[ { "id": 204957, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 65, "title": "RAS-1965", "content_text": "58 \n\nJ. MCCOY \n\n'warm',chen 'spring', fen 'to instruct\". \n\n-engteng 'to wait', ceng 'past, finished'. \n\n-i 豬 ci‘pig,魚 i fish’,書 si book’,樹 si ‘tree',主ci 'master', ci to know', ci 'branch', ci 'property', \n\nBiisi \n\nÉ si \"teacher', \n\ni 'two'. \n\n--iu \n\nmiu 'temple', \n\nsiu 'small', \n\nkhiu 'bridge', thiu kiu 'to call', ✯ tiu ‘to \n\n-it \n\n-ik \n\n'to jump', * liu 'material', \n\nthrow away\". \n\n#cit 'to receive', ] pit 'different', it 'hot', thit 'iron', thit 'to take off', sit 'snow', it ‘month', \n\nhit 'blood\". \n\nlik 'strength', sik ‘color.uik ‘region', cik \n\n*mat', \n\ntik 'drop'. \n\nkin 'to investigate', \n\n-in \n\nlin 'connecting', \n\n'slice', \n\nkhin 'to owe', tin 'dot', sin 'wire', in 'word', phin \n\nlin 'confusion', chin 'complete', it in ‘far'. \n\n-inging to respond', ✈ sing 'to ascend', ping 'soldier', \n\nling 'neck', sing 'star', \n\n-iek R chiek 'foot measure', \n\n-iengpieng 'sick', \n\n-ou \n\nhieng 'light', \n\nto 'much', ‘old woman', \n\npou 'cloth, \n\nuing ‘eternal'. \n\nthiek 'to kick',13 \n\npieng 'cake', # sieng 'sound', thieng 'to listen'. \n\nco ‘left side', 'hungry', \n\npho \n\nko 'to pass over', E uo 'to lie down'. \n\nlou 'slave', mou 'military', lou \n\n'old', kou ‘to announce', # mou 'mother'. \n\n-okpok 'thin', ' cok 'to do', iok 'weak', kok \n\n'suburb', (a surname), khok 'really'. \n\n-on \n\nhon 'Han dynasty'.14 \n\n-ong pong 'to help', thong 'soup', \n\niong 'sheep', E cong 'artisan', \n\nlong 'two', \n\nfong 'falsehood',", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 208882, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 44, "title": "RAS-1980", "content_text": "16\n\nKEITH G. STEVENS\n\noften picked out in green or left in their natural state, though very quickly they are covered with incense soot.\n\nTraditional temples in Hong Kong and Macau have two predominant styles of facade. The first has a verandah, which stretches from side to side across the front and is covered by the roof (Illustration 7). The second style, the more common, consists of a regular oblong plan with the entrance door and the section of the front facade which fronts the main hall, set back about two feet into the whole facade. The facade fronting the two side halls is usually windowless, though occasionally it is decorated with long murals at roof height (Illustration 8).\n\nThe verandah of the first style is occasionally enclosed in a low, open balustrade. Above it the roof is supported by a stone beam from each side wall, reaching to and resting on the vertical columns which flank the entrance. Stone animals occasionally grace the beams, and more often than not the wooden support beams which stretch from the facade to the vertical pillars are heavily carved or support carvings depicting Chinese social life. In some villages, the Deng Family clan temple at Ha Tsun for example, the carvings depict everyday life, such as fishermen wading ashore from their grounded boats. In other temples, under the eaves high above the long verandah, murals of scenes in three dimensions in Shekwan pottery decorate the facade.\n\nThe majority of temples in Macau are single-hall temples (a total of 19 out of 32). The main halls of the two largest traditional temples in Macau, the Lin Feng Miao and the Guan Yin Miao are much the same basic size as those in the large Hong Kong traditional temples. However, the side halls and annexes of the two Macau temples are considerably larger. The large main hall of the Lin Feng Temple in Almirante Lacerda, facing WNW and backing onto the hill Colina de Mong Ha, has a main altar with two secondary altars on either side and, in addition, a second main altar in the front of the court, facing the main entrance. The whole Lin Feng complex has four separate major altars. There are two in the main hall, one at the front and one at the back and one each in the two side halls (with the one to the east having a further altar in a separate room). The temple's two side halls, each with its own main altar, are more than likely looked upon as separate temples as they have their own Earth Gods beside their entrances.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209089, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 251, "title": "RAS-1980", "content_text": "FEEFAT\n\nREFFEFFF\n\nPlate 9. The complex of four temples in Yaumati in the heart of Kowloon with the opening in the roof over the courtyard plainly visible. The entrance across the courtyard, is centre left of the photograph. Originally on the sea front, this temple is now well inland and surrounded by high rise blocks of flats and offices.\n\n芳流院税\n\n[\n\nPlate 10. Ancestral tablets of the senior members of the clan of each generation, standing in rows on the main altar in the Deng family Clan Hall at Ha Tsun, near Yuen Long.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209090, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 252, "title": "RAS-1980", "content_text": "Plate 1. The entrance to the Deng family Cian Hai complex at Ha Tsun. Yuen Long.\n\nPlate 12. A very tiny house-hold shrine containing one image (in this case. of Qi Tian Da Sheng (Monkey)).", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209474, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 131, "title": "RAS-1982", "content_text": "109\n\nproletariat,\" under the leadership of the CCP. It confirmed many of the changes which had taken place in China's legal system since 1958, including the elimination of the procuratorate and Ministry of Justice as well as such individual rights as that of the accused to a defense and an open trial.\n\nHowever, the 1975 Constitution was to have a short life. 1976 was one of the most traumatic years in modern Chinese history. Zhou Enlai died in January and an intense struggle erupted between his supporters and the Gang of Four. Mao himself died in September, in October the Gang of Four headed by Mao's wife Jiang Qing was arrested, and China entered a whole new era with the re-emergence and rise to power of Zhou's chosen successor, Deng Xiaoping, beginning in the summer of 1977.\n\nIn March 1978 a third Constitution was adopted which restored many of the provisions dealing with the legal system contained in the 1954 Constitution, including the Ministry of Justice, procuratorate, the use of people's assessors, and the right to defense and open trial. Article 47 also stipulates that “No citizen may be arrested except by decision of the people's courts or with the sanction of the people's procuratorate.\" Far more important than the Constitution itself were the various steps taken by the new leadership to rectify the excesses of the past, and a series of new laws designed to provide a stable base for a rational legal system.\n\nAccording to published reports, some 110,000 persons who had been detained as “rightists\" were released in June 1978, and by the end of June 1980 people's courts at various levels had reviewed over 1.13 million criminal convictions meted out during the Cultural Revolution and redressed over 251,000 of them.10 In early 1979, political and civil rights were restored to landlords and rich peasants and their descendants as long as they supported socialism. Also, in July 1979, the NPC adopted seven major laws including a Criminal Code, a Criminal Code of Procedure, an Organic Law of People's Courts, and an Organic Law of People's Procuratorates, which took effect in January 1980. By the end of 1980, there were over twenty law departments and institutes producing personnel to meet the needs of the new system. A system of people's lawyers was reinstituted in 1979 and legal", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209512, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 169, "title": "RAS-1982", "content_text": "147\n\na (a)\n\naay\n\nBy\n\n(aai) aaw (au) (ai) aw (au)\n\naam\n\nam\n\n(aam) aeng (ang) \n\naap (aap) ack\n\nang (ang) ap (ap)\n\nak (ak)\n\ne (e)\n\neng\n\n(eng)\n\nek\n\n(ek)\n\n¡ (e)\n\niw (iu)\n\nimm (im)\n\ning\n\n(ing)\n\nip\n\n(ip)\n\nik\n\n(ik)\n\na (oh) oy\n\n(oi)\n\nong\n\nok\n\nu (oo) uy\n\nung\n\n(ung)\n\nuk\n\n(uk)\n\nö (oeng)\n\nű (ue)\n\nöng\n\n(eung)\n\nök\n\n(euk)\n\nung\n\nük\n\nIn the above chart, KHW finals -uy, -aeng/k, -ong/k and -üng/k have no SC homophones.