[ { "id": 204311, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 79, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n75\n\nwith the worship of the Pole Star and with astrology. These can be found in the Tao Tsang (Two Collections of Taoist Literature). To identify him with the Vaisravana of popular legends was advantageous both to the Buddhists and Taoists.\n\nIt has been said that Vaisravana helped the Emperor T'ai Tsung during the war which led to the founding of the T'ang dynasty. But in some Tantric texts, the story is dated in the year A.D. 742 (the 1st year of Tien Pao in the reign of Hsuan Tsung). When the city of An-si (2) was besieged by the troops of five states including Tashkend and Samarkand, Vaisravana appeared above the tower of the city-gate with his celestial soldiers and defeated the invading troops. The sutra reads,\n\nIt was in the 1st year of T'ien Pao, the cyclic year being Jên-wu (4), when the city of An-si in Kansu was besieged by the troops of five states, Tashkend, Samarkand ... (five characters missing in the text). On the 11th day of the second month the commander of the city sent a petition for reinforcements. The Emperor told the Monk I-hsing (一行), “An-si is twelve thousand li away from our capital and it would take eight months for our reinforcements to reach there. I am afraid the city will fall.\" I-hsing said, \"Why does Your Majesty not supplicate the celestial soldiers of Vaisravana, the heavenly king of the North, for help?\" \"How do I get his help?\" the Emperor inquired. I-hsing said, \"Your Majesty need only summon the foreign priest Amogha and he will do everything.\" Amogha was summoned and said, \"Your Majesty sent for me. Is it not because the city of An-si is besieged by the troops of five states?\" The Emperor answered, “Yes.” Amogha said, \"Bring your urn and follow me to the place of worship and I will supplicate the celestial soldiers of Vaisravana the heavenly king of the North to rescue the city from danger.\" Hardly had he finished chanting his spells for the fourteenth time when the Emperor saw celestial soldiers clad in armour standing in front of the hall. \"Who are they?\" the Emperor asked. \"Tu Chien (毘建), the second son of Vaisravana, who is leading the celestial troops to An-si, has come to say farewell.\" The Emperor gave them food and dispatched them. In the fourth month the commander of An-si reported again, “On the 11th\n\n13 Li Ching's name appears in the Tao-chiao Hsiang-ch'êng Tzu-ti Lu *(道教相承次第録 \"Order of Taoist Teaching\") in Yün-chi Ch'i-ch'ien (雲笈七籤)(XL). chüan 4. In the Tao Tsang (道藏), Tung-shên Pu (洞神部)(1), Fang-fa Lei (方法類)(5) T'ien-lao Shên-kuang Ching *(天老神光經) is attributed to him.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204385, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 17, "title": "RAS-1962", "content_text": "12\n\nF. S. DRAKE\n\nsouthern border of the Ordos region within the loop of the Yellow River, as Pao-t'ou was on its northern border. Fr. Mostaert, it appears, was already familiar with the Crosses and he gave some valuable information from his personal observations, as to the use to which they were put by the Mongols of his day:\n\nThe Mongols constantly dig them up from old graves and elsewhere; they know nothing about their history, but wear them on their girdles, especially the women. When they leave home to take their sheep to graze, they close their doors, and seal them with mud or clay, in the same way as other people use ordinary seals.4\n\nIn 1932 during his residence in Tsinan, Shantung, Mr. Nixon committed his collection to the late Dr. J. Mellon Menzies of Shang dynasty fame, then professor of Chinese Archaeology at Cheeloo University, for study and classification. The result was embodied in a monograph entitled Chinese Nestorian Bronze Crosses which was published with the help of a grant from the Harvard-Yenching Institute in December 1934 as a double number of the Cheeloo University Bulletin 齊大季刊,第三、五合期, 青銅十字專號。The volume consists of impressions in red (somewhat in the manner of Chinese rubbings, but not true rubbings) of each of the crosses and seals in the collection, to the number of 979, followed by tables giving the number, weight, measurements and description of each cross, and where possible the provenance of each, the whole being classified in certain clearly defined groups, together with two essays in Chinese: 'Christianity in China in the time of Marco Polo' by Dr. Menzies; 'The Swastika Cross Badges Unearthed in Sui Yüan Province, China' by Professor P. Y. Saeki; and a short Introduction in Chinese on the Nixon Collection by Dr. Menzies. This volume has long been out of print, and Cheeloo University itself has been disbanded, The Institute of Oriental Studies at the University of Hong Kong hopes, when funds are available, to publish a complete set of photographs and rubbings of the whole collection with Dr. Menzies' tables, classification and enumeration.\n\n4\n\nDr. Menzies classified the crosses, which measure from 11 to 31 ins. across, first according to shape into four main groups,\n\n1 Moule, Christians in China before the Year 1550, London, S.P.C.K., 1930, p. 92; Saeki, Nestorian Documents and Relics in China, Tokyo, 2nd ed., 1951, p. 423; Menzies, Chinese Nestorian Bronze Crosses, Cheeloo University Bulletin, 1934, pp. 92-3.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204427, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 59, "title": "RAS-1962", "content_text": "50 \n\nT. Y. LI \n\nThe seal originated from jade tablets used by the Emperor and members of his Court in religious rituals. Later, seals were used to seal articles in the same way as we use sealing-wax nowadays. The only difference is that in those days, a ball of clay was used to receive the impression made by a seal. Writings on slips of wood or bamboo were bundled and sealed. Valuables were placed in a sack which was tied by string and again sealed in the same way. Naturally, these seals had to be small. Paper or silk for writing was not in popular use until long after the Han period (206 B.C.-221 A.D.), and it was then that vermilion ink was first used for seals. This practice has continued to the present day. \n\nThe Ancient Seals. \n\nThe so-called ancient seals were discovered at a much later period. They were thought to belong to the Chou Dynasty (1122-221 B.C.), or possibly earlier, but there is a lack of historical evidence to support it. The form of this class of seal is most variable. The size ranges from a fraction of an inch to a few inches square. The shape is mostly square, but many odd and strange shapes are also found. The engraving may be intaglio or relief. Many characters are difficult to decipher. The matrix was of bronze, though a few were of jade. The decorations are simple but elegant. They are the \"platform\" or \"nose\" type with an \"eye\" or \"hole\" provided for a cord to go through it. \n\nSubsequently, in the late Chou or Warring States Period (481-221 B.C.), a type known as Small Seals is found. The size is usually about one inch square. The shape may be oblong, oval, or round. The style of engraving is either intaglio or relief. Many characters are difficult to read because during the Warring States Period, each feudal state developed their own writing, and these were afterwards prohibited by the Emperor of the Chin Dynasty (221-206 B.C.). Hence, they became obsolete. However, their style is delicate, graceful, and well-balanced. They are all made of bronze with simple decoration, as in the ancient seals. \n\nAfter the First Emperor of the Chin Dynasty united the feudal states (221-206 B.C.), China was once more under one Government. Great reforms were carried out in many things, among which was the standardization of Chinese characters. A form known", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204494, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 126, "title": "RAS-1962", "content_text": "A NEW ARCHAEOLOGICAL SITE\n\n111\n\nMaglioni continued archaeological work further afield. After his death, Maglioni roughly outlined the area of their researches and designated it as the Han-Chu region, naming it this because it is bounded by the Han and Teng Rivers in the East and the Chu (or Pearl River) and Tung in the West.\n\nMaglioni divided the neolithic era into three main periods, to each of which he assigned one of the cultures he found. SON was early neolithic, SAK was middle neolithic, and PAT was late neolithic.* All three names were taken from parts of the names of the villages nearest to the sites where the cultures were first discovered.\n\nThe stone artifacts that I have found are typical of the middle neolithic era, and they also closely resemble the SAK artifacts in the Maglioni collection. They differ strikingly from the PAT materials found in the Western part of the Colony. Unlike the latter, they are almost exclusively made of chert. They are also cruder and less sophisticated, with traces of chipping left in spite of the polishing, as if the chipping had been too deep. The cutting edge of the axes as well as the adzes is not bevelled as in the case of those from Lamma and Lantao. They are almost all longer in shape and narrower, not as thick in cross-section as the latter, and to my unpractised eye, they resemble more the stone artifacts displayed in the Hong Kong University Museum from Annam and Laos.\n\nThe most typical element of SAK culture is its pottery, which is a fine ware of smooth mix and is stamped with a variety of patterns, the most common one being a basket weave and others including a herring-bone and concentric circles. The pots are of a small size (perhaps because the SAK people were nomadic), globular in shape, with a shallow ring-like foot, which was added after the pots had been shaped and stamped. They were frequently decorated with an equatorial band in bas-relief as well as other bands above and below it. These bands were also added after the pot had been shaped and stamped. The SAK potters made great progress in both preparing and baking the clay. Maglioni says: \"They utilized clays which received their bright colour when fired, added little or no sand, made very thin ware,\n\n\"PAT appears to have continued uninterruptedly from the stone age into historic times,", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204495, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 127, "title": "RAS-1962", "content_text": "112\n\nM. W. WELCH\n\nand improved the primitive method of firing so much that well-shaped vessels of fairly hard clay, which may be considered as ancestors of porcellaneous ware, were actually produced. Supports of refractory clay evidently used for the pots in the kiln are proof of this great progress.\n\nThe pottery found in site I and II is pretty uniform in composition and appearance, and I would say typical of SAK. The mixture of clay is very fine; the potsherds quite thin and hard. When struck they give off a fairly fine \"ping\". So far, no other kind of pottery has been found on the sites. There has, for instance, been none of the rough and sandy ware found on Lamma and Lantao, which is crumbly and very thick.\n\n44\n\nOn the potsherds I have found, there are three types of SAK pressed patterns. Though there are no complete pots, I have been able to put together enough of one to conclude that it was fashioned in the same manner as those found by Maglioni in the Hoi-fung area: the pot shaped and patterned first, the foot added later.\n\nPerhaps the most interesting aspect of my site is what I have not found. There has, for instance, been no bronze. Maglioni makes the point that absolutely no bronze or other objects belonging to a metallic period have been discovered in any of the pure SAK sites. Nearby, however, he came upon numerous large villages of the later (PAT) period, often with bronze pieces, and he has a theory that the spreading of the PAT culture was the reason for the dispersion of the SAK people.\n\nI have found nothing that can be assigned to PAT. This is in contrast to other sites in Hong Kong, where a few SAK pieces have been found, but always mixed in with a much larger number of PAT artifacts. My sites are not only rich in SAK, both implements and pottery, but they are pure SAK. They are, indeed, the first pure SAK sites to be found in the Colony.\n\nThere are two other things I want to mention. One is the type of very roughly shaped large tools that I have found in groups on all three sites near kaolin deposits, frequently embedded in a lump of hardened kaolin. I have tentatively separated these tools into eight categories according to their shape. Five are\n\n“Archaeology in South China\" by Raphael Maglioni, University of Manila Journal of East Asiatic Studies, Vol. II, No. 1 October, 1952.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204561, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 42, "title": "RAS-1963", "content_text": "PRINTING IN CHINA\n\n37\n\nin the desert beyond Tun-huang, which Lao Kan subsequently dated around A.D. 98 or a little later. This confirms the date of 105 given for the announcement of the invention to the throne in the biography of Ts'ai Lun in the Hou Han shu. The technical processes included:\n\n(a) the fashioning of seals out of metal, stone, and clay;\n\n(b) the taking of rubbings (or inked squeezes) of inscriptions on bronze and stone.\n\nSeveral bronze seals have been found in Shang sites, and many later ones made of bronze, ivory, horn, stone, pottery, jade, and iron. They were cut both in relief and in intaglio. Known as yin, the seals were generally small; their purpose was a proof of genuineness. (The woodblock, yet to appear, was large and its purpose was reduplication.)\n\nAs to inked rubbings, these make their appearance during the 5th and 6th centuries; by 649 three professionals were appointed to the T'ang court. They were called T'a shu shou. Chinese scholars love to own copies of prized inscriptions; so the making of rubbings became a popular pastime.\n\nBy the year 640, after the T'ang had consolidated the empire, and achieved victories everywhere, except in Korea, China entered upon a period of material prosperity and cultural advance. It is small wonder that in the ensuing century printing should have developed. The demand must have been very great for elementary texts, dictionaries, copies of the canon, histories, Buddhist sutras, almanacs, etc.\n\nOne must mention here the interesting hypothesis of Robert Shafer [Journal of the Oriental Society, v. 80, No. 4 (Oct.-Dec. 1960), pp. 328-329] that the printing block originated in Tibet. This may be true; but was it first used for literature, or for some other purpose, such as textiles? The authors of both the Chiu T'ang shu (196 A/la) and the Hsin T'ang shu (216 A/lb), writing of the early years of the Tang dynasty, state categorically that the Tibetans had no writing. So do the writers of the Tibetan annals, covering the years 650-747, found by Pelliot at Tunhuang. (Cf. the translation of J. Bacot and Ch. Toussaint in Documents de Touen-Houang relatifs à l'histoire du Tibet.)", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204732, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 35, "title": "RAS-1964", "content_text": "26\n\nW. C. HUNTER\n\nFriday 12th\n\n1* at\n\nAt nine this morning received a letter from Macao dated the 8th, in answer to mine of the 5th; all quiet there but everyone ready to be off the moment any trouble was at hand. Delano received, enclosed in mine, a chit from Russell Sturgis which contained much news. The Hercules and Austen left for the Bogue on Tuesday last to deliver their opium and were to be followed by the Jane and Aeriel. The Chinese would only let two vessels come up at a time. The Good Success left Macao on the 9th for Madras, with despatches to the British admiral on the India Station, and the Rob Roy was to leave today for Calcutta. The Exchange sailed for Manila on the 8th; the Nar† Naples, Roza and Benuo Successo and Poppy had also sailed for Manila but the letter does not say if they took opium or not.\n\nMr. Inness was on board the Hercules with Alex. Matthews and Chay. Beal36. The Hercules and Austen had in all over 5,000 chests.\n\nGave two bottles of beer to the Se-Ying37 or lieutenants on guard in the second line of boats in front of the Factories. Had a long chat with several of the officers belonging to Name Hoe's guard relative to matters in dispute. They appear exceedingly friendly but take no interest whatever in what is going on,\n\nSaturday, 13, 1839\n\nLast night at 12 o'clock Captain Elliot received a communication from the Commissioner, dated in the morning from the Bogue, in which he requests that the opium ships might be ordered to come up and anchor close to Chinn-up to deliver the opium, instead of Lankeel where there was much inconvenience owing to rough water. He also said that the compradores and cooks were ordered to return but they have not come yet. However it will take some time for the order to be generally promulgated.\n\nMidnight I have just returned from a chat of three hours duration held at the Hoppo House or \"Custom-House Station\" at the water's edge opposite our Factory between two officers, one equal to a captain and the other to a lieutenant, the Custom-House Officer and myself. The Captain, who wore a crystal button, was\n\n*Two words illegible.\n\n† Part of ship's name illegible.", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204743, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 46, "title": "RAS-1964", "content_text": "JOURNAL OF OCCURRANCES AT CANTON\n\n35\n\nare the vessels of war who could alone defend the place. But it is doubtful if Mr. Commissioner will allow matters to get to such a length. If they do, the Governor of Macao intends to defend it to the last extremity. He has ordered all the inhabitants between the ages of 15 and 50 to hold themselves in readiness to be called upon to carry arms.\n\nWe hear of three more vessels from the east coast, the Corsair, Amelia, and Anna. There are yet there the Lord Amherst, Henry Clay, and Lady Hayes.\n\nLetters from Chumpee to the 30th have been received. 13,800 chests were delivered and no more vessels were there but the Lady Grant and Mahmoodie were in sight in their way up. It is said they have on board near 200 chests and when they are discharged we shall see if the Commissioner intends to break his word again. Weather rainy; have not had a fine day these ten days past and it is very cold for this season of the year, thermometer at 60° to 63°. Wrote to Captain Gilman and Mr. Sturgis at Macao gave the letter to the Compradore to be forwarded.\n\nSunday, 5 May 1839\n\nSome of us at last to be released but 16 foreigners are to be detained in Canton till the opium business is all settled. Under certain restrictions and surveillance any foreigner except 16 can leave Canton. This is by permission received yesterday from the Commissioner. Ships at Whampoa can be loaded and unloaded and leave Whampoa, but no ship can come in.\n\nIn the morning the Kwang Chow Foo, the Chung Hup and the Kwang Hup with attendants on horseback rode into the Square and to the Point and ordered all the military guard to withdraw from the boats, and the boats to break up the line of circumvallation with which we have been surrounded six weeks this day.\n\nThe Hong coolies also broke up their encampment on the edge of the walk and retired from below the Company's arch leaving however 70 who have stationed themselves in the middle of the Square to guard the 16 foreigners and prevent their escape. The Hong merchants have also retired from beneath the Company's verandah and things begin to look as before. No ships boats can go to or come from Whampoa yet, neither can our pleasure boats be allowed to be put into the water. But licenced passage boats are permitted to go daily as before with passengers.\n\nIn the", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204911, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 19, "title": "RAS-1965", "content_text": "S. G. DAVIS\n\nthe work he very quickly graduated to a well-informed archaeologist capable of making shrewd observations and comparisons.\n\nAltogether, Father Maglioni mapped and recorded twenty-one principal sites and nine others where odd fragments of pottery were picked up. And here it is important to note that all the remains were collected from the surface and that no excavations were ever carried out. It would therefore seem reasonable to assume (on the basis of our experience in Hong Kong, especially at Lamma, Shek Pik, Man Kok Tsui and Fanling) that re-examination of the Hoifung sites with spot digs could be most revealing and fruitful. Perhaps this may be possible one day,\n\nFather Maglioni in his report (16) on the Hoifung District underlined and confirmed many of the conclusions reached by Dr. Heanley and Father Finn: principally that all the sites were either on raised beaches or low granite hills and that the absence of building remains pointed to their having been built of clay and wood (probably as at Tai O today on piles) and therefore easily and quickly disintegrated by weathering and typhoon attrition. He also concluded that all sites are neolithic with a strong reservation that the use of the term \"neolithic\" might be misleading. This was because he recognized distinctly different cultures present. In order to identify them he used the capital letters of the largest villages near the sites; SOW, SOS, PAT, KEB and SAK. Dr. Heanley in a letter (11) to Father Maglioni also was emphatic that the term \"neolithic\" should not be used for Asia. He felt that polished stones were almost certainly in common use in Hong Kong until iron became cheap and abundant.\n\nOn the basis of European usage of the terms \"palaeolithic\" and \"neolithic\" it seems that there is no solid evidence of a pure palaeolithic culture being present. But many palaeolithic artifacts have been found both in Hong Kong and Hoifung and presumably were used by the later neolithic peoples.\n\nFather Maglioni noted that villages were usually located on the western hill slopes below the summit. This village siting is paralleled in Hong Kong and was done to provide shelter from the strong northeast monsoon winds. He also reported that \"Double-F\" pottery was not much in evidence in Hoifung. He concluded that this type of pottery had been imported from Hong Kong by sea.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 204915, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 23, "title": "RAS-1965", "content_text": "18\n\nS. G. DAVIS\n\nBIBLIOGRAPHY\n\n1. Bard, S. M., Chiu, T. N., and So, C. L. \"Stone Ring at Loh Ah Tsai, Lamma Island, Hong Kong,\" Asian Perspectives, VIII.\n\n2. Ch'en Kung-che (1957). \"Archaeological Surveys and Excavations at Hong Kong,\" Kao Koo Hsueh Po, No. 4.\n\n3. Davis, S. G. (1952). The Geology of Hong Kong (Archaeology), Government Printers, Chapter XI, pp. 188-194.\n\n4. Davis, S. G. and Tregear, M. (1961). \"Man Kok Tsui. Archaeological Site, 30, Lantau Island, Hong Kong,\" Asian Perspectives, IV.\n\n5. Davis, S. G. (1962). \"Hong Kong University Team Archaeological Activities for Period 1958-61,\" Asian Perspectives, V, 53.\n\n6. Davis, S. G. (1964). \"Rock Carvings at Shek Pik, Lantau Island, Hong Kong,\" Asian Perspectives, VII, 19-21.\n\n7. Finn, D. J. (1933-1936). \"Archaeological Finds on Lamma Island, Hong Kong,\" The Hong Kong Naturalist, Reprinted 1958, Ricci Hall Publications, University of Hong Kong, Hong Kong.\n\n8. Heanley, C. M. (1928). \"Hong Kong Celts,\" Bull. Geol. Soc. of China, VII, 209-214.\n\n9. Heanley, C. M. and Shellshear, J. L. (1932). A Contribution to the Prehistory of Hong Kong and the New Territories.\n\n10. Heanley, C. M. (1935). \"Fields of Hong Kong,\" The Hong Kong Naturalist, VI, 233-239.\n\n11. Heanley, C. M. (1938). \"Letter to the Editor on Archaeological Finds in Hoifung,\" The Hong Kong Naturalist, IX.\n\n12. Laufer, B. (1909). Chinese Pottery of the Han Dynasty, American Museum of Natural History Publication, East Asiatic Committee.\n\n13. Laufer, B. (1914). Chinese Clay Figures, Part I, Chicago Field Museum of Natural History, Publication 154.\n\n14. Laufer, B. (1917). The Beginnings of Porcelain in China, Field Museum of Natural History, Publication 192, Anthropological Series, XV, No. 2.\n\n15. Lo, H. L. (1956). \"The Sung Wong Toi and the Location of the Travelling Courts by the Seashore in the Last Day of the Sung,\" Journal of Oriental Studies, Vol. 3, No. 2, 185-217.\n\n16. Maglioni, R. (1938). \"Archaeological Finds in Hoifung District, China,\" The Hong Kong Naturalist, No. 8, 208-214.\n\n17. Maglioni, R. (1940). \"Archaeology: New Nomenclature,\" The Hong Kong Naturalist, X, No. 2, 130-133.\n\n18. Maglioni, R. (1940). \"Some Aspects of South China Archaeological Finds,\" Proceedings of the Third Congress of Prehistorians of the Far East, Singapore, 209-229.\n\n19. Maglioni, R. (1952). \"Archaeology in South China,\" Journal of East Asiatic Studies, No. 2, University of Manila, Philippine Islands, 1-20.\n\n20. Meanelly, E. (1962). \"Excavations at Man Kok Tsui on Lantau Island,\" Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 2, 103-108.\n\n21. Schofield, W. (1935). \"Implements of Palaeolithic Type in Hong Kong,\" The Hong Kong Naturalist, VI, Nos. 3-4, 272-275.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205217, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 173, "title": "RAS-1966", "content_text": "NOTES AND QUERIES \n\n167 \n\nsufficient water. The bottom of a padi field has an impervious layer of clay with a loamy layer of earth above it.\n\nNone of this work is done without first consulting a book called the Tung Shing(a) or Tung Shu(b), the “Universal Book\". This is the Chinese \"Old Moore's Almanack\", except that the Tung Shing does not prophesy world events but merely lists the day-to-day signs which indicate when a field should be ploughed, which are good days to wash hair, or when to conclude a contract, dig a well or plant fields. The book also lists the lucky hours of each day during which these events should be performed.