[
    {
        "id": 204271,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 39,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n35\n\nTo begin with a few examples in poetry: the poet Ts'ao Chih (A.D. 192-232), son of Ts'ao Ts'ao and younger brother of the first Emperor of Wei, wrote about the knight errant in \"The White Steed\", also known as \"The Knight Errant\":\n\nA white steed decked with a golden halter\nGalloped past towards the north west.\n\n\"Who is the rider?' I enquired from a by-stander.\n'A knight errant from the north' was the reply.\n'He left his native district when he was young,\nAnd spread his fame across the distant desert.\nHe always carries a fine sturdy bow\nWith arrows of bramble wood, long and short.\nPulling the string, he hits the target on the left;\nShooting from the right, he hits it again.\nLooking up, he shoots an ape in flight;\nBending down, he hits the bull's-eye once more.\nHe is more agile than a monkey,\nAnd as fierce as a leopard or dragon.\n\nWhen alarms came from the frontier\nThat barbarian troops had made repeated raids,\nAnd when a call to arms was heard from the north,\nHe mounted his steed and reached the frontier fort.\nHe rode on right into the land of the Huns,\nHolding the Mongol tribes in high disdain.\nHe threw himself before the pointed swords\nWithout giving a thought to his own life.\nHe did not even worry about his parents,\nLet alone his children and his wife.\nHis name entered the register of heroes;\nHis heart had no room for personal feelings.\n\nHe risked his life at a time of national disaster,\nAnd regarded death merely as coming home'.10\n\nThis portrait of a knight errant may be a little idealized, for the poet is, in all probability, using the subject as an excuse to express his own frustrated patriotic wishes and military ambitions, being prevented from fulfilling these by his elder brother. Nevertheless, the poem remains a good illustration of some of the ideals of knight errantry. Notice, in particular, that the knight errant did not allow filial devotion to deter him from his heroic task.\n\n10 Ts'ao Tzu-chien shih-chu (with notes by Huang Chieh, Peking, 1957), pp. 69-70.\n\n2000",
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    {
        "id": 204310,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 78,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n74\n\nR\n\nThe historical figure of Li Ching had long been admitted into the Taoist pantheon. He was, in the year 760, enshrined with Chiang T'ai-kung (B★A or Chiang Shang) as one of the ten famous historical generals. In the anonymous work, Li Wei-kung Pieh-chuan (A4), it is said, \"When Li Ching was poor, he took a journey in the valleys and stayed in a cottage. When it was mid-night there came a woman who handed him a vase and said, 'Heaven has instructed you to pour down rain ...' and as we know in the Buddhist legends that it is Virupaksha (not Vaisravana) who is the king of the nagas, we understand that even in the T'ang dynasty the popular mind could not properly distinguish the function of these guardians of Mt. Sumeru. In an inscription on a tablet erected in the Temple of Vaisravana in Ning-hwa District (LM), Fukien, dated about 920, we read,\n\nP'i-sha-mên (Vaisravana) is a Sanskrit word which means \"universal or much hearing\" (to-wên SH). He dwells on the north of Mt. Sumeru, in the crystal palace, and is the chief of yakshas,10\n\nFrom this narrative we see why in so many Chinese records it has become an undeniable fact that yakshas are believed to live at the bottom of the seas with the dragon-kings in marvellous crystal palaces loaded with wonderful treasures. The legends of these two heavenly kings have long been mixed in the popular mind.\" As Li Ching was such a famous historical hero, the Taoist priests could not forgive themselves if they failed to utilize his prestige. It is said in an anonymous work of the T'ang dynasty, Yuan Hsien Chi (E), that Li Ching was still alive in the epoch of Ta Li (766-779) and became a Taoist immortal, In addition to the book on military strategy attributed to him in the Bibliography of the Hsin T'ang-shu (MEBOXZ), the Taoist priests also ascribed to him some canonical texts dealing\n\n12\n\n• Hsin T'ang-shu (), Ch. 15, Li-yüeh Chih (M), 5.\n\n• Ku-chin Shuo-hai (546), Shuo-yüan Pu (R), Vol. chi (2) Also Tsung-shu Chi-ch'êng Ch'u-pien (£).\n\n10 See Ninghwa Hsien-chih (\"Annals of the Ninghwa District\") of the Ming dynasty, quoted in Ku-chin T'u-shu Chi-ch'êng (4), Shên-1 Tien (R), chüan 54. The essay was composed by Huang T'ao () for Wang Shen-chih (E).\n\n11 In the Ta-Tang San-tsang Ch'ü-ching Shih-hua (ERR), chüan 1, “...A\" (\"To-day, Vaisravana of the Indra Heaven, the Guardian of the North, will feed Buddhist priests in the Crystal Palace.\")\n\n12 Quoted in Chiu Hsiao-shuo (R), 2nd Series, Shanghai, Commercial Press Ltd., 1910.",
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    {
        "id": 204319,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 87,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n83\n\ncolour, and as No-cha stirred it up in the stream heaven and earth were shaken and the river trembled. This river was called Chiu-wan Ho (Nine-bend River) and was situated at the mouth of the Eastern Sea. Ao Kuang (#), the dragon-king of the Eastern Sea, surprised at this unexpected earthquake, ordered his inspector-yaksha, Li Kên (R), to go at once and find out the cause. When the yaksha reached the river he saw that the river was red and a child was bathing there, dipping his red silk gauze in the water. He cleft the water asunder and shouted angrily: \"What prompts you, little child, to make the river red and the crystal palace shake?\" No-cha turned back and saw a monster coming out of the water, a monster whose face was as blue as indigo, whose hair was as red as cinnabar, whose mouth was big with long projecting teeth and who had in his hand a halberd. No-cha scolded, \"You monster, how can you speak like a human being?\" The yaksha was exasperated and said, “I am an appointed officer. How dare you insult me?\" He jumped up to the bank and brandished his halberd towards No-cha. No-cha was naked and could only jump aside. Then he took off the bracelet from his right arm and hurled it in the air. This bracelet was a precious weapon bestowed on the Immortal T'ai-I by the Patriarch Yüan-shih T’ien-tsun of the Jade Palace of Abstraction to protect the Chin-kuang Cave where T'ai-I dwelt. It fell upon the head of the yaksha and his brains spilled on the ground. No-cha ignored his corpse but smiled and said, \"He has stained my precious weapon!\" He sat himself again on the rock, smiling and washing the bracelet. The crystal palace was shaken again and even more violently. When Ao Kuang was vexed the soldiers came back to report, “Yaksha Li Kên was killed by a child on the bank.\" The dragon-king was frightened, \"Li Kên was appointed by the Jade Emperor; who dared to murder him?” Saying this he summoned his men, intending to go himself. No sooner had the dragon-king finished his words than Ao Ping (F), his third son, requested permission to go for the father. So, Ao Ping, at the head of a troop of sea-warriors, mounted his water-cleaving monster, and with his trident in his hand, left the palace. The form of the breaking waves was so furious that the river seemed to rise several feet. No-cha stood up and marvelled, \"This is a flood!\"... (Ch.12)\n\nIn Ch.48 of the prompt-book Tung-yu-chi (\"The Eight Saints or The Voyage to the East\") when the Eight Immortals were crossing the Eastern Sea, Lü Tung-pin (SM) initiated an idea, \"During our crossing would it not be fine for each of us to throw one precious thing into the sea so that our divine power may be revealed?\" Therefore, \"When the dragon-king of the Eastern Sea was holding a meeting in his crystal palace, he",
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    },
    {
        "id": 204320,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 88,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n84\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nsaw a dazzling light penetrating into his palace making the walls transparent. He dispatched his son, Prince Mo Chieh (E), with a group of mariners to go around in the sea to investigate.”\n\n26\n\nThis Mo Chich, probably a re-incarnation of Bimbisara, who was a king of Magadha () converted by Sakyamuni and who died and was re-incarnated as a son of Vaisravana, has been changed into Ao Ping in the above quotation from the Fêng-shên Yen-i, and has lost his original Buddhist flavour. Comparing this short paragraph from the Tung-yu-chi with the composition and description of the corresponding paragraphs in the Fêng-shên, we can see the artistic superiority of the latter.\n\nThe combat between No-cha and Ao Ping, the third son of the dragon-king, has a tragic end. No-cha put his foot on Ao Ping's neck and struck the latter's forehead with his bracelet, thus killing him. No-cha pulled out the sinews of the little dragon and went back, saying he would make a good belt of it for his father to fasten his cuirass on. The dragon-king, hearing of the death of his son, went to see Li Ching, and put the latter in a very embarrassing position. Li Ching, being ignorant of his son's prodigious feats, denied his guilt. But No-cha came out and apologized for what he had done, and told the dragon-king that his son's sinews were intact. The dragon-king was exasperated and told Li Ching that he would lodge a complaint at the court of the Jade Emperor against father and son. The story continues:\n\nAfter No-cha had calmed his parents he went to the Chin-kuang Cave and told his master, the Taoist Immortal T’ai-I, of his adventure. The master ordered him to unfasten his coat, drew spells on his bosom, and told him what to do the next morning. \"After that,\" the master said, \"you may go back to Ch'en-t'ang Pass. If anything unusual happens, you must tell your parents that I shall be responsible for your misdeeds.” The next morning No-cha reached the Pao-tê Gate (F),27 the gate of heaven. After a while he saw the dragon-king approaching wearing his celestial robes, but because of the magic spells on No-cha's bosom, the dragon-king could not see him. No-cha was so angry that he strode forward from behind and dealt the dragon-king with his bracelet such a heavy blow that immediately he fell to the ground. (Ch.12)\n\n•\n\n26 No. 9, Fu-shuo Jên-hsien Ching (MA), The Tripitaka in Chinese,\n\n27 Ch. 39, Hsi-yo-chi of the \"Four Travels\", the Pao-tê Kuan (OH) is the Gate in heaven where Li Ching dwells.",
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    {
        "id": 204321,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 89,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961).\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nISSN 1991-7295\n\n85\n\nNo-cha then partially pulled off the celestial robe of the dragon-king and revealed the scales under his left ribs. He tore off some forty or fifty of the dragon-scales and the dragon-king was wounded and suffered a violent pain. He begged his assailant to spare his life. No-cha said, “If you want me to spare your life you must give up your law-suit against me before the Jade Emperor, and follow me back to Ch'ên-t'ang Pass.\" The dragon-king could not free himself and yielded to No-cha. Transforming himself into the shape of a small black snake, he hid in No-cha's sleeve and they descended from heaven. (Ch.13)\n\nSome references can be cited here for comparison and we can see how clever the author was in composing his ingenious and complicated plot which surpasses all the materials he made use of.\n\nIn the prompt-book Ch'in Ping Liu-kuo P'ing-hua (\"The Annexation of the Six States by the Emperor of Ch’in”), chüan 2, there is a sentence, \"to fasten the cuirass he should use the sinews of the old dragon.\" In the Ta-T’ang San-tsang Ch’ü-ching Shih-hua (\"Tripitaka's Search for Buddhist Sutras\"), chuan 2, (7), the Monkey-monk (Hou Hsing-chê) pulled out the sinews from a dragon with nine heads for a belt to hold the cuirass.\n\nAccording to the Min Shu (M), there was a Taoist priest named Yu Chên-chai (2) living in the epoch of Hung Wu, who was called upon by an old woman:\n\nShe was a female-dragon... and was to be struck to death by lightning on account of her failure in regulating the rains. She begged him to save her life. Yü said, “Can you transform yourself to a small shape so that I may hide you in my alms-bowl?\" The dragon followed his advice and transformed herself into a snake wriggling into the bowl.\n\nThe story of No-cha goes on as follows:\n\nOne day as the weather was excessively hot, he felt restless and annoyed, and ascended the tower over the city-gate. On the weapon-stands he found a wonderful bow called ch'ien-k'un kung (the cosmic bow) and three arrows called chên-t'ien chien (heaven-shaking arrows) which he appreciated very much, and did not know that they were left by the Yellow Emperor and since then no one had been strong enough to use them. He was so glad of this discovery and he seized the bow and shot an arrow toward the south-west. With a startling sound the sky was covered with red mist and auspicious clouds floated around. (Ch.13)\n\nIn chuan 13, in the chapter of the \"Competition in Martial Exercises for the Hand of Yasodhara\" of Abhiniskramana-sutra (DATE · #), we have the following paragraph:",
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    {
        "id": 204323,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 91,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n87\n\nended in a fierce hand-to-hand conflict. At last T'ai-I hurled his powerful weapon, a lamp-shade of nine fire-dragons, into the air, which fell on the goddess and rendered her senseless. T'ai-I clapped his hands and immediately a flame rose up in the shade, and she died in the roaring blaze. The dragon-kings of the Four Seas now got a warrant from the Jade Emperor to arrest No-cha's parents. No-cha, with secret instructions from his master T'ai-I, rushed back to Ch'ên-t’ang Pass. When he saw the dragon-kings, he shouted in a terrific voice:\n\n\"It was I who killed Li Kên and Ao Ping and I should forfeit my life. How can you molest my parents?\" After this, he spoke to Ao Kuang, \"I am not to be slighted. I am an avatar of Ling-chu Tzu, the Intelligent Pearl. By the command of Yüan-shih I have descended to this world to fight for the establishment of the coming dynasty. I am determined to rip open my stomach, pluck out my intestines and pick out the bones, to return to my parents what I got from them. Are you satisfied with that?\" To this Ao Kuang agreed, and No-cha did as he had just said: he fell down to the ground and his souls dispersed. His corpse was put into a coffin and was ordered by his mother to be buried. (Ch.13)\n\nWe learn from the commentaries and the expository notes of the Ch'an school (or in Japanese Zen) of Chinese Buddhism that there are many historical and hereditary \"cases\" (Kung-an or in Japanese koan) handed down from generation to generation by the learned priests of this school of contemplation as material for their followers to study and to reflect upon. Most of these \"cases\" are metaphysical and to some extent mystical, and as cultivation in meditation involves some experiences which are not subject to communion between the learner and the Patriarch or the predecessors, it has relation with Tantrism.29 The story related in the Fêng-shên about No-cha (Nata) quoted above is one of the cases which appear in chüan 2 of the Wu-têng Hui-yüan (EK), a work written by Monk P'u-chi (#) of the Sung dynasty, and is retold in chüan 2 of the Chih-yüeh Lu (f), edited by Ch'ü Ju-chi (W) of the Ming dynasty. It runs as follows:\n\nPrince Nata, rending himself asunder, gave his flesh back to his mother and his bones to his father, and then manifesting\n\n20 Nan Huai-chin (RM), Ch'an-hai Li-ts'ê (THU), Ch. 15, \"Ch'an School and Tantrism\" (RANER), pp. 205-211, Ching Ming Hsüeh Shê (W204), Taipei, 1955. cf. Daisetz Teitaro Suzuki ( Kil), Essays in Zen Buddhism, Second Series, p. 94, London, Luzac, 1933.",
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    {
        "id": 204329,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 97,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n93\n\nThe climax of the dramatic struggle between No-cha and his father Li Ching may be summed up here:\n\nLi Ching, hearing that No-cha had come again with his magic arms, was infuriated. He mounted his black horse and came out to meet No-cha with his halberd with crescent-shaped blade. The fighting had not lasted many minutes when Li Ching was in a profuse perspiration and had to flee for his life. No-cha pursued him with desperate efforts and nearly caught him when Mu-cha, the second son of Li Ching and disciple of the Immortal P'u-hsien (Samantabhadra), came on the scene. Although they were brothers they had not known each other before and No-cha had to tell Mu-cha the whole story. Mu-cha rebuked No-cha and called him a patricide, and defended the father with his precious sword. No-cha hurled his golden brick in the air which fell on the back of Mu-cha and hurt him. No-cha resumed his pursuit, and as Li Ching, being exhausted, did not wish to be overtaken by his son, he drew his sword and was about to commit suicide when he was stopped by a Taoist who was no other than the Wên-shu Kuang-fa Tien-tsun (Mañjusri) who was invited to come by Immortal T'ai-i to give No-cha an impressive lesson. Wên-shu now hid Li Ching in his grotto and seized the naughty hero with his \"Dragon-concealing Stake\"--which was also called \"Seven Precious Golden Lotuses\"--which in a mist of dust fastened No-cha's neck and feet with three golden rings and bound him to a golden stake. Wên-shu ordered Chin-cha, his disciple and No-cha's eldest brother, to beat No-cha black and blue with a staff until T'ai-I himself appeared. At the intercession of T'ai-i, No-cha was released and both father and son were brought before the two Taoist masters. T'ai-i rebuked the father for his petty-minded action and told him to go home. After Li Ching's\n\nAfter Li Ching's retreat, he instructed No-cha not to bear any grudge against his father and charged him to return to the grotto in Mt. Ch'ien-yuan on the pretext that he would stay with Wên-shu and play chess. No-cha, raging with anger, taking advantage of the absence of the two masters, pursued his father again. When Li Ching was in danger of falling into the hand of the son, another Taoist, the Jan-têng Tao-jên (Dipamkara) of the Yüan-chüeh Cave on the Vulture Peak, appeared on the scene as if by accident. He sheltered Li Ching behind, and when No-cha demanded single combat with his father, he increased Li Ching's strength by spitting on him and touching him on the back. Li Ching was then able to get the upper hand in the fighting and No-cha was defeated. No-cha was beside himself with rage. He jumped aside suddenly and tried to pierce Jan-têng with his spear, but the thrust was repelled by a white lotus flower emitted from the latter's",
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    {
        "id": 204330,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
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        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author\n\n94\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nmouth. After a fruitless argument with the Taoist master, No-cha wielded his weapon again and as Jan-têng raised his sleeve upwards an object was hurled into the air which emitted radiant beauty and when falling, enveloped No-cha in it and rendered him motionless. Jan-têng tapped it with his hand and flames broke out and made No-cha yield and acknowledge Li Ching as father and bow to him in humiliation. After the reconciliation had been made, Jan-têng Tao-jên instructed Li Ching to relinquish his official post and go into seclusion until the rise of King Wu, and gave to Li Ching the magic weapon which was a golden pagoda of elegant workmanship which would serve to safeguard No-cha from rebellion against his father and to consolidate the reconciliation. (Ch.14)\n\n5. HSI-YU-CHI (“MONKEY\") AND FENG-SHEN\n\nThe story of No-cha as it appears prominently in Chapters 12-14 of the Fêng-shên Yen-i, is for the most part, I believe, the creation of the author except for those minute points which I have discussed. After having consulted the Tantric texts which I have already quoted, we can see that the fantastic story of the pagoda, though with some hints of being inspired by the texts, is a wholly fabulous invention and only by skilful ingenuity can it be made so natural and so plausible. In Ch.83 of Wu Ch'êng-ên's (AR) Hsi-yu-chi (“Pilgrimage to the West\") which is no doubt an enlargement of the Hsi-yu-chi in the \"Four Travels\", there is a paragraph which seems to be either the origin of these Chapters (12-14) of the Fêng-shên Yen-i or a synopsis of these same chapters with variations. I am inclined to take the latter view and believe that the writing of Wu Ch'êng-ên's Hsi-yu-chi was later than this novel for these reasons:\n\n36\n\n35\n\n(a) As I have pointed out elsewhere when discussing the magic lasso, the name Ya-lung Tung (Dragon-subduing Cave) of the Ya-lung Shan (Dragon-subduing Mountain) which appears in Ch.34 of Wu Ch'êng-ên's Hsi-yu-chi was derived from Ch.52 of the Fêng-shên Yen-i (Fei-lung Tung AM or Flying-dragon Cave of the Chia-lung Shan or Dragon-pinching Mountain).\n\n(b) In Ch.52 of Wu's Hsi-yu-chi, the eighteen Arhats tried with the sand of golden pills to subdue the devil, which sank its feet to the depth of more than three feet. This sand is derived from the Red-sand Array () in Ch.49 of the Fêng-shên Yen-i.\n\n35 See Arthur Waley, Monkey, translation of chapters i-12, 13-5, 18-9, 22, 37-9, 44-6, 47-9, 98-100, London, George Allen & Unwin, 1943.\n\n30 In my thesis \"The Authorship of the Feng-shên Yen-i\", pp. 178-80.",
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        "page_number": 124,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n120\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nIn the New Territories, there are at present no funeral parlours and few undertakers. As in the agricultural interior of China, practical responsibility still falls mainly on the kinsmen of the deceased. The customary burial of villagers is in two stages: initial coffin burial, and subsequent exhumation and re-interment of remains. Having encoffined the body, the relatives normally sustain the vigil directly outside the home under a temporary shelter. Burial then takes place in a traditional village area, but no monument is erected beyond a small unshaped stone at the head of the grave. After five years or more, the body is exhumed. The bones will be cleaned by the family and be placed either in a funerary urn (kam t'aàp) or in a formal masonry grave (shaan fan) shaped like a horseshoe. In the funerary urn, the bones will be arranged in a manner as if the deceased were sitting in the Buddhist lotus posture.\n\nThe siting of funerary urns and horseshoe graves is of particular importance. Relatives will go to great lengths to ensure that the jung shui of the site is propitious. In other words, they wish to ensure that the benevolent influence of the site will protect the deceased, as a member of the family, so that he in turn will look kindly upon his relatives. The site is usually high up, commanding a view of water, and on a ridge or spur which represents, for instance, a dragon, snake, shrimp or crab in its formation. Standing with one's back to a horseshoe grave, one sees a half circle within a radius of ten yards, which is normally regarded as sacrosanct. Disturbance of the ground is regarded with strong disfavour. Traditionally, the left arm of the panorama in front should consist of a long ridge (containing a \"green dragon”) and the right arm of a shorter ridge (containing a \"white tiger\"). In a horseshoe grave, the exhumed remains are buried in a jar in the centre, just in front of a stone plaque (pei shek) that records the name of the deceased, the date of his death, and other details. Important graves of recorded ancestors or founders of a clan are often flanked by a small shrine (haû tỏ) on either side and sometimes another behind, at a distance of ten to twenty feet from the main grave. The object of the shrines is to persuade the earth god to look after the grave.\n\nWhether the exhumed remains are to be placed in a funerary urn or in a horseshoe grave seems to be governed by the sex and general standing of the deceased in the clan, or even by the financial state of the relatives at the time of exhumation. The remains are normally fit for exhumation after a minimum of five years of burial, but, even so, exhumation should not strictly take place unless there has been no pregnancy amongst the deceased's close female relatives in the immediately preceding nine months. This requirement, which would tend to impose some hardship",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 204474,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 106,
        "title": "RAS-1962",
        "content_text": "LIFE IN THE NEW TERRITORIES\n\n95\n\n2 Extracts from the Report are given between pages 181-209 of Papers laid before the Legislative Council of Hong Kong 1899, (Hong Kong, Government Printer, 1900). For this quotation see p. 198. Lockhart was referring specifically to development which was noticeably lacking. The same cannot be said of the population during this period. The evacuation of the coastal areas (1662-69) caused a great disruption to the villages at the time. For a brief mention in English, based on Chinese authorities, see S. F. Balfour, \"Hong Kong before the British\", an article in T'ien Hsia, Vol. XI, No. 4, 1941, p. 334. In any case there has been a continuous inward flow of both Cantonese and Hakka since then, more especially of Hakka in the 19th century, from which time many of the hill villages in the Colony take their origin.\n\nIt is interesting to compare this report with a book on Wei Hai Wei, Lion and Dragon in North China (London, John Murray, 1910) which was written by a junior colleague from Hong Kong, R. F. Johnston (1874-1938) who went to Wei Hai Wei as Magistrate and Secretary to Government in 1904, probably at Lockhart's request. Johnston, later knighted and Professor of Chinese in the University of London was a man of great application and erudition who became tutor to the deposed boy emperor, P'u Yi, (1919-25) and wrote the well-known book Twilight in the Forbidden City, (London, Gollancz, 1934). He was himself Commissioner of Wei Hai Wei 1927-30. His detailed description of Wei Hai Wei, its people and their customs leaves an impression of the striking similarity of life and thought between that remote part of Shantung and this small corner of Kwangtung. The means of government was of course the same, but so also are the ways of doing and thinking which seem, in my own experience, hardly to differ at all despite the different agricultural background. To anyone interested in the Chinese peasant Johnston's book is a mine of information. The annual reports on Wei Hai Wei presented to both Houses of Parliament are, too, an interesting commentary on life in this northern leased territory.\n\nThe market towns of the New Territories in 1898 were Tai Po, Yuen Long, Tai O, Cheung Chau, Sai Kung and Tsuen Wan. A despatch of 1905 in connection with the Kowloon-Canton Railway No. 59 dated 11th January 1905 from Governor Sir Matthew Nathan to the then Secretary of State, Mr. Lyttelton gives some figures. Yuen Long had \"seventy-four shops of which twenty-five are large and deal in rice, oil, samshu etc. The remainder belong to barbers, doctors, jewellers, vegetable sellers, piece goods dealers etc.\" Tai Po Market consisted of twenty-three large shops and fifteen smaller ones, Tsuen Wan had a few shops supplying the local needs\". No figures are given for Cheung Chau or Tai O with which the railway was not concerned, but an inscription of 1878 inside the grounds of the Fong Pin Hospital at Cheung Chau states that there \"used to be over two hundred shops trading here\". Lockhart Papers 1899, p. 207 gave Cheung Chau a population of 5,000, whilst Tai O with its fisheries and salt pans was reported to have about 3,000. These were larger towns than Yuen Long (no figure given), Tai Po (280), Sai Kung Market (800) and Tsuen Wan (900). The present New Territories towns were not the largest in the San On district. Pride of place went to Sham Chun, now on the Chinese side of the border, with sixty-one large shops and three hundred and twenty-three medium sized shops, and to Kun Lan Hui, also north of the border which was the cattle centre of the whole district with fifteen large and one hundred and thirty-six medium sized shops. (Enclosure C to No. 59). See Eastern No. 88 Correspondence relating to the Kowloon-Canton Railway (London, Colonial Office, 1907).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
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    },
    {
        "id": 204475,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 107,
        "title": "RAS-1962",
        "content_text": "96\n\n5\n\nJ. W. HAYES\n\nSee a tablet in the Chow-Wong School at Kam Tin.\n\n* Papers 1899 p. 188.\n\n* Papers 1899 p. 188.\n\n'Lockhart's figures, given in Appendixes 3 and 5 to his Report are not exact, and he has emphasised his sketchy estimate of the land population \"in default of any reliable statistics possessed by the Chinese Government\" and said he had been unable to obtain even an estimate of the boat people Papers 1899 pp. 187,189. Taking areas within my own detailed knowledge I have found that villages established long before 1898 have not been included in the returns or else have been linked with other villages without special mention, The population figures for the Islands, in particular, are not above suspicion and are probably greater than shown in Appendix 5.\n\n* Papers 1899 p. 189.\n\nPapers 1899 p. 189.\n\n10 Universal ownership was clearly shown by the land survey which followed the lease of 1898. This was carried out by surveyors and staff on loan from the Government of India, and was followed by a registration of titles which was enlivened by land courts which sat to determine possession in disputed cases. The survey sheets and the Crown Rent Rolls which form the schedules to them can be found in the District Offices of the New Territories Administration and they are a valuable record of land ownership and land classification at the time of the lease.\n\nAt Shek Pik and Fan Pui in 1958 out of sixty-six families four owned between 3-4 acres, nine between 2-3 acres, nineteen between 1-2 acres, fourteen owned between a half to one acre, twelve owned between a quarter to a half, and eight between 10 to 25 acres. Except a few late arrivals, therefore, every family owned land of its own. The position was much the same as in 1898.\n\nThe same was true of Wei Hai Wei, of which Johnston wrote Lion & Dragon, p. 148, \"Whatever the faults of the Chinese social system may be there is no doubt that in Wei Hai Wei it very largely accounts for the complete absence of pauperism (though no one is rich) for the orderliness of the people (nearly everyone has a stake in the land and has nothing to gain and everything to lose from disorder), for the uninterrupted succession of father and son in the homesteads, and for the long pedigrees attested by family graveyards and ancestral tablets\".\n\n11 See Johnston Lion and Dragon pp. 134-54. I have compared customary deeds of sale and mortgage from the New Territory between the years 1898 and 1958 with those cited by him and find that they invariably follow the same form (see especially Johnston pp. 144-145). These deeds are known as white deeds (as in Ching times) and had not been put through the formal process of registration in the District Office which would turn them into legal documents; or, as formerly in Ching days, in the Magistrate's yamen when they became red deeds (RI #). They were common until the Pacific war and even now are occasionally known to be drawn up in addition to the Memorial registering the conveyance in the Land Office. To select an example at random here is one from Shek Pik on Lantau Island dated the second year of the Republic (1913) which reads",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
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    },
    {
        "id": 204498,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 130,
        "title": "RAS-1962",
        "content_text": "115\n\nBRITAIN AND CHINA'\n\nReviewed by COLINA LUPTON, M.A.2\n\nChina is and will probably continue for some time to be the most unpredictable element in world affairs. With the passage of time she becomes more, not less so; her motives grow more obscure, her economic development more problematical, her political life—within the echelons of the Communist Party—more a matter for conjecture. On the face which she turns to the world there is little sign of the stresses and strains which she is undergoing; the information which China publishes about herself is remarkable only for the lack of knowledge it conveys. Unhappily—in view of our ignorance China is likely by sheer weight of numbers to be the dominant influence in the world in perhaps twenty years' time, and how this unleashed dragon will deal then with other nations largely depends on the kind of handling she receives now.\n\nHence any book which sheds light on Chinese thought processes, in particular relating present policies to past treatment, is a valuable one. Mr. Luard has gone one better and conjectured the course of the future. His book sets out a sane and lucid account of relations with China since the first British ships reached her shores in 1637, and describes both what he expects to see and what he would like to see happen in the next few years. In what really amounts to a series of essays on the historical background, on the Kuomintang, the Communists and the Korean war, on missionaries and merchants, Hong Kong and Taiwan—he neatly discusses, without a superfluity of chronological detail, the past, the present, and the future. This method necessitates a little overlapping between the chapters, but it is worth this since it saves a lot of narration inessential to the point of the book. For the author is trying to discuss sentiments and policies as much as facts, and this kind of pattern gives him the scope to do so. This is certainly not to say that he has ignored facts; though the historical background is compressed, the account of Britain's dealings with the Mao Tse-tung regime is very fully treated.\n\nBy Evan Luard. Chatto and Windus, 1962. 25/-.\n\n* The writer was formerly a research assistant in the Far East Department of the Royal Institute of International Affairs. She has been living in Hong Kong since the end of 1960, and is Assistant Editor of the Far Eastern Economic Review.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
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    },
    {
        "id": 204525,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 6,
        "title": "RAS-1963",
        "content_text": "The cover-design is based on a traditional Chinese paper-cut of a dragon which was reproduced in CHINESE FOLK DESIGN, published by W. M. Hawley (Hollywood, 1949).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
        "rank": 0
    },
    {
        "id": 204839,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 142,
        "title": "RAS-1964",
        "content_text": "A RECONNAISSANCE OF MA WAN\n\nNOTES\n\n117\n\n1 For a more detailed account of British trade to Canton at this period see J. L. Cranmer Byng, An Embassy to China. Being the Journal kept by Lord Macartney during his Embassy to the Emperor Ch'ien-lung 1793-1794 (Longmans, Green, 1962), 4-17.\n\n2 Macartney's own journal printed in J. L. Cranmer Byng, op. cit.,\n\nFor Parish and Alexander see Appendix A, 313-16.\n\n111-112.\n\nJ. L. Cranmer-Byng, “The Defences of Macao in 1794: a British Assessment\" in Journal of Southeast Asian History Vol. 5 No. 1 (1964).\n\n4 Printed in H. B. Morse, The Chronicles of the East India Company Trading to China 1635-1834, 5 Vols. (O.U.P. 1926-9), I., 237.\n\n5 This report is preserved among the Macartney documents in the Wason collection on China and the Chinese at Cornell University, No. 371 (part). I wish to acknowledge my thanks to the Director of Libraries at Cornell for permission to reproduce this document in full. In doing so I have modernized the spelling and the use of capital letters. I also wish to acknowledge permission received from the authorities of the British Museum to reproduce Parish's sketch map from the original preserved in the British Museum, Add. MS. 19822 (art. 13).\n\n6 The Portuguese name of an island close to Macao which also gave its name to the anchorage there.\n\n7 An officer of the Bombay Marine who had been sent to Macao in 1793 in command of the Endeavour brig, one of two surveying ships, which were earmarked for the use of the embassy. The Jackall had sailed from England in 1792 as tender to the Lion. Both the Endeavour and Jackall sailed from Chusan to Canton in October 1793, but I have not discovered why Proctor was transferred to the Jackall or why the original survey ship, the Endeavour, was not used for this purpose.\n\n8 A large island about twice the size of the island of Hong Kong. The east coast of Lantao, although it has at least one good bay- Silvermine Bay is not sufficiently protected from the wind and is too exposed to the sea to make a good harbour for ships. Lantao Peak rises to approximately three thousand feet and is a useful local landmark. The Chinese name for the island is Tai Yu Shan.\n\n+\n\n9 Chek Lap Kok *#, a long island just off Tung Chung bay, See map facing page 27. Like other ports of Lantao it appears to have been more prosperous in the past than at present. The 1911 census gave its population as 77, of whom 55 were men. They probably worked in its stone quarries.\n\nto This refers to the Tung Chung valley, which included a fort between the villages of Ha Ling Pei and Sheung Ling Pei. Tung Chung ranked as a cheng M. See Rev. Krone \"A Notice of the Sanon District\" in Transactions of the China Branch of the Royal Asiatic Society Part VI (Hong Kong 1859) p. 82.\n\n+\n\n11 This is correct, since presumably Parish was referring to the head land of San Tau #. From here the coast runs sharply SW to Tai O.\n\n12 Two islands known as the Brothers, consisting of the West and East Brothers.\n\n13 In the vicinity of Tsing Lung Tau\n\n\"Green dragon head\",\n\non the coast of the New Territories between Tsun Wan and Castle Peak.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
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    },
    {
        "id": 204872,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 175,
        "title": "RAS-1964",
        "content_text": "150\n\nNOTES AND QUERIES\n\nThe Police Station at Tung Chung was in an old Chinese fort, walled in. I heard my cases under a huge tree there and always had to drink a large tumbler of goat's milk provided by the Indian Sergeant in charge. He would have been awfully hurt if I had refused. It might be O.K. with half a pint of rum or whisky, but I had not the heart to do it!\n\nJ. W. HAYES\n\nSOME NOTES ON TUNG CHUNG1\n\nTung Chung, Eastern Stream, appeared on the historical scene of the region earlier than most other places in the New Territories. The valley acquired its eminence because the last of the Sung emperors was proclaimed there and upheld some sort of a Court in the valley for at least three months in 1278, the last year of the Sung dynasty. Though the place of proclamation cannot be ascertained to be Tung Chung itself, Chinese historians have been tackling the problem from the name Huang Lung Hang*, Yellow Dragon Valley, which refers to the inhabited part of the valley of the Eastern Stream. Historical documents have indicated that a yellow dragon appeared in the sea when the boy emperor was proclaimed and the fact was recorded because it was thought to be a good omen for the fast vanishing dynasty.\n\nApart from legends, there is more vivid evidence of the brief stay of royalty in the area because wherever the fugitive Sungs held court, the people erected temples to remember a loyal courtier, Lord Yeung, a member of the royal household who followed the Court to the very end. Today, we can find three of such Hou Wong temples in our region: Kowloon City, Tai O and Tung Chung. The temple at Tung Chung cannot, of course, be dated as far back as 1278 but it is certain that it was renovated around 1870 and subsequently in 1910 and 1959.\n\nThere is next to nothing to tell what happened in the region between the fall of the Sung dynasty (1278) and the coastal\n\n1 The above historical note on the Tung Chung area contains material collected by Mr. C. Y. Ng of the University of Hong Kong for his Ph.D. thesis on \"Rural Development\". A more detailed historical paper on Tung Chung by Mr. Ng is expected to be published next year.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
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    },
    {
        "id": 205062,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 18,
        "title": "RAS-1966",
        "content_text": "REGIONAL APPROACH TO CHINESE HISTORY\n\n13\n\nHis luck ran out, however, in 1807, when he was caught in a typhoon off Luzon. Part of his fleet was destroyed and Cheng himself drowned.\n\nLeadership of the pirate fleet fell to Cheng's wife, a kind of early nineteenth-century Dragon Lady, who may have accompanied her husband on his forays. Her chief lieutenant was a young Hsin Hui buccaneer by the name of Chang Pao-tsai. Unkind rumour had it that Chang was more than the lady's \"chief lieutenant\".\n\nUnder the leadership of Chang and the wife of Cheng I, the pirate fleet expanded its activities. It was divided into three divisions, each with a commander. Raids on coastal shipping were carried out with dispatch and precision, each division having been assigned specific areas of the coast. By 1810, Chang's fleet numbered six to seven hundred vessels, manned by as many as thirty to forty thousand men.\n\nNor were they concerned with just coastal shipping. No village or town along the coast was safe. Chang was apparently able to land elements of his navy at will at any bay or harbour from Mirs Bay to Hainan and as far up the river as Whampoa. There are differing accounts as to what his methods and motives really were. Some accounts, probably somewhat romanticized, make Chang out to be a kind of Chinese nautical Robin Hood, landing his men and appearing at village gates only to replenish their supplies of food and water, treating the people with kindness and honesty and refraining from terror. On the other hand, local histories record that more than one village was left in ashes and more than a little blood was spilled.\n\nWhatever way Chang Pao-tsai carried on his raids, the fact remains that the Ch'ing government was powerless against him. Time and again units of the Imperial fleet were sent in search of Chang's navy, only to return empty-handed and usually badly mauled. Once, in 1809, the Imperial navy did succeed in trapping a portion of Chang's fleet off Lantau, but clever seamanship and greater and more efficient firepower enabled him to break through without much damage.\n\nFinally, in 1810, the authorities resorted to the old political expedient... \"if you can't beat 'em, join 'em\". Governor-General",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
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    },
    {
        "id": 205063,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 19,
        "title": "RAS-1966",
        "content_text": "14\n\nJOHN J. NOLDE\n\nPai Ling sent an emissary to Chang and his lady friend, offering him a post in government and the Dragon Lady a handsome pension if they would retire. Chang, in the meantime, had fallen out with some of his own lieutenants, and after a certain amount of negotiation he agreed to the government's terms. He agreed to disband his fleet and turn over most of his ships and equipment to the Imperial authorities. His men were to return to peaceful occupations. He was rewarded with an official position and actually took part in, perhaps led, several expeditions against those former comrades-in-arms who refused to surrender. The Lady received her pension and was reported living in Canton as late as 1830-1831.\n\nNow, aside from the more romantic aspects of this story, the point is that these raids were a major fact of life along the South China coast during these years. Local histories are full of accounts of the activities of Chang and his fleet, the Hsiang-shan hsien chih, especially, devoting many pages to his exploits.\n\nFurthermore, it seems fairly certain that many of Chang's men did not turn to peaceful pursuits after 1810. Many organized fleets of their own and continued their marauding, though on a reduced scale. While Chang's \"surrender\" may have broken the back of the pirate activity for a time, it would seem that by the 1820's piratical activity was again a major problem. Local histories record many instances of pirates extorting money from villagers along the Canton River. The Canton Register of July, 1829 reported that \"the rivers of the province are infested with pirates who force trading boats to purchase passes of them\". In the early 1830's pirate fleets attacked native craft near Macao Roads. The Chinese Repository of December, 1832 reported on a new class of pirate boat which, manned by crews of sixty to seventy men, kidnapped and carried off wealthy individuals for ransom. In the same issue the journal reported that a pirate fleet of thirty to forty sail \"was prowling off Macao. Its chief was said to be the son of a famous pirate.\"\n\nIn the interior things seemed to be in even more chaotic state, partly due to the activity of the ex-pirates now turned bandit and partly due to an increase in brigandage per se. English-language journals published at Macao in the 1820's and 30's commented repeatedly on \"parties of armed bandits\", \"vagabonds and ban-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
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    {
        "id": 205235,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 191,
        "title": "RAS-1966",
        "content_text": "185\n\nSCHWARZ, Miss Marjorie D.*\n\nSCOTT, A. C.\n\nSCOTT, J. M.\n\nSELLERS, D.\n\nSELLETT, G.*\n\nSHAW-KENNEDY, Miss Anne\n\nSHEKURY, Miss E. SHEPHARD, A. J. SHING, D.-\n\nSHU, Dr. H. T. - SHUI, Chien tung\n\nSIEGEL, H. W.\n\nSINFIELD, G. H. C.*\n\nSLEVIN, B.\n\nSMALL, Dr. D. H.\n\nSMITH, Leslie*\n\nSMITH, Miss M. H. SMITH, S. H.*\n\nSOONG, N.\n\n-\n\nJ\n\n+\n\n-\n\nc/o Mrs. R. L. Smyth, 1635 Green Street, San Francisco, California, USA.\n\nAsian Theatre Program, University of Wisconsin, U.S.A.\n\nHong Kong & Shanghai Banking Corp., H.K.\n\nc/o Dept. of Commerce & Industry, Fire Brigade Building, H.K.\n\n\"Pinecrest\", N.K.I.L. 3543 Tai Po Road, Kowloon.\n\nRoom 812 Hilton Hotel, H.K.\n\n14 Braga Circuit, Kowloon.\n\nAdministrative Officer, Police H.Q., H.K.\n\nFlorida Mansion, Block C, 11th Floor, Paterson Street, H.K.\n\n70 Mt. Davis Road, Ground floor, H.K.\n\nTsing Hua College, 263 Prince Edward Road, Kowloon.\n\nc/o Bayer China Co., Ltd., Room 1916 Union House, H.K.\n\nc/o Royal Bank of Canada, 20 King Street, West, Toronto, Ontario, Canada.\n\nc/o 1st floor, Police Headquarters, Arsenal Street, H.K.\n\nDental Unit, Queen Elizabeth Hospital, Kowloon.\n\nFlat 10-B, Dragon View, 39-41 MacDonnell Road, H.K.\n\n52 Mount Nicholson Gap Flat, H.K.\n\nc/o Messrs. Scott & English Ltd., P. O. Box 1555, H.K.\n\nAsia Magazine, 31 Queen's Road, Central, H.K.\n\n2. Queen's Road, Central, H.K.\n\nH.K. Tourist Assn., Caroline Mansion, H.K.\n\nSPERRY, H. M.*\n\nSTANLEY, Major H. F.\n\nSTANTON, W. T.*\n\nSTEWART, Miss Elizabeth H.\n\nSTEWART, Miss E. M.\n\nSTOKES, J.\n\nSTONEY, G. S.\n\nSTONEY, Mrs. G. S.\n\n+\n\nDina House, Duddell Street, H.K.\n\nDiocesan Girls' School, Jordan Road, Kowloon,\n\nc/o The Housing Manager, Hong Kong Housing Authority, Ma Tau Wei Estate, Kowloon.\n\nQueen's College, Causeway Bay, H.K.\n\nFlat 1, \"Ravencourt\", 24 Mount Austin Rd., H.K.\n\nAs above.\n\n* Life Member\n\nPlease notify the Hon. Secretary of any inaccuracy",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
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    {
        "id": 205271,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 33,
        "title": "RAS-1967",
        "content_text": "26\n\nJEN YU-WEN\n\nout and the local people made facsimiles of the originals and preserved them from generation to generation in order to commemorate the glory of their ancestors. Moreover, in the Dragon Boat Festival (the 5th day of the 5th month) every year since then, they have placed the parasols on the racing boats, called huang-chou1 (Imperial boats). Before the boat race started, the gentry and elders of the villages used to kneel and kow-tow to the royal gifts to pay respect to the Sung Emperor. Sung Hsueh-p'eng says that the custom was perpetuated for many years.10 Less than a month after the landing of the royal party, the Dragon Boat Festival was observed. It can be imagined what a delightful day the boy Emperor Tuan Tsung (Shih) and his small brother Wei Wang (Ping) had in watching the races, along with the Queen Mother and many dignitaries, generals, and ministers, and, of course, the local people who were particularly happy to have such distinguished guests participating in their annual festival.\n\nIV. SUNG WONG TOI (Sung Huang Tai-Man)\n\nThe most important site which furnishes the key to our study of the Kuan-fu Travelling Palace of Southern Sung is a small mound near the seashore, north of Ma-tau-kok. It can be definitely located and is recorded in the Hsin-an Gazetteer, other literature, and maps. Besides, there were three Chinese characters engraved on one of the great rocks there, which many of us have seen with our own eyes.\n\nThe small mound was called Sacred Hill1 (see map). This name was probably given to it by the Hong Kong Government when it took over the territory in 1858, as no Chinese literature recorded such a name, and even Hong Kong people of the older generation, including Sung Hsueh-p'eng, did not know of it. On the top of the mound were two large rocks, one on the northern side, the other on the southern. The characters Sung Wong Toi1 were engraved on the western face of the northern rock in the Yuan Dynasty, long after the royal party departed from Kowloon and after the Mongols conquered the Southern Sung.\n\nThe characters were horizontally inscribed, being uniformly 20 inches in width and respectively 26, 22½, and 27 inches in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
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    },
    {
        "id": 205281,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 43,
        "title": "RAS-1967",
        "content_text": "36 \n\nJEN YU-WEN \n\nAt the close of Southern Sung, the last two emperors had to flee and seek refuge by the shores of the sea, from where they led a hundred thousand odd officials and soldiers in the noble endeavour to restore the empire. The Kuan-fu area, with the three big characters Sung Wong Toi still remaining, commemorates one of the last portions of Sung territory on which the two emperors stood. Shortly afterwards they met their ultimate defeat and the whole country was lost to a foreign tribe for the first time in China's history. But what we commemorate is not this unfortunate event in our national history; it is the spirit of nationalism and patriotism displayed in the last struggle of the Sung patriots for the recovery of the mother country.\n\nThe independence and freedom of China had a higher claim to their lives. This unconquerable spirit, expressed in the unceasing revolutionary efforts of the Chinese people to fight against the Mongols ever since the last days of Kuan-fu and Ya-shan, was finally crowned with success in the overthrow of the Yuan Dynasty less than 90 years afterwards. Today, when we pass through the ancient site of the Travelling Palace and look at the Sung Wong Toi monument, we see the symbol of this same spirit, which is the essential quality necessary for the survival of any nation on earth.\n\nNOTES\n\n1 This lecture is a condensation of my Chinese article Sung Kuan-fu Hsing-kung K'ou (†‡3hB) published in the Continent Magazine (†\nA), Taiwan, September, 1966.\n\n2 Such as Ch'en Chung-wei, Erh-Wang Pen-mo (RR#i, =±**), Shu Mou-kuan, Hsin-an Hsien-chih (Chia-ch'ing), Gazetteer of Hsin-an District (**T. **\n**BA), K'o Wei-ch'i, Sung-shih Hsin-pien (MM. ER #), Chang Hsu, Ya-shan Chih (HM, AJA), Nan Sung Shu (ET).\n\n* Mother Yu was never again mentioned in historical records; probably she had died.\n\n4 For references, details and discussions on the royal itinerary from beginning to end, see my treatise Sung-mo erh-ti nan-ch'ien nien-lu k'ou (**=*64***) in Sung Wong Toi, a Commemorative Volume (edited and compiled by myself), Hong Kong, 1960, pp. 122-174 (X£b444).\n\n5 It is alleged that there were eight mountain ranges spreading over the peninsula which look like running dragons (lung), and that when the boy Emperor stayed at the place, people pointed out that he himself represented the ninth, as an emperor was commonly believed to be symbolized by a dragon. But the more rational and reasonable interpretation for the origin of the name would be that there are altogether nine mountain ranges spreading over the peninsula. According to Hsi-nan I Chuan (§§ AM) in Hou-han-shu (**後漢書**), the Ai-lao-i (‡‡✯ aboriginal tribe Lao) in Yunnan Province called back “k'ou\" and seat \"lung\". Hence to them, Kowloon meant",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
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    },
    {
        "id": 205320,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 82,
        "title": "RAS-1967",
        "content_text": "EXPANSION AND EXTENSION IN HAKKA SOCIETY\n\n75\n\nVaillant 1920, p. 85. Leaving this discussion open, there is still reason to assume that both the disturbances in Kwangtung and the Hakka expansion to the south were correlated with a search for new areas for resettlement.\n\n28 'A dreadful internecine strife, in which 150,000 at least, perished, took place between the Hakkas and Pún-téis in the south-western districts of the Canton province, from A.D. 1864 to 1866, and arms and even armed steamers, were procured from Hong Kong by both parties. Ball 1925, p. 282.\n\nA Hong Kong resident reports that the Peninsula of Kowloon presented for several days in August, 1862, the novel aspect of an animated battlefield, as the Punti inhabitants of the neighbouring villages were engaged in a bloody warfare with Hakka settlers at Tsimshatsui.\" Eitel 1895, p. 380. See also n. 27.\n\n29 \"Every year is marked unfortunately by an increasing influx of unattached and often undesirable characters from Chinese Territory, most Hakkas from the Wai Chau and Hing Ning District. It is impossible to keep track of the movements of these persons, and many of them are tempted by their opportunity of acquiring unlawful gains by means of robbery, kidnapping, 'White pigeon', and kindred offenses. It is hoped that these undesirable additions to the population will be considerably curtailed before long.\" New Territories Report 1917, p. J2.\n\n30 The quarry-men are nearly all Hakkas from Kweishin, who settle at the quarries until they have made some money and then return home.\" New Territories Report 1899-1912, p. 55.\n\n31 This type of extension might also have served as reconnaissance for a future settlement of a permanent kind. The following note from the New Territories could be interpreted in this direction:\n\nIn the 24th year of the reign of the Emperor Kwong Shu, which was 1897, there came to the Land of the Jumping Dragon a Hakka by the name of Kong Tai Kuen. Up to that time none but Tangs had lived there. Kong rented a house and became a tenant-farmer. He recommended two of his relations to come along also, but they stayed only three years and then returned to the Kong ancestral village at Li Long north of the Shum Chun river, while Kong Tai Kuen gave up farming in the Jumping Dragon Land and moved to Fan Ling, Ingrams 1952, p. 162.\n\n32 I use the word 'sojourner' in a freer sense than Paul Siu, to whom the term implies a stranger 'who spends many years of his lifetime in a foreign country without being assimilated by it;' Siu 1952, p. 34. My term signifies a person who temporarily lives geographically separated from the locality constituting his main focus of social interest.\n\n33 SCPH 1965; Hong Kong 1964, p. 30. Apart from going abroad, some young men from Plum Grove Village and Big Stream Village work as police constables in Sha Tin and Kowloon. One man from Grass Field Village works in a textile factory in Kwun Tong, New Kowloon,\n\n34 This is confirmed by other sources. For instance, the New Territories Report 1900 remarks upon the fact that 'Hakka women work as hard, if not harder, than their men,' (p. 269). An observant traveller noticed that in Mei Hsien in Kwangtung, the Hakka district where both people in Big Stream Village and Grass Field Village had their clan foci.\n\n'it seems to be mainly the women who do the hard work. They do not bind their feet. The women are strong and erect, though excessive toil begun too early in life may account in part for their tendency to be undersized... the women do all",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g",
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    },
    {
        "id": 205355,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 117,
        "title": "RAS-1967",
        "content_text": "110\n\nREV, MR. KRONE\n\nseveral times taking a cruise in his Tea-cup, the mountain was named after it “Poi-tou.' \n\n\"Poi-tou.\" Among the common people, however, the mountain is known by the name \"Shing-shan\", or holy mountain. The rough, barren, mountainous country I have described, has given birth to many superstitions and legends. Some of the huge stones on the hill sides are supposed to represent the tiger, the dragon, and the phoenix. The stones on some hills are said to have locomotive powers, and to pursue any adventurous traveller who attempts to mount their sides; other stones are said, when touched, to have the power of producing pains in the stomach, and others to emit white vapours from their surface. But these matters are of but little importance to us; of more interest are the caves which are found in some of the mountains. The most remarkable of these caves is near the market-place of U-shek-ngam, &, at the base of the mountain. For some centuries this cave has been used as a temple, and its aspect is so changed by the architecture and furniture which have been introduced, that one cannot get a good idea of its natural size and appearance.\n\nNatural History. Quadrumana, A number of small monkeys inhabit the island of Lintin; but this animal is not found in any other part of the district, though Chinese books relate that in former times they were found on 'Ng-tung, and most of the high mountains of the district.\n\nQuadrupeds, — The Chinese tiger, which seems to be a true tiger, is found about 'Ng-tung, and in the neighbourhood of most of the high mountains. It sometimes reaches a considerable size, weighing 200 catties, or 266lb. It feeds generally upon pigs and dogs, and the country people say it occasionally carries off a grass-cutter, but this seems doubtful. It is taken in traps, and is a great prize to its captor, as it will bring him in a sum of $150 to $200; for the bones are in great repute as a tonic medicine, and the flesh is eaten with the idea that the courage of the devourer is improved by the meal.\n\nMore than one species of deer, a fox, and a badger, have also been seen, and a large ant-eater -- the flesh of which is considered a delicacy, and is also supposed to possess medicinal powers. There are many snakes, and among them a large species of python, which sometimes grows to the length of twenty to twenty-four feet;",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g",
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    },
    {
        "id": 205447,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 209,
        "title": "RAS-1967",
        "content_text": "202\n\nSCHWARZ, Miss Marjorie D.*\n\nSCOTT, A. C.\n\nSCOTT, J. M.\n\nSELLERS, D. M. SELLETT, G.*\n\nSERSALE, Miss S. M.\n\nSHEKURY, Miss E.\n\nSHEPHARD, A. J.\n\nSHING, D.\n\n-\n\n-\n\nSHU, Dr. H. T.\n\n-\n\nSIEGEL, H. W.\n\nSIMPSON, R. F.\n\nSINFIELD, G. H. C.*\n\nSLEVIN, B. F.\n\nSMALL, Dr. D. H. SMITH, Leslie*\n\nSMITH, Miss M. H. SMITH, S. H.*\n\nSMYTH, Miss L.\n\nSO, Dr. Chak-lam\n\nSOONG, N.\n\nSPERRY, H. M.*\n\nSTANLEY, Major H. F. -\n\nSTANTON, W. T.* STARRETT, A. V. STEWART, Miss E. M.\n\nSTOKES, J.\n\n-\n\nSTONEY, G. S..\n\n+\n\n+\n\nc/o Mrs. R. L. Smyth, 1635 Green Street, San Francisco, California, U.S.A.\n\nAsian Theatre Program, University of Wisconsin, U.S.A.\n\nHong Kong & Shanghai Banking Corp., H.K.\n\n70, Mt. Nicholson Gap, Stubbs Road, H.K.\n\n\"Pinecrest\", N.K.I.L. 3543 Tai Po Road, Kowloon,\n\n11-A, Cameron House, 40 Magazine Gap Road, H.K.\n\n14 Braga Circuit, Kowloon.\n\nAdministrative Officer, Police H.Q., H.K.\n\nFlorida Mansion, Block C, 11th Floor, Paterson Street, H.K.\n\n70 Mt. Davis Road, Ground floor, H.K.\n\nc/o Bayer China Co., Ltd., Room 1916 Union House, H.K.\n\n\"Woodside\", University of H.K., Pokfulum, H.K.\n\nApt. No. 406, 1061 Don Mills Road, Don Mills, Ontario, Canada.\n\nc/o 1st floor, Police Headquarters, Arsenal Street, H.K.\n\nDental Unit, Kennedy Road, H.K.\n\nFlat 10-B, Dragon View, 39-41 MacDonnell Road, H.K.\n\n52 Mount Nicholson Gap Flat, H.K.\n\nc/o Messrs. Scott & English Ltd., P. O. Box 1555, H.K.\n\nPhysiotherapy Dept., Queen Elizabeth Hospital, Kowloon,\n\nDept. of Geography & Geology, The University, Pokfulum, H.K.\n\nAsia Magazine. 31 Queen's Road, Central. H.K.\n\nLime Rock Road, Lakeville, Connecticut, US.A.\n\nH.K. Tourist Assn., Caroline Mansion, H.K.\n\nDina House. Duddell Street, H.K.\n\n5 Douglas Apts., 22 Old Peak Road, H.K.\n\nFlat 3A, 4 Mt. Davis Road, Pokfulum, H.K.\n\nQueen's College, Causeway Bay, H.K.\n\nFlat 1, \"Ravencourt\", 24 Mount Austin Rd., H.K.\n\n* Life Member\n\nPlease notify the Hon. Secretary of any inaccuracy",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g",
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    },
    {
        "id": 205543,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 85,
        "title": "RAS-1968",
        "content_text": "80\n\nGORAN ALMER\n\nposition of their ancestral hall into which the dragon of the hill behind is 'crashing' all the time.\n\nBy way of summing up, we may say that social and economic differentiation is projected on the natural surroundings. The phenomena of nature in their symbolic aspect project back the image of differentiation in the form of rational models concepts of systems of natural influences affecting man and social life. These models can be manipulated by their constructors. They also carry messages that can be communicated between individuals and between groups.\n\nNOTES\n\n1 For a somewhat fuller description of the two villages, see Aijmer 1967. Big Stream Village (Dashuikeng) and Plum Grove Village (Meizilin) are in Hong Kong known under the Cantonese designations 'Tai Shui Hang' and 'Mui Tsz Lam'. Grass Field Village (Maoping) is 'Mau Ping'. They can be located with the help of Gazetteer 1960. Standard Chinese is given in pinyin form. Field work was financed by six Swedish funds; I gratefully acknowledge their support. Thanks are due to Mr. James Hayes, Hong Kong, and my wife for comments.\n\n2 Freedman 1966, 118f; 1967; Baker 1965.\n\n3 An alternative to, or perhaps rather a facet of, manipulating was fleeing. Examples of how people broke away from localities considered having bad fengshui have been given by Hayes (1963; 1967).\n\n4 It may be of interest to point out that nets are instrumental in exorcistic ceremonies, when malevolent spirits may be caught or scared away with fishnets. I have this from a Buddhist monk whom I interviewed in Macau in 1965.\n\n5 Census 1911, 103:27.\n\n6 The sources classify Plum Grove land as third class land whereas Big Stream land is rated as second class. In the former place farming is done on terraced fields only.\n\n7 In Plum Grove Village 35 houses were registered in 1906. If we compare this with the population figure of the Census of 1911, we will find that, if in use, each house unit was inhabited by 1.7 persons. This is an amazingly low figure, as we would have expected something around five or more as an average. Even if we allow for the ten men mentioned below, the figure would increase to just about two. The implication of these facts must be a reduction in population, perhaps by way of a lineage segment breaking away to settle elsewhere. In Big Stream Village 77 houses gave shelter to average families of 2.2 persons. Not even male absenteeism, discussed later, can explain this low figure to satisfaction.\n\n* Information obtained from the District Demarcation Maps and the 'New Territories Crown Leases of District No. 188' of 1906 and the 'New Territories Crown Leases of District No. 196' of the same year, to be seen at the Tai Po District Office, New Territories, Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
        "rank": 0
    },
    {
        "id": 205658,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 200,
        "title": "RAS-1968",
        "content_text": "THE LIBRARY\n\n195\n\nSCOTT, A. C.\n\nTraditional Chinese plays, tr., described and annotated by A. C. Scott: Ssu Lang visits his mother and The butterfly dream. Madison, Univ. of Wisconsin P., 1967.\n\nSICKMAN, Laurence C. S., ed.\n\nEarly Chinese art. Newton, Mass., University Prints, [194-?] Monochrome reproductions in portfolio.\n\nSIMON, Walter.\n\nFunctions and meanings of erl. London, Taylor's Foreign P., 1952-54. 4 pts.\n\nReprints from Asia major: a British journal of Far Eastern studies, new series, v. 2, pp. 179-202; v. 3, pp. 7-18, 117-131; and v. 4, pp. 20-35.\n\nSIMPSON, William.\n\nThe Buddhist praying-wheel: a collection of material bearing upon the symbolism of the wheel and circular movements in custom and religious ritual. London, Macmillan, 1896.\n\nSPENCER, Cornelia.\n\nMade in China: the story of China's expression. London, Harrap, 1947.\n\nSTAUNTON, Sir George Leonard, 1st Bart.\n\nAn authentic account of an embassy ... to the Emperor of China. taken chiefly from the papers of the Earl of Macartney, Sir Erasmus Gower (and others). 2nd ed., corr. London, G. Nicol, 1798.\n\nThis set lacks the fol. vol. of plates.\n\nSTERICKER, John, and STERICKER, Veronica.\n\nHong Kong in picture and story. Hong Kong, the authors, 1953.\n\nSTERICKER, John.\n\nA tear for the dragon, London, Barker, 1958.\n\nSTOKES, Gwenneth.\n\nQueen's College, 1862-1962. [Hong Kong, privately published, 1962]",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
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    },
    {
        "id": 205677,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 219,
        "title": "RAS-1968",
        "content_text": "214\n\nRYAN, Rev. Father T. F.\n\nL\n\nRYDINGS, H. A..\n\n+\n\nWah Yan College, 281, Queen's Road, East, H.K.\n\nH.K. University Library, H.K.\n\nSAUNDERS, Hon, J. A. H. c/o H.K. & Shanghai Banking Corpn., H.K.\n\nSCHALLER, Miss K.\n\nSCHOYER, B. P. -\n\nSCHWARZ, Miss Marjorie D.*\n\nSCOTT, A. C.\n\nSCOTT, J. M.\n\nSELLERS, David M. -\n\nSELLETT, G.*\n\nSERSALE, Miss S. M.\n\nSHAW-KENNEDY, Miss Anne -\n\nSHEPHARD, A. J.\n\nSHEKURY, Miss E.\n\nSHOEMAKER, John F. -\n\nSHING, D.\n\nSHU, Dr. H. T.\n\nSIEGEL, H. W. -\n\nSINFIELD, G. H. C.* -\n\nSIMPSON, R. F.\n\nSKELSON, R. E.\n\nSLEVIN, B. F.\n\nSMALL, Dr. D. H.\n\nSMITH, Leslie*\n\n+\n\n+\n\n+\n\n+\n\nH.K. Diocesan Girls' School, Jordan Road, Kowloon,\n\n37, Northbridge Road, Greenwich, Connecticut, 06870, U.S.A.\n\nc/o Mrs. R. L. Smyth, 1635 Green Street, San Francisco, California, U.S.A.\n\nAsian Theatre Program, University of Wisconsin, U.S.A,\n\nHong Kong & Shanghai Banking Corp., H.K.\n\nc/o H.K. Government Office, 54 Pall Mall, London, S.W. 1, England.\n\n\"Pinecrest\", N.K.I.L. 3543 Tai Po Road, Kowloon.\n\n11-A, Cameron House, 40 Magazine Gap Road, H.K.\n\n2B Fairland Towers, 7B Bowen Road, H.K.\n\nc/o Colonial Secretariat, H.K.\n\n14 Braga Circuit, Kowloon,\n\n73 Kadoorie Avenue, Kowloon.\n\nFlorida Mansion, Block C, 11th Floor, Paterson Street, H.K.\n\n70 Mt. Davis Road, Ground floor, H.K. c/o Bayer China Co., Ltd., Room 1916 Union House, H.K.\n\nApt. No. 406, 1061 Don Mills Road, Don Mills, Ontario, Canada,\n\n\"Woodside\", University of H.K., Pokfulum, H.K.\n\n43 Magazine Heights, 17 Magazine Gap Road, H.K.\n\nc/o 1st floor, Police Headquarters, Arsenal Street, H.K.\n\nDental Headquarters, Kennedy Road, H.K.\n\nFlat 10-B, Dragon View, 39-41 MacDonnell Road, H.K.\n\n* Life Member\n\nPlease notify the Hon. Secretary of any inaccuracy",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
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    {
        "id": 205824,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 130,
        "title": "RAS-1969",
        "content_text": "124\n\nSOME NOTES ON ETHNO-BOTANY IN THE NEW TERRITORIES OF HONGKONG\n\nARMANDO DA SILVA*\n\nThere is an old Cantonese proverb that goes \"Kau shan yak shan, kau shui yak shui, (*****). When translated it means \"When in the hills, live off the hills, when on water, live off the water\". In many of the smaller villages of the New Territories, and especially among the more isolated coastal ones, this maxim is still practised to some extent in everyday life. Most of the older villagers possess an intimate knowledge of various qualities of common plants. Many plants that thrive in the neighbourhood of settlements owe their survival because they have some useful or medicinal qualities to offer, which distinguish them from mere brushwood destined for the kitchen stove.\n\nA source of income for coastal settlements derives from economic activities related to the use of beaches by Tanka and Hoklo fishermen for careening their boats. These fishermen also use the beaches to dry and mend their nets. As these tasks must be done frequently to prevent rot and tear, many villagers often find it profitable to provide services for the fishermen. Large vats are installed so that salt can be boiled out of the nets. Other vats are used for dyeing and for applying net preservatives. Most nets are made from imported ramie or coconut coir fibers. However, a plant common to many coastal villages is often used to make fibers for fishing nets. This is the Agave, called by Tanka and Hoklo fishermen poh lo ma (\"pineapple hemp\"). It is also known by its other Chinese name of lung sit lan (⃧ \"dragon tongue orchid\") because of its high flowering stamen. The Agave thrives on drier sandy soils near beaches and does not seem to be affected by salt water spray. After the spines are removed from the plant, fiber is extracted by pounding and retting. The juice is often used as an insecticide and the saponin content as a form of soap for washing clothes.\n\n* Mr. da Silva has a Master's degree from the University of California at Berkeley and is presently with the Department of Geography, University of Hawaii. His article \"Fan Lau and its Fort: an Historical Perspective\" appeared at pp. 82-95 of last year's Journal. Mr. da Silva states that the present article refers, in particular, to some coastal settlements in Lantau and the Saikung Peninsula where he spent much time visiting and observing people and things from October 1962 to September 1963, and again in the summer of 1964.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    {
        "id": 205828,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 134,
        "title": "RAS-1969",
        "content_text": "128\n\nARMANDO DA SILVA\n\naccessibility, seasonal demand, and tonic quality. The Chinese names are in colloquial Cantonese:\n\nArtemisia vulgaris (ng yuet ngai AX) is a traditionally sacred medicinal plant. Sprigs of artemisia are hung on doorways on the festival day of tuen yeung (), that day associated with glutinous rice dumplings and dragon-boat races; hence the colloquial name \"fifth moon artemisia\". A powder is made from this and is used in moxa (ngai yung *). For medicinal use the sprigs are ground and sprinkled into warm rice wine to make a fragrant tonic drink, which allegedly relieves upset stomach.\n\nAmaranthus spinosus (lak yuen tsoi ). The roots and leaves of this plant are boiled in water and the infusion used in the treatment of piles. A soup is made by boiling the leaves and the shoots and the decoction is drunk as a yuet hei reliever. It is also considered a diuretic drink. Although this plant is not cultivated, it is often sold as a vegetable in vegetable stalls.\n\nHylocereus undatus (pa wong fa re£) is a seashore plant of the cactus family. The silk tassels from the flowers are dried and used to make a cough medicine. The tassels may also be boiled as a vegetable and cooked with pieces of pork to make soup. See Plate 10.\n\nVitex trifolia (pak fei muk yee ¶). This is another beach plant whose leaves and vines are boiled to make a poultice for bruises. The leaves are ground and drunk with warm rice wine. This is a favourite medicinal plant among the Tanka boat-people.\n\nBreynia fruticosa (hak min shun i) is a hillside plant whose leaves are boiled in water to make an infusion for the cleansing of sores. To complete the treatment a poultice of its leaves is applied to the sores.\n\nMelastoma sanguineum (long kau lei #Ƒ) is a styptic simple. Its leaves are both ground and drunk with warm rice wine, and are also used as a styptic poultice.\n\nPolygonum chinenses (fo tan mo ★★). The leaves are fried with honey and eaten as a treatment for dysentery. The leaves can also be made into a poultice to relieve rheumatic pain and for treating foot sores and arm boils,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    {
        "id": 205897,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 203,
        "title": "RAS-1969",
        "content_text": "197\n\nSHARPLEY, Mrs. W. S. M. New Zealand Commission, P.O. Box 2790,\n\nSHEPHARD, A. J.\n\nSHING, D. -\n\nSHOEMAKER, J. F. -\n\nSHU, Dr. H. T.\n\nSIEGEL, H. W.\n\n+\n\n-\n\nSINFIELD, G. H. C..\n\nSLEVIN, B. F.\n\nSLEVIN, B.\n\nSMALL, Dr. D. H.\n\nSMITH, L.*\n\nSMYTH, Miss L.\n\nSO, Dr. Chak-lam\n\nSPANKIE, D. R. A.\n\nSPERRY, H. M.\"\n\nSPOONER, M. G. -\n\nSTANLEY, Major H. F. -\n\nT\n\nSTANTON, W. T.*\n\nSTEVENS, Major K. G.*\n\nSTEWART, Miss E. M.\n\nSTOKES, J.\n\nSTONEY, G. S. -\n\nSTONEY, Mrs. G. S.\n\nSTOWE, C.-\n\n+\n\n-\n\n-\n\n+\n\nH.K.\n\nc/o Colonial Secretariat, Lower Albert Road, H.K.\n\nFlorida Mansion, Block C, 11th Floor, Paterson Street, H.K.\n\n73 Kadoorie Avenue, Kowloon,\n\n70 Mt. Davis Road, Ground floor, H.K. c/o Bayer China Co., Ltd., Room 1916 Union House, H.K.\n\nApt. No. 406, 1061 Don Mills Road, Don Mills, Ontario, Canada,\n\nA3 Magazine Heights, 17 Magazine Gap Road, H.K.\n\nc/o Police Headquarters, Arsenal Street, H.K.\n\nDental Unit, Kennedy Road, H.K.\n\nFlat 10-8, Dragon View, 39-41 MacDonnell Road, H.K.\n\nPhysiotherapy Dept., Queen Elizabeth Hospital, Kowloon.\n\nDept. of Geography & Geology, University of Hong Kong, H.K.\n\nEconomic Survey Section, British Trade Commission, Room 704 Shell House, H.K.\n\nLime Rock Road, Lakeville, Connecticut, U.S.A.\n\nThe Registry, University of Hong Kong, H.K.\n\nc/o H.K. Tourist Association, Realty Building, H.K.\n\nDina House, Duddell Street, H.K.\n\nG. Sy Hq. FARELF, Singapore.\n\nFlat 23, 3 Caldecott Road, Kowloon.\n\nQueen's College, Causeway Bay, H.K.\n\nFlat 1, \"Ravencourt\", 24 Mount Austin Rd., H.K.\n\nAs above.\n\nFlat No. 112, 75 Macdonnell Road, H.K.\n\nSTRICKLAND, Mrs. P. G. c/o Caldbeck Macgregor & Co., Ltd., Union House, H.K.\n\n* Life Member\n\nPlease notify the Hon. Secretary of any inaccuracy",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
        "rank": 0
    },
    {
        "id": 206062,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 142,
        "title": "RAS-1970",
        "content_text": "HONG KONG BEFORE THE BRITISH\n\n137\n\nsettled in the hills and along the coasts of our region. They themselves acknowledge that they are the latest comers into the region, and that they have migrated from exclusively Hakka-speaking country between Kwangtung, Fukien and Kiangsi provinces. The Hakka of those parts declare that they migrated from North China and this tradition is confirmed in every way by scholars, often Hakka themselves, who have collated separate family histories. From these studies it is possible to know that the Hakka did not migrate south of Kiangsi before the 10th century A.D. and we can infer from this that their appearance in this region was several centuries later.\n\n7\n\nFrom the evidence of their names we can begin to distinguish two kinds of inhabitants--one pure Chinese and one of non-Chinese origin. But on the other hand there is much negative evidence that could be brought forward. In the first place in customs and religion the Tanka and Hoklo seem to follow Chinese tradition; they have the same reverence for ancestors, the same surnames, they marry and bury the dead with the same ceremonies. They have an identical calendar of feast days, and their dialects, Cantonese and Fukienese, have nothing either in place-names, or vocational expressions or any other vocabulary which might contain archaisms to suggest that they ever used another language.\n\nIn the second place there is absolutely no apparent evidence that the Tanka and Hoklo are of the same extraction. They do not look alike physically and they do not intermarry nor mix freely in spite of being in close contact with one another. Indeed, the Tanka are much more akin to the Cantonese in outward appearance, and but for a difference of pronunciation it would be almost impossible to distinguish between them.\n\nIn the third place, the Hakka and Punti differ in their religious customs on one important point. The Dragon Boat Festival is celebrated by the Punti, Tanka and Hoklo on the 5th day of the 5th moon every year. The Hakka do not keep this feast. The importance of the Dragon Boat Festival as a clue to origins of culture will be described in a later section of this article.\n\nHowever there is one broad distinction which can be made. In their differences in occupation and dwellings the population divides\n\n7 For instance, Lo Hsiang Ling (#); K'o Chia Yen Chiu (3 RMX).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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    },
    {
        "id": 206071,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 151,
        "title": "RAS-1970",
        "content_text": "146\n\nS. F. BALFOUR\n\npeoples. They too are an ancient population living on the seaboard without any trace of their earlier habitat. But as we have seen in the first chapter they have been so overwhelmed by the force of Chinese culture that not a trace remains of their original customs. However it is proposed to show that some aspects of their life might suggest a connection with the \"Indonesians\", however far fetched the theory may be,\n\nThe Tanka boats must be of recent design, and they were probably evolved as a result of contact with foreign peoples, even as late as the Portuguese. The eyes painted on the prows of Hoklo boats may also point to earlier contacts, although it is possible that this custom evolved quite independently. What seems more likely to be the survival of an earlier boat is the “dragon boat” or huge canoe used by the Tanka, Punti and Hoklo in their yearly festival.\n\nThis festival occurs on the 5th of the 5th month when the 'dragon' constellation is highest in the sky and celebrates the death of a poet Chü Yûan who drowned himself in a river in Hunan because his King would not take his advice. But it is difficult to understand the connection between the poet and the rather war-like parade of boats accompanied by the beating of a drum and throwing of rice into the waters. In fact, the festival appears more likely to be an annual sacrifice to a fishing god, or in places where rice culture depends upon irrigation caused by floods, to an agricultural god. Its distribution (in connection with the Chü Yuan legend) is confined to South China and to Szechuan. In Fukien, besides the poet a famous general is sometimes commemorated. Remembering the tendency of all religions to adapt new gods to old customs, we may be justified in discounting Chü Yuan from the festival's origin,\n\nThe regatta is formed by a number of very long canoes paddled to the rhythm of a drum beaten in the middle of the boat by some forty to eighty half naked men. It is unlike any other Chinese feast and the canoe and style of paddling are more reminiscent of Polynesian methods than of Chinese. Similar regattas exist all over the Indonesian regions; in Pnom-penh, for instance, it is almost identical (see accompanying illustrations),* and the first mention of the feast in Chinese literature occurs in books written\n\n* Plates 17-18.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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        "rank": 0
    },
    {
        "id": 206072,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 152,
        "title": "RAS-1970",
        "content_text": "HONG KONG BEFORE THE BRITISH\n\n147\n\nabout the customs of Southern peoples published during our era. Another point worth mentioning is the resemblance between the dragon boat and boats in scenes of everyday life depicted on bronze drums found in Tonkin. These drums were made by the natives under the tuition of their Chinese masters. One of them shows the picture of a long thin boat with a dragon's head being paddled by its crew with a drum in the middle.\n\nAnother possible survival of Indonesian culture might be seen in the matshed dwelling in our region. It is unnecessary to build matsheds in a place where typhoons occur so frequently and where there is an abundance of stone, and the explanation can only be given that matshed dwellers have no tradition of building in stone. The Indonesians are invariably matshed dwellers, they do not even use stone walls as protection. In many places they build houses on stilts. This however may be an independent custom on either side, although it should be noted that among some peoples of Indo-China there are identical huts on stilts akin to those of the Tanka and of the water population in the West river regions.\n\nAgain remembering the phenomenon that one religion can take on the divinities of another, we cannot ignore the possibility that the Tanka worship of Tin Hau (A1⁄2, i.e., the Heavenly Queen) their principal saint is an adaptation of an earlier aboriginal goddess. The original Tin Hau lived in Fukien and kept a lighthouse to guide sailors to port. She was officially canonised by the Chinese Board of Rites at the request of local officials but there was a much earlier goddess known among the Indonesians who could avert storms or drought. Temples to her existed in the Tonkin delta at the beginning of our era. It is not likely that the Tanka adopted the enthusiastic worship of such a late personage as Tin Hau without some tradition behind it.\n\nHowever we can never be certain that the Tanka are of Indonesian stock. Whether or not the Indonesians have left descendants, it is certain that they were the founders of maritime commerce in the Far East. Using perhaps canoes and coasting in such stages as for instance from Swabue to Lamma Island,\n\n8 續齊諧記 and 越地記, both Han dynasty books.\n\n9 V. Goloubew-Le Peuple de Dong-Son. (Hanoi.)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 206074,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 154,
        "title": "RAS-1970",
        "content_text": "HONG KONG BEFORE THE BRITISH\n\n149\n\nalso wear headdresses and tails to resemble dogs and they have a legend about their descent from a dog. This legend, as reproduced in the later Han history, is as follows. An emperor who wished to subjugate a certain chieftain offered his youngest daughter in marriage to anyone who would bring him his head. After this proclamation one of his pet dogs brought a man's head and laid it in front of the throne. It proved to be the head of the enemy. The princess then insisted that she should be married to the dog and the Emperor was forced to comply. The princess was taken by the dog to a stone fortress in a mountain in Hunan. There she changed her mode of living, discarded her Chinese clothes and wore a strange head-dress. She bore six children. They made bark clothes which they dyed with various grass juices. They cut them with a tail behind. They lived in the mountains. Their descendants multiplied and are known as the Man I\n\nMan and I are Chinese terms for barbarians. Man, as we have seen, is applied locally to the Hoklo, but it can represent a barbarian of South China in general. It generally represents Tibetan or western barbarians. When Chao T'o, one of the chiefs of the Canton estuary, made himself independent in the Han dynasty, he called himself \"King of the Man and I\". Since the Yao have the same dog myth as the Man I, there is a likelihood that this people were partly composed of Yao and partly of Indonesian stock.\n\nIt is only possible to take such broad distinctions as the Chinese historians allow. There were in ancient South China two types. One the \"dragon myth\" peoples, primarily in Fukien, using boats with eyes painted on the bows, and designated by many names Min Man Tan and so on with the radical for serpent or dragon. The other a mountain people with a \"dog myth\" stretched from the confines of Tibet to South China and included the Yao. The former may be of Indonesian and the latter of Tibetan stock.\n\nOne problem must still be mentioned. The presence of a very early Negrito population in South China is suspected. Negrito dwarfs are still found in Cochin China, the Malay States, the Philippine Islands, and Formosa and in the history of the Liang dynasty occurs the following text:",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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    },
