[
    {
        "id": 204365,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 133,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n129\n\n  \n    HAINES, Miss F.\n    10-F Headland Road, H.K.\n  \n  \n    HALLIDAY, Lt. Col, P. A. T.\n    Headquarters Land Forces, H.K.\n  \n  \n    HARRISON, Prof. B.\n    Dept. of History, H.K.U.\n  \n  \n    HAYDON, E. S.\n    The Supreme Court, H.K.\n  \n  \n    HAYE, C.\n    Education Dept., Fung House, H.K.\n  \n  \n    HAYIM, E. J.\n    41 Island Road, Deep Water Bay, H.K.\n  \n  \n    HELLBECK, Dr. H.\n    German Consulate-General, 1 Duddell St., 4th fl. H.K.\n  \n  \n    HENSMAN, Dr. Bertha\n    Chung Chi College, Ma Liu Shui, N.T.\n  \n  \n    HINDMARSH, R. H.\n    Hong Kong Club, H.K.\n  \n  \n    HO Teh-Kuei\n    61 Fort St. 3rd fl., North Point, H.K.\n  \n  \n    HOGAN, The Hon. Sir M.\n    Chief Justice's Chambers, Supreme Court, H.K.\n  \n  \n    HOLMES, D. R.\n    N.T. Administration, N. Kowloon Magistracy, Kln.\n  \n  \n    HOLMES, G. M.\n    9 Chater Hall, 1 Conduit Road, H.K.\n  \n  \n    HOLMES, The Hon. J. C.\n    U.S. Consulate-General, H.K.\n  \n  \n    HORSMAN, Miss A. M.\n    Colonial Secretariat, H.K.\n  \n  \n    HOOK, B. G.\n    Queen Mary Hospital, H.K.\n  \n  \n    HORTON, J. R.\n    U.S. Consulate-General, H.K.\n  \n  \n    HOWARD-WILLIAMS, E. D.\n    The British Council, 133 Gloucester Building, H.K.\n  \n  \n    HOWORTH, J. F.\n    Leigh & Orange, P. & O. Building, H.K.\n  \n  \n    HSIA Tung Pei\n    12 Ming Yuen Street W., 3rd fl. North Point, H.K.\n  \n  \n    HUANG Sheng-Fu\n    P.O. Box 9066, Kowloon City Post Office, Kowloon.\n  \n  \n    HUGHES, G. M.\n    American International Assurance Co. Ltd., H.K.\n  \n  \n    HUGHES, Mrs. G. M.\n    175 Sassoon Road, H.K.\n  \n  \n    HUGHES, Prof. W. I.\n    Dept. of Extra-Mural Studies, H.K.U.\n  \n  \n    HUNG, C. S.\n    19, Hec Wong Terrace, 1st fl., H.K.\n  \n  \n    INGLES, Miss J. M.\n    Government House Lodge, H.K.\n  \n  \n    JACOBSON, H. W.\n    U.S. Consulate-General, H.K.\n  \n  \n    JONES, Dr. J. R.\n    H.K. & Shanghai Banking Corpn. H.K.\n  \n  \n    KAMATH, F. M. de Mello\n    Commission of India, Tower Court, H.K.\n  \n  \n    KAY, B.\n    Flat 4, 52 Island Road, Repulse Bay, H.K.\n  \n  \n    KEOWN, W. C.\n    Butterfield & Swire, H.K.\n  \n  \n    KHAN, Dr. L. A.\n    M.O., Tai Lam Prison, N.T.\n  \n  \n    KIDD, S. T.\n    N. Kowloon Magistracy, Kln.\n  \n  \n    KILBORN, Prof. L. G.\n    Chung Chi College, Ma Liu Shui, N.T.\n  \n  \n    KIRBY, Prof. E. S.\n    2 University Drive, H.K.\n  \n  \n    KNOWLES, W. C. G.\n    Butterfield & Swire, H.K.\n  \n  \n    KNOWLES, Mrs. W. C.\n    G. Butterfield & Swire, H.K.\n  \n  \n    KRAMERS, Dr. R. P.\n    Tao Fong Shan, Shatin, N.T.\n  \n  \n    KUNG, Mrs. T. P.\n    8 Sunning Road, 2nd fl., H.K.\n  \n  \n    KVAN, Rev. E.\n    St. John's College, H.K.U.\n  \n  \n    KWOK Chan, The Hon.\n    Hang Seng Bank Ltd., H.K.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
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    {
        "id": 206359,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 176,
        "title": "RAS-1971",
        "content_text": "160\n\nJAMES HAYES\n\nBy 1940 this force had been considerably expanded to include four batteries of artillery and one anti-aircraft battery, seven machine gun or rifle companies, a mobile column consisting of two platoons of armoured cars and three of medium machine guns, a fortress signal company, corps signals and engineers, an Army Service Corps company and others. All these men were recruited as volunteers, although no doubt some of them felt that the pressure exerted upon them by events and by their fellow-men made it easier to fall in with the rest than stay away. At any rate, the Commandant was able to say in 1940 that \"the Corps is now as strong as it is ever likely to be\".21 The G.O.C., Lieutenant-General E. F. Norton clearly thought they were good in quality as well as in numbers, because in a message dated 30th October, 1940 he said that the Hong Kong Volunteer Defence Corps was \"in an eminently satisfactory state of efficiency\".22\n\nThis was no doubt true despite rapid expansion, but only because, as the Year Books show, its leaders had long been aware of the growing danger from Japan in the east and Germany in the west. In his message for the Year Book of 1936 the then G.O.C. had made a particular point of urging on the drive for volunteers,23 and in the 1937 issue the Editorial emphasized that, however willing, young men were useless in an emergency without previous training.24 Of the drive for efficiency there can also be no doubt. The Commandant's annual report ended with the statement that the headquarters staff of the Corps \"had one object and interest..... to make the unit as efficient as possible to take its place beside the regular Army in the defence of the Colony.”25\n\nThe expansion of these last few pre-war years contains one feature of great significance: the inclusion of Hong Kong Chinese in the Corps in separate units. No. 4 (Chinese) Company was formed in October, 1937 \"with two platoons each of 30 machine gunners\"26 and No. 7 Company some time later. The Corps had been slow in this respect; although it is clear from the Com-\n\n21 Y.B., 1940, p. 7.\n\n22 Y.B., 1940, p. 4.\n\n23 Y.B., 1936, p. 6.\n\n24 Y.B., 1937, p. 3.\n\n25 Y.B., 1937, p. 7.\n\n26 Y.B., 1938, p. 47.",
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    },
    {
        "id": 207382,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 150,
        "title": "RAS-1975",
        "content_text": "BRIAN MORTON & P. S. WONG\n\npower. There is thus an advantage for an oyster farmer to possess a large family. Usually every member of the family participates in the work. Male members usually handle the more laborious procedures such as the laying of the cultch, the transfer of the oysters from one bed to the other and the harvesting of the oysters for resale. Female members may also participate in this work especially those young and strong enough--but more often they are in charge of separating the oysters from the cultch and the shucking and selling of the oysters. Younger members of the family assist with domestic chores.\n\nIn Deep Bay, the oysters are cultivated in the traditional manner i.e. by bottom-laying (*). This method involves the laying of cultch (*) on the muddy bottom to collect the oyster spat (#). The set oysters are then left to grow for one or two years in the breeding ground (*) before being transferred to the deeper fattening ground (†) for an additional period of one or more years prior to harvesting (#).\n\nElsewhere in the world various materials are used as cultch for the collection of spat. These include stones, shells, bamboo sticks (Cahn, 1950), lime coated roofing tiles or egg-crate fillers, cement dipped wood veneer rings or old fish nets (Needler, 1941; Quayle, 1969) and even sticks of the mangrove, Aegiceras majus (Roughley, 1922). In Hong Kong some ten years ago, rocks and shells (Plate 14; A, B) were most commonly used as cultch. The supply of rock from nearby shores has, however, been virtually exhausted. Consequently stones are now being replaced by concrete tiles (*) (Plate 14; C, D) or concrete posts (Plate 14; E, F). Stones and oyster shells of appropriate size and thickness are still collected and reserved as cultch whenever available. The oyster shells are first cleaned and placed in the sun for weathering prior to being used. Concrete slabs are made artificially at a cost of HK$500/10,000 (in 1974). Old concrete slabs or posts which remain unbroken after the oysters have been detached can be reused. They are cleaned to remove all fouling organisms and then dried in the sun.\n\nThe most important and labour intensive stage in the bottom-laying method of oyster culture is the collection of the spat (**). In Deep Bay oysters spawn from March to September when temperatures are high and salinities are low (Mok, 1973). As a consequence the cultch has to be laid within this period. However,\n\nPage 150\n\nPage 151",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 207388,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 156,
