[
    {
        "id": 204323,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 91,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n87\n\nended in a fierce hand-to-hand conflict. At last T'ai-I hurled his powerful weapon, a lamp-shade of nine fire-dragons, into the air, which fell on the goddess and rendered her senseless. T'ai-I clapped his hands and immediately a flame rose up in the shade, and she died in the roaring blaze. The dragon-kings of the Four Seas now got a warrant from the Jade Emperor to arrest No-cha's parents. No-cha, with secret instructions from his master T'ai-I, rushed back to Ch'ên-t’ang Pass. When he saw the dragon-kings, he shouted in a terrific voice:\n\n\"It was I who killed Li Kên and Ao Ping and I should forfeit my life. How can you molest my parents?\" After this, he spoke to Ao Kuang, \"I am not to be slighted. I am an avatar of Ling-chu Tzu, the Intelligent Pearl. By the command of Yüan-shih I have descended to this world to fight for the establishment of the coming dynasty. I am determined to rip open my stomach, pluck out my intestines and pick out the bones, to return to my parents what I got from them. Are you satisfied with that?\" To this Ao Kuang agreed, and No-cha did as he had just said: he fell down to the ground and his souls dispersed. His corpse was put into a coffin and was ordered by his mother to be buried. (Ch.13)\n\nWe learn from the commentaries and the expository notes of the Ch'an school (or in Japanese Zen) of Chinese Buddhism that there are many historical and hereditary \"cases\" (Kung-an or in Japanese koan) handed down from generation to generation by the learned priests of this school of contemplation as material for their followers to study and to reflect upon. Most of these \"cases\" are metaphysical and to some extent mystical, and as cultivation in meditation involves some experiences which are not subject to communion between the learner and the Patriarch or the predecessors, it has relation with Tantrism.29 The story related in the Fêng-shên about No-cha (Nata) quoted above is one of the cases which appear in chüan 2 of the Wu-têng Hui-yüan (EK), a work written by Monk P'u-chi (#) of the Sung dynasty, and is retold in chüan 2 of the Chih-yüeh Lu (f), edited by Ch'ü Ju-chi (W) of the Ming dynasty. It runs as follows:\n\nPrince Nata, rending himself asunder, gave his flesh back to his mother and his bones to his father, and then manifesting\n\n20 Nan Huai-chin (RM), Ch'an-hai Li-ts'ê (THU), Ch. 15, \"Ch'an School and Tantrism\" (RANER), pp. 205-211, Ching Ming Hsüeh Shê (W204), Taipei, 1955. cf. Daisetz Teitaro Suzuki ( Kil), Essays in Zen Buddhism, Second Series, p. 94, London, Luzac, 1933.",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
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    },
    {
        "id": 205271,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 33,
        "title": "RAS-1967",
        "content_text": "26\n\nJEN YU-WEN\n\nout and the local people made facsimiles of the originals and preserved them from generation to generation in order to commemorate the glory of their ancestors. Moreover, in the Dragon Boat Festival (the 5th day of the 5th month) every year since then, they have placed the parasols on the racing boats, called huang-chou1 (Imperial boats). Before the boat race started, the gentry and elders of the villages used to kneel and kow-tow to the royal gifts to pay respect to the Sung Emperor. Sung Hsueh-p'eng says that the custom was perpetuated for many years.10 Less than a month after the landing of the royal party, the Dragon Boat Festival was observed. It can be imagined what a delightful day the boy Emperor Tuan Tsung (Shih) and his small brother Wei Wang (Ping) had in watching the races, along with the Queen Mother and many dignitaries, generals, and ministers, and, of course, the local people who were particularly happy to have such distinguished guests participating in their annual festival.\n\nIV. SUNG WONG TOI (Sung Huang Tai-Man)\n\nThe most important site which furnishes the key to our study of the Kuan-fu Travelling Palace of Southern Sung is a small mound near the seashore, north of Ma-tau-kok. It can be definitely located and is recorded in the Hsin-an Gazetteer, other literature, and maps. Besides, there were three Chinese characters engraved on one of the great rocks there, which many of us have seen with our own eyes.\n\nThe small mound was called Sacred Hill1 (see map). This name was probably given to it by the Hong Kong Government when it took over the territory in 1858, as no Chinese literature recorded such a name, and even Hong Kong people of the older generation, including Sung Hsueh-p'eng, did not know of it. On the top of the mound were two large rocks, one on the northern side, the other on the southern. The characters Sung Wong Toi1 were engraved on the western face of the northern rock in the Yuan Dynasty, long after the royal party departed from Kowloon and after the Mongols conquered the Southern Sung.\n\nThe characters were horizontally inscribed, being uniformly 20 inches in width and respectively 26, 22½, and 27 inches in",
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    {
        "id": 205281,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 43,
        "title": "RAS-1967",
        "content_text": "36 \n\nJEN YU-WEN \n\nAt the close of Southern Sung, the last two emperors had to flee and seek refuge by the shores of the sea, from where they led a hundred thousand odd officials and soldiers in the noble endeavour to restore the empire. The Kuan-fu area, with the three big characters Sung Wong Toi still remaining, commemorates one of the last portions of Sung territory on which the two emperors stood. Shortly afterwards they met their ultimate defeat and the whole country was lost to a foreign tribe for the first time in China's history. But what we commemorate is not this unfortunate event in our national history; it is the spirit of nationalism and patriotism displayed in the last struggle of the Sung patriots for the recovery of the mother country.\n\nThe independence and freedom of China had a higher claim to their lives. This unconquerable spirit, expressed in the unceasing revolutionary efforts of the Chinese people to fight against the Mongols ever since the last days of Kuan-fu and Ya-shan, was finally crowned with success in the overthrow of the Yuan Dynasty less than 90 years afterwards. Today, when we pass through the ancient site of the Travelling Palace and look at the Sung Wong Toi monument, we see the symbol of this same spirit, which is the essential quality necessary for the survival of any nation on earth.\n\nNOTES\n\n1 This lecture is a condensation of my Chinese article Sung Kuan-fu Hsing-kung K'ou (†‡3hB) published in the Continent Magazine (†\nA), Taiwan, September, 1966.\n\n2 Such as Ch'en Chung-wei, Erh-Wang Pen-mo (RR#i, =±**), Shu Mou-kuan, Hsin-an Hsien-chih (Chia-ch'ing), Gazetteer of Hsin-an District (**T. **\n**BA), K'o Wei-ch'i, Sung-shih Hsin-pien (MM. ER #), Chang Hsu, Ya-shan Chih (HM, AJA), Nan Sung Shu (ET).\n\n* Mother Yu was never again mentioned in historical records; probably she had died.\n\n4 For references, details and discussions on the royal itinerary from beginning to end, see my treatise Sung-mo erh-ti nan-ch'ien nien-lu k'ou (**=*64***) in Sung Wong Toi, a Commemorative Volume (edited and compiled by myself), Hong Kong, 1960, pp. 122-174 (X£b444).\n\n5 It is alleged that there were eight mountain ranges spreading over the peninsula which look like running dragons (lung), and that when the boy Emperor stayed at the place, people pointed out that he himself represented the ninth, as an emperor was commonly believed to be symbolized by a dragon. But the more rational and reasonable interpretation for the origin of the name would be that there are altogether nine mountain ranges spreading over the peninsula. According to Hsi-nan I Chuan (§§ AM) in Hou-han-shu (**後漢書**), the Ai-lao-i (‡‡✯ aboriginal tribe Lao) in Yunnan Province called back “k'ou\" and seat \"lung\". Hence to them, Kowloon meant",