\n\nThe lucky day and hour having arrived, the village womenfolk turn out with flat hoes and baskets. With the hoe, clumps of padi sprouts six to eight inches long are lifted from the nursery, placed in the baskets and carried to the padi field. If the field is first-grade land, then the clumps of padi seedlings are planted by pressing them into the mud in fairly thick clumps, about eight inches between clumps and in nearly straight lines. Should the land be rated as second-class, then the clumps are not so thick, although the spacing is about the same. In consequence, if one tau of seed was planted in the nursery, then by transplanting the sprouts into first-class padi land, a lesser area is required to grow that tau of seed than if it was transplanted into second-class padi land. However, in each case, the area of land required to grow the tau of seed is still called a tau chung. To the European mind, this method of land measurement is confusing, but regardless of these differing factors, the tau chung is the area on which tenant rentals are fixed, agreed, and paid.\n\nTo standardise these variants and to arrive at a reasonable basis on which to fix statistical information in the Colony, the Director of Agriculture, Fisheries and Forestry related the tau chung to the acre by declaring (about 1950) that in future, six tau chung would be considered as one acre. For most areas of the New Territories, this is accepted as a fair rate, being generally in line with old custom. Under this calculation, the tau chung becomes equivalent to 7,260 square feet.\n\nIt was then found that on the southeastern portion of the New Territories, a different type of measure was used, which reduced the tau chung from 7,260 square feet to 4,365 square feet. The various villages and areas which used this smaller", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205278, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 40, "title": "RAS-1967", "content_text": "The Travelling Palace of Southern Sung\n\n33\n\nFirst,\n\nWhat in fact is the significance of this stone gate? According to Sung Hsueh-p'eng, in the original temple in the former Ma-tau-wei Village, which used to be populated by Chiu clansmen, descendants of Sung emperors and princes, there were two idols, one male and the other female, dressed as an emperor and an empress respectively. During the reign of Kuang Hsü in late Ch'ing, the male idol was clad in a gorgeous yellow robe embroidered with dragons. Later, the Chiu clansmen removed to another place and people of other clans came to live there until the evacuation of the population and the demolition of the whole village. It is, therefore, apparent that at least some members of the royal party did stay in the village during their visit to Kowloon. Secondly, apart from being the only historical relic besides the Sung Wong Toi stone commemorating the visit of the two emperors of Southern Sung in Kowloon, it marks the boundary line of the Kuan-fu Travelling Palace in the west. As a result of the valuable work done at the present site by the Government, we now have an additional attractive and distinctive symbol of the cultural history of Hong Kong and Kowloon.\n\nVIII. THE TRAVELLING PALACE\n\nOne must do away with the conception, rather the misconception, that by the word \"palace\" is meant a single, magnificent building for the residence or office of a king or emperor constructed to a beautiful design, of valuable materials and of gorgeous colours. The term \"travelling palace\" (literally translated from the Chinese hsing-kung) implies the place where an emperor stayed on his travels. Such was the Travelling Palace of Southern Sung in Kowloon (Kuan-fu).\n\nPerhaps a translation of the more detailed account of the Travelling Palace in Ya-shan written by one of the officials in the court at that time gives a clear view of what a travelling palace was like. In 1278, after arriving at Ya-shan, the mountain behind the Ya-men Bay where the Sungs met their last defeat from the Mongols, the royal party constructed the travelling palace. In the sixth month, they entered the mountain and chopped down trees wherewith to construct one thousand military houses and a travelling palace of thirty houses. In the compound, the central (or", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205547, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 89, "title": "RAS-1968", "content_text": "84\n\nARMANDO M, DA SILVA\n\nOne could reasonably suspect that the edifice was used more for signalling and coast watching than for outright defence, and as a navigational landmark. The stone walls are made from local material, the porphyritic granite. Certain nearby boulders of this granite have drill markings on them, the drill holes 3 or 4 inches apart. The fort appears to be built on an older stone base measuring some 225 by 130 feet, the walls of which are surmounted by superstructure walls of fired gray bricks (plate 8). A red clay found nearby, when mixed with lime, blocked and fired, could have produced this type of Chinese gray brick. The stone blocks and the gray bricks are held in place by lime cement made of lime mortar mixed with fine sand particles.5 The possibility that the bricks were produced from materials close at hand should not be dismissed.\n\nMany of the stone blocks and gray bricks have subsequently been removed by villagers for their own use. The Tin Hau temple nearby, for example, may have been partly constructed from bricks looted from the old fort (plate 9).\n\nWhen was the station constructed? The San On Yuen Chi makes no mention of any date but hints that law and order were established after troops were stationed at various outposts on the Chu Kong estuary after the order for the Coastal withdrawal (tsin hoi) had been rescinded in 1669. We have a brief mention in that district gazetteer that the Kai Yik Kok fort, as well as the forts located at Nam Tau and Chik Wan further up the estuary, were garrisoned by troops engaged in the restoration of order in \"dangerous\" areas not previously altogether under their control.\n\nThe persistent belief, still current today, that the ruin was of Dutch origin derives from the fact that Dutch ships in the early decades of the 17th century frequently stopped by the offshore islands of the Chu Kong estuary to take potable water. They were denied anchorage in Macau by the Portuguese and prohibited from entering Chinese ports by the Chinese. The myth of Dutch origin has been reinforced by confusion of the name with that of the Dutch fort of Castel Zeelandia built on Taiwan in the 17th century, which is also known as Fan Lau ($), meaning \"foreign building\". It takes no stretch of the imagination to ascribe to the fort at Kai Yik Kok, a Dutch, or Portuguese, or any other foreign origin. Fan\n\n...", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205553, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 95, "title": "RAS-1968", "content_text": "90\n\nARMANDO M. DA SILVA\n\nIt will suffice here to say that the exterior defence of the Chu Kong estuary consisted of a series of forts, customs-stations and guard-posts in the Lo Man Shan 老萬山, Kai Pong 鷄澎, Sam Chau Mun 三洲門, Ngoi Ling Ting 外伶仃, and the Tam Kon ## groups of the outer off-shore islands. The civil administration ruled from Nam Tau, the district city of the San On district. The military administration was centred at Tai Pang, on the western arm enclosing Tai Pang Hoi (Mirs Bay). The civil administration operated on a north-south axis, as against the east-west axis of the military coastal defence system. This is understandable when one realizes that the military could facilitate their control of the coast-line by establishing easy communications by water running the length of the coast-line from strongpoints on strategic head-lands and the offshore islands.\n\n3 For the Chinese characters of place names of some locales in the vicinity of Tai Yu Shan see map 3. For names of places within the present territory of Hong Kong see A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories (Hong Kong, Government Printer, 1960).\n\n4 So far as I know there has been no published study of this fort by Hongkong's local historians, except for a brief mention in one work which states that Kai Yik Kok fort was of Ch'ing dynasty date. Lo Hsiang-lin, Hongkong and its External Communication before 1842, (Hongkong, Institute of Chinese Culture, 1963) p. 172.\n\n5 The principal ingredients of this cement are clam and oyster shells which are crushed and burnt to produce slaked lime. The lime is then mixed with fine sand to produce a holding cement. Shells and fine sand are common to many local beaches and are, apparently for this purpose, used in lime kilns.\n\n6 San On Yuen Chi, kuen 22, under section on Coastal Defence reads:\n\n看復界後海絮籹寧而設險更捻周密雖今之汎地 及設兵皆與舊制不同而大嶼山雞翼角炮臺南頭 炮臺赤濘炮蠱最為餓要\n\n7 Fan Lau is also known as Shek Sun meaning \"boulder growths\", a reference to the numerous residual boulders at Kai Yik Kok,\n\n8 Luis Gomes, Monografia de Macau (Macau, 1951), a Portuguese translation of the O Mun Kei Leuk p. 70. \"No 7° ano de long Tcheng (1730) construiram-se fortalezas nas duas montanhas, distribuiram-se as guarniçoes para a sua defensa e foram reforçadas as tropas que guarneciam Tai-U-San formando assim como que um angulo semelhante ao que e constituido pelos chifres dum boi, para servir de defensa exterior de Macau e o Boca Tigre\",\n\n9 J. J. L. Duyvendak, \"Sailing directions of Chinese voyages\" T'oung Pao, vol. 34 (1938) pp. 230-237; and \"The true dates of the Chinese maritime expeditions in the early fifteenth century\", T'oung Pao, vol. 34 (1938), pp. 341-412.\n\n10 The district of San On (新安) was formed in the sixth year of Lung Hing (隆慶) ie. 1572-73, Fourteen years later, in 1587, the San On district gazetteer was written by Yan Tai-kon (縣太君), the District Magistrate. Various editions followed. The latest edition was published in 1819. This gazetteer provides the best primary source of information on pre-British Hongkong. Chapters (kuen) XIV and XXII deal with Coastal Defence. These are chapters of special interest to historical geographers.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205765, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 71, "title": "RAS-1969", "content_text": "65\n\nTUNG KWU ISLAND:\n\nTHE TYPE SITE OF HONG KONG'S OLDER PRE-HISTORIC CULTURE\n\nINTRODUCTION\n\nW. SCHOFIELD*\n\nThe present paper describes the writer's investigations of the large site revealed from 1925 onwards by sand diggers on the island of Tung Kwu beyond Castle Peak,† This dumb-bell island, which is formed entirely of Hong Kong granite and the sand which links its two portions by an isthmus, has not only yielded pottery of the historic period in one area of its western beach, but a great many remains of a culture obviously earlier than that of the Bronze Age in Lamma described by Father Finn.‡\n\nDESCRIPTION OF THE ISLAND (See Plates 1 and 2)\n\nTung Kwu is a typical single dumb-bell with an isthmus joining a large northern hill ridge 76 metres high to a smaller southern one of 68 metres. These hills show all the signs of early loss of their original woods, followed by washing away of most of the thick subsoil of clay full of quartz grains which formed beneath their cover, some of which remained on the isthmus and beaches. Much of the hill surface is occupied by large masses of granite boulders formed by chemical action in the clay, and left behind when it was washed away.\n\nA noteworthy feature of the northern hill area is the 35 metres hill that rises just north of the isthmus and is surrounded by a\n\n* Mr. Schofield (1888-1968) served in Hong Kong between 1911-1938 as a Cadet Officer and Police Magistrate, He was noted for his work pre-war on the geology and archaeology of Hong Kong, in which fields he was a pioneer scholar. More recently his article \"Further Notes on the Sung Wong Toi\" appeared in the 1968 Journal. Ed.\n\n†This island has long been misnamed on local maps. The Hong Kong Government's official Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories (no date, but 1960), p. 161, calls it Lung Kwu Chau (##) and describes it as \"an uninhabited island in area 0.158 sq. mile off the west of the Castle Peak Peninsula, incorrectly named TUNG KWU (Tongku) on the 1:25,000 official map. (Sheet 13, 1957 edition)\".\n\n‡\n\nThe photographs which illustrate this article may be found at Plates 1 to 9 at the rear of this volume. They are representative, and not ordinarily related to items mentioned in the text because Mr. Schofield died before we had chosen and discussed the illustrations. I am greatly indebted to Mr. James C. Y. Watt, Assistant Curator of the Hong Kong City Hall Museum and Art Gallery and Hon. Sec. of the Hong Kong Archaeological Society, for much help and advice with the sketch-map, charts and plates. Ed.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205766, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 72, "title": "RAS-1969", "content_text": "66\n\nW. SCHOFIELD\n\nsmall plateau averaging some 10 to 12 metres above sea level. This is a plane of marine denudation dating from a time when the sea level stood 12 metres higher than now, perhaps during the last great inter-glacial period (Riss-Würm), some 100,000 years ago. From this lower area much less clay could be washed than from the higher and steeper hill to the north; and the gentler wave-action on the west beach, normally on the lee of the island, made it about five times as long as that on the east of the isthmus, with very few large boulders. Somewhere on the west side of the 12 metres terrace, between about 1100 and 1500 A.D., there was at one or more times a small settlement, perhaps no more than one or two fishermen's huts; for at this point on the west beach are found pieces of Sung and even Ming pottery lying on the beach and in the cliff, which here is largely built up of coarse rainwash from the hill behind. There is, however, no modern settlement and no cultivation, and the island appears to be used only by boat-people, either for fishing or for burial of their dead; for on one visit Prof. Shellshear, who was with me, discovered a human skeleton of recent date two feet below the top of the sand cliff.\n\nMETHOD OF INVESTIGATION\n\nThe site was first discovered and investigated by Dr. Heanley and Prof. Shellshear, who worked together from about 1925 in looking for sites showing early human occupation. Much of what they found lay on the surface of the beaches, but wherever possible they noted the depth from the soil surface of objects found in the sand cliffs. Part of their material was presented later to the British Museum, and some to Mr. Eumorfopoulos and others, but the rest seems to have disappeared during the war in 1941 when the Hong Kong University was wrecked. Their code number for the site was 123, which points to a comparatively later discovery: the Tai Wan site on Lamma, for example, is numbered 83.\n\nThe technique employed by the writer at Tung Kwu was as follows. Objects not found in situ were collected and the initials of the site were painted on them in Chinese ink. If a single object was found in situ, its depth from the surface was measured in inches or centimetres; it was extracted; the depth and initials of the site were written on it or its wrapping paper, and later were recorded in Chinese ink on the specimen. In 1935, by which", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205774, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 80, "title": "RAS-1969", "content_text": "74 \n\nW. SCHOFIELD \n\nAgain, at Sai A Chau site opposite Shek Pik, one group of coarse pottery at a considerable depth from the surface, consisting of a cup and a pot 1 cm. from each other, in good preservation, suggested that they and the three or four soft pottery pieces by them with a net pattern were a tomb deposit. The bones, if any, must have been dissolved long ago by the acid soil and heavy rains: other pottery lay at just over 100 cm., more than 40 cm. above the supposed grave group, and these may have been part of a habitation layer. \n\nSix pieces which obviously formed part of very large store jars, all of coarse pottery, are known from this site,* and seem to indicate a small settlement of this pre-historic period rather than a place used only occasionally, such as a burial ground. \n\nPottery classed as 'plain' or unornamented is not recorded on the site as lying lower than 140 cm., nor higher than 60 cm. Most of it was from 100 to 140 cm., but it was much scantier than the cord-marked. \n\nStamped coarse pottery found in situ consisted of three pieces only, two at 107 and one at 114 cm. This latter had an ornament of parallel single and double raised lines across it, connected by numerous lines at right angles to them. These lines were raised, and strongly reminded me of a pattern found east of Kowloon Bay, on a hill site at Ngau Chi Wan, whence it may have been imported. The levels indicate that this pottery type is a late development at this site. \n\n2. Soft Pottery: (See Plate 7) \n\nThis class is represented by numerous fragments from all parts of the site, both loose and in situ. Most of it bears ornament impressed on the outside with what were probably carved wooden stamps which left a raised pattern on the soft clay, and these patterns were very varied, the majority being of a net type, with studs in the meshes differing in shape in each pot. The softness is caused by low firing, generally so low that the pots tend to disintegrate when wetted. Sometimes the surface is coloured with a slip, often of a grey-green colour. This softness makes it pretty clear that the pots and other vessels were either used for holding \n\n*It appears that Tung Kwu is intended, though I was not able to check this with the writer. His paragraphing is retained throughout the article. Ed.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206068, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 148, "title": "RAS-1970", "content_text": "HONG KONG BEFORE THE BRITISH \n\n143 \n\nThe pottery is of two kinds, soft and hard. The soft includes bowls, pedestals on which they were balanced, pitchers and jugs and cups like Chinese funerary vessels. There is a gradation from a very soft type, a type as crude as pottery can be, made of clay and sand, fashioned by hand and baked either in the sun or on an open fire, to a slightly harder type, fashioned with more care and marked with a primitive pattern such as the \"panier\" made probably with a basket of reeds or the \"comb\" made with a small pronged instrument. Then there is a harder type fashioned on a potter's wheel and given various patterns either whilst it is on the wheel or stamped with a prepared die. Finally there is a very hard type, faultlessly made and baked in a closed oven, with stylised patterns, sometimes glazed and sometimes unglazed and containing in the rim or under the base little signs which look like hallmarks of fabrication. All these types exist side by side. For instance, a large pot of the hardest and most finished type has been found covered with a lid of the rudest and softest material.\n\nThe largest pots have a rounded base and could contain as much as a gallon of water. They are often glazed with a very light blue or dark green pigment which has not settled very well on the surface. The chief pattern is the \"double F.\" Another type is a vase with a low pedestal, often very well proportioned, rarely glazed, and bearing a great variety of patterns. This type is sometimes provided with handles through which a string can be passed. A third type is reminiscent of Chinese funerary cups and does not appear to have a definite domestic use. These cups are from 5 to 7 centimetres high and have shallow bowls and long concave pedestals. They are frequently glazed and always seem to have hallmarks under the base such as three wavy lines or a rough upsilon.\n\nSuch are the most usual types of vessel. Of course, there are many varieties, and enormous quantities of broken pieces have been found. But from what has been observed, various conclusions can be drawn.\n\nThe type of bowl without pedestal is common to-day in the Indonesian countries, though not in China. The resemblance in shape with peasant bowls in the markets in Indo-China and Burma is very striking. The \"comb\" pattern is also used to-day in", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206069, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 149, "title": "RAS-1970", "content_text": "144\n\nS. F. BALFOUR\n\nIndonesian pottery, particularly round the rim of the vessel. The other patterns appear to have no counterparts in pottery that we know. Especially the \"double F\" is intriguing. It appears at a glance a type of stylised design derived from an animal motif such as might have come from ancient China, but it is very unsafe ground to suppose that it is so. Lastly, the glaze is of a good pigment and was certainly derived from China. The variety of pottery from the primitive soft type through the \"Indonesian\" type to the half-Chinese \"double F\" pattern shows that while much of it was imported, some was made locally.\n\nMetal implements have been found in the sites in much smaller quantities than the stone and pottery, but moulds for making them have been found in larger quantities. They are made of baked clay in two separate pieces which fitted together and into which the molten metal was poured and took its shape. These moulds were probably made locally. Therefore the people using them were not plentifully supplied with metal and they were obliged to melt and reshape old weapons when they became unserviceable, continuing to use the same pattern without any efforts to improve it. This inference neutralises any attempt to date the inhabitation of the sites by comparing the metal implements with those used in China at certain dates. It is true that the shape of the weapons originally came from China, but there is no certainty that the Chinese influence continued for long; in fact, the opposite seems the most likely.\n\nThe most typically Chinese of the bronze weapons are the ko and the small axe. The ko is the small cutting and piercing implement with a curved blade ending in a sharp point which is written with the character. It is of very ancient origin and continued to be used by Chinese soldiers in the Han dynasty and later. The small axe with a convex blade and a hollow socket for insertion of the handle is also of early Chinese origin. It was once used in a more simplified shape for money, but that the inhabitants of this region used it for killing can be proved by a piece of bone which was found adhering to an axe in one of the sites. Both these types of weapon are most ancient, in addition to them fragments of bronze swords and daggers, some of them embossed with Chinese designs, have been excavated and a small number of bronze utensils.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206590, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 138, "title": "RAS-1972", "content_text": "132\n\nLINDA F. SULLIVAN\n\nmain crop, rice, requires an extensive system of irrigation. Rice farming divides the land into small paddies which tend to separate the communities. The mountainous country with its many isolated valleys further compartmentalizes the area into small and closely knit groups, speaking a large number of dialects. These conditions aided in the development of a strong clan system which is most heavily concentrated in the provinces of Kwangtung and Fukien. This type of social organization demanded an architecture that would reflect the community structure. In the rugged, mountainous regions, as in Chekiang, where land is precious, the Chinese utilized the smallest possible space for building. Hence, the Chinese, when they developed their systems of architecture, were acutely conscious of the natural environment and tried to come to an understanding with it.