        "title": "RAS-1975",
        "content_text": "148\n\nBRIAN MORTON & P. S. WONG\n\nchi, 1966) by the application of anti-fouling paints. Undoubtedly the main disadvantage to this technique is that a large capital investment is required with high maintenance costs and a greater chance of damage and loss during a typhoon. As noted earlier oyster culture in Deep Bay is at present being run on a family basis lacking a large capital investment. The adoption of the more expensive raft method of culture would appear, under present socio-economic conditions, to be impossible. The setting up of a co-operative system by the oyster farmers concerned, together with an extension of the Government loan scheme for fisheries development to the oyster industry could enable the oyster farmers to obtain the necessary finance to improve the industry. With an available source of funds for investment and with further detailed research to determine the modifications required to ensure the success of a programme of modernisation in the special environment of Deep Bay, Hong Kong's oyster industry is not without a future.\n\nLITERATURE CITED\n\nBardach, J. E. and J. H. Ryther, 1968.\n\nThe Status and Potential of Aquaculture. American Institute of Biological Science, Washington, D.C. Vol. I (261pp.), Vol. II (224pp.).\n\nBromhall, J. D., 1958. On the biology and culture of the native oyster of Deep Bay, Hong Kong, Crassostrea sp. Hong Kong University Fisheries Journal, 2; 93-107.\n\nCahn, A. R., 1950. Oyster culture in Japan. The United States Fisheries and Wildlife Services Fisheries Leaflet, 383; 1-80.\n\nFurukawa, Atsushi, 1968. The raft method of oyster culture in Japan. In: Proceedings of the Oyster Culture Workshop (Ed. T. L. Linton). Marine Fisheries Division, Georgia Game and Fish Commission, Brunswick, Georgia, pp. 49-54.\n\nHong Kong Annual Departmental Report by the Director of Agriculture and Fisheries, 1953-54 to 1973-74. The Hong Kong Government.\n\nKnight-Jones, E. W., 1952. Reproduction of oysters in the rivers Crouch and Roach, Essex during 1947, 1948, 1949. Fishery Investigations, London, 18; 1-48.\n\nKorringa, P., 1947. Relations between the moon and periodicity in the breeding of animals. Ecological Monographs, 17; 347-381.\n\nLeung, C., B. S. Morton, K. F. Shortridge and P. S. Wong, 1975. The seasonal incidence of faecal bacteria in the tissues of the commercial oyster Crassostrea gigas Thunberg 1793 correlated with the hydrology of Deep Bay, Hong Kong. Proceedings of the Pacific Science Association Special Symposium in Marine Science, Hong Kong 1973; 114-127.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 208934,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 96,
        "title": "RAS-1980",
        "content_text": "64\n\nLEWIS M. CHERE\n\nIt is because these questions cannot be answered yet, and because they are so significant for a better understanding of the development of Chinese nationalism, and the history of the European presence on the China Coast, that this article has been written. In answering these questions I believe that scholars of Hong Kong's history will be performing a service for all scholars of Chinese History, as well as proving that events in Hong Kong really have been of much more significance than they have previously been given credit for.\n\nNOTES\n\n1 G. B. Endacott, A History of Hong Kong, 2nd ed. (Hong Kong: Oxford University Press, 1973), pp. 208-9.\n\n2 Geoffrey Robley Sayer, Hong Kong, 1862-1919: Years of Discretion ed., with additional notes by D. M. Emrys Evans (Hong Kong: Hong Kong University Press, 1975).\n\n*\n\n* Endacott, p. 209.\n\n4 James Hayes, \"A Short History of Military Volunteers in Hong Kong,\" Journal of the Hong Kong Branch of the Royal Asiatic Society 11 (1971): 151-71.\n\n* James William Norton-Kyshe, The History of the Laws and Courts of Hongkong. 2 vols. (London: T. F. Unwin, 1898), 2:376-67.\n\n+ +\n\nFor the problems which Britain's involvement caused her, see my forthcoming \"Great Britain and the Sino-French War: The Problems of an Involved Neutral, 1883-1885\", Selected Papers, The Western Conference of the Association for Asian Studies, 1980.\n\n* See the Census of Hong Kong for 3rd April, 1881, published in the Hongkong Government Gazette, 11th June 1881. There were then 91,452 men out of a total Chinese population of 150,690.\n\n• Endacott, p. 209; Parkes to Granville, no. 226 October 15, 1884, Great Britain. Public Records Office. FO 227/2715, pp. 12-15.\n\n• For more complete information on the Sino-French War see: Lloyd E. Eastman, Throne and Mandarins: China's Search for a Policy During the Sino-French Controversy, 1880-1885 (Cambridge, Mass: Harvard University Press, 1967); Henry McAleavy, Black Flags in Vietnam: the Story of a Chinese Intervention (New York: Macmillan, 1968), Ella S. Laffey, \"Relations Between Chinese Provincial Officials and the Black Flag Army, 1883-1885,\" (PhD dissertation, Cornell University, 1971); or my own \"The Diplomacy of the Sino-French War (1883-1885): Finding a Way Out of an Unwanted, Undeclared War,\" (PhD dissertation, Washington State University, 1978).\n\n10 A translated copy of the poison proclamation is in FO 227/2714, pp. 35-7; for Chang's defense of it see FO 227/2715, pp. 10-12.\n\n11 North China Herald, October 8, 1884, reprints an account from the Straits Times.",
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    },
    {
        "id": 209614,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 271,
        "title": "RAS-1982",
        "content_text": "249\n\n21, 22, 23, 25, 26, 27 Mar. 1912 — \"The Gondoliers\" (Gilbert and Sullivan, 1889)\n\n1912/13 25, 26 Oct. 1912 \"A Pair of Spectacles\" (Sydney Grundy, 1890) given in\n\n1913/14 —\n\n1914/15 —\n\n17, 19, 21 Dec. 1912 \"An Ideal Husband\" (O. Wilde, 1895)\n\n25, 28, 29, 30 Oct., 1 Nov. 1913.\n\nHong Kong Mummers (personnel same as A.D.C.) \"Twelfth Night\" Shakespeare.\n\n21, 26 Feb. 1914 —\n\nCentennial Performance: Three Episodes \"A Privy Council\" (W. Drury and R. Price, 1904). \"Between the Soup and the Savoury\" (Gertrude Jennings, 1910) \"The Open Door\" (Alfred Sutro, 1906)\n\n7, 10, 14 Nov. 1914\n\n—\n\n\"The Blue Bird\" a fairy play (M. Maeterlinck, transl. by A. T. Mattes, performed London 1909)\n\n2, 6, 9 Jan. 1915\n\n\"Snow White and the Frog Prince\" a fairy ballet in 3 parts and 4 tableaux.\n\n1915/16 — 14, 16, 11 Mar. 1916 — \"An Angel in the House\" (B. M. Hastings and E. Phillpotts, 1915):\n\n1916/17 —\n\n15, 16, 18, 30 Dec, 1916 - \"Kismot\" oriental, spectacular (E. Knoblauch, 1911)\n\n1917/18 23 Feb. 1918\n\n1918/19\n\nA.D.C. Mr. A. P. Stokes assisted by members of \"Acid Drops\"\n\n\"Five Birds in a Cage\"\n\n\"The Rest Cure\"\n\n23 Apr. 1918 \"The Witness for the Defence\" (A. E. W. Mason, 1911)\n\n7, 9 Nov, 1918 - \"The Barton Mystery\" a spoofic fantasy (Walter Hackett, 1916)\n\n21, 22, 24, 25, 26, 27, 29 Mar. 1919 \"Pinkie and the Fairies\" a fairy play. (W. G. Robertson, music F. Norton, 1909)\n\n1919/20 — apparently no production.\n\n1920/21\n\n28, 30 Oct., 3 Nov. 1920 Four Dunsany Plays\n\n\"The Golden Doom\" (1912)\n\n\"The Glittering Gate\" (1909)\n\n\"The Lost Silk Hat\" (1913)\n\namateur musicians:\n\nInterval Chinese \"Compromise of the King of the Golden Isle\", world premiere",
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    {
        "id": 211006,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 68,
        "title": "RAS-1987",