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    },
    {
        "id": 205658,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 200,
        "title": "RAS-1968",
        "content_text": "THE LIBRARY\n\n195\n\nSCOTT, A. C.\n\nTraditional Chinese plays, tr., described and annotated by A. C. Scott: Ssu Lang visits his mother and The butterfly dream. Madison, Univ. of Wisconsin P., 1967.\n\nSICKMAN, Laurence C. S., ed.\n\nEarly Chinese art. Newton, Mass., University Prints, [194-?] Monochrome reproductions in portfolio.\n\nSIMON, Walter.\n\nFunctions and meanings of erl. London, Taylor's Foreign P., 1952-54. 4 pts.\n\nReprints from Asia major: a British journal of Far Eastern studies, new series, v. 2, pp. 179-202; v. 3, pp. 7-18, 117-131; and v. 4, pp. 20-35.\n\nSIMPSON, William.\n\nThe Buddhist praying-wheel: a collection of material bearing upon the symbolism of the wheel and circular movements in custom and religious ritual. London, Macmillan, 1896.\n\nSPENCER, Cornelia.\n\nMade in China: the story of China's expression. London, Harrap, 1947.\n\nSTAUNTON, Sir George Leonard, 1st Bart.\n\nAn authentic account of an embassy ... to the Emperor of China. taken chiefly from the papers of the Earl of Macartney, Sir Erasmus Gower (and others). 2nd ed., corr. London, G. Nicol, 1798.\n\nThis set lacks the fol. vol. of plates.\n\nSTERICKER, John, and STERICKER, Veronica.\n\nHong Kong in picture and story. Hong Kong, the authors, 1953.\n\nSTERICKER, John.\n\nA tear for the dragon, London, Barker, 1958.\n\nSTOKES, Gwenneth.\n\nQueen's College, 1862-1962. [Hong Kong, privately published, 1962]",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
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    },
    {
        "id": 206110,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 190,
        "title": "RAS-1970",
        "content_text": "NOTES AND QUERIES \n\n185 \n\nNot far from the main Tin Hau Temple, on rocks formerly in the sea but now built around and beyond by boat squatters' huts, is another smaller temple to the same goddess. This is known locally as the Hoi Shum Temple, or 'Temple in the Midst of the Sea'. It has interestingly decorated pillars and altar slabs, and a half-obliterated inscription shows that it was constructed in 1845, four years after the British occupation of Hong Kong Island. However, the tablet states that, like the Tam Kung Temple, (see below) there was an open air altar to Tin Hau for some time before local people subscribed for the temple building. Nowadays this temple seems neglected and little used, perhaps because it may have been patronised mostly by smaller sampan fishermen who have now been forced into land employment by economic factors. \n\nFurther along the street, is Ah Kung Ngam-Grandfather's (or Ancestor's) Rocky Hill. This used to be a lonely place by the shore. In the 1901 census it had a population of 213 of whom 159 were males-probably mostly quarrymen and land-based fishermen. Here is situated the large temple to Tam Kung. This was built in 1905. At first sight this late date is rather curious, because old residents of Ah Kung Ngam state that Shau Kei Wan people venerate this god above Tin Hau and his festival is the event of the year for local residents, land and sea alike, celebrated both in Shau Kei Wan proper and round the corner in Ah Kung Ngam.* However, this is partly explained by the tablet commemorating the construction of the temple. This states that for an unstated number of years there had been an image of Tam Kung (brought over from Kowloon) but no structure. This temple contains major shrines to two other gods, Wong Tai Sin and Lung Mo, the Dragon Mother. There are models of a sailing junk and a dragon boat inside the building, the former apparently dating back to 1905, and the latter to 1961. \n\nAt the far end of Ah Kung Ngam, having passed timber and boat yards on the sea front and squatter and ordinary factories of all kinds on the other side of the road we come eventually to \n\n* This is equally so at the present day. A night visit to the area at this year's festival showed opera performances on land and sea and many dinner parties in progress, whilst the amount of debris at the temple after the day's worshipping had to be seen to be believed.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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    {
        "id": 206404,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 221,
        "title": "RAS-1971",
        "content_text": "NOTES AND QUERIES \n\n195 \n\nin frames hung on the walls. A portrait of Sir Robert Ho Tung's mother and a photograph of his wife appear in the older of these two memorial halls. \n\nThe Tam Kung Temple at Happy Valley \n\nThis temple, which seems to have been removed here about 1900, was formerly located at Wong Nei Chung Village and was the local village temple. The village of Wong Nei Chung was one of the main villages of Hong Kong Island and its existence pre-dated the British occupation of Hong Kong Island in 1841. It was eventually removed in the 1920s to make way for the present development of Wong Nei Chung and Blue Pool Road. The present race course was formerly the paddy fields belonging to this village. \n\nThis temple is in fact dedicated to two gods, Pak Tai, (11) the god of the north and Tam Kung, (342) a Kwangtung worthy. Other gods worshipped in the temple include the Goddess of Mercy (left of the main altar) and Lung Mo, the Dragon Mother (right of the altar). Up some steps and behind the main building is another altar in which there is an image of Tin Hau, the Queen of Heaven. To the right of this altar are some memorial tablets which have been put there by relatives of dead persons for regular worshipping rites to be carried out in return for a small initial sum. You will note that one of these contains bone ashes in a small porcelain jar. \n\nTin Hau Temple, Causeway Bay \n\nThis is by far the oldest of the three temples we shall visit today. The structure, apart from some later repairs, dates mainly from a last major reconstruction in 1868, and the bell is dated 1747. There are various items of temple furniture inside and outside the temple bearing dates in the Tao Kwong (1821-51) and Tung Chi (1862-74) periods, including a very good pair of large stone lions dated 1845. Inside the temple the major items of interest are the carved granite altars which date from the 1860s and are worthy of close inspection. \n\nThe temple is dedicated to Tin Hau, the Queen of Heaven and has long been famous for attracting large numbers of boat people on this goddess' festival in the fourth moon. Unlike most",
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    },
    {
        "id": 207100,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 171,