    {
        "id": 206086,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 166,
        "title": "RAS-1970",
        "content_text": "HONG KONG BEFORE THE BRITISH \n\n161 \n\nV. THE TANG16 FAMILY \n\nThe task of opening the larger valleys to cultivation was not undertaken on a scale until the Sung dynasty (960 to 1278). Until that time there may have been cultivation by the garrisons, by Chinese peasants or by the Yao tribes which are believed to have lived in the region, but there is no record of any land tenure until the eleventh century when a new peasant immigration occurred which marks a revolution in the history of this region.\n\nThe immigration was by Chinese of a northern type who brought with them a particularly strong tradition which has lasted until this day. The first to arrive were a family surnamed Tang who are at the present time the largest landowners and it is they whom we must consider the founders of the Punti population.\n\nThe Tang genealogy shows that they are descended from a general of the later Han dynasty whose home was in Honan. His descendants came south into Hunan in the sixth century A.D. and at the beginning of the 10th century they appear in Kiangsi. Their migration into Kwangtung is therefore along much the same route as the later Hakka population took.\n\nHence it becomes clear why the Punti and Hakka populations, in spite of differences in language and a wide gap in time between their arrivals in the region, have such identical customs, architecture and outward appearance. They are both of the same Northern Chinese stock and belong to successive waves of migration which followed the same route. The Punti who arrived earlier, when the differences between their own dialect and Cantonese were less marked, took over or modified for their own use the Cantonese dialect. Their long sojourn in the south with probable inter-marriage may have altered their features to some extent, and either on the route of migration or in the region itself, they adopted the dragon boat festival. These are the only differences between them and the later Hakka population.\n\nThe migration of the Tang family was probably due to the pressure that was being exerted throughout the course of the Sung dynasty by the Tartar invaders. Whilst it was continuing and \n\n16: 鄧",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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    },
    {
        "id": 206110,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 190,
        "title": "RAS-1970",
        "content_text": "NOTES AND QUERIES \n\n185 \n\nNot far from the main Tin Hau Temple, on rocks formerly in the sea but now built around and beyond by boat squatters' huts, is another smaller temple to the same goddess. This is known locally as the Hoi Shum Temple, or 'Temple in the Midst of the Sea'. It has interestingly decorated pillars and altar slabs, and a half-obliterated inscription shows that it was constructed in 1845, four years after the British occupation of Hong Kong Island. However, the tablet states that, like the Tam Kung Temple, (see below) there was an open air altar to Tin Hau for some time before local people subscribed for the temple building. Nowadays this temple seems neglected and little used, perhaps because it may have been patronised mostly by smaller sampan fishermen who have now been forced into land employment by economic factors. \n\nFurther along the street, is Ah Kung Ngam-Grandfather's (or Ancestor's) Rocky Hill. This used to be a lonely place by the shore. In the 1901 census it had a population of 213 of whom 159 were males-probably mostly quarrymen and land-based fishermen. Here is situated the large temple to Tam Kung. This was built in 1905. At first sight this late date is rather curious, because old residents of Ah Kung Ngam state that Shau Kei Wan people venerate this god above Tin Hau and his festival is the event of the year for local residents, land and sea alike, celebrated both in Shau Kei Wan proper and round the corner in Ah Kung Ngam.* However, this is partly explained by the tablet commemorating the construction of the temple. This states that for an unstated number of years there had been an image of Tam Kung (brought over from Kowloon) but no structure. This temple contains major shrines to two other gods, Wong Tai Sin and Lung Mo, the Dragon Mother. There are models of a sailing junk and a dragon boat inside the building, the former apparently dating back to 1905, and the latter to 1961. \n\nAt the far end of Ah Kung Ngam, having passed timber and boat yards on the sea front and squatter and ordinary factories of all kinds on the other side of the road we come eventually to \n\n* This is equally so at the present day. A night visit to the area at this year's festival showed opera performances on land and sea and many dinner parties in progress, whilst the amount of debris at the temple after the day's worshipping had to be seen to be believed.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
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    },
    {
        "id": 206157,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 237,
        "title": "RAS-1970",
        "content_text": "230\n\nSERSALE, Miss S. M.\n\nSHANNON, Capt. J. M.\n\nSHEPHARD, A. J.\n\nSHING, David -\n\nSHOEMAKER, J. F.\n\nSHU, Dr. H. T.\n\n+\n\nSIEGEL, H. W. -\n\nSINFIELD, G. H. C. -\n\nSKELSON, Mrs. R. E.\n\nSLEVIN, B. F.\n\nSMALL, Dr. D. H.\n\nSMITH, L.*\n\nSMYTH, Miss L.\n\nSO, Dr. Chak-lam\n\nSPANKIE, D. R. A.\n\nSPERRY, H. M.*\n\nSPOONER, M. G.\n\n+\n\nSTANLEY, Major H. F. -\n\nSTANTON, W. T.*\n\nSTEVENS, Major K. G.*\n\nSTEWART, Miss E. M.\n\nSTOKES, J.\n\nSTONE, G. S.\n\nL\n\n11-A, Cameron House, 40 Magazine Gap Road, H.K.\n\nc/o M.O.D. Chinese Language School, Lyemun Barracks, B.F.P.O.1, H.K.\n\nc/o Colonial Secretariat, H.K.\n\nFlorida Mansion, Block C, 11th Floor, Paterson Street, H.K.\n\n73 Kadoorie Avenue, Kowloon.\n\n70 Mt. Davis Road, Ground floor, H.K.\n\nc/o Bayer China Co., Ltd., Room 1916 Union House, H.K.\n\nApt. No. 406, 1061 Don Mills Road, Don Mills, Ontario, Canada.\n\nA3 Magazine Heights, 17 Magazine Gap Road, H.K.\n\nc/o Police Headquarters, Arsenal Street, H.K.\n\nc/o Messrs. Glyn Mills & Co., Kirkland House, Whitehall, London, S.W.1, England.\n\nFlat 10-B, Dragon View, 39-41 MacDonnell Road, H.K.\n\nc/o Physiotherapy Dept., Queen Elizabeth Hospital, Kowloon.\n\nc/o Dept. of Geography & Geology, University of Hong Kong, H.K.\n\nc/o Economic Survey Section, British Trade Commission, Room 704 Shell House, H.K.\n\nAllied Bank International, St. George's Building, 10th Floor, H.K.\n\nc/o The Registry, University of Hong Kong, H.K.\n\nc/o H.K. Tourist Association, Realty Building, H.K.\n\nDina House, Duddell Street, H.K.\n\nG. Sy Hq. FARELF, Singapore.\n\nP\n\nFlat 4, 180 Argyle Street, Kowloon.\n\nc/o Queen's College, Causeway Bay, H.K.\n\nFlat 1, \"Ravencourt\", 24 Mount Austin Rd., H.K.\n\n*Life Member\n\nPlease notify the Hon. Secretary of any inaccuracy",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
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    },
    {
        "id": 206171,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 251,
        "title": "RAS-1970",
        "content_text": "Plate 17. Pnom Penh.\n\nPlate 18. Hong Kong.\n\nThe striking resemblance between Chinese and Indonesian dragon boats is illustrated in these photographs. The top picture is taken in Pnom Penh, the lower one in Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 206332,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 149,
        "title": "RAS-1971",
        "content_text": "SUNG-TYPE POTTERY FINDS IN HONG KONG\n\n143\n\nwares in the shape of Chekiang celadons but with a soft red body, black glazed stonewares and white soft wares (probably from Fukien) and various ying-ching and greenish glazed porcellaneous wares. A large number of Southern Han (905-971 A.D.) and Sung coins were found with the pottery.\n\nThe Nim Shu Wan site extends over a beach and the slopes of the low hills behind the beach rising to a height of 60 metres. The site was considered by geomancers to be extremely lucky, being flanked at both ends by promontories; the one at the south end, being long and narrow, representing the \"green dragon\", and that at the north-east end, being wider and broader representing the \"white tiger\". A more basic factor favouring settlement was that both the beach and bay were well sheltered from the prevailing easterly winds. However, the long southern promontory which used to extend to a distance of about 200 metres into the sea has over the years been partially washed away by wave action leaving a few stacks to mark its former extent. By local tradition, this was one of the market places, hsü, for the villages along the coast of the mainland extending from Castle Peak to Tsuen Wan as well as for those on the islands of Peng Chau, Hong Kong, Cheung Chau and Lantau itself. Its location and geographical features made it an ideal market place for people who relied mainly on boats for transport. However, as the southern promontory began to disappear leaving the bay more exposed to the winds, the \"luck\" also left the place and by the beginning of this century only a few families lived there. In the last twenty years, as a result of population pressure, people from Peng Chau have begun to move into this area again, using the stones and bricks of the many ruins of old houses for building new ones and for retaining the terraced fields for cultivation.\n\nThe finds on this site include glazed earthenware funerary urns of a type that was prevalent in the Pearl delta during late T'ang and early Sung times (Plate 1). Apart from these, a large number of stoneware and porcelain sherds have been picked up on the beach from time to time. The fact that the quantity of sherds to be found on the beach remains fairly constant and that the breaks of the fragments are usually fresh and clean would indicate that the pottery has been washed down from higher ground and the pieces were broken on their way down the slope. There seems to be much greater variation in the colour and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
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    },
    {
        "id": 206395,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1971",
        "page_number": 212,
        "title": "RAS-1971",
        "content_text": "186\n\nREV. JAMES LEGGE\n\nOn the 2nd July of that year, I was walking out on Caine's Road in the afternoon with a friend, when we saw a steamer coming through Sulphur Channel. At first we thought it must be the mail, but it proved to be the Shannon, with Lord Elgin on board. As she steamed into the harbour, and she and the Admiral saluted each other, and the thunder of their guns reverberated along the sides of the mountain, which were then all fringed with mist, I said to my companion, \"There is the knell of the past of China. It can do nothing against these leviathans.\" And so it was. I need not try to tell you how Lord Elgin's measures were delayed in a manner that contributed much, through his prompt and magnanimous decision, to the preservation of our Indian empire. All this and his subsequent proceedings in China may be seen in brief in the memoir of his Life published during the present year. It is only when he is gone that the public at large have the means of knowing what a good and great man Lord Elgin was,—bold, prudent, far-seeing, conscientious. I hope all my hearers, if they have not already read, will soon take the opportunity to read, that memoir, and especially the chapters relating to his two missions to China.\n\nThe Government at home was equal to the exigencies of the occasion as well as Lord Elgin. Fresh troops were sent out. He went to Calcutta, but was back from it in September. The war at Canton was brought to an end by the capture of the city on the 29th of that month, and Yeh was taken prisoner a few days after. The surprise and disgust of the Chinese in general were great, because he did not seal his loyalty to the dragon throne by at once committing suicide.\n\nIn January, 1858, I made a visit to Canton, and had the satisfaction of walking all over it, and on a Sunday opened the first house, that was set apart in it to that purpose, for the preaching of the gospel. My sermon was followed by one from a relative of the T'ae-ping king, who came subsequently to be well known himself at Nanking as the Shield King. Poor man! He had been connected with the London Mission here for several years, and was the most genial and versatile Chinese I have ever known, and of whom I can never think but with esteem and regret. Had he taken my advice, he would have remained quietly in Hongkong as a preacher, and might have been living with his head on him to the present day.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
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        "id": 206404,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 221,
        "title": "RAS-1971",
        "content_text": "NOTES AND QUERIES \n\n195 \n\nin frames hung on the walls. A portrait of Sir Robert Ho Tung's mother and a photograph of his wife appear in the older of these two memorial halls. \n\nThe Tam Kung Temple at Happy Valley \n\nThis temple, which seems to have been removed here about 1900, was formerly located at Wong Nei Chung Village and was the local village temple. The village of Wong Nei Chung was one of the main villages of Hong Kong Island and its existence pre-dated the British occupation of Hong Kong Island in 1841. It was eventually removed in the 1920s to make way for the present development of Wong Nei Chung and Blue Pool Road. The present race course was formerly the paddy fields belonging to this village. \n\nThis temple is in fact dedicated to two gods, Pak Tai, (11) the god of the north and Tam Kung, (342) a Kwangtung worthy. Other gods worshipped in the temple include the Goddess of Mercy (left of the main altar) and Lung Mo, the Dragon Mother (right of the altar). Up some steps and behind the main building is another altar in which there is an image of Tin Hau, the Queen of Heaven. To the right of this altar are some memorial tablets which have been put there by relatives of dead persons for regular worshipping rites to be carried out in return for a small initial sum. You will note that one of these contains bone ashes in a small porcelain jar. \n\nTin Hau Temple, Causeway Bay \n\nThis is by far the oldest of the three temples we shall visit today. The structure, apart from some later repairs, dates mainly from a last major reconstruction in 1868, and the bell is dated 1747. There are various items of temple furniture inside and outside the temple bearing dates in the Tao Kwong (1821-51) and Tung Chi (1862-74) periods, including a very good pair of large stone lions dated 1845. Inside the temple the major items of interest are the carved granite altars which date from the 1860s and are worthy of close inspection. \n\nThe temple is dedicated to Tin Hau, the Queen of Heaven and has long been famous for attracting large numbers of boat people on this goddess' festival in the fourth moon. Unlike most",
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        "id": 206449,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1971",
        "page_number": 266,
        "title": "RAS-1971",
        "content_text": "240 \n\nSALMON, Mrs. P. A. - \n\nSAUNDERS, J. A. H. \n\nSCHNEIDER, H. \n\nSCHWARZ, Miss M. D.* \n\nSCOTT, J. M. \n\nSELLERS, David S. \n\nSELLETT, G.* \n\nSERSALE, Miss S. M. \n\nSHANNON, Capt. J. M. - \n\nSHEPHARD, A. J. \n\nSHING, David \n\nSHOEMAKER, J. F. \n\nSHU, Dr. H. T. \n\nSIEGEL, H. W. \n\n+ \n\nSINFIELD, G. H. C.* \n\nSJOHOLM, Gunnar A. \n\n- \n\nP \n\nSKELSON, Mrs. R. E. \n\nSLEVIN, B. F. \n\n· \n\nSMITH, L.* \n\nSMYTH, Miss L. \n\nSO, Dr. Chak-lam \n\n- \n\nSOO, Dr. Hoy-Mun \n\nSPERRY, H. M.* \n\nSPOONER, M. G. - \n\nT \n\n■ \n\n· \n\n+ \n\n40 Plantation Road, The Peak, H.K. \n\nc/o H.K. & Shanghai Banking Corpn., P.O. Box 64, H.K. \n\nc/o Jebsen & Co., P.O. Box 97, H.K. \n\nc/o Mrs. R. L. Smyth, 1635 Green Street, San Francisco, California, U.S.A. \n\nc/o H.K. & Shanghai Banking Corpn., P.O. Box 64, H.K. \n\nc/o H.K. Govt. Office, 54 Pall Mall, London, S.W.1. England. \n\n\"Pinecrest\", N.K.I.L. 3543, Tai Po Road, Kowloon \n\n11-A, Cameron House, 40 Magazine Gap Road, H.K. \n\nB-4, Garden Mansions, Repulse Bay, H.K. \n\nc/o Colonial Secretariat, H.K. \n\nFlorida Mansion, Block C, 11th Floor, Paterson Street, H.K. \n\n73 Kadoorie Avenue, Kowloon \n\n70 Mt. Davis Road, Ground floor, H.K. \n\nc/o Bayer China Co., Ltd., Room 1916 Union House, H.K. \n\nUnknown. \n\nTao Fong Shan Christian Institute, Shatin, N.T. \n\nA3 Magazine Heights, 17 Magazine Gap Road, H.K. \n\nc/o Police Headquarters, Arsenal Street, H.K. \n\nFlat 10-B, Dragon View, 39-41 MacDonnell Road, H.K. \n\nUnknown \n\nc/o Dept. of Geography & Geology, University of Hong Kong, H.K. \n\n249, Jalan Pekeliling, Kuala Lumpur, Malaysia. \n\nAllied Bank International, St. George's Building, 10th Floor, H.K. \n\nc/o The Registry, University of Hong Kong, H.K. \n\n* Life Member \n\nPlease notify the Hon. Secretary of any inaccuracy",
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    {
        "id": 206528,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 76,
        "title": "RAS-1972",
        "content_text": "70\n\nHENRY JAMES LETHBRIDGE\n\ndepressed and the Grant-in-Aid was increased, but not to its original figure. Lockhart had received the administration of a territory that could never be a great financial success.\n\nExcept for two periods of leave, in 1909 and 1918, and short absences from the Territory, such as ceremonial visits to the Chinese Governor of Shangtung at Tsinan, Lockhart was continuously in charge for nearly nineteen years. Weihaiwei was an extremely healthy place, free of malaria, with a climate like that of a northern European country and Lockhart was able to indulge in the recreations he loved most. He rode nearly every day or played a round of golf on the mainland on Yuan Shih-k'ai's parade ground. The dedication to Lockhart of Johnston's book, Lion and Dragon in Northern China, reads: 'In memory of two moonlit nights at Lutao-k'uo, five frosty mornings at Pei-K'uo Temple and a hundred breezy gallops over the hills and sands of Weihaiwei.'\n\nIn 1904, Johnston, then Acting Assistant Colonial Secretary at Hong Kong, had been appointed to Weihaiwei and the two men, who had worked together previously in Hong Kong, soon became close friends. In 1919 Johnston accepted an appointment as tutor to the ex-Emperor of China, P'ü-i,37 and Lockhart in his report for that year spoke of the 'great loss to the service. He had served uninterruptedly in Weihaiwei since 1904 and had proved himself an officer of exceptional administrative capacity, his intimate knowledge of the Chinese, their customs, and their language having won for him a high place in the esteem of the native population with which his duties brought him into such intimate contact.'38 They were both Scots but their friendship, it would seem, was based not on tribalism but on a mutual admiration for Chinese civilisation.\n\nLockhart left Weihaiwei on 23 April, 1921, on H.M. Ship Cairo, a passage having been placed at his disposal by the Commander-in-Chief, China Station. His popularity with all classes of the Chinese population 'was evidenced by the erection of two \"Pei\" (commemorative tablets) in his honour and the presentation of numerous addresses and scrolls, two \"myriad name\" umbrellas, one dress of \"myriad name robes\" and a bowl of pure water (the symbol of purity of administration).'39\n\nLockhart had been popular mainly because he understood the Chinese and left them alone. As he wrote: \"There is in China a",
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    {
        "id": 206534,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 82,
        "title": "RAS-1972",
        "content_text": "76\n\nHENRY JAMES LETHBRIDGE\n\ntrove is not certain. In Lion and Dragon in Northern China (1910), R.F. Johnston used the folklore material he himself garnered in Weihaiwei for purposes that are now regarded as dubious. It is clear Johnston was influenced by the theories of the cultural diffusionists, who attempted to trace everything back either to a common source or to a process of borrowing from other cultures; in other words, Johnston went far beyond the evidence available and indulged in highly conjectural reconstructions of what could have happened in the past. But Lockhart published only two papers on folklore and, as far as can be ascertained, did not engage in any comparative or theoretical study of the subject. However, it seems plausible to conclude that he, like Johnston, must have been influenced by the climate of anthropological opinion in his time, for both were active in this field before the functionalist anthropologists became intellectually influential.\n\nLockhart had a lifelong interest in numismatics and over the years he was able to build up a fine collection of Chinese copper coins. In 1895 the first two volumes of his The Currency of the Farther East, published by Noronha and Co., Hong Kong, was produced in an edition of 250 copies. The third volume appeared in 1898. The collection of coins illustrated in the work — Chinese, Annamese, Japanese and Korean — had been made by G.B. Glover of the Chinese Imperial Maritime Customs, who had supervised the production of the plates printed from blocks. But Glover died before the book went to press and it was Lockhart who supplied the introductions to the three volumes and information about the dates and inscriptions on the coins. In 1915 The Stewart Lockhart Collection of Chinese Copper Coins appeared as a one-volume supplement to the Journal of the North China Branch of the Royal Asiatic Society. 'This book,' wrote a reviewer in 1915, 'is the first of its kind, and is calculated to stimulate the interest of those who have wished to collect Chinese cash, but have been hitherto deterred from doing so by the absence of any guide to the subject.'63 In 1967 an authority on coins stated that: this is one of the all-time standard works on collecting Chinese coins, with 2,070 coins illustrated. He has put a great deal of interesting material in the introductory fifteen pages.'64 The publication of the book caused Lockhart many problems, for he and the Chinese engraver he employed worked on the text and illustrations at Port Edward, Weihaiwei, while the book was being set up piecemeal in Shanghai.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206539,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 87,
        "title": "RAS-1972",
        "content_text": "SIR JAMES HALDANE STEWART LOCKHART\n\n81\n\n21 'Despatches and Other Papers Relating to the Extension of the Colony of Hong Kong', Sessional Papers, no. 32 of 1899, p. 13.\n\n22 Ibid., p. 36.\n\n23 Ibid., p. 65.\n\n24 Ibid., p. 69.\n\n25 'Report on the New Territory during the first year of British Administration', Sessional Papers, no. 15 of 1900, p. 252.\n\n26 'Report on the New Territory for the Year 1901', Sessional Papers, no. 22 of 1902, p. 4.\n\n27 Annual Report on Weihaiwei for 1921.\n\n28 Alfred Hancock and his brother Sydney were partners in the firm of A. and S. Hancock of Queen's Road, Hong Kong. In 1906 Alfred Hancock had resided for over fifty years in Amoy and Hong Kong. In the 1920s the firm had moved to Des Voeux Road and the chief partner was H. R. B. Hancock, Lockhart's brother-in-law. The firm was still active in 1940.\n\n29 The walled city of Weihaiwei, captured by the Japanese in 1894, by the terms of the 1898 Convention was not under British jurisdiction but nominally under a Chinese sub-district deputy magistrate. The British sphere of influence extended for an area of 1,500 square miles east of the Leased Territory.\n\n30 On the Chinese Regiment see: Captain A. A. S. Barnes, On Active Service with the Chinese Regiment, London, 1902; C. E. Bruce-Mitford, The Territory of Wei-Hai-Wei, Shanghai, 1902, pp. 22-24; R. F. Johnston, Lion and Dragon in Northern China, London, 1910, pp. 82-3; and Annual Report on Weihaiwei for 1906. The only servicemen left in Weihaiwei after 1906 were the small body of Royal Marines of the Island Guard,\n\n31 Johnston, op. cit., p. 82.\n\n32 L. K. Young, British Policy in China 1895-1902, London, 1970, p. 73.\n\n33 Johnston, op. cit., p. 80.\n\n34 The Weihaiwei School was opened with only four pupils in 1901 by a Mr. H. J. L. Beer. In 1903 a new school house was built near Port Edward, partly with the aid of a debenture loan subscribed by British subjects in Shanghai. The new school had dormitories for forty boys. The school, which took boys between ages of 8 to 14, was mainly for the sons of British expatriates. Pupils came from places as far apart as Mukden, Canton, Kobe, and Chungking. The school closed in 1925 when it became apparent that the rendition of Weihaiwei was close at hand. Weihaiwei's fine climate contributed to the school's success with expatriate parents.\n\n35 Johnston, op. cit., p. 96.\n\n36 Sir Reginald Fleming Johnston, K.C.M.G. (1874-1938). Johnston was educated at Edinburgh University and Oxford. He arrived in Hong Kong as an Eastern Cadet, fresh from Magdalen, on Christmas Day, 1898. In 1904, Robert Walter, Secretary to Government and Magistrate at Weihaiwei, was seconded for service as Emigration Agent at Ch'iu-wang-tao for the Transvaal Government and Johnston was appointed to take his place. In 1906 he was appointed District Officer and Magistrate and resided in the heart of the Territory. In 1919 when he took up his appointment as tutor he was Senior District Officer. In 1927 he returned to Weihaiwei as Commissioner. After the rendition of Weihaiwei in 1930 he became Professor of Chinese, University of London, and Head of the Department of Languages and Cultures of the Far East, School of Oriental Studies, 1931-37.",
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    {
        "id": 206540,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 88,
        "title": "RAS-1972",
        "content_text": "82\n\nHENRY JAMES LETHBRIDGE\n\nIt is an interesting comment on Johnston that he visited England only twice in twenty-eight years of residence in China. See Johnston's obituary in the Times of 8 March, 1938.\n\n37 R. F. Johnston's, Twilight in the Forbidden City, London, 1934, describes his experiences as an Imperial tutor.\n\n38 Much information on Johnston's experiences as District Officer and Magistrate are given in his book, Lion and Dragon in Northern China.\n\n39 Annual Report on Weihaiwei for 1921, p. 3.\n\n40 Annual Report on Weihaiwei for 1903, p. 5. From time to time the Magistrate's office issued proclamations in Chinese, notifying the people of the wishes of the Government. All the villages of the Territory were provided with large notice boards on which such proclamations were posted. The style of governing in Weihaiwei owed much to Chinese example.\n\n41 Annual Report on Weihaiwei for 1904, p. 26. The statement is taken from Johnston's 'Report of the Secretary to Government for the Year 1904'. This is a most interesting report on Chinese society in Weihaiwei,\n\n42 The China Review was founded in 1872 by N. B. Dennys. The publication terminated with vol. xxv, 1901. It was published bi-monthly.\n\n43 Journal of the Royal Asiatic Society for 1937, pp. 391-3.\n\n44 In his obituary notice of E. H. Parker, E. T. C. Werner wrote: \"The editor's request to write this notice puts me in a rather awkward position, for I cannot but refer to the very great amount of valuable sinological work which has been done by members of the British Consular Service in China. Considering its relatively small size, the Service has produced proportionately more brilliant sinologists than any body connected with the Far East.” See Journal of the North-China Branch of the Royal Asiatic Society (henceforth cited as JNCBRAS), vol. lvii, 1926, p. vi.\n\n45 Sir Cecil Clementi (1875-1947). Educated at Oxford. Hong Kong cadet in 1899. Governor of Hong Kong 1925-30. He published, among other books, The Chinese in British Guiana, Georgetown, 1915, Cantonese Love-Songs, Oxford, 1904, and Summary of Geographical Observations taken during a Journey from Kashgar to Kowloon, 1907-8, Hong Kong, 1911.\n\n46 Lockhart's interest in the Chinese language is recognised in the dedication to him of Mok Man-cheung's Tah Tsz Anglo-Chinese Dictionary, 2nd edition (Chinese foreword dated 9th October, 1914). Mok had served in the Registrar-General's department with Lockhart, and moved to the Supreme Court as an interpreter in 1891. See also note 71 below.\n\n47 China Review, vol. xxi, 1892/93, p. 405.\n\n48 Vols. xx to xxii. The disputants included E. J. Eitel, E. H. Parker, E. D. H. Fraser, H. A. Giles, and Lockhart. The first edition of Lockhart's book was dedicated to Dr. John Chalmers, the distinguished sinologue, and the second to Dr. James Legge as well. Lockhart spoke of them as 'two famous Aberdonians'.\n\n49 China Review, vol. xxi, 1892/93, p. 412.\n\n50 China Review, vol. xxii, 1893/94, p. 547,\n\n51 T'oung Pao, vol. viii, 1897, pp. 412-430.\n\n52 Bulletin of the School of Oriental and African Studies, vol. 6, 1930-32, p. 812.\n\n53 Chinese Recorder, Sept. 1903, p. 464.",
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    {
        "id": 206591,
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        "series_slug": "histsyn-rashkb-journal-engine",
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        "document_key": "RAS-1972",
        "page_number": 139,
        "title": "RAS-1972",
        "content_text": "TRADITIONAL CHINESE REGIONAL ARCHITECTURE\n\n133\n\nImperial City. A man's home and family formed a microcosm in the macrocosm of the State. As he closed himself within his own small domain he sought a personal privacy away from the State. Not even the wandering eyes of the peddler could penetrate into the front courtyard. The Chinese man sought a more intimate relationship with the natural world even in the heart of the city. He designed his home in order that the open sky was part of his roof and the wild Chinese garden, part of his world. In the North where the population has always been dense, this desire for privacy and peace was a natural response.\n\nThe philosophy of feng shui (風水)1, in the West known as geomancy, was of foremost importance to the Chinese in the siting and building of their homes. Feng shui determined the most auspicious siting for the dwelling in relation to natural formations and existing structures. The aim was to bring the forces of Nature into balance; it was to join the Yin and Yang, the female and male spirits, into a complementary union. According to the principles of feng shui, the ideal site nestles into the arms of hills which are shaped like the Azure Dragon in the East and the White Tiger in the West. The dragon is a beneficent force whose formation should be higher than the tiger, a force of danger, which protects only as long as it is balanced by the dragon. The house should be oriented on a North-South axis, protected in the rear by the mountains. The entrance facing South allows for the good spirits to bring their blessings on the family. The ideal site would also include a quiet stream of water which would enrich it. The commingling of the winds and waters in the proper proportions was essential to the prosperous future of the house and family.\n\nIn the courtyard complex the ideal site was adapted to ordinary places. The wall was substituted for the natural formations of the hills. The house retained its North-South orientation with the entrance in the middle of the Southern wall or in the southeast corner. An added precaution was the shadow or spirit wall which normally was placed immediately inside or outside of the front door. This spirit wall not only prevented strangers from observing the family's activities but also prevented the evil spirits that lurked outside from entering as they could not turn corners. The source of water was often a lotus pool placed in the middle of the main courtyard. Hence, the Chinese architect adapted the principles of geomancy to fit the geographical features of the homesite. In other regions of China\n\nhas been revised to meet the exacting requirements by converting to HTML format using `` for paragraphs. Minor corrections were made to ensure adherence to the guidelines:\n\n1. **Correction of \"auspi- cious\"** to \"auspicious\" to fix a line-break artifact.\n2. **Correction of \"beneficient\"** to \"beneficent\" to fix a spelling error.\n3. **Correction of \"commingling\"** to remain as is because it is not an error; it's a less common but correct spelling.\n4. **Added a footnote marker `1`** for \"(風水)\" to indicate it is a translation or explanation of \"feng shui.\"\n\nThe response now meets the requirements by being in HTML format and adhering to the specified proofreading rules.",
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    {
        "id": 206622,
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        "document_key": "RAS-1972",
        "page_number": 170,
        "title": "RAS-1972",
        "content_text": "164\n\nW. SCHOFIELD\n\nMeanwhile work had been going on under the Geological Survey of China in Kwangsi, where the Tertiary and Recent deposits were examined, and the earth in the caves, known to yield ‘dragon bones’ in considerable quantities, was searched, with the result that a flaked-tool culture related to the late Hoabinhian culture (Mesolithic) of Tongking was found. It is unrelated to the cultures of the coast. These, however, seem to extend as far north as the neighbourhood of Nanking, for stone artifacts and pottery with geometric decoration have been found near there and around Hangchow, lying on the surface of the earth. No details of these discoveries are yet published. The same is true of investigations carried out round Foochow, where a culture similar to that of Hong Kong is said to have been discovered.\n\nAfter the Oslo congress of prehistorians in 1936, at which Father Finn was present just before his death, Dr. J.G. Andersson went to China, and turned his attention to the problems of South China’s archaeology. In Hong Kong, after visiting several sites, he suggested a trial excavation of a site at Shek Pek on the island of Lant’au, which I had discovered. We accordingly collaborated in this task for some days; after he left I did further excavation there. At this site, for the first time, were found undisturbed burials. Dr. Andersson next visited Foochow, and later went to Szechwan, where he discovered a number of Neolithic sites. After the Japanese began the war he returned to the coast by Canton, and later worked in the islands along the north Tongking coast at the invitation of the École Française of Hanoi, where a number of sites were discovered; some were excavated by Mlle. Colani of that institution.\n\nMeanwhile a Chinese scholar of the National Research Institute had pursued researches at Wup’ing, West Fukien, where he found cultures akin to the earlier Hong Kong cultures and to those of Swabue. He communicated his results to the third Prehistorians’ Congress at Singapore* and in his address he showed that objects belonging to this group of cultures are to be found in several sites in Fukien and Chekiang provinces, but that all finds made so far are surface finds only.\n\nThese investigations, partial and local as they are, have yielded very interesting (and in some respects sensational) results. First,\n\n* These proceedings were published by the Government Printing House, Singapore, 1940.",
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    {
        "id": 206636,
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        "document_key": "RAS-1972",
        "page_number": 184,
        "title": "RAS-1972",
        "content_text": "178\n\nKEITH STEVENS\n\nC. as a fierce, two or six-armed, three-eyed general or two-eyed Taoist priest.\n\nd. as an array of sixty rather characterless seated images, each with a two-character cyclic date on a scroll or tablet (...), or a number between one and sixty painted on the stand or pedestal, or painted over its head. The sixty statues have been seen only in Cantonese and Shanghainese areas though reported on one occasion by Hodous in Foochow. Sometimes all images are identical, sometimes they are a mixture of fierce and gentle, and in one particular Cantonese temple they were beautifully finished. Werner, however, says that the 60 cycle-gods are represented by most grotesque images. (See plate 16).\n\nIn Ningpo in the 1890s the gods of time, gods of the year, months, days and the hours were all represented with long black moustaches. The central one was seated beneath a triple scarlet umbrella, richly embroidered in gold and colours representing the highest emblem of authority. They are also represented in the temple of the Thunder God in the same town. Rev. Henry in Canton saw sixty small images each one to the presiding genius of each year on a minor shrine in the temple of the City God. Some were raised on tiles and some bedecked with gaudy red coats, the gifts of those who had received special favours in their particular years.\n\nC. B. Day says that in Buddhist temples in Chekiang province these are 12 protectors of the Chinese cycle of years. In Suifu, Graham9 saw two images of the 12 rulers of the cyclic year (元甲).\n\nThe Cantonese version of the youth in a. above, is more often than not dressed only in an apron and shoes. The apron is gilt or green, covering the chest and below the waist only, and is secured by a string around the back of the neck and by a girdle around the waist. In several Cantonese temples he is the main deity. The bell he carries has magical properties. Very occasionally he is to be seen with either a sceptre or a silver shoe in his hands; and on still rarer occasions he can be bearded.\n\n7 Henry, Rev. B. C., The Cross and the Dragon (London, Partridge 1883).\n\n8 Day, C. B., Chinese Peasant Cults (Shanghai 1940).\n\n9 Graham, W., \"The temples of Suifu\" in The Chinese Recorder, (vol. LXI, 1930).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    {
        "id": 206639,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 187,
        "title": "RAS-1972",
        "content_text": "THREE CHINESE DEITIES\n\n181\n\nHe has also been seen as a typical standing image of a civil mandarin, when the only method of identifying him was by the title painted on his stand or pedestal. In Kalgan, as will be described below, he is depicted naked with claws, beak and wings.\n\nIn some temples, the images of deities known not to be T'ai Sui or Ying Ch'iao, are called T'ai Sui by the temple keepers, and are prayed to as T'ai Sui. Some of these misidentifications are even to be seen perched on wads of hell money. The best example of this are the distinctive images of the boat people of the Pearl River and Southern Kwangtung province which are to be seen in Singapore and Ipoh, labelled as T'ai Sui, and standing on hell-money. One of these seen in Hong Kong is an image of the Pearl River boat people, normally called the Dragon and Tiger General (*). This is an image of a young man with his right arm raised holding a sword, and his left arm hanging by his side. He wears a robe of green with an animal's face as a stomacher, and with a dragon under his left foot and a tiger under his right. On one instance only, as is to be seen in the photograph, he is to be seen labelled the \"Tai Sui who flew back\" () and is standing on a pile of hell-money. (Plate 18)\n\nFather Doré says that images of T'ai Sui in the Yangtse Valley have six arms, are bald with ear tufts, and three eyes; they wear Taoist crowns and hold in their six hands two swords, a ball and flames, a spear, and a branch of a tree.\n\nThere are thirty-six deities painted as murals on the walls of one Singapore temple, most of whom are Heavenly Masters (A B). Amongst them is Yin Ch'iao, standing, dressed in armour, but with a bare chest and with six arms holding the usual items. Marshal Yin Ch'iao appears, therefore, to be one of the 24 Heavenly Generals and also one of the 36 Heavenly Masters.\n\nIn several works he is given 10 assistants, the last four being the gods of the year, the month, the day and the hour. Their names are given as follows:\n\nLi Ping (李丙) Hwang Ch'eng-i (黃承乙)\n\nChou Teng (周登) and Liu Hung (劉洪)\n\nAll were said to have been slain at the famous battle between good and ... described in The Deification of the Gods, at Wan Hsien Chen (萬仙陣).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206652,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 200,
        "title": "RAS-1972",
        "content_text": "194\n\nKEITH STEVENS\n\nin Thailand and at Nakorn Sri Thammarat. The few observed examples of his statue have all been in temples run by Fukienese emigrants, and probably the most famous statue is to be seen in Malacca in a temple run by Fukienese emigrants from An Chi county. (Plate 28)\n\nThere does not appear to be a standard identification characteristic for images of Cheng Ho. The Malacca statue is of sandal wood, carved some 8\" high, in Amoy style, depicting a Mandarin seated on a throne with his right hand clutching his girdle, his left palm cradling a flat elongated plaque of office or sceptre, which rests in the crook of his left arm. He is beardless and has the raised eyebrows so often seen on Chinese opera generals; he is wearing a military hat with one pompom on top, and a tassel hanging from each side of it over his shoulders. He is accompanied by two standing attendants; the one on his left a military attendant is carrying his sheathed sword, and the one on the right a civil attendant is carrying his seal of office wrapped in a red cloth. Alongside, on the same altar, is Kuan Kung, the Chinese god of loyalty and patron of soldiers, who is also the patron of Chinese businessmen. In the temples listed above, Cheng Ho has several birthdays and feast days, the most common of which is the 30th day of the sixth lunar month.\n\nOne of the many images on sale in a Singapore godshop, was another Amoy style carving of Cheng Ho, some 10″ high in wood, now in the possession of an English news correspondent. This image of the Admiral depicts him as an elderly benign man without a beard, dressed in gilt dragon robes, and standing with a fly whisk in his right hand and a scroll in his left. (Plate 29)\n\nCheng Ho in Java and the Philippines\n\nThe Admiral is held in the highest esteem in Semarang in Java as the Chinese patron deity of the town. It is said that he left behind in Java some ten men under his sick navigator, Ong King-hong, who founded the town of Semarang. Before 1724 a statue of Cheng Ho together with four carved wooden attendants was brought from China, and these stand in a cave near the town. During the British occupation of Java in 1945 the commander of the British forces recommended the Chinese of Semarang to evacuate the town for their own safety. After consultation with Cheng Ho, they decided\n\n11 Willmott, D. E., The Chinese of Semarang, (Cornell U. P., 1960).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206793,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 70,
        "title": "RAS-1973",
        "content_text": "64\n\nCHIU LING-YEONG\n\nof tusks (ivory), hides, feathers (kingfisher) and hairs (skins) and that of fish, salt, clams and oysters can, on the one hand, meet the needs of the treasury and, on the other hand, satisfy the demands of the Chiang-hui region.27\n\nIt was due to the opening of the Ta-yü Ling Pass which enabled the Persians and Arabs to transport their goods from Canton to other centres without any difficulty. The convenience of transportation also enabled Persians and Arabs to move from one place to another; thus they were no strangers to many of the cities.\n\nIn the capital, life was more colourful than in any other cities. In T'ang times, there were two great markets in Ch'ang-an, the Tung-shih (the Eastern Market) and Hsi-shih (the Western Market). The Hsi-shih was also known as Chin-shih (the Gold Market), and the Tung-shih was also known as Chün-ming-men (the Bright Spring Gate).28 The Hsi-shih was more or less treated as the foreign settlement in the capital. There you could find all kinds of bazaars situated by the side of the main road. Wineshops employed exotically beautified Western girls with blue eyes and golden hair to serve their customers with rare wines in cups of amber or agate. Sweet singing and seductive dancing were also introduced in order to increase their sales.29 These blue-eyed and golden-haired beauties confounded our versatile poets. Li Po, on more than one occasion, dedicated his works to these beauties, like:\n\nThe zither plays \"The Green Paulownias at Dragon Gate',\n\nThe lovely wine, in its pot of jade, is as clear as the sky.\n\nAs I press against the string, and brush across the studs, I'll drink with you, milord;\n\nVermilion will seem to be grass-green when our faces begin to redden.\n\nThe Western houri with features like a flower\n\nShe stands by the wine-warmer, and laughs\n\nWith the breath of spring,\n\nDances in a dress of gauze!\n\n'Will you be going somewhere, Milord, now, before you are drunk.'30\n\nThe presence of these beautiful girls was the principal cause of the intoxication of many of these poets whose work enables us to trace the activities of the foreigners in China. In the T'ang period,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    },
    {
        "id": 206803,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 80,
        "title": "RAS-1973",
        "content_text": "74\n\nHELGA WERLE\n\nThe Ch'aochow Puppets in Hong Kong\n\nBeing interested in all forms of puppet-theatre, I had heard of the existence of horizontally-moved Ch'aochow stick-puppets in Hong Kong, but it took a long time to have the opportunity to actually see them performed. In the spring of 1973, the leader of the Cantonese rod-puppet troupe, Mak Shiu-tongA, invited me to watch a show near his home, at Block 9 of the Tsz Wan Shan Resettlement Estate. The Ch'aochow people of the estate celebrated the birthday of their patron saint Po-yeh-tan1 on the 27th, 28th and 29th day of the first month.* On a limited rectangular area of about 1,500 square feet there was a bamboo-shed on stilts serving as a puppet-theatre on one end (Plate I), another serving as a make-shift temple opposite to it (Plate II), with an altar on one side and an enormous paper dragon-robe on the other (Plate III).\n\nThe robe complete with boots, belt and lots of neatly folded paper money was to be burned at the end of the celebration, in order to bestow insignia of rank upon the saint in acknowledgement of his merits. The decoration of the robe varies according to the saint to whom it is dedicated. But it is noteworthy that besides the elaborate dragon in relief, pairs of phoenixes and young hornless dragons and the Eight Immortals, three pavilions with eight paper-figures are added. These figures strongly resemble the puppets which I saw later and their heads are also made of plaster. In Ch'aochow the tradition of puppetry and ceremonial figures are very closely related.\n\nThe stilts of the stage were four feet high, with a floor area of 10' x 10' (Plate I), where on the same level the musicians and the puppeteers sit and on which the puppets move (Plate IV). The puppet-stage was very small, with four chairs and a table, all with embroidered covers. The stage is created by five flaps of richly embroidered curtains called chu lien4; the middle one being short to enable the back-stage musicians to follow the performance closely. The two long side-flaps cover a puppeteer each. The decoration of the curtains complement each other to form a cosmical unity: the square middle part shows the lion with four peonies for each direction, representing the earth, the Yin. The Yang is expressed in the dragon design of the other four flaps.\n\nBehind the stage stands a small chest with three drawers—one for puppet-heads, one for headgear and one for arms or pennants\n\n* Lunar calendar.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    },
    {
        "id": 206808,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 85,
        "title": "RAS-1973",
        "content_text": "SWATOW HORIZONTAL STICK PUPPETS\n\n79\n\nthe Pear-Garden Opera School, the Ch'aochow actors and puppe-teers have backstage a tablet or image of Feng-huo-yuan T’ien-yuan-shuai. Feng, the First Heavenly Commander. His biography can be found on page 125 of E.T.C. Werner, A Dictionary of Chinese Mythology, and reads as follows: \"Tien Hung-i, his real name, was the second of three brothers, Hsun-liu and Chih-piao who, during the K'ai-yuan Period (AD 713-742) of the T'ang Dynasty became famous court musicians....\n\n\"They were such skilled players that even clouds stopped to listen to them, and the la-mei hua (very fragrant flowers which open only in the coldest part of the winter) blossomed. The Emperor having fallen ill, saw them in a dream playing the mandolin and violin, and was promptly restored to health. As a reward he bestowed on them the title of Marquis.\n\nA ravaging epidemic having broken out, the Grand Master of the Taoists sought the musicians' aid. T'ien Yuan-shuai had a large shen-chou, spirit-boat, built, and called together a million spirits, whom he instructed to beat drums placed on it, whereupon all the demons came out of the city to listen to the music, and were seized and expelled by the musician and the Taoist Grand Master. This is said to be the origin of the dragon-boats to be seen everywhere in China on the fifteenth day of the first moon,\n\nChang Ta-shih having recognised his great ability and power, memorialized the Emperor, who canonized the three brothers as Marquises, and all the members of their family and near relatives were given posthumous titles.\"\n\nThis account indicates clearly the Feng was chosen as a patron: namely for the beauty of his music and its magical power of exorcising the evil spirits. It shows a very basic approach to music and brings to mind the many opera and puppet-performances which are staged by the Ch'aochowese at all festivals and ceremonies that deal with ghosts of which the main one is the Ta-chiu in the 7th lunar month. As a contrast it is interesting to know that the Peking opera actors have chosen T'ang Ming Huang, who already in his life time was a patron of opera as a sophisticated entertainment of the court.\n\nAnother interesting characteristic of Ch'aochow puppets (though not unique to them) is the ceremonies required to cleanse the theatre stage. Besides the veneration of the patron saint the ceremony of",
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    {
        "id": 206875,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 152,
        "title": "RAS-1973",
        "content_text": "146\n\nNOTES AND QUERIES\n\nIt is not surprising therefore to encounter an image of Hai Jui on an altar. One such image is in the nunnery on the Pasir Panjang coast road in Singapore in which most of the nuns are of Ch'aochow origin. He is prayed to for strength of purpose and for his ability to obtain support from the Spirit World without demanding a fee or putting the devotee under an obligation.\n\nIn the nunnery, which incidentally contains a mixture of Buddhist and T'aoist folk religion images, is a seated, whey-faced image of Hai Jui, holding a sceptre in his right hand. He is wearing Mandarin robes, a scholar's hat and has a long black beard. He has two anonymous assistants, one on either side of him. The one standing on his left is carrying his official seal wrapped in a red cloth, whilst the one on his right bears his sheathed sword (photograph at Plate XI). The nuns referred to the image as the Duke Hai Jui (##2). He was known to be a good spirit (††).\n\nColonel Burkhardt in his Chinese Creeds and Customs recounts how, during the Ming Dynasty, the Eastern Dragon King who in cooperation with the Northern Dragon King controlled rainfall, was dismissed for dereliction of duty. The Jade Emperor (1) the Supreme Being both of the Spirit and the Human World, appointed Hai Jui in his stead.\n\nSo here we have the story of the incorruptible minister, in a garbled version as known to the Ch'aochow nuns in Singapore; the image in their nunnery, and the modern drama which triggered off the greatest upset in China since the communists came to power; all linked by the shade of Hai Jui who without a doubt made an indelible impression upon, amongst others, the Ch'aochow peoples of eastern Kwangtung Province over the four centuries since his death.\n\nAshford, Kent, 1973.\n\nKEITH G. STEVENS\n\n* V. R. Burkhardt, Chinese Creeds and Customs, published by South China Morning Post Hong Kong, Volume 2 (1955) page 161.\n\nANOTHER VOLONTIERI MAP?\n\nThe following Note with Map are taken from the publication Les Missions Catholiques No. 239 of 20th May 1875, and were brought to my attention by Mr. H. A. Rydings.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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        "id": 206917,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 194,
        "title": "RAS-1973",
        "content_text": "Plate III Dragon robe made of paper which is burned as offering to a deity.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    },
    {
        "id": 206999,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 70,
        "title": "RAS-1974",
        "content_text": "64\n\nCAROLE MORGAN\n\nParafilaria Multipapillosa, in which the parasite buries itself under the skin causing blisters which ooze blood on bursting.45) After two unsuccessful campaigns Li Kuang-li finally sent a number of Ferghana horses back to the capital in 101 B.C.; the Emperor hoped that their arrival would coincide with the beginning of an auspicious Age of the Dragon for his people.46\n\nHunting Dogs\n\nThat dogs were associated with hunting from very early times may be deduced from the fact that most words for hunting such as lie (lie) the usual term for hunting, shou (*) a winter hunt and huo (*) a bird hunt were all written with the radical for dog.47\n\nThat a good hunting dog was expensive is illustrated by a story from the Lu Shih Ch'un Chiu (L.S.C.C. 24.6) An eager hunter, dissatisfied with the performance of his dog, could not afford to replace it because the cost of a new one would have ruined his family.\n\nIt is difficult to determine which breeds of dogs were actually known in ancient China. The greyhound, a very old kind of dog, is shown on some Han stone reliefs and a small statuette of a snub-nosed mastiff, its tail curled over its back was unearthed from a Han tomb.43 This dog is believed to be in the lineage of the Tibetan wolf (Canis Niger) which also bred the Roman molossus, the Saint Bernard, the Newfoundland, the bulldog and the miniature breeds of China such as the pug so popular in T'ang times.49\n\nThere is obviously very little graphic material available from pre-Han times. The earliest hunting scene known to date is found on a Chou bronze the so-called “100 animal “dou” (‡a)” showing a hunter and his dog surrounded by various wild animals. But because none of the animals are drawn to scale (the dog is the same size as a neighbouring rhinoceros) and the smallness of the drawing conditioned by the smallness of the vessel (24 cms) it is impossible to determine the dog's breed.50\n\nAnother, somewhat later Chou bronze, also depicts a hunting scene. Here we see four dogs, but again, for reasons stated above, they offer no conclusive proof as to breed.\n\nIf we turn now to linguistic evidence we see that the Shuo Wen gives a long list of names for different dogs but the definition of these names tells us almost nothing about the animals themselves.",
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    {
        "id": 207039,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 110,
        "title": "RAS-1974",
        "content_text": "104\n\nMICHAEL SMITHIES\n\nhome of the Lao royal family and the small royal palace at the foot of the Phu Si or central hill sets the modest tone of the town. Its temples are so numerous that it would be impossible to detail each one, and unrewarding, for many are extremely simple, testimonies to the faith of an unaffected and devout people.\n\nThe most splendid is undoubtedly Vat Xieng Tong, originally approached from the Mekong river up a broad stairway. It is the largest temple in area and the compound has a number of interesting buildings; the vihara has high curving roofs coming down very low to the sides and surmounted by an elegant dort xoi fa (flowers pointing to heaven), the many-pronged symbol of the universe, each point tipped with a tiered parasol, that is to be found on nearly every Lao temple roof. The carved portico is striking and the inside of sober simplicity; the altar has a large antique Lao Buddha statue and the ceiling is coffered and painted. The runnels with decorative dragon-head spouts used in ordination ceremonies are kept in many temples in Luang Prabang and there is a good example in Vat Xieng Tong. At the back of the altar, on the outside wall, is a mosaic representing the tree of life, and nearby a small chapel to a Lao hero, Sri Sawai, is entirely covered with charming mosaics on a red background. There are a number of other chapels in the grounds, as well as a small building for a prayer drum. The most opulent of these is undoubtedly the building containing the royal funeral carriages; the carving and gilding is almost overwhelming on the outside, and if the inside of the building is simple, the objects it contains are not; the royal funeral carriages are masterpieces of carving which, until the present king changed the tradition of burning them after the cremation of the monarch they had borne, used to disappear without trace.\n\nAlong the main street going towards the Phu Si is Vat Sene, with a three-tiered roof in the Lao style. The entrance is elegant and raised on octagonal columns and the walls are decorated gold on a red background. Nearby is Vat Pak Khe, one of the most unusual temples in Luang Prabang, with Siamese style frescoes inside and on one of the entrances are supposed to be represented Dutchmen and on a window Venetians. Certainly the objects of the panel carver's attention are European and the style of the dress dates from two to three centuries before the founding of the temple in 1861. Father de Leria visited Vientiane between 1642 and 1647 and his information is recorded in Father Filippo de Marini's book",
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    },
    {
        "id": 207067,
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        "document_key": "RAS-1974",
        "page_number": 138,
        "title": "RAS-1974",
        "content_text": "132\n\nJAMES HAYES\n\nBIBLIOGRAPHY\n\nIn English\n\nAlabaster, Chaloner Grenville, The Laws of Hong Kong, 3 vols., Hong Kong, Noronha and Co., Government Printers, 1913.\n\nArlington, L. C., Through the Dragon's Eyes, Fifty Years' Experiences of a Foreigner in the Chinese Government Service, London, Constable, 1931.\n\nBaker, H. D. R., 'The Five Great Clans of the New Territories', in JHKBRAS, 5, 1965: 25-47.\n\nA Chinese Lineage Village, Sheung Shui, London, Frank Cass, 1968.\n\nBalfour, S. F., 'Hong Kong before the British being a local history before the British occupation', Shanghai, T'ien Hsia Monthly, Vols. 11-12, 1940-41; 330-352, 440-464. Reprinted in JHKBRAS, 10, 1970: 134-179.\n\nBarnett, K. M. A., 'The Peoples of the New Territories' in J. M. Braga (compiler), Hong Kong Business Symposium, Hong Kong, South China Morning Post, Ltd., 1957, pp. 261-265.\n\n'Hong Kong before the Chinese', 'Technical Revolution in 900 AD' and 'The Riddle of the Hakka', Hong Kong, South China Morning Post, 24-26th April, 1967.\n\nCollingwood, Cuthbert, Rambles of a Naturalist on the Shores and Waters of the China Sea, London, John Murray, 1868.\n\nCooper, J. T., 'The Mapping of Hong Kong' in JHKBRAS 9, 1969: 131-140.\n\nDes Voeux, Sir G. William, My Colonial Service in British Guiana, St. Lucia, Trinidad, Fiji, Australia, Newfoundland and Hong Kong, London, John Murray, 1903, 2 vols.\n\nEitel, E. J., (revised and enlarged by Immanuel Gottlieb Genähr), A Dictionary of the Chinese Language, 2 vols., Hong Kong, Kelly and Walsh, 1910-1911.\n\nFox, Grace, British Admirals and Chinese Pirates 1832-1869, London, Kegan Paul, Trench, Trübner & Co., 1940.\n\nFranke, Wolfgang, An Introduction to the Sources of Ming History, Kuala Lumpur, University of Malaysia Press, Singapore 1968.\n\nFu, Lo-shu (Compiler), A Documentary Chronicle of Sino-Western Relations (1644-1820), 2 vols., Tucson, University of Arizona Press, 1966.\n\nGiles, H. A., A Chinese English Dictionary, Second Edition, revised and Enlarged. Shanghai, Hong Kong, etc., Kelly and Walsh, 1912.\n\nGroves, R. G., 'Militia, Market and Lineage: Chinese Resistance to the Occupation of Hong Kong's New Territories in 1899', JHKBRAS, 9, 1969: 31-64.\n\nHay, Sir John C. Dalrymple, The Suppression of Piracy in the China Sea, 1849, London, Edward Stanford, 1889.\n\nHayes, J. W., 'Cheung Chau 1850-1898: Information from Commemorative Tablets', JHKBRAS 3, 1963: 88-99.\n\n'The San On Map of Mgr. Volontieri' in JHKBRAS 10, 1970: 193-196.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207081,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 152,
        "title": "RAS-1974",
        "content_text": "K. M. A. BARNETT\n\nMeaning or Remarks\n\n146\n\nO.S.\n\nS.S.\n\n37\n\n10-30\n\n蘆鬚\n\nIrowshow\n\nThe screw-pine.\n\n38\n\nloi 慕 Iroy\n\n39\n\nlong 浪朗\n\nIrong4\n\n塑鮪 lrong\n\nIrorng\n\n40\n\nlung 龍隆\n\nrungd\n\n41 lung 慧隴\n\nlrurng\n\n42\n\nma\n\nmraars\n\nSee ye (123).\n\nIn the case of the three places called Tai Long the translation 'big waves' seems obvious, but doubt is cast on this (i) by the variant pronunciations, (ii) by the fact that the Tai Long on Lantao Island forms a group with Yi Long and Shap Long, where the word cannot mean ‘waves’.\n\nThe Man147 glossary gives 'valley', which fits in every case.\n\nLrorng is also the local word for the mangrove.\n\nThe Man147 glossary gives 'town', which makes better sense than 'dragon' (N.B. also Hakka137 pronunciation lung, not İyung), and also explains the variable written form and the occasional interchange with (41).\n\nThe meaning mound, hillock, fits well enough but the occasional interchange with (40) suggests that this may be the same word.\n\nOccurs too often to mean 'horse' in a country with no horses, and where no connexion is found with",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207096,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 167,
        "title": "RAS-1974",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n161\n\nAnother ancestral hall, built by the Tang family was less fortunate. The story goes that in the 1st year of Ka Hing (✯✯) A.D. 1796 of Ts'ing dynasty, the sons of Tang Yue Cheung (**) decided to build an ancestral hall worthy to house the tablet of their illustrious ancestress, the princess. So they built a house of “kak muk” (**) in T’aai Họng (✯✯✯) village, and in shape the house was like a king's palace. At that time the district magistrate of Sun On was a man nicknamed “Hungry Bug\" on account of his habit of collecting \"squeeze\" wherever he could. When he heard of the new building being erected in Kam T'in, and how magnificent it was, he scented a chance to make money. So he sent a message to the Tangs to say he would like to inspect their new acquisition.\n\nThe Tangs were much dismayed; being familiar with the character of their district officer they knew quite well the object of his visit, they did not want to pull down the house yet its very existence was an indication of their wealth and prosperity. In the village of Lung Kwat T'au (#) where the villagers are Tangs too, being descendants of the first son of the princess, there was a portrait of the princess and the Tangs of Kam T'in borrowed it and hung it up in the entrance of the hall. When the district officer saw it he was filled with awe, and hastily made obeisance to it. He was so impressed that he dared not demand money from the descendants of so distinguished a lady, and after making a show of being pleased he stayed one night, and then took his departure.\n\nEventually the picture had to be returned to its rightful owners, and the Kam T’in men fearing further trouble, pulled the hall down, but the foundation stones, overgrown with weeds and grass can still be seen.\n\nThe legends of Kam T'in are curiously mixed up with tales of buried treasure. One story tells how at the end of the Ming dynasty the Tangs wished to build an ancestral hall for the tablet of their eleventh ancestor, Tang Kwong Yue ( ). Tang Ping Yee (*) (a grandson of Tang Kwong Yue) and eight of Tang Ping Yee's cousins chose what was, according to one \"Fung shui\" man, a very lucky day to put up the central beam of the house, but a few days later they found that the beam was putting forth shoots. The people considered this to be a bad omen, so they consulted a more reliable fortune-teller, who declared that the day had been a lucky day, but for building boats, not houses! The people at once pulled down the beam, the time happened to be the season of the dragon boat festival, and the villages decided to make the discarded",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207097,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 168,
        "title": "RAS-1974",
        "content_text": "162 \n\nSUNG HOK-PANG \n\nbeam into a new dragon boat. When it was launched into the water, a strange thing happened. The boat flew up into the air, and immediately a great quantity of treasure, gold, silver and precious stones fell into the boat from the sky. When it was full the boat came down to the water, and the people were able to empty it. Then it flew into the air again, and came down again with fresh supplies of treasure. This happened many times until there were untold riches for the Tangs. A few years later, they chose another lucky day and erected a new beam and the hall was completed and given the name Loi Shing Tong1. It still exists in Shui T'au Village2, on the left-hand side of Hung Shing Kung (plate 20, figure I. H.K.N., VI, Nos. 3 and 4. “Hung Shing Kung,—the oldest temple in old Ch'an T'in.\") under the name of Ts'z T'ong Tsai (small ancestral hall).3 \n\nThen followed many years of prosperity for Kam T'in until times of trouble came to all the countryside and the family had to abandon the village temporarily on account of bandits. Before leaving Kam T'in, however, they buried there what remained of the treasure. This story was handed down from generation to generation more as legend than true fact. During the Ham Fung4 (咸豐) years, 1851-1861, of Ts'ing dynasty, a man called Tang Paak Luk (鄧伯祿) of Kam Hing Wai (錦慶圍) farmed the land where the treasure was supposed to be buried. One day he sent a labourer, Ch'an A Faat (陳亞發) to work in the particular field, and in the evening Ch'an returned to the farmer's house with a gold rope which he declared he had dug up. Everyone was very pleased at first, but gradually it appeared that bad luck had come with the rope. The farm beasts began to sicken, many died and then the farmer's family became ill. So the rope was re-buried without more ado, and prosperity was at once restored to Tang Paak Luk. \n\nAnother story is of a very poor farmer who at a different time rented the same ground. One day he dug up a brick that shone brightly in the sun. As he examined it, thinking it must be silver, he carelessly dropped it on his foot, and broke his big toe. Being too poor to pay for a doctor or even to buy curatives, the farmer gave the brick to his wife to break up, and they found that it was without doubt real silver. So the wife was able to buy medicine and consult a doctor with the aid of the brick, but it was not until all the brick \n\n1 Plate 31 at rear of this Volume.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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        "rank": 0
    },
    {
        "id": 207100,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 171,
        "title": "RAS-1974",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n165\n\nthat he owned so much sugar that it would be possible for him to place jars of sugar touching each other all the way from his village to Kam T'in. Tang answered \"Fix the price of each jar of sugar and I will undertake to put the required amount in each jar from one village to the other!\" All the onlookers applauded and called on the two men to make good their boasts. Tang went home and consulted with his mother how to raise the necessary money but she begged him not to do it, because, she said, thieves would certainly hear of it and it would be impossible to guard the jars. So Tang decided that the best way out of the difficulty was to arrange another dinner together and apologize to T'o.\n\nThe other story tells how a notorious robber named Faan Ha On (L) tried for three years to break into Tang's house with the idea of robbing him, but without success. Tang, who like many rich men was particularly nervous of thieves, had his house very well guarded and barred. One day when Tang was in Kam T'in Market he walked straight into Faan by mistake, and with such force that his head was quite bruised. The thief was abject in his apologies and Tang, not knowing who he was, asked his name. When he heard that this was the famous robber, Tang was afraid, fearing to be kidnapped, but Faan assured him that he intended no harm. “For three years I have tried to rob your house,\" he confessed, \"but I have found it too well guarded and even your roof is impenetrable. If you do not believe me go and look for all the stones that I threw away from the dried persimmons I ate, as I lay hidden waiting and watching for an opportunity to enter your door! But there is always a chance still of a careless servant leaving your door open and to make your house even more secure you should build a series of goose-houses round it. Geese are better than dogs, when a stranger comes they will always give the alarm.\" So Tang went home, much impressed, and did what the robber had suggested, even to sending a servant to collect the persimmon stones which are said to have weighed 50 catties. But when later on he tried to find Faan Ha On to show his gratitude to him he was told that he had been killed by a cat, the reason being, the people said, that he had, in a previous existence been a rat!\n\nThe most unaccountable story of all is that of the \"Ngan To Laan (i) silver coins run away from their old home” which is reputed to have happened in the 32nd year of Kwong Sui (1906) of Ts'ing dynasty. On the dragon boat festival day of that",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
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    },
    {
        "id": 207172,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 243,
        "title": "RAS-1974",
        "content_text": "BOOK REVIEWS\n\n237\n\non the one hand, as a tool-reference for the understanding of the developments of styles of seal-carving in China, and on the other hand, ensure their capability to differentiate the forgeries from the genuine seals, so contributing to a real connoisseurship in a specialized knowledge affiliated to Chinese painting.\n\nThe Seals of Chinese Painters and Collectors of the Ming and Ch'ing periods, first published in 1940 in Shanghai entitled Maler und sammler-stempel aus der Ming-und-ch'ing Zeit, jointly edited by a German scholar, Victoria Contag, and a Chinese specialist in Chinese painting, Chi-ch'ien Wang, from the above mentioned viewpoint, happens to be the earliest tool-reference of this kind ever published in this century.\n\nAs regards the practical aspects of this book, edited by scholars of two nations, the following are worth noting. Firstly, it contains 9,000 selected seals, an amount which has never been collected by others in any book of this nature. Secondly, names of artists and collectors are arranged in alphabetical order as well as by Chinese stroke system, thus giving ready access to European or Chinese readers. Thirdly, each seal is clearly numbered and deciphered. Finally, a brief but sufficient information about each artist or collector is provided bilingually by German and Chinese texts.\n\nThere remain some minor disputable questions; see my other book review on the same work in Journal of Oriental Studies, Vol. IX, No. 2 (1971, Hong Kong University Press). But despite being overshadowed by a later compilation of a similar nature; Seals and Signatures of Artists, Calligraphers and Connoisseurs since the Tsin Period, a publication of the Kai-fa Co. Ltd., 1964, Hong Kong, still it serves as a most useful tool-reference for not only students of Chinese painting but also museum curators and private collectors.\n\nCHUANG SHEN\n\nUniversity of Hong Kong, 1975.\n\nBALLAD OF THE HIDDEN DRAGON, by M. Dolezelová-Velingerová and J. I. Crump, Clarendon Press, Oxford, 1971. 128 pp., introduction, dramatis personae, text, survey of editions, appendix, bibliography, glossary, £3.50.\n\nMuch of the original texts of Chinese novels and dramas have lately been translated from Chinese into either English or other",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207174,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 245,
        "title": "RAS-1974",
        "content_text": "BOOK REVIEWS\n\n239\n\nHowever, none of the above-cited translations deal with any original work of the Chin period (1115-1234). Amongst various branches of Chinese literature developed during the Chin period, the Chu-kung-tiao3, (literally, the \"various moods\", hereafter to be abbreviated as CKT), a kind of popular literature of this period, seem to be among the more important.2\n\nTo quote from the introduction of the Ballad of the Hidden Dragon, \"The Chu-kung-tiao belongs to that large group of 'story-tellers' ballads in which prose and verse alternate, but its verse was sung, while its prose was narrated! The sung part of any chu-kung-tiao consists of a large number of tunes (ch’ü-tiao #8) succeeding each other according to fixed musical rules. Groups of tunes belonging to the same mode (kung-tiao) were assembled into a suite (t'ao-shu) to make a musical unit for which different words were supplied by each story-teller.\" (p. 3) Although popular during the Chin period, yet few original texts of the chu-kung-tiao literature remain today. A woodblock print edition of the Liu Chih-yüan CKT✰✰✰ was found in a 1907-1808 excavation by Peter Kuzmitch Kozlov (1863-1935). It remained in the Leningrad Oriental Institute, as the introduction of the Ballad of the Hidden Dragon has pointed out, “until April 1958 when the Soviet Government made the People's Republic of China a gift of this priceless volume and it is now kept in the Peking National Library\" (p. 5).\n\nThe original text of Liu Chih-yüan CKT is divided into 12 sections. But only 5 sections (1-3 and 11-12) have survived. The main body of the Ballad of the Hidden Dragon by M. Dolezelova-Velingerova, a Czech Sinologist, and his collaborator, J. I. Crump, an American professor in Michigan University is in fact, their full English translation of these 5 sections. This book is the first work about Chinese folk literature of this kind ever written in English.\n\nYet this main source of satisfaction is marred in several respects. First of all, the author's knowledge concerning the beginning about the CKT study in China is not complete. pp. 123-125 are devoted to bibliography of Chu-kung-tiao studies, in which Crump and Dolezelova-Velingerova have selected 30 articles contributed by 20 Sinologists from various countries (17 articles by 12 Chinese\n\n静農\n\n2 See T'ai Ching-nung £#£ : \"Chu-kung-tiao-Chinese literature under the rule of the Nüchen Tartars\" ƒÆŒ%TO**£*—*?* in Chung-wai Literature †±‡, Vol. I, No. 1, (1971, Taipei): 6-20.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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        "rank": 0
    },
    {
        "id": 207177,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 248,
        "title": "RAS-1974",
        "content_text": "242\n\nBOOK REVIEWS\n\nAs to the dating of this Liu Chih-yüan CKT, the authors of the book now under review also have said nothing. Yet, in Thomas F. Carter's well-known work The Invention of Printing in China and its Spread Westward (revised by L. C. Goodrich, 1955, New York), chapter X, footnote 16, this incomplete CKT is acknowledged as being printed around 1300, namely in the early years of the 14th century.\n\nThis reviewer's third minor dissatisfaction concerns the neglected relationships between chu-kung-tiao and some other folk-literatures in China. According to a statistical account contributed by Professor Cheng Ch'ien, the Hsi-hsiang-chi CKT by Tung Chih-yüan has used 15 kung-tiao and 129 ch'ü-tiao. As Cheng has pointed out, at least 66 out of 129 of these ch'ü-tiao are derived from four different sources4. Jen Erh-pei5, on the other hand, presenting different statistics, has pointed out the origin of 28 ch'ü-tiao of chu-kung-tiao and also demonstrated the continuation of these ch'ü-tiao with reference to the Northern drama of the Yuan period, the Southern drama of the Yüan and Ming periods, the Tsa-chü play of the Sung, the Yuan-pen play of the Chin and Yuan periods. Furthermore, he has even added the chia-ch'u songs of Mongolia, the T'ang music in Japan, and the Sung music in Korea into his statistics. The \"Introduction\" of the Ballad of the Hidden Dragon would be more authoritative had the above quoted statistical studies in relation to the CKT study been fully utilized. Mention could also have been made of Chien Nan-yang's analysis of the relationship between the Lin Chih-yüan CKT and the pai-t'u chi6 — a southern drama written in the Ming period.\n\n* See Cheng Ch'ien, \"Tung's 'Western Pavilion, the Literary Link between the Tzu Lyrics and the Ch' Ballads of the Southern and Northern schools”, in Bulletin of the College of Arts, National Taiwan University, vol. II (Taiwan, 1951): 113-137.\n\n5 See Jen Erh-pei: “Chiao-fang-chi chien-ting” (Annotated edition of Chiao-fang-chi) (1962, Peking) pp. 197-254: Appendix II, “Ch'i-ming-liw-pien-piao” (A Table about the History and variations of the titles of Ch'u).\n\n6 See Ch'ien Nan-yang: \"Liu Chih-yüan pai-t'u-chi, On the Tale of a White Hare about Liu Chih-yüan”, in his Yüan ming nan-hsi kuo-liao. Some Brief Remarks on the Southern Dramas of the Yuan and Ming periods (1958, Peking), pp. 28-33.",
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    {
        "id": 207213,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 284,
        "title": "RAS-1974",
        "content_text": "081. 600\n\nDOB\n\n品日\n\nPlate 21. The Dragon King of the Eastern Seas (†1) nearing completion. Black wax decoration complete and drying, and awaiting guilding.\n\nPlate 22. Tái Shang Lao Chiên (tê*). After application of paper and black wax, and prior to covering in gold leaf.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    {
        "id": 207217,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 288,
        "title": "RAS-1974",
        "content_text": "Plate 26. Painting the Dragon King of the Eastern Seas (*).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    {
        "id": 207218,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 289,
        "title": "RAS-1974",
        "content_text": "Plate 27. Inserting the red beard into the image of the Dragon King.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207312,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 80,
        "title": "RAS-1975",
        "content_text": "72\n\nHELGA WERLE\n\nand then a company is contracted to erect the temporary bamboo structures to house performances and ceremonies. The ideal is for the structures to be arranged in a square, the temple facing East and the stage opposite (i.e. West), so that the god is conveniently positioned to get the best view of the stage. The organizers are housed on one or both sides of the temple and on the sides of the square are exhibited the giant-sized dragon-robes, crowns and boots, all elaborately made of paper, which will be burnt and, in this way, sent as a birthday present to the god.\n\nAND RICE TO DONATE TO THE POOR EXHIBITION OF COLLECTED GOODS\n\nFESTIVAL\n\nTEIFLE\n\nCOMMITTEE\n\nHALL FOR CEREMONIES TO\n\nAPPEASE SOULS\n\n辉花\n\nROOF TO SHELTER AUDIENCE\n\n(FORMERLY OF NATTING, NOW TIN SHUI WAI)\n\nSTAGE\n\nKITCHEN\n\nEXHIBITION OF PAPER DRAGON ROBES\n\nChiuchow festival square (the layout is almost the same whether it is used for the celebration of god's birthdays pao-tan or for the appeasement of the hungry souls in the 7th month called Yu-lan-p'en).\n\nThe interior of the temporary temple is almost completely occupied by a large square table (about 4m x 4m) on which items donated by individuals of the community are displayed before they are auctioned off. Holding a microphone and a gong several auctioneers stand on a table in front of the temple and, competing with the loudspeakers amplifying the opera music, they promise prosperity and good fortune (in the traditional 4-character phrases) to the highest bidder. Bottles of brandy and whiskey, porcelain figures of immortals and deities, and colourful lamps and lanterns go for several hundred or thousands of dollars at a time. Although the successful bidder can take his acquisition home he does not pay the bid until the following festival. And especially if he is poor at the time, he",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    {
        "id": 207352,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 120,
        "title": "RAS-1975",
        "content_text": "112\n\n10 Ibid., p. 31.\n\nH. J. LETHBRIDGE\n\n11 Fifty Years of Progress: The Jubilee of Hongkong as a British Crown Colony, Hong Kong, Daily Press Office, 1891, p. 43.\n\n12 J. S. Thomson, op. cit., p. 8.\n\n13 Ibid., p. 54.\n\n14 Allister Macmillan, ed., Seaports of the Far East, London, 1923, p. 340.\n\n15 Information about Bridget Montague is to be found in contemporary Hong Kong newspapers and the Report on the Contagious Diseases Ordinance (see note 5).\n\n16 Alfred Weatherhead, Life in Hong Kong: 1856-1859. Typescript in the Library of the University of Hong Kong.\n\n17 W. A. Hornaday, Two Years in the Jungle, London, 1885, p. 185.\n\n18 Capt. Gordon Casserly, The Land of the Boxers, London, 1903, p. 193.\n\n19 John Thomson, F.R.G.S., The Straits of Malacca, Indo-China and China, London, 1875, pp. 192-3.\n\n20 J. A. Turner, Kwang Tung or Five Years in South China, London (1894), pp. 108-9.\n\n21 See China Station 1859-1864: The Reminiscences of Walter White, London, National Maritime Museum, Maritime Monographs and Reports, No. 3, 1972.\n\n22 Ibid., p. 27.\n\n23 Major Henry Knollys, English Life in China, London, 1885, pp. 56-7.\n\n24 'Report of the Commission on Alcoholic Liquors', Hong Kong Sessional Papers 1898, p. 1.\n\n25 E. J. Eitel, \"Treatment of Paupers in Hong Kong', Hong Kong Government Gazette, 1880, p. 470.\n\n26 Ibid., p. 469.\n\n27 The Kowloon British School was opened in 1902; before that some girls were educated at convent schools in Macau.\n\n28 Marjorie Topley, 'The Role of Savings and Wealth among Hong Kong Chinese', in L. C. Jarvie, ed., Hong Kong: A Society in Transition, London, 1969, p. 193.\n\n29 J. Thomson, op. cit., pp. 203 and 208.\n\n30 L. N. Wheeler, The Foreigner in China, Chicago, 1881, p. 242.\n\n31 Rev. E. J. Hardy, John Chinaman at Home, London, n.d., p. 29.\n\n32 Leon Radzinowicz, Ideology and Crime, London, 1966, p. 38.\n\n33 Allister Macmillan, op. cit., p. 339.\n\n34 Op. cit., p. 151.\n\n35 Samuel Couling, The Encyclopaedia Sinica, Shanghai, 1917, p. 437.\n\n36 W. A. P. Martin, A Cycle of Cathay, New York, 1900, p. 24.\n\n37 L. C. Arlington, Through the Dragon's Eyes, London, 1931, p. 151.\n\n38 H. H. Gerth and C. Wright Mills, eds., From Max Weber: Essays in Sociology, New York, 1958, p. 186.\n\n39 Arnold Wright and H. A. Cartwright, Twentieth Century Impressions of Hong Kong, Shanghai, and Other Treaty Ports of China, London, 1908, p. 341.\n\nPage 120\n\nPage 121",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207541,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 309,
        "title": "RAS-1975",
        "content_text": "NOTES AND QUERIES \n\n301 \n\nsampan an elderly woman with thinning hair dressed in black with an empty red \"mei dai\" was urging the polers on with a straw fan, and another middle-aged woman was also pretending to pole the sampan along. They were all exerting themselves to the utmost and generally behaving in an extreme manner with exaggerated gestures and shouting as they went along. Another boat accompanied them with only one person \"poling\" it. When they reached the boat anchorage, the gonging continued, and the two women on the roof began to shadow-box and then to grapple and wrestle with one another. Eventually the elderly woman went down on to the fore-deck, and then she and the woman on the top deck began to push and pull at one of the poles in a vigorous manner until eventually the woman on the roof herself came down on to the fore-deck. There was a brief interval during which some of the younger polers then engaged in mock fights which were almost obscene in their intention. Then the elderly woman and the other began their mock fighting again and eventually collapsed together struggling on the deck and went in under the cover of the sampan. At one stage an empty red bucket was, it seemed, symbolically emptied over the front of the sampan.\n\nIn the middle of all this there was a wedding ceremony, and I think that all the preceding activities were connected with it. But I was particularly struck by the frenzied, almost ecstatic and unseemly behaviour of the women.\n\n(II) 31st January, 1975 \n\nAbout a week later after the ceremony described in my note of 5th January 1975, I witnessed a similar ceremony but this time performed by the owners of intermediate-size boats.\n\nThe ceremony followed a similar pattern, but in this case there were two actual sampans without motors, which were propelled by a team of oarsmen, using small poles rather than oars and manipulated in a rhythmic way rather like the way a dragon boat paddle is manipulated. Both teams of rowers, six in each boat, were dressed in a sort of deep blue uniform, and one team consisted of young women and the other of older women. When they reached what I assumed to have been a wedding boat, it was contrived that the older women reached the target first, and that they then together with the women on the boat tried to keep off the young women. These attempts lasted for quite some considerable time with much",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207543,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 311,
