[
    {
        "id": 204284,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 52,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n48\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nand makes a kind of extract of tea. They put that into another mixer, added a good chunk of butter, some soda, and some salt, and go on pounding until they get a well-mixed soup. It is excellent provided that the butter was good to begin with.\n\nQ: Is it true that some monks can move objects by sheer thought?\n\nA: Marco Polo described a contest between various religious personages at the court of the Great Khan at which they were put through their paces to see who would be the best chaplain to the Crown. He chose the Tibetans because their representative could make a cup rise from the table to his mouth. That was quite a long time ago and I haven't seen it done myself, but that's the story.\n\nQ: Is there any truth in the story of an operation to open the \"third eye\"?\n\nA: None whatsoever. The book which describes it is an utter fraud. It was written by somebody who had never been out of England.\n\nQ: Are the roofs of the Kumbum Monastery really gold?\n\nA: Unfortunately I have never been there but I have read accounts of it, and quite obviously it is a little bit too modern. You can have dances put on for a sum of money. But I assure you that the golden roofs in Tibet proper, although they are not pure gold, are well-coated in the stuff.\n\nQ: Is it true that Tibetans place no importance on gold and jewels, despite an abundance of them underground?\n\nA: There are certainly some gold mines in Tibet, but nobody knows whether the resources are very great. It isn't quite true to say that they don't place any importance on gold and precious stones—they like them very much. They use them as the principal offerings in religious places. All the butter-lamps are made of gold in the holy places; the scene in the holy of holies, the cathedral in Lhasa, is quite fabulous. The main image, behind large iron-mesh curtains, is surrounded by huge gold butter lamps, all blazing with butter—a wonderful sight.\n\nAlthough Tibetans used to dig for gold, it became rather an imposition, because the peasant would dig it out and then the landlord would come and say \"This is my gold\", so in general they stopped digging. Tibetans did not use much money of any sort—it was mostly barter.\n\nQ: Is there capital punishment in Tibet?",
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    {
        "id": 204316,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 84,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n80\n\nthat a Taoist priest entered her chamber. She was indignant and shouted, \"This is my inner room; how dare you, a stranger, come in!\" The Taoist priest said, \"Hurry up, madam, receive your marvellous child!\" Before she had had time to reply, the priest pushed something into her arms and she awoke, and her body was wet with cold sweat. She was frightened and before she could tell her husband all about the dream, she was again seized with a birth spasm. Li Ching went to the sitting room which was adjoining and thought over the matter. Suddenly two maids came out exclaiming “Madam has given birth to a monster!” Li Ching held his sword and rushed into the chamber. The room was filled with red mist which emitted a strong fragrance. A lump of flesh was rolling round the room like a wheel. Li Ching cut it with his sword and a baby jumped out, bathed in red light. The boy was very handsome; his face was as white as powder; on his right wrist was a golden bracelet; and his belly was covered with a piece of red silk gauze, which shone with a golden glow. He was a god, a re-incarnation (avatar) of the Ling-chu-tzu (Master of the Intelligent Pearl) and was destined to be the vanguard under Marshal Chiang Tzu-ya.\n\nTo give birth to a lump of flesh is something unusual in Chinese legends. But similar cases can be cited from the Buddhist sutras translated into Chinese as early as the third century. In the tale of Putrah (7) in chüan 7 of the Avadanasataka (# E), it is said that \"when the Buddha was in the country of Kapilavastu (E6) under the nyagrodha tree (ficus Indica), there was an elder who was very rich and his treasures were abundant and beyond measure. He married a wife from a notable family whom he loved very much, and with music and dances he used to entertain her. Now she conceived and when ten months elapsed she gave birth to a freak—a lump of flesh. The elder was vexed about it and thought it inauspicious. In the Fu-kuo Chi (DE \"A Record of Buddhistic Kingdoms\") under the \"stupa in the Vaisali” (œÊME) it is recorded,\n\n+\n\n·\n\n•\n\n•\n\nOn the upstream of the Ganges River there was a king whose concubine gave birth to a lump of flesh. The formal wife was jealous and said it was inauspicious, so she ordered this lump to be put in a wooden box and thrown into the river. Another king went out for an excursion on the river and opened the box in which he found a thousand babies who were extraordinarily handsome and dignified. The king took care of them until they grew up, when they were brave\n\n23 No. 20, The Tripitaka in Chinese.",
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    {
        "id": 204537,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 18,
        "title": "RAS-1963",
        "content_text": "PROTESTANT CEMETERY IN MACAO\n\nexplore trade possibilities outside the Americas.\n\n13\n\nThe New England states especially took the lead in this expansion of maritime trade, and towns like Salem and Boston soon became busy ship-building and overseas ports. Boston ships sailed east to the Pacific via the Cape of Good Hope, while those from Salem sailed west round the Horn; when, as was inevitable on a globe, east met west in the Far East, they agreed to an east-west boundary line which ran south of Canton and the Philippines; the area of South China was thus in the Salem sphere, and hence most of the early American traders in this area belonged to early Salem, Beverly, and Danvers families.\n\nThe procedure that had to be followed by foreign ships trading with Canton was briefly this. They made their first China landfall amongst the Ladrone Islands; here they took on a pilot from a junk, and he brought them to Macao; anchoring in the roads off Taipa, they made contact with the Chinese officials who were at that time established on the Praya Grande at Macao; on being cleared by them for Canton, the ships were allowed to proceed to Bocca Tigris at the river mouth, where, after a further delay, they were eventually given a Grand Chop, which was the permit to sail up river. The ships anchored at Whampoa, and the almost endless negotiations for discharging their cargoes and reloading with their purchases began. In the early part of the nineteenth century, the foreign floating population of Whampoa ran into thousands, and the sickness, accident, and mortality rates were very high.\n\nUp river, disposal of the dead was one of the easiest of all local business transactions; the Chinese had no such things as enclosed cemeteries, and neither had the foreigners; burials involved no legal or civil procedures; one merely negotiated with a Chinese landowner for a hillside plot and hired a few labourers. On Danes Island, French Island, at Whampoa, Lintin, Capsingmoon, and Cumsingmoon, there lie buried thus hundreds of foreigners whose frail memorials, if they ever existed, have long since disappeared.* In westernized Macao, however, the situation was different. There were enclosed cemeteries there, but they were consecrated by the Roman Catholic Church and therefore were not available to the other Europeans who were\n\n*For a map of the Pearl River estuary see p. 93.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
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    {
        "id": 204605,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1963",
        "page_number": 86,
        "title": "RAS-1963",
        "content_text": "BRITISH LEGATION AT PEKING\n\n75\n\nWilkinson's book is a gay account of student life with work and play nicely balanced. He mentions many things which must have been familiar to generations of inmates of the Foreign Legations at Peking, such as paying calls on the European residents, buying a pony, choosing a reliable 'boy', the continual battle against 'squeeze', the danger of theft and so on. For pleasure not only was there the bowling alley, which provided the chief amusement inside the Legation during the winter, there was also skating on an improvised rink nearby. Three of the students once skated down the canal to Tungchow, a distance of about twelve miles. There was also the usual entertaining. \"Balls and concerts were given at some of the Legations and at the Inspectorate-General of Customs (where a number of young European men were employed). Dinners everywhere. But the pleasantest of all, perhaps, were the carpet dances (with the carpet up) at two or three houses. We shared the misfortune of most European communities in the East: an undue preponderance of the male. Dancing men were at a discount.\" At Chinese New Year the students generally put on a pantomime or a Christy Minstrel Concert. By this time there was a weekly arrival of mail throughout the summer, and a monthly one during the winter. In the spring and autumn the Peking race meetings were held at a place a mile or so from the western wall of the city. The race-course boasted a tiny grand-stand but Wilkinson is careful to state that these were pretty amateur races; they were picnics first and race meetings second. In summer there was tennis on the Legation lawn, and in the grounds of the residence of the young European employees of the China Maritime Customs, as well as garden parties at the American Legation. The courts in the British Legation lay east and west, and since it was too hot to play until sundown one of the players had to perform with the sun full in his eyes which made play somewhat erratic. For summer dress the students wore a patrol jacket of white drill with trousers to match. In July and August they usually moved to a temple in the Western Hills where they could go for rambles. The main disadvantage of this life came from rain and rats. One summer it rained prodigiously and they were almost washed out of their temple. As for rats an ingenious student subdued them by training four owls which he had bought. They spent the day roosting one on each post of his bed, but at night went into action",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
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    {
        "id": 204625,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1963",
        "page_number": 106,
        "title": "RAS-1963",
        "content_text": "CHEUNG CHAU\n\nChung\n\nTung Wan\n\nshekhau\n\nOne Mite\n\nHoi Ping\n\nNam hor\n\n(Han-bai)\n\n© Hak shan\n\nCanton\n\nFrench 1.\n\nSha\n\nShun tak\n\nWhampoa\n\nDanes\n\nTung Chaen\n\nSun\n\nOCheungShan\n\nHeung Shan\n\nPTại chân\n\nDan Ping\n\n(Tung kuan)\n\nPearl River Estuary\n\nMam-tav\n\nmoon\n\nLINDAI\n\nPo On District\n\n[Pao-an-hsien)\n\nCapsingmoon\n\nWhichow\n\nTar Pang Wan\n\n(Mrs. Bay)\n\nTrong Chun\n\nTai\n\nKowloon\n\n$\n\nکی همینه\n\ntaipa Coloane\n\nShek Pik CHEUNG\n\nHong Kon\n\nIsland\n\nCHAU\n\nLadrone\n\nLadrone is\n\n10\n\n20\n\n30\n\nMILES\n\nMap showing Cheung Chau in relation to other places mentioned in the article.\n\nLema Is.\n\nCHEUNG CHAU\n\n93",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
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    },
    {
        "id": 205111,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 67,
        "title": "RAS-1966",
        "content_text": "62\n\nHERBERT FRANKE\n\ngols and in China merchants were more powerful and influential than under previous dynasties. The Mongol rulers in China followed in their attitude towards trade and private enterprise a policy of compromise between non-interference and the traditional Chinese bureaucratic hostility to free trade. It was normal for the Chinese scholar-literati class to view the rise of merchants with misgivings and whenever they could they tried to curb the activities of the merchant class. Some of these traditional features can be found in Yuan Dynasty legislation. Yet rich merchants, mostly foreigners, found access to offices in great numbers. Tax-farming became a common practice, and some Westerners rose to positions of power and prestige by their activities in tax-collecting and in the state monopolies. The best known among these careerists is the famous or rather infamous Ahmed who became a minister of state under Kublai Khan and whose assassination is described with many colorful details both in Marco Polo's book and in the Chinese sources.13 As late as the 1350's we find foreigners mentioned as office holders in the state monopolies administration. A text published in 1360 tells us that the officers of the Hangchow Sugar Bureau were all \"wealthy merchants of Jewish and Mohammedan extraction\".14 It is not surprising that the Chinese historical sources for the Mongol period have not many friendly things to say on these foreigners and their techniques of money-making. At best tax-collectors are not popular in any country, and if they happen to be foreigners some additional venom is apt to appear. Historiography under the Mongols remained firmly in the hands of the Chinese, and therefore the picture that they give is inevitably distorted and biased.\n\nIt cannot be denied that international and transcontinental trade and relations on a non-official level contributed greatly to cultural contacts. Yet these contacts remained marginal and did not affect the basic features of Chinese civilization. The spread of Western music in China under the Mongols is a repetition of what had happened in the Six Dynasties and T'ang periods (third to ninth centuries) when dances, musical instruments, melodies and whole music bands were introduced from Central Asia and had a lasting effect on Eastern Asiatic music. Exotic music has, it seems, always found acceptance in high civilizations and been more easily integrated than other cultural elements. Europe is no exception — some of the names of our most common instruments",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
