[
    {
        "id": 206995,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 66,
        "title": "RAS-1974",
        "content_text": "60\n\nCAROLE MORGAN\n\nOther ceremonies involving dogs are mentioned in the Chou Li, the Chou Book of Rites (a utopian picture of Chou society compiled from late Chou, Chin and Han sources in the 1st Century B.C.). In the nu (（）) sacrifice to drive away pestilence, a dog was dismembered and his remains buried in front of the main gates of the capital.10\n\nThe ba (*) sacrifice to ward off evil required the participation of the Emperor himself. Riding in a jade chariot it was his duty to crush a dog under the wheels of his carriage. An analysis of the character ba clearly shows what took place in the ceremony. The term ba is written with the radical for cart and a phonetic element (（）) which originally meant an animal whose legs had been bound. It was the duty of a specially appointed official to supply a dog of one colour and without blemishes for the sacrifice.12\n\nAccording to one author, Schindler, the origin of using dogs as sacrificial animals dates back to a primitive cult in honour of a dog-shaped god of vegetation whose worship later became amalgamated with that of Shang Ti, god of agricultural production and reigning deity of the Shang pantheon.13 The fact that alone among domestic animals dogs and horses were buried (dogs being wrapped in reed mats and horses in sheets) gives some support to this theory.14\n\nIn Chou times, horses too were used as sacrificial victims. In the ma (（）) ceremony horses were used as chthonic sacrifices to the Earth Goddess;15 and Ssu Ma Ch'ien tells us that Duke Hsiang of Ch'in (776-766 B.C.) sacrificed a red colt to the White Emperor of the West.16 In such cases the horse to be sacrificed was first shot with an arrow and then buried.17\n\nBut as horses became more valuable the practice of using them as sacrificial victims gradually died out. By 103 B.C. Ssu-Ma Ch'ien informs us all live horses had been replaced by wooden statuettes except in cases such as the chiao (*) sacrifice, celebrated by the Emperor himself, during which he informed his ancestors that he was about to undertake a punitive expedition.18\n\nHorses, however, were not only used as sacrificial animals, they were also entitled to a cult of their own.\n\nAccording to the Chou Li it was the duty of an official, the Hsiao Jen, to sacrifice in Spring to the ma tsu (（马祖）), the ancestors of horses. It was the duty of the same official to honour the \"tamer",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207545,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 313,
        "title": "RAS-1975",
        "content_text": "NOTES AND QUERIES \n\n305 \n\nand Fire of the Ninth Heaven' (AARAX). The character for fire () was written upside down and though he was unable to explain why, a senior actor claimed that in this title it was always written in this way. \n\nIt is possible to group the images of Marshal T'ien into two types, the civil and military, the former without a sword or swords. In the latter he is unconnected with the theatre and is a potent God of epidemics and a demon dispeller, and as a soldier he frequently carries a bell and wears armour. We have only the Bangkok Chinese actor's unsubstantiated claim that this epidemic deity is the middle brother of the three, although in Singapore and in Taiwan the sword carrying, armour-wearing version also bore the same title as the actor's patron. \n\nAs a general rule Marshal T'ien has eight attendants: two boxers, two jugglers or dancers, two wrestlers and two musicians (one male and one female normally surnamed Cheng). His main festival is celebrated on the sixteenth of the sixth lunar month, although his birthday is also celebrated in one or two places on the twenty-third of the eighth lunar month. \n\nChief Marshal T'ien's titles \n\nHe is known by many titles, the following being the most common: \n\na) T'ien To Yuan Shuai (田都元帥)\n\nb) San T'ien To Yuan Shuai (三田都元帥)\n\nc) San T'ien To Ch'ien Sui (三田都千歲)\n\nT'ien, the Chief Marshal\n\nThe Chief Marshal, Tien the third (brother)\n\nThe Imperial Prince, Tien the third (brother)\n\nd) To Yuan Shuai (*) The Chief Marshal\n\ne) T'ien Kung Yuan Shuai (田公元帥) Duke T'ien, the Marshal\n\nf) T'ien Hsiang Kung (田相公) T'ien the Minister\n\ng) Chen Hua San T'ien To Yuan Shuai (探花三田都元帥) The Graduate T’ien*\n\n* Chen Hua (T'an Hua) - the third level of Imperial graduate in the chin shih or doctoral examination at the Capital.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    }
]