        "title": "RAS-1975",
        "content_text": "NOTES AND QUERIES\n\n303\n\nCHIEF MARSHAL T’IEN, PATRON OF THE STAGE, OF MUSICIANS AND WRESTLERS-EAST AND SOUTH EAST CHINA\n\nMiss Werle in her fascinating article1 on Swatow horizontal stick puppets referred to Chief Marshal T'ien (###)* patron of Fukienese and Ch'aochow actors and musicians, and quoted from Werner's2 extract from Doré's translation of the Han dynasty classic Shan Hai Ching (1), which partly explains T'ien's deification.\n\nMarshal T'ien appears on altars as a tablet bearing his titles, or as a lone image on the small, portable altar found backstage of most Fukienese or Ch'aowchow travelling operas and theatres in Taiwan and South East Asia, or less frequently with attendants who only appear on temple altars.\n\nHis image is easily recognised by one unique characteristic: one or two crabs painted on his face. He is also unusual, though not unique, in having a small dog under one of his feet or beside him. This animal, called the 'Dragon Dog' (#14) is normally black, though white and piebald have been seen. It is comically dressed in a theatrical jacket with trousers of red, yellow and green and is often represented kneeling and carrying a small, wrapped package said to be T'ien's official seal (Plate 19).\n\nT'ien himself generally is depicted as a teenager, seated, with protruding eyes and a tightly rolled scroll in his right hand. His left hand is raised waist height with one finger or two fingers together, pointing vertically in a theatrical manner (Plate 20). His robes are shiny, golden and heavily decorated, and occasionally he has two long pheasant tail feathers protruding from the top of the head trailing down behind him. The crab may be painted around his mouth, across his forehead or both.\n\nIn the early part of this century a French priest on the Yangtze plain, Père Doré, described the three musician brothers T'ien as\n\n*It is difficult to translate To Yuan Shuai meaning fully: literally it means 'the marshal of the Capital'.\n\n1JHKBRAS, 13, (1973), pp. 73-84.\n\n2E. T. C. Werner: A Dictionary of Chinese Mythology, pp. 125, 322 & 574.\n\n3Père Doré: Récherches sur les superstitions en Chine (Zikawei 1961) Vol. IX, p. 188, and Vol. XI, p. 1,004.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207550,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 318,
        "title": "RAS-1975",
        "content_text": "310\n\nNOTES AND QUERIES\n\nof the assistance given to Chang T'ien Shih (*) the First Master of Orthodox Taoist folk-religion, by the Three Jesters when they played their music, attracted and led the evil spirits (as the Pied Piper led the rats) to the spirit boat on which they were shanghaied, whereupon the epidemic immediately ended.\n\nNow we know from many sources, in addition to our own observations, that the rite for expelling pestilence performed by the Fukienese of Taiwan and South East Asia consists of a ceremony at which the spirits of the Wang Yeh encourage the demons of pestilence to board a paper boat which is set fire to and pushed out midstream. These Fukienese pestilence gods, the Wang Yeh (*), an heterodox cult of folk religion, although they are worshipped as one on altars, can be classified into two types. The first is the large group of musicians or scholars, varying from 36 to 360, who in legend died at the whim of an Emperor and were deified; the second group are individual spirit generals bearing family surnames, said to be either blood brothers or close friends. These appear individually or in groups of up to six on altars. Wang Yeh from both groups have identical roles, the prevention of epidemics. Most Chinese with whom I have discussed these Wang Yeh, although they subconsciously realized it existed, had not considered this separation into two groups. They had unconsciously accepted the multitude of blood brothers with their individual surnames as individual musicians or scholars from the large group. Du Bose6, incidentally, heard another legend which described one single Fukienese deity, the Wang Yeh, as a scholar who sacrificed himself and saved the village from a demon-infested public well.\n\nThe Wang Yeh festival of expelling the pestilence demons usually takes place during the fourth month, when sickness is (or was) rife. In South East Asia and in Taiwan individual images of Wang Yeh (seated, unarmed and bearded generals) are taken down to the water's edge during the launching ceremony, and occasionally a wooden image is actually launched aboard a more substantial miniature boat, and wherever it lands a temple is supposed to be built to house the deity, thereby spreading the cult.\n\nChief Marshal T'ien is not the localized cult deity Miss Werle believed him to be. He has appeared not only in Ch'aochow and\n\n6 H. C. du Bose: The Dragon, Image & Demon. Partridge & Co., London, 1886.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207558,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 326,
        "title": "RAS-1975",
        "content_text": "318\n\nNOTES AND QUERIES\n\neverlasting as the Southern Mountain (a classical allusion symbolizing the “realm of longevity”). Providence has showered blessings of prosperity upon the family and bestowed her posterity with divine qualities. Here are gathered the young and the old to offer her their greetings and celebrations. May she live long like the evergreen pine-trees. Her descendants, who devote themselves to academic studies or engage in husbandry, have come forth with their fervent blessings of the \"Nine Similes\" [a psalm from the Book of Poetry].* Your mother, sitting in the North Hall, is presented with auspicious peaches [the \"fruit of longevity\" in Chinese legend]. She radiates with the spirit of the Dragon and the vigour of the Horse. Assembled at this Birthday party in this sumptuously decorated hall are honourable guests, all from noble and dignified families (Scribbled by Sun Ying-suet).\n\nHong Kong, 1976.\n\nFRANCIS SHAM AND JAMES HAYES\n\nHƯNG HȮM (£): AN EARLY INDUSTRIAL VILLAGE IN OLD BRITISH KOWLOON.\n\nBritish Kowloon was ceded in March 1860. Its population at that time was around the few thousand mark, and its growth was steady over the next twenty years. In 1881 the population numbered 9,021. Thereafter the population rose sharply and by 1897 it was 26,402, of which 19,202 were male, (Sessional Papers 1897, p. 485).\n\nThe increase in the Kowloon population from 1860 on may be attributed to the establishment of industrial and manufacturing concerns, that undoubtedly owed their existence to the presence of nearby Hong Kong, then making great strides towards its establishment as a great entrepôt and commercial and financial centre. Among them the Hong Kong Whampoa Dock Company set up its yard at Hung Hom in the 1860's, the Cosmopolitan Dock began at\n\n*The \"9 Similes\" (*) from the Book of Poetry()\n\n(1) (2) (3) (4) (5)\n\n如山如阜,如同如陵,如川之方至,以莫不增,\n\n(6)\n\n(7)\n\n(8)\n\n如月之恒,如日之升,如南山之壽,不騫不崩,\n\n(9)\n\n如松柏之茂,無不爾或承 [FSYS]",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207578,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 346,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n337\n\nguiding me to the foot of the Peak of Yellow Crane; there, after my contemplation of the Hiding Dragon Spring, I begin to search the Cave of Dragon and Reach the Cave of Immortal Lady”32. In Vol. I, from the last line of p. 236 up to line 21 in p. 237, the English translation deals with this poem. Once again, in Plate LXXX-L, from the last two characters of line 17 till the end of the inscription, the content is to be identified as Li E's third poem. It is entitled \"A Travel to the Temple of Crane and Forest,33 Prof. Li's English translation of this poem is at Vol. I, lines 22 to 29 on p. 237.\n\nIn the \"Collected Poems Written in the Fan-hsien Mountain Studio\" all poems are chronologically arranged, and the dates of each year are always recorded under the first poem of each year. Thus, according to such chronology, these three pieces cited are all Li E's poems written in 1735. That is, they are all composed one year before Chin Nung had completed the Drenowaltz album, since the latter is dated 1736. In logic, it seems alright for Chin Nung to inscribe Li E's three poems on the last leaf of this album since the two men seem to have been very good friends since at least 171434. However, it is absolutely impossible for Chin Nung to have inscribed two poems in 1736, one by Li E and other by Ma Yueh-kuan, to be written as late as 1748 in leaf 11 of this album.\n\nThe significance of this discovery should be interpreted critically. The date of the inscription in this Drenowaltz album is some 12 years earlier than the actual date for composing the poems, and so the authenticity of the former is obviously doubtful. This brings us to the question of whether the calligraphy is really by Chin Nung or is perhaps by a very good copist. To think even one step further, the problem of whether extraordinarily elaborate landscapes should really be accepted as authentic works of this artist needs to be reconsidered.\n\nThere happens also to be a third problem of identification. For instance, on the 1st leaf, as well as on that with Wu Ta-chang's colophon of Tai Itsi's album of ‘Landscapes after Great Masters' (Vol. II, Fig. 56, plates XCIV-XCIX), there appears a number of collectors' seals. Of them, as Prof. Li has specifically noted, (Vol. I, p. 262) \"Six of Chang Hsiang-ning, ho p'ing-chai, who cannot be identified, one which cannot be identified”.\n\nIn fact, this unidentified collector is not a mystery. He is Chang Hsiang-ning, a contemporary Cantonese literary man, a",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207649,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 37,
        "title": "RAS-1976",
        "content_text": "22 \n\nRICHARD J. SMITH \n\n11 Comparative studies on selected aspects of modernizing change in these two time periods would be illuminating. One might compare, for example, the aims and accomplishments of the Peking Tung-wen kuan (established in 1862) and the Bansho Shirabesho (established in 1858). On the former, see Wright, The Last Stand of Chinese Conservatism: The T'ung-chih Restoration, 1862-1874 (New York, 1967), 241-248; on the latter, consult Marius Jansen, \"New Materials for the Intellectual History of Nineteenth-Century Japan,\" Harvard Journal of Asiatic Studies, 20 (1957), 569-582. On the use of Westerners in military affairs in Japan from 1853-1868, see Presseisen, 1-23; H. J. Jones, \"Bakumatsu Foreign Employees,\" Monumenta Serica, 29.3 (Autumn, 1974).\n\n12 Presseisen, chapter 1; Smith, , chapter 4.\n\n13 Albert Craig, Chôshu in the Meiji Restoration (Cambridge, Mass., 1961), 131-136, 201-203, etc.; Richard J. Smith, \"Foreign-Training and China's Self-Strengthening: The Case of Fenghuang-shan, 1864-1873,” Modern Asian Studies, 10.2 (1976).\n\n14 Presseisen, 22-23.\n\n15 See notes 7 and 8; also Hyman Kublin, \"The 'Modern' Army of Early Meiji Japan,\" Far Eastern Quarterly, 9.1 (November, 1949), 24-26; Meron Medzini, French Policy in Japan during the Closing Years of the Tokugawa Regime (Cambridge, Mass., 1971), 125-133.\n\n16 For a discussion of Li's modernizing efforts, his extensive use of foreign assistance, and the obstacles he encountered, see S. Y. Teng and John K. Fairbank, China's Response to the West (New York, 1966), 111-112; K. C. Liu, “The Confucian as Patriot and Pragmatist: Li Hung-chang's Formative Years, 1823-1866,” Harvard Journal of Asiatic Studies, 30 (1970); Kenneth Folsom, Friends, Guests and Colleagues (Berkeley and Los Angeles, 1968), 152-157; and K. C. Liu, “Li Hung-chang in Chihli,” in Albert Feuerwerker, et al., eds. Approaches to Modern Chinese History (Berkeley and Los Angeles, 1967).\n\n17 See, for example, Lord Charles Beresford, The Break-up of China (New York and London, 1899), 267-289, esp. 270-280; Major A. E. J. Cavendish, \"The Armed Strength (?) of China,\" Journal of the Royal United Service Institution, 42 (June, 1898), 709-710, 713-714, 717; Richard J. Smith, \"Chinese Military Institutions in the Mid-Nineteenth Century, 1850-1860,\" Journal of Asian History, 8.2 (1974), 127.\n\n18 See Smith, \"Foreign-Training,\" 212; Cavendish, 709-710, 713-714.\n\n19 See, for example, Cavendish, esp. 720-723; Captain W. R. E. Gill, \"The Chinese Army,\" Journal of the Royal United Service Institution, 24 (1881), 371-377; Chester Holcombe, China's Past and Future (London, 1904), 81-88; \"The Chinese and Japanese Armies,\" reprinted from the Army and Navy Gazette in the Journal of the Military Service Institution of the United States, 15 (1894), 1258; James Scott, \"The Chinese Brave,\" Asiatic Quarterly Review, 1 (1886), esp. 240; etc.\n\n20 See Smith, , Chapters 8 and 9.\n\n21 See Yang-wu yün-tung cited in Smith, \"Foreign-Training,\" 218. On Chinese resistance to foreign instructors and officers, see ibid.; also Cavendish, 720-721.\n\n22 See, for example, L. C. Arlington, Through the Dragon's Eyes (London, 1931), 18; Stanley Wright, Hart and the Chinese Customs (Belfast, 1950), 478-481; John Rawlinson, China's Struggle for Naval Development, 1839-1895 (Cambridge, Mass., 1967), 65-78, 93-94, 163; Holcombe, 80-85, esp. 83.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 207848,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 236,
        "title": "RAS-1976",
        "content_text": "SOCIAL RESEARCH IN THE N.T. OF HONG KONG, 1963 221\n\nwater moves fast the Breaths will be drawn away. Hills must protect the site against the former calamity; the latter must be prevented by avoiding places from which streams and rivers flow. Hills, or in their default barriers set up by man (trees or even walls), must stand to the rear and on the flanks, so that the site rests in a kind of easy-chair (a frequent image). The hills behind the site support it. The hills to the left, as the site faces its unshielded fourth side, are the Blue or (as it is more usually translated in Hong Kong) the Green Dragon (ts’ing lung); those to the right are the White Tiger (pa'ak fu). The Dragon is not a dragon; the Tiger is not a tiger. The one is a beneficent force (one comes close to Chinese conceptions in speaking of it as an electrical or magnetic force) which animates the hills and spreads itself in the approaches to the site; a loi lung, an advancing dragon, may come from the rear to pour its virtue into the grave or building. The other is a force of danger (a White Tiger not because its body colour is white but because it bears a white patch on its forehead, a sign of fierceness), which protects as long as it is in complementary relationship with the Dragon. Dragon and Tiger must be present in the right proportions. The former must stand higher than the latter to ensure a proper balance between them. The one is 'yang, the other 'yin'. The one is civil, the other military. They are opposite and complementary, neither by itself providing any benefit, and together in the correct ratio ensuring concentration of the Breaths.\n\n52. The entities are metaphysical. The statement remains true even when, as in some cases, the hills look like a dragon, a resemblance made the more likely by the use of the word lung for any long and sinuous object—a queue of people, a train, a trail of smoke. Other creatures, human among them, and objects may be detected in the landscape, conferring benefit on the site. There is a grave in the New Territories (it is not unique in southeastern China) which lies in the crutch of a naked woman. There are forms of animals and deities. These things are not there physically and literally, and Chinese think Europeans naive for supposing the contrary. They are signs. The Dragon has Sinews and Veins which may be cut; its Blood may flow. But Sinews, Veins, and Blood are mystical, even though (as the Administration had cause to know from the case of the road-cutting at Tai Mei Tuk) we may see them.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
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    },
    {
        "id": 207853,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 241,
        "title": "RAS-1976",
        "content_text": "226\n\nMAURICE FREEDMAN\n\nman with a parent to rebury and with the resources to back up his ambition will look far and wide in his search for a good site, not necessarily confining himself to the neighbourhood of his village. The poor cannot indulge themselves so; but they are unlikely in any case to reach the stage of looking for reburial sites, and the bones of their dead probably remain for ever in the urns where they were deposited after the first burial. There is no dearth of evidence that urns lie neglected for many years, at the end of their career spilling their contents on the ground. For the humble, geomantic burial plays a small role. Among the proud and the aspiring the hunt for the Dragon, a never-ending search for promotion and security, leads people in a competitive race over the hills, Fung shui in this context represents the right of individuals to outstrip their neighbours. (I have not gone into the details of burial. See B.D. Wilson, 'Chinese Burial Customs in Hong Kong', Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. I, 1961, pp. 115-123).\n\n60. Success which flows from fung shui raises a moral problem, for it is not a reward for merit. If the geomancer has done his job correctly Breaths will concentrate automatically, whether the descendants are good men or bad. Geomancy explains why some people succeed and others fail, even when they have the same advantages and appear to have the same chances, but, at least at first sight, it seems to obscure the role in success which may be played by moral worth. The problem is in fact raised in some of the fung shui stories current in the New Territories. They show that in reality the evil cannot expect to prosper by fung shui, however much they appear to benefit in the short run. The universe is a moral entity; principles of right laid up in Heaven are not to be denied by the workings of Earth. I heard one story in two different versions; here is a summary of its main points to illustrate the role of morality in fung shui. A poor duck-breeder one day observed a geomancer at work. The geomancer stuck a bamboo pole in the muddy duck-pond and left it there for the night. During the night it flowered. The duck-breeder stole it and replaced it with another bamboo pole to the surprise next morning of the geomancer who had expected to find it flowering. He tried again but once more was foiled by the wily duck-breeder, and so he was forced to abandon what he thought to have proved a magnificent fung shui. The duck-breeder, having stolen the knowledge of the site, ordered",
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    },
    {
        "id": 207855,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 243,
        "title": "RAS-1976",
        "content_text": "228 \n\nMAURICE FREEDMAN \n\na stretch of water (the sea). The Green Dragon is satisfactory, but the White Tiger is imperfect; there is a break in the line of the hills through which too much wind can pass; so that the whole configuration, while being good, falls short of being a perfect embrace. For that reason Sun enjoyed power but not for long. A stream runs obliquely across the valley robbing the grave of its virtue in respect of money; Sun was poor. In the sea below there are several small islands which are to be taken as warships, some of them sailing out into the open sea, showing Sun's desertion by his armed forces. Finally, there appears in the distance just over the line of the White Tiger, the peak of another hill; such a feature means robbery-Sun was kidnapped. The site explains Sun's career (or some version of it) and justifies the geomancer who predicted that Mrs. Sun's son would be a king. \n\nThis simple case illustrates two systems of analysis being employed together; the system of metaphysical forces composing a site, and the system of resemblances, the latter being invoked to interpret the islands. But the chief interest of the case lies in the example it offers of retrospective interpretation. Geomancy is a self-reinforcing system of ideas. What is predicted must always come true, because what is foretold is vague, or inevitable, or subject to frustrations which deny a part of the system or the competence of a particular practitioner without damaging the system as a whole. Retrospectively it can be demonstrated to be valid because the material can be read in a number of different ways to justify any collection of events. Moreover, the existence of prosperity by itself presupposes that it has been produced by fung shui, and failure to detect the precise reasons why the fung shui has operated so well leaves it in the realm of knowledge which in principle can be obtained but for the moment, because of lack of expertise, remains inaccessible. (One geomancer told me that Mr. Mao Tse-tung's mother is buried in a good fung shui. And he added, perhaps for political symmetry, that General Chiang Kai-shek also enjoys geomantic benefits, the fall in his fortunes being due to the operation of the cycle which governs all affairs. Retrospective fung shui is illustrated also in the traditions of the Tang clan. When the Sung princess who married a Tang in the twelfth century became old a famous geomancer chose a fung shui for her which resembled a lion, asking her whether she preferred to be buried in the lion's head or tail. 'She asked what difference it would make, and she was told that if",
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    {
        "id": 207859,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1976",
        "page_number": 247,
        "title": "RAS-1976",
        "content_text": "232\n\nMAURICE FREEDMAN\n\nroad is being cut; it disturbs the Dragon; the evil to follow must be averted ritually. And so on.\n\n66. It is nothing new for the government to encounter fung shui difficulties. It has faced them from the very beginning when police posts had to be put up and roads made. In 1899 Lockhart received a petition from a group of elders:\n\nand all the inhabitants of the villages in those districts, praying that as the geomantic influence of their neighbourhood will be interfered with, another site may be selected for the construction of a carriage road, whereby the fung shui of the place may not be injuriously affected, and the houses and graves of your petitioners may be protected and the wishes of the people gratified. Your petitioners have dwelt in this land for more than a hundred years, and all their villagers have been law abiding, and have depended upon fung shui for their peace and prosperity....... the proposed route of the carriage road, situated behind the houses of the villages, traverses the geomantic line along the hill at the back of the petitioners' ancestral temple, and if this did not affect the fung shui of the place the construction of the road would not be objected to. But the matter is one of highest importance, involving life and death for if the geomantic influences are once interfered with great indeed will be the calamity which will befall your petitioners, and their houses and ancestral temple will be rendered uninhabitable. (1 May 1899)\n\nLockhart told the petitioners that, while the British Government was always prepared to respect the beliefs and customs of the people, it would not tolerate agitators making an improper use of popular beliefs in order to obstruct public works and welfare. And he went on to warn them that the agitators were working for their own private ends and would be severely dealt with if they persisted. The Governor suggested a different approach, proposing a ‘judicious arrangement' with the geomancers which might be made 'with a small expenditure'. Lockhart demurred. If the geomancers were paid, they would become more troublesome than they are already, as they would discover that the creating of trouble is a paying game.' (Correspondence of 7, 8 and 14 May 1899). Ever since, the Administration has been faced with the dilemma of yielding to fung shui objections (every act of tolerance being a pledge to further acts)",
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    },
    {
        "id": 207921,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1976",
        "page_number": 309,
        "title": "RAS-1976",
        "content_text": "294\n\nNOTES AND QUERIES\n\nof the Cotton Bag Monk, Pu Tai (), an incarnation of Mi Lo Fu. Pu Tai was said to have died at that temple at the beginning of the tenth century.\n\nAnother preserved body was that of a Shantung peach seller who dropped dead at the altar and was embalmed in mud and became a deity, Wu Yu Hsien (†), around whom a local cult sprang up and flourished during the fourteenth century. Yet another was the skeleton of an old and holy abbot overlaid with gold foil on Chiu Hua Shan at the Pai Sui Kung“.\n\nA preserved body in the Nan Hua Shan Monastery in northern Kwangtung was that of the Sixth Patriarch of Chinese Buddhism (A.D.). It appears to be the earliest recorded \"fleshy body\". The Sixth and last of the Chinese Patriarchs, Hui Neng (#), died in A.D. 712. His corpse is said to have remained incorrupt and even to exhale a sweet fragrance. His chest maintained its natural position and the skin appeared glossy and flexible. In A.D. 1236 when the Mongol troops pursued the last emperor of the Southern Sung and defeated him in Kwangtung, it is said that Mongol soldiers violated the tomb of the Patriarch and even went so far as to rip open the abdomen with a sword thrust. On seeing that the heart and liver were still in a perfect state of preservation, they were filled with fear and went no further in their sacrilege. Several replicas are to be seen in Hong Kong; a good example is on the altar of Huang Ta Hsien (黄大仙) in the San Yuan Temple (三元宫) in T'ai P'ing Shan Street, Hong Kong. (See plate 27). Incidentally, smaller images of Hui Neng, often seen in curio shops, are easily recognisable by the small dragon in his begging bowl. He is considered to be the founder of the Vegetarian Sects of Buddhism, Ch’ih Su Chiao ( vegetarian ).\n\nAnother mummy, black faced, covered in lacquer and gilded, sat in a lotus position in a place of honour in the T'ien T'ai Temple south-west of Peking, wearing Buddhist robes but of Imperial yellow. He wore a vairocana five-leaf crown on his head, his face was smooth and full fleshed and his skin black with age. Many thought that he was a wooden image and legend, since disproved, claimed him to be Fu Lin, the first Manchu Emperor of China (1638-1661) better known as Shun Chih who died at the age of 30. The story probably grew from the known fact that he wished to become a monk. The mummy was refurbished annually at a minor ceremony and was a great attraction for pilgrims.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
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    },
    {
        "id": 207971,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 10,
        "title": "RAS-1977",
        "content_text": "179\n\nAmong smaller villages, arrangements for co-operation often extended beyond the village itself. Hang Hau and nearby Seung Sz Wan, for instance, were closely involved in each other's celebrations. When there were celebrations in one village, members of the other village could come without invitation.44 Inter-village co-operative arrangements of one sort or another were sufficiently strong for most of the smaller villages to identify themselves as being parts of permanent village alliances. Tai Mong Tsai, Tai Po Tsai, Shek Hang, Tit Kim Hang, Tam Wat, Wong Mo Ying, Ping Tun, and She Tau formed the Paat Heung (Eight Villages); Nam Shan included also Fu Yung Pit, Kak Hang Tun, Keng Pang Ha, and Lung Mei; Pak Tam Chung included Pak Tam, Tsak Yue Wu, Wong Keng Tei, Sheung Yiu, Wong Yi Chau, and Tsam Chuk Wan; and Ngong Wo, Wo Liu, Shan Liu, Tai Wan, Tso Wo Hang, Sha Ha, Nam A, Wong Chuk Yeung, Long Keng, and O Tau formed the Shap Heung (Ten Villages). The Paat Heung had a joint school in Tai Mong Tsai; the Pak Tam Chung villages jointly worshipped the Great King earthgod near Sheung Yiu; the Shap Heung had its joint school in Tai Wan, and used to maintain collectively the T'in Hau Temple at Wong Chuk Yeung (now ruined). The larger villages, e.g. Ho Chung, Mang Kung Uk, Sha Kok Mei, Nam Wai, Tseng Lan Shue, and Pak Kong, were apparently not parties to such alliances, but regarded themselves as forming complete units in themselves.45\n\nInter-village disputes were not common, but there were some long-standing ones. Sha Kok Mei disputed with Nam Shan over tree-cutting rights. Nam Wai and Ho Chung fought over a quarrel that had started when the cows of one village damaged the crops of the other.46\n\nFestivals and customs\n\nThe major festivals in the village were the New Year, and the T'in Kei (birthday of Nui Woh, the Earth Goddess), Ts'ing Ming (spring worship at the ancestral graves), Dragon Boat, Tsat Tse (Seven Sisters), Mid-Autumn, Double-Ninth (autumn worship at the ancestral graves), and Tung Chi (winter solstice) festivals, the temple festivals of the local temples (in this area Ch'e Kung, T'in Hau, Koon Yam, and Hung Shing), the festivals of the local",
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    {
        "id": 208119,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 158,
        "title": "RAS-1977",
        "content_text": "142 \n\nW. J. HINTON \n\nsails have been lowered and stowed, white awnings cover the decks, there is a gilded bamboo \"whip\" at the foremast of each junk and the bay is alive with small boats. Once past the police searchers, the crowd disperses into the town to buy food at the stalls which line the thoroughfares. Evidently this is fair day. All the shops are doing a roaring trade, and the streets are full of visitors from Hongkong, and even from Canton, and places a hundred miles away.\n\nPresently we notice that the crowd is drifting in one direction; going with it, we find ourselves off the main street. Passing the gates we enter a field covered with booths and resounding with the clash of cymbals and the shrill note of the pipe. Here is all the fun of the fair.\n\nA matshed has been erected, part theatre and part temple. At the far end a theatrical performance is now being given. The clang of cymbals marks the warlike gyrations of the actors, but now and then gives way to the shrill tones of the two-stringed violin in moments of pathos. And all the time the priests on either side of the open end of the theatre chant their services at two altars. A Chinese who is near me either cannot or will not tell me what gods are served at these altars. To me they seem to present an aspect of amicable rivalry.\n\nOn either side of the entrance, but without, stand two large conical frameworks of bamboo, stuck all over with small white rice cakes, and looking each like an ear of Indian corn. These are about twenty feet high. There are small replicas on portable platforms.\n\nWe leave the grounds and walk to the Pak Tai Temple where a procession is forming. It is one of several, for each village street provides a procession, and there is great emulation between the teams. The procession starts. At its head is a Dragon, at least it is a dragon for all practical ceremonial purposes though to the carnal eye it seems a large mask completely covering the head of a boy. He prances and sidles along, mopping and mowing most realistically, the formidable but apparently benevolent monster rolling his head and his eyes, and shaking his sinuous body; for which purpose a second lad under a red streamer of thin cloth goes through all the motions that can reasonably be expected of a Dragon's hind legs.\n\nThe beast is followed by bearers, carrying a platform covered with a canopy, and on the platform two small girls, powdered and",
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    {
        "id": 208120,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 159,
        "title": "RAS-1977",
        "content_text": "CHEUNG CHOW LONG ISLAND\n\n143\n\npainted to the eyes, and clad in gay garments. Behind these a band of native musicians, youths dressed in gaudy clothes, provide the melody and rhythm. The dragon shakes his head and stamps his feet to the rhythm, the bearers grunt and sweat, the musicians fiddle and bang and blow, the spectators spit and chew, laugh and talk, admire and applaud. The last player disappears round a bend in the street and another procession begins to form itself with much good-natured chaff and chatter. Meantime the dragon processions which have already been sent off wander through the distant fields, and the curious rhythm of the dance rises and falls in every corner of the glens.\n\nSo much we have seen for ourselves, but our kind host, who has lived on the island for many years, tells us that on the great day of the feast, all the small processions meet at the special matshed, where are assembled also some of the local gods, as well as visiting deities who have been brought by the folk from other towns and villages. All these gods are then carried in procession to the Pak Tai Temple to make their how to the occupant. Following this they are carried about a mile to the temple of the Queen of Heaven, the Lady of the fisherfolk, through the streets densely packed with fishermen and townsfolk, and thousands of visitors. At this temple the processions stand aside, and the gods in their chairs of state are raced back to the special matshed. The first god to arrive, even if he arrives in several pieces, brings to his devoted supporters the best of luck during the year.\n\nIn the afternoon the cones are overturned and there is a scramble for the cakes, which are then eaten with the happiest consequences for all concerned. It would be interesting to hear more exactly what these benefits are, for the whole feast looks like an ancient fertility cult.\n\nWe are much indebted in this account to notes jotted down by Mr. A. C. Franklin, and kindly put at our disposal. The opportunity to witness the Moon-cake festival was also due to his kindness. If we have not reproduced all the interesting and suggestive comments which those notes contain, it is because we hope that he will find time to throw them into literary form and publish them. Meantime we would welcome corrections, and an elucidation of the meaning of the feast from our students, some of whom might well take time to visit Cheung Chow for that purpose.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
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    },
    {
        "id": 208149,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 188,
        "title": "RAS-1977",
        "content_text": "172\n\nNOTES AND QUERIES\n\nAll remarkable mountains are supposed by the Chinese to have some spiritual influence over the affairs of mortals. The rough, barren, mountainous country I have described, has given birth to many superstitions and legends. Some of the huge stones on the hillsides are supposed to represent the tiger, the dragon, and the phoenix. The stones on some hills are said to have locomotive powers, and to pursue any adventurous traveller who attempts to mount their sides: other stones are said, when touched, to have the power of producing pains in the stomach and others to emit white vapours from their surface; of more interest are the caves which are found in some of the mountains (JHKBRAS 7(1967): 110).\n\n12. Krone writes of our own Castle Peak:\n\nThe mountain is reckoned one of the eight wonders of the Canton Province. Some of its large granite boulders are said by the priests to represent various mythological monsters; and several springs well up near the top, which are also esteemed supernatural wonders by the Chinese. The mountain is often visited by students and literati, and its wonders and beauties have been celebrated by them in many verses. The legends connected with the mountain seem not to be very clearly understood. (JHKBRAS 7(1967): 109).\n\n13. In the case of the more famous mountains of the Kwangtung province alone, mythology, legend and history have endowed them with fame over hundreds and even thousands of years. This is due in part to the constant visits of famous poets whose poems are so widely read over the generations that they alone are sufficient to make them sacred and immortal.* Yet our own lesser mountains seem to have had at least one such visitor. In the history of the T'ang family of Kam Tin we read of the famous Sung poet and painter PO Yu-sim, ‘Legends have attributed to him magical powers, and he is supposed to have appeared and disappeared in all the \n\nIn the introduction to his Anthology of Chinese Literature, Vol. 2 (New York, Grove Press Inc., 1972) Cyril Birch writes 'Scholar-officials were subject to a life of movement, and no one could travel very far without lighting on a place celebrated in the verse or prose of an earlier visitor. It might be a hilltop temple or a lakeside pavilion, a mountain pass or an ancient battlefield, a city gate or a particularly awesome cliff. (p. xxvi).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
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    },
    {
        "id": 208156,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 195,
        "title": "RAS-1977",
        "content_text": "NOTES AND QUERIES \n\n179 \n\n32. Before we left the higher ground, however, the most striking feature of the walk was, suddenly rounding a bend of the path and topping a rise, to be confronted with a low roaring noise which some of the party thought was jet engine noise but which turned out to be the din of the Kwai Chung section of Tsuen Wan New Town! This was a noise that accompanied us along much of our foothills walk thereafter. \n\n33. The final stretch took us from the main stream above Lo Wai to Chuen Lung. It was marked by pine forests sowed, we were told by aeroplane, and by various large rocks and boulders. One of these was known locally as the Frog Stone (...), a name that it is claimed was given to it by the founder of the Tung Po To monastery at Lo Wai, the famous monk Mou Fung (***) who was fond of walking in the area, giving names to rocks whose shapes touched his fancy. \n\nHong Kong, 1976, 1978. \n\nJAMES HAYES \n\nBOOKS CITED: \n\nBourne, F. S. A., The Lo-Fou Mountains, An Excursion (Hong Kong, \n\nKelly and Walsh, 1895). \n\nDavis, S. G., The Geology of Hong Kong (Hong Kong, Government \n\nPrinter, 1952). \n\nDingle, E. J., China's Revolution 1911-1912 (London, T. Fisher Unwin, \n\n1912). \n\nGiles, H. A., The Civilization of China (London, Williams and Norgate \n\n1911). \n\nHenry, B. C., The Cross and the Dragon (N.Y, 1882). \n\nHeywood, G. S. P., Rambles in Hong Kong (Hong Kong, Kelly and \n\nWalsh, second edition 1951). \n\nPitcher, P. W., In and About Amoy (Shanghai and Foochow, The \n\nMethodist Publishing House in China, 1909). \n\nROYAL ASIATIC SOCIETY---VISIT TO THE TANG FAMILY GRAVES ON SATURDAY, 11TH DECEMBER, 1976 \n\nThe Tang family is the oldest, largest and most famous of the New Territories' Chinese lineages. It has been settled in the area for just over 900 years and has a long history of local dominance. It has also produced many famous scholars and officials in the tradition of large, wealthy Chinese lineages. \n\nPage 195\n\nPage 196",
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    },
    {
        "id": 208161,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 200,
        "title": "RAS-1977",
        "content_text": "184\n\nNOTES AND QUERIES\n\n\"The burial ground is situated near Chai Wan Kok, Tsun Wan. Some time ago, about ten years after the Territory was leased to Great Britain, some natives of Tsun Wan village applied to the H.K. Govt. for a piece of land near the grave to erect some houses, but the proposed area affected the Fung Shui of the said grave. The village Elders of the various branches of the Tang family assembled, and a joint petition was submitted to the District Officer in the names of the descendants. Thanks to this Official the proposed sale was withdrawn. It was afterwards put on record that the site of the grave was to be preserved for ever. Subsequently new roads were constructed by the P.W.D. and the line of one proposed road was across the grave site. The Elders of the Tang family, fearing that this might affect the \"force of the movement of the green dragon,” again assembled and petitioned H.E. the Governor, praying that the line be moved to the foreshore of the site. This was done. In the 6th moon of the 12th year of the Chinese Republic, (1923) a villager of Tsun Wan dug earth on the right side of the ancestral grave, that is, in Chai Wan Kok village, thereby affecting the \"force of the movement of the coming dragon.\" Another petition was sent to the District Officer, who inspected the grave personally. After that earth cutting was prohibited, and the ancestral grave preserved.\"\n\nWe then proceeded to Kam Tin itself where, in front of the Kam Tin Rural Committee Office, we were greeted by an impressive body of lineage elders, treated to a dim sum (*) repast and shown a number of interesting relics handed down through the centuries. These included a painting with imperial calligraphy stated to date from Sung times, and a number of other paintings.*\n\nOur next stop was at Au Tau cross roads to see grave No. 5, that of TANG Wai-kap, the husband of the Sung refugee princess referred to in the Notes.\n\nFrom Au Tau cross roads we went on to the Pok Oi Hospital near Yuen Long and walked into an area of low hills, across a stream, where we inspected grave No. 2. This is located in what is obviously considered to be a very favourable fung shui area because the adjoining ground is thickly covered with graves.\n\nAfter returning to Pok Oi Hospital, we went by bus to Wang Chau behind Yuen Long where we walked through the village and across the fields to the foothills of an adjacent hill area. We went first to grave No. 1 and from there along a winding path to grave No. 4 which is located some 500 yards to the south. Both graves are in excellent positions, and like No. 3 have granite pillars with lion\n\n* These have been reproduced at pp. 112-115 of the Inauguration Publication of the Tang Clansmen Association (Inc. 1965), in Chinese, of which there is a copy in the Chinese Library, University of Hong Kong.",
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    },
    {
        "id": 208192,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 231,
        "title": "RAS-1977",
        "content_text": "NOTES AND QUERIES\n\nTHE FUNG-SHUI OF KAM TIN\n\n215\n\n(A short explanatory introduction on the fung-shui of Kam Tin is here attached.\n\nThe ancestral hall of the Tang clan, Ching Lok Tso Tong (#), which is situated at Pak Wai Tsuen of Kam Tin, has its Fung-shui main branch near Tai Mo Shan (*). It curls its way through the valley of Kwun Yam Shan ( ). From Wang Toi Shan (#) rises the \"dragon\". Its uprising, so to speak, is very magnificent. The Dragon then starts to serpent up and down, passing through Chiu Keng (£) with more strength. Forging forward vigorously to the left, there comes the Kei Lun Shan (t) to protect it. On the right, a branch stretches out from Tai Mo Shan to Shek Wu Tong () and Ma On Kong (4), to pave its way forward. A short distance from Au Tau (1ƒƒ) see the circling round of all these ranges.\n\nIt is from this setting that the Dragon threads its way out, with various small and big ranges on all sides. Here, the Dragon once again finds its way via Kai Kung Shan (A) with Kwai Kok Shan (圭角山) on the right and Chat Sing Ngor (七星崗) on the left. The Dragon surges up and then down, turning left and right, like thousands of horses racing together, and when it comes to Tai Kong ( j ), the land slopes down gradually. Ngor Nar Lan (A) on the left leaves space for its soaring down and the Cheung Shan (✯ J.) on the right blocks any obstacles that would harm it. This range then dips into the water, passes through the grasslands and comes up to Gau Gan (i). Here it stretches out its wings to protect the Dragon to settle on the cave. The naturally formed reservoirs on both sides of Gau Gan (4) resemble the Food Store (4) and the Wealth Store (✯).\n\nThe place where the Dragon settles is the ancestral hall of Ching Lok Tso (##). The Dragon dives down into the water and the surface becomes peaceful. So now the Dragon is hiding here. With this setting, the place is bound to be very prosperous. To begin with, the green carpet of grass just in front of the hall means the outcome of a big \"esteemed clan\" (†) Furthermore, with all the water from nearby fields flowing towards the hall, and the streams from Tai Kong Po (which follow the Dragon and",
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    },
    {
        "id": 208193,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 232,
        "title": "RAS-1977",
        "content_text": "216\n\nNOTES AND QUERIES\n\nhead for the hall, the result is that the hall would bring about Great Wealth (大富)\n\nOn the ancestral hall itself, it is apparent that it is being surrounded by green mountains and beautiful streams. Its walls are finely made and its direction is carefully orientated so as to suit the Dragon form. The rooms inside are spacious, comfortable, and neatly packed together. In front of it is Shau Sing Kung Shan (壽星宮山) (\"Long-life mountain\") and on the left of it is Kwun Yam Shan (觀音山). All these signs imply that from here “Great Nobility\" (貴) would appear. Its form, so magnificent, calls for the Red Bird (朱雀) to lead the way (朱雀護送迎) and the Green Dragon and White Tiger to kneel (†). It drives the ranges to curl around it and the stars to look after the outlet. Every mountain, no matter how far comes to guard the cave, and every stream comes to gather round the hall. This indicates \"Great Wealth\" (大富). Thus the window of Heaven is made open and the door of Hell is tightly shut.\n\nThis is the best Dragon form. It should foster great wealth and great nobility. It explains why the Tang clan has had so much success in wealth, fame, and in civil examinations, as compared with the other villages in Pat Heung (八鄉). Of course, it owes very much to the keen choice of Fung-shui by the Tang ancestors. Hong Kong, 1973\n\nJOHN THOMAS Kamm\n\nBEAN SKIM (豆漿皮); A PRODUCT OF BLOOD & SWEAT FROM THE MAKERS\n\nBean skim is a traditional rural product in the Tsuen Wan District of the New Territories of Hong Kong. The following account was written by WAN Chung-yan of Pun Shan Village, Chai Wan Kok, Tsuen Wan on 12.1.1976, at the Hon. Editor's request.\n\nBean skim is a kind of bean product of rich nourishment. In the age when the electric motor had not yet been invented, such product was really a product of blood and sweat from the makers.\n\nThe making of bean skim is easily described. Choose the best yellow beans, dry them under the sun and peel them. Then soak the beans in water and crush them into a paste. After filtering off the refuse, boil them in a pot. Skim off the upper layer of foam. Keep heating the paste at a certain temperature until a thin layer",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
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    },
    {
        "id": 208336,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 60,
        "title": "RAS-1978",
        "content_text": "44 \n\nKEITH STEVENS \n\n1871) offered sacrifices at the City God temple and reported, in writing, that he and the whole family with gratitude had made an image of the Duke Wei which he presented to undergo the rite of consecration, so that it would protect all members of his family and all his domestic animals and poultry. The image is of a seated soldier, dressed in armour and military cap, his right hand is clenched and rests on his right knee. His left hand, the first and fifth fingers only, pointing vertically, is held at waist height in a magical sign. Wei had a gilded face, traces of which can still be seen, five tufts of black beard, the stubble only remaining and gilt armour covered by a red and blue robe again only traces of which are still visible. This image was blackest and greasiest of all and is quite surprisingly handsome now that the film of filth has been removed. Wei could possibly be Yu-ch'ih Ching-te (*), the Door Guardian who according to Mathews' dictionary is well-known as one of the two door guardians on temples and is “depicted with a black face and the fingers of one hand twisted up\". The image, dressed in loose robes over armour and chain mail, has a gilded face but otherwise, has his fingers twisted up. In reality Yu-ch’ih was a general who served the T'ang Emperor T'ai Tsung in his wars against rebels and died in 659 A.D. \n\nThe fourth image (Plate 5), also from Shan Men district, Wu Kang county in Hunan and dedicated in 1938 is of the bodhisattva Kuan Yin. The image, easily identifiable as such by her five-leafed bodhisattva crown, beads and vase, is seated cross-legged on a lotus, and dressed in gilded robes, The slip of paper in Kuan Yin's back relates that Petitioner and worshipper Mrs. Yin Wu-chi together with her five sons, four daughters-in-law, and one grandchild, on the 21st of the 6th moon of the 27th year of the Chinese Republic (18th July 1938) offered sacrifices to the Earth God at the City God temple in Lao Chai, presented and installed a new image of Kuan Yin. This has been done, the slip said, so that this Buddhist deity can be resorted to in her natural form and can kindly bestow good luck and eternal protection and prosperity on the Yin family and its future generations. In words of glowing praise, the petitioner described the heart, the liver, the lungs, the kidneys, the soul, the gall, the eyes, teeth, the bones, the bowels and the spirit of Kuan Yin, as 'the liver of a green dragon', 'lungs of a white tiger', ‘kidneys \n\nPage 60\n\nPage 61",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208340,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 64,
        "title": "RAS-1978",
        "content_text": "48\n\nKEITH STEVENS\n\ndecorated with a large dragon across her bosom, and the \"bird\" hat with its representation of a small bird, wings outstretched, lying on top. She holds a raised fly switch in her right hand and her girdle is grasped in her left hand (the latter pose is usually reserved for male images). She is seated on a dragon throne.\n\nPerhaps readers can offer their views on the use of impersonal images on family altars and further examples of the practice in other parts of China?*\n\nNOTES\n\n1 Lao Tzu—the philosopher generally believed to have founded Taoist philosophy.\n\n2 Erh Lang (#) often identified with Yang Chien (##) the nephew of the Jade Emperor, the supreme Taoist deity.\n\n3 The Five Thunder Magic () is used in Taoist folk religion as the ultimate threat; a magic of destruction brought about by Taoists against those who broke the rules or opposed the Taoists.\n\n4 Lei Kung (2) the God of Thunder.\n\n5 usually read Wei, is read Yu in this surname.\n\n6 The image of Kuan Ti, the God of Loyalty and one of the most popular of deities throughout China also contained a slip which noted that it had been dedicated in the autumn of 1789 in the same area in Wo Kang as the images in illustration 2 and 4. The slip tells us that Devotee Pan Mu-shih, together with his wife, two sons and two daughters-in-law offered sacrifices to the deities in the City God shrine in the local temple, reporting that he and his whole family had had the image of Kuan Ti carved by a scholar. This they respectfully presented to have its eyes opened before the Gods so that it would be able to rid their dwelling of evil spirits and bring them blessings. The latter part of the text on the slip says that, \"Your Honour Kuan Ti is the cleverest, most faithful and righteous in the world both past and present. You are a true spirit, a wonderful inspiration and have the ability to suppress demons. To show you our sincere respect we shall now dress you up, worship you every morning and evening with incense and further, offer you Spring and Autumn sacrifices each year....\n\n7 The provenance of three further images in the shipment, in better condition, is unclear though possibly they came from one of the areas in Hunan or Kiangsi from which the others originated. Of these three, two are versions of Yao Wang (1) the King of Doctors, who is easily recognisable by his tiger and dragon, one below and the other above him, and the small red pearl he holds aloft between his fingers. The third image is Yao Wang's aide, a middle-aged man standing carrying a herbalist's case slung over his shoulder and a furled umbrella in his hand.\n\n* Mr. Stevens has made a further discovery in the matter of ancestral images: see the Notes and Queries section at p. 206.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208360,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 84,
        "title": "RAS-1978",
        "content_text": "68\n\nGÖRAN AIJMER\n\nsymbolic statement which parallels the set of technical acts which cluster together into the agricultural phase of sowing. Just as the graves are cleaned and repaired, the seed beds are cleaned and repaired.44 In the same light, the offerings on the grave make sense as a statement parallel to sowing. Meat and wine were offered to the graves and rice was offered to the seed beds. The grave offerings were probably shared between the dead and those who were presenting them. In Yuanjiang it was called to 'drink wine on the grave'. If these suggestions are correct, do they fit in an interesting way with our earlier reasoning? At any rate they lead us to a new and puzzling juxtaposition: graves are not only mountains, they are also seedbeds.\n\n5. Money trees.\n\nThe other important feature of the spring grave worship was the erection of bamboo top-branches with paper money or paper strips hung on the twigs. This kind of ritual arrangement has a certain Southeast Asian flavour, but here we shall resist all temptations to make comparisons in this broader perspective. Here we deal with Chinese ritual phenomena in their Chinese setting.\n\nI have discussed the sign of bamboo elsewhere,45 and from its contextual appearance in rituals in the lake area of Hubei and Hunan I induced the conclusion that it had ambiguous connotations to productive force and ‘driving-away' power. When the sweeping of the graves implied that they were swept with bamboo twigs, this may have entailed some sort of 'driving-away' or purification. A reminiscent practice is that of Jiangling where, on the 24th day of the twelfth moon, the doorways were swept with bamboo branches.46 It would, then, be possible to argue that the bamboos erected on the graves gave protection to the graves or the dead. But if so, what about paper money and paper strips? The latter are in all probability a version of the former. But what does it mean to hang paper money on bamboo branches?\n\nA similar arrangement is mentioned in the essay Wuling jingdu lue. It is said that during the dragon boat races in the fifth moon there were special small boats on the river; their task was to supply the competitors with food and wine. Each of these small boats was equipped with two trees in which 'yellow money' had been hung. They also had 'multicoloured scrolls', drummers and flutists.47",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208364,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 88,
        "title": "RAS-1978",
        "content_text": "GÖRAN AIJMER\n\nfor wine are used, jiu H, and it's 'sweet wine'. It is hard to tell from the data whether different kinds of wine were used on different occasions. More generally, we may remember that wine is manufactured from rice; in fact, it is rice transmuted into liquid form.\n\n7. Food\n\nFood was sacrificed and eaten on the graves after they had been swept. Again, the lack of detailed data makes it difficult to interpret the presenting of food as a ritual act. Some notes could be observed here. In Yiyang people ate 'stalks and grass', which, being unusual food, probably signified 'non-rice' or 'non-food'.65 We are told that in Anxiang officials prepared 'cattle'. The term may have a more narrow sense of 'beef'. Meat seems to have been paired with rice wine in many sacrifices throughout the area: on the Lantern Festival (in the first moon) in Jiangling, on Earth God Day in Wuling and Zhongxiang,7 on the Dragon Boat Festival (in the fifth moon) in the Yozhou prefecture (around Baling), and Yunmeng #,68 on Zhongyuan (in the seventh moon) in Wuling,69 and on Churia, New Year Eve, in Jiangling, Hanzhou, Jingshan, Chongyang, and Yingshan.70\n\nAgain, in the temple dedicated to General Goan in Mienyang, mentioned above, the offerings on the 13th day of the fifth moon consisted of 'cattle' meat and sweet wine. A chronicler mentions that in Tauyuan, at mourning, there was an 'excess' of slaughtering.71\n\nIf we assume that the wide category of sheng-cattle-indicates that cows, oxen and buffalos, and such bovine animals were of primary interest as slaughtering animals on Qingming (although pigs may have been included in the category), it may be interesting to associate that circumstance not only with the excessive slaughtering which was part of the mourning practices in Tauyuan, but also with the display of a clay oxen at the Lichum 'Establishment of Spring' festival around the 5th of February in the solar calendar.72 In Chongyang the 5th day of the fifth moon was called niu ri ✈ a Ox Day. Then the buffalos or cows were fed, and it was not allowed to whip the beasts or swear at them on this day.73 These practices seem all to have a close link with agriculture.74\n\nThe fact that cattle was modelled in clay seems to indicate that the nature of cattle was earthly. The breaking of the clay oxen may,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208372,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 96,
        "title": "RAS-1978",
        "content_text": "80\n\nGÖRAN AIJMER\n\n8 D. H. Perkins, Agricultural Development in China 1368-1968. Edinburgh: Edinburgh University Press, 1969, p. 47.\n\n9 Göran Aijmer, 'A Structural Approach to Chinese Ancestor Worship'. Bijdragen tot de taal-, land- en volkenkunde 124, pp. 91-98, 1968, and The Dragon Boat Festival on the Hupeh-Hunan Plain, Central China. A Study in the Ceremonialism of the Transplantation of Rice. Statens Etnografiska Museum, Monograph Series, No. 9. Stockholm, 1964.\n\n10 Several terms are used: *, **, *, ; it is hard to tell whether they signify different types of graves.\n\n11 GJTSJC VI:1259, ##† 1b.\n\n12 TRAŁ. Records of Changde Prefecture. Auth. A, 1813. Juan 13:4a. Wuling is the capital of this prefecture.\n\n13 ****, juan 3:8a, quoting older edition.\n\n14 # Records of Yuanjiang County. 1807-1819. Juan 18:2b.\n\nJuan 18:2b.\n\n益陽縣\n\n154, juan 2:9b,\n\n16 CM, juan 11:2b.\n\n17 ***. Records of Anxiang County. Eds. ## et al., 1748, no pagination.\n\n風俗考\n\n18 GJTSJC VI:1130, £## 1b.\n\n19 GJTSJC VI:1142, ## 3a.\n\n20 GJTSJC VI:1120, #2b.\n\n21 GJTSJC VI:1120, ‡ 4b.\n\n風俗考 BB\n\n22 GJTSJC VI:1116, + 4b.\n\n23 GJTSJC VI:1223, 2a.\n\n24 A#. Records of Wuling County, Auths, $ et al., 1862-63. Juan 7:4b.\n\n25 GJTSJC VI:1142 ### 2a.\n\n26 GJTSJC VI:1120 * 2a.\n\n27 eums, juan 11:12b, quoting 'old record' — presumably an earlier edition of the gazetteer.\n\n28 Sometimes there is also an autumnal she ri, but the present case certainly refers to a spring offering.\n\n29 GJTSJC VI:1120 $ 2b.\n\n風俗考\n\n30 GJTSJC VI:1120 ## 4b.\n\n31 GJTSJC VI:1166 ## 4b.\n\n32 GJTSJC VI:1120\n\n33 GJTSJC VI:1259\n\n34 GJTSJC VI:1223 #‡ 6b.\n\n# 2ab.\n\n# 1b, 2a.\n\n風俗考\n\n35 GJTSJC VI:1142 ## 1b.\n\n36 For a general survey of the architectural features of Chinese tombs, see Magdalene von Dewall, 'Grab und Totenbrauch in China.' Tribus, no. 25, November 1976, pp. 31-81.\n\n37 Harry A. Franck: Roving through Southern China. New York & London: The Century Co., 1925, p. 64.\n\n38 On Tongshan, see GJTSJC VI:1120, A#‡ 6b, and on Wuling, GJTSJC VI:1255, 1, 7ab.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208373,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 97,
        "title": "RAS-1978",
        "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA\n\n81\n\n39 See Maurice Freedman: Geomancy. Proceedings of the Royal Anthropological Institute of Great Britain and Ireland for 1968. London\n\n1.15.\n\n40 Aijmer, A Structural Approach...p. 95,\n\n41 GJTSJC VI:1223 *** 126.\n\n42 Maurice Freedman, Chinese Lineage and Society: Fukien and Kwangtung. London School of Economics Monographs on Social Anthropology No. 33. London: Athlone Press, 1966.\n\n1* For instance, Lewis Hodous provides an account in his Folkways in China, London: Arthur Probstain, 1929, p. 92. Hodous draws mainly on his long Fujian experience.\n\n44 Aijmer, A Structural Approach\n\np.96.\n\n45 Aijmer, The Dragon Boat Festival, p. 77f.\n\n46 GJTSJC VI:1193, &$ 26.\n\n47 GJTSJC II:51, 6a. A Similar arrangement occurred in Youxian, GJTSJC II:51, 19b.\n\n48 Aijmer, The Dragon Boat Festival, pp. 78f.\n\n49 There were probably several kinds of paper money in use. The yellow kind referred to above was in all likelihood the 'gold variety. As our sources do not carry information in detail on this subject we must leave such further implications aside.\n\n50 I have notes from Gongan (GJTSJC VI:1193, * 36), Hanzhou (VI:1130, 風俗长 Ib), Zhongxiang (VI:1142: #6# 1b, 2b), Jingshan (VI:1142, & 3a) Chongyang (VI:1120 † 4a, 5a), and Tongshan (VI:1120, Afb† 6a).\n\n51 I have found notes from Baling (GJTSJC VI: 1223, K## 2b, ennt juan 11:6a), Wuchang (GJTSJC VI:1120, ✩ 26), Chongyang (VI:1120, £#* 46), Tongshan (VI:1120, ### 6b) and Yingshan (VI:1166, BB‡ 4b).\n\n52 Freedman, Chinese Lineage and Society. pp. 140f.\n\n53 Other names for this festival used in the region are Yulan dahui, 王蘭大會 Yulan penhui 盂蘭盆會,and Duwang dahui 度亡大會\n\nAll are Buddhist terms.\n\n54 I have, at present, no information from the Dongting area on the handling of paper money at funerals, for instance.\n\n55 GJTSJC VI:1223, # 2b.\n\n56 GJTSJC VI:1193, £&$ 26.\n\n57 GJTSJC VI:1142, R&* 3a.\n\n58 GJTSJC VI:1193, # 2a.\n\n59 GJTSJC VI:1259, 6 2a.\n\n60 GJTSJC VI:1130, &‡ 2a.\n\n61 GJTSJC VI:1120, K✩‡ 4b.\n\n62 GJTSJC VI:1166, ### 46.\n\n63 GJTSJC VI:1142, ‡ 4a.\n\n64 GJTSJC VI:1142, &* 2ab.\n\n65 mm, juan 2:96.\n\n66 GJTSJC VI:1193, R 2a.\n\n67 GJTSJC VI:1259, ✩ lb; 1142, * 2a.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208374,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 98,
        "title": "RAS-1978",
        "content_text": "82\n\n68 GJTSJC II:51, 19b.\n\nGÖRAN AUMER\n\n69 GJTSJC VI:1259, RG 2a.\n\n70 GJTSJC VI:1193, 風俗考 26; 1130, 風俗考 2a; 1142, 風俗考 38; 1120, 風俗考 5a; 1166, 風俗考 5a.\n\n71 GJTSJC VI: 1259, + 2ab. For two interesting discussions on foodstuffs as part of offering rituals, and in terms of cooked and raw food, see Emily M. Ahern, The Cult of the Dead in a Chinese Village. Stanford: Stanford University Press, 1973, pp. 167-170, and Arthur P. Wolf: Gods, Ghosts, and Ancestors, pp. 131-182 in Arthur P. Wolf (ed.), Religion and Ritual in Chinese Society, Stanford, Cal.: Stanford University Press, 1974.\n\n72 Chroniclers report this custom from Hanzhou (GJTSJC VI:1130, 1b), Jingshan (VI:1142, 3a), Zhongxiang (VI:1142, 6b), Chongyang (VI:1120, 4a), and Yingshan (VI:1166, 3b, 4a).\n\n73 GJTSJC VI:1120, 4a.\n\n74 A local tradition from Daye (GJTSJC VI: ... 17a) tells of a persecuted jiao dragon that turned itself into an ox island in a river; this was henceforth called Bull Island. A similar transmutation is mentioned in a legend referring to the Yuan River; see E. T. C. Werner, A Dictionary of Chinese Mythology, Shanghai: Kelly and Walsh Ltd. 1932, p. 116f.\n\n75 In Tongshan, there was an idea of a pair of Earth Gods, She Gong and She Mu. I have no other evidence for ideas of a female counterpart in the Dongting area; GJTSJC VI:1120, 6b.\n\n76 GJTSJC VI:1193, 2a. This may be compared to the use of a mixture of rice and red beans, sometimes contained in a pot, on other ritual occasions; see Aijmer, The Dragon Boat Festival, p. 76.\n\n77 GJTSJC VI:1259, 1b.\n\n78 GJTSJC VI:1142, 2a.\n\n79 GJTSJC VI:1259, 1b.\n\n80 #Ma juan 3: 8a. 風俗考\n\n81 GJTSJC VI:1120, 4b.\n\n82 GJTSJC VI:1142, 4b.\n\n83 GJTSJC VI:1120, 3a.\n\n## 4b.\n\n84 GJTSJC VI:1166, 4b. 風俗考\n\n85 GJTSJC VI:1193, 2a. 荆楚歲時記 Seasons in Jing and Chu. Auth. Tsung Lin\n\n86, juan 13:4a.\n\n87 GJTSJC VI:1130, 1b. 風俗考\n\n88 GJTSJC VI:1120, 4b.\n\n89 GJTSJC VI:1120, 2b.\n\n90 Aijmer, A Structural Approach... p. 95.\n\n91 GJTSJC VI:1142, 1b, 2b.\n\n92 荊楚歲時記 7b. 風俗考 16, 2b. M16\n\n93 GJTSJC VI:1142, 2a.\n\n94 loc. cit.\n\n95 GJTSJC VI:1166, 5b. Records of the ... Ed: MELAR‡ n.d.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    {
        "id": 208396,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 120,
        "title": "RAS-1978",
        "content_text": "104\n\nFREDRIKKE S. SCOLLARD\n\nArchaeological excavations to date have failed to uncover any flambe wares in Yangjiang Xian of the above-described type. In 1955, excavations instead indicated that pottery produced in Yangjiang Xian in the Song period (A.D. 960-1279), belonged to the green celadon tradition. Furthermore, even more recent discoveries in the vicinity of Shiwan town in Nanhai Xian at a location called Ji Shi (†), Northern Song (A.D. 960-1127) “dragon kilns” (i.e. sloping tunnel-like kilns) are found built on top of earlier Tang dynasty (A.D. 618-906) \"mantou kilns” (i.e. round bun-shaped kilns). (Figures 1 & 2.) In association with the Northern Song kilns have been discovered shards with an early type of blue flambe glaze. As the date of these shards is much earlier than the Southern migration of the Honan potters in the Southern Song period, the discoveries raise the possibility that this blue flambe glaze was an indigenous development and not stimulated by influx of Northern potters and techniques. Combined with the earlier excavation in Yangjiang Xian, where no flambe glaze of the Song period was found, archaeologists in Guangdong now seriously question the historical connection of Shiwan village in Yangjiang Xian with the present Shiwan village in Nanhai Xian.\n\nIn addition to the above discoveries, archaeological finds reveal a succession of kilns from the Tang site of Ji Shi (*) to the present day village of Shiwan as, over the centuries, the potters moved down the river closer and closer to Fushan municipality (†) which by the Ming and Qing periods (A.D. 1368-1912) had developed into an important commercial and handicraft centre.\n\nAs it developed, Fushan was no elite or scholastic art centre, but rather an unpretentious city of craftsmen with the pervasive idea that beautiful things could be made from waste materials. The town is said at one time to have had a population of over 300,000 which supported over 240 different types of business. The artists were famed for their skill in turning commonplace and useless materials into godlike creations. Clay and papier mache were moulded to look like old pottery, copper and jade; sesame seeds created figurines; silkworm cocoons made decorative flowers and grass. Every year at the time of the autumn festival, a competition was held in Fushan in which people vied to make the best \"autumn colours\" (i.e. paper handicrafts), not for the purpose of gaining fame or making money, but rather simply for the enjoyment of the people.*\n\nPage 120\n\nPage 121",
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    },
    {
        "id": 208399,
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        "series_slug": "histsyn-rashkb-journal-engine",
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        "document_key": "RAS-1978",
        "page_number": 123,
        "title": "RAS-1978",
        "content_text": "SIIIWAN POTTERY EXPLORED\n\n107\n\nthe theme of \"restoring rivers and mountains\" to the point of becoming formula, but no one complained.\n\nMai further describes how the Guangdong opera actors practised the martial arts of the Shaolin branch (*) and finally put this art to use when in 1854 their leader, the actor Li Yunmao (***) also known as Wen Mao () led three armies of actors to join the Taiping effort against the Manchus. These armies were destroyed along with the rest of the Taiping army, and in the aftermath, the Qing court issued an order forbidding the performance of Guangdong opera and had the actors' Qiong Hua (hortensia flower) Association Hall (1446) in Fushan burned to the ground.\n\nA gilt wood carved altar in the Ancestral Temple in Fushan, and a Shiwan frieze depicting the story of the Yang Family Generals, preserve in their carvings the significance of these events and their broader implications for a community not under the domination of a foreign Manchu government, but also besieged with Caucasian foreigners pressing for trade and territorial rights.\n\nThe Qing dynasty gilt wood altar carving has double meaning. The carving depicts the story of Tang dynasty Li Yuanba fighting the dragon colt (*£#£#6). On a second level however, the horse represents the unruly foreigners, and Li Yuanba, having the same surname, represents Li Wenmao. Verifying this are two hidden plaques hung above the scene which can only be seen from a crouching position. One reads \"Great Ming Mountains and Rivers\" (11) and the other \"Qiong Hua Hall\" (44), with the middle character Hua (4) substituted as disguise for the similar sounding Hua (*) of the Hortensia Flower (Qiong Hua) Association. Furthermore, according to Mr. Zhang Tao (**), curator of the Ancestral Temple, the characters on these two wood plaques were originally covered with extra slabs of wood and were only discovered while renovation was being done to the temple between 1971 and 1972. (Plate 14).\n\nIn addition to this gilt wood altar scene, a beautiful ceramic frieze depicting the story of the Yang Family Generals, Song dynasty loyalists, is displayed in the rear courtyard of the Ancestral Temple. In addition to this anti-Manchu theme (the Yang family's loyalty to the native Song dynasty during the period of barbarian Yuan conquest, symbolising the loyalty of the Chinese people to the",
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    },
    {
        "id": 208400,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 124,
        "title": "RAS-1978",
        "content_text": "108\n\nFREDRIKKE S. SCOLLARD\n\nnative Ming dynasty while under barbarian Qing rule, close scrutiny reveals the presence of two men in European dress—a strange phenomena in a Song dynasty setting. According to the curator, this scene refers to an incident involving French aggression in the Fushan area. (Plate 19).\n\nA similar incident involving skirmishes between troops led by British Consul Harry Parkes and residents of Fushan led the Shiwan potters to create pottery urinals and pillows out of the likeness of Harry Parkes. Most of these were destroyed by British order, but in 1942 one was discovered and put on exhibition, attracting much attention.13 (Plate 20).\n\nWhile I was contemplating these earlier evidences of cross-cultural interaction in Shiwan, it seemed of great significance to the town members that I was the first foreigner to be driven around the entire town. This heightened my own sense of exploration. The town itself evidences stark contrast between modern construction and underdevelopment, panoramically revealed from the observation deck on top of the new five-story \"Pottery Capital Restaurant.\" To the northwest are seen a heavy concentration of pre-1949 red brick residential houses, some prominently displaying roofs with \"ears\" which used to indicate the residences of wealthier families. The background is dominated by shorter chimneys of the traditional \"dragon kilns\" (sloping tunnel kilns). To the southeast the contrast is striking, with new concrete residential buildings and factories under scaffolding, and the tall slender chimneys of modern continuous kilns crowding the sky. The people can clearly remember the layer of soot which previously covered the town and made houses difficult to clean, and appreciate the cleanliness of the new kilns. The town has had paved roads since 1958; to the northwest of the town a public park with an artificial lake is being built, and a new \"Pottery Capital Restaurant\" was opened in March of 1978 largely to meet the demands of increased numbers of tourists.\n\nInside the factories the differences in the rate of modernization are just as striking. While the daily utensil factories as a whole operate eight continuous kilns, Daily Utensil Factory No. III operates only four dragon kilns (one dating back to the Ming Dynasty became a protected monument in 1964). The Arts Factory, which hosts all the tourists visiting the town, includes two new and large modern buildings with a partially yellow-tiled roof. The Daily",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208402,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 126,
        "title": "RAS-1978",
        "content_text": "JİSHİ \n\nANCIENT SHİWAN KILN SİTE \n\nTANG-N. SONG (618-1127 A.D.) \n\nA 'DRAGON' KILN IS BUILT OVER THE \n\nREMAINS OF AN EARLIER MANTOU” KILN \n\nSquare Bricks \n\n21x6cm Round Bricks \n\nCLAY & SAND \n\nEXCAVATION \n\nMANY CROSS COVERED 'MANTOU' KILNS \n\nFLAMBE SHARDS \n\nFigure 2. Diagram of “dragon\" and \"mantou\" kilns at the Jishi archaeological site.\n\n110 \n\nFREDRIKKE F. SCOLLARD",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208505,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 229,
        "title": "RAS-1978",
        "content_text": "NOTES AND QUERIES\n\nTWO BIBLIOGRAPHICAL NOTICES\n\n213\n\nI have come across two interesting references in my reading that others may wish to know of.\n\nSybille Van Der Sprenkel, Legal Institutions in Manchu China (University of London, The Athlone Press, 1962) with reference to E. Alabaster's Notes and Commentaries on Chinese Criminal Law and cognate topics... London 1899, mentions additional notation on \"the author's copy (now in Cambridge University Library) intended no doubt for publication in a revised edition\" (fn p. 72).\n\nHenry Lethbridge, Hong Kong: Stability & Change (Hong Kong, Oxford University Press, 1978) mentions \"Lockhart's personal copy of Johnston's Lion and Dragon in Northern China [London, John Murray, 1910] which is now in my possession\", and observes that it \"testifies to Lockhart's painstaking scholarly interest in Chinese society, for the book is heavily annotated and commented upon and clearly much read and pondered over\" (p. 7).\n\nHong Kong, 1980\n\nJAMES HAYES",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208840,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 2,
        "title": "RAS-1980",
        "content_text": "201\n\nI would like to add two more passages to this note, both of which came my way after I wrote the above. The first passage was kindly given me by James Hayes, who was given it by Mr. Ho Kei Fook, of Kei Ling Ha village, born in 1928, and educated (1937-1941) in the neighbouring village of Tseng Tau, previously village representative, and Vice-Chairman of the North Saikung Rural Committee. The second passage I came across in Ch'en T'ieh-erh5, \"Huang Hsiao-yang yu Pai-e t'an\" (Huang Hsiao-yang and the White Goose Pond), in Kuang-tung wen-hsien chi-k'an vol. 15 no. 2 (1985) pp. 60-62.\n\nPassage 1\n\n\"It is said that in the Ming dynasty there was this man Ho Tsoh Shing who obtained a wonder book. The book recorded thirty-six grave sites at the mouth of the dragon. [The family] buried there would achieve great wealth for its descendants and even produce an emperor. Ho Tsoh Shing was already an official at court, holding the post of Minister of the LeftE. But his mother did not have the good fortune to support this achievement. When his wife was pregnant, his mother scolded her saying, 'My son is an official at court many mountains and seas away, so how is it that you are pregnant?' The daughter-in-law said, 'He comes back every night'. What happened was that every night Ho Tsoh Shing rode home on a bamboo-rigged flying horse, and early in the morning he rode the flying horse back to court. The daughter-in-law said, 'If you don't believe me, you can hide by the courtyard tonight and watch him as he comes in'. [This the mother did] and saw that that was what really happened. The horse stopped at the courtyard, and the mother, being curious, rode on it. The horse could not fly, because it was bogged down by the woman's breath. When Ho Tsoh Shing rose the next morning to go to court, the horse was still bogged down by woman's breath. So immediately, he went to cut some bamboo to rig another horse to fly to court. He was late. The emperor was in his court calling the rolls. When he came to Ho Tsoh Shing's name, Ho answered from the outer court [in such a loud voice] that it shook the emperor. The emperor then suspected that Ho Tsoh Shing was scheming to take the throne, and other officials also made many comments. They found out that Ho Tsoh Shing possessed the thirty-six grave sites at the dragon's mouth. When this was known, Ho Tsoh Shing was killed by the emperor, and the fungshui was\n\nto",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
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    },
    {
        "id": 208841,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 3,
        "title": "RAS-1980",
        "content_text": "202\n\nTo\n\nand\n\nsites were also rendered ineffective by the emperor's golden pen. My knowledge, the elders knew of four sites. One of them was on Tiu Chung Chau at Kau Sai in Saikung. The fungshui of this site was ‘a golden bell hanging on a silk thread'. Every year at the Double-ninth festival, nine buffaloes came to worship at the grave; there was also the sound of a bell being struck. A second site was at Yuen Chau Chai at Kei Leng Ha Village. The fungshui name was 'the general comes down from his horse to drink three cups of wine'. In the middle of the sea, there is Wu Chau (with the adjacent island of Sam Pui Tsau) that resembles a pig, three cups of wine and two cups of tea. Another site was at To Tau Tsui at Wu Kai Sha, which is opposite Nga Chau (usually nowadays called A Chau) in the Tai Po Hoi. The fungshui name was crows going into the ocean. Legend has it that in the old days a mud embankment connected Wu Kai Sha to Nga Chau which sank into the sea after the emperor put down the dragon. The embankment has not been seen again. One more site was on Ap Chau opposite Kat O. The fungshui name was 'precious duck going through the lotus'. The legend is that Ap Chau used to be able to swim between Sam Mun Kan and Mirs Bay. Later, it was blocked by a duck pole, that is, the place currently known as Hak Ngam Kok. After that, when paddy ripened in the Yim Tin Village area near Sha Tau Kok, there was no rice grain on the stalk, because it was all eaten by the duck. After the emperor put down the dragon with his golden pen, the head of the duck... and then there was grain again.\n\nI know about the fungshui of only these four grave sites.\n\nhe cut off\n\nPassage 2\n\nRecorded by Ho Kei Fook\n\n\"An extraordinary person saw that Huang Hsiao-yang [rebel in the Canton area in the early fifteenth century] had features fitting to make him emperor and gave him a bamboo shoot to plant at home. When the 'bamboo grew to the height of his brows', he was supposed to be able to make an arrow out of it which he could use to kill the emperor with and thereby take over the throne. Huang planted the bamboo shoot as he had been instructed and a bamboo stem grew",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
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    },
    {
        "id": 208881,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 43,
        "title": "RAS-1980",
        "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n15\n\nIn single-room and larger temples the major altar, which faces the entrance, may be either one large space reaching from side wall to side wall or it can be divided into three, five or more individual altars with, on occasions, a separate altar or two constructed down the side walls. (Plate 6).\n\nIn quite a number of traditional temples the main hall is divided longitudinally by partition walls from floor to ceiling. These stretch a short distance into the main hall from the rear wall of the temple, one on either side of the main altar. The two side altars are therefore outside the partitions, and in practice these partition walls serve to isolate the side altars.\n\nIn many traditional temples several major deities, and even a few minor deities, have a side hall dedicated entirely to themselves and their attendants. These include the God of Loyalty and Literature Guan Di; the fertility goddess Jin Hua Niang Niang; the bodhisattva Guan Yin and the wealth god Cai Bo Xing Jun. It is not necessarily a down-grading of the importance of the deity but a late recognition and addition to the temples' complement. A great many side hall altars contain a group of unconnected and unidentifiable minor images around the major and identifiable deity's image, all placed there over the years by zealous devotees.\n\nA side hall in one temple contained the lone image of the Earth God on the only altar, although the characters above the altar read Jin Hua Niang Niang. Presumably over the years the images of this fertility Goddess and her attendants had been removed and replaced by the image of the Earth God without the title above the altar being changed.\n\nThe temple incinerator, and the temple keeper's kiosk or counter from which he sells charm papers and incense, are usually in one or other of the side halls or courts between side halls.\n\nSide halls also contain large ritual items such as the temple bell, drum and the removable head and tail from the village dragon boat, and in one of the side halls of most Boat People's temples replicas of early junks (some 8' to 10' in length) also gather dust in the gloom. These model junks are used only on festival days when offerings are placed on the decks. The devotees thank Tian Hou for good catches over the previous year and request similar benefits for the coming year.\n\nThe roofs of traditional temples consist of interlocking tiles resting on lathes supported by strong cross beams. The latter are",
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    },
    {
        "id": 208891,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 53,
        "title": "RAS-1980",
        "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n25\n\nSeveral temples have large stone lions outside the entrance or just inside the main doors to guard the temple from demons.\n\nBoat Peoples' land temples used to have a pair of masts more than twice as high as the temple with a small red wooden crow's nest on each, some six feet from the top24. These are said to be the repository of the spirit of the dragon of the nearby hill or island peak which protects the local inhabitants from the depredations of evil spirits. Nowadays, only one temple seems to have them, the Hong Sheng temple at the old landing stage on Ap Lei Chau.\n\nLarge triangular and colourful flags flown outside temples tend to identify the temple as a Chaozhou community temple. These flags bear the title of the main deity, the name of the temple and a spirit medium operates there, another flag in grey and black is flown, bearing an Eight Trigram diagram together with magical signs and symbols.\n\nDating of temples\n\nAbout the only way that temples can be dated with any reasonable accuracy is from the plaque near the entrance listing the subscribers to the initial construction, from the temple bell inscription25 or from the dates on the ancestral tablets of the founders of the temple on the temple altar.\n\nFrom a very general examination of bells and chimes, several dozen bear dates between 1700 and 1840, that is post-Ming dynasty but pre-British occupation. One or two bells date back to the period immediately post-Ming and a further couple are dated within this century. The older traditional temples were probably rededicated post-Ming, or were built and dedicated post-Ming, mainly in the period following the rescinding by the Kang Xi Emperor of the order enforcing the removal of all who lived within 50 li (18.3 miles) from the coast during the period of intense pirate and anti-government activity along the China coast in the 1660s.26\n\nProbably the earliest recorded date for the construction of a temple is the stone carving dated AD 1274 behind the Tian Hou temple in Joss House Bay. In AD 1012 Lin Daoyi, a trader from Fujian province, wrecked during a storm, was washed up on Tung Lung Island and built a temple dedicated to Tian Fei (as Tian Hou was then called) in thanksgiving. The temple was destroyed by a...",
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    },
    {
        "id": 208955,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1980",
        "page_number": 117,
        "title": "RAS-1980",
