of this shrine, styled chik lei, came together through a combination of mutual acquaintance, accepted reliability, ability, willingness to donate a minimum level of funds towards the expenses of the festival costs,\n\n* These photographs are reproduced at plates 6-8.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209893, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 152, "title": "RAS-1983", "content_text": "130\n\nand interest in the proceedings. There was no restriction on the number of chik lei and all could take part in the selection of the chief manager or chung lei. This was done before the shrine at an advertised time. A man with a gong called the chik lei together. One by one they threw the divining blocks. Three throws were made. The first to obtain three positive responses became the chung lei.\n\nAfter this, none of the persons who had still to throw could do so. The proceedings were over: the god had decided who should be chief manager for that year. I was told that anyone, regardless of which dialect group he belonged to, could become a chik lei, and had a chance of becoming chung lei. Boat people could become chik lei, and wealthy fishermen had performed the duties of the office. Once elected, it was up to the chief manager to select his assistants, who became tai chik lei or senior managers. They were usually his friends and business associates.\n\nwar.\n\nThe image was not at that date taken in procession, as it has been since the institution of the Yue Lan Festival Committee post-. Nor was it taken out even in a plague. On the last such occasion in Shau Kei Wan, about 1920, the image of Tam Kung from the main Tung Tai Kai temple, accompanied by a boy seated in a knife chair, who was thought to have received the spirit of the god, was paraded through all parts of Shau Kei Wan. The population fasted on vegetarian food and a black dog was sacrificed at a certain spot.38\n\n(2) Sai Wan Ho ()\n\nAt the other, or western, end of Shau Kei Wan, the Sai Wan Ho sub-district, with a village of that name having 420 inhabitants at the 1901 census, was the nucleus of another religious grouping.3 This was centred on another earth god shrine which, though now in a new location, is credited with having existed beyond the memory of the oldest inhabitants. It was removed to its present site about 1949, when the present sub-divisional police station was built immediately behind the old shrine.\n\nThe group of local residents associated with the celebrations connected with this shrine do not hold their principal religious", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210071, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 42, "title": "RAS-1984", "content_text": "21\n\nTable 1: Registered Temples in Taichung City\n\n(112 temples with 115 oracles)\n\n \n \n B-1\n B-2\n B-6\n B-9\n Not Avail.\n Other\n Total\n \n \n (Confucian)\n \n \n \n \n 1\n \n 1\n \n \n Taoist\n 43\n 15\n \n 11\n \n \n 69\n \n \n Buddhist\n 14\n 6\n 6\n \n 18\n \n 44\n \n \n \n 57\n 21\n 6\n 11\n 19\n 1\n 115\n \n\noccasionally the temple management was unwilling to oblige. The other \"not available\" temples are the ones where no oracles are being used: six are of Buddhist affiliation; two are folk religion temples, but closely related to the state cult, and therefore, as in the case of the Confucius temple, no oracles are used; one is an earth-spirit shrine, (T’u-ti-kung miao) not using any oracles; in ten Buddhist temples no oracle samples could be obtained, because the personnel were unwilling to give them out; two other temples were not visited: one was a Buddhist monastery; the other, an earth-spirit shrine which do not always carry oracles.\n\nFinally two temples presumably have B-2 oracles, but are not included in the results. Five temples, one Buddhist and four Taoist, had been moved to other locations, mostly because of urbanization but sometimes because a larger building was needed and the original site was not spacious enough.\n\nThe above Table 1 clearly indicates that the temples in Taichung show very little diversity: among the 85 temples where oracles were found, 67% use the B-1 type (“Matsu\" oracle); 24.7% use the B-2 type (\"Kuan Ti\" oracle), while only 7%, all of Buddhist affiliation, use the B-6 type (\"Kuan Yin\" oracle). The only other type is unique in the city: the B-9 type. It is a variety of oracles found in temples dedicated to the legendary deified doctor, Pao-sheng Ta-ti; other varieties of this god's oracles were spotted out-", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210290, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 261, "title": "RAS-1984", "content_text": "240\n\nCHOI CHI CHEUNG\n\nburnt and vegetarian food was offered by many worshippers there.\n\nAt the entrance of the Tao Ch'ang, 4 notices stated: \"The water and land cross-over is at this Tao Ch'ang ()\" separating the Tao Ch'ang area from the other areas. Within the area, there were 39 worshipping objects. There were three distinct areas to the Tao Ch'ang: i) On one side of the entrance, there were the territorial gods of the human world, and, on the other side of the entrance, there was a god who holds the key to the door between earth and hell (two of his runners were with him). ii) In the main hall, there were tablets of different spirits who were supposed to come from the ten courts of the underworld, and tablets of the Taoist Saints. Two Generals were put in the centre of the hall to watch over the spirits. iii) At the back of the area, was the altar (or Hoza in Japanese) where the priests practised their rituals under the images of the 3 Buddhas and the Goddess of Mercy. Compared with the typical Buddhist arrangement for rituals for appeasing the dead, the Tao Ch'ang area of the Kobe Chinese 'Yue Lan' was more inclusive and closer to Chinese folk tradition, though the priests were all Buddhists.\n\n32\n\nThere were 7 types of objects worshipped (Table in the Appendix):\n\ni) Those represented by incense bowls and offerings only.\n\nii) Paper-made figures.\n\niii) Paper-made lanterns.\n\niv) Porcelain statues.\n\nv) Paper-made houses.\n\nvi) Paper-made tablets.\n\nvii) Paintings.\n\nNot all worshippers knew the names and roles of all the objects worshipped. During the festival, worshippers presented incense sticks to all the objects of worship in the festival area. However, besides the Ming-che and the \"Ancestral Hall\", the two runners attracted the most attention from the worshippers. Worshippers bribed them with bundles of paper money. One Cantonese lady of about 75 years old explained that by doing so, it was hoped that the runners \"would take care of our ancestors whose spirits are com-", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210418, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 25, "title": "RAS-1985", "content_text": "6\n\nBARTHOLOMEW P.M. TSUI\n\nSupreme Deity is most emphatically affirmed, and the basis of affirmation is the Patriarch's personal experience and communication with Him. One can experience the Supreme Deity because He has \"signs\" (hsiang). Yet, being transcendent, He is without form. That is why Lo says, \"God is formless but manifests himself in signs.\"19 Patriarch Lo is very much aware of the transcendent nature of the Supreme Deity. Words applicable to limited beings like existence, form, name, nature, desire, activity, like or dislike, speech, quantity are all inapplicable to Him.20 In this respect, Lo's struggle with a theological language is not unlike Lao Tzu's pithy pronouncements on the Being and Non-Being (yu, wu), or Medieval scholars' formulation of analogy or the Mutazilites' discussion of the names of Allah. In spite of the inadequacy of language when talking about the Supreme Deity, He is worthy of veneration and praise and the worshipper's sentiment overrules philosophical difficulties. A hymn of praise forms the very first passage of Lo's most important book, the T'ai-hsüan's Discourse on the Truth. \"(Oh Thou art) the most great and most venerable! Thou art the God above all gods, the origin of myriad beings. Thou art timeless, beginningless, endless. In Thee there is no mark of destination, no quantity, no form, or name. Thou art present everywhere and there is nothing Thou canst not do. With Thy assistance the heavens become pure, the earth obtains peace, the sun and moon become bright, gods and men become spiritual, the great way is born, the Universe becomes established. Oh, Thou art great and holy, the most great and most venerable! Thy honour is supreme. Thou art so great that no name is adequate.”21\n\nPatriarch Lo contrasts the Supreme Deity with other spirits and ghosts by saying that the former is the origin of myriad beings,22 whereas the other gods are merely certain spiritual essences of the Universe. In other words, he recognizes the vast difference between the Supreme Deity and other gods in Chinese popular religion. The latter exist but ought not to become the objects of worship. That is why in his sect, the Supreme Deity alone is the object of veneration. Such a state of affair is reflected in this sect's shrine. Only the character “shen” (神) or the text I have just quoted appears on the wall directly behind and above the altar. No images or name-tablets of other gods are allowed on", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 210420, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 27, "title": "RAS-1985", "content_text": "8\n\niv. Cultivation\n\n32\n\nBARTHOLOMEW P.M. TSUI\n\nThe return to the Supreme Deity demands moral development and cultivation. Moral development is required because only a good person may become united to the Supreme Deity and because it is the pre-requisite for cultivation. \"The way to cultivate the person is to first practice the superior morality and the abolition of evil inclinations.\"29 More about morality will be discussed in the next section. Cultivation is necessary because only a recollected person is in tune with the cosmos and is receptive of the truth. On the subject of quiet-sitting, Lo says, \"When the mind is nurtured and the spirit recollected, one may form a ternion with heaven and earth and be in communication with the Supreme Deity.\"30 On the one hand, Patriarch Lo is convinced that man's destiny lies in his own hands. \"Whether one becomes a god or a demon depends entirely on one's own making. Heaven has nothing to do with it.\"31 In another place, Lo affirms his belief in the moral law of cause and effect (karma, 報應 ).32 On the other hand, Lo appears to think that knowledge about the Supreme Deity can only be obtained by revelation. \"My opinion is that only by obtaining the Tao or by witnessing God's revelation can a person know a few things about God.\"33 This dual approach to cultivation is seen in another passage. \"The most important thing in mental cultivation is devotion to the Supreme Deity. May He always be present in your heart. Adore Him in the morning and in the evening. Always be ready to accept his spiritual light. In the practice of cultivation, the communication between heaven and men, and their mutual relationship are the supreme methods. Next in importance is quiet-sitting. In the way of quiet-sitting, ... this practice will always bring results. These two should be employed together. They assist each other and bring one to the Tao.\" Patriarch Lo's programme of cultivation contains a paradox: on the one hand, knowledge about the Supreme Deity depends on gratuitous revelation; on the other, man's destiny lies entirely in his own hands. This is the timeless theological problem of grace and free will. The maintenance within this theological system of a paradox at this point rather than attempt a more intellectual solution may indicate that Patriarch Lo's\n\n+ + +", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 210540, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 147, "title": "RAS-1985", "content_text": "128\n\n'JOHN KARL EVANS\n\ndescends to the underworld, where a series of terrible punishments depicted on the scrolls that Taoist priests bring to funerals awaits the person adjudged guilty of such serious crimes as murder, theft, and unfilial behavior; a second takes up permanent residence in the ancestral tablet, and a third at the grave.35 In her recent field work in the Taiwanese village of Ch'i-nan, Emily Ahern discovered much the same thing, which reminds us that, at least in Taiwan and the New Territories, the ancient beliefs persist even in the face of rapid industrialization and contact with the outside world.\"\n\nUnlike the Romans, the Chinese rarely deify the spirits of their deceased; nevertheless, the latter demand and receive the same attention as their Roman counterparts. The details of the funerary ceremony vary, of course, from one locality to the next, but what occurs in Ch'i-nan may be taken as representative, particularly with regard to the vision of the afterlife that supports the entire ritual. Here, as elsewhere, the living initially intercede for the dead on the evening of the funeral itself, at an elaborate Taoist ceremony called the kung-te. In the course of this ritual, the earth god t'u-ti-kung is bribed to assist the deceased across the treacherous bridge leading to the underworld, and the drama closes with the burning of a great pile of mock paper money, which the soul needs to purchase food and protection. Seven days later, a prolonged transition period begins with the first in a series of seven offerings, spaced at weekly intervals. These consist in part of food, but also include paper replicas of an imposing array of luxuries and necessities, ranging from a house, car, and servants to televisions, an electric rice pot, and lawn furniture. Somewhere during these 49 days, at the moment which a professional geomancer deems most propitious, the new spirit is formally installed in this otherworldly domain. The transition period comes to a formal conclusion when the paper house and the other amenities are finally consigned to the flames and thereby transferred to the underworld.38\n\nThe sole purpose of this elaborate ceremonial is to ensure the comfort and well-being of the deceased, and it is obvious that this takes a purely materialistic form. It naturally follows, therefore, that additional offerings of paper money and food will", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 210746, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 97, "title": "RAS-1986", "content_text": "80\n\nCHAN WING HOI\n\nwere a fishing family who moved in from Naam Tau. The Chan family started the village.\n\nThe jung-lei (chairman)* Mr. Wong Man Gwong, a 59-year-old former seaman, provided more information on local history. It was his great-great-grandfather who first came here. The original population consisted of about 60 fishing households. The Hoklo and Chiu Chau newcomers were already there when he was small. The present site of the golf club was occupied by paddy fields. One village, known as Seung Wai, was relocated to present Shek O to make way for the golf club. Mr. Wong pointed out the place when we passed it in a procession in the festival, which was just outside the golf club enclosure. Traces of walls could still be seen, and Mr. Wong remembered going back there to worship the Daai Wong Ye Earth God when he was small. At the time the golf club was built the foreigners were powerful and met with little resistance when they took away the land from the villages.\n\nA 39-year-old Mr. Lam, an indigenous villager, told me about the occupations of the original Shek O people. At the beginning, the inhabitants made their living in vegetable gardening and fishing. In more recent times the men worked as seamen. Very few people travelled to the West to work in restaurants, and such emigration started only in the last ten years or so. Most people of his own generation worked in the city. Many of the retired seamen came back and worked as waiters at the Shek O Country Club. He was a seaman himself, a radio officer.\n\nA 56-year-old Mr. Lau, the owner of the restaurant where I had a vegetarian dinner, provided additional information about the changes that had taken place in local life. The indigenous people fished with stake-nets (jang-paang). He believed that the golf club was built in the 1930s. It was already there when he was born. But some of the facilities, at least the swimming pool, were still being built when he was small. He remembered that at the age of 7, he was scolded when he jumped on a pile of sand that was prepared for the construction of the swimming pool. Most of the Chinese newcomers at Shek O arrived after the Japanese Occupation. They were Hoklo fishermen who came in their boats. It took only one night to reach Shek O from Hoi Luk Fung when the wind was in...", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210747, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 98, "title": "RAS-1986", "content_text": "Sacrifice to earth god at a daily procession.\n\nFlag post set up to guide wandering ghosts to the jiu is attended to by a deity (housed in paper shrine at centre of photo) who must also be sacrificed to daily.\n\n81", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210757, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 108, "title": "RAS-1986", "content_text": "91\n\nlanterns affixed on the posts shone on Shek O and Tai Long Wan people.\n\nThe priests and ritual representatives visited the faan-gon posts and made offerings three times a day in a procession called haang-chiu (audience procession). When I followed one of those processions in Shek O, however, I discovered that not all four of the faan-gon posts were erected at the corners of the settlement. The first faan-gon post in Shek O visited by the haang-chiu procession was between the school playground and the quarters of the cleansing unit of the Urban Services Department. One of the local members of the procession volunteered the information that the post was set up there because three years ago a fatal accident took place at the spot. Two young boys who lived in the quarters of the cleansing unit were playing there when a stone pillar fell down suddenly and killed both of them.\n\nV. The local gods\n\nThe Tin Hau was represented by her wooden image at the centre of the altar. Behind the image was a piece of red paper on which the titles of ten local deities were written. With the exception of the Sea Goddess (shui sin) of the small temple at one edge of Shek O Beach, they were Baak-gung and Daai-wong earth gods of Tai Long Wan, Shek O, and Seung Wai. One of them, styled jang-paang daai-wong (earth god of the stakenets), was a reminder of the former fishing activities of the local residents. Many others had probably existed for the protection of villagers in fishing and farming. The change in land use is evident in the reply given by Mr. Wong, the local leader, when asked where the god's place was. He said, \"Below the number 10 alley of the Westerners' residences of Tai Long Wan,\" linking the god with the change that had taken place in the locality. He gave the same description for the location of another god, the Earth god of the Banyan Tree Place. For the Seung Wai daai-wong, he explained that it was below no. 1 alley, which had become a residential area for Westerners. It used to be the villagers' settlement which was removed to Shek O for the construction of the golf club. There were also three gods whose names were not known to Mr. Wong. He believed that those were from Hok Tsui, the village which joined in", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210758, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 109, "title": "RAS-1986", "content_text": "92\n\nCHAN WING HOI\n\nthe celebration only this time. Neither the yn-sau nor his indigenous deputy whom I talked to knew anything about the gods except for Tin Hau.\n\n9\n\nNeglecting my question as to whether the gods other than Tin Hau had been invited at their own places, the priest Chan Wa expounded his theory of the connection of each god with a locality. He started with the earth gods. The earth god of the “head” of a village guarded the “head” of the village, and his counterpart of the \"tail\" of the village guarded the \"tail\" of the village. Other earth gods, such as the earth gods of the homes of individual families and of hills and graves, guarded their own locations of responsibility. The same principle applied even to Tin Hau (“Ma-neung”). Each village (heung) was guarded by a different ma-neung, each of whom received offerings from the temple of her village. To stress that there was more than one Tin Hau, the priest alluded to the belief that the title was applied to three sisters, not one goddess. He compared the localized nature of the gods with the Qing administration of this region. The Dongguan and Bao'an counties were once under the same magistrate. As communication between different spots of the vast area was inconvenient, the place was later split into separate counties each under its own administration.\n\nMy impression was that although most gods were localized, some were more so than others. While the influences of earth gods were strictly limited to their localities, temple gods were given guardianship of their localities as well as a more or less global portfolio. It is therefore to be expected that when the interest of an individual or a group becomes less localized, it is gods such as Tin Hau whose protection extends beyond a narrowly defined geographic area that remain important, and localized gods whose influence is limited to a small area would receive less attention. In the case of Shek O, some of the latter were earth gods who protected the villagers while they fished and farmed. Now that Shek O residents had given up farming and fishing, although these gods continued to be invited to the jiu, many at the festival hardly knew who they were.", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210885, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 236, "title": "RAS-1986", "content_text": "219\n\nyear from Chan Kan-to, whom he called the owner of the island. Having done so, he then applied to the provincial government for permission to work it.\n\nHe was about to send off a sample of the ore to England, when a mineralogist, Professor Milne of Tokyo, happened to be in Hong Kong. Ho A-mei arranged for him to visit the mines at Tam Chow and Lantao. The professor took some specimens back to Japan for analysis. He found the Tam Chow ore with 13 per cent silver, the same as the English report had been, and the Lantao specimen with five per cent.\n\nA-mei then proceeded to float a company for the development of the two mines. He imported machinery and brought from England a geologist, Mr. T.B. Chandler, as general supervisor, and an experienced Cornish miner, Mr. Phillips, to train and oversee the workers.\n\nA-mei tried to persuade the Kwangtung officials by pointing out that the development of mines would provide work for a large number of unemployed. Instead of going off to America, Australia and other places, the Cantonese people could be kept at home. His Australian experience had convinced him, however, that mines would only be operated profitably if modern machinery and methods were introduced from the West. With these arguments he persuaded the Viceroy of Kwangtung to establish a Bureau of Mines.\n\nIn March 1866, the Lantao Island mine was formally opened. A launch party composed of interested Chinese and Europeans went over from Hongkong.\n\nIt was, of course, necessary to get the favour of the earth god if the mine was to be a success. A small mat shed had been erected as a temporary temple. The sacrificial ceremonies were conducted by Chan, the owner of the land, the mandarin in charge of the island and his assistant, one of the directors of the mining company and Ho A-mei, the promoter of the mine. All of them were dressed in their official mandarin robes and the European observers were suitably impressed.", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211059, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 120, "title": "RAS-1987", "content_text": "95\n\nHong Kong as Wong Tai Sin. Her informant claimed that\n\nOne day he was found dead sitting in a Buddhist meditation position at the base of a cliff and covered with earth from a land-slide. When his body was removed it was found to be sweet-smelling and uncorrupt. (Topley and Hayes, 1966:129)\n\nThis version conflicts sharply with the temple's version of the hermit's life on earth, a version based on classical literary sources. Obviously Topley's Cantonese informant had not had access to the official account. But such unusual details as she related are unlikely to have been fabricated on the spot by the informant herself. Where then did the informant get her version of the story? It was not long before we discovered the probable source: a similar story would have been circulating in Hong Kong in 1966 concerning the monk Yuet Kai, who had died in 1965 at the age of 87 after presiding over a Buddhist temple and pagoda in Sha Tin, New Territories, since the early 1950's. After he died,\n\nHis body was placed in a sitting position in a square box. It was then buried in the hillside behind his temples, and, after eight months, the body was exhumed. People who were there have recorded that there was hardly any sign of decay, and that the body had a phosphorescent glow. (Savidge, 1977:107)\n\nThe coincidence of details between the two cases — the individual was buried in a sitting position on [or at the base of] a hillside, and when exhumed his body had not decayed — suggests that the Cantonese lady was transferring a miracle story she had heard about an obscure monk to explain the origins of a famous god who was once an equally obscure hermit.\n\nThis process of the adoption of a miracle story originating in another context to embellish a narrative or fill gaps in one's knowledge may or may not be deliberate. Doubtless in some cases it results from faulty memory. While these \"errors\" seldom leave identifiable traces in literary sources, occasionally they can be detected, as for instance in the apparent assimilation of deeds\n\nPage 120\n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211062, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 123, "title": "RAS-1987", "content_text": "98\n\nNOTES\n\nResearch for this paper was carried out in Hong Kong in the Spring of 1984. We would like to thank John Dolfin, Director of the Universities Service Centre, for the use of that invaluable facility during our research, and John Ashton of Memorial University for some helpful suggestions. Parts of the paper were included in a presentation at a colloquium of the Sociology Department, Hong Kong University, May, 1984.\n\n1 \"Wong Tai Sin\" is the most common transliteration in Hong Kong of the god's name. The pinyin transliteration is Huang Daxian. Here, the common Hong Kong transliterations are used, except for place-names in China such as Guangzhou (Canton), Guangdong (Kwangtung), and Chejiang.\n\n2 The cases to be described are here termed motifs in the sense used by Allen and Montell (1981:38-9), who note that \"the characteristic feature of these migratory narrative elements is their transferability among stories about different events or persons.\"\n\n3 This is the only Wong Tai Sin temple known to most believers in Hong Kong, and the prominence of the god in Hong Kong has occurred entirely as a result of the success, for various historical reasons, of this one temple. There is also a private Wong Tai Sin temple in Kowloon, as well as a small private shrine in Macau, but they have had no influence on the popularity of the god.\n\nbut\n\nSome temples in Guangzhou were indeed destroyed early in this century by Nationalists rather than by the elements (see for instance Rhoads, 1975:255). Perhaps our informant's account of the destruction of the temple was a tradition dating back to these events.\n\n5 The fact that the icon of the god brought to Hong Kong from Guangdong is a picture rather than a statue suggests, as we argue in another paper (Lang and Ragvald, 1988), that the god was worshipped in Guangdong as the patron god of a family herbal medicine business (see Day, 1969, on these \"paper gods\" and their role in family worship).