\n\nThe townhouse courtyard complex plan () is the most familiar architectural structure for Chinese houses. It is, however, by no means the most common of all domestic architecture but rather represents the home of the affluent. The basic plan was a rectangular walled area consisting of two courtyards separated by the guest hall. The less important buildings, kitchen, storage sheds, animal pens and servants' quarters, were located along the sides, or adjacent to the front wall. The first or main courtyard normally was larger than the second courtyard and was used for receiving visitors. The second courtyard was that of the family where the women and children spent their days. Only intimate friends and relatives would be invited into it. At the end of this courtyard, adjacent to the back wall, was the parents' suite. The children's rooms were along the sides. Richer and larger families would extend this basic design by adding more courtyards and halls and of course, gardens. Life behind the walls of the courtyard house was isolated from the life of the busy streets. The walls were normally built high enough so that only the peaks of the roofs were visible from the street. There were no windows facing out but only onto the inner yards. The courtyard house shows the attempt of the Chinese man to seek privacy and seclusion from the outside world,\n\nIn Hopei province in the city of Peking, this architectural plan was quite common. The outer walls of the complex were normally built of sun-dried brick and the roofs were made of overlapping clay tiles. It is not unusual that this house would be popular in the city of Peking, for in many ways it is a small scale model of the", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206620, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 168, "title": "RAS-1972", "content_text": "162 \n\nW. SCHOFIELD \n\nthought to be older than the Han dynasty (210 B.C.). It was known to have been conquered by the First Emperor and added to China, but even history is silent on it prior to that time (220 B.C.). Hence its prehistory lay shrouded in almost darkness, with only a few vague traditions and scanty ethnographic and linguistic data to shed light upon it. \n\nThe first beginnings of enquiry into the pre-Chinese culture of South China date back to about 1926 when Dr. Heanley, then investigating the geology of Hong Kong as an amateur, noticed lying here and there on hills of gravelly clay formed from decayed granite, stones which could not have been formed and left there naturally, and which clearly had the shape of stone adzes, as a rule smoothed and polished. Realising the importance of these finds, he devoted much of his leisure to a careful search for more of them, and in so doing discovered a number of sites, which included an axe factory, a workshop for jewellers working in quartz and other stones, and shore settlements, presumably of fishermen, as well as hill settlements. In this work he was associated with Prof. Shellshear, of Hong Kong University, and shortly before leaving Hong Kong in 1930 he interested me in the subject. I had for some time been investigating the geology of the Colony, and started this new line in association with Dr. Heanley and Prof. Shellshear. My contribution consisted mainly in discovering new sites, chiefly in sandbanks on the coasts and islands of the New Territory. Special attention was paid to these for two reasons; first, the beaches were being vigorously dug for sand to be used in building and public works; second, these sandbanks were the only places where a succession of layers containing objects of different ages could be found. As no beds of limestone exist in the Colony, it was vain to look for caves. \n\nIn my explorations I had occasion to examine a beach site discovered by Dr. Heanley on the island of Lamma close to Hong Kong. This had been dug back a considerable distance further, and I saw, littered over the beach, vast quantities of pottery, with more projecting from the sandy cliff behind. One piece of a cup I found was covered with a bottle-green glaze, a ware which was later found to be a feature of the culture at this and several other sites in Hong Kong. Later visits to the site revealed that bronze weapons and tools were to be found in fair number; in addition, rings of", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206633, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 181, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n175\n\nexpert, a geomancer. In general everyday use, prognostications are looked up in the farmer's almanac which is still published annually in Hong Kong and Taiwan and sold widely. In former days the source of information on this subject contained in the farmers' almanac, was the Imperial Calendar, the Hwang Li (). This, until the end of the Empire in 1911, gave the details of T'ai Sui's position every year. Nowadays the birth hour and date of an individual is matched to the movements of T'ai Sui given in the farmers' almanac, thereby obtaining the auspicious and unauspicious dates for most social functions, such as weddings, travel, initiating business, starting building, launching a ship or burying the dead. As can be seen T'ai Sui is important in the life of individuals: but, despite this importance, T'ai Sui is worshipped on as few occasions as possible. Persons fear approaching him too frequently as he is so alarmingly unpredictable and, being so awe-inspiring, he is given a very wide berth. Very rarely indeed, will you see devotees worshipping before his altars in comparison with other altars in the folk religion temples.\n\nIn the Yangtze Valley, and elsewhere in central and southern China, at the start of Spring, a clay bull and an image of T'ai Sui were carried on a float through the city with the civic officials bringing up the rear. The bull was constructed in a special pattern consisting of sixty separate parts. Hodous3 in 1929 tells of this image of the spring bull, a clay and coloured paper bull, being carried through the streets of Foochow together with T'ai Sui, the tutelary god of the current year. When the procession arrived at the Yamen the district officials formed a circle about the bull and each one struck it with a vari-coloured stick three times, breaking off pieces of clay. The bits of clay and other parts of the bull were picked up by the crowd and thrown to their pigs to stimulate their growth.\n\nHodous also continued that \"the position of T'ai Sui behind or in front of the bull tells the farmer whether to begin planting late or early; and upon the position of the tail, or the opening of the mouth of the bull depends the Yin and Yang principles of the year. The tutelary god of spring and of the year is Kou Mang () who holds a whip in his hand. The age of the image, the colour of his clothing and his belt and the position of his coiffure, the holding of his hand over his right or left ear, is determined by the 3 Hodous, L., Folkways in China, Probsthain's Oriental Series Vol. XVIII (1929).", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206804, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 81, "title": "RAS-1973", "content_text": "SWATOW HORIZONTAL STICK PUPPETS\n\n75\n\nto be attached to the back of a puppet general and the like. There was also a wooden trunk containing about 30 puppet-bodies.\n\nThe orchestra sat on the backstage floor. The band-leader had a set of drums and a clapper. There were two pairs of gongs, two sonas and a pair of two-stringed violins. There were also two female singers with the orchestra. The whole troupe comprised 12 persons and was paid H.K.$2,500 to perform one hour in the afternoon and a full Opera for four hours in the evening.\n\nBefore the performance started, the puppets were taken out of the trunk, a stick was attached to each hand and the headless bodies were hung on a string at the joint of stick and hand back-stage (Plate V). The left puppeteer was obviously the technician. He adjusted the head on the puppet with glue (UHU), fastened the headgear, bent the wires of the hand around a sword or a halbard, hooked the leading rod into the back and led it onto the stage. While fighting the puppet often loses its head or its sword, but it is quickly repaired and the action continues. The puppeteer guides the right arm with his right hand, left hand and back-stick with his left hand. This technique gives the largest range of movements. If a general has to show his strength by leg movements, the puppeteer transfers the three sticks into his left hand and moves the legs with a fourth stick. The scene is often suddenly tumultuous when whole armies appear. The puppeteer then holds nine sticks of three puppets in each hand. But it poses a great technical problem to let them pass each other or one group another. (Plate VI) It is difficult to keep them standing on the floor, and when not in action they hang in midair (Plate VII). The puppets cannot walk, they fly over the stage (Plate VI). They can easily kneel down but often uncontrollably spread their legs. After its appearance the puppet's back-stick is taken off, its head is put back into the drawer and its body is hung on the string.\n\nThe puppet itself is tiny, about 10 inches high. Its body is a carved wooden torso, to which two-jointed legs of wire or wood are attached. The arms are stuffed like sausages with a bend at the elbow, altogether too soft to be well controlled. The costume is very detailed, including the shoes, and cannot be taken off. Only the heads can be exchanged. These heads complete with hairdo are made of clay and painted. Their features resemble the old, small, delicate, glove puppet heads of Fukien.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206806, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 83, "title": "RAS-1973", "content_text": "SWATOW HORIZONTAL STICK PUPPETS\n\n77\n\nbeing 2-3 feet high but cannot remember how they were manipulated. They were probably Fukienese string-puppets, which would not be surprising, as Fukienese Min-nan opera groups were popular in Ch'aochow, so why not Fukienese puppets? In Mr. Su's home, in Ch'aochow city, the greatest pleasure children derived was to play their own leather-shadow puppets behind the paper-screen. Besides the ceremonial puppet-shows at the temple festivals there were always puppet-shows performed for public entertainment in those days. He recalls that the leather shadow-puppets were by far the most interesting to watch.\n\nApart from traditional subjects, they offered a kind of political cabaret caricaturing the confusion after the 1911 Revolution or performing an amusing burlesque. They are said to have given realistic renderings of the feats and behaviour of the warlords and bandits who roamed the country between 1911 and the 1930s. These street performances were usually given by a team of two opera-singers who were too old to perform on stage. From a bamboo pole balanced on their shoulders hung a bundle of personal belongings at the rear end, and a trunk containing puppets, stage, and musical instruments at the front end. The two would set up their bamboo-frame stage in a rich private house or a public square, adjusting their lamp behind the paper-screen. They manipulated the puppets, spoke, sang, and played musical instruments using their mouths, hands, and feet simultaneously.\n\nOne very special occasion in Ch'aochow was the lantern festival on the fifteenth day of the first moon, when puppets were of prime importance. In the evening, a crowd would throng the streets to find a place at one of the many puppet-performances. Street-vendors offered puppets, with delicate heads made of clay and complete with clothes, for sale. The puppets looked exactly like those for performances, but were immovable and had no sticks at their hands or back. If parents wished to have a son or a daughter, or a groom or bride for their children, they would buy an appropriate doll on this day and keep it at home.\n\nThe transition from shadow to round puppets is clearly stated in the Chinese literary sources.* It is there repeated that shadow-puppets came to Ch'aochow in the Sung dynasty and were always performed behind a paper-screen on a bamboo-frame called chu-chuang44* (bamboo-window); and that by the end of last century\n\n* See Liu and Sun under Bibliography to this article.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206807, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 84, "title": "RAS-1973", "content_text": "78\n\nHELGA WERLE\n\n(sun-win- \n\na glass-screen came into fashion called yang-chuang dow). With the glass-screen the puppets became round, their bodies were made of straw, hands and feet of paper, the head of clay, the costumes were copied from the string-puppets, sticks were attached to the hands and the back, and then these puppets were called yuan-shen chih-ying-hsi | ✯✯✯ (round-body paper-shadow play). Later, it is stated, the glass-screen was discarded and curtains were attached to the bamboo-frame, but nevertheless it continued to be called 'Paper-shadow-play'.\n\nAll over China the shadow-play was called p'i-ying-hsi ★BA \"Leather-shadow-play\" because the figures were cut out of leather, but in Ch'aochow strangely enough this term was never used. Referring to the paper-screen it was always, and is still now, called \"Paper-shadow-play\" and I met several Ch'aochowese who were convinced that their shadow-figures were cut out of paper. The misinterpretation is probably due to the name.\n\nThis description of development suggests many questions. Why should a light, convenient and cheap paper-screen be given up for a glass-screen, which is heavy, expensive, easy to break and almost impossible to transport? How should a hawking puppeteer carry a delicate glass-screen with his bundle and box? Was the fascination of the newly imported foreign glass-windows so great that they were adopted for the 'paper-shadow-play' in order to lend it new attraction? And if there was a glass-screen, was it translucent imitating the paper-effect or was it transparent window-glass? This question is important, because the difference would decisively influence the shape of the puppet. The name 'Sun-window' could also suggest that the shadow was not produced by an oil-lamp, but sunlight.\n\nOld Ch'aochowese vividly recall impressions of the shadow of puppets appearing on a paper-screen, but I heard no one speaking of glass. Being unable to find a logical reason for adopting a glass-screen, I would like to consider it the invention of an author who tried unsuccessfully to explain the disappearance of shadow-puppets in Ch'aochow.\n\nSome Characteristics of Ch'aochow Puppet Opera\n\nI turn now to consider various aspects of Ch'aochow puppet history. Among these, the patron saint of puppets shows certain interesting characteristics. Whilst the Peking opera actors venerate the emperor T'ang Ming Huang (713-742), who was the founder of", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206870, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 147, "title": "RAS-1973", "content_text": "NOTES AND QUERIES \n\n141 \n\nabout the execution: he did not seem to like talking about it and at last in order to avoid any more he made some excuse to us and went down stairs and waited there. \n\nAt about 9.30 a.m., C. got tired of waiting and left for Shameen, and about the same time A. and W.† started off on a voyage of discovery intending to come back and report how matters were looking. \n\nSoon after we saw them on the roof of a house which overlooked the Execution Ground. This we thought would be a much better place than the ground itself, to see the affair from, giving us, as it would, a chance of not being obliged to look if we did not feel inclined to do so. We were none of us, I fancy, very sure how we would stand the sight, especially after the guide had told us that he did not intend to go on to the ground with us but only to show us in and then leave us until it was all over. We therefore started off and joined A. and W., and right glad we were afterwards that we had done so. The owner of the house—a rice-pounding shop—received us civilly and sent some stools on to the roof for us to sit on.\n\nThe Execution ground is merely a \"blind\" alley about 10 or 12 yards wide and 70 or 80 yards long, having a dead wall on one side and some \"shanties\" on the other, these being the workshops of pottery makers who use the alley for drying their ware. Yesterday when we were here the ground was covered with clay pots being sun-dried but now, in one spot, these had been cleared away and two rudely constructed crosses 5 or 6 feet high had been erected quite close to each other. One end of this alley is crossed by a street but the passage can be blocked on either side by gates. The rice shop on the roof of which we were stationed was at one corner of this wall, so that we looked down on one gateway and across the alley at the other one. When we got on to the roof we found about 200 people assembled in the ground, this number comprising many children—there were also a few people on the neighbouring house tops. In answer to our rather importunate enquiries we were now told that \"it\" would soon take place, that all was ready, and only waiting for the final orders to be given by the Viceroy.\n\nSoon after 10 o'clock there was some confusion at the nearest gateway and then 3 or 4 Mandarins with about a dozen soldiers arrived. The crowd at the same time tried to rush in, but they were\n\n† not identified.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206948, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 19, "title": "RAS-1974", "content_text": "THE PAPER CHASE\n\n13\n\nstudy I am down in cellars or up in attics ransacking their contents for yet more documents. And when I light upon them—especially on the choicer specimens—I probably make delighted chuckling sounds in my throat like Ben Gunn discovering a cheese.\n\nAnd what is an archives repository like? Well, externally, to fit the popular conception of things archival, it ought to be neo-gothic in style, rather like a 19th century English provincial railway station. Internally, though, and my hostess would be much certain of this, it would look more like a derelict warehouse, its floors piled with books and papers, evidently in the utmost confusion and, of course, covered with a thick mantle of dust (Dust is always an important feature in the myths about us). And, strangely enough, considering the archivist's obsessive love for fascinating old documents, they would be swarming with vermin.\n\nGrotesque as it is, this image of the archivist and his work is all too common. In this regard we carry a burden not unlike the one which archaeologists once laboured under. Was it so long ago that the archaeologist was invariably depicted, and thought of, as a spindly, eccentric looking apparition, clad in a solar topee, bush jacket and Bombay bloomers, devoted to all things arcane, and eternally and promiscuously ferreting in the sand for relics of the past—any relics? Old films of the “Mummy's Curse” variety usually reflected this impression of him perfectly.\n\nBut thanks initially to the unwitting cooperation of Tut Ankh Amen and to the literary efforts of people like Leonard Wooley and Sir Mortimer Wheeler, the archaeologist has sloughed off most of his comic attributes these days and emerged as a familiar and even heroic figure, just as anthropologists are doing through the influence of writers like Thor Heyerdahl.\n\nShall archivists produce their Wooleys and Wheelers to introduce the real archivist and his profession to the public? I fear not. Our profession is eminently free from danger—unless being caught between two stacks of mobile shelving can be thought of as dangerous—and however fascinating archival work may be for archivists themselves one has to admit that it is singularly lacking in the sort of features which make exciting reading for the man in the street.\n\nThere will never be a best-seller about archivology, and if popular misconceptions about us are ever to be dispelled it will probably come about only through archivists persistently reading papers like this one to captive audiences.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207165, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 236, "title": "RAS-1974", "content_text": "230\n\nNOTES AND QUERIES\n\nGovernment to the representatives of the community for a Chinese school in 1847. (See \"Notes on Chinese Temples\" in the 1973 Journal of Hong Kong Branch, Royal Asiatic Society). Thus the roots of the College goes back to the first community-organised effort of the Chinese in urban Hong Kong to provide education.\n\n(5) VISIT TO CERAMIC FACTORY AND SAM TUNG UK (NEW TERRITORIES)\n\nOn 16th November 1974, members of the Oriental Ceramics Society and of the Royal Asiatic Society visited the ceramic factory, Cerrarts, at Hung Shui Kiu in the New Territories and the village of Sam Tung Uk at Tsuen Wan.\n\nCerrarts\n\nMr. Lam, the owner, possibly one of the most experienced ceramists in Hong Kong, was a former student of St. John's University, Shanghai studying civil engineering. He was the first ceramist in Hong Kong to produce ceramics for the local and overseas market. He learnt his basic skill more than 30 years ago in China, continued making ceramics as a hobby, becoming more and more involved and eventually turned professional about 12 years ago. His interest has also influenced his son and daughter, who are now lecturers in ceramic and pottery in overseas universities.\n\n44\n\n'Any clay can be made into a fine piece of ceramic, given the correct treatment,” he said as he gently put down a freshly-painted Tang horse. He gets his clay from the hillsides around Hong Kong and adds chemicals to them e.g. refined powder cement. Through the addition of chemicals to the clay, the properties of the clay are changed. The type of chemical added also depends on the form required; e.g. for a Tang horse, dark clay and sand are used.\n\nFirstly, a mould is made. The form is shaped from clay and covered with plaster. When the plaster dries, it is removed from the form. It then gives an excellent imprint of the form and is used as the mould. An opening is produced on the mould and water-diluted clay is poured into it. The mould is then left to stand, with the opening at the lowest position. Any clay not sticking to the side of the mould is then drained through the opening. When the clay is dried, the mould is opened, and the bare body is taken out of the mould. Pieces are then pasted to the body to produce the", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207166, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 237, "title": "RAS-1974", "content_text": "NOTES AND QUERIES\n\n231\n\nfinal shape of the object. e.g. the legs of the horse are pasted with clay to the body. This is then burnt in a furnace, fired with diesel oil. The time and temperature differs for different pieces of ceramic. The piece is then glazed with various colours, dried and burnt again. After the second burning the piece is ready for the market.\n\nAlthough it is hard to give an exact burning time for the object, this process is usually divided into 2 sections, slow and fast burning. The slow burning method is used on thick pieces of ceramic and has a burning time of about 27 hours. For a thin piece, a burning time of about 14 hours is employed; this is known as fast burning. Many factors are involved and the above figures are only a rough guide. The main factors involved are the humidity of the air, the water content of the clay and the thickness of the piece of ceramic. Making ceramic requires patience as the job should never be rushed. Time must be spent on every individual piece and the combination of burning time and temperature must be close enough to perfection, otherwise the work will crack and a low quality piece is produced. A scientific approach is required to understand the property of the clay and its variation, and an artistic inclination to give it that “special” finish to the ceramic.\n\nMr Lam has a total of 160 different moulds, and new pieces are added as new assignments come in. He copies the basic shape from books, magazines, and museum pieces. He specialises in Tang burial figures—Tun Huang Temple guardians, mythical animals, Kuan-Yin figures, Tang horses, vases, roof tiles and other roof decorations. In the Tang dynasty figures, only 5 colours are used: green, brown, yellow, orange and greenish-yellow (egg and spinach). Collectively these are known as the 5 colours of Tang Ceramics, and are produced from metal oxide e.g. green from copper oxide, yellow from iron oxide.\n\nThe number of craftsmen working in the factory depends on the size of the orders. They were mostly trained by Mr Lam in the past, although quite a few of his \"past pupils” have branched out to start their own business. He doesn't like to train young people because of that reason and feels, too, that it is hard to find young people who are really interested in this art.\n\nThe number of assignments has decreased recently from both Hong Kong and overseas market, due to the increase in cost of production resulting from the increasing cost of raw materials and the setback in the world economy.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207168, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 239, "title": "RAS-1974", "content_text": "NOTES AND QUERIES \n\n233 \n\nThe fung shui name of the selected spot was known as \"Sleeping Beauty\" (*) Her legs were in the crossed position, and the selected point for the erection of the village was at her thigh. The village was to be pointed 256° at the west, to accept the incoming water from Kap Shui Mun, and would rest on a hill at the back (local name Lion Land *), with the hills of Tsing Yi Island to the left and Fa Shan to the right. The frontage of the village was to face the water channel. It was a glorious view showing the sun setting with the sails of homeward-bound fishing craft, especially in the Spring and Autumn seasons. When the sun is just lowering on the horizon, millions of golden beams reflect from the sea, shining at the village. It is really an excellent site for a village to be established. That is perhaps why Sam Tung Uk and Yeung Uk Village are facing west while the other villages in Tsuen Wan are facing in a south direction. A well was constructed on the right, apart from the north corner of the village, for drinking purposes, just below the Sleeping Beauty's lower part. This well never dries up even in the driest seasons. Even when the supply of water was given once in every 4 days in the 1963 drought, the water was still adequate for use by all the surrounding villagers. How wonderful to find that it is 95% full of water even in the dry season to-day.\n\nTo suit the fung shui requirement, all members of the family started to work jointly, after farming hours, to lower the site. This task lasted for several years, and was very arduous labour. They then began building the super-structures. Solid walls 16 inches thick were formed with a mixture of lime, clay and straw. The entrance to the Chi Tong (ancestral hall) was partly decorated with long hand-hewn granite stone blocks. Roof tops were constructed with wooden beams and clad with Chinese tiles. The entire structures in the village are approx. 