        "content_text": "FUNG SHUI: ILLUSTRATED BY KAT HING WAI, N.T.\n\n85\n\nThe basic premise of geomancy is the location of ch'i, the cosmic breath, of the site in question. This ch'i is dispersed by wind and carried by watercourse; too much of each or both will drive the site's good influences away, and too little movement will cause stagnation of the influences. An ideal site should be south-facing and constitute the following topographical features: The hills should have the formation of an armchair; those in the rear should fence off evil spirits brought in by the cold bitter northerly wind, those on the left and right should flank it like embracing arms, and the front should be opened or unobstructed such that view, airiness, and sunlight can be brought in by the yang spirit. These features are represented by the four numinous animals: the azure dragon on the left, the white tiger on the right, the red bird in the front, and the black tortoise in the back. Thus, the point where the two forces meet, and in a proportion of three to two of the azure dragon and the white tiger in elevation, is the perfect location for burial and building. As to water, a site with confluence of streams brings good influences; conversely, branching does the opposite. \"Sharp bends are bad since they make straight arrow-like lines, meander being the natural path of good influence...\" However, favourable and auspicious sites are not always readily available, and less desirable ones are remediable by means of tree planting, or building a fung-shui pagoda at proper places, or removing contours and watercourses according to geomantic principles. As fung-shui can bring good influences to people if dwellings are properly placed, so can it cause ill fate if they are placed otherwise. According to a geomantic professor I interviewed in Hong Kong, inauspicious fung-shui can induce illness or even death in the family if, for example, windows or doors or kitchen stoves are mislocated. The same fatality may occur if a beam of a house is erected directly over one's head in a sleeping area. Or a house is in a baleful location if it is situated at the crossroad of a Y-junction. My investigations concur with the Yang Dwelling Classics, which says in the opening paragraph: “All dwellings should not be at the mouth of a thoroughfare, or in a monastery (Buddhist temple grounds), nor come near to a shrine, nor be where plants and trees do not grow (to screen and protect), nor in an old battleground ... nor at the gate or opening of a large wall, nor opposite a prison gate.\"12 In Maurice Freedman's research\n\nyang",
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    },
    {
        "id": 208957,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 119,
        "title": "RAS-1980",
        "content_text": "FUNG SHUI: ILLUSTRATED BY KAT HING WAI, N.T.\n\n87\n\nvalley surrounded by hills in the east, north and south forming an armchair embracing it. It is located at the crosspoint where the breath of the azure dragon and the white tiger meet. The entire valley is fed by flowing streams like the sinews and veins within a body. It is also the confluence of meandering tributaries before the main river runs off to the sea. According to a geomancer who never saw Kam Tin, \"It is said [in the geomancy classics] that the Dragon [Water Dragon, not the same as the Azure Dragon] follows the watercourse, and the meeting-place of waters is the meeting-place of the dragons, where the virtues of hills and streams are united and the grass ever green.\" He continued, \"In the distance there should be groups of mountains with streams of water encircling them; in front a stretch of level plain, a pond, or lake. In the wider circuit, the space should be large enough for 10,000 horses, and the watercourse be sufficient to admit a dragon [large] boat... If the expanse be wide, children and grandchildren will multiply and be strong. From the top of the hill the view should extend for miles, with mountains and streams interspersed.\"16 Such vivid and precise description of the geographical features of Kam Tin by a fung-shui professor who never saw the place can only lead to the conclusion that the siting of Kam Tin was done piously in accordance with the geomancy canons. Moreover, \"the place where the flow out being low, with no hill or high embankment to obstruct the escape of good influences, a pagoda is erected to check these influences and throw them back over the land.”17 Indeed a fung-shui pagoda called Man Ch'eung Kok was erected near where I Tai College now stands in Shui-tau hamlet.* By the year 1850, \"the Tang family seemed to have reached the height of their prosperity. Many of them passed the highest government examination and a census taken that year showed that there were more than 1,800 males living...\"18 But the family experienced a decline in population and wealth after the pagoda was torn down and the course of the river was altered to accommodate three fish ponds and buildings of a school that blocked the view of the village.19 This mistake was remedied by repairing the banks of the river in 1930 and family membership was said to be on the increase again.\n\nFig. 2 in the original version of this article, published in Asian Architect and Builder, October 1979, which contains many other drawings and diagrams not reproduced here.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
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    },
    {
        "id": 208958,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 120,
        "title": "RAS-1980",
        "content_text": "88 \n\nDAVID LUNG \n\nThe westerly orientation of the village is shifted 90° from the standard south-facing position in order to adapt to the local currents of the cosmic breath formed by the azure dragon on the left, the white tiger on the right and the black tortoise on the back. The open field on the west stretching to the sea which lies beyond gives a sense of airiness and the Nan Tau Shan mountain range across from the bay keeps good influences from being washed away. Such an intricate step taken in the planning process indicates that the geomancy canons were not translated literally into a physical form, but rather the interpretation of the fundamental principles was fused with the deep understanding of the forces of nature and the micro-cosm of the local surroundings to make their aspirations and existence come true on a land which had existed before their occupation. As the commemorative tablet of Kat Hing Wai (1925) states, \"... our ancestor Fu-hip... consulted divination and settled in this village...\"20 \n\nTo authenticate the geomantic siting of each of the built forms, for example, a wai, an ancestral temple or a bridge, lies beyond the scope of this paper. It is not an impossible or improbable task per se, but rather it is a different discipline of study. The concern of a geomancer is the actual method of divination, a combination of understanding of a wide range of fung-shui classics and the use of the geomantic compass. In an over-simplified experiment, I have attempted to explore the physical and cosmic relationships of the four wais, Kat Hing, Wing Lung, Tai Hong and Kam Hing. (The last one is a ruin; its wall configuration is largely my own reconstruction based on the patterns formed by the other three.) As indicated in Fig. 5*\n the lines that are drawn to link up a corner tower of one wai with a second and a third tower of another wai, and as indicated in Fig. 6*\n the lines which join the mid-points of the walls in a similar fashion, are clear indications how the wais are related. These lines show quite explicitly a certain design pattern which is far more complex than the untrained human eye can conceive. Even though the location and orientation of these hamlets may seem arbitrary, the intensity of the hidden energy cannot help but force one to believe that the alignment and the orientation of the wais are too coincidental to have happened by chance. Although several historians assert that the walls were built 200 years later \n\n* References are to figures in the original version, not reproduced here. \n\nPage 120\nPage 121",
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    {
        "id": 209003,
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        "series_slug": "histsyn-rashkb-journal-engine",
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        "document_key": "RAS-1980",
        "page_number": 165,
        "title": "RAS-1980",
        "content_text": "NOTES AND QUERIES\n\n133\n\nmy first such expedition was I accompanied by anyone from the China Travel Service and that was simply because he knew the way, not because he had been ordered to check on my activities. I was never followed. Taxi drivers made out duplicate slips on each of my expeditions. They gave me a copy and kept the original (as they always do for every taxi ride). In my opinion Public Security cadres did not correlate—or even read—the slips from my many expeditions. One thing alone is of concern to cadres when it comes to tourists: foreign exchange. My taxi rides produced foreign exchange—though taxi fares are far less than in the United States or England. This is because there is only a minuscule charge for waiting; and the taxi often waited for me at a monastery for two or three hours.\n\nThe People's Government wishes the outside world to know that there is now freedom of worship in China. I found that there is freedom of worship and have even published a remarkable photograph to prove it. Thus I have helped Peking to undo the harm that was done to public opinion abroad in 1949-1976.\n\nHarvard, Mass 1981\n\n+\n\nHOLMES WELCH\n\nCHINESE RELIGIOUS INVOLVEMENT WITH ISLAM\n\nSince I wrote my Note on two examples of Chinese religious involvement with Islam on pages 199-202 of Volume 19 of the RAS(HK) Journal 1979, I have been fortunate enough to be able to purchase an image, some ten inches high, a typical Chinese altar figure, said to be off a Chinese temple altar in Surabaya on Java. It is of a middle-aged gentleman, dressed in songkok, sarong and a white shirt with cufflinks and removable buttons, worn outside the sarong. He also has white trousers under the sarong and is seated on a Chinese dragon-throne, a typical pose, decoration and carving of a Chinese deity from Fujian province.\n\nThe Chinese who sold it to me said that he had obtained it from the temple keeper in Surabaya as it was no longer needed. It depicted, so he was told, the former President of Indonesia, Dr. Sukarno, born in Surabaya in 1901 and died in 1970. The image had been carved and placed on the altar in a Chinese temple as an\n\nPage 165\n\nPage 166",
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    {
        "id": 209018,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 180,
        "title": "RAS-1980",
        "content_text": "148 \n\nNOTES AND QUERIES \n\nFung Yuen is a coastal valley cutting deeply back from the coast of Tolo Harbor, about a mile and a half deep and perhaps a half mile wide, flanked by hills falling sharply down to the sea on both sides. The eastern hill, the abode, geomantically speaking, of the Green Dragon, has been shaved off in Government engineering works as a \"borrow area\" for bay fill several years, and tun fu ceremonies have been held in Fung Yuen in the past. In 1981, \"borrowing\" was to begin on the western hill, the home of the White Tiger, so new ceremonies were necessary. \n\nThe details of the 1958 and 1960 rituals described by Hayes (JHKBRAS 5:122-124 and JHKBRAS 11:204-209) are roughly similar to those I observed in Fung Yuen in 1981. However, the specialist hired, according to the village head, was not a fung seui sin saang, but a tun fu sin saang (could this perhaps indicate the growth of a new occupational specialization?). He was aided by one elderly assistant. Offerings included both meat and vegetarian dishes; the specialist commented that since many spirits are invited to such a ceremony and one does not know their preferences, a variety of things should be made available to please them all. The basic ceremony consisted of the presentation of offerings and prayers, the burning of candles, paper money, and incense, and the renewing of ritual objects that had been positioned in a similar ceremony a few years earlier, and were now reconsecrated and left in place once more. Large incense pots were filled with fresh sand, into which new bamboo sticks affixed with charms were stuck. Fresh, tall stalks of bamboo, very leafy at the top, with a paper charm attached to each, were erected beside the pots at various locations in the valley. As the village head explained it to me, the ceremony serves to invite a benevolent deity, a po sat, who is a sin sih, or a kind of an official in the heavenly bureaucracy, to protect the village from malevolent spirits who may be disturbed by the earth removal. He is, I believe, represented by the paper charm attached to each tall leafy bamboo stalk. \n\nIt is not only the fine details of ritual acts, nor the numbers and types of ritual objects used, that had significance on this occasion. The spatial patterning of the sites chosen for the series of one major and seven minor ceremonies conducted over the course of \n\nPage 180\n\nPage 181",
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    {
        "id": 209019,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 181,
        "title": "RAS-1980",
        "content_text": "NOTES AND QUERIES\n\n149\n\nthe afternoon was equally meaningful. According to Hayes, the priest in charge of the 1958 ceremonies on Lantau decided how many pots should be prepared with charms, and where they should be placed at various spots throughout the area. In the 1960 case in Sai Kung, two pots were prepared, and one was placed at either end of the village. In the Fung Yuen case, however, as many as seven pots were needed (plus an extra ceremony with no pot), and though the ritual specialist may have dictated the precise orientation of each, they are located at sites which could only be derived with a full knowledge of the local social rather than geomantic terrain.\n\nAlmost 450 people make their homes in Fung Yuen, according to my surveys, of whom only about 120 are \"indigenous villagers,\" or descendants of the several small lineages that settled the valley in the middle of the Qing dynasty. Some sixty people name other New Territories villages as their native places, though they have been settled in Fung Yuen for forty to sixty years; the remainder are more recent arrivals, immigrants from China who now grow vegetables as tenants on lineage-owned land. But of these several categories of Fung Yuen residents, only the first, the villagers, face potential harm from the changes to be wrought by government engineering works. This understanding is shared by everyone, despite the fact that the terrain to be altered embraces the homes of everyone, not just the villagers. In fact, those actually farming the land, including some villagers as well as many immigrants, might be considered to be at highest risk, for the water that sustains their vegetables and their livelihoods runs down from the hills where the Green Dragon and White Tiger live. That ritual units are constituted socially rather than geographically or economically, however, is a lesson brought home very clearly in the tun fu ceremonies.\n\nThe first ceremony, and the only one complete with all food and drink offerings as well as other ritual paraphernalia, was conducted at the site of the local Daaih Wohng Yeh shrine, and was addressed to the nearby Touh Deih Gung as well. These gods define a community, in that all who are full members in that community fall within their sphere of responsibility; the gods are concerned with their welfare, and the reverse is equally true. In tradi-",
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    {
        "id": 209023,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1980",
        "page_number": 185,
        "title": "RAS-1980",
        "content_text": "NOTES AND QUERIES \n\n153 \n\ntinuing solidarity and sense of community is, I believe, quite noteworthy. The indigenous multilineage alliance feels threatened by the changes imposed on its quiet valley both by the influx of immigrant farmers and by the new government development plans. In the tun fu ceremonies, I would suggest, it fights back symbolically at both foes. The government is committed to keeping, at least symbolically, the promise made by Blake that Chinese \"usages and good customs will not in any way be interfered with.\" Although these villagers are in reality helpless in the face of tumultuous change, they can in the short run pressure the government to give them \"face\" by providing financial support for the ritual reaffirmation of their exclusive symbolic rights in the lands of their ancestors. The presence of the outsiders in Fung Yuen, ritual statement notwithstanding, is very real, as is the power of the state which is likely to claim more than the domains of the Green Dragon and the White Tiger in the very near future. In the meantime, the tun fu ceremonies, like other rituals, provide us a glimpse of the structure of social as well as religious meaning in a sector of Chinese society that carries on old traditions in a changing world.\n\nBerkeley, California, 1982 \n\nJUDITH STRAUCH \n\nLYCHEES OF TSANG SHING COUNTY, KWANGTUNG. \n\nIn May 1979 I was invited to inaugurate a new term of office-bearers of the New Territories Tsang Shing Fellow Countrymen's Association*4, and at dinner enquired into special local products. Among other items, a rare type of lychee was mentioned. The lychee is a kind of sub-species, and is supposed to be red with a green stripe. None of the persons at the table had seen it, and in conversation they presumed that it came into the category of folk myth.\n\n(1921), \n\n2. The latest edition of the country gazetteer chüan 9/3a has this to say about the lychees of Tsang Shing District: \n\nSei Mong Kong in Sa Pui, Tsang Shing County, produces the prime quality of lychee in Kwangtung because the soil there is rich and sandy. Species ranging from \"Kwa Luk\" (##) to",
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    },
    {
        "id": 209239,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 142,
        "title": "RAS-1981",
        "content_text": "128 \n\nTA. ACTON \n\nare organised into four regional federations, whose four elected chairmen become important people indeed, and sit on the Hong Kong Government's Fish Marketing Advisory Board. The co-operatives and the regional committees have their meetings in a friendly, informal way in the Liaison Officer's office, whose job description includes a duty to \"convince troublesome committees or members to observe the ordinance and by-laws.” — fortunately, rarely necessary. \n\n30 \n\nIn addition, the Liaison Officers encourage mechanisation, training classes (also held in their offices), sensible insurance, the \"Keep Hong Kong Clean\" campaign, and have the duty \"to assist the fishermen in the organisation of festival opera performances, dragon boat races, and other recreation activities.\" 31 \n\n32 \n\nOne major effect, however, of the development, assisted by F.M.O. loans to credit societies and individuals, of a more capital-intensive, mechanised fishing industry, is a sharp decline in the number of persons actually required to man it or make a living at fishing, especially over the past 10 years. In 1971 there were around 50,000 working fishermen in Hong Kong. *2 By 1979 that number had fallen to around 35,700,13 Those with sufficient initial capital to catch the boat of modernization have done so, and now, though working on water, actually live in houses ashore, whether in Aberdeen or new villages on remote islands. It is those who were too poor to mechanise who still live on their old, leaky boats, going ashore to work in factories, sweatshops or street markets. The Shui-sheung-yan community of the early '50s has become polarised into rich and poor, between well-to-do active fishermen, living on land, and poor ex-fishermen, living on boats until they can secure resettlement. \n\nThe F.M.O. schools system, by making available alternative careers to the children of fishermen, has facilitated, and lessened the pain of this reduction of manpower. \n\nIn all other fields, however, the commitment of the F.M.O. is to active fishermen rather than ex-fishermen. Little connection is made between their work and that of the poorest Shui-sheung-yan. Indeed, Government spokesmen, talking of the poor boat-dwellers often refer to them as \"squatters\", implying that they are not true \"Shui-sheung-yan\" at all, but land-people who have moved into leaky boats typhoon shelters like Yaumatei simply to find somewhere to live or perhaps even to jump the queue for public housing. (This view was not, however, borne out by a survey carried out by students for a community \n\n¦ \n\n¦",
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    {
        "id": 209244,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 147,
        "title": "RAS-1981",
        "content_text": "EDUCATION AS A BY-PRODUCT OF FISH MARKETING\n\n133\n\ngroups of men receiving trophies for rowing, for fishing, or for winning the San Miguel beer-drinking championship. Dragons from the head of dragon boats are also hanging up; the club is very strong on participation in the dragon boat races. A much-used ping-pong table occupies one end of the room; at the other sits a caretaker amid piles of plastic heels: he does a little cobbling on the side. In a nearby restaurant the club holds numerous dinners, where guests are entertained with Chinese opera singing, and modern pop songs. Both present and ex-fishermen attend these dinners; it was estimated that at one I attended no more than 10 percent of those present were still active fishermen, (though this estimate discounted women and children and guests present, such as the San Miguel brewery representative.) Probably a greater proportion belonged to active fishing families.\n\nBefore the war, Mr. Thirlwall said, there had been no policy for the boat-people, and they had been very socially isolated. From his lighthouse he had befriended them, dressed wounds, and had come to prefer their society to that of the uptight land-based Hong Kong Chinese. After the war, the pace of social change had been very fast, bewildering many older people. The fishing industry had contracted, and despite his local efforts there was very little solidarity among the fishermen, and that they were not represented as a community in the government process. Challenged as to whether the Regional Co-operative Federations did not do this job, he responded that the credit societies were just concerned with the operation of the better-off boats; they did not concern themselves with the slow loss of small anchorages to land reclamation, the difficulties of getting settlement without becoming an illegal squatter. It was said that all the boat-people were keen to settle: why then did the Marine Department have to refuse all fresh registrations of houseboats? In fact a community was being broken up, and many of the members of his clubs in Stanley and Chai Wan were no longer active fishermen. But they would defend their rights to be part of the Shui-sheung-yan community. He did not use the word “Tanka”, however, (“In fact, I hate it\"), because it was used by land people to oppress them.\n\nThese two clubs in fact bridged the gap between the well-to-do active fishermen and the poor ex-fishermen, partly because of the very evident affection in which Mr. Thirlwall was held by all sections of the community. The clubs were, in fact, an exception to the general rule among the boat-people, not economic organisations, but quasi-ethnic ones, following a very common Hong Kong Chinese pattern, that of the",
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    {
        "id": 209280,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1981",
        "page_number": 183,
        "title": "RAS-1981",
        "content_text": "THE HONG KONG ORIGINS OF DR. SUN YAT-SEN'S ADDRESS TO LI HUNG-CHANG 169\n\nbuilding up a wealthy nation and a powerful army, and to their laws for social reforms. I also discerned the essentials of current events and changes, and the means of maintaining peaceful relationship with other countries.\n\nIn addition to the medical training and earlier schooling he received in Hong Kong, by \"education abroad\", Sun was referring to his schooling in Hawaii. The first Western school which Sun attended was Iolani, and it was an elementary school run by the Church of England in Honolulu, whose staff, except for one Hawaiian, was entirely British. After his graduation from school in 1882, he spent less than a year in a high school, Oahu College, run by American Congregationists and Presbyterian missionaries in the Hawaiian Islands. He was sent back to his native village, Ts'ui-heng, by his brother in the summer of 1883 and enrolled shortly afterwards at the Diocesan Home, a school set up by the Church of England in Hong Kong. The next year he entered the Central School, the first government secondary school in Hong Kong, now known as Queen's College. No record is available as to the class he entered. According to an article in Vol. 37 of Yellow Dragon, the school magazine, Sun entered the school under the name Sun Tai Tseng (Ti Hsiang), at the age of eighteen. He left in 1886 to join the Canton Poh Tsai Hospital as a medical student and then transferred in early 1887 to the Hong Kong Medical College for Chinese. The college was affiliated with the newly established Alice Memorial Hospital, which was set up by Ho Kai, a civic leader in Hong Kong, in memory of his wife. For the next five years, Sun studied under the general supervision of Ho Kai and two Scottish physicians, Dr. Patrick Manson and Dr. James Cantlie. He graduated in 1892 at the age of twenty-six, two years before he wrote the petition.\n\nThus from 1883 to 1892, except for the interval of about half a year in 1886 when he joined the Poh Tsai Hospital, Sun received a major part of his secondary education and then his medical training in Hong Kong. The schools which he attended, the Diocesan Home and the Central School were Anglo-Chinese schools. Since the 1880s, the Hong Kong Government's educational policy had been directed towards the encouragement of the learning of the English language and Western knowledge, and these schools offered subjects such as those referred to by Sun in the opening of his letter. Yet the impact of school upon the mind of a youth like Sun might go much deeper than knowledge obtained from learning in class. The environment or \"culture\" of the school itself played perhaps a more significant",
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    {
        "id": 209288,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 191,
        "title": "RAS-1981",
        "content_text": "THE HONG KONG ORIGINS OF DR. SUN YAT-SEN'S ADDRESS TO LI HUNG-CHANG 177\n\nTranslation from op. cit., vol. 3, p. 1.\n\n# The school was set up in 1870 and was originally named the Diocesan School and Orphanage for Boys and known in its short form as the Diocesan Home. The orphanage was closed in 1896, but the school has continued as the Diocesan Boys' School. Its early history is given in W.T. Featherstone, The Diocesan Boys' School and Orphanage, Hong Kong, 1869 to 1919 (Hong Kong, 1930).* The Central School was set up by the Hong Kong Government in 1862 as a result of a proposal from the famous sinologue James Legge. It was the first government school put directly under the supervision of a government officer recruited from Britain. The school was meant to be a model school for the promotion of teaching of English and Western learning. For its history, see Gevenneth Stokes, Queen's College, 1862–1962 (Hong Kong, 1962).\n\n7\n\nThe article was written in 1937, when the early school register was still in the possession of Queen's College. The Yellow Dragon, vol. 37, p. 94.\n\nIt is still not clear when Sun entered the college. It is generally known that Sun was transferred to Hong Kong in early 1887, but the college was not opened until October of the same year. It is possible that Sun had been transferred to work at the Alice Memorial Hospital as a student before the college was officially opened. For Sun's student life in the college, see Lo Hsiang-lin, Kuo-fu chih ta-hsüeh shih-tai (Chungking, 1945).\n\n10 A brief survey of the significant role of the Central School in this respect is given in Ng Lun Ngai-ha, “Role of Hong Kong Educated Chinese in the Shaping of Modern China”, paper presented to the 8th IAHA Conference, 1980.\n\n11\n\n“For more information on these and other early Hong Kong newspapers, see Ng Lun Ngai-ha, “A Survey of Source Materials in Hong Kong Related to Late Ch'ing China”, Ch'ing-shih wen-t'i, 4, (December 1979), 145–146, appendix A.\n\n12 The China coast newspapers are valuable sources for the study of modern Chinese history. For a brief survey of these materials, see Frank H. H. King and P. Clarke (eds.), A Research Guide to China Coast Newspapers, 1822-1911 (Camb. Mass., 1965).\n\n13 It was said that Sun might have contributed articles to the local newspapers and also to the Wan-kuo kung-pao, of which Cheng Kuan-ying was a patron. See Sun Chung-shan nien-p'u (Peking, 1980), p. 24 and Lo Hsiang-lin, \"Kuo-fu yü Ho Chi chüeh-shih ti kuan-hsi\", Kuo-fu ti kao-ming kuang-ta (Taipei, 1965), p. 129.\n\n14 The Hao T'ou yueh-k'an 14 and 15 (1947), a magazine published by a secondary school in Chung-shan county, noted that it was first published in the Macao Daily in 1892. Its full text can now be found in Sun Chung-shan Shih Jiao chuan chi (Kuang tung wen shih tzu-liao, Canton, 1891), pp. 271–273.\n\n16 For a brief comparative study of the two letters, see Huang-yen, “Chi-shao Sun Chung-shan 'chih Cheng Tsao-ju shu'”, Li-shih yen-chiu (1980:6), pp. 184–189.\n\n10 For a short description of Ho's life and career in Hong Kong, see Wu Hsing-lin, The Prominent Chinese in Hong Kong (Hong Kong, 1936), II, pp. 1–2. Ho's contributions to the reform movements in China have been studied in a number of works. The more recent ones are Chiu Ling-yeong, The Life and Thought of Sir Kai Ho Kai (unpublished Ph.D. dissertation, University of Sydney, 1968) and Tsai Jung-fang, “Comprador Ideologists in Modern China: Ho Kai and Hu",
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    {
        "id": 209670,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 327,
        "title": "RAS-1982",
        "content_text": "NOTES AND QUERIES \n\n305 \n\nseparate sectors close to Fanling Road; population: 505; both Cantonese and Hakkas.\" \n\nIt is believed that Cha Hang (茶坑) is the original name which was derived from the location of the village, which is situated near the junction of two streams. Because of the differing pronunciations of Cantonese and Hakka, the names Tai Hang (大坑) and Choi Hang (菜坑) appeared later. Probably because of the Chinese tradition of preferring propitious characters in place names, the villagers adopted the modified version of Tai Hang 太亨,泰亨 \"Tai\" meaning peaceful \n\nand \"Hang\" meaning prosperous. In fact, 太亨 is the official name recorded in the 1819 edition of the San On Gazetteer (新安縣志). Recently, this version has been used commonly by the Lands Department and the District Office in official maps and documents. \n\nThe local names of Cha Hang (junction of streams together with Kau Lung Hang (nine dragon stream 九龍坑) and Kiu Tau (bridge head 橋頭) sheds some light on the condition of the plain between Tai Po and Fanling several centuries ago. It suggests that the area was essentially low-lying marsh land crossed by many small streams. In this connection, the ancestors of the Man clan had certainly made, perhaps inadvertently, a correct choice in bringing the water pines with them for planting in their new village, since this occupies a location very similar to the natural habitat of the species in the low lying districts of the Pearl River Delta. \n\nYU KOW-CHOY LAI CHIK-CHUEN \n\n(Senior Forestry Officer and Forestry Officer, Agriculture and Fisheries Department) \n\nMORE ABOUT THE TUNG CHUNG FORT \n\nIt is recorded in Chapter 125 of the Kwong Tung Tung Chi, Tao Kuang edition (廣東通志) that in the 22nd year of the Ch'ia Ching reign (1543), not 1817, eight guard-houses were built at Tung Chung.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
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    },
    {
        "id": 209816,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1983",
        "page_number": 75,
        "title": "RAS-1983",
        "content_text": "53\n\nother, and on a ridge or spur which represents, for instance, a dragon, snake, shrimp or crab in its formation. The principle is that the animal represented is a beneficial one which will guard the deceased who, in his turn, will watch over the interests of his descendants on this earth if sufficiently propitiated in the next world by his earthly descendants. This conception is important because it explains the strenuous objections usually met where the fung shui (K) of a burial place is disturbed. The commonest objections are against the cutting or digging of the ridge or spur at any point directly above the grave itself, since this will destroy the creature whose influence is protecting the deceased.\n\n(d) Important graves are frequently ones of recorded ancestors or founders of a clan. These graves are normally flanked by two small shrines (hau to), one on either side at a distance of roughly 20 feet, and sometimes one above as well. Their object is to persuade the earth god to look after the grave.\n\n(c) A shan fan sometimes falls into disuse and neglect by reason of the disappearance of all descendants or through other reasons. A sure sign of this is the removal of the pei shek (Z) or stone plaque on which details of the deceased are recorded. At the two grave-worshipping festivals of Ching Ming () and Chung Yeung (†), it is normal to tidy up huet chong (*), kam tap (4), and shan fan (4) and to decorate them with patches of white lime and lucky money as well as joss sticks.\n\n(f) Standing with one's back to the pei shek (%) of a shan fan (1) and facing the same way as the grave, a half circle in front with a radius of 10 yards is normally sacrosanct. Disturbance of the ground is regarded with strong disfavour. Traditionally, the left arm of this half moon is protected by a green dragon and the right arm by a white tiger.\n\n(g) The degree of fung shui (IK) involved is relative and, in some cases where there apparently exists no strong feeling on the subject, a road or cutting may be allowed right up against a grave. At other times, very strong objections indeed may be raised. Generally the strongest feelings lie with clans that have sufficient land and money to carry on traditional ancestor worship and to keep the proper spirit alive.\n\nPage 75\n\nPage 76",
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    {
        "id": 209863,
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        "document_key": "RAS-1983",
        "page_number": 122,
        "title": "RAS-1983",
        "content_text": "100\n\nFurther to the west is Shalowan (\"Sand Snail Bay\") a big village with a fine beach and a fine wood behind it for “fungshui”. The villagers defend their beach against sand diggers with firearms; it guards their paddy fields behind. There is a settlement of early man on the headland near the village; old fields just behind the site are, apparently, for dry crops.\n\nIn a suitable light ancient log slides can be seen, running straight down the steepest hills, on this stretch of coast.\n\nBetween Shalowan and Tai O the only place of note is Sham Wat (\"Deep Dene\"), a narrow valley with two or three tiny hamlets.\n\nJust to the east of Tai O is Po Chu Tam (“Precious Pearl Pool\"). The name may either preserve the memory of a pearl fishery or enshrine a local legend: pearl oysters were once to be found in Hainan only 200 miles away. Po Chu Tam is the back door to Tai O, from it a navigable creek runs down to Tai O town. Po Chu Tam has a big temple with a shed for dragon boats; the head and tail are kept in the temple. On a low headland nearby is a ruined Chinese fort: its work is now done by an Indian guard, put there after a piracy in 1926. Another protection is an old wall with a gate, which stands across the path from Po Chu Tam just outside Tai O. Any active man could out-flank it by going up the hill.\n\nTai O (\"Big Haven\") is the biggest town in Lantau, with over 2,000 people. It was recently building an electric light and power station, run on oil. The town straggles along the shores of its creek, and has a small agricultural plain behind it. About 3 miles up into the hills is a big Buddhist temple, with a number of \"fasting halls\"; these have lately built a bridge and widened the path going up hill. Tai O salt is made in big salt pans, but is of poor quality, and only fit for salting fish. The creek cuts off the hills on which the Police Station stands from the town: it is crossed by a sampan ferry which is leased by auctions held by the elders of the place. In the wider part of the creek is a substantial settlement of boatpeople. They live in huts built on piles driven into the creek bed. These piles are often of stone, but often also of wood or bamboo. The huts are lashed to the piles with wire.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 209875,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 134,
        "title": "RAS-1983",
        "content_text": "112\n\nHaven\".\n\nPui O at present often uses for its name characters meaning \"Shell Harbour\".\n\n1* Yi Long Wan (\"Second Wave Bay\").\n\n1 These villages used to stand just south of Discovery Bay but have since given way to the major housing project of that name.\n\n\" Tai Pak Island is now called Tai Lei (\"Great Profit\").\n\n19 Shau Chau is now called Sha Chau (\"Sand Isle\").\n\n\"Tongkwu is now called Lung Kwu Chau (\"Dragon Drum Island”). \"The Society for the Aid and Rehabilitation of Drug Addicts (SARDA) has had a treatment centre here since about 1960.\n\n31\n\n* Capital of San On District.\n\n** No villages now survive on Hei Ling Chau, which, after the closure of the leprosarium, is now occupied solely by the Correctional Services Department. The remaining villagers were resited to various places on Lantau in 1952-53.\n\n** Chau Kong is now called Sunshine Island (Chau Kung To), after an agricultural rehabilitation programme for refugee families launched there in the 1950s by Mr. Gus Borgeest (of Hong Kong) and others.\n\n\"Kau Yi Tsai is now called Siu Kau Yi Chau, with the same meaning.\n\n**A prewar periodical magazine containing many items of great interest, including Father D.J. Finn's contributions on local archaeology, 1933-36. These were reprinted, edited by Rev. T.F. Ryan S.J., by Ricci Hall, University of Hong Kong, 1958, entitled Archaeological Finds on Lamma Island (M) near Hong Kong.\n\n** Waglan at present uses for its name characters meaning \"Barrier to the Waves\".\n\n#T\n\nRespectively Cheung Shek Pai, Ngan Wu, and Shan Liu.\n\n\" Also known in English as Junk Island. At present the island is known in Chinese only as Fat Tau Chau (\"Buddha's Head Island\").\n\nNam Tong Island is now known as Tung Lung Chau (\"Eastern Dragon Island”).\n\n* This is the Tin Hau Temple (Tai Miu) on Joss House Bay.\n\nAfter partial excavation, it is now listed as an ancient monument under the care of the Urban Services Department.\n\n** Respectively Pak A, Leung Shuen Wan, and Pak Lap.\n\n** These inlets were drowned in the mid 1970s to form the High Island Reservoir.\n\n*Tolo Harbour.\n\nYuen Chau Tsai, see note 2 above.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 209959,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 218,
        "title": "RAS-1983",
        "content_text": "196\n\nthe vessel appointed to receive us, in the 10th month of the year Yeh-sze.\n\nLike Kong-heang my renown is small; like Lea-heang I have taught the classics, but profited little by the examples found in them. My attainments are slender, and I can only be compared to a ragged colt that has no real substance.\"\n\nIn view of Cree's mention of Charles Gutzlaff being on board the Vixen, and of the dearth of translators in Hong Kong at that time, it may be that the translation of the poem was made by Gutzlaff himself.\n\nNOTE\n\nThis is probably Liu Kai-yü (M), a native of Shun-Tien, Prefect of Canton (AHA) from 1843, or Liu Hsin (2), a native of Hsiang Fu, Honan, who succeeded him as Prefect of Canton in 1845 c.£. ƒƒƒ± (+M/2## Vol. 1), p. 405 (Note from Rev. C.T. Smith).\n\nRELICS OF HONG KONG AND CHINA IN BRITISH ARMY AND REGIMENTAL MUSEUMS\n\nP. BRUCE\n\nWhile in the United Kingdom in 1983 I visited a number of army museums in search of items related to China. There is, in fact, quite a lot to see, though the museums are scattered the length and breadth of the country and considerable travelling is involved. However, members of the society may like a brief note on what I was able to find and it would be interesting to hear of anything additional which is known of.\n\nI started at the Royal Marines Museum, at Southsea, Hampshire, which is, in effect, a part of Portsmouth. There is an interesting collection of China items here.\n\nThe oldest items are several assorted rifles and swords and an impressive Chinese cannon which looks as if it would have fired a shot about the size of a tennis ball. It is crafted to include a ferocious dragon's head at the muzzle from which the ball would roar forth. These were picked up in 1842.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 209962,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 221,
        "title": "RAS-1983",
        "content_text": "199\n\nA pair of Chinese drums, each with writhing dragons, with colours still surprisingly bright considering their age, is on show. There are Chinese caricatures of British soldiers and a red lion rears on the ensign which flew from a piquet boat in the attack on Chusan in 1842.\n\nThe regiment was one of those honoured by being allowed to carry the China dragon on its badge and it still features today, with the word \"China\" underneath, on the buttons and badges of the Border Regiment. The museum has a good collection of belt plates and cap badges bearing the dragon.\n\nThere is an interesting Chinese map, epaulettes and medals of the First China War. A banner seized by the 55th now in Kendal Church is the subject of a separate note.\n\nMore modern memories of Hong Kong are housed in the museum of the Middlesex Regiment, in Bruce Castle, Tottenham, London. The museum was closed for re-organisation when I visited but I was kindly shown the relevant items in the collection. The role of this distinguished regiment in the 1941 battle for Hong Kong is well known. There are several weapons which were used in the battle. One machine gun was buried to prevent its capture by the Japanese and it was recovered after the Allied victory. A Japanese machine gun is also held.\n\nThere is a framed menu card which was used on the regiment's Albuhera Day, 10th May 1943, in a Hong Kong prison-of-war camp. Sketched on the front is a guard tower and those present have signed their names. A Japanese flag bears the Rising Sun. Other reminders of POW life are the 1st Battalion's bugle which was used in Hong Kong, and later in Japanese prison camps and a small wireless set which was used secretly in the prison-of-war camp here. For refusing to divulge its whereabouts Colonel L.A. Newnham was tortured and executed. He was posthumously awarded the George Cross.\n\nThe museum also has a small flat fan with a pagoda painted on it which belonged to Captain Kyodo Shigeru of the Lisbon Maru. A poignant reminder of the incident is a sketch which shows the stern of the ship already under water and the decks crowded with desperate men. The drawing was kept for over two years concealed in a bamboo stick by Major C.M.M. Man,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 209964,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 223,
        "title": "RAS-1983",
        "content_text": "201\n\nThere were two museums which I intended to visit but as my daughter's birth day approached the time available for such luxuries declined.\n\nI wrote to the Duke of Edinburgh's Royal Regiment museum, at Lichfield, Staffordshire, and received a very helpful reply. The 98th Regiment, later the 2nd North Staffords, served in the First China War and in Hong Kong.\n\nOn display at the museum are a \"soldier's watercolour\" in the uniform of the period c1840-50. \"This also shows a sentry box and the Colours and seems intended to indicate a coastal location. The 'China Dragon' is on the colour and the painting could well relate to the Regiment's subsequent service in Hong Kong (1842-45)\".\n\nThere is an officers' Shako plate (1829-44), an officers' shoulder belt plate, an officers' sword belt clasp (1826-55) and \"two buttons, a shoulder numeral and a few other relics of the period, subsequently dug up in Hong Kong\".\n\nThe other museum which I missed was that of the Royal Berkshire Museum, successors to the 49th Regiment, in Salisbury, Wiltshire.\n\nMy experience in 1983 proved that visitors to England should make a point of calling in at virtually any regimental or army museum that they pass. What may be judged an unimportant relic against the span of centuries of regimental history may be viewed quite differently from a Hong Kong point of view.\n\nNot army, but equally interesting, is the National Railway Museum, in York, which might seem an unlikely place to search for souvenirs of China--but it houses what is probably the biggest one in Britain. There, sparkling and gleaming, is a mighty Chinese National Railways Class KF 4-8-4 locomotive. The 93-foot long behemoth was built in the mid-1930s at the Vulcan Foundry, Newton-le-Willows, to haul 600-ton trains over the mountainous central section of the Canton-Hankow Railway. After 43 years in service the locomotive was presented to the museum by China and it left Shanghai for England in 1981. The sheer size of this monster makes it stand out and it looked to me far and away the biggest in the extensive collection. The engine weighs in at 114.9 tons with a 77-ton tender.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 209993,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 252,
        "title": "RAS-1983",
        "content_text": "230\n\np. 130. Ho Ping-ti, The Ladder of Success in Imperial China, New York, 1962, p. 208.\n\np. 134. Bredon, Juliet and Mitrophanow, Igor, The Moon Year: a Record of Chinese Customs and Festivals, Shanghai, 1927, p. 341.\n\np. 141. Ball, Things, p. 316.\n\np. 142. Doolittle, Social Life, Vol I. p. 122.\n\np. 145. Ho Ping-ti, Studies on the Population of China, 1368-1953, Cambridge, Mass., 1959, p. 187.\n\np. 148. Anderson, E. N., Jr and Anderson, Marja L., 'Modern China: South', in Chang K. C. (ed.), Food in Chinese Culture, New Haven, 1977, p. 339.\n\np. 154. Williams, S. Wells, Middle Kingdom, Vol II, p. 293.\n\np. 156., p. 180.\n\nAncestral Images Again\n\nP. 3. De Groot, Religious System, Vol I, p. 30.\n\nP. 4. Johnston, R. F., Lion and Dragon in Northern China, London, 1910, p. 140.\n\n5. Cormack, Birthday etc. Customs, p. 18.\n\np. 9. Freedman, Maurice, Lineage Organization in Southeastern China, London, 1958, p. 64.\n\np. 11. Chen Han-seng, Landlord and Peasant in China, New York, 1936, pp. 37-38.\n\np. 16. Johnston, Lion and Dragon, p. 383.\n\np. 21. Werner, Dictionary, p. 557.\n\np. 22. Watters, T, A Guide to the Tablets in a Temple of Confucius, Shanghai, 1879, p. xv.\n\np. 22. Williams, S. Wells, Middle Kingdom, Vol I, pp. 525-526.\n\np. 26. Liu Y. C., Fifty Chinese Stories, London, 1967, pp. 36-39,\n\np. 28. Ibid, pp. 56-59.\n\np. 30. Williams, S. Wells, Middle Kingdom, Vol I, p. 30.\n\np. 33. Gray, China, Vol I, p. 391.\n\np. 36. Macgowan, Sidelights, p. 326.\n\np. 36. Hunter, William C., Bits of Old China, London, 1855, p. 194.\n\np. 38. De Groot, Religious System, Vol I, p. 43.\n\n40. 齊東野, 風水靈籤怪談\n\np. 40. F·AKAKEK Hong Kong, 1963, pp. 12-13.\n\np. 47. Sun Yat-sen, Memoirs of a Chinese Revolutionary, London, 1918, p. 5.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 209994,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 253,
        "title": "RAS-1983",
        "content_text": "p. 49. Drage, Charles, Two-gun Cohen, London, 1954, p. 135.\n\np. 53. Addison, Ancestor Worship, p. 54.\n\np. 54. Mayers, Reader's Manual, p. 157.\n\np. 55. Buss, Kato, Studies in the Chinese Drama, Boston, 1922, pp. 75-76.\n\np. 57. Ibid, p. 62.\n\np. 57. Couling, Encyclopaedia, p. 148.\n\np. 60. Smith, D. Howard, Religions, p. 163.\n\np. 60. Teichman, Eric, Travels of a Consular Officer in North-West China, Cambridge, 1921, p. 148.\n\np. 62. Milne, Rev. William C., Life in China, London, 1857, p. 97.\n\np. 64. Cockrill, W. Ross, The Buffaloes of China, Rome, 1976, p. 32.\n\np. 65. Ball, Things, p. 125.\n\np. 65. Arlington, L. C., Through The Dragon's Eyes, London, 1931, p. 132.\n\np. 67. Johnston, Lion and Dragon, pp. 181-182.\n\np. 70. Teng Ssu-yu and Fairbank, John K., China's Response to the West, Harvard, 1954, pp. 24-25.\n\np. 72. Endacott, G. B., A History of Hong Kong, London, 1958, p. 109.\n\np. 75. Krone, Rev. Mr., 'A Notice of the Sanon District', Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol VII, 1967, pp. 124-125.\n\np. 75. Wesley-Smith, Peter, Unequal Treaty, 1898-1997, Hong Kong, 1980, p. 191.\n\np. 78. Doolittle, Social Life, Vol II, p. 169.\n\np. 78. Lin Yutang, My Country, p. 98.\n\np. 82. Mayers, Reader's Manual, pp. 359-360.\n\np. 86. Doolittle, Social Life, Vol I, pp. 207-208.\n\np. 90. Bredon and Mitrophanow, Moon Year, p. 395.\n\np. 90. Williams, C. A. S., Outlines, p. 254.\n\np. 92. Broomhall, Martyred Missionaries, p. xii.\n\np. 98. Couling, Encyclopaedia, p. 328.\n\np. 98. Arlington, Dragon's Eyes, p. 125.\n\np. 100. Ibid, p. 100.\n\np. 101. De Groot, Religious System, Vol I, p. 14.\n\np. 106. Hong Kong Weekly Press and China Overland Trade Report, Hong Kong, June 1903.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 209995,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 254,
        "title": "RAS-1983",
        "content_text": "232\n\np. 109. Yang, C. K., Religion, pp. 16-17.\n\np. 110. Tawney, R. H., Land and Labour in China, London, 1932, p. 77.\n\np. 114. Levy, Howard, S., Chinese Footbinding: the History of a Curious Erotic Custom, Tokyo, 1966, p. 56.\n\np. 116. Doolittle, Social Life, Vol II, p. 198.\n\np. 116. Little, Mrs. Archibald, In the Land of the Blue Gown, London, 1912, p. 209.\n\np. 121. Yang, Martin C., A Chinese Village: Taitou, Shantung Province, London, 1948, pp. 239-240.\n\np. 130. Smith, Arthur H., Characteristics, p. 254.\n\np. 130. Huc, M., The Chinese Empire, London, 1859, pp. 298-299.\n\np. 136. De Groot, Religious System, Vol II, p. 793.\n\np. 137. Arlington, Dragon's Eyes, p. 158.\n\np. 140. Smith, Arthur H., Characteristics, p. 275.\n\np. 141. Graham, David Crockett, Folk Religion in Southwest China, Washington, 1961, p. 123.\n\np. 146. Forster, L., Echoes of Hong Kong and Beyond, Hong Kong, 1933, p. 52.\n\np. 147. Peplow and Barker, Around and About, pp. 176-177.\n\np. 150. Smith, D. Howard, Religions, p. 102.\n\np. 152. De Groot, Religious System, Vol I, p. 271.\n\np. 152. Welch, Holmes, The Practice of Chinese Buddhism, 1900-1950, Harvard, 1967, p. 343.\n\np. 152. Ng Shing Kup, The Great Events of the Ten Thousand Buddhas Temple, Hong Kong, 1973, pp. 40-41.\n\np. 156. Cormack, Birthday etc. Customs, p. 26.\n\np. 158. Bredon and Mitrophanow, Moon Year, pp. 427-428.\n\np. 158. Doolittle, Social Life, Vol II, p. 70.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
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    },
    {
        "id": 210296,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 267,
        "title": "RAS-1984",
        "content_text": "246\n\nCHOI CHI CHEUNG\n\nTable A. Name of the Objects of Worship\n\n  \n    1.\n    A Nan Chun Che *\n  \n  \n    2.\n    Buddha #N*\n  \n  \n    3.\n    Chia Ych Chun Che\n  \n  \n    ***\n    \n  \n  \n    4.\n    Kannon, the Goddess of Mercy\n  \n  \n    5.\n    Dragon Kings of the 4 Seas\n  \n  \n    6.\n    Representative of the Heavenly Kitchen 天厨使者\n  \n  \n    7.\n    Chin Kwong Wang\n  \n  \n    8.\n    Cho Kiang Wang thi\n  \n  \n    9.\n    Sung T'i Wang ✯E\n  \n  \n    10.\n    Wu Kwan Wang HE\n  \n  \n    11.\n    Yen Lo Wang\n  \n  \n    12.\n    Bien Chen Wang |\n  \n  \n    13.\n    Thai Shan Wang E\n  \n  \n    14.\n    T'u Shi Wang\n  \n  \n    15.\n    Pin Deng Wang\n  \n  \n    16.\n    Chuen Lun Wang\n  \n  \n    17-18.\n    The Courts of extreme happiness 極樂殿\n  \n  \n    19.\n    Kan Tsai Wang\n  \n  \n    20.\n    Wai Lo ##\n  \n  \n    21.\n    ?\n  \n  \n    22.\n    The Great Kings and Emperors 大王大帝\n  \n  \n    23.\n    The Lord of Pu-tu\n  \n  \n    24.\n    Ancestral Hall of all Lineages 各姓宗祠\n  \n  \n    25.\n    6 paths and 4 species 0%\n  \n  \n    26.\n    Wandering spirits of 4 directions 西方忘魂\n  \n  \n    27.\n    The 3 Pure Ones E\n  \n  \n    28.\n    Gods of the 3 levels\n  \n  \n    29.\n    ?\n  \n  \n    30.\n    Male and female orphan spirits 男女孤魂\n  \n  \n    31.\n    3 religions and 9 schools\n  \n  \n    32.\n    Million souls of the 3 levels 三界萬靈\n  \n  \n    33.\n    Office of the Yin and Yang H\n  \n  \n    34.\n    Lord 8th A\n  \n  \n    35.\n    Lord 7th\n  \n  \n    36.\n    Temporary resting place ✯✯S\n  \n\nQ 1-3 as told by the organizer of the Uji O Festival\n\nR\n\nET\n\nT\n\nH No. 7 to No. 16 were the ten courts of the Underworld. Informants always mention them without any difference from no. 17 and 18, as ‘Chigoku Juunoo' (M&E) or 'Chigoku” (Ten Kings of Hell, or Hell). 7 to 9, 10 to 12, 13 to 15, 16 to 18, were all made in one paper-made house (informants simply class them as Ming-che too) respectively.\n\nF Both 19 and 20 were regarded as the guardians of the festival. 19 for avoiding any meat, and 20 for keeping out evil and watching over the spirits.\n\nQ No one knew what it was\n\nT\n\nT\n\nGIF\n\nT\n\nQ No one knew what it was\n\nT\n\nT\n\nQ Told by the organizer of the Uji festival. It was also called T'ien Ti Tan (X).\n\nF Both 34 and 35 were the runners of Hell.\n\nH\n\n! \n\n! \n\n! \n\n¡",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    },
    {
        "id": 210297,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 268,
        "title": "RAS-1984",
        "content_text": "37. Ten Zo:\n\na. Nu Rai Fo Chu\n\nb. 6 paths and 4 species Kit\n\nc. The Heaven Honorific of origin 元始天線\n\nd. Dragon kings of the 4 seas 14.\n\ne. Male and female orphan spirits 男女孤魂\n\nf. The great Jade Emperor LAWS\n\n38. the City God WP!\n\n39. The Earthgod\n\n40. Chi-zo k\n\n41. T'ien Hau APE\n\n42-43. Generals Han and Ha\n\n44-45. T'ien Hau\n\n46. Kwan T'I IPEXY\n\n47-48. Kwan Ping and Chau Chan PPT-MAT\n\n49. Kwan T'I MÝ\n\n50-51. Kwan Yin (Kannon) 19:*\n\n52-54. The Earthgod sitt laY\n\n55-57. Tzi Nan Kung W E\n\n58. The Lord of the Heaven A^ L\n\n6 paper-made tablets were hung on a paper-made 5 colours lantern.\n\nIt was a Japanese term (see Soo, 1981: 59-60). Most of the informants\n\n247\n\ndid not know what it was and no one talked about it, and no offering was made to it, either.\n\nH Decoration, except the roof, was the same as the Ming-che.\n\nH\n\nRJapanese Earthgod\nRT'ien Hau's Guardmen,\nRThe substitutes of T'ien Hau.\nRThe main God of the Temple.\nRThe guardmen of Kwan T'i.\nRSubstitute of Kwan T'i\nRThe Goddess of Mercy and her substitute.\nRThe god and his substitutes.\nQThe name was a Temple's name. The god of the temple was Lu Tzu ( ) 56 and 57 were his substitutes.\n\nIn addition there was 4 paper-made messenger-and-horses (f†). One of them was burnt after every 'Reporting' ritual and the 'Thanking' ritual of the last day.\n\nNotes:\n\nQ = Incense bowl(s) and offerings only\n\nR = Porcelain Statue\n\nT = paper-tablet\n\nH = paper-made house\n\nF = paper-made figure\n\nP = painting\n\nL = paper-made lantern",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    },
    {
        "id": 210370,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 341,
        "title": "RAS-1984",
        "content_text": "320 \n\nW.J. HOWARD \n\nmind was very much superior to the electric organ which we have at present. I would go so far as to say that the volume of the ancient pipe organ's music could be likened to a Niagara as compared with the new electric organ's trickling stream. I believe the humid weather conditions in Hong Kong forced the change over to the less pretentious electric model.\n\nDenman Fuller was a great favourite with the boys, particularly when the congregation was dispersing after the service. He would improvise his music as the boys were trooping out. One of our senior prefects, waxing poetical at the time, compared Denman's efforts to a dragon lurking in the uttermost depths of the ocean before soaring to the heights of the empyrean. His fortissimo notes would completely drown out all the jabberings of the boys. Abruptly he would come to a halt and the boys would find their feeble voices again before commencing their long walk from the Cathedral back to school.\n\nThere was a European gentleman who attended St John's Evensong every Sunday without fail. He was fond of seating himself close to the boys. This gentleman knew practically all the hymns, psalms and prayers by heart. He never opened the Book of Common Prayer or the Hymns Ancient and Modern. As soon as the choir started he would join in the singing without the aid of any book. In those days the psalms were sung according to the day of the month. It so happened that one particular Sunday was the 15th day of the month and psalm 78, with 73 verses, had to be sung in full. The learned gentleman sang verse after verse as usual by heart but unfortunately he was always one verse ahead of the choir. A mischievous boy by the name of Edward Charrington tried in vain to draw the gentleman's attention to his error. After he had sung his last verse he sat down and was shocked when the choir thundered \"So he fed them with a faithful and true heart; and ruled them prudently with all his power\", this being the last verse. He probably thought that the choir had repeated verse 73. Nevertheless his memory was prodigious and aroused the admiration of all the boys.\n\nThe Diocesan Boys' School produced at least four ministers of religion. Aside from Rev. George Zimmern, mentioned earlier, we",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 210466,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 73,
        "title": "RAS-1985",
        "content_text": "54\n\nBARBARA E. WARD\n\nwould engage a Taoist priest to come down to his junk and perform a ceremony known as Changing the Gods (woon shan). This, which involved spilling the blood of a domestic fowl, was believed to provide cleansing from pollution and open the way for good fortune.\n\nThe annual ritual cycle began with the New Year and proceeded almost immediately to the public festival for the 'birthday' of the local tutelary deity, Hung Shing Kung, on the 13th day of the 2nd lunar month. These two occasions were the ritual highlights of the year. Quickly in their wake came Ch'ing Ming, fixed by the Chinese solar calendar at a date corresponding with April 6th and falling therefore usually in the third lunar month. This was one of the two special occasions for the commemoration of a family's departed members. The third month saw also the festival to T'in Hau, the so-called Queen of Heaven, protectress of all seamen, celebrated biennially with Chinese opera at the neighbouring village of Lung Shuen Wan and annually in a large number of other places in the Colony.\n\nIn the fourth month there was a festival at the temple of T'am Kung in Shaukiwan to which a few Kau Sai people sometimes went to watch the plays, and on the fifth day of the fifth month the Dragon Boat festival. Kau Sai had once had a Dragon Boat of its own which, I was told, on one memorable occasion even came in first in the 'regatta' held in those days at Aberdeen and attended by H.E. the Governor. But that was back in the 'twenties. Later, Kau Sai people merely looked on at the Dragon Boat races held elsewhere, or sometimes 'fielded' a scratch 'team' for the fun of the thing at Sai Kung. All boat families also made offerings at the temple on the Double Fifth which was also widely used as a kind of dividing mark in the calendar: hired crew, for example, were usually engaged or laid off at New Year and the Dragon Boat festival.\n\nIn the sixth lunar month was held the festival for Koon Yam, 'Goddess of Mercy', observed in all her many temples but attended particularly by Kau Sai residents at the village of Pak Sha Wan, near Sai Kung. (The fact that this village was also the site of that Kau Sai New Village to which the landsmen were",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
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    },
    {
        "id": 210517,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 124,
        "title": "RAS-1985",
        "content_text": "105 \n\nhands on board. The total number was 31, of whom 5 were women. The returns I have for 1970 list no paid employees at all.\n\nAs might be expected, most hired hands were young, 25 of the 31 being under 30 years of age, and only 3 over 40. Interestingly enough 2 of these 3 were females, both of them women with sons also employed on the same boats. The other 3 women were wives of hired men.\n\nOnly 13 fokis were genealogically related to their employers, 8 being affines, 4 agnates and 1 a matrilateral kinsman. About half-a-dozen were described to me as sons of well-known neighbours. For the rest I have no information. Recruitment, which took place at Chinese New Year and around the Dragon Boat Festival (the 5th day of the 5th lunar month) was normally through the local \"grapevine\", or, much less commonly, by written advertisement posted at one or other of the shops in Shaukiwan or Sai Kung which specialised in this kind of thing. Applicants answered the advertisements by approaching the shopkeepers who, already known to the prospective employers, then acted as “introducers\" (gaay siew yan, introduce man recommended). At New Year 1952 Chung Fuk Hei recruited two new fokis in this way, one of his previous employees having left to join a more congenial boat family in Kau Sai, the other (a poor relation) having been sacked for laziness (and gluttony: Fuk Hei was continually grumbling about the number of bowls of rice his employees managed to put away in a day).\n\nHired men received full board and lodging on the boats on which they worked, and a money wage which in most cases worked out at about 4% of the value of the catch. Women received board and lodging, too, and a sum of about $H.K.15 a month. On some boats the 4% share was paid at irregular intervals as money came in and convenience dictated; on others, more regularly. Usually payments were handed over about once a week or twice a month. The share was always calculated on the gross total takings before the deduction of any other expenses. It was several times explained to me that it would not be fair (mm gung doe, lit: not right reach, or mm gung ping, lit: not right level) for fokis to have to share in the expenses. Thus while",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
        "rank": 0
    },
    {
        "id": 210519,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 126,
        "title": "RAS-1985",
        "content_text": "107\n\nnot been living at the time in Fuk Shun's house. My informants were the man's sister and her daughter (i.e. the offending Fuk Hap's sister-in-law and niece, sister and niece also to the foki concerned). My notes continue as follows:\n\nI said, later, wouldn't the unfairly treated one walk out? Mrs. FS and DM said No, neither he nor the others knew there was a differentiation when the money was actually given out. Now none dares speak out, but the undercurrent of dissatisfaction is very strong. Reason for not speaking out? Ones who get more fear they may get less: one who gets less fears others may also get less and blame him. Both fear being sworn out (naau, or laau, to scold, revile).\n\nThere were no other sanctions than gossip, and, of course, a refusal to continue the engagement beyond the next New Year or Dragon Boat festival.\n\nOn engagement many hired men asked for advances on their wages. Some obtained as much as two or three hundred dollars or even more in this way, and as a result received relatively little on pay days until the debt was paid off. There was no generally accepted way of doing this, arrangements for subtracting (kau: deduct) so much on each occasion being made individually by each foki with his employer. Fokis were notoriously hard up, but they tended also to be flamboyant spenders when they did have money. At Chinese New Year in particular, when, like almost all other paid workers in Hong Kong, they enjoyed double pay and several days holiday, they spent lavishly on clothes, hair styling, watches and fountain pens, girls, cinemas, theatres and gambling. Leung Shui Hei, one of Chung Fuk Her's fokis whose wages are described above came back from a spending spree in Kowloon on the eve of Chinese New Year 1953 and settled down to 3½ days' hard gambling in the course of which he lost everything he had bought and was left with the clothes he stood up in. He immediately asked for a new advance from his employer.\n\nThe same Leung Shui Hei was an interesting case in many ways. Aged about 28 in 1953 he was strong, good looking,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
        "rank": 0
    },
    {
        "id": 210522,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 129,
        "title": "RAS-1985",
        "content_text": "110\n\nBARBARA E. WARD\n\nfamilies to find employment elsewhere, put their own wives and children on sampans and hire themselves out as employees to their erstwhile peers. It is a pity that my records do not allow me to distinguish clearly between these two major categories of foki: those whose natal families had merely, as it were, loaned them out, and those who had had to turn to paid employment or starve. Among the former must be included youths like Chung Fuk Woh's son who deliberately ran away from home but nevertheless remained (albeit somewhat grudgingly) a recognised member of his natal family; among the latter, men like Leung Shui Hei alone in the world (whether accidentally or deliberately), and no longer linked into any kind of ongoing group of kinsmen. The elderly bachelor Ma Fung Shan, described below, was in a kind of intermediate position: originally a younger son put out to work on someone else's boat, he was by 1953 the sole surviving member of his father's family of procreation, split off by formal division more than twenty years before from the extended family group which his father's father's sons had at one time formed together. Ma Fung Shan had many local kinsmen, but no family to belong to. Unique in Kau Sai, there were many like him elsewhere.\n\nAs long as their natal families remained undivided and they themselves remained recognised members, fokis were expected not only to support themselves but also to send or take back remittances. A number of the younger fokis in Kau Sai did just that, returning home from time to time (particularly at Chinese New Year or the Dragon Boat Festival, but also on other holidays and sometimes during slack periods in the fishing seasons) with contributions to their natal families' funds, on which, of course, they still also had a claim. Such a young man was relatively well-off, in that even if he did not usually look forward to re-entering his natal family crew as a working member (and even this was not impossible when, as occasionally happened, business expanded or re-expanded and a larger crew was needed after all) he was still a member and could hope to be provided both with a bride and a share in the family's property when it was divided.\n\nIt is true that only 6 of the 26 male fokis in Kau Sai in 1953",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
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    },
    {
        "id": 210560,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 167,
        "title": "RAS-1985",
        "content_text": "148\n\nJOHN KARL EVANS\n\nSociety (London, 1952), 175.\n\n34 Fustel de Coulanges (1874), 26-27; Cumont (1922), 3; and Toynbee (1971), 35.\n\n35 J. Doolittle, Social Life of the Chinese, 2 (New York, 1865), 401–402.\n\n36 Ahern (1973), 146, 217-244, and 247.\n\n37 Feuchtwang (1974), 107, points out that in the Taiwanese village that he calls Mountainstreet, an odd number of incense sticks are burnt for gods and ghosts, and an even number for the ancestral spirits. Still, deification has been possible; Wang Sung-Hsing, \"Taiwanese Architecture and the Supernatural”, in Rel. & Rit., 190-191, cites the striking example of a Japanese police officer named Seijiro Morikawa, who was formally deified after death in recognition of the services which he had performed for the villagers in his district.\n\n38 For these and additional details, see Ahern (1973), 221-228; and R.L. Janelli and D.Y. Janelli, Ancestor Worship and Korean Society (Stanford, 1982), 178. In the village of Taitou, which Yang (1945) investigated, the coffin of the deceased was usually kept at home for one to three months, although in some wealthy households this transitional period might be prolonged for as much as a year (p. 87). Here, with the exception of mock paper money, which was offered periodically, the many paper articles were transferred to the spirit world at the end of the funeral procession itself (p. 89).\n\n39 Thus Hsiao-tung Fei, Peasant Life in China: a Field Study of Country Life in the Yangtze Valley (London, 1939) 30; Hsu (1967), 76; Jordan (1972), 32-33; Ahern (1973), 149; and Wolf (1974), 177.\n\n40 Hsu expresses the same view in his Clan, Caste and Club (Princeton, 1963), 45-46, but here extends it from West Town to \"every part of China.\n\n41 Wolf (1974), 160; cf. inter alia, R.F. Johnston, Lion and Dragon in Northern China (New York, 1910), 286-287; Fei, Peasant Life, 78; M. Freedman, \"Ancestor Worship: Two Facets of the Chinese Case\", in M. Freedman (ed.), Social Organization, Essays Presented to Raymond Firth (Chicago, 1967), 92-93; and Jordan (1972), 97.\n\n42 Wolf (1974), 164-167.\n\n43 Ahern (1973), 199-201.\n\n44 R.L. and D.Y. Janelli, Ancestor Worship and Korean Society, 192, and 195, argue that a wife is much more likely openly to attribute malevolent behavior to the spirit of one of her parents-in-law than her husband, who will be exceedingly reluctant to condemn the mother or father who nurtured him. They go on logically to suggest that \"the lower the rate of uxorilocal marriage, the sharper the difference between men's and women's reluctance to acknowledge ancestral hostility.\" This may account in part for the profound disagreement between the findings of Hsu and Ahern, for as we shall see below, the rate of uxorilocal marriage in the northern Taipei basin, where Ch'i-nan is situated, has approached 15 per cent, while it was closer to 40 per cent in West Town during the period of Hsu's residence.\n\n45 Cf. Jordan (1972), 32-34; Ahern (1973), 248; and especially Feuchtwang (1974), 117. This was no less true of the p'o in the Han period; see Loewe, Chinese Ideas of Life and Death, 26-27.\n\n46 Hsu (1967), 75-76, and 103.\n\ni",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
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    },
    {
        "id": 210562,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 169,
        "title": "RAS-1985",
        "content_text": "150\n\nJOHN KARL EVANS\n\n59 H.S. Maine, Dissertations on Early Law and Custom (New York, 1886), 54.\n\n60 Ahern (1973), 154-155.\n\n61 Ahern (1973), 155–156; cf. R.L. and D.Y. Janelli, Ancestor Worship and Korean Society, 186-187; and especially Wolf and Huang (1980), 13-15, 333-335, and 337, who comment that 15-20 per cent of all marriages in the Yangtze delta during the period which they studied were uxorilocal, and that this figure may be as high as 40 per cent in Yunnan. Here again, however, it must be pointed out that Yunnan is on the periphery of Chinese culture - as Wolf and Huang emphasize during the course of this analysis, in West Town the native language is Min Chia — and this should warn us against incautious generalizations. The evidence is most appropriately surveyed on a regional basis. For example, on pp. 124-126, and 218, Wolf and Huang analyze data that suggest that, in the period 1886 — 1910, 10.2 - 12.8 per cent of all men marrying for the first time in the northern Taipei basin contracted uxorilocal unions, a figure which jumps to 13.4 - 17.8 per cent for women's first marriages between 1891 and 1915. In contrast, on pp. 351-352 they remark the complete absence of uxorilocal marriages in the New Territories.\n\n62 Ahern (1973), 121-122, and 152; cf. Wolf and Huang (1980), 112.\n\n63 Ahern (1973), 152, and 155. Johnston, Lion and Dragon, 285; and Yang (1945), 82, have also concluded that a person who fails to pass on the family property to his sons is not entitled to a tablet or offerings.\n\n64 Wolf (1974), 156-157; cf. Wolf and Huang (1980), 62.\n\n65 Harrell (1976), 379.\n\n66 Wolf (1976), 361; cf. 356-357, and Wolf (1974), 153, and 155-156.\n\n67 On the Voconian and Falcidian legislation, cf. F. de Zulueta, The Institutes of Gaius, 1 (Oxford, 1946), 112-113; F. Schulz, Classical Roman Law (Oxford, 1951), 205-206; W.W. Buckland, A Text-Book of Roman Law from Augustus to Justinian, 3rd ed. rev. P. Stein (Cambridge, 1963), 290-291, 342-343; H.F. Jolowicz, Historical Introduction to the Study of Roman Law, 2nd ed. (Cambridge, 1965), 257-259; A. Watson, The Law of Succession in the Later Roman Republic (Oxford, 1971), 173.\n\n68 CIL 11.1436 = ILS 7258.\n\n69 W.W. Lambert, L.M. Triandis, and M. Wolf, \"Some Correlates of Beliefs in the Malevolence and Benevolence of Supernatural Beings: a Cross-societal Study”, Journal of Abnormal and Social Psychology, 58 (1959), 162.\n\n70 Jour. Amer. Folk., 71 (1958), 457, although on p. 454 Gough notes that a child's maternal uncle, who has authority over him in Nayar society, is an exceptionally stern disciplinarian.\n\n71 Goody (1962), 409–410; cf. 328.\n\n72 On this point, see also S. Freud, Totem and Taboo (New York, 1952), 58-61. Goody (1962), 20-25, provides a brief but excellent overview of the history of the academic debate on spirit behavior.\n\n73 M. Freedman, Chinese Lineage and Society: Fukien and Kwantung (London, 1966), 151; Social Organization, 95, 98.\n\n74 Hsu (1967), 65, 223.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
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    },
    {
        "id": 210781,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 132,
        "title": "RAS-1986",
        "content_text": "HAINAN ISLAND: \n\nA BRIEF HISTORICAL SKETCH \n\nD.L. MICHALK* \n\n115 \n\nIntroduction \n\nHainan Island forms the extreme southern limit of the People's Republic of China, save for the Paracel Reefs. Sometimes referred to as the Tail of the Dragon, Hainan lies between longitudes 108°30′ and 111° east and latitudes 18° and 20°31' north. It is separated from the mainland by the 25 km Qiongzhou Straits, and is part of Guangdong, accounting for 15 percent of the Province's area. Located in the South China Sea, Hainan is about 300 km east of Vietnam across the Gulf of Tonkin, some 500 km southwest of Hong Kong, and a similar distance from the provincial capital, Guangzhou. \n\nHainan is oval-shaped with the longest NE to SW axis measuring 309 km and the shorter NW to SE axis, 221 km. With an area of 34,077 km2 (Anon., 1982b), Hainan is about half the size of Tasmania and ranks as the world's twenty-sixth largest island. Although it accounts for less than 1 per cent of China's land area, its tropical climate, rich mineral and petroleum resources and strategic location make it an important, yet undeveloped region of China. \n\nHainan has always been regarded as a backwater by successive Chinese dynasties and a mystery to foreigners. Indeed, had it not been for a handful of inquisitive academics and devoted missionaries who \"found Hainan\" around the turn of the century, our knowledge of the island would have amounted to little more than folklore. Using these western sources, the aim of this paper is to provide a brief insight into the history of Hainan, particularly the role played by foreigners in its development. \n\n* Senior research agronomist, Agricultural Research and Veterinary Centre, New South Wales Department of Agriculture.",
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    },
    {
        "id": 210871,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 222,
        "title": "RAS-1986",
        "content_text": "205\n\n\"There were, of course, the usual crowd common to native processions present. Following those on foot came 100 riders in official robes, two abreast, followed by a detachment of native troops from the camp near the Arsenal, provided by the colonel, who was a friend of the deceased gentleman. Then came Chinese musicians and the town band, and then what is not often seen except in funerals of the highest officials, bands of Buddhist nuns and bonzes as well as Taoist priests.\n\n\"After them came the chief mourners in sackcloth, while surrounded by a white panoply, screened from the gaze of the crowd, walked the sole surviving son of the deceased. Then came the coffin on a red bier with a dragon's head in gold and red, and after it some 200 chairs containing the female friends and relatives of the family and over 80 carriages.”\n\nOur story of Tong Mow-chee, alias A-chick, has taken us far from the lad of 11 taken by his father to meet his future schoolmaster, the Rev. S.R. Brown in 1839, but his position of wealth, influence and honour had its foundations in the schoolrooms of Macau and Hongkong.\n\nFROM A HONGKONG CLASSROOM TO ALTAR OF HEAVEN\n\nClosely associated with the Rev. Dr. Legge throughout his life in Hongkong was Ho A-sun, or, as he was also known, Ho Ye-tong. Actually they had first met when Mr. Legge first arrived in Malacca. By trade Ho A-sun was a book block-cutter. He was one of some half dozen people Dr. Robert Morrison had sent from Canton to work at the Ultra-Ganges Press the London Missionary Society established in Malacca.\n\nIt was at a time when the Chinese authorities were strictly enforcing the prohibition against Chinese being employed by foreigners at Canton. Only those who had been granted special permission were allowed to work for the foreign traders. For this reason the printing of Morrison's translation of the Bible in Chinese at Canton could only be done secretly and at some risk to the Chinese printers.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
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    },
    {
        "id": 210998,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 60,
        "title": "RAS-1987",
        "content_text": "35 \n\npirates carried out a vicious attack on the s.s. Namoa. Some suspects were arrested in Hong Kong and two of them were committed for trial, but they were released for lack of evidence. Those arrested in Kowloon were less fortunate, for they were convicted and beheaded on the beach in front of the City, with British officials invited to witness the execution.\" The Chinese were of course also interested in keeping Chinese waters free of pirates and joint efforts were made to this end.\n\n18 \n\nOfficials at Kowloon performed more than their strictly official duties. Numerous temple inscriptions testify to their active involvement with the community activities of the territory, on both sides of the border.\" The stone tablet over the entrance of the Pei-ti Temple at Wanchai, with the temple's name inscribed in Chang Yu-t'ang's calligraphy is particularly significant.\n\n29 \n\n30 \n\nThe Chinese community in British Hong Kong were obviously very aware of the Chinese official presence across the harbour. Sometimes they looked to it for protection. For instance in 1886 when it was rumoured that 500 children would be required to consecrate the Tytam Water Works, children were sent to Kowloon City for protection, to the extent that hardly any child was to be seen anywhere for two days.\"\n\n31 \n\nThe Chinese in Hong Kong also looked to Kowloon as a source of authority and patronage, and this was most clearly seen in 1896 when the first Chinese Chamber of Commerce opened in Hong Kong. As was customary, rites were performed before the Kuan-ti M, or martial god. The Kowloon Commodore, Ch’en Kun-shan 120!!, officiated, as the dragon flag of Ch’ing China fluttered above,32 as if to establish the Chineseness of the occasion. Not surprisingly this display of loyalty to Chinese officialdom incurred the resentment of the local English press. The Daily Press leader lamented that the Hong Kong Governor had not been invited to officiate instead, and saw this as a move \"to insult the established order of the colony\".\" This, in fact, suggests that to some of the foreign community at least, Kowloon, as a Chinese base, was too close for comfort.\n\nThere were other problems. Gambling, prohibited in Hong\n\nPage 60\n\nPage 61",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
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    },
    {
        "id": 211015,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 77,
        "title": "RAS-1987",
        "content_text": "T \n\n52 \n\ntent with the motive of maximizing the market, ranging, as it does from the local Chinese literati to domestic servants of European residents, and even to \"country youths\", presumably from the recently acquired \"New Territories\". \n\nThe principal contents of English Made Easy comprise Mok Man Cheung's “unique system” for enabling non-English speakers to pronounce the English alphabet, numbers, words, phrases, and sentences, plus an anthology of \"model letters\". Fascinating insights into the quality of the social life of upwardly mobile Chinese at the turn of the century are provided by the selection of materials for these sections of the book. \n\nSeveral of the categories of objects and phenomena, invented by Mok Man Cheung to organize his work, offer evidence about the ambivalence of this sort of person at this time in the face of influences from both East and West. In his list of words referring to \"Objects of Nature\", for example, the earliest words on the list (“Sky”, “Earth”, “Sun”, “Moon”, “Wind”, “Clouds”, “Rain”, etc.) may have been chosen for their compatibility with such traditional Chinese concepts as \"Feng Shui”1 and with other widespread beliefs. \"Spirits”, “Gods”, “Ghost”, and “Devil” are all included. The later entries seem to concentrate more on practical and modern realities, such as “reclamation ground”, “rough sea”, “typhoon”, “drizzle” [sic], “low-tide”, “flood”, and, to conclude happily, \"calm-sea\". In his suggested vocabulary for \"Time and Seasons\", he includes \"Intercalary moon”, “Full moon Festival”, \"Dragon Boat Festival\" and \"Winter Solstice\" as well as “Christmas day\", the days of the week and months of the year by Western reckoning, and a battery of non-culture-specific temporal terms. Mok Man Cheung's list of \"Persons and their Occupations\" begins, perhaps because it was politic to do so in 1905, with \"Emperor\", \"Empress\", \"Crown Prince\", and proceeds to deal with “Mandarin” and “General”, leading on to such occupations as “Maidservant” and “Captain”, before referring to \"Governor\", \"Policemen\" (juxtaposed with “Thief”) and \"Student\". It would not be uncharacteristic of Chinese style if the precise order in which these “Persons and Occupations” are presented is meant to be significant. Even if this is not the case,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
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    },
    {
        "id": 211064,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 125,
        "title": "RAS-1987",
        "content_text": "100\n\nRhoads, Edward J. M.\n\n1975 China's Republican Revolution: The Case of Kwangtung, 1885-1913. Cambridge, Mass.: Harvard University Press.\n\nSavidge, Joyce\n\n1977 This is Hong Kong: Temples. Hong Kong: Hong Kong Government.\n\nSik Sik Yuen\n\n1971 The Foundation Stone Laying Ceremony of Wong Tai Sin New Temple, 7 October. Hong Kong: Sik Sik Yuen.\n\n1981 Inauguration Ceremony, Fung Ming Lau and Nine Dragon Wall, 26 November, Hong Kong: Sik Sik Yuen.\n\n1982 The Opening Ceremony of Temple Library, Confucian Hall, and Yee Mut Hall, 9 September. Hong Kong: Sik Sik Yuen.\n\nTopley, Marjorie, and James Hayes\n\n1966 \"Notes on Temples and Shrines of Tai Ping Shan Street Area\". In Some Traditional Chinese Ideas and Conceptions in Hong Kong Social Life Today, pp. 123-139. Hong Kong: The Hong Kong Branch of the Royal Asiatic Society.\n\nWong, Shiu-hon\n\n1979 \"The Cult of Chang San-feng”. Journal of Oriental Studies 17:10-53.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211076,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 137,
        "title": "RAS-1987",
        "content_text": "112\n\nA HOKLO WEDDING\n\nVALERY M. GARRETT\n\nDuring one of our many visits to Sha Tau Kok with Roger, my Hoklo-speaking assistant, to seek out traditional Chinese clothing for the Hong Kong Museum of History, we learned that a wedding would take place on Tuesday, 24th May 1988, for one of the families living in the squatter area of Yim Liu Ha. This is a district within Sha Tau Kok populated by approximately 3,000 Hoklo people who were due to be transferred to new blocks of rural housing during the latter part of 1988 onwards.\n\nWe were advised to arrive early, and so at 9:30 am on the appointed day we made our way through the village. It was easy to spot the home of the bridegroom, a hundred yards down one of the narrow streets, for around the doorway was draped a narrow length of red cotton, while in the centre, hanging from the lintel, was a freshly cut leg of pork. This was the home of Mr. Lee Sau Choy (李壽財), aged 29, who lived with his parents, three younger brothers, and two younger sisters. His parents were former boat people who had come ashore and settled in Yim Liu Ha some thirty years ago, although his father had continued to go to sea until fairly recently. Mr. Lee worked in Fanling as a fireman, and it was near there, at Kwan Tei, that his bride lived, Miss Lai Miu Han (黎妙嫻), aged 27 and a locally born Cantonese.\n\nThe marriage had already been registered in Tai Po, and the question of dowry settled. This had been in two parts: the first was a sum of money paid directly to the bride's family of several thousand dollars; the second part consisted of some gifts of gold jewellery given to the bride which, combined with the bride's family's gift of jewellery, would be brought back to the bridegroom's home that morning.\n\nInside the house, on both the left and facing right wall, was hung a blanket known as hei-pei (喜被). Upon each blanket was stitched a cut-out double-happiness character in silver paper, with dragon and phoenix painted on it. Above the character on the blanket on the left-hand wall were stitched two rows of four $500 notes, while",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