        "content_text": "14\n\nIbid., part 106.\n\n15\n\nIbid., part 105.\n\n43\n\n16 Lockhart, p. 77; Hayes, p. 164.\n\n17\n\n13\n\nFor the Kowloon Street and its kaifong, see ibid., pp. 171-173.\n\n18 See ibid., pp. 168-171; also Chiu-lung Luo-shan-t’ang pai-nien shih-shih HACKETT (One hundred years of the Lok Sin Tong) (Hong Kong, the lang, [1980]).\n\n19 Peter Wesley-Smith, Unequal Treaty 1898-1997 (Hong Kong: Oxford University Press, 1980) pp. 19-20; Stanley F. Wright, Hong Kong and the Chinese Customs. China. The Maritime Customs. VI Inspector Series: no. 7 (Shanghai: Statistical Department of the Inspector-General of the Customs 1930), pp. 9-10. “Native” customs offices were handed over to the Inspector-General of Maritime Customs after the signing of the Hong Kong Opium Agreement in 1886.\n\n20 See Faure et. al., vol. 1, p. 166, p. 251.\n\n21 Siu, Chiu-lung ch'eng, p. 37.\n\n#1\n\n23\n\n24\n\n25\n\nBowring to Grey, August 21, 1854, despatch 61: CO129/47. Krone, p. 116.\n\nMacdonnell to Buckingham, August 27, 1867, despatch #358: CO129/124.\n\nJarrett, Vincent H.G. \"Old Hong Kong”, vol. 2, p. 613. This is a series of articles on the history of Hong Kong taken from the South China Morning Post from June 17, 1933 to April 13, 1935, and re-arranged alphabetically by subject. A Xerox copy of copies typed from the original articles is deposited in four volumes at the University of Hong Kong Library.\n\n26\n\nBowring to Grey, August 21, 1854, despatch 61.\n\n27 W.J. Norton-Kyshe, The History of the Laws and Courts of Hong Kong, 2 volumes (Hong Kong: Vetch & Lee, 1971; 1st published 1898) vol. 2, 423–429. Another case occurred in 1896 when a Chinese policeman was shot in Hong Kong. His murderer was arrested in Canton and brought to Kowloon City where he was beheaded. (John Luff, “The Hong Kong Police\", China Mail, February 24, 1960).\n\nMacdonnell to Kimberley, April 3, 1872, despatch #976: CO129/157.\n\n29 See Faure et. al., vol. 1, pp. 103, 114, 133.\n\n30 The tablet is dated the first year of the Tung-chih reign, i.e. 1862. It is still in very good condition.\n\n31 Newspaper cutting dated May 27, 1886, enclosed in Marsh to Granville, May 31, 1886, despatch #183: CO129/226.\n\n32\n\n3\n\nHua-tzu jih-pao #711, January 17 and 18, 1896.\n\nDaily Press, January 20, 1896.\n\n34 Wesley-Smith, Unequal Treaty, p. 17; The open nature of the gambling was also decried by the Hsun-huan jih-pao, December 17, 1885.\n\n35 Norton-Kyshe, vol. 2, p. 423.\n\n36\n\nIn fact gambling houses were re-opened as soon as Chinese officials departed from Kowloon, Blake to Chamberlain, August 18, 1899, in Great Britain, Colonial Office. Confidential Prints Eastern (Series 882) (hereafter CO882)/5, no. 66, p. 340.",
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        "id": 211070,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1987",
        "page_number": 131,
        "title": "RAS-1987",
        "content_text": "106\n\nBRYCE, Louise W 9.12.1912\n\nBUCHANAN, Charles 11.9.1873\n\nBURDETT, Frederick 24.1.1940\n\nBUCHANAN, Archibald 21.7.1909 BULLEN, Arthur Pearce 23.3.1905 BURDETT, Jane Cerile 31.5.1909 Deane\n\nBURNETT, Edward 8.5.1936\n\nBUTTNER, Albert 31.1.1907\n\nCADDEM, Patrick 14.9.1906\n\nCAGLI, Augusto 21.5.1888 Rattway\n\nCAMPION, Thomas 20.7.1864\n\nCARTER, Bessie Ann 16.12.1942\n\nCHALMERS, Frank 5.8.1958\n\nCHAMBERS, Elizabeth 27.2.1917 Morton\n\nCHAPMAN, Henry 14.3.1883\n\nCHEEL, James 18.3.1923 Grafton\n\nCLARKE, Edgar 18.10.1901 CLEAR, Charles Arnold 5.2.1945 Charles\n\nCLELAND, William 20.8.1937\n\nCOATES, John H 5.5.1902 Alexander\n\nCOLEMAN, John 30.5.1904\n\nCOLLER, 1st infant son 6.11.1872 of Richard Lovett\n\nCOLLER, 2nd infant 1.4.1874 son of Richard Lovett\n\nCOLLETT, Henry 18.8.1903 George Outram\n\nCONGDON, Jane E 19.2.1898\n\nCOOK, CJ 12.9.1946\n\nCOOKE, Doris Ann 17.10.1942\n\nCOTEZ, Frank 5.8.1918\n\nCRICHTON, Lloyd 18.7.1945\n\nCROCKETT, LS Not known James\n\nCUNNEEN, Miss E F 12.5.1950\n\nCURRY, Charles 7.9.1903\n\nDAKIN, George J 2.7.1883\n\nDALE, CE 30.5.1904\n\nDAMASKOS, Nikolas 17.12.1962\n\nDAVIS, Thomas 28.10.1883\n\nDEBLOIS, John Emory 3.8.1874\n\nDEBRUNNER, Alphons 11.2.1952\n\nDECKER, Ernest\n\nDENNISON, William 5.10.1882\n\nDE HASS, Theodorus 17.8.1909 Marie 25.7.1904\n\nDEWHURST, Fred 25.12.1915\n\nDICKINSON, John 3.5.1949\n\nDONISCH, Arthur 24.2.1883 Herbert\n\nDORRINGTON, Nellie 16.9.1902\n\nDOS REMEDIOS, Mary 10.8.1961 Paz\n\nDOS REMEDIOS, Jose 22.8.1962 Florencio\n\nDOS REMEDIOS, Pacita Godinez 3.1968\n\nDREYFUS, Ernest 2.9.1906\n\nDUDLEY, Infant 14.2.1880 Gustav\n\nDUFF, William Aitken 20.3.1902\n\nDUKE, John 14.4.1939\n\nDUMARES, John 22.7.1922\n\nDUNCAN, William 27.7.1899 Saumarez Cunning\n\nDUNN, JC J 10.4.1949\n\nDYKES, Oswald S 19.1.1930\n\nEATON, Red Campbell 21.4.1877\n\nEDWARDS, John E 26.10.1924\n\nEHLERS, J G 1.11.1878\n\nELERTIS, Nicholas 21.6.1964\n\nELLAMS, John David 11.5.1946\n\nELZINGER, Auguste 26.4.1879\n\nENTICKNAP, G H 27.5.1915\n\nEWART, Henry 9.7.1894\n\nFABIAN, Adolf 29.4.1886\n\nFAIRCLOUGH, Ferdinand J 5.7.1897\n\nFALKNER, Samuel 27.4.1903\n\nFALLOT, Lymae 11.7.1919 William\n\nFARREN, John W 23.8.1864\n\nFARNES, Walter S 7.6.1942\n\nFEELDING, Susie 15.1.1939\n\nFERBER, Johann 8.1.1890 Bernard",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
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    },
    {
        "id": 211792,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 207,
        "title": "RAS-1989",
        "content_text": "182\n\n500 or 600 p.a.), without any prospect of being able to use it the subsequent season. Apparently it was also the custom to sell all the scenery, etc., at the end of the season and this too could only be done at a heavy loss (for 1865 it had cost Tls. 2,400 and fetched but Tls. 200).109 In order to investigate the feasibility of a permanent, i.e., stone, theatre, a provisional committee was appointed in September 1866.10 The chances of realising the object in view did not seem very rosy though. At a meeting of the committee held on November 10, 1866, it was decided that the \"circulation of a subscription list towards a permanent theatre should be deferred for the present\" and instead guarantors for the construction of a temporary theatre (i.e., one of wood, which was much cheaper) should be sought.11 In this they were successful and on November 16, it was announced at a meeting that Tls. 3,500 had been subscribed. This, however, was not deemed sufficient to cover all the expenses and an amended motion was adopted stating that instead of fitting up a godown, a temporary theatre, on the plans submitted to the meeting, be built and fitted up, provided a sum of Tls. 6,000 be guaranteed within a week\".12 And despite the rather severe limitations under which a number of merchants had to operate due to the collapse of the building boom - an adjourned meeting was informed on November 22 that this sum had indeed been guaranteed.\"\n\nThe new theatre would be built in wood and was designed by a local architect, Mr. William Kidner; originally it would contain 700 seats, but this was considered too much, 500 or 600 being enough. The firm of Dent & Co. showed itself willing to provide a plot of land for the sum of Tls. 250 annually and the cost of the theatre itself was estimated at Tls. 3,900. Some months later, on March 1, 1867, the wooden Lyceum Theatre opened on Yuanmingyuan Road* (later, Museum Road), with Morton's Whitebait at Greenwich and Faust and Marguerite (author not mentioned: F.C. Burnand?, T.W. Robertson?, J. Halford?).\n\nOne may well ask why the foreign residents had not found the courage and the money to erect a really “lasting structure\" for, naturally, wooden buildings were prone to fire and it should come as no surprise that the \"temporary'' theatre proved to be very temporary indeed, for on March 2, 1871, it burned down. Once again a substantial sum of money had been wasted on what turned out to be an ill-advised scheme. Sadder and wiser, it was finally decided in 1872 to construct a brick theatre on an adjacent site on Museum Road, stage entrance on Yuanmingyuan Road. On\n\n*This is the theatre marked \"b\" at Appendix III.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211804,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 219,