\n\nKHW -uy resembles SC -ooi, but has a short vowel instead of the long /oo/ of SC. The vowel in KHW -aeng/k is similar to the vowel in (Received Pronunciation) English man. The transcriptions -aeng/k, rather than -aang/k were chosen to illustrate this point. The vowel in KHW -ong/k is noticeably more fronted than that of SC -ong/k, with the result that it is sometimes difficult to distinguish between KHW -ong/k and -ông/k. Finally, KHW -üng/k are finals similar to SC -uen/t but have a short, instead of a long, vowel and a velar, instead of a dental, final consonant. Examples of these finals are:\n\n'fear' 'big'\n\n'satiated'\n\n/-a/\n\n伯 p'al\n\n/-aay/\n\n* taay4\n\n/-aaw/\n\nI paaw3\n\n/-aam/\n\nsaam1\n\n'three'\n\n/-aeng/\n\n生 saeng1\n\n'raw'\n\n/-aap/\n\n# tyaap4\n\n'diverse'\n\n/-aek/\n\n辣 laek4\n\n'pepper-hot'\n\n/-ay/\n\n米 may1\n\n'rice'\n\n/-aw/\n\n好 haw3\n\n'good'\n\n/-am/\n\n心 sam1\n\n'heart'\n\n/-ang/\n\n新 sang1\n\n'new'\n\n/-ap/\n\n入 yap4\n\n'enter'\n\n/-ak/\n\n☐ yak4\n\n'day'\n\n/-e/\n\n蛇 se2\n\n/-eng/\n\n病 peng4\n\n'snake'\n\n'sick'\n\n/-ek/\n\n吃 hek3\n\n'eat'", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209514, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 171, "title": "RAS-1982", "content_text": "149\n\nas -ae, when the following consonant is -ng or -k), as well as a contrast in voice quality: the lax finals are accompanied by lax voice, while the tense finals are accompanied by tense voice. This contrast in phonation type is particularly noticeable with the tense/lax pairs of finals -aeng/-ang and -aek/-ak, in which the tense vowel is always accompanied by a very sharp, metallic voice. In this way, all tense finals are easily distinguished from their lax counterparts using a set of cumulative cues such as length, timbre, direction of diphthong, and voice quality.\n\nOnly three finals ending in a final consonant are not part of a tense/lax pair: /-im, -ip, -iw/. Although optionally realized as a closing diphthong, their vowel is long and its aperture at onset can stand anywhere between that of a mid-high i and a fairly low e, the vowel sounds in English bid and bed. Admittedly, these finals could be interpreted as /-em, -ep, -ew/ with equal plausibility.\n\nThe restrictions to the combination of vowels and consonants within finals may be stated as follows:\n\n(1): rounded vowels /u, ö, u, o/ are not permitted to combine with labial consonants /-m, -p, -w/;\n\n(2): front vowels /i, e, ü, ö/ are not permitted to combine with the palatal consonant /-y/.\n\nAll other combinations, except /-em, -ep, -ew/, are permitted and actually occur as finals.\n\n4. Finals, comparisons with SC.\n\nFrom a comparative standpoint, there exist important differences between SC and KHW finals:\n\nKHW finals */-i, -ue, -oo/ of Old Cantonese were diphthongized to SC /-ei, -ui, -o/ when preceded by certain types of initials, while /-i, -ue, -oo/ were retained after other types of initials. This split did not occur in KHW.\n\nSC: -ei;\n\nSC: -i:\n\nKHW: -i:\n\nThus we find:\n\nti4 'earth'; l 'flag' but also tyi3 'paper'\n\nsil 'four'; #k'i2 sil 'poem' and #", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209520, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 177, "title": "RAS-1982", "content_text": "155\n\nSC final\n\nKHW final Conditioning factor\n\nSmooth Tones\n\nExamples\n\nClipped Tones\n\n-aam/p -aam/p\n\nUnconditioned\n\n三膾牖淡 甲搭夾納雜\n\n-am/p\n\n-am/p\n\nUnconditioned\n\n心含銜林 濕急十入合\n\n.im/p\n\nim/p\n\nUnconditioned\n\n嚴檢染馓 接劫協\n\n-aam/t\n\nUnconditioned\n\n--aeng/k\n\n閒關難晚 刀刮猿\n\nwaang/k\n\nUnconditioned\n\n生橫硬筆 百窄H\n\n-an/t\n\n-un/t\n\n-ang/k\n\n-ang/k\n\nUnconditioned\n\nUnconditioned\n\nUnconditioned\n\n根聞粉陣 春樽 七筆實 出律術 聲等正嫲 得黑\n\n-ing/k\n\nUnconditioned\n\n經蒸蟹榮 識色食歷\n\n-in/t\n\n---ing/k\n\n-on/t\n\n-oon/t\n\n-ung/k\n\nUnconditioned\n\nUnconditioned\n\nUnconditioned\n\n天田展面 精切否別 安寒漢汗 測渴 官門款碗\n\n-ung/k\n\nUnconditioned\n\n公紅孔用 竹督再次\n\n-pen/t\n\n-ung/k\n\nUnconditioned\n\n酸選軟 缺說\n\n-eng/k\n\n--cng/k Unconditioned\n\n省頸痛 只踢石菜\n\n-eung/k\n\n-ông k\n\nUnconditioned\n\n傷娘唱讓 脚樂\n\n—ong k\n\n-ong/k\n\nUnconditioned\n\n國落\n\n5. Tones.\n\nThere are four tones, numbered 1 to 4 in this paper. Tones 3 and 4 form the higher register; tones 1 and 2, the lower. Each register has a rising tone (tones 3 and 1) and a lower tone which is level or slightly falling (tones 4 and 2). In Y. R. Chao's numerical notation (in which the numbers represent the approximate musical contour of a tone on a relative scale from 1 low to 5 high, the first and last digits standing for the starting and ending points of a tone), their contours, observed on isolated syllables, are:", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 210043, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 14, "title": "RAS-1984", "content_text": "I shall first address the problem of membership and promotion of the Society and its publications, with their importance for healthy growth and a steady recurrent income. When so many of our members moved to life membership some years ago, albeit showing their strong support for the Society thereby, there was resultant loss of recurrent income. New members are important to keep up annual income. Thus, promotion and publicity of our work and activities to increase membership and boost income are pretty vital.\n\nThe big question has always been, who will do the work? Hong Kong has always been a very busy place. Unless retired, and sometimes not even then, most Councillors have full-time, demanding jobs which leave little time or energy for other pursuits. Whilst we have never found it difficult to recruit council members, there has always been a limit to the amount each of us can do for the Society. Councillors are either librarians, editors, secretaries and the like, but no-one yet has been able to combine several posts or take up additional duties. This has hit us particularly hard with regard to promotion and publicity. We find it very difficult to deal with this kind of situation, which nevertheless results in a fundamental dilemma; for until we do more promotion and publicity, our membership will remain low and our publications will not sell as well as they ought to reach their potential public. We have addressed these problems again recently and are trying to improve the position, short of using the services of public relations firms.\n\nTurning to our future, now is also the time for the Society to look ahead, especially in anticipation of severing the link Hong Kong has with Britain and the establishment of a highly autonomous Special Administrative Region of the People's Republic of China. There are those who conclude that the Royal Asiatic Society has no place in the new situation. Its name alone, they say, however honourable in itself, is sufficient indication that we cannot expect to continue after 1997 when Hong Kong is no longer a colonial appendage of Great Britain and the whole emphasis and outlook of the territory will have changed and, in the words of Chairman Deng Xiao-ping, \"Hong Kong people will govern Hong Kong\".", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210296, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 267, "title": "RAS-1984", "content_text": "246\n\nCHOI CHI CHEUNG\n\nTable A. Name of the Objects of Worship\n\n \n 1.\n A Nan Chun Che *\n \n \n 2.\n Buddha #N*\n \n \n 3.\n Chia Ych Chun Che\n \n \n ***\n \n \n \n 4.\n Kannon, the Goddess of Mercy\n \n \n 5.\n Dragon Kings of the 4 Seas\n \n \n 6.\n Representative of the Heavenly Kitchen 天厨使者\n \n \n 7.\n Chin Kwong Wang\n \n \n 8.\n Cho Kiang Wang thi\n \n \n 9.\n Sung T'i Wang ✯E\n \n \n 10.\n Wu Kwan Wang HE\n \n \n 11.\n Yen Lo Wang\n \n \n 12.\n Bien Chen Wang |\n \n \n 13.\n Thai Shan Wang E\n \n \n 14.\n T'u Shi Wang\n \n \n 15.\n Pin Deng Wang\n \n \n 16.\n Chuen Lun Wang\n \n \n 17-18.\n The Courts of extreme happiness 極樂殿\n \n \n 19.\n Kan Tsai Wang\n \n \n 20.\n Wai Lo ##\n \n \n 21.\n ?\n \n \n 22.\n The Great Kings and Emperors 大王大帝\n \n \n 23.\n The Lord of Pu-tu\n \n \n 24.\n Ancestral Hall of all Lineages 各姓宗祠\n \n \n 25.\n 6 paths and 4 species 0%\n \n \n 26.\n Wandering spirits of 4 directions 西方忘魂\n \n \n 27.\n The 3 Pure Ones E\n \n \n 28.\n Gods of the 3 levels\n \n \n 29.\n ?\n \n \n 30.\n Male and female orphan spirits 男女孤魂\n \n \n 31.\n 3 religions and 9 schools\n \n \n 32.\n Million souls of the 3 levels 三界萬靈\n \n \n 33.\n Office of the Yin and Yang H\n \n \n 34.\n Lord 8th A\n \n \n 35.\n Lord 7th\n \n \n 36.\n Temporary resting place ✯✯S\n \n\nQ 1-3 as told by the organizer of the Uji O Festival\n\nR\n\nET\n\nT\n\nH No. 7 to No. 16 were the ten courts of the Underworld. Informants always mention them without any difference from no. 17 and 18, as ‘Chigoku Juunoo' (M&E) or 'Chigoku” (Ten Kings of Hell, or Hell). 7 to 9, 10 to 12, 13 to 15, 16 to 18, were all made in one paper-made house (informants simply class them as Ming-che too) respectively.\n\nF Both 19 and 20 were regarded as the guardians of the festival. 19 for avoiding any meat, and 20 for keeping out evil and watching over the spirits.\n\nQ No one knew what it was\n\nT\n\nT\n\nGIF\n\nT\n\nQ No one knew what it was\n\nT\n\nT\n\nQ Told by the organizer of the Uji festival. It was also called T'ien Ti Tan (X).\n\nF Both 34 and 35 were the runners of Hell.\n\nH\n\n! \n\n! \n\n! \n\n¡", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210808, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 159, "title": "RAS-1986", "content_text": "D.L. MICHALK\n\nModel Cattle Farm\", Proceedings of the XVth International Grassland Congress, Kyoto, Japan (in press).