\n\nThe organization which manages the temple, the Sik Sik Yuen, has published the official history of the temple in commemorative brochures, especially: Sik Sik Yuen, 1971; 1981; 1982,\n\n7 Ogura (1980) argues that the drifted deity tradition evolved from an earlier tradition of belief in periodic visits by gods from their abodes beyond the sea. There is no such tradition in the Hong Kong area.\n\n1 The temple's version of the Taoist hermit's life on earth before he became a god is in the form of a short autobiography, supposedly dictated by the god to a Taoist. It appears on a plaque in the temple, and also in brochures published by the Sik Sik Yuen. It has been discovered by Dr. Shiu-hon Wong of Hong Kong University that this account follows closely a capsule biography of the hermit written in the 4th century A.D. as part of the collection \"Biographies of Immortals\", by Ge Hong. This literary version holds that the Taoist hermit Wong, while herding sheep in Chejiang province, discovered a method of achieving immortality. He also manifested his power by turning a hillside of boulders into sheep. These two achievements figure prominently in the temple's \"autobiography\" of the god.\n\nThe story of a saint whose body remains uncorrupted and even sweet-smelling long after burial is a common motif in Christian legends. Loomis (1948:54) cites about two hundred instances.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211078, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 139, "title": "RAS-1987", "content_text": "114\n\nTie. The best man held a black umbrella over the groom, draped with a strip of red cotton: although it was not raining, bad spirits may have been about and it is common Chinese tradition to protect those about to be married from harm befalling them.\n\nThe procession reached the temple of Ma Jo (#), the Hoklo name for Tin Hau. This is the main temple in Yim Liu Ha. The women redoubled their rowing efforts and the Chilin cavorted and stretched as the groom and best man went in. After making obeisance to the god, they came out, bowed and lit incense at the little shrine opposite the temple, all the while to the deafening accompaniment of gongs and cymbals.\n\nFirecrackers were set off and after a further brief visit to the temple, the procession continued on its way to the shrine of the earth god, To Dei Gung (±‡A) at the beginning of the village. Two of the rowers were now carrying small branches of kumquat leaves with which they flailed the air. The Chilin pounced and postured, incense was burned as a sign of respect, and the god offered food from a basket of carefully arranged chickens and other tasty morsels. The bridegroom and best man bowed to the god, more firecrackers were set off, and the procession reformed to return to the house, taking with it the basket of food.\n\nThe proceedings so far had taken about an hour, and all felt entitled to a rest. Then at 11:30 am, the procession resumed as the bridegroom prepared to leave the village to collect his bride from Kwan Tei. This time he was carrying a bouquet of artificial pink roses to give to the bride. The women rowers had increased in number: the drummer at the front now wearing a funny hat, while of the eight in the middle, two pairs were wearing aprons while two pairs were not. These were followed by the woman representing the tail of the dragon, and then by a \"fortunate\" woman whose parents were both living and who had several children. She was carrying a round rattan sieve with pomelo leaves, cypress leaves, and two pieces of ginger root, traditional emblems of marriage, long life, and fertility. After this came the Chilin, the band, and the groom and best man with the umbrella.\n\nThey stopped briefly outside the temple and the earth god to", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211080, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 141, "title": "RAS-1987", "content_text": "116\n\nThe dragon boat procession reformed and set off in the direction of the groom's home where the newly weds would live. Two women in front were wearing funny hats: one banging the gong while the other thumped a plastic oil drum. They were followed by eight pairs of women rowing in formation, while at the back were the two women with the rudder of tin cans and the woman representing the dragon's tail. Above the bride's head was held the sieve of pomelo leaves and ginger root, carried by the 'fortunate' woman. One attendant, wearing a Western style short evening dress, was carrying a pink umbrella held over the bride, to which was tied a sprig of cypress and pomelo leaves with red cord. A second attendant carried the red and gold patterned tin suitcase known as gar chong (#), containing the jewellery the bride had been given, while a further attendant brought a large suitcase with the bride's belongings. Another woman carried a white enamel basin decorated with red characters for double happiness and flower motifs. In the basin food and other items were wrapped in red cellophane paper, and decorated with cypress leaves.\n\nThe procession stopped briefly in front of the earth god and again firecrackers were set off. At the Ma Jo temple the young couple paused and bowed three times before continuing to their new home. Cymbals rose to a crescendo; the couple, followed by other relatives and the Chilin, went into the house, and a long string of firecrackers was set off.\n\nThe rest of the procession now dispersed as those inside the house settled down for a cool soft drink. It was now 2.15 pm and in the street women were feasting on food prepared that morning, especially on a salty vegetable soup known as ham choy cha (**), chicken, and for dessert, sweet dumplings which are only served at Lunar New Year and special occasions such as wedding ceremonies. These are considered a lucky symbol of getting together. Later that afternoon the newly weds would offer tea to the groom's parents, and then at 6.00 pm all who had taken part in the ceremony were invited to a restaurant in the village of Sha Tau Kok for a large feast to round off the day's festivities.\n\nPlates 19-23 illustrate this article. They were taken by the author.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211249, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 310, "title": "RAS-1987", "content_text": "285\n\nthe stream, waterfalls and gardens returned.\n\nIt had been an impressive show, enlivened by the little comedy of the amiable man and the two girls.\n\nJAMES HAYES\n\nNOTES ON TEMPLES AND SHRINES,\n\nHONG KONG ISLAND\n\nThe 1983 Journal contains my article about urban shrines and temples, written largely from the organizational and managerial aspects. See \"Secular Non-Gentry Leadership of Temple and Shrine Organizations in Urban British Hong Kong”, in JHKRBAS 23 (1983), pp. 113-136.\n\nThe present Note refers to one of the shrines examined in the article, the Earth God shrine at Sheung Fung Lane, Sai Ying Pun at pp. 121-124 therein: and to another in the urban area of Hong Kong Island which was not included. This second shrine is the Pak Kung altar at Peel Street in the Central District, just below the junction of Peel and Staunton Streets.\n\nSheung Fung Lane\n\nOn 9th February 1974, when serving in the Urban Services Department as Assistant Director of Urban Services (Hong Kong Island) I attended the opening of the celebrations marking the god's birthday which falls in the first lunar month.\n\nThere was a pailau (M) or ornamental arch at the junction of Queen's Road West with Centre Street. The stage for the customary puppet opera performances, together with its adjacent temporary altar, both made of bamboo, were assembled in a nearby public playground. The whole frontage of the combined stage and shrine constituted another pailau.\n\nRibbons were stretched across the whole frontage, with another", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211254, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 315, "title": "RAS-1987", "content_text": "290\n\nwhilst the shrine was at Elgin Street, largely because no Hoklo troupes were available in Hong Kong or could visit from the mainland. The position improved when members of troupes reassembled here.\n\nIt is usual in these traditional festivals for an image of the patron god to be installed in a special altar at the theatre matshed or nearby. At Peel Street this is not necessary, because the shrine faces down this sloping street directly onto the opera stage. The god could see all without moving his position. When I asked whether any other images were brought from neighbouring shrines, there was a unanimous and swift denial!\n\nThe group of devotees, at any rate in and up to 1974, were mainly persons from To Tong Market, and all Hoklo speakers. The personnel of the Hoklo opera group hired in the previous few years were all Hoklos from Hoi Luk Fung, but only one of them was a native of To Tong Hui.\n\nI did not ask about management in 1974, though I gathered that they described their managers as ta-lei yan and not as chik-lei, which is more common among the Hong Kong shrine and temple groups.\n\nBesides the annual celebration, there is also religious activity at the shrine on the first and fifteenth days of each month.\n\nIt is curious that, although the Peel Street shrine is dedicated to an earth god, there are no celebrations on either the first or second months of the lunar calendar, when so many of the local shrines in town and country carry out major activities. The Sheung Fung Lane shrine's big day is in the first moon, as with the Tai Ping Shan and Kennedy Town shrines also mentioned in the article (pp. 124-127). The Nam On Fong shrine at Shau Kei Wan (pp. 128-130) originally celebrated in the second lunar month. However, the Sai Wan Ho earth god shrine at the other end of Shau Kei Wan had always celebrated the Yue Lan or \"Hungry Ghost\" festival as its principal event, for as far back as memory and local tradition served (pp. 130-132). There is variety in all things, old and new, mercifully.\n\nPage 315\n\nPage 316", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211550, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 267, "title": "RAS-1988", "content_text": "243\n\nprimordial village is about what he calls \"the rights of settlement\". Or as he (p. 8) put it, “most lineages possess little beyond the rights of settlement\". His examples illustrating these rights of settlement show that outsiders can come to terms with incumbents of an existing village by marriage, employment, litigation or force. So if settlement is negotiable in these ways, then multi-lineage villages should be, contra Freedman, a normal phenomenon as well. It is only when village membership has been gained according to these rights of settlement that the village can begin the process of lineage-building. Chapter 2 cites several such examples of lineage-village within a village. Proceeding to higher levels of village organization, Faure argues that the village as a local or territorial community has a religion of its own which is distinct from and equally important as ancestor worship in the expression of territorial identity. As he (pp. 70-71) put it explicitly, \"the earth-god shrines and temples reflect a different aspect of the villager's religion, but like the ancestral hall, they are foci of local organization. . . . The act of founding the temple sets up a bond between the village and the deity\". Village religion is important in his subsequent discussion of villages and village clusters to show that the definition of a village and village clusters do not necessarily follow the expectations of a descent model. Likewise in the case of village alliances, Faure argues that all such alliances found to exist within the traditional New Territories, even those archetypical regional defense alliances, were territorially rather than lineage based in nature (perhaps contrary to the kind of “system” described by Kuhn (1970)). More importantly, such alliances, according to Faure, have only existed since the mid-19th century and well after the peak of the Five Great Clans era (for discussion of the latter, see Baker 1966).\n\nThe latter half of the book essentially sets up his attempt in Chapter 10 to reconstruct the political history of The Five Great Clans during the 14th-19th centuries, in contrast to the development of lineage communities that one sets in the aftermath of the \"great\" era. In fact, much of his reconstruction is an attempt to demystify the stature of these great clans by showing how they and the gaudy ancestral halls they created to embellish their image represented primarily the unintentional creation of official policies. Or as he (p. 165) put it, “real lineage society did not depend on ornate ancestral halls”. All of this finally permits him in the final analysis to criticize historians for glorifying the ancestral", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211646, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 61, "title": "RAS-1989", "content_text": "36\n\nto have a soft cloth crown either with or without a top knot, usually coloured blue. Again, a carver in Taipei put this and the other differences down to the whim of individual carvers. According to legend in Singapore, one of the Pestilence Wang Yeh, after he had received his deification authority from Heaven saw a plague demon scattering plague pellets over the Earth. The Pestilence Wang Yeh, Yeh Wang Yeh according to the raconteur, gathered them all up and swallowed the lot to save mankind from being inflicted. At once his hair stood on end and his eyes protruded in their sockets, and this is how his image is portrayed. However, when we examined the image the only characteristic noted were his round protruding eyes.\n\nAll Pestilence Wang Yeh are portrayed seated, rarely with anything in their hands though the occasional one has a drawn sword held at waist height, but this is rare. Most have their feet resting on small animals, usually stylised lions. A god carver explained, in relation to the Pestilence Wang Yeh, that it is important that the feet of senior or powerful deities do not rest directly on the ground, it is just not done!\n\nFrom the earliest pioneering days of the colonization of southern China by northern Chinese epidemics have ravaged southern populations. Devastating epidemics of plague and parasites, fevers and contagious diseases linked with lowered resistance in the hotter and humid south left the settlers in dread of smallpox, paratyphoid, cholera, dengue and malaria. Contemporary medical expertise was completely out of its depth and unable to be of much help, leaving the immigrants only their gods to turn to for protection and a cure. The settlers brought south with them the concept, already well known to the colonizers from north and central China that sickness was caused by the forces of evil. These forces, invisible armies of demons led by demonic generals had to be repelled and, if possible, destroyed. As these forces were from the other world the best, and possibly the only counter would be to use the righteous and virtuous spiritual forces in the other world,\n\nEventually, within the Chinese pantheon a Ministry of Epidemics was conceptualised incorporating the various sickness-countering deities, each bearing not only its personal name and title but also local colloquial titles the best known of which is probably the Sickness Spirits (or gods) (Wen Shen). These are known amongst Fukienese communities as the Pestilence Spirits, the Wang Yeh.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211666, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 81, "title": "RAS-1989", "content_text": "56\n\nbeaten and thrown out by his two partners. Having lost everything the mother had to take in washing even though she was seven months pregnant. One day whilst washing clothes by the river she slipped but luckily the local Earth God seeing her falling, changed into a dog and rescued her, dragging her out of the water. When she regained consciousness the Earth God had changed into an old woman who helped deliver her of a healthy boy, Hsu En-te (4). The beating had caused the father injuries which prevented him from working and the family lived in poverty. The father, unable to stand it any more went out to hang himself but met with a local dignitary named Kuan who, when he had heard the sad story took the family back to his house and cared for them. The father slowly recovered and when fully back to his old self he became a rent collector for Mr Kuan. On one of his trips out collecting rent he encountered his two former partners from the silk shop who again robbed him and took the rents he had just collected, beat him up again and this time the father died of his injuries as he crawled back to the Kuan household. By this time En-te was seven years old and he swore never to forget those who had done his family such great wrongs. He worked at looking after the accounts for Mr Kuan and secretly started to learn martial arts. He was accomplished by the time he was fifteen. When he was sixteen the Kuan household was attacked by bandits and to everyone's surprise En-te not only beat them off but detained three of them. At first he turned down the offer from a local magistrate to become the head of the local police force but as his mother wished him to serve the people he finally accepted the offer and served three years.\n\nWhen, after the three years, he returned to live in the Kuan household he discovered that one of the two partners who had killed his father was also living in the Kuan household together with his daughter. The killer was hated by everyone but being afraid of him they left him well alone to live in peace. The killer fell ill, repented and expressed his deep sorrow at his heinous crimes. Hsu En-te gave some money to the daughter so that she could buy medicines for her father.\n\nAfter many incidents En-te eventually married the daughter of his father's killer and when, much later, En-te himself died he was revered by the local population as a benefactor and was looked upon by them as their protective deity. The cult was carried across to Taiwan, to the temple in a village near Tainan where the immigrants from Kiangsu established it as Hsu Wang Yeh,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211735, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 150, "title": "RAS-1989", "content_text": "125\n\nhillslope at the back and sides.\n\nstone\n\nAs far as can be ascertained, the walls of the nunnery are throughout either of blue brick or of heavily plastered stone rubble, on footings of the standard building technique in the region. The roofs are of tile laid single thickness on beams supported directly by the walls. The only windows are very small (about one foot square) openings with bars and wooden shutters in the front face in the second and fourth sections, and the side wall of the fourth section, and two tiny single-brick openings, in the front wall of the second section, and the side wall of the fourth section.\n\nThe main temple hall is the third section. The main entrance to the nunnery is here, at the top of a shallow flight of steps. The double-leaved door opens into an Entrance Hall bare of all furniture except for the brick spirit-screen wall, with the altar to Wai To (卫道), the Defender of the Way, against its inner face. The Entrance Hall opens out into the Tin Tseng, which is mostly filled with the large brick paper-burner, and the steps up to the upper level. Above the steps is the Main Hall, with the altar against the back wall, and with a large offering table in front. The altar is to Kwun Yam, and has statues of the Lord Buddha (Sakyamuni), and the King of Hell (Ti Ts'ang Wang, 地藏王), as well as of Kwun Yam on it. To either side of the main altar are very small subordinate altars, where the tablets commemorating certain deceased monks are kept. In front of the main cult statues are five small images: two are unidentified, the others are of Milofu, Shan Ts'ai (善财), and Yũ Nũ (玉女). Below the altar is the usual shrine to the spirits of the Five Directions (五方).*\n\nTo the left of the Main Hall as you look at it from the entrance, i.e., at the back of the second section of the building, is the Side Hall, containing an altar to the Earth God (To Tei, 土地). This Side Hall has no Tin Tseng or windows, and is in consequence rather dark, being lit only by the light coming in from the arch which links this Hall with the Main Hall. The nunnery is now in a very run-down state, and it is not clear what furnishings were originally in this Hall: presumably there was an offering table of some sort in front of the altar. This Side Hall contains the inscription commemorating the rebuilding of the nunnery in 1868.\n\n* I am indebted to Mr. Keith G. Stevens for identification of the deities worshipped in the nunnery.\n\nPage 150\nPage 151", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211736, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 151, "title": "RAS-1989", "content_text": "126\n\nThis was all the worshipping space that there was in the nunnery: the remaining five-eighths of the building was occupied by living space.\n\nThe whole of the first section, and the front part of the second section, formed the living quarters of the resident nuns. The back part of the first section was cut off with a wooden screen wall to form a bedchamber, or Fong, for the abbess. This chamber had a ceiling, thus forming a cockloft above it. This cockloft was accessible by a ladder from within the abbess's chamber: it is likely that this cockloft was always used, as now, as storage space.\n\nThe bedchambers of the other nuns were in the front part of the second section. Two bedchambers were provided, one at ground level, and the other in the cockloft above it, with a store-room behind, which could possibly have been used as a further chamber if need be. The ground floor chamber, and the cockloft above it, both have tiny shuttered windows - the lower chamber also has a single-brick opening. The store-room chamber is lit only by what light comes through the door from the Tin Tseng. At present, the ground floor chamber has two trestle beds in it, with no beds in the other chambers: this probably merely represents a convenience for the recently deceased single elderly resident nun.\n\nThe area in front of the abbess's chamber was the main reception hall. This was originally furnished with a couple of chairs and side tables for reception of honoured guests, and some of the original furniture seems to survive amid the rubbish which fills much of the area now. This part of the living space is cut off from the front part of the first section by a screen wall with arches. This front part, or lower hall, was where the daily work of the nuns took place, where they ate, and where the equipment they used for growing vegetables was stored. A rice-pounder is let into the floor against the outer wall. A small partitioned-off area here was probably the nuns' latrine. The nuns had their own direct access to the road by a door in this section. The living quarters of the nuns connected with the rest of the nunnery only through the doorway into the Side Hall with the Earth God altar: at night the nuns could bar this door and close themselves off in their own quarters without worrying themselves about anyone in the guest quarters or coming in off the road.\n\nThe guest quarters were in the fourth section. The back part of this section is cut off by a brick wall to form a bedchamber. This has a cockloft", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211936, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 351, "title": "RAS-1989", "content_text": "326\n\nwere listed for me as follows: Wing Lung Wai, Tai Hong Wai, Kat Hing Wai, Shui Tau Tsuen, Shui Mei Tsuen, Tsi Tong Tsuen, Tai Hong Tsuen, Kam Hing Wai, Ko Po Tsuen, and Kam Tin Shi.\" Four wai, five tsuen (chyun) and one shi. It does not agree with the numbers of 5 wai and 6 chyun. The expression no longer corresponds to the present situation. Their explanation for the discrepancy was that some of the original villages did not exist anymore. One example they gave is the case of Pak Wai, which had become a tsuen (chyun) after its wall had fallen. Some of the villages have very small populations nowadays, and some of the eleven original villages are now missing. Another factor involved is that, to many of the villagers, Tsi Tong Tsuen and Tai Hong Tsuen were not quite distinct from one another, and sometimes the two names were used interchangeably. The name San Wai was quite often used by them to refer to Tai Hong Tsuen, sometimes both.\n\n \n Village\n 1895\n 1960\n \n \n Kat Hing Wai\n 308\n 410\n \n \n Shui Tau\n 416\n 655\n \n \n Shui Mei\n 181\n 250\n \n \n Tai Hong Wai\n 176\n 215\n \n \n Wing Lung Wai\n 154\n 250\n \n \n Tai Hong Tsuen\n 33\n 155\n \n \n San Wai (Tsi Tong Tsuen)\n 28\n \n \n \n Kam Hing Wai\n 69\n \n \n \n Ko Po\n 64\n 205\n \n \n Kam Tin Shi\n \n \n \n \n Total\n 1412\n 2140\n \n\nAs can be seen in the table above, the populations of the Kam Tin villages are very uneven. Five of them are often referred to by the local villagers as \"the five main villages\". They were Shui Tau, Shui Mei, Kat Hing Wai, Tai Hong Wai, and Wing Lung Wai. Among the smaller villages, Tai Hong Tsuen and Tsi Tong Tsuen are considered part of Tai Hong Wai. They take part in the dim-dang ceremony for the newborn at the shrine of the God of Earth and Grain at the Wai and join the jiu of the wai.\n\nOn a higher level, the Kam Tin villages are divided into two groups:", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211947, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 362, "title": "RAS-1989", "content_text": "337\n\nThe Jau and Wong Temple also used to house spirit tablets to \"heroes\". The tablets (three in total, without names) were moved to the Yau-Leun Tong from the side altar in the temple about 50 years ago because they were siu-yan (“small people”), and it was unseemly to house them in the same temple as the two great men (daai-yan). As mentioned before, villagers agreed that the “heroes” were those who had died in fighting (da-saat) between Kam Tin and its enemies.\n\nKam Tin has quite a number of other temples. There are the Man-Cheung Temple and Hung-Sing Temple in Shui Tau, and the Tin-Hau Temple in Shui Mei. Many of the other villages, e.g. Kam Hing Wai, Tai Hong Wai, Kat Hing Wai, Tsi Tong Tsuen, and Wing Lung Wai, which do not have “standard” temples, have a san-teng, a house with an altar for a spirit tablet for about ten popular temple gods. The gods of some of the vanished temples, which include a Yeung-Hau Temple and a Bou-Dak Chi in Shui Mei, and the Hung-Fan Taam Temple of Shui Tau, are still worshipped in the jiu festival, as are the gods of two nunneries, in Shui Mei and Tai Hong Wai respectively, which no longer exist.\n\nThese temples and nunneries hold tablets or images of some 20 different gods, if we are to include the Earth God for temples, and Wai-To for Buddhist establishments. The other 18 include the popular temple gods Yeung-Hau, Tin-Hau, Bak-Dai, Man-Cheung, Gwun-Yam, Gwaan-Dai, Hung-Sing, the God of Wealth, Gam-Fa, Taai-Seui, the Dragon King, and the Buddha. The Bou-Dak Chi housed spirit tablets for Jau and Wong. There is not much information about this other temple dedicated to Jau and Wong, but it was worshipped probably only by the villagers of Shui Tau, where it was situated.\n\nFui-Sing, and Fa-Gung Fa-Mou are probably respectively responsible for success in imperial examinations and the health of children. Hoi-Saan Suk-Lou is a title found in some other local temples as well, and represents the earliest settlers of the place. Hong-Wong is a title that I have not seen elsewhere in the New Territories.