        "title": "RAS-1974",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n165\n\nthat he owned so much sugar that it would be possible for him to place jars of sugar touching each other all the way from his village to Kam T'in. Tang answered \"Fix the price of each jar of sugar and I will undertake to put the required amount in each jar from one village to the other!\" All the onlookers applauded and called on the two men to make good their boasts. Tang went home and consulted with his mother how to raise the necessary money but she begged him not to do it, because, she said, thieves would certainly hear of it and it would be impossible to guard the jars. So Tang decided that the best way out of the difficulty was to arrange another dinner together and apologize to T'o.\n\nThe other story tells how a notorious robber named Faan Ha On (L) tried for three years to break into Tang's house with the idea of robbing him, but without success. Tang, who like many rich men was particularly nervous of thieves, had his house very well guarded and barred. One day when Tang was in Kam T'in Market he walked straight into Faan by mistake, and with such force that his head was quite bruised. The thief was abject in his apologies and Tang, not knowing who he was, asked his name. When he heard that this was the famous robber, Tang was afraid, fearing to be kidnapped, but Faan assured him that he intended no harm. “For three years I have tried to rob your house,\" he confessed, \"but I have found it too well guarded and even your roof is impenetrable. If you do not believe me go and look for all the stones that I threw away from the dried persimmons I ate, as I lay hidden waiting and watching for an opportunity to enter your door! But there is always a chance still of a careless servant leaving your door open and to make your house even more secure you should build a series of goose-houses round it. Geese are better than dogs, when a stranger comes they will always give the alarm.\" So Tang went home, much impressed, and did what the robber had suggested, even to sending a servant to collect the persimmon stones which are said to have weighed 50 catties. But when later on he tried to find Faan Ha On to show his gratitude to him he was told that he had been killed by a cat, the reason being, the people said, that he had, in a previous existence been a rat!\n\nThe most unaccountable story of all is that of the \"Ngan To Laan (i) silver coins run away from their old home” which is reputed to have happened in the 32nd year of Kwong Sui (1906) of Ts'ing dynasty. On the dragon boat festival day of that",
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    },
    {
        "id": 207558,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 326,
        "title": "RAS-1975",
        "content_text": "318\n\nNOTES AND QUERIES\n\neverlasting as the Southern Mountain (a classical allusion symbolizing the “realm of longevity”). Providence has showered blessings of prosperity upon the family and bestowed her posterity with divine qualities. Here are gathered the young and the old to offer her their greetings and celebrations. May she live long like the evergreen pine-trees. Her descendants, who devote themselves to academic studies or engage in husbandry, have come forth with their fervent blessings of the \"Nine Similes\" [a psalm from the Book of Poetry].* Your mother, sitting in the North Hall, is presented with auspicious peaches [the \"fruit of longevity\" in Chinese legend]. She radiates with the spirit of the Dragon and the vigour of the Horse. Assembled at this Birthday party in this sumptuously decorated hall are honourable guests, all from noble and dignified families (Scribbled by Sun Ying-suet).\n\nHong Kong, 1976.\n\nFRANCIS SHAM AND JAMES HAYES\n\nHƯNG HȮM (£): AN EARLY INDUSTRIAL VILLAGE IN OLD BRITISH KOWLOON.\n\nBritish Kowloon was ceded in March 1860. Its population at that time was around the few thousand mark, and its growth was steady over the next twenty years. In 1881 the population numbered 9,021. Thereafter the population rose sharply and by 1897 it was 26,402, of which 19,202 were male, (Sessional Papers 1897, p. 485).\n\nThe increase in the Kowloon population from 1860 on may be attributed to the establishment of industrial and manufacturing concerns, that undoubtedly owed their existence to the presence of nearby Hong Kong, then making great strides towards its establishment as a great entrepôt and commercial and financial centre. Among them the Hong Kong Whampoa Dock Company set up its yard at Hung Hom in the 1860's, the Cosmopolitan Dock began at\n\n*The \"9 Similes\" (*) from the Book of Poetry()\n\n(1) (2) (3) (4) (5)\n\n如山如阜,如同如陵,如川之方至,以莫不增,\n\n(6)\n\n(7)\n\n(8)\n\n如月之恒,如日之升,如南山之壽,不騫不崩,\n\n(9)\n\n如松柏之茂,無不爾或承 [FSYS]",
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    {
        "id": 207855,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1976",
        "page_number": 243,
        "title": "RAS-1976",
        "content_text": "228 \n\nMAURICE FREEDMAN \n\na stretch of water (the sea). The Green Dragon is satisfactory, but the White Tiger is imperfect; there is a break in the line of the hills through which too much wind can pass; so that the whole configuration, while being good, falls short of being a perfect embrace. For that reason Sun enjoyed power but not for long. A stream runs obliquely across the valley robbing the grave of its virtue in respect of money; Sun was poor. In the sea below there are several small islands which are to be taken as warships, some of them sailing out into the open sea, showing Sun's desertion by his armed forces. Finally, there appears in the distance just over the line of the White Tiger, the peak of another hill; such a feature means robbery-Sun was kidnapped. The site explains Sun's career (or some version of it) and justifies the geomancer who predicted that Mrs. Sun's son would be a king. \n\nThis simple case illustrates two systems of analysis being employed together; the system of metaphysical forces composing a site, and the system of resemblances, the latter being invoked to interpret the islands. But the chief interest of the case lies in the example it offers of retrospective interpretation. Geomancy is a self-reinforcing system of ideas. What is predicted must always come true, because what is foretold is vague, or inevitable, or subject to frustrations which deny a part of the system or the competence of a particular practitioner without damaging the system as a whole. Retrospectively it can be demonstrated to be valid because the material can be read in a number of different ways to justify any collection of events. Moreover, the existence of prosperity by itself presupposes that it has been produced by fung shui, and failure to detect the precise reasons why the fung shui has operated so well leaves it in the realm of knowledge which in principle can be obtained but for the moment, because of lack of expertise, remains inaccessible. (One geomancer told me that Mr. Mao Tse-tung's mother is buried in a good fung shui. And he added, perhaps for political symmetry, that General Chiang Kai-shek also enjoys geomantic benefits, the fall in his fortunes being due to the operation of the cycle which governs all affairs. Retrospective fung shui is illustrated also in the traditions of the Tang clan. When the Sung princess who married a Tang in the twelfth century became old a famous geomancer chose a fung shui for her which resembled a lion, asking her whether she preferred to be buried in the lion's head or tail. 'She asked what difference it would make, and she was told that if",
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    {
        "id": 208840,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1980",
        "page_number": 2,
        "title": "RAS-1980",