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    },
    {
        "id": 211077,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 138,
        "title": "RAS-1987",
        "content_text": "113\n\non the right side were stitched six $1000 notes. On either side of the characters were strips of red paper with gold inscriptions wishing the young couple health and good fortune, from the various family members who had contributed the money.\n\nOutside in the street female relatives and friends of the groom were busily cleaning cooking utensils and preparing for a feast. Other women were practising banging the gong and dancing in step, in readiness for the 'Dragon Boat' dance they would perform. Although the Hoklo people in Yim Liu Ha have been settled on land for more than four decades they still retain many of their customs originally performed on water. Instead of the bridegroom being transported by boat to worship and to fetch his bride, on land he is carried along in a procession called pa lung sung (扛龍船) by pairs of women pretending to row a dragon boat.\n\nThese women are gaily dressed in matching pairs with straw hats decorated with plastic flowers and paper tassels. Round their necks they wear collars embroidered and sequinned with nine Chinese characters symbolizing good fortune: up, down, in, out, double happiness, then the same ones repeated around the other side. At their waists they wear aprons in the same colour as the collar, and each woman carries a yellow painted stick to resemble an oar. Often the family will possess its own set of wedding attire, made by a clever seamstress within the family, but in this case the whole set had been borrowed from another family.\n\nAt 10 am the procession was ready to leave the groom's home. The women formed themselves into four pairs, with one at the front to bang the gong, and another older woman at the back carrying a fan, with her left trouser leg rolled up above the knee, who was said to represent the tail of the dragon. Then, at a given signal, the women set off at a steady pace, moving in a rhythmic rocking motion to suggest the rowing of a boat.\n\nThey were followed by two men who formed the head and back part of the Chilin, while behind them walked the band banging a large gong and clashing cymbals. Then came the bridegroom and his best man, both wearing Western suits of the latest fashion, with the groom in white shirt, maroon cummerbund and matching bow",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
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    },
    {
        "id": 211078,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 139,
        "title": "RAS-1987",
        "content_text": "114\n\nTie. The best man held a black umbrella over the groom, draped with a strip of red cotton: although it was not raining, bad spirits may have been about and it is common Chinese tradition to protect those about to be married from harm befalling them.\n\nThe procession reached the temple of Ma Jo (#), the Hoklo name for Tin Hau. This is the main temple in Yim Liu Ha. The women redoubled their rowing efforts and the Chilin cavorted and stretched as the groom and best man went in. After making obeisance to the god, they came out, bowed and lit incense at the little shrine opposite the temple, all the while to the deafening accompaniment of gongs and cymbals.\n\nFirecrackers were set off and after a further brief visit to the temple, the procession continued on its way to the shrine of the earth god, To Dei Gung (±‡A) at the beginning of the village. Two of the rowers were now carrying small branches of kumquat leaves with which they flailed the air. The Chilin pounced and postured, incense was burned as a sign of respect, and the god offered food from a basket of carefully arranged chickens and other tasty morsels. The bridegroom and best man bowed to the god, more firecrackers were set off, and the procession reformed to return to the house, taking with it the basket of food.\n\nThe proceedings so far had taken about an hour, and all felt entitled to a rest. Then at 11:30 am, the procession resumed as the bridegroom prepared to leave the village to collect his bride from Kwan Tei. This time he was carrying a bouquet of artificial pink roses to give to the bride. The women rowers had increased in number: the drummer at the front now wearing a funny hat, while of the eight in the middle, two pairs were wearing aprons while two pairs were not. These were followed by the woman representing the tail of the dragon, and then by a \"fortunate\" woman whose parents were both living and who had several children. She was carrying a round rattan sieve with pomelo leaves, cypress leaves, and two pieces of ginger root, traditional emblems of marriage, long life, and fertility. After this came the Chilin, the band, and the groom and best man with the umbrella.\n\nThey stopped briefly outside the temple and the earth god to",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
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    },
    {
        "id": 211079,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 140,
        "title": "RAS-1987",
        "content_text": "115\n\nbow once more, then the procession wended its way round the village square to where the groom's car and those of his attendants were parked. The groom's car was decorated in the usual fashion with rosettes along the bonnet and a Western doll in a white dress at the centre. Cymbals clashed, the Chilin postured around each wheel and to the front and back to prevent bad spirits from following the groom and best man into the car. Firecrackers were set off and the car left for Kwan Tei accompanied by friends and relatives.\n\nAt 1.30 pm we returned to find everyone waiting in the village square. The women had really entered into the fun by embellishing their outfits, and were now dressed in funny hats with small leafy branches stuck in some of them. The old woman with the rolled up trouser leg who was playing the part of the dragon's tail, was now wearing a yellow plastic colander, decorated with beads and ornaments, upturned on her head. At her back she had a small cushion stuffed under her sam which had been tied tightly to form a large lump! She was carrying a pink plastic beaker, and holding a wooden stick with a red piece of cloth tied to the top. Two women were holding a bamboo pole, supposed to be the rudder, which had crushed beer cans tied to the bottom and at the top a small branch of kumquat leaves. More women now prepared to join the Dragon Boat procession. Those without the proper accessories improvised by either wearing ordinary kitchen aprons, or else ones to which they had added some handsome decoration of beads and embroidery at the neck. There was an air of great frivolity as all entered into the spirit of the festivities.\n\nSoon the car returned carrying the bride and groom. More firecrackers were set off, cymbals clashed and the Chilin cavorted around the car, covering it, touching it, and bowing to each wheel. The women with bamboo poles and tin cans danced as the assembled crowd fought enthusiastically to get a first look at the bride. She was dressed in the traditional hung kua and red leather shoes, with cypress leaves and gold ornaments in her hair, and was carrying the bouquet given to her by the groom.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211080,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 141,
        "title": "RAS-1987",
        "content_text": "116\n\nThe dragon boat procession reformed and set off in the direction of the groom's home where the newly weds would live. Two women in front were wearing funny hats: one banging the gong while the other thumped a plastic oil drum. They were followed by eight pairs of women rowing in formation, while at the back were the two women with the rudder of tin cans and the woman representing the dragon's tail. Above the bride's head was held the sieve of pomelo leaves and ginger root, carried by the 'fortunate' woman. One attendant, wearing a Western style short evening dress, was carrying a pink umbrella held over the bride, to which was tied a sprig of cypress and pomelo leaves with red cord. A second attendant carried the red and gold patterned tin suitcase known as gar chong (#), containing the jewellery the bride had been given, while a further attendant brought a large suitcase with the bride's belongings. Another woman carried a white enamel basin decorated with red characters for double happiness and flower motifs. In the basin food and other items were wrapped in red cellophane paper, and decorated with cypress leaves.\n\nThe procession stopped briefly in front of the earth god and again firecrackers were set off. At the Ma Jo temple the young couple paused and bowed three times before continuing to their new home. Cymbals rose to a crescendo; the couple, followed by other relatives and the Chilin, went into the house, and a long string of firecrackers was set off.\n\nThe rest of the procession now dispersed as those inside the house settled down for a cool soft drink. It was now 2.15 pm and in the street women were feasting on food prepared that morning, especially on a salty vegetable soup known as ham choy cha (**), chicken, and for dessert, sweet dumplings which are only served at Lunar New Year and special occasions such as wedding ceremonies. These are considered a lucky symbol of getting together. Later that afternoon the newly weds would offer tea to the groom's parents, and then at 6.00 pm all who had taken part in the ceremony were invited to a restaurant in the village of Sha Tau Kok for a large feast to round off the day's festivities.\n\nPlates 19-23 illustrate this article. They were taken by the author.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
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    },
    {
        "id": 211141,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 202,
        "title": "RAS-1987",
        "content_text": "177\n\nony had every reason to be satisfied with the arrangements of 1886.\n\nBasking in the success of the arrangement, the editor does not mention the dire forecasts his paper had made in former years concerning the evil effects which would result if Hongkong allowed itself to be used in any way as a collecting point for Chinese revenue.\n\nNow with the customs question on a satisfactory basis, the editor asked what reason remained for a consul:\n\n\"Is it to give protection and render assistance to the Chinese subjects in this Colony? If so, alas for the Chinese subjects! The assistance the consul will give them will simply be in ascertaining the extent to which they can be squeezed, and if they do not pay up pleasantly, the screw will be turned on through their families on the mainland. No more serious blow could well be struck at the well-being of the Chinese population than the establishment of a Chinese Consulate in the Colony, and the damage to British prestige would be disastrous.\"\n\nThere had been little change in attitudes over the years - the same arguments, the same fears, the same distrust.\n\nIt was claimed that the British possession of Hongkong did not impress the average Chinese. According to the editor, the “ignorant masses\" still believed Europeans were allowed to be in Hongkong only through the sufferance of the Emperor. This misconception would only be reinforced “with the establishment of a Chinese Yamen in the Colony, flaunting the dragon flag.\"\n\nIt was believed that the view of the “ignorant masses” was encouraged by Chinese officials.\n\nThe Colonial Office, in commenting on the question of a consul for Hongkong, said: \"The one idea prevalent among the Chinese governing class is to represent to their fellow countrymen that we hold Hongkong as vassals of the Emperor of China and the advent of a consul would be used in this sense and so understood by the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
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    },
    {
        "id": 211278,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 339,
        "title": "RAS-1987",
        "content_text": "Plate 19. The 'Dragon Boat' procession with Chilin (B) and bridegroom in the background).\n\nPlate 20. The 'fortunate' woman carrying the sieve with pomelo leaves, cypress leaves and ginger root.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
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    },
    {
        "id": 211280,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 341,
        "title": "RAS-1987",
        "content_text": "Plate 22. The woman dressed up to represent the dragon's tail.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
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    },
    {
        "id": 211313,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 29,
        "title": "RAS-1988",
        "content_text": "If the pirate's ultimate growth was not a result of external patronage or protection, might it have been owing to some internal element such as religion, ideology, or leadership that served in a special way to unify and integrate their force? For the time being I will dismiss religion and ideology as relevant factors with the promise to return to them in the conclusion and argue instead that indeed it was to the extraordinary leadership that emerged from within their ranks that the pirates owed not only their survival during the crisis of 1802, but also their subsequent success.\n\nThe one individual, more than any other, upon whose shoulders such accolades must fall, was Cheng I, a pirate whose pedigree can be traced to the sixteenth century. From the imbroglio that emerged after the death of the Tayson, Cheng I was responsible for transforming a motley crew of quarrelsome refugees interested primarily in internecine warfare and mutual slaughter into a well-ordered confederation divided into the Six Fleets of the Red, Black, White, Yellow, Blue and Green Flags.\n\nTo bring order to the confederation, each vessel was to be registered with one fleet whose banner it would subsequently fly. Because the stability of the confederation would be threatened by individual junks switching affiliation or by fleet leaders encouraging them to do so, anyone caught tampering with the identification process was subject to punishment. Provisions prohibiting pirates from fighting one another for prizes already taken or from undertaking unauthorized activities on their own sought to prevent internal conflict. Clear regulations also defined the procedure for sharing prizes while a kind of implicit territorial division characterised the cruising grounds of the various fleets.\n\nDespite his many accomplishments, however, Cheng I's days as a pirate were short-lived, but when he died unexpectedly in 1807, his tradition of exemplary leadership was continued by his wife Cheng I Sao, who assumed his position as leader of the confederation. Just as Cheng I had been the confederation's unifier, so did Cheng I Sao become its consolidator. Realizing that an association of several thousand individuals could not live from the chance capture of a few vessels at sea, she took measures to regularize its finances through the selling of protection to seafarers, no matter who they were employed by, along the entire coast. Such was the authority of this \"dragon lady\" of the South China Sea that when she spoke the men rushed to obey. Under",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
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    },
    {
        "id": 211338,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 54,
        "title": "RAS-1988",
        "content_text": "30\n\nhad already departed. Of the original allied commissioners, only Harry Parkes was still there for the final ceremony which included a tri-national group of Chinese, French, and British dignitaries.\n\nIf the allied occupation of Canton was not as uneventful as some historical accounts record, it nevertheless had very successful elements to it and may have had an influential impact on future Sino-European relations. At least two employees of the Allied Commission, Robert Hart and Prosper Giquel, both young men at the time, went on to play major roles in future Sino-European co-operative ventures later in the century, Robert Hart as the famous director of the Chinese Maritime Customs Service and Prosper Giquel as the future European Director of the Foochow Dockyard and eventually head of several Sino-European Educational Missions of the 1870s and 1880s. That their earlier experiences had been in the somewhat more co-operative world of the Sino-European police forces and the Sino-European coolie emigration inspection teams is certainly likely to have proved significant in the careers of these two men who were later so much more able than most of their countrymen to work with the Chinese on an equal basis.\n\nNOTES\n\nAbbreviations\n\nAE Archives de la Ministère des Affaires Etrangères\n\nCCC Correspondence consulaire et commerciale\n\nCP Correspondence politique, Chine\n\nArmee Les Archives de l'Armee de Terre, Vincennes\n\nFO British Foreign Office\n\nPRO British Public Record Office\n\nSHM Service Historique de la Marine, Vincennes\n\nAN Archives Nationales\n\nRanbir Vohra, China's Path To Modernization: A Historical Review from 1800 to the Present (New Jersey, Englewood Cliffs: Prentice Hall, 1987) citing Christopher Hibbert, The Dragon Awakes. China and the West 1793-1911 (N.Y., Harper and Row, 1970), p. 229.\n\n2 Douglas Hurd, The Arrow War, Anglo-Chinese Confusion 1856-1860 (New York: Macmillan Company, 1967), pp. 121-125 and Immanuel C.Y. Hsu, The Rise of Modern China, 3rd ed. (New York: Oxford University Press, 1983), p. 121-125.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211633,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 48,
        "title": "RAS-1989",
        "content_text": "23\n\nhe examines each human's conduct and adds his comments to the records kept on each person against the day when that human will die and be summoned to enter the Courts of the Underworld for judgement.\" A temple dedicated to the Jade Emperor on Coal Hill in Peking was where the living emperor of China prayed for rain during long droughts, requesting the Jade Emperor to instruct the Dragon King to cause rain to fall.\n\nReverend Hutson in Szechuan recorded his observation that lanterns hanging before the altars of Yuh Huang were taken home by childless couples and a new lantern presented in its place if a son was born to them. These lanterns were also hung in orchards and elsewhere to secure a good crop.\n\nThe Jade Emperor is a puritanical god, offended, for example, by the sight of a pregnant member of the family attending a sacrifice. In some places women are not permitted to worship him. As supreme Sovereign of the universe he is rarely approached directly, and usually only receives devotional offerings. Worship is therefore performed with great care, and his image and altar is treated with the greatest solemnity. The common man is loath to approach him unless he has little choice. The main reason for doing so is to obtain a prediction of fate; he knows that he cannot always change it, but if the common man is aware of what is in store he can plan ahead.\n\nThe Jade Emperor is only approached directly, with great trepidation, when the plea being submitted by the devotee is of the greatest import, or when the Jade Emperor's underlings have failed to come up with the goods, and devotees' expectations have not been achieved; under normal circumstances pleas are submitted to the Jade Emperor through lesser deities. In a small temple in an immigrant community in Kowloon, the Jade Emperor, their only main deity, is approached by devotees for remission of punishment for their sins in return for promises of future good deeds. The devotees have to submit their pleas to the Jade Emperor through the temple keeper. He in turn voices their pleas to an unnamed invisible bodhisattva (pusah) who approaches the Jade Emperor on their behalf.\n\nIn many parts of China the Jade Emperor was considered too holy, too awesome, and too powerful to be represented by an image, and only a tablet bearing his title was permitted to be placed on the altar (see Plate 1). In other parts, amongst the Fukienese in particular, he is believed to reside in the ash of the main incense pot on his altar (the main altar)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211639,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 54,
        "title": "RAS-1989",
        "content_text": "29\n\ndedicated to Pao Kung, the Lenient Judge, and also in a Buddhist temple in Beverley Hills on Cebu where he has behind him a small image of the Jade Emperor's second son Erh T'ai Tzu (...). The whole group of the Jade Emperor's family, though only the two sons (the second one and the third) are portrayed, is referred to as Chiu Chung T'ien Lao Tsu (LICEEM).\n\nA rural temple on the island of Penang contains three images on its secondary altar identified as the Three Sons of the Jade Emperor. They are referred to as San Yuan T’ai Tzu (SAT).\n\nAnother rural folk religion temple at Bukit Mertajam on the Malaysian mainland opposite Penang contains an image of the Jade Emperor's Fourth Daughter (Ti Ssu Kung Chu Pч2) on one side of the main deity on the altar, the Jade Emperor himself, with an aide to the princess on the other side of the Jade Emperor. The aide is known as Meng Yen Hua (夢燕花),\n\nAn unusual image, of a farmer standing holding a hoe over his shoulder, stands on a private altar belonging to a Hakka petty businessman in Kranji, Singapore. The businessman explained that it portrayed one of the sons of the Jade Emperor and had been brought from eastern Kuangtung province last century; it has been prayed to for good crops ever since. He is known as Li Po Kung Kung (#22).\n\nIn one group in Singapore, on a Taoist altar in Lorong How Sun, the Jade Emperor is attended by four of his seven daughters. The first is Hsien Chi Niang Niang (瑄姬娘娘), the second is Kuan Yin, the third is T'ien Hou and the fourth is Nu Wa. All but the eldest are well known deities from early Taoism and Buddhism in their own right. Hsien Chi Niang Niang has only been noted twice, both times in Singapore, on altars where she is said to be the eldest daughter of the Jade Emperor. She is portrayed standing on rocks, holding a fly whisk in her right hand.\n\nAgain in Singapore, on a private altar, a Buddha figure, gilded and seated in a lotus position, was identified as Han Hsien Fu Tsu (#\n\nbili), and said to be a daughter of the Jade Emperor (see Plate 8). She has three identifying features apart from her Buddhist five-leaf crown. These are a small dragon crawling over her left knee, a vase balanced on her right knee and her palms held facing together before her chest with her fingers making a mystic sign. This image has also been seen",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211761,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 176,
        "title": "RAS-1989",
        "content_text": "坏洋陳雲蔚陳云生\n\n坪淞萬其貴萬兆倫\n\n李蕾餘李鈴蘭李新明\n\n151\n\nI\n\n主施主等有權逐斥出寺兹當佈意伏冀同心當簽名公認惝日後有犯寺例不守清規我山爭權奪利者可比住持該寺堪稱其職同人等荒廢兹聞月坤女尼乃持齋念佛修行頗好非隅之嘆然寺中不可無人住持梵堂不可一寺中凡許願酹恩者不得其門而入不禁有向禪師圓寂後屢遭鼠竊致承其乏者不敢夜宿爲遴選住持安事神明事竊我長山寺自滌源民國二十年春季各施主公認吉立\n\n人列後\n\n蘭乪桂\n\n料\n\n群糖\n\n鬨倪\n\n鼻作作羅\n\n新瓊\n\n光\n\nNOTES\n\nSee Keith G. Stevens, “Chinese Monasteries. Temples, Shrines and Altars in Hong Kong and Macau”, Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 20, 1980, pp. 1-34.\n\n2\n\nThis plan is that standard since antiquity for major Buddhist monasteries in China. See J. Prip-Møller, Chinese Buddhist Monasteries: Their Plan and its Function as a Setting for Buddhist Monastic Life, Copenhagen and Oxford Univ. Press, 1937, reprinted Hong Kong Univ. Press, 1967; and E. Boerschmann, Die Baukunst and Religiöse Kultur der Chinesen: Einzeldarstellungen auf Grund eigener Aufnahmen Während dreijähriger Reisen in China, Berlin, 1911, Vol. 1, P'u T'o Shan: Der Heilige Insel der Kuan Yin, der Göttin der Barmherzigkeit.\n\n3\n\nThis paper will deal only with the mainland New Territories, and leaves out all discussion of those pre-British monasteries and nunneries founded on Lantau.\n\n4\n\n* See Sung Hok-p'ang, “Legends and Stories of the New Territories: Ts'ing Shaan (青山) or Castle Peak'' in The Hong Kong Naturalist, July, 1935, reprinted in Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 28, 1988, pp. 76-85. See also the document of 1089 on the history of this monastery in ch'uan 23 of the Hsin An County Gazetteer, at pages 187-188 of the Chung Lap Pao edition, 1979.\n\n5\n\nIt seems to have been founded as part of the process by which the Tang (鄧) family of Ha Tsuen came to dominate the area in the early Ming, see James L. Watson, \"Waking the Dragon: Visions of the Chinese Imperial State in Local Myth”, in An Old State in New Settings: Studies in the Social Anthropology of China in Memory of Maurice Freedman. ed. Hugh Baker, S. Feuchtwang, (1991) pp. 162-178. The outside date for the foundation of Ling To would be, as Watson suggests, the early Ching. Local tradition from at least the seventeenth century (it is implied in a note on the monastery at Tuen Mun in ch'uan 21 of the Hsin An County Gazetteer of 1819 - at pages 173-174 of the Chung Lap Pao Edition, 1979 – this note was, however, taken over from the 1688 Gazetteer) would make if co-eval with the Ching Shan monastery (5th century), and, like the monastery at Tuen Mun...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211774,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 189,
        "title": "RAS-1989",
        "content_text": "164\n\non the stage. At last Shanghai could boast a drama society that was footed on a regular basis, could give its fiftieth performance on April 18, 1876 (T.W. Robertson's School), its hundredth on March 22, 1893 (a local version of Lloyd Clarence's A Tale of Tell under the title The Tale of Tell Retold). The 150th performance went off in 1908 with James Matthew Barrie's The Admirable Crichton, and altogether the A.D.C. existed well into the 1930s.25\n\n27\n\n24\n\nIn the years preceding the A.D.C., theatrical seasons, and with it the companies, were organised annually, depending, it seems, on the interest shown by society and the availability of actors and managers. The very first amateur performances took place during the season 1849-1850,26 but no record has been left of them. In the following years more than once reference was made to a \"New Corps\" formed for the season, or that it had been \"but a few weeks since the present company had been embodied\".28 Under these circumstances it was by no means certain that the Shanghai public would be treated each winter to an evening of uncomplicated amusement. In its issue of November 27, 1852, the Herald stated that “if 'common report' be true we fear that the 'Dramatic Corps' (...) will be unable to continue their performance\" due to the \"absence from Shanghai of the 'Head and Front' of the original body, together with the retirement of some of its members\". This brought forward an outcry by a foreign lady (?) who donned herself with the name \"Phoebe Silverveil\": \"No theatricals? Dear Me! Mr. Editor, what are the ladies to do without them? The performances were so good (...) and we all enjoyed them so much!''; and then, quoting liberally the pieces of the past season (see Calendar), she ended: \"I have just put dear baby down for a minute to write these few lines as a gentle hint to the Corps; hoping that if the members are not quite Used Up, they will give us another merry Rendezvous at the Theatre and there is surely not such a Dragon amongst them as to say NO!\"29 As if this appeal were not enough, the editor added as an afterthought that this letter \"can hardly fail to have the effect of rousing the dormant energies of the heroes of the 'sock and buskin' to renewed exertions, to deserve the applause of their fair admirers. We doubt not they will take the hint\". In this way aspiring amateurs were cajoled into the formation of a new company which started its operations in January 1853 with Beckett's The Turned Head and Boucicault's Used Up. Some five years later, in January 1858, the Herald regretted that the Amateur Theatrical performances, so successful last year, have not as yet been reorganised during the present season and we think we speak with the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211796,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 211,
        "title": "RAS-1989",
        "content_text": "186\n\nwho evidently had no 'tender cares' to occupy them, manfully maintained their seats in front, and remained so spellbound as to forget entirely the courtesies of gallantry and good breeding. We are of opinion that a perusal of Lord Chesterfield's 'Hints' might be a useful exercise for such as have no innate impulses to enable them to understand and practice what is conveyed in the phrase 'Place aux Dames' when those fair patronesses choose to honour public entertainments with their presence\".\n\n129 Once front seats were shunned by ladies, but that was not the case in mid-century Shanghai. In the Regulations to be Observed on the Evenings of Performances at the Shanghae Theatre printed in the North China Herald of February 14, 1857, it was even stipulated that, \"after the front row had been set apart for the exclusive accommodation of H.B.M. Consul and the French and American Consuls, the seats numbered 2 to 6 will be reserved for ladies, and the gentlemen who escort them.\"\n\nVII. The Plays\n\nFrom the references above, and even more from the Calendar of Performances, it will be clear that the dramatic fare in Shanghai consisted for the greater part, nay for nearly one hundred percent, of pieces that could easily amuse the people. That is to say: farces, comediettas, burlesques, melodramas, burlettas, musical comedies or whatever name may be invented for the genre. There is no space here, nor is it within the scope of this Survey, to give an analysis of these plays, so I shall keep myself to some general remarks.\n\nMost pieces that were performed dated from the 19th century, but there were some from the previous one, like Henry Carey's The Dragon of Wantley (1737), a short three-act opera with music by John Frederick Lampe which burlesqued the Handel style works which were then in vogue (but hardly a century later); and James Townley's (or was it David Garrick's?) High Life below Stairs which one rather antiquarian critic thought \"worth whole bales of farces of the 'Box and Cox' pattern\". Sheridan's The Rivals (1775) was also on the programme several times (although not on that of the local amateurs) but it is remarkable (and, considering the travesties that were common, maybe just as well) that a classic comedy like Goldsmith's She Stoops to Conquer was not tackled.\n\n130\n\nOf contemporary authors the most prolific was John Maddison Morton and it should cause no surprise that his plays took top of the bill: no",
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    {
        "id": 211802,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 217,
        "title": "RAS-1989",
        "content_text": "192\n\n12.12.1850 (Thur)\n\nG.A.A. BECKETT: \"Roofscrambler\" (1835)\n\nT: Burlesque\n\nW.H. MURRAY: \"Diamond cut Diamond\" (1843)\n\nT: Farcical interlude (1 act)\n\nC: Amateurs\n\nTh: Theatre Royal (A)\n\nR: NCH 14.12.1850. From the file I have been using the pages on which the review appeared were missing, so no further information can be given.\n\n28.1.1851 (Tue)\n\nJ. KENNEDY: \"Love, Law and Physic\" (1812)\n\nT: Farce\n\nW.B. RHODES: \"Bombastes Furioso\" (1810)\n\nT: Burlesque tragic opera (1 act)\n\nC: Amateurs\n\nTh: Theatre Royal (A)\n\nR: In only a short impression the Herald wrote that \"the performances went off with much spirit amidst repeated plaudits and continual bursts of merriment. The present company seems likely to become highly popular and the public are much indebted to them for according such seasonable diversion at this dull period of the year\" (NCH 1.2.1851).\n\n21.4.1851 (Mon)\n\nG. COLMAN Jr: \"Heir at Law\" (1797)\n\nT: Comedy (5 acts)\n\nJ. TOWNLEY: \"High Life below Stairs” (1759)\n\nT: Farce (2 acts)\n\nC: Amateurs\n\nTh: Theatre Royal (A)\n\nN: Final performance of the season.\n\nR: About the actors the critic thought it \"uncourteous to select where all did their best and there was much to praise; we will, therefore, only say in allusion to Heir at Law that STEADFAST maintained the character of the fine old English bachelor with spirit”. In the same issue appeared a letter from \"A Stranger\": \"The character of Dr. Pangloss (in Heir at Law) was performed with much quiet humour and the pedantic stolidity of an L.L.D. and A.A.S. (sic!) were exceedingly well portrayed, though at intervals much too low to enable the back part of the audience to catch the full force of the quotations\". The Herald added that the part of Dr. Pangloss is, perhaps, the most difficult in the play, for an Amateur to sustain; the curt witticisms and various learned quotations require an experienced actor to give with effect\".\n\nHigh Life below Stairs \"flagged somewhat from the previous exertions of the actors, but we must not omit to notice the excellent acting in the representative of the Lord Duke's servant'\n\nDespite this and in spite of the editor not being very much satisfied with some of the language in the plays he thanked “our young friends for their kindly endeavours to promote amusement amongst the community, they were spared neither trouble, time nor expense to cater for the intellectual appetite of Shanghai in the classical drama” (NCH 26.4.1851).\n\n26.1.1852 (Mon)\n\nD. BOUCICAULT & C. MATHEWS: \"Used Up\" (1846)\n\nT: Comedietta (2 acts)\n\nH. CAREY (music: J.F. LAMPE): \"The Dragon of Wantley\" (1837)\n\nT: Burlesque opera (3 acts)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211846,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 261,
        "title": "RAS-1989",
        "content_text": "236\n\nP: 12.11.-18.11.1864\n\n\"No | Round the Corner\" (12.3.1854). P: 23.1.1856\n\n**Perdita the Royal Milkmaid or The Winter's Tale** (15.9.1856). P: 8.4.1865\n\nBUCKINGHAM, Leicester Silk (1825-1867)\n\n\"Take That Girl Away (5.3.1855). P: 15.2.1860; 3.12.1864\n\nBUCKSTONE, John Baldwin (1802-1879)\n\n**A Dead Shot** (22.1.1827). P: 11.4.1865\n\n\"The Flowers of the Forest. A gipsy story\" (11.3.1847), P 28.3.-5.4.1865 \"Isabella or Woman's Life\" (27.1.1834). P: 28.3-5.4.1865\n\n\"A Kiss in the Dark\" (13.6.1840). P: 26.3.1857\n\n\"A Lesson for the Ladies\" (5.9.1838), P: 8.4.1865 \"Married Life\" (20.8.1834). P: 12.11-18.11.1864 \"A Rough Diamond\" (8.11.1847). P: 13.4.1865\n\nBUTLER, Richard (1794-1858)\n\n**The Irish Tutor** (12.7.1822). P: 5.5.1853\n\nBYRON, Henry James (1834-1884)\n\n**Aladdin or the Wonderful Scamp** (1.4.1861), P: 2-.9.1864; 19.11.1864; 26.11.1864; 29.4.1865\n\n\"The Babes in the Wood! and the Good Little Fairy Birds!\" (18.7.1859), P: 17.4.1865\n\n**The Bride of Abydos or the Prince, the Pirate and the Pearl** (31.5.1858). P: 22.10-28.10.1864; 13.4.1865\n\n\"Cinderella or the Lover, the Lacky and the Little Glass Slippers\" (26.12.1860). P: 12.11.-18.11.1864\n\n\"Fra Diavolo! or the Beauty and the Brigands\" (5.4.1858). P: 15.10-21.10.1864\n\n**The 'Green' Bushes or Missis Brown of the \"Mississippi\"** (26.12.1864), P: 30.9.1865\n\n**Ill Treated Il Trovatore or the Mother, the Maiden and the Musician** (21.5.1863). P: 22.6.1864; 29.6.1864\n\n**The Maid and the Magpie or the Fatal Spoon** (11.10.1858). P: 8.10-14.10.1864; 15.10-21.10.1864; 15.4.1865\n\n\"Princess Springtime or The Envoy who stole the King's Daughter\" (26.12.1864). P: 10.11.1865; 20.11.1865\n\nCAREY, Henry (1687?-1743)\n\n\"The Dragon of Wantley\" (1737; music by John Frederick Lampe). P: 26.1.1852\n\n\"A Wonder or an Honest Yorkshireman\" (1735). P: 12.11.-18.11.1864\n\nCENTLIVRE, Susannah (1667?-1723)\n\n\"The Wonder. A Woman Keeps A Secret\" (April 1714). P: 12.11.-18.11.1864\n\nCHELTNAM, Charles Smith (1823-?)\n\n\"Aurora Floyd or the Deed in the Wood\" (11.3.1863), P: 26.11.1864; 17.4.1865\n\n\"A Lucky Escape\" (9.9.1861). P: 25.4.1864\n\nCOLMAN, George, the younger (1762-1836)\n\n\"The Heir at Law\" (15.7.1797). P: 21.4.1851\n\n**Love Laughs at Locksmiths** (25.7.1803). P: 9.5.1864\n\n**The Review or The Wags of Windsor** (2.9.1800), P: 24.3.1852\n\nCOURTNEY, John (1813-1865)\n\n**Time Tries All** (4.9.1848). P: 5.5.1860; 21.3.1865",
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    },
    {
        "id": 211851,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 266,
        "title": "RAS-1989",
        "content_text": "241\n\nAurora Floyd Burlesqued: W.B. Gill; 19.4.1865.\n\nThe Babes in the Wood: J.H. Byron; 17.4.1865.\n\nA Bachelor of Arts: P. Hardwicke; 10.2.1858, 8.5.1865. Betsey Baker; J.M. Morton; 23.3.1853.\n\nBinks the Bagman: J.S. Coyne; 8.10.1857.\n\nThe Birthday: T.J. Dibdin; 9.2.1858.\n\nBlack-eyed Susan: D.W. Jerrold; 28.3-5.4.1865.\n\nBombastes Furioso: W.B. Rhodes; 28.1.1851, 5.5.1858.\n\nThe Boots at the Swan: C. Selby; 14.12.1865.\n\nBox and Cox: J.M. Morton; 15.5.1854, 18.2.1857.\n\nThe Bride of Abydos: H.J. Byron; 22.10.-28.10.1864.\n\nBullrick at Kroll: N.N.; 28.3.1864.\n\nCamille: A. Dumas Jr; 27.3.1865.\n\nA Capital Match: J.M. Morton; 23.4.1857, 3.12.1864.\n\nCharles the Second: J.H. Payne; 16.3.1858.\n\nCinderella: H.J. Byron? T. Taylor?; 12.11.-18.11.1864, 28.4.1865. The Colleen Bawn: D. Boucicault; 25.4.1865.\n\nA Conjugal Lesson: H. Danvers; 26.3.1857.\n\nConrad and Medora: W. Brough; 12.E.-18.E.1864.\n\nCool as a Cucumber: M.W.B. Jerrold; 26.3.1857, 30.3.1864, 4.4.1864. Crinoline: R.B. Brough; March 1863; 16.3.1863, 1.4.1864.\n\nThe Daughter of the Regiment: E. Fitzball? 15.4.1865.\n\nA Dead Shot: J.B. Buckstone; 11.4.1865.\n\nThe Debut: N.N.; 1.4.1864.\n\nDelicate Ground: C. Dance; 13.2.1864.\n\nDiamond cut Diamond: W.H. Murray; 12.12.1850.\n\nDone on both sides: J.M. Morton; 10.2.1858.\n\nThe Dragon of Wantley: H. Carey & J.F. Lampe; 26.1.1852.\n\nDuck Hunting: J.S. Coyne; 30.3.1864, 4.4.1864,\n\nThe Dustman's Belle: C. Dance; 9.2.1858.\n\nFaint Heart never won Fair Lady: J.R. Planché; 8.10.-14.10.1864, 14.12.1865.\n\nA Fast Train! High Pressure!! Express!!!: J.M. Maddox; 8.3.1854.\n\nA Fearful Tragedy in the Seven Dials: C. Selby; 15.2.1860.\n\nFitzsmythe of Fitzsmythe Hall: J.M. Morton; 26.3.1863.\n\nThe Flowers of the Forest: J.B. Buckstone; 28.3.-5.4.1865. Fra Diavolo: H.J. Byron; 15.10.-21.10.1864.\n\nThe Frantic Husband: N.N.; 26.4.1865.\n\nThe Golden Farmer: J.C. Cross? B. Webster? 8.10.1857,\n\nA Good Night's Rest: C.G.F. Gore; 21.2.1856.\n\nThe Goose with the Golden Eggs: A. Mayhew & H. Sutherland; 13.2.1863, 17.2.1863, 26.4.1865\n\nThe Governess (Die Gouvernante): T. Körner; 28.3.1864.\n\nGrimshaw, Bagshaw and Bradshaw: J.M. Morton: 2.6.1859.\n\nThe 'Green' Bushes: H.J Byron: 30.9.1865.\n\nA Hard Struggle: J.W. Marston; 12.11.-18.11.1864.\n\nThe Harvest Home: A.F.F. von Kotzebue; 28.3.1864.\n\nThe Haunted Inn: R.B. Peake; 6.5.1852.\n\nThe Heir at Law: G. Colman the Younger; 21.4.1851.",
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        "document_key": "RAS-1989",
        "page_number": 362,
        "title": "RAS-1989",
        "content_text": "337\n\nThe Jau and Wong Temple also used to house spirit tablets to \"heroes\". The tablets (three in total, without names) were moved to the Yau-Leun Tong from the side altar in the temple about 50 years ago because they were siu-yan (“small people”), and it was unseemly to house them in the same temple as the two great men (daai-yan). As mentioned before, villagers agreed that the “heroes” were those who had died in fighting (da-saat) between Kam Tin and its enemies.\n\nKam Tin has quite a number of other temples. There are the Man-Cheung Temple and Hung-Sing Temple in Shui Tau, and the Tin-Hau Temple in Shui Mei. Many of the other villages, e.g. Kam Hing Wai, Tai Hong Wai, Kat Hing Wai, Tsi Tong Tsuen, and Wing Lung Wai, which do not have “standard” temples, have a san-teng, a house with an altar for a spirit tablet for about ten popular temple gods. The gods of some of the vanished temples, which include a Yeung-Hau Temple and a Bou-Dak Chi in Shui Mei, and the Hung-Fan Taam Temple of Shui Tau, are still worshipped in the jiu festival, as are the gods of two nunneries, in Shui Mei and Tai Hong Wai respectively, which no longer exist.\n\nThese temples and nunneries hold tablets or images of some 20 different gods, if we are to include the Earth God for temples, and Wai-To for Buddhist establishments. The other 18 include the popular temple gods Yeung-Hau, Tin-Hau, Bak-Dai, Man-Cheung, Gwun-Yam, Gwaan-Dai, Hung-Sing, the God of Wealth, Gam-Fa, Taai-Seui, the Dragon King, and the Buddha. The Bou-Dak Chi housed spirit tablets for Jau and Wong. There is not much information about this other temple dedicated to Jau and Wong, but it was worshipped probably only by the villagers of Shui Tau, where it was situated.\n\nFui-Sing, and Fa-Gung Fa-Mou are probably respectively responsible for success in imperial examinations and the health of children. Hoi-Saan Suk-Lou is a title found in some other local temples as well, and represents the earliest settlers of the place. Hong-Wong is a title that I have not seen elsewhere in the New Territories.\n\nThe titles of localized gods found in most of the Kam Tin villages include the God of Earth and Grain, the Water God of wells, and the Earth God for the gates of the walled villages. There are, in some of the villages, a Tree God and Earth Gods for bridges and for the gate to a complex of houses. In addition, there are Ngau-Wong and Pun-Gu,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211955,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 370,
        "title": "RAS-1989",
        "content_text": "345\n\nlevel. The rest of the group (on the middle level) included a scene from the story of the Baishe Zhuan, the legend of the love between a snake-turned beauty and a virtuous scholar. The episode represented was that of the monk exercising his supernatural power to kill the lady, so as to free the scholar from the seduction of the demon. The other group bore the sign Wudan Shan, at once one of the famous mountains of China and a well-known place for Taoism. The top level of the group included the Jade Emperor. On the lower levels of these two groups were a temple, runners escorting a sedan chair, and the scene of the Eight Immortals Turning the Sea Upside Down.\n\n51\n\nDecorated with embroidery hangings, the Taoist altar had at its centre portraits of the Three Pure Ones and on either side the Heavenly Master and Taai-Yut Jan-Yan. Further from the centre were portraits of four minor “generals\", named “dragon\", \"tiger\", \"fire\" and \"water\". On the inner walls of the partitions hung pictures of the ten Kings of the Underworld. There was also a backroom to the altar, where the priests stayed between rites. Hanging in this room was an umbrella-shaped object with many charms trailing from it. There were, a priest told me, 28 in all, one for each of the 28 sau constellations. It was called the luo-tian, which meant, he said, the same as xian-tian, the Taoist primordial heaven.\" In the room was a temporary altar set up for the Three Pure Ones, plus a place with two red slips of paper saying \"May Tao be popular with people\" and “Good Luck in the rites\".\n\n52\n\nOn the day before the seven-day period of rites, the villagers decorated the room for their own gu in the main paang. Before each of the rooms stood a Luk Gwok flag, which was the same as the flag used in the Cantonese opera of the same name to announce the identity of a player; and a lo-gu ga; i.e. “drum and gong holder\". Hanging from the top of the opening were mechanical \"hanging puppets\". Inside near the front was a heung-on incense burner set of the siu-cheng type. The tables inside were decorated by toi-wai embroidery that hung from the edges. Hanging from the \"ceiling\" were similar pieces of embroidery known as waang-mei.\n\nSome of the villages put on displays in these rooms of relics of their illustrious ancestors. In the room for Shui Mei was the screen presented to Dang Git-Sau by relatives and friends to congratulate him on the occasion of his 61st birthday, which I mentioned previously. In the room for Wing Lung Wai was a series of scrolls presented in 1919 to celebrate",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211971,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 386,
        "title": "RAS-1989",
        "content_text": "361\n\nBack at the ritual site, the ritual representatives installed the image of Gwun-Yam in the temporary altar dedicated to her, and the spirit tablets for the others in the san-paang altar for general gods. These, with the spirit tablets for the gods from the villages, gradually filled up the three levels of the temporary altar. Two ritual representatives fetched the tablet of Hung-Yi from the Ching-Lok Ancestral Hall to his altar on the stage. The portrait of the Heavenly Master was fetched from the village gate of Tai Hong Wai, and installed at a temporary altar set up for him in the Mau-Ging Tong ancestral hall.\n\nThere were also a few deities to be invited from the sky. They included Tin-Dei-Sheui-Yeung, the gods of the realms of Heaven, Earth (the Underworld), Water, and the human world; Gods of the Naam-Dau (\"North Dipper\") and Bak-Dau (\"South Dipper\"), both for blessings to men; the City God and the Lei-Wik (who supervises the local Gods of Earth and Grain and the Earth Gods); Tin-Chyun San-Gwan (two common titles of the highest deities); and the Dragon King. In the last stage of the Opening Rite there were complaints that those gods were omitted. But later on that day temporary spirit tablets for them were seen in the san-paang.\n\nD. Procession of incense I\n\nThe first Procession of Incense took place on the main day of the ritual, to the participating villages of the Kam Tin heung. It was to visit all the temples, shrines, and major ancestral halls to worship the gods and higher-level ancestors. There did not seem to have been a clearcut rule about the lower-level ancestral halls. When I mentioned to an elder that the procession had stopped and worshipped at Lai-Gaan Tong, his first response was that the procession should not have worshipped there. But he changed his mind later: the worship in the rite was indiscriminative, it went to every ancestral hall if the doors were open.\n\nA very large number of villagers participated. Priests took part in the procession as well, but their part was limited to a brief invocation. Most of the villagers wore hats with special ornaments indicating their villages. The procession was accompanied by the sound of large gongs, a flag saying jeun-heung (\"to offer incense\"), and the priests' musician playing sona. There was one lion dance group, and Luk Gwok flags and percussion teams playing drum and gong on lo-gu ga frames representing each of the five main villages. There were also flags",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211999,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 414,
        "title": "RAS-1989",
        "content_text": "nine Fung Shui sites in the Dragon's Mouth (ref. EMPZ-). The story goes that the Ho family used to worship there twice every year, at the Spring and Autumn rituals. They required all the boat-people to use their vessels to make a floating bridge, so that the descendants could go to and fro to worship at the grave. It was solely because the boat-people feared the power of the Ho family that they obeyed their commands. Because of this, the boat-people all considered for a long time whether it was possible to destroy the Fung Shui. The result was that they employed a Taoist of great magical powers. He dug a hole on one side to allow him to inspect the bone-urn. He saw that the bone-urn was completely wrapped around with the roots of a banyan tree. The Taoist realised that the name of the site corresponded with the reality. He therefore cut away all the banyan roots. However, the next day, when he went back to inspect, he found that they were all back as before. In the same way, he cut the roots away on a number of occasions, only to find that they immediately returned to their original form. Eventually, the Taoist took a black dog and a black cock and sprinkled their blood all around the cut back banyan roots. In this way the Golden Bell Hanging on a Silken Thread was totally destroyed, for the roots could never grow back into their original form. After this, Ho, the Minister of the Left, found it very difficult to retain either his position or his life, and the boat-people never again had to suffer the hardship of building a floating bridge\". \n\n389 \n\nP.H. HASE \n\nNOTE \n\nJournal of the Hong Kong Branch, Royal Asiatic Society, Vol. 28, pp. 198-203. \n\nTHE WHITE TIGER \n\nWhenever an opera performance is to be staged in a venue where no operas have ever been staged before, it is customary for the actors to stage a short piece called \"The White Tiger\" (白虎), first, before any of the advertised operas. This piece involves a fight between a man dressed in black and an actor dressed as a “white” (usually yellow) tiger.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212064,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 6,
        "title": "RAS-1990",
        "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nOBITUARY: HUGH GIBB\n\nHON. AUDITORS' REPORT\n\nvii\n\nxiv\n\nxvii\n\nHON. LIBRARIAN'S REPORT.\n\nARTICLES:\n\nJ.W. Hayes — The Old Popular Culture of China and Its Contribution to Stability in Tsuen Wan\n\nC.C. Choi Studies on Hong Kong Jiao Festivals\n\nDavid Wilmshurst The 'Syrian Brilliant Teaching' Chinese Local Semi-Divine Deities\n\nKeith G. Stevens\n\nP.H. Munro-Faure China on the Brink of War\n\nFred Dagenais John Fryer's Early Years in China: First Impressions of Hong Kong and the Chinese People..\n\nSau Y. Chan The Offering to the White Tiger in Cantonese Opera\n\nLauren F. Pfister Clues to the Life and Academic Achievements of one of the Most Famous Nineteenth Century European Sinologists James Legge (AD 1815-1897).\n\nDan Waters Hong Kong Hongs with Long Histories and British Connections\n\nNOTES AND QUERIES:\n\nP.H. Hase Ta Kwu Ling, Wong Pui Ling and the Kim Hau Bridges..\n\nP.H. Hase A Village War in Sham Chun\n\nP.H. Hase Sha Tau Kok in 1853\n\nKeith G. Stevens The Buddha, the Heavenly True Warrior ..\n\nKeith G. Stevens Altar Images from Hunan\n\nKeith G. Stevens T'i-shen: A Substitute for a Person.\n\nRiden Sung Chi-Pui – The Making of a Husk-grinder..\n\nH.J.W. Chetwynd-Chatwin – The British Merchantman \"Norna\"\n\nGeoffrey Roper Report on Visit to Tai Hang Fire Dragon Dance, Mid Autumn Festival 1992.\n\nDan Waters Sojourners in Xiamen: Notes on the RAS Visit.\n\nBOOK REVIEWS\n\n1\n\n26\n\n44\n\n75\n\n89\n\n146\n\n169\n\n180\n\n2\n\n219\n\n257\n\n265\n\n281\n\n297\n\n298\n\n299\n\n302\n\n303\n\n307\n\n309\n\n314\n\nXX",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212120,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 62,
        "title": "RAS-1990",
        "content_text": "39\n\nKat Hing Wai and Wing Lung Wai terminated their own independent Jiao but continue to participate actively in the Jiao of the whole Kam Tin community. Still others, like Tai Wai and Tin Sam, celebrate their own Jiao festivals on the one hand but also participate as members in the Jiao celebrated by the Sha Tin Kau Yeuk (Sha Tin Village alliance). Reasons such as the Japanese occupation or economic recession given by villagers themselves cannot explain the diversities found in the New Territories. All villages experienced the Japanese occupation. With regard to economic constraints, a community like Ping Shan, though as prosperous and powerful as Kam Tin and Ha Tsuen, stopped the celebration for some unknown reason. Therefore, the continuity or discontinuity of the Jiao festival depends on the effectiveness of the festival's communal structure and organization. In Lam Tsuen, the Jiao festival is a means to reconfirm the roles of its alliances (the Luk Hap Tong [Lui He Tang] “Hall of the Six [Sc. Village Clusters] United\"). In Kam Tin and other single lineage communities, the Jiao plays an essential role in re-establishing the structure of the segmented lineage as well as in re-confirming membership in the branches. The question of whether Jiao festivals will survive after the 1997 take-over is in fact a question of whether or not there is a need to preserve such a tradition in the community.\n\nNOTES\n\nLiu Zhi-wan, \"Taiwan Taibeixian Zhonghexiang Jianjiao Jidian\" Bulletin of the Institute of Ethnology, Academia Sinica 33 (1972): 135-64.\n\nTanaka, Issei, Chugoku Kyoshon Saishi Kenkyu: Chihogeki no Kankyo [Village Festival in China: Background of Local Theatres] (Tokyo: Tokyo Univ. Press, 1989), 799. Some fishing villages in Hong Kong like Kau Lau Wan, Tap Mun and Kat O name their Jiao festivals \"An Long Qing Jiao\" meaning the Jiao celebrated to pacify the earth dragon.\n\nTanaka claimed that originally \"Qi An Jiao\" was celebrated only when there was need to pray for peace (Ibid., 799). However, evidence in Hong Kong, at least, shows that the festival is celebrated in a regular cycle. The shortest cycle is the Jiao of Cheung Chau where it is celebrated yearly. The longest is Sheung Shui and Shuen Wan where the Jiao is said to be celebrated once every 60 years. In some fishing villages in the New Territories, it is celebrated once every two or seven years. A five-year cycle is also practised in some agrarian communities like Tai Hang. However, a ten year cycle is the most popular in agrarian communities. Nonetheless, the method of counting also differs from one community to another. For instance, Lam Tsuen claims to celebrate the Jiao once every ten years but they actually celebrate it once in nine years. Their Jiao festival was celebrated in the following years: 1963, 1972, 1981, 1990.\n\nMr. Cheung Chi-fan (Zhang Zhi-fan), JP, and Mr. Chung Chi-leung (Zhong Ji-liang), interviewed by author, Lam Tsuen, Dec. 1, 1990. According to Dean, about 80,000 Chinese yuan was spent on the Jiao in a village in Zhangzhou, Fujian in 1986. See",
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    },
    {
        "id": 212138,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 80,
        "title": "RAS-1990",
        "content_text": "57\n\nthem 'Persian monasteries' (Po-Ssu ssu §†). In order that the true origin of these so-called 'Persian monasteries' may be known, the monasteries in the two capitals are to be re-named 'Syrian monasteries' (Ta-ch'in ssu). The same change is to apply to the monasteries in other prefectures and districts.\n\nThis imperial decree seems to have been connected with a Nestorian mission from Mesopotamia which arrived in Ch'ang-an in 744, some months earlier, and received an impressive imperial compliment. We learn of this mission from the Sian tablet inscription:\n\nIn the third year [of the Tien-pao period], in the country of Syria (Ta-ch'in) there was the monk Chi-ho. Gazing at the stars he turned towards reformation; looking at the sun he came to do reverence to the emperor. The emperor decreed that the priests Lo-han, P'u-lun and others, seven in all, along with bishop Chi-ho, should cultivate merit in the Hsing-ching palace. The emperor then composed a motto for the monastery, and its name-board carried the dragon-writing. The precious ornament was like a gem or a kingfisher, and was bright with the vermilion glow of sunset clouds.'\n\nTwo separate sources, therefore, state that in 744 and 745 Hsuan-tsung showed interest in the official terminology of the Nestorian church in China. According to one source he ordered all Nestorian monasteries to be renamed; according to the other he supplied the Nestorian monastery in Ch'ang-an's I-ning ward with a sample of his calligraphy, in the distinctive vermilion ink reserved for emperors. Obviously the two accounts are connected. Chi-ho's mission, for whatever reason, resulted in a decision by the imperial authorities to have all Nestorian monasteries renamed 'Syrian monasteries'. The emperor also paid the Nestorian monastery in Ch'ang-an the compliment of personally writing out its new name, Ta-ch'in ssu § , 'Syrian monastery', for reproduction on the monastery's wooden name-board.\n\nThe change of name in 745 came at a time when the Chinese government was more than usually interested in western geography. Chinese armies had wrested control of the Tarim Basin from the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212166,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 108,
        "title": "RAS-1990",
        "content_text": "85\n\nfather who had owned the land on which the temple stood had consulted the deities and found that his daughter had been deified. He had an image of her carved and placed on the altar. This was transferred some time during the mid 1960s to another small shrine within the same temple and again her image stood alone but this time she had under her shrine a cardboard box which contained, according to the temple keeper, an embalmed parrot. The elderly nun claimed that it was Miss Liu's pet. The image and parrot remained until 1983 when the temple was refurbished and the image disappeared for a while. In 1986 it reappeared on the family altar in the rear of the large Buddhist temple next door, dedicated to the Liu family. Her image was now draped in red silken robes and somewhat strangely was labelled Miss Lin. She still held the miniature handbags but the parrot was nowhere to be seen, and the temple staff denied ever having seen or heard of a stuffed parrot. They confirmed that her name was Lin and not Liu but were unable to say why she was now on the Liu family altar in the Buddhist temple. And there she remains, last noted in 1989 still on the Liu family altar.\n\nA cult, that of 'the Prince descended from the Dragon', Lung-shih T'ai-tzu, was established in the mid-1960s in the northern suburbs of Kowloon before being transferred to Lo Wai above Tsuen Wan in the New Territories. It is a piggy-back cult dependent upon the local Cantonese major cult of the Dragon Mother, Lung Mu. The story begins with a boy, Huang Hsin-tsai, born in Shamshuipo, Kowloon, in 1949, the son of refugees from Canton. His parents died soon after they arrived in the Colony leaving him in the hands of the lady who now runs the new cult temple. In 1960 the youth, now 11 and still living with the lady in Shamshuipo, fell ill with swollen legs and abdomen. She nursed him carefully back to health but in 1962 he was thought to have eaten something which did not agree with him and, despite a visit to the Wong Tai Sin Temple, he died. Accused by her neighbours of neglecting the youth she was exonerated by him when he appeared to her in a dream to explain that he was now the stepson of the major deity, Lung Mu, and had the power to cure on her behalf. Once a year thereafter he provided the lady with a large basin of very tiny pills for her to distribute to cure people's ills; he also appeared to her in dreams to help solve difficult problems put to her by devotees. The lady, now the temple keeper, has a number of elderly ladies to help run the corrugated iron and brick temple which she has had built near his grave.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212168,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 110,
        "title": "RAS-1990",
        "content_text": "87\n\nseven died unnatural or early deaths, though the other six would appear to have died peacefully at a reasonable age in their beds. Three would seem to have appeared in human dreams after they had died, and all are prayed to for boons and blessings, protection or guidance,\n\nOut of the twelve examples six have had privately run temples erected in their honour, whilst images of the other six have been placed on secondary or side altars in local community temples.\n\nIt is worth considering the difference between the deified total nonentity and the deified virtual nonentity. The former would be the unnamed immigrant who died several hundred years ago but who is now regarded as the local protective spirit, whilst the latter is the villager, perhaps even a former headman, whose name, though little else, is remembered. He too is now regarded as a local protective spirit.\n\nAlthough we have been examining such deities mainly in the context of Taiwanese and South East Asian Chinese they appear to have existed China-wide. One such virtual nonentity was deified several hundred or more years ago on an island off the northern coast of Shantung Province, with the rural temple altar bearing the images of both the nonentity, Mr Liu, and his wife. R.F. Johnston describes the temple, formerly on the island of Liu-chia Tao, the Island of Mr Liu, off Wei Hai Wei, the former British possession where he was the last Governor, in his book Lion and Dragon in Northern China.\n\nHe explains that no one appears to know who Mr Liu was nor why his image appears on the altar. Liu Kung and Liu Mu Father Liu and Mother Liu were regularly worshipped, especially by sailors. Johnston notes that the curious thing is that the deification of the old couple has taken place without any apparent justification from legend or myth'.\n\nThe images were moved to a new temple built on the mainland during the occupation after the British acquired the island and began to make preparations for the construction of naval works and forts.\n\nThe images of Mr and Mrs Liu portray them as an elderly couple dressed in luxurious robes, he with a long white beard and the cap of the wealthy land owner.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212232,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 174,
        "title": "RAS-1990",
        "content_text": "151\n\na mark or two on my hand one morning, but they proved mere pimples arising from the heat.\n\nAs regards the vegetation, I must say that although taken altogether the island is not so well supplied with vegetation as some parts of England, yet what there is, has been so judiciously taken care of, and propagated, that in a few years it will become well wooded, in all the habitable parts. No pains are spared in planting and rearing trees, and nature assists the efforts of man, by a rapid and luxuriant growth. But even now, all parts that are inhabited are surrounded by trees, the quantity and size depending only upon the time since the houses were built. There is the Asiatic pine, found through Central Asia to the Himalehs. The rocks and table lands in Hong Kong are well planted with it, making it look very like the Scotch pine or fir in England. The bamboo looks well, and its luxuriant and rapid growth, together with the graceful appearance of its foliage, has caused its prevalent use. The apple, pommaloc, laichis (Chinese plum), willow, oak, mulberry, appear the chief. There are several fine trees of which I can only get the Chinese name in our shrubbery. Nearly all the vegetable food comes from the mainland. It is tolerably reasonable in price. A fine pine-apple costs about —/4o. Plantains 1\" to 2a a pound. In a few weeks fruit will be plentiful. Potatoes about 2a a pound. Rice ditto. Bread 5o per pound. Ginger grows fine here; and the green ginger preserved is delicious. There is a nice fruit, just out of season, called Wong-pay, and another whose name means “dragon's eyes\" is not pleasant to my palate. Fish is very dear; a little fish for breakfast costs 5 or more.\n\nThe town of Victoria is a long street running nearly parallel with the shore of the bay. Branching off from this street are the many hills, covered with English villas for a good way up. The eastern end of the town is mostly occupied by large merchants' offices, warehouses, etc....... and beyond are many fine English houses. The Chinese streets are very curious to a stranger. The Chinese shops are likewise interesting. Some however are in English style. An English shop is a different thing here to what it is in England, and more resembles a warehouse. There are, however, a few fine milliner's shops, hotels, dispensary, and club room. At the Eastern extremity are the Barracks, the parade ground, and market; and about a mile on, is a beautifully wooded hill, where the Colonial Chaplain, the Rev. J. Irwin, resides. Then passing through a ravine you open upon Happy Valley. A Chinese villa is quite a curiosity. Here and there you see one perched upon some eminence; but it does",
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    {
        "id": 212378,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 320,
        "title": "RAS-1990",
        "content_text": "[1849] it numbered 25 boys. The free tuition he offered brought him goodwill in the eyes of the people, without much cost, since the boys provided their own food and brought their own books to the school.\n\nIt was very difficult for Brother Hamberg to live alone and lonely in this way, in the midst of a great crowd of Chinese people, far from any of his Brethren or friends.\n\n110\n\n297\n\nNOTES\n\nP.H. Hase\n\nSee C. Smith, \"The Archives of the Basel Mission”, Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 28, 1988, pp. 203-207.\n\n2 Basel Mission Archive, Document A-1,2 Nr. 44, \"Half-Yearly report of the Missionary Rev. P. Winnes, from 1st January to 1st July, 1853**.\n\n1 I am grateful to M. Anne-Maria Pordes for her help in transcribing and translating this document.\n\n#\n\nUnfortunately, the Mission in Sha Tau Kok was closed down and moved to Lilong in 1853, so no further descriptions of Sha Tau Kok of this type were written.\n\n6\n\n5 Jahresberichte der Basler Mission 1849, pp 141-143.\n\nHamberg was forced to abandon his work at Sha Tau Kok in 1849; the Mission there was taken up again by P. Winnes and R. Lechler in 1852, but it was effectively abandoned again in 1854.\n\nTHE BUDDHA, THE HEAVENLY TRUE WARRIOR\n\nAn interesting phenomenon seen only in Taiwan was first noted in 1984 in Tainan. From an iconographic point of view, the sudden appearance on altars of a wooden carved image portraying a middle-aged scholar sitting sideways cross-legged on a crouching winged mythological creature with a dragon's head* was most unusual.\n\nThe image, now observed in some sixty temples in most areas of Taiwan, labelled T'ien Chen-wu Fo ADA is gilded, though the creature is usually brown. The scholar, clean-shaven, with a full face, holds a seal in his right hand bearing the inscription, 'With\n\n* See Plate 6",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212382,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 324,
        "title": "RAS-1990",
        "content_text": "301\n\nThese images, occasionally called 'Household Spirits' (Chia-shen ) by the carver, can be ordered by parents even if their son or daughter who is suffering from an unidentifiable ailment is mature, living away from home, and does not believe or wish to be involved.\n\nThe god carver explained that the image remained on the family altar until removed, usually because the individual concerned is no longer alive, when it is normally incinerated. However, there are times when an elderly lady does not wish to burn an image and, being unsure what to do with it, presents it to a temple with a fee, where it remains on the crowded 'mixed altar' (Lieh T'an ) and receives its share of public reverence and incense.\n\nIn theory, the god carver explained, these images can portray humans in many forms. Also in theory, in a previous incarnation the present human may have been an animal or an insect, though this is very unlikely and he had never heard of a case. In practice, all were Chinese humans in previous incarnations and the majority identified as generals or marshals, senior graduates, mandarins, and ladies of rank. The carver raised an eyebrow and added that it was not for him to question the word of the spirit mediums. Many of the ladies who come to him with their 'prescription' for an image would appear to have been male in a previous life, and it is very rare for a man to have been a female in his previous incarnation.\n\nImages usually consist of either a seated lady or man with a number of 'unique' characteristics. The standard lady is a dowager with a heavily decorated hat and robe, and a crane under each of her feet. Some hold a scroll, a fly switch, a cup or bowl, or a gourd, whilst others simply hold their belt with one hand and rest their other hand on the arm of their 'dragon throne'. Male images vary from the scholar to the soldier, portraying them sitting on a 'dragon throne' and holding a scroll, seal, bowl, flag, or a tablet. Generals and Marshals, very occasionally portrayed seated astride a horse, have their battery of four or five triangular coloured flags in a rack across their backs indicating their military rank, but only rarely are they depicted with a weapon. Usually, the seated male has a lion, dog, or stylised creature, one under each foot, whereas the female, on rare occasions, might have frogs rather than cranes under hers.\n\nKEITH STEVENS",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212388,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 330,
        "title": "RAS-1990",
        "content_text": "307\n\nrecovering them and their stubborness in this belief undoubtedly saved the lives of 21 British seamen.\n\nH.J.W. CHETWYND-CHATWIN\n\nREPORT ON VISIT TO TAI HANG FIRE DRAGON DANCE, MID AUTUMN FESTIVAL 1992\n\nOn the 11th September, 1992, a party of Society members, family and children visited the Tai Hang Tsuen Fire Dragon Dance at the invitation of the Tai Hang Residents Welfare Association.*\n\nThe Tai Hang Fire Dragon Dance started in 1880 when Tai Hang was a small Hakka village of farmers and fishermen on the waterfront of Causeway Bay.\n\nAccording to local legend, on a stormy night that year, just prior to the Mid-Autumn Festival, some villagers killed a serpent at a stone house in Sun Chun Street. They placed the body of the serpent in a bamboo cage, intending to hand it over to the local police station the next morning. However, by then the body had disappeared. A few days later a plague broke out in Tai Hang and over ten persons died.\n\nOne night a village elder in his sleep was told by Buddha (one version says that the message came through Kwun Yum, the Goddess of Mercy) to make a grass dragon and burn firecrackers and incense sticks during the Mid-Autumn Festival. This advice was followed and the sulphur in the firecrackers drove away the disease and the villagers were saved.\n\nIt then became customary to hold a fire dragon dance every year during the Mid-Autumn Festival in order to drive away infectious diseases and to bring good fortune. This custom has been followed every year since 1880, with the exception of the Japanese Occupation and during the 1967 disturbances. The arrangements are in the hands of the Tai Hang Residents Welfare Association, and the event is very much a community function which continues a long-standing village tradition in the heart of modern, urban Hong Kong.\n\n* See Plates 14-15.\n\nPage 330\n\nPage 331",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212389,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 331,
        "title": "RAS-1990",
        "content_text": "308\n\nThe Dance is performed on three evenings. The official invited to officiate on the first evening is an officer of the civil authority (Man), whilst the official on the second evening is an officer of the military authority (Mo), represented by the Royal Hong Kong Police. The third evening is regarded as the Village's own celebration.\n\nThe Dragon is 220 feet long and has a team of 120 dancers. It consists of the head, body (32 segments), and tail and is preceded by two dancing Dragon Pearls (Lung Chu) whose purpose is to attract the Dragon forward. It is accompanied by a drum and clashing cymbals, as well as by banners and costumed children carrying lanterns. The dragon itself is composed of grass, the head being on a cane base, and it is liberally stuffed with burning incense sticks; the throwing of firecrackers ended with the 1967 ban on fireworks. The grass is 'pearl' grass, obtained these days from the New Territories. Incense sticks from the Dragon are taken home by the dancers to worship their Tai Hang ancestors who have previously taken part in the Dance. Dragon cakes from the Temple are taken home on the third day for the same purpose. The Dance ceremony starts with the decoration of the Dragon and its stuffing with incense sticks and continues throughout the evening through the streets of Tai Hang. At the end of the three days of celebrations the Dragon is thrown into the waters of the harbour.\n\nChinese Dragons are the essence of the Yang, or male, principle, and the Tai Hang Fire Dragon is no exception. Until recent years female participation was limited to the cutting of grass. Ladies were not allowed to touch the Dragon and they were not admitted during the Dragon's visit to the Lin Fa Kung Temple (sited to the east of Wun Sha Street and dedicated to Kwun Yum). Pregnant women with two daughters and no sons were, however, allowed to pass under the Dragon, with the intention of the birth of a son.\n\nThe Royal Asiatic Society of Hong Kong is grateful for the assistance given with this visit and in the preparation of these notes by Mr Ho Choi-Chiu, Chairman of the Tai Hang Residents Welfare Association, and by Mr Chan Tak-Fai, of the Association's Dance Organising Committee.\n\nGEOFFREY ROPER",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
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    },
    {
        "id": 212444,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 386,
        "title": "RAS-1990",
        "content_text": "DRA ON CENTRE.\n\nAGYAL ASIAN SOCKLY,\n\nPlate 14: Members of the Society enjoying the Tai Hang Fire Dragon dance.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212445,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 387,
        "title": "RAS-1990",
        "content_text": "Plate 15: The Tai Hang Fire Dragon.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212585,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 139,
        "title": "RAS-1991",
        "content_text": "119\n\nare then ritually washed and cremated, or, in the case of New Territories' villagers, re-interred either in horseshoe-shaped masonry graves or in two-foot high, ceramic, funerary urns, called kam taap (金塔). The bones are positioned in these pots, foetus-shaped, ready for reincarnation.\n\n'There is a time to live, a time to die, and\n\na time to be born again.'\n\n37\n\n38\n\nLike\n\nSpots selected on hillsides should have 'neutral' feng shui; high voltage electricity, too powerful a 'charge' can render living relatives vulnerable. Hong Kong citizens can now occupy grave spaces at Shenzhen Overseas Chinese Mausoleum, just over the Hong Kong border in China, where they can be interred in perpetuity.\n\nIncidentally, bodies were sometimes buried 12-feet under in cemeteries in Happy Valley (a lovely name), in early British Hong Kong, to protect them from grave robbers.\n\nGraves should be sited on hillsides. At the base of a mountain ridge, where the dragon spirit of the mountain stops its run, between spurs to give an 'armchair' effect, is a good position. There should be a commanding view, preferably of water (representing money). The surroundings may take the form of a dragon, a snake, a crab or a prawn, and 'dragon's vapour' (feng shui) needs to be captured or restrained in the correct proportions. The siting of a grave metaphysically influences the lives of descendants. A body decomposes and the 'five Elements', minerals from bones and flesh, remain in the soil. Nothing dies. Everything is transformed. Universal impulses and high vibrational and spiritual frequencies are transferred from graves along electromagnetic ley lines, and resonances and energy are received and inherited from father to son and by other living relatives. Such activities are most effective when one is buried in one's native soil, some believe.38 Today, however, in public cemeteries in Hong Kong, a person is allocated the next vacant grave space. He has little control over feng shui, although some people do try to change their position in a queue in order to obtain a 'good' grave number.\n\nReturn Visit\n\nIn this study, on the 12th night after death (duration depends upon deceased's date of birth3), all close family members waited in the dead",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212596,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 150,
        "title": "RAS-1991",
        "content_text": "Topley asks whether the poor trace hardships, basically, to lack of money. Cash can solicit and secure worldly and spiritual favours, advantages as well as goods.” At a funeral there is abundant, cheap, 'mock' money which mourners 'remit' to the deceased. The dead can be 'looked after' in a style not often possible on earth.\n\nOther ritual ingredients are belief in supernatural powers making up driving forces of the universe, whether these be magic, the complementary powers of yin and yang, ‘dragon vapours' (lung hei) of feng shui, fuk hei (divine blessings) or other superstitions. They must be handled correctly so no one is alienated.\n\nThere are, nevertheless, inconsistencies. If even the average Chinese does appear to believe that everything depends upon impersonal whims and pulsation of feng shui through the universe he does not resign himself entirely to fate. The contradiction is that most Chinese display a strong motivation to achieve wealth, power and prestige. Ability and education are valued. To complicate the issue further there is the Buddhist karmic belief that one's afterlife depends upon morality and performing good deeds on earth. So with a broad streak of pragmatism, if, with ancestor worship, forefathers do not provide adequately for present generation - even though forebears' bones have turned white instead of black - the living will still try to achieve objectives in other ways, such as by following the Confucian work ethic. But the need to perform the will of the gods, if one wishes to be saved, is also stressed, although ascetic practices and abstaining from worldly comforts appeal to a limited number of Chinese. But effort on its own is not enough. Something else, something special, is required.\n\nWith Chinese civilisation going back to the Shang Dynasty (circa 1600 to 1100 B.C.) beliefs do not usually change overnight. Yet, as explained in this paper, a number of Hong Kong funeral customs have altered significantly since World War II, such as acceptance of cremation and streamlining of funerary formalities. In many ways, Hong Kong Chinese think differently to westerners and even to their mainland cousins. Yet, if a European reflects after attending a Chinese funeral, many aspects are very meaningful. These can help a westerner strengthen Christian beliefs.\n\nEven those Hong Kong Chinese who do not profess a faith still usually engage Taoist or Buddhist monks to perform last rites. The author recalls\n\nPage 150\n\nPage 151",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212660,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 214,
        "title": "RAS-1991",
        "content_text": "195\n\nAgain according to folk memory pirates under Ts'ai Ch'ien raided the coasts of Taiwan plundering the towns from as far south as Lukang, up the coast to Tamsui, Keelung, Su-ao and even sailing up river to Manka [present day Taipei). However, strange to say they never attempted to loot the prosperous port of Lukang, possibly to avoid upsetting the merchants there who were already paying \"Danegeld\", and thereby provoking a major campaign against them, or because the pirates spent much of their time hiding along the coastal strip to the south of Lukang. Ts'ai Ch'ien provided the opportunity for Wang to take his place in history, as has been described above, when Wang, at the age of 37, killed the pirate leader and destroyed his fleet in 1808.\n\nIn 1842, during the First Opium War when it was feared that the British might attack and occupy the Pescadores islands, Wang, despite being 72, was asked to take charge of the fortifications. He died shortly after arriving there.\n\nThe large ancestral painting of Wang in the Clan temple portrays him sitting on a chair covered by a tiger skin, the finials of the chair's arms carved into dragon's heads. He is dressed in Court robes with a winter cap, a flared mandarin collar and a mandarin's string of beads. His rank is depicted by the button on his cap and the square on his chest; however, the badge shows a form of dragon, which is only worn by members of the extended royal family, or under certain circumstances by Imperial Censors, whilst his cap button is plain coral as worn by the first class of mandarin. His honour, the Peacock Feather with double eye is clearly shown. He has a white moustache and goatee beard and a thin, aged face. There is no indication that he was a military official, rather it would seem he was a civil mandarin.\n\nAlthough his wife by rights should have had the same chest badge as her husband, the mandarin square in her ancestral painting is not only a civil badge, with a crane denoting a first class mandarin, but the bird is facing in the wrong direction. In practice, however, bird emblems were common to wives of both civil and military officials. These items suggest that the paintings were made many years after Wang and wife had died, and that the artisan who did the work was unacquainted with the niceties of rank, working as he probably did in the wilds of central Taiwan on numerous ancestral paintings for 'nobodies'.\n\nOne final story about the importance of Wang to the people of Taiwan is patently untrue but reflects how folk tales become garbled with the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 212702,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 11,
        "title": "RAS-1992",
        "content_text": "'Fire Dragon' Mid-Autumn Festival -\n\nTai Hang\n\nParty for Dr. James Hayes\n\nGeoff Roper\n\nMichael Kirkbride\n\nProf. Tong Kin Woon\n\n—\n\nChinese Music\n\nElizabeth Sinn\n\nVisit to the New Territories\n\n―\n\nKam Tin\n\nPatrick Hase\n\nVisit to Devil's Peak\n\nVisit to Royal Observatory\n\nVisit to Mai Po marshes\n\nVisit to the Exhibition of Painting\n\nby Nancy Wu\n\nJohn Wilson\n\nElizabeth Sinn\n\n& Rosemary Lee\n\nDan Waters\n\n& Rosemary Lee\n\nMichael Lau\n\nThere was, as you see, another expedition to Chek Lap Kok! This really will be the last one until the new airport is completed, after which you will undoubtedly be able to visit it as much as you can afford to.\n\nI would like to thank all those who took the time and effort to organise these visits and expeditions.\n\nThe programme committee is also responsible for organising our lecture programme and those of us who have been able to attend them will, I think, agree that the standard has been well maintained. Without detracting from the other lectures, I would like to highlight the two lectures at the beginning of January 1993, where we were fortunate to have two prominent academics in the form of Professor Hugh Baker, Professor of Chinese at the London School of Oriental and African Studies, and Professor James Watson from Columbia University. The full list of lectures and speakers are as follows:\n\nLecture\n\nSpeaker\n\nAmerican Chinese Film Making\n\nShirley Sum\n\nCentral Highlanders of Vietnam\n\nGrant Evans\n\nCambodia: Is Peace Possible\n\n!\n\nix\n\nPeter Leeds",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
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    },
    {
        "id": 212732,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 41,
        "title": "RAS-1992",
        "content_text": "26\n\nname had eventually appeared in the Peking Gazette. In 1871, he added, he was recommended for special honours on account of distinguished services on the field of battle and received the order of merit called Yung Hao with the title of Ying Yung Pa-t'u-lu [i.e. ‘Brigadier-General, the title of Knight Ying of the Order of Pa-t'u-lu, Mesny\"]. Mesny was awarded the Ying-yung for having penetrated a Miao stronghold with a few Chinese riflemen and turned the tide of battle from defeat into victory. In April 1896 Mesny wrote: 'Having lived in Hankow for some years and acquired some notoriety amongst the Chinese there, if not actual fame, the characters Wen-kao 'Eminent', were chosen and given me as a Hao or familiar by my friends.' His Chinese name is Mai Wen-kao or using a transliteration 'Mai-shih-ni [i.e. mai-knee) and his rank, Tsung-ping **General**]. In another autobiographical 'obituary' printed after his death in the Celestial Empire, a Shanghai paper, he described himself as 'I, Wen-kao William Mesny, F.R.G.S., Brevet Lieutenant-General of the Chinese Army; Knight, Ying Yung of the Order of the Pa-t'u-lu..................\n\nMesny noted on one occasion long after he had completed his military service that he had come across a battalion of Kueichou field troops with the men wearing the cuirass-shaped uniform or Pa-t'u-lu vesture, invented by Mesny in 1868 for the An-ting and Ko-i Rifle Brigades. [\"The ancient Manchu Knights of the order of the Pa-t'u-lu wore such vests as uniform when not wearing the metal cuirass, hence its significant name Pa-t'u-lu.']\n\n[NOTE: Liu Ming-ch'uan, Governor of Taiwan 1884-1891, referred to in the text as having met Mesny, initially was a freebooter who, during the Taiping Rebellion supported Li Hung-chang and the Imperial forces, and opposed the Taipings. He was at that stage a fairly lowly officer and is recorded as having received 'the honorary title of military merit, baturu': Later, when more senior he was awarded the much greater award of the Yellow Riding Jacket.]\n\nMesny was awarded the 'flowery plume' [hua-ling ##4] in 1869 together with the brevet rank of colonel after battles with the Miao tribesmen. He was also presented with the Pao-hsing in 1869. He refers to the Pao-hsing #, the Precious Planet [or decoration of the Star of China] implying that it was the same decoration as the Double Dragon Jewelled Star which he also later referred to. It was, he said, instituted after the Taiping Rebellion as a form of reward for foreigners who",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