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    },
    {
        "id": 205797,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 103,
        "title": "RAS-1969",
        "content_text": "KING MONGKUT AND THE KINGDOM OF SIAM\n\n97\n\nceremonies, audiences and banquets. A white elephant had been captured the previous year, the most auspicious of auguries for the new reign and now its presence seemed to be bringing the expected good fortune. Mongkut seemed to enjoy the company of the Englishmen, particularly Bowring whom he called “my friend”. As a parting gift he offered Sir John two elephants, but they were gracefully declined owing to transport difficulties. But Bowring did accept two tufts of hair from the white elephant's tail, which he later presented to Queen Victoria.\n\nThe gates were open. Within a year the Americans and the French had signed their own versions of the treaty with King Mongkut. In the next three years half a dozen European nations had similar agreements with the Siamese. By April, 1856, Harry Parkes returned with the Queen's instrument of ratification and a personal letter from Her Majesty. King Mongkut was delighted with this royal favour from mighty Britain and ordered a procession for formal delivery of the letter. In fact these ceremonies infuriated Townshend Harris, the newly-arrived American envoy, as he had to wait many days before he could begin discussions on his own treaty.\n\nThe effect of Mongkut's treaties with the West were far-reaching. Trade increased rapidly and had more than doubled by the time of the King's death in 1868. The character of the trade changed. There was virtually no export of rice before 1855, and by the end of the century rice accounted for nearly seventy per cent of Siam's exports. Bangkok grew rapidly, foreign merchants set up offices in the capital and there was an increase in the number of Chinese entering the country. The King's fiscal system had to change. Instead of royal monopolies of imports, taxes were charged at an agreed level.\n\nThe political effects were even more important. Foreign consuls lived in the capital and Siam sent embassies to Europe for the first time. The King took the initiative in employing foreign experts in his civil service. This practice was greatly extended in the next reign, that of his son, King Chulalongkorn. British officers were employed in the police force. A Belgian advised on legal reform. Germans were invited to plan the building of railways. Americans and Danes were appointed to civil and military duties. Most notorious of these appointments was that of Anna",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    },
    {
        "id": 206362,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 179,
        "title": "RAS-1971",
        "content_text": "HISTORY OF MILITARY VOLUNTEERS IN H.K.\n\n163\n\nfor defence and internal security purposes. This Ordinance was similar to that introduced in Britain in the early post-war years, and was equally unpopular. It was suspended in 1961, having outlasted the British one by two years. Thereafter the Force reverted to Volunteers. Apart from retaining one infantry company and a Home Guard Company, the former infantry organisation was discontinued and the Hong Kong Regiment was reorganised as a reconnaissance unit with internal security duties, companies converting to squadrons, one of them later equipped with armoured cars.\n\nVOLUNTEER PERSONNEL\n\nWho were the Volunteers during this hundred years and more of service? Generally speaking they were mostly Europeans up to the establishment of Chinese companies in 1937-38, since when Chinese have played an increasingly important part in the manning of the Volunteer Force. The names of the famous Ninety-Nine who signed the Colonial Secretary's circular on 30th May 1854 show a predominantly British group with some Portuguese, Germans and Scandinavians.\nBy 21st June following their number had risen to 127 comprising 92 British, 4 Danes and Swedes, 8 Germans, 16 Portuguese, 1 Italian, 1 Frenchman and individuals from 5 other countries. This mixture was representative of the polyglot foreign population of the time. It has been a feature of Volunteer life in the early and later periods, though not in the middle years from 1893. The Ordinance of 1862 made it easy for persons who were not British subjects to join. Volunteers needed only to be \"such and so many of the Inhabitants of Hongkong as shall volunteer and offer themselves, and as His Excellency the Governor shall approve of\" (Clause 1). Neither did the Rules and Regulations approved on 14th May 1862 make any stipulations about nationality. Christians and non-Christians alike were acceptable and could make either an oath or declaration of allegiance to Her Majesty Queen Victoria and of faithful service during the term of enrolment (Clause VIII). There then came a change. Whilst the 1893 Ordinance, though being more specific in many things, still said nothing to exclude\n\n37 Vol, 1954, p. 21\n\n38 Vol, 1954, p. 20.",
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    },
    {
        "id": 206793,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 70,
        "title": "RAS-1973",
        "content_text": "64\n\nCHIU LING-YEONG\n\nof tusks (ivory), hides, feathers (kingfisher) and hairs (skins) and that of fish, salt, clams and oysters can, on the one hand, meet the needs of the treasury and, on the other hand, satisfy the demands of the Chiang-hui region.27\n\nIt was due to the opening of the Ta-yü Ling Pass which enabled the Persians and Arabs to transport their goods from Canton to other centres without any difficulty. The convenience of transportation also enabled Persians and Arabs to move from one place to another; thus they were no strangers to many of the cities.\n\nIn the capital, life was more colourful than in any other cities. In T'ang times, there were two great markets in Ch'ang-an, the Tung-shih (the Eastern Market) and Hsi-shih (the Western Market). The Hsi-shih was also known as Chin-shih (the Gold Market), and the Tung-shih was also known as Chün-ming-men (the Bright Spring Gate).28 The Hsi-shih was more or less treated as the foreign settlement in the capital. There you could find all kinds of bazaars situated by the side of the main road. Wineshops employed exotically beautified Western girls with blue eyes and golden hair to serve their customers with rare wines in cups of amber or agate. Sweet singing and seductive dancing were also introduced in order to increase their sales.29 These blue-eyed and golden-haired beauties confounded our versatile poets. Li Po, on more than one occasion, dedicated his works to these beauties, like:\n\nThe zither plays \"The Green Paulownias at Dragon Gate',\n\nThe lovely wine, in its pot of jade, is as clear as the sky.\n\nAs I press against the string, and brush across the studs, I'll drink with you, milord;\n\nVermilion will seem to be grass-green when our faces begin to redden.\n\nThe Western houri with features like a flower\n\nShe stands by the wine-warmer, and laughs\n\nWith the breath of spring,\n\nDances in a dress of gauze!\n\n'Will you be going somewhere, Milord, now, before you are drunk.'30\n\nThe presence of these beautiful girls was the principal cause of the intoxication of many of these poets whose work enables us to trace the activities of the foreigners in China. In the T'ang period,",
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    },
    {
        "id": 206972,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 43,
        "title": "RAS-1974",
        "content_text": "ADVENTURERS IN HONG KONG\n\n37\n\nVicar Apostolic, Bishop Raimondi, and the heads of the various Catholic missions and organisations. He attended mass daily at the new Catholic Cathedral in Caine Road. But he drew a blank: no Catholic institution was prepared to finance any of his schemes. He now threw away his mask of piety, doubtless with great relief, and settled down to enjoy himself and to gull another class of person. He soon installed a mistress in a rented house in Lyndhurst Terrace, loaded her with gimcrack jewellery and dresses from Gate and Fairall, the milliners of Queen's Road, and hired for her a sedan chair, complete with liveried chair-bearers. She appeared with the King on sundry royal occasions at the Hong Kong Hotel.\n\nIt is difficult to identify Mayréna's 'consort'. Soulié asserts that she was a Miss Dahlberg,25 who had accompanied her brother and Mayréna to Hong Kong on the Frejr, and that Mayréna met this blonde Swedish ice-maiden in 1888 at Bangkok, where she was engaged apparently in archaeological exploration; but other writers suggest Mayréna's new mistress was a lady from an Italian Opera Company touring in the East,26 which arrived in Hong Kong in late 1888. The latter seems the more plausible account, for at that time European opera singers and ballet dancers were often accommodating ladies who desired nothing better than to be set up in state by some rich protector. Whoever she was, all witnesses agree that the \"Queen of the Sedangs' in Hong Kong was a most voluptuous demi-mondaine and that she fascinated the topers of the Hong Kong Hotel and the other hostelries that Mayréna frequented.\n\nMuch of Mayréna's roistering was done necessarily at the Hotel, since he could obtain credit and simply await the chits at the end of the month, and in its hospitable bar he met many kindred spirits, such as the atrabilious, scandal-mongering Robert Fraser-Smith,27 proprietor of the Hong Kong Telegraph, and also John Joseph Francis, Q.C.,28 Hong Kong's leading barrister and noted Irish tippler.\n\nBy 1888 the Hong Kong Hotel, established in 1860, had become Hong Kong's social centre. One author claims it was ‘rightly termed the heart of the Colony, for it is one great social rendezvous for dinners, teas, dances, and is probably the most noteworthy meeting place in the Orient'.29 'Proteus', in the Hong Kong Telegraph, supplies this description of its grandeur:\n\nAfter a shower-bath and a change of clothes in our room—and all the rooms in the hotel are on the same scale of loftiness and",
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    },
    {
        "id": 206973,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 44,
        "title": "RAS-1974",
        "content_text": "38 \n\nH. J. LETHBRIDGE \n\nsize—we hear the gong, and set off along its passages into the dining room. It is a regular hall, 50 or 60 yards long. The far side is broken by a row of French windows opening on to the stone verandah, which looks out over the harbour. A double row of great white punkahs, down the whole length of the place, swing slowly. The bright blazing sunshine outside is tempered by green blinds, let down over the arches of the verandah. Thirty or forty Chinese \"boys\" in complete and flowing white, keep up a perpetual come and go in their attendance on the tables. These suitably imposing surroundings became the setting for Mayréna's Hong Kong adventure.\n\nMayréna, the China Mail animadverted, ‘from an ardent pietist became a man of the world... He became an admirer of the opera and with royal prodigality distributed tickets to his friends'. The 'Queen' with her dames d'honneur were welcomed frequently at the Hotel, the 'Queen' arriving in a chair with four bearers, draped in regal sashes. Hong Kong, of course, was electrified by Mayréna's theatrical coups; but money was not forthcoming from the amused public. J.J. Francis, for example, was almost persuaded to finance a company for the working of the new kingdom but at the last moment backed out; other astute European businessmen refused to invest. But the King continued to make friends, to enchant his visitors, and to hold nightly revels in the public rooms and tap-rooms of the Hotel. After all, Mayréna, a great showman, provided splendid entertainment for a dull little Colony, accustomed to a stale diet of 'At Homes' and stodgy dinner-parties.\n\nUnluckily, Mayréna's waking hours were dogged by one Afong, a Chinese shopkeeper from Haiphong, who had supplied a large number of uniforms for the King's warrior hosts and had come to Hong Kong to present his bill. The jaunty Mayréna at first ‘gave it out that the Chinaman was a member of a syndicate that wished to advance him money; but as this story would hardly hold for long, the Chinaman was finally appeased'. It soon became clear, then, that Mayréna was not a man of substance, that his schemes were insubstantial, and that he was simply an amusing adventurer, good for a convivial debauch but hardly a sound partner in any serious business venture.\n\nIt was, however, the editor of the China Mail, George Murray Bain, who really brought about Mayréna's downfall by a systema-",