        "content_text": "201\n\nI would like to add two more passages to this note, both of which came my way after I wrote the above. The first passage was kindly given me by James Hayes, who was given it by Mr. Ho Kei Fook, of Kei Ling Ha village, born in 1928, and educated (1937-1941) in the neighbouring village of Tseng Tau, previously village representative, and Vice-Chairman of the North Saikung Rural Committee. The second passage I came across in Ch'en T'ieh-erh5, \"Huang Hsiao-yang yu Pai-e t'an\" (Huang Hsiao-yang and the White Goose Pond), in Kuang-tung wen-hsien chi-k'an vol. 15 no. 2 (1985) pp. 60-62.\n\nPassage 1\n\n\"It is said that in the Ming dynasty there was this man Ho Tsoh Shing who obtained a wonder book. The book recorded thirty-six grave sites at the mouth of the dragon. [The family] buried there would achieve great wealth for its descendants and even produce an emperor. Ho Tsoh Shing was already an official at court, holding the post of Minister of the LeftE. But his mother did not have the good fortune to support this achievement. When his wife was pregnant, his mother scolded her saying, 'My son is an official at court many mountains and seas away, so how is it that you are pregnant?' The daughter-in-law said, 'He comes back every night'. What happened was that every night Ho Tsoh Shing rode home on a bamboo-rigged flying horse, and early in the morning he rode the flying horse back to court. The daughter-in-law said, 'If you don't believe me, you can hide by the courtyard tonight and watch him as he comes in'. [This the mother did] and saw that that was what really happened. The horse stopped at the courtyard, and the mother, being curious, rode on it. The horse could not fly, because it was bogged down by the woman's breath. When Ho Tsoh Shing rose the next morning to go to court, the horse was still bogged down by woman's breath. So immediately, he went to cut some bamboo to rig another horse to fly to court. He was late. The emperor was in his court calling the rolls. When he came to Ho Tsoh Shing's name, Ho answered from the outer court [in such a loud voice] that it shook the emperor. The emperor then suspected that Ho Tsoh Shing was scheming to take the throne, and other officials also made many comments. They found out that Ho Tsoh Shing possessed the thirty-six grave sites at the dragon's mouth. When this was known, Ho Tsoh Shing was killed by the emperor, and the fungshui was\n\nto",
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    {
        "id": 210560,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 167,
        "title": "RAS-1985",
        "content_text": "148\n\nJOHN KARL EVANS\n\nSociety (London, 1952), 175.\n\n34 Fustel de Coulanges (1874), 26-27; Cumont (1922), 3; and Toynbee (1971), 35.\n\n35 J. Doolittle, Social Life of the Chinese, 2 (New York, 1865), 401–402.\n\n36 Ahern (1973), 146, 217-244, and 247.\n\n37 Feuchtwang (1974), 107, points out that in the Taiwanese village that he calls Mountainstreet, an odd number of incense sticks are burnt for gods and ghosts, and an even number for the ancestral spirits. Still, deification has been possible; Wang Sung-Hsing, \"Taiwanese Architecture and the Supernatural”, in Rel. & Rit., 190-191, cites the striking example of a Japanese police officer named Seijiro Morikawa, who was formally deified after death in recognition of the services which he had performed for the villagers in his district.\n\n38 For these and additional details, see Ahern (1973), 221-228; and R.L. Janelli and D.Y. Janelli, Ancestor Worship and Korean Society (Stanford, 1982), 178. In the village of Taitou, which Yang (1945) investigated, the coffin of the deceased was usually kept at home for one to three months, although in some wealthy households this transitional period might be prolonged for as much as a year (p. 87). Here, with the exception of mock paper money, which was offered periodically, the many paper articles were transferred to the spirit world at the end of the funeral procession itself (p. 89).\n\n39 Thus Hsiao-tung Fei, Peasant Life in China: a Field Study of Country Life in the Yangtze Valley (London, 1939) 30; Hsu (1967), 76; Jordan (1972), 32-33; Ahern (1973), 149; and Wolf (1974), 177.\n\n40 Hsu expresses the same view in his Clan, Caste and Club (Princeton, 1963), 45-46, but here extends it from West Town to \"every part of China.\n\n41 Wolf (1974), 160; cf. inter alia, R.F. Johnston, Lion and Dragon in Northern China (New York, 1910), 286-287; Fei, Peasant Life, 78; M. Freedman, \"Ancestor Worship: Two Facets of the Chinese Case\", in M. Freedman (ed.), Social Organization, Essays Presented to Raymond Firth (Chicago, 1967), 92-93; and Jordan (1972), 97.\n\n42 Wolf (1974), 164-167.\n\n43 Ahern (1973), 199-201.\n\n44 R.L. and D.Y. Janelli, Ancestor Worship and Korean Society, 192, and 195, argue that a wife is much more likely openly to attribute malevolent behavior to the spirit of one of her parents-in-law than her husband, who will be exceedingly reluctant to condemn the mother or father who nurtured him. They go on logically to suggest that \"the lower the rate of uxorilocal marriage, the sharper the difference between men's and women's reluctance to acknowledge ancestral hostility.\" This may account in part for the profound disagreement between the findings of Hsu and Ahern, for as we shall see below, the rate of uxorilocal marriage in the northern Taipei basin, where Ch'i-nan is situated, has approached 15 per cent, while it was closer to 40 per cent in West Town during the period of Hsu's residence.\n\n45 Cf. Jordan (1972), 32-34; Ahern (1973), 248; and especially Feuchtwang (1974), 117. This was no less true of the p'o in the Han period; see Loewe, Chinese Ideas of Life and Death, 26-27.\n\n46 Hsu (1967), 75-76, and 103.\n\ni",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
        "rank": 0
    },
    {
        "id": 211846,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 261,
        "title": "RAS-1989",
        "content_text": "236\n\nP: 12.11.-18.11.1864\n\n\"No | Round the Corner\" (12.3.1854). P: 23.1.1856\n\n**Perdita the Royal Milkmaid or The Winter's Tale** (15.9.1856). P: 8.4.1865\n\nBUCKINGHAM, Leicester Silk (1825-1867)\n\n\"Take That Girl Away (5.3.1855). P: 15.2.1860; 3.12.1864\n\nBUCKSTONE, John Baldwin (1802-1879)\n\n**A Dead Shot** (22.1.1827). P: 11.4.1865\n\n\"The Flowers of the Forest. A gipsy story\" (11.3.1847), P 28.3.-5.4.1865 \"Isabella or Woman's Life\" (27.1.1834). P: 28.3-5.4.1865\n\n\"A Kiss in the Dark\" (13.6.1840). P: 26.3.1857\n\n\"A Lesson for the Ladies\" (5.9.1838), P: 8.4.1865 \"Married Life\" (20.8.1834). P: 12.11-18.11.1864 \"A Rough Diamond\" (8.11.1847). P: 13.4.1865\n\nBUTLER, Richard (1794-1858)\n\n**The Irish Tutor** (12.7.1822). P: 5.5.1853\n\nBYRON, Henry James (1834-1884)\n\n**Aladdin or the Wonderful Scamp** (1.4.1861), P: 2-.9.1864; 19.11.1864; 26.11.1864; 29.4.1865\n\n\"The Babes in the Wood! and the Good Little Fairy Birds!\" (18.7.1859), P: 17.4.1865\n\n**The Bride of Abydos or the Prince, the Pirate and the Pearl** (31.5.1858). P: 22.10-28.10.1864; 13.4.1865\n\n\"Cinderella or the Lover, the Lacky and the Little Glass Slippers\" (26.12.1860). P: 12.11.-18.11.1864\n\n\"Fra Diavolo! or the Beauty and the Brigands\" (5.4.1858). P: 15.10-21.10.1864\n\n**The 'Green' Bushes or Missis Brown of the \"Mississippi\"** (26.12.1864), P: 30.9.1865\n\n**Ill Treated Il Trovatore or the Mother, the Maiden and the Musician** (21.5.1863). P: 22.6.1864; 29.6.1864\n\n**The Maid and the Magpie or the Fatal Spoon** (11.10.1858). P: 8.10-14.10.1864; 15.10-21.10.1864; 15.4.1865\n\n\"Princess Springtime or The Envoy who stole the King's Daughter\" (26.12.1864). P: 10.11.1865; 20.11.1865\n\nCAREY, Henry (1687?-1743)\n\n\"The Dragon of Wantley\" (1737; music by John Frederick Lampe). P: 26.1.1852\n\n\"A Wonder or an Honest Yorkshireman\" (1735). P: 12.11.-18.11.1864\n\nCENTLIVRE, Susannah (1667?-1723)\n\n\"The Wonder. A Woman Keeps A Secret\" (April 1714). P: 12.11.-18.11.1864\n\nCHELTNAM, Charles Smith (1823-?)\n\n\"Aurora Floyd or the Deed in the Wood\" (11.3.1863), P: 26.11.1864; 17.4.1865\n\n\"A Lucky Escape\" (9.9.1861). P: 25.4.1864\n\nCOLMAN, George, the younger (1762-1836)\n\n\"The Heir at Law\" (15.7.1797). P: 21.4.1851\n\n**Love Laughs at Locksmiths** (25.7.1803). P: 9.5.1864\n\n**The Review or The Wags of Windsor** (2.9.1800), P: 24.3.1852\n\nCOURTNEY, John (1813-1865)\n\n**Time Tries All** (4.9.1848). P: 5.5.1860; 21.3.1865",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 212166,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 108,