\n\nMoninger, M.M. (1919) The Isle of Palms, Commercial Press Ltd., Shanghai.\n\nNalson, J.S., and J.F. Ayres (1984) “Development Projects and the Production Responsibility System in China: A Case Study”, Australian Journal of Chinese Affairs, 11: 131-145.\n\nNelson, H. (1985) “Prisoners-of-War: Australians under Nippon\", Australian Broadcasting Corporation.\n\nO'Leary, G., and A. Watson (1982) \"The Production Responsibility System and the Future of Collective Farming”, Australian Journal of Chinese Affairs, 8: 1-34.\n\nPfister, P.L. (1932) “Notices Biographiques et Bibliographiques sur les Jésuites de l'ancienne Mission de Chine, 1552-1773\", Variétés Sinologiques, Number 59.\n\nPope, C. (1924) “Hainan”, Natural History, 24: 215-223.\n\nPurefoy, J. (1825) “Diary of a Journey from Manchao on the South Coast of Hainan to Canton\", Asiatic Journal and Monthly Register of British and Foreign India, 20: 521-528; 621-628.\n\nSavina, M. (1929) “Monographie de Hainan\", Cahiers de la Société de Géographie de Hanoi, Number 17.\n\nSchafer, E.H. (1952) \"The Pearl Fisheries of Ho-Pu”, Journal of American Oriental Society, 72: 155-168.\n\nSchafer, E.H. (1969) Shore of Pearls, University of California Press, Berkeley, California, U.S.A.\n\nSmil, V. (1983) \"Deforestation in China”, Ambio, 12: 226-231.\n\nSouth China Morning Post (1983) \"Big Anti-Deng Riot Reported in Hainan\", March 3, 1983.", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 212032, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 447, "title": "RAS-1989", "content_text": "422\n\nMao Zedong translated, with an Introduction and Notes, by Roger R. Thompson Report from Xunwu, Stanford, Stanford University Press, 1990, pp. 1-1x. 1-278.\n\nThis is Professor Thompson's translation of a social enquiry report compiled within the short space of ten days in a small Chinese county town on the borders of Guangdong, Fujian and Jiangxi in 1930, not in peaceful times but in a period of turmoil as the Communists took over towns and villages in the surrounding countryside. Eleven persons including Chairman Mao as chairman and secretary produced the Report (p. 47).\n\nThe translator has also provided a most helpful introduction (pp. 3-41). This sets the scene and explains why the report was not included in the 1941 edition of Mao's Rural Investigations and had to wait until Chairman Deng Xiaoping sponsored its publication in 1981.\n\nProfessor Thompson calls the Report \"an extraordinary document, far exceeding in scope and depth the other investigations Mao made in Jiangxi and Fujian 1930-34\", which were published in 1941. The high degree of care taken with the text prior to eventual publication involved the editors in spending 51 days in retracing Mao's steps of half a century before. In all, they travelled 5000 li (1600 miles), talked to 35 organisations and 14 families, and conducted discussion sessions, making, all told, 800 textual emendations of information in categories like proper names, place names and the names of goods and products. As Thompson puts it (p. 37), there was an \"intense scholarly effort to prepare the text for publication\". He supports the authenticity of the text and explains how Chairman Deng found the report a useful vehicle to demonstrate his own legitimacy and to underwrite his call for accurate fact-finding to help solve the problems of the present (pp. 31-32).\n\nThe long Chapter 3 dealing with shops and commerce in Xunwu is especially interesting. It is almost as long (67 pp.) as the chapter on Traditional Land Relationships, Chapter 4, indicating the importance Mao attached to the subject. Mao's frankness is engaging. He says in the Report (p. 64) that he lacked \"understanding of what a market town is\". He had recognised the problem, but had never found people who could supply sufficient data. \"Two old gentlemen\" had been introduced by Comrade Gu Bo (the local communist leader). \"Many thanks to these two gentlemen\", he continued, \"for allowing me to become like a young", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212419, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 361, "title": "RAS-1990", "content_text": "338\n\nconsiders the scale of the task that he set himself. The Search for Modern China is a landmark in China scholarship. Spence's talent as a raconteur and his immensely readable style enable him to succeed in making history interesting to the nonspecialist.\n\nOn the present succession crisis in China, Spence points out the eerie parallel between Deng Xiaoping's behavior today and that of Mao Zedong in his last years, with each man anointing, then purging, one hand-picked successor after another. Even greater perspective is provided by his relating the present situation to that of the early Qing dynasty, when the emperor Kangxi was brought, as Spence put it, \"to the edge of despair\" by the succession question (p. 245), not being able to decide which of his many sons to name as his heir.\n\nThe author provides a rare perspective on China's centuries-old struggle to come to terms with the rest of the world,\n\nHe recalls that the reformers of 1898 had sought to resolve this tension by developing the concept of ti, or \"essence,\" and yong, or \"practical use.\" This formulation, Spence says, \"affirmed that there was indeed a fundamental structure of Chinese moral and philosophical values that gave continuity and meaning to the civilization. Holding on to that belief, China could then afford to adopt quickly and dramatically all sorts of Western practices, and to hire Western advisers\" (p. 225).\n\nSpence sees Deng and the other Chinese leaders today falling victim to the nineteenth-century fallacy that China could join the modern world entirely on its own terms, sacrificing nothing of its prevailing ideological purity\" (p. 746).\n\nHe feels this effort is doomed to failure. \"The task was even more hopeless in the late 1980s than it had been in the 1880s”, Spence concludes. \"What was left of Chinese Communist doctrine after the rejection of many of Mao's ideas and the emergence of the enterprise system was a thinner gruel even than the overformalized Confucianism that had guided the reformers of the late Qing. The party elders flailing out at Zhao Ziyang and his noisy supporters were reacting in an oddly similar way to the Empress Dowager Cixi as she struck back at Emperor Guangxu for attempting his Hundred Days' Reforms\" (p. 746).", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212506, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 60, "title": "RAS-1991", "content_text": "40\n\nPRIVATE PATRONAGE OF SCHOLARSHIP AND LEARNING DURING THE MID-QING: \n\nRUAN YUAN AND THE SCHOLARS AROUND HIM* \n\nWEI PEH T'I \n\nThis paper is an initial essay towards a biographical study of Ruan Yuan (1764-1849), a major scholar-official and patron of scholars of the Qianlong, Jiaqing and Daoguang reigns. I hope that by examining the life and work of a competent and respected scholar-official of this era, 'the prime exemplars of any age'.1 I may be able to bring into focus the critical problems and atmosphere of early 19th century China, the two score or so years immediately preceding the Opium War after which traditional Chinese institutions and values began to change. I have been fortunate in being able to make use of the extant Qing archival documents and Ruan Yuan's own publications for this research.\n\nRuan Yuan left considerable literary remains. I have located 75 titles, including a number of monumental publications that carry his name as author, compiler or editor. There are also prefaces he wrote for his own and other scholars' works, indicating that at least he had known the content of them before publication. Impressive indeed as these achievements were, questions about Ruan Yuan's actual efforts arise.\n\n* I would like to thank the following libraries for allowing me access to their valuable collections in preparing this paper: Library of the National Palace Museum, the National Taiwan University libraries; the National Central Library; the Fu Ssu-nien Library of the Academia Sinica; The Library of the Chinese University of Hong Kong, the University of Hong Kong Libraries; the Rare Book Collection of the Beijing Library; the Oriental Manuscripts Collection and the Main Collection of the British Library, the Harvard-Yenching Library of Harvard University; the Gest Library of Princeton University; the Library of Congress; the New York Public Library; and Qing letters from the collection of the late Dr Wang Shih-chieh. I am also grateful to the following individuals for their help and comments on an earlier draft of this paper: Chang Ling-sheng, Ch'ang Pe-te, Chuang Chi-fa, Wang Ching-hung, Wang P'u and Wu Che-fu of the National Palace Museum (Taipei), Wang Junyi and Huang Aiping of the People's University; Ji Longwei of Yangzhou Teachers' College; Feng Erkang of Nankai University; Beatrice S. Bartlett, Iona Crook and Stephen Shott of Yale University; F.W. Mote of Princeton University; Elizabeth Sinn, Maureen Sabine and Shih Hsio-yen of the University of Hong Kong; and Deng Linyu and Xu Xiaohui of the Chinese International School of Hong Kong. Of course, they are not responsible for the errors contained in this paper. My gratitude also goes to the Department of History and Centre of Asian Studies of the University of Hong Kong. I have opted to use pinyin to accommodate a particular Chinese software program, but have left the Wade-Giles transliteration in quotations.