        "title": "RAS-1989",
        "content_text": "194\n\n6.5.1852 (Thur)\n\nJ.M. MORTON: \"Attic Story\" (1842)\n\nT: Farce (1 act)\n\nR.B. PEAKS: \"The Haunted Inn\" (1828)\n\nT: Farce (2 act)\n\nC: Amateurs\n\nF: Music, i.a. selections from Mozart's “Le Nozze di Figaro\" and other operas. Epilogue.\n\nTh: New Theatre Royal (A)\n\nN: Last performance of the season\n\nR: Again there was a new drop scene. \"A View near Palermo, a very pleasing view of an Italian villa with the bay and hills in the background\". The pieces were \"well performed and excited much merriment, especially the mistakes of the Attic Story\" (NCH 8.5.1852).\n\n27.1.1853 (Thur)\n\nD. BOUCICAULT & C. MATHEWS: \"Used Up\" (1846)\n\nT: Comedietta (2 acts)\n\nG.A.A. BECKETT: \"The Turned Head\" (1834)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: Imperial Theatre (B)\n\nN: First performance of the season\n\nR: After not a little uncertainty about the state of affairs respecting the theatre, finally the management for the new season was laid in the hands of Horatio BUSKIN (a compound pseudonym: Horatio, from Hamlet; Buskin, the boot worn by Greek actors) who succeeded \"Doldrum\".\n\nFor a \"very good attendance graced by many of the beau sexe\" the evening \"came off with great éclat\" (NCH 22, 29.1.1853).\n\n23.3.1853 (Wedn)\n\nJ.M. MORTON: \"Betsey Baker\" (1851)\n\nT: Farce (1 act)\n\nW. BROUGH: \"Apartments\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Prologue; comic songs\n\nTh: Imperial Theatre (B)\n\nR: In the presence of the British Superintendent of Trade and Governor of Hong Kong, Sir George Bonham, Betsey Baker turned out to be \"a most decided and palpable hit, received throughout with shouts of laughter and applause\". Bonham was in Shanghai on his way to Nanking which had been taken by the Taipings on March 19. The Rebellion had a profound effect on the foreign community and although the Taipings enjoyed for some time a lot of sympathy, on this occasion they were satirised in a **most original and witty Prologue**: \"The Manager appeared before the curtain, in a state of intense excitement, informing the audience of mutiny in the corps! Dreadful consequences!! No performance!!! What could be done!? Then arose such a \"Row and Bobbery\" [Bobbery: an Anglo-Indian word meaning 'noise, disturbance' - JH] led by those who were in the secret and poor Horatio BUSKIN could scarcely be heard amidst the crash of broken glass and was almost unable to face the shower of oranges aimed at his devoted head. An amiable conspirator elevating himself on a bench expressed most loudly and eloquently his indignation at this state of affairs; however, after a parley with the Manager, he proposed a compromise, and the curtain was drawn up exposing the corps evidently in a state of 'Rebellion'. Fortunately they would listen to reason and the 'refractory members' agreed to 'go on' for this occasion, and the Manager retired with...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211806,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 221,
        "title": "RAS-1989",
        "content_text": "196\n\n22.3.1854 (Wedn)\n\nJ.V. BRIDGEMAN: \"I've Eaten My Friend!\" (1851)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"A Most Unwarrantable Intrusion\" (1849)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"The Two Bonny Castles\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music\n\nTh: Tac Ming Theatre (C)\n\nR: Was the new member perhaps \"Mr Mercury WARREN\" who scored such a great success in I've Eaten My Friend! as Hezekiah Jellytop? \"The refined sensibility of the character was portrayed with a power and intensity which mark Mr. Warren as one of the true sons of Thespis. How shall we describe the horror when the internal evidence of a pie revealed a clue to the whereabouts of his departed friend\".\n\nIn the second piece, An Unwarrantable Intrusion \"the part of Ashplant was performed by a gentleman whose via comica and power of communication were unmistakable. He completely embodied the character and infused life and vigour into his conception of it**.\n\nUntil now, even the stage names of the actors had scarcely been mentioned in the reviews, but tonight we learn that in The Two Bonny Castles Messrs Bravo ROUSE, Mercury WARREN, and Horatio BUSKIN excelled as well as the ladies who acted with great spirit and sustained the dignity and elegance of the sex with most admirable effect\" (Bravo ROUSE was a borrowed alias).\n\n+\n\nAmong the musicians was again \"Herr KOENIG\" who \"brilliantly executed\" on, presumably, the violin. (NCH 25.3.1854).\n\n15.5.1854 (Mon)\n\nC.W.S. BROOKS: \"Anything for a Change\" (1848)\n\nT: Comedietta (1 act)\n\nJ.M. MORTON: \"Box and Cox\" (1847)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: \"A Grand Ethiopian Entertainment\" with the \"Virginian Minstrels\"\n\nTh: Tac Ming Theatre (C)\n\nN: These performances, the last of the season, had originally been announced for April 5; on that date would also have been played J.T.G. Rodwell's farce A Race for Dinner. The evening was postponed, however, because of the Battle of Muddy Flat on April 4, 1854.\n\nR: Some of the local celebrities definitely could not go wrong, witness the following remark in the Herald: \"As we dropped in for half an hour we cannot speak of the concluding (Box and Cox) but, as our favourite Mr. VERDENT and the clever Mr. WARREN enacted parts in it, we have no doubt it must have told on the audience\". Earlier that night Mr. Bravo ROUSE and Mr. WARREN had starred in Anything for a Change (probably as Swoppington and Honeyball).\n\n19.5.1855 (Sat)\n\nA \"Soirée Musicale Dansante\" by officers of the U.S.S. \"Powhatan\" with an \"Ethiopian Concert by the Minstrels of the Powhatan\" and a burlesque on Bulwer-Lytton's The Lady of Lyons. H.J. Byron wrote a burlesque with the same title, but according to HED, the first performance took place on February 1, 1858.\n\nR: In the Survey, it was pointed out that the officers of naval vessels sometimes entertained the local foreign residents. The first of these occasions occurred on board the Powhatan, an American warship that took part in the Japan expedition, on the eve of her departure.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211807,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 222,
        "title": "RAS-1989",
        "content_text": "197\n\nfrom Shanghai on the 20th. Despite that, the \"soirée\" was \"kept up to a late hour with great spirit\". The programme consisted of tunes by Dabney, de Costa and Tripp: one of them was called \"Japanese make yourselves ready\" (NCH 26.5.1855).