[
    {
        "id": 205377,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1967",
        "page_number": 139,
        "title": "RAS-1967",
        "content_text": "132\n\nREV. MR. KRONE\n\nTo the left of the temple of Confucius, is the temple of “Kwan-kung”關公—the God of War; and on the right another one dedicated to \"Man-tai\", the God of Literature. Behind the latter is the hall Ning-lun, in which the public examinations are held. The literati and elders meet here on special occasions. In the vicinity of these edifices is the temple of “Sha-nung”神農—the God of Agriculture; and before it extends a piece of ground, on which the chief magistrate has to plough a few furrows at the beginning of spring, in accordance with an ancient custom. Near the sea-shore is a large space of ground, which serves for drilling the military, and on which the military examinations are also held. On it also a hall is erected for the accommodation of the officers.\n\nNot far from this place is a Buddhist temple, which contains images of the three Buddhas, and of the eighteen Lo-hou, which are Buddhist demi-gods. In front of the three Buddhas is a tablet, before which the devotees worship the reigning dynasty. On this tablet is the inscription \"Ten Thousand years!\" Farther above this is another tablet with the characters \"Protect my black-haired people.\" The chief magistrate is obliged to repair here once a month, and to prostrate himself before these tablets.\n\nOther edifices worthy of notice are, a five-storied pagoda, a temple to the well-deserving mandarins Wong and Lau, and an altar to the Gods of Land and Grain. Outside the town is the execution ground, and here, in 1854, many rebels were decapitated, and there might be seen at times the heads hung up in baskets as a warning to the people.\n\nThe fort and city of Kowloong are sufficiently known, and there is but little to say of them. The low walls and miserable forts have often been visited by foreigners. The environs of Kowloong contain some curious mementoes of history, of which the rest of the district is destitute. Ping-tai, the last of the Southern Emperors of the Sung dynasty, fled with the remnant of his faithful adherents to the province of Canton. Near Kowloong he attempted to build himself a palace, which however he was unable to complete, and the situation is now marked by a temple to \"Pak-tai”北帝—the God of the North. One of his high officers died here, and his tomb is situated on a hill, which is called to this day Sung-wang-tai. These three characters are engraved on\n\n+",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
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    {
        "id": 205420,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 182,
        "title": "RAS-1967",
        "content_text": "BOOK REVIEWS \n\n175 \n\nbeliefs and practices still occupied an important role in the lives of the people (we have so little information on the contemporary position of the popular cults), it is doubtful whether we could ever cover the immense range of variation in the material. \n\nGods worshipped by the ordinary folk, the celebration of their festivals, stories about them, and what they were believed able to do for the people in a community, differed not only from region to region, as we know from the literature on the subject, but even between different localities within a region. \n\nBut immigrants from various parts of the homeland have taken many of their local beliefs and practices with them (although they have sometimes come to occupy a different role in their societies). And it is still possible, therefore, to enlarge our knowledge of such things from study of the Chinese overseas. \n\nThis short handbook by Father Saso, a Jesuit living in Taiwan, provides us with some welcome new material on some of the beliefs and practices of the region as followed by the Taiwanese, a people originating from round the Amoy area in Fukien province. \n\nThe author takes us through the lunar year discussing gods of local popularity and their festivals, and the social customs associated with them. He also discusses some local customs associated with festivals which enjoyed a wider popularity in China, and some of their possible origins. Discussion is based on written sources, including some in Taiwanese and Japanese, on information from a temple to the city god in Hsinchu, which helped him track down stories and identify the many temple \"patrons\", and on his own observations particularly of the celebrations and customs of one family. \n\nThe reader not approaching Chinese religious phenomena from a Christian angle might be disconcerted to read that divinities in the temples can hardly be called gods because they are spirits of human beings who lived long ago, and the student of religion will recognise some of the pitfalls of trying to disentangle the various elements which go to make up this typically syncretic Chinese folk-type religious material. Nevertheless, points such as these are not unduly distracting. There is much of interest in the book. \n\nThose working on problems of comparative religion might have welcomed more information on who, more precisely, in the",
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    },
    {
        "id": 205421,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 183,
        "title": "RAS-1967",