\n\nPage 60\n\nPage 61", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212526, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 80, "title": "RAS-1991", "content_text": "60\n\nGovernor-General of Yunnan & Guizhou\n\nKunming 2A\n\n1816-1835\n\nAssistant Examiner of Metropolitan Exam\n\nBeijing\n\n1833\n\nAssistant Grand Secretary\n\nKunming\n\n1B\n\n& Peking\n\nGrand Secretary in charge of Board of War\n\nBeijing\n\n1A\n\n1835/3\n\nActing President of the Censurate\n\nBeijing\n\n1835/10\n\nReader, Palace Examination\n\nBeijing\n\n1836\n\nSenior Professor (Hanlin Academy)\n\nBeijing\n\n1836\n\nAppendix 2\n\nRuan Yuan's Major Works and Compilations\n\nKao gong ji ju zhi tu jie 考工記車制圖解\n\nShi qu sui bi 石渠隨筆\n\nYi li shi jing kan ji 儀禮石經校勘記\n\nShandong xue zheng Ruan Yuntai shi tong sheng shu mu 山东学政阮芸台示童生书目\n\nShan zuo shi ke 山左石刻\n\nJingyin dao ren zhuan 淨因道人傳\n\nYunfeng zhi bei tu 云峰志碑图\n\nZhejiang shi ke 浙江詩課\n\nChong xiu piao zhong guan ji 重修剽中观记\n\nXiao cang lang bi tan 小滄浪筆談\n\nShan zuo jin shi zhi 山左金石志\n\nHuai hai ying ling ji 淮海英靈集\n\nLiangzhe yu xuan lu 兩浙輶軒錄\n\nCeng zi shi pian zhu shu 曾子十篇註疏\n\nWei yu shu shi sui bi zhu 魏餘蔬食隨筆注\n\nZhu cha xiao zhi 竹姹小志\n\nJing ji zuan gu bu yi 經籍纂詁補遺\n\nDi jiu tu shuo 地球圖說\n\nGuang ling shi shi 廣陵詩事\n\nChong xiu Hui ji Da yu ling miao bei ji 重修惠济大禹陵庙碑记\n\nDing xiang ting bi tan 定香亭筆談\n\nChong jian Yangzhou hui guan bei ming 重建扬州会馆碑铭", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212529, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 83, "title": "RAS-1991", "content_text": "10\n\n[bid\n\n||\n\n63\n\n&£#* (The\n\nHe You sheng, \"Chen Lan Fu di xue shu ji chi yen yuan\" [learning of Chen Lan Fu and its origins], Gu Gong Wen xian 2.4 (Taipei, 1971), 1-19. He's study on Ruan Yuan can also be found in \"Ruan Yuan di jing xue ji chi zhi xue fang fa\" [Classical scholarship of Ruan Yuan and his education policy], Gu Gong Wen xian 2:1:19-34 (1970).\n\n12 Liang Chi chao, qing dai xue wen gai lun [A discourse on Qing learning], (1921, Taipei Commercial Press reprint, 1975), 22\n\n13 Xiao Yi shan, ging dar tung shi [History of the Qing dynasty], (1935, Taipei Commercial Press reprint, 1976), 11 717.\n\n14 Hu Shi, Dai Dong yuan di zhe xue [The philosophical studies of Dai Zheng], 138.\n\n15 This is the only work of Ruan Yuan's that I have not been able to find. It was never printed because Ruan Yuan was not satisfied with the draft. The manuscript had been kept with Ruan Yuan's papers in his lifetime and subsequently disappeared. There was no indication whether it perished in the fires that destroyed the Ruan residence in Yangzhou in 1843, or that which burned down his studio, Wen xuan lou, in 1935.\n\n16 Ruan Yuan himself, as well as contemporary and modern scholars, complain often of the many errors in this edition. Ruan Yuan gave the excuse of not having had time to proofread the manuscript himself. In fact, he had been receiving admonitions from the Jiaqing Emperor at that time that he was expending too much time and energy on scholarly activities instead of concentrating on the affairs of state. Gungzhong dang (Palace memorials) Jiaqing 017818 (1817/29).\n\n17\n\nThis work was not printed during Ruan Yuan's lifetime, but is in Qing shi kao (Draft history of the Qing dynasty).\n\n18 There are a large number of these biographies of individual scholars, not necessarily all Ruan Yuan, scattered throughout rare book collections in various libraries. Copies of the biographies are also among the Guo Shih Guan (Qing Historiography Office) documents in the National Palace Museum (Taipei).\n\n19 For example, the Provincial Gazetteer of Fujian by Chen Shouchi, the Gazetteer of Yicheng by Liu Wenchi, and a new edition of the Gazetteer of the Prefecture of Yangzhou by Jiao Xun.\n\n20\n\nA contemporary print is in the collection of the Harvard-Yenching Library.\n\n21 Struve, 233\n\n22 Ruan Yuan, Ding Xiang ting bi ji [Informal notes from the Ding Xiang studio] 4:1b-2a.\n\n23 [bid.\n\n24 Ruan Heng, Ying zhou pi tan [Notes from Yingzhou] 1.4b; also Ruan Yuan, Yen jing shi ji [Notes written in the Yen jing studio] 11:8:8a.\n\n24 Zhang Jian, et al, Let tang an zhu di zi ji [The life of Ruan Yuan as recorded by his sons and students] 1:19b.\n\n26 The preface was dated 1804, but the work was not printed until later, in 1807 when the manuscript was finally acceptable to Ruan Yuan.\n\n27 Preface of a work entitled Ji Gu Zhai Chong ding yi chi kuan shi, printed in 1853. A copy can be found in the Fu Ssu-nien Library of the Academia Sinica in Taipei.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212533, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 87, "title": "RAS-1991", "content_text": "67\n\non a year by year basis, with events mainly related to performing arts and art exhibitions. In 1980, five performing arts groups visited the United States and two art exhibitions were launched. After a slight decline in activity in 1981, the number rose to eight events in both 1982 and 1983, taking performing arts and art exhibitions together. In the following two years, the numbers of Chinese cultural events continued to rise, though not drastically.\n\nLooking at these statistics, though not complete it is easy to see that there have been up and downs in the 15 years of Sino-American arts exchanges between 1972 and 1986, reflecting domestic political developments in both countries. In China, the years 1972-1978 were politically uncertain. The death of Zhou Enlai and Mao Zedong in 1976 and the dismissal of Deng Xiaoping led to new political disorder. After the fall of the Gang of Four in 1976, the country began to concentrate on modernization. Eventually this programme led to a loosening of the controls of Chinese political life.\n\nThe relaxation of political control started in late 1978, which was regarded both by the leadership and by a national consensus as a prerequisite to modernization, was followed by the appearance of many posters, unauthorized journals, mimeographed sheets and demonstrations, some of which expressed demands for radical changes and some of which even questioned the authority of the party leadership. This soon caused a political reassessment. Between 1978 and 1988 there were three swings from loosening political control back to more restricted policies, which were marked by reassessments beginning respectively in 1981, 1983 and 1986. Though these reassessments were politically oriented, some of them did centre on cultural issues and all of them affected China's cultural life.\n\nMeanwhile, the Sino-American intimacy of 1979 was cooled by Ronald Reagan's campaign promises to re-establish diplomatic relations with Taiwan. A strong anti-Communist, Reagan introduced into his foreign policy deep ideological prejudices in his initial years in office.\n\nBy the second half of 1983, the atmosphere of Sino-American relations began to improve, leading to Premier Zhao Ziyang's visit to the United States in January and President Reagan's tour to China in April of 1984. However, the affinity that existed around 1979 was not regained.\n\nIn this paper, I shall try to establish a framework of analysis which", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212537, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 91, "title": "RAS-1991", "content_text": "71\n\nthe Gang of Four gained considerable influence over policy between 1973 and 1975. Though granted extensive power, Deng Xiaoping was by then once again losing the favour of party chairman Mao Zedong who was very annoyed by Deng's systematic measures to reverse the Cultural Revolution. As the major administrator when both Mao and Zhou were seriously ill, Deng's position was also weakened by the slowness in normalizing Sino-American diplomatic relations.\n\nAt the same time, the American enthusiasm for close relationship with China had lost its initial impetus, largely because of the Watergate crisis and the consequent Presidential succession problems. With the inauguration of Gerald R. Ford in 1974, relations deteriorated rapidly and cultural exchanges, which had been mainly relegated to the exchange of sports delegations, decreased to their lowest level. During this time, the only Chinese performing group which might have visited the States to strengthen the delicate link established by the Philadelphia Orchestra, was cancelled due to the Ford Administration's ban on the inclusion in its programme of a Chinese song calling for the unification of Taiwan with the mainland. If the Philadelphia Orchestra's tour was perceived by the Chinese as more of a political event to celebrate a new relationship than merely a professional exchange in the arts, the cancellation of a delegation's tour of America was also interpreted, as an unequivocal signal of the Ford Administration's wish to alienate China.