17 feet high, of one storey. No height addition or alteration has since been made. Stone steps were laid to the door-way of every house. The structures proved to be strong and stable for nearly 200 years. There were three rows of houses built in the first instance and for this reason it was called Sam Tung Uk (A). After the construction work was completed, they moved in on a lucky day, in the 51st year of Ch'ien Lung (1786). The Chan Sze Pit Tong (), shown in the land record of District Office, Tsuen Wan, was formed by the four brothers at the time of village establishment. Another row of", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207444, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 212, "title": "RAS-1975", "content_text": "204\n\nDONALD C. BOWIE\n\nthan he need. The improvement in his attitude to us in 1945 as the war drew to a close was significant. I never felt safe with him. His management of drafts of patients coming to our hospital from P.O.W. camps showed gross negligence particularly in the early year or so and I found it scandalous that he allowed a patient with acute and easily remediable intestinal obstruction to reach death's door in 1942 before allowing him to be sent to the hospital. How far blame should be laid on Saito and how far his commander, Tokunaga, should bear responsibility I do not know. I was then, and still remain, glad that we did not have to have Saito as our master if we had been losing the war,\n\nI thought Sergeant Seino was the most intelligent of all the Japanese army administrators with whom we came in contact. It was he who was most closely concerned with our routine affairs. He retained his dignity and upheld his position, but he was a man who could be talked to though not easily swayed. He never let his army down, and he never slapped me though he did, I know administer a token slapping to one of our officer patients whom he had caught communicating on a family matter with the outside world through the medium of our parcels. I do not know what happened to him after the Japanese surrender, but so far as we were concerned he did his duty fairly and earned a degree of my respect.\n\nJapanese officers and N.C.O's nearly always wore swords and always on duty wore what used to be called field boots in the British army in the First War and between the wars when they were worn by cavalry and gunner officers and by field officers in other regiments and corps. The Japanese used to skiff (or \"skliff\" is likely an OCR error for \"scuff\" or \"skiff\") their feet along the ground thus making an important noise as they walked, well suited to the dignity of their wearers.\n\nAt first in 1942 the guards were drawn from Japanese units but later were Formosans (Taiwanese). The latter were of no great quality and were poorly clad and equipped, and some of their N.C.O's were pettily officious and often over ready to take offence. They wore ankle boots with canvas uppers and rubber soles and there was a separate compartment in the canvas for the big toe. It was often startling to meet them on a verandah in a blackout as they moved silently along with fixed bayonet and rifle at the trail. These guards interpreted their own orders in such matters as the amount of lighting allowed during blackouts and the time of our", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207531, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 299, "title": "RAS-1975", "content_text": "NOTES AND QUERIES\n\nTHE POTTERY KILNS AT WUN YIU, TAI PO\n\nSo far as I know, the printed official papers of the Hong Kong Government contain only a few references to these local kilns. They all relate to the period 1899-1912 and in chronological order are as follows:\n\n(a) \"One village we visited was engaged entirely in the manufacture of pottery, the clay for which is found in the mountain immediately above the village. The villagers are said to have learned the art of manufacturing pottery from an Italian missionary who formerly resided among them.\" J. H. Stewart Lockhart's Report on the New Territory, Hongkong Government Gazette, 8 April 1899 P. 544.*\n\n(b) \"The pottery works at Un Yiu near Tai Po manufacture very coarse ware for export to Kong Mun and local use. The trade done is quite small.” Eastern No, 88, Correspondence relating to the Kowloon-Canton Railway (London Colonial Office, 1907) Enclosure B to No. 59 to Lyttelton, 11 January 1905.\n\n(c) \"The only Potteries are at Wun Yiu near Taipo, about 400,000 pots, rice bowls and plates are here turned out every year, of an average value of 6 cash each; most of them are exported to Tam Shui in Chinese Territory, Some also to Hongkong.\" G. N. Orme. \"Report on the New Territories 1899-1912\" Sessional Papers 1912, para. 83, p. 55.\n\nThere were at least two kilns. One of these was built over some years ago for a school extension. The other, or part of it, is still to be seen. There are said to be others in the area.\n\nA temple dedicated to Fan Sin Kung (#) stands near the site of the kilns. It is in good repair and contains commemorative\n\n* Appendix No. 2 to the Report, which deals with the geology of the New Territory, adds 'Some excellent pottery clay exists on the slopes of Tai Mo Shan, of which we saw specimens in the village of Wun Yiu, of a light brown colour and extremely fine texture'.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207909, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 297, "title": "RAS-1976", "content_text": "282\n\nNOTES AND QUERIES\n\n\"It was a serious offence to be a member of a secret society and, under Hong Kong law, possession of what was called the membership cloth or any of the regalia of such a society was regarded as sufficient proof of membership. The cloth was what a member had, instead of a card, just a scrap of cotton material, seven by four inches with the name of the holder and details of the society. I remember arresting a man in Hong Kong who was on his way to China and finding he had a membership cloth that had been stamped with a large gold seal on which were printed, in English, the words 'affiliated to the Chinese Freemasons of America' round a design of the Square and Compasses in the second degree.”\n\nThe Hon. Editor recalls seeing a similar sign \"Chinese Freemasons\" on a door in China Town, Vancouver, B.C. during his recent visit there in May 1977, but unfortunately did not take down the full English and Chinese text.\n\nSANDAL WOOD MILLS AT TSUN WAN*\n\nThe following extracts from various publications relate to this now almost forgotten but long established local industry, located at Tsun Wan in the New Territories of Hong Kong. Formerly a small market centre serving the surrounding villages, Tsun Wan is now a large industrial town.\n\nFrom J.H. Stewart Lockhart's Report on the New Territory, The Hongkong Government Gazette, 8th April, 1899, p. 544.\n\n“A large establishment exists near Tsun Wan for the manufacture of joss-powder, out of which joss-sticks, used in the worship of idols, are made. The powder is made from fragrant wood, which is pounded into dust by means of water-wheels, six of which were seen at work.\n\nAlthough there is a large force of water throughout the territory available for water-power, this is the only instance in which we saw water utilised for manufacturing purposes.\"†\n\n* Usually romanized as Tsuen Wan: see A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories (Government Printer, n.d. but c 1960) p.\n\n† On his short visit, and necessarily cursory inspections, Mr. Stewart Lockhart appears to have missed the use of water wheels to crush clay at the Wun Yiu pottery kilns: see CSO1904 Ext/6929 in the PRD Hong Kong. For mention of Water Wheel Licences see Hong Kong Administrative Reports, Assistant District Officer, New Territories, Southern District, 1912 (p. I 15), 1913 (p. I 13) and 1914 (p. I 10).", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207919, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 307, "title": "RAS-1976", "content_text": "292\n\nNOTES AND QUERIES\n\nCHINESE PRESERVED MONKS (肉身塑像)\n\nThe preservation by both Taoists and Buddhists of the bodies of famous monks and abbots by lacquering, varnishing or coating and embalming in clay was not as uncommon as one would think. It is only too easy to see how after the death of a particularly wise and beloved abbot, his presence would be badly missed throughout the monastic community. They would begin to venerate his memory and perhaps even a cult might emerge. Again we can visualise that his contemporary detractors, should there have been any, would eventually die and their prejudice, jealousy or even dislike perhaps, would fade in time. The opposite however, would be true of the memory of his wisdom, piety and gentleness. Another major motive for the preservation of such saints and very religious monks was the very mundane desire to obtain more funds for the religious institution by exhibiting the body to the faithful. In some monasteries such mummies were kept in private apartments hidden from public gaze. They had been members of a community, so their brethren claimed, and only other members had the right to see them. Most monks were cremated after death and their ashes retained in reliquaries in their monastery.\n\nSome of the more famous \"preserved monks\", or 'fleshy bodies' which is a direct translation from the Chinese, displayed or kept for personal reverence, were to be found in the following temples and monasteries:\n\nPai Sui Kung on Chiu Hua Shan, Anhui\n\nTsu Shih T'ien on O Mei Shan, Szechuan\n\nTien T'ai Ssu in the Western Hills near Peking\n\nYuch Lin Ssu in Chekiang\n\nNan Hua Ssu in Northern Kwangtung\n\nTien An Fu below T'ai Shan in Shantung\n\nHui Chu Ssu in Pao Hua Shan, Kiangsu.\n\nThere is also one such in the Temple of Ten Thousand Buddhas above Sha Tin, Hong Kong.\n\nA Danish architect, J. Prip Møller1 spent a considerable time in the early thirties touring around many monasteries throughout China in his research into monastery construction. He referred on several occasions to 'fleshy bodies' set up as images in monastery", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208113, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 152, "title": "RAS-1977", "content_text": "136 \n\nW. J. HINTON \n\non sanitation and the care of a little system of hill tracks which might serve as a model to the New Territories. Their King is the District Officer South, the \"Lord of the Isles,\" but Kaifong and Residents Association alike show a praiseworthy spirit of independence, and a capacity for governing themselves; moreover, the injunction “Agree with thine adversary quickly\" is well understood and followed in China, even under British rule. \n\nBut we have drifted from geography into politics, like better men before us, and it would be well to pass back to the native community, through the terraced fields dotted with blue-clad figures bowed over the hoe, or shuffling along the narrow paths with a yoke of watering buckets, or cutting and pulling the beetroots, carrots, and cabbages. We will go back to the Eastern end of the village and then traverse its length, completing our brief survey by passing out to our waiting boat over the harbour, and so back to Hongkong. On the stage thus set, it may be that we or someone more competent may stage scenes from the life of the island folk from time to time. There is a strange and interesting feast in the Spring, well worth describing, and at the New Year when the whole fishing fleet lies at anchor in the bay, the little town is all alive. A sitting in the Court of the District Magistrate would be worth describing too, and a meeting of the City Fathers, the Kaifong. We must write, for lack of better witnesses, yet how true it is that those who know do not say, and those who say do not know! \n\nBut to our walk. There lies our little yacht that brought us from Hongkong, white and strange among the high-sterned junks with their brown mat sails. We have all the afternoon to wander, and half the night to lie in the Harbour before the tide turns and we must up anchor and away. \n\nStrolling through the Town \n\nWe have landed on the beach near the Temple of Kwan Yin and find ourselves among the Hakka people who inhabit this end of the town. Their small, sturdy figures are to be seen clustered about the well where the women are drawing water, or bending over the boats in the boat-building yard that slopes to the water's edge. There is material for a whole study in the types of boat and the methods of building alone, but we cannot stop to watch for more than a few minutes while the skilful ship's carpenters fix the ribs and planking of a brand new sampan. A word of greeting to", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208115, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 154, "title": "RAS-1977", "content_text": "138 \n\nW. J. HINTON \n\nfrom the wells, in the ubiquitous kerosene tin. A pig or two investigate the gutters with deliberation, and entire disregard of anyone's convenience. Dogs prowl everywhere, mostly \"chows,\" but here and there evidences may be seen of deplorable inter-racial amours by the terriers of the Europeans. And everywhere there are children. In the shops, on the floor, on the counters, in their fathers' and grandfathers' arms, on their mothers' backs. They walk, run, and crawl in the streets—and those too small to do any such thing are tied in a great kerchief on their sisters' backs, their solemn sleepy little heads lolling and shaking over the edge of the red cloth. No race suicide here—but what is the infant mortality? No one knows, but it is probably very high for the average ratio of inhabitants to family in China seems to be about five, and there must be a fearful infant mortality to keep it at so low a figure, when so many children are born. However, they seem happy and well fed, these people, and healthy enough, though somewhat dirty. Not so the dogs and cats who seem starved and diseased almost without exception.\n\nThis is a tinsmith's shop, where kerosene tins undergo reincarnation as lamp, or dipper at the skilful hand of the craftsman. Outside the next shop is a block on which a boy makes fish hooks from wire with a deft twist and a couple of blows, passing the rough hook to a companion to be barbed and tanged. The fisherman before us picks one up and looks it over with an eye of infinite experience and he and the maker speak as one expert with another. A few steps on and there is an idol shop. Little clay images for the shrines on the junks—larger images, all ready with the hole through which some small living creature is to be introduced and sealed up. Models which can be set to sail away from a junk beset by wind or tide or cursed with ill luck and so bear off the evil with them. There are charms and paraphernalia in plenty, but it is all a hidden and mysterious business to us. More's the pity. Now we come to a cross street continually wet and slippery from the salt which is carried in baskets by women, their necks bowed under the burdens, but their bodies moving strongly resilient beneath the load. What a glorious column of rippling muscle must be then so modestly hidden beneath the blue coat. But we shall not see it, for, however hard they work, the women of China keep themselves covered. Only when they wade in the ricefields planting the small shoots in the soft mud, or weeding between the plants", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208120, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 159, "title": "RAS-1977", "content_text": "CHEUNG CHOW LONG ISLAND\n\n143\n\npainted to the eyes, and clad in gay garments. Behind these a band of native musicians, youths dressed in gaudy clothes, provide the melody and rhythm. The dragon shakes his head and stamps his feet to the rhythm, the bearers grunt and sweat, the musicians fiddle and bang and blow, the spectators spit and chew, laugh and talk, admire and applaud. The last player disappears round a bend in the street and another procession begins to form itself with much good-natured chaff and chatter. Meantime the dragon processions which have already been sent off wander through the distant fields, and the curious rhythm of the dance rises and falls in every corner of the glens.\n\nSo much we have seen for ourselves, but our kind host, who has lived on the island for many years, tells us that on the great day of the feast, all the small processions meet at the special matshed, where are assembled also some of the local gods, as well as visiting deities who have been brought by the folk from other towns and villages. All these gods are then carried in procession to the Pak Tai Temple to make their how to the occupant. Following this they are carried about a mile to the temple of the Queen of Heaven, the Lady of the fisherfolk, through the streets densely packed with fishermen and townsfolk, and thousands of visitors. At this temple the processions stand aside, and the gods in their chairs of state are raced back to the special matshed. The first god to arrive, even if he arrives in several pieces, brings to his devoted supporters the best of luck during the year.\n\nIn the afternoon the cones are overturned and there is a scramble for the cakes, which are then eaten with the happiest consequences for all concerned. It would be interesting to hear more exactly what these benefits are, for the whole feast looks like an ancient fertility cult.\n\nWe are much indebted in this account to notes jotted down by Mr. A. C. Franklin, and kindly put at our disposal. The opportunity to witness the Moon-cake festival was also due to his kindness. If we have not reproduced all the interesting and suggestive comments which those notes contain, it is because we hope that he will find time to throw them into literary form and publish them. Meantime we would welcome corrections, and an elucidation of the meaning of the feast from our students, some of whom might well take time to visit Cheung Chow for that purpose.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208153, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 192, "title": "RAS-1977", "content_text": "176 \n\nNOTES AND QUERIES \n\n(usually brought in by boat at extra cost) to some lofty spot to which the only access was by hill path and sometimes not even that. 23. Other visitors to the hills at the grave worshipping festivals include persons from outside the Colony who, on account of old and important ancestral graves located by geomancers in time past, have long been accustomed to make the annual pilgrimage. This tradition has been eroded by the establishment of the People Republic in 1949, though some persons have continued the visits intermittently. In one case known to me at Lo Wai, Tsuen Wan, where the grave was repaired in the Hsien Feng reign (1851-1861), and the people came from beyond Sham Chun Market in Po On county adjoining the New Territories, the family have not come for many years now. The geomantic name of the site is \n\nPre-Chinese Occupation \n\nNE \n\n24. Another aspect of the mountain is its pre-Chinese connections. These are now very difficult to ascertain and one would need to comb the hillside for evidence of pre-Chinese occupation such as field systems and irrigation works, and look closely into the place names of localities, fields and villages, to see which of them contain signs of pre-Chinese words, together with the nature and location of the earth shrines of the area. Mr. K.M.A. Barnett has done a lot of work generally on this subject and has prepared a name list for 150 words which he thinks descend from and relate to pre-Chinese languages in the Hong Kong area (see JHKBRAS 14 (1974), \n\nResources \n\n25. Resources of the mountain included mineral deposits — the largest prewar wolfram workings were at Shing Mun (Davis: 116) \n\nand kaolin clay used in the pottery kilns long established at Wun Yiu near Tai Po (JHKBRAS 15 (1975) 291-2). Other clay was specially used for mud bricks, notably at the village now known as Ta Chuen Ping near Upper Kwai Chung. Another resource, long since exhausted, was the forest trees used for charcoal burning, once a flourishing local industry all over the New Territories. The memory of both trees and of this old occupation remains at one of the place names at Shing Mun, known as Tan Chong (炭廠) or 'charcoal factory', in which there were some houses already abandoned from the early years of this century.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208174, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 213, "title": "RAS-1977", "content_text": "NOTES AND QUERIES \n\nThe total cost is therefore: \n\nResumptions for sites \n\n$ 3,839.31 \n\nSite-preparation \n\n31,500.00 \n\nWells \n\n2,400.00 \n\n170,148.00 \n\nHouses \n\n8,346.00 \n\nAgricultural Resumptions \n\n54,122.47 \n\nForestry resumptions \n\n15,250.00 \n\nPineapple resumptions \n\n8,428.00 \n\nFung Shui or fruit trees \n\n2,165.00 \n\nIncidental expenses \n\n700.00 \n\n$296,898.78 \n\n197 \n\nJ. A. FRASER, \n\nDistrict Officer, North \n\n9th January, 1928. \n\nD. AU-YEUNG OF LAN NAI TONG'S ACCOUNT OF THE ORIGIN \n\nOF THE WAR \n\nRound about a century ago, there were a number of small villages in Tsuen Wan. They were the CHENGs and CHEUNGS of Shing Mun Village, the AU-YEUNGs of Lan Nai Tong, the LAWs of Shek Lei Pui Village, the HUIs, TSANGs, WONGS, LAUS of Lo Wai, the YAUs of Kwan Mun Hau and others. The villagers, totalling over one thousand people, made their livelihood out of farming. Although life was hard, they were sufficiently fed and clad. As the villages were connected by intermarriages, feasts and gatherings in which every member participated were held during festive occasions. \n\nOne day, two brothers of the AU-YEUNG clan returned from abroad,* bringing with them a lot of luggage and gifts. On their way to the village, they met some Shing Mun villagers who happened to be carrying brushwood to Shamshuipo (Kowloon) for sale. \n\n*'abroad' could mean anything, including Hong Kong! See District Commissioner New Territories Annual Departmental Report 1956-57, para. 3.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208364, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 88, "title": "RAS-1978", "content_text": "GÖRAN AIJMER\n\nfor wine are used, jiu H, and it's 'sweet wine'. It is hard to tell from the data whether different kinds of wine were used on different occasions. More generally, we may remember that wine is manufactured from rice; in fact, it is rice transmuted into liquid form.\n\n7. Food\n\nFood was sacrificed and eaten on the graves after they had been swept. Again, the lack of detailed data makes it difficult to interpret the presenting of food as a ritual act. Some notes could be observed here. In Yiyang people ate 'stalks and grass', which, being unusual food, probably signified 'non-rice' or 'non-food'.65 We are told that in Anxiang officials prepared 'cattle'. The term may have a more narrow sense of 'beef'. Meat seems to have been paired with rice wine in many sacrifices throughout the area: on the Lantern Festival (in the first moon) in Jiangling, on Earth God Day in Wuling and Zhongxiang,7 on the Dragon Boat Festival (in the fifth moon) in the Yozhou prefecture (around Baling), and Yunmeng #,68 on Zhongyuan (in the seventh moon) in Wuling,69 and on Churia, New Year Eve, in Jiangling, Hanzhou, Jingshan, Chongyang, and Yingshan.70\n\nAgain, in the temple dedicated to General Goan in Mienyang, mentioned above, the offerings on the 13th day of the fifth moon consisted of 'cattle' meat and sweet wine. A chronicler mentions that in Tauyuan, at mourning, there was an 'excess' of slaughtering.71\n\nIf we assume that the wide category of sheng-cattle-indicates that cows, oxen and buffalos, and such bovine animals were of primary interest as slaughtering animals on Qingming (although pigs may have been included in the category), it may be interesting to associate that circumstance not only with the excessive slaughtering which was part of the mourning practices in Tauyuan, but also with the display of a clay oxen at the Lichum 'Establishment of Spring' festival around the 5th of February in the solar calendar.72 In Chongyang the 5th day of the fifth moon was called niu ri ✈ a Ox Day. Then the buffalos or cows were fed, and it was not allowed to whip the beasts or swear at them on this day.73 These practices seem all to have a close link with agriculture.74\n\nThe fact that cattle was modelled in clay seems to indicate that the nature of cattle was earthly. The breaking of the clay oxen may,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208365, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 89, "title": "RAS-1978", "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA \n\n73 \n\non one hand, have had connotations of slaughtering, and on the other, associations with 'breaking of clay or earth', as is done in ploughing. This is, of course, but a vague hunch; if, for the sake of our present argument, we accept this interpretation, we could transpose this hunch to the universe of Qingming and say that what is given to the ancestors as edible meat and drinkable wine is earth and rice. \n\n8. Order in Worship \n\nThe note from Yuanjiang, quoted above (p. ), tells us that grave worship started before Earth God Day which falls around the vernal equinox in the second moon. The ceremonies directed to the new graves took place before that particular date. Then there seems to have been an intermission of thirty days before the ritual was continued, and then it was focussed on the old graves. There is no explanation given in the chronicle for the different categories of 'new' and 'old' graves, so we will assume that new graves were those of the recently deceased. If we accept this we must look for possibilities to account for this difference between the two categories as it is represented in time, and why in that mode of representation the point of reference is She ri, Earth God Day. \n\nThis particular day was devoted to offerings to She ji, the Earth God.75 Meat and wine were used in this ritual. From Jiangling we learn that the meat for the She offerings was a mixture of pork and mutton which was placed inside a pumpkin.76 In Wuling the term sheng describes the meat. The day was generally for divining about the coming crops, and qi gu 'prayer for grain'. In Zhongxiang, according to the chronicler, there were shamanistic performances accompanying the offerings.78 \n\nThere are at least some superficial similarities between the Qingming practices and the offerings on She ri. In this context one main question concerns the sort of relations conceived of in this area of China as linking the grave ancestors and the She. I have found no substantial information from the Dongting area to provide us with any further clues. But it appears as if it was necessary to do the grave rituals for the recent dead before one could go ahead with the worship of the Earth God. And perhaps the She offerings were a necessary precondition for a successful grave worship at the older graves. At any rate, the note from Yuanjiang stresses the", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208396, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 120, "title": "RAS-1978", "content_text": "104\n\nFREDRIKKE S. SCOLLARD\n\nArchaeological excavations to date have failed to uncover any flambe wares in Yangjiang Xian of the above-described type. In 1955, excavations instead indicated that pottery produced in Yangjiang Xian in the Song period (A.D. 960-1279), belonged to the green celadon tradition. Furthermore, even more recent discoveries in the vicinity of Shiwan town in Nanhai Xian at a location called Ji Shi (†), Northern Song (A.D. 960-1127) “dragon kilns” (i.e. sloping tunnel-like kilns) are found built on top of earlier Tang dynasty (A.D. 618-906) \"mantou kilns” (i.e. round bun-shaped kilns). (Figures 1 & 2.) In association with the Northern Song kilns have been discovered shards with an early type of blue flambe glaze. As the date of these shards is much earlier than the Southern migration of the Honan potters in the Southern Song period, the discoveries raise the possibility that this blue flambe glaze was an indigenous development and not stimulated by influx of Northern potters and techniques. Combined with the earlier excavation in Yangjiang Xian, where no flambe glaze of the Song period was found, archaeologists in Guangdong now seriously question the historical connection of Shiwan village in Yangjiang Xian with the present Shiwan village in Nanhai Xian.