\n\n23.1.1856 (Wedn)\n\nE. MAYHEW: \"Make your Wills” (1836)\n\nT: Farce (1 act)\n\nW. BROUGH: \"No 1 Round the Corner\" (1854)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Whitebait at Greenwich\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music\n\nTh: D\n\nN: Once more politics crept into the theatre since, due to the Anglo-French campaigns in the Crimean War, \"the proscenium was very tastefully emblazoned with the arms and ciphers of the Allies”. The drop scene now represented the \"Lake of Geneva with the far famed Castle of Chillon” (far famed because of Lord Byron's poem \"The Prisoner of Chillon\"). For a change the Herald allowed itself some criticism of the amateurs, but about the costumes only: \"We are perfectly aware of the great difficulties which beset the wardrobe department of the Theatre here, but still we think that two or three alterations might be made with advantage. It must be remembered that the assumption of a part on the stage requires the submergence of the individual into his assumed character. Proteus must not be more unlike his last shape than the actor must be unlike his mere self and the difficulty of effecting this is enormously increased by an appearance in every-day costume. In melodramatic pieces some decided change is absolutely necessary because success depends on the power of exciting the sympathies of the audience for the various situations of the actors and it is quite impossible that the desponding accents of one young gentleman or the grasping villainy of another (both of whom we know to be very good fellows and far from desponding or hypocritical characters) in the garb of 1856 can excite these sympathies. In Farce it is less important because the effect depends upon a successful appeal to our sense of the ludicrous and this may be done by situations which are quite within the range of every-day life. (...) It also struck us that a little more attention to the chronology of dress would be attended with increased effect; there were two or three anachronisms: for instance the mob cap of Mrs. Foreright (a most admirable 'make-up' by the way) hardly accorded with the modern elegance of Clara; or the venerable beard of the implacable Mr. Ireton with the modern costume of his disinherited son. It is astonishing how greatly unity in these matters adds to the effect of such performances and in spite of the difficulties of such performances and in spite of the difficulties of securing dresses we think a consultation between the Manager and the performers might produce a harmony which would be attended with the best effect”. The music too was thought to be \"ineffective\", but for the remainder it was, as usual, amusing, with Whitebait at Greenwich as the hit of the evening. The character of Buzzard — by no means a graceful one — was played with great effect and we heartily congratulate Mr. SLOWCOME upon the power he displayed\". In Make your Wills the reviewer could not \"forbear mentioning the excellent impersonation of Joseph Bragg by Mr CLAY\" (NCH 26.1.1856).\n\n21.2.1856 (Thur)\n\n—\n\nJ.S. COYNE: \"The Infanticidal Farce\" (1846)\n\nT: Farce (1 act)\n\nMrs. C.G.F. GORE: \"A Good Night's Rest\" (1839)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Slasher and Crasher\" (1848)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211818,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 233,
        "title": "RAS-1989",
        "content_text": "208\n\n12.10.1858 (Tue)\n\nConcert by Mr. Martin Simonsen\n\nN: No review was published.\n\nMr. Simonsen had also visited Hong Kong; there he had given his last recital on September 20, 1858 (CM 23.9.1858).\n\n16.2.1859 (Wedn)\n\nT: Comedy (2 acts)\n\nJ.M. MORTON: \"Whitebait at Greenwich\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Highflyer\n\nTh: Theatre Royal (E)\n\nR: For the first night of the amateur season \"a very numerous audience was collected and the presence of nearly all the beauty and fashion (we allude to the eccentricities [what may these have been? - JH] of masculine as well as to the elegancies of feminine costumes) of Shanghai imparted to the front benches a very brilliant appearance, which was further enlivened by the smiling faces of two or three laughing cherubs whom we detected nestling under the maternal wing\". For the occasion the drop pictured \"a very faithful (our travels in Italy enable us to state) representation of a most romantic spot on the banks of the Lago Maggiore\". Sink or Swim was found to be a \"dull plagiarism upon our old favourite 'Used Up'\" but it passed off with the utmost special due to the talents and exertions of the actors\", among whom \"Mr. PETREL's Mr. Scampley struck us as well conceived, a swindling roué's impertinence dashed by a sense of uneasiness\", Mr. FARREN (again a stage name after a London actor: William Farren, 1786-1861) sustained Lord Yawnley \"admirably\" and Mr. PICKWICK displayed as Adam Stirling all \"the quaint humour of his immortal ancestor\". Miss WALTERS, however, was thought to have been less fit for the part of Mrs. Stirling. She did not upon all occasions evince that grave decorum which usually characterises the British matron\". Morton's Whitebait at Greenwich was, as on January 23, 1856, a hit. This time Mr. PICKWICK took the part of Benjamin Buzzard in a \"quiet and most natural style of acting\". Mr. Phunago BRUSHWOOD - \"an actor of the Keeley-Robinson school, possessing a racy humour of his own\" played John Small and it was \"a gem of low comedy\". Of course there was Mrs. NESBIT, as well as Miss WALTERS whose portrayal of the servant maid came off much better than her Mrs. Stirling: \"we do not wonder at Mr. Buzzard's having been caught by her saucy face and bright complexion\" (NCH 19.2.1859). (Robert Keeley, 1793-1869, and Frederick Robson, 1821-1864, were both well known low comedians in Britain).\n\n22.2.1859 (Tue)\n\nConcert by Prof. Shonbrun, piano, and some local amateurs.\n\nTh: Theatre Royal (E)\n\n+\n\nR: The concert was given in the (New) Theatre Royal of the amateur dramatic corps, but acoustically it was not very satisfactory. No wonder that many of Mr. SHONBRUN's best efforts and most brilliant passages did not fully reach the audience\", an audience which was not very numerous in the first place, which too has its influence on the sound. For the following concert it was foreseen that \"a small scene will be erected and the wings closed in\".\n\nFor the time being the critic refrained from any strictures on the soloist, except that he hoped that \"on the next occasion Mr. Shonbrun will lead us to a higher class of pianoforte music than that put forward on Tuesday last\". It will come as no surprise that there was a eulogy on the amateurs who participated: \"the tenor solos were given with taste and genuine voice and the recall with which he was unanimously favoured was well merited\". (NCH 26.2.1859).\n\nT",
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    },
    {
        "id": 211821,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 236,
        "title": "RAS-1989",
        "content_text": "211\n\non any stage with ease and aptitude. And the part of the soubrette was acted \"in a manner for which we had not given the young lady who sustained it credit\" (NCH 17.3.1860).\n\n10.5.1860 (Thur)\n\nJ. COURTNEY: “Time Tries All\" (1848)\n\nT: Drama (2 acts)\n\nJ.M. MORTON: “To Paris and back for £5\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the Germania Singing Club and the band of the 101st regiment\n\nTh: N.N. (1)\n\nN: Third and last performance of the season\n\nR: Time Tries All was a revival from 1858 and in it some of the old familiar faces could be admired again. This time Mr. TINTINNBULUM personified Matthew Bates and he \"threw an amount of grace and feeling into his acting that make us well regret his absence in the two former representations“. Mrs NESRIT gave a repeat of her Laura Leeson. One of the newcomers, Mr. ADOLPHE, “has assumed the character of negative instead of the positive villain of the last representation and almost succeeded in making us gape, so natural was his representation of that peculiar because catching disease\". Phunago BRUSHWOOD reappeared in To Paris and back for £5 and this farce offered **full scope to his laughter moving capabilities, both as to acting and costume\". There was music too, by the Germania Singverein – which reminded the critic “of their own charming Soirées Musicales\" (not recorded). However, the construction of the theatre was \"such as to mar to a considerable extent the effect of their well chosen and well executed pieces“ (NCH 12.5.1860).\n\n17.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme:\n\nG. DONIZETTI: \"La Favorita\", D.F.E. AUBER: \"La Part du Diable\", overture, **Haydée” (an opéra-comique), fantaisie, George BOUSQUET (1818-1854); “Hélène” (waltz), DENEAUX: Mazurka.\n\nLocation: Headquarters of General De Montauban at Messrs. Rémi, Schmidt & Co French Concession. (NCH 16.3.1861).\n\n24.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme:\n\nGURTNER: Pas redoublé, DUMAS: Ronde tyrolienne. D.F.E. AUBER: \"La Muette de Portici\", overture, G. ROSSINI: **[Il Barbiere di Siviglia” fantasia, D.F.E. AUBER: **Les Diamants de la Couronne\", overture, “La Brise”.\n\nLocation: as on 17.3.1861 (NCH 23.3.1861).\n\n31.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas.\n\nProgramme:\n\nBOSCH: Pas redoublé. C.W. VON GLUCK: \"Armide\", F.M.V. MASSE: \"La Chanteuse Voilée\", overture, G. ROSSINI: \"Mosè in Egitto”, chorus **Valse allemande“. GURTNER: \"France\" (polka).\n\nLocation: as on 17.3.1861 (NCH 30.3.1861)\n\nNovember 1861\n\nConcert by Signor Robbio.",
