[ { "id": 204470, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 102, "title": "RAS-1962", "content_text": "LIFE IN THE NEW TERRITORIES \n\n91 \n\nwhich it had supplanted eighteen years before. Great hardship was encountered which is hardly surprising, and the people were eternally grateful to their benevolent officials and commemorated them in several temples dedicated in their honour. One of these was burned down in 1955 during the fire which destroyed Shek Wu Hui near Fanling, and others are to be found at Sha Tau Kok and Kam Tin, and Sai Heung in Chinese Territory. In addition a school was named in their honour at Kam Tin, and when it was repaired in 1744 the San On magistrate of the time composed a Confucian discourse which was inscribed on the wall of the restored building, to instruct the pupils and their parents. An interesting survival which still existed in 1898 was the appearance of an old beggar in the Yuen Long villages every Chinese New Year who brought statues of WONG and CHOW for the people to worship, and incidentally to supply him with food and money.'' To these men-become-gods for whom the construction of a temple was necessary to ensure their better worship and resulting favours, there must be added an equal and possibly much older faith in sacred tree spirits and the multitude of earth spirits known as pak kung ih, tai wong ★, and ordinary she taan 4, who look after villages and localities such as passes, bridges, and fords over streams.\n\nThis insurance with the spirits who ruled this world and would assuredly be encountered in the next was expressed in the continual reconstruction of temples. A great many of the temples in the New Territory to-day owe their present fabric, or a great part of it, to repairs made during the last fifty years of the Ching dynasty. It was evidently a highly necessary part of the proceedings that the god should be informed of the names of the contributors so that his benefits should not pass anyone by, since their names, and often the amounts they gave, were scrupulously inscribed on the commemorative tablet which was always let into the wall to mark the occasion. Sometimes over a thousand names had to be recorded in this way, most of them in respect of trifling amounts, even for a small and out of the way temple, as in the reconstruction of the Tin Hau temple at Cheung Chau in the second year of the last Ch'ing Emperor (1909).\n\nThe magistrate, too, was expected to play his part in warding off disaster. The District History mentions that CHAN Kuk", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 208072, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 111, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n95\n\nGod of Loyalty and patron of businessmen, soldiers, detectives and firemen. When represented, this stands near the entrance to his temple and is held on a short rein by a standing groom. The second is the paper horse used for carrying messages to the dead ancestors during the Yu Lan festival (15th of the seventh lunar month). These white or red horses look very similar to the Green Horse and are burnt during ancestral rituals. The third is the White Horse of the monk Hsuan Chuang, Tripitaka, who brought the Buddhist Sutras back from India in the 7th Century, and is only to be seen in one temple in Macau and not at all in Hong Kong.\n\nAn interesting observation which would appear to have no special significance, and one which surprised many Chinese temple keepers, is the sighting of the Green Horse on the altar of the maids and attendants of Chin Hua, the Goddess of Childbirth, in some thirteen temples.\n\nOfferings, Charms and Messages\n\nApart from the force feeding of the White Tigers at the festival in Spring, an offering of a large slab of cooked fatty pork is frequently placed on the Tiger's head, and sometimes several ounces of Chinese yellow wine is then poured over it. Charms, printed on yellow or red paper, are pinned to the Local Wealth God and incense and candles are burnt before the whole Under Altar. Offerings of paper money on the \"Bank of Hell\" are piled onto some Local Wealth Gods, as are paper taels of gold and silver. On occasions particular to the individual devotee and connected with calamities in their lives, he or she may place five yellow paper charms, purchased from the temple keeper, beneath each of five oil lamp saucers with glowing wicks. These, together with fresh eggs, are offered to the spirits in the Under Altar.\n\nIndividual devotees who wish to report their particular misfortune to the Disaster Spirits obtain slips of paper from the temple keeper. These are normally some four inches long and two inches wide, in either red or green, with a regular pattern of diamonds and circles cut out by folding and snipping in a special way. In a few cases, temple keepers require details of the \"disaster\" to be written on them, with dates and names of the people involved. The slips of paper are then burnt in the temple incinerator. In rare cases where devotees confuse the message papers with charms, they are", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 209951, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 210, "title": "RAS-1983", "content_text": "188\n\nto become restless spirits is well known. Soldiers who died in battle or in remote garrisons obviously belong to this category. Denied a proper funeral and those rites through which families regularly acknowledged their debt to the dead, spirits became restive. But no Chinese source claims that they expressed their grievances through baying dogs and, apt as the metaphor may be, it is probably not Chinese.