\n\nThe titles of localized gods found in most of the Kam Tin villages include the God of Earth and Grain, the Water God of wells, and the Earth God for the gates of the walled villages. There are, in some of the villages, a Tree God and Earth Gods for bridges and for the gate to a complex of houses. In addition, there are Ngau-Wong and Pun-Gu,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211949, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 364, "title": "RAS-1989", "content_text": "339\n\nbut moved the Dei-Jong Wong inside the Buddhist hall instead.\"7 After the building of the Buddhist hall two of the nuns were added to the managers of the trust, and since then the Dangs did not have much to do with the nunnery except that the related ritual associations go annually to worship at the charitable grave.\n\nB. Household and village worship\n\nEveryday worship is local and is mainly performed by women. Such is the case of a family of Tsi Tong Tsuen who gave me information on this point. This family seldom worshipped in any temple. For weddings they worshipped at the Mau-Ging Tong ancestral hall, where the head of the family also went when he was small for the annual worship, and to get his shares of the ritual pork. This he no longer does, having stopped a few years ago. In some years he also joins the ancestral grave worship in Tsuen Wan. On Ching Ming and Chung Yeung his family went to worship their own near ancestors. On festivals his family worshipped at Tsi Tong Tsuen's shrines to the Earth God and the God of Earth and Grain and the place for the Well God.\n\nI was able to talk with some of the older women. One Tai Hong Wai woman born in the 1910s told me that ordinarily her family worshipped at home. They went to neither the Jau and Wong Temple nor the Hung-Sing Temple. They had no share in the Hung-Sing Temple. They did go to the Daai-Wong Temple at Yuen Long, early in the first month of the lunar calendar, but it is the business of their men only: the temple belonged to their distant ancestor. Similarly, an elderly Kat Hing Wai lady told me that Pak Wai Tsuen (i.e., Shui Tau and Shui Mei) people worshipped at the Hung Sing Temple. I have witnessed part of a waan-san (“thanksgiving”) ritual in Kat Hing Wai, which took place at the san-teng. I was told that for impromptu religious activities such as divination, some of the Kat Hing Wai women went to a temple at Tai Shue Ha [which is, as far as I know, not otherwise of interest to the Dangs of Kam-Tin] and some went to Ling-Wan Ji. They went to the Jau and Wong temple mainly during the jiu, and the temples at Shui Tau and Shui Mei were for their respective villagers alone.\n\nA san teng was probably considered to be of central importance to its village. When I walked with an elder to his house we passed the san-teng of Tai Hong Wai. He explained to me that it was the wai-jyu, and he compared its status in the village to that of the most senior and", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211950, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 365, "title": "RAS-1989", "content_text": "340\n\nrespected person in a family. I found in Wing Lung Wai that the households take their turn to take care of the incense and lamps of their san-teng. It probably plays an important part in major celebrations: in Tai Hong Wai I noticed that wedding deui-lyuns couplets had been put on both the san-teng doors and the village gate.\n\nOf a similar status were the places for the Gods of Earth and Grain, where communal worship (jou-se) is held once or twice a year. In addition, there is the hoi-dang ceremony for the new born children of the village. In the case of Tai Hong Wai, Kat Hing Wai, and Wing Lung Wai village-level collective worship includes a jiu. It is held once in seven years at Tai Hong Wai, once in five years, at Kat Hing Wai, and once in ten years at Wing Lung Wai. The Tai Hong Wai case is probably representative. The rituals are simpler than the one for Kam Tin as a whole, and lasted only two days and one evening. The main feature is the offering of paper clothing to hungry ghosts.\n\n49\n\nIn some cases the social unit involved in the rites for the new born and other collective rites is a lineage segment in a village and in one case a main village and its associated smaller settlements. Some villages have more than one place for the God of Earth and Grain. Shui Tau has two. The one belongs to the whole village of Shui Tau while the other one belongs only to the descendants of Gam-Tin jou, who have their hoi-dang there. Similarly, there is more than one place for the God of Earth and Grain in Shui Mei. One of them is worshipped by the Git-Sau jou people alone, who make offerings of paper clothing there at the Yu-Laan Festival. In the case of Tai Hong Wai, its jiu, and the rite for the newly born include as participants the villagers of Tsi Tong Tsuen and Tai Hong Tsuen. The hoi-dang at the Ching-Lok ancestral hall is not precisely a lineage event: only his descendants living in Shui Tau and Shui Mei take part.\n\nBesides worship associated with membership in residential and sometimes partially lineage segment units, there is worship organized by ritual associations. There are quite a few ritual associations (san-wui) in Kam Tin. Each has its landed property, which ranges from one daam-jung (about 65 thousand square feet) to about 500 thousand square feet of farm land. A share was inherited by all the descendants of the original shareholders. In some cases, one share was actually shared by a few dozen people. Some of the shares were acquired by the present holder by purchase. Worship by these associations takes place once a year, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211969, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 384, "title": "RAS-1989", "content_text": "359\n\nThe offerings included fruits and cha-gwo pastries. In addition to these they burnt paper clothing for Jau and Wong, and a yellow piece of paper with the characters wing-bou-ping-on (\"unremitting protection\") and some yun-bou for the earth god.\n\nB. Setting up the ghost flags\n\nEarly in the morning of the opening day, after the rite of Fetching Water, the ritual representatives on their own installed faan flag posts for the worship of ghosts. There were five of these posts, each set up by the ritual representatives of one gu.\n\nThe ritual representatives took precautions in this rite, since it dealt with ghosts. They told each other the taboos to observe in installing the posts. One should avoid speaking people's names out loud while this was being done. It would be wise to be silent. It was said (by the ritual representatives) that those who posted a faan should be those to dismount it afterwards. Some of the ritual representatives complained about not getting red packets for doing the rite. It was not for the money, they said, but for the good fortune.\n\nThese faan posts were initiated by the priests in the first Procession of Offerings.\n\nC. Inviting the gods\n\nBeside the temple gods and other localized gods of Kam Tin, gods were fetched from the Pat Heung Temple at Sheung Tsuen and the Yuen Kong Temple. These two places were included because the places, I was told by the villagers, originally belonged to Kam Tin. Also fetched was the portrait of the Heavenly Master from his altar inside the village gate of Tai Hong Wai.\n\nGenerally the ritual representatives of each gu were responsible for fetching their own gods: e.g. the gods at the Hung-Sing Temple and Man-Cheung Temple were fetched by the ritual representatives of Shui Tau. There were special arrangements for the gods important to the Kam Tin Dangs as a whole, and gods from outside the heung: (1) Ritual representatives no. 1 to no. 5 went to Ling-Wan Ji, as well as to the temples of Yuen Kong and Sheung Tsuen; (2) All 60 ritual representatives went to fetch the Heavenly Master from Tai Hong Wai; (3) The Head", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211971, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 386, "title": "RAS-1989", "content_text": "361\n\nBack at the ritual site, the ritual representatives installed the image of Gwun-Yam in the temporary altar dedicated to her, and the spirit tablets for the others in the san-paang altar for general gods. These, with the spirit tablets for the gods from the villages, gradually filled up the three levels of the temporary altar. Two ritual representatives fetched the tablet of Hung-Yi from the Ching-Lok Ancestral Hall to his altar on the stage. The portrait of the Heavenly Master was fetched from the village gate of Tai Hong Wai, and installed at a temporary altar set up for him in the Mau-Ging Tong ancestral hall.\n\nThere were also a few deities to be invited from the sky. They included Tin-Dei-Sheui-Yeung, the gods of the realms of Heaven, Earth (the Underworld), Water, and the human world; Gods of the Naam-Dau (\"North Dipper\") and Bak-Dau (\"South Dipper\"), both for blessings to men; the City God and the Lei-Wik (who supervises the local Gods of Earth and Grain and the Earth Gods); Tin-Chyun San-Gwan (two common titles of the highest deities); and the Dragon King. In the last stage of the Opening Rite there were complaints that those gods were omitted. But later on that day temporary spirit tablets for them were seen in the san-paang.\n\nD. Procession of incense I\n\nThe first Procession of Incense took place on the main day of the ritual, to the participating villages of the Kam Tin heung. It was to visit all the temples, shrines, and major ancestral halls to worship the gods and higher-level ancestors. There did not seem to have been a clearcut rule about the lower-level ancestral halls. When I mentioned to an elder that the procession had stopped and worshipped at Lai-Gaan Tong, his first response was that the procession should not have worshipped there. But he changed his mind later: the worship in the rite was indiscriminative, it went to every ancestral hall if the doors were open.\n\nA very large number of villagers participated. Priests took part in the procession as well, but their part was limited to a brief invocation. Most of the villagers wore hats with special ornaments indicating their villages. The procession was accompanied by the sound of large gongs, a flag saying jeun-heung (\"to offer incense\"), and the priests' musician playing sona. There was one lion dance group, and Luk Gwok flags and percussion teams playing drum and gong on lo-gu ga frames representing each of the five main villages. There were also flags", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211972, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 387, "title": "RAS-1989", "content_text": "362\n\nassociated with lion dance groups. The ritual representatives held incense burners, but the joss sticks in them were not lighted from the beginning to the end of the procession.\n\nMr. Dang Jik-Wai, an elder of Tai Hong Wai, with an outsider who had lived in Kam Tin since shortly after the war and was employed by the rural committee, led the procession. Mr. Dang had a list on a piece of paper of the gods to worship. The procession left the main ritual area where the participants had been waiting since the end of the rite of posting the Memorial.\n\nThey first stopped at the Wa-Bou altar for the God of Earth and Grain at Shui Tau. From there they proceeded to the Tin-Hau Temple at Shui Mei and worshipped at the Temple, and two nearby altars for the God of Earth and Grain. The procession then turned south to Ching-Lok Ancestral Hall at Shui Tau, and worshipped at the Ancestral Hall, and at the Hung-Sing Temple. Next they worshipped at another altar for the God of Earth and Grain of Shui Tau, the Yi-Dai School (i.e. Man-Cheung Temple), and the altar for the God of Earth and Grain for the Mui Jai Yun section of the village.\n\nThey entered Kam Hing Wai and worshipped at the san-teng, the earth god's place at the former village gate, as well as the altar for the God of Earth and Grain.\n\nThe party proceeded to Kam Tin Shi, where they worshipped at an altar for the God of Earth and Grain. They intended to enter Yau-Leun Tong to worship too. But it was locked and no one in the procession had the key. So they made the offerings at the door. They then entered Sa Bui Leng and worshipped at the ruin of a former san-teng and the god of the well.\n\nThey continued the procession to Ko Po, where they worshipped the God of the well, the God of the village gate, and an altar for the God of Earth and Grain.\n\nThe procession turned back and continued towards Kat Hing Wai, where they worshipped at its altar for the God of Earth and Grain outside the village wall, and then entered the village and worshipped at the san-teng. The procession then took Kam Sheung Road to the san-teng (?) of Naam-Teng.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211973, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 388, "title": "RAS-1989", "content_text": "363\n\nThey now entered Tai Hong Tsuen. They first worshipped at the san-teng. The party worshipped at a well of Tsi Tong Tsuen. Next they worshipped at Lai-Gaan Tong, and then at an altar for the God of Earth and Grain.\n\nThey made offerings at the spot where Gau Ga Chyun used to be.\n\nThen they proceeded to Wing Lung Wai, where they worshipped first at an altar of the God of Earth and Grain, then at the village gate, then the san-teng, and finally at the ancestral hall of Gwok-Yin Jou.\n\nThe procession turned back and went to worship at the altar for the God of Earth and Grain of Shing Mun San Tsuen, a village of outsiders who moved to Kam Tin when their village, Shing Mun, was destroyed in the 1930s for the construction of the Shing Mun Reservoir. Then the procession entered Tai Hong Wai to worship at its san-teng, village gate, altar for the God of Earth and Grain and well. After this the procession went back to the festival site.\n\nThe procession was received and treated to soft drinks and cakes at Shui Mei, Shui Tau, Sa Bui Leng, Ko Po, Kat Hing Wai, Wing Lung Wai and Tai Hong Wai by the local villagers.\n\nE. Procession of incense II\n\nThis second procession took place on the day after the main day. It was to visit Ying Lung Wai, the village of Hung-Yi's descendants outside Kam Tin, as well as the Yuen Long Old Market and the villages in its vicinity. The other spots were included because the Yuen Long Market had once belonged to a segment of the Kam Tin Dang lineage, and they used to have landed property in the surrounding villages.\n\nThe procession started at 12:40. The equipment involved was more or less the same as the previous day, but I also noticed something I had not seen before: two lanterns saying \"to offer incense\" and two banners saying \"keep quiet\" and \"keep clear\", and burning incense inside a \"pavilion\" on a table carried by poles. There were a very large number of people again, but less than the previous day. The same Dang Jik-Wai, and the headmaster of Mung Yeung School, originally from Ko Po, led the procession.\n\n363", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211974, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 389, "title": "RAS-1989", "content_text": "364\n\nThey left the festival site, passing Tai Hong Wai and Ko Po, where those who took part were offered drinks. They next reached Ying Lung Wai, where they were met by the lion dance of the village, and treated to soft drinks. They first worshipped at the altar of the God of Earth and Grain of Ying Lung Wai, then the san-teng and the village gate.\n\nThey proceeded to Tung Tau Tsuen, where they worshipped at the Tin-Hau Temple and then the Gwun-Yam Temple. No one came to meet them. But nearby two elderly ladies exchanged these remarks among themselves, \"The two temples belong to Kam Tin fellows, they wanted to repair them, but Tung Tau Tsuen would not let them\".\n\nThey proceeded to the Old Market. First they worshipped at the market gate then at the Bak-Dai Temple, and then at the Daai-Wong Temple.\n\nThen they moved on to Nam Pin Wai, where they worshipped at the altar of the God of Earth and Grain, the san-teng and the village gate. A man in his fifties sitting under a tree cursed the Dangs when he saw the Ambulance which was in attendance in case anyone was overcome by the heat. He said, \"Right. Let this Ambulance carry these Kam Tin fellows\".\n\nAt the nearby Sai Pin Wai they worshipped at an altar for the God of Earth and Grain. There was a reception. They proceeded to a Lam Yi-Hing Tong” inside Sai Pin Wai, and then the village gate and an altar of the God of Earth and Grain.\n\nThe procession finished with the Old Market and the surrounding villages, and went on to Yuen Long New Market. When they reached Sau Fu Street, they were offered soft drinks by people who had come from Kam Tin for that purpose. From there they walked back to the festival site at Kam Tin.\n\nF. The Procession with the King of Ghosts\n\nThe procession with the King of Ghosts took place during the evening before the Great Offering to Ghosts. In the first stage the Bak-Bin villagers carried the huge image of the Daai-Si Wong through their villages. Their Naam-Bin counterparts waited near Kam Hing Wai to take over the paper image for the second part of the procession. These were 22 young men, many carrying long bamboo poles with metal ends", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211984, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 399, "title": "RAS-1989", "content_text": "374\n\nwhich has been copied in an untitled manuscript in the possession of Mr. Dang Yu-Hing).36 Dang Kei-faan Genealogy in the Baker Collection of New Territories genealogies in the British Library.\n\n37 The elder was Dang Wing-Sau, the head of the lineage. I do not know which generation he was in. See Taga (1982:92).\n\n38 Translated in Sung (1974:177-179).\n\n39\n\n40 See table above and the genealogy in Kam Tin Historical Documents, vol. 1.\n\nProbably Dang Hei-Seui. See Sung (1974:166-168) and a genealogy of his segment included in Hugh Baker's Collection of Genealogies.\n\n41 Patrick Hase has drawn my attention to the importance of the monastery as central to the establishment Hung-Yi's descendants in Kam Tin, just as Ling To nunnery is to the Dangs of Ha Tsuen. The monastery and the earlier temple are a major element in the fung-seui of the Pat Heung valley and Kam Tin. The rivers important to irrigation in the area all flow from the mountain on which the monastery stands.\n\n42\n\n41\n\n44 I have not tried to find further information on this man in gazetteers.\n\nSee Sung (1973:112-113) for the Hung Sing Temple.\n\nThis was one of two stories. They were thought of as alternatives although there is no contradiction between them. I shall relate the other one later.\n\n45 I was told that the Juk-Yun Am used to be at the present site of the Gwaan-Dai Temple of Shing Mun San Tsuen, and San-Sin Fu near Shui Mei.\n\n46 Two items in Kam Tin Historical Documents vol. 2 were probably intended for this very grave. These were among the papers of Dang Ting-sam from the year 1873. The first was a request for donations towards the establishment of a charitable grave. The second was intended for a stone inscription. There is strong evidence that the charitable grave was established before the British came, although many present-day Dangs believe that those buried in the grave were those who died fighting against the British. The jiu festival record for 1895 included the Dei-Jong Wong of Tung-Fuk Tong among the gods to be invited, and an elder in his nineties remembered seeing gam-taap jars for bones when he was very small. He deduced that those must have been the remains of people who died before 1898, because one had to wait for many years he suggested ten — until the bones could be extracted after a first burial.\n\n47 A bin-ngaak (horizontal inscribed board) presented to the Buddhist altar at its completion included ten names who were believed to be the share-holders of the Tong. They were three Wan-Guk jiu descendants of Shui Mei: Baak-Cheung, Daat-Hung, and Jik-Hing; three brothers Yat-Wa, Seui-Chuen, Gam-Wa and two of their nephews, and Baak-Yi, all descendants of Wan-Gaan; and a Hin-Yiu of Kam Tin Shi.\n\n48 Plus a inscribed stone on the ground saying Naam-mo O-Mei-To-Fat, set up to offset the bad influences that caused traffic accidents near the stone.\n\n49 Hoi-dang for a village did not always take place at an altar for the God of Earth and Grain. In the Shui Mei case it took place at the Tin-Hau Temple.\n\n50 The elders made it clear that gu here does not mean “shares\".\n\n51 The subjects for these paper images were specified in the contract made with the craftsmen. The contract was included in the general record for the festival and was copied from the previous ones. But neither the organizers nor the contractor seem to have paid much attention to the details of the prescription.\n\n52 The object is probably more commonly known by the name dong 'an and is more often installed over the central area of the Taoist altar rather than in the backstage room. See", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212167, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 109, "title": "RAS-1990", "content_text": "86\n\nA local Ch'ao-chou cult image seen on a secondary altar in a tiny makeshift rural temple in Ulu Sembawang in Singapore is said to represent the spirit of a nine-year-old boy who died in the late 1960s. He is the medium spirit who speaks through his aunt, providing advice for local devotees. His aunt raised the image after she found that the spirit of the boy returned to her in a dream offering to help people. The boy is known by the title of 'the Prince of the East of the Sea', Hai-tung Tai-tzu.\n\nA Cantonese Kuomintang soldier, Huang Chin-ch'uang, crossed to Taiwan in 1949 with the retreating KMT forces. He was posted to Pingtung near Kaohsiung and served with a unit near the main village on the island of Little Liuchiu where some time later he became ill and died. The people of the village, remembering his kindness and goodwill and knowing that he had no family of his own, buried him in an auspicious spot on the hillside. He became the spirit guarding the hills above the village and also gained renown for his ability to protect fishermen in danger. A shrine, a privately run temple, was built in his honour and an image of him placed on the altar where he is now known as Marshal Huang despite having been a mere private soldier.\n\nWang was a sailor left behind in Java by the great Ming explorer Cheng Ho at the beginning of the sixteenth century. His image is to be seen on a side altar in the Earth God temple at Ancol, not all that far from Jakarta, whilst tablets dedicated to him are to be seen in Chinese temples in Semarang and near Sourabaya, all on the island of Java. Local Chinese belief is divided as to whether he was pure Chinese or Javanese, and whether he was a shipwright, navigator, or senior member of Cheng Ho's crew, or merely a Javanese interpreter. They are at one, however, that Wang was a Moslem and that he married a Javanese wife and lived out his days, dying peacefully in Semarang.\n\nOf these ten male and two female spirits, all but two are represented by stylised images on altars, and they are taken from each of the main ethnic groups along the south China coast, the Cantonese, Fukienese, Hakka, Ch'ao-chou, and Hainanese.\n\nFive originated during the past fifty years, three some time during the past century, whilst four definitely developed during the Ch'ing dynasty.\n\nOnly six of the spirits still have their full names remembered, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212296, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 238, "title": "RAS-1990", "content_text": "215\n\nrole in this “secularization” process, comparing Legge's leadership in the new Board of Education with the manner of a “born bishop” I believe his motivations must be read in the light of his postmillennial leanings. See n. 55 on postmillennialism. Also see James Legge, \"The Colony Of Hong Kong\", The Journal Of The Hong Kong Branch of The Royal Asiatic Society, op. cit., p. 188; also E. T. Eitel, Europe In China: The History Of Hong Kong From The Beginning To The Year 1882 (Hong Kong: Kelly & Walsh Ltd, 1895; reprinted in Hong Kong: Oxford University Press, 1983), pp. 347, 390-394, 466.\n\nSee Gwenneth and John Stokes, Queen's College: Its History 1862-1987 (Hong Kong: Queen's College, 1987). A number of the details of the origins of the school in relation to Legge are not correct, and should be compared with my article in Ching Feng (1988), op. cit.\n\n51 Prof. Legge's participation in the initial stages of the drafting of the Somerville College rules is not mentioned in some of the more recent texts on Somerville College, but his role as a member of the council (1881-1883) is found in Somerville College Register, 1879-1959 (Oxford: Oxford University Press, 1961), p. 272. In the minutes of the Provisional committee which later incorporated the College, Prof. Legge apparently helped to draft and support a college rule which, in its final form, read as follows: \"Prayers will be read daily in the house, and on Sundays the students will be expected as a rule to attend a place of worship chosen by themselves or their parents\"; an earlier proposal to eliminate family prayers, and a later proposal requiring instruction in the Bible provided by each House, were both voted down. It is also significant that the provisional committee set a rule that the members of the Council should include equal numbers of women and men. See the Notes of the Provisional Committee meetings for the year 1879, dated February 7, 15, and 28, held at Somerville College.\n\n* This picture is kept at the Library of the Oriental Institute at Oxford, and was recently used for the cover of T. H. Barrett's Singular Listlessness: A Short History Of Chinese Books And British Scholars, op. cit.\n\nHis reaction was primarily against the legalistic trends of Scottish Reform theology, particularly as it related to the harsher restrictions enforced on the Sabbath. At one point Legge, writing about his youthful days in Huntly, complained: \"The voice of Moses was allowed in our household too often to overpower the voice of Christ\". See Notes Of My Life, op. cit., p. 15, and James Legge, John Legge, ed., Lectures On Theology, Science, And Revelation (Papers by the late Rev. George Legge), XXII-XXIV. Still one must point out that the memorization of the Shorter Catechism left its mark in many of the themes discussed in Legge's The Religions of China. He may have rejected its ethics, but he was nursed and matured in its theological worldview.\n\n34 Legge gave his views on the sixty-fifth anniversary of the London Missionary Society, celebrated at Moorfields Tabernacle. See his \"The Land of Sinim,\" (London: John Snow, 1859).\n\n+4\n\n—\n\nThis perspective was technically supported by nineteenth-century \"postmillennialism,\" a view which generally interprets Biblical prophecies regarding the end of human history as one in which there will be no personal return of Christ. Postmillennialism claimed that God will reign on earth indirectly in a kingdom of peace established by his own people, the Church. This view normally involves the corollary that human achievements, particularly the advance of Christian civilization, would bring about the final state in which the Kingdom of God would be achieved. James Legge had been exposed to this position through the theology of his older brother, George Legge, and apparently accepted its arguments. See George Legge, Lectures on Theology, Science, and Revelation, ed. James Legge, et al., op. cit. Belief in a postmillennial view of history explains two important aspects of James Legge's academic work. First, it explains why he was concerned to locate a trace of revelation in the foundations of Chinese", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212297, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 239, "title": "RAS-1990", "content_text": "216\n\nculture, which would make Chinese culture all the more accessible to the influences of Christianization. Secondly, it explains why other missionaries who considered Chinese culture to be simply pagan refused to have anything to do with a fusion of Confucianism and Christianity. In their minds, such a combination would hinder the advance of Christian civilization, obstruct the work of the Spirit of God, and ultimately be destructive of God's plan to establish the Kingdom of God on earth. Legge's claim that God had left a trace in Chinese culture threatened their view of the desperate losiness of the Chinese people. In fact, Legge himself would agree with them in general on the issue of the need for salvation, but he disagreed with the missiological strategy which refused to look for any point of support for missionary activity within Chinese culture. Those who opposed Legge were in effect supporting a basic assumption: God would not employ the pagan Chinese culture for the purpose of establishing His spiritual Kingdom. This explained, from their point of view, why He did not send them any special revelation of Himself. It was precisely this latter claim that Legge vehemently denied: to overlook the Shangdi traditions in the Chinese Classics was to deny historical facts related to the destiny of the Chinese peoples.