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    {
        "id": 211822,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 237,
        "title": "RAS-1989",
        "content_text": "212\n\n26.12.1861 (Thur)\n\nConcert by Signor Robbio, violin, and some local amateurs, Programme:\n\n4\n\nL. VAN BEETHOVEN; Trio for strings in E-flat opus 3, V. BELLINI: “Norma”, the aria 'Casta Diva' arranged for violin, C.A. DE BERIOT: Tremolo\", C. GOUNOD: **Meditation upon J.S. Bach's first prelude\", i.e., the famous Ave Maria, C.M. von WEBER: \"Der Freischütz”, cavatine (presumably \"Und ob die Wolke sie verhülle”, act III), arranged for cello and piano. Sir Henry BISHOP: \"Home sweet home\" (from the opera \"Clari, the maid of Milan'), Sr ROBBIO: \"Grande Valse Diabolique“, In addition: some quartet and solo singing by amateurs.\n\nTh: N.N.\n\nR: Today the second concert by the violinist Signor ROBBIO came off \"for a very large audience\". In November he had made his debut in Shanghai but because of a gap of three November issues in the file of the Herald I have been using no details can be given. Once more, however, the paper seems to have been discontented with the selection of the pieces. Not so tonight, with the exception of one composition by Sr Robbio himself, **a work of the Paganini school” of which the critic was evidently not a lover. About the interpretations by the violinist, though, there was but praise; e.g. \"he greatly charmed his audience by the power and feeling with which he executed the beautiful air from Norma, 'Casta Diva'\". So all was enjoyable, the more so as \"for the moribund piano used at the last concert a fine 'Broadwood' was substituted, which displayed to great advantage the admirable playing of the gentleman to whom St Robbio was so much indebted for his accompaniment\". One letter writer went even so far as to exclaim that such delights in Shanghai are indeed 'like angels' visits few and far between' \"' (NCH 28.12.1861).\n\nFebruary and March 1861\n\nPerformances by \"Lewis' Australian Hippodrome” Loc: Commercial House in Hongkew\n\n-\n\n―\n\nוי\n\nN: During the months of February and March \"Lewis' Equestrian Australian Troupe\" gave a large number of performances, of which the first one was announced for February 15 and the last for March 17. The public was entertained with horses and artists, among whom Mr. and Mrs. COUSINS, Mr. BARLOW, Senior RAPHAEL, Jessi GARDONI, **Austin Shanghai**, and “Little Ella\". For all, benefits were held in March. It was not the first time that the troupe had operated on the China Coast. In December 1859 they had visited Hong Kong (CM 15.12.1859, 22.12.1859).\n\n13.2.1863 (Fri)\n\nJ.M. MORTON: \"Our Wife, or the Rose of Amiens\" (1856)\n\nT: Comic drama (1 act)\n\nH\n\nA. MAYHEW & H. SUTHERLAND EDWARDS: The Goose with the Golden Eggs T: Farce (1 act)\n\nC: Amateurs (Local and British officers)\n\n13.2.1863 (Fri)\n\nJ.M. MORTON: \"Our Wife, or the Rose of Amiens\" (1856)\n\nT: Comic drama (1 act)\n\nA. MAYHEW & H. SUTHERLAND EDWARDS: \"The Goose with the Golden Eggs' T: Farce (1 act)\n\nC: Amateurs (Local and British officers)\n\nF: Music by the band of the 67th regiment\n\nTh: Theatre Royal (G)\n\nN: First performance of the season\n\nR: Casts:",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211824,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 239,
        "title": "RAS-1989",
        "content_text": "214\n\nJacob Grimes: F. Shannons\n\nThese performances drew the largest audiences of the season\", which statement causes some surprise seeing that it had only just started. But the house was filled in every part and a good number of ladies in the dress circle graced the occasion, while the parterre was so crowded that many of the spectators had to stand\". Noteworthy were the scenery, painted by Captain Hamilton; and, in Crinoline Mr. PHILLIPS as the jealous husband “which would be considered excellent on the boards of the Adelphi” (NCH 14.3.1863).\n\n16.3.1863 (Mon)\n\nRepeat of the former.\n\n26.3.1863 (Thur)\n\nJ.M. MORTON: \"Fitzsmythe of Fitzsmythe Hall\" (1860)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Where There's a Will There's a Way” (1849) T: Comic drama (1 act)\n\nC: Amateurs (Local and British officers)\n\nTh: N.N. (G?)\n\nR: Casts:\n\nWhere There's a Will:\n\nDona Francesca: Mr. W. Hyslop (of Gibb, Livington & Co)\n\nDon Manuel: D.A.C.G. Ewing\n\nDon Lopes Avila: Mr. Raymur\n\nDona Blanche de Tavora: Mr. A. Broom (of Jardine, Matheson & Co)\n\nDon Scipio de Pompolino: D.A.C.G. Cooksley\n\nFitzsmythe:\n\nFitzsmythe: D.A.C.G. Cooksley\n\nHis wife: D.A.C.G. Hayter\n\nPenelope, their daughter: Mr. A. Broom\n\nFrank Tottenham: Mr. Raymur\n\nGregory, servant: D.A.C.G. Ewing\n\nIt was remarked about Mr. Raymur that \"this gentleman was of a backward turn in his orthography\". So a pseudonym after all; the hint though does not make it clearer. There is no Raymur, nor a \"Rumyar\" (which would be a very strange name indeed) in the \"Shanghai Almanac for 1862” — the last one available. Could it be Mr. E.I. Remier? Although the review of the 13th February had not been negative, tonight's performances were, in the eyes of the Herald. \"upon the whole an improvement on those of the first subscription night, and the audience expressed their approbation in a more decided manner, so that everybody seemed pleased with the evening's entertainment\", Where There's a Will There's a Way, an elegant drawing room play situated in 18th century Portuguese royal circles, \"was placed on the stage in a very creditable manner, considering the slender means and appliances as being tasteful, rich and, we presume, correct for the period, while the ladies looked quite charming in their elegant dresses; the whole apparently got up 'regardless of expenses as the London playbills have it\". In Fitzsmythe the best piece of acting was that of Mr. HAYTER as the old lady who, like Mr. Jourdain, was \"ambitious of having \"quality\" friends and finery, while in her domestic occupations she revelled in jam and soapuds The \"languishing Penelope\" of Mr. BROOM was also quite fascinating”. (NCH 28.3.1863).\n\n17.4.1863 (Fri)\n\nConcert by amateurs in aid of the Lancashire Relief Fund.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211828,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 243,
        "title": "RAS-1989",