\n\nIn addition to the above discoveries, archaeological finds reveal a succession of kilns from the Tang site of Ji Shi (*) to the present day village of Shiwan as, over the centuries, the potters moved down the river closer and closer to Fushan municipality (†) which by the Ming and Qing periods (A.D. 1368-1912) had developed into an important commercial and handicraft centre.\n\nAs it developed, Fushan was no elite or scholastic art centre, but rather an unpretentious city of craftsmen with the pervasive idea that beautiful things could be made from waste materials. The town is said at one time to have had a population of over 300,000 which supported over 240 different types of business. The artists were famed for their skill in turning commonplace and useless materials into godlike creations. Clay and papier mache were moulded to look like old pottery, copper and jade; sesame seeds created figurines; silkworm cocoons made decorative flowers and grass. Every year at the time of the autumn festival, a competition was held in Fushan in which people vied to make the best \"autumn colours\" (i.e. paper handicrafts), not for the purpose of gaining fame or making money, but rather simply for the enjoyment of the people.*\n\nPage 120\n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208397, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 121, "title": "RAS-1978", "content_text": "SHIWAN POTTERY EXPLORED\n\n105\n\nExploration around the modern city of Fushan reveals present-day continuation of the handicraft industries of painting (Plate 11), textiles, paper-cutting, papier mache, and of course pottery in the neighbouring town of Shiwan. The famed Ancestral Temple in a short distance from the Overseas Chinese Hotel, is full of the work of handicraft artists of the past, with excellent examples of metalwork (Plate 12), gilt wood carving (Plate 13), brick carving and papier mache, not to mention the rooftops which are covered with long and elaborate Shiwan pottery friezes (Plate 15).\n\nThe Shiwan potters' use of waste and inexpensive materials led to the development of a rather unique art aesthetic. The use of all different types of waste materials, in addition to being economical, was perfectly suited to the development of a wide range of colourful and variegated flambe glazes, which indeed has been unequalled. Descriptive names such as \"tiger skin\", \"leopard skin\", \"pomegranate red\", \"peacock's feather\", \"sesame seed\", etc., were bequeathed according to colour and configuration. In addition, the inexpensive pottery clay with a high content of sand was much more pliable and suitable for sculpture than fragile porcelain clay. Taking advantage of the nature of this material, the potters sculpted their vessels in high relief forms from plant and animal worlds (Plate 16).\n\nThe pliable pottery clay was also good for figure sculpture which became a Shiwan specialty. The potters soon found that if they left flesh areas unglazed, more detailed and warm human expression would result. For subject matter they drew on a wide range of characters from folklore, history and religion as well as the common man, in each case attempting to distill the nature of the individual into a small size artistic creation. Anatomic exactness was sometimes deliberately altered to better convey spirit.10 (Plate 7).\n\nThe superiority of Shiwan pottery sculpture over that of porcelain was recognized when in the late 1920's three of Shiwan's best artists, Pan Yushu (**), Chen Weiyan (), and Chen Zhi (*), were invited to the Jingdezhen (✯{1⁄2§4) porcelain potteries to sculpt figures. According to Silva Mendes, Macau barrister and Shiwan collector, who personally knew the potters, the results were not good because porcelain is not as adequate a material as clay for this type of work, (i.e. sculpture). A porcelain figure of the goddess Guan Yin (†) in a private Macau collection with the mark of Shiwan potter Chen Weiyan, verifies this point, displaying", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208402, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 126, "title": "RAS-1978", "content_text": "JİSHİ \n\nANCIENT SHİWAN KILN SİTE \n\nTANG-N. SONG (618-1127 A.D.) \n\nA 'DRAGON' KILN IS BUILT OVER THE \n\nREMAINS OF AN EARLIER MANTOU” KILN \n\nSquare Bricks \n\n21x6cm Round Bricks \n\nCLAY & SAND \n\nEXCAVATION \n\nMANY CROSS COVERED 'MANTOU' KILNS \n\nFLAMBE SHARDS \n\nFigure 2. Diagram of “dragon\" and \"mantou\" kilns at the Jishi archaeological site.\n\n110 \n\nFREDRIKKE F. SCOLLARD", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208472, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 196, "title": "RAS-1978", "content_text": "180\n\nDAVID H. S. CHAU\n\non the upper part of the page and the text on the lower. Folk prints became popular at that time. According to a historical reference every year started from the tenth lunar month, and the markets were filled with new calendars, all sizes of door gods, charms and papercut blessings in gold and coloured paper for the coming new year festival. These folk prints thus came to be known as Nien Hua or New Year Prints.\n\nA Russian named Koslov found some old prints from a ruined pagoda in Black Water City, Kansu Province, whilst exploring in China in the year 1908. One of the prints is in a form of a poster-like illustration of 2′5′′ × 1′ in size depicting four historical beauties of four different dynasties printed in black ink on yellowish colour coated paper. According to the printed year mark, it was made in the period of Southern Sung, 1127-1279 AD and is believed to be the oldest surviving Chinese folk print or Nien Hua printed by woodblock in the world. The print is now kept by the Alexander the Third Museum in Moscow.\n\nWoodblock was developed to print paper money at the time of 998-1022 AD in the Sung Dynasty, but did not last long as the woodblock printed paper notes were too easily forged. Later the government changed to using bronze plates instead. The designs on the plates were not engraved, but were moulded by using carved woodblock moulds by the same method used to make picture bricks in Chin Dynasty and the illustrated roof tiles in Han Dynasty. It is the prototype of woodblock printing.\n\nAt the time of 1041-1048 in the Northern Sung, a Chinese commoner Bi Sheng developed the use of movable types made of baked clay for printing, and later by using carved woodblocks for the types. This method did not attain extensive use because of the large number of characters used by Chinese: an ordinary book required at least four to five thousand different types.\n\nThe woodblock prints of the Yuan Dynasty, 1279-1368 AD, are characterised by their boldness and simplicity. Double colour printing was developed in this period. Two blocks were used for printing. Some books printed in this period had the text printed in black and the notes printed in red.\n\nWoodblock printing was extensive by the time of the Wan Li reign of the Late Ming 1573-1619 AD, as paper making", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208627, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 84, "title": "RAS-1979", "content_text": "The Maryknoll Mission, Hong Kong 1941-46\n\n57\n\nwe saw a number of flower pots, a pile of lumps of clay, a few boards, a couple of ramshackle old beds which had long outlived their usefulness, a couple of large water jars and odds and ends of debris, together with a small portion of the family (or was it the gardener's) wash still hanging on a line. One window gave us a little light, but no air, the only air coming in through the crack between the door and the wall. Into this space, say sixteen by eighteen (a generous estimate) we, some thirty-four prisoners of war, were thrust, the door closed and a guard on duty outside.\n\nTaking further stock of our new quarters in the gathering dusk, for by now the sun had sunk behind our hill, we found we were on a concrete floor, at least that part which was not covered with debris. Kicking some of this aside we began to see if we could find enough space in which at least to lie down for the night, as it was now rapidly getting dark. We were still tied up and were given to understand that if we got loose, we would be shot, so we tried to sit or lie down on the concrete floor, but tied as we were, with our hands behind our backs and two and three and four tied together on one rope, it was almost impossible to maintain any position for more than a few minutes. If one of a group sat down, the rest perforce had to follow suit. For a time we tried sitting back to back in order to get some rest, but even that was too tiring. As remarked above, Father Szeliga and Michael were not tied, and they did yeoman service for us in picking up the debris and piling it in corners and under the two rickety beds. Every once in a while the guard would pass by and peek in through the crack. When he did so everyone was as quiet as a mouse for we were also given to understand that we were to make no noise.\n\nJust before dark our door opened a little and a sentry called for three of us to come out. The ones nearest the door were Fathers Tackney, Knotek and O'Connell. At first we thought our time had come, but when the purpose was revealed, namely, to carry a few sand bags, we breathed easier. Finally we lay or sat down in order to try to get some sleep. Outside by this time there was almost an unnatural stillness, the booming of guns had stopped and we wondered what was happening. However, stretched out on the floor in almost every conceivable pose, we could not get to sleep, and in desperation we sought means to get loose from our bonds, come what may. One had already succeeded in loosening his own hands", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208954, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 116, "title": "RAS-1980", "content_text": "84\n\nDAVID LUNG\n\ncockloft reached by a ladder may be added to provide for additional storage or sleeping space. The front and back rooms are gable roofed, while a portion of the courtyard may be covered to provide shelter for cooking. The walls are load-bearing structures, 12-in cavity walls, made out of greyish bricks of Kwangtung size (11″X 5\" x 3\"), manufactured in regions along Sikiang, West River. Some houses have three to five courses of granite stone on the facade running up from the foundation. Clay roof tiles laid in single layers are supported by rafters spaced roughly 8 in apart. The rafters are in turn placed on beams of fir or pine roughly 6 in in diameter supported by end walls. Window openings are rare and do not belong to the original design. Light is let in through doorways opened to the courtyards and the lanes. The front door openings are usually 8 ft tall and 3.4 ft wide closed by a set of timber doors from the inside and another set of shutters about 5 ft from the outside. Decorative reliefs called hua-liang are commonly found above door openings.\n\nThe planning of the village is based on fung-shui principles. Fung-shui, literally meaning wind-water, is a form of divination based on topographical and architectural features, and is commonly translated as geomancy. It is a science (or quasi-science) which deals with the analysis of the formation of the landscape in selecting sites for graves, buildings, villages or even cities. The notion of siting of towns and buildings by means of oracle divination can be attributed to Shang times from the Chou records,\n\nSchools of Geomancy\n\nThere have been two schools of geomancy since Sung times: the Fukien School and the Kiangsi School. The former puts more emphasis on li, the earth pattern, su, number theories based on the trigrams and hexagrams of the I Ching, and hsiu, astrological elements, which consequently depend more on the use of the compass. The Kiangsi School, on the other hand, looks for ch'i, the cosmic breath, and hsiang, the forms of mountains and watercourses, and so, the use of the compass is subordinate. However, the two schools have fused together since the 19th century.\n\nli # su #\n\nI Ching 易經\n\nhsiu 宿 ch'i hsiang\n\nhua-liang #", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208995, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 157, "title": "RAS-1980", "content_text": "NOTES AND QUERIES \n\nA HAKKA WEDDING IN HONG KONG, MAY 1979 \n\nDuring our visits to the market in Sai Kung, we had made the acquaintance of a lady in charge of a haberdashery shop, a Mrs. Ho and her daughter Ling. Knowing of our interest in Chinese customs and culture, they invited Josephine, myself and my husband to attend the wedding of her nephew which was to take place in their village in the Sai Kung peninsula the following Saturday. We met that morning in the market to pick up Mrs. Ho and Ling and then drove out to Tong Ha Yeung, a small village past Pak Tam Au, at 10 a.m. \n\nWe arrived about 10:30 to find a feast already in progress. A row of five Hakka houses facing the main road had the area in front, which was in previous years used for drying rice, now occupied with square wooden tables with benches on four sides. Above the tables was a canvas awning supported on bamboo poles to keep off the sun, and as it turned out, the rain too. The relatives of the bride and groom, and the villagers from the surrounding 7 villages had already assembled and were in the middle of a sizeable meal of beef, pork, tripe, rice and soft drinks, eaten to the accompaniment of \"Grease\" played loudly on a cassette player. \n\nThe food was being cooked in two huge woks which had been built into a clay brick oven with a roaring wood fire going underneath. Several men were tending the fire and cooking the food. The woks, which had been built at the entrance of the village under the awning, had been prepared yesterday, and would be dismantled tonight after the celebrations were over. \n\nRichard and I had taken great care in the choice of our clothes, knowing that certain colours are considered unlucky, such as white, the colour of mourning, and blue. ... However, no one else there, at least of the younger generation, had taken notice of this custom as most were dressed in blue jeans, white shirts or tee-shirts, etc. Of the middle-aged women like Mrs. Ho, they were wearing their best clothes, Mrs. Ho in a brown silk jacquard sam fu which had a centre front opening fastening with frogs, and a set of jade earrings, ring and bracelets. The older women were in the customary black cotton sam fu, often with an apron, and a black cotton bau tow.\n\n¦\n\n!", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209315, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 218, "title": "RAS-1981", "content_text": "204\n\nNOTES AND QUERIES\n\nKung Temple. The dyke at Tin Sam Valley was across half the river as the river bed here was high, but the others crossed the whole stream. When the railway and Tai Po Road were built these main canals were carried across in great culverts. Other villagers in Sha Tin used less sophisticated irrigation systems, merely taking a small mountain stream and distributing its waters over the fields.\n\nThe dykes across the Shing Mun or Tin Sam streams would be washed away in each storm; they required to be rebuilt about twice each year. Each family in turn was responsible and would announce the dyke building day in advance by beating a gong through the streets. Every family had to send at least one adult to carry stones, earth, and straw (women) or place them (men). Families without land in that area were excused. The dykes were just heaps of stones, packed with clay and straw without anchors (note - wooden beams for anchors were too precious, and even if anchored the dyke would still be swept away in typhoon storm).\n\nThe main dyke at Tai Wai required communal building (Tai Wai/Tung Lo Wan), and the Hin Tin dyke required communal building (Tin Sam/Keng Hau).\n\nA tau of land: some causes of misunderstanding\n\nMisunderstandings have arisen once or twice when seeking answers to the questions \"How many seeds were needed to plant 1 tau of land\" and \"How much land would 1 tau of seeds plant\". The questions were asked to try to clarify if 1 tau of land and 1 tau of seeds were complementary. On several occasions the answer was “2-4 shing” and “several tau” respectively. The misunderstanding seems to have arisen from the fact that seeds were planted in seed beds and fields were planted with sprouts, and the first question was answered by the respondent as if the question was, \"How big a seedbed was needed to plant seeds for 1 tau of land\", and \"How many fields would a seed bed 1 tau in size cope with\". In both cases the equation 1 tau of seeds (yat tau t'in →†¤斗田) was treated as being too obvious to conceivably be the point of the question. In both cases it seems to be assumed that the seedbed should be 1/5 - 1/4 the area of the later fields.\n\nAn example of village morality: the problem of cash incomes, the importance of seamen's money\n\nI discussed with Wai Hon-leung the problem of how subsistence", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209596, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 253, "title": "RAS-1982", "content_text": "231\n\nmusic, a dazzling transformation scene, and a rollicking harlequinade.\" It enlisted a great many people for the leads, chorus and orchestra.\n\nNot everyone in Hong Kong was happy about pantomimes. In 1891 in the \"Beauty and the Beast\" \"the indiscreet censure lately passed by the Bishop upon the Pantomime was noticed in a verse or so--and a comical but somewhat misplaced representative of his Lordship appeared in the Harlequinade\".\n\nThe A.D.C. tried its hand at light opera in 1894 with the performance of Gilbert and Clay's \"Princess Toto\". It was described, however, as \"vapid and unattractive\". The Choral Society had for some years been presenting light operas and had already given \"Iolanthe\" and \"The Gondoliers\". In subsequent years the A.D.C. did \"Trial by Jury\", \"Yeomen of the Guard\", \"His Excellency\", and \"The Gondoliers\".\n\nDuring this same period, along with the works of Gilbert and Sullivan, other currently popular musical plays were staged.\n\nTHE GENIUS OF MR. SINCLAIR\n\nWith more frequent visits of professional companies, the A.D.C. increasingly found it difficult to sustain interest and attendance. This resulted in financial losses and threatened the future of the Amateurs. A new era arrived when Mr. Walter Sinclair assumed direction of A.D.C. productions in 1912.\n\nSinclair was imaginative and venturesome and mounted productions that were different from those presented by the travelling companies. The A.D.C. took on new life.\n\nAmong Sinclair's innovations was his introduction to Hong Kong of the playwright Lord Dunsany. In 1921 he presented an evening's programme of four Dunsany plays. One of these was \"The Compromise of the King of the Golden Isle\". It was the play's world premiere. The setting was Chinese. During the interval preceding it, to set the mood, a group of Chinese amateur musicians played Chinese music. It was particularly noted that the music \"was not unpleasing, for people who have heard only the cymbals and tom-toms may find music in the sweetness of some of the native banjos and fiddles\".", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209612, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 269, "title": "RAS-1982", "content_text": "1892/93\n\n―\n\n1893/94\n\n247\n\n\"Honour Bound\" (W. S. Gilbert and Sydney Grundy, 1880)\n\n12, 15 Nov. 1892\n\n\"On Bail\" a farce (W. S. Gilbert, 1877)\n\n26, 28, 30 Dec. 1893, 3, 6, 9, 16, 24 Jan. 1894\n\n\"Princess Toto\" (W. S. Gilbert and Clay, 1876)\n\n1894/95\n\n30 Jan. 4, 6, 9, 12, 16, 18, 23 Feb. 1895\n\n\"Robinson Crusoe\"\n\nPantomime:\n\n17, 20, 24 Apr. 1895 \"The Magistrate\" (A. W. Pinero, 1885)\n\n1895/96\n\n26, 28 Dec. 1895\n\n\"Dandy Dick\" (A. W. Pinero, 1887)\n\n8, 10, 20 Feb. 1896\n\n1888)\n\n1896/97\n\n\"Trial by Jury” (Gilbert and Sullivan, 1888)\n\n19, 21 Dec. 1896 — “Cups and Saucers\" (G. Grossmith, 1878)\n\ngiven in 1886.\n\n\"Charley's Aunt\" (Brandon Thomas, 1892)\n\n25 Feb. 1897 — \"Les Cloches de Carneville\" (H. B. Farnie and R. Reece, 1878)\n\n1897/98\n\n19 Nov. 1897\n\n1890)\n\nF\n\n1898/99\n\n19, 21 Feb. 1898\n\n—\n\n\"A Pair of Spectacles\" (Sidney Grundy, 1890)\n\n\"The Duchess of Bayswater and Co.\" comedietta (A. M. Heathcote, 1888)\n\n\"A Pantomime Rehearsal\" (C. Clay, 1891)\n\n17, 19 Nov. 1898 — “Our Bitterest Foe\" (G. C. Herbst, 1874)\n\n\"Sugar and Cream\" comedietta (J. P. Hurst, 1883) \"The Steeple Chase\" (J. M. Morton, 1865) given in 1874.\n\n―\n\n5, 7, 9, 11, 14, 17, 18 Jan., 1, 3 Feb. 1899 pantomime \"The Yellow Dwarf, or Harlequin the Knave of Hearts\"\n\n1899/1900\n\n4, 6 Nov. 1899\n\n\"The Magistrate\" (A. W. Pinero, 1885) given in 1895.\n\n12, 13 Dec. 1899 \"The Mother In Law\" farcical comedy (G. R. Sims, 1881)\n\nJL\n\n12, 15, 17, 24, 26 Feb. 1900 \"Yeoman of the Guard\" (Gilbert and Sullivan, 1888)\n\n1900/01 24 Nov. 3 Dec. 1900—\n\n1901/02\n\n1902/03\n\n—\n\n―\n\n\"Our Flat\" (Mrs. M. Musgrove, 1889)\n\n15, 19 Nov. 1901 “Trying It On” farce (W. Brough)\n\n\"Plantation Revels\" minstrel variety\n\n13, 14, 15 Nov. 1902\n\n\"Liberty Hall\" drama (R. C. Carton, 1892)", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209613, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 270, "title": "RAS-1982", "content_text": "248\n\nCARL T. SMITH\n\n30, 31 Jan., 2 Feb. 1903\n\nMarshall, 1898)\n\n1903/04\n\n14, 16, 17 Nov. 1903 -\n\n1898)\n\n―\n\n1903/04\n\n1904/05\n\n▬▬\n\n\"His Excellency the Governor\" (R.\n\n\"Lord and Lady Algy\" (R. C. Carton,\n\n11, 12, 14 Dec. 1903\n\n(Wilde, 1895)\n\n\"The Importance of Being Earnest\"\n\nT\n\n13, 18, 19, 20 Feb., 11, 12 Mar. 1904 \"His Excellency\"\n\n(W. S. Gilbert and O. Carr, 1890)\n\n19, 20, 23, 24, 26, 28 Nov. 1904 \"Dorothy\" comedy opera\n\n(B. C. Stephenson and A. Collier, 1886)\n\n21, 23, 28, Jan. 1905 \"Jane\" (H. Nichols and W. Lestrey,\n\n1890)\n\n7, 8, 10 Apr. 1905\n\nEsmond, 1897) —\n\n\"One Summer Day\" comedy (H. V.\n\n1905/06\n\n12, 13, 15 Jan. 1906\n\n1894) —\n\n\"The New Boy\" farce (Arthur Law,\n\n\"Princess Toto\" (W. S.\n\n15, 16, 17, 19, 20, 21 Feb. 1906 Gilbert and F. Clay, 1876)\n\n+\n\n31 Mar. 2, 3 Apr. 1906\n\n28, 30 Apr., 1 May, 1906\n\n(Arthur Law, 1902)\n\n1906/07\n\n20, 21, 22 Dec. 1906\n\nPinero, 1888) —\n\n15, 16, 18 Feb. 1907\n\n(C. H. Darnley,\n\n\"Lady Huntsworth Experiment\"\n\n\"A Country Mouse\" comedy\n\n\"The Hobby Horse\" comedy (A. W.\n\n\"Facing the Music\" farcical comedy 1899)\n\n1907/08\n\n←\n\n20, 21, 22, 25 Feb. 1908\n\n1897) -\n\n1908/09\n\n1909/10\n\n\"The Liars\" comedy (H. A. Jones,\n\n2, 3, 4, 5, 7, 8 Dec. 1908, 19, 20 Feb. 1909: \"A Country Girl\"\n\nmusical\n\n17, 18, 19, 20, 21, 22, Jan., 18, 19 Feb. 1910 \"The Torcodor\"\n\nmusical comedy\n\n12, 13, 16 Apr. 1910\n\nRyley, 1901)\n\n\"Mice and Men\" comedy (M. L.\n\n!\n\n1910/11\n\nno production.\n\n1911/12\n\n-\n\n13, 27 Jan. 1912 Grand Variety Entertainment and\n\nHarlequinade \"as performed at Drury Lane in 1870\",\n\nPage 270\n\nPage 271", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209849, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 108, "title": "RAS-1983", "content_text": "86\n\nLoan Word\n\nChinese Characters\n\nMeaning\n\nGung ho\n\nI A\n\n*Gweilo\n\n鬼\n\nLiterally 'ghost' or 'devil man', used to refer to Westerners. Widely current in Hong Kong.\n\nHan\n\n漢\n\nOf, relating to, or having the characteristic of, the period of the Han dynasty; of, relating to, or being a nationality group of Chinese descended from the original Chinese constituting an overwhelming majority of the population and the dominant cultural group: belonging to the Chinese proper as distinguished from other nationality groups.\n\nHakka\n\n客家\n\nOne of a tribe or race of Chinese dwelling in parts of southern China, particularly in the province of Canton, descendants of immigrants from northern China in the middle ages; also their dialect,\n\nHoey (wui)\n\n會\n\nA society of Chinese; especially a secret society. In Hong Kong a savings club.\n\nHong\n\n行\n\nA foreign trading establishment in China or Japan.\n\nHyson\n\n熙春\n\nA species of green tea from China.