\n\nThe text goes on to mention the use of branches and charms12 which seems appropriate in this context. Roaming spirits often turned malevolent and the wood of certain trees had long been held to possess apotropaic powers. Even the length of the branches originally had a magical significance but the measurements given here are garbled and meaningless.\n\nThus, short as it is, P.3106, cannot be dismissed, as B. Laufer once said, of another divinatory manuscript, as an “ungrateful and unpleasant subject of research”14. Not only does it reveal new aspects of traditional Chinese lore but it may also serve to illustrate how possibly alien material was adapted and incorporated into Chinese folklore.\n\nN° of\n\nColumn\n\n \n 1.\n 2.\n 3.\n 4.\n \n \n TRANSLATION OF P.3106\n \n \n Omens\n \n \n .. on a well or a stove, there will be a water or fire disaster. If a dog howls or barks it bodes ill for the master of the house,\n ? a trip.\n If a dog howls in a doorway it bodes ill; there will be deaths.\n A dog.\n \n \n +\n disasters.\n If a dog howls on the ceremonial platform it bodes ill for the eldest son.\n A dog howls.\n \n \n +\n .... a room, it bodes ill for women.\n If a dog first howls and then growls, misfortune will inevitably follow.\n If a dog howls at the sky, family ruin will inevitably follow.\n \n \n If a dog howls at the foot of a wall.\n •\n :\n \n \n\nPage 210\n\nPage 211", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 211669, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 84, "title": "RAS-1989", "content_text": "59\n\ndeities are not pestilence deities. The confusion has been compounded by the Fukienese themselves when over the years they unconsciously accepted all deities bearing the honorific Wang Yeh as protectors from epidemics.\n\nNOTES\n\nThe term Wang Yeh is best translated perhaps as 'The Excellencies'. It was a title given to imperial princes or lords, and interestingly it was also a term used by robbers for their brigand chief. See Plates 9-14 for illustrations to this article.\n\n2 There has long been controversy whether the Pestilence Wang Yeh are shen (Supernatural beings, spirits or deities) or kuei (shades of the human dead and pejoratively used for ghosts, spectres and demons). One god carver in Singapore explained that Pestilence Wang Yeh are \"half-deities\", (pan shen) that is half-shen and half-kuei. However, whilst a number of Pestilence Wang Yeh have ferocious faces, the great majority are portrayed as standard deities with no indication of demonic characteristics. An elderly and authoritative Fukienese god carver in Singapore explained in hushed tones that the Pestilence Wang Yeh are neither gods nor demons, are feared but not revered, and not only protect against plague but also cause it. They are, he repeated, semi-deities from the lower echelons of the bureaucracy of the Afterworld who do not like the human world and therefore cause trouble and bring calamity and misfortune. However, if prayed to they are quite prepared to care for devotees who seek protection. For this reason, more often than not the scale of devotion and offerings to the Pestilence Wang Yeh is greater than that provided to more powerful but orthodox gods.\n\nE\n\nDoolittle J. Social Life of the Chinese 2 Vols: New York: (1865).\n\nA god carver in Singapore suggested that Pestilence Wang Yeh have been given surnames so that no particular surname group is left without a specific deity to worship.\n\nThe only time that all images can be guaranteed to be on their altar in their temple is during the temple's annual festival.\n\nThe altar of Chu Wang Yeh in a temple in Lukang, Taiwan was destroyed by a flood some fifteen years ago. Of the three Wang Yeh images in the temple at that time (Chu, Ting and Nieh) only one image, that of Chu, was recovered. Although a new temple has been built for the three but only containing one image, the one of Chu recovered from the flood, devotees have largely stopped away. They seem to have lost confidence in deities who were unable to protect themselves against disaster.\n\n7\n\n**At Cheung Chau Island in Hong Kong in the afternoon of the third day (of the chiao festival of ritual purification held every ten years) a ('paper boat') ritual to chase away the Demon of Pestilence is performed. A Taoist issues orders to a Heavenly Envoy to carry off the boat and puts the Demon of Plague on a boat and leaves it in the outer seas. The Heavenly Envoy, like the King of Ghosts (Yenlo Wang), has a fierce-looking face. It is an image of about one metre high and the boat is a small one of about one and a half metres long. A Taoist lifts the Heavenly Envoy to a stage in the matshed theatre and chants a question-and-answer song which instructs the Heavenly Envoy. Having finished that, the villagers then put the Heavenly Envoy into the boat loaded with offerings. The boat is taken to the sea shore and left on the waters.\" Tanaka Issei: \"The Jiao festival in Hong Kong and the New Territories\", The Turning of the Tide Religion in China Today: Hong Kong Branch, Royal Asiatic Society, and Oxford University Press (Hong Kong); (1989), p. 287.\n\n8 There is a K'ang Yuanshuai, ie Marshal K'ang, on several Taiwanese altars where he", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 } ]