\n\nSee Confucianism in Relation to Christianity, op. cit. See for details of the comparison \"Some New Dimensions in the Study of the Works of James Legge (1815-1897); Part II\", op. cit., pp. 43ff.\n\n1\n\n57 James Legge, Christianity and Confucianism Compared in Their Teaching on the Whole Duty Of Man (London: Religious Tract Society, 1883).\n\nSH\n\nJames Legge, Christianity in China: A Rendering of the Nestorian Tablet at Si-an-fu to Commemorate Christianity (London: Trübner & Co., 1888).\n\nSV\n\nThe original twenty-four-page manuscript, entitled \"Sketch of Ho Tsun Sheen\", was written by Legge in March 19, 1872, and is kept in the South China letters of the London Missionary Society archives. It was later published as an article in a volume called Gleanings From The Mission Field (London: 1873?).\n\nMI\n\nSee The Evangelical Magazine and Missionary Chronicle (January 1833), p. 34; (March 1853), pp. 121-129; (December 1853), pp. 697-707; (supplement), pp. 757-764.\n\nA\n\nThe Taoist priest Legge mentions was one who restricted his study to Laozi's Daode jing, rather than the more esoteric doctrines passed down in esoteric Taoist training. Legge found him \"more prepared than the Confucian literati to receive the message of the Gospel\". The elderly woman convert, at whose deathbed Legge sought a final testimony of trust in Christ, had been \"a professor among her country-women of Taoist superstitions\", but after becoming a Christian she had been a faithful and effective witness for Christ. See James Legge, The Religions of China, op. cit., pp. 275-276, 296-297.\n\nIn Alexander Wylie's Memorials of Protestant Missionaries (Shanghae: American Presbyterian Mission Press, 1867), pp. 119-121, eighteen manuscripts, pamphlets, and books are cited as prepared by Legge in Chinese. At least one of these was done with his Chinese colleague, Ho Jinshan. See Shengjing Zhengju (Proofs of the Bible) (Fuzhou: Taiping Street Gospel Hall Press, 1870). Among these texts are two pamphlets in story-telling form on the lives of Joseph and Abraham which are of particular interest. I have seen a copy of the former in the Bodleian Library, and discovered that it was written in Cantonese dialect; I suspect that the latter is done in a similar fashion, but no copy of it has yet been found.\n\nIn the context of this passage, Dr. Legge found it necessary to emphasize that he had spent as much time with Chinese people as he did with their books. Every day he claimed to spend several hours in visiting them, not only in their homes, but also in their shops. In the same recollection, he also mentions regular ministry in the Chinese prison as part of his vocation. Later on in this passage, Legge's wit also comes through:", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212581, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 135, "title": "RAS-1991", "content_text": "115\n\nmanifestion of poverty to symbolise the family has sold everything to pay for an elaborate funeral. Two hanging bands of the attire are left of different lengths to imply the mourner is distraught and does not know how to tie it properly. Women do not make-up.\n\nFor Chinese Christian funerals family mourners wear black gowns, but it is not a 'good' colour as it absorbs bad luck. When Chinese wear a black necktie they often remove it as soon as they can after the service.\n\nThe dead person in this study, who for major events such as birthdays used the Chinese calendar, knew she was born in the year of the ram but she was never sure in which year of the western calendar she was born. Because she used Chinese reckoning she was one year 'older' than if she had used the Gregorian calendar. In addition, on death, three years are usually added, 'one each for heaven, earth and mankind (天 · 人 · 地). A little subterfuge regarding age seems justified. It increases importance at one's destiny. Emphasis is placed on prolongation of age and symbols of longevity are many. They include the peach, crane and tortoise. The God of Longevity is sometimes depicted riding a deer. Because in this study the deceased was around 70 it was described as a 'happy funeral' (喜事).\n\nBy midnight all had left the funeral parlour except the three daughters, two granddaughters and two amahs (maids) who kept vigil, taking naps on the floor or on chairs. In the past gongs were banged throughout the night to keep away evil spirits. Noise restrictions today prohibit this. Although all-night vigils are not common in England now, they are still practised in eastern European countries and among those, for example, of Lithuanian descent in Scotland. Wakes are also held in Ireland, often accompanied by card playing, drinking and jollifications in an adjoining room.\n\nFuneral Day\n\nThe same as the previous day visitors paid respects, some early, shortly afterwards leaving for work. Later, the hall filled for the service. Day and time were important, as with other events concerning mourning. The Chinese Imperial Calendar and Almanac (usually known as Tung Sing(通勝) meaning 'know everything book') was consulted. Some editions of this sell a million copies a year. Dating back before 2205 BC, it is said to be the oldest, continuous publication in the world.\n\nPage 135\n\nPage 136", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212599, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 153, "title": "RAS-1991", "content_text": "133\n\n21\n\nHugh Baker, 'Hell Bank Notes', Ancestral Images, A Hong Kong Album (1979), pp 105-108\n\n✰\n\n21\n\nHugh Baker, 'Nuns', More Ancestral Images, op. cit (1980), pp 13-16\n\nTin Sau Ho Coffin Shop, Hollywood Road, visited by author 20th July 1992\n\nThe Art of Death 1500 to 1800, exhibition at the Victoria and Albert Museum early 1992\n\n24\n\n09 Hugh Baker, 'Marsh', Ancestral Images Again, A Third Hong Kong Album (1981), pp 109-112; Frena Bloomfield, 'The Chinese Almanac', The Occult World of Hong Kong (1980), pp. 100-2, and 'The Chinese Almanac', The Peninsula Group Magazine 13 (Hong Kong, April 1978), pp 66-71.\n\n26 Hugh Baker, 'Mourning', Hong Kong Images. People and Animals (1990), pp. 121-3\n\n21 T.C. Lai, op. cit. pp 152-3\n\n28 Ingrams, loc. cit\n\n29 Carl T. Smith, 'The Emergence of a Chinese Elite', Journal of the Hong Kong Branch of the Royal Asiatic Society, vol 11 (1971), pp 74-115 (p 98).\n\n30 S.M. Bard, Study of Military Graves and Monuments Hong Kong Cemetery (1991), pp. 16 (B), 26 and 27\n\n32\n\n33\n\nJ. Dyer Ball, Things Chinese (first published 1903), p 166\n\nDiscussion between author and David Shu Tat-koon, feng shui master, 7 August 1992\n\nHugh Baker, 'Burial', Ancestral Images, op. cit. (1979), pp 17-20\n\n34 Hong Kong Government Urban Services Department / Urban Council Annual Reports\n\n3 Hugh Baker, 'Exhumation', Ancestral Images, op. cit (1979), pp 110-104\n\nJJ Hugh Baker, 'Exhumation', Ancestral Images, op. cit (1979), pp 110-104\n\n37\n\nFrena Bloomfield, 'Fung Shui: Chinese Earth Magic', The Occult World of Hong Kong (1980), pp. 103-114; and Ernest J. Eitel, Feng Shui (Singapore, 1984).\n\n38 Discussion between author and David Shu Tat-koon concerning his own theories, 7 August 1992\n\n39\n\nIn other cases the author has been told of dead people's spirits returning home three, seven, ten or other periods after death\n\n40 All dead persons except infants and wandering strangers are entitled to a spirit tablet\n\n41\n\nVisit by Hong Kong Branch, Royal Asiatic Society, to Sang Woo Loong Art Advertising Model Work Company, 28 Western Street, 10 December 1988, second visit by author to same establishment 20 July 1992.\n\n42\n\n43\n\nHugh Baker, 'Earth God', Ancestral Images, op. cit. (1979), pp 1-4\n\nHugh Baker, 'Mourning', Ancestral Images Again, op. cit (1981), pp 101-104. Laurence G. Thompson, op. cit. pp 54 and 55.\n\n44 Leung Chor-on, 'Blessings Are Not For All', The Hong Kong Anthropologist, no 5 (April 1992), pp. 26-28 (p. 27)\n\n45 Rubie S. Watson, 'Remembering the Dead: Graves and Politics in Southeastern China', eds James L. Watson and Evelyn S. Rawski, Death Ritual in Late Imperial and Modern China, op. cit., pp. 203-227", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212690, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 244, "title": "RAS-1991", "content_text": "Plate 10. Bulbous Chinese-style, China-fir coffins, stacked in a shop in Hollywood Road. A small shrine to the Earth God and the God of Wealth offers protection in the foreground. (Photograph courtesy of Kit Hayward)", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 213186, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 8, "title": "RAS-1994", "content_text": "PRESIDENT'S REPORT\n\nCONTENTS\n\nHON AUDITOR'S REPORT\n\nARTICLES:\n\nCarl Smith - The German Speaking Community in\n\nHong Kong, 1846-1918\n\nDan Waters - Foreigners and Fung Shui\n\nviii\n\nxiv\n\n1\n\n57\n\nKeith Stevens - The Taking of Chapu, May 1842\n\n119\n\nJames Hayes - The Royal Asiatic Society, Hong\n\nKong Branch\n\n129\n\n0\n\nElizabeth Sinn - The Study of Local History in\n\nHong Kong: A Review\n\n·\n\nNOTES AND QUERIES\n\n147\n\nAnthony Siu Kwok Kin - Notes on Cheung Pao Tsai ...... 171\n\nAnthony Siu Kwok Kin - A Short Biography of\n\nLai Chun Bun\n\n175\n\nWong Wing Ho - Yet More on the Man the\n\nEmperor Decapitated\n\n179\n\nRichard Webb - Earth God and Village Shrines\n\nin the New Territories\n\n183\n\nSPECIAL FEATURE\n\nAn English Bibliography for China Studies -\n\ncompiled by Betty Wei Peh Ti\n\n193\n\nvii", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213263, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 85, "title": "RAS-1994", "content_text": "65\n\nan extra $4 million because of an extension of time granted to a contractor when residents complained the district's fung shui was being disturbed. During the 1980s, amounts paid out annually by the Government varied between $500,000 and $950,000. From 1989 to 1991, ex-gratia payouts of nearly $2 million were made. The dilemma is always that if the Administration pays out on unproven claims, it will be accused of wasting taxpayers' money, and, if it does not pay, others will say the Government does not respect Chinese culture,\n\nBut as one retired Scottish civil servant explained, there are two kinds of fung shui. There is the one that villagers will accept money for to have it overridden. But nothing will compensate for actually severing the main \"dragon's vein\".\n\n'Money cannot buy good fung shui,' Tang clansmen told the Government when they turned down an offer of $1.7 million for agreeing to a 200-year-old ancestral grave being removed at Nim Wan, in the Deep Bay area, so that a landfill project could proceed. The Clan did, however, say that it would consider allowing the grave to be moved for a fung shui 'swap' scheme, and if Government demolished a police station at Ping Shan. They claim the station has for years 'crushed' good fung shui. In retaliation, the Tang Clan closed an ancient study hall and an ancestral hall along the Ping Shan Heritage Trail. At the time of writing, the dispute had still not been settled.\n\nThe Hong Kong Government has also tacitly accepted certain aspects of Chinese folk religion. Some Government offices have had Earth God shrines (82) erected outside them. An example was Murray House (near where the new Bank of China now stands), which was demolished in 1982. It had a reputation among Rating and Valuation Department staff, who worked there, of being haunted. Other Government offices which have had shrines outside them include the office of the project manager at Empire House, while it was being built in 1991, in Tsim Sha Tsui East. Also, various government project managers' offices in the New Territories have had small shrines erected outside them. Who actually paid to have these shrines set up is not clear. Again, on countless occasions, the ceremonial carving of a suckling pig, on an appropriate day, has appeared to civil servants to be well worth the expense in that it allayed concerns of staff and, afterwards, members worked better.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213275, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 97, "title": "RAS-1994", "content_text": "77\n\nEuropeans and Chinese have commented that, on entering, one senses a feeling of tranquillity.\n\nOne Chinese lady was keen to live in Realty Gardens. She paid her deposit in 1972, shortly before the flats were completed, and she was allocated a flat in another block. On learning the fung shui in the second block was not so good as the flat examined in this case study she promptly withdrew her application. Even though she could ill afford it she relinquished her deposit,\n\nIn today's world much is happening at a rapid pace. Yet the powers of the natural environment are still important. Psychologists, sociologists and environmentalists warn of the dangers of alienation of people from nature. The Eight Chinese Elements of Nature are: fire, thunder, heaven, water (the ocean), water (rain), wind, earth and the hills. A valley with favourable fung shui is considered good for farming. A village should preferably be situated at the foot of a hill so that the vitality of fung shui flows down. Also, paths leading to or from a hamlet should meander or zig-zag so that evil spirits, which travel in straight lines, cannot follow people walking along them.\n\nMost Chinese feel they are part of nature, and, everywhere they turn, they try to imagine things are alive. Consequently, most do not move into a flat blind to fung shui principles. It is important to 'examine the earth and taste the water'. One of the 'tests' is to take a babe-in-arms into a house and see how it reacts to its surroundings. Does it cry or does it lie peaceably?\n\nUntil the late 1960s, the gracious old Foreign Correspondents' Club stood on the site where the housing complex, Realty Gardens, now stands. Many of the old features in its communal garden, such as steps, retaining walls, rainwater catchment channels and pavilions with green, sweeping, glazed tile roofs, are still there.\n\nJust as alongside a path on the edge of a village an earth god shrine is usually positioned, so, as you enter the flat in this case study you are faced by a figurine of Chung Kuei, the eighth-century physician. Wearing a maroon and white robe he stands, smiling, on a ledge by the front door. In his hand is a fan on which a bat perches. Chung is a protector against evil and an expert at catching ghosts. He may be likened to a guardian", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213287, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 109, "title": "RAS-1994", "content_text": "89\n\nunease (even dread) if certain lore is followed concerning the construction or the furnishing of a building. A Chinese geomancer will probably be able to give specific reasons why it is so. It is not difficult to imagine that if someone's home is 'tranquil', and that if he or she feels 'comfortable' there, that this will be 'picked up', sensitively, eventually resulting in a greater degree of self-possession and, consequently, greater accomplishment.\n\nIn Chinese communities talismanic paper emblems above door frames, like the 'Five Happinesses' (signifying long life, wealth, health and peace, love and virtue, and natural death after a full span) are common. Understanding something of metaphysics one realises the power of the negative word. The Chinese characters signifying 'Coming or leaving go in peace', painted on a strip of red paper and pasted by the entrance, although by no means hypnotic or yogic techniques, mean a great deal to many. It psychologically 'hearts are put at ease' by constantly reading such messages (a form of auto-suggestion) then the desired effect is achieved.\n\nSome Chinese symbols can be compared with an old shoe tied to the back of the car of a newly married English couple; or a horseshoe (which must hang the right way up) by the door of a cottage. Inside the parlour you might find the motto, 'Bless this house', displayed. Certainly during World War II a number of British aircraft crew members, on bombing missions over Germany, carried lucky charms, such as rabbits' paws.\n\nFung shui has been likened to the pull of gravity or high voltage electricity. Others describe it as dei mat, the veins through which the pulse of the earth can be sensed. The end result, many believe, is directly proportional to the degree of skill of the fung shui practitioner. With the cosmos in a constant state of flux his task is to analyse bad elements and to advise on cures to help balance or restore the build-up and circulation of chi. Often it is accepted the fung shui specialist cannot prevent something from happening. But if he has mastered his art he can make the effects less severe.\n\nOf course it does not always happen so. 'My fung shui lo (\"fellow\") did not tell me so much red in my flat would upset Ng Wong (the Fifth King God),' a Chinese woman told the author. 'Also, he did not forecast the death of my friend's mother. All he is concerned with now is taking on as...", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213301, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 123, "title": "RAS-1994", "content_text": "103\n\nif you wait long enough\n\nof what is prophesied is inevitable (Freedman, 1976:228). And to those who express doubts, in answer to the question 'Does fung shui work?' a master once replied: 'Do you ever ask your physician whether his treatment will be effective?'\n\nThe Chinese, including the 50 million odd diaspora, by and large, are industrious; deep down they are believers in the capitalist system. They are achievement orientated; they set great store by education and the advantages it can bring to the person with drive. After all, man is at his best when he has a strong sense of purpose. Carrying on from there, some Chinese believe 'good joss' is the just and inevitable reward of the diligent and skilful. Nevertheless, many still also believe in what can be styled the cruel apportionment of fate. This means, in effect, that when a baby 'comes down to earth and cries three times' his or her life pattern has already been decided. Yet, contrarily, most Chinese believe fate can be ameliorated by enlisting the powers of a fung shui master.\n\n'First is birth, second is luck, third is fung shui, fourth are good deeds on earth, fifth is studying.' If your fortune is good and you were born under a lucky star, that's fine. But a fung shui master can make things even better. It may take time. Investment does not always show immediate returns.\n\n15\n\nLin Yutang (Lin, 1936:301) wrote, '... although geomancy is undeniably a superstition, it has great spiritual and architectural value.' It is, of course, far more than that, and full advantage is usually taken by a competent practitioner of the interplay between luck and natural forces. A large amount seems to depend upon the cultivation of a sixth sense. Some Westerners say too much depends upon intuition and too little on logic. A Chinese might reply by asking in what other way can you handle an ancient, classical system with a name directly translated as 'wind and water'? A wind that Westerners cannot comprehend and water they cannot grasp.\n\nLike many doctrines where one is told 'to have faith', philosophical beliefs, so often, depend upon unprovable statements. Eugene Ho (Ho, 1987) asks, in his letter to the editor of the South China Morning Post, why Saint John's Cathedral, which has stood for so long, was cited by a previous Chinese letter writer as standing on a fine site which is protected by the 'dragon's vein'? Why is it not protected by the Christian God, who", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213374, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 196, "title": "RAS-1994", "content_text": "183\n\nEARTH GOD AND VILLAGE SHRINES\n\nIN THE NEW TERRITORIES OF HONG KONG\n\nRICHARD WEBB\n\nThe investigation of spiritual landscapes and sacred places is traditionally the task of the geography of religions, itself a branch of cultural geography (Fickelei, 1962). Geographers who have examined sacred space as an expression of landscape include, and are summarized by, Mansberger (1991).\n\nWithin the set of traditional beliefs known as fung shui, in the New Territories of Hong Kong, the material prosperity of the community and its individual members depends upon that community being located in particular harmony with the landscape and in maintaining that harmony. It is a landscape, moreover, which encompasses not only the physical and aesthetic landform, but also, it is believed, the spiritual, less tangible landscape manifestations of powerful Earth forces, seen as natural hazards, which if not controlled, may adversely affect that community. However, the control of these forces and a reduction of these hazards often has a sound practical basis in a region beset by typhoons and landslips and practising wet-rice farming (Lovelace, 1983). In many ways, therefore, the landscape of the New Territories valleys and the reasons why earth god shrines, the fung shui woods behind traditional villages, and even individually venerated trees are located where they are, and why they have survived periods of adversity and cultural change, has much to do with a spiritual interpretation of that landscape.\n\nAt its most basic, fung shui is the study of the environmental and intangible forces which influence human destiny and well-being (Lo, 1992). \"The art of living in harmony with the land and deriving the greatest benefit, peace and prosperity from being in the right place at the right time is called feng shui\" (Skinner, 1982). Lovelace (1983) looks at the very close parallels between fung shui and the practice of wet rice agriculture and reveals the practical basis of much fung shui lore. A detailed analysis of the relationship between fung shui and the development of a typical yet specific New Territories village is provided by Hase (1992).", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213375, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 197, "title": "RAS-1994", "content_text": "184\n\nIn its strict forms, fung shui does not involve the presence of a deity but in the rural villages in the New Territories, especially in the Hakka villages, a belief in fung shui is intimately interwoven with an older animistic belief in earth gods and tree spirits. Fung shui is intimately interwoven with the Tao and is an aspect of popular Chinese belief systems,\n\nThe comments and examples given in this account are taken from a doctoral thesis in social forestry carried out by the author on fung shui woods in the New Territories from 1990 to 1994 (Webb, 1995b). The study identified 337 fung shui woods in the New Territories from air photographs, examined the botanical composition of 60 woods, and carried out in-depth interviews with village representatives in 20 villages to determine how villagers used and perceived their woods today.\n\nOf great importance to the fung shui of a village are the shrines to the village spirits and earth gods. The earth gods have the generic name poo sat (good spirit), but may also have their own local names. For example, the earth god's name at the Tai Wong shrine of Ma Mat Wai near Fanling is 'Hin Tan'. The earth gods are territorial because they are thought of as spirits of the locality (genii loci) in which their shrine is situated. They are typically located by a large boulder or venerable banyan tree. The earth god, in its various forms, is seen as the presiding deity of the village, its protector and arbiter of disputes. Villagers will make offerings to them in return for favours at specific times (Burkhardt, 1958)\n\nThe earth gods may also be known generically as Tai Wong (great king) and Paak Kung (paternal great uncle), and are associated with shrines also bearing these names. At first sight and without local knowledge, it is often difficult to distinguish the two, but generally the former type of shrine is the more elaborate. The wealthier the village the more elaborate is the shrine, but no study has yet been done on styles of shrine in the New Territories. Just as village houses were constructed by travelling groups of masons (Hase, 1992), so village shrines may also have been built in the same manner, so that within any one district the shrines may display the same style of design.\n\nA Tai Wong shrine may have its own stone or cement platform with a similar \"armchair\" shape to that seen in the layout of traditional graves. On the altar, the focus of the shrine, often a special stone or inscribed plaque, may be provided with a roof. To one side of the shrine there may", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213376, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 198, "title": "RAS-1994", "content_text": "185\n\nbe a stone or brick fireplace in which paper money and other paper offerings are burned. Occasionally a Tai Wong may be dedicated to a particular deity, such as at Pak Kung near Sai Kung which has its Tai Wong dedicated to Tin Hau, protective goddess of fishermen. A large village may have its own Tai Wong, but it may sometimes be shared with other neighbouring villages of the same lineage, as occurs with the Lam Tsuen villages.\n\nThe Paak Kung shrines, of lesser importance, are more simply built, often no more than an \"archway\" arrangement of stones upon a flat rock, with perhaps wooden boards on which paper scrolls are pasted. In any village there would normally be several Paak Kung. The village of Pat Heung, for example, has around ten Paak Kung and earth god shrines.\n\nIn some cases, especially with the lesser ranked Paak Kung, the shrine may be the tree itself and is only marked by the presence of joss-sticks and porcelain cups for rice wine offerings, sometimes on a flat stone at the base of the tree. Examples of such tree spirit shrines may be seen by the large banyan trees behind Sheung Ling Pei, and the enormous camphor trees, Cinnamomum camphora, behind Sha Lo Wan, both on north Lantau. In both cases, the surrounding fung shui woods were felled by the Japanese during the Occupation in the Second World War, with the exception of these trees, which are now venerated for having \"saved\" the village. The camphor tree at Sha Lo Wan is one of the biggest in the Territory, with a girth of over seven metres.\n\nIn the New Territories, the fung shui tree par excellence is the banyan, Ficus microcarpa, which symbolizes longevity, fecundity, and perseverance in the face of adversity. Apart from its natural resilience in the face of typhoons, the ability of the tree to survive in an environment where wood has been at a premium is explained by Ng (1983). \"Its wood is gnarled and so cannot be used as timber, it will not flame and so cannot be used for firewood. Its very lack of useful properties ensures its invulnerability and survival. It is often favoured as a single fung shui tree, when it becomes the home of a local tree spirit and is given great respect and provided with offerings, so that it often appears to be a form of tree worship. The \"grandfather\" tree at Kuk Po is an example.\n\nSometimes the fame of a particular tree-dwelling earth god extends beyond the locality of the village. Near the village of Lam Tsuen, a venerable banyan is claimed to have a spirit which is especially efficacious.