\n\nModernization and cultural openness\n\nHaving passed through these unsteady years, Sino-American cultural exchanges flourished. With the establishment of diplomatic relations on 1 January, 1979, cultural ties expanded in all areas. Student and scholarly exchanges were initiated. The two countries began to share scientific knowledge in energy, physics, and the study of earthquakes, and in other fields as well. Meanwhile, American presentation of artistic programmes in China increased to an unprecedented level.\n\nBehind these developments, there were profound changes in domestic politics as well as the international environment. By the end of 1978, Deng Xiaoping had decisively consolidated his leadership in the Party and begun to push the modernization programme forward according to his own blueprint. At the same time, China finally established diplomatic relations with the United States.\n\nThe first years of Deng Xiaoping's leadership expanded modernization", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212543, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 97, "title": "RAS-1991", "content_text": "77\n\nincoming events did take the role of initiating a new trend in China.\n\nChina's domestic policy reassessments were mainly motivated by political considerations and were generally centred on political and theoretical matters. Accordingly, art and literature were less affected than policies by these reassessments. Nonetheless, the bearing of these reassessments on art and literature were enormous.\n\nIn 1977-1978 there appeared a literary genre called “scar literature” (“wounded literature”), under which a number of stories, plays and poems were published or staged. Among these works were \"Class Teacher\" (\"Ban zhuren”) and “Scar” (“Shanghen”), after which the genre was named. The themes of the works under this genre were almost exclusively focused on the wrongs done in the Cultural Revolution. The open, and sometimes forceful condemnations of past policies were pretty much the same as the practices in earlier campaigns to criticize Liu Shaoqi and Lin Biao, but the content showed that writers tried to analyse history from their own perspective. After the Third Plenum in December 1978, at which Deng Xiaoping called upon the intellectuals to “emancipate their minds” and to break into previously forbidden zones, more works under this genre were published.\n\nThe impact of political reassessment in the post-Mao era was strong though, the first reassessment affected the development of art and literature only marginally. With the pulling down of the Xidan \"Democracy Wall\" and the arrest of Wei Jingsheng, an activist in the demonstrations who advocated adoption of a Western system of democracy, there appeared a tendency to limit the scope of literary and artistic activities. In June 1979, an article \"Praise and Shame\" was published arguing that any writer who criticizes the dark side of socialism is shameful. This article ignited a nationwide criticism of “ultra-leftist tendencies in literary and artistic creation.” In the following few months, major newspapers and journals published articles to refute this stand, dubbing its supporters the \"whatever\" faction.\n\nThis development made high culture a victim of political campaigns.\n\n16\n\nThough \"scar literature\" was unaffected by the campaign started in the spring of 1979, it had become out-of-sale by the autumn of that year as the mood of the nation turned more to the present and the future rather than concentrating on the past. So this literary genre was replaced by a more controversial genre, \"exposure literature\", in which social", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212551, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 105, "title": "RAS-1991", "content_text": "85\n\nNonetheless, a large portion of the participants in U.S.-China arts exchanges believe that, since the two countries are major players in international relations, mutual understanding of the other's culture was crucial in making the world a better place to live in. To the people in whose mind this theme loomed large, it was important to have a friendly relationship with China and exchanges in the arts were a handy way to achieve this goal.\n\nThe uniqueness of Chinese culture has also motivated some Americans who saw that exchanges could bring to American culture some diversity and therefore enrich it. The interest of Americans in Chinese culture was obvious, as can be seen by, for instance, the increasing number of Americans travelling to China each year.\n\nFinally, but by no means the least important factor in supporting arts exchanges with China by private sectors, there was a rejuvenation of the affinity which can be traced back to the 19th century \"special relationship\" between the United States and China which existed to the 1940s. To some, the special opportunity for the United States to transfer its culture and products to China on favourable terms re-emerged as a result of the drastically increased contacts between the two countries in the Carter years. \"Recognition of the People's Republic set long suppressed dreams of a return to China swirling in the minds of educators (the legatees of the missionary impulse) and businessmen.\" This helps to explain the involvement, rather intensive, of the RBF and the Henry Luce Foundation, which maintained close ties with China in the 1940s, and the United Board For Christian Higher Education, in China's arts education.\n\nAffinity and crisis\n\nThe highpoint of Sino-American arts relations was in 1970-1981. In his visit to the United States in January 1979, Deng Xiaoping personally signed a cultural agreement with President Carter in Washington D.C.. While in the United States, Deng extended to Seiji Ozawa, conductor of the Boston Symphony Orchestra, an invitation for the BSO to visit China. When the BSO arrived in Beijing in March 1979, Deng again paid his personal tribute to Sino-American arts exchanges by personally attending its performance and welcoming it as the first American performing art group to visit China since the elevation of relations to ambassadorial level.\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212552, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 106, "title": "RAS-1991", "content_text": "86\n\nLike the visit of the Philadelphia Orchestra in 1973, the significance of the BSO's tour lay more in political consequences than in artistic accomplishment. Though the quality of the BSO's first Beijing concert was controversial to some Americans, due to some flaws in performance, all of its four concerts in China were fully attended and two of the three in Beijing were transmitted by China Central Television (CCTV). The media, musicians, music critics and journalists all offered praise. The atmosphere around the BSO's visit was so warm that the U.S. ambassador claimed the event pushed U.S.-China relations 20 years ahead.\n\nWhat made the BSO's trip different from that of the Philadelphia Orchestra in 1973 was that, though overshadowed by political significance, this tour did bring a chance for Chinese artists to exchange artistically with their American guests, due to the improvement in China's political and cultural environments. By 1979, many artists in China had returned to their former posts. Artistic activities were normalized to a significant extent. Artistically, the BSO's visit generated several concrete results: the Central Philharmonic Orchestra performed with the BSO under the baton of Seiji Ozawa; two of China's most prominent musicians, Liu Dehai and Liu Shikun, toured the United States along with the BSO when it went home in March 1979 and performed with the BSO in the United States; in December, Seiji Ozawa came to China again and conducted the CPO. This event was thus successful both politically and artistically.\n\nThe impetus of Sino-American cultural exchanges resulting from the BSO's tour to China was reinforced in August 1979 when Vice President Mondale visited China and signed the first implementing accord under the cultural agreement. In his visit, Mondale praised Deng Xiaoping's visit to the United States in January for resparking the friendship of the American towards the Chinese people. This atmosphere of Sino-American cultural intimacy created by top political leaders received a new impulse in 1980 when the two governments exchanged high-level cultural delegations. In July, Chinese Vice Minister of Culture Liu Fuzhi visited the United States and the USICA director John E. Reinhardt returned his visit in October. In the latter's visit to China, both parties expressed hopes for more high-level exchanges, and confirmed the policy, agreed upon in Liu's earlier visit to the United States, to encourage and support private sector activities in cultural exchanges.