        "title": "RAS-1990",
        "content_text": "85\n\nfather who had owned the land on which the temple stood had consulted the deities and found that his daughter had been deified. He had an image of her carved and placed on the altar. This was transferred some time during the mid 1960s to another small shrine within the same temple and again her image stood alone but this time she had under her shrine a cardboard box which contained, according to the temple keeper, an embalmed parrot. The elderly nun claimed that it was Miss Liu's pet. The image and parrot remained until 1983 when the temple was refurbished and the image disappeared for a while. In 1986 it reappeared on the family altar in the rear of the large Buddhist temple next door, dedicated to the Liu family. Her image was now draped in red silken robes and somewhat strangely was labelled Miss Lin. She still held the miniature handbags but the parrot was nowhere to be seen, and the temple staff denied ever having seen or heard of a stuffed parrot. They confirmed that her name was Lin and not Liu but were unable to say why she was now on the Liu family altar in the Buddhist temple. And there she remains, last noted in 1989 still on the Liu family altar.\n\nA cult, that of 'the Prince descended from the Dragon', Lung-shih T'ai-tzu, was established in the mid-1960s in the northern suburbs of Kowloon before being transferred to Lo Wai above Tsuen Wan in the New Territories. It is a piggy-back cult dependent upon the local Cantonese major cult of the Dragon Mother, Lung Mu. The story begins with a boy, Huang Hsin-tsai, born in Shamshuipo, Kowloon, in 1949, the son of refugees from Canton. His parents died soon after they arrived in the Colony leaving him in the hands of the lady who now runs the new cult temple. In 1960 the youth, now 11 and still living with the lady in Shamshuipo, fell ill with swollen legs and abdomen. She nursed him carefully back to health but in 1962 he was thought to have eaten something which did not agree with him and, despite a visit to the Wong Tai Sin Temple, he died. Accused by her neighbours of neglecting the youth she was exonerated by him when he appeared to her in a dream to explain that he was now the stepson of the major deity, Lung Mu, and had the power to cure on her behalf. Once a year thereafter he provided the lady with a large basin of very tiny pills for her to distribute to cure people's ills; he also appeared to her in dreams to help solve difficult problems put to her by devotees. The lady, now the temple keeper, has a number of elderly ladies to help run the corrugated iron and brick temple which she has had built near his grave.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212168,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 110,
        "title": "RAS-1990",
        "content_text": "87\n\nseven died unnatural or early deaths, though the other six would appear to have died peacefully at a reasonable age in their beds. Three would seem to have appeared in human dreams after they had died, and all are prayed to for boons and blessings, protection or guidance,\n\nOut of the twelve examples six have had privately run temples erected in their honour, whilst images of the other six have been placed on secondary or side altars in local community temples.\n\nIt is worth considering the difference between the deified total nonentity and the deified virtual nonentity. The former would be the unnamed immigrant who died several hundred years ago but who is now regarded as the local protective spirit, whilst the latter is the villager, perhaps even a former headman, whose name, though little else, is remembered. He too is now regarded as a local protective spirit.\n\nAlthough we have been examining such deities mainly in the context of Taiwanese and South East Asian Chinese they appear to have existed China-wide. One such virtual nonentity was deified several hundred or more years ago on an island off the northern coast of Shantung Province, with the rural temple altar bearing the images of both the nonentity, Mr Liu, and his wife. R.F. Johnston describes the temple, formerly on the island of Liu-chia Tao, the Island of Mr Liu, off Wei Hai Wei, the former British possession where he was the last Governor, in his book Lion and Dragon in Northern China.\n\nHe explains that no one appears to know who Mr Liu was nor why his image appears on the altar. Liu Kung and Liu Mu Father Liu and Mother Liu were regularly worshipped, especially by sailors. Johnston notes that the curious thing is that the deification of the old couple has taken place without any apparent justification from legend or myth'.\n\nThe images were moved to a new temple built on the mainland during the occupation after the British acquired the island and began to make preparations for the construction of naval works and forts.\n\nThe images of Mr and Mrs Liu portray them as an elderly couple dressed in luxurious robes, he with a long white beard and the cap of the wealthy land owner.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212820,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 129,
        "title": "RAS-1992",
        "content_text": "114\n\nits population. With the fall of Tengyueh, soon after, the rebellion was finally suppressed. Survivors of Sultan Suleiman's family took refuge with King Mindon at the Court of Ava in Mandalay. Two years later a British consular official, Margary, who had been appointed with the consent of the Chinese government to accompany a British expedition, which was to leave Bhamo to explore a commercial route to Tengyueh - now called Tengchung - was murdered under treacherous circumstances near the latter town. It was thought at the time, but not proven, that a Chinese official, named Li Su Tai, whose mother was Burmese, was implicated: the incident led to negotiations between the Chinese and British governments and was settled by the Chefoo Convention.\n\nAfter the British occupied Mandalay and Upper Burma in 1885 they sought to define the boundary between Burma and China. The question was not found to be easy because the Chinese advanced claims to large sections of territory which had obviously been part of the Kingdom of Ava. However, a considerable length of boundary was agreed upon and marked by enormous stones: they are the size of a small cottage, I suppose to discourage easy removal, and each stone is numbered and its position is marked on the quarter-inch map. The length of border left undefined made for an unsatisfactory situation, not unlike that between the United States and Mexico before that boundary was fixed, or like the situation which now exists on the border between China and Tibet. Various attempts were subsequently made to agree the undelimitated part of the boundary, and by 1942 only a stretch of the frontier from just N.W. of Tengchung up to Tilset remained undemarcated.\n\nThe railway from Haiphong, through Indo-China, reached Kun-ming in the early years of this century and so opened the province to French influence; whether, however, owing to strong local conservatism or a lack of enterprise on the part of the French, their influence appears to have left little mark. It was only with the opening of the Burma road in 1939 that Yunnan for the first time felt the full impact of the modern world.\n\nI had had no previous experience of western China. I knew that Lung Yun, the Old Dragon, as the Governor of Yunnan was generally called, had for long been almost independent of the National Government. It was only with the transfer of Government troops to Burma through Yunnan in 1942, and their subsequent retreat to Yunnan, where they remained, that the Chungking government had established a partial",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