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213377, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 199, "title": "RAS-1994", "content_text": "186\n\nin matters relating to personal relationships. During Lunar New Year, hundreds of people come from all over the Territory, even from as far away as Aberdeen on Hong Kong Island, to offer prayers at the foot of the tree and to throw red and yellow prayer flags, attached to strings weighted with stones, up into the branches.\n\nOnly in four villages was it claimed that the special trees were the home of earth gods. At Lin Au, the large, old Cinnamomum trees were planted by the villagers when the settlement was founded in order to protect the shrine that was built to honour the ancestors. The earth gods have their home in the trees and also roam about in the wood. Lin Au and Sheung Tsuen were the only cases found where this was said to happen, but it may be that such a belief could have been more widespread in the past. At Pak Kong, a grove of six trees protects the Tai Wong shrine to Tin Hau beside which is a smaller Paak Kung that is used to worship the earth gods who live in the trees. Kuk Po is also an example of an ancestral tree which is also the home of the local earth god.\n\nIn most cases, however, the tree adjacent to the shrine is there simply to provide shelter. In the study carried out by the author, a variety of reasons were given as to why specific trees were protected and the commonest reason given was that the trees protected the important shrines of the village, which were both Tai Wong and Paak Kung shrines. The shrines were situated at important fung shui locations, usually protecting the entrance points of the village from loss of chi (good luck or prosperity) and affording protection from undesirable forces. The spirits live in the shrines rather than in the trees themselves. For example, at Tai Om, camphor trees protect each of the three Paak Kung shrines in the village and trees protect four of the principal shrines in Man Uk Pin. Such trees are commonly banyan, or camphor, although other species may be used. The commonest shrine trees found during the study were;\n\n \n Ficus microcarpa\n Banyan\n 19\n \n \n Cinnamomum camphora\n Camphor\n 13\n \n \n Euphoria longan\n Longan\n 5\n \n \n Gironniera nitida\n \n 5\n \n \n Litchi sinensis\n Lychee\n 4\n \n\nin addition to 26 individuals of other less common species.\n\n19", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213378, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 200, "title": "RAS-1994", "content_text": "187\n\nIn Ho Sheung Heung, the 'guarding star' at the entrance to the village is a bamboo. However, it is not always the case that a tree growing beside a shrine has any relationship to that shrine. At Ho Sheung Heung trees besides the southern Pauk Kung have no fung shui significance and have simply grown up there. At Tar Om trees near the main shrine have grown up in the seventy years since the shrine was built and have little, if any, fung shui importance. None of the villagers questioned thought that the fung shui woods had any sacred or spiritual value outside their fung shui importance.\n\nAnother important reason for the protection of large, old trees was that they had been planted by the ancestors. Examples are at Man Uk Pin, Ma Mat Wai, Ping Kong, and Ma Tsuek Leng. Few of these trees were individually venerated except for the 'grandfather tree' at Kuk Po which was planted by the founders of the village to honour the local earth gods.\n\nVillages often have examples of many types of fung shui tree. An example is the village of Sheung Wo Hang which has an inviolable fung shui wood in which all vegetation is protected, in addition to ancestorally planted trees which guard particular shrines and which reinforce certain fung shui locations, as well as earth god trees without shrines.\n\nIn some cases, shrines may not be dedicated to an earth god. At She Shan Tsuen in Lam Tsuen valley, a small shrine at the edge of the fung shui wood makes the spot at which hunters would gather to make offerings before the hunt. There is a parallel here with those shrines in the sacred forests of Nepal at which hunters gather to worship (Mansberger, 1991).\n\nBoth Tar Wong and Paak Kung shrines guard the important places and fung shui points of the village, such as the wells, irrigation dams, \"dragon veins\" and especially the entrances to the village. The latter are often marked by a Tar Wong shrine. Where a path or road leaves a village, invariably where an approaching path curves around the end of a fung shui wood, the site is known as \"the mouth of water\", (the flow of a road symbolising water). The site is often associated with a clump of bamboo, a large rock or a large camphor or banyan tree, or sometimes all three, known as a \"guarding star\" in fung shui terms, as it guards against excessive outflow of chi from the village.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213379, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 201, "title": "RAS-1994", "content_text": "188\n\nThese sites and their associated trees, which are usually of a great age and which villagers often claim were planted when the village was founded, are of fundamental importance to the fortunes of a village, more so than the fung shui woods themselves. In some villages, such as Ma Mat Wei, during the last war fung shui woods were felled so that rice could be bought for the impoverished villagers. The important individual fung shui trees, however, were never felled. Villagers will go to great lengths to protect these sites from private development and from government projects. Roads may be diverted to avoid harming such sites. While the importance of certain trees can be determined on fung shui principles, villagers who do not possess any fung shui knowledge may just call any tree they want to protect a \"fung shui tree\".\n\nShrines are in various states of repair or dilapidation according to the devotion and resources of the villagers and shrines may sometimes be completely rebuilt, such as at Tai Om where one of the main shrines was first built seventy years ago, but was rebuilt in the last few years and is surrounded by a small garden. Sometimes shrines may also be relocated, usually because of a road widening scheme, and the relocation of a shrine is a very serious fung shui matter. The relocation shrine at Wo Hop Shek, near Fanling, is an example.\n\nOccasionally a shrine may be abandoned, presumably due to a loss of efficacy by the residing deity. The Tai Wong shrine in the wood at Ho Sheung Heung is no longer worshipped, while it is the earth god, Fuk Tak Gung, who resides in the comfort of the village temple. There are also three Tze Jik shrines, which are more important than Paak Kung, protecting the village to the north, east and south. These shrines are particularly worshipped by farmers and protect the whole community.\n\nA typical layout of village shrines may be seen at Man Uk Pin, north east of Fanling. The Tai Wong shrine on the northern arm of the fung shui wood protects the whole village. The water spirit Paak Kung, by the dam on the stream which borders the fung shui wood, ensures the safety of the drinking water supply. There are also four other Paak Kung facing each of the four directions, with trees planted to protect them, including two within the fung shui wood, and one in the middle of the village. The villagers of Man Uk Pin take their spiritual protectors very seriously. Several villagers claim to have seen the spirit of Tai Wong himself while they were walking along the path at night. He was seen to be dressed in", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213380, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 202, "title": "RAS-1994", "content_text": "189\n\ncourt robes and glided along the path only to disappear into the base of a tree once he drew parallel to the watcher. Villagers have also seen fires at the Paak Kung shrines even during rain\n\nThe village with the greatest number of shrines, out of the 20 villages examined in detail in the study, is Sheung Tsuen (Pat Heung). The more important Tai Wong shrine is housed in the 200 year old temple and is the governor of the village. There are also ten other Paak Kung and earth god shrines located around the village. Six of the Paak Kung protect the village at night while four earth gods of a lower rank are located in each of the four directions and are 'on duty' for twenty four hours a day as general security guards and to prevent people from becoming lost. All the shrines are worshiped on the first and fifteenth day of each lunar month and on major festivals\n\nWorship at the shrines varies from village to village, although it is common that worship is carried out on the first and fifteenth days of the lunar new year. Seven of the villages performed rites at their shrines at this time. Offerings may also be made with prayers at the main Chinese festivals, particularly during Lunar New Year and the Mid-Autumn Harvest festival, as well as at weddings, births and the birthdays of elders and ancestors and for general thanksgiving.\n\nSome villages have their own special ceremonies. At Ma Mat Wai, the Paak Kung shrine to the earth god 'Hin Tan' is worshipped on 'farmer's day' on July 14th and at the harvest festival on August 15th. The shrine at Pak Kong is worshipped on the birthday of the popular sea-goddess Tin Hay. The Hei Shą Fuk festival is only carried out at Wo Hop Shek, near Fanling, at the end of the last month of the lunar year and at the end of the first month of the lunar calendar. Each family in the village contributes $30 to buy pork which is cooked with vegetables on stoves built into the Tai Wong shrine. February 13th of the lunar calendar is the god Hung Shing's birthday in Ho Sheung Heung, which is even more important for the village than Lunar New Year. For three days before the god's birthday, an opera is held in front of the Tze Tong while a feast and dragon dance takes place on the day itself. In June a feast day is also held to commemorate two officials, Chou and Wong, sent by the Emperor to save the village from pirates. This may represent those officials who came to rescind the Imperial evacuation order in 1669. The festivals in Ho Sheung Heung are organized by the master of the temple but in other", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213381, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 203, "title": "RAS-1994", "content_text": "190\n\nvillages, worship at the shrines is carried out on an individual or family basis usually involving the elderly ladies of the family.\n\nApart from occasional worship within the village, the earth gods and tree spirits are regularly given wider recognition. It is believed that over time a spiritual malaise builds up in an area, resulting from disputes, illness, deaths and general wrong-doing, that requires a major ceremony to cleanse and restore spiritual balance and harmony. The expense involved with holding such a ceremony means that only a group of villages will be able to afford a Da Chiu ceremony every ten years. The whole community is involved and overseas members will make a point of returning for the Da Chiu \"because we want our children to know our old customs\", and because having one's name registered on the Bon, or roll of village names, confirms one as a member of the village. It is a public statement of unity and of belonging to the community. For a fuller description of the Da Chiu see Ward and Law (1993).\n\nThe main temporary structure at the Da Chiu is the temple which holds every god worshipped or known in the district, including the earth gods, well gods and tree spirits. A small ceremony will be held at the fung shui tree at which the residing spirit is invited to enter a sweet potato into which a bamboo is tucked bearing the name of the god on a piece of red paper. The god is then brought to the temple and after the Da Chiu is returned to its tree or shrine with due ceremony.\n\nThe presence of shrines and large, old venerated trees adjacent to fung shui woods, are parallel features to those found in sacred forests in India and Nepal (Mansberger, 1991). They are features which help to classify the fung shui woods of the New Territories of Hong Kong as a form of sacred wood, or culturally protected forest, unique to South China, but with parallels throughout southern Asia.\n\nREFERENCES\n\nBurkhardt, V.R. (1958) Chinese Creeds and Customs South China Morning Post 3 69\n\nFickeler, P. (1962) Fundamental Questions in the Geography of Religions In Wagner, P. & Mikesell, M. (eds) Readings in Illinois, 94-117", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213788, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 140, "title": "RAS-1996", "content_text": "111 tablets were set up on a table before the picture. The one in the middle is dedicated to Taishang Laojun (styled Taishang Hunyuan Jiaozu Daode Tianjun) and the masters of the priest. On the right was one for the ancestors of the groom styled Pengshi Tangshang Shigaozhengzu Kaobi shenwei (“Founding ancestors, and great grandfather and grandfather\"). On the left-hand side was one for the gods of the four domains Heaven, Earth, Water, and Yang. Offerings on the table included plates full of homemade red-colored buns from, I was told, each household of the village.\n\nThe rite started at a quarter to 7 p.m. and continued, with intermissions, until about half past 4 a.m. the next morning. The assistant who dressed as a woman joined the priest in most of the rites, with the exception of the first rite “invitation of gods”, and probably the last one of “seeing off the gods” which seems to have been performed by the priest alone, and the rite of “pacifying the kitchen god\" which was performed by the \"woman\" assistant alone. The assistant held a fan in one hand and a handkerchief in another. The two danced together, forming postures in which the priest kicked at his \"female\" assistant. The rituals made frequent use of the horn, the divination block, and mudra formations. A third assistant played percussion instruments to their accompaniment.\n\nThe series of rituals begin with an invitation of gods. I recorded in my notebook that in the final section of the rite the priest faced the table at the ancestral altar and mentioned langming and gongming in a recitation about the purpose and scope of the ritual. I have already mentioned the rituals connected with the maintenance of an army under the control of ancestors. Another important session is the Jianchao, \"witnessing the Chao”, which is an offering of a raw pig. The pig was placed before the table at the altar, with its head facing inside. The offering included the whole pig, with even blood and hair. On the back of the pig's neck, three cuttings had been made; fixed in the middle one were incense sticks and the two sides candle sticks. The chicken song should have been performed in the series. Some of the villagers present expected to hear it. But the priest and his \"female\" assistant omitted the singing because they had not recovered from their sore throats that had resulted from the Anlong rite they performed at Cheng Lan Shue a few days ago.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213803, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 155, "title": "RAS-1996", "content_text": "126\n\n47\n\nform of incense ashes rather than tablets suggests that the ancestor halls did not use tablets to represent ancestors individually. It is also found in the Yingsheng (\"Reception of the Holy\") dedicated to the main honoured gods during the Jiao festivals, and the Yingshen Guiwei (\"Escorting gods to their places\") during the Hongchao festival of Fanling, both conducted by Cantonese Daoist priests in the New Territories. An elder of Kam Tin compared the Yingsheng ritual with the ancestral hall ritual found in the Qingle ancestral hall of Kam Tin, to which I shall refer below. I am not sure if a cloth “bridge” is used in this ancestral hall ceremony.\n\nOp cit pp 142-144. In a recent visit to Cheng Tau, a woman in her 60s referred to the ancestral hall as a-gong ha (\"the Place of Ancestors\"), which seems to have been the more usual expression for ancestral halls among the Hakka. Compare the expression with Bak-gong ha ('the Place of the Bak-gong earth god'). It is interesting that the title of this category of earth god, whose territory is more limited than the dawang, shares the expression for \"elder brother of grandfather\".\n\nibid p. 224 » 10\n\n174\n\nibid p 160\n\nDiscussion of this aspect of ancestral worship is summarized in C Fred Blake, Ethnic Groups and Social Change in a Chinese Market Town, The University Press of Hawaii, 1981, pp 92-93, 115 n 1, 116 n 2. A possible example is the case of Wo Hang, N. T. where an ancestral hall of the second fang houses the spirit tablets of the first and second generation. See Allen John Lueck, Lun Chun, Land is to live: A study of the concept of isu in a Hakka Chinese village, New Territories, Hong Kong, unpublished PhD dissertation, Department of Anthropology, University of Chicago, 1985, p 273.\n\nCompare H G H Nelson, \"Ancestor Worship and Burial Practices\", in Arthur P. Wolf ed., Religion and Ritual in Chinese Society, Stanford University Press, 1974, pp. 263-267, on the shen-ting which fulfilled the functions of domestic altars for the households in each area” in a Cantonese village in the New Territories. He observes that the shenting \"occupy a place half way between [tang ancestral halls] and domestic altars”.\n\nVol under Donga jie (\"Winter festival\")\n\nTON Op cit. pp 147-148\n\nOp cit. p 12\n\nOp cit. p 176\n\n100\n\nIt is interesting to note the distribution and context of Mountain Songs. It is interesting to note that Mountain Songs were sung only by the male villagers (in some festivals with women hired from other villages) in the Cantonese villages whose dialect is known to others as daaih ga wo (\"big family language\"), and which correspond to the area of the five big clans. In some of the other Cantonese villages, e.g. in Shatin and Saikung, Mountain Songs were sung by the women on the eve before a wedding at the bride's home. Mountain Songs, and related pre-marital courtship, was more popular among some female Cantonese villagers in the Kowloon area who cut grasses for sale as fuel. The livelihood of these women, like that of the Hakka immigrants, depended more on the city. I know much less", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213831, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 183, "title": "RAS-1996", "content_text": "156\n\nIn recent years, mass emigration to the cities has further weakened the lineage tradition at some villages. Only the Mos at Mok Ka and the Los at lower Shek Lau Po seem to have maintained the status of their lineages. As the strongest lineage in Tung Chung, the Mos managed to rebuild their ancestral hall, the Mo-yu-t'ang, and continue to visit the graves of their focal ancestors collectively. As for the Lo lineage at lower Shek Lau Po, the reconstruction of their ancestral hall, the Lo-yu-chang t'ang, in the 1970s, as a centre for ancestor worship, contributed to the reinforcement of lineage identity. Nevertheless, the majority of Tung Chung's villagers worship their ancestors inside their family halls.\n\nThe worship of the earth god in Tung Chung also occurs on a small scale. Symbolically, the earth god stands for the spirit of the village at which he is located, and is represented usually by a rock at an open-air shrine or by an old banyan tree. Variously known as Ta-wang (great king) or Po-kung (lord or paternal great-uncle), the earth god guards a village at its entrance or rear. As a guardian deity at the basic level of rural organization, the god helps to mark the territorial line between villages. In Ngau Au, for example, four Po-kungs are located there at both the entrance and the rear of the village. Three of them, as a village elder confirmed, are more than three hundred years old. At Mok Ka, earth gods are enshrined, two by the stream and one at the village entrance, and one at the rear of the village. As the oldest village, Shek Mun Kap has the largest earth god, represented by a giant boulder.\n\nOn the 1st and 15th of every lunar month, during the major festivals, and on the earth gods' collective birthday, Ta-wang or Po-kung are offered sacrifices. On auspicious days of their choice, villagers also come to pray for the god's blessings and repay his protection. The ceremonies concerned include the display of wine and animal sacrifices in front of the shrine, the spraying of the wine on the ground, the burning of paper offerings, and kowtow to the god. Compared to ancestor worship, the earth god worship functions more directly to enhance the village identity, especially among individual members of a mix-lineage community. In Tung Chung, however, the ceremony has never taken the elaborate form of the tso-she (doing the she), i.e., special collective rituals and celebratory activities consisting of a feast in honour of the neighbourhood god at various times of the year. Being", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213832, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 184, "title": "RAS-1996", "content_text": "157\n\nlimited by the size of its villages and their economic status, Tung Chung did not adopt the tso-she ceremony in the earth god worship as Kwangtung's countryside did in the 1920s. Again, worship is mainly on a personal, rather than village, basis.\n\nThe most important supra-individual/lineage inter-village social activities in Tung Chung, as remembered by the older generation, were the chiao ceremony and the Houwang's Birthday Festival. Literally meaning sacrifice or offering, the chiao is a large-scale Taoist ceremony, performed to wipe away evil, forestall calamities, restore peace, and renew life in the way of cosmic harmony for the entire population of a community. It consists of a series of rituals, which are commonly called ta-chiao (arranging sacrifices or making offerings). In spite of its rich meaning, the chiao can be better understood as a festival with a dual purpose: giving thanks to the deities and offering sacrifices to the spirits of the dead. Basic items of activity include chanting by Taoist priests, called nun-mo-lao (chanting fellows), inviting local deities to the altar placed in a matshed, going to the puppet show and the communal meals, and joining a parade through the villages. Beginning in the late Ch'ing, the chiao ceremony was held in Tung Chung regularly in the 14th lunar month, and especially after plagues had taken many lives there. The Shek Mun Kap village, being the oldest village in the area, served as the locale. According to an old villager, the village became a local venue of social and economic activities after some shops were established there. Villagers liked to gather at the place to gamble and chat. It was, therefore, a suitable centre for popular festivals.\n\nAs an inter-village ceremony, the chiao required donations from all households at every village. From each village, a man was chosen as yuan-shou (leader of worship) by casting the divining blocks in front of the earth god at the entrance of Shek Mun Kap. He had to pass the divination three times in a row. These men took charge of money collection, the preparations for the occasion, and the hiring of matshed and stage builders, the puppet show troupe and the nun-mo chanters, etc. They also acted as the village representatives in assisting the ceremony. At the site of the chiao ceremony, in front of the earth god shrine at Shek Mun Kap, a matshed was set up temporarily to enshrine the Houwang image \"invited\" from the local temple. Oblations, joss sticks, and candles were put in front of the idol. Erected behind the earth god shrine was the gigantic bamboo and paper figure.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213836, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 188, "title": "RAS-1996", "content_text": "161\n\nthe community from calamity.\" The temple is nothing more than a small room of about 50 sq ft with simple decoration. On the altar an idol representing the deity is enshrined. At the corner of the room, there is a place for the earth god. As observed, incense is occasionally offered at this unfrequented temple.\n\nEven smaller in size is the wooden Ta-wang Palace at Ma Wan Chung. Hung there is a 1989 canopy with the title \"the Pantheon of The Earth God in Southeast and the Empress of Heaven\" (天后地主大王). The temple thus seems to serve as a Ta-wang shrine for individual worshippers at the village, as well as a temple of the Empress of Heaven for the fishing community in the vicinity. Fishermen, or former fishermen, there all regard themselves as members of the Tung Chung community. They settled ashore at their shacks 40-50 years ago. They also have ancestral graves in the area. Now more than 400 people from 48 households are official residents of the Fishermen's Village. Some of them have even managed to acquire and expand homesteads. Intermarriage between them and settlers at other villages has become acceptable. While fishermen in other regions usually worship the Empress of Heaven as their patron goddess, Tung Chung's fishing population are mainly Houwang worshippers. They have donated money to support opera shows during the deity's birthday festival and formed an association called Sheng-li t’ang which has actively taken part in festivities in celebration of the Houwang's feast day.\n\n40\n\nNotwithstanding the establishment of the Ta-wang Palace, as pointed out by a settler at the fishermen's village, only a few of them have become frequent visitors to this temple. The Houwang, as Tung Chung's principal god occupying a higher position in the pantheon hierarchy than other deities, remains the most popular deity in the locale, and the Houwang Temple has all along drawn the biggest crowd of worshippers from the community.\n\nFacing the Tung Chung Bay, the Houwang Temple is located at Sha Tsui Tau (see the map of Tung Chung). There is an adjacent open space in front of the temple, now used mainly for the holding of the annual festival commemorating the deity's feast day. The earliest dated ritual item inside the temple, a bell cast with the date of the 30th year of the Ch'ien Lung reign, suggests that the temple might have", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213837, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 189, "title": "RAS-1996", "content_text": "162\n\nbeen built in 1765. Since its establishment, the building has been renovated several times, in 1878, 1910, 1962, and 1978.7 The first recorded reconstruction, that is the one in 1910, is evident on the commemorative tablet installed on the interior wall of the temple. It is fortunate that the architecture through all these ages has retained its original style and character,\n\nThe temple, which can be considered a well-endowed and elaborate structure for its time, consists of three halls. In the main hall, a wooden idol of Houwang is installed at a shrine, covered with a canopy with the title \"Imperial Bestowed Loyal and Brave Marquis Yang\" (JAKE) written on each side. Clay statues of a civil official and a military official stand on the left and the right, respectively, as attendants to the local god. Enshrined in the side hall on the left are three spirit tablets. The one in the middle is for the pioneer villagers who established the temple; the one on the left is for those who donated the construction fee; the one on the right is for the men in charge of the reconstruction. In the side hall on the right, secondary divinities, such as mountain gods and earth gods, are enshrined. (See the floor plan of the temple.)