\n\nI-ching\n\n易經\n\nAn ancient Chinese book of divination and a source of Confucian and Taoist philosophy.\n\n*Kaito\n\n街渡\n\nLiterally 'street ferry', used to refer to boats plying between various points in Hong Kong.\n\n*Kaifong\n\n街力(坊)\n\nLiterally 'street square', used to refer to a neighbourhood, especially to community organizations.\n\nKaolin\n\n高嶺\n\nA fine white clay produced by the decomposition of feldspar, used in the manufacture of porcelain; first employed by the Chinese, but subsequently found in many places.\n\nKetchup\n\n茄汁\n\nA sauce made from the juice of mushrooms, walnuts, tomatoes, etc.\n\nKowtow\n\n叩頭\n\nThe Chinese custom of touching the ground with the forehead, as an expression of respect, submission, or worship.\n\n*Kuk\n\n局\n\nLiterally 'association', 'society', 'committee'.\n\n*Kung hei fat choy\n\n恭喜發財\n\nLiterally 'wish you grow prosperous'. A Chinese New Year greeting.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210346, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 317, "title": "RAS-1984", "content_text": "296\n\nWONG TAK YAN\n\n(3) Superior lime (E), the finest and smoothest sort used in the curing of leather.\n\nMany farmers used lime as dressing on their land to kill insect pests. Furthermore, reservoirs and sugar works bought lime for various uses necessary to those trades. Thus it can be said that lime was used in a wide variety of ways.\n\nRaw materials used in the making of lime\n\nTo make the Superior or Fine grades of lime it was usual to use oyster shells, clam shells, or coral heads (coral heads are a sort of coral which grows in the shape of large or small balls) as the raw material. For Coarse grades the dredgings of shellfish beds were used (workers would go out in small boats to shallow waters near the factory and dredge up broken shells. These would normally come to the surface mixed with between one-tenth and one-fifth by quantity of fine sand). Another method of making Coarse lime was to take Fine lime and mix it with the right quantity of sharp sand. Oyster shells were bought from the Lau Fan Shan oyster beds. Coral heads grew in the sea off Sai Kung. Clam shells were not so commonly used.\n\nAt the time when the Government developed Victoria Park they used a French company to dredge up from the seabed the mud used for the reclamation, and the place they used for the dredging point was precisely an area of shellfish beds. As a result a huge quantity of shells came out of the dredging pipe mixed up with the sand and mud. The name of these shells is unknown. The shape of the shells was like a slightly twisted cupped hand. These shells were excellent for lime making. The local boat people competed among themselves to heap up these shells in their boats, and all the lime kiln operators sent boats backwards and forwards to buy them. At that time no-one could say there was a shortage of raw material! 3 There were many different types of shell, some were absolutely beautiful, so that they could be kept and used as decorations: unfortunately no pearls were found for the admiration of us today.", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 211693, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 108, "title": "RAS-1989", "content_text": "83\n\nMartin (H.M. Consul-General at Chungking) died on April 6th. Mrs. Martin fought the Japanese tooth and nail to keep him and herself out of the internment camp and she got her way though she was nearly put up against a wall and shot for her pains. They were allowed to remain in Queen Mary Hospital till the Japanese took it over on January 21st. They were then moved to one of the temporary hospitals (St. Stephens Girls College) in charge of a Chinese doctor, and there he died. The Japanese then again wanted to send Mrs. Martin to Stanley but she threatened to commit suicide, and the Japanese were so impressed that they allowed her to live in the French Hospital till she was sent away with the American repatriates on the strength of her American nationality of origin.\n\nThere are two questions which I am always being asked: (1) How is it that Hongkong was captured so quickly? and (2) How did the Japanese behave?\n\nAs to (1) the exasperation of the civilian population found vent in the bitterest after-the-event criticism of the conduct of affairs by both the Hongkong Government and the Defence Forces. Probably most of this criticism is ill-informed and it would be dangerous to pass it on particularly as I had no opportunity of learning the official explanation. There are however certain definite impressions left on my own mind, and these are that our troops were quite inadequate in numbers to hold the Colony against a determined enemy, that the anti-aircraft defences were completely ineffective and that both the military operations and the civilian organisation were sabotaged by Wang Ching-wei Chinese. I saw nothing of the close range fighting, but I was repeatedly told that our troops were completely bewildered by the apparent ubiquity of the enemy, as they were being fired on from all sides at once, and that, with their heavy equipment and army boots they were no match in the hills for the lightly clad and rubber shoed Japanese who clambered about as agilely as monkeys. I was also told that we lost heavily in the fighting in the New Territories, that there were no reserves to fill the gaps and that it was due to our troops being utterly exhausted by continuous fighting that the Japanese were able to effect a landing on the island so easily.\n\nI believe our forces claim to have brought down 6 Japanese planes during the eighteen days fighting, I watched the Japanese bombing Mt. Davis Fort, Stonecutters Island, Mt. Austin barracks etc. For the most part they flew at low altitudes and made no apparent efforts to dodge", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211807, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 222, "title": "RAS-1989", "content_text": "197\n\nfrom Shanghai on the 20th. Despite that, the \"soirée\" was \"kept up to a late hour with great spirit\". The programme consisted of tunes by Dabney, de Costa and Tripp: one of them was called \"Japanese make yourselves ready\" (NCH 26.5.1855).\n\n23.1.1856 (Wedn)\n\nE. MAYHEW: \"Make your Wills” (1836)\n\nT: Farce (1 act)\n\nW. BROUGH: \"No 1 Round the Corner\" (1854)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Whitebait at Greenwich\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music\n\nTh: D\n\nN: Once more politics crept into the theatre since, due to the Anglo-French campaigns in the Crimean War, \"the proscenium was very tastefully emblazoned with the arms and ciphers of the Allies”. The drop scene now represented the \"Lake of Geneva with the far famed Castle of Chillon” (far famed because of Lord Byron's poem \"The Prisoner of Chillon\"). For a change the Herald allowed itself some criticism of the amateurs, but about the costumes only: \"We are perfectly aware of the great difficulties which beset the wardrobe department of the Theatre here, but still we think that two or three alterations might be made with advantage. It must be remembered that the assumption of a part on the stage requires the submergence of the individual into his assumed character. Proteus must not be more unlike his last shape than the actor must be unlike his mere self and the difficulty of effecting this is enormously increased by an appearance in every-day costume. In melodramatic pieces some decided change is absolutely necessary because success depends on the power of exciting the sympathies of the audience for the various situations of the actors and it is quite impossible that the desponding accents of one young gentleman or the grasping villainy of another (both of whom we know to be very good fellows and far from desponding or hypocritical characters) in the garb of 1856 can excite these sympathies. In Farce it is less important because the effect depends upon a successful appeal to our sense of the ludicrous and this may be done by situations which are quite within the range of every-day life. (...) It also struck us that a little more attention to the chronology of dress would be attended with increased effect; there were two or three anachronisms: for instance the mob cap of Mrs. Foreright (a most admirable 'make-up' by the way) hardly accorded with the modern elegance of Clara; or the venerable beard of the implacable Mr. Ireton with the modern costume of his disinherited son. It is astonishing how greatly unity in these matters adds to the effect of such performances and in spite of the difficulties of such performances and in spite of the difficulties of securing dresses we think a consultation between the Manager and the performers might produce a harmony which would be attended with the best effect”. The music too was thought to be \"ineffective\", but for the remainder it was, as usual, amusing, with Whitebait at Greenwich as the hit of the evening. The character of Buzzard — by no means a graceful one — was played with great effect and we heartily congratulate Mr. SLOWCOME upon the power he displayed\". In Make your Wills the reviewer could not \"forbear mentioning the excellent impersonation of Joseph Bragg by Mr CLAY\" (NCH 26.1.1856).\n\n21.2.1856 (Thur)\n\n—\n\nJ.S. COYNE: \"The Infanticidal Farce\" (1846)\n\nT: Farce (1 act)\n\nMrs. C.G.F. GORE: \"A Good Night's Rest\" (1839)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Slasher and Crasher\" (1848)", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211808, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 223, "title": "RAS-1989", "content_text": "198\n\nT: Farce (1 act) C: Amateurs\n\nF: Music\n\nTh: D\n\nR: This was the last theatrical entertainment organised by Horatio BUSKIN and he could look back on a successful \"career\" as manager. Only the music had flagged of late (tonight \"a buzz in a box near the proscenium represented the music — we were ten feet away from it and it was therefore lost upon us\" the days of \"Sir George Smart and Messrs Thalberg\" and \"Koenig\" were over).\n\n—\n\nTo make up for these shortcomings \"Mr. CLAY as Honeybun (in the Infanticidal Farce) was, as he always is, first rate\". In Slasher and Crasher the public witnessed the debut of \"Miss Polly DEXTER as Rosa, affording hope of a new evening star of the first magnitude\" (NCH 23.2.1856).\n\n14.8.1856 (Thur)\n\nN.N.: The Nigger Doctor and his Patient Patient or the First Lesson in Surgery\n\nT: Negro farce\n\nC: Travelling American Company (Messrs Baker, Woodward and Montgomery) Th: Old Theatre (C)\n\nN: The whole evening was announced as a \"Grand Ethiopian Musical Soirée\"\n\nR: An advertisement only was published in the NCH of August 9. In it the above mentioned gentlemen (formerly of the New York Serenaders) praised their performances as having been \"the theme of universal admiration during the past four years throughout the East Indies as well as the Australian Colonies\". In addition to the farce, the programme consisted of \"Negro songs, interspersed with willy saying and doings peculiar to the African race in America\".\n\n19.9.1856 (Fri)\n\nConcert by Ali Ben Sou Alle and some local amateurs.\n\nInstruments: Turkophone, \"Turkophonini\", clarinet, piano.\n\nProgramme:\n\nG. ROSSINI: Two overtures. V. BELLINI: Selections from \"La Sonnambula\". F. MENDELSSOHN-BARTHOLDY: \"The Fairest Flower\" (song). Some German songs, The \"Shanghai Redowa Walse\", Medley of English, Scottish and Irish airs. Th: N.N. (C)\n\nR: Tonight was the occasion of the first real concert in the Settlement's history. It was given by Mr. ALI BEN SOU ALLE, a Turk who, after a study at the Conservatoire de Paris, had been appointed Directeur de Musique de Marine in Senegal (which had been French since 1871) in 1844. In 1847 he returned to Paris to enter the orchestra of the Opéra Comique, but the following year he went to London where he found employment in the orchestra of Her Majesty's Theatre at the Haymarket. He learned to play some instruments that had been invented by Adolphe Sax, the Belgian musician (1814-1894) and thereafter he made an extensive tour to Australia, Java, Singapore, Manila and China (CM 16, 10, 1856). In Hong Kong and even Canton he had appeared in August and October 1856 (CM 7.8. 14.8. 21.8. 16.10.1856). In between he gave two recitals in the Yangtze port. In the Survey it has already been stated that the soloist entertained the public with performances on several instruments that had been rechristened Turkophone and Turkophonini: in reality they were the Saxophone and (probably) the soprano saxophone. Well may we ask how these instruments, which were only of recent origin (1840s), were received by an audience completely unused to their sound. The artist interpreted a selection from Bellini's \"La Sonnambula\" on the \"Turkophone\" and the critic wrote that \"the compass of the instrument is very great but we confess to some disappointment as regards its quality of tone, and correctness of tone also, in some few notes, and altogether we think it an imperfect instrument", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211809, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 224, "title": "RAS-1989", "content_text": "199\n\n-- it may, however, improve on further acquaintance but we had no other opportunity of judging during the evening\". The \"Turkophonini” could be heard in a solo with variations and it was deemed \"by far the most perfect and pleasing instrument of the two`. The Shanghai Redowa Waise (Redowa: a Bohemian dance) which had been \"composed expressly for this Concert and dedicated to the Ladies of Shanghai — as the programme informed us\", also performed on the Turkophonini was not thought of \"very highly”, but it convinced the reporter that \"the instrument is well adopted for that class of music\". Obviously not everyone in the audience was of the same view, for the editor wrote in the Herald of September 27: \"The critique of our reporter has been much discussed in fashionable circles and the correctness of his judgement as to the perfection of these new instruments questioned. Knowing his high attainments as a musician, we defer to his opinion. Matters of taste do not admit of dispute. De gustibus non est disputandum. We may all enjoy our own and as a second glass of wine enables us to pronounce better judgement as to its quality, so will this second performance (on September 29) by familiarizing us with the instruments enable us better to decide upon their excellence\". In Hong Kong the China Mail could not speak \"in very warm terms of praise at least as regards their suitability for solo performances\" (CM 21.8.1856). On the other hand it admitted that \"by men of cultivated taste M. Ali's talents are fully appreciated and it will be long ere those who have had the pleasure of listening to his performances will forget the sweet but powerful tones of the Turkophone or the duleet melody of the Grand Clarionet and Turkophonini\" (CM 16.10.1856). Ali Ben Sou Alle was assisted by local amateurs who played a number of pieces including two Rossini overtures on the piano; and \"very creditably\" sung Mendelssohn's \"The Fairest Flower\".\n\nThe evening was attended by a \"numerous audience, comprising the beauty and fashion of our Settlement'' (NCH 20.8.1856).\n\n29.9.1856 (Mon)\n\nA second concert by Ali Ben Sou Alle.\n\nNo review was published in the Herald, only an announcement (NCH 27.9.1856).\n\n18.2.1857 (Wedn)\n\nD. BOUCICAULT & C. MATHEWS: \"Used Up\" (1846)\n\nT: Comedietta (2 acts)\n\nJ.M. MORTON: “Box and Cox\" (1847)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Prologue\n\nTh: N.N. (C)\n\n―\n\nR: The season opened both under the new management of \"Peter PROTEUS\" (again: a stage name, Proteus being an old Greek who could assume different shapes, as some actors are able to; also a character from Shakespeare's \"Two Gentlemen of Verona') and with a new theatrical reviewer in the Herald: \"The Man on the Bund\" (for the current season only). And although some months later he was heavily criticized because of some strictures he made about the choice of plays, in general his articles in a highly personal style were a mere continuation of the \"nothing but praise\" attitude that so prevailed. Thus Used Up was \"rendered with unquestionable ability by Mr. Peter Proteus, the manager\" who himself played Sir Charles Coldstream; and Mr. CLAY gave the part of the forlorn, but blunt and honest blacksmith Ironbrace with much skill and effect\". Making her debut Mrs. NESBIT impersonated Lady Clutterbuck: \"One would not have thought that so much deceit could lurk under so smooth and charming a face\". She brought to this part \"not only much cleverness and knowledge of the feminine heart but a very imposing person and decided good looks; and one could not help thinking the baronet might have stumbled upon a less pretty face in his", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211810, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 225, "title": "RAS-1989", "content_text": "200\n\nrash decision to marry the first that came\". Another actor who was to become a local Roscius. Mr. Phunago BRUSHWOOD, \"gave the somewhat unusual stage character of a double-faced farmer (Wurzel) all the selfish cunning and irritable tone which it needed\". Other parts were taken by Miss Polly DEXTER, Mr. HEAVISWELL, Mr. Jehoshaphat SNAKES and Mr. PLEADWELL (as the lawyer!).\n\nIn Box and Cox Messrs PROTEUS, BRUSHWOOD and Mrs. CLAY \"kept the audience in a roar\" (NCH 22.2.1857).\n\n3.3.1857 (Tue)\n\nDramatic readings from Charles Dickens by Mr. Benjamin SEARE. Th: C\n\n―\n\nR: In the Herald of February 28 it was announced that \"we are apprized by 'Circular' that an entertainment of a novel character in Shanghai, but one which has greatly attracted the fashionable and literary world elsewhere, will be given by Mr. Scare in the Hall of the Shanghai Theatre on Tuesday Evening next the 3rd prox. The subject - The Early Writings of Charles Dickens is a theme affording scope for great versatility of talent. (...) The Community are much indebted to Mr. Scare for his gratuitous offer of an evening's intellectual amusement to diversify and enliven the monotony of Shanghai life. The Circular notifies that the divertissement will commence at half past 8 & precisely, that no personal invitations will be issued and that a syllabus of the Lecture will be placed in each seat for the use and acceptance of its occupant”. Then, in the issue of March 7, a report was published: \"A large and select circle of residents had met in the New Theatre\". It became a kind of one man show by Mr. Seare, as the \"requirements of versatility and mimic power were most successfully supplied. (...) The lecturer was perfectly at home in each and all of the various characters as they turned up, passed from one to another with an ease that was admirable and portrayed each with a force of comic power which elicited much applause, and, to select the most appropriate compliment we can bestow, did justice to the author. All in all the audience was \"kept in a roar”. Mr. Seare concluded with some general remarks on the necessity of some recreation of this kind in a community so distant from home and so isolated and comprising at the same time so much intelligence and ability\" (NCH 7.3.1857). One wonders how Mr. Seare was able to give these lectures free of charge; had he been a touring artist that would of course have been impossible. But as it turns out he was a mercantile assistant in the employment of Gilman & Co (this according to the Shanghai Almanac for 1858). In May 1865 he gave another performance (see 27.5.1865). No further details are available about the programme, but no doubt the characters from The Pickwick Papers figured largely in it. Who, after all, can resist Mr. Pickwick, Mr. Jingle and Sam Weller? Dickens himself began readings from his own works one year later, in April 1858, in Britain and the United States.\n\n26.3.1857 (Thur)\n\nJ.B. BUCKSTONE: \"A Kiss in the Dark\" (1840)\n\nT: Farce (1 act)\n\nM.B.W. JERROLD: \"Cool as a Cucumber\" (1851)\n\nT: Farce (1 act)\n\nH. DANVERS: \"A Conjugal Lesson\" (1856)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (CH\n\nR: In a witty mind \"The Man on the Bund\" informed us that \"by way of introduction there was a kiss — and in the dark too! — perhaps the sweetest kiss of all, administered with enviable gusto by Mr. SNAKES as Fathom. Mrs. Pettibone submitted to it with less indignation than the fact of her being so much respected led us to suppose. But then, it was to punish the odiously jealous Mr. Pettibone who would insist on making\n\nPage 225\n\nPage 226", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211811, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 226, "title": "RAS-1989", "content_text": "201\n\n+\n\nhimself uncomfortable, with one of the nicest looking creatures for a wife imaginable. (...) Mr. BRUSHWOOD did the 'green eyed monster' admirably and the character suited him well—we mean of course artistically. By a skilful arrangement the warmth of a kiss was made to be followed by Cool as a Cucumber. Did the manager intend this to impart a deeper meaning than is conveyed on the face of the \"play-bill\"? We have an esteem for him and hope not: for although a kiss is, sometimes, but the prelude of a coolness that surpasses even that of a cucumber, we would not have Mr PROTEUS openly hint as much\". This piece called forth all the powers of the manager himself, and so perfectly was the coolness of Mr. Plumper exhibited, whether as regards the criticism of Mr. Barkins' face or his sherry, that, had he stepped from the neighbouring ice-house directly upon the stage, he could not have looked cooler (this was a reference to the Commercial Hotel; see note 94) What a desirable companion he would make, we thought, for the hot weather, but Mr. Proteus must be so, indeed, in any weather. The playing was well sustained throughout and Mr. BRUSHWOOD did his best — and that was not a little — to fret and fume as ‘Old Barkins' — but we can scarcely say that he looked a heavy father\" (the heavy father was one of the specialist roles in a stock company). A Conjugal Lesson was \"decidedly the crowning piece of the evening and was performed with an amount of case and artistic ability which elicited loud and well merited applause\". And as the critic had evidently taken a fancy to \"Mrs. NESBIT” he continued that she “looked more fascinating and piquant than ever and quite won the hearts of the bachelor portion of the audience who were altogether at a loss to understand the bad taste of Mr. Lullaby who could stay away from such an attraction till three in the morning!” (NCH 28.3.1857).\n\n23.4.1857 (Thur)\n\nT. TAYLOR: \"Still Waters Run Deep\" (1856)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: “A Capital Match” (1852)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (C\n\n—\n\nR: That other favourite of the reviewer, Peter PROTEUS, had resigned and so the evening had to do without him. In the introduction to his report, the \"Man on the Bund\" referred to the playbill which informed him \"in capitals of vermillion that Still Waters Run Deep and of other matters besides in the like flaming manner”. About the piece he was not at all content: \"Muddy waters, however, as well as still, they turned out to be. This piece is one of those incongruous mixtures of French novel morality and English domestic life, which is as offensive and preposterous, as it is ludicrous. London milliners may persist in imitating the extravagances of French crinoline and superabundant circumference: they dress up our wives and sisters until they have destroyed every graceful curve they may have and make them look like balloons endowed with feminine heads and shoulders; and with a growl we may submit to this perversion of taste and whim of fashion. But when our playwrights, in their dearth of invention, ransack the repertories of the minor Parisian theatres for something new, which they themselves cannot originate, and stumbling upon the old and stale subject of Parisian conjugal infidelity, try to fit it into English social life, especially that of the middle class, the attempt excites at once our scorn and laughter, and ought, like monstrous bandorgans and other nuisances, to be put a stop to\". Small wonder then that in it \"there was much good acting thrown away. Mr. CLAY performed, throughout, the part he had undertaken, admirably. His conception of his character was good and was given with fidelity and ability. It was just how a blunt, honest Englishman might have been expected to act when, by some extraordinary chance, his domestic privacy is invaded by such a frenchified monstrosity as Captain Hawkesley. Mr. ROLLER too did the lean and slippered Pantaloon most successfully. His ease of manner on the stage and finished...", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212208, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 150, "title": "RAS-1990", "content_text": "127\n\nThe Taoist temple, a centre of superstition, visited by the people of the village at certain seasons and particularly popular with the old women, is usually larger than the ancestral hall. It can be distinguished from the rarer and finer Buddhist temples by its walls of red. The Buddhist colour is yellow. Both Taoist and Buddhist temples prefer remote sites, often amidst the crags of tree-clad hills, but their colour apart are difficult to distinguish the one from the other. They are equally filled with images, from the fearsome spirits that guard the entrance hall, and the divers gods in the succeeding halls, to the Great Buddhas in the main hall, behind which there will be a very demoniacal representation of the Buddhist hell.\n\nThe temples to Confucius contain no images. They are to be found in the larger towns, amidst ancient trees and stately courtyards. They are now generally used to shelter government offices or schools. Wherever there are troops, the temples are their barracks; and they provide convenient cover for forlorn travellers.