        "rank": 0
    },
    {
        "id": 212909,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 218,
        "title": "RAS-1992",
        "content_text": "203\n\nThe household was quite large with an amah to look after us children (who many years later also looked after my own children), a cook, who was the husband of the amah, and one or two others to help with the washing and housework. When the time came, I went to the primary school with all the other children of my age, a single very fair head among a sea of black. I can visualise the classroom in which we had our lessons and the playground outside. The textbooks were very thin and had paper covers, so that it was possible for the history master to roll one up and give us a good clip over the head if we were being particularly stupid. English was not taught in the primary school, only to the senior students in the secondary school, so I was sent to sit among the senior girls to learn my English grammar from my mother, who taught the subject.\n\nWe had school uniforms of a sort still seen in Hong Kong, but the school only supplied the material to ensure that everybody had the same colour. Ours was a beautiful pale blue, only slightly darker than the Cambridge blue. Quantities of the new material would arrive and then be made up into the smartest of outfits.\n\nPaddy Fields and Dragon Boats\n\nWe would walk to school through paddy fields, which for most of the year were flooded for the rice. Small fish abounded in these fields, though I never caught any. The cycle of the rice crops was familiar to everybody. First, a scattering of seeds in a small patch, then, when the seedlings were about six inches above the water, the planting out of the seedlings, and then nothing much till harvest, and there were two harvests a year. Water was supplied to the paddy fields by a complicated irrigation system and involved pumping water up from the creeks. These pumps were an endless chain of paddles, which were pulled up a trough whose lower end was in the creek and which discharged into the fields. Some pumps were small and driven by a man using his arms as extensions of wooden pistons attached to the upper wheel round which the chain of paddles rotated. Others were driven by three or four men treading spokes protruding from the driving wheel. For the winter harvest, the water was drained out, so that the rice could be cut and threshed into large tubs on the spot. Where there had been acres of water, now there were dry fields of stubble and stacks of rice straw drying out. As the fields dried, we would take short cuts across them. We also found that the mud was soft enough to make into the mud equivalent of snowballs. This led to splendid games in which factions would build forts with the straw and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
        "rank": 0
    },
    {
        "id": 213063,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1993",
        "page_number": 131,
        "title": "RAS-1993",
        "content_text": "112\n\nduring which he acquired extraordinary powers having been provided with a set of secret prescriptions, exorcists and talismans by the major goddess, Hsi-wang Mu'. He was a Taoist Master, a vegetarian who never married and a philanthropic doctor who died at the early age of 58 having worn himself out in the service of his fellow men. A tale told by a Taiwanese related how Wu T'ao's father, Wu T'ung and his mother, née Huang, fled from their home in northern China, during the troubled times of the Sung, to a village near T'ung-an on the Fukien coast where they settled and built a thatched cottage. His mother realised after a dream that she had become pregnant by a famous deity and eventually bore a child naming him T'ao. In another version his mother conceived after she had dreamt that she had swallowed a white tortoise.\n\nWu T'ao, or as he is known in a number of temples, Wu Chen-jen [Wu the Perfected Man] is often claimed to have come from Ch'uan-chou in Fukien, although in SE Asia there have been several other cities and areas claimed by devotees to have been his birthplace, including T'ung-an, Swatow and Chang-chou [in practice, as we have seen, he came from a small village in the centre of a triangle between T'ung-an, Amoy and Chang-chou]. As Wu T'ao grew up he travelled far and wide studying Taoist disciplines and grew strong and healthy but remained celibate and vegetarian. A temple keeper in Singapore understood that by vegetarian it was meant that he could eat buffalo and goat meat but not dog.\n\nImages of Pao-sheng Ta-ti in general represent him as a black-bearded middle-aged man dressed in court robes and an imperial crown consisting of a flat mortar board with a bead screen hanging down before his face, and sitting on a dragon throne. There are a number of variations such as the scholar's gauze cap instead of the crown. His images are generally identifiable by the convention of the cuff of his left sleeve being clutched by the thumb of his right hand, with only this thumb visible. In Singapore where all carvers were aware of this convention such images are universal. However, the carvers all added that they were unsure whether such a convention was known elsewhere. It is, and in a number of temples in Taiwan the images of Pao-sheng Ta-ti have the right thumb just poking out of the right sleeve, although in Chia I the convention has added one finger to the thumb. In the majority of temples he is portrayed with small animals under his feet, said to be lions, whilst in two temples, both in Taiwan, he has two tiny tigers protruding from his clasped hands within the long sleeves of his robes.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302",
        "rank": 0
    },
    {
        "id": 213265,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 87,
        "title": "RAS-1994",