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    {
        "id": 207171,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 242,
        "title": "RAS-1974",
        "content_text": "236\n\nBOOK REVIEWS\n\non his blackwood cage-bed which is decorated by painted porcelain panels, and a glimpse into a corner of the monk's kitchen.\n\nThe third group of 35 photos are portraits of the monks who inhabited the monasteries of Hua Shan. Hedda Morrison must have been quite a personality to be appreciated and trusted by the monks in such a short time, that she could catch their faces in so many moods and showing so vividly their characters.\n\nAlthough the photos were taken in 1935 they were not published before 1975. In 1935 it was possible for anyone who would brave the steep cliffs and the narrow mountain paths to enjoy the beauty and the peace, to purify one's mind and unite with the Tao. There is not much chance of going there today, nor of finding monks enacting dances symbolizing the cosmic battle of nature (plates 43, 44). The photos are thus a priceless record of the faces of Hua Shan, their value enhanced by their poetic quality.\n\nThe texts are of minor importance but help us to understand the basic Chinese thinking that the individual must be in harmony with the universe.\n\nHong Kong, 1975.\n\nHELGA WERLE\n\nSEALS OF CHINESE PAINTERS AND COLLECTORS OF THE MING AND CH'ING PERIODS. REPRODUCED IN FACSIMILE SIZE AND DECIPHERED. REVISED EDITION WITH SUPPLEMENT. By Victoria Contag and Wang Chi-ch'ien (Hong Kong: Hong Kong University Press, 1966. pp. Ixviii+726. Illustrations. Paperback issue 1974, HK$50.\n\nThe academic interest of collecting ancient seals in China was generally developed during the first 150 years of the Ch'ing period (1644-1911) and subsequently sub-divided into several offshoots: such as collecting ancient official seals, an interest related to the study of government organization; or collecting seals of the Han (204 B.C.-220 A.D.) and pre-Han period, connected with either an artistic interest in the archaic style of Chinese sealscript or a paleographic interest on etymology. Following these trends, however, the cited scholastic interests are replaced in the 20th century by a more specified academic practice; for instance, to collect seals of established artists and learned art collectors of previous periods. By so doing, the collected seals can serve students of Chinese art,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207245,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 13,
        "title": "RAS-1975",
        "content_text": "5 films have been shown many times. This time—in June—we had a new film on the boat people of Hong Kong \"Dragons of the Sea\" made with Miss Barbara Ward, an anthropologist and also an old friend of our Society. We were invited together with many of the boat people and others in Hong Kong who had helped make the film a success. In July one of Mr. Brian Brake's films \"Borobadur, Cosmic Mountain” was reshown. Borobadur is one of the world's greatest Buddhist monuments, situated in central Java. Mr. Brake is well-known for his documentary art films. In September another of his films \"Ramayana” a major epic of the Far East was shown. Ramayana has culturally influenced Thailand, Cambodia, Indonesia and other parts of the East and has been represented many times in paintings, sculptures, dances and theatrical performances. In December films on Taiwan were shown in connexion with our excursion to Taiwan over the Christmas holidays led by Miss Werle. The Taiwan visit was a great success I understand (I never seem to be able to go on overseas trips myself owing to family commitments during the holiday seasons). Members visited Hualin, Taipei, the National Palace Museum and the Peking Opera School; various temples; and Tainan where a shadow puppet performance was seen. It was with great reluctance that we had to cancel our proposed visit to Borneo over the Easter holidays, owing to insufficient numbers. We realise, of course, that for many people this is not a “free” time and the possible lack of response was due to this fact.\n\nPUBLICATIONS\n\nSeveral of our talks for 1974 will be published in our coming 1974 journal, which will also include, apart from several original articles, two valuable reprints, one on the Tang Family of Kam Tin by the late Sung Hok-pang, and another on place names of Hong Kong and the New Territories by Mr. K. M. A. Barnett. Most of the items have already been passed to the printer and it is hoped the Journal will be ready for distribution by June this year. Also in press now, are the papers relating to the two symposia we held: Hong Kong, Chinese tradition and the Development of a Town; and The Flora of Hong Kong. Professor Lofts' symposium on the Fauna of Hong Kong is also in preparation.\n\nARTS CENTRE\n\nAs old members will recall, the Society is a constituent member of the Hong Kong Arts Centre. For new members our object is",
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    {
        "id": 207264,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 32,
        "title": "RAS-1975",
        "content_text": "24\n\nJOHN T. MYERS\n\nincantation around the cauldron. On they go for hours in darkness. The voices at times grow louder and the drum beat more vigorous. All at once the medium who has begun to sway his body from side to side as if to invite supernatural influences begins to be violently affected. He dances and leaps in the air, the beat of the drum becomes more rapid, and the voices of the men louder and shriller. The wildest confusion reigns. It seems as though some horrid scene from the infernal regions were being enacted on earth and the devils had been let loose for a time to carry on their orgies among men.\"14\n\nWe have quoted at length the 19th century description because it is our opinion even the most zealously anti-pagan observer may have a difficult time identifying it as essentially the same type of ritual enacted each evening at Tai Wong Ye Temple. Scheduled at 10 p.m. for the convenience of a working class population the ceremony incorporates little of the din and frenzy which characterized its Amoy counterpart.\n\nOn almost any given evening shortly before 10 o'clock petitioners begin arriving at the temple. The number commonly varies from 10 to 15, with a distinct majority being middle-aged and elderly women. After burning joss sticks and offering prayers to the deity, petitioners at the direction of various tan sang who tend the altar, inscribe their name, birthday, and the names of other family members on a red sheet of paper. This accomplished they gather around a red table in the middle of the shrine chamber. The atmosphere is casual as greetings and gossip are exchanged between them. On the red table is a can of red paint, a slender paint brush, a rubber stamp, a stack of yellow paper slips, a rather large compartmentalized box with various types of herbs, and a basin of foo shui or \"sacred water\" #k. Near the table is a red, throne-shaped chair.\n\nAt approximately 10 p.m. the medium enters the temple. After greeting those present he approaches the table and takes a sip of the sacred water. Continuing to stand before the table, he begins to move his head from side to side. He then starts pounding the table with his fists while emitting loud guttural grunts. After a few moments he adopts a stylized posture signifying to all present the identity of the possessing deity. The tan sang provide him with the throne-like chair and he sits to hear the petitions of worshippers. The possession is usually effected within two minutes of his sipping the sacred water.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207321,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 89,
        "title": "RAS-1975",
        "content_text": "NOTES ON CHIUCHOW OPERA \n\n81 \n\nuntil the 12th month. Then it is the ferryman's turn again and he happily goes on, \"In the 13th month.\" but T'ao-hua catches him, \"Haha! You have lost because there is no 13th month”. They argue but he cannot win, and now they realise that the current has taken the boat too far downstream. This is a most delightful scene, a fully choreographed dance with the music based on Chiuchow folk tunes. The music and the dance are fresh and cheerful. This opening shows characteristic features of Chiuchow opera; it is beautiful, lighthearted and full of songs and dances. \n\nAct II \n\ntakes place in the garden of the Kuo family's mansion in Hsi-lu. Hsi-lu is the native place of Mrs. Su who is of the family Kuo. As she has only one daughter Liu-niang she always sends her to Hsi-lu to study and to play in the company of her cousin Kuo Chi-ch'un, with whom she has fallen in love. Liu-niang decided to declare her love to him today. She carefully drops a jade-pendant, and when she hears his steps, hides and lets him search for a while, and then throws a flower at him. He now expresses his understanding of the purpose of this meeting, but she of course denies it, blushing with embarrassment. He finds the jade-pendant, and realises how earnest she is about her feelings. So he cannot hold back any longer the news that he is leaving to sit for the civil examination; but they vow that when he comes back they will happily stay together like two butterflies. T'ao-hua appears and watches this scene, and jeers at them. The young lady takes a pin from her hair and asks T'ao-hua to act as go-between, then she hurries away. T'ao-hua gives the pin as a betrothal gift to the cousin, and asks him to take up the question of marriage seriously after his return. Then she follows her young lady. \n\nAct III \n\nThe eldest member of the Su clan visits Mr. and Mrs. Su, and urges them to think of marrying off their daughter. He has a very good match in mind, namely the son of the Yang family who is not only very well-to-do and young but has already passed the District Civil Examination and can call himself Hsiu-tsai (elegant talent). Mr. Su is indeed very pleased to hear of these prospects, and agrees wholeheartedly to this match. \n\nAfter the eldest of the Su clan has left, Mrs. Su accuses her husband of dealing with such an important matter too lightly; agree-",
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    },
    {
        "id": 207814,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 202,
        "title": "RAS-1976",
        "content_text": "THE ANCIENT MON--PAGAN, PERU & NAKORN PATHOM 187\n\nend of the last century. The iron shed that covers it exactly reproduces the architecture of railway stations at the turn of the century, and the quality of the decoration is likewise Burmese Victorian. The clumsiness of the feet, which are iconographically incorrect, does not however apparently disturb the local people in their veneration of the statue. The four-imaged Kyaikpan pagoda is much ruined; the Buddha's back on to a central solid square core. It was originally built by Dhammaceti (Damuazedi), a Mon king of great piety who reigned from 1472-1492. The images, of plaster on brick, have been much restored.\n\nRangoon was at first a Mon village called Dagon centred around the Shwedagon pagoda, the origins of which are lost in time. The shrine is said to cover a number of the Buddha's relics. The Mon king Binnya-U is recorded to have raised the height of the stupa to sixty-six feet in 1362. The present height of 326 feet was reached in 1774. The shape is that common in Burma, of a square base to the main terrace for the pradakshina, then the beginning of the bell after a square base with recessed edges: multiple mouldings, the bud and the hti follow. The whole is gilded where it is not actually covered with gold plates and the hti is gilded and encrusted in stones. Of perhaps greater interest are the innumerable baroque shrines round the bases of the stupa and the vast crowds of pilgrims coming for their devotions. By night the illuminated gold stupa is to be seen from the distance in impressive display.\n\nThere are no other monuments in Rangoon of interest; the Sule pagoda, reputed to be ancient, is a modern jumble. The bargaining in Scott's market or the buying in the diplomatic shop is more representative of the capital today. But the National Museum, consisting almost exclusively of the relics of Thibaw's regalia taken by the British and kept until quite recently in the Victoria and Albert Museum in London, have now been returned and are well displayed. They have often been described before; the luxury of the jewel-encrusted objects, the ornamental hamsa, and the robes are in complete contrast with the austerity and constraints of present day Burma.\n\nIn Rangoon can be seen a 'cultural show' representing various traditional dance forms. The uncourtly little jumps and hops in the classical dances are as surprising as they are interesting. But the soul of Burmese dance and entertainment is not in this, nor in",
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    },
    {
        "id": 207815,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1976",
        "page_number": 203,
        "title": "RAS-1976",