\n\nOn the second evening we reached Kanchow, the wealthy city in south Kiangsi, where the Generalissimo's elder son has been appointed Commissioner in charge of a group of magistracies. While in Russia, where he spent a number of years, he had married a blonde Russian wife. The two have set themselves to converting their district into a model area. No mercy is shown to opium smokers: they are executed. Dishonest officials are inexorably punished. Wealthy merchants, who have profited by holding stocks for a rise, are made to contribute heavily for the benefit of local services, and the sons of the influential are not allowed to dodge conscription. The dispensation is popular with the poorer classes, but not with the privileged. The Generalissimo is proud of his son's work, and one day sent a foreign reporter, who had been critical of Chinese administration, to investigate. He returned with a glowing report. Would that there were more districts in China, where honesty is the rule! Unfortunately, since 1937, there has been a relapse. The improvisations of war have left increasing spheres of administration in the hands of the military, and graft is again the order of the day. It is another of those Chinese anomalies that the Generalissimo, the relentless opponent of Communism, should be proud of a son who unquestionably is influenced by Russian ideology.\n\nConscription in China is not applied in our sense of the term. There\n\nPage 150\n\nPage 151", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212339, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 281, "title": "RAS-1990", "content_text": "THE KIM HAU AREA 1922\n\nLo Wu\n\nKorleon\n\nHeung\n\nSHAM CHUN\n\nBAAM CIAM RIVER\n\n1974\n\nUpper\n\nLiv\n\nTHA WAN AMER\n\nWom\n\nLow\n\nTruk\n\n1000\n\nVillage\n\nRonde\n\n1000\n\n2000\n\nwilll\n\nN\n\nChay\n\nRIVER\n\nKam Tom\n\nTou Kot", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212365, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 307, "title": "RAS-1990", "content_text": "284\n\nsituated exactly north of here. When I look out of the shutter I have it exactly in front of me. Its slope to the plain is gradual, which is also the case with the whole of the mountain range. It is strange that all these mountains are so bare of trees. All the mountain ranges which you can see from here are, in the lower parts, only wooded in some places, while the rest of the range is covered with grass. The poor cover causes a shortage of fuel. Because of this, fuel is very expensive.\n\nConcerning the cultivable land which is closed in by the sea and the mountains, this strip is only about half an hour's walk wide and just a bit more than one hour's walk long. The soil is a mixture of clay and sand, with the clay dominant. The soil is cultivated diligently but brings only mediocre returns. That is the reason why the owners of the land only have to pay a modest rate of tax. In some places the soil is sandy far inland from the sea-coast and therefore cannot be cultivated.\n\nThis little strip of land is covered with villages. One can count 12 to 13 though admittedly some consist of only a few houses. Most of them are situated near the foot of the mountain range. They are separated from each other by only short distances. Such a village is built without any plan, and totally irregularly. There is no main street that runs through the village, with houses on both sides of the street, but as roads they use tiny lanes, full of corners here and there. This fact alone must contribute a lot, apart from all other circumstances, to the filth. Similarly, in the larger villages and towns, the streets are very narrow and dirty, and the stench that is found there lets the traveller who walks through them anticipate what it might be like inside the houses. A superficial glance at a Chinese village makes you understand that what is most important to the inhabitants is for them to find a shelter against wind and rain, and that regularity, tidiness and cleanliness are very minor features of the living-quarters. Possibly they do not even feel the need for these things.\n\n―\n\nThis statement is justified by the following description\n\n!", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212670, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 224, "title": "RAS-1991", "content_text": "BOOK REVIEWS \n\n205 \n\nAnn Paludan. Chinese Tomb Figurines, Hong Kong: Oxford University Press Images of Asia series, 1994, 66 pages. Illustrations. Chronology. Bibliography. Index. HK$95 \n\nIt is always a joy to behold a book by Ann Paludan, whether as a scholarly study or for general reading. Her smaller work, The Ming Tombs (Images of Asia 1991), possesses the same high quality of meticulous attention to scholarship as The Imperial Ming Tombs (Yale 1981), an academic publication. The book under consideration here, Chinese Tomb Figurines, is a smaller rendition of her The Chinese Spirit Road: The Classical Tradition of Stone Tomb Statuary (Yale 1991). \n\nThere is no need to have a trained eye or any knowledge of Chinese aesthetics to appreciate tomb figurines as they are shown by Paludan. She describes two types of figurines found in ancient tombs from the pre-Han era to the end of the Tang dynasty in chronological order - those made of clay and those made of stone. Despite their ‘ambivalent' attitude towards objects specifically made for tomb use, the Chinese 'dead were provided with replicas of worldly goods or talismans to help them' in their life in the nether world. Among the figurines reproduced in the book are mounted horsemen; acrobats and musicians; jesters and storytellers; houses for humans and a sty for pigs; and, above all, the ubiquitous 'fat lady' of the Tang dynasty. \n\nIt is wondrous indeed to wander into the countryside of ancient China through the figurines, not unlike perusing Egyptian relics at the Metropolitan Museum for the first time. Readers will encounter colour, pageantry, glorious ceremonies and mundane everyday happenings; and, above all, 'there are no representations of death, illness, mutilation, or violence.' There is, on the other hand, a great deal of humour for readers to savour. \n\nWEI PEH TI", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212846, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 155, "title": "RAS-1992", "content_text": "140\n\nthough that description is scarcely fair to him. I do not think he was really disloyal to his elder brother, the Myosa; he had merely been caught in a situation which was beyond him. He was a weak character, the Chinese had terrified him, and he was as butter in their hands. I was concerned for our protection; though Lunghtang was ten miles back from the Salween, apart from the unarmed village watchers at the ferries, and an odd post of the K.D.F., there was nothing between us and the enemy. I asked the Puppet to let us have twenty men of the Defence Force. We would arm them, train them, and retain them as our personal bodyguards. He could not refuse.\n\nDuring his reconnaissance Stan had investigated the state of the Defence Force. They were about 200 strong at Sincheng, to watch the Japanese opposite the Kunlong bridgehead; their arms consisted half of British and half of Chinese rifles; they were desperately short of ammunition; their training was poor. I arranged with the Puppet that after training the bodyguards he would send us his five Bren teams for a course and for equipping with new guns, as most of those they had were damaged. Later we would train a platoon at a time, and equip them with further rifles and light automatics. I hoped also to find men of the guerilla type for use in trans-Salween operations, but these men would mostly have to be recruited from the tribes across the river, so that they could return to operate on their own ground.\n\nThe controversy between Tommy and Sten guns had settled itself. I had been for standardising on Stens, but Jack and Stan were both used to the Tommy and insisted on carrying one; I carried a Sten, which with its clip weighed 5 lbs against their 10. I noticed one day a Tommy had been loaded on the pack animals and on going up the line found Stan carrying a Sten! An extra 5 lbs makes a lot of difference when you are marching up and down mountains! Jack too soon fell into line and we made presents of our Tommy guns to the Puppet, who already had one or two. I also arranged to replenish his ammunition supplies.\n\nThe country people were poorly clad; no new cloth had come in for several years. We were able to include in our supplies some bolts of cloth, Shan pants, jerseys, and rubber shoes; they were originally intended as gifts for those across the Salween who worked for us, but we soon found they dared not receive such gifts because the Japanese, when they saw anything new, immediately realised that it came from their enemies, and concluded that those who wore it were helping our", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213173, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 241, "title": "RAS-1993", "content_text": "223\n\nthe suburbs, blending, to be sure, with the rambunctious commoners' culture, but far more subdued. Not what Seidensticker loved about old Tokyo, but fascinating none the less. The changes are particularly sharp after the war, after the second destruction in this century of the inner low city in the bombings of March 1945, and the Allied Occupation.\n\nThe books, however, do not pretend to be political histories, although they give mention to politics when they touch on the fabric of the city. Instead they record the changes in the lives of the people. The department store girls, for example, who were encouraged by management to wear Western-style under-garments after eight of them fell from high ropes during their escape from a fire in one store, clad in kimono, they tried to protect their modesty and unclothed nether regions with one hand, but the other hand was not strong enough to bear the burden. This incident, while hardly a formative one in the city, is one of many incidents which Seidensticker has culled from a myriad of sources to portray the rapid changes which typify Tokyo. He gently blends the sum of them into a textured picture, one which will provide readers with a feeling for the city even if they have never seen it. If readers have seen it (and many readers of this publication will have), the picture will make greater sense of a city that can seem to be a confusing mélange of exits from subway stations. And if some readers have been fortunate enough to have lived there, the book will provide a depth of meaning to corners of their former home that are familiar, yet unknown.\n\nThese books are a joy and a boon. Already ten years old (the first volume; the second appeared just five years ago), they will stand the test of time and are a welcome addition to the library of anyone seeking to keep informed about East Asia, its cities, and its culture.\n\nTHOMAS STANLEY", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213176, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 244, "title": "RAS-1993", "content_text": "226\n\nPaludan, Ann, Chinese Tomb Figurines, Hong Kong and Oxford: Oxford University Press, 1994.\n\nThere is no need to have a trained eye or any knowledge of Chinese aesthetics to appreciate tomb figures as they are shown by Ann Paludan. She describes two types of figurines found in ancient Chinese tombs of the Pre-Han era to the end of the Tang dynasty in chronological order - those made of clay and those of stone. Among the figures reproduced in the book are mounted horsemen; acrobats and musicians; jesters and storytellers; houses for humans and a sty for pigs; and, above all, the ubiquitous 'fat lady' of the Tang dynasty. As they peruse these pages, readers will encounter colour, pageantry, glorious ceremonies, and mundane everyday happenings. They will not find any sadness associated with death, but a great deal of humour suited to eternity.\n\nPostiglione, Gerard A. and Julian Y.M. Leung, eds, Education and Society in Hong Kong: Toward One Country and Two Systems, Hong Kong: Hong Kong University Press, 1992 (1994 reprint).\n\nOne of a series entitled Hong Kong Becoming China: the Transition to 1997, this volume, comprising 13 essays, focuses on education and society in Hong Kong. The key word here is education, not society. The essays have been divided into five categories, as a glance at the table of contents will reveal. Non-specialist readers will find certain subjects more appealing than others. For instance, the decolonization of Hong Kong education should be more welcome reading than the allocation of secondary school places in the territory or listings of entire syllabi of courses taught in Hong Kong from 1972 to 1989.\n\nWen, Betty, and Elizabeth Lee, Cultural Shock: Hong Kong, Singapore: Times Publications, 1995.\n\nThe Hong Kong title of the Cultural Shock series, this information-packed and wittily written volume provides new residents and interested visitors to Hong Kong with considerably more than a cultural guide. The text includes an account of the territory's history, its people, traditions, customs, and life-styles. The authors' masterly reading of the Hong Kong characteristics and hilarious comments on work and leisure are further enhanced by Trigg's cartoons. In addition, there is a helpful section comprising a list of public holidays in Hong Kong, a chronology, a cultural quiz, and suggested reading.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213811, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 163, "title": "RAS-1996", "content_text": "135 o'clock we had our dinner on the deck. Such fun and such make shifts. Our stock of portable soup was very good however, and what with venison pasties and other items we got a very comfortable dinner, much to the amusement of the Chinese passengers, about 20, and the sailors. My servant came in very handy, as he was the only professional cook of the party. Our food was cooked in the Chinese way, in a little earthenware stove, and a camp canteen kettle. The deck all the while was at a very considerable slope, so that it was necessary to mind one's p's and q's, in order to avoid catastrophies. Then when we were done and cleared away, the Celestials came forward and took the deck and began their meal. Each passenger pays 30 cash (not quite three halfpence) for his meal of rice and fish and little nic nacs: and as they only eat two meals a day, you may imagine that there is not much profit to be got out of it. They did walk into the rice and no mistake.\n\nOne little boy I took a fancy to: he was a friend of the owner of the ship and his father a rich man at Sam-tsun the place we were going to. I had a long talk with him, and we read some of the Pilgrim's Progress. He had been to school 6 years, and literally knew nothing after all. The Chinese system of education is the greatest folly imaginable: No Chinaman, in less than ten years is supposed to be able to know the meanings of the characters. Many learn 5 years and only know the sounds.\n\nHowever this little fellow and I got on very well together. He was much amused with Stringer's dog, and asked dozens of questions about it. Then I offered to sell it for a dollar, but the youngster said it was no good only to eat,\" and therefore was too dear. So I joked him that he had not a dollar belonging to him, whereupon he produced a handful of dollars from his purse, and showed me a bundle of paper which he said had 7 dollars inside. He seemed to have perfect confidence in us that we would not try to rob him. It was hard to talk with him, through his dialect. It was like a Londoner and Yorkshireman. “Tea” he called \"Chay-yup\" and we call it \"Chah-eep.\" About four o'clock we entered the “Kup shui moon\" a channel opening into the \"Bogue” or as English people say \"Bocca Tigris\" or \"tiger's mouth.\"\n\nHere we passed the Canton steamer going to Hong Kong. The people stared to see Europeans on board a Chinese craft. Towards evening the breeze dropped off, and at sunset there was quite a calm.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213837, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 189, "title": "RAS-1996", "content_text": "162\n\nbeen built in 1765. Since its establishment, the building has been renovated several times, in 1878, 1910, 1962, and 1978.7 The first recorded reconstruction, that is the one in 1910, is evident on the commemorative tablet installed on the interior wall of the temple. It is fortunate that the architecture through all these ages has retained its original style and character,\n\nThe temple, which can be considered a well-endowed and elaborate structure for its time, consists of three halls. In the main hall, a wooden idol of Houwang is installed at a shrine, covered with a canopy with the title \"Imperial Bestowed Loyal and Brave Marquis Yang\" (JAKE) written on each side. Clay statues of a civil official and a military official stand on the left and the right, respectively, as attendants to the local god. Enshrined in the side hall on the left are three spirit tablets. The one in the middle is for the pioneer villagers who established the temple; the one on the left is for those who donated the construction fee; the one on the right is for the men in charge of the reconstruction. In the side hall on the right, secondary divinities, such as mountain gods and earth gods, are enshrined. (See the floor plan of the temple.)\n\nThe facade of the temple is decorated by murals of scenes on walls and doors. On the left and right tips of the roof, there are streaked clay decorations in three dimensions. Figures of the martial arts, embellished with coloured glaze, are installed on the central ridge of the roof. It is recorded that these ceramic figures, of high quality workmanship, were manufactured at the well-known Shekwan kilns in 1910. In terms of structure and design, the Houwang Temple can be considered architecture of characteristic style. If the construction of a temple reflects the wealth of a community, Tung Chung's Houwang Temple seems to indicate that people there fared quite well before the locale declined into a periphery along with the shift of Hong Kong's economic core.\n\nIt is also surmised that a village coalition was being formed at the time of the construction of the Houwang Temple. As hundreds of immigrants moved into the New Territories after the \"Coastal Evacuation\" order in the early Ch'ing had been abolished, cult worship might have contributed to social integration and community building. Tung Chung's Houwang Temple, as mentioned above, is believed to", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213898, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 250, "title": "RAS-1996", "content_text": "224\n\nMy doubts about the purely utilitarian nature of hou fu stones were reinforced at the Diamond Hill cemetery. Space at this burial ground is at a premium and plots are often so tiny that stones, where they exist, are jammed together at the back of graves, which relegates them to the role of token boundary markers. Given the overcrowding at Diamond Hill, the discovery of a tomb which by virtue of its size and age had little in common with its neighbours was unexpected. The tomb belonged to the Liang family and was probably built at a time when graves were not yet piled up on top of each other. Not only was the Liang plot a good deal larger than that of the surrounding graves, but the family had clearly tried to ensure that it would always remain so. Set into the ground was a plaque which announced \"Domain of the Liang [family's] funeral abode\". (Liangzhai shanjie). More unusual still was a stone in front of the tomb which bore the words \"quantu\" or \"front of the grave\". What is relevant in this connection is that one expects to see such a stone in front of other graves, since it is both the logical counterpart of hou tu and a confirmation of its marker function, but that is not the case. For reasons that will become apparent below, the stone is unique.\n\nBut the tomb's most remarkable feature was located at the back of the grave. Here a small-scale replica of the main tomb, adorned with the usual inscription (Liangshan Houtu), had been erected. In view of the special nature of the Liang tomb, it was reasonable to assume that the structure represented a shrine to Houtu.\n\nBy installing a plaque, a quantu stone and a shrine, the Liang had attempted to reproduce, above ground, a funerary document called diquan. This was a land contract, written on a durable surface (clay, stone or jade) which included a plot's exact measurements. As of the first century BC, diquan were interred with the deceased to attest his or her ownership of the land in which s/he was buried. According to A. Seidel:\n\n\"From the third century on, the religious character [of the contracts] becomes more pronounced; supernatural beings start to appear as sellers of the land or as witnesses.\n\n(A. Seidel, \"Traces of Han Religion in Funeral Texts found in Tombs\" in Dokyo to shukyo bunka, ed. by Akizuki Kan`ei Hirakawa)", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213989, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 58, "title": "RAS-1997", "content_text": "24\n\nTools\n\nThe tools used by bamboo scaffolders are simple, few in number and have changed but little over centuries. They comprise a timber bow (frame) saw, about 30 inches long, with a steel blade and a cord, made up of several strands, stretched along the back of the saw. A piece of timber, about four inches long, is inserted in the strands of the cord. This is turned around so the cord is twisted, tightened and thus shortened. As a result, the blade becomes taut. The bowsaw is used to cut bamboo to appropriate lengths. Other tools include a rule, a pair of snips to cut wire used to secure the scaffolding to a building, such as for cantilever scaffolding. Wire is also used, for additional strength to fasten China Fir poles together. A folding knife with a hooked end, to cut through lashings when dismantling scaffolding, is also used by scaffolders. The hook is employed to unravel knots. A length of rope is used to hoist lengths of bamboo up to the upper floors of a building. A narrow-bladed spade is sometimes used when uprights are sunk into soil.\n\nTypes of scaffolding\n\n20\n\nIn addition to ordinary scaffolding forming working platforms for a building, bamboo may also be used for a variety of other purposes. For example, to construct a frame for a 'matshed' in which to perform Chinese opera (see Plate 5). The frame for the stage inside the matshed will also be fashioned out of bamboo. Years ago the matshed would have been 'clad' with palm leaves, canvas or rattan mats. Today, thin steel sheets are normally used with their greater fire-resisting qualities.\n\n21\n\nBamboo may also be used to form raking or flying shoring for strutting up a building which is in danger of collapse. In addition, bamboo may be used for constructing ladders or trestles, to build a spectators' stand at a public function, or to construct a pai lau, a celebratory archway. Sometimes bamboo is used to form a frame on which to mount fireworks or it can be used to fashion a screen to protect property when blasting of rocks is carried out.\n\nA variety of types of scaffolding are used to form working platforms. These include a cantilever ('truss-out' or 'flying' scaffold, fei paan,", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214003, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 72, "title": "RAS-1997", "content_text": "38\n\nA model of the bamboo skeleton for a 'matshed', such as those in which Chinese opera is performed. A stage and tiered seating can be seen inside. A life-sized matshed is normally clad with thin galvanised-iron sheets (Photograph courtesy Construction Industry Training Authority by whose trainees the model was made).", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214029, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 97, "title": "RAS-1997", "content_text": "64\n\nto Leng Shan in Fanling from Dongguan in 1190.5 In 1220, they were then driven out and moved to Fan Ling Lau, as their residence was appropriated by neighbouring Tangs. In the Ming Dynasty, due to population pressure, some Pangs moved to what is now called Fanling Wai and built forty-two houses and the village walls. Fanling Wai is composed of a walled village and its extensions which are referred to by the Pangs as Wai Noi Tsuen, Nam Bin Tsuen, and Pak Bin Tsuen. The houses in the past were built one-storey high of clay bricks with tiled roofs. Wooden ancestral tablets were placed at the center of the house for worship. Nowadays, due to population growth, nearly two hundred village houses stand in a row in the village. They have been built and rebuilt into two- or three-storey cement houses since the 1980s, and they contain paper-made ancestral tablets for veneration. The Pangs call this type of house zu wu (literally means the ancestor's house) and point out that they should be passed down the male descent line, usually from fathers to sons, for maintaining the Pangs' lineage community.\n\nOutside the walled settlement, there are many village houses with dark-red tiled roofs, white walls, and a balcony. Villagers call it the Spanish style. These houses were mainly built in the 1980s, under the 1972 Small House Policy. The policy allows every New Territories male villager, whose ancestor had settled there before the British Government took over the lease in 1898, to apply for building a house in his village. The house is allowed to be built of no more than 25 feet in height (three storeys) and 700 square feet covered area. Since this type of village house is built by male inhabitants (nan ding), villagers colloquially call these houses ding wu (male's house).