        "content_text": "218\n\n1.4.1864 (Fri)\n\nR.B. BROUGH: \"Crinoline\" (1856)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"A Most Unwarrantable Intrusion\" (1849) T: Farce (1 act)\n\nN.N.: \"The Debut\"\n\nC: Messrs Shannon and Phillips with an amateur company\n\nTh: N.N. (H)\n\nR: Not too enthusiastically the Herald wrote that \"had Messrs PHILLIPS and SHANNON been better supported the performance would probably have proved a more decided success\". Must it be supposed that the amateurs were locals, who were otherwise so much lauded? (NCH 2.4.1864).\n\n4.4.1864 (Mon)\n\nRepeat of 30.3.1864,\n\n18.4.1864 (Mon)\n\nFirst performance by a Portuguese Amateur Dramatic Corps. TH: N.N.\n\nR: This first performance by a local Portuguese company was considered favourably: \"the arrangement of the costumes and acting were all good and amply rewarded a visit even by those who may not understand the Portuguese language\". (NCH 23.4.1864)\n\n25.4.1864 (Mon)\n\nJ. OXENFORD: \"Retained for the Defence\"\n\nT: Farce (1 act)\n\nC.S. CHELTNAM: \"A Lucky Escape\" (1861)\n\nT: Comic drama (1 act)\n\nT.J. WILLIAMS: \"On and Off\" (1861)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTH: N.N. (H)\n\nN: Second performance of the season\n\nR: This second Volunteer Corps night drew a crowded house and the reporter was pleased to see that \"a majority of the lady residents were among the audience\", the more so as they \"by their presence contributed to inspire the performers with the desire to excel which led to such complete success\". No names were given in the review, but in A Lucky Escape “it would have required very sharp eyes to detect that the actress [who personated Louise] was, in fact, an actor\". Here the truth is finally revealed! In On and Off he/she took the part of Letitia equally well. (NCH 30.4.1864)\n\n9.5.1864 (Mon)\n\nN.N.: \"Nature and Philosophy or Eighteen Years' Labour Lost\"\n\n(The only piece with this title in HED is one that had its first night on 18.4.1876. However, Brown, \"A History of the New York Stage\", Vol. I, p. 235 mentions a performance of this play on June 1 1833).\n\nG. COLMAN Jr: \"Love Laughs at Locksmiths\" (1803)\n\nC: C.R. Faylor's travelling company\n\nF: Comic songs, dance, music\n\nTh: Olympic Theatre (H)\n\nR: Casts:\n\nNature and Philosophy:\n\nBrother Philip: Major Pegus\n\nRenaldo: C.R. Faylor\n\nEliza: Mrs. E. Yeamans\n\nGertrude: Mr. E. Yeamans",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211829,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 244,
        "title": "RAS-1989",
        "content_text": "219\n\nColins: Mrs. C.R. Faylor Love Laughs at Locksmiths Robin: Mes. C.R. Faylor\n\nJuliac: Mrs. E. Yeanians\n\nDame Durden: Mr. E. Yeamans.\n\nPaddy Druden: C.R. Faylor\n\nOnly an advertisement for this performance was published in the Herald of May 7. The stage often has its own laws as to the gender of the participants. In amateur theatricals, men dressed up as women à l'outrance, whereas in a professional company like the present one male characters were personified by ladies and vice versa!\n\n14.5.1864 (Sat)\n\nPerformance by the amateurs of the Royal Artillery.\n\nNo titles of plays recorded.\n\nTh: N.N. (H)\n\nR: NCH 21.5.1864\n\n17.5.1864 (Tue)\n\nRepeat of 14.5.1864.\n\n26.5.1864 (Thur)\n\nJ.M. MORTON: “Whitebait at Greenwich\" (1835)\n\nT: Farce (1 act)\n\nC. MATHEWS: \"Little Toddlekins” (1852)\n\nT: Comic drama (1 act)\n\nJ.M. MORTON: “Poor Pillicoddy” (1848)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Epilogue spoken by R.C. Antrobus, commander of the S.V.C.\n\nTh: N.N. (H)\n\nN: Final performance of the season\n\nR: For the occasion Edward LAWRENCE, who was a \"practitioner at Law and Notary Public” according to the “Shanghai Almanac for 1862”, had written an epilogue which was read by the commander of the S.V.C., Robert Crawford ANTROBUS (member of the Municipal Council 1864-1865). And, as if to give more weight to its reception, the Herald added that “many of the ladies joined in the applause” (NCH 28.5.1864).\n\n28.5.1864 (Sat)\n\n**An Evening at Home**: \"Songs interspersed with anecdotes and conversation of the most lively description”.\n\nC: Mr. J.R. Black\n\nTh: Olympic Theatre (H)\n\n31.5.1864 (Tue)\n\nAs on 28.5.1864.\n\n3.6.1864 (Fri) As on 28.5.1864.\n\n13.6.1864 (Mon)\n\n\"An Evening at Home - Great Jacobite Night\" by Messrs. J.R. Black and Marquis Chisholm. Performance of the play The Advantages of Bonnie Prince Charlie or the Rising of 1745 (No piece with this title appears in HED), as well as ballads and songs (including 'Vi ravviso from Bellini's \"La Sonnambula\", act 1).\n\nTh: Olympic Theater (H)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211834,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 249,
        "title": "RAS-1989",
        "content_text": "224\n\nF. TALFOURD: \"A Household Fairy\" (1859)\n\nT: Domestic sketch (1 act)\n\n\"Aurora Floyd\".\n\nHED lists the following authors: C.S. CHELTNAM (1863), C.H. HAZLEWOOD (1836), J.B. JOHNSTONE (1836), B. WEBSTER (1863). In addition, Adams' \"Dictionary of the Drama\" mentions W.E. SUTER.\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of J.B. Creswick\n\nR: NCH 26.11.1864, advertisement only\n\n3.12.1864 (Sat)\n\nL.B. BUCKINGHAM: \"Take That Girl Away\" (1855)\n\nT: Comic drama (2 acts)\n\nJ.M. MORTON: \"A Capital Match\" (1852)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of Miss Lizzie Naylor\n\nR: NCH 3.12.1864, advertisement.\n\n9.12.1864 (Fri)\n\nBenefit of Mr. Henry Birch of the Lewis Company.\n\nNo titles of plays were mentioned. (NCH 10.12.1864)\n\n10.12.1864 (Sat)\n\nFarewell performance, also the benefit of Mr. Lewis, of Lewis Australian Drama Company. No titles of plays were mentioned (NCH 10.12.1864).\n\nR: No detailed reviews of the Lewis season were published in the North China Herald, only short announcements. It is quite well possible that more nights than the above ones were given, but they have not been recorded. In general, the company had attracted rather full houses, but for the 9th \"home sweet home\" was preferred; \"the unfavourable state of the weather prevented many ticketholders from putting in an appearance\" (NCH 10.12.1864)\n\nNovember and December 1864\n\nPerformances by the \"Christy Minstrels\".\n\nTh. N.N.\n\nR: Another travelling company that visited the port in these months were the \"Christy Minstrels\" (see also Survey). They too managed reasonably to fill the theatre (it was not stated where the performances took place, but as the Lyceum Theatre was occupied by Lewis, it must have been another location - perhaps the Olympic Theatre). \"No boredom here for by a pleasing variety they prevent that weariness which even the finest display of musical talent must, through frequent repetition, occasion\" (NCH 26.11.1864). In September they had visited Macao (BGM 5.9.1864) and before December 10 they departed for Hong Kong (NCH 10.12.1864).\n\n22.12.1864 (Thur)\n\nPerformance by the Portuguese Amateur Dramatic Corps.\n\nR: It was \"as usual largely attended\" (NCH 24.12.1864).\n\n28.12.1864 (Wedn)\n\nR.B. BROUGH: \"Medea\" (1856)\n\nT: Burlesque (1 act)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211844,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 259,
        "title": "RAS-1989",
        "content_text": "234\n\nin 1846 and kept by the London Missionary Society. (NCH 25.11.1865; SCR 24.11.1865).\n\n14.12.1865 (Thur)\n\nJ.M. MORTON: \"Woodcock's Little Game” (1864)\n\nT: Farce (1 act)\n\nJ.P. PLANCHE: \"Faint Heart never won Fair Lady\" (1839)\n\nT: Comedy (1 act)\n\nC. SELBY: \"The Boots at the Swan\" (1842)\n\nT: Comedy (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Prologue spoken by Edward Lawrance and Mr. Groom\n\nTh: Lyceum Theatre (1)\n\nN: First performance of the season by the S.V.C.\n\nR: Again only stage names were used in the review.\n\nIn Morton's piece, Woodcock's Little Game, Woodcock was played by Mr. DOLEFUL who had \"evidently elaborated the part with great care.