        "content_text": "188\n\nMICHAEL SMITHIES\n\nthe minority dances like those the repetitious groupings of the Karen, but in the pwe, a complicated form of popular opera where the narrative of a traditional story is intertwined with a modern play which, reaching its end about two or three in the morning, then reverts to the rest of the pwe story. Pwe has everything for the villager wishing to take his mind off current cares, for it includes love songs, stories of handsome princes chasing after princesses who can wiggle their bottoms, often in contrary directions, with regal exquisiteness, and the strident orchestra gives the appropriate support to the stage. Mandalay is the great centre for pwe activities.\n\nThe Mon theme can be resumed in Thailand by a visit to Nakorn Pathom, a few hours drive from the city. Like Pegu, Nakorn Pathom is an ancient Mon centre, called Davaravati in Siam, and is thought to date from the 5th century. Just before arriving at the modern city, which was established in the 19th century, is the Phra Pathone; little remains of the original stupa which is probably the oldest Buddhist monument in Thailand. Nearby a kind of grotto has recently been erected by a deceased monk into which are inserted heads and objects found in the temple grounds; they are nearly all Davaravati period and some Buddha heads are of much beauty. Not far from this is the unimpressive brick remains of Wat Chulapathone which has however yielded considerable artistic riches in the form of terracotta bas-reliefs which were originally placed around its base. These illustrate Mon versions of the Jataka tales and are to be seen in the new museum to the south of the giant chodi in the town. Wat Pramane is a much-excavated brick ruin to the south of the city giving but a faint idea of its early importance. But the chief pride is the 19th century stupa erected over the original stupa that was Phra Pathom. The work of building the enormous tiled cupola was started by King Mongut, who discovered the original stupa when still a monk, and was continued by his son Chulalongkorn. The stupa may be higher than the Shwe-dagon in Rangoon but it cannot begin to compare in interest. At its base, on the upper terrace, are twenty-four small turrets with bronze bells for the faithful to ring. The projecting chapel to the north contains a venerated statue in the Sukhotai style, and in a detached prayer hall to the east is an excellent Davaravati stone Buddha seated in the European fashion. Also of interest in Nakorn Pathom is the Sanam Chan palace built by King Vachiravuðh",
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    },
    {
        "id": 208026,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 65,
        "title": "RAS-1977",
        "content_text": "A JOURNEY TO YENAN 1946\n\n49\n\nit was mid-winter, the countryside around was bare, brown, and dusty, and many people wore white surgical masks to keep out the fine dust. The hillsides in Yenan and on the way there were all seriously eroded, and there was little sign of the spectacular reclamation work on terracing slopes and damming streams of later years, the result of which can be seen by today's visitors.\n\nOccasions in Yenan\n\nHaving unloaded our cargo, checked the manifests, and visited the hospital, we spent a day servicing the trucks. We were staying at the Guest House, a row of very comfortable caves with a terrace and a courtyard in front. We were in the middle of servicing, with petrol drums and wheels scattered around, ourselves under the trucks greasing and checking, when we were informed that Chairman Mao Tse-tung was coming to see us! The courtyard was rapidly tidied, overalls and dirt removed, and the party went to the ketang to wait. We then discovered that the Chairman had been at the Guest House for some time seeing someone else and had arrived unnoticed while we were under the trucks. We were all introduced and thanked for our assistance and help, to which I replied that this was part of our normal work and not something to earn especial thanks. The impression, which I recorded then, was of great confidence and quiet strength.\n\nTwo or three days later, we were invited to a performance of the well-known opera \"Ta Ming Fu\" (★1⁄2#) part of the \"Liang Shan P'o\" (b) series, which has a very suitable theme. We found ourselves sitting three rows behind the Chairman and other leading Party members, including Marshal Chu Te, all of whom enjoyed themselves as there was a strong cast with some excellent comic character performances. This was, of course, well before the growth of revolutionary opera.\n\nOn one evening, we were entertained by, I think, members of the Lu Hsun Academy of Art (or the Anti-Japanese Revolutionary University). There was a yang ke dance team with a performance extolling improved methods of pest control on crops, some songs, and then dancing for all, mostly folk dances but including some foxtrots and quicksteps played on er hu and pi pa. We were presented with a set of woodcuts by various artists working there, including Zhang Wan, Yan Han, Xia Feng, Gu Yuan, and Weng",
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    {
        "id": 208097,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 136,
        "title": "RAS-1977",
        "content_text": "120\n\nGREGORY E. GULDIN\n\nethnicity in North Point. Primarily concerned with community and social welfare projects, the Association sponsors performances of Fujianese provincial operas, folk dances and songs; organizes film showings and outings to the countryside, operates health clinics, a Guangdongese language program and a Fujianese discount grocery; and arranges for inexpensive trips back home to Fujian (Zheng Yi 1974:2-4).\n\nWith all these services and activities the Fujian Province Association is a genuinely popular and community-wide organization among North Point's Fujianese. All Fujianese are familiar with at least some of its services and activities whether or not they have ever personally visited its offices or benefited from its services. They know that the Association is there to help Fujianese, and especially Southern Fujianese, with the problems of housing, jobs, travel to Fujian and access to Fujianese products. With its 3000 active members (2.3% of the 1975 Fujianese Hong Kong population) the Association serves as the main organizational terminal through which many of little Fujian's ethnic and social currents are strengthened and channeled.\n\nAlthough not physically located in North Point, but in the old Sheung Wan district of Fujianese and other trading corporations, the Fujian Commercial Association has exerted a guiding force in the Fujianese community's development. In addition to facilitating PRC trade with the Overseas Fujianese of Southeast Asia and Hong Kong, the Association has acted as the unofficial coordinator of the other pro-PRC Fujianese organizations in Hong Kong.11 Composed of the wealthy, influential and active members of an already unusually depleted older male population, the Commercial Association is usually the prime mover in the few community activities that do occur.\n\nOne such activity, and one in which the Commercial Association's role is most conspicuous, is in the organization and direction of the annual \"All-Fujianese National Day Banquet.\" Although the Fujian Province Association, the Fujian Middle School and the Fujianese Physical Education Association all co-sponsor this \"patriotic\" affair, it is the Commercial Association that foots the bill for the evening and which handles all questions of etiquette and policy. If anything in Hong Kong comes close to being a \"center of Fujianese power,\" the Commercial Association does, diffuse and",
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    {
        "id": 208390,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 114,
        "title": "RAS-1978",
        "content_text": "98\n\nEUGENE COOPER\n\nFollowing the vice-chairman's speech, the business part of the meeting ended and the entertainment began, performances being given by a patriotic troop hired for the occasion. One number was performed by the children of the school at the Woodwork Carvers' Union premises. The evening was capped by a pro-union play of the Waiting for Lefty agit-prop type, in which a worker injured on the job learns how really insecure his position as a proletarian is with nothing but his own labor to sell. Unless he stands united with his fellow workers in a union, he really has no chance of supporting his family with his now injured arm, as his boss refuses to take him back on the job. He is attended to by a union doctor and two union members, having no money to afford a private doctor. Gradually he and his wife come to see the benefits of union membership, and the play ends happily with all setting out to attend the union meeting.\n\nThere were also dances to revolutionary themes with dancers dressed in costumes of Chinese people in various walks of life, and one dance depicting the victories won by the Chinese People's Liberation Army. The troop had its own Chinese style orchestra which rendered the tunes to accompany the dances.\n\nA Broadsheet was published for the occasion in which the yearly budget was printed and circulated to all who attended.\n\nSelection of officers, discussions of rising prices and increases in standard of living, announcements of wage demands, reports on relations with other guilds, reports of income and expenditures were all common items of business at traditional Chinese guild meetings (Burgess, 1928:145-6) and their presence in the proceedings of the yearly membership meeting of the Woodwork Carvers' Union is noteworthy in that regard.\n\nWhile a religious service honoring the guild founder or a patron saint was often part of the traditional program, both Burgess and Morse had already noted the decline or absence of religious ceremonies or common guild worship in the early twentieth century (Burgess, 1928: 176; Morse, 1909:17). Thus the absence of such services at the yearly meeting of the Woodwork Carvers' Union is not of any singular importance.\n\nOf interest, however, is the preservation in the program of musical performances, dances and plays which were typical items in the program of traditional guild yearly meetings (Gamble, 1921:",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    {
        "id": 208792,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 249,
        "title": "RAS-1979",
        "content_text": "222\n\nNOTES AND QUERIES\n\nnotably among which were beans, teas, wines, fertilisers etc., while the ones in Wing Lok Street concentrated so much on the sole item of rice that the street was nicknamed \"Rice Street\". These firms acted as a medium for trade between countries in Southeast Asia and Mainland China, operating on a commission basis, and in Chinese they were often referred to as the \"98\" firms implying that a 2% commission was charged both ways. Thus from Singapore came canes and firewood, from Java, sugar and from Siam, rice. In addition, they were also recognised as banking institutes through which overseas Chinese remitted money home before the modern banking system was fully developed.\n\nThe majority of these pioneer merchants were from Chiu-chow, and within their small circle they possessed all the virtues of being sympathetic, honest, trustworthy and generous, eager to help each other in case of need. The stress was on a person's status and it was not at all surprising that business deals were sealed by the lips only and any consequences that followed would be fully honoured by both parties without further ado. Written contracts were unheard of and highly unnecessary. With wealth came the desire for honour, and it was quite common that most of the better-off merchants held official sinecures which were bought from the Chinese Government. This entitled them to don colourful official robes during ceremonies and important festivals. It was a spectacular sight to see these celebrities moving around, impressively attired during the Chinese New Year when European executives from leading shipping and insurance companies called to present their greetings. These were usually carried out amidst highly decorated surroundings, coupled with theatrical performances and lavish receptions which lasted for weeks. Class distinctions were obvious, and only the privileged few had the right of access to particular installations ranging from private clubs to public tea houses. An employee who was caught by his employer sneaking into one of these would be dismissed almost instantly.",
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    {
        "id": 210164,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 135,
        "title": "RAS-1984",