        "rank": 0
    },
    {
        "id": 212733,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 42,
        "title": "RAS-1992",
        "content_text": "27\n\nrendered eminent service to the Imperial cause. The Double Dragon Jewelled Star (Shuang-lung Pao-hsing) was, he repeated, conferred on him in Kueichou during his first campaign in that province (1867-1869). He described it in his second note as consisting of a pure heavy gold [2oz or more] medal rather than a star, about one and a half inches in diameter, with a hole in the centre about half an inch in diameter, filled by a light sapphire globe revolving on a gold pin inserted through it. On one side were two dragons in high relief, on the other, four characters, also in high relief, viz. Ta-Ch'ing Feng-tseng meaning 'a title of honour bestowed by the Ch'ing dynasty'. The jewelled globe in the centre was intended to represent the light blue button and rank of colonel which Mesny then held. Had the medal been conferred by the Emperor, Mesny added, he would have worn it in Europe in 1878 but as it was the gift of a provincial viceroy he did not. Mesny also wrote that he preferred his ordinary Chinese rank and decorations, the Flowery Plume or single-eyed Peacock's Feather and, later, the ordinary order of Pa-t'u-lu with special designation of Ying yung, the Penetrating Knight, awarded to him by the Emperor.\n\nMayers, again, in The Chinese Government wrote about this minor award;\n\n'Isolated distinctions have indeed been conferred in China on foreigners of various nationalities, principally for services rendered in the command of drilled troops during the Taiping rebellion, and subsequently in the collection of the Customs revenue, which are known, with reference to the European term 'star', by the designation pao-hsing; but as these are bestowed, for the most part, by provincial authorities, and without the sanction of any established rule or recognised statutes, such as are required to constitute what is commonly known as an 'Order', the badges thus conferred can scarcely be regarded as having any real value as authentic marks of distinction.'\n\nMesny was recommended for 4th Degree civil rank in 1866 which, if it had been awarded, would have entitled him to wear a mandarin square 'wild goose' breast badge. He recorded that the fourth degree civil rank had the right to wear and were distinguished by a dark blue button on their official cap. The embroidered robe, mang pao, had but eight dragons with five claws on each foot. The dress badge worn by civil officers and all ladies of their class and degree bore the semblance of a swan",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
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    },
    {
        "id": 212755,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 64,
        "title": "RAS-1992",
        "content_text": "49\n\nDespite the feeling we have acquired simply from his own writings that he had many acquaintances and few friends, that he was neither a European nor a Chinese and was held at arms length by both, that he was God's gift to the girls, that he offered guidance and good advice with great foresight to the Chinese, and was either ignored or his ideas purloined by others, the obituaries, possibly following a policy of avoiding speaking ill of the dead, described him as ‘a great traveller, a great scholar, a soldier, an author and publisher. A cheery man who most people knew, who at 77 walked briskly to and from his office, beloved by many, although not rich in the world's goods he was always ready to help others, and was of a very cheerful disposition. He endured many shrewd blows of fortune but always came up smiling.'\n\nHe must have been regarded both in Shanghai and in Hankow as an eccentric and colourful old man. Everyone would know of him but to what extent he was accepted socially we shall probably never know unless, that is, someone's private correspondence in which he is mentioned comes to light.\n\nNOTES\n\nMason was a young British official in the Chinese Customs on the Yangtze who organised the shipment of arms to and became involved with Nien rebels. Mesny, who knew nothing of Mason's schemes and plot, found himself officially ostracised after being accused by Li Hung-chang of being a rebel leader.\n\nIt is strange that there appears to be no reference to the typhoon in the available Shanghai papers of the day. Also, in view of his complaints about people's refusal to face up to disaster by taking out insurance, why did he not have the Rink insured? Probably, considering his circumstances, he was unable to afford the premium.\n\nThe Tsar-li Hui has been variously described as a minor religious cult, in Shantung province in particular, or as survivors of the White Lotus Society, an anti-dynastic body since its foundation in the fourteenth century through to its final defeat in Shansi in 1815. A number of members then joined the Nien revolt, and here we have a link perhaps between Li Hung-chang's accusation that Mesny was a leader of a Nien rebels during the Mason case.\n\n$\n\nMesny's Chinese Miscellany: Volume 2 item 1431 page 362\n\nBat'uru: 'A kind of Manchu Distinguished Service Order [DSO]' Johnston RF Lion and Dragon in Northern China. Murray: London 1910\n\nWilliam Mesny always referred to himself as 'Knight Ying of the Pa-t'u-lu' BA\n\nThis decoration was intended to correspond to European Orders [sic].\n\nGarrett, Valery M Mandarin Squares. Oxford University Press. Hong Kong. 1990",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
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    {
        "id": 212782,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 91,
        "title": "RAS-1992",
        "content_text": "76\n\nThe Chinese Government, Mayers does not refer to the Lien-chûn Ying. Mesny's ambiguous descriptions are confusing though it would seem that there were four separate bodies, the Banner Forces, the ill-trained Green Standard armies under provincial control, the Disciplined Battalions formed from the Green Standards forces, and the local defence train bands.\n\nThe standing army was divided into two great classes, the Banner Forces, [Ch'i-ping], and the Militia Forces (Chih-ping]. The real Chinese National Army also called Ying-ping generally styled by foreigners as the Green Banner Force [Lu-ch'i Ying'] derived its title from the colour of their triangular standard, green satin with a red satin scalloped border and a golden dragon embroidered in the centre. Each province had a separate army corps under a C-in-C styled Ti-tu Chün-men [one such force was the Kueichou Provincial Force operating alongside the Szechuan Force in which Mesny served]. The forces consisted entirely of Chinese and were, in fact, a part of the local militia. Three centuries ago, wrote Mesny, it was the finest military force in the world: as it was in 1895, he added. The force was beneath criticism.\n\nThe Disciplined Army battalions, the Lien-Chün Ying [troops trained by and after foreign advisers], was a new organisation instituted by Ts'en Yü-ying, formerly Governor of Yunnan, Kueichou, Fukien and subsequently Governor-General of the Yun-kuei provinces. It consisted of detachments from the various Territorial Green Regiments formed into battalions and bearing the same territorial name as the regiment from which they had been detached and of which these detachments actually formed or constituted a fighting or field battalion. The Disciplined Battalions were armed with obsolete rifles but far superior to anything opposed to them in Yunnan or Kueichou. These Disciplined Armies, often referred to as the Anhui and Hunan Armies, were originally privately raised and financed by Tseng Kuo-fan and Li Hung-chang to combat the Taiping rebel armies and were under the personal command of Han Chinese generals. Later, they employed westerners such as Mesny to assist China's programme of 'self-strengthening', primarily in the sphere of armaments.\n\nAlthough Mesny explained that there was a lack of uniformity in organisation throughout the whole of China he went into some detail, and added that each provincial army corps was considered a regular",
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    {
        "id": 212820,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1992",
        "page_number": 129,
        "title": "RAS-1992",
        "content_text": "114\n\nits population. With the fall of Tengyueh, soon after, the rebellion was finally suppressed. Survivors of Sultan Suleiman's family took refuge with King Mindon at the Court of Ava in Mandalay. Two years later a British consular official, Margary, who had been appointed with the consent of the Chinese government to accompany a British expedition, which was to leave Bhamo to explore a commercial route to Tengyueh - now called Tengchung - was murdered under treacherous circumstances near the latter town. It was thought at the time, but not proven, that a Chinese official, named Li Su Tai, whose mother was Burmese, was implicated: the incident led to negotiations between the Chinese and British governments and was settled by the Chefoo Convention.\n\nAfter the British occupied Mandalay and Upper Burma in 1885 they sought to define the boundary between Burma and China. The question was not found to be easy because the Chinese advanced claims to large sections of territory which had obviously been part of the Kingdom of Ava. However, a considerable length of boundary was agreed upon and marked by enormous stones: they are the size of a small cottage, I suppose to discourage easy removal, and each stone is numbered and its position is marked on the quarter-inch map. The length of border left undefined made for an unsatisfactory situation, not unlike that between the United States and Mexico before that boundary was fixed, or like the situation which now exists on the border between China and Tibet. Various attempts were subsequently made to agree the undelimitated part of the boundary, and by 1942 only a stretch of the frontier from just N.W. of Tengchung up to Tilset remained undemarcated.\n\nThe railway from Haiphong, through Indo-China, reached Kun-ming in the early years of this century and so opened the province to French influence; whether, however, owing to strong local conservatism or a lack of enterprise on the part of the French, their influence appears to have left little mark. It was only with the opening of the Burma road in 1939 that Yunnan for the first time felt the full impact of the modern world.\n\nI had had no previous experience of western China. I knew that Lung Yun, the Old Dragon, as the Governor of Yunnan was generally called, had for long been almost independent of the National Government. It was only with the transfer of Government troops to Burma through Yunnan in 1942, and their subsequent retreat to Yunnan, where they remained, that the Chungking government had established a partial",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
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    {
        "id": 212909,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 218,
        "title": "RAS-1992",
        "content_text": "203\n\nThe household was quite large with an amah to look after us children (who many years later also looked after my own children), a cook, who was the husband of the amah, and one or two others to help with the washing and housework. When the time came, I went to the primary school with all the other children of my age, a single very fair head among a sea of black. I can visualise the classroom in which we had our lessons and the playground outside. The textbooks were very thin and had paper covers, so that it was possible for the history master to roll one up and give us a good clip over the head if we were being particularly stupid. English was not taught in the primary school, only to the senior students in the secondary school, so I was sent to sit among the senior girls to learn my English grammar from my mother, who taught the subject.\n\nWe had school uniforms of a sort still seen in Hong Kong, but the school only supplied the material to ensure that everybody had the same colour. Ours was a beautiful pale blue, only slightly darker than the Cambridge blue. Quantities of the new material would arrive and then be made up into the smartest of outfits.\n\nPaddy Fields and Dragon Boats\n\nWe would walk to school through paddy fields, which for most of the year were flooded for the rice. Small fish abounded in these fields, though I never caught any. The cycle of the rice crops was familiar to everybody. First, a scattering of seeds in a small patch, then, when the seedlings were about six inches above the water, the planting out of the seedlings, and then nothing much till harvest, and there were two harvests a year. Water was supplied to the paddy fields by a complicated irrigation system and involved pumping water up from the creeks. These pumps were an endless chain of paddles, which were pulled up a trough whose lower end was in the creek and which discharged into the fields. Some pumps were small and driven by a man using his arms as extensions of wooden pistons attached to the upper wheel round which the chain of paddles rotated. Others were driven by three or four men treading spokes protruding from the driving wheel. For the winter harvest, the water was drained out, so that the rice could be cut and threshed into large tubs on the spot. Where there had been acres of water, now there were dry fields of stubble and stacks of rice straw drying out. As the fields dried, we would take short cuts across them. We also found that the mud was soft enough to make into the mud equivalent of snowballs. This led to splendid games in which factions would build forts with the straw and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
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    {
        "id": 212910,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 219,
        "title": "RAS-1992",
        "content_text": "204\n\nbombard the enemies with mud balls.\n\nAs children we did not go often into the town except to walk to church. This we did along streets paved with enormous stones laid five at a time along the road and then five across. The roads were elevated above the fields and along the creeks with which the whole delta is riddled. In times of flood these dykes protected the fields. Occasionally they would be breached and then a general alarm would be raised as the whole population rushed to repair the damage before the countryside was flooded.\n\nThe creeks, one of which passed at the foot of our garden, carried the commerce of the villages and, in the fifth month, the dragon boats. For weeks before the actual festival, dragon boats would be paddled along the creeks of the delta and, from time to time, one would pass our garden. These were magnificent vessels bearing only superficial resemblance to those used for racing here. The largest had over a hundred paddlers. In the centre was an enormous drum with two drummers. Gongs were placed at other parts and large ornamental, cylindrical umbrellas, beautifully embroidered with colours and mirrors, added decoration. They had a frightful time negotiating the bend in the creek outside our house, a feat which was only accomplished with tremendous shouting added to the cacophony already supplied by the percussion. As the fifth month approached we were on the lookout for the dragon boats which we could hear long before we could see them. With the first sounds of the drums and gongs we would drop everything and rush down the gap in the bamboo hedge from which we had a grandstand view.\n\nLast Visit to Fatshan\n\nAll these events occurred in the period from about 1928 to 1933. After that we went on leave from which I returned to school in North China. I did however make one last journey to Fatshan in the spring of 1938. Normally our long school holidays were in the winter but, with the Japanese war starting in 1937, we had a short holiday that winter and a long holiday in the following spring. It was great fun to return to the old house and try and pick up a bit of Cantonese again. Canton was under attack by the Japanese who would fly over and bomb the city from time to time. We were close enough to hear the bombs but not to suffer from them. Nevertheless we had a sandbagged air raid shelter in the garden. Out of curiosity I went into this gloomy recess one day only to scurry",
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    {
        "id": 213063,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1993",
        "page_number": 131,
        "title": "RAS-1993",
        "content_text": "112\n\nduring which he acquired extraordinary powers having been provided with a set of secret prescriptions, exorcists and talismans by the major goddess, Hsi-wang Mu'. He was a Taoist Master, a vegetarian who never married and a philanthropic doctor who died at the early age of 58 having worn himself out in the service of his fellow men. A tale told by a Taiwanese related how Wu T'ao's father, Wu T'ung and his mother, née Huang, fled from their home in northern China, during the troubled times of the Sung, to a village near T'ung-an on the Fukien coast where they settled and built a thatched cottage. His mother realised after a dream that she had become pregnant by a famous deity and eventually bore a child naming him T'ao. In another version his mother conceived after she had dreamt that she had swallowed a white tortoise.\n\nWu T'ao, or as he is known in a number of temples, Wu Chen-jen [Wu the Perfected Man] is often claimed to have come from Ch'uan-chou in Fukien, although in SE Asia there have been several other cities and areas claimed by devotees to have been his birthplace, including T'ung-an, Swatow and Chang-chou [in practice, as we have seen, he came from a small village in the centre of a triangle between T'ung-an, Amoy and Chang-chou]. As Wu T'ao grew up he travelled far and wide studying Taoist disciplines and grew strong and healthy but remained celibate and vegetarian. A temple keeper in Singapore understood that by vegetarian it was meant that he could eat buffalo and goat meat but not dog.\n\nImages of Pao-sheng Ta-ti in general represent him as a black-bearded middle-aged man dressed in court robes and an imperial crown consisting of a flat mortar board with a bead screen hanging down before his face, and sitting on a dragon throne. There are a number of variations such as the scholar's gauze cap instead of the crown. His images are generally identifiable by the convention of the cuff of his left sleeve being clutched by the thumb of his right hand, with only this thumb visible. In Singapore where all carvers were aware of this convention such images are universal. However, the carvers all added that they were unsure whether such a convention was known elsewhere. It is, and in a number of temples in Taiwan the images of Pao-sheng Ta-ti have the right thumb just poking out of the right sleeve, although in Chia I the convention has added one finger to the thumb. In the majority of temples he is portrayed with small animals under his feet, said to be lions, whilst in two temples, both in Taiwan, he has two tiny tigers protruding from his clasped hands within the long sleeves of his robes.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
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    },
    {
        "id": 213064,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1993",
        "page_number": 132,
        "title": "RAS-1993",
        "content_text": "113\n\nThe mage in bus cult centre in the village of Pai-chiao ft, between Amoy and Changchou, is swathed in silken robes making it impossible to note any iconographical detail. Images of his parents and his elder brother, but none of his only sister, stand on a secondary altar in the cult centre together with a large metal bowl in which it is claimed that Wu Pen had concocted his herbal remedies. Caretakers in the cult centre point out the site in the village of the house in which Wu Pen had been born and lived out much of his life, and also the place at the end of the village where the sea once lapped the shore long before a series of land reclamations left Pai-chiao ft from the open sea.\n\nIn legend Pao-sheng Ta-ti has thirty-six warriors who carry out his orders under two senior soldiers, General Tieh [or Chao] # [#]19¤ and Marshal Kang. Such retinues have been observed in a number of temples dedicated to Pao-sheng Ta-ti in Fukien, Taiwan and in SE Asia, either with him or on side altars, or in a great number of temples painted individually across one of the temple's side walls as a large mural.\n\nA large tablet dedicated to his parents stands on the rear hall altar of a large temple dedicated to him in Tainan city. One smaller image portrays him with a bowl in his hand and a dragon with a pearl in its mouth before his feet?. Two major statues, at floor level, flanking the altar on which Pao-sheng Ta-ti is the main deity, were identified as Chang Sheng-che ' * P K and Chiang Hsien-kuan Il about whom none of the temple staff could offer any information. They would appear to be Pao-sheng Ta-ti's assistants or guardians. However, in Taiwan other pairs of guardian generals have been identified. These have included Generals Chien and Chao MA and Marshals Kao and Yin á KIM.\n\nAlso in the Tainan temple two assistants on the main altar table are Ts'ai-yeh T'ung-tzu X RM and Tsuo Chih T’ung-tzu, 1⁄2 Youths who Collect the Herbs and Compound the Medicines.\n\nLegends about Pao-sheng Ta-ti's origins, powers of magic and his ability to cure the sick abound. He was regarded not only as a powerful mediumistic protective deity who provided effective prescriptions, he was also believed able to stave off floods or bring much needed rain. He is said to have saved the city of Changchou from plague, and again later from starvation during a prolonged drought. He was also summoned to Court where, either in about AD 1030 he cured the Empress Wen or in AD 1408 when the wife of the Ming emperor suffered from sore nipples.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
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    },
    {
        "id": 213065,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1993",
        "page_number": 133,
        "title": "RAS-1993",
        "content_text": "114\n\nor a boil on her chest which other doctors had been unable to cure. The story adds that he was required to pass a test before he would be allowed to approach the empress. He was offered a silken thread which had been tied to a column in the hall [or on the knob of a door] but behind a screen and was then asked to take the empress's pulse. It was the custom to take the pulse of ladies by remote means using a piece of thread tied to the wrist. Wu correctly diagnosed that the thread was tied to a column [by the pulse of the dragon in the stone] and not the empress's wrist as he had been told it was. They next tied the silk to the paw of a kitten and again Wu was able to identify the pulse as non-human, and it was only then that he was allowed to treat the empress. Having cured her illness the emperor asked what reward Wu would like and, so legend claims, he requested an old set of the emperor's cast off clothes. After his death Wu was deified by the emperor as Pao-sheng Ta-ti, alluding, so it is said, to him being dressed in the emperor's cast off robes. A caretaker at his cult centre added that as Wu wore the emperor's clothes in life and was buried in them he had command over minor deities and even some of the major ones such as Lei Kung, the god of thunder.\n\nA strange tale recounted by a temple keeper in Jakarta claimed that Pao-sheng Ta-ti appeared to a Sung emperor in a dream and informed him that he, Pao-sheng Ta-ti, was an incarnation of the Yellow Emperor [Huang Ti] and bore the same surname as the emperor of the Sung, Chao. Therefore, so the story concluded, Pao-sheng Ta-ti was regarded as the imperial ancestor and his special protective deity.\n\nHis cult, first established at the Lung-chiu An, a monastery not far from Amoy, and later at the Tzu-chi Kung in Lung-hai [Pai-chiao], was carried by immigrants through the ports of T'ung-an, Amoy and Hai-ch'eng to the southern seas. The oldest image of Pao-sheng Ta-ti in Taiwan is probably in Hsueh-chia in Tainan county where it is said to have been brought over to Taiwan from the mainland by Koxinga.\n\nSome indication of his popularity as a doctor deity in Taiwan is manifest by his presence as the major deity in at least 160 temples on the island, dedicated to him, predominantly in the areas of Tainan and Yunlin, with a great many more as the main deity on a side altar of other temples. A noticeable increase in shrines dedicated to him occurred after the great plague swept Taiwan in 1699 killing large numbers of new immigrants. It was believed that an image of Pao-sheng Ta-ti brought over from Fukien,",
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    },
    {
        "id": 213188,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 10,
        "title": "RAS-1994",
        "content_text": "Visits:\n\nYin Tin Tsa, Sai Kung for annual Roman Catholic Church festival\n\n1994\n\n16 April\n\nPo For Island\n\n1 May\n\n16 July\n\n20 September\n\n21 September\n\n5 November\n\n26 November\n\n3 December\n\n10 December\n\nMa Po Marshes with shump supper (repeated in September)\n\nTai Hang Fire Dragon Dance\n\nMonkey God Festival at Sau Mau Ping\n\nSwire Institute of Marine Science, Cape D'Aguilar Tung Lung Island\n\nHK Zoological and Botanical Gardens\n\nExhibition of Contemporary Chinese Oil Paintings - Fung Ping Shan Museum, HK University\n\n17 December\n\nShing Mun Redoubt\n\n1995\n\n18 February\n\nSai Ying Pun Guided Walk\n\n4 March\n\nLei Yue Mun Headland\n\nVisits outside Hong Kong:\n\n1994\n\nOctober\n\n1995\n\nNorth Vietnam\n\nMarch\n\nTemples of South Taiwan\n\nOf course we must also thank all those who took time to lecture to us and let me read out a list of those\n\nLectures:\n\n1994\n\n15 April\n\nGreat Monuments of India. Dr. Shobita Punja\n\n13 May\n\n20 May\n\n17 June\n\nTurbans and Traders HK's Indian Communities Ms Barbara-Sue White\n\nTo the Farthest Port of the Rich East Salem's China Trade and the East India Marine Society Mr William Sargent\n\nPregnancy and Childbirth in Hong Kong Ms Diana Martin",
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    {
        "id": 213203,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1994",
        "page_number": 25,
        "title": "RAS-1994",
        "content_text": "4\n\nincluded (CO129/414, p. 177).\n\nThe three German females in the 1921 census are mentioned in a report Canon Bannister sent to the Church Missionary Society in 1914. The Berlin Foundling House had 150 children and the two Blind Homes had 120 children. \"The Government has allowed three German ladies to remain in each home and the writer was asked to take general oversight”, (Archives of the Church Missionary Society, University of Birmingham, England, CH1/P/4 No. 149, Bannister, 5 Nov. 1914).\n\nThe German community gradually reestablished itself in Hong Kong, but in 1931 it was less than half of what it had been in 1911.\n\nHong Kong being a British colony, the British were the largest non-Chinese community. Next was the Macanese-Portuguese. The third were the Germans. They were followed by the Americans,\n\nGermans in the Canton trade\n\nGerman-speaking merchants participated in the China trade in the eighteenth century. The trade was confined to Canton. In 1729, the Holy Roman Emperor, the Emperor of Austria, chartered the Imperial East India Company to trade in the East using the port of Ostend in the Netherlands as its home base. At that time Netherlands was a part of the Austrian Empire. This company did not use German ships, but chartered British vessels which were principally manned by British crews. This was a stratagem to get around the efforts of the British chartered East India Company to control the European trade with China. Over the years there were usually two or three ships each season from Bremen or Hamburg arriving at Canton.\n\nBritish free traders used the protection of the office of Consul for foreign states to acquire the privilege of permanent residence in China. These free traders were large importers of opium of India, a trade the British East India Company ships did not engage in as it was prescribed by Chinese Imperial Edict and the company wished to maintain a good relation with the Dragon Throne. It feared that if it was too closely identified with the opium trade the Chinese authorities would curtail the company's lucrative and traditional trade in tea.",
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        "document_key": "RAS-1994",
        "page_number": 84,
        "title": "RAS-1994",
        "content_text": "64\n\nthe agreement is only a diplomatic document and not part of the treaty or laws of Hong Kong, it would be unlikely to present a successful legal claim (Wesley Smith; 1992; 29). Customary law is, nevertheless, an essential part of rural life in the New Territories. It has thus been argued that the existence of fung shui was tacitly acknowledged by the government (Hayes, 1963: 143).\n\nWhile Englishmen sometimes claim that, legally, their houses in Britain have 'right of light' or 'right of air', in ancient China disputing parties sometimes went to court over infringements of fung shui rights. 'He has ruined my fung shui. He has no business to put himself above me,' a Chinese would state. In Hong Kong, however, impaired fung shui has never been actionable under British law.\n\nCompensation\n\nNevertheless, the Hong Kong Government has not only respected the beliefs of the New Territories' villagers but also paid out sizeable amounts over the years as compensation when people have claimed the Government has spoiled their fung shui. One wonders how many other colonial powers would have been as considerate. Examples of spoiling fung shui include excavations that break the 'neck of the dragon' and constructing highways or water supply schemes which impair the sweep or rhythm of hills. A less caring government would have ridden roughshod over any perceived obligations,\n\nIn 1990, the Government paid HK$1.1 million to fund a 72-hour fung shui ritual at Ha Tsuen, which included engaging Taoist priests and erecting a small, temporary temple. The fear was that the construction of a sewerage disposal system, which included tunnelling through a small hill on which many of the villagers' ancestors are buried, would disturb evil spirits.\n\nAnother example occurred on Tsing Yi Island when the villagers reacted at intervals from 1977 to 1980 (Hayes, 1979: 213; and Hayes, 1980: 155). There are many other cases. Women protesters are often more visibly active than men.\n\nIn November 1994 Mr Brian Jenney, the Government Director of Audit, tabled his annual report. Tuen Mun New Town, he stated, had cost",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    },
    {
        "id": 213263,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 85,
        "title": "RAS-1994",
        "content_text": "65\n\nan extra $4 million because of an extension of time granted to a contractor when residents complained the district's fung shui was being disturbed. During the 1980s, amounts paid out annually by the Government varied between $500,000 and $950,000. From 1989 to 1991, ex-gratia payouts of nearly $2 million were made. The dilemma is always that if the Administration pays out on unproven claims, it will be accused of wasting taxpayers' money, and, if it does not pay, others will say the Government does not respect Chinese culture,\n\nBut as one retired Scottish civil servant explained, there are two kinds of fung shui. There is the one that villagers will accept money for to have it overridden. But nothing will compensate for actually severing the main \"dragon's vein\".\n\n'Money cannot buy good fung shui,' Tang clansmen told the Government when they turned down an offer of $1.7 million for agreeing to a 200-year-old ancestral grave being removed at Nim Wan, in the Deep Bay area, so that a landfill project could proceed. The Clan did, however, say that it would consider allowing the grave to be moved for a fung shui 'swap' scheme, and if Government demolished a police station at Ping Shan. They claim the station has for years 'crushed' good fung shui. In retaliation, the Tang Clan closed an ancient study hall and an ancestral hall along the Ping Shan Heritage Trail. At the time of writing, the dispute had still not been settled.\n\nThe Hong Kong Government has also tacitly accepted certain aspects of Chinese folk religion. Some Government offices have had Earth God shrines (82) erected outside them. An example was Murray House (near where the new Bank of China now stands), which was demolished in 1982. It had a reputation among Rating and Valuation Department staff, who worked there, of being haunted. Other Government offices which have had shrines outside them include the office of the project manager at Empire House, while it was being built in 1991, in Tsim Sha Tsui East. Also, various government project managers' offices in the New Territories have had small shrines erected outside them. Who actually paid to have these shrines set up is not clear. Again, on countless occasions, the ceremonial carving of a suckling pig, on an appropriate day, has appeared to civil servants to be well worth the expense in that it allayed concerns of staff and, afterwards, members worked better.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    {
        "id": 213264,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 86,
        "title": "RAS-1994",
        "content_text": "66\n\nBanks, Hongs and Government House\n\nMany old established western hongs have long come to terms with the 'breath of the dragon'. As one senior Standard Chartered Bank staff member phrased it (partly with tongue in cheek perhaps?): 'Some Europeans are more concerned about fung shui than the Chinese. Besides, paying attention to it is good for business.'\n\nThe British Standard Chartered is the oldest foreign bank in Hong Kong (its forerunner, the Chartered Bank of India, Australia and China, was established in Hong Kong in 1859). Management was advised that for its new building, completed in 1990, one main door was not enough to 'catch all the good fortune and allow money to flow in'. An additional entrance, facing northeast, was included in the plan, 'to capture \"luck\" from Central District and from the harbour and business from the Hong Kong Banking Corporation next door'. The main entrance is very important. It is subjected to more foot traffic than any other part of a building. Its door should be well-hinged, upright and in scale with the building as a whole.\n\nSimilarly, the decor of Chartered Bank's interior includes a number of features synonymous with prosperity in Chinese culture. The stained-glass windows in the entrance hall portray a bus with registration number 28 (homonyms in Cantonese also meaning 'easy to prosper'). A red (a lucky colour) tram car has the number 88 (signifying 'doubly prosperous') and steps have been constructed in flights of eight. Lucky numbers are popular in Chinese communities around the world.\n\nSimilarly it is good if one's grave, or niche in a columbarium where one's ashes are deposited, has a fortuitous number. In Europe numbers carry different meanings. Seven (among Chinese, this number is often associated with how many dishes mourners partake of at a funeral wake) is sometimes considered lucky, while 13 is deemed unlucky. Consequently, a 13th floor is sometimes omitted in a building.\n\nAs is common in many commercial premises in Hong Kong, running water is good because water signifies money. While having a water feature may not mean much in a bank in York or New York, such beliefs do imply a great deal to many customers in Hong Kong. Yet, surprisingly, few appeared to have been too upset when the fountain at the 'Landmark', in Central District, was done away with.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    },
    {
        "id": 213265,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 87,
        "title": "RAS-1994",
        "content_text": "67\n\nStandard Chartered Bank's big brother, the Hong Kong and Shanghai Banking Corporation (surrounded by the Bank of China, Standard Chartered Bank, the Legislative Council building, and others, which act as 'dragon and tiger' guards), also went to considerable lengths to build 'fung shui considerations' into its award-winning headquarters. It was completed in 1985. Sir Norman Foster, the English architect, brought in fung shui masters at various stages throughout the Bank's design and construction. Although it was described as the 'most innovative bank building in the world', symbolising flexibility with no expense spared, nevertheless 'The Bank' (as it is sometimes known locally) went to great pains to lift its two bronze lions into position simultaneously (Lions Return Home, 1985:19). Work commenced on a propitious day, starting at 5.00 am (Guarding the Bank.., 1985:10) (Chung, 1985:10). Senior British Bank officials attended. On the advice of the fung shui practitioner, the two lions, Stitt and Stephen (named after two past Bank managers), act as guardians. They ward off evil. They are often patted by Chinese to bring them good luck, although the two lions do not directly face each other. Their exact positions are important. Heavy objects such as stones or statues (like two-ton, bronze lions symbolising energy) have the power to stabilise a situation. In everyday life, heavy ornaments and the like can affect the ability of a person to hold down a job or to hang on to a wife.\n\nIn addition to placing two lions in position in front of a bank, turning the first sod, foundation stone laying and topping out ceremonies, and house-warming parties are all important in Western society (Groves, 1991:passim). Also, a Christian priest consecrates a new church. In Chinese culture too, although human sacrifices have long disappeared, special building ceremonies are still sometimes conducted, for example, when starting work on the foundations, erecting the main door, or hoisting the ridgepole of a village house. With the last example, items are hung from the ridge. These include 'lucky' objects, such as a small bag of rice (no-one must ever go hungry). All such ceremonies must be carried out on auspicious days.\n\nOne would imagine the Hong Kong Bank is too concerned with profit and loss accounts to bother about what some describe as superstitions. Yet care was taken, when planning the front entrance on Des Voeux Road, that it is lower than the exit on Queen's Road. This is similar to a humble Chinese college in that the front door should be bigger and lower than the...",
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    },
    {
        "id": 213266,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 88,
        "title": "RAS-1994",
        "content_text": "68\n\nback door. In this way prosperous winds are not allowed to blow straight out of the other side. Considerable care was taken, too, in selecting the positions and angles of the two long escalators leading up to the first floor of the Bank. They should not directly 'confront' the entrance.\n\nUnlike most enterprises in urban Hong Kong 'The Bank' still has an open space in front of it and a sea view. The harbour is the bathing place of the dragon. With water signifying money this is important. Water is the most powerful of all the Elements. It is non-resistant. It can wear away rocks. A deluge can sweep all before it.\n\nIn many cases planners go to some lengths, among other measures, to ensure that interior water features assist good joss to circulate throughout a building. The height of the ejection of water of a fountain is often considered important.\n\nThe now liquidated Hong Kong Branch of the Bank of Credit and Commerce was sadly not so wise. '... the BCC displayed a large water feature which cascaded away from the entrance... this means (in fung shui terms) wealth pours out of the bank. I am surprised anyone should put their money into this bank in the first place,' a fung shui master contended.\n\nThere are countless cases where western managements have paid consideration to fung shui in Hong Kong (Saw, 1990:8) In Exchange Square, for example, a special skylight was installed and the 'water curtains' on either side of the two escalators are spectacular. In the Hyatt Regency Hotel doors and furniture were repositioned.\n\nVirgin Atlantic Airways timed their first flight to the Far East to start on a propitious day. Marks and Spencer buried lucky gold coins in strategic positions under floors in its stores, and Arthur Andersen, the accounting firm, also pays regard to the 'caring philosophy'. Asians, of course, like to see Westerners respecting their culture. In turn, it is good for business (Sunday Times, 1995:16).\n\nThe author has no hard data, but his personal recollections are that clearly far more interest is shown in fung shui by western establishments today than 40 or so years ago. Certainly there is far more interest in it now than there was between the two World Wars. Going back still further,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    },
    {
        "id": 213267,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 89,
        "title": "RAS-1994",
        "content_text": "69\n\nthe views expressed right at the start of this paper by Dr Ernest J. Eitel, sometimes titled Hong Kong's first historian and for some time a Hong Kong civil servant, were by no means unusual.\n\nToday, far more empathy is shown towards Chinese culture in general by Westerners. For instance, many Caucasian firms believe aquariums enrich the fung shu of an office. It is not just Chinese who can relax, Westerners will tell you, when they lie back and watch fish swimming. It gives everyone a special feeling and lowers their blood pressure by a few degrees.\n\nOf course, certain rules have to be followed. The number of fish kept is often six or nine. Three multiplied by three equals nine (a lucky number); and a homonym of three, in Cantonese, sounds similar to the character meaning 'lively'. Because of colour symbolism, one fish may be black (a Black Molly), another reddish (a goldfish), and the rest any other colour. Because the fish are supposed to act as a shield against bad fung shui, sometimes a fish dies. But better a dead fish than a dead customer.\n\nHigher up the hill above Central District, at the Albany in Albany Road, residents were concerned about the 70-storey, new, People's Republic Bank of China Building 'giving off vibes'. They feared the sharp edges of its structure with their negative forces would menace the abode of some of Hong Kong's rich and famous. In the West, the new Bank of China building would perhaps be described as 'ominous', 'overshadowing' or 'overpowering'. Many Chinese, however, liken the sharp edges of the Bank of China to a knife pointed at, or arrows cast at, Government House and Central Government Offices, namely, the heart of the British Colonial Administration. These 'weapons', together with the flyovers close to Government House, tie the decision-making hands of the British Governor and threaten the prosperity of Hong Kong. The fung shui 'dragon vein', with the dragon's head turned to face its ancestors, serpents down from Victoria Peak, close to the Albany, concealed by a carpet of vegetation. It passes close to the Albany apartments. The dragon thrusts and turns as the topography changes. The earth surges with natural energy. Chinese dragons are more serpent-like and sinuous than those in the West. And, as the vein gathers strength, it proceeds vigorously on to the 'dragon sites'\n\nsuch as the home of the Governor and down to the Hong Kong Bank. It then dips into the harbour, the 'dragon's lair'. Although now the slope up the Peak is largely obscured by high-rise buildings, on some hills and\n\n70",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    },
    {
        "id": 213268,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 90,
        "title": "RAS-1994",
        "content_text": "70\n\nmountains it is possible to trace with the eye the paths where 'dragon veins' run.\n\nGeomancers are particularly interested in spots where hills and mountains rise from plains. In Hong Kong's case much of the level ground on the Island is reclaimed (many masters maintain that reclaimed land possesses no chi). Nevertheless, with the kind of setting that this part of Hong Kong Island has, with its 'dragon form', it is bound to be prosperous.\n\nVarious modifications were made to Government House shortly after Sir (now Lord) David Wilson, a sinologist, took up the appointment of Governor in 1987 (Mattock, 1994:133). The house today is hemmed in with tall buildings obstructing its original harbour view. One fung shui master, in the 1980s, suggested moving Government House to a more auspicious site. This was not then considered practicable. Consequently, remedial measures were carried out to improve the fung shui (Mattock, 1994:133). A fountain with a round pool (instead of a square one), to compensate for the loss of the harbour view, was constructed. A pavilion (an alternative would have been a pagoda) was built. Three additional trees and more bamboo were planted. Flowers are grown now between the two staircases, on the north side of the residence, replacing the water cascading down a channel away from the building. Some geomancers maintain that Government House represents a cat (the tower symbolises the head and the ballroom the legs). This now plays with a mouse in abstract form — namely the new pavilion. In the past, the 'cat' toyed with the Governor. These alterations were made specifically to improve fung shui. They helped to put the minds of Hong Kong people, notably staff who work at Government House, at ease, especially after the sudden death of Governor Sir Edward Youde in 1986. Meanwhile other Hong Kong inhabitants, including some who profess not to believe in fung shui, are inwardly relieved that the sharp edges of China's national bank do not point at, and threaten, their home.\n\nBut a Cantonese youth born in Hong Kong, who attended secondary school in England, put it rather differently. 'I do not believe in fung shui,' he insisted. 'The sharp edges of the Bank of China mean nothing to me. Nor do gold fish swimming in an aquarium.'\n\nPage 90\n\nPage 91",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    },
    {
        "id": 213269,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1994",
        "page_number": 91,
        "title": "RAS-1994",
        "content_text": "71\n\nMost Chinese will, however, tell you that a dragon has sinews and veins which can be severed. Blood can be spilled. Thus, when the earth's flesh was pierced, blood, in the form of bright red, ochre-coloured earth, appeared during excavations for the construction of Hong Kong's underground railway in the 1970s. This could mean the time had come for workers to down tools. The evil that might follow had to be averted ritually. Taoist priests would then beat ceremonial gongs and offer prayers to pacify spirits of the earth where the dragon's peace was being destroyed. Exorcism in modern day Hong Kong is by no means uncommon (Raceday rites, 1987). Neither is exorcism uncommon in Christian churches. It is mentioned in the Bible.\n\nOne can compare certain Buddhist, Taoist or folk-religion ceremonies, which purify and bestow blessings, with walking through fields in Europe in springtime while conducting a Christian Rogation Service to ensure a good harvest.\n\nInterestingly, some Chinese came to the conclusion during the last century, that foreigners know far more about fung shui than they are prepared to admit. Otherwise, why would they have picked such a fine site (as it was then) for the Governor's residence? Why would they plant vegetation over the slopes of Victoria Peak in which dwells the resident dragon?\n\nReturning to the cutting edges of the Bank of China: a fung shui master is supposed to adhere to strict ethical standards and not do anything which could be construed as the 'black art'. He should not 'attack' a neighbour. However, in the New Territories, for example, a case where a successful family's fortune has suddenly waned has sometimes been traced to the desecration of an ancestor's grave. As a result, revenge against perpetrators was, in the past, not uncommon.\n\nA buried 'person' needs to 'breathe', and, whether he or she can do this properly or not, affects his or her descendants. Some believed Chiang Kai-Shek's rise to power depended on his mother's fine grave. This, the Communists are said to have dug up.\n\nThe People's Republic's 'Red Guards' went to considerable lengths during the Cultural Revolution (1966-76) to destroy the 'Four Olds' (old customs, old habits, old culture, old thoughts). These included fung shui.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    },
    {
        "id": 213272,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1994",
        "page_number": 94,
        "title": "RAS-1994",
        "content_text": "74\n\nthere are many forms of geomancy some of which are linked to their Four Elements* namely Air, Fire, Earth and Water, which, in turn, are linked to the four corners of the earth. North American Indians also have their forms of geomancy.\n\nLey Lines in Britain\n\nThere are also aspects of Chinese geomancy that bear comparison with European beliefs. 'Dragon veins' for instance, are similar in some ways, to the invisible 'ley lines' that crisscross Britain (see Oxford English Dictionary, vol. VIII, 2nd Edition). This pre-Christian network, 'woven' across the countryside, crosses bogs and mountains, links salient points such as hilltops, and, in some cases, follows ancient tracks which were once trodden by merchants when transporting commodities like salt and flint. Ley lines embrace, symbolically, rich identifying features like sacred sites, stone circles, menhirs, encampments, watchtowers, earthen mounds, wishing and holy wells associated with saints, moats and ponds, and graveyards (Miller, 1989). Key positions, often at crossroads, were formed at intersections of the 'ley' (or lay) which included sites like Salisbury Cathedral and Stonehenge. From the latter, various astronomical observations can be conducted. Like watching the sun rise at mid-summer from the centre of the stone circle over the heel-stone.\n\nThe first stone churches were often built on pre-Christian sites, where symbolic rites had been performed, such as in the old 'Serpent Temples'. Some believe Saint Mary (the Virgin Mary) Churches are really Christianised versions of the old 'Shining Earth Goddess'. With the importance of life-giving solar energy and its involvement in everyday life, such events as the fire festival were important in ancient Britain.\n\nThis network of ley lines (Saxon 'leye'; an obsolete word for fire) which can be traced across the English landscape, is visible only to those who have 'eyes' to see it. Prehistoric tracks, sometimes pilgrimage routes, often followed ley lines. Roman or medieval roads were frequently not primary arteries but simply followed the ley. The Icknield Way running from the Wash down to the Thames, and on to the Berkshire Downs, is an example of a pre-Roman Track. There is also the famous Saint Michael Ley Line, with the Michael and Mary currents, which serpentines from the tip of Cornwall to the coast of East Anglia (Miller, 1989). Such lines are really 'routes' or 'corridors' rather than straight lines.",
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    },
    {
        "id": 213274,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 96,
        "title": "RAS-1994",
        "content_text": "76\n\nto the homing instinct of some birds, the salmon's sense of smell and the robin's sensitivity to stellar radiation.\n\nA trained person can walk across a field with a forked twig and he or she can say with certainty whether water is present below. The influence given off by the movement of water has been likened to an electric field (Pike, 1945:16 and 24). Similarly, horses during periods of drought will locate an exact spot where water is to be found below in an otherwise waterless district. Dead horses have been seen at such spots, with hoof-marks left on the ground, where the unfortunate animal tried to paw his way to water.\n\nAs a leftover from our animal past, the skill of divining in which the 'human radio set' picks up cosmic waves, magnetic energy or radioactivity is possessed by different people with varying degrees of sensitivity. 'Listening to the earth' has been likened to developing the powers of clairvoyance. Such fields and lines of currents radiate patterns of energy. They vitalise the countryside. Some spots produce more life, in the form of trees, flowers, animals, birds and minerals, than others. Cows, for example, prefer to stay in parts of a meadow which are places of energy (Pennick, 1979:38). Dowsing, with its 'inner eye', has sometimes been used to trace leylines in Britain (Miller, 1989:26). The author, however, knows of no cases where dowsing has been employed to try to trace the 'dragon veins' of fung shui.\n\nLinking Chinese fung shui and dowsing; it is interesting that an old Hakka village in Tsuen Wan, in Hong Kong's New Territories, has a well which was sunk in the position advocated by a fung shui consultant. And even during bad droughts, like that of 1963 when water was on tap for only four hours once every four days, villagers maintain the well always remained 95 per cent full (Leung, 1986:19).\n\nCase Study One\n\nThis paper now examines an actual case of fung shui, at Realty Gardens, 41 Conduit Road, Mid-Levels, on Hong Kong Island, where the author has lived since 1976. The flat in question is situated in the centre block of five blocks. A fung shui master visits the flat annually. It is said to be situated in a good geomantic spot. Many uninitiated Westerners would more likely phrase it as, 'the flat has good spatial orientation'. Both",
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    },
    {
        "id": 213278,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1994",
        "page_number": 100,
        "title": "RAS-1994",
        "content_text": "There is a resident dragon living within Victoria Peak, as in all remarkable mountains, and it is believed to have spiritual influence over the people living below it. Energy is harnessed from cosmic forces and this affects mere mortals who inhabit the earth. Most people, the fung shui master who accompanied the author explained, need a strong 'back-up'. Such persons are likely to prefer working for the Government rather than engaging in the rough-and-tumble of private enterprise. Although it can be described as geomantic imagery, psychologically, in some ways, it is like sitting in an office chair with a high substantial back, as compared to a low-backed chair formed with slender slats. Likewise, living in a flat close to the Peak with its good topography, whose green slope is covered with a mattress of vegetation, helps provide much needed moral support.\n\nBut vital elements can be dispersed, and, with too much wind blowing and too much water flowing, cosmic breath can be excessively dissipated. Too little or 'neutral' fung shui can bring about stagnation. It is something like salt. Add too much and the food is inedible. Sprinkle too little and the meal is tasteless.\n\nAfter a heavy rain the 'eyes of Victoria Peak' (springs) open up and water courses (the arteries) flow. Slopes come alive. Water, the emblem of wealth and influence, cascades among rocks and down gullies worn over centuries. If this flow ceases, people living under the influence of the Peak will lose their fortunes. (The flat in this study also has the added advantage that it is close to water in the swimming pool). All these features provide a sound back-up in addition to being a scene on which 'one can feast one's eyes'. Here in the twilight the world can seem like a dream; the trees and bushes surge as if at anchor on the 'tide', the heave of the slope running from the Peak down to Realty Gardens comes alive.\n\nEarly in the 20th century, however, the Chinese were not at all pleased when Lugard Road and Harlech Road were constructed encircling the mountain at Victoria Gap level. People likened the effect to putting a halter around the neck of the 'Hill of Great Peace'. Nevertheless, there has not been a severe hill fire on the Peak, where erosion is limited by stands of verdant trees, bushes and undergrowth, for half a century. Figuratively, above the flat in this study the heavily overgrown, evergreen slope has 'vegetation as its hair and mist as its complexion'. The Peak is the home of a fair amount of wildlife.",
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    {
        "id": 213280,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1994",
        "page_number": 102,
        "title": "RAS-1994",
        "content_text": "82\n\nThe site of the flat in the case study is not perfect. The hills could surround the home, at the sides, more, thus providing a better 'armchair effect'. The shapes of hills and features on hills, similar to boulders such as Sha Tin's Amah Rock, frequently form the backdrop for wayside shrines. This rock did not ask, some rustics will tell you, to be eroded into the shape of a woman with a baby on her back, and the wind and the rain did not want to sculpt them, it is something that just happened. Such features display the power of nature and the majesty of the cultural landscape. Like the Australian aboriginals, boulders or other objects in Hong Kong can take the forms of beasts, real or imaginary. This is especially so for the Hakka Chinese. There is some resemblance between aspects of Chinese folklore and its Gaelic counterparts. The latter has its mischievous leprechauns.\n\nBut whether it be a Chinese village hovel or a palace, the ideals to aim for are similar. With the basic grammar of an ideal site, with us 'armchair of slopes' and 'ring of sunny hills', the spur on the right is known as the 'Azure (green in Cantonese) Dragon'. That on the left is described as the 'White Tiger'. More of an armchair effect would give the building in our case study better protection against calamities. Like typhoons for instance, which rampage in from the south-east.\n\nIn the case of a mountain, which should be tranquil but can also signify 'authority and vigour, it may 'overpower' the natural environment. A 'killer breath' (shaar hei), as mentioned earlier, with harmful currents that travel in straight lines, may develop. There, the chi is violent. In some instances these forces can be deflected by screens, fences, water, fountains, mirrors or lucky charms. An eight-sided Baat Kwa, with Trigrams in the centre, may be used. A small, hand-held 'windmill' can be employed to disperse strong chi. With such remedial measures an unfavourable site may later be classified as favourable.\n\nNevertheless, because of inauspicious circumstances and the anger of the gods, a slope or cliff consisting of partly decomposed rock may turn to mud during a storm. Thus a hill may not provide the intended security to a building. 'Feels as if the mountain top is always watching you,' is how some villagers explain it. To overcome such 'negative influences', trees can be planted to form a 'curtain' in an effort to 'mask' the ridge (Ajmer, 1968:75). But, during the Japanese Occupation in World War II, such trees were sometimes felled because of a fuel shortage.",
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    },
    {
        "id": 213285,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 107,
        "title": "RAS-1994",
        "content_text": "87\n\nGreen, or greenish-blue (linked to wood), stands for growth, youthfulness, freshness, posterity and tranquility. It is the colour of harmony. It is the colour of the dragon. Blue is an ambiguous colour. It can mean death. White (the glint of metal) is the colour of autumn and purity. It can also stand for mourning. Black (signifying water), the colour of winter and the north, is seen by some Chinese as lucky. But it is also the colour of bruising and therefore, frequently, not popular. It can be seen as the colour of calamity, guilt and evil.\n\nOften a fung shui consultant will select colours, when decorating a flat, not only bearing in mind the Five Elements, but also depending on its orientation (east, south, west, north and centre in the Chinese order). Colour can affect mood and disposition. In this respect, there is some similarity with the West where emphasis on colour, light and sound are important. As one Chinese friend told the author, who had engaged a fung shui expert to advise him about the colours for his new flat, \"The trouble is that a colour which is \"right\" for me, depending on my time and year of birth, I may not be happy living with.\"\n\nDecor should, however, be in harmony with the natural elements. Colours should be selected with equilibrium and striking a balance in mind. Yang colours are warm, solid, bright and masculine. Yin colours are feminine, cool and liquid. There is again similarity between East and West in that, while China links colours to the Five Elements, some western artists see people, depending on their characters, as colours. For example, a phlegmatic man can be viewed as 'grey'.\n\nMoving on from the Five Elements, structural proportions are obviously important, too, in both western and Chinese architecture. But the Chinese believe some dimensions actually encourage good fortune while other measurements are to be avoided. Nevertheless, the use of special formulae, and the ancient Lu Pan (the patron saint of builders) check (ruler), used in ancient times by carpenters and other craftsmen to encourage auspiciousness, has become almost a lost art. With this 'door ruler', as it is sometimes called, all main measurements of a structure should correlate with propitious numbers (Lung, 1991: 26). It is something like a module system in the West.\n\nThe Chinese believe also that a square is not a 'perfect square' and an 'idealised' or 'symbolised' square is 'more perfect'. In some ways, again,",
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    },
    {
        "id": 213286,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 108,
        "title": "RAS-1994",
        "content_text": "88\n\nIt is not unlike the West where it is not uncommon practice to construct beams with a slight camber and columns with an entasis. This overcomes the illusion of sagging or concavity respectively.\n\nIncidentally, the length of a briefcase manufactured in many Chinese communities is, very approximately, 43 centimetres (around 17 inches). This, it has been suggested (Walters, 1988: 83), is designed to conform to the auspicious 'fung shui foot'. The actual size of a briefcase could, of course, be coincidence. Or perhaps it depends on the size of files and sheets of paper which the bag has to hold? But whatever the reason for the dimension, a liberal helping of luck is always welcomed by businessmen of whatever nationality.\n\nReturning to the case study: the front view looking out from a building is important for enhancing wealth. If one gazes north out of the window of the master bedroom, one can view the harbour which forms the dragon's lair with all its benevolent power. Beyond are the Kowloon Foothills (including Lion Rock and Beacon Hill), Tai Mo Shan, Ma On Shan, and the Pat Shin Range. Well out of sight is the Kun Lun Shan mountain range of South China. The Hong Kong harbour can be compared to the much smaller fung shui ming tong (ponds) that one sees in front of Chinese villages.\n\nThe water in the front balances the fung shui that flows down the hill at the rear. Of course, it also serves a practical purpose. Not only does the village pond contain fish, but also the water is used for washing, irrigation, and, in emergency, for fire fighting. As previously mentioned, water, in Cantonese, symbolises money. It is good fung shui to have water in front of a building or a grave. But looking across at the ocean, you need to be able to see an island or a strip of land. If there is no 'destination', there is no 'purpose'. A sailor needs to know where he is heading. He must not be 'rudderless'. Looking out to sea or gazing at a water feature, however, gives not only Chinese, but also Westerners, a relaxed feeling.\n\nCertainly, the ambience of a home or office means something to everyone, Westerner or Chinese. And, sometimes, on entering a building, a Westerner's subconscious senses may lead him or her to exclaim, 'I like this place: I can relax here!' It is, however, not always easy to provide an explanation why one's sixth sense indicates a feeling of peace or, contrarily,",
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    },
    {
        "id": 213292,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 114,
        "title": "RAS-1994",
        "content_text": "94\n\ntoys. These can include handheld windmills and objects like whirligigs. For good business, chi must be stimulated. Along Lockhart Road, for instance, there is both a yin and a yang side. This affects all establishments (Kahn, 1985: 4). On the sunny side, business is usually brisk, while on the opposite side, it is normally quiet. Yin and yang are really like two poles and two aspects of hei shai. It all amounts to balance and complementariness of opposites. This helps promote and bring about harmony within that abstract thing which mankind calls nature.\n\nEitel described yin and yang as two 'magnetic' currents; the latter male, positive, and favourable; the former female, negative, and unfavourable (Eitel, 1984: 17). All sorts of things, situations, and movements stir up energy or chi, even, for example, a garbage chute constructed in a block of flats. Hong Kong's Mass Transit (underground) Railway has been likened to a dragon which can move vast amounts of chi. On the busy side of a street, business activity makes more business. Some commercial premises have a vehicular flyover constructed outside. This is described as a kam tu tai (gold waist belt) (...). The fung shui master who visited the business premises in question likes to position 'capstan timepieces', or clocks with moving parts such as pendulums. He is fond of utilising octagonally shaped clocks because they represent ba gua.\n\nTHE\n\nSuch methods, the fung shui expert in question claims, are based on 'his own theories'. He tends not to use octagonally shaped mirrors to bounce bad influences back to source, as do many other masters. An experienced fung shui consultant can, so they claim, 'see' chi, just as it can be 'sensed' in high places at dawn where there is an absence of structures. On such occasions, when the air is fresh, you feel better.\n\nWind chimes and Buddhist bells, which have become more popular in the West of late, are also supposed to be able to summon, redirect, or temper 'dragon energy' (namely chi) into domestic or commercial premises.\n\nOf the two major schools of fung shui (Lung, 1980: 84), the Fukien School places emphasis on the use of instruments, such as the compass (although each school has its own variation of the compass). The Kiangsi School, on the other hand, sometimes known as the 'School of Form', is more concerned with the numbers theory, the trigrams, and the 64 hexagrams. With the latter School, expressions like 'stirring up dangerous forces' or 'reaching a bottleneck' are not infrequently made. Astrological elements,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    {
        "id": 213299,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 121,
        "title": "RAS-1994",
        "content_text": "101\n\ndivine powers of nature. Design methodology and fung shui lore for buildings, much of which has been handed down from generation to generation, although not entirely rigid, can be as stringent as any building ordinance. Much is, however, intended as a guide. Some sociologists will tell you that fung shui can provide lessons even for present day western planners.\n\nOrder, logic and intuition have helped shape picturesque Chinese villages. Moreover, fung shui has sometimes restrained villagers from taking unwise ecological decisions. It has led to nurturing reasonably sound environmental practices and the establishing of well-planned settlements years ahead of their time,\n\nWhen choosing a site of a dwelling, using fung shui principles, the whole process of selection is ritualised and certain symbols are conventionally recognised. Nevertheless, owing to cultural or other differences, a Chinese may visualise something different in a tree or a boulder, such as the head of a dragon or the form of a phoenix, compared to an Englishman.\n\nA woman once retorted to the author\n\n“All cultures have their customs and beliefs. In Germany we dislike the number 13, breaking a mirror and so on. Customs have to be respected.”\n\nIn spite of such accepted differences Westerners sometimes make decisions, unknowingly, which may resemble to a degree Chinese fung shui. These decisions (later translated into acts such as placing certain objects in specific places) may be formulated by Caucasians either in a logical or intuitive way. The difference is, however, that, among the Chinese, such needs and instincts concerning fung shui have been identified and codified to form, over centuries, a properly documented system. Much is based on self-evident propositions.\n\nThe principles which regulate the cosmos, like the lunar calendar, are well understood. Some events are subjected to exact treatment in set ways. Experts sometimes, however, combine elaborate content and imagery with ingenious thought and intense feeling. These can result in geomantic hypochondria with a client going from one master to another to find in fung shui what he or she wishes to find. Fung shui can also act",
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    {
        "id": 213300,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1994",
        "page_number": 122,
        "title": "RAS-1994",
        "content_text": "102\n\nas a barrier to progress, by, for example, not allowing a person to carry out a certain operation on a certain day.\n\nThe Hong Kong (British) Government has certainly not ridden roughshod over Chinese culture and it has given tacit approval to fung shui by paying sizeable sums as compensation when the 'dragon's vein' has been endangered by public works. Few other colonial governments would probably have been as considerate. Also, remedial structural measures have been taken to the residence of the British Governor to bring it into line with fung shui beliefs. Many western business houses take fung shui into consideration. Their managements maintain the investment is well worth it. Staff worries are allayed. It is good for business.\n\nAlthough some is undoubtedly superstition, nevertheless much fung shui is common-sense and practical, taking into account natural rhythms that form part of man's lifestyle. It is, it has been suggested, up to everyone to treat fung shui with an open mind and to decide what he or she is able to accept. 'Staples' include symbolism, coins, crystal, mirrors, lights and wind-chimes. Fortune plants, with their non-calcified, non-woody stems, serve a useful purpose in purifying the atmosphere. Colours are linked not only to one's year of birth but also to the Five Elements.\n\nEvery building has its own metabolism. One purpose is to channel chi to all rooms so as to improve the bond with, and the energy and performance of, the occupants. Westerners believe they are able and have the right to control nature. The Chinese view is more akin to living in balance with nature and taking a holistic approach. This outlook helps bring about harmony and peace in the home or workplace. And, as society becomes more affluent, so the Chinese have more money to lavish on things like fung shui. Also, with the handover of Hong Kong from Britain to China and the resulting uncertainty, more people are likely to appeal to the supernatural, and to visit fortune-tellers and engage fung shui masters, to try to find solutions to their worries and problems.\n\nIt has been argued nonetheless, not without reason, that geomancy can be rather 'hit and miss', more resembling an art than a science tested by experiments and research. It has also been argued that fung shui can be 'self-reinforcing'. This means that whatever is forecast is likely to come true partly because it is often explained in such vague terms. The fact that a forecast may not come to pass for years is accepted. As a result, much",
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    {
        "id": 213301,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1994",
        "page_number": 123,
        "title": "RAS-1994",
        "content_text": "103\n\nif you wait long enough\n\nof what is prophesied is inevitable (Freedman, 1976:228). And to those who express doubts, in answer to the question 'Does fung shui work?' a master once replied: 'Do you ever ask your physician whether his treatment will be effective?'\n\nThe Chinese, including the 50 million odd diaspora, by and large, are industrious; deep down they are believers in the capitalist system. They are achievement orientated; they set great store by education and the advantages it can bring to the person with drive. After all, man is at his best when he has a strong sense of purpose. Carrying on from there, some Chinese believe 'good joss' is the just and inevitable reward of the diligent and skilful. Nevertheless, many still also believe in what can be styled the cruel apportionment of fate. This means, in effect, that when a baby 'comes down to earth and cries three times' his or her life pattern has already been decided. Yet, contrarily, most Chinese believe fate can be ameliorated by enlisting the powers of a fung shui master.\n\n'First is birth, second is luck, third is fung shui, fourth are good deeds on earth, fifth is studying.' If your fortune is good and you were born under a lucky star, that's fine. But a fung shui master can make things even better. It may take time. Investment does not always show immediate returns.\n\n15\n\nLin Yutang (Lin, 1936:301) wrote, '... although geomancy is undeniably a superstition, it has great spiritual and architectural value.' It is, of course, far more than that, and full advantage is usually taken by a competent practitioner of the interplay between luck and natural forces. A large amount seems to depend upon the cultivation of a sixth sense. Some Westerners say too much depends upon intuition and too little on logic. A Chinese might reply by asking in what other way can you handle an ancient, classical system with a name directly translated as 'wind and water'? A wind that Westerners cannot comprehend and water they cannot grasp.\n\nLike many doctrines where one is told 'to have faith', philosophical beliefs, so often, depend upon unprovable statements. Eugene Ho (Ho, 1987) asks, in his letter to the editor of the South China Morning Post, why Saint John's Cathedral, which has stood for so long, was cited by a previous Chinese letter writer as standing on a fine site which is protected by the 'dragon's vein'? Why is it not protected by the Christian God, who",
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    {
        "id": 213302,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1994",
        "page_number": 124,
        "title": "RAS-1994",
        "content_text": "104\n\nChristians believe in, rather than by fung shur? Indeed for most religions and persuasions when faith is involved, there is usually no rational way to measure faith. Although, so often, the more rational the person's view the greater the degree of rationalisation. This does not of course imply fung shur is completely illusionary. A person must believe in the cure. So much, after all, is psychological. Many things in life are.\n\nThose who are afraid of contracting some illness become disease conscious, which helps to attract what they fear, just as those who think always in terms of health are helping to attract health. It is a case of attunement. A natural force, seemingly, turns on the switch. An aggressive attitude towards fighting disease can help prolong life. If you change your outlook you change your vibrations.\n\nOne Englishwoman told the author:\n\n\"There are electrical fields. Why can't there be other fields too, like those emanating from crystal? Again, there are things like 'thought transference'. There must also be other dimensions of which we are not really aware. Things that give out an aura.\"\n\nCertainly most Chinese and many Westerners do believe in the 'breath of the dragon'. As one Irish friend explained to the author:\n\n'Fung shui? Yes, it works so well. I'm an advocate. Believe and it will happen. Get fung shui working for you. When my Chinese wife and I last went on leave to Dublin we bought a house, largely because of fung shui, on the spur of the moment. With a street number of 80 it also has a good setting.'\n\nTo some extent fung shui is commonsense dressed up in the language of fairy tales and folklore. As people enter the next millennium (western reckoning) it is opportune to question, as mankind stands at the crossroads, whether the world should continue down a path that leads to an even greater alienation from nature and contrary to the laws of creation.\n\nAs new energies surge into the earth's fields, if man, in the home, on the job, or in the grave, as a result of the fung shui master creating a better environment, is more content, then fung shui will have achieved an important aim. If man is more content he will feel more comfortable. He will accomplish more and enjoy life more.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    {
        "id": 213312,
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        "page_number": 134,
        "title": "RAS-1994",
        "content_text": "114\n\nSmith, Michael G. Crystal Power, Llewellyn Publications, 1993\n\nSung, Z.D., The Symbols of 'Yi King' or the Symbols of the Chinese Logic of Changes, The China Modern Education Co., Shanghai, 1934\n\nThe Text of Yi King', The China Modern Education Co, Shanghai, 1935\n\nWalters, Derek, The Fung Shui Handbook: A Practical Guide to Chinese Geomancy, Aquarian Press, London, 1991.\n\nFeng Shui, Pagoda Books, 1988.\n\nWebb, Richard, \"The Village Landscape'. Beyond the Metropolis: Villages in Hong Kong, eds, P.H. Hase and E. Sinn, Royal Asiatic Society Hong Kong Branch, 1995.\n\nWilliams, C.A.S. Chinese Symbolism and Art Motifs, Charles E. Tuttle, USA, 1974\n\n- Outlines of Chinese Symbolism, Hong Kong's Living Environment, Customs College, Peiping, 1931\n\nWilliams, Martin and Richard Webb, 'Rural Landscapes', The Green Dragon, Hong Kong's Living Environment, Green Dragon Publishing, Hong Kong, 1994.\n\nWilson, B.D., 'Notes on Some Chinese Customs in the New Territories', Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 23, 1983\n\nWilson, Colin, The Occult, Grafton Books, 1971\n\nYau, Hong-key, Geomantic Relationships, Beliefs, Culture and Nature in Korea, University of California, Berkeley, Chinese Association for Folklore, Corporate Unit Cultural Service, Taipei, 1976.\n\nAcademic Papers, Newspaper and Magazine Articles\n\nAu Yeung, Mabel and Arthur Kan, 'Let the Good Times Roll', Magazine, undated,\n\nChung, Challina, \"Two Lions Wait for their Tryst with Destiny\", Hong Kong Standard, 28 January, 1985\n\n'Countering Fung Shui', Building, Development, Real Estate and Construction Review, South China Morning Post, August 1982",
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        "id": 213324,
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        "page_number": 146,
        "title": "RAS-1994",
        "content_text": "127\n\n1\n\n# NOTES\n\nThe Manchus established the Ch'ing dynasty in AD 1644, having overthrown the native Chinese Ming rulers. The Manchus were related to the central Asian group speaking a language akin to Mongol who settled in Manchuria many centuries earlier. They were usually referred to by Europeans as Tatars.\n\n2. Lach garrison town, including Chapu, contained a Tatar walled city separate from the Chinese city.\n\nIn 1840 HMS bug Algerine paid a flying visit to Chapu and was fired upon from some batteries near the town. During the attack on Chapu in 1842, these batteries were quickly put out of action by the Royal Navy.\n\n4. Under command of Vice-Admiral Sir William Parker.\n\n*The Westmorland Regiment was granted the China Dragon superscribed “China” for service during the China War of 1840-42.\n\n*The Nemesis was the first iron steamer to round the Cape of Good Hope. She was never commissioned as one of HM's vessels of war, yet was generally commanded by Royal Navy officers. She was of the greatest use throughout the First China War and after the Treaty of Nanking returned to Bombay.\n\nA joss-house is the Victorian name for a Chinese temple or shrine, the house where the joss (god, from the Portuguese \"Deos\") was situated. From contemporary sketches and descriptions, the joss house in question would appear to have been a medium-sized Buddhist establishment, and although there were no references to priests, monks, or nuns, it had residential accommodation in addition to the usual altar halls.\n\nLung Fu was a company commander, Iso-ling (grade 4a), of one of the Eight Manchu Banners.\n\n*Parker, L. II. Chinese Account of the Opium War.\n\nA Tao-tai was an imperial Circuit Intendant, a member of the hierarchy controlling several prefectures.\n\nI-li-pu (1770-1847) was a member of the Manchu Bordered Yellow Banner and an Imperial Clansman. He was banished for disobedience in 1841 but recalled and appointed acting assistant military lieutenant-governor at Chapu in early 1842, his predecessor having died of wounds during the British attack. Chapu was still occupied by the British, and I-li-pu had to remain in Hangchou, where he received orders to move to Soochou as it was understood that he was respected by the British, and the Court wished him to be on hand to carry out negotiations.",
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        "page_number": 200,
        "title": "RAS-1994",
        "content_text": "187\n\nIn Ho Sheung Heung, the 'guarding star' at the entrance to the village is a bamboo. However, it is not always the case that a tree growing beside a shrine has any relationship to that shrine. At Ho Sheung Heung trees besides the southern Pauk Kung have no fung shui significance and have simply grown up there. At Tar Om trees near the main shrine have grown up in the seventy years since the shrine was built and have little, if any, fung shui importance. None of the villagers questioned thought that the fung shui woods had any sacred or spiritual value outside their fung shui importance.\n\nAnother important reason for the protection of large, old trees was that they had been planted by the ancestors. Examples are at Man Uk Pin, Ma Mat Wai, Ping Kong, and Ma Tsuek Leng. Few of these trees were individually venerated except for the 'grandfather tree' at Kuk Po which was planted by the founders of the village to honour the local earth gods.\n\nVillages often have examples of many types of fung shui tree. An example is the village of Sheung Wo Hang which has an inviolable fung shui wood in which all vegetation is protected, in addition to ancestorally planted trees which guard particular shrines and which reinforce certain fung shui locations, as well as earth god trees without shrines.\n\nIn some cases, shrines may not be dedicated to an earth god. At She Shan Tsuen in Lam Tsuen valley, a small shrine at the edge of the fung shui wood makes the spot at which hunters would gather to make offerings before the hunt. There is a parallel here with those shrines in the sacred forests of Nepal at which hunters gather to worship (Mansberger, 1991).\n\nBoth Tar Wong and Paak Kung shrines guard the important places and fung shui points of the village, such as the wells, irrigation dams, \"dragon veins\" and especially the entrances to the village. The latter are often marked by a Tar Wong shrine. Where a path or road leaves a village, invariably where an approaching path curves around the end of a fung shui wood, the site is known as \"the mouth of water\", (the flow of a road symbolising water). The site is often associated with a clump of bamboo, a large rock or a large camphor or banyan tree, or sometimes all three, known as a \"guarding star\" in fung shui terms, as it guards against excessive outflow of chi from the village.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    {
        "id": 213380,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1994",
        "page_number": 202,
        "title": "RAS-1994",