\n\nThe facade of the temple is decorated by murals of scenes on walls and doors. On the left and right tips of the roof, there are streaked clay decorations in three dimensions. Figures of the martial arts, embellished with coloured glaze, are installed on the central ridge of the roof. It is recorded that these ceramic figures, of high quality workmanship, were manufactured at the well-known Shekwan kilns in 1910. In terms of structure and design, the Houwang Temple can be considered architecture of characteristic style. If the construction of a temple reflects the wealth of a community, Tung Chung's Houwang Temple seems to indicate that people there fared quite well before the locale declined into a periphery along with the shift of Hong Kong's economic core.\n\nIt is also surmised that a village coalition was being formed at the time of the construction of the Houwang Temple. As hundreds of immigrants moved into the New Territories after the \"Coastal Evacuation\" order in the early Ch'ing had been abolished, cult worship might have contributed to social integration and community building. Tung Chung's Houwang Temple, as mentioned above, is believed to", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213847, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 199, "title": "RAS-1996", "content_text": "172\n\nmeans of legitimizing their permanent residency in the district and increasing their local influence and power. When some seamen returned home, after foreign steamships had significantly reduced the recruitment of sailors from Hong Kong in the 1950s, they had become so unfamiliar with local affairs, as a result of their long leave from home, that even if they were elected village representatives on the Tung Chung's Rural Committee established in 1950 under government auspices, they served mainly as liaison men. Newer settlers at Ma Wan Chung, with their wealth and their leading role in organizing activities to commemorate the Houwang's feast day festival, have actually been among the leading local social élites, though not necessarily holding formal official positions.\n\nAdaptability and Tenacity: The Tradition of the Houwang Worship\n\nIn effect, the Houwang worship transcends blood ties and bridges the gap between old and new settlers, and thus functions to maintain a strong village coalition in Tung Chung. As a multi-lineage community, Tung Chung can be used as a case to support Judith Strauch's argument that economic and ritual cooperation and overarching unity, implicit in shared \"native place,\" instead of constant internal conflict and all-round uneasiness, can prevail in a mix-surname settlement.** It also fits Burton Pasternak's model of “villages in which families of different surnames joined forces and played down agnatic differences for the sake of survival.\"84\n\nIt is indeed in the villagers' interest to accept newcomers to the community, in order to make up for shortages of material and human resources.\n\nThis receptive and inclusive feature of local culture also grew out of a universal cult centering around the village coalition temple. While ancestor worship is only an individual or family/lineage activity and the worship of the earth god and Hsuan-t'an is usually on an individual or village basis, religious and social rituals in honour of the Houwang involve mass participation by the territorial community and work to renew collective consciousness of local identity repeatedly and systematically. During the time when the chino was held in the area, the Houwang as the principal local deity also played a role in that large-scale communal festival. The Houwang worship continued to dominate local religious life, and was even promoted by concentrating\n\n|\n\n|", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213851, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 203, "title": "RAS-1996", "content_text": "176\n\nThe Floor Plan of Houwang Temple\n\nC\n\nH\n\nH\n\nA: Yang Houwang (E) B: Military official (4) C: Civil official (X) D: Earth god (±)\n\nE: Other deities (F)\n\nF: Stone altar ()\n\nG: Ritual paper Burner ( )\n\nH: Earth god (1)\n\nI: Small yard (X#)\n\nJ: Window\n\nK: Commemorative Tablet (大奚山東西涌姜山主兩相和好永遠照納碑)\n\nL: Commemorative tablet (ALL)\n\nM: Commemorative tablet (EMI)\n\nN: Commemorative tablet (EITH LO)\n\nO: Iron bell (£)", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213897, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 249, "title": "RAS-1996", "content_text": "223\n\nNOTES AND QUERIES\n\nTRACES OF HOUTU'S (后土) CULT IN HONG KONG\n\nCAROLE MORGAN\n\nI first became aware of Houtu stones in the course of my research on geomancy at the Aberdeen and Diamond Hill cemeteries. One of the earliest references to Houtu is found in the Zuozhuan, a work compiled in the III century BC. Under the 29th Year of Duke Zhao (昭), a commentary states that Earth is the ruler of all things, that his divine persona is generally called Houtu, and that his spirit is named Dragon Gouji. During the Han dynasty, the skeptic Wang Chong (王充) (-27c - 100 AD) amplified this definition by remarking that: “The digging of graves disturbs the Earth... [hence] the Earth god must be propitiated with offerings of millet, rice-cakes and soup”. (A Forke, 1925, vol II, p. 400 & 510). I was therefore not surprised to find traces of this once powerful deity in the cemeteries I visited.\n\nYet these traces were puzzling. Almost every grave featured a small stone with an inscription which stated “X family's Houtu shan (山)”. Given that in this context shan means \"burial site”, the text appeared to imply that Houtu should not be read as the name of the deity, but as two words hou tu (土) meaning \"[boundary of the] land behind the grave\", even though many stones were aligned with the grave's headstone. It could be argued that this contradiction represents an unavoidable concession to the non-standard size of certain plots, and should not detract from the stones' boundary marker function. The accuracy of this impression was confirmed by two grave diggers, who indicated that the stones were meant to prevent one grave from encroaching on the plot of another. When I questioned these men on the use of the graph 后 for \"at the back of\" instead of the more common 後, they replied that it was a matter of convenience, the first graph being easier to carve than the second. Though the explanation sounded plausible, I found it unconvincing. By then I had noticed that in front of almost every stone, small metal tubes had been permanently fixed to serve as incense stick holders. At the very least, the presence of these tubes suggested the performance of some kind of ritual.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213899, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 251, "title": "RAS-1996", "content_text": "225\n\nshuppansha, 1987, pp. 21-57)\n\nTo my mind, it follows from the above quotation, that the Liang considered Houtu the land contract witness and hoped that by constructing a shrine in his honour, they could prevail upon him to preserve the plot's integrity.\n\nThe Liang tomb, however, is not the only trace of Houtu's survival in Hong Kong. Other, less elaborate examples of his cult also exist at Aberdeen. Here, two very similar stones, from different graves, show clear traces of a religious dimension. One of these is engraved with the words, “Houtu spirit of the Xu family's site” (Xu shan Houtu zhishen). The other is even more explicit though worded somewhat differently. Its inscription reads, “Houtu longshen”.\n\nIn the absence of a family name and since \"long\" is another geomantic term for site, the text can be taken to mean “Site of Houtu's spirit”. While it is tempting to see in the juxtaposition of “dragon” and Houtu an echo of the Zuozhuan's definition, such an interpretation would stretch the bounds of credibility. What is plain from the stones' inscriptions is that they function as simple shrines.\n\nOn the basis of the evidence outlined above, I am now convinced that all Houtu stones are first and foremost shrines at which family members propitiate the Earth god for the disturbance they have caused him - just as Wang Chong recommended. The proposition that stones are boundary markers is a tribute to the creative power of folk etymology. It should, however, not be allowed to obscure the fact that Houtu stones embody vestiges of an ancient cult which originated more than two thousand years ago.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213909, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 261, "title": "RAS-1996", "content_text": "236\n\nThe rituals performed by both the 'red hat' and the 'black hat' professional religious specialists, often connected in one way or another with mortuary rites, continue as before. The difference being that before redecoration the ritual performances in the half light, by 'red hats' in particular, accompanied by the boom of their ox horns blown at intervals during the rituals, provided an even more exotic and eerie scene.\n\nThe former layout of the temple consisted, as you entered the temple from the street, of the main hall dedicated to the Lord of T'ai Shan. This led through to the rear hall dedicated to the Saviour of the Underworld, the Buddhist deity, Ti-tsang Wang, with a long and comparatively narrow annexe running down the sides of the whole length of the two halls. On the other side of the halls were large rooms dedicated to the ritual services.\n\nThe usual images one would expect in the halls of both the Lord of T'ai Shan and Ti-tsang Wang stand either before or beside the altars, and lining the walls. Many are tamed demons such as Horse Face and Buffalo Head, and the Short Black and Tall White Demons who seize the souls of humans on their due date of death, dragging them before the City God for their primary interrogation. Others include the City God himself and the Goddess of Maternity, Chu-sheng Niang-niang, both of whom occupied their own secondary altars flanking that of Ti-tsang Wang; the Judges of the Ten Courts of the Underworld; and the Civil and Military Secretaries to the Lord of T'ai Shan.\n\nand they have been\n\nHowever, since the refurbishment of the temple, which took some two and a half years, the images down the side annexe which used to stand each in its own shrine have been relocated. The comparatively large image of the local tutelary deity, the Earth God, now has a shrine of his own in the Ti-tsang hall and the other two major images, of the Lord Protector of the Realm, Hu-kuo Tsun-wang Immortal Celestial Physician, Tien-i Chen-jen moved to the Ti-tsang Wang hall where they now sit on the main altar but in front, one on either side of the altar, both newly repainted. These two deities have borne these titles for at least thirty years and during that time the temple staff who appeared to be quite knowledgeable explained that the images down the side wall of the annexe had been brought in from other temples when the latter had been demolished for one reason or another, and their identities had been lost over the years.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213987, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 56, "title": "RAS-1997", "content_text": "22\n\ndisobeyed he would be scolded or beaten. At that time an employee was compelled to register with the only union of scaffolding workers in order to get a job.\n\nSome apprentice scaffolders will tell you they enjoy the view from on high, where they are 'king of all they survey', although others maintain that, unless one has a natural head for heights, at first, being a scaffolder takes a lot of getting used to (Plate 3). Many youngsters are put off from taking up the trade by their parents who see it as a dangerous occupation.\n\nA short evening course entitled, \"The Craft of Chinese Scaffolding\" was run by the Morrison Hill Technical Institute in the early 1970s, when the author served there as Principal. This course was taught by the late Mr Ho So, an experienced bamboo scaffolder and the editor of The Craft of Chinese Scaffolding. Unlike the usual practice of learning on the-job, a certificate was issued on the successful completion of this course.\n\nMr Ho left Kao Yao, Guangdong Province, as a boy of 15 and came to Hong Kong to serve a three-year apprenticeship. He gained considerable experience as a master scaffolder before setting up his own business which he ran for upwards of 30 years. Later, he taught not only at the Morrison Hill Technical Institute, but he also became a full-time scaffolding instructor at the Kowloon Bay Construction Industry Training Authority Centre.\n\nWhen the author visited the premises of the Hong Kong and Kowloon Bamboo Scaffolding Merchants Association, in Spring Garden Lane, Wanchai, in August 1997, the late Mr Ho's photograph was prominently displayed. This was placed alongside pictures of other persons who had made significant contributions to the Association and to the scaffolding industry. An altar and pictures of groups of scaffolders were also displayed in the Association's Headquarters. Opposite, on Spring Garden Lane, on the top floor, are dormitories where a number of elderly scaffolders reside. Earth god shrines are in evidence together with bundles of nylon lashings, for tying bamboo scaffold poles together.\n\nAs at 1995, with a highly fragmented trade which relies largely on", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 213994, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 63, "title": "RAS-1997", "content_text": "29\n\nway while working\n\nMore accidents happen when scaffolding is being dismantled than when being erected. Most trades have their written and unwritten rules and, with bamboo scaffolding, it is generally accepted that, whoever erects a scaffold, then the same scaffolders should also dismantle it. The argument is that the craftsmen who put it up know the peculiarities of the scaffold and they are in the best position to take it down. There have been disputes between main contractors and scaffolding subcontractors resulting in the latter walking off the job. In the end, in most cases, the main contractor had to relent as no-one else was prepared to take the scaffold down.*2\n\nDeities\n\nFor all employers and employees in the building industry, Lu Pan is worshipped as a general deity. His birthday is celebrated on the 13th day of the Sixth Moon. In addition, the patron saint for bamboo scaffolders, performers in opera troupes, goldsmiths and silversmiths, and incense and funeral-paper shop staff, also worship Wah Kwong (Hua Kuang). He is sometimes described as the God of Fire.* As one mature scaffolder proudly told the author, 'We have three sz foo masters [sic].' He included, of course, Yau Chao Shi, who was mentioned at the start of this paper, as well as Lu Pan and Wah Kwong.\n\nThe last is said to have defied the Heavenly Jade Emperor's order to destroy all bamboo opera stages on earth as punishment for an opera performance that had insulted his Majesty. As a result, Wah Kwong gained the undying gratitude of scaffolders. It is important to remember that Wah Kwong is a powerful, cleanshaven god with a third eye in his forehead. He often has a piece of gold in his hand. He is a destroyer of demons and is rarely prayed to by individuals, but, more likely, by groups. There is a temple dedicated to Wah Kwong in Tai O, a small market town and fishing port to the west on Lantau Island. There is also an effigy of Wah Kwong Sz Foo in the Lit Shing Kung (“temple”), adjacent to the Man Mo Temple, in Hollywood Road.*34 Master Wah Kwong's birthday is observed on the 28th day of the Ninth Moon,*35 The author has, however, been told by scaffolders that the birthday of Wah Kwong is on the 18th day of the Ninth Moon. The author has, however, been told by scaffolders that the birthday of Wah Kwong is\n\n75", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214247, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 105, "title": "RAS-1998", "content_text": "68\n\nSarasvati is the sister of Yama and wife of Brahma and Manjusri [depending on the legend], and sometimes assumes the form of a swan or peacock. Chinese texts however, describe her as male. She is portrayed in India as having two arms and a lute or with four or eight arms.\n\n9] Laksmi known in Chinese as Chi-hsiang T'ien-nü or 落吃澀弭. She is the Hindu goddess of beauty, pleasure and wealth, that is, fortune, and of good auspices. She was the wife of Vishnu in several of his incarnations, including that of Vishnu's incarnation as Rama when she was known as Sita. In some cults she is also one of the personifications of Sri Devi, as is Prthivi [see 10 below]. She is usually depicted with two arms though in some places she has four.\n\nThe active power of creative energy portrayed by female deities has been personified as the goddess Sri Devi. She has manifested herself in many different forms including male and non-human. She has a number of names one of which is Laksmi.\n\nAn image of Laksmi is present in both the Pi-yun Ssu and the Ta Pei Ssu. In both temples she is standing dressed in highly colourful, decorated robes and crown, with no unique characteristics.\n\n10] Prthivi known in Chinese as Chien-lao-ti-shen or 提毗. He is the Earth-devi, the god of the soil, ground, etc. and also one of the four with thunderbolts in the Vajradhati group. In some cults in India Prthivi is known as Bhu Devi, one of the personifications of Sri Devi.\n\nImages of Prthivi are present in both the Ta Pei Ssu and the Pi-yun Ssu. In the Ta Pei Ssu his image portrays him as a typical northern Chinese image of a youthful minister. He is remarkably feminine in his facial features, and is dressed in a colourful highly decorated robe and crown without any unique characteristics. He is much the same in the Pi-yun Ssu though here he is carrying a small symbolic club between\n\nPage 105\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214263, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 121, "title": "RAS-1998", "content_text": "84\n\nShan is one of the five sacred mountains of China and is located in Shantung. It is believed to be inhabited by many divinities both male and female with T'ai-shan Yeh the primary deity for most pilgrims to the mountain even though the main deity in the temple on the peak is the Jade Emperor. Temples dedicated to the Lord of T'ai-shan were to be found in all parts of China, where he was regarded as the guardian of life and death.\n\nAs the Supreme Lord of the Underworld he has a very large bureaucratic organisation responsible to him for the maintenance of the Book of Life, the register of the due date on which the soul of every living soul must be summoned to appear before the Judges of the Underworld. Popular belief claimed that the entrance to the Underworld was to be found in one of the temples at the base of the mountain. The arrest and escort of souls is carried out by lictors and runners from the yamen of the local City Gods who drag each soul before the local City God, together with the biography and report on the soul prepared by the local Earth God [T'u-ti] who has carried out the first, very preliminary interview to ensure that the right soul has been arrested and is ready for onward despatch. Again, after verification of the identity of the soul the City God endorses the Earth God's report and if available adds any further information on the soul he might possess, and sends the soul under escort to the First Court of the Underworld where the process of purging the soul of all sin commences. After the soul has passed through all Ten Courts and been fully purged of its sins, it is then despatched either to the Western Heaven [Celestial Paradise] or for rebirth in an incarnation to be decided upon depending upon the weight of sins incurred during the previous incarnation.\n\nIn parts of China and in Taiwan, the alter ego is Tung-yüeh Ta-ti with Yen-lo Wang being the senior and chief of the Ten Judges who are under his charge. This dual role played by both Tung-yüeh Ta-ti and Yen-lo Wang is a further complication and a confusion which appears to be insoluble. The former is not only the Supreme deity of the Underworld but also the Judge of the Seventh Court whilst Yen-lo Wang is not only the senior Judge in charge of all Courts but also the Judge of the Fifth Court. The latter has been explained as Yen-lo Wang having ten different forms, as Judges in each of the Ten Courts. This, however, would mean that T'ai-shan Yeh of the Seventh Court would also be a form of Yen-lo Wang.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214265, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 123, "title": "RAS-1998", "content_text": "86\n\npray to him for the blessing of a son. However, in Cholon [Saigon] his image, seen in several temples are known as Tzu-wei Ta-ti but identified as T'ai-sui, the god of the planet Jupiter and of Time, though in the major Jade Emperor temple in Cholon images of both T'ai Sui with his bell and Tzu-wei astride his lion stand side by side.\n\nHis standard image in Cantonese communities portrays him as a clean-shaven youth with large round protruding eyes, astride or sitting side-saddle on a reclining mythical beast, possibly a stylised lion. He is holding a seal aloft in his right hand, a talisman bearing the inscription \"The Star looks Straight On\" R. He also has a unique feature, a flag pole behind him on to which is fixed a sheathed sword. The youth holds a conch shell in his left hand and is dressed in only trousers and a cape which hangs round his neck and down his back. He is wearing shoes and has neck-length hair which is held in place by a tiara from which two objects, like insects' feelers, protrude upwards.\n\nIn yet another tale, an extraordinary and complicated legend, an emperor had eighteen robes specially embroidered for the Eighteen Lohan. These were being delivered by a trusted minister who reached their palace in the Western Heavens only to find seventeen Lohan. He sought the eighteenth and found him dead in the kitchen crawling with big fat lice. As this Lohan was the god of the star Tzu-wei and this star represented the emperor of China, the minister knew immediately that the emperor had died since his departure and the spirit of the dead Lohan had been incarnated as the new emperor. The minister was puzzled - what he should do? Finally, he placed the cape around the body of the dead Lohan and returned to Earth bearing a box from the other Lohan which would, they assured him, prove that he had accomplished his mission. When, after months of travel, he reached home, the new emperor opened the box and out flew a crane up into the sky and back to the stars. Artists customarily depict this in their portrait of Tzu-wei.\n\n39] Lei Shen The Spirit of Thunder\n\nLei Shen is portrayed and named as such in only one of the two temples, the Pi-yun Ssu. The problem is that Lei Shen, as such, has been noted on remarkably few altars. Lei Kung, the God of Thunder is", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214320, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 178, "title": "RAS-1998", "content_text": "142\n\nand Zheng Lingguan Yuanshuai EA\n\nXu Sun's festival is celebrated on the 1st of the eighth lunar month, though in a few of the temples a further minor festival is held on the 28th of the first lunar month.\n\nApart from his title, Xu Zhenjun and his personal name, Xu Sun, he is also known as:\n\nXu Xianzhen 許仙真\n\nXu Xian Zhenren 許仙真人\n\nXu Zhenren 許真人\n\nShengong Miaoji Zhenjun 神功妙濟真君\n\na Song dynasty title\n\nJingming Zhongxiao Dao 凈明忠孝道\n\na Song or Yuan dynasty title\n\nNote: This deity should not be confused with another, Xu Jia, also known as Xu Zhenren A nor should either cult be confused with yet another local deity, Xu Tianjun. A further complication arises from the identification by some temple keepers in Singapore and Taiwan of Xu as the local Chaozhou community Military Earth God, Gantian Dadi.\n\ni Chinese Medical Deities: 1870\n\nii Sun Simiao, one of the Ten Celebrated Physicians renowned not only as a herbalist but as a diagnostician was also of Jiangxi province.\n\niii Wu Ben, a herbalist of great renown born in a village near Xiamen in Fujian province. He is possibly better known by his title of Baosheng Dadi, the Great Emperor who Protects Life.\n\niv Fitkin, Gretchen Mae: The Great River - The Story of a Voyage on the Yangtze Kiang: Shanghai: Kelly and Walsh: 1922\n\nv Professor Liang is Head of the Department of History at the Jiangxi Normal University in Nanchang.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214366, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 224, "title": "RAS-1998", "content_text": "190\n\nfor\n\nmany years. Although the government had turned a blind eye to such activities in the past, mainly in the name of making tourist dollars, it now focused attention on these 'superstitious rituals' which were said to be daily corroding the ideology of the people. The magazine, saying that market forces had prompted a resurgence of 'backward' religious practices, described how the system of traditional beliefs which had been finding fertile ground in the countryside was now creeping towards urban centres. This would seem neither to have inhibited nor prevented Taiwanese pilgrims flying into mainland China bearing Taiwanese images of deities to their particular cult centres in Fukien and Chekiang provinces for their 'power' [ling] to be renewed. It has to be remembered, however, that Taiwanese visitors are treated as privileged guests.\n\nProblems of luck and fate are as real today in China as they are in any rural society, and as they were in pre-communist China. Some private firms are reported maintaining altars on company premises and are making offerings to the traditional God of Wealth in the belief that this would help ensure their success in business. Buddhist statues have been placed in cultural centres and tutelary deities adorn the roofs of schools. Children too seem to have succumbed to the craze. A survey of 1,622 children between 11 and 12 in Changchun showed 50 per cent believed in fate and 40 per cent believed in the immortality of the soul. A further 40 per cent of boys and nearly 60 per cent of girls believed in spirits and in Heaven and Hell. It went on to describe the resurgence of superstitious practices and the appearance of several 'reactionary sects.' The September 1996 issue of Democracy and Legal System magazine said that tens of thousands of temples dedicated to China's colourful assembly of gods were being illegally built or restored. It quoted 20,1692 in Fukien province, 9,000 in Honan and 10,000 in Shansi provinces had been destroyed, and even 597 state-run restaurants in Peking had taken down and removed Buddhist shrines during one month alone. A further report described a similar crackdown in Hupei province where 1,600 'pagan' shrines, mostly dedicated to the Earth God, had been destroyed as part of the nation-wide crackdown. Similar action had been taken in Kueichou province where nine illegal temples had been closed in one month. A report about Chekiang province about the same time claimed that provincial officials had brought under control 17,900 Taoist, Buddhist or Christian [sic] temples and monasteries.\n\nThe mainland newspaper, Paok'an Wenchai, had about this same time criticised the widespread superstitious practices in the building", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214368, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 226, "title": "RAS-1998", "content_text": "192\n\nfunded for the temple.\n\nA logical progression, though always thought impossible in Mainland China, has been the deification of the late Chairman Mao. In Taiwan we have seen images of Chiang Kai-shek and Sun Yat-sen on altars, revered as are the scores of historical worthies and heroes, but the thought that one day an image of Mao Tse-tung would grace the altar of a Chinese temple was so far fetched as to be ludicrous. None the less, Reuters printed a picture of a peasant in a rural temple in northern Shansi in early 1996 standing before a life-size image of Mao on the altar. Another sighting, of the small white bust of Mao on a household altar in a village on the banks of a river in the upper reaches of Yünnan province during the summer of 1997, was easily explained. The altar bore no other images and it was through this village and across the village's bridge, during the Long March, that the Chinese Red Army passed leaving behind a strong folk memory.