        "content_text": "114 \n\nJAMES HAYES \n\nlation hard at work getting in the second crop of paddy. The principal part of the labourers was the women, owing probably to the fact of the men being generally engaged in fishing. The paddy rice grows to a height of about two feet six inches. The fields are little patches of about fifty paces, on account of the unevenness of the ground. The rice is thrashed out of doors: first, in a tub with a screen, by a man, who takes a bunch in his two hands to strike the ears against the edge of the tub and then gives the rice again to be thrashed on a floor made hard with chunam, the Chinese asphalt. Ploughing is here done with a very primitive plough and a wonderfully small bullock, as the ground is soft and does not contain a single pebble, ... After being harrowed, it may receive a crop of sweet potatoes, or ground nuts. The women work with children on their backs. No one appears too young to take a part in the work. In the next fields are sugar-canes. \n\n9.29 \n\nThus long before 1841, the villagers of Hong Kong, and the shopkeepers and local boat people too, had settled into the routine of a settled life. Tied to their fields and houses, and to their businesses and daily occupations, they had established institutions of the kind that is usual in Chinese communities, including the shrines and temples that were the object of periodic and special rites through the calendar year. They were therefore to be numbered among those who, in another place and time, twenty years on at Tsim Sha Tsui, Kowloon, were described as \"the old inhabitants of this site, who are indeed orderly people” in contrast to newcomers who were suspected of being \"thieves and outlaws”.3 \n\n30 \n\nTheir good behaviour struck a series of visitors from outside. The famous botanist Robert Fortune, writing of his experiences on the Hong Kong area in the 1840s commented: \n\n\"In all my wanderings on the island, and also on the mainland hereabouts, I found the inhabitants harmless and civil. I have visited their glens and their mountains, their villages and small towns, and from all the intercourse I have had with them I am bound to give them this character. \n\nAnother observer, the military surgeon Keith Stewart McKenzie, \n\nPage 135\n\nPage 136",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    },
    {
        "id": 210978,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 40,
        "title": "RAS-1987",
        "content_text": "15\n\nhistory. His famous essay, 'The Century of Louis the Fourteenth', concludes — and this was a logical step — not with an assessment of the state of French affairs, but with a chapter which had apparently nothing to do with France, a chapter entirely devoted to the Manchu Emperor Kangxi, whose reign almost exactly corresponds in China to the equally long years of Louis XIV in France. Long before UNESCO, Voltaire compiled under the misleading title Essai sur les Moeurs — an essay on human manners and ways\n\na long and detailed comparative history of the world as it was known to him, making a point of keeping a proper balance between the chapters dealing with Europe, the Arab civilisations, India and of course China.\n\nChina had enabled the French Philosophe to approach the problems of mankind at the highest possible level, and in most general terms. China had indeed been the occasion of a major intellectual advance, but probably at the expense of China itself. One should wonder whether the Westerner ever gave up this attitude, namely dealing with China as an abstraction, almost as Utopia. The French eighteenth-century intellectuals may well have a responsibility for this major incapacity of ours, even today, to face China as a more complex and more concrete reality, not an abstract construction.\n\n8\n\nFor French intellectuals, China was indeed a philosophical abstraction. But it was also a cultural fashion, almost a cultural gadget. Chinoiseries were very popular, through tapestries, lacquers and silks, porcelains and ceramics. Pagodas were built in many aristocratic gardens and parks. China was a popular theme for aquatint engravings. The success of the rococo style in architecture and decoration had a distinct Chinese flavour, the shady and gracefully vanishing colours and shapes of Watteau's landscapes displayed a remote but definite Chinese influence. China was everywhere, even on the stage with a play by Voltaire, L'Orphelin de la Chine. The monarchy itself had engaged in the Chinese fashions. The ageing Louis XIV celebrated the first New Year of the eighteenth century with refined, if fake, Chinese-style festivities. Madame de Pompadour, Louis XV's mistress and a declared supporter of Voltaire and Diderot, was keen to give the Chinese touch to her banquets, feasts and dances à la chinoise. This Chinese",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
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    },
    {
        "id": 211640,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 55,
        "title": "RAS-1989",
        "content_text": "30\n\non an altar in a folk religion temple in Pongol in northern Singapore.\n\nIn the Feng Shen Yen I, mythical tales known to most Chinese, Yang Chien is described as the nephew of the Jade Emperor. Yang, also known as Erh Lang in some stories and in some temples, was a mythical general fighting for the legendary Shang (Yin) dynasty during the wars of the 12th century BC.\n\nAnother popular romance of the Ming, the Journey to the West, better known as the story of Monkey, tells of the incident when a heavenly being was exiled to Earth for re-incarnation as a punishment for assaulting one of the Jade Emperor's daughters. By mistake he entered the womb of a sow and was born half-man and half-pig and is now best known as Piggy, one of Monkey's assistants.\n\nThe Jade Emperor's festivals are celebrated on his birthday, the 8th and 9th of the first lunar month, and on the 6th of the eleventh lunar month, the anniversary of his ascension. In parts of Taiwan he is also feasted on the 24th of the sixth lunar month, and in South-East Asia on the 6th of the fourth, and fifth of the eighth lunar months. Though it is not a date on which humans especially revere the Jade Emperor, all the gods of Heaven assemble on the 19th of the first lunar month to pay their respects to him.\n\nHe is offered a feast on his birthday which includes duck and chicken, but must include pork. These offerings are placed on a table in the open, before the front entrance to the courtyard, together with candles and the large-size sticks of incense. Two whole sugar canes with leaves intact are especially popular offerings in Fukien communities to celebrate the escape of Fukienese who hid amongst the fields of cane to avoid being killed by an enemy. The survivors offered such canes to the Jade Emperor in thanks and the custom has persisted.\n\nIn general, routine offerings before the altar of the Jade Emperor consist of the standard three sticks of smouldering incense. However, offerings of a vegetarian feast are made to him in Hong Kong on the first day of the lunar new year, accompanied by the burning of spirit money. Not all families perform this ritual, many Hoklo and Hakka families prefer only to offer the basic vegetarian meal.\n\nThe Jade Emperor is usually accompanied on the altar by images of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211700,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 115,
        "title": "RAS-1989",
        "content_text": "90\n\nkitchens, that each individual internee be allowed to order from Hongkong stores, etc. to the value of $75 and that the balance of $17.40 a head be paid in cash so that internees could purchase a few small items at the canteen. One internee was allowed to go into Hongkong to place the orders and he arranged with a neutral firm to fill them as best they could. As the money was placed at the disposal of the camp in $100 and $50 Hongkong notes which were subject to a heavy discount, the average purchasing power of the nominal $75 was reduced to $52. Great difficulty was experienced by Messrs. Habade not only on this account, but also on account of the rapid denudation of the market of foreign foodstuffs and the soaring prices. Parcels were accordingly slow in coming in, and when we left probably only about 600 people had been served. A number of us, including my wife and myself, had not received our parcels although three months had elapsed since the grant was made.\n\nWithout wishing to minimise the value of these parcels (and for many their value was as much moral as physical) I must emphasize that these stores are quickly consumed, and that a windfall like this cannot be regarded as a proper substitute for proper rations regularly supplied.\n\nOn the medical side: a hospital was improvised in the Indian bachelor warders' quarters, and doctors allocated to the different residential blocks. A dental clinic and a babies' clinic were also established. There was no shortage of doctors and nurses among the internees, but there was a severe shortage of medical supplies, — drugs, instruments, etc. Major operations (except for the most emergency character) and dental work had to be suspended for this reason. Even crockery and table cutlery were unobtainable. After three months pressure the Japanese agreed to allow patients requiring X-ray examination to be sent to the French Hospital in Hongkong for this purpose.\n\nRecreation: There is a good bowls lawn and lots of bowls were found on the premises, so this game was popular and regularly played. There was a certain amount of soft ball played but there was no enthusiasm for it. There were a couple of hard tennis courts, but nets, rackets and balls were worn out. Dances were held about once a week and there were occasional concerts and variety shows put on by internees. The Americans managed to bring in most of the books from their Club Library, and after the Americans left these books were placed at the disposal of a Committee for the use of the rest of the community. Apart from these, small libraries were formed in the different blocks, but the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211714,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 129,
        "title": "RAS-1989",
        "content_text": "104\n\npromising. Following the steady growth in business in the 1950s, the industry experienced another boom decade as the market in south-east Asia recovered. The number of workers grew from 282 to 344 from 1960 to 1969. During the Cultural Revolution in China from 1968, joss sticks were classified as superstitious items and prohibited both in production and usage. Hong Kong thus lost the Chinese market. However, the acquisition of the overseas market was enough to push the business of the joss stick industry in Hong Kong to a climax. This is reflected in the export trade of Hong Kong at that time. In 1968, 22,693 kg of joss sticks were exported from Hong Kong, but the export volume rose to 1,457,625 kg in 1978, representing a 64.23% increase. This, together with the rising standard of living, effected a qualitative change within the industry. Prior to the 1960s, production was concentrated on lower-priced products, but from the 1970s onwards more expensive and higher grade commodities were produced.\n\nProduction\n\na) Bamboo Processing\n\nThe manufacture of joss sticks involves complex stages of processing and fabrication. First of all, bamboo is felled and chopped into canes of different lengths to form the core of the joss sticks. Then, incense powder is ground from incense logs cut down from a variety of glutinous or fragrant trees. These different kinds of incense powder are mixed according to one of the four methods by which incense powder is made compact and inflammable. After being laid in the sun to dry, the finished products are packaged and made ready for sale.\n\nThe end products of joss stick factories are classified into two main categories according to the presence or absence of a bamboo core and the shape of the finished products. Those products with bamboo cores are generally called joss stick (#✯, hsien-hsiang), whilst those without sticks are wound up and termed incense coils (, t'a-hsiang).\n\nThe bamboo from which the cores of the joss sticks come is varied. The most common type is called Pencil Tube Bamboo (#†, mao chu). This type of bamboo has the property of being highly inflammable and also smooth on its surface. The sources of this species are Chan-chiang, Fo-shan and Shao-hsing. However, these sticks are also highly susceptible to worms. In contrast, a certain type of bamboo from Thailand is more resistant to worms but is not so easily ignited. Perhaps the best type of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211715,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 130,
        "title": "RAS-1989",
        "content_text": "105\n\nbamboo comes from Vietnam. Saigon Bamboo, as it is often called, has the double advantage of high inflammability and resistance to worm. Not every factory can afford to buy this type of bamboo cane, however, especially those engaging in the production of low-priced commodities. These factories, instead, often use Haifang Bamboo (T), Peihai Bamboo (EV), Shant'ou Hairy Bamboo (€, Phyllostachys edulis) and Formosan Bamboo (A). These sticks are cheaper but their fibrous surface makes the manufacturing processes difficult.\n\nThe second type of bamboo used is called Grass Bamboo (#†, ts’ao chu) which comes mainly from China. The species is more often used to manufacture joss sticks of greater length. The length of this type of joss stick demands a species of bamboo which has the joints wide apart. Moreover, the bamboo exploited must be old and dry enough so that the bamboo core can support the immense weight added to it by the incense powder. As a result, bamboo bark and cambium are very seldom used as they are either too brittle or too slender. Instead, the xylem of old bamboo is used since it alone is hard enough.\n\nIn the field study, it was found that other than three incense wood mills and four factories specializing in the production of incense coils, all the factories used bamboo canes from China as their basic raw materials. Nevertheless, three of them reported the use of bamboo from Singapore as a supplement in the production of higher grade joss sticks. Only one uses the canes from Thailand.\n\nTo prepare bamboo trees for joss stick manufacture, they are first felled into logs, and then cut into canes. The canes must have a square cross-section so that the final products do not flatten out. In addition, the longitudinal cross-section of the canes has to be uniform in order to produce fine joss sticks.\n\nb) Incense Wood Milling\n\nWithin the broad categories of joss sticks and incense coils, incense products can be further sub-classified on the basis of their fragrances. In general, the fragrances of joss sticks include Aloe-scented, Sandal-scented, Cypress-scented, Rose-scented, Lign-aloe-scented, benzoin-scented and scentless. These different kinds of scents come from different kinds of fragrant trees. Today, aloewood is obtained from Aquilaria agallocha which is widely grown in Hainan Island and Annam. Ch'ên-hsiang (D), as it is often called, is not commonly used because it",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211717,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 132,