        "content_text": "67\n\nStandard Chartered Bank's big brother, the Hong Kong and Shanghai Banking Corporation (surrounded by the Bank of China, Standard Chartered Bank, the Legislative Council building, and others, which act as 'dragon and tiger' guards), also went to considerable lengths to build 'fung shui considerations' into its award-winning headquarters. It was completed in 1985. Sir Norman Foster, the English architect, brought in fung shui masters at various stages throughout the Bank's design and construction. Although it was described as the 'most innovative bank building in the world', symbolising flexibility with no expense spared, nevertheless 'The Bank' (as it is sometimes known locally) went to great pains to lift its two bronze lions into position simultaneously (Lions Return Home, 1985:19). Work commenced on a propitious day, starting at 5.00 am (Guarding the Bank.., 1985:10) (Chung, 1985:10). Senior British Bank officials attended. On the advice of the fung shui practitioner, the two lions, Stitt and Stephen (named after two past Bank managers), act as guardians. They ward off evil. They are often patted by Chinese to bring them good luck, although the two lions do not directly face each other. Their exact positions are important. Heavy objects such as stones or statues (like two-ton, bronze lions symbolising energy) have the power to stabilise a situation. In everyday life, heavy ornaments and the like can affect the ability of a person to hold down a job or to hang on to a wife.\n\nIn addition to placing two lions in position in front of a bank, turning the first sod, foundation stone laying and topping out ceremonies, and house-warming parties are all important in Western society (Groves, 1991:passim). Also, a Christian priest consecrates a new church. In Chinese culture too, although human sacrifices have long disappeared, special building ceremonies are still sometimes conducted, for example, when starting work on the foundations, erecting the main door, or hoisting the ridgepole of a village house. With the last example, items are hung from the ridge. These include 'lucky' objects, such as a small bag of rice (no-one must ever go hungry). All such ceremonies must be carried out on auspicious days.\n\nOne would imagine the Hong Kong Bank is too concerned with profit and loss accounts to bother about what some describe as superstitions. Yet care was taken, when planning the front entrance on Des Voeux Road, that it is lower than the exit on Queen's Road. This is similar to a humble Chinese college in that the front door should be bigger and lower than the...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213269,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 91,
        "title": "RAS-1994",
        "content_text": "71\n\nMost Chinese will, however, tell you that a dragon has sinews and veins which can be severed. Blood can be spilled. Thus, when the earth's flesh was pierced, blood, in the form of bright red, ochre-coloured earth, appeared during excavations for the construction of Hong Kong's underground railway in the 1970s. This could mean the time had come for workers to down tools. The evil that might follow had to be averted ritually. Taoist priests would then beat ceremonial gongs and offer prayers to pacify spirits of the earth where the dragon's peace was being destroyed. Exorcism in modern day Hong Kong is by no means uncommon (Raceday rites, 1987). Neither is exorcism uncommon in Christian churches. It is mentioned in the Bible.\n\nOne can compare certain Buddhist, Taoist or folk-religion ceremonies, which purify and bestow blessings, with walking through fields in Europe in springtime while conducting a Christian Rogation Service to ensure a good harvest.\n\nInterestingly, some Chinese came to the conclusion during the last century, that foreigners know far more about fung shui than they are prepared to admit. Otherwise, why would they have picked such a fine site (as it was then) for the Governor's residence? Why would they plant vegetation over the slopes of Victoria Peak in which dwells the resident dragon?\n\nReturning to the cutting edges of the Bank of China: a fung shui master is supposed to adhere to strict ethical standards and not do anything which could be construed as the 'black art'. He should not 'attack' a neighbour. However, in the New Territories, for example, a case where a successful family's fortune has suddenly waned has sometimes been traced to the desecration of an ancestor's grave. As a result, revenge against perpetrators was, in the past, not uncommon.\n\nA buried 'person' needs to 'breathe', and, whether he or she can do this properly or not, affects his or her descendants. Some believed Chiang Kai-Shek's rise to power depended on his mother's fine grave. This, the Communists are said to have dug up.\n\nThe People's Republic's 'Red Guards' went to considerable lengths during the Cultural Revolution (1966-76) to destroy the 'Four Olds' (old customs, old habits, old culture, old thoughts). These included fung shui.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 214367,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 225,
        "title": "RAS-1998",
        "content_text": "191\n\nindustry. It was common, so it claimed, for construction teams to hold Taoist rituals, including the sacrifice of oxen before work began.*\n\nOn the other side of the coin, according to the Bureau of Religious Affairs, about 200 Taoist temples have been re-opened to the public in China since the 1980s and seven Taoist provincial associations have been established. One of these temples is the former Taoist Cheng-i sect centre, the Heavenly Master Sect temple [T'ien-shih Miao] on Dragon and Tiger Mountain, Lung-hu Shan, in Kiangsi province. It was burned down in 1945 and work on rebuilding it did not begin until 1983. This consisted of the renovation of the main hall and the re-sculpturing of the images of the San Ch'ing, the Three Pure Ones, and fourteen other clay statues. Other sites nearby have also been renovated, including the Shang Ch'ing Palace, where the Immortals lived, and the Lien-tan Ch'ih, the Furnace [where pills of immortality were made]. It is interesting to read that both local and central authorities donated more than half a million yuan towards the project.\n\nAbout the same time as the iconoclastic campaign began, a ban was also imposed in Tsingtao, the port in southern Shantung, on the manufacture, sale and burning of funeral objects in a bid to curb a resurgence in superstition.\n\n...\n\nDespite all of these reports of the destruction of illegal temples and the crackdown on superstition, my daughter and I during the years 1995-1997 have visited a number of temples both urban and rural in remote areas of China as well as in cities and towns which, without doubt, fall under the category of superstitious religious establishments. We have not only been guided to several such temples by policemen but also in one instance we found the local party cadre actually lived with his mother inside a small popular religion temple. The only instance where a member of a temple staff had reason to explain that an activity was banned because it was superstition happened in the suburbs of Shanghai. When we asked why there were no oracular blocks on the altar with which to obtain the deity's answers to questions posed by devotees, we were told by the temple guardian that this particular practice was superstition and not permitted, whereas other routine rituals seen in temples in Hong Kong and Taiwan were. A Chinese scholar recently explained that in his view illegal temples are the structures built without permission because local State authorities have not had the quid pro quo erection of a village school, crèche or health centre paid for by the villagers with the same sum funded for the project as\n\nPage 225\n\nPage 226",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    {
        "id": 214498,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 356,
        "title": "RAS-1998",
        "content_text": "325\n\nrural simplicity. Many of those in the procession were school children dressed in a variety of international costumes whilst the presence of ladies dressed in costume (see illustration) reminded us that Tan Gong is a Hakka god and that the Hakkas have both a rural as well as coastal background. (3)\n\nAfter a sumptuous Portuguese casserole lunch at the Cacarola Restaurant in the nearby Rue das Gaivotas we made our way to the Taipa House Museum. Here there was lovingly recreated the living style of Macanese civil servant families living on Taipa Island during the early 20th Century. A reminder of much quieter times before we jet-foiled our way back to busy Hong Kong.\n\nNOTES\n\n1. It is not uncommon in 19th Century and early 20th Century Guandong folklore for dragons appearing in the guise of serpents to perform epidemic curing miracles. Witness my account of the Tai Hang Fire Dragon Dance on p.307. Vol.30, 1990 JHKBRAS. (For my research on this subject I am indebted to the Rev. Eric Kvan).\n\n2. Stevens, Keith (1997), p.140 Chinese Gods, Collins and Brown, in his account of the story of Lung Mu, the Mother of the Dragon, gives another example of a Pearl River area dragon turning from a serpent to a dragon.\n\n3. SIU, Anthony K.K., Vol. 27 JHKBRAS tells of the origins of Tan Gong in Guandong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214792,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 207,