\n\nTraditionally, China's cultural relations with Western countries have", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212562, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 116, "title": "RAS-1991", "content_text": "96\n\nThe interest of the Chinese in American culture was surprising. For example, between 1979 and 1986, 13 American plays were produced by Chinese theatres, including Arthur Miller's Death of a Salesman. The production of Death of a Salesman was not, in fact, an American event because all the people involved directly in the staging were Chinese, except for Arthur Miller who directed the play, and it was a production of the Beijing People's Art Theatre. Nonetheless, it was seen as a symbol of Sino-American affinity and cooperation. The opening night performance in Beijing was attended by the American ambassador to China, and David Rockefeller, Jr. In the Chinese press, the production of the play was hailed as \"the most significant cultural event in China since the Cultural Revolution\".38 This interest in American cultural events in China actually upgraded the intensity of American cultural presence.\n\nOn the other hand, the American involvement in China's arts education was massive and intensive. In 1985, for instance, the number of Americans teaching in Chinese arts institutions roughly equaled the total of artists from all other countries serving in similar capacities. In sum, the eight years between 1979 and 1986 saw an influx of American culture nurtured by as well as resulting from the disproportionate interest of the Chinese in the United States and its culture.\n\nAt the beginning of the process of diplomatic normalization and in the two years following it, China's external relations were almost monopolized by developing the American linkage. The much-publicized visit of Deng Xiaoping to the United States, the signing of dozens of agreements between the two governments, the massive arrival of Chinese students on American campuses, the exchanges of delegations, and the encouragement of non-governmental contacts by the governments and so on, all helped make the impression on the Chinese that the United States was the best in everything and the American linkage was the only relationship to be valued. In the first two years following normalization, an average of 100 Chinese delegations visited the United States monthly.\" Furthermore, the use of arts exchanges to consolidate the general relationship and to win U.S. economic and technological cooperation made arts exchanges a handmaiden of politics.\n\nIn specific terms, when a major American cultural event took place in China, it was praised all around for political reasons, while the necessary objective evaluations of the quality and the artists involved were rarely or sometimes never provided. The flaws in the BSO's", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212566, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 120, "title": "RAS-1991", "content_text": "100\n\n22 Shaw, p. 297\n\n23\n\nHu Qiaomu\n\n24 Unlike the campaign to criticize Bitter Love, this campaign was carried out in all the media and in factories. Some books in university libraries stopped circulation. In the latter stage, some rural areas began to join the campaign. In such circumstances, Zhao Ziyang, a major advocator of reforms, condemned “some misconducts\" of the campaign in a largely publicized speech in May 1984 and formally terminated the campaign against \"spiritual pollution\n\n25 Rui Xingwen, \"Gaige shiqi de wenhua fazhan zhanlue wenti,\" (\"Issues on the Strategy for Cultural Development in the Time of Reform”) Hongqi (Red Flag), No 14, 1986, Pp 11-13.\n\n26 Kim. p. 122.\n\n27\n\nChou Wen-chung, \"The Center for US China Arts Exchange. Purpose,\" U.S.-China Arts Exchange Newsletter Spring 1980, p. 1\n\n28\n\nProgram Report 1980-1981, the Center for United States-China Arts Exchange. November 1980, p 1\n\n29\n\nIbid\n\n10 Michael H. Hunt, The Making of a Special Relationship, the United States and China to 1914 (New York Columbia University Press, 1983), p. 312\n\n30 Mo Fei, \"*'BSO' fang hua zhi xing” (“BSO's China Trip,'') Bianyicankao (Translated Reference), No. 4, 1979. pp. 57-60.\n\n要 By \"non-governmental sector\" I mean societies, institutions, agencies, troupes and companies which are not directly subordinated to the government As these organizations were not privately owned, they cannot be fitted into the concept of the \"private sector\" as used in the United States. However, these organizations were different from government organizations\n\n33 Hu Qiaomu, p. 159.\n\n14\n\nGuan Li, Renmin ribao, 13 January 1980, p &\n\n8\n\nLi Rong, \"*Hanlıu dang bu zhu chuntian de jiaobu\" (\"Cold Current Cannot Stop the Steps of Spring''), Dazhong dianying (Popular Film), November 1979, p 10.\n\n36 Tang Manchen, \"A Talk on Ballet,\" Beijing Foreign Studies University, Beijing, 14 April 1987\n\n37\n\nRobert Sherman, “A Musical Interlude in Peking.“ New York Times, 12 October 1980.\n\nP. I.\n\n38\n\nAs quoted in **Arthut Miller's 'Salesman Travels to Beijing,\" U.S.-China Arts exchange Newsletter, Summer 1984, p 1\n\n39 Shaw. p 115\n\nPage 1\n\n20Page 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212956, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 24, "title": "RAS-1993", "content_text": "In the economic sphere, the concept of face also prevails. A Japanese who worked in China for quite some time thought that a strong sense of nationalistic pride among Chinese was at work. Chinese thought that being a great nation with a great history, they could achieve whatever the foreigners had accomplished. While it had been clearly stated that the country could not lose in the competition with other developing nations such as India, Taiwan, etc., China chose to spend much more time modernising her own model than learning from the developed industrial nations whose colonial spirit she refuted (Funadashi, 1985: 224-228).\n\nRegardless of the excuse of colonial spirit, Chinese people could not learn from foreigners because they thought they belonged to a superior race. To follow foreigners' steps would mean depreciation of face (Hsu, 1981: 469; Bo, 1987: 199). Even when a Chinese praises Western culture and civilization, he is bound to be called by his fellow countrymen a worshipper of the West (Bo, 1987: 69).\n\nSome Recent Observations\n\nIt is the question of face at work, the importance of it, which pervades the whole country, her culture and her people. Now, in the 1980s, face still seems to be at work. Sun Longji (1983: 60) has cited Yu Luoji's (44) and Li Shuang's (*) cases. Had they not been publicised, they would not have encountered such great reaction from the authorities. It was the revelation of these cases which put the Communist leadership into an embarrassing situation. It could not help putting heavy sentences on these two persons who openly acted against what it preached, otherwise its reputation and power as the outright governing body of China would be hampered.\n\nIn the political sphere, in the 13th National Congress of the Chinese Communist Party (the most recent session of the All-China Representatives Meeting), a new Central Committee was elected and a once powerful man, Deng Liqun, believed to have lost power in the recent shuffle, was given membership in the Central Advisory Commission. Hu Yaobang, the General Secretary having resigned in disgrace, remained in the Politburo. Hua Guofeng, the former chairman, deposed in the third comeback of Deng Xiaoping, continued his party member status. Aside from the recognition of these men's contributions as a reason for their retention of some participation in the party, it might just be evidence of Pye's postulation - avoidance of putting someone in a totally defeated", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 214041, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 109, "title": "RAS-1997", "content_text": "76\n\n1\n\nright, government officials and village representatives have powers to grant or block the application In this essay, my study of the Pang villagers in Hong Kong's Fanling shows how their building rights have been re-defined to have their applications granted Benedict Anderson, Imagined Communities Reflection on the Origin and Spread of Nationalism (Revised Edition), London: Verso 1991\n\nIt is called small house in government's terms under the 1972 Small House Policy\n\nSee Hugh Baker, A Chinese Lineage Village, p. 154, Stanford: Stanford University Press 1968, Allen Chun, Land is to Live: A Study of the Tsu in a Hakka Chinese Village, New Territories, Hong Kong (unpublished PhD thesis, University of Chicago 1985), pp. 249-250, H. Nelson, \"The Chinese Descent System and the Occupancy Level of Village Houses\", p. 117, Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 9 (1969) pp. 113-121, James Watson, Emigration and the Chinese Lineage: The Mans in Hong Kong and London, p. 160, Berkeley: University of California Press 1975, and Rubie Watson, Inequality among Brothers: Class and Kinship in South China, pp. 106-110, Cambridge: Cambridge University Press 1985\n\nThe data presented in this essay was collected during my fieldwork in Fanling Wai from the end of 1993 to early 1995\n\n4\n\nT\n\n#\n\nPang Beng Fu (Ed.), Bao An Xing Fen Ling Xiang Peng Shi Zu Pu (The Genealogy of Surname of the Pang in Bao An Province), 1989\n\nIbid, p. 59.