        "content_text": "176\n\nBOOK REVIEWS\n\npopulation is involved in all this and its relationship to the institutional life of the society. There are a few useful pieces on such matters however. A section worth mentioning here is on the city gods who are second only in importance on the island to the goddess Ma Tsu. The section includes a detailed description of the temple to the city god in Hsinchu,\n\nIt appears that before the Ch'ing dynasty set up official law and order in Taiwan the need for public control in the early days of immigration was met largely by the city gods and their temples. In some cases temple attendants became the administrators of local justice and a group of bone-healers (associated with the temples?) the police force. Their shops in Taiwan, says the author, still display swords and helmets associated with their former role. Mandarin officials sent by the Ch'ing court in Peking had first to report to the city god temple and ask permission for any changes in local administration, and this went on until the Japanese curtailed the activity during their administration. Not only did the city gods \"take the place of the Imperial government\" in the early days, but \"each were given titles and enfeoffed (sic) with their territories\" (p. 58).\n\nThe resident in Hong Kong might be interested particularly in a section on Ma Tsu, who has assumed something of the status of patron saint in Taiwan. Ma Tsu, in fact, is none other than T'in Hau, \"Goddess of Heaven\" who is so important here to the boat population. The author gives us various legends of her origin which are popular in Taiwan and show us why she should have such importance for sea-faring folk (interestingly enough T'in Hau is similarly known as Ma Tsu in Macau and some believe Macau is in fact named after her). It is also interesting to note that those seven \"fairies\" known as the Seven Sisters in Hong Kong and worshipped by girls looking for husbands appear in Taiwan as the Seven Old Maids, with a particular role in care of children.\n\nIt is my impression that this book is probably written more with the interests of the foreign visitor or new foreign resident to Taiwan in mind, and perhaps those also of people working in Christian missions on the island. However, even if not directed especially to the research worker or resident elsewhere, there is much in this account to repay study by them. Hong Kong, 1967.\n\nMARJORIE TOPLEY",
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    },
    {
        "id": 205480,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 22,
        "title": "RAS-1968",
        "content_text": "CHINESE RELIGION AND RURAL COHESION\n\n17\n\nboth officials and people were encouraged to participate in the rites associated with them.\n\nThese god-officials, housed in temples in the chief cities of districts, counties and provinces, were often former government officials who had worked in the locality and people were encouraged to help in their selection. The gods were expected to report social misdeeds — evasion of taxes for example — to higher gods who could punish offenders by bringing misfortune. It is said those not afraid to perjure themselves in court were often afraid to do so before the gods, and so such cults encouraged obedience to law and order.13\n\nWhen these cults worked well they focussed people's interests on the administrative area of which their village was part and at the same time emphasized the position of the local village unit in the larger territorial administration. But temple-keepers and yamen clerks are said to have embezzled funds set aside for the rites and performed them in a perfunctory manner. The influence of such cults over villages more remote from city centres would probably, as with the cults to local worthies described above, be less than over nearby villages.\n\nBut the village itself was usually more directly connected with another god, to some extent operating independently of this spiritual hierarchy and standing more for local interests. This was the earth god: protector, in some of his roles, of such places as graves, bridges, rivers and canals, but also protector of a village unit or sometimes a section of a village. It is said that the earth god was usually somebody who had rendered local public service in his former human life.14 The earth god's cult was more usually associated with an open shrine than a temple, with his image being placed on the ground. His festival commonly generated a great deal of group activity: various occupational groups in a village would collect money to contribute to the festival's religious and social functions and would “elect” one of their number to serve on the committee formed to organize the festival.\n\nWhile it appears unusual for the cult of the earth god to have become associated with a complex land owning organization with control over a village or village section as in the case of ancestral cults, cults to other popular gods sometimes did so. Temples built for gods who had special meaning in the life of a village",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
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    },
    {
        "id": 206091,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 171,
        "title": "RAS-1970",
        "content_text": "166\n\nS. F. BALFOUR\n\nThis site is near Kowloon City where the present Pak Tai temple stands. In the past some rare tiles of a dark ochre colour have been found there and apparently at one time a part of the foundations of the building were to be seen behind the temple. A village there was named Two Kings (I Wong) in commemoration of their visit and there is a tradition that they used the low hill covered with boulders just above it as a terrace or royal look-out. They remained there for about five months whilst their agents reported the movements of their enemies round Canton.\n\nAt the end of this period their position became desperate. Wen T'ien-chiang had organised an army on the Kiangse-Fukienese border and was trying to march on Canton and save the court from being cut off. But in the seventh and eighth moon he lost battles and was unable to make any progress. The Mongols then marched south from Canton against the Kings' army which they engaged in the ninth moon at Ts'ün Wan.19 There seems to be no local tradition about this battle, although it is mentioned in the most authentic texts on the subject. The Sung loyalists were defeated there and the court fled first to Lantao island and then farther west.