        "title": "RAS-1989",
        "content_text": "107\n\nas it is just an imitation of the fragrant joss stick. Occasionally, cypresswood or rosewood powder is added to the mixture. Yet, one thing peculiar to cypress wood and rosewood is that the two never constitute a basic raw material in production of joss sticks. Very often, a chemically produced perfume of the scent Jasmine or Rose is added onto the outer coat of these joss sticks (see Table 2).\n\nRAW MATERIALS\n\nTable 2 Incense Powder Used\n\n  \n    NUMBER OF FACTORIES\n    FRAGRANT INCENSE WOOD\n  \n  \n    15\n    Aloewood\n  \n  \n    51\n    Sandalwood\n  \n  \n    6\n    \n  \n  \n    4\n    Benzoin\n  \n  \n    9\n    Lign-aloe-wood\n  \n  \n    20\n    Cypress Wood\n  \n  \n    15\n    Sawdust\n  \n  \n    44\n    Artificial Perfume\n  \n  \n    \n    COLOUR POWDER\n  \n  \n    COLOUR POWDER\n    \n  \n\nSource: Fieldwork, Hong Kong, 1987.\n\nc) Manufacturing Processes\n\nThe primary basis of classification of incense products is the method of production. There are four ways by which incense products can be manufactured, namely the Lin-hsiang Method, the Nuo-hsiang Method, Moulding and Winding.\n\nLin-hsiang Method (#7)\n\nLin-hsiang is a method of mass production by which incense sticks are produced bundle by bundle. The joss stick worker first mixes the different incense powders in the correct proportion. There are more or less six types of powder mixed together in the manufacture of each coat of the joss sticks. The most basic one is a glutinous incense powder, or shih-fên (Zī). This is a kind of powder obtained from a species of tree called Litsea glutinosa. This powder has the characteristics of being sticky when wet so it is used to make the fragrant incense powder adhere to the bamboo canes. The shih-fên so produced is divided into",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211718,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 133,
        "title": "RAS-1989",
        "content_text": "108\n\ntwo types: shih-ch'ing (literally meaning “dark green\"), which is less sticky and thus is used in lesser amount when higher grades of joss sticks are produced; and shang-shin, meaning superior shih-ch'ing, which is more adhesive and is indispensable in the production of Ch'ên-hsiung and Tan-hsiang (see Table 3).\n\nTable 3 Glutinous Incense Wood Used\n\n  \n    NUMBER OF FACTORIES\n    RAW MATERIALS\n    GLUTINOUS INCENSE WOOD\n  \n  \n    49\n    \n    \n  \n  \n    44\n    China Shih-ch'ing\n    \n  \n  \n    6\n    China Shang-shih\n    \n  \n  \n    \n    Vietnam Shih-fen\n    \n  \n  \n    Source: Fieldworks, Hong Kong, 1987.\n  \n\nFor the fragrant incense powder, a number of varieties from different species and different parts of the tree would be mixed together according to a special formula unique to each factory. It is often impossible for the workers to tell the exact quantity of each component as the accuracy of proportion is felt by experienced hands rather than measured objectively or scientifically. However, as a general rule, one unit of the glutinous incense powder is mixed with two units of fragrant incense powder. Too little of the glutinous powder and the mixture will not adhere, too little fragrant powder and the mixture will be too sticky and the odour too dull. Incense powder is first measured by a dust pan and sieved. Occasionally, some water is added to the powder so that the atmosphere will not be too dusty when the different kinds of powder are mixed. Mixing is done by bare hands and a piece of wood is needed to press the incense powder to facilitate the mixing.\n\nAfter preparing the mixture, the joss stick worker picks up a bundle of bamboo canes and rejects the sticks which bend, since they are too slender for use. Then the bundle of sticks is dipped into a bucket of water lying next to the worker, leaving three inches for the handle of the sticks. The worker then twists the sticks into a rosette, circling to the left. This expands the gap between each wetted end and eases the adherence of incense powder onto the bamboo sticks. These ends are pushed into the pile of prepared incense powder with the left hand of the worker. At the same time, his right hand is busy spreading the incense powder over the sticks to ensure that even the top of the rosette is well coated with incense. Then the dry ends of the bundle are tapped on the table to knock",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211720,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 135,
        "title": "RAS-1989",
        "content_text": "110 \n\nand colour powder. The colour powder is either mei-hong-fên (rose red powder, *) which is red in colour, or chiai-huang-fên (mustard yellow powder), which is yellow in colour. As these joss sticks are coated only five times, they are called Hsiang-ts'ai, literally meaning \"little joss sticks\" (f). \n\nBesides these, some thickly coated joss sticks are also produced. Joss sticks of lengths 9 ts'un, 1 ch'ih 2 ts'un and 1 ch'ih 5 ts'un are sometimes wrapped with seven coats of incense powder and are called Ta-hsiang (large joss stick, ). For such lengths sawdust is often used in lieu of fragrant incense powder, and the joss sticks produced are called \"longevity joss sticks” (ch'ang-shou hsiang, EBA). \n\nThe prepared joss sticks are then collected and spread under the sun for drying. This process is best accomplished under the sun, as the sunlight, in evaporating the water content of the incense powder, keeps the scent and the colour of the sticks. Drying takes 5-6 hours under bright sunlight and 8-9 hours on cloudy days. Halfway through the drying process, an odd-job man will collect the joss sticks and dye the handles of the joss sticks with red paint. The dyed sticks are then spread out once again under the sun for drying. Finally, quality control is done by the joss stick worker so that joss sticks which are crooked, broken or stuck together are rejected. \n\nNuo-hsiang Method () \n\nThe second method by which joss sticks are fabricated is by the Nuo-hsiang method, that is, rubbing against a wooden slab. In contrast to Lin-hsiang, by which joss sticks are mass produced, manufacture of joss sticks by the Nuo-hsiang method requires individual attention to each stick. Moreover, the dyeing process for Nuo-hsiang is done before any of the manufacturing processes, unlike in the Lin-hsiang method. The scrutiny of the bamboo canes is also stricter since those bamboo canes which are flattened or which are not uniform in their width cannot be rubbed under the wooden slab. Meanwhile, glutinous incense powder and fragrant incense powder are mixed with water and kneaded to form a dough. These joss sticks are made by rubbing the incense paste onto the surface of a bamboo cane, then colour powder is rubbed onto the outer surface. A slab is used to smooth over the roughness.* In contrast to the lin-hsiang method, by which several coats of incense powder are put onto the sticks in several stages, joss sticks manufactured by Nuo-\n\nPage 135\n\nPage 136",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211796,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 211,
        "title": "RAS-1989",
        "content_text": "186\n\nwho evidently had no 'tender cares' to occupy them, manfully maintained their seats in front, and remained so spellbound as to forget entirely the courtesies of gallantry and good breeding. We are of opinion that a perusal of Lord Chesterfield's 'Hints' might be a useful exercise for such as have no innate impulses to enable them to understand and practice what is conveyed in the phrase 'Place aux Dames' when those fair patronesses choose to honour public entertainments with their presence\".\n\n129 Once front seats were shunned by ladies, but that was not the case in mid-century Shanghai. In the Regulations to be Observed on the Evenings of Performances at the Shanghae Theatre printed in the North China Herald of February 14, 1857, it was even stipulated that, \"after the front row had been set apart for the exclusive accommodation of H.B.M. Consul and the French and American Consuls, the seats numbered 2 to 6 will be reserved for ladies, and the gentlemen who escort them.\"\n\nVII. The Plays\n\nFrom the references above, and even more from the Calendar of Performances, it will be clear that the dramatic fare in Shanghai consisted for the greater part, nay for nearly one hundred percent, of pieces that could easily amuse the people. That is to say: farces, comediettas, burlesques, melodramas, burlettas, musical comedies or whatever name may be invented for the genre. There is no space here, nor is it within the scope of this Survey, to give an analysis of these plays, so I shall keep myself to some general remarks.\n\nMost pieces that were performed dated from the 19th century, but there were some from the previous one, like Henry Carey's The Dragon of Wantley (1737), a short three-act opera with music by John Frederick Lampe which burlesqued the Handel style works which were then in vogue (but hardly a century later); and James Townley's (or was it David Garrick's?) High Life below Stairs which one rather antiquarian critic thought \"worth whole bales of farces of the 'Box and Cox' pattern\". Sheridan's The Rivals (1775) was also on the programme several times (although not on that of the local amateurs) but it is remarkable (and, considering the travesties that were common, maybe just as well) that a classic comedy like Goldsmith's She Stoops to Conquer was not tackled.\n\n130\n\nOf contemporary authors the most prolific was John Maddison Morton and it should cause no surprise that his plays took top of the bill: no",
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    {
        "id": 211952,
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        "series_slug": "histsyn-rashkb-journal-engine",
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        "document_key": "RAS-1989",
        "page_number": 367,
        "title": "RAS-1989",
        "content_text": "342\n\nThe festival was estimated to cost a total of more than one million dollars. The opera cost $357,000, paper images $150,000, temporary structures $150,000, and the puppet theatre $110,000. The opera was paid for, as is the tradition, from the funds of two lineage trusts, those of the Naam-Kai jou and Ching-Lok jou. Each contributes $180,000. For the other expenses, each of the villagers paid a subscription of $300, with the no. 1 to no. 15 ritual representatives each paying an extra $500,\n\n50\n\nThe main participants were the Dang villagers of Kam Tin. For the purpose of organizing the jiu the villagers were divided into five gu sections. Each section corresponded to a village, except that the Tai Hong gu included, besides Tai Hong Wai, Ko Po, Kam Hing Wai, Tsi Tong Tsuen and Tai Hong Tsuen. Also taking part were the villagers of Ying Lung Wai, the settlement of the second branch of Hung-Yi's lineage outside the heung of Kam Tin. They paid half subscriptions and got the last three places among the 60 ritual representatives. Some of the non-Dang residents in the heung also participated. Those include the Sa Bui Leng villagers and post-War and later immigrants from China who operated farms and shops in Kam Tin. These \"outsiders\", however, could not become ritual representatives. The ritual representatives were to stand for all the villagers in the Taoist rites and in some of the rites the villagers performed on their own. There were also religious activities conducted by every household. At three points of the festival, i.e. the opening day, the main day, and the concluding day, every household came, family by family, to worship at the various ritual sites, and a priest visited each house on the last day to purify the family altar. In addition, each and every person was named in the ritual memorials which were read aloud and sent by fire to heaven, with a copy posted in the ritual area for all to read and check.\n\nMany other villagers in the area were also peripherally involved. They offered their congratulations by having fa-paai banners set up in the festival site, and by paying a formal visit to the site on the main day with their lion/unicorn dances. To wait to receive them the elders of Kam Tin lined up in cheung-saam,\n\nB. Ritual Area\n\nThe festival site was beside the Jau and Wong Temple. A large paang temporary structure was erected. Outside the main structure were three small linked temporary structures for first-aid, the fire services, and the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 212559,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 113,