\n\nAt the end of the summer of 1950, approximately 700,000 Chinese arrived at Hong Kong as a result of the political unrest in China in 1949 Szczepanik estimates that the population of Hong Kong in 1954 was about two millions But there was yet another influx of an estimated 140,000 immigrants from China during 1955-56 See Edward Szczepanik, The Economic Growth of Hong Kong, pp. 25-27 London: Oxford University Press 1958\n\nAs Jones reveals, by 1981, more than one quarter of Hong Kong's near five million population are living in the new towns such as Tsuen Wan, Shatin and Tuen Mun See Catherine Jones, Promoting Prosperity: The Hong Kong Way of Social Policy, p. 242 Hong Kong: The Chinese University Press 1990\n\nSee Catherine Jones, op cit, Fong, Peter, K.W., \"Housing for Millions: The Challenge Ahead\", in Joseph Y.S. Cheng and Sonny S.H. Lo (Eds), From Colony to SAR: The Hong Kong's Challenge Ahead Hong Kong: The Chinese University Press 1996\n\n10 There are two lineage-based religious activities held in Fanling Wai They are Hong chao rite and Da jiao festival Hong chao rite is held annually by the Pangs in the name of the Fanling Pang lineage to placate deities in exchange for their protection of villagers' well-being (see Au Tat-yan and Cheung Sui-wai, \"The Hung Chin Ceremony in Fanling\" [Chinese], in South China Studies Vol. 1 (1994) pp. 24-39). Da jiao festival basically fulfills the same function of the Hong chao rite, but is held at ten-year intervals Through this elaborated and expensive five-day-four-night exorcising rite, the Pangs believe that their", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214206, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 64, "title": "RAS-1998", "content_text": "27\n\nOf course obscene jokes and a preoccupation with excrement and body functions are common in many societies and have raised smiles, like other familiar jokes, for centuries. For example, instead of saying a Chinese laughed, one can say: 'Saw teeth but did not see eyes.' Because of physiognomy, one is hardly able to use this expression about Europeans.\n\nIn most countries satire survives partly because it tweaks the authorities. In England, there is the Yes, Minister series, which has stood the test of time, just as there is an assortment of tales about party leaders in China where jokes go back decades. Over the last half century many certainly do not conform with Communist Party intentions. For example, with a play on words, the late elder statesman, Deng Xiaoping, was sometimes ‘insulted' by calling him 'Little Bottle,' which the sound of his given names suggests. Certainly it is not the done thing in China to insult the leaders and humour, like most things, is expected to serve the state.\n\nTwo other anti-establishment jokes, which went the rounds not too long after the Communist government took over in China in 1949, run as follows:\n\nA parrot said, 'I'm smart, I listen to people and mimic what they say.'\n\nA government official replied, ‘I'm smarter, I only copy what our leaders say!'\n\nThe second joke runs:\n\nTwo men had a fight and one contestant bit off the other's nose. The case went to court. The man being tried insisted his opponent bit off his own nose. 'But how could he possibly do that?,' enquired the magistrate, 'His nose is situated above his mouth.' 'Simple' came the reply. 'He stood on a chair to get at it!' This joke seems to fall rather flat on most Westerners (and indeed on many Hong Kong Chinese) for whom it is not sufficiently subtle.\n\nAlthough not considered good taste today, as mentioned before, just as there are English jokes about the Welsh, the Irish and the Scots,", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214207, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 65, "title": "RAS-1998", "content_text": "28\n\nso different Chinese ethnic sub-groups laugh at each other. In the early 1950s, when many Shanghainese came to Hong Kong from the Mainland, the sally going the rounds among the Cantonese was: First the Shanghainese travelled in a small car. Now they ride in a big car. For the Westerner who is slow on the uptake this means, when they first came to Hong Kong they drove a car. Later, they could not afford it so they travelled by bus.\n\nIn China too, at one stage there was a tendency, as in other societies years ago, to deride cripples and the mentally retarded (Sypher, 1956; 202). In England in the Middle Ages, a hunchback was expected to caper around and amuse others. Jews, the village idiot, and the 'Chinaman' with his pigtail were usually all good, certainly in the 19th century, for a giggle (Pan, 1990; 84). More recently, there was the case of the Duke of Edinburgh meeting some British students studying in China and the Duke saying to them: 'If you stay here too long you'll get \"slitty\" eyes.' Many people seemed to think it was an insensitive remark and in bad taste. A few however felt, no doubt like the Duke himself (and indeed a few Hong Kong Chinese), that it was all intended in good, clean fun.\n\nWe must not forget that a witch was burned alive in Sunderland, England, as late as 1722, which was an occasion of some merriment. Even today many children enjoy 'cruelty' in their humour, such as the slip on the banana skin or the bucket of water tipped on the head. The author recalls how a colleague, a Chinese teacher, was given the nickname of tsoh hau ue (left [sloping] mouth fish) (false halibut) in the 1950s. Although humour can conceal or even help to heal pain, there are people of all nationalities who delight in the misfortune of others, and, even today, a few get pleasure from stoning a hedgehog to death which is stuck in a hedge.\n\nFrequently one hears about oppressive authority in Chinese life and there are sometimes attempts to 'skewer' an incident, by the oppressed, with a good joke. Everyone loves to make the leaders look stupid.\n\nThere is the one about the three Chinese in a prison cell during the Cultural Revolution. The first said: 'I'm here because I supported Deng", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214208, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 66, "title": "RAS-1998", "content_text": "29\n\nXiaoping.' The second said, 'I'm here because I opposed Deng Xiaoping.' The two turned to the third who piped up, 'I am Deng Xiaoping.' Deng was, of course, incarcerated for a spell during the Cultural Revolution.\n\nGenerations of Chinese have endured hard lives and they frequently surprise Westerners by laughing at things which are construed in the West as horrible and cruel (Bonavia, 1980:59). 'Blood and guts' at the cinema are examples, although a nervous giggle is perhaps a better description than an outright laugh. Use of this 'safety valve' not only rejuvenates the mind and body but also diffuses anger. Humour and laughter help relieve stress and tension and the immune functions which they bring into being can sometimes help one get out of a trying, embarrassing or difficult situation.\n\nYou will sometimes see a Chinese who has been jaywalking, and has had a close shave with a car, or someone who drops his camera, grinning, or even giving a mild laugh. This reaction provides an escape mechanism. A giggle can make the serious seem ‘unserious' and bring about counterproductive results. Vittachi, the Hong Kong comic, has pointed out to the author that it is by no means confined to Chinese. Other Asians, such as Vietnamese, use 'laughter' to express embarrassment. One not infrequently sees bafflement (or even anger) on the face of a Westerner who tells the Hanoi custom officer that his ticket has been stolen, only to see the officer break into a nervous giggle.\n\nIn fact, the practice is not even purely Asian. The author recalls during World War Two when even British conscripts learned to laugh at the 'horrific' in order to adjust to the situation. If you could go into battle singing the song, 'Hurrah for the Next Man to Die!' you were better able to shrug off death and less likely to go 'shell happy.' Humour acts as a kind of release and can be borne out of pain. Sigmund Freud wrote a dull paper entitled, 'Jokes and their relation to the unconscious,' in which he stated that humorous laughter was a kind of catharsis, a release of tension that returns the body and mind to a state of homeostasis or equilibrium after stress (Freud, 1960).