[
    {
        "id": 215415,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 192,
        "title": "RAS-2001",
        "content_text": "-reinfo\n\n141\n\nbrackets, enclose a window. Typical Late Renaissance ornaments and geometric designs of various kinds, such as spheres on pedestals, top the entablature and pediment.\n\nJesuit Churches in India\n\nPerhaps the most ingenious exploitation of the motif in India was by the Jesuit Fathers, whose building schemes form such an important part of the history of art of Colonial Iberian architecture in Asia and the Americas. It can be seen not only on the façade of the now vanished collegiate church of São Paulo in Velha Goa, but also in the Church of their College of São Paulo in Baçaim.\n\nThe Arch of Triumph decoration of their Baçaim church is of great interest for my main argument because at least one art historian has noticed its structural similarities to that of retables. David M. Kowal's recent article implies that not only the façade of the Baçaim collegiate church, but also that of Velha Goa should be so considered and he describes them as \"retable-like.\" Not all art historians would classify any of the church fronts in Portuguese India as retable-façades, including those of the Jesuits, although it is difficult to dismiss D. Kowal's claim for these two churches.13\n\nThe name of the church at Baçaim, built between 1561-1579, is actually Nome de Jesus (Name of Jesus). Its large Arch of Triumph indeed resembles those appearing in a number of Renaissance retable-façades in Southern Spain, such as that of the church of St. Elizabeth, in Seville.\n\nAs far as the Arch of Triumph motif itself is concerned, the most important sixteenth-century example in India may be seen in the Church of São Paulo in Velha Goa. Moreover, one could take 1560, the year when building of the new college and church of São Paulo were initiated, as signalling a more ambitious phase in the Society of Jesus' architectural projects in India.\n\nWhen it was completed in 1572 São Paulo was not only the first major church built by the Jesuits in India, it was also one of the most masterful Portuguese churches in Asia, attesting to the importance that the Jesuit fathers attached to it.15 Its association with St. Francis Xavier",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215436,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 213,
        "title": "RAS-2001",
        "content_text": "162\n\n1993, p. 154. Morais, Carlos Alexandre de, Cronologia Geral da Índia Portuguesa, Lisbon-Macao, 1993. Ms. Amita Bairg, UNESCO heritage consultant on India, kindly provided number of churches and convents in 17th century Velha Goa.\n\n10 Arches of Triumph appeared in church portals at the time in Andalusia, in Southern Spain. For Vandelvira's career and famous treatise on architecture, see Barbé-Coquelin de Lisle, Tratado de Arquitectura de Alonso de Vandelvira, 2 vols. Albacete, 1977.\n\n\"V. Fraser. \"Architecture and Imperialism in sixteenth-century Spanish America”,\n\nArt History, 9, No. 3, Sept. 1986, pp. 325-35.\n\n\"The Architecture of conquest: building in the Viceroyalty of Peru, 1535-1633\", 2 volumes, Ph.D. diss., Uni. of Essex, Colchester, 1984.\n\n12 George Kubler's classic thesis on the plain style of Portuguese architecture forms the subject of his book, Portuguese Plain Architecture: Between Spices and Diamonds, 1521-1706, Middletown, Conn., Wesleyan University Press, 1972. For a recent discussion of this style, see Miguel Soromenhos' article, \"Classicismo, italianismo e ‘estilo chão'. O ciclo filipino\", in História da Arte Portuguesa, direcção Paulo Pereira, Volume 2, Lisbon, 1995, pp. 377-403. See in particular pp. 383-86.\n\n13 David M. Kowal, \"Innovation and Assimilation: The Jesuit Contribution to\n\nArchitectural Development in Portuguese India\", in The Jesuits, Culture, Sciences, And The Arts, 1540-1773, University of Toronto Press, 1999, pp. 482 and 488. It is somewhat ironic that D. Kowal uses the term \"retable-like\" for the\n\nportal decoration of the façade of São Paulo. Professor J.B. Bury dismissed an exact term in the first assessment of my MPhil thesis (see note 1) as not precise enough, one which I eventually gave up.\n\n14 See flap of vol. 2, in Barbé-Coquelin de Lisle, op. cit, for illustration of the\n\nseldom reproduced portal of Saint Elizabeth Church.\n\n15 Documenta Indica, (edited by Josef Wicki) Rome, “Monumenta Historica Soc. Iesu\", 18 vols, 1948-1988. For São Paulo, see vol. 4, pp. 726-27; vol. 8, pp. 584-86; vol. 9, p. 491. For an interesting reconstruction of the site of Church and College see, Schurhammer, G., Francis Xavier, vol. 8, Jesuit Historical Institute, Rome, 1980, p. 457.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    }
]