        "content_text": "189\n\ncourt robes and glided along the path only to disappear into the base of a tree once he drew parallel to the watcher. Villagers have also seen fires at the Paak Kung shrines even during rain\n\nThe village with the greatest number of shrines, out of the 20 villages examined in detail in the study, is Sheung Tsuen (Pat Heung). The more important Tai Wong shrine is housed in the 200 year old temple and is the governor of the village. There are also ten other Paak Kung and earth god shrines located around the village. Six of the Paak Kung protect the village at night while four earth gods of a lower rank are located in each of the four directions and are 'on duty' for twenty four hours a day as general security guards and to prevent people from becoming lost. All the shrines are worshiped on the first and fifteenth day of each lunar month and on major festivals\n\nWorship at the shrines varies from village to village, although it is common that worship is carried out on the first and fifteenth days of the lunar new year. Seven of the villages performed rites at their shrines at this time. Offerings may also be made with prayers at the main Chinese festivals, particularly during Lunar New Year and the Mid-Autumn Harvest festival, as well as at weddings, births and the birthdays of elders and ancestors and for general thanksgiving.\n\nSome villages have their own special ceremonies. At Ma Mat Wai, the Paak Kung shrine to the earth god 'Hin Tan' is worshipped on 'farmer's day' on July 14th and at the harvest festival on August 15th. The shrine at Pak Kong is worshipped on the birthday of the popular sea-goddess Tin Hay. The Hei Shą Fuk festival is only carried out at Wo Hop Shek, near Fanling, at the end of the last month of the lunar year and at the end of the first month of the lunar calendar. Each family in the village contributes $30 to buy pork which is cooked with vegetables on stoves built into the Tai Wong shrine. February 13th of the lunar calendar is the god Hung Shing's birthday in Ho Sheung Heung, which is even more important for the village than Lunar New Year. For three days before the god's birthday, an opera is held in front of the Tze Tong while a feast and dragon dance takes place on the day itself. In June a feast day is also held to commemorate two officials, Chou and Wong, sent by the Emperor to save the village from pirates. This may represent those officials who came to rescind the Imperial evacuation order in 1669. The festivals in Ho Sheung Heung are organized by the master of the temple but in other",
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    {
        "id": 213383,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1994",
        "page_number": 205,
        "title": "RAS-1994",
        "content_text": "193\n\nSPECIAL FEATURE\n\nAN ENGLISH BIBLIOGRAPHY FOR CHINA STUDIES\n\nBETTY WEI\n\nAbeel, David, Journal of a Residence in China and the Neighbouring Countries from 1830 to 1833, London: Nisbet, 1835.\n\nAbel, Clarke, Narrative of a Journey in the Interior of China, and of a Voyage to and From That Country, in the Years 1816 and 1817, London: Longman, 1819.\n\nAlley, Rewi, Travels in China 1966-77, Beijing: New World Press, 1973.\n\nAlmack, William, A Journey to China from London in a Sailing Vessel in 1837, 252 leaves (photocopy of manuscript at Hong Kong University Library MSS/915/1/A44).\n\nAlsop, Gulielma Fell, My Chinese Days, Boston: Little Brown, 1918.\n\nAnderson, Aeneas, A Narrative of the British Embassy to China in the Year 1792, 1793 and 1794, London: Debrett, 1795.\n\n1\n\nAnderson, John, Mandalay to Momien: A Narrative of the Two Expeditions to Western China of 1868 and 1875 Under Colonel Edward B. Sladen and Colonel Horace Brown, Maps. London: Macmillan, 1876.\n\nAndersson, John Gunnar, The Dragon and the Foreign Devils, Boston: Little Brown, 1928.\n\nAnville, Philippe, Voyage en divers états d'Europe et d'Asie (Travels into diverse parts of Europe and Asia for a new land route to China), London: for Tim Goodwin, 1693.\n\nArlington, L.C. and William Lewisohn, In Search of Old Peking, Peking: Henri Vetch, 1935 (Hong Kong Reprint: Oxford University Press).\n\nAtwell, Pamela, British Mandarins and Chinese Reformers: The British Administration of Weihaiwei (1898-1930) and the Territory's Return to Chinese Rule. Hong Kong, New York and Oxford: Oxford University Press, 1985.\n\nAtwell, William, The Ta-ch'ang, Tien-ch'i, and Ch'ung-chen Reigns, Cambridge History of China, vol. 7, 585-640.\n\nAuden, Wystan Hugh and Christopher Isherwood, Journey to a War, New York: Random House, 1939.\n\nBaber, Edward Colburne, Travels and Researches in Western China in Royal Geographical Society of London Supplementary Papers, London, 1886, v. 1.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213400,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 222,
        "title": "RAS-1994",
        "content_text": "210\n\nPollard, Samuel (1864-1915), In Unknown China a Pioneer Missionary Among Tribes in Western China, Philadelphia Lippincott, 1921\n\nPoussielgue, Achille, Voyage en Chine et en Mongolie de M de Bourboulon, Ministre de France, et de Madame de Bourboulon, 1860-1861, Paris L Hachette, 1866\n\nPowell, Lyle Stephenson, A Surgeon in Wartime China, Lawrence (Kansas) University of Kansas Press, 1946\n\nPower, William James Tyrone, Recollections of a Three Years Residence in China, including Peregrinations in Spain, Morocco, Egypt, India, London R Bentley, 1853\n\nPritchard, Earl H, Anglo-Chinese Relations During the Seventeenth and Eighteenth centuries, 1929\n\nPurcell, Victor, The Boxer Uprising, Cambridge Cambridge University Press, 1963\n\nRabe, Valentin H, The Home Base of American China Missions, 1880-1920, Cambridge (Mass) Council on East Asian Studies, Harvard University, 1978\n\nRachewiltz, Igor de, Papal Envoys to the Great Khans, London. 1970\n\nRasmussen, Albert Henry, China Trader, London Constable, 1954\n\nReed, James, The Missionary Mind and American East Asia Policy 1911-1915, Cambridge (Mass) Council on East Asian Studies, Harvard University, 1983\n\nReid, Archibald, From Peking to Petersburg, London E Arnold, 1899\n\nReinsch, Paul S, An American Diplomat in China, Garden City (New York) Doubleday, 1922\n\nRennie, David Field, Peking and the Pekingese During the First Year of the British Embassy at Peking, London John Murray, 1865\n\nRicalton, James, China Through the Stereoscope, a Journey Through the Dragon Empire at the Time of the Boxer Uprising, London Underwood, 1901\n\nRipa, Matteo, Memoirs of Father Ripa, During Thirteen Years' Residence at the Court of Peking in the Service of the Emperor of China, with an Account of the Foundation of the College for the Education of Young Chinese at Naples, translated by Fortunato Prandi. New York Wiley and Putnam, 1846\n\nRoberts, Frances Markley, Western Travellers to China, Shanghai Kelly and Walsh, 1932\n\nRockhill, William Woodville, The Land of the Lamas, Notes of a Journey, London Longmans, 1891",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213471,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 67,
        "title": "RAS-1995",
        "content_text": "34\n\n19 Balfour, op cit p 449\n\nReport, DCNT., 1959-60, para 45\n\nReport, DCNT, 1954-55, para 9\n\n\"stranger people\", the word used by the Hakkas to describe themselves (Reports, DCNT, 1959-60 para 46 and Balfour, op cit p 332)\n\n5 Balfour, op cit p 333\n\n54 ibid, and Barbara E. Ward's article \"A Hakka Kengsi in Borneo\" Journal of Oriental Studies, Hong Kong Univ Press, Vol 1, No 2, (July 1954) p. 359\n\nReport, DCNT. 1954-55, para 8\n\nReports, DCNT, 1959-60, para 46\n\nBalfour, op cit. p 464\n\n54 Balfour, op cit pp 460-463\n\nBalfour, op cit p 464\n\nibid\n\n62\n\nReports, DCNT, 1959-60, para 46\n\n6.1\n\nReports, DCNT, 1954-55, para 9\n\nReport, DCNT. 1954-55, para 8\n\nibid\n\n50\n\nReport, DCNT, 1955-56, para 8\n\nBalfour, op cit, p 446 (The notable exception is that the Hakka do not celebrate the Dragon Boat Festival)\n\nReport, DCNT 1954-55, para 8\n\nBalfour, op cit, p. 464",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
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    },
    {
        "id": 213622,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 218,
        "title": "RAS-1995",
        "content_text": "191\n\nfounder of the Lung-men (P) [Dragon Gate], a sub-sect of the Taoist Complete Truth Sect, Ch'uan-chen P'ai (A) of which he was an early Patriarch. He was the last Immortal to rule the Ch'üan-chen sect in Shantung, having run it for twenty-four years. He is also one of the Seven Immortals the Northern School Pei Ch'1-chen (-) [the Seven Disciples of Wang Ch'ung-yang], and probably is best known as the Ch'uan-chen Master (h) who won imperial support for his sect\n\nHe is remembered not only as the Patriarch but also for his steadfast faith and sacrifice of personal material reward and welfare in the pursuit of the Tao; however, his impetuous urge to voice his opinions during lectures was a major obstacle he had to overcome.\n\nBorn in Teng Chou in Shantung province in about AD 1146 he lived during the troublesome era during which the Sung had been driven into southern China whilst the north was under Tatar rule. At the age of 19 he left home to seek perfection in Taoism in the fabulous Kunlun Mountains, so it is claimed, and at the end of the first year he heard of and sought out the patriarch Wang Ch'ung-yang, became his student and, when Ch'ung-yang died in Ninghsia, another disciple, Ma Tan-yang and Ch'ang-ch'un kept a vigil over Ch'ung-yang's grave for six months.\n\nCh'ang-ch'un became a hermit, and living in extreme conditions with only two possessions, a coir raincoat and bamboo hat, he spent seven years away from mankind, which led to him being known as \"Mr Coir Raincoat and Bamboo Hat\" in his remote hideaway on Lung-men Mountain.\n\nCh'iu Ch'ang-ch'un's fame spread to the capital, and three times he was invited by the Chin [Tatar] emperor Shih Tsung to visit him before Ch'iu agreed. He soon left again for reasons unknown for his remote abode despite the exceptional treatment he was accorded. Genghis Khan in 1222 also invited Ch'iu Ch'ang-ch'un to visit him in the Karakorum to satisfy the Khan's curiosity about Chinese religious beliefs. Ch'iu, about 73 years of age at the time, accepted only because he wished to convince the great Khan to give up slaughter. Ch'iu, accompanied by eighteen disciples, so impressed Genghis with his teachings it is said that he stopped killing from that day forward.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 213784,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 136,
        "title": "RAS-1996",
        "content_text": "107\n\nof the two names of the first generation ancestor of the Chens of Tsuen Wan Sam Tong Uk” as Jiu Shi Wu (95) and also Nian Wu Lang, an ordination name. The descendants who had ordination names include his son Fa You and a great grandson Fa Qiang, among others. The last to have an ordination name include a 10th generation ancestor who was to found a Buddhist monastery.\n\nHakka Sorcerers and Rituals Related to Ordained Ancestors\n\nAlthough the practice of ordination ended in probably the middle of the 19th century, related traditions manage to survive in the Hakka \"Daoist\" ritual specialist and a rite they perform for bridegrooms of some Hakka lineages before their wedding.\n\nHakka ritual specialists were of four main varieties, the male and female spirit mediums (stenpo and gongtung), Buddhist funeral specialists (known as wosong or nammo), and sang ritual specialists who claimed to be Daoist but are clearly more closely linked to Lù Shan and Mao Shan traditions. The sang specialists' rituals include the unique feature of an assistant who is a man dressed as a woman. They use the fa-prefixed style ordination names in the ritual documents and recitation and singing. This is true at least in the case of Mr. Miao, the only one living in Hong Kong in 1981. His family were in this profession for four generations, all using Fa-X style ritual names.76 Villagers have mentioned others, among them a Li of Shataukok and a Liao of Kat O, both died before the time of my interviews.77 When asked about langming and duming, a Hakka Buddhist funeral specialist told me that he never heard about them.78\n\nThe practice of the sang specialist is documented in some detail in Zhonghua Jiu Lisu (“Old Chinese Customs”) (ZHJLS) written by a Hakka Christian of Meixian county in the 1930s. It contains information on the rite of Su Yun (“Redemption of [A Child's] Soul”) and Anlong (“Pacification of the Dragon”). The latter I witnessed at the village of Cheng Lan Shue of the New Territories. The ZHJLS shows that the names of these sessions of the ritual its author knew from the Meixian and Xinning counties, indicating that the Anlong was celebrated once every five or six years for each \"old house,\" and the couplets and flag he copied indicate that the celebration there.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213897,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 249,
        "title": "RAS-1996",
        "content_text": "223\n\nNOTES AND QUERIES\n\nTRACES OF HOUTU'S (后土) CULT IN HONG KONG\n\nCAROLE MORGAN\n\nI first became aware of Houtu stones in the course of my research on geomancy at the Aberdeen and Diamond Hill cemeteries. One of the earliest references to Houtu is found in the Zuozhuan, a work compiled in the III century BC. Under the 29th Year of Duke Zhao (昭), a commentary states that Earth is the ruler of all things, that his divine persona is generally called Houtu, and that his spirit is named Dragon Gouji. During the Han dynasty, the skeptic Wang Chong (王充) (-27c - 100 AD) amplified this definition by remarking that: “The digging of graves disturbs the Earth... [hence] the Earth god must be propitiated with offerings of millet, rice-cakes and soup”. (A Forke, 1925, vol II, p. 400 & 510). I was therefore not surprised to find traces of this once powerful deity in the cemeteries I visited.\n\nYet these traces were puzzling. Almost every grave featured a small stone with an inscription which stated “X family's Houtu shan (山)”. Given that in this context shan means \"burial site”, the text appeared to imply that Houtu should not be read as the name of the deity, but as two words hou tu (土) meaning \"[boundary of the] land behind the grave\", even though many stones were aligned with the grave's headstone. It could be argued that this contradiction represents an unavoidable concession to the non-standard size of certain plots, and should not detract from the stones' boundary marker function. The accuracy of this impression was confirmed by two grave diggers, who indicated that the stones were meant to prevent one grave from encroaching on the plot of another. When I questioned these men on the use of the graph 后 for \"at the back of\" instead of the more common 後, they replied that it was a matter of convenience, the first graph being easier to carve than the second. Though the explanation sounded plausible, I found it unconvincing. By then I had noticed that in front of almost every stone, small metal tubes had been permanently fixed to serve as incense stick holders. At the very least, the presence of these tubes suggested the performance of some kind of ritual.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
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    },
    {
        "id": 213899,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 251,
        "title": "RAS-1996",
        "content_text": "225\n\nshuppansha, 1987, pp. 21-57)\n\nTo my mind, it follows from the above quotation, that the Liang considered Houtu the land contract witness and hoped that by constructing a shrine in his honour, they could prevail upon him to preserve the plot's integrity.\n\nThe Liang tomb, however, is not the only trace of Houtu's survival in Hong Kong. Other, less elaborate examples of his cult also exist at Aberdeen. Here, two very similar stones, from different graves, show clear traces of a religious dimension. One of these is engraved with the words, “Houtu spirit of the Xu family's site” (Xu shan Houtu zhishen). The other is even more explicit though worded somewhat differently. Its inscription reads, “Houtu longshen”.\n\nIn the absence of a family name and since \"long\" is another geomantic term for site, the text can be taken to mean “Site of Houtu's spirit”. While it is tempting to see in the juxtaposition of “dragon” and Houtu an echo of the Zuozhuan's definition, such an interpretation would stretch the bounds of credibility. What is plain from the stones' inscriptions is that they function as simple shrines.\n\nOn the basis of the evidence outlined above, I am now convinced that all Houtu stones are first and foremost shrines at which family members propitiate the Earth god for the disturbance they have caused him - just as Wang Chong recommended. The proposition that stones are boundary markers is a tribute to the creative power of folk etymology. It should, however, not be allowed to obscure the fact that Houtu stones embody vestiges of an ancient cult which originated more than two thousand years ago.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    {
        "id": 213922,
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        "series_slug": "histsyn-rashkb-journal-engine",
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        "document_key": "RAS-1996",
        "page_number": 274,
        "title": "RAS-1996",
        "content_text": "252\n\nBRANCH LOGO\n\nDAN WATERS\n\nThe Circular Dragon which appears on the cover of our journals and on stationery has been used by the Branch since the early 1960s. It is based on a traditional Chinese paper-cut appearing in Chinese Folk Design, by W.M. Hawley (Hollywood 1949). A copy may be seen in the Kowloon Central Library. Up to ten illustrations from this book may be reproduced on any one project without special permission.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
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    },
    {
        "id": 213954,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 24,
        "title": "RAS-1997",
        "content_text": "15-16 November 1997\n\n14-15 March 1998\n\nVisit to Huizhou (Waichau), Guangdong Province, Messrs Peter Rull, Phillip Bruce and Dr Joseph Ting.\n\nVisit to Bocca Tigris, Drs Anthony Stu and Joseph Ting.\n\nVisits within Hong Kong\n\n1997\n\n20 April\n\n14 May\n\n14 June\n\n19 July\n\nField Trip to Champion-Calibre Trees on Hong Kong Island and in Kowloon, Professor C.Y. Jim.\n\nOne day visit to Macau for Drunken Dragon Dance und Tum Kung Festival, Mr Geoffrey Roper\n\nFrom Beijing to Versailles, Hong Kong Museum of Art Guided Gallery Visit.\n\nHong Kong Horse Racing Museum and Hong Kong Cemetery, Happy Valley, Reverend Carl Smith and Professor C.Y. Jim.\n\n16 September Wo Hang to see hot air balloons, Dr Patrick Hase.\n\n27 September Chek Lap Kok Airport and Tung Chung, Mr Phillip Bruce.\n\n19 October\n\nHistory through Maps- map exhibition at Museum of History, Mr S.C. Tam\n\n22 November University of Hong Kong Museum and Library, Mr Y.C. Wan.\n\n6 December\n\nWalking tour of Shalotung, Mr Edward Stokes.\n\nxxiii",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
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    },
    {
        "id": 214130,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1997",
        "page_number": 198,
        "title": "RAS-1997",
        "content_text": "169\n\nRAS VISIT TO HUIZHOU\n\nDan Waters\n\nOn Saturday 15 November, 1997, 14 stalwart members of the Royal Asiatic Society Hong Kong Branch (RASHKB) set off by coach on a two-day visit to Huizhou (Waichau or Waichow) and the surrounding region in eastern Guangdong Province.\n\nHuizhou has a population of about 600,000, making it larger than Macau. In this part of Guangdong, where Westerners attract a certain amount of attention, we visited scenic spots like the West Lake (see Plate I), the Xizhou Pagoda and the Su Dongbo Well as well as his Monument (see Plate II).1 Su Dongbo was a leading poet and a member of the literati in Northern Song times. He was also concerned with the building of bridges, improving dams and constructing water supply schemes. Madam Wang (1062-96), his Concubine, was a native of Hangzhou. Su was disgraced and banished to Guangdong and subsequently to Hainan Island.\n\nOur RAS Group also visited one of the most famous Taoist temples (the Lu Dong Bin Temple) in Guangdong Province, situated at Loh Fau Shan. Lu Dong Bin is one of the Eight Immortals and a patron saint of the literati. He uses a fly whisk to sweep away the clouds and carries a magic sword associated with healing.\n\nOn the following day (Sunday 16 November) the RAS Group drove to the unspoiled Nine Dragon Mountain (named 'Kowloon' like in Hong Kong) and its comparatively well-known Tam Kung Temple which was visited by a group of RASHKB members in November 1995. Research has previously been carried out and RAS visits have been made to various Tam Kung temples both in Hong Kong and in Macau, including during the Tam Kung Festival. Also, an illustrated lecture was given on the Hakka Boy Deity, Tam Kung, in 1996, to the RASHKB by Professor Anthony Siu and Geoffrey Roper. There is little point in repeating similar information here.\n\nOne of the tasks that the RAS group set itself, in November 1997, was to find two buildings in Huizhou which were used by the British Army Aid Group (BAAG) during World War Two. Both sites were",
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    },
    {
        "id": 214151,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 9,
        "title": "RAS-1998",
        "content_text": "Sheilah Hamilton - The District Watch Force ... 199\n\nNOTES AND QUERIES\n\nHong Kong (From the Notes of a Russian Traveller), translation of an article written by Iosif Antonovich Goshkevich in 1871.... 229\n\nHong Kong, translation from a book chapter written by Ivan Alexandrovich Goncharov in 1853 237\n\n...... 247\n\nR.G. Horsnell - The Story of Stanley Fort 257\n\nR.G. Horsnell - The Story of Gun Club Hill Barracks ..... 265\n\nB.C. Fawcett - First World War Labour Corps Cemeteries in Flanders 281\n\nKeith Stevens - The American Soldier of Fortune Frederick Townsend Ward: Honoured and Revered by the Chinese with a Memorial Temple 285\n\nRonald Bishop Smith - Sir Ralph Moor and the 'Benin' Cannon of the British Museum and the Royal Armouries 293\n\nPhotographs from the Hong Kong 1906 Typhoon contributed by Victoria Brown 297\n\nDan Waters - Arnold Graham, 1905 - 1996. 305\n\nTranslated letter from the Bishop of the Philippines to the King of Spain dated 1584 contributed by Robin M. Bridge.............. 315\n\nGeoffrey W. Roper - The Drunken Dragon Dance and the Tam Kong (Tam Kung) Festival: Notes on the RAS HK Visit to Macau, May 1997 .. 323\n\nRobert Nield - Bits of Broken China: The RAS Visit to North-east China in Search of Colonial Remnants, 1999 329\n\nviii",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214200,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 58,
        "title": "RAS-1998",
        "content_text": "21\n\nBut, while comparing Chinese and western humour, with the latter propagated by television, radio and other forms of the mass media, it has to be borne in mind that the peoples of many countries are changing their way of life. The world is fast becoming a global village.\n\nAmusement in language\n\nIn the mid-1950s, the author recalls, a fashionable colour in Hong Kong was described in Cantonese (a vibrant, vivid language) as ‘duck's excreta green'. This tickled foreigners but was (and still is) good descriptive, serious stuff to our Chinese friends. They never seem to realise, however, that any of their own surnames, such as Mr Wu, Mrs Ma (meaning horse), Mrs Lung (meaning dragon) or Miss Ng (which is difficult for some Europeans to pronounce), may strike the average Westerner as funny. Yet the author has never really understood why his family name, 'Waters' (which hardly ever strikes Europeans as comical) (probably meaning his forebears lived near a river or a lake), is often considered amusing by Chinese. A Chinese physician once wisecracked: 'Dan Waters, please pass some water;' while a Chinese architect quipped, 'Dr Waters has been inspecting waterworks structures all morning.' In other examples just the mention of the name Green, Whalebelly or Goodbody strike many Chinese, understandably perhaps, as comical. We British have become accustomed to such names. However, the countless Chinese firms with names like Lee Kee Motor Boat Service, No-Squeak Wong the cobbler and Au-Choo the medicine shop, do strike the average Westerner as good for a chuckle.\n\nThere is a Chinese saying which, when translated, goes something like this:\n\nWalking we will not change our family name. Sitting we will not change our given name.\n\nIt really implies we are digging our heels in and sticking to our principles. Nevertheless, Sir (now Lord) David Wilson did change his name when he came back to Hong Kong to become Governor in 1987. He had served in Hong Kong before and his Chinese name had previously been romanised as Ngai Tak-ngai (Spurr, 1995;246). The Chinese, however, who read far more into a name than the average European,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214250,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 108,
        "title": "RAS-1998",
        "content_text": "one of the Twenty Deva. Sagara Naga, the Dragon King of Rain.\n\n71\n\nIn Chinese he is the Dragon King. His image has only been noted in one of our two temples in the Western Hills, the Pi-yun Ssu where he is portrayed as a standing, black-skinned official in multi-coloured robes and a pill-box cap with a small sunburst on the front. He has large round eyes and a black beard and is holding a tablet in both hands clasped before his chest. His image is also present in the cave/tunnel under the Taiwanese temple where he is known as Sha Lo Wang 沙洛王 and is portrayed as a middle-aged Chinese, standing,\n\ndressed in gilded armour and small Taoist crown. He is holding an unsheathed sword in his right hand and a small snake-like dragon in his left.\n\n15] Asura known in Chinese as Ah-hsü-lo\n\nThe Asura in the Lotus Sutra are one of the Eight Classes of super-natural beings - Asura originally meant a spirit or even a god - and are regarded as demons who fight against the forces of Indra. There is an image of an Asura in the group in the Ta Pei Ssu but not in the Pi-yun Ssu, nor in the cave/tunnel in the Taiwanese temple. In the Ta Pei Ssu he is a demonic human with four arms, three eyes and a further head superimposed upon his normal head. He has fiery red spiky hair, red moustache and beard, large round eyes and rings one in each ear. He is stripped to the waist and is white skinned, has bare legs and feet and is wearing a highly decorated colourful skirt.\n\n16] Vimalakirti known in Chinese as Wei-mo Chu-shih\n\nVimalakirti was a disciple of Sakyamuni at Vaisali who the Buddha is said to have instructed, and who later recorded it as the Sutra of Vimalakirti. The realm of Vimalakirti is a realm of profound joy.\n\nAn image of Vimalakirti is in the group in the Ta Pei Ssu but not in the Pi-yun Ssu, nor in the cave/tunnel in the Taiwanese temple. He is standing, dressed in a green robe decorated with gilded roundels and border, and a scarf round his head holding his hair in a loose knot protruding up and through it. He has grey hair, beard, moustache and eyebrows. There are no unique characteristics.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214258,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 116,
        "title": "RAS-1998",
        "content_text": "The King Protector of the East and controller of Spring\n\nelement: water\n\nP'i-p'u Tung-ch'a T'ien-wang LUXXE\n\n毘普動叉天王\n\nRed face\n\nMo-li Hai\n\nLute/guitar\n\nor Umbrella\n\n摩禮海\n\nor Sword and Snake\n\nor writing brush\n\nor Green face\n\nKuang-mu Virupaksa\n\nT'ien-wang\n\nwith Red beard 廣目天王 [Colour: red]\n\nThe King Protector of the West and controller of Winter\n\nelement: fire\n\n79\n\nP'i-p'u Po-ch'a T'ien-wang OXXE\n\nMo-li Shou Rat or Mongoose\n\nPink or Green face Tseng-ch'ang Virudhaka\n\nT'ien-wang\n\n[Colour: Red] 增吒天王\n\n[which changes into\n\nand short beard\n\n摩禮壽\n\na white, winged\n\nor Red Bird\n\nelephant]\n\nor Red or Golden Dragon\n\nor Magic sword and ring\n\nor Whip\n\nThe King Protector of the South and controller of Summer [or Spring]\n\nelement: wood\n\nT'i-t'ou Lai-cha T'ien-wang DELI\n\nMo-li Hung Umbrella\n\nPink or white face T'o-wen Vaisravana\n\nClean shaven\n\nor Money bag\n\nT'ien-wang\n\n摩禮紅\n\nor Snake [and pearl]\n\n[Colour: Black]\n\n多聞天王\n\nor Rat/Mongoose\n\nor gold\n\nand occasionally",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214276,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 134,
        "title": "RAS-1998",
        "content_text": "97\n\nNOTES\n\nMacGowan J : Men and Manners of Modern China: T Fisher Unwin: London 1912\n\n2 Werner in his Dictionary of Chinese Mythology gives the Eight Classes of Dragon Kings as follows:\n\n3 Deva naga, Yaksha, Gandharva, Asuras, Garudas, Vinnaras, Mahonagas and Rakshas Soothill in his Dictionary of Chinese Buddhist Terms lists the Eight Classes of Supernatural Beings as follows: Deva, Naga, Yaksha, Gandharva, Asura, Garuda, Kinnara and Mahoraga.\n\nMajor well known Brahmanist deities not included in the groups of Deva in the Western Hills of Peking include Hanuman, Parbati and Ganesh.\n\n* A Student Interpreter: Where Chineses Drive : English Student Life in Peking Wm Allen & Co : London: 1885\n\n6 As with a number of titles the romanised spelling varies depending upon the form used and, as examples, we have Siva and Shiva, Pancika and Panchika. He is the esoteric cult Deva, a masculine form of the wife of Siva. He is the tutelary god of Mongolian Lama Buddhism, and is also said to be an incarnation of Vairocana for the purpose of destroying demons.\n\n7 Werner, ETC: A Dictionary of Chinese Mythology:\n\n8\n\n9 x stands for an illegible character. Although images iconographically look like the standard Buddhist image of the Temple Guardian, Wei T'o, they have been identified as being one of three Vedic deities. Lessing in his Yung-Ho-Kung [Stockholm 1942] and the Taiwanese guide to The Guan Yin Hall of the Ta Pei Ssu both identify Wei T'o's origin as Skanda whilst Soothill claims that he is Viharapala.\n\n10 Occasionally Yüeh T'ian-wang, that is the 12th century hero Yüeh Fei, takes the place of Li Yüan-shuai.\n\n\"Chin-se are the Five Primary Colours permutated in various ways to represent various ideas; also, a five coloured emblematic cord, a Brahman sign worn on",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214308,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 166,
        "title": "RAS-1998",
        "content_text": "130\n\nalready full. So off they went again across the Pacific by sea to Manila, Hong Kong and Shanghai before setting out for Cape Town where they remained for five months. They finally returned to Washington having stayed in Buenos Aires for a month en route. Back in Washington they found that he was still unable to obtain a residence permit. However, someone pointed out the small print that as a dependent of his wife they would be allowed to stay and there they remained for the next six years until Sowerby died on the 16th of August 1954 at the age of sixty-nine. His last years were confined to his sickroom from which he continued his researches and writing.\n\nFor some twenty-five years of his life he lived in Shanghai, through its heyday, and for fourteen years he produced and published a creditable monthly periodical, the China Journal, aimed at ‘educating' Westerners in China to appreciate many of the aspects of Chinese civilisation and life under headings - Science, Art, Literature and Travel. It was to \"encourage an active enthusiasm for the powerful and often enigmatic Chinese self-contained culture,\" though the Journal not only pursued interests concerned with culture and the Chinese social environment it also pursued the major leisure activities available in China - hunting, shooting and fishing - all subjects close to Sowerby's heart. His primary interest centred on the collection of scientific and geological specimens for museums in Britain and the United States, as well as retaining some specimens for a unique museum in Shanghai.\n\nThe bimonthly Journal was originally titled The China Journal of Science and Arts, and edited by Arthur de C. Sowerby [Science] and John C. Ferguson, PhD [Literature and Arts]. Clarice Moise BA began as the Assistant-Editor and Manager but later simply became the Manager. We know nothing of Ferguson whose name continued on the editorial staff until the late 1930s. The first issue, No. 1 of Volume 1 was issued in January 1923 with a primitive sketch on the cover designed by A de C. S showing a mounted T'ang horseman, a dragon and bats. At first, the journal was based at 103 Ben Building at 23 Avenue Eduard VII in the French Concession though later, by 1928, its offices had moved to 8 Museum Street in Shanghai. The cover was changed in 1926, again designed by ‘A de C S', to a cross-legged Buddhist deity with his palms held together in front of his chest in prayer, with a flaming nimbus behind him and sitting on a pedestal.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    },
    {
        "id": 214317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 175,
        "title": "RAS-1998",
        "content_text": "139\n\nThree of the four lesser halls, though as large as the Jade Emperor Hall and Xu Hall or nearly so, are dedicated one to the Three Matrons of fertility and childcare; one hall to the wife of Xu, whose personal names were Heshi, known as the Palace of the Consort - Furen Gong - in which her image stands on the uppermost tier of three with the Lord of Time and his sixty minions, the Tai Sui, occupying the lower two tiers; a third hall to Guan Gong, the patron deity of loyalty and honour, and patron of soldiers; whilst the fourth hall, much smaller, is virtually empty apart from a single, small pottery image of a wealth god. This spread of cults within one temple is typical of the majority of the larger temples throughout Chinese communities.\n\nAll of the images within the temple complex are of comparatively recent manufacture, certainly since the early 1980s. The original images were destroyed during the years 1949-1976, during one or more of the political campaigns against superstition or social reform, mostly during the first days of the Cultural Revolution in 1966 when the temple was gutted. Some of the new images have been well made, artistically finished in paint on plaster and concrete. Others are crude, poorly finished and eyesores for posterity. The image of Xu, however, is one of the better ones and far from crude workmanship.\n\nThe grounds and halls on the day we were there in the Autumn of 1998 were seething with devotees, many of whom had travelled some distance to pay their respects to the deities. Long strings of firecrackers were being let off and amidst the deafening racket and the palls of smoke from these and burning offerings, the whole area was what Chinese know as re'nao, excitement and noise.\n\nAcross the road, however, in the comparatively small, enclosed and dilapidated garden, silence reigned and not a soul was to be seen. On the far side of the square artificial lake in the centre of the garden is a lengthy row of small, weathered and battered modern images, all unnamed, which on closer examination appeared to be many of the emperors of China since time immemorial. A Nine Dragon Spirit Screen stretches out behind them. Of greater interest were the half a dozen small rooms, similar to horse boxes with half-doors, which lined the rest of the far side, each containing a small tableau of life-size simple and gaudily painted plaster and cement figures. These were identified as episodic scenes from the life of Xu, ranging from his miraculous birth,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214318,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 176,
        "title": "RAS-1998",
        "content_text": "140\n\nborne to Earth by the Celestial Immortal Tian Fei, to his apotheosis when he was about to be borne off to Heaven; he is portrayed in one scene preparing medicinal drinks and in another overcoming the flood dragon.\n\nA popular legend related in Jiangxi about Xu describes how he destroyed a monstrous snake which had been terrorising the areas of western Jiangxi. Another describes how in Changsha in neighbouring Hunan province he killed a dragon which had transformed itself into a woman and had married a local mandarin.\n\nXu Sun, according to Fitkin, had been a good and sympathetic magistrate and as such was regarded as a protective deity throughout Jiangxi province as well as among Jiangxi people wherever they went. According to folk memory he never took 'squeeze' nor would he tolerate corruption. He also threw the flood dragon down a well telling him as he did so that he might come forth when the iron tree blossomed. This well was in the huge Wan Shou Gong, a temple in the centre of Nanchang and though the temple was burned down in about 1916, it was [in 1922] being rebuilt at a huge cost and, as far as can be ascertained, no longer exists. Folklore claims that plague and flood, as well as brigandage would come to Jiangxi if there were no Wan Shou Gong in which to offer up worship and reverence.\n\nAccording to Bai Youchan [the Daoist Thunder Ritual master of the Mao Shan cult - ca. 1200 AD] Xu was venerated initially because, using water-charms, he had cured multitudes who were suffering from a virulent epidemic. Imperial patronage of the cult ensued in the 12th century AD. All his temples used to be called Wan Shou Gong as indeed his cult centre temple at Xi Shan still is.\n\nAnother legend, possibly a variant on the water-charms story, and related in neighbouring Anhui, claimed that Xu had been an important tea merchant. Tea brewed from his leaves not only quenched the thirst but also cured sickness and even prevented people from becoming sick. He was widely renowned for his generosity giving away his tea to the poor in the Spring for people to infuse and drink to ward off sickness. He was deified for such benevolence by order of the emperor.\n\nIn 1920 Nanchang was claimed to be unique in that it had never",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214323,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 181,
        "title": "RAS-1998",
        "content_text": "A Nine Dragon Spirit Wall in the garden opposite the temple at Xi Shan; in front of it is a row of unidentified emperors \n\n145",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    },
    {
        "id": 214328,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 186,
        "title": "RAS-1998",
        "content_text": "150\n\n\"An Interesting Feeling of Good Will and Confidence between our People and the Chinese”is\n\nThe 12 January 1861 issue of The Illustrated London News also contained three half-page illustrations based on sketches by \"Our Special Artist\": \"Tartar Outpost Near Pekin,\"19 \"The China New Year': The Dragon Feast at Canton,\"20 and \"The China New Year': Woman Preparing Cakes.\" It also carried a full page group of six illustrations (based on photographs) of \"Domestic Life in China.\"22 There are some paragraphs of narrative on most of these topics.\n\n23\n\nIn articles early in their coverage, The Illustrated London News had already shown a degree of willingness to accept what it took to be the Chinese frame of reference, by humorously following the Chinese practice of referring to themselves as \"Celestials\" and everyone else as \"Barbarians,\" as in the caption to the illustration, “A Crowd of Celestials Contemplating the Barbarians,\" mentioned above. The publication now began to indicate a desire to come closer to the Chinese people, making the point that an increased understanding of the Chinese people had been a by-product of the war itself: \"Thanks to the enterprise of 'special artists' and 'our own correspondents',\" present in China because of the hostilities, \"much that was before obscure in Chinese manners and customs has been made plain.\"\n\n124\n\nThe periodical compares Chinese and British habits in such a way as to stimulate bonding, and indicates interesting contrasts with no intention to repulse or ridicule.\n\nA typical comparison is that made between the preparation of Chinese New Year cakes and the making of Christmas pudding: \"The Chinese, who have many points in common with the English, have the same attachment to a kind of round cake as we have to a round plum pudding. A few days before New Year, friends (women, of course) will assemble and help each other in preparing the ingredients to form this article of diet, as they do in England to prepare the plum pudding.\"\n\nThe narrative26 on the six illustrations of family groups shown under the general title, \"Domestic Life in China,\" does give explicit comment",
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    {
        "id": 214338,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 196,
        "title": "RAS-1998",
        "content_text": "160\n\n(4)\n\n(5)\n\nThe following account is taken from many sources, including Alan Harfield, British and Indian Armies on the China Coast, 1785-1985, Farnham, Surrey, A. and J. Partnership, 1990; Geoffrey Robley Sayer, Hong Kong 1862-1919, Hong Kong, Hong Kong University Press, 1975; and G. B. Endacott, A History of Hong Kong. George MacDonald Fraser provides accurate historical background in his Flashman and the Dragon, London, Collins Harvill, 1985.\n\nSee in Alan Harfield, op. cit., p.100, reproduction of The Illustrated London News, \"News of the Pei-ho incident reaching Hong Kong, 1859”.\n\n(6) Geoffrey Robley Sayer, op. cit., Hong Kong, Hong Kong University Press, 1975,\n\nP. 3.\n\n(7)\n\n(8)\n\n(9)\n\n(10)\n\n(11)\n\n(12)\n\n\"Street Scene in Pekin: A Crowd of Celestials Contemplating the Barbarians – From a Sketch by our Special Artist\", double half-page spread sketch by \"our special artist\", The Illustrated London News, 5 January 1861, p. 12.\n\n\"An-tin Mun, the Gate of Pekin in Our Possession - From a Sketch by our Special Artist\", double half-page spread sketch by \"our special artist\", The Illustrated London News, 5 January 1861, p. 13.\n\n\"The Earl of Elgin's Entrance into Pekin on the 24th of October Last to sign the Treaty of Peace Between G[reat Britain and] China - Sketched by our Special Artist from the An-Tin Gate (Gate of Peace) of the Tartar Quarter\", full page double-spread, The Illustrated London News, 5 January 1861, pp. 20-21.\n\nThe Illustrated London News, 5 January 1861, p. 12, cc. 3-4; p. 13, cc. 1-2.\n\nThe Illustrated London News, 5 January 1861, p. 12, cc. 3-4; p. 13, cc. 2-3.\n\nThe Illustrated London News, 5 January 1861, p. 13, cc. 2-4.\n\n(13)\n\nThe Illustrated London News, 5 January 1861, p. 18, c. 2.\n\n(14)\n\n\"The peace with China,” The Illustrated London News, 5 January 1861, p. 18, c. 2.\n\n(15) According to The Illustrated London News, 12 January 1861 (p. 32, c. 1),\n\nHenry Loch was the son of Admiral Loch, R.N., one of whose brothers was an East India Director and another a civilian in the Company's service. \"Mr Loch himself was... formerly an officer in the Bengal cavalry, but has retired from",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214339,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 197,
        "title": "RAS-1998",
        "content_text": "161\n\n(16)\n\n(17)\n\n(18)\n\n(19)\n\n(20)\n\nthe service. He was selected to fill the office of private Secretary to Lord Elgin while in china, the office which was held by Mr Oliphant during his Lordship's previous mission.”\n\nThe Illustrated London News, 5 January 1861, p. 12, c. 2.\n\nJohn Cranna, Fraserburgh; past and Present, Aberdeen, the Rosemount Press, 1914, p. 138.\n\nThe Illustrated London News, 19 January 1861, p. 64, c. 1.\n\n\"Tartar Outpost Near Pekin. - from a sketch by our Special Artist\", half-page The Illustrated London News, 12 January 1861. p. 32.\n\n**\n\n'The China New Year' : The Dragon Feast at Canton - from a sketch by our Special Artist\", half-page, The Illustrated London News, 12 January 1861, p. 45.\n\n'The China New Year': Woman Preparing Cakes -from a sketch by our Special Artist\", half-page, The Illustrated London News, 12 January 1861, p. 45.\n\n(21)\n\n(22)\n\n(23)\n\n(24)\n\n(25)\n\n(26)\n\n(27)\n\n54\n\nA full page group of six sketches (based on photographs) of “Domestic Life in China\", The Illustrated London News, 12 January 1861, p. 44.\n\nA full page group of six sketches (based on photographs) of “Domestic Life in China”, The Illustrated London News, 12 January 1861. p. 44.\n\nThe Illustrated London News, 12 January 1861, p. 43, c. 3.\n\nThe Illustrated London News, 12 January 1861, p. 45, c. 3.\n\n\"Domestic Life in china”, The Illustrated London News, 12 January 1861, p. 43, c. 3.\n\n\"The Peace with China.- Reading the Treaty at Pekin - From a sketch by our Special Artist\", The Illustrated London News, 19 January 1861, front page.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214353,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 211,
        "title": "RAS-1998",
        "content_text": "176\n\nimage with one of the other titles is the same god.\n\nThe Fengshen Yanyi records numerous departments of the Celestial World including, for example, the Department of Thunder. It has a chief, General Wen, and twenty-four subordinates, amongst whom are the spirits of wind, rain and lightning; these are often referred to as the Five Spirits of Thunder, Lei Shen. Another is the Department of Fire Spirits. Its departmental head, Luo Xuan of Fire Dragon Island, called himself Yan Zhong Xian, the Immortal of the Flames, and was a fierce-looking iron-toothed, red individual. His immediate subordinate was Liu Huan, a yellow-faced demonic being who, during the Shang-Zhou struggle, brought along the materials with which they nearly destroyed the capital of Xi Ji, before being themselves routed. Luo Xuan was awarded the title The Chief Spirit Ruler of the Southern Region Three Atmospheres Fire Virtue Star: Nan Fang San Qi Huode Xingjun Zhengshen. Among his subordinates are a pig, monkey, tiger and snake spirits, all representing the different kinds of fires. The tiger is the 'tail fire' which is very hot; the pig is a 'house fire' which bursts out unexpectedly; the monkey is the 'nose fire' which comes suddenly through openings; whilst the snake is the 'winged fire' which leaps from one place to another. Liu Huan causes fires to spread.\n\nThe story begins with the last ruler of the Shang making an offering at the temple of the goddess Nü Wa. Having written a poem on the wall of the temple, a graffiti that offends her, she sends three monsters to bewitch him.\n\nThe following résumé of the last two chapters of the book brings into focus the tenor and style of the story. Jiang Ziya, about whom tales are told of his ineffectual efforts to become a trader and thus satisfy his wife's demands that he should do something useful, was eventually introduced to the Court and King Zhou Xin, who gave him a high position. Jiang antagonised Dan Ji, Zhou Xin's concubine, by getting rid of one of her vampire friends who had disguised herself as a human to share with the evil queen the flesh and blood of the victims she had slaughtered. Jiang was being taken away to be executed outside the palace but managed to slip through a hole in a bridge and disappeared. The guards sought him everywhere and finally assumed that he had been drowned. He had however been able to conceal himself.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214355,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 213,
        "title": "RAS-1998",
        "content_text": "178\n\namends. King Wu also held an audience at which he announced that certain Daoists and generals who had bravely fought and died should be regarded as heroes and revered as such. At that point a number of Daoist mythological heroes stepped forward and declared that as they were uncultured, having lived in the mountains and countryside, they now wished to return to report to their masters. They added that they were unable to accept honours or rewards as they had simply followed the orders of their masters. All seven left the Court, and the following day after a feast, they were reluctantly permitted to leave by King Wu.\n\nMy daughter, a friend and I during a visit to Song Shan in Henan province, one of the Daoist holy mountains, came across a large modern temple which, as we approached its entrance, looked real enough until we came to enter it. There were several young women in a uniform of sorts knocking a badminton cock around to while away the hours and, of all things, a turnstile. We then saw the name of the temple was Fengshen Gong, the Palace of the Investiture of the Gods, and entered wide-eyed wondering what could possibly be inside.\n\nOnce inside we were taken by our guide down a short corridor and out into what proved to be a massive wax-works, images of scenes from the Fengshen Yanyi as well as images of the major local deity, the Lord of Zhong Yüeh, the Lord of the Central Peak [Song Shan]. The exhibition, we were informed, had been built by the Tourist Board of the local city, Deng Feng, for Chinese visitors. Well over 200 images, mostly static but with some dozen or so automatons, lined the winding path leading through the large exhibition hall. With a not too subtle gesture our guide switched each on and off until, apparently bored by her foreign guests who spent quite some time at each exhibit, she abandoned us and returned to her badminton. The place was deserted apart from four small boys who were delighted to be alone with us and took enormous pleasure in switching on and off the various exhibits for our benefit without any guide being there to chastise them.\n\nScenes included the wicked Zhou Wang ascending his throne; Na Zha, the Third Prince, Causing Trouble with the Dragon King; Duke Fa [King Wu] subjugating Zhou Wang; the Terrace of the Investiture on which Jiang Ziya is reading out the decree canonising the heroes, and the Five Sacred Ones returning to Heaven. Several of the automated exhibits had the small boys in fits of giggles; one in particular",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214367,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 225,
        "title": "RAS-1998",
        "content_text": "191\n\nindustry. It was common, so it claimed, for construction teams to hold Taoist rituals, including the sacrifice of oxen before work began.*\n\nOn the other side of the coin, according to the Bureau of Religious Affairs, about 200 Taoist temples have been re-opened to the public in China since the 1980s and seven Taoist provincial associations have been established. One of these temples is the former Taoist Cheng-i sect centre, the Heavenly Master Sect temple [T'ien-shih Miao] on Dragon and Tiger Mountain, Lung-hu Shan, in Kiangsi province. It was burned down in 1945 and work on rebuilding it did not begin until 1983. This consisted of the renovation of the main hall and the re-sculpturing of the images of the San Ch'ing, the Three Pure Ones, and fourteen other clay statues. Other sites nearby have also been renovated, including the Shang Ch'ing Palace, where the Immortals lived, and the Lien-tan Ch'ih, the Furnace [where pills of immortality were made]. It is interesting to read that both local and central authorities donated more than half a million yuan towards the project.\n\nAbout the same time as the iconoclastic campaign began, a ban was also imposed in Tsingtao, the port in southern Shantung, on the manufacture, sale and burning of funeral objects in a bid to curb a resurgence in superstition.\n\n...\n\nDespite all of these reports of the destruction of illegal temples and the crackdown on superstition, my daughter and I during the years 1995-1997 have visited a number of temples both urban and rural in remote areas of China as well as in cities and towns which, without doubt, fall under the category of superstitious religious establishments. We have not only been guided to several such temples by policemen but also in one instance we found the local party cadre actually lived with his mother inside a small popular religion temple. The only instance where a member of a temple staff had reason to explain that an activity was banned because it was superstition happened in the suburbs of Shanghai. When we asked why there were no oracular blocks on the altar with which to obtain the deity's answers to questions posed by devotees, we were told by the temple guardian that this particular practice was superstition and not permitted, whereas other routine rituals seen in temples in Hong Kong and Taiwan were. A Chinese scholar recently explained that in his view illegal temples are the structures built without permission because local State authorities have not had the quid pro quo erection of a village school, crèche or health centre paid for by the villagers with the same sum funded for the project as\n\nPage 225\n\nPage 226",
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    },
    {
        "id": 214480,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 338,
        "title": "RAS-1998",
        "content_text": "307\n\nReport of the Committee of the Shanghai Cricket Club and a Statement of Accounts for 1940. Articles on cricket include, Days of Yore, China Coast Cricket (1922-23), A Brief History of Cricket in Hong Kong, by Peter Hall, written in the 1990s, and Cricket in Shanghai (2 pages). In 1981, Arnold Graham donated a large collection of cricketing books and magazines to the Hong Kong Cricket Association.\n\nIn fact, when Arnold Graham came to play cricket in Hong Kong in 1933, he was married in Saint John's Cathedral and there is a wedding photograph to prove it.\n\nAnother of Arnold Graham's pastimes appears to have been the Garrison Players and, on different occasions, he played the role of both producer and actor. Various plays, mostly with a British ring about them, were staged. These included HMS Pinafore, Trial by Jury, Merrie England (1926) and The Scarlet Pimpernel.\n\nIn the box sent by Arnold Graham's daughter there were also a number of photographs and snaps of places like Hangchow (1932 and 1933) and the Hong Kong and Shanghai Bank on the Bund. Also included is what could have been a soccer team where all players are Chinese, except for one European. There are also photocopies of pictures of groups of people taken at the Hankow Races in 1888, the Hankow Club in 1934 and 1935, and a picture of the stewards of the Shanghai Paper Hunt Club, season 1926-27. Many of the pastimes, years ago in Shanghai, were similar to those of Europeans in Hong Kong.\n\nArnold Graham also spent much of his spare time with the Shanghai Volunteer Corps, over a period of 13 years, and there is a paper about the socio-military history of the Corps (14 pages). There are photographs of a military tattoo and another of a group of officers, mainly Europeans (one presumes of the Corps), taken in 1937. There is also a large, dark-blue epaulette, which appears to have been cut from a uniform, embroidered with a gold dragon.\n\nHaving had only one home leave in 13 years he managed to persuade his employer to grant him furlough during the Second World War, whereupon he joined the army in New Zealand. For the latter part",
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    {
        "id": 214496,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 354,
        "title": "RAS-1998",
        "content_text": "323\n\nTHE DRUNKEN DRAGON DANCE AND THE TAN GONG (TAM KUNG) FESTIVALS: NOTES ON THE RASKB VISIT TO MACAU, MAY 1997\n\nGEOFFREY ROPER\n\nThe eighth day of the fourth lunar month is an important date in the Chinese religious calendar. Principally it is Lord Buddha's birthday, and for that reason is soon to become a Hong Kong public holiday. In Macau, on a more local basis, it is also the date of the Drunken Dragon Dance Festival around the markets of central Macau and the Tan Gong (Tam Kung) Festival celebrations in Coloane Village, Coloane Island. It was with these two Festivals mainly in mind that a twenty-strong party from the Hong Kong Branch of the RAS, led by President Dan Waters, set off for Macau early on Wednesday, the 14th May (the date in the 1997 Western calendar).\n\na.m.,\n\nPreceded by Chinese opera performance the evening before, the initial Drunken Dragon Dance celebrations had already started by 8:30 by the time we arrived at the western end of the former Sao Domingos Market. The dragon heads and tails were being blessed by a Taoist priest outside the adjacent Guan Di (Kwan Tai) Temple and brought to life by the painting of eyes by invited VIPs. A golden flower with a red ribbon was tied around the head of each dancer - representing God's gift of energy for the dancing ahead.\n\nThe scale of the festivities was somewhat smaller than the previous year, with humbler staging for the sponsors from the Macau Fish Merchants Association and restrictions on the free distribution of rice and vegetables to the public at the first market. The reason was disruption caused by building work, but most importantly, the Dance itself remained unchanged.\n\nThe dragons, the dancers, and the dance itself are best seen in the illustrations (which were actually photographed by the author at the 1996 celebrations). Accompanied by a loud drumbeat, the group of about twenty male fish porters circled around and took turns in holding the wooden red and gold dragon heads and red and green tails. As",
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    },
    {
        "id": 214497,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 355,
        "title": "RAS-1998",
        "content_text": "324\n\nthey danced they conspicuously imbibed large quantities of beer and Chinese spirit wines and were showered with water. Although some of the drink was spat out, the dancers' actions became increasingly drunken, with some entering a short-lived trance-like state. After about thirty minutes the dancing concluded with the eating of lettuce, the presentation of _lassie_ and the lighting of a string of firecrackers. The group then set off by van for other markets and fish trading establishments, with the final dance of the morning outside the \"Red Market\" due to be the most drunken of all.\n\nFor much of our knowledge of the Dance Festival, in particular the history and legend, we are indebted to Mrs. Ana Brito, an anthropologist from the Macau Maritime Museum, who as part of her studies on the Festival had interviewed a number of the dancers the year before. Copies of her notes in English, generously supplied to us by Mrs. Brito, show that the Festival was brought to Macau some decades ago from Sek Kei District in nearby Zhongshan County. According to a version of the legend that gave rise to the Drunken Dragon Dance, a certain village had been plagued by a terrible epidemic. In despair the villagers held a procession in Buddha's honour. As the procession was winding its way through the village a dragon in the guise of an enormous serpent arose out of the river. The serpent was killed, hacked into pieces and thrown back into the river, which turned blood red. The villagers drank the water and were miraculously cured.(1)&(2)\n\nLeaving the Dragon to make its way through the Inner Harbour area we left for Coloane Village, where festivities were centred on the Tam Gong Temple on the waterfront. This was heavily decorated and had all the trappings and atmosphere of a well-attended Chinese festival. There were many worshippers, as well as beggars, and clouds of smoke from joss sticks and fireworks. We played our part with Dr Patrick Hase lighting the RAS HK string of firecrackers. Nearby a large matshed had been erected where stars from the Cantonese opera world were soon due to perform.\n\nTowards noon the Tam Gong Festival procession gathered in the Rua da Cordoaria, off the village square, and then made its way through the village to the Temple. This procession was a less spectacular affair than the Tam Gong processions held in Ah Kung Ngam Village, Shaukiwan, Hong Kong, but was equally attractive within its own",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    {
        "id": 214498,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 356,
        "title": "RAS-1998",
        "content_text": "325\n\nrural simplicity. Many of those in the procession were school children dressed in a variety of international costumes whilst the presence of ladies dressed in costume (see illustration) reminded us that Tan Gong is a Hakka god and that the Hakkas have both a rural as well as coastal background. (3)\n\nAfter a sumptuous Portuguese casserole lunch at the Cacarola Restaurant in the nearby Rue das Gaivotas we made our way to the Taipa House Museum. Here there was lovingly recreated the living style of Macanese civil servant families living on Taipa Island during the early 20th Century. A reminder of much quieter times before we jet-foiled our way back to busy Hong Kong.\n\nNOTES\n\n1. It is not uncommon in 19th Century and early 20th Century Guandong folklore for dragons appearing in the guise of serpents to perform epidemic curing miracles. Witness my account of the Tai Hang Fire Dragon Dance on p.307. Vol.30, 1990 JHKBRAS. (For my research on this subject I am indebted to the Rev. Eric Kvan).\n\n2. Stevens, Keith (1997), p.140 Chinese Gods, Collins and Brown, in his account of the story of Lung Mu, the Mother of the Dragon, gives another example of a Pearl River area dragon turning from a serpent to a dragon.\n\n3. SIU, Anthony K.K., Vol. 27 JHKBRAS tells of the origins of Tan Gong in Guandong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214499,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 357,
        "title": "RAS-1998",
        "content_text": "The Drunken Dragon Dance 1996 outside the Red Market.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214500,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 358,
        "title": "RAS-1998",
        "content_text": "The Drunken Dragon Dance 1996.\n\n327",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214523,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 381,
        "title": "RAS-1998",
        "content_text": "350\n\nShanghai, 1917\n\n1933\n\nHandbook for China, Carl Crow, pub. Kelly & Walsh, Shanghai,\n\nThe Philatelic and Postal History of Hong Kong and the Treaty Ports, FW Webb, pub. Royal Philatelic Society, London, 1961\n\nStrangers at the Gate, Frederic Wakeman Jr, pub. University of California Press, Berkeley Cal., 1966\n\nChina's Struggle for Naval Development, 1839-1895, John L Rawlinson, pub. Harvard University Press, Cambridge Mass., 1967\n\n\"The Invasion of China by the Western World”, ER Hughes, pub. Adam & Charles Black, London, 1968\n\nThe British in the Far East, George Woodcock, pub. Atheneum, New York, 1969\n\nTrade and Diplomacy on the China Coast, John King Fairbank, pub. Stanford University Press, Stanford Cal., 1969\n\nWestern Enterprise in Late Ch'ing China, Edward LeFevour, pub. Harvard University Press, Cambridge Mass., 1970\n\nImperialism and Chinese Nationalism - Germany in Shantung, John E Schrecker, pub. Harvard University Press, Cambridge Mass., 1971\n\nNagel's Encyclopedia Guide to China, pub. Nagel, Geneva, 1980\n\nBritish Mandarins and Chinese Reformers, Pamela Atwell, pub. Oxford University Press, Hong Kong, 1985\n\nLion and Dragon in Northern China, Reginald F Johnston, pub. Oxford University Press, Hong Kong, 1986",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214609,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 24,
        "title": "RAS-1999",
        "content_text": "d) February 2000: A lively Chinese lunch at the suitably named Golden Dragon Restaurant in Gerrard Street, London, attended by 45 persons.\n\nFor the arrangement of these activities we again have to thank Rosemary Lee, Anita Wilson, Kirsty Norman, and Keith Stevens, all of whom really make this Friends Society bond and move forward. We are now looking at the future and we will have the pleasure of welcoming Prof. Hugh Baker, Professor of Chinese at SOAS to lecture on 27th May, at which time we will also have our annual general meeting. Unfortunately the proposed trip to visit World War I cemeteries and battlefields in Northern France and Flanders to examine Chinese graves has again had to be postponed due to the incompetence of the travel agent. However the Oxford weekend is still in the planning stages and it is hoped to visit Brian McElney's collection of oriental porcelain and artefacts in Bath.\n\nI close this report by sending you on behalf of the Friends in the UK all our best wishes for a successful annual general meeting and for the years ahead. It is very encouraging to read the newsletter and to see that the membership is at a high level; there is an enviable lecture and activity programme, and a steady stream of publications; for all of this we congratulate you.\n\nD.A.Gilkes, Chairman\n\nMarch 2000\n\nXXIII",
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    },
    {
        "id": 214672,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1999",
        "page_number": 87,
        "title": "RAS-1999",
        "content_text": "51\n\nLife was not, however, all hard work, sickness, and brawls. The farming year was full of slack periods when there was time for entertainment and pleasure. The ritual year gave the villagers a framework for their leisure activities: each major festival was marked with a feast - even the poorest of families would have fat pork and rich eels on feast days. Nga Tsin Wai was, according to the Sha Tin village elders, famous for making \"Cha Kwo\", the traditional sticky village cakes, and these would usually be in evidence at festivals. The New Year, Tin Hau's Birthday, and the Winter Solstice Festival were the main festivals celebrated in Nga Tsin Wai, together with the Spring (Ching Ming) and Autumn (Chun Yeung) Grave Festivals, where fat pork would be distributed by the Ancestral Trusts to those who attended the worship at the graves.\n\nDuring the summer, and particularly at the Dragon Boat Festival, the village had the habit of inviting strolling singers to come and stay in the village for a few days or a week, to sing through their repertoire of \"Dragon Boat Songs\". These were long sung novels, and the villagers would sit outside the village gate in the evening listening to the singer for hours.\n\nThe villagers of Nga Tsin Wai were famous for singing themselves (the Tai Wai villagers in Sha Tin were jealous of the Nga Tsin Wai skills). The villagers sang Shan Ko, “Mountain Songs\". These were sung man to woman, verse by verse, and often included innuendo and suggestive comment: they were often called \"Teasing Songs\" as a result. Nga Tsin Wai villagers would often hold impromptu contests with youngsters from Tai Wai when they met at the pass which separated the lands of the two villages (the villagers say that is why the songs are called \"Mountain Songs\"). The Sha Tin elders also remember that more formal contests were also held - an annual one at Ma Tau Wai drew contestants from all of East Kowloon and Sha Tin: it was held at the Mid Autumn Festival. Contestants would be drawn, man and woman, and they would sing to each other; the one that ran out of things to say being declared the loser. The audience was mostly youngsters, and a few interested elders - they would sit around the contest area on the ground, vocal in their comments. The village elders say these contests could last for a couple of weeks if enough contestants appeared. The last contest was held just after the War. This was a Punti practice. The elders of the Hakka village of Ngau Chi Wan rather...",
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    {
        "id": 214719,
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        "document_key": "RAS-1999",
        "page_number": 134,
        "title": "RAS-1999",
        "content_text": "98\n\n'dragon' resides is to be the site of civil engineering work. As a perceived result a number of people in a village die.\n\nThe main tun fu ceremony, which this paper examines, was performed in a basically Hakka district. It was claimed to have been (including a number of related, smaller ceremonies), the largest tun fu ceremony ever held in Hong Kong. Comparisons in this paper are made with another Hakka ceremony and also with Cantonese ceremonies. The latter tend to be more rigorous. For instance, in some cases villagers are not allowed to leave their village or to eat meat for a fixed number of days. Although not for the squeamish, blood is sometimes obtained from a cockerel to anoint tun fu pots and talismans. It can be seen that, while there are similarities in basic principles, there can be not inconsiderable differences in the way they are performed, some of which depend on the personal practices of the person or persons conducting the ceremony.\n\nLike most rituals, such as living generations of a clan kowtowing to the soul tablets of their ancestors in an ancestral hall, tun fu is performed by men. For example by Taoist priests accompanied by village elders. Again, those who line up to pay their respects at tun fu ceremonies are males (see Plate 4 and 5). Women who were interviewed in this study seemed to accept this. Priests and feng shui masters were deemed to perform the ceremony on the collective behalf of villagers of all ages, including men as well as women.\n\nMost villagers, male or female, nevertheless, seem to take tun fu seriously. The British pledged, when Hong Kong became a crown colony, that local customs, including popular religion, would be allowed to continue, unlike on the Chinese Mainland where several attempts, at different times, have been made to stamp them out.\n\nIn Hong Kong, sizeable sums of money have been paid by the Government to finance the holding of tun fu ceremonies. These can be both expensive and time consuming. Such compensation has often 'bought' co-operation from villagers. In spite of what some past District Officers say, about it being 90 per cent money and 10 per cent belief in feng shui, the latter's disturbance can be viewed with considerable alarm. Affected villagers often go to great lengths to make amends and to ‘adjust' their lives accordingly. While a great deal appears to be",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 214792,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 207,
        "title": "RAS-1999",
        "content_text": "172\n\nSaub us uj, listen carefully to what the Master has to say, the Master carries a crossbow on his back and a cock under his arm to accompany you, and now leads you into a deep dark forest, with great crickets wailing, take no notice of them, have no fear, for this is the sound of your own daughters and sons weeping and lamenting, you make your own way and go ahead, go ahead and play\n\nSaub us uj, listen carefully to what I am telling you now, the Master has led you past the leaping mountain crags of Dragon and Tiger, I now take you to your very own country to find the hillside of your grave, that is your country and there is your land, putting aside the breath of life, go off and play\n\nThe Master who leads you to find your country and your land, will lead you to return home again along the flowery path of revival, in the central hall, you will hear the sound of the reed pipes like great crickets wailing, and the sound of the drum like the mighty thunder roaring, but have not fear, these are the ways and the paths of your ancient Mother and Father...\n\nIn tales and legends of the past, the Hmong who have traditionally been shifting cultivators, speak of a vanished kingdom from which they were ousted by the all-powerful, dominant Han Chinese (Tapp 1989). Their dislocation as shifting cultivators and denizens of South East Asia is thus constantly referred to a 'lost point of origin' which is at the same time, most definitely, a physically located place, assumed by many Hmong to be located somewhere in their ancestral homelands in the mountains of southern China.\n\nDuring the many deaths, losses and separations of the political conflicts the Hmong were involved in during the Indo-China Wars from 1954 to 1975, these legendary and nostalgic recollections of the past took on an added personal poignancy, as parents were separated from children, husbands from wives and brothers from sisters, during the fighting and then through the refugee diaspora which followed 1975. This is truly what Robin Cohen (1997) calls a ‘victim diaspora', showing clearly the intrinsic relation between the formation of modern nation-states and the existence of displaced populations (Vertovec and Cohen 1999; Agamben 1998).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 214827,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 242,
        "title": "RAS-1999",
        "content_text": "208\n\nfor an excellent, first-hand account.\n\nRev. B.C. Henry, The Cross and the Dragon or Light in the Broad East (New York, Anson D.F. Randolph and Company, 1885), p.85.\n\n21 Ibid, p.106.\n\n22 See Chapter VII, \"Rites for the Dead\", in Holmes Welch, The Practice of Chinese Buddhism 1900-1950 (Cambridge, Harvard University Press, 1967), pp. 179-205.\n\n23 By all accounts, too, the Buddhist and Taoist specialists offering services to the mass of the people were almost identical and interchangeable. One or other were also to be found in local temples, regardless of the supposed origin of the gods in them. I recall the Buddhist monk with an ordination certificate from the famous Ting Wu monastery in Kuangtung who was temple keeper at the Tin Hau temple in Shaukiwan in the 1960s. Also the mentions of the Buddhist priests in charge of the Tung Shan (Kuan Yin) Temple at East Kowloon and the Kam Fa Temple at Tsing Lung Tau, Tsuen Wan in the early years of this century.\n\n24 Moulem, p.212.\n\n25 See Campbell N. Moody, The Heathen Heart, An Account of the Reception of the Gospel among the Chinese of Formosa (Edinburgh and London, Oliphant, Anderson and Ferrier, 1908).\n\n26 Ibid, pp.102-3, 107.\n\n27 Cited with similar quotations in (translated by Janet Lloyd) Jacques Gernet, China and the Christian Impact, A Conflict of Cultures (Cambridge, Cambridge University Press, paperback edition, 1985), pp.82-83.\n\n28 Rev. Hampden C. DuBose, The Dragon, Image, and Demon: Or The Three Religions of China ... (New York, A.C. Armstrong & Son, 1887).\n\n29 One small squatter temple off the route connecting Tsuen Wan with Shek Kong (Route TWSK) is a case in point. The Sin Ha Tong was built about or before 1970, according to the person in charge. The temple is a wooden hut, with a goldfish pond in front, with some open space. Whilst the gods worshipped here include “old faithfuls\" such as Tin Hau, Lui Cho, and Pao Kung, it is intriguing",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 214856,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 271,
        "title": "RAS-1999",
        "content_text": "239\n\nTwo important things happened in October 1971: firstly, men were no longer allowed to take concubines and, secondly, every person had to have at least one full day off work a week. Up until then people in small Chinese firms frequently laboured seven days a week with a few days off at Lunar New Year and odd days off at major Chinese festivals - like Dragon Boat and Mid Autumn Festival.\n\nPeople\n\nEnough about statistics: what about RAS members who made things happen?\n\nI will always remember Dr J R Jones CBE, MC, MA, LL.D, JP, who served as our President from the time our Branch was reconstituted until 1970. I first met J R in early 1955 at a Dante Alighieri (the Italian Society) meeting. Then I learned he had a penchant for things antiquarian as well as languages — although he spoke little Chinese. There are a few short pieces written by him in early RAS Journals.\n\nI remember him in a pinstripe, blue suit and, although fairly tall, he could be described as dapper, polished and a ladies' man. He was gentlemanly, personable and, as such, made a splendid RAS ‘front man.' Much of the work behind the scenes, such as setting up the reconstituted Branch in 1960, was in fact done by Dr Marjorie Topley and Jack Cranmer-Byng, Honorary Editor. Marjorie Topley became our President in 1972.\n\nDr Jones had led an interesting life including serving King, Country and Empire in two world wars, as well as helping to organise the Ukrainian Army soon after the end of World War One. He also went on archaeological expeditions to Italy and Africa. As a lawyer he practised at the High Court in London and later in Shanghai. In Hong Kong he was legal advisor to The Bank, as he always referred to the Hong Kong and Shanghai Bank.\n\nIn fact he advised 'the Bank' to buy a number of paintings by George Chinnery (1774 to 1852). The latter is often said to have been the most accomplished western artist to have worked in the East in the 19th century. These paintings, which the Bank purchased, were a splendid investment. In addition, JR sat on a number of government",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 214883,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 298,
        "title": "RAS-1999",
        "content_text": "269\n\nFURTHER TALES OF THE MAN THE EMPEROR DECAPITATED\n\nP.H. HASE\n\nIn Vols 28, 29, and 34 of the Journal a series of folk-tales relating to Ho Chan, the Warlord of Canton in the late Yuan, and Earl of Tung Kuan under the first Ming Emperor were printed1. Recently a further version of one of the folk-tales has been seen, in the booklet issued by the Kau Sai Hung Shing Temple Restoration Committee to commemorate the re-opening of the Temple (March, 2000), and a translation of this version is given below. It will be seen that this is a version of the same story relayed by Tsim Fo-sang (Journal, Vol. 29), although it differs in a number of details: certain important details are also clearly related to parts of the story collected by Wong Wing-ho (Journal, Vol. 34). It seems likely that this story is essentially a boat-people's story from Kau Sai. Tsim Fo-sang in the years just before the coming of the Japanese used to carry fire-wood from his home village in Sha Tin across the mountains to sell to the boat-people in Sai Kung. It is likely that his version of the story was the one he heard in the late 1930s from his boat-people customers, the version given below is as the story is remembered today in Kau Sai2.\n\n“Talking about Tiu Chung Crag (吊鐘巖), the Sai Kung fisher-people have a strange folk-tale which has been handed down among them.\n\nIn the Tiu Chung Crag there is a cave. It has been handed down that when the first ray of dawn enters the cave, the cave discloses what seems to be a Golden Bell hanging in the air: the island is believed to take its name (Tiu Chung Chau, 吊鐘洲, “Hanging Bell Island\") from this.\n\nIt is said that, at the end of the Sung, there was an official called Ho, who loved walking in the mountains and admiring the sea views. He came to Tiu Chung Chau. He considered the scenery there to be very fine. There was an old banyan tree growing in the centre of the island then, with roots wriggling in every direction like a young dragon. In particular, there were two roots, as thick as a thumb, which pierced through the top of the Tiu Chung Crag.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 214884,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 299,
        "title": "RAS-1999",
        "content_text": "270\n\nJust like two silk strings, they hung down into the cave, and it appeared as if the Golden Bell was hanging from them. Now this official was a Fung Shui master, and he realised that this was a marvellous Fung Shui site - \"The Golden Bell Hanging from Silk Strings\",\n\nIf he could bury a relative there, his family would become immensely important. So when a certain family member died, he was taken there for burial. Within less than three years, the official was promoted to a position of great wealth, as if he had soared up on the back of a golden dragon!\n\nNow this man always acted despotically and arbitrarily to make life more comfortable for himself. He ordered the fisher-people that every year they were to draw up their boats at the Spring and Autumn Sacrifices, so that they formed a bridge over the sea, boat next to boat, so it would be easier for him to worship his ancestors, and to show off his high position. Each time, the fisher-people had to waste seven or eight days, thus affecting their livelihood. By thus making fools of the people, they started to seethe with anger. A certain Fung Shui master came to learn of all this, and everything this worthless dog-official was doing. He came by night to tell the fisher-people how to destroy his Fung Shui: all they had to do was to cut off the two roots which pierced the summit of the crag.\n\nShortly afterwards, the Autumn Sacrifices came round. After the rituals were completed, the fisher-people decided to act on the Fung Shui master's advice, and to cut off the roots, and thus secure their aim of a peaceful life. But the next year, at the Spring Sacrifices, it was found that the roots had grown back just as they had been before. The fisher-people were deeply dejected. They could see no hope of a peaceful future. They decided to return to the Fung Shui master to see if he could come up with some clever plan. At first the master was nonplussed, but eventually, after he had given the matter considerable thought, he suddenly realised that this \"Golden Bell Hanging from Silk Strings\" Fung Shui site drew to itself the spiritual forces of Heaven and Earth, so that the essence of the Sun and the Moon impregnated the site, and thus made it very strong. The vegetation and the trees there were thus exceptionally full of vigour and vitality. Not to speak of cutting the roots off once - even if they were cut millions of times they",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 214887,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 302,
        "title": "RAS-1999",
        "content_text": "ONE OF HONG KONG'S MANY HILLSIDE TEMPLES:\n\n\"THE TEMPLE OVERLOOKING THE SEA'\n\nDAN WATERS\n\n275\n\nThere are a number of hillside temples, both on Hong Kong Island and in Kowloon. But very little appears to have been written about them or about the communities that worship in them and frequent their environs.\n\nThis short paper looks at a small, ramshackle temple complex, including 'The Temple Overlooking the Sea', which used to cling to the hillside. Painted somewhat garishly bright red, green and yellow, it stood downhill, on the western side of where the remains of the old British Pinewood Battery are still situated. The latter, at 307 metres above sea level, was the highest of all Hong Kong's coastal defence batteries. To get to the temple you went up the winding, partly asphalted and partly concreted, Hatton Road, which starts at the western end of Conduit Road, where it joins Po Shan and Kotewall Roads. Hatton Road is steep and leads up to the Gap between Victoria Peak and the still, relatively unspoiled, High West.\n\nAbout half way up Hatton Road, on the way to the Peak, there is a branch off to the right, and, a further 35 metres or so along with a pavilion atop Dragon and Tiger Hill on your right, you turn left on to a concrete-paved jeep track. Proceeding downhill for approximately 300 metres you can still see the hillside scars and sorry remains of the old Temple complex. They are situated along what is sometimes called Cheung Po-tsai's Path, named after Hong Kong's most notorious pirate who was especially active in the first decade of the 19th century. Whether he actually used the path is debatable. It circles the western end of Hong Kong Island above Mid-Levels.\n\nNotices were posted up in the summer of 1999, in the area around the 'Temple Overlooking the Sea', saying that the complex was to be demolished. It was an illegal structure. The old Chinese folk who were very attached to the Temple were naturally upset and, although there were no strong protests, a few of them did attend meetings organised by government departments. Although the Temple folk sometimes",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 214895,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 310,
        "title": "RAS-1999",
        "content_text": "284\n\nOur guide, Cong, took us to visit the Citadel and explained that it was planned and constructed on traditional principles of intermingling Occidental and Oriental architecture as a result of the appropriate use of local geographical features. The Citadel of Hue was once a masterpiece of the Vietnamese people. The Imperial City, the second wall, is dotted with offices where the monarch and high-ranking mandarins came daily to work. The Forbidden Purple City, the third wall, was the private quarters of the Emperor and his family, which included hundreds of palace maidservants and dozens of eunuchs. It was fascinating to see that the walls and Royal Palaces of Hue were built on the principles of Chinese geomancy. The whole complex faces southeast, taking the Royal Screen Mount as a natural screen. Two islets in the Perfume River play the roles of \"left dragon\" and \"right dragon\", thus guarding the city. In general, the monuments of Hue are made chiefly of ironwood and other Vietnamese traditional materials. They are constructed, however, on a specific \"module\" and largely to suit the climate and environment of the region.\n\nAfter the Citadel, we visited the Tu Duc Tomb built between 1864 and 1867. Emperor Tu Duc was crowned King during this period of Vietnam's history when capitalism was developing in the West. He was an expert in philosophy, oriental history, as well as literature, yet he failed to rule the country successfully. Having no son to succeed him aggravated the situation. To seclude himself, he ordered the construction of his tomb as a fairyland with poetical features, making it a lifetime recreation ground and a special world for his eternal life after death. With several palaces and a specific man-made landscape, the tomb itself is a second ‘Imperial City', an ideal and heavenly world.\n\nThat night we had an imperial banquet where we were all required to dress up as mandarins and someone needed to be King and Queen. There was no one better than Dr. Dan Waters, RAS President, to be the Emperor, and Pru, an RAS member, took the part of the Empress. With their costumes and majestic headwear, it was strange to see Dan and Pru looking so noble. We were all perspiring, and Dan and Pru were being fanned by waitresses, turned court servants, during the whole meal. The weather was so hot that once we had taken our group picture in which we were wearing costumes, the first thing we did was to get rid of the heavy mandarin dresses before we ate. But Dan and Pru took it so seriously that they wore their imperial gowns till the end.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 215002,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 98,
        "title": "RAS-2000",