\n\nThe fact that humour can be born out of pain gives rise to the saying: 'I have migraine at the moment and everything seems funny in a peculiar (mirthless) sort of way.'", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214355, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 213, "title": "RAS-1998", "content_text": "178\n\namends. King Wu also held an audience at which he announced that certain Daoists and generals who had bravely fought and died should be regarded as heroes and revered as such. At that point a number of Daoist mythological heroes stepped forward and declared that as they were uncultured, having lived in the mountains and countryside, they now wished to return to report to their masters. They added that they were unable to accept honours or rewards as they had simply followed the orders of their masters. All seven left the Court, and the following day after a feast, they were reluctantly permitted to leave by King Wu.\n\nMy daughter, a friend and I during a visit to Song Shan in Henan province, one of the Daoist holy mountains, came across a large modern temple which, as we approached its entrance, looked real enough until we came to enter it. There were several young women in a uniform of sorts knocking a badminton cock around to while away the hours and, of all things, a turnstile. We then saw the name of the temple was Fengshen Gong, the Palace of the Investiture of the Gods, and entered wide-eyed wondering what could possibly be inside.\n\nOnce inside we were taken by our guide down a short corridor and out into what proved to be a massive wax-works, images of scenes from the Fengshen Yanyi as well as images of the major local deity, the Lord of Zhong Yüeh, the Lord of the Central Peak [Song Shan]. The exhibition, we were informed, had been built by the Tourist Board of the local city, Deng Feng, for Chinese visitors. Well over 200 images, mostly static but with some dozen or so automatons, lined the winding path leading through the large exhibition hall. With a not too subtle gesture our guide switched each on and off until, apparently bored by her foreign guests who spent quite some time at each exhibit, she abandoned us and returned to her badminton. The place was deserted apart from four small boys who were delighted to be alone with us and took enormous pleasure in switching on and off the various exhibits for our benefit without any guide being there to chastise them.\n\nScenes included the wicked Zhou Wang ascending his throne; Na Zha, the Third Prince, Causing Trouble with the Dragon King; Duke Fa [King Wu] subjugating Zhou Wang; the Terrace of the Investiture on which Jiang Ziya is reading out the decree canonising the heroes, and the Five Sacred Ones returning to Heaven. Several of the automated exhibits had the small boys in fits of giggles; one in particular", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214548, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 406, "title": "RAS-1998", "content_text": "375\n\nBACKSTREETS OF BEIJING\n\nNOTES ON THE EASTER, 1998 VISIT TO BEIJING\n\nPENNY ROBBINS\n\nMEREDITH TONG-DRAPER GEOFFREY ROPER\n\nThe idea of a visit to Beijing, the Branch's first, came up during the Easter 1997 visit to Shanghai when Council member Dr Joseph Ting offered to lead a trip to aspects of the capital seldom seen by the tourist. Despite a busy work schedule, Dr Ting came true to his promise and on Good Friday, the 10th April led a party of 26 members and guests, including Branch President Dr Dan Waters, to Beijing.\n\nDriving in from the Airport we found that spring had already arrived with the highway lined with trees sprouting every shade of green that one could imagine, and blossom in white, pink and deep crimson. Everything, that morning, looked fresh and clean, and to those who had not been there for some years, more prosperous. \"Bamboo\", the tour guide supplied by the travel agent, soon let us know that Beijing was now sharing in the nation's wealth.\n\nDr Ting soon had us working hard and we went straight from the Airport to the Foreign Missionaries Cemetery in the western suburbs of Beijing, off Chegongzhuang Road, rather ironically tucked away in the grounds of the Beijing Municipal Party Committee Cadre Training School, where a billboard proclaimed Deng Hsiao-ping's pragmatic message “learn from experience\". At the Cemetery, for which the Ming Emperor Wanli had given land in 1611, we were met by Professor Liu Shuyong a research fellow of the Academy of Social Sciences and Hon. Secretary of the Hong Kong University Alumni Association in Beijing, who had helped make many of the arrangements for our visit, and Madam Gao Zhiyu, President of the China Association for Matteo Ricci Studies, which had been formed in 1995. Madam Gao gave us a very informative guided tour of the cemetery. [Illustration One].\n\nThere are two main sections, one, which has three graves and another with almost fifty more. The principal grave is that of Matteo", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215062, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 158, "title": "RAS-2000", "content_text": "Fang Xiang\n\nLi Bing\n\n李丙\n\nHuang Chengyi Z\n\n丞乙\n\nZhou Deng\n\n周登\n\nLiu Hong\n\n劉供\n\n115\n\nThe Spirit who is the Bearer\n\nof News\n\nThe Spirit who Superintends the Year\n\nThe Spirit who Superintends the Month\n\nThe Spirit who Superintends the Day\n\nThe Spirit who Superintends the Period\n\nThe Iconography of Taisui\n\nIn a few temples Taisui is represented simply by an image of the President, Yin Jiao,* where he is depicted as a fierce figure with eight arms and a third eye. In the majority of temples there is either a lone image or more usually in southern China, sixty images or sixty tablets representing each of the Taisui, one for each of the years within the sixty-year cycle of years.¥ The cycle was known as Hua Jia Hua Jiazi¥, which was the measurement of time during Imperial days.\n\nIn a few temples a large deeply carved gilded tablet dedicated to Taisui stands in the centre of the Taisui hall, in addition to the one or sixty images.\n\nIn Fukienese communities in Taiwan and South-east Asia his single image tends to stand alone, an awesome deity, whereas in Cantonese, Chaozhou and Hainanese communities his image either stands alone, a benign conventional young man, sitting holding either a ruyi [sceptre] or, more usually, an extended scroll bearing Chinese characters. The Taisui can also be portrayed in a group of sixty each one of whom is again usually a benevolent young or middle-aged man. Each of the sixty serves for one year, in rotation, within the Chinese sixty-year cycle. All sixty images are generally carefully carved and decorated, each being different, some being radically different. An aspect of Taisui", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 166, "title": "RAS-2000", "content_text": "123\n\nscroll stands in the centre and is flanked by two images each with his right arm raised holding a bell. The faces are one red and one black, and the pair are known as the Red Taisui and the Black Taisui, all three functioning as one deity.\n\nA six-armed image of Taisui in the side hall of the Penang City God temple shares the main altar with Guan Yin and the Great Saint [Qitian Da Sheng - though better known as the Monkey God]. In Cholon, Saigon, three separate deities are portrayed on one altar, each with Taisui added to his title. These are Ziwei Xingjun, Wenchang and Xuantan, the first being a stellar deity whose likeness is pasted or nailed to doors as a popular charm to ward off demonic attack, the second is the God of Literature and the third, a Wealth God. This nomenclature would appear to be a local whim, not seen nor heard of elsewhere.\n\nOnly in very few instances does Taisui have any assistants. Several temple keepers in Taiwan and Singapore explained that Taisui, like so many protective deities, has Five Demon Armies under his command. These he despatches to cope with recalcitrant humans who fail to honour Taisui properly or who have insulted him in any way. When humans come under any form of demonic attack the cause and source of the attack is usually revealed to them by mediums, who are then in a position to advise the individual what should be done to counter and ward off the evil effects, particularly so when the attack is mounted by tamed demons under the control of a deity, Taisui. They advise the human to immediately propitiate him and request him to call off his demonic forces.\n\nIn several novels Taisui is described as having ten assistants the last four being the gods of the year, the month, the day and the hour. All were described in the Deification of the Gods as having been slain at the famous battle between the good and evil forces at Wan Xian Chen and have been named as:\n\nLi Bing\n\n李丙\n\nHuang Chengyi\n\n黃丞乙\n\nZhou Deng\n\n周登\n\nLiu Hong\n\n劉洪\n\nIn a temple in Kalgan, a city known today as Zhangjiakou in the Chinese province of Inner Mongolia, Yin Jiao's second brother, Yin", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 } ]