\n\nMao, it must be remembered, was revered as a god in his lifetime, with cadres and Red Guards bowing before his image during the Cultural Revolution, and reporting the day's activities. And it has not been uncommon for taxi drivers in some of the major cities during the late 1980s and early 1990s to carry pictures of Mao suspended from their rear-view mirror as a protective amulet, though this has been more of a gimmick, but the idea of a statue of Mao on the altar in present day China is still astounding.\n\nWhat is less strange, perhaps, is the description of a Mao image being carried at the head of a religious procession in Fukien province, providing \"legality\" for this ritual procession of deities. Posters portraying the main Central political leaders were also borne aloft at the head of the procession.3\n\nNo doubt there have been zealous cadres carrying out the anti-feudal, iconoclastic purges following the party line and, recalling the clue provided in the report on Hupei, it would seem more than likely that the large number of illegal temples and shrines destroyed are in fact the small rural shrines dedicated to the Earth God which farmers have in their fields. By and large, it has been quite obvious that in general people will continue to go to temples to offer prayers and incense, and that temples and the deities will thrive, or possibly simply survive.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214638, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 53, "title": "RAS-1999", "content_text": "J\n\n17\n\nhouse sites had, by then, been divided into two very tiny separate houses (the original layout probably consisted of 130 houses including the temple). The houses were very tiny - 23' deep by 8.5' wide, totalling no more than 196 square feet. Where the houses had been divided, the small houses were less than 100 square feet each. The houses were too small to have air-wells, and consisted each of only a single room, with a tiny cockloft over a small bedchamber at the back. Few had windows (some had a tiny window at the back, lighting the cockloft, about a foot square, defended with iron bars and closed by shutters), and most were aired and lighted only through the house door. The premises backing onto the outer walls were houses, of the same size as those fronting the lanes.\n\nThe village had no well or open space within the walls. The gatehouse was wider than the lane leading to it inside the walls, and provided space for an earth god shrine, and a ladder giving access to the gun-chamber above the gate. At the other end of the spinal centre lane was the Tin Hau Temple, occupying one house site, and facing the gate directly: the Village Office occupied the house immediately to its north.\n\nThe features of the layout of Nga Tsin Wai which it shares with Tai Wai in Sha Tin are the almost square layout facing the optimum Fung Shui direction and not the cardinal points, the narrow lanes, the tiny houses, the layout of six north-south and three east-west lanes with the first and sixth lanes running back to dead ends against the inner faces of the walls, the existence of premises backing onto the walls which are as big (in most cases) as the houses opening onto the lanes, and the temple occupying a house-site opposite the gate-house. Both villages used the house immediately to the north of the temple as the Village Office. The Tai Wai towers in 1905 did not protrude into the moat, but this may well be a modification introduced when the two villages were rehabilitated after the Coastal Evacuation. Of these features, the narrowness of the lanes and the smallness of the houses are special to the two villages (most walled villages within the New Territories had very many fewer, but very much larger houses, and much wider lanes). In most New Territories walled villages the premises along the two side walls are very much smaller than the houses facing into the lanes, and were designed for use as cattle sheds, pigsties, and latrines: to have houses here is unusual. The dead-ends at the end of the first and sixth lanes are also peculiar to these two villages. Most", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214644, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 59, "title": "RAS-1999", "content_text": "were also to be found in Ta Kwu Leng and Ma Tau Wai.\n\n23\n\nIt will be seen that Kowloon City, Kowloon Market, and the suburban villages around them, apart from Sha Po, (that is, Tung Tau, Sai Tau, Hau Wong, and Hoklo Villages) had no part in the League of Seven. These areas were considered to fall immediately under the control of the Sub-Magistrate in Kowloon City, or under the control of the Kowloon Market Kaifong. Apart from these places, the League of Seven covered all the area around Kowloon City.\n\nThe Kowloon City and Kowloon Market areas worshipped at the Hau Wong Temple outside the Walled City, and did not worship at the Nga Tsin Wai Tin Hau Temple. There was a Tin Hau Temple at Sha Po where the residents in the Market also worshipped. Ma Tau Wai had a temple of its own: this was to Pak Tai, worshipped under the title Sheung Tai (7). Only the gate pillars of this temple survive today, in the Lomond Road Garden.\n\nTo the east of the area of the League of Seven was the large and ancient village of Po Kong, belonging to the Lam (*) clan. Po Kong never joined the League of Seven. Po Kong had its own temple (it was dedicated to Tin Hau), and the Po Kong people did not go to the Tin Hau Temple at Nga Tsin Wai. Chuk Yuen and Sha Tei Yuen were genealogically connected with Po Kong. According to the Nga Tsin Wai elders, the villages of Po Kong, Chuk Yuen, Sha Tei Yuen, Nga Yiu Tau, Ngau Chi Wan (including its \"Mau Tsuen” of Pak Uk Tsai, or Ping Shek), and Yuen Ling (both the Upper and Lower Villages) formed an inter-village alliance of their own, the Six Villages Alliance (AM). Ngau Chi Wan had its own temple, to the Sam Shan Kwok Wong - this temple still survives. According to Ngau Chi Wan village elders, there was no Six Villages' Ta Tsiu, but Ngau Chi Wan conducted these rituals on its own every ten years. Ngau Chi Wan also held the She (£) feast before their higher earth god, every year, when every family made an offering of food, which later formed the basis of the communal feast. Ngau Chi Wan was, clearly, rather independent where the worship of the deities was concerned, and may well have been rather less well-integrated into the Six Villages than the villages closer to Po Kong. Ngau Chi Wan was a Hakka village, founded in the very early eighteenth century. It was founded by the Lau (1) clan, but the To (†), Yeung (), Tsang (4), and Yip () clans joined the Laus during the", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214646, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 61, "title": "RAS-1999", "content_text": "25\n\nSeven, rather than into any relationship with Po Kong. Tai Hom was the only Hakka village in the League of Seven. It was probably this Hakka ethnicity, their rejection by Po Kong, and their relative isolation from Nga Tsin Wai that led the Tai Hom villagers to establish a temple of their own outside their village, somewhere in the period 1821-1850, probably late in the period: it was greatly expanded in 1904. This temple, the Tung Shan Temple (it was dedicated to Kwun Yam) became, for a short period during the 1920s and 1930s, the main religious focus of the \"thirteen villages of Kowloon\", that is, the villages of both the League of Seven and of the Six Villages Alliance, but it was left ruined in the War.\n\nThe land south of Ma Tau Kok formed part of the Alliance of Three (三聯盟) of Hung Hom (Hung Hom including Tai Wan, Hok Yuen including Shek Shan, and To Kwa Wan, probably including Ma Tau Kok). The land east of Ngau Chi Wan and Pak Uk Tsai formed the inter-village alliance called \"The Four Stone Hills\" (四石嶺). This was a sworn alliance of the quarry-villages of this mountainous and infertile area (Ngau Tau Kok, Sai Cho Wan, Cha Kwo Ling, and Lei Yue Mun).\n\nInter-village alliances normally centre on joint worship by the elders, either at the higher earth god of the area, or at the local temple. Nothing is now remembered in Nga Tsin Wai of any inter-village worship by the elders of the League of Seven as a group at any higher earth god shrine, nor of any She, * , Feast of the elders in front of the shrine. However, the Nga Tsin Wai villagers do not now even remember where their earth gods used to stand - they were all removed by the Japanese, except for the earth god of the Village Gate - so too much should not be made of this. The elders of the villages of the League of Seven did and do worship the Nga Tsin Wai Tin Hau, however, on her Birthday each year (the Tai Hom elders consider the villages of the League of Seven as \"belonging to the Tin Hau of Nga Tsin Wai\"): it is likely that this was the ritual focus of the League, and that the meetings of the elders of the district took place after the worship. The elders hold a feast today after the worship of Tin Hau, and this is probably a very ancient tradition. The Temple, however, was the property of Nga Tsin Wai alone (it is owned by all three of the Nga Tsin Wai clans, and the Manager of the Temple, chosen by the elders of the three clans, is the Village Headman): it was probably for this reason that, on her Birthday, the", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214684, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 99, "title": "RAS-1999", "content_text": "63\n\n16 The date is engraved on the earth god shrine in the village\n\nFor the Ta Tsiu at Nga Tsin Wai, see J W Hayes, The Rural Communities of Hong Kong Studies and Themes, Hong Kong Oxford University Press, 1983, pp 157-159 See also p 162\n\n18 These guns were all sunk in the moat immediately to the south of the village gate when the Japanese came\n\n19 In the 1902 Block Crown Lease, the Ancestral Hall is shown as the Ng Kit-san house, and the Ng Kit-san house as the Ancestral Hall by some strange error\n\n0\n\n1\n\n༣།\n\nDespatch from Sir M Nathan to Colonial Office, January 11th, 1905, in file CO882/6, printed in Eastern No 88, Confidential Hong Kong Correspondence [December 15 1903 to February 27 1907] Relating to the Proposed Canton Kowloon Railway', printed for the use of the Colonial Office, April 1907, No 59, pp 81-88\n\nThe slopes to the east of Lion Rock were under the protection of Kwun Yam These slopes were called Tsz Wan Shan (Fill, “Mountain of the Cloud of Compassion one of the titles of Kwun Yam) There has been a temple to Kwun Yam half way up to the pass since at least 1853, probably much earlier The early ownership of this temple is unclear\n\nInformation on the Chus is taken from their Tsuk Po, a copy of which I was kindly given by Dr James Hayes, and from notes of interviews Dr Hayes had with Chu clan elders in the 1960s See also, Southern District Board, 1996, p 138\n\nOn the Tung Shan Temple, see J W Hayes, \"The Kwun Yam - Tung Shan Temple of East Kowloon, 1840-1940”, Journal of the Royal Asiatic Society, Hong Kong Branch, Vol 23, 1983 pp 212-218\n\n*For instance, in Aed (), Joint Publishing (Hong Kong), 1994, p 44, and RPF Lam, ed The Hong Kong Album, Urban Council, Hong Kong, 1982, p 66\n\n25 I am indebted to Dr James Hayes for much of the detail of this section\n\n26 See A Lui, Forts and Pirates, op cit p 31", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214707, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 122, "title": "RAS-1999", "content_text": "86\n\nstep (Baker; 1981,15).\n\nThe matshed consisted of a light bamboo frame clad with thin metal sheets, which are more fire resistant than the old rattan mats that were used years ago (see Figure 1). A compartment at one end housed four henchmen and their god, called by the villagers Tai Wong Ye, sometimes translated as 'Great Ancient King' (Myers; 1975,19)(see Plate 3). The same god in urban Hong Kong is usually called Daai Si Wong (Baker; 1979,121). Different names for the same god can cause confusion. The matshed faced southeast (feng shui south), in the direction of the Kwan Yin Ancient Temple. The number of Taoist priests taking part in the ceremony inside the matshed, with some arriving late, fluctuated from five to seven. Even priests get caught in traffic jams. There was a small group of musicians in the matshed playing, between them, a trumpet, gongs, cymbals and a small drum. Percussion instruments took pride of place. The matshed also contained dishes of fruit, to be offered up to the gods, and paper offerings. Joss sticks were burned.\n\nThere was a great deal of incantation, much read from a book taken off the altar, and some kneeling. Rice wine was deliberately spilled on the floor in the process of purification and offering it up to the gods. The gods of east (the Green King), south (the Red King), west (the White King), north (the Black King) and centre (the Yellow Emperor) were beseeched, in rising and falling tones, to come down to protect the district in words that were not easy to link together and to understand. The Chinese animal sign of the year is said to represent a direction. There the planet Jupiter is located (Lo; 1992,162). This has important feng shui implications. One should not disturb the earth in this direction. The Taoist priests who perform such ceremonies are often called, in slang, naam moh lo.$\n\nLooking at Figure 2, in the bottom right-hand corner one can see a metal container in which are situated the five bamboo talismans on which, during the ceremony, are written the respective entreaties to the appropriate gods. Also on the crudely framed timber altar (see Figure 2), draped with a red cloth, are bowls of fruit, three cups of tea, three cups of wine and various items used during the ceremony.\" They include a book of chants, a crown worn by the head priest, musical instruments and sticks for the musicians to strike the percussion", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214710, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 125, "title": "RAS-1999", "content_text": "89\n\ncalled. 'hair vegetable), is a homonym for 'get rich'. This basin-meal lunch was the final item on the agenda for the day that the main ceremony was held.\n\nWith this having taken place on the Wednesday at Sheung Tsuen, and the god, Taai Wong Ye, having been burned the same evening, the bamboo-framed matshed was dismantled the following day. As follow up, the Author thus decided to return to the village three days later. The five tun fu pots filled with sand, with a single, split-bamboo talisman with prayers written on it in each pot, had been placed circling the old banyan tree (see Plate 7). Tied to the top of each talisman was a golden (foil) kam fa and a red ribbon - both auspicious colours. There were remains of joss sticks burned by villagers.\n\n10\n\nFurther follow up visits by the Author revealed that, on the 1st and the 15th of every Chinese month especially, joss sticks are burned near the tun fu pots largely by elderly women on behalf of their families. Nevertheless, the pots often give the impression of not being particularly well looked after. The site is untidy. This is a pity. The new West Railway line, of the Kowloon-Canton Railway Corporation, is planned to come into operation in November 2003. The tunnel is due to be finished in 2002. The pots will be left for the full duration of its construction and, if they cease to be effective, a nuen fu ('warming' of the talismans) \"revival ceremony\" may be needed. If so, Taoist priests will again officiate.\n\nComparisons of various tun fu ceremonies\n\nHow does the Pat Heung ceremony compare with other tun fu ceremonies that have been conducted elsewhere (Baker; 1980, 21)? Unfortunately the Author has not been able to find any written information, nor has he heard any oral accounts of tun fu ceremonies conducted outside Hong Kong although he gathers they do take place in places like Taiwan. Often in Hong Kong, like the one mentioned earlier (see Endnote 1) on Ma Wan Island, or those that the Author has seen in places like Sha Tin and Kam Tin, the pots were placed near earth-god shrines. All these ceremonies were much smaller than the main ceremony at Pat Heung described in this paper. No matsheds were erected at these smaller gatherings. Sometimes ceremonies are held close to tsz tongs (ancestral halls), although not normally inside.", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214711, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 126, "title": "RAS-1999", "content_text": "90\n\ntemples. Nevertheless, in the case of the Pat Heung tun fu ceremony, the party did go into the temple as the reader saw, but only briefly to pay respects to the gods.\n\nAs another example, again in a predominantly Hakka community at Tai Wo Village, also in Pat Heung district, another tun fu ceremony took place on Wednesday 14 April, 1999, near an earth god shrine again close to a banyan tree. The Author attended. This time it was conducted by a single, part-time, feng shui master (not by a Taoist priest) who did not really look the part in his black, Chinese jacket, jeans and the ubiquitous sports shoes. He lives in a village on Tai Mo Shan. However, in this case, a native Cantonese speaker remarked he could understand most of what the officiating person was chanting. The Author, too, could understand a certain amount. A short walk followed this one-hour long ceremony, with the feng shui master leading the party over to the well to offer up prayers to its god. The village has had mains water for twenty years or so. Obviously, in the past, it was important to pay respects to the well god. Yet the practice continues. Precautions need to be taken to safeguard this valuable commodity, understandably, whether the supply is from a well or from the mains.\n\nEveryone present at this Tai Wo ceremony was given a red lai shi, lucky envelope containing $20, which apparently came from the coffers of the village. This appeared not to be too affluent. One wondered at the time, how many onlookers felt great and mysterious things were happening during this ceremony? It was, nevertheless, all followed by a pleasant picnic-style lunch under the banyan. Again, all present ate roast pork, which had previously been offered up to the gods. A government officer informed the Author that the villagers were pleased he was present, taking an interest in their tun fu ceremony. This pleasure appeared genuine. Certainly, everyone was very friendly, including the feng shui master who, in this case, willingly answered the Author's questions without any hint that he wanted to keep the profession a closed shop.\n\nNot only with tun fu but with Christianity, too, different denominations' beliefs and practices vary, sometimes markedly. Even within the Church of England with its high church and low church, and from one clergyman to another - with their different leanings, political or otherwise, variations can be considerable, not to mention far greater", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214821, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 236, "title": "RAS-1999", "content_text": "202\n\nTo this day, services for the departed, whether as newly-deceased souls or as wandering spirits, command the greater part of the time of practitioners from the two religions. Apart from the varied religious services carried out in the homes of the deceased, or in the temples and monasteries where similar rites were held for the departed, both Buddhists and Taoists are prominent in the rituals carried out in public places at the Hungry Ghost Festival.23 This, the most important ritualistic pacification of wandering souls and spirits during the lunar year, is still performed throughout Hong Kong on behalf of the general public by priests of the two religions, hired by local committees and associations.\n\nWhat People Want: Individual Expectations from Acts of Worship\n\nIn approaching the gods, whether in the temples and monasteries, or at the earth god shrines on the street or in the fields, the worshippers had specific requirements in view. Then as now, worshipping itself was principally devoted to obtaining divine assistance in time of trouble or to attain the object of one's desire or supplication. These usually concerned health and wealth, as well as general preservation from all ills, for oneself and for family members, deceased as well as living. There was also the need to obtain protection (because of their great potential for harm) from the general body of those many departed souls without living male descendants to care for them.\n\nUnlike the ritual services, worshipping was not carried out with the help of intermediaries from the two religions. It is a personal act, usually conducted by the individual before the altars in temples, monasteries or nunneries, or at the tombs of deceased family members and ancestors at certain fixed times of the lunar year.\n\nAs Archdeacon Moule says - and it bears repeating because it is so basic to an understanding of how Chinese people think and act - the prayers of the worshippers one sees in the temples are being \"addressed to images representing deities of living and present power.\n\n24 In Hong Kong, a visit to a large city temple like the Wong Tai Sin Temple in New Kowloon at a major festival leaves one in no doubt that the people believe in the ability of the god to grant their requests. Nor is satisfaction kept to oneself. The word soon gets around, and since the worship", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214823, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 238, "title": "RAS-1999", "content_text": "204\n\nEarth Gods and Tree Spirits\n\nBesides the gods of Buddhism and Taoism worshipped in the village temples, there were also the gods of each locality. In the villages of the Hong Kong Region, in addition to whatever temples had been erected to the deities, it was usual for there to be several earth gods in each village, and in each of the streets in the local market centres. These animistic spirits were equally sought out by the village people.30 Besides the regular acts of worship performed at the shrines, with their supplications and thanksgivings, it was common practice to place children, especially boys, under the protection of a temple deity, an earth god or a tree spirit during the uncertain years of childhood, in order to secure protection against the many dangers that beset young lives. If a tree died or had to be felled, the protégés were transferred to another protector, with the appropriate ceremonies of disengagement (recognition of and thanksgiving for favours bestowed) and adoption at each place.31 Either Buddhist or Taoist priests were required for such rituals.\n\n31\n\nChinese Women and Religion\n\nFinally, it should be noted that Chinese women are considered to be more religious than their menfolk. As Rev. Dr. Robert Morrison's biographer observed in the last century:\n\n46\n\n'...their nature is much more religious than that of the men...it is they who visit the temples. The incense pots which smoulder before the placid countenance of Buddha are filled and kindled by them; they burn ten sheets of paper to the men's one....The men can do without worship, the women cannot.”32\n\nFrom my observations in Hong Kong and elsewhere, I believe this to be as true of today's worshippers as when it was written one hundred years ago.\n\nNOTES\n\nWilliam Frederick Mayers, The Chinese Reader's Manual (Shanghai, American Presbyterian Mission Press, 1874) called them \"The Three systems of Doctrine (or Religion)\" and stated that they “constitute the recognized systems of religion,", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215064, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 160, "title": "RAS-2000", "content_text": "117\n\nSoochow in 1885 noted that \"the image of the cycle god with arms protruding out of his eye-sockets, has eyes in the palms of his hands, looking downward to see secret things within the earth\". This apparently unique feature has also been seen on an entirely different deity in a mural in a temple at Kepala Batas near Butterworth in northern Malaysia. This is Feng Bo, the God of the Wind, with miniature arms emerging from his eye-sockets.\n\nIn a number of temples where images of the Twenty-four Celestial Generals [Ershi si Tianjun] are located down the inside of the temple main hall's side walls, a ferocious blue-faced demonic general, with a club in each hand and long vicious fangs, is labelled as the Taisui of the Months (Yue Taisui).\n\nThe Rôle of Taisui\n\nToday Taisui is a popular folk religion stellar deity, the 'ruler of time' and an arbiter of the destiny of mankind worshipped to avert calamities. He is known to some foreigners as the god of astrology. He rules the cycle of sixty years, of which each year is ruled by one of the subsidiary Taisui. Matching a human's birth date and times with the cycle provides auspicious and inauspicious years. Despite a Singapore god-carver's claim that Taisui is not a heavenly deity but a good example of an earthly deity, a \"half-spirit\" [banshen], the deity is viewed by the man-in-the-street, and the Pearl River boat people in particular, as an exceptionally powerful, wilful, and fierce god, popularly feared as one who must never be angered and needs to be placated to avoid disasters and sickness. He is said to strike when least expected and can injure and destroy the highest and the lowliest, at home or on the high road, but is believed never to injure anyone in the vicinity of his, Taisui's, own person. It is therefore essential to know where he is at any given moment, and if he is nearby and not immediately present, he is at his most dangerous; precautions have to be taken at once. This is done by hanging the appropriate talisman or stellar charm near the front door or facing the entrance. As Taisui can be so destructive, it is important to pinpoint his location at any given time to ensure that work on a project or building is not carried out during the actual time he is passing by. This is done by geomantic specialists who employ a specialist compass with a complicated diagram consisting of the twelve terrestrial stems or branches [horary characters - see below under Time and Calendars].", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215073, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 169, "title": "RAS-2000", "content_text": "126\n\nWorkload of the Gods\n\nAn idle passing thought - The endless stream of pleas for assistance and advice by devotees to the gods and goddesses in general is beyond our comprehension, especially when we consider the burden of the daily workload of the God of Sickness, the Maternity Goddess, as well as that of the God of Wealth, particularly on race days at the Jockey Club in Hong Kong or the Canidrome in Macau. If we then reflect on the daily workload of the members of the Ministry of Time, what exactly do they all do? Apart from the image of the President, the images of the ten members of the Ministry do not appear on altars and are therefore not venerated by devotees nor are they approached for specific blessings. It would be blasphemy to suggest that their posts are sinecures but looking back at the rôle of certain mandarins during dynastic times, with the celestial mandarinate so strongly paralleling their terrestrial counterparts, it does leave one with a strong suspicion that the Gods of Time are not exactly overworked in their celestial duties. The workers, the Sixty Taisui, do however have an onerous workload, complying with the requests of devotees seeking from their individual Taisui of their year, protection from all evil and calamities.\n\nAlthough Taisui is the Minister of Time, another major deity, Fu Xi, has been credited not only with the establishment of kingly rule and of marriage laws, but also the computation of time by inventing a form of calendar using a knotted cord. The Eight Trigrams (bagua) are attributed to Fu Xi as well as the development of a system of fortune telling using these trigrams, which has governed the lives of a great many Chinese ever since. Geomancers to this day use their specialist compass to read the future. It comprises concentric bands in which there are the Eight Trigrams of Fu Xi, the twelve branches, the ten stems, the twenty-four solar periods, the Twenty-eight Constellations,\n\nas well as the Thirty-six Stars of the 'Plough' [Tiangang Xing 太綱星] and the Seventy-two Stars of Evil Omen [Disha Xing 地煞星].