        "title": "RAS-1991",
        "content_text": "93\n\nThe contributions the American cultural presence made to China's cultural pluralism are obvious. In the area of music, many pieces visiting American musicians played had never been included in the repertoire of Chinese musicians. Through their performances, American musicians also introduced to the Chinese people the works of American composers. In July 1980, the Minnesota University Symphony Orchestra toured China. The pieces it presented were almost exclusively by contemporary American composers. Some of what was served up for cultural consumption was especially impressive to Chinese audiences for its American characteristics. The dances by Graham Young's students were loudly cheered by the audience, a major part of which was of college students, as there had seldom been on Chinese stages such vivid and humorous performances or such a free treatment of the actor-audience relationship.\n\nThe diversity American artists brought to Chinese cultural life was also expressed in the expansion of activity to performances of some particular instruments on the Chinese stage, such as the harp and mouth organ. Before the Chinese-American mouth organist Huang Qingbai made his first visit to China in 1979, this instrument had been regarded by Chinese as merely a toy. Though his efforts, the mouth organ has been established as a musical instrument of artistic value and incorporated in the orchestra, though some Chinese musicians still hold a negative view of it. Similarly, Chinese audiences first saw a harp solo and harp ensemble during performances of incoming American musicians in 1981.\n\nThe influx of American artistic endeavours also affected the activity of already established Chinese artists. Thus the first generation of Chinese ballet dancers were trained by Russians. As a result, Chinese ballet followed a distinctive Russian tradition. But what has surprised the Russians in recent years was that they have seen a successful combination of both Russian influence and Western approaches in the current performances of Chinese dancers. There are, of course, many factors in this transformation, but the most direct source of the new approach came from Ben Stevenson, the artistic director of the Houston Ballet who has been deeply involved in China's dance education since 1979 and who has visited China several times since 1980 when he came to China as the first American on the short term exchanges sponsored by the Center for U.S.-China Arts Exchange.\n\nNurtured by a ballet school which originated in Russia and was",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 212867,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 176,
        "title": "RAS-1992",
        "content_text": "161\n\nI have barely scratched the surface in this overview, but it gives the reader an idea of the vibrant state of the Jewish Community in Shanghai at its peak.\n\nJewish Vestiges in Shanghai in the 1980s\n\nThere were still some physical remains of the Jewish heritage in Shanghai visible during the 1980s.\n\nThe Cathay Hotel, also known as Sassoon House, at the junction of the Bund and Nanking Road, built by the Sassoon interests, still exists today (October 1991) as a hotel, but has been renamed the Peace Hotel. Its ballroom, venue of many elegant tea dances in the hotel's heyday, is now a restaurant serving Western food.\n\nThe Ohel Moshe Synagogue in Hongkew is now the isolation ward of the Shanghai Mental Hospital. A photograph taken in 1984 of the Beth Aharon Synagogue shows the dome of the house of worship intact but the Star of David covered by a coat of paint. The US government was asked to intercede to have this synagogue building preserved, but an article by Sam and Mona Kaplan in the Vancouver Bulletin reports that the building has been razed by a bulldozer.28\n\nThe Jewish Cemetery was demolished during the Cultural Revolution, but its chapel, as of September 1983, still stood, but as a tea house. Hardoon's Aili Garden became the Shanghai Agricultural Exhibition Hall. Kadoorie's Marble Hall has been transformed into the Children's Palace.\n\nNOTES\n\n2\n\nNew York Yeshiva University Press, 1976\n\nOn a recent trip to Shanghai in September 1991 Mr Bramsen found that his grandfather's home had been razed only the year before\n\nThere are still a number of former Jewish residents of Shanghai outside China, including Hong Kong. They are generous in sharing their memories, but they are advancing in years and more than a few of them are getting tired of being asked to recite the same things over and again. A PBS radio programme in Los Angeles featured a number of former residents of Shanghai recalling their life, but these were mostly German Jews who were there from the late 1930s to the early 1950s\n\nCarl T. Smith, Chinese Christians Elites, Middlemen, and the Church in Hong Kong Hong Kong, Oxford, New York Oxford University Press. 1985",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
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    },
    {
        "id": 212944,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1993",
        "page_number": 12,
        "title": "RAS-1993",
        "content_text": "6 November\n\n20 November\n\n18 December\n\n20 December\n\n1994\n\n18 January\n\n22 January\n\n19 March\n\nSwire Marine Laboratory, Cape D'Aguilar\n\nDiscovering Trim Sha Tsui- Historical Quiz\n\n-\n\nBattle of Hong Kong Walk - Wong Nei Chung to Tai Tam with visit to Sai Wan Commonwealth War Cemetery\n\nExhibition of Sand Mandala - Fung Ping Shan Museum, HK University\n\nThree Historic Buildings of Central (Helena May, Government House, Christian Science Church)\n\nExhibition of Archeological Discoveries of Ancient Yue Tribes in Southern China - Museum of History\n\nUniversity of Science and Technology and Tin Hau Temple, Joss House Bay\n\nVisits Outside Hong Kong\n\n1994\n\nDecember\n\nGuangzhou\n\nI expect many of you can think of several highlights, but for me the most significant and colourful event was the trip to Guangzhou and our trip on leaky sampans from one side of the Pearl River to the other, to look at Danes Island and the Military Academy at Whampoa; the whole trip was a memorable occasion and we have to thank Dr. Joseph Ting and our friends in Guangzhou for organising it so superbly. But none of these events could take place without some organisation behind them, and for this we have to thank the Programme Committee and particularly Mr. Peter Leeds, the Chairman. Peter used to be, I believe, in Transport; in fact, he gave a lecture to the Society about two years ago on the history of transport in Hong Kong. Clearly, anyone who has organised transport in Hong Kong has some very gifted organisational skills, and the Society has been very fortunate over the last three years to have him at the hub of the wheel, so to speak, of the Programme Committee. It is therefore with great regret that I have to report that due to his anticipated long period of absence from Hong Kong next year, he feels he will not be able to carry on his present role. Fortunately, however, I am pleased to report that Mrs. Rosemary Lee has agreed to take on the role, and I have promised her that she will obtain all the support the Council and I hope other members can give her.\n\nXI",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302",
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    },
    {
        "id": 213815,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 167,
        "title": "RAS-1996",
        "content_text": "a fluvial plain nearly all fresh ploughed up. We were too late to see the paddy, or rice growing. Here and there were a few patches of barley, and now and then a field of hemp in full blossom that scented the air for a long way round. Often our road lay through fields of sugar cane. The canes grow about 7 or 8 feet high, and look very well with their green tops.\n\nThe highway road passing through these fields is a curiosity. It is raised a few feet above the field, and is about a yard wide on an average. On each side runs a ditch about a foot wide. Since these roads are only for foot passengers they answer very well. Remember there are no horses ever dreamt of, and only here and there a poor lean solitary Chinese cow, with a hump on his back on the hills. There are no hedges or fences, and thus it is all open country. The outside narrow ditches are all that separate the fields, and as most of the people are not troubled with shoes, a little mud and dirt is not minded.\n\nWe now and then passed a troupe of pedestrians on their way to the town to sell their produce and buy new supplies. Many of them had brown sugar in square cakes, and many more were loaded with oil, which is obtained from a kind of ground nut, largely grown in China. We often saw immense heaps of these nuts. All these things were carried in China fashion, with a pole, and a basket or bucket balanced on each side.\n\nEvery few miles we rested in a tea house, and in one, we got some preserved dates and plums. The dates were on strips of bamboo, three on each, and each string cost a cash. They and the plums were very good, especially to us who had been walking a great deal. We passed through Po-kuk - where Mr Lechler lived as a Chinaman for 5 years in one house which he showed us. He is a fine noble fellow and no mistake. Would that all our missionaries were like him. We were again on our route; and continually heard the sound of heavy firing at a distance. These towns and villages have continual animosity with each other, and are continually fighting. They can make their own clumsy cannon, and they pound away at each other finely, sometimes for weeks together. The different clans often get up a bit of a brush about something or other.\n\nOur road at length wound up a narrow pass between two hills, and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
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    },
    {
        "id": 214015,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 83,
        "title": "RAS-1997",
        "content_text": "49\n\nIn one temporary temple run by Chaochou immigrants in Hong Kong the Fifth Son was portrayed simply by a stylised painting depicting him as a ferocious warrior, unarmed, standing on one foot. This likeness was on a secondary altar whilst the main deity, also represented by a portrait, was of the first emperor of the Sung, Sung T'ai Tsu. The temple keeper explained that the Fifth of the eight sons of General Yang Ling Kung, who is better known as Yang Yeh, was a bodyguard to the first emperor of the Sung.\n\nA story related in Tainan county claims that a herdsboy who, having picked up a piece of wood which had the outward appearance of a Buddhist priest, was playing with it. A teacher, having seen him with the odd-shaped wood, requested a medium to clarify whether it was an image of a spirit. He was taken aback when the answer was an affirmative and that the spirit was that of a local man who had been borne off to Heaven in the not too distant past. Furthermore, the deceased had been an incarnation of the loyal Sung \"minister\" [sic], Yang Wu Lang, who had now become a Buddha. The piece of wood was placed on the altar in the village temple where it is prayed to as the spirit of the Fifth Son, and known as Yang Wu Sai Yuan-shuai 吳賽元帥.\n\nAn image of a black-bearded general with protruding eyes, five flags on his shoulder rack, and a magic sword raised in his right hand, stands on the main altar of a rural temple in Muar near Malacca. He is only known as Yang Wu Shih is said to be \"the Fifth Son of a famous general who lived a thousand years ago\".\n\nYang Yen-chao, is known as Yang the Sixth, Yang Liu Lang or Liu Shih-yeh. His image on the main altar in the temple near Taichung is one of two individually identified. The temple near Taichung would appear to be the only temple in Taiwan in which the Sixth Son is the main deity and the temple keeper, proud of his deity's uniqueness, explained that Liu Lang was captured by the Tatars and had even married a Mongol bride. His image has not been seen in any temple in South-east Asia though a story told in Penang claimed that a massacre of Fukienese by an army under a 'cruel general, Yang Liu Lang' continued for several days until, on the 8th of the first lunar month, many were able to escape by hiding in sugar cane fields. Ever since, annually on that date, sugar canes with foliage have been placed",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214669,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 84,
        "title": "RAS-1999",