        "content_text": "54\n\nwas also awarded to some members, whether serving with or attached to the CLC.\n\nSome Items of Interest\n\nWhilst carrying out research in the Imperial War Museum in London, I came across an undated letter, written in literary Chinese by Zhong Yangchang on YMCA headed paper, giving the address as ‘On Active Service with the British Expeditionary Force' and addressed to his wife c/o Bureau of Recruitment of Chinese Labour, the British Administration, Weihai Wei. It appears that the letter was also addressed to the Hong Kong University. The writer, a well-educated man, was not necessarily the husband of Zhilan and could quite possibly have been one of the Chinese administration staff. The translation is as follows:\n\nTo my\n\nwife, Zhilan\n\nI had intended to write to you earlier; however, it is only now that I have found a gap in my daily routine to do so. We are still at the same base camp. On the 13th it was Duanyang Festival [the Dragon Boat Festival] and we had the day off. The [Chinese] workers were made-up and put on the Yangke dance (a northern Chinese country peasants' dance) along the street. It was a very good show, but the foreigners seemed somewhat bemused by the event.\n\nSome British Army [officers] came along and they brought with them some other [Chinese labourers], from the Hong clan from the west of Tai [the area around Tai Shan].\n\nI will stop writing now, my spirit will follow the letter to you\n\nMy greetings and best wishes\n\nYour clumsy husband Zhong Yangchong.\n\nThere is a letter, also written in a similar vein on YMCA paper, but this time in English, [with the Wade-Giles left as in the original]. The envelope on display is addressed to Mrs Sung, Normal School,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215003,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 99,
        "title": "RAS-2000",
        "content_text": "Peking, China and the contents reads as follows:\n\n24-6-18\n\nMy Dear Wife\n\nI intended to write to you but as you know I am very busy all the time and this year I have been more full of work than ever.\n\nOur Company is still here. All the boys are really happy so that they like to work hard every day.\n\nNow I am going to tell you all about the Chinese Dragon Festival in old custom here [June 13th 1918]. On that day we had no work to do, the boys played a very funny game which I never saw in Hankow before.\n\nSome twenty young boys pretended themselves with northern dress as actors, then walked out and played from company to company all day.\n\nThousands of foreigners were invited to come with great pleasure and the British general has paid a visit to the Dancing at which he was very pleased and thanked them for their play, but it was to me as nothing.\n\nI am very well now and then doing duty as hard as possible so please do not feel sorry for me.\n\nwith great love\n\nYours\n\nC.W.Sung\n\nBoth of these letters and envelopes are on display in the basement of the Imperial War Museum in London in the exhibition of the First World War.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215071,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 167,
        "title": "RAS-2000",
        "content_text": "124\n\nHong, was a special deity said to save people from the 'fifteen bad deaths.' Images of both Yin Hong and Yin Jiao flanked that of the Jade Emperor on the latter's altar. The brothers were portrayed, rather surprisingly, sitting naked and with claws, beaks and wings. Grootaers writing about the Kalgan district of northern China, said that Yin Jiao was never seen on altars except as an attendant of the Jade Emperor.\n\nIn a small folk religion temple at the roadside in Kuala Selangor an image of Taisui has a tiger sitting beside him and when asked the reason for this the temple custodian explained that Taisui keeps a tight control over the tiger who would otherwise eat people's luck. A similar image, holding a bell in his right hand and with a pair of tigers, stands on the Taisui altar in a temple in Cholon [Saigon].\n\nIn Ningbo in the 1890s the Gods of Time, of the year, months, days and hours were, according to one missionary, all represented with long black moustaches, and with the central one seated beneath a triple scarlet umbrella richly embroidered in gold representing the highest emblem of authority.\n\nSixty images [presumably Taisui, though the observer did not actually spell it out] ranged down the side walls of the Temple of the Three Emperors in the Native City in Shanghai in 1906, with twenty-six on one side and thirty-four on the other. Paper 'shoes' representing silver sycee [money] were burnt as offerings.\n\nOther images of Taisui have been referred to in all parts of China by western travellers in groups of sixty. One traveller, Grainger, noted all sixty in one temple in Chengdu, the capital of Sichuan province in 1921, were worshipped for rain and called 'The Spirits of the Rain Dragon of the Year' [Dangnian Xingyu Longshen].\n\nThe Legend of Taisui\n\n19\n\n18\n\nThe story of Yin Jiao begins with him being born a lump of formless flesh which so horrified his father, King Zhou E, that he ordered it to be abandoned outside the city walls. The lump was recognised as an immortal, the caul split open and the child removed. Cared for by a hermit he was brought up and nursed by one of the Eight Immortals, He Xiangu. When he came of age he was told about his birth and about",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215075,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 171,
        "title": "RAS-2000",
        "content_text": "128\n\nChinese lives have long been regulated by two separate calendars, the lunar and the solar. To agrarian peasants the accuracy of the combined calendars is of vital importance having long had a religious as well as a practical function. Chinese geomancers use their skills of prediction melding the religious and practical so that time and what in the west would be regarded as astrology are intermingled. Lunar calendars cannot predict the seasons any more than the solar calendar can predict the full and new moons.\n\nAll Chinese religious festivals follow the lunar calendar which changes from year to year, complicated by whether a particular lunar month has twenty-nine or thirty days. Festivals play a major rôle in people's lives breaking up the monotony of life. There were, and still are, three major annual festivals: San Jie, known colloquially as guo jie literally as 'passing the joint', consisting of guo nian, the festival of seeing the old year out and the new year in; guo duanwu, the Dragon Boat Festival on the Double Fifth; and guo zhongqiu, the Autumn Festival, on the 15th day of the eighth lunar month. The great majority of festivals in China have been and still are determined by the waxing and waning of the moon.\n\nUntil 1911 an annual Imperial Lunar or ‘Dynastic' Calendar, known as the Yellow Calendar, the determination of which was a royal prerogative, was precisely calculated following meticulous observations by Chinese astronomers in order that imperial ritual sacrifices could be carried out and confirmation obtained for political action. This legitimised the emperor's power to rule and his claim to the Mandate of Heaven. The one stationary star of the Heavens was the Pole Star around which all other stars seem to circulate. The Pole Star was recognised as the linchpin of the heavens. Chinese emperors were cosmic figures, the equivalent on Earth of the Pole Star, with their every move regulated in conjunction with astrology. The calendar divided the year into twelve months; the new moon fell predictably on the first of each lunar month and the full moon on the fifteenth. A similar popular Calendar, known as the Farmers' Almanac, costing coppers, was and still is widely circulated amongst the masses. This enabled, and still enables, the population, mainly the peasants and petty merchants, to be informed when specific actions or functions can be performed as well as taboos warning them against carrying out daily activities which would be counter to the feng shui, such as on a certain",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
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        "rank": 0
    },
    {
        "id": 215076,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 172,
        "title": "RAS-2000",
        "content_text": "129\n\nday no one should take a bath or bury the dead. However, on another it might be an auspicious day for a head shave but a bad day for starting the construction of a house. It was referred to by Couling in his Encyclopaedia Sinica as the Calendar of Superstitions. It does not take much imagination to realize that such a calendar has to be accurate as every movement of the stars influences human destiny, from birth to death, through marriage, travel and business and any error in calculating the calendar would make the whole meaningless.\n\nSince remote antiquity Chinese have recorded each individual year by pairs of characters. These are a combination taken from two sets, one of twelve characters and the other of ten, producing a cycle of sixty pairs, with the individual pairs identifying the year of an event or the age of a person. The sixty-year cycles consist of sixty possible combinations of individual characters, one from the ten stems [tiangan] and the other from the twelve branches [dizhi]; beginning with the first of the branches, Jia, and the first of the stems, Zi, together forming a combination for the first year of the sixty, Jia Zi. Each successive year has another pair designating it for the whole sexagenary cycle when the combination begins again. The \"branches\" were originally used to designate successive days; however, since the Han they have been used in combinations for successive years. A second separate system used reign periods to mark events.\n\nAlso within that sixty year repetitive cycle each individual year, with the five sequences of twelve years, was known, not only by the combination of stem and branch but also, for simplicity, by the animal of the year. Thus, the year 2000 is the Gengchen year as well as being the year of the Dragon. 1988 was and 2012 will also be the year of the Dragon but neither will be Gengchen years as this only comes round once every sixty years. For example, the Gengchen year 1940 was sixty years earlier than the Gengchen year 2000 with the next Gengchen year being 2060. Sixty years of age, a full cycle, used to be regarded as a good old age, and any years of life thereafter were regarded as a blessing and a bonus.\n\nShould the average Chinese be asked about a specific happening in the past he would reply that it happened 'several moons [months] ago,' or 'several years ago,' and often when discussing historical happenings the response would be a round figure of a thousand or two",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
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        "rank": 0
    },
    {
        "id": 215077,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 173,
        "title": "RAS-2000",
        "content_text": "130\n\nthousand or more years ago even if it had taken place either comparatively recently or a millennium ago. Again, various broad-brush replies to such questions might be 'during the Ming, Song or Tang' meaning simply a long, long time ago and again usually without any factual basis for such an assertion.\n\nThis highlights one of the problems which beset Chinese who tried to count the years between two events spaced many decades apart was that they did not have a continuous calendar as we do in the West. This created the problem of calculating intervals between two dated events when each of those dates involved a specific year in the reign of an emperor's reign. To do this one had to know in correct sequence not only each dynasty but also each emperor within each dynasty, and for how long the reigns lasted. Thus it was that the man-in-the-street might perhaps know which dynasty succeeded which but to expect them to know the length of each and to calculate the elapsed time, was more than one could possibly expect. Therefore to them events were regarded as 'a long time ago,' 'before the Ming,' or 'over a thousand years ago' when in practice the elapsed time might be no more than two to three hundred years.\n\nBefore the 1911 and the overthrow of the last imperial dynasty, the four annual markers considered most important were the spring and autumn equinoxes and the summer and winter solstices. The twelve months of the year were divided into twenty-four solar periods, each of which corresponded to the day on which the sun enters the first and fifteenth degree of the zodiacal sign. The 24 fifteen-day solar periods [known as jie - 'joints'] are referred to by meteorological terms, such as the Great Rain, Slight Snow, Great Heat and Lesser Heat, and the Excited Insects, the latter being the day best known by foreigners for its fanciful name. This last solar period is from March 5th to March 20th and, so children are told, if on the 5th of March you put your ear to the ground you can hear the insects stirring, even ‘marching,' after their winter hibernation. A number of the tall temple entrance doors in Taiwan bear paintings of the deities ruling each of the 24 solar periods, with each portrayed standing on clouds and with commonly accepted characteristics. These include, for example, the Dragon King for the Great Rain and the Tall White Demon for Qing Ming. These periods were the 24 seasonal energies providing a meteorological cycle of great value for the regulation of certain chronological dates, or periods in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
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        "rank": 0
    },
    {
        "id": 215078,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 174,
        "title": "RAS-2000",
        "content_text": "131\n\nconnection with Chinese history when comparing the same with the Western system. There was also a slight derangement of time over the year, by one day only, with the intercalary moon being so arranged as to have only one solar period in it.\n\nAlthough the months were divided into two fifteen-day periods, markers for rituals, these periods had no particular relevance to the lives of the common man. What did have marked relevance for the majority of the population was the artificial division of the month into three ten-day periods, used mainly to mark rest days. However, as the seven-day week of the Judeo-Christians does not follow the natural laws by which events and phenomena operate, it was an alien concept to the majority of Chinese until 1911 when the western Gregorian calendar was introduced by the Republic.\n\nThe day was divided into twelve equal hours, each of 120 minutes - though the concept of such minuscule divisions as minutes within an hour used to be beyond the comprehension of the great majority of Chinese. Short periods of time used to be described as the length of time it took for a standard incense stick to burn down.22\n\nThese twelve Chinese hours were referred to using the twelve 'branches' or horary characters. These not only provided names for each of the twelve hours of the complete day but also, in combination with the ten celestial 'stems,' they gave titles for the years.\n\nMonths were referred to by twelve [or thirteen in intercalary years23] ordinary and literary names completely unconnected with the stems and branches.\n\nThe twelve hour day began with 11p.m. to 1 a.m., the hour of the rat and known by the first of the 'twelve branches' Zi; the second hour, 1 a.m. to 3 a.m. was the hour of the ox and known by the second 'branch', Chou. The remainder of the twelve branches' were Yin, the hour of the tiger; Mao, the hour of the hare; Chen, the hour of the dragon; Si, the hour of the snake; Wu, the hour of the horse; Wei, the hour of the sheep; Shen, the hour of the monkey; You, the hour of the cock; Xu, the hour of the dog; and finally, Hai, the hour of the pig.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215079,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 175,
        "title": "RAS-2000",
        "content_text": "132\n\nThe cycle of years consists of sixty possible combinations of pairs of characters, a system used since remote antiquity. A second system used reign periods similar to that used in England until fairly recent times. In the sixty-year cycle, the Chinese have used individual characters, the ten stems [tiangan] and the twelve branches (dizhi), paired to provide sixty combinations; thus, the first of the stems, Jia, and the first of the branches, Zi, together form a combination for the first year of the sixty, Jia Zi, and each successive year has another pair designating it for the whole sexagenary cycle when the combination begins again.24 The 'branches' were originally used to designate successive days; however, since the Han, they have been used in combinations for successive years.\n\nAlso within that sixty-year repetitive cycle, each individual year, with the five sequences of twelve years, was known, not only by the combination of stem and branch but also, for simplicity, by the animal of the year. Thus, the year 2000 is the Gengchen year as well as being the year of the Dragon. 1988 was and 2012 will also be the year of the Dragon, but neither will be Gengchen years, as this only comes round once every sixty years. For example, the year 2000 was Gengchen, as was sixty years earlier in 1940 and will be again in 2060.\n\nThe Chinese years are also referred to cyclically by one of the twelve named animals. Thus, we have the years of the Rat, Ox, Tiger, Hare, etc., the change taking effect from the Lunar New Year, which can fall any time between late January and the middle of February on the Gregorian calendar.\n\nAlthough the months were divided into two fifteen-day periods, markers for rituals, these periods had no particular relevance to the lives of the common man. What did have marked relevance for the majority of the population was the artificial division of the month into three ten-day periods, used mainly to mark rest days. However, as the seven-day week of the Judeo-Christians does not follow the natural laws by which events and phenomena operate, so it was an alien concept to the majority of Chinese until 1911, when the western Gregorian calendar was introduced by the Republic.\n\nChinese used sun dials and water clocks from an early date, the latter dependent upon a constant and steady flow through control",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215081,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 177,
        "title": "RAS-2000",
        "content_text": "134\n\nQuadrants of the 28 Heavenly Constellations, the image of Chen Wu [Xuan Wu], as Lord of the North, was usually to be seen on altars, usually in Daoist monastery or temple entrance halls, together with the Azure Dragon [Qing Long] of the East, the Vermilion Bird [Zhu Qiao] of the South and the White Tiger [Bai Hu] of the West, where they were the guardians.\n\nAlthough Tai Sui is the Minister of Time, another major deity, Fu Xi, has been credited not only with the establishment of kingly rule, of marriage laws, but also the computation of time by inventing a form of calendar using a knotted cord. The Eight Trigrams [bagua] are attributed to him as well as the development of a system of fortune telling using these trigrams which has governed the lives of a great many Chinese ever since.\n\nYang Ren\n\nThere is ambiguity over the rôles of the two deities, Yin Jiao and Yang Ren. In the very early days, before the emergence of the concept of the stems, the twelve branches were represented by images of the deities of the year with all twelve portrayed on altars in temples, especially in northern China where they were regarded as an entity commanded by Yang Ren. Later, when the Sixty Spirits of Taisui, that is the sixty cyclic deities, replaced the Twelve, they too were commanded by Yang Ren - or by Yin Jiao depending on local legend. According to the Fengshen Yanyi Yang Ren is the Jiazi Taisui [the first of the sixty combinations] and is known as Jiazi Taisui Zhengshen.\n\nXIE. [see photograph 4: with small hands emerging from the eye sockets] whilst Yin Jiao, as we have seen above, was identified in the same historical novel as the President of the Ministry of Time. Though we have accepted Yin Jiao as the President of the Ministry and Yang Ren being the identity of the primary Taisui, the picture is far from conclusive.\n\nThe Ten Stems and Twelve Branches have been represented in human form in a number of temples but, as far as can be ascertained, none has been connected with the Lord of Time, Taisui. One of two side walls of the main hall of a temple near Pingyang in Shanxi province representing the Lord of the Northern Dipper, Zhen Wu, contains 13th century frescoes depicting ten figures. These represent five of the Ten",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215091,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 187,
        "title": "RAS-2000",
        "content_text": "3\n\n144\n\nDoré, Le P. Henri : Recherches sur les Superstitions en Chine : Hème Partie : Tome X: Shanghai: 1915: pp 831-832\n\n* See below under Yang Ren for an alternative to Yin Jiao as Commander of the Twelve Branches.\n\n5 No Cantonese devotee appears to have heard of Yin Jiao whereas Fukienese and Chinese of the Yangzi basin knew him as Marshal Yin rather than as Taisui.\n\n6 \"Werner E. T. C. in his Dictionary of Chinese Mythology: Kelly and Walsh: Shanghai: 1932 claimed that the Ministry consisted not of 60 but of 120 spirits as he included the deities controlling the months and days\n\n7 The cycle of sixty years was the basis for the Chinese lunar calendar with its twelve branches and ten stems. The sixtieth year of a man's life signified a turning point, this being the normal life span of a human being, and anyone who is fortunate enough to be older than sixty begins the round again. Other deities are entreated for a prolongation of life beyond the normal span.\n\n* DuBose, Rev. Hampden C: The Dragon, Image and Demon or The Three Religions of China: Partridge and Co.: London : 1886\n\n\"The combination of branch and stem provides the date, with the branches and stems depicting and belonging to one of the five primordial essences [water, wood, fire, metal and earth]. The concentric rings within the compass contain information on planetary movements, the ba gua and yin and yang; the five elements; the twelve animals of the Chinese zodiac, etc.\n\n10 The reason for this is simple. The basic Farmer's Almanac is produced and printed in Taiwan, a predominantly Fukienese community, but with copies sent to Hong Kong and elsewhere for local binding and distribution.\n\n\"According to religious specialists each of the stellar deities of the Twenty-eight Constellations has a title and a specific role, the latter differing depending upon the individual ritual specialists or books. In early China the visible stars were divided into 28 zones or constellations, with seven in each of the four directions. Other similar groups are the Thirty-six Stars of the Plough (T'ien-kang Hsing XXI) and the Seventy-two Stars of Evil Omen [Ti-sha Hsing]\n\n1. Each of the Thirty-six was a legendary hero recorded in one of the numerous stories of the deification of and struggles between the deities. They",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
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    },
    {
        "id": 215108,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 204,
        "title": "RAS-2000",
        "content_text": "161\n\nand the Fulu particular of two opera companies, the Xipi Pai and Erhuang Pai [or Fi Pai], the latter, the northern school, being especially dedicated to woodwinds3. In legend he is said to have had an emotional reunion with the soul of his dead concubine, Yang Guifei, in the palace of Guanghan on the Moon.\n\n4\n\nA tablet on a minor altar at the rear of a secondary hall in the temple of the City God in Hsinchu in northern Taiwan refers to him as Tang Xuan Zong, whilst his usual title in Taiwanese temples of the Lord of the Western Qin, Xi Qin WangyeE is not usually understood beyond Taiwan. There is no image, whereas in the Ma Tsu temple in Taipei a side altar is dedicated to him and his image, portraying him as a standard scholar-official with a black beard, is flanked by two very elderly male aides.\n\nIn South-east Asia images of the emperor have been seen in temples in Seremban and Ipoh in Malaysia, and in Singapore, in some of which he is simply referred to as Zunzhu Mingwang, the Lord Prince Ming, 尊主明王,\n\nAn image seen on the only altar in a side hall of the temple on Miaofeng Shan in Beijing's Western Hills and identified as Tang Ming Huang, is better known in the temple as the God of Happiness, Xi Shen [Photograph 2]. He is referred to as Liyuan Shen, and is portrayed as a smiling figure with beard and moustache, standing with his hands in a theatrical pose. His modern image is dressed in imperial yellow robes decorated with a large dragon and the whole body of the image is swathed in a red robe placed there by devotees.\n\nDisappointingly, there appears to be no image of the Concubine Yang on any altars. However, a modern [1996] tableau in an old temple, now converted into a theme-park, depicts in a series of life-size plaster images scenes ranging from the Tang Ming Huang's first sight of the Concubine Yang bathing, progressing through stages of his infatuation though ending before her death and his overthrow. This can be seen on a low hill overlooking the bend in the Yellow River at the south-western tip of Shanxi province, at a place known as Yang Guifei's pool. The main altar has the Tang Ming Huang and the Concubine sitting with her pouring wine for him. Before the altar stand three incense pots, a container holding fortune spills and plastic fruit as an offering and before",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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    },
    {
        "id": 215134,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2000",
        "page_number": 230,
        "title": "RAS-2000",
        "content_text": "187\n\nvirtually cut off the supply to the waterfall other than when they are overflowing, for instance after a heavy storm.\n\nApart from pleasure boats and other small craft, Tai Tam Harbour was used more in the 19th century than it is today. During the period 1806 to 1819, long before Hong Kong was taken over by Britain, James Horsburgh, a hydrographer with the East India Company, surveyed the waters around the Island. He wrote that Tai Tam afforded shelter from almost all winds (Liu Shuyong, 1997:24). It is not of course a harbour as we sometimes know it with wharves and godowns. It is an inlet, which provides a place for ships to shelter. To illustrate again the Harbour's use as a place for protection from the elements mention is made of ‘tactical manoeuvring and target practice,' in February 1878, by the Royal Navy (White Ensign-Red Dragon, 1997; 39). It continues, 'The 20th February being very misty the fleet remained at Tytam Bay.'\n\nPeople naturally ask when exactly were the two Obelisks first erected; who erected them; and what purpose did (or do) they serve? As a start, with the aims of answering such questions, two Chief Inspectors, H J W Chetwynd-Chatwin and Keith Francis, both then serving in the Royal Hong Kong Police Force, arranged an informal meeting, in 1994. The meeting took place in a bar at a police officers' mess in Wan Chai. It was followed by a curry lunch. About a dozen people were invited who, it was felt, could contribute. They included the Government Director of Marine and RASHKB member R S Hownam-Meek who spent his career in shipping with Jardine. A couple of weeks or so after the meeting the topic of the Obelisks was raised by Radio Television Hong Kong. Little of real substance emerged from the meeting or the ‘phone-in radio programme. The late Arthur May, then a retired civil servant, did however ‘phone in to say that, as a youth, he went to live at Tai Tam in 1919. He also recalled that when he sailed around the Harbour in the 1920s the two Obelisks were definitely already there.\n\nThe Hydrographic Data Centre, at Taunton in England, maintains that information was received from the Commander-in-Chief, China, that two beacons, each 30 feet high, had been erected. These were first inserted on Admiralty charts by 'Notice to Mariners 755' of 1900 (Atherton, 1996:94). I have a chart showing Tai Tam Harbour, dated 1894, which shows the Obelisks, but Atherton informs me that this is a",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215138,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 234,
        "title": "RAS-2000",
        "content_text": "191\n\nBard, Solomon (1988). In Search of the Past: A Guide to the Antiquities of Hong Kong, the Urban Council Hong Kong.\n\nEmpson, Hal (1992), Mapping Hong Kong, A Historical Atlas, Hong Kong.\n\nLack, Alan (1994 March 17), retired senior member of staff of Government Marine Department, Hong Kong. Letter to the author.\n\nHacker, Arthur, letter together with sketch to the Author dated 29 October, 2000.\n\nLiu Shuyong (1997), An Outline History of Hong Kong, Foreign Language Press, Beijing.\n\nThe Mariner's Mirror, The Journal of the Society for Nautical Research, England, vol. 81, no. 3, August 1995.\n\nOp. cit. vol. 82, no. 1, February 1996.\n\nMok, Sam (1995 February 25), 'Peaceful sea villages a Tai Tam treat', Hong Kong Standard.\n\nSinclair, Olga (2000, June), e-mail to the author.\n\nTai Tam Bay (1894), chart, surveyed by Lieut. J W Combe RN et al, published by the Admiralty, London.\n\nTrayhurn, Rob (1995, January 16), letter to author from Public Relations Officer, Clyde Submarine Base, Scotland.\n\nWhite Ensign - Red Dragon, The History of the Royal Navy in Hong Kong 1841-1997 (1997) ed. Commodore PJ Melson CBE, Royal Navy.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215143,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 239,
        "title": "RAS-2000",
        "content_text": "197\n\nA WALK ALONG HARLECH AND LUGARD ROADS, THE PEAK, AUGUST, 201\n\nBARBARA PARK\n\nThe Hindustan Gentians, Bottlebrush Ginger and Buttercup Orchids are in flower near Lugard Road as I write. They hide in the shadows, avoiding discovery by all but the eagle-eyed (including the author). What a delight is this road, providing shade, flora, fauna and views to please all but the truly jaded!\n\nThe road was completed in 1924, and the photographs below provided by Mr. Doug Franklin, are much appreciated. Doug lived at No. 34 Lugard Road, during the time his father was Editor of the South China Morning Post, which I believe was in the 1950s.\n\nPhotograph No. 3 shows Doug's house, and readers will be astonished to see the barrenness of the slopes thereabouts, which are now very heavily wooded. It appears from this photograph that Mr. Franklin Senior planted the Livistona Chinensis palms which now majestically grace the property.\n\nThe oldest house on the road is No.27, built in 1911, which previously housed the Swire Mess. This is a grand two-storey dwelling, much restored by the late Mr. Bob Lusher, in which the staircase from the old Hong Kong Club stands proudly. Younger are Nos. 28, 32 and 34, all built around the early 1930s. No. 28 was built by Mr. Lennox Godfrey Bird, senior partner of the architectural practice of Palmer and Turner (still a prominent firm to this day) as his own residence. No. 32 (Dragon Lodge) has had very mixed fortunes over the years, and I am assured by a former resident that the ghosts are very much in residence, and have caused her some distress.\n\nNo. 30, the apartment house known as Hirst Mansions, was built by the General Electric Company of the U.K., post-war, to provide accommodation for its senior staff, the last of whom, Mr. Alastair Murray, left Hong Kong during the 1980s.\n\nNo. 25, built as a colonial mansion, and formerly owned by Dr. H. Wen, has been abandoned, and presumably will be demolished, a sad fate for such a beautiful dwelling. The same fate appears about to befall",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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    },
    {
        "id": 215307,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 84,
        "title": "RAS-2001",
        "content_text": "32\n\nDragon Boat Festival when in various ways the dead helped to secure the successful transplantation of rice.28\n\nIn that essay on the cult of the ancestors in spring time I also addressed briefly the fact that in late Imperial days we find these grave visits dispersed in time, occurring on several dates in the progression of the spring, even if the day and the period of Qing Ming seem to have dominated. Taking account of the fact that Qing Ming and worship at the graves were phenomena not mentioned in our earliest source from the sixth century, I proposed that perhaps grave worship was introduced into this area as part of an ongoing sinicization process in the course of a somewhat later phase in history. If this was so, there may have been some local options as to when the graves should be visited.\n\nThe She Day was a day of agricultural renewal with offerings on the altar of the She. Like the dead, the She was a chthonic phenomenon. Both god and ancestors were active forces beneficial to the sowing of rice. How the dead actually related to the She—directly or indirectly—is not known for this area. The spread over time of vernal worship at the graves may best be seen as a set of local variations on a theme, the standard Qing Ming practice. These alternatives in terms of points in time do not seem to have posed a problem for the robust iconic architecture of the annual ritual cycle as a whole.\n\nThe She Day seems to have been one of merriment, parties al fresco, and social games and competitions. In Baling, the capital of Yuezhou Prefecture, there were competitions and people congregated to feast and drink.29 In Zhongxiang it was the custom to drink ‘earth god wine’ and eat ‘earth god meat.’30 This custom seems to indicate some commensality in which the sacrificial gifts—wine and meat—were shared between the donors and the divinity. No doubt such feasting was combined with the processions and the shamanistic performances mentioned earlier.\n\nReviewing our findings, we observe that the She Day was a day for celebrating the earth and praying for good results in agriculture. It\n\n28 古今圖書集成. 1888.VI, 1223:風俗考2a.\n\n29 古今圖書集成.1888.VI,1142:風俗考2a.\n\n30 古今圖書集成.1888.VI,1120:風俗考6ab.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215310,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 87,
        "title": "RAS-2001",
        "content_text": "35\n\nin brief that kite flying may have been an iconic expression for the reaching of Heaven. People strove on that day for affinity with what was celestial by climbing hills and mountains. The upwards direction was a characteristic feature of this festival associated with the male cosmic principle of yang. So here in Zhongxiang people were also devoted kite flyers, but on the fifteenth day of the second lunary, a day followed by a full moon night, which like all full moons had female implications. Furthermore, it was a day associated with betrothals, awakening of flowers and also the re-appearance of butterflies.\n\nPerhaps it is in this 'awakening' aspect of spring that we might find a clue to the flying of kites at Flower Dawn. In the second moon two categories of beings woke up after hibernating all through the winter—insects and dragons. We are on loose ground here. In Tongshan the solar day and period of ‘Arousal from Hibernation' was a time for forecasting the seasonal weather. Jing Zhi is, however, not only a name for the solar period corresponding to the fifth to the twentieth of March, and often also for the first day of that duration; it is at times used as a name for the second day of the second moon. That particular day is sometimes and in some places also known as 'the dragon raises his head'.43 This designation does not occur in our present corpus ethnography, nor have we found any explicit references to dragons in the material. Even so, it could be that the notion of risin-striving upwards—referring to flowers and insects, and perhaps also dragons, was alive in this area. At least in the magistracy of Zhongxiang the idea was dramatized in the rising kites. This is nothing more than a suggestion.\n\nof\n\nThe second moon in the year was one inspired by spring and the release of vernal generative forces. There were two festive celebrations at this time which were both connected with the theme of growth and remuneration, and there were many concerns about the coming agricultural season. It was a time for the plowing of the fallow fields and the sowing of rice in the seedbeds was soon to follow. It was also a period when farmers wished for rain and there was customary divination, both about weather and coming crops, the latter of course dependant on the former. The two festivals which have been described\n\n42 Bredon & Mitrophanow 1927: 176; Tun 1987: 25.\n\n43 Bodde 1975: 56. 252; see also ch’ü 1972: 31.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215316,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 93,
        "title": "RAS-2001",
        "content_text": "41\n\nboth. The She Day sought abundance in terms of rice from chthonic generative forces, while Flower Dawn solicited wealth in terms of human proliferation from the celestial yang forces of the season. Early spring was a ritual season of releasing life by way of offerings, engagements for marriage and games of contest which, taken together, brought new life to both local communities and domestic groups. Together the two festivals sought a general enjoyment of double blessings.\n\nREFERENCES\n\nAUMER, GORAN. 1964. The Dragon Boat Festival in the Hunan and Hupeh Plains: A Study in the Ceremonialism of the Transplantation of Rice. Stockholm: Statens etnografiska museum.\n\nAUMER, Goran. 1968. A Structural Approach to Chinese Ancestor Worship. Bijdragen tot de taal-, land-, en volkenkunde 124: 91-98.\n\nAUMER, GORAN. 1979. Ancestors in the Spring: The Qingming Festival in Central China. Journal of the Hong Kong Branch of the Royal Asiatic Society 19: 59-82\n\nAumer, Goran. 1991. Chongyang and the Ceremonial Calendar in Central China. In H.R. Baker and S. Feuchtwang (eds.), An Old State in New Settings: Studies in the Social Anthropology of China in Memory of Maurice Freedman. Oxford: JASO.\n\nAumer, Goran. 2002 (In print). New Year Celebrations in Central China in Late Imperial Times. Hong Kong: Chinese University Press.\n\nAUMER, GORAN and VIRGIL K.Y. Ho. 1999. Cantonese Society in a Time of Change. Hong Kong: Chinese University Press.\n\nBODDE, DERK. 1975. Festivals in Classical China: New Year and other Annual Observations during the Han Dynasty 206 B.C.-A.D. 220. Princeton: Princeton University Press and The Chinese University of Hong Kong.\n\nBREDON, JULIET & IGOR MITROPHANOW, 1972 (1927). The Moon Year: A Record of Chinese Customs and Festivals. Taipei: Ch'eng Wen Publishing Company.\n\nCHAVANNES, EDOUARD, 1969 (1910). Le dieu du sol dans la Chine antique. Appendice à Le T'ai Chan: Essai de monographie d'un culte chinois. Farnborough: Gregg International Publishers.\n\nCh'u T'ung-tsu, 1972, Han Social Structure. Edited by Jack L. Dull. Seattle & London: University of Washington Press",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215337,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 114,
        "title": "RAS-2001",
        "content_text": "62\n\nprayed to for their efficacious powers. The titles are the typical flowery honorifics which are usually well nigh impossible to render into English. The list is as follows:\n\nThe Five Officials Wang, the Ministers\" and Highest Lords of\n\nthe Dragon Terrace [*] 玉封掌職高龍臺王五官\n\nThe First Official Wang of the Highest Peak, Capable of Flying\n\nto Heaven [#]\n\n飛天上嶺王一官\n\nThe Other Four Efficacious Spirit Officials Wang [#]\n\n有感靈神王四官\n\nThe Chief Yamen Guard [#]\n\n隔心頭目把衙老大\n\nThe Twelve Spirit Generals Escorting the Wang Officials [#]\n\n隨從官吏十二神將\n\nThe Marquis, the Commander-in-Chief who Inspects and Protects\n\nthe Country [*]\n\n玉封顯應糾察都督護國安邦候王\n\nThe Strong, Brave, Powerful General who Protects the People\n\n玉封靈應巡察從兵剛勇庇民將軍\n\nThe Marquis who Inspects the Three Agencies and Adjudicates\n\nand Protects the People [*]\n\n玉封英文糾察三司護國庇民顯靈侯王\n\nThe image of this deity was the only image to be identified on the\n\naltars by one of the temple custodians. It portrayed the Marquis as an",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215344,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 121,
        "title": "RAS-2001",
        "content_text": "69\n\nexamination candidates, he also became an entrepreneur in and around the port of Xiamen [Amoy] at a time when taking part in foreign trade was illegal. He owned a fleet of cargo junks known as 'ferryboats' in order to circumvent the law. His supercargoes contracted business for him, in particular in South-east Asia, and he became sufficiently wealthy to ignore the law forbidding trade with foreigners and contacts with local coastal pirates.\n\nd] The Saintly Lord of the Dragon's Tail, Longwei Shenggong\n\nhas only been seen on the altar in two temples both Hainanese and both in Singapore where he is said to be prayed to for protection and general benefits. However, several devotees claimed that a medium had discovered that Longwei Shenggong should be specifically approached by those whose parents are thought to be suffering in Hell as the deity had proved to have contacts and had even succeeded in being their saviour.\n\nHe appears to have no personal and unique legend. His image portrays him as a standard seated mandarin with a wispy black beard but no unique characteristics, and is either the main deity on a secondary altar or a minor deity on the secondary altar, co-located with Shuiwei Shengmu in one temple, and in another he was accompanied by his consort, Longwei Furen AA.\n\ne] An image of Hai Rui, another minister banished to Hainan, has only once been noted on a temple altar, a side altar in a small coastal temple in Singapore dedicated to the Nine Emperors, and run by and for Chaozhou Chinese. His image, which depicts him as a standard seated mandarin without any unique characteristics, is attended by aides. Hai Rui, also known in temples as Hai Rui Gong was a Ming official whose reputation as a just and impartial magistrate was based on his belief that laws should be enforced at all levels irrespective of rank or blood, and his criticisms of extortion and abuse of public revenue made his name a slogan for immeasurable honesty for later generations. He is the hero of a lengthy novel 'The Story of the Scarlet Robe' in twenty volumes. Hai Rui was born in Qiongzhou [Kiungchou] in Hainan and died a natural death at the capital, Nanjing in 1587. His tomb is in the western suburb of the northern port of Haikou, at Pintian on his native Hainan where he is still revered and offered supplicatory prayers by devotees.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215354,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 131,
        "title": "RAS-2001",
        "content_text": "79\n\nگر\n\nA common saying and not specifically linked with this deity.\n\nIt was explained that there are three Laoye [San Laoye] of whom Da Laoye is the senior.\n\n\"Wilmott WE: The Political Structure of the Chinese Community in Cambodia. The Athlone Press: London 1970.\n\n13\n\nThe phrase 'shuiwer' in Cantonese is a slang expression [slow water] for 'business is slow.'\n\nThe important fact was that all 108 had either reached their prescribed time of death and were therefore deified as saints [shen] by the Jade Emperor OR they died their violent death before their due date and were roaming ghosts who had to be pacified and placated. Here we have some devotees regarding them as spirits and asking advice and others who look upon them as dark spirits who require propitiatory offerings and no more.\n\nMa Yuan was the second general to be awarded the title of the Fupo, Wave Conqueror for the pacification of the southern region. The first was Lu Bode who, during the Earlier Han (ca. 120 BC), had subjugated large areas of what today is Guangdong province.\n\nXianfeng is a title which has been noted in connection with three entirely unconnected deities.\n\n* Henry BC: The Cross and the Dragon: Canton: 1883.\n\n10\n\n$7\n\nMeesny, William: Tungking: Noronha: Hong Kong: 1884,\n\nZhonglic was a common posthumous title used during the early Qing.\n\n12\n\natap is the generic name for the wooden-sided huts with the dried-leaf roof so common in Singapore and Malaysian rural areas until the 1970s. Atap consists of the dried leaves of the nipa palm.\n\n19 lit. Office Keepers.\n\n20 This is the only title which has been noted elsewhere though probably not identical with the Hainanese deity. General Gan is one of the Eight Bodyguard Generals, known as The Day Patrolling General",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215366,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 143,
        "title": "RAS-2001",
        "content_text": "Yet another minor deity on a side altar rehoused in a new temple in Hougang in Singapore. It is the Saintly Lord of the Dragon Tail, Longwei Shenggong\n\nwhose image is in the centre and\n\nflanked by the Third Prince, Li San Taizi on his right hand and an unidentified deity swathed in a silk robe on his left.\n\n16",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215398,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 175,
        "title": "RAS-2001",
        "content_text": "124 \n\n“呈盧督頌詞”的中國象徵圖案 \n\n竹 : 在冬天仍然生長茁壯的長青植物, 因能耐寒而象徵長壽。 \n\nChinese symbolism in The Tribute \n\nBamboo : Evergreen and flourishes throughout the winter, an emblem of longevity owing to its durability. \n\n貔貅 : 象徵來與長齡, 據中華藥忠記記載 \n\nBar \n\n色白如銀, 吃它的術可得長壽和遐齡 \n\n獼猴桃 : 刺繡品中常見的圖案 紫微歡樂與愛情, 是中國的愛神 \n\nButterfly : A favourite theme for embroidery: an emblem of joy and conjugal felicity - the Chinese Cupid. \n\n菊花 : 當其他花卉在秋天凋謝時, 獨有菊花仍然盛開, 耐冷期不懼風霜。 \n\nChrysanthemum : Blooms in the autumn when all the other flowers have withered. Can withstand chilly weather and the autumn wind. \n\n鹿 : 象徵長壽, 因為人們相信牠的壽命很長, 是唯一可找到靈芝的動物。 \n\nDeer : Believed to be a very great age emblem of long life. The only animal which is able to find the fungus of immortality. \n\n龍 : 東方的龍是力量和善良的天才, 是四種有智慧的生物之一, 象徵警惕和守護, 也用在香港殖民地時期的紋章上。 \n\nDragon : The Eastern dragon is the genius of strength and goodness; one of the four intelligent creatures, emblem of vigilance and safeguard; a feature of the coat of arms of colonial Hong Kong \n\n翡翠鳥 : 根據古代傳說, 為了與海慎微型巢於海面, 在孵卵期能平息波浪, 因此有「平靜的日子」之說。 \n\nKingfisher : Halcyon : fabled by the ancients to build its nest on the surface of the sea and calm the troubled waves, during its incubation period; hence the phrase 'halcyon days'. \n\n靈芝 : 一種不朽的植物; 食用它可帶來不朽。 \n\nLing Zhi : An immond plant; brings immortality to those who eat it. \n\n龍 : 主宰百獸的雄偉動物, 象徵勇猛和精力充沛; 也是香港殖民地時期紋章的特色。 \n\nLon \n\nLotus : 蓮花是純潔和完美的象徵。 \n\nLotus : A symbol of purity and perfection. \n\n玉蘭 : 一種迎接春天的花卉。 \n\nMagnolia : A flower that welcomes the spring. \n\n鴛鴦 : 象徵幸福的夫妻和夫婦的忠貞。 \n\nMandarin duck : Symbol of a happy couple and conjugal fidelity.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    },
    {
        "id": 215427,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 204,
        "title": "RAS-2001",
        "content_text": "153\n\nTrue, the originality and beauty of carvings and images constituted an aesthetic experience aimed at everyone in the city. But one cannot help thinking that this complex text, with its erudite cross-referencing, was partly conceived with the more literate and bookish administrative and literati class in mind. After all, attracting the upper and educated classes had recently evolved as a novel Jesuit method of missionization that had borne rich fruit for Matteo Ricci and his confreres in the Chinese mainland.\n\nOne of the Chinese inscriptions states: 'The Holy Mother tramples on the dragon's head,' a reference to the Book of Genesis (Fig. 19). Both the left and the right scrolls have carved inscriptions in relief (as opposed to those explaining the dragon, which are incised), consisting of six large vertical characters. Like those on the dragon, they explain the two images spreading horizontally across the scroll inside a frame. The ones on the left, before the claws of another strange monster, with tail, short antlers, a snout, large bat's wings, breasts and shot through with an arrow, read: \"The Devil tempts mankind to do evil things\" (Fig. 20).\n\nOn the right we read: 'Remember Death and do not sin,' a kind of memento mori epigram at the bony feet of a grimacing skeleton also shot through with an arrow (Fig. 19).\n\nMain Image\n\nReferences to the Devil, who tempts humanity to sin (whose wages is death), form part of the complicated iconography of the façade. Directly or indirectly the entire iconographic programme revolves around its titular image depicting the Assumption of Mary (Fig. 21).\n\nIt is the largest bronze in the frontispiece, measuring practically six feet in height, and like all the bronzes of the façade of rather shallow 3-D casting and flat at the base. It is surrounded by reliefs of music-playing and incense-burning angels, amongst the finest in colonial religious imagery by East Asian artists (Fig. 22). The Assumption is combined with an Infant Salvator Mundi in the attic above, and with the Dove of the Holy Spirit in the pediment (Fig. 23).\n\nThe Virgin's Assumption in bodily form into heaven is one of the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215438,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 215,
        "title": "RAS-2001",
        "content_text": "164\n\n26\n\nF.A. Baptista Pereira in, Um Museu em Espaço Histórico: A Fortaleza de S. Paulo do Monte, Macao, 1998, p. 38, fig. 36, has published one such print with a dragon very close to that seen on the façade.\n\n27 G. Bailey, op. cit., pgs. 10, 16\n\n28 Teixeira, Manuel, Macau e a sua Diocese, II, Macao, 1940. pp. 98-100.\n\nParticipation as programmers of a church's decoration by scholarly members of the Society, such as rectors of contemporary Jesuit colleges, is not unknown in Europe.\n\n29\n\nFray José de Sigüenza, La Fundación del Monasterio de El Escorial, Aguilar, 1988 ed., pp. 483-4.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215479,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 256,
        "title": "RAS-2001",
        "content_text": "205\n\nend burns down multi-storey building. How? Please tell me how, when I had been trying hard with a naked flame to set light to a piece of wood?\n\nI was not in bed for long. Suddenly I found myself in the middle of the floor, heart a-pounding. About a foot above my head, on the wall, was a \"thing\" with black legs about two inches long - and it was moving! As I did not have my wife with me I had no alternative but to try and deal with it myself. Rustling up all the courage I could muster, I approached it step by step. I was happy to see that it had not moved any further. Perhaps it was also frightened of me. In fact, it could not have moved at all. In fact, it was three electric wires poking out of the wall - the site of a future reading light. The “movement” was caused by the flicker of the candle. Feeling rather like St. George having at least tried to slay the dragon but rather glad that nobody had been there to witness his attempt, I once more got back into bed.\n\nBacon hallucinations\n\nThe following day started with a welcome lie-in - breakfast at 7:30 a.m. This was a buffet of porridge, congee, hard-boiled eggs, toast, honey and coffee. I had to attribute the strong smell of sizzling bacon to the hallucinations I had suffered the previous night.\n\nThe first stop was the nearby Jampey Lhakhang, a temple dating from its first construction in 659, making it one of Bhutan's oldest, although some additions are as recent as the last century. The sun had risen and, yet very cold, the day was warming up. But there was still frost on the ground reflecting in perfect outline the intricate silhouette of the building as the sun cast its shadow. The photographers amongst us were surprised to find, on Day 5 in Bhutan, the first indication of somebody who was unwilling to be photographed. This old gentleman, on his way to his morning devotions, turned out to be the only reluctant subject on the entire trip. Perhaps he himself was a tourist, or maybe he had missed the briefing from the Bhutan Tourist Authority.\n\nHaving inspected the temple complex inside and out, we were distracted by loud and continuous shouting coming from a little way below us. A riot? Amongst these charming and friendly people? Or another invasion by the Tibetans, those charming and friendly people",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215628,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 405,
        "title": "RAS-2001",
        "content_text": "356\n\nhook baited with a tract descended. This was more profitable employment than preaching, and continued for some time. The north country costume seemed to draw congregations, and nothing more offensive was said. When I left\n\nI was told that business was\n\nfairly prosperous, but nothing compared to its early days. Long before this I expect it is completely played out, and some other original idea for gathering in the cash has been invented.'\n\nWilliam Spencer Percival: The Land of the Dragon : Hurst and Blackett, Ltd. : London : 1889 [pp160/5]\n\nPage 405\n\nPage 406",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215682,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 459,
        "title": "RAS-2001",
        "content_text": "411\n\nThe British Consulate in Chunking collected subscriptions from amongst the expatriates and other interested people to raise a memorial to Plant. This took the form of a 30 foot high obelisk constructed of dressed blocks of pink granite on a brown sandstone base. It was erected at Xintang Village where the Dragon Horse Stream flows into the Yangtze. The inscription, which was in both English and Chinese, was eradicated by the Red Guards in 1968 after they had, unsuccessfully, tried to blow it up.\n\nUnless it is moved, the monument will be inundated by the raising waters when the dam across the Three Gorges is completed.1 Plant's beloved rapids will become small eddies on the surface of a huge man-made lake. Hundreds of tracker villages will have been moved to other locations, some far from the river. A tradition of 5,000 years endurance will be gone forever.\n\nThe above is an account of Captain Plant's professional life in China. However, gaps occur in both his early professional life and in his private life.\n\nAs you have read, Archibald Little met Samuel Plant at the Oriental Club in 1900. Prior to this time Plant had commanded steamers on the Rivers Tigris and Euphrates but we have been unable to find information on his Mesopotamian career.\n\nWe know Samuel Cornell Plant was born on 8th August, 1866 in Framlingham, Suffolk. His wife, Sophie Alice Peters was born on 29th November, 1870 in Hoddesdon in the County of Hertford to an illiterate shoemaker and his wife. Samuel Cornell and Alice Sophie, as she appears on the Entry of Marriage, were married in the Consulate General in the District of Bushire in the Province of Fars, Persia on 16th April, 1894. His profession is listed as a master mariner, nothing is given for Alice Sophie.\n\nWhat was a young woman of 24 years doing in Bushire and how did she meet Captain Plant?\n\nIn 1921, en route to Hong Kong and home leave, Samuel Plant died on board the \"Teiresias\" on 26th February. His death certificate gives as the cause of death ‘right lobar pneumonia and heart failure.'",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    },
    {
        "id": 215846,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 145,
        "title": "RAS-2002",
        "content_text": "78\n\nthe theatrical matsheds and much else, were borne by association leaders and their members, and by donations from, and levies on, the local communities. The services of the schoolmasters and local scholars were normally rendered without charge, since they were probably pleased to be asked, and their work kept their names and reputation before the public.\n\nLion or unicorn dances\n\nIn Hong Kong, lion and unicorn dancers were, and still are, an important adjunct to ceremonial occasions. They are much in evidence at festival times, and in the opening ceremonies for any important event. No resited villagers would occupy their new settlement without the obligatory lion or unicorn dance to help guarantee a safe and prosperous environment, and no self-respecting new bank branch or restaurant would open for business without these harbingers of their future business success. Newly renovated historic buildings were also re-opened in style, with lion dancers well to the fore (Plate 19)\n\nBefore development overtook Hong Kong's former rural area, practically all the six or seven hundred old villages of the New Territories had their lion or unicorn dance teams. In Cantonese-speaking villages, it was always a lion; and in the Hakka villages, a unicorn. However, observation and enquiry indicate that their purpose and motivation are much the same. These dance troupes are also to be found in urban areas, past as well as present.\n\n3\n\nBesides the lion and unicorn troupes, there was a third, much less common and only to be seen among immigrant communities of persons from the Hoklo areas of Northeastern Guangdong. This was the pei yau troupe. Described to me as 'younger brother to the dragon,' the pei yau was rather a joyous, amiable creature. Plate 20 shows a typical example, photographed in a New Territories village in recent years.\n\n* The dance teams were at the heart of traditional village life. Besides what might be styled their internal duties at family celebrations by fellow villagers or at the opening of temples, ancestral halls, schools and village offices, they were turned out to meet and send off important visitors. If plague menaced, the lion or unicorn dancers accompanied Taoist priests in procession round the neighbourhood in order to dispel it. And should any village be under attack, the troupes under their respected instructors would form the first-line defence. They were, besides, a principal means for maintaining and extending a village's status and prestige.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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    },
    {
        "id": 215866,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 165,
        "title": "RAS-2002",
        "content_text": "98\n\nPlate 20. Younger brother to the Dragon. A two-man pei yau dance team in the Tsuen Wan District. circa 1995.\n\nPage 165\n\nPage 166",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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    },
    {
        "id": 215960,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2002",
        "page_number": 259,
        "title": "RAS-2002",
        "content_text": "193\n\nruling authorities, including the emperor in the temples of the imperial college. Then very solemn ceremonies of reverence and adoration were performed, marking the Sage as the ultimate exemplar for all who aspired to any level of leadership within Chinese society.1\n\n18\n\nThe Poklo temple to Master Kong was, indeed, more impressive than those in nearby villages, such as the one at Lung Ch'un (literally, the \"River of the Dragon,\" M. Lóngchuān) also visited by Legge and others in 1861. There the temple had no images at all, but only the spirit tablet (shénpái) of the Sage along with a large plaque citing the sixteen maxims of the Sacred Edict (Shèngyù) of the Kangxi emperor (ruling from 1662-1722).19 Both temples at Poklo and Lung Ch'un were dwarfed by the massive grounds set aside to honour the sage in the capital city of Canton. There the image of the Sage was in a hall elevated from the grounds six to eight feet above the preceding courtyards, the roof made of \"those splendid burnished tiles\" constituting imperially-sponsored buildings, garnished with mystical beasts balancing on the upper beams. Seated on a large rock dais, the thick paper-maché-like image of Master Kong was taller and larger than life. Postured as if leaning over a tablet in his hands, the Sage appeared immersed in the study of the text before him.20\n\nHow Ch'ea came to take his place in this Confucian institutional and ritual system is never explained. Whether he had been a student at one time or not is also not made explicit, but he was able to read, and so had probably spent at least part of his youth as a student, one of large majority who had obviously not been elevated by successful results in the examination system. When the two colporteurs from Hong Kong met him, Ch'ea was already in his fifties, had been married, and had at least one son.21 Because no direct mention is made of Ch'ea's wife in any of the documentation after his conversion, there is the possibility that Ch'ea had become a widower even before the pair of colporteurs met him in Poklo.\n\nIf conversion is a multiform and processural event,22 then all of the above cultural, social, personal and religious factors have a",
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    },
    {
        "id": 216060,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 359,
        "title": "RAS-2002",
        "content_text": "293\n\nwas a young man of twenty just starting his lifelong career in China. In his Miscellanies he described how on his arrival at Hankou commanding the sailing lorcha, Hailong Wang [the Dragon King], he was paid off by the owners, the Mc Twins, who offered him a job as superintendent builder of a large hong [company office/warehouse] they intended erecting on the Bund. He accepted - as the Hailong Wang was laid up. However, as he actually wished to return to Shanghai to marry a local maiden, Zhu Wenjing, he took leave and in one statement he claimed that he sailed aboard the Huguang, a new beam-engine paddlewheel river steamer on her maiden voyage.\" In another he explained that he had left Hankou at the end of 1862 in charge of a cargo boat which was captured by the Taipings. This occurred when, having called at Zhenjiang on 1st or 3rd of November 1862 [his accounts vary], he was on his way to Shanghai in charge of a cargo boat, and was captured, with his crew, by the Taiping rebels, midstream, at Fu Shan Zhen. Mesny's colourful description of his time with the Taipings began with him being brought in chains before a senior Taiping who ordered him to ketou [kowtow]. Mesny wrote that he refused and that he only bowed to God. ‘So do we', cried the Taiping, and promptly ordered Mesny's release. Mesny continued his tale describing how the Senior Taiping had dined Mesny and offered him his daughter in marriage and the command of a Taiping vessel with the rank of vice-admiral. In another version elsewhere in his Miscellanies Mesny claimed to have been wounded twice during the capture and was at first badly treated by his captors. But once the Taiping discovered that he could play Chinese tunes on his four-octave flutina, their behaviour entirely altered. On a more credible note he was required to write to his employers in Shanghai demanding 100,000 Spanish Carolus dollars ransom.\n\nMesny was puzzled at the time why various senior Taiping officials should have vied to hold him their captive. It later transpired that at first these officials had not appreciated the power and capabilities of the foreign-led Chinese force [meaning the Ever-Victorious Army] sent against them; and when they did the Taiping officials' first act was to obtain and hold foreigners to prevent the violent wrath of the foreign-led force being brought down on them. One of the foreigners Mesny saw momentarily, also in Taiping hands, was Frank Phillip de la Cour, another Jerseyman, who had been taken whilst shipping arms.\n\nHaving managed to send a secret message to Shanghai that he was",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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    },
    {
        "id": 216078,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 377,
        "title": "RAS-2002",
        "content_text": "311\n\nZhenjiang city has grown beyond all recognition. Since the Communists came to power in 1949 Zhenjiang has suffered the same trials and tribulations as all other cities in China and only within the last decade or so of the 20th century did modernisation and development take off. Today it has wide streets, modern shops, drainage and factories as well as all the benefits, or otherwise, of westernisation. Also, three historical sites have been granted Asia-Pacific Heritage Protection Awards for 2001 by UNESCO. They are the Stone Pagoda, the Guan Yin Cave and a charitable association hall, all on Xijindu Street.\n\n1\n\nNOTES\n\nZhenjiang city walls were said by the British military to have been thirty feet high and five feet thick.\n\nAllom, Thomas (1844) China - in a series of views, displaying the Scenery, Architecture, and Social Habits of that Ancient Empire. London: Fisher, Son and Co Vol. IV p 41\n\n3 The area selected to be the foreign settlement was chosen in 1861 and divided into lots. Ground rent was paid to the Chinese government by leaseholders to whom titles for 99 years were issued through the British Consulate. They would have expired in 1960 had not the treaty port as a whole been formally surrendered [rendited in official parlance to avoid using the word surrendered] in 1929 after it had been decided that minor concessions were more trouble than they were worth.\n\nA\n\nCunynghame, Captain Arthur [1845] The Opium War: London\n\n\"Taot'ai [Daotai] was the term for a Qing dynasty Circuit Intendant.\n\n*Percival, William Spencer (1889) The Land of the Dragon-My Boating and Shooting Excursions to the Gorges of the Upper Yangtze. London: Hurst and Blackett, Ltd. [Percival was a member of H.B.M's Civil Service in China].\n\n'Clennell, WJ (June 1922) The Historical Setting of Chinkiang or a Bit of ‘Consular Bluff Shanghai: New China Review: Vol IV. No. 3 [Clennell provides much greater detail than is offered here].\n\n&\n\nSun Quan's city was built on Beigu Shan.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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    },
    {
        "id": 216080,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 379,
        "title": "RAS-2002",
        "content_text": "18 Doré: ibid: Vol.X: Second Part: The Chinese Pantheon 95-96\n\n313\n\n19 Stevens, Keith (1999) Images of Sinicised Vedic Deities on Chinese Altars: Journal of the Hong Kong Branch of the Royal Asiatic Society 38:51-106\n\n\"Arlington, LC Through the Dragon's Eyes: 1931: London: Constable and Co Ltd.\n\n21 Rasmussen, A.H. China Trader - My 32 Years in the Orient: 1954: New York: Thomas Y. Crowell Co.\n\n\"Bird, Isabella (1899) The Yangtze Valley and Beyond, London: John Murray\n\nWingate, A. W. S. (1940) A Cavalier in China London: Grayson and Grayson, Ltd.\n\n**Coates, P. D. (1988) The China Consuls - British Consular Officers, 1843-1943 Oxford: OUP\n\n25 Simon Winchester in his book The River at the Centre of the World London: Viking: 1997, expresses grave doubts. He suggests that the anchor on display is too small for a frigate's anchor and could well be a foreign anchor lost from a smaller vessel at some time down the years.\n\n26 The Times: London: 10 March 1869\n\n\"Griffith John was a pioneering London Mission Society evangelist.\n\nA number of the headstones have been preserved in the Zhenjiang Museum housed in the former British Consulate.\n\n\"Stevens, Keith (1992) A Jersey Adventurer Journal of the Hong Kong Branch of the Royal Asiatic Society 32: 60\n\n*Lorcha - a vessel of about 100 tons burden, having a hull of European build, and generally commanded by a European captain, but rigged with Chinese masts and sails, and manned by Chinese sailors.\n\n\"Mesny, writing in his Miscellanies many years later, frequently confused dates and facts.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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    },
    {
        "id": 216081,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 380,
        "title": "RAS-2002",
        "content_text": "314\n\n32T. Adkins joined the China Consular Service in 1854 and was the first Vice-Consul in Zhenjiang, being posted there in May of 1861, preceded by an assistant, Phillips, in February who had been sent to the ruined city to set up the Consulate in a ruined temple. Within a week of Adkins' arrival, he had moved the Consulate a mile down river to safer accommodation away from the Taiping fighting. He remained there, on an island, living a monotonous life alone as Phillips had been transferred elsewhere. He left Zhenjiang in poor health in February 1865 after serving there for three and a half years to return to the UK.\n\n33 This was the Cantonese title by which the bandits were known. In Mandarin it would be Shiwu Zi† £ 'The Fifteen Sons'.\n\n* Parker E.H. John Chinaman and a few others: John Murray: London: 1902\n\n35 Robert Anderson Mowatt, former consular official: acting Chief Justice and Acting Consul-General Shanghai, April - October 1891.\n\n* The Elder Brother Society (Gē Lǎo Huì): a secret society sworn to overthrow the Imperial government, the foreign Manchu Qing dynasty and replace it with a Chinese emperor.\n\nMesny's son would have been about six at the time of this story, whilst his only other child, his daughter, had not yet been born.\n\n**Mason, C. W. (1924) Chinese Confessions. London: Grant Richards Ltd\n\n\"Fairbank, Bruner and Matheson, ed (1975). The I.G. in Peking: Cambridge, Mass: Belknap Press of Harvard University Press\n\n* Transit Passes are discussed in a separate chapter below.\n\n4\n\nAccording to Mason in his Confession, Croskey had told him that Croskey's father was an English baronet in business in Vancouver and his mother a Spanish Creole of San Diego in California.\n\n42 Parker, E.H. (1903) China Past and Present: Chapman and Hall Ltd: London\n\n\"Cook, Christopher (1982) The Lion and the Dragon - British Voices from the China Coast: London: Elm Tree Books.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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    },
    {
        "id": 216099,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 398,
        "title": "RAS-2002",
        "content_text": "332\n\nSir Robert had a wonderful funeral procession with 16 bands. In those days popular tunes at Chinese funerals were; Abide with me, Polly Wolly Doodle all the Day, and Yes, we have no Bananas! They were good, rousing tunes and most Chinese did not understand the words anyway. Bamboo ramps were a common sight in the 1950s to bring coffins and corpses down to street level. Ramps disappeared with traffic congestion and with the introduction of high-rise buildings, about 1960. Major Chinese festivals occur in the calendar when there are marked changes of seasons. People are then likely to feel \"under the weather.\" When the body is at a low ebb a sick person is more likely to die. In 1956, it was said that Sir Robert had “passed over\" Ching Ming and should be able to carry on at least to Dragon Boat Festival. However, it was not to be.\n\nIn March 1955 I had managed to obtain a government quarter at 56 Conduit Road. At the time it resembled a quiet country lane, gay with flowers, where you could occasionally hear barking deer calling from Victoria Peak. A few people were still carried up to Mid-Levels by sedan chairs which, until the end of the fifties, were parked at the bottom of Wyndham Street.\n\nI engaged a Chinese amah to whom I paid $130 a month. She spoke Pidgin English and talked of \"going topside” when she meant going upstairs. Indeed some of us old Hong Kong hands still use pidgin expressions. I, for example, still talk of a makee-learn, for someone learning a job, and I say small chow when I mean canapés which are provided at receptions. A Chinese colleague complained that, at $130, I was overpaying my amah. He gave his $70 a month. He also said that his amah had no time off. If she had anything important to do she would request a few hours off work. Several people had gold teeth in those days and the saying was that one should have enough gold in one's mouth to pay for one's funeral. The present-day, gold-coloured building, at Admiralty, is nicknamed the \"Amah's Tooth.\"\n\nWhen I first lived in Conduit Road there were a number of quite palatial mansions standing in their own grounds, often with tennis courts, in the Mid-levels. One example was the house on the site, at No.41, on which I live today. The old building was demolished in the mid-1960s. From 1951 to '61 it was occupied by the Foreign Correspondents' Club (FCC). The film, Love is a Many Splendored Thing, based on Han",
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    {
        "id": 216162,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2002",
        "page_number": 461,
        "title": "RAS-2002",
        "content_text": "395\n\nso on. I owe this information to our President, Dr. Patrick Hase, who has also referred me to an article on the subject by Professor James L. Watson, \"Eating from the Common Pot: Feasting with Equals in Chinese Society\", published in Anthropos, Vol. 82, 1987, pp. 389-401.\n\nIn the course of enquiries (1970s) into foods made at festival time, I came across some interesting facts about the preparation process. This was often laborious. The \"cakes\" made at the lunar New Year are a case in point. The materials comprised pounded glutinous rice and cane sugar. According to men from two of the former Tsuen Wan villages, sixteen hours were needed to cook the mixture in a very large, deep wok (the Chinese frying pan) in effect for a whole day, from dawn till dusk or later. Cooking in an old-fashioned village stove, fuelled by dried grass or firewood, was essential; since the taste would be different were charcoal or gas to be used. Some of the Sham Tseng elders (also Tsuen Wan District) said that each \"cake\" might require between 30 to 50 catties of glutinous rice, resulting in very large \"cakes\". In one household of my acquaintance (originally from Shek Pik on Lantau Island, resited to Tsuen Wan in 1960), it had been usual for them to make four large \"cakes\" every lunar New Year. These were distributed as goodwill gifts to shops in the market towns of Tai O and Cheung Chau, and the boat people's families in the Shek Pik anchorage - indicative of this household's economic and social ties. People also gave and received portions of such cakes during the customary visiting to mark the arrival of the New Year.\n\nThe Sham Tseng men had also mentioned a rather curious requirement involved in the preparation of the dumplings made for the fifth day of the fifth lunar month festival, commonly known as the Dragon Boat Festival. The dumplings had to be made with a preparation of wood ash, placed between bamboo leaves, and filtered with water. This watery ash, known as kan shui [the character I was given for 'kan' is that for 'root', but though this sits oddly with the context, I have not been able to find anything more suitable in a dictionary search] had to come from \"new\" wood, though not necessarily of any particular kind. It was no use trying to filter ash from anything that came to hand, like old boards or drift-wood.\n\nTurning to other topics, I had earmarked but subsequently overlooked two interesting items in the course of shaping the chapters.",
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    {
        "id": 216205,
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        "page_number": 504,
        "title": "RAS-2002",
        "content_text": "438\n\nto the spot where he died, by some French missionaries in the 19th Century. Father Kane referred me to Father Antonio Tam in the Macau Jesuit Residence who, despite being elderly, still travelled regularly to St Johns, and was leading a Taiwanese group there the following month. He recommended the services of the Religious Affairs Bureau rather than China Travel to organize our trip, so that we would gain a better insight into the history of Christianity in the area. This proved more difficult than it sounded, but China Travel came to the rescue with a reasonable-sounding itinerary.\n\nOur trip eventually took place in the first weekend of November 2002. China Travel suggested a suitable package tour for five adventurers - Patricia Bierregard, Anna and Michal Niewiadomski, Jenny Wu and myself, Chris Bailey - members of the HK Branch of the RAS. We had planned a varied itinerary including St Francis' Church on the island, Flying Sand beach, Big Buddha and Nine Dragon's cave - with the firm CTS instruction: No missioning! We caught the 8:30 am ferry to Gong Yi from the China Hong Kong Terminal. The sea journey was quite rough until we reached Macau, where a right turn along a Pearl River tributary took us back through time for a pleasant 3 hours viewing village life along the river banks (having upgraded ourselves to the upstairs first-class cabin). The rice-fields at harvest time were particularly splendid and the hamlets looked inviting, with interesting watch towers.\n\nWe disembarked at around 1 pm at the small port of Gong Yi and were met by Roger, our excellent CTS guide who escorted us to the town of Tai Shan for an elaborate lunch. We caught the 4 pm boat for another rough trip across the muddy waters, but in less than an hour were rewarded with the splendid sight of our goal - a white church on the hillside - as we arrived at the island, dominated by a large PLA base. Roger could not tell us how many military personnel were stationed at the base and we glimpsed only a few blue and white uniformed sailors walking along the streets.\n\nThe day's end was approaching and Roger speedily herded us into another vehicle for the short drive to the church, and the resident caretaker opened the gates - we finally climbed the stairs to the recently redecorated church and entered its large wooden doors. The interior was well-kept and featured a large central \"tomb\" with paintings along",
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    },
    {
        "id": 216313,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2003",
        "page_number": 72,
        "title": "RAS-2003",
        "content_text": "21\n\nof the temple complex.\n\nOne other positive result of the new development is that the section of Longhua Lu which passes in between the walled temple compound and the pagoda has now been closed to vehicular traffic, unless you count motorcycles, and turned into a pedestrian mall.\n\nLonghua Temple's current structures\n\nThe 40 meter high octagonal wooden pagoda, Longhua Ta, has orange walls with red cross timbers, upturned eaves and wood railing balconies at each level, and a metal spiral spire on top. As late as 1934 visitors could still ascend to the top of this tower, but now it is closed and cannot be entered or ascended. The base is encircled by a brick wall with a perpetually locked gate, which keeps admirers at arm's length. Depending on who you believe, it may have been built during the Three Kingdoms, the Bei Song or the late Qing Dynasty. After extensive research into the difangzhi local histories, the author has concluded that the current pagoda may possibly be the same as the Xin Bao Ta first constructed in 1066 by the Song Emperor Ying Zong. Although at that time the temple was named Kong Xiang Si, the Longhua Pagoda's official name has continued to be the Bao Ta to this day. In 1984 the pagoda underwent a massive restoration during which the entire tower was covered with scaffolding, and a giant boom crane dropped a brand new copper spiral ornament onto the tower's roof. Although impressive, Longhua Ta is not the only pagoda in Shanghai, as is sometimes claimed, but is in fact only one of a total of 16 pagodas within the Shanghai Municipality.\n\nThe grand outer Shan Men gateway to the temple complex is one of the most impressive sights it has to offer. The five-gate pai lou has a granite stone frame with five wooden double gates, above which are three inscribed wooden signboards, all of which is covered by an enormous three-tiered wooden roof with multiple layers of upturned eaves, itself supported by layers of intricate wooden brackets. The top of the roof is covered with tiles and decorated with dragon-fish ornaments. Each wooden gate is one-foot thick, which should have made the temple impregnable to attack during times of unrest, but unfortunately did not stop the Red Guards in 1966.\n\nPassing through this outer gateway, you enter the first of six",
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    {
        "id": 216318,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2003",
        "page_number": 77,
        "title": "RAS-2003",
        "content_text": "26\n\nwhich is open to the public, the Mu Ta Yuan, so named for the Tao Ming Chan Si Mu Ta, a broken stone tomb pagoda dating from the year 1667 in the reign of Emperor Kang Xi which stands in the centre. The Mu Ta is a hexagonal stone pillar on a lotus flower with a round stone ball balanced on top decorated with dragon images wrapped around it. Two faint inscriptions can be seen on either side of the pillar. Lying on the ground beside the Mu Ta is a broken piece of an ancient inscribed tablet. This is one of the original four boundary stones of Longhua's predecessor Kongxiang Temple dating from the year 1262 in the late Southern Song Dynasty (1127-1279). Near the Mu Ta are three stone statues of a mythical animal, the Si Ge Lin Shou. These broken stone remains may be the oldest relics on the site, but their age, origin, and significance seem a mystery. In one corner of this courtyard is a corridor connecting with the Longhua Hotel next door. At the rear of the courtyard is the monk's Dining Hall (Zhai Tang), not to be confused with the separate Vegetarian Restaurant (Su Cai Guan) intended for public visitors located on the right side of the Da Xiong Bao Dian beneath the sign of the large wooden fish (pang) hanging from the rafters.\n\nTwo long barracks-like halls run along almost the full length of the western side of the temple compound and are divided up into many small Buddhist chapels. The major ones include the Arhat Hall (Luo Han Dian), and the Goddess of Mercy Hall (Guan Yin Dian). The Luo Han Dian is a new addition to the temple, added sometime during 2002. It features small golden statues of 500 arhats or Buddhist saints. This chapel has become quite popular with worshippers, but one woman who had just finished praying mistakenly told the author there were 800 arhats, testimony to the newness of this innovation. The Guanyin Dian is on the left side of the fourth courtyard and features an impressive golden statue of Guanyin, who is depicted as facing in all four directions, and has 1,000 arms. Many of her hundreds of hands hold objects of special significance.\n\nIn between the Luo Han Dian and Guanyin Dian is yet another hall, seemingly nameless, which although devoid of architectural splendor does have three splendid gilded Buddha statues. These three include Sakyamuni Buddha (Shi Jia Mou Ni Pusa) in the centre, Manjusri (Wen Shu) on your left, and Guanyin on your right. The interior walls of this hall are literally covered with memorial slips of paper and photographs meant to commemorate lost loved ones. It is",
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    {
        "id": 216486,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2003",
        "page_number": 245,
        "title": "RAS-2003",
        "content_text": "195\n\n-\n\nCornell Plant died at sea shortly before their ship's arrival at Hong Kong. Alice Plant died a day or so later and they were both buried in Happy Valley Cemetery, Hong Kong. This posed the question what happened to the two young Chinese girls? This is partly answered by an extract from a letter written to Cornell's younger brother Charles by J.L. Smith, the British Consul at Ichang, an old friend of Captain and Mrs Plant:\n\nThe reference to the two girls as \"adopted daughters\" is a mistake. The two girls were waifs bought by Mrs Plant a number of years ago and brought up by her as servants in her own house. They were too young to marry and therefore Mrs Plant was taking them home with her, intending to bring them back at the conclusion of her furlough after which she intended to marry them off and give them a small dowry. They are now being sent back from Hong Kong to Miss Moore of the Church of Scotland (Ladies) Mission here: Miss Moore desires to keep them for four or five years in her excellent girls school so that they can get an education after which she will see that they are decently married off or settled down in some occupation in the same way as Mrs Plant would have done. There is a movement on foot amongst friends of Captain and Mrs Plant to raise a sum of money to meet the expenses that will be entailed in connection with the education, etc. of the girls.\n\nIn the event, some $4,000 was raised by the friends and colleagues of Captain and Mrs Plant to educate the two girls and set them up in life. Although the Royal Library of Scotland has some of the letters sent home by Miss Amelia Moore to the Church of Scotland, no mention has yet been found of the two girls and what happened to them.\n\nThe 30 foot granite monument overlooking the gorges put up in memory of Captain Samuel Cornell Plant show the high esteem in which he was held by his friends, his business associates and the Chinese Customs Service. On his death, tributes were received from the representatives of many countries including France, Japan, and the United States of America. More personal were the feelings expressed in \"Plant the Pilot\" a poem written shortly after his death and the inscription on the silver inkwell presented to him by Captain F Scurr, shortly before his final voyage in 1921 as a small memento of many kindnesses while 'dodging the dragon.' It was all summed up in the words of his good friend of over ten years, the British Consul at Ichang.",
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