\n\nTime and Calendars\n\nAlthough time is no more than the distance the Earth turns in one day, together with its human sub-divisions, there are two separate and distinct types of time, the first being lunar and solar time, and the second,", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215141, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 237, "title": "RAS-2000", "content_text": "PATRON DEITY OF PROSTITUTES\n\nZHU BAJIE\n\n豬八戒\n\n195\n\nKEITH STEVENS\n\nZhu Bajie is better known to Westerners as Piggy or Pigsy. He is one of the three assistants to the Tripitaka [the Chinese monk, Xuanzang] who, in 629 AD, together with the Monkey King [Qitian Dasheng], set out with the monk as his escort and aides on his hazardous and enthralling trek to India to collect the sacred Buddhist scriptures. These were the heroes of the romance the Journey to the West. He is also known by his name in religion - Zhu Wuneng - Seeker after Strength.\n\nIn the story Pigsy was the former Superintendent of Navigation of the Milky Way, banished to be reincarnated on Earth for assaulting one of the daughters of the Jade Emperor. Unfortunately a mistake was made and he entered the womb of a sow and was born half-man and half-pig. He was ordained a priest by Guan Yin and is portrayed on altars and in murals as a composite deity, a human with the head of a pig. He carries a five-toothed rake as a defensive weapon which he used to good effect during the long and arduous journey escorting the pilgrim monk, Xuanzang.\n\nAlthough he is usually regarded China-wide as the epitome of gluttony, in Taiwan he is also revered by prostitutes who call on his divine title Shoushou Ye, offering him incense and chants morning and evening whilst calling on him to bring them rich guests, foolish and witless, to be fleeced. An image, one of a number on loan from devotees, depicts him sitting holding a virtually nude woman in his arms alone on one of the side altars in the City God Temple in Chia I.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215235, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 12, "title": "RAS-2001", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nFRIENDS OF THE HKBRAS (UK) REPORT\n\nHON. AUDITOR'S REPORT\n\nHON. LIBRARIAN'S REPORT\n\nARTICLES\n\npage\n\nxiv\n\nxxix\n\nxxxii\n\nxlii\n\nNorman Miners - Industrial Development in the Colonial Empire and the Imperial Economic Conference at Ottawa 1932...\n\n1\n\nGöran Aijmer - Earth God Wine and the Meeting of the Fluttering Butterflies: Local Customs of Early Spring in Late Imperial Central China...\n\n25\n\nKeith Stevens - The Popular Religion Gods of the Hainanese ...........\n\n43\n\nValery Garrett - Chinese Baby Carriers: A Hong Kong Tradition Now Gone\n\n95\n\nAnthony Hedley and Alfred Lin - The Lugard Tribute...............\n\n109\n\nCésar Guillén-Nuñez - The Façade of St. Paul's, Macao: A Retable-Façade?\n\nRobert Nield - Bhutan - Why Not?\n\n131\n\n189\n\nKo Tim-keung - A Review of Development of Cemeteries in Hong: 1841-1950........\n\n241\n\nLouis Ha and Dan Waters - Hong Kong's Lighthouses and the Men Who Manned Them\n\n281\n\nNOTES AND QUERIES\n\nKeith Stevens - A Tale of Sour Grapes: Messrs. Little and Mesny and the First Steamship Through the Yangzi Gorges\n\n321\n\nix", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215300, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 77, "title": "RAS-2001", "content_text": "25\n\nEARTH GOD WINE AND THE MEETING OF THE FLUTTERING BUTTERFLIES LOCAL CUSTOMS OF EARLY SPRING IN LATE IMPERIAL CENTRAL CHINA\n\nGÖRAN AIJMER\n\nAs spring was approaching in the lake lands of Southern Hubei and Northern Hunan, people became increasingly involved in the new agricultural season. Once snow and frosts were part of the past, the new season for rice began. In the first place the irrigated seedbeds were prepared to receive the sowing of the grain, and later to see the sprouting of the first thick green carpet of the young shoots. Irrigation systems had to be looked over and repaired in anticipation of the period when the large paddy fields were to be set under water.\n\nAfter the celebration of the Lantern Festival as the finale of the New Year season, on the fifteenth of the first moon of the lunar year, there was a bit of a ritual slack season. The advantage of this for people was that there was then a period of uninterrupted time necessary for the urgent agricultural spring tasks. What followed after New Year was a string of smaller seasonal events, somewhat more modest than the big cardinal festivals. Even so these celebrations were certainly of some importance - at least they provided a few short but joyful breaks in days otherwise filled with heavy loads of work. In this essay I shall examine two relatively minor festive events which were celebrated in the early spring, in the second lunary of the year or around that time.\n\nWe must remember that Chinese reckoning of time in Imperial days was structured by two main and different annual calendars. One was based on the phases of the moon and comprised twelve lunaries. The other took account of the annual behaviour of the sun and contained twenty-four solar phases. The lunar dates varied in terms of the sun calendar, but it was the latter which gave the pragmatic landmarks in terms of seasonal weather and rural tasks for the countryman, whereas various celebrations of agricultural achievements and social events were held in accordance with the moon year. The lunar New Year could fall any time from the twenty-first of January to the nineteenth of February, Gregorian reckoning, and thus varied a great deal from year to year in\n\nI have dealt with these elsewhere: Aijmer 1964; 1968; 1979; 1991; 2002.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215302, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 79, "title": "RAS-2001", "content_text": "27\n\n'Establishment of Spring' starting on the fifth of February, Gregorian reckoning. A wu day would have been a day which showed a stem-branch combination that contained the character wu. The day of interest here would occur some forty to fifty days after the first day of the Li Chun. So this day would have fallen sometime by mid-March, generally in the second moon, but at varying dates there. This day was called She Ri 'She Day'. It seems likely that it was celebrated according\n\nto the date provided by the official calendar-chronicles from Yingshan Magistracy (in De'an Prefecture), Suiyang Magistracy 陽縣 (in Wuchang Prefecture 武昌府) and Wuchang Magistracy 武昌 (also in Wuchang Prefecture) place the festival in the second moon.3\n\nIt is not so easy to say what the She was in late imperial times in this lake land in Central China. In terms of State rituals there was still an imperial sacrifice in the spring on an altar southwest of the palace in the capital, devoted to She Ji *. Sometimes this two-character name is understood as referring to one deity, sometimes as to a combination of two-She being the god ruling the land and Ji the divine controller of grain crops. There was a hierarchy of provincial, prefectural and magistratial She Ji, who were all part of the imperial official state cult. The imperial offering was the exclusive privilege of the Emperor. Before his sacrifice the altar was covered with earth of five colours - a colorific togetherness which expressed the total universe, and thereby the generative and destructive power of the five activities, wu xing 4. A special stone tablet was erected in the middle. After the ceremony this was taken down and buried in the ground until the next occasion for worship.4\n\nIn some areas in the south, present-day villagers tend to see the She as a chthonic registrar of deaths and births, an earth god who is thus associated with both death and human fecundity. More generally it appears as if the She in many areas of China signified a notion of locality. Both the Imperial cult and the present day Cantonese example may serve us as pointers, but what the demotic ideas about the She, and the She Day, actually were in the area surrounding Lake Dongting a few hundred years ago, is something we must try to glean from the\n\n3 古今圖書集成.1888. VI,1166: 風俗考毯4a; 1120:風俗考2b4b.\n\n4 Bredon & Mitrophanow 1972: 63-64.\n\n5 Aijmer & Ho 2000: 37-41 and Yang 1961: 98-99.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215306, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 83, "title": "RAS-2001", "content_text": "31\n\nShe further on in the year, by the summer solstice, when people in Changsha Prefecture sacrificed to the She and provided the earth god with wine.”\n\nIn some places the She Day was also associated with visits to the graves of the dead. This was so already in the early Liang dynasty in the sixth century when the chronicler notes that there were sheng-meat-offerings to the dead on the She Day.23 A much later account describing Yuanjiang Magistracy in Changde Prefecture tells us that on the She Day and earlier, people suspended paper—possibly ritual paper stripes or paper money—on the graves and swept them. There was a maxim saying: 'For new graves, one should not pass the She; for old graves one suspends [paper] when thirty nights have passed'.24 In Wuchang Magistracy people sacrificed fresh things on the graves on the She Day of the second moon.25 In Suiyang the graves were decorated with twigs and banners on the She Day and there were ji offerings.26\n\nIn an earlier essay27 I have discussed the visit to graves at springtime in the lake area of southern Hubei and northern Hunan. Grave rituals were most prominent in the solar period of Qing Ming and seem to have been one of the cardinal activities in a grand exchange of visits and counter-visits between the dead and their living descendants. This ritual scheme of reciprocity over time was parallel with the agricultural year and integrated into the major structure of the annual progression of festivals. The graves were swept and cleaned, which paralleled the weeding and preparation of the soil in the rice nurseries. There were offerings to the dead of food, generally in some sort of commensality. There was a gift-giving combined with the insertion of bamboo branches with hanging paper money on top of the graves. These bamboos can be seen in the area even today. Gifts corresponded to sowing—the dead and the soil were closely related in iconic symbolism. These visits to the graves and the dead were later rewarded by counter-visits of the ancestors to their living progeny, which occurred on the\n\n22 古今圖書集成. 1888. II, 1142: 山川考 8b.\n\n23 沅江縣志: 1807-19, 卷18, 風俗 2b.\n\n24 古今圖書集成. 1888. VI, 1120: 風俗考 2b.\n\n25 古今圖書集成. 1888. VI, 1120: 風俗考 4b.\n\n26 Aijmer 1979.\n\n27 Aijmer 1964.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215307, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 84, "title": "RAS-2001", "content_text": "32\n\nDragon Boat Festival when in various ways the dead helped to secure the successful transplantation of rice.28\n\nIn that essay on the cult of the ancestors in spring time I also addressed briefly the fact that in late Imperial days we find these grave visits dispersed in time, occurring on several dates in the progression of the spring, even if the day and the period of Qing Ming seem to have dominated. Taking account of the fact that Qing Ming and worship at the graves were phenomena not mentioned in our earliest source from the sixth century, I proposed that perhaps grave worship was introduced into this area as part of an ongoing sinicization process in the course of a somewhat later phase in history. If this was so, there may have been some local options as to when the graves should be visited.\n\nThe She Day was a day of agricultural renewal with offerings on the altar of the She. Like the dead, the She was a chthonic phenomenon. Both god and ancestors were active forces beneficial to the sowing of rice. How the dead actually related to the She—directly or indirectly—is not known for this area. The spread over time of vernal worship at the graves may best be seen as a set of local variations on a theme, the standard Qing Ming practice. These alternatives in terms of points in time do not seem to have posed a problem for the robust iconic architecture of the annual ritual cycle as a whole.\n\nThe She Day seems to have been one of merriment, parties al fresco, and social games and competitions. In Baling, the capital of Yuezhou Prefecture, there were competitions and people congregated to feast and drink.29 In Zhongxiang it was the custom to drink ‘earth god wine’ and eat ‘earth god meat.’30 This custom seems to indicate some commensality in which the sacrificial gifts—wine and meat—were shared between the donors and the divinity. No doubt such feasting was combined with the processions and the shamanistic performances mentioned earlier.\n\nReviewing our findings, we observe that the She Day was a day for celebrating the earth and praying for good results in agriculture. It\n\n28 古今圖書集成. 1888.VI, 1223:風俗考2a.\n\n29 古今圖書集成.1888.VI,1142:風俗考2a.\n\n30 古今圖書集成.1888.VI,1120:風俗考6ab.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215311, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 88, "title": "RAS-2001", "content_text": "36\n\nhere were the main social occasions at this time of the year when both rustic and urban people tried to benefit from the seasonal life forces of Nature.\n\nThe She Day was a fairly complex affair when people visited what appears to have been special public altars, to worship by making offerings of meat and wine. What these altars devoted to the She were like, we cannot know for sure. Probably they were not too different from their latter day counterparts made of concrete.44 What deity was the She? Sometimes the She was combined with the Ji into a more complex phenomenon. Demotically it seems likely that this agricultural earth god was conceived as one being. Sometimes it was male and had a female companion, perhaps a wife.45 At this point it seems advisable to consult what Sinology has to say.\n\n46\n\nDerk Bodde's studies of festivals in early China are helpful here. He describes how in the days of the two consecutive Han dynasties (206 BC-AD 220) the She and the Ji were thought of as a pair presiding over the country with 'sub-versions' presiding in a corresponding way hierarchically in every single administrative unit in the realm. The cult of the She Ji was a State ritual at the centre of the polity, in the hands of the Emperor in the capital and handled by his administrators and officials in the periphery. This cult of the She, or She Ji, can be traced back to ancient and even into archaic China, and it appears to be a very old institution in Chinese public life. Even in the pre-Han period of contending fiefdoms under the umbrella of a ritually defined Imperial dominance, the She or She Ji was—if seen as in unity—a deity that not only had a reference to agriculture and harvests but, furthermore, to death; there was an intimate connection between the altar of the She and the Imperial ‘ancestral temple.' It has been noted that in these ancient offerings the presentations to the altar was of raw meat, whereas the ancestors received food that had been cooked.47\n\nLooking into medieval China we find that the worship of the She\n\n44 In this the She is strikingly similar to the Stove God, prominent at the celebration of Little New Year in the region; see Aijmer 2001: Chapter 4.\n\n45 Bodde 1975: 56, 252; see also Ch'ü 1972: 31.\n\n46 Chavannes 1969: 507, 516, 519.\n\n47 Yang 1969: 96-99; Faure 1986: 141.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215312, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 89, "title": "RAS-2001", "content_text": "37\n\nor She Ji was still a political manifestation up through the Tang (618-907) and the Song (960-1260) dynasties, articulating neighbourhood and local belonging. In the Ming (1368-1644) period of early modern China, government regulations required that every hundred households maintain one She shrine and the ceremony conducted there should include the slaughtering of animals. It was then a day of feasting.4\n\n48\n\nThere is reason for caution here. While it cannot be denied that the ancient rituals of the remote Zhou dynasty share something with those performed more than two thousand years after in late Imperial China, the similarities must be deemed to be no more than a certain family resemblance. There is no reason to assume that the late counterparts of pristine sacrifices were caused by a true structural continuity through the ages. Forms are similar, so are the offerings of meat and wine, and a political component was permanently involved; but having recognized this, we must also remember all those agrarian, religious, social and political changes that have had such a profound impact on life in China in these millennia. Whatever ideas and notions that informed the rites of ancient and early China, these must have been modified and transformed in the course of these two thousand years of history. Still, these resemblances over the millennia continue to fascinate.\n\nThe observation that the archaic links between the cults of the She and the dead re-appear in contemporary rituals in southern China, invites some further speculation. If death was an essential semantic component in the ancient notion of the She, a robust structure of meaning may well have survived—or been generated and generated again—despite ever changing symbolic environments; if it was true that the She could not be separated from the dead, or, possibly, was a manifestation of collective death, this close connotation [death<>vegetative force] may have been a presupposition for any ritual activity concerned with the earth and its generative power.\n\nWhat can be said here, in our present context, is that in some places in the central Yangzi valley there were visits to the graves of the dead in connection with the celebration of the She. The rituals to the agricultural god of the soil solicited blessings for the coming season by offerings and prayers which were sent in a downward direction to reach\n\n48 Aijmer 1991: 191-92.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215323, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 100, "title": "RAS-2001", "content_text": "48\n\nbetween Han ethnic groups but also both inter-ethnic fratricide and distrust, prevented legends of one ethnic group about their deities being passed to another. The stories of the minority Hainanese are therefore known to few non-Hainanese Chinese.\n\nFolk Religion Deities on Altars in Hainanese Community Temples\n\nDeities worshipped by Hainanese, both in their temples and on their household altars, can be categorised into eight groups:\n\nThe first are the deities revered China-wide such as Guan Yin, Guan Gong, the City God, the Earth God, the Gods and Goddesses of Climate and Time and the patrons of trades and professions. As these are not uniquely Hainanese deities I will not refer to them again.\n\nThere are two exceptions: the first is a deity identified as either the popular and frequently noted deity, the Thunder God, Lei Gong, or Lei Zu, the President of the Ministry of Thunder. He has been noted on two Singaporean Hainanese temple altars where he was only known as the Chief Leader of All the Heavens, Wantian Zhushi, His title was displayed on the temple list in two other Hainanese temples, one in Pontian in southern Malaysia, and the other near Kranji in northern Singapore. His image depicted him with his usual attributes a bird's beak, an axe or hammer held aloft and a chisel in his left hand. In one of the two temples, in Paya Lebar Crescent, he was riding either a tiger or a Qilin a mythical beast, and according to the temple custodian he is the only deity permitted to do so. He was identified by temple keepers as Lei Gong and his image co-located with that of Doutian Fushuai, said to be Lei Zu. However, in the other temple, at Rumba Bomba Circus, he was also portrayed astride what looks like an unusual tiger and here he was identified as Lei Zu.\n\nThe second is Ma Zu Qiong, the Respected Mother of the Hainanese3. Although Tian Hou, the patron goddess of seafarers along the entire coast of China, is revered throughout Hainanese communities, she is also known in a number of Hainanese temples by this unique title. The usual title by which Tian Hou is known in most Hainanese temples is Nantian Shengniang Tian Hou, The Saintly Lady of the Southern Heavens, 南天聖娘天后.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215355, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 132, "title": "RAS-2001", "content_text": "80\n\n21 This is present day Maoming in western Guangdong province, not too far from the Liaozhou peninsula leading down to Hainan.\n\n22 A city in south eastern Guangdong province, half way between the Liaozhou peninsula and the Pearl River.\n\n23 Note that there are two different deities, Longwei Shenggong worshipped by the Hainanese and Longwei Shengwang worshipped by the Chaozhou people. The latter is, to all intents and purposes, a local Earth God.\n\n24\n\n25 Laomu, Old Mother [or Elderly Matron], is a title often mentioned in popular stories. In Xue Dingshan's Campaign to the West Laomu was Fan Lihua's teacher who, in eight years, taught her the art of moving mountains and raising armies from a handful of beans.\n\nAn elderly Chaozhou man in a Kowloon temple confided that Lishan [‘Fan Lihua' he called her] is a fictional character to support the story of the two generals Xue, and that much of their legends have little or no historical basis.\n\n26 Xue Dingshan's father, Xue Rengui, also a general, was an early Tang hero who not only also led an expedition to the west, he also served in the Korean campaign of Tang Tai Cong. Xue Dingshan, otherwise known as Xue Gang, is claimed to have saved the life of his emperor and is now a Fukienese cult deity, the face of whose image is characterised by extraordinary and colourful decorations.\n\n27 William Mesny relates that recumbent iron images of oxen were believed to be a protection from floods when these images were placed along the banks of river courses and lakes likely to overflow. He noticed several along the banks of the Grand Canal in 1874 and was told that they had been placed there by Liu Bowen Mesny's Chinese Miscellany: Vol. IV: Shanghai: 11 February 1905.\n\n28 As in Taipan, the Senior Boss.\n\n29 The shrine and its images disappeared, doubtless into a high rise flat, though it could have gone the way of so many minor cults and disappeared due, perhaps, to the aged temple keeper's demise.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215644, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 421, "title": "RAS-2001", "content_text": "373\n\nCOINCIDENCE?\n\nJENNIFER WELCH\n\nKeith Stevens sent me the following anecdote from amongst his collection of notes on Chinese religion:\n\nTao Bing Taizi - The Earth Soldier Prince\n\nThe story is that of a young man in his early twenties, with the surname Cai, who was killed by local people near Kaohsiung during a trip he made away from his home village of Hu Tung in Yun Lin county in central Taiwan. He was buried where he fell, but later his family, who regarded him as a heroic youth, came and took some soil from his grave, and built a shrine in his honour back in Hu Tung. As time passed people who prayed at his shrine found that their prayers were answered, and as a result of this success he became a popular local god.\n\nIn the late 1890s, after the occupation of Taiwan by the Japanese, a troop of Japanese cavalry passed through the village of Hu Tung destroying crops as they went. The villagers were angry but too afraid to protest. The cavalry tethered their horses to the shrine, whereupon one of the horses neighed and dropped dead. This was seen as Cai punishing the Japanese both for destroying the crops and for desecrating his shrine by using it as a tethering post. The villagers considered that Cai had meted out retribution to the Japanese in this way so that they could not blame the villagers for the mishap.\n\nA few days after receiving this tale I took some visitors to see Beverley Minster, our local cathedral, founded before 1066, but a wonderful example of medieval architecture. On entering, an official offered to give us a guided tour, which included the 14th century stone canopied tomb of Lady Eleanor Percy, a truly beautiful work of exquisitely carved fruit, leaves, angel figures and symbolic beasts, where the central position is filled with a representation of the Deity raising the soul of a woman from her winding sheet. Our guide informed us that this was a rare surviving example of such medieval art in England, as in other churches similar depictions of Christ had been destroyed, not during the Reformation, but a century later by the Puritan Roundheads. We inquired how this carving had survived, and this is", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215854, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 153, "title": "RAS-2002", "content_text": "86\n\n月4五日至八日退必\n\n五日日夜间代三和猪背文化代表可忍素神\n\n人人\n\n新车\n\n76\n\n焦\n\nPlate 6, Invitation (part) to attend the annual ceremony at the Peel Street, Central, earth god altar, 1974,", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215971, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 270, "title": "RAS-2002", "content_text": "204\n\nspontaneous concern for people, first assessing their willingness to enter sincerely into the Christian life he advocated, and then following up those who manifested sincere intentions. Like the accounts of many evangelists, Ch'ea emphasized the most notable and \"promising\" encounters. There was the 50 year old teacher Cheong of the little village of Mooey Lung (M. Méilóng) near the foot of Mount Lo-fow, who after hearing Ch'ea for a full day and night responded, \"Your coming has been my salvation!” In another case near the town of Kum Ky Ngan (P. Jīnjī yăn, literally \"The Eye of the Golden Rooster\") Ch'ëa met a man named Tsü Moo Sow, heading toward a local temple with a large meat offering to present in sacrifice. Noting both the poverty of the place and the man, Ch'ea engaged Tsü in conversation, moving him into a \"wayside tea room\" to convince him that he was \"not to worship idols, but to worship God the Lord of heaven and earth and all things.\" Responding positively to Ch'ëa's instruction, Tsü opened his home, treating him with \"respect and kindness,\" claiming that \"Heaven had sent me there to save him.\"59 These stories one would expect from an evangelist who himself had faced decisive moments of transition, but they do not portray the full range of communicative means Ch'ea employed. Undoubtedly, some Poklo residents found his ways to be strangely attractive, while others grew to consider them as offensive and unacceptable.\n\nSeveral independent sources present pictures of Ch'ea's methods and lifestyle, making a partial reconstruction of his modus vivendi possible. Kot A-Yuk had first met Ch'ea during the eighth month of the lunar calendar, probably during the Chòngyáng festival, Ch'ea attending to his ancestors' gravesite like many other residents during that holiday.60 Since this was fully expected for all village residents, something else had obviously caught Kot's attention. At the gravesite Ch'ea had cut the grass following conditions of ritualized filial duty, but had brought \"neither meat nor wine for sacrifice.\" Even more curious were the dozen people who were sitting on the grass, listening to Ch'ëa speak about numerous religious themes. But after talking at some length Ch'ea mentioned that he had learned these things from \"divine books,\" and so some who had been listening took Ch'ea to be \"mad\"\n\nPage 270\n\nPage 271", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]