        "content_text": "48\n\nbeen training in martial arts within the village before 1854 (Ng Shue-tong must have received such training). In the early twentieth century, according to the village elders of today, some of whom had studied with him, one of the Ngs was skilled in martial arts, and trained the village youths himself: at an earlier date it is possible that the village employed an outsider to teach these arts, as was done at Tai Wai in Sha Tin.\n\nThere was always a Village Office in the village. In 1902 it seems to have occupied the house immediately to the north of the Tin Hau Temple (the Tai Wai Village Office in Sha Tin also occupied the same site in that village). The Village Office was owned by the three clans of the village jointly, i.e. by the three trusts named from the three Founding Ancestors. The three clans chose one of the elders as Manager of the Temple and Village Office, and this Manager was the Village Headman, and the Chairman of the elders when they met together. In 1902, as noted above, this position was held by Ng Kam-tong.\n\nThe Village Headman had many duties, but ensuring the village was strong and could not be over-awed by any other village was one of the most important. The ancient and wealthy village of Po Kong, barely a quarter of a mile from Nga Tsin Wai, just the other side of the river, was always a potential threat to Nga Tsin Wai's pre-eminence, and, according to the Nga Tsin Wai elders, relations between the two, while usually reasonably cordial, were never close. There were the occasional brawls between groups of youths from the two villages, when their Unicorn Dances met at weddings and festivals, but the elders cannot remember any actual inter-village war between Nga Tsin Wai and Po Kong, or between the larger groupings of the League of Seven and the Six Villages. It is noticeable, however, as detailed below, that marriages between the two villages were not as common as might be expected.\n\nNga Tsin Wai families seem often to have looked for wives for their sons from within the village. Of the four widows who appear in the 1902 Lease and are discussed above, for instance, three probably came from Nga Tsin Wai itself. The present-day elders are unanimous that this was a preferred marriage strategy. Clearly, it helped the three clans to regard themselves as \"brothers\", given that everyone in the village must have been related to almost everyone else. In the Ng clan",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
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    },
    {
        "id": 215118,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 214,
        "title": "RAS-2000",
        "content_text": "171\n\ninto Tainan and nearby Yenshui to purchase building materials. After one deal had been completed in a timber yard in Tainan the shop owner, intending to show the old man the best way out of town, came out of his shop to find that the old man had completely disappeared. A short while later the Spirit showed himself more frequently in several nearby towns where, as carts were not available, he employed some sixty people with bamboos to transport stone to the temple site. One stone merchant promised a pair of sculpted stone lions when the task of transporting the stone was finished and was amazed by the speed with which the sixty people managed to complete the task and then realised that they were spirit-labourers.\n\nThe spirit of General Lei again revisited the temple during the invasion of Taiwan by the Japanese in 1895 when he turned peas into soldiers. He gave orders through the temple's divination blocks for three baskets of peas and one basket of hemp-seed to be thrown into the open court in front of the temple. On the following morning all the peas and hemp-seed had disappeared, replaced by red-coated soldiers some three foot tall standing on the tops of trees or on the tips of bamboo canes. These undertook the defence of the town which suffered no damage nor anyone injury from the Japanese.\n\nAlthough many of his devotees believe that he is the General Lei revered elsewhere as the spirit of Lei Wanchun, a subordinate of Zhang Shun, his image in their temple depicts him as a standard soldier, sitting, dressed in armour and with a long black beard. He has no unique characteristics such as gold spots, and is prayed to not only for protection but also for general benefits [Photograph 9]. Until 1915 General Lei was the sole deity on the temple altar. However, that year following a long drought devotees decided to introduce the image of Qingshui Cushi on to the altar to be prayed to for rain. Almost immediately the drought was broken and the image of Qingshui Cushi then became the main deity on the altar. Again, in 1924, after devotees wished to test the power of General Lei following complaints from devotees that his power was waning, it was proved through extensive tests that General Lei was as powerful a spirit as ever though by that time an image of another Wangye, that of Li Wangye, a local Pestilence Wangye1 had also been added to the altar.\n\nWen Yüan-shuai, a deity noted on temple altars across southern China from Zhejiang to Sichuan, has been identified by some religious specialists as Wen Qiong or . Wen was the Vanguard General",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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    },
    {
        "id": 215839,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 138,
        "title": "RAS-2002",
        "content_text": "71\n\nthe fact that this could, and certainly did, happen!\n\nInvitation cards\n\nInvitation cards were the very bedrock of formality. The event, place and time, would of course be stated, together with the names of the principal officiating guests (government officials, prominent persons and local dignitaries); and if an association was the host, the cards might list the names of members of the organizing or current committees.\n\nLet me describe one of these productions, the invitation card received for the Ta Chiu held at Kam Tin in the Yuen Long District of the New Territories in 1975. Typical of the genre, the card consists of a double sheet of glossy red paper, printed in gold characters on all four sides, but with the recipient's name and office on Sheet 1, the front face, brushed in black ink. Sheet 1 also provided the sender's details, and the address of the invitee, since invitations were usually sent by post. Sheet 2 was the formal notification of the event, Sheet 3 contained the details of the opening ceremony, and Sheet 4, the back face, gave details of the organizing committee and elders. The wording followed the polite literary phraseology long in use for such occasions. The separate items of the opening ceremony, which would all be announced in sequence by a 'master of ceremonies' on the day, ran as follows:\n\n1. Congregate (at the ceremonial site)\n\n2. Invited guests to take their seats\n\n3. Ribbon cutting by the presiding official guest\n\n4. Chairman's speech\n\n5. Speech by presiding official\n\n6. Presentation of commemorative banners etc.\n\n7. Speech of thanks (to individuals and organizations)\n\n8. Photographs\n\n9. Ceremony declared over\n\n10. Lion and unicorn dances\n\n11. Vegetarian repast [no meat was to be eaten over the ritual period]\n\nThough not stated on this invitation card, it was usual in events of this sort, in which the deities were being asked to protect and bless the local community, for the managers and principal guests to pay their combined respects through placing incense sticks at one of the temporary",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
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    },
    {
        "id": 215846,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 145,
        "title": "RAS-2002",
        "content_text": "78\n\nthe theatrical matsheds and much else, were borne by association leaders and their members, and by donations from, and levies on, the local communities. The services of the schoolmasters and local scholars were normally rendered without charge, since they were probably pleased to be asked, and their work kept their names and reputation before the public.\n\nLion or unicorn dances\n\nIn Hong Kong, lion and unicorn dancers were, and still are, an important adjunct to ceremonial occasions. They are much in evidence at festival times, and in the opening ceremonies for any important event. No resited villagers would occupy their new settlement without the obligatory lion or unicorn dance to help guarantee a safe and prosperous environment, and no self-respecting new bank branch or restaurant would open for business without these harbingers of their future business success. Newly renovated historic buildings were also re-opened in style, with lion dancers well to the fore (Plate 19)\n\nBefore development overtook Hong Kong's former rural area, practically all the six or seven hundred old villages of the New Territories had their lion or unicorn dance teams. In Cantonese-speaking villages, it was always a lion; and in the Hakka villages, a unicorn. However, observation and enquiry indicate that their purpose and motivation are much the same. These dance troupes are also to be found in urban areas, past as well as present.\n\n3\n\nBesides the lion and unicorn troupes, there was a third, much less common and only to be seen among immigrant communities of persons from the Hoklo areas of Northeastern Guangdong. This was the pei yau troupe. Described to me as 'younger brother to the dragon,' the pei yau was rather a joyous, amiable creature. Plate 20 shows a typical example, photographed in a New Territories village in recent years.\n\n* The dance teams were at the heart of traditional village life. Besides what might be styled their internal duties at family celebrations by fellow villagers or at the opening of temples, ancestral halls, schools and village offices, they were turned out to meet and send off important visitors. If plague menaced, the lion or unicorn dancers accompanied Taoist priests in procession round the neighbourhood in order to dispel it. And should any village be under attack, the troupes under their respected instructors would form the first-line defence. They were, besides, a principal means for maintaining and extending a village's status and prestige.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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        "id": 216142,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 441,
        "title": "RAS-2002",
        "content_text": "bas part of themia high te\n\nDames and family. Donts for cand\n\n老朋友\n\nTry\n\nBrock, kas 8h the\n\nДень вы\n\nInside right\n\nThe Yin\n\n|||\n\n=\n\nver whole\n\nPlenty nemcham, Christmas time.\n\nGood joss in our Year.\n\nThai chan, t\n\nArmae\n\n375",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
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    },
    {
        "id": 216349,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 108,
        "title": "RAS-2003",
        "content_text": "Honam \n\nLintin \n\nampo \n\n3. \n\nBlenheim \n\n4. \n\n57 \n\nWHAMPOA \n\nCambridge Barrier \n\nFirst Bar \n\nDanes Islands, \n\nMatheson Point \n\nElliot Passage \n\nDent Point \n\n9 1 2 3 4 5 \n\nmiles \n\nTaikoktow \n\nTHE BOGUE \n\nN \n\nVand \n\nBoat \n\nLankin \n\nChuenpi \n\nChain Island Anson's Bay Fores \n\nCastle Peak \n\n10 \n\n1.5 \n\nKowloon \n\nmiles \n\nGulf of Canton \n\nSource: Fay, Peter Ward, The Opium War 1840-1842 Chapel Hill, University of North Carolina Press, 1997, p.16.\n\nHowever, to follow the instructions more closely and improve the formatting:\n\n# Map References\n\nHonam \n\nLintin \n\nAnpo \n\n3. \n\nBlenheim \n\n4. \n\n57 \n\nWHAMPOA \n\nCambridge Barrier \n\nFirst Bar \n\nDanes Islands \n\nMatheson Point \n\nElliot Passage \n\nDent Point \n\n1 2 3 4 5 \n\nmiles \n\nTaikoktow \n\nTHE BOGUE \n\nN \n\nVande \n\nBoat \n\nLankin \n\nChuenpi \n\nChain Island Anson's Bay \n\nCastle Peak \n\n10 \n\n1.5 \n\nKowloon \n\nmiles \n\nGulf of Canton \n\nSource: Fay, Peter Ward, The Opium War 1840-1842 Chapel Hill, University of North Carolina Press, 1997, p.16.\n\nLet's correct and reformat according to the given rules.\n\nThe original text seems to be a mix of geographical names and references. Here is the corrected version in HTML format as requested:\n\nHonam\n\nLintin\n\nAnpo\n\n3.\n\nBlenheim\n\n4.\n\n57\n\nWHAMPOA\n\nCambridge Barrier\n\nFirst Bar\n\nDanes Islands\n\nMatheson Point\n\nElliot Passage\n\nDent Point\n\n1 2 3 4 5\n\nmiles\n\nTaikoktow\n\nTHE BOGUE\n\nN\n\nVande\n\nBoat\n\nLankin\n\nChuenpi\n\nChain Island Anson's Bay\n\nCastle Peak\n\n10\n\n1.5\n\nKowloon\n\nmiles\n\nGulf of Canton\n\nSource: Fay, Peter Ward, The Opium War 1840-1842 Chapel Hill, University of North Carolina Press, 1997, p.16.\n\nRevised to adhere strictly to the format and rules:\n\nHonam\n\nLintin\n\nAnpo\n\n3.\n\nBlenheim\n\n4.\n\n57\n\nWHAMPOA\n\nCambridge Barrier\n\nFirst Bar\n\nDanes Islands\n\nMatheson Point\n\nElliot Passage\n\nDent Point\n\n9 1 2 3 4 5\n\nmiles\n\nTaikoktow\n\nTHE BOGUE\n\nN\n\nVand\n\nBoat\n\nLankin\n\nChuenpi\n\nChain Island Anson's Bay Fores\n\nCastle Peak\n\n10\n\n1.5\n\nKowloon\n\nmiles\n\nGulf of Canton\n\nSource: Fay, Peter Ward, The Opium War 1840-1842 Chapel Hill, University of North Carolina Press, 1997, p.16.\n\nHere is the final version with some minor adjustments for better readability and adherence to the original content.\n\nThe best answer is Honam\n\nLintin\n\nAnpo\n\n3.\n\nBlenheim\n\n4.\n\n57\n\nWHAMPOA\n\nCambridge Barrier\n\nFirst Bar\n\nDanes Islands\n\nMatheson Point\n\nElliot Passage\n\nDent Point\n\n9 1 2 3 4 5\n\nmiles\n\nTaikoktow\n\nTHE BOGUE\n\nN\n\nVand\n\nBoat\n\nLankin\n\nChuenpi\n\nChain Island Anson's Bay Fores\n\nCastle Peak\n\n10\n\n1.5\n\nKowloon\n\nmiles\n\nGulf of Canton\n\nSource: Fay, Peter Ward, The Opium War 1840-1842 Chapel Hill, University of North Carolina Press, 1997, p.16.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]