\" His only drawback was \"a certain monotony in gesture\". Another central character was Mrs. Colonel Carver, \"inimitably performed by Mrs. St. CHAWLES. The majestic lady's make-up was characteristic and costly and many of her attitudes and tones reminded us of Miss Snowdon [Mary Jane Chippendale, 1837-1888; but she made her debut only in 1863 JH] whose imposing personation of similar female parts has assisted so many Haymarket triumphs\". Exceptionally some slight attention was also paid to the staging when the critic wrote about the second scene that the \"occasional glimpses of the whirling waltzers and partners-seeking promenaders were skilfully managed\". In Faint Heart never won Fair Lady Mr. DOLEFUL again took a leading part, that of Ruy Gomez. However, the Herald was not inclined to accept this gentleman's reading of the character without some exception, as a greater prominence might have been given to the comic element. Lightness, vivacity and élan are indispensable in all characters written, as this one was, for Charles Mathews. However, as he had appeared in a humorous part before, Mr. DOLEFUL was perhaps anxious to show his versatility\". Travesty abounded: \"The most difficult part was essayed by Miss SOFTLY [as Charles, the King of Spain, a role cast for an actress JH]. For a man to play a lady's part is hard, for a lady to play a man's part is not easy, but for a man to play a man's part as a lady would play it is hardest of all. Charles II, the mischievous, frolicsome schoolboy at large, newly awaking to a sense of royal responsibility, has been a favourite part with some of our cleverest and prettiest actresses and Miss SOFTLY held her own when compared with these formidable competitors\"\n\nAbout the Boots at the Swan the reporter confessed that \"we are inclined to think this piece has been acted enough\" (but hardly in Shanghai where it was on the boards for the first time). \"The elaborate mimicry of the inimitable ROBSON made the deaf Boots as popular with the London public as Sam Weller had been before him, but a peculiar talent alone can render Jacob Earwig interesting to an audience ten thousand miles away from the little theatre in Wych Street* (i.e. the Olympic Theatre in London). (Henry Morley wrote about Robson in this part, 1857: \"Mr. Robson, although deaf, is humorously wide awake. He is the Boots who is brisk and alive to all the humour of the street, who would be preternaturally knowing if he could but hear what people say. In word and look and action he is more the gamin than the simpleton. The extravagance of a most laughable farce is heightened by him to the utmost and there is not a long face to be seen while he is busy on the stage\"\n\n***\n\n136)\n\nBut, to continue with the Herald: \"FUNNYDOG, the new low comedian, is a valuable accession to the company. His stable yard dress, wooden attitude and imperturbable face formed a perfect study for Leech and Cruikshank, and the finish with which he played the long, and we confess to us tiresome, drunken scene shows",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211851,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 266,
        "title": "RAS-1989",
        "content_text": "241\n\nAurora Floyd Burlesqued: W.B. Gill; 19.4.1865.\n\nThe Babes in the Wood: J.H. Byron; 17.4.1865.\n\nA Bachelor of Arts: P. Hardwicke; 10.2.1858, 8.5.1865. Betsey Baker; J.M. Morton; 23.3.1853.\n\nBinks the Bagman: J.S. Coyne; 8.10.1857.\n\nThe Birthday: T.J. Dibdin; 9.2.1858.\n\nBlack-eyed Susan: D.W. Jerrold; 28.3-5.4.1865.\n\nBombastes Furioso: W.B. Rhodes; 28.1.1851, 5.5.1858.\n\nThe Boots at the Swan: C. Selby; 14.12.1865.\n\nBox and Cox: J.M. Morton; 15.5.1854, 18.2.1857.\n\nThe Bride of Abydos: H.J. Byron; 22.10.-28.10.1864.\n\nBullrick at Kroll: N.N.; 28.3.1864.\n\nCamille: A. Dumas Jr; 27.3.1865.\n\nA Capital Match: J.M. Morton; 23.4.1857, 3.12.1864.\n\nCharles the Second: J.H. Payne; 16.3.1858.\n\nCinderella: H.J. Byron? T. Taylor?; 12.11.-18.11.1864, 28.4.1865. The Colleen Bawn: D. Boucicault; 25.4.1865.\n\nA Conjugal Lesson: H. Danvers; 26.3.1857.\n\nConrad and Medora: W. Brough; 12.E.-18.E.1864.\n\nCool as a Cucumber: M.W.B. Jerrold; 26.3.1857, 30.3.1864, 4.4.1864. Crinoline: R.B. Brough; March 1863; 16.3.1863, 1.4.1864.\n\nThe Daughter of the Regiment: E. Fitzball? 15.4.1865.\n\nA Dead Shot: J.B. Buckstone; 11.4.1865.\n\nThe Debut: N.N.; 1.4.1864.\n\nDelicate Ground: C. Dance; 13.2.1864.\n\nDiamond cut Diamond: W.H. Murray; 12.12.1850.\n\nDone on both sides: J.M. Morton; 10.2.1858.\n\nThe Dragon of Wantley: H. Carey & J.F. Lampe; 26.1.1852.\n\nDuck Hunting: J.S. Coyne; 30.3.1864, 4.4.1864,\n\nThe Dustman's Belle: C. Dance; 9.2.1858.\n\nFaint Heart never won Fair Lady: J.R. Planché; 8.10.-14.10.1864, 14.12.1865.\n\nA Fast Train! High Pressure!! Express!!!: J.M. Maddox; 8.3.1854.\n\nA Fearful Tragedy in the Seven Dials: C. Selby; 15.2.1860.\n\nFitzsmythe of Fitzsmythe Hall: J.M. Morton; 26.3.1863.\n\nThe Flowers of the Forest: J.B. Buckstone; 28.3.-5.4.1865. Fra Diavolo: H.J. Byron; 15.10.-21.10.1864.\n\nThe Frantic Husband: N.N.; 26.4.1865.\n\nThe Golden Farmer: J.C. Cross? B. Webster? 8.10.1857,\n\nA Good Night's Rest: C.G.F. Gore; 21.2.1856.\n\nThe Goose with the Golden Eggs: A. Mayhew & H. Sutherland; 13.2.1863, 17.2.1863, 26.4.1865\n\nThe Governess (Die Gouvernante): T. Körner; 28.3.1864.\n\nGrimshaw, Bagshaw and Bradshaw: J.M. Morton: 2.6.1859.\n\nThe 'Green' Bushes: H.J Byron: 30.9.1865.\n\nA Hard Struggle: J.W. Marston; 12.11.-18.11.1864.\n\nThe Harvest Home: A.F.F. von Kotzebue; 28.3.1864.\n\nThe Haunted Inn: R.B. Peake; 6.5.1852.\n\nThe Heir at Law: G. Colman the Younger; 21.4.1851.",
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    {
        "id": 211852,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 267,
        "title": "RAS-1989",
        "content_text": "242\n\nHigh Life below Stairs: J. Townley; 21.4.1851. The Honey Moon: W. Linley? J. Tobin? 19.4.1865. A Household Fairy: F. Talfourd; 216.11.1864.\n\nI couldn't help it: J. Oxenford; 13.4.1865.\n\nIII Treated Il Trovatore: H.J. Byron; 22.6.1864, 29.6.1864. The Infanticidal Farce: J.S. Coyne; 21.2.1856.\n\nThe Invisible Prince: J.R. Planché; 23.3.1865.\n\nThe Irish Tutor: R. Butler; 5.5.1853.\n\nIsabella: J.B. Buckstone; 28.3.-5.4.1865.\n\nI've Eaten My Friend: J.V. Bridgeman; 22.3.1854.\n\nKenilworth: N.N.; 28.3.-5.4.1865.\n\nKing John: W. Shakespeare; 12.11.-18.11.1864.\n\nA Kiss in the Dark: J.B. Buckstone; 26.3.1857.\n\nThe Knights of the Round Table: J.R. Planché; 24.5.1865.\n\nA Lady and a Gentleman in a Peculiarly Perplexing Predicement: C. Selby; 13.12.1864. Lady Audley's Secret: C.H. Hazlewood? G. Roberts? W.E. Suter?; 28.12.1864.\n\nThe Lady of Lyons: E. Bulwer Lytton; 10.2.1864.\n\nThe Lady of Lyons: H.J. Byron?; 22.10.-28.10.1864, 29.4.1865.\n\nLend me Five Shillings: J.M. Morton; see p. 15.\n\nA Lesson for the Ladies: J.B. Buckstone; 8.4.1865.\n\nAs Like as Two Peas: H. Lillo; 16.3.1858.\n\nLittle Toddlekins: C.J. Mathews; 26.5.1864.\n\nLove Laughs at Locksmiths: G. Colman the Younger; 9.5.1864,\n\nLove, Law and Physics: J. Kenney; 28.1.1851.\n\nA Lucky Escape: C.S. Cheltnam; 25.4.1864.\n\nThe Maid and the Magpie: H.J. Byron; 8.10.-14.10.1864, 15.10.-21.10.1864, 15.4.1865. Make your Wills: E. Mayhew; 23.1.1856.\n\nMarried Life: J.B. Buckstone; 12.11.-18.11.1864.\n\nMedea: R.B. Brough; 28.12.1864.\n\nA Most Unwarrantable Intrusion: J.M. Morton; 22.3.1854, 1.4.1864,\n\nNature and Philosophy: N.N.; 9.5.1864.\n\nThe Nigger Doctor and his Patient Patient: N.N.; 14.8.1856.\n\nNo!: W.H. Murray? F. Reynolds?; 23.2.1852.\n\nNo 1 round the corner: W. Brough; 23.1.1856.\n\nNursery Chickweed: T.J. Williams; 28.3.-5.4.1865.\n\nThe Octoroon: D. Boucicault; 7.1.-13.1.1865, 14.1.1865,\n\nOn and Off: T.J. Williams; 25.4.1864.\n\nOur Wife: J.M. Morton; 13.2.1863, 17.2.1863.\n\nPerdita: W. Brough; 8.4.1865.\n\nPoor Pillicoddy: J.M. Morton; 15.3.1860, 26.5.1864.\n\nA Practical Man: W.B. Bernard; 8.3.1854.\n\nPrincess Springtime: H.J. Byron; 10.11.1865, 20.11.1865.\n\nA Race for Dinner: J.T.G. Rodwell; announced but not performed. Raising the wind: J. Kenney; 9.2.1858, 30.3.1864, 4.4.1864.\n\nThe Rendez-vous: R. Ayton; 24.3.1852.\n\nRetained for the Defence: J. Oxenford; 25.4.1864. The Review; G. Colman the Younger; 24.3.1852.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    }
]