\n\nFrom the 1980s onwards, the Pangs have rented out their available village houses for profit when the demand for rural housing increases substantially. After the Second World War and the unstable political period in China in 1949, a huge influx of immigrants from China to Hong Kong, together with the subsequently increased birth rate, exacerbated the housing problem in Hong Kong's urban area. In order to relieve the over-crowded living conditions, the government has not only provided low-cost public housing but also commenced the development of satellite towns (nowadays called new towns) in the New Territories. Housing is nevertheless still in substantial demand because of its inadequate supply. In the 1980s, the private housing", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214133, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 201, "title": "RAS-1997", "content_text": "172\n\nin the Colony), it could also be seen at Sha Tau Kok and at San Hui in Castle Peak Bay.7\n\nIn certain places along the route on our way to Huizhou, where there was apparently good fung shui, there were concentrations of graves and funerary urns, the latter, in Chinese, known as 'golden pagodas'. These contain human bones, placed in anatomical order, in the shape of a foetus, ready to 'return to the womb' for rebirth at reincarnation. Often, as one sometimes sees in Hong Kong's New Territories, small clusters of these urns were placed in tiny shelters. In some places however, along the road to Huizhou, these small structures were painted in garish colours.\n\nOften one would pass in China brick and tile kilns very similar to those simple kilns which one could find in the Castle Peak district of Hong Kong in the 1950s. A few years later these small firms were put out of business by less expensive clay, building-products which were imported into Hong Kong from Guangdong.\n\nThe author contrasts this visit to Huizhou, in beautiful short-sleeve-shirt weather, with a visit led by RAS Member Phillip Bruce, also undertaken in November, about a decade earlier. The previous visit took place on one of the coldest November days on record with temperatures down to freezing. The author wore a deerstalker hat with ear-flaps to protect him from the biting wind! At the time, limited development had taken place in Huizhou. It is surprising how things have changed.\n\nAcknowledgements\n\nThe RASHKB is grateful to Geoffrey Roper and his Activities Committee members, and especially to Dr Joseph Ting and Peter Rull, for organising this visit. The author is also grateful to RAS Member Charles Slater for the three photographs which illustrate this article.\n\nNOTES\n\nPeter Rull and Joseph Ting, Outline Programme for RAS Huizhou Visit 15 and 16 November 1997, handout\n\nGeoffrey Roper, An Introduction to the Tan Gong (Tam Kung) Temple below the Julung", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214231, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 89, "title": "RAS-1998", "content_text": "52\n\nSsu and the Pi-yun Ssu. They were first placed there some three hundred years ago, towards the end of the last fully Chinese dynasty, the Ming and before the overthrow of the Ming by the non-Chinese Manchus.\n\nThe Two Temples in the Western Hills\n\nThe old Kuan Yin Hall of the Ta Pei Ssu X, the fourth of the Eight Great Places in the Western Hills of Peking, is sealed off and not available to the general public. It contains a modern image of the major deity, the bodhisattva Kuan Yin with a Thousand Arms and a Thousand Eyes together with old but refurbished images of the Deva with their name in Sinicised Sanskrit but without providing any hint as to their origins and legends. The statues of the Deva were originally made during the Ming, ca. 1500 AD, and consist of clay reinforced with hemp. They are referred to in temple literature as the Group of 28 Great Immortals +. The image of the Thousand Arm and Thousand Eye Kuan Yin was replaced by the Japanese after the Second World War in an attempt to make amends for having taken the original and melted it down for the brass content during the War.\n\nThe Kuan Yin Hall in the Ta Pei Ssu contains in addition to the one bodhisattva, Kuan Yin, twenty-eight images, which can be categorised as follows: twenty-six deities with Sanskrit titles including the five T'ien-wang [Guardians] together with two Chinese folk religion deities. Of the twenty-six, five are deities specifically referred to separately in the Eight Classes of Supernatural Beings? [Deva, Mahoraga, Kinnara, Asura and Gandharva]\n\nIt is lamentable that the Kuan Yin Hall is closed to the public; however, fortunately, there is also a Hall of Bodhisattvas in the second temple, the Pi-yun Ssu #, some five kms. to the north of the Ta Pei Ssu, which is open to the general public and it too contains the Twenty-eight Deva; however, the images here have all been made within the past fifteen years, probably replacements for the original images destroyed during the Cultural Revolution and yet again without any signs to indicate that they are anything other than Chinese deities. The fact that all but three were originally Hindu deities brought to China by Buddhism is not explained in temple literature, though the monks un-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214294, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 152, "title": "RAS-1998", "content_text": "deacon Gray35 finds shops in Canton still producing bows and arrows in the late 1860s showing that they continued to be used. This retention of the bow was probably also due to a feeling that it was a gentleman's weapon and more honourable to use. Indeed, proficiency with the bow was one of the attributes required of a military mandarin.\n\nWhilst such weapons as the matchlock and bow could be effective, they did not generally cause many casualties. This may have been due to lack of deliberate aim, although none of the projectile weapons, either side, were very accurate. The tactic used by the Europeans to overcome this was the use of volley firing. Then, even with the inherent inaccuracy, there was a fair chance that enough bullets would find their mark. Of course steady troops that could reload and fire almost continuous volleys, and only charge when ordered, were a necessary part of the tactic. As mentioned in the introduction, it is this training and disciplined use of troops, that the Chinese forces seemed to have neglected.\n\nThe cut and thrust weapons were also varied and covered a wide range of spears, pole arms and swords. As might be expected, when it came to hand to hand fighting these were the equal to the bayonet, although again the training and discipline of the European troops would have been an advantage.\n\nFinally the Chinese had a number of arms that almost defy classification. These were used in defending forts against storming parties. There was a form of grenade, made of clay filled with combustible material, and a similar weapon that relied more on its bad smell than its explosive power.* And Lt. Colonel Fisher reports that at one fort they found: \"Their construction was as follows:- A pit was dug in the ground, and in it was placed large iron shells loaded with powder; a match communicated between the shell and a flint-gun lock, which it was intended to fire, by a string attached to the trigger, and crossing the pit-fall. Over the whole, was laid a mat lightly strewed with earth. The modus operandi was, that on entering the fort, we should run over the mat, which would let us down; falling on the string, we should pull the trigger, and be blown up.\"38 It appears that the land mine has to be added to the list of ancient Chinese inventions, even if it is not one to be proud of.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214367, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 225, "title": "RAS-1998", "content_text": "191\n\nindustry. It was common, so it claimed, for construction teams to hold Taoist rituals, including the sacrifice of oxen before work began.*\n\nOn the other side of the coin, according to the Bureau of Religious Affairs, about 200 Taoist temples have been re-opened to the public in China since the 1980s and seven Taoist provincial associations have been established. One of these temples is the former Taoist Cheng-i sect centre, the Heavenly Master Sect temple [T'ien-shih Miao] on Dragon and Tiger Mountain, Lung-hu Shan, in Kiangsi province. It was burned down in 1945 and work on rebuilding it did not begin until 1983. This consisted of the renovation of the main hall and the re-sculpturing of the images of the San Ch'ing, the Three Pure Ones, and fourteen other clay statues. Other sites nearby have also been renovated, including the Shang Ch'ing Palace, where the Immortals lived, and the Lien-tan Ch'ih, the Furnace [where pills of immortality were made]. It is interesting to read that both local and central authorities donated more than half a million yuan towards the project.\n\nAbout the same time as the iconoclastic campaign began, a ban was also imposed in Tsingtao, the port in southern Shantung, on the manufacture, sale and burning of funeral objects in a bid to curb a resurgence in superstition.\n\n...\n\nDespite all of these reports of the destruction of illegal temples and the crackdown on superstition, my daughter and I during the years 1995-1997 have visited a number of temples both urban and rural in remote areas of China as well as in cities and towns which, without doubt, fall under the category of superstitious religious establishments. We have not only been guided to several such temples by policemen but also in one instance we found the local party cadre actually lived with his mother inside a small popular religion temple. The only instance where a member of a temple staff had reason to explain that an activity was banned because it was superstition happened in the suburbs of Shanghai. When we asked why there were no oracular blocks on the altar with which to obtain the deity's answers to questions posed by devotees, we were told by the temple guardian that this particular practice was superstition and not permitted, whereas other routine rituals seen in temples in Hong Kong and Taiwan were. A Chinese scholar recently explained that in his view illegal temples are the structures built without permission because local State authorities have not had the quid pro quo erection of a village school, crèche or health centre paid for by the villagers with the same sum funded for the project as\n\nPage 225\n\nPage 226", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214707, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 122, "title": "RAS-1999", "content_text": "86\n\nstep (Baker; 1981,15).\n\nThe matshed consisted of a light bamboo frame clad with thin metal sheets, which are more fire resistant than the old rattan mats that were used years ago (see Figure 1). A compartment at one end housed four henchmen and their god, called by the villagers Tai Wong Ye, sometimes translated as 'Great Ancient King' (Myers; 1975,19)(see Plate 3). The same god in urban Hong Kong is usually called Daai Si Wong (Baker; 1979,121). Different names for the same god can cause confusion. The matshed faced southeast (feng shui south), in the direction of the Kwan Yin Ancient Temple. The number of Taoist priests taking part in the ceremony inside the matshed, with some arriving late, fluctuated from five to seven. Even priests get caught in traffic jams. There was a small group of musicians in the matshed playing, between them, a trumpet, gongs, cymbals and a small drum. Percussion instruments took pride of place. The matshed also contained dishes of fruit, to be offered up to the gods, and paper offerings. Joss sticks were burned.\n\nThere was a great deal of incantation, much read from a book taken off the altar, and some kneeling. Rice wine was deliberately spilled on the floor in the process of purification and offering it up to the gods. The gods of east (the Green King), south (the Red King), west (the White King), north (the Black King) and centre (the Yellow Emperor) were beseeched, in rising and falling tones, to come down to protect the district in words that were not easy to link together and to understand. The Chinese animal sign of the year is said to represent a direction. There the planet Jupiter is located (Lo; 1992,162). This has important feng shui implications. One should not disturb the earth in this direction. The Taoist priests who perform such ceremonies are often called, in slang, naam moh lo.$\n\nLooking at Figure 2, in the bottom right-hand corner one can see a metal container in which are situated the five bamboo talismans on which, during the ceremony, are written the respective entreaties to the appropriate gods. Also on the crudely framed timber altar (see Figure 2), draped with a red cloth, are bowls of fruit, three cups of tea, three cups of wine and various items used during the ceremony.\" They include a book of chants, a crown worn by the head priest, musical instruments and sticks for the musicians to strike the percussion", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214990, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 86, "title": "RAS-2000", "content_text": "42\n\nbalance being formed of an interpreter, a Head Ganger (equivalent to a CSM). Some Class One Gangers [sergeants], 7 Class Two Gangers [corporals] and 16 Class Three Gangers [lance-corporals] in charge of 14 men. These were known as paitou. No military titles were used for the labourers as they were not regarded as being service personnel.\n\nThe labourers were expected to work up to ten hours a day for seven days every week, time off being allowed for Chinese holidays. This was the norm for Chinese workers back in China and therefore not considered untoward. They were employed in ports to unload/load cargoes, repair roads, lay railway lines, build huts and aerodromes. At the end of the War, they were used to level shell holes, search for and unearth unexploded bombs, roll up barbed wire and also to collect the remains of bodies and bury them in graves already dug by CLC labourers. In some areas the labourers were eventually running their own truck repair shop, smith's shop, paint shop and motor-cycle repair shop. Others maintained the artillery and serviced tanks. Some also, as a pastime, constructed items from used war material [bomb cases, bullets, grenades, etc.] as souvenirs for the soldiers, and these items formed and were eventually known as 'Trench Art.' They were also adept at making items from other materials and also modelling and carving from chalk. The Imperial War Museum, London, has on display two lions carved from chalk and also, not on display, a lion modelled from clay by a labourer no. 53279, of the CLC. Unfortunately, there are no further details about this model. (see photograph)\n\nTo provide a picture of how Chinese labourers were employed let us examine the development of their employment on tank repair over the twelve months from August 1917 to August 1918. Members of the CLC first arrived at the Tank Central Workshops on 8th August, 1917. These were located in the Ternoise Valley, on the road between Hesdin and St. Pol. Tank HQ was at Bermincourt, Central Workshops at Erin but the whole establishment later expanded to take over more of the valley and include more villages.\n\nThe 51 Chinese Labour Company, consisting of 4 officers, 12 British NCOs and 200 tradesmen, was followed, on 26th August, by an additional 270 tradesmen.\n\nA large number of the men failed the trade tests and, for those who", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215058, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 154, "title": "RAS-2000", "content_text": "110\n\nCarved clay lion, made by a member of the CLC No 53279. Held in the Imperial War Museum, London.\n\nMarch 2001", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215069, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 165, "title": "RAS-2000", "content_text": "122 etc. are the actual Taisui who perform the functions and duties of the deity. The bells have magical properties and a Hokkien god carver in Singapore explained that all Taisui images should carry one of four specific charms. The main one is the bell which when rung causes the hearer to lose his way and wander aimlessly. Therefore a demon hearing it forgets his task and wanders off. The other three charms are the seal of office which when shaken causes the heavens to quake; and two swords, one male and one female. Another unusual feature is Taisui's footwear. Normally he wears sandals but occasionally only one foot is shod the other being bare. This form is comparatively common on Fukien community altars, an excellent example being in the Buddhist temple in Yen Kiu Road in Singapore. Only one example has been noted in Hong Kong, on an altar on a junk in the Pearl River. The one bare and one shod foot is said to represent the amount of rain expected during the coming season [see above under The Rôle of Taisui for an explanation provided in eastern China]. A similar story has been told about the Immortal Lan Caihe and, as we have seen above, about Mang Shen.\n\nAn unusual large clay image of Taisui in a temple near Kam Tin in the New Territories depicts him with the bell in his left hand, and with a third eye. The bell, according to the temple keeper, has magical properties. Even more unusual is the image in Hung Hom in Kowloon with the usual bell in Taisui's right hand but unusually he has a Tantric necklace of thirteen skulls draped around his neck.\" Other lone image carvings are standard, anonymous seated officials or scholars with no particular characteristic and only identifiable as Taisui by the written Chinese characters on the front face of the base or because they are standing on piles of spirit money which, according to common belief, no other deity does. The lone Taisui image tends to be referred to as the 'Taisui [or Intendant] of the Current Year' EX-\n\nOver the years and in a number of places ranging from Singapore to northern China various informants have explained, mostly contradicting each other, that the images with a bell is the Taisui of the Year, the one with a scroll or tablet is the Taisui of the Month and those without anything are the Taisui of the Day.\n\nIn a small temple in Sepang near Port Dickson in Malaysia, three images on a side altar stand side by side. A typical Taisui image with a\n\nPage 165\n\nPage 166", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215083, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 179, "title": "RAS-2000", "content_text": "136\n\nthe images with the temple keeper removing and burning them after fifteen or thirty days. The usual offerings to placate the deity consist of the three different cooked meats, fruit and tea (or wine) though before about 1955 it was not uncommon to see a candle burning in front of an image, placed there by a devotee whose year it represented. This was frowned upon by the Hong Kong authorities as a fire risk and the practice died out. Gray in Guangzhou [Canton] in the 1870s noted that under each image two or more small slabs of clay had been placed. These had been put there by votaries 'desirous to curry favour with the gods.' When there were too many for convenience they were removed by the person in charge of the shrine. Rev. Henry in Guangzhou in 1883 noted that the sixty small images, one to the presiding genius of each year in the cycle of sixty were raised on tiles with some bedecked with gaudy red coats, the gift of those devotees who had received special favours during their special years. Hardy (John Chinaman at Home) noted the sixty images in the same temple in Guangzhou, in a hall of the 'doctor' temple, before which the sick prayed for recovery before the spirit of his particular year, with people over sixty starting to count the years again from the beginning.\n\nA huge stove stood in the south-west corner of the Taisui temple dedicated to the planet Jupiter, within the enclosure of the Temple of Agriculture in Beijing, in which animals used for sacrifice were boiled or roasted. The sacrifice was performed on the penultimate day of the year or on a lucky day specially selected from the first ten days of the new year.\n\nImages of Taisui appear on the altars of some fifty-six temples in Hong Kong and on fourteen in Macau. Fifteen of these temples have the full groups of sixty images, the others have single images or small groups of two, three, four or six.\n\nTaisui Festival Dates\n\nTaisui is variously feted, nominally on the 7th of the first lunar month though more generally his festival is celebrated on what is called his anniversary on the 19th of the seventh lunar month. He was, however, officially sacrificed to in dynastic China in the Temple of Heaven in Beijing on the 28th day of the twelfth lunar month.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215478, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 255, "title": "RAS-2001", "content_text": "204\n\nlast leg of the day's journey, to Bumthang.\n\nWe were now passing into Central Bhutan. The country gets more remote and primitive the further east one goes. The road by now resembled a quarry, thanks to the ambitious road-widening project that has been under way since late 2000. Until then, road vehicles were required to cross into Indian Assam in order to get to the east of Bhutan. This route became less favoured when some Indian militants shot a Bhutanese bus driver in order to prove a point. (Brian did not mention that in the briefing notes!) To compensate for the road, the trees had become particularly impressive. We were now driving through gigantic pine trees, just like in the Hundred Acre Wood. I could easily imagine Pooh Bear falling out of one, had he been there.\n\nAbout half-an-hour short of Jakar, the capital of Bumthang province, two or three woollen goods shops formed the nucleus of a knitting and weaving industry, so of course we had to stop and boost the local economy. I saw a scarf I particularly liked. The young lady in the shop told me it was 300 ngultrum (about HK$50), I have never really learned the art of bargaining, and so I offered her 250 and a large hopeful smile. She smiled back, but the smile quickly faded. 'Excuse me' she said, 'there's 50 missing.' I was so flustered that I tried to pretend that it was all my fault and I quickly gave her the missing note. I hung around a bit to listen to how the hardened shoppers managed to bring the price down, but I had to bow out in the face of such expertise and experience.\n\nWe reached the hotel at dusk and found it to be rather like a ski lodge - fresh and inviting on the outside and warm and toasty on the inside, with pine-clad walls. Welcoming tea and bickies were laid out in the communal sitting area of the dining room. The bedroom was also toasty, almost a sauna. The source of the heat was a wood-burning stove. This gave off a terrific amount of heat, but burnt through its contents very quickly. When I returned to the bedroom after dinner it was like stepping into a fridge, so quickly had the heat disappeared. As the electricity supply was rather intermittent, each room was provided with a candle. ‘Ah-ha' I thought, ‘salvation.' I lit the candle and held it against a thinnish piece of pine for no less than fifteen shivering minutes, but the blighter wouldn't light. So I had to climb into bed, wondering about such news headlines as: ‘Careless cigarette\n\nPage 205\n\nPage 255\n\nPage 256", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215491, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 268, "title": "RAS-2001", "content_text": "217\n\nfortunate. An official-looking monk passed along each row, giving what looked like two banknotes to each seated monk. Then, down each row, ran a small boy-monk with a metal kettle, leaving a small trail of water behind him (the water coming from the kettle, I should point out). Obviously symbolic of something - ritual cleansing? Stunned and devoid of all feeling except a sense of being overwhelmed, we were ushered out into the next and final courtyard, beyond which was the building that had suffered most in the flood.\n\nIt may have suffered, but was now receiving its reward. This vast structure was the principal target of the king's no-expense-spared command. Ten years later and the restoration was far from complete. (But didn't Salisbury Cathedral take about a century to build?) The focus of this hall, the highly decorated ceiling of which stretched about six or seven storeys above our heads, was three enormous seated statues. The centre figure was that of Buddha himself, about 40 feet high and carved in wood. He was flanked by two smaller (30 feet) figures, one of whom was Guru Rinpoche. These, we were told, were of brass but they had been covered in clay. In front of these was what must have been a container-load of prayers and religious representations printed on tissue paper. It is the custom to fill the hollow back of statues with printed prayers, so that they are always there. These were waiting to be sealed within Buddha and his sidesmen.\n\nAttention to detail\n\nWorking in a stream of slanting sunlight, and with the dubious benefit of some 40-watt light bulbs, were about a dozen artisans who were putting the finishing touches to 100 or so smaller seated statues. These figures, about two feet high, were waiting to be placed into a similar number of niches in the walls around this 200-foot square hall. Other workmen were carving wood, modelling detailed bits of decoration in clay, and painting. Rood wooden scaffolding surrounded the three major figures, behind one of which I climbed. There I saw a craftsman carefully moulding clay to represent more perfectly the flowing robes of the seated guru. What struck me most was that nobody would ever see the fruits of this man's labours, but that did not seem to matter one bit. Again, thinking of my own culture, a similar amount of unrecognised effort went into the facial expression of a gargoyle high in the wall of Salisbury, or the decoration of a ceiling boss 200 feet off", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]