        "title": "RAS-1999",
        "content_text": "172\n\nSaub us uj, listen carefully to what the Master has to say, the Master carries a crossbow on his back and a cock under his arm to accompany you, and now leads you into a deep dark forest, with great crickets wailing, take no notice of them, have no fear, for this is the sound of your own daughters and sons weeping and lamenting, you make your own way and go ahead, go ahead and play\n\nSaub us uj, listen carefully to what I am telling you now, the Master has led you past the leaping mountain crags of Dragon and Tiger, I now take you to your very own country to find the hillside of your grave, that is your country and there is your land, putting aside the breath of life, go off and play\n\nThe Master who leads you to find your country and your land, will lead you to return home again along the flowery path of revival, in the central hall, you will hear the sound of the reed pipes like great crickets wailing, and the sound of the drum like the mighty thunder roaring, but have not fear, these are the ways and the paths of your ancient Mother and Father...\n\nIn tales and legends of the past, the Hmong who have traditionally been shifting cultivators, speak of a vanished kingdom from which they were ousted by the all-powerful, dominant Han Chinese (Tapp 1989). Their dislocation as shifting cultivators and denizens of South East Asia is thus constantly referred to a 'lost point of origin' which is at the same time, most definitely, a physically located place, assumed by many Hmong to be located somewhere in their ancestral homelands in the mountains of southern China.\n\nDuring the many deaths, losses and separations of the political conflicts the Hmong were involved in during the Indo-China Wars from 1954 to 1975, these legendary and nostalgic recollections of the past took on an added personal poignancy, as parents were separated from children, husbands from wives and brothers from sisters, during the fighting and then through the refugee diaspora which followed 1975. This is truly what Robin Cohen (1997) calls a ‘victim diaspora', showing clearly the intrinsic relation between the formation of modern nation-states and the existence of displaced populations (Vertovec and Cohen 1999; Agamben 1998).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
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    },
    {
        "id": 215427,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 204,
        "title": "RAS-2001",
        "content_text": "153\n\nTrue, the originality and beauty of carvings and images constituted an aesthetic experience aimed at everyone in the city. But one cannot help thinking that this complex text, with its erudite cross-referencing, was partly conceived with the more literate and bookish administrative and literati class in mind. After all, attracting the upper and educated classes had recently evolved as a novel Jesuit method of missionization that had borne rich fruit for Matteo Ricci and his confreres in the Chinese mainland.\n\nOne of the Chinese inscriptions states: 'The Holy Mother tramples on the dragon's head,' a reference to the Book of Genesis (Fig. 19). Both the left and the right scrolls have carved inscriptions in relief (as opposed to those explaining the dragon, which are incised), consisting of six large vertical characters. Like those on the dragon, they explain the two images spreading horizontally across the scroll inside a frame. The ones on the left, before the claws of another strange monster, with tail, short antlers, a snout, large bat's wings, breasts and shot through with an arrow, read: \"The Devil tempts mankind to do evil things\" (Fig. 20).\n\nOn the right we read: 'Remember Death and do not sin,' a kind of memento mori epigram at the bony feet of a grimacing skeleton also shot through with an arrow (Fig. 19).\n\nMain Image\n\nReferences to the Devil, who tempts humanity to sin (whose wages is death), form part of the complicated iconography of the façade. Directly or indirectly the entire iconographic programme revolves around its titular image depicting the Assumption of Mary (Fig. 21).\n\nIt is the largest bronze in the frontispiece, measuring practically six feet in height, and like all the bronzes of the façade of rather shallow 3-D casting and flat at the base. It is surrounded by reliefs of music-playing and incense-burning angels, amongst the finest in colonial religious imagery by East Asian artists (Fig. 22). The Assumption is combined with an Infant Salvator Mundi in the attic above, and with the Dove of the Holy Spirit in the pediment (Fig. 23).\n\nThe Virgin's Assumption in bodily form into heaven is one of the",
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    },
    {
        "id": 216081,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 380,
        "title": "RAS-2002",
        "content_text": "314\n\n32T. Adkins joined the China Consular Service in 1854 and was the first Vice-Consul in Zhenjiang, being posted there in May of 1861, preceded by an assistant, Phillips, in February who had been sent to the ruined city to set up the Consulate in a ruined temple. Within a week of Adkins' arrival, he had moved the Consulate a mile down river to safer accommodation away from the Taiping fighting. He remained there, on an island, living a monotonous life alone as Phillips had been transferred elsewhere. He left Zhenjiang in poor health in February 1865 after serving there for three and a half years to return to the UK.\n\n33 This was the Cantonese title by which the bandits were known. In Mandarin it would be Shiwu Zi† £ 'The Fifteen Sons'.\n\n* Parker E.H. John Chinaman and a few others: John Murray: London: 1902\n\n35 Robert Anderson Mowatt, former consular official: acting Chief Justice and Acting Consul-General Shanghai, April - October 1891.\n\n* The Elder Brother Society (Gē Lǎo Huì): a secret society sworn to overthrow the Imperial government, the foreign Manchu Qing dynasty and replace it with a Chinese emperor.\n\nMesny's son would have been about six at the time of this story, whilst his only other child, his daughter, had not yet been born.\n\n**Mason, C. W. (1924) Chinese Confessions. London: Grant Richards Ltd\n\n\"Fairbank, Bruner and Matheson, ed (1975). The I.G. in Peking: Cambridge, Mass: Belknap Press of Harvard University Press\n\n* Transit Passes are discussed in a separate chapter below.\n\n4\n\nAccording to Mason in his Confession, Croskey had told him that Croskey's father was an English baronet in business in Vancouver and his mother a Spanish Creole of San Diego in California.\n\n42 Parker, E.H. (1903) China Past and Present: Chapman and Hall Ltd: London\n\n\"Cook, Christopher (1982) The Lion and the Dragon - British Voices from the China Coast: London: Elm Tree Books.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
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    }
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