\n\nWe now come to the death of the uncle of the two little kings, Yang Liang-chieh. He was the elder brother of the Kings' mother, and history does not mention him after the court had left Foochow. Local tradition is very positive that a marquis Yang (Yeung Hau) who on account of his loyalty to Sung was made a king (Yeung Wong) lived somewhere in the region, and he is worshipped as a god in a principal temple near Kowloon City which bears an inscription calling him Yang and saying that his first name is unknown. The identification with Yang Liang-chieh was made quite recently by a Chinese scholar20 and there is every reason to suppose that it was true that he accompanied the Emperors as far as this region where he died and was perhaps given the title of King after his death. Although the principal temple to him is at Kowloon there are others all over the region and two important ones on Lantau Island. This leads me to guess that he might have died on Lantau during the court's flight after their defeat at Ts'ün Wan. There is in any case mention in a particularly\n\n19 **\n\n20 In 瓜廬文賸 by 陳伯陶",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
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    },
    {
        "id": 206634,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 182,
        "title": "RAS-1972",
        "content_text": "176\n\nKEITH STEVENS\n\ncyclical characters of the year.\" Hodous appears either to be confusing T'ai Sui and Kou Mang, or to be giving T'ai Sui yet another alias.\n\nIn T'aip'ing in Malaya two images of mud bulls are to be seen standing on a pile of paper hell money on the altar beside T'ai Sui. The reason for their inclusion on the altar was not known by the temple keeper nor by the devotees who said that they had always been in that position as far back as anyone could recall. (See Plate 15).\n\nThe Rev. Wm Milne4 in Ningpo in the mid 1840s noted \"the festival of the Beating in of Spring\" when on the first day of spring the Chief Magistrate of the city beat the \"god of spring\", a multi-coloured paper ox, which was then torn to pieces by the crowd, for luck. Milne claimed to have seen this same ceremony elsewhere in Central China, and said that in some districts the bull is made of mud. “The colouring varies as laid down in the Peking annual book of ceremonies. The variations in colours such as red horns, black tail and feet, white body, blue head and neck are regarded as prognosticating the portents of the coming year. The amount of black signifies sickness, blue winds, white rain and floods, red fire and yellow the fruits of the earth. There are also a number of smaller mud oxen mainly sold for household good fortune.”\n\nThe Rev. Milne also reported that “the \"god of spring\" was seen in the shape of a youthful human image, the son of an early Emperor. He too is attired in a fashion prophetic of the fortune of the coming year: bareheaded predicted cold weather, and white robe augurs a dry year etc.\" This youthful image is almost certainly T'ai Sui. In all temples where he was observed in the \"scroll or bell-holding\" two-armed version, his image was seen very frequently to be balanced on wads, sometimes very high wads, of hell money. This is the paper money purchased from temple keepers to be burnt by devotees for the use of deceased members of the family in the Underworld. This custom is usually only to be seen in temples under wealth gods, but in the case of T'ai Sui, the wads are offerings to T'ai Sui for protection and not for transmission by burning to deceased relatives. Shyrock in his Temples of Anking says hell money is burnt for use by ancestors and is never presented to Gods. It would appear to be otherwise in Central and South China.\n\n4 Milne, W. C., Life in China (London, Routledge, 1857).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206636,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 184,
        "title": "RAS-1972",
        "content_text": "178\n\nKEITH STEVENS\n\nC. as a fierce, two or six-armed, three-eyed general or two-eyed Taoist priest.\n\nd. as an array of sixty rather characterless seated images, each with a two-character cyclic date on a scroll or tablet (...), or a number between one and sixty painted on the stand or pedestal, or painted over its head. The sixty statues have been seen only in Cantonese and Shanghainese areas though reported on one occasion by Hodous in Foochow. Sometimes all images are identical, sometimes they are a mixture of fierce and gentle, and in one particular Cantonese temple they were beautifully finished. Werner, however, says that the 60 cycle-gods are represented by most grotesque images. (See plate 16).\n\nIn Ningpo in the 1890s the gods of time, gods of the year, months, days and the hours were all represented with long black moustaches. The central one was seated beneath a triple scarlet umbrella, richly embroidered in gold and colours representing the highest emblem of authority. They are also represented in the temple of the Thunder God in the same town. Rev. Henry in Canton saw sixty small images each one to the presiding genius of each year on a minor shrine in the temple of the City God. Some were raised on tiles and some bedecked with gaudy red coats, the gifts of those who had received special favours in their particular years.\n\nC. B. Day says that in Buddhist temples in Chekiang province these are 12 protectors of the Chinese cycle of years. In Suifu, Graham9 saw two images of the 12 rulers of the cyclic year (元甲).\n\nThe Cantonese version of the youth in a. above, is more often than not dressed only in an apron and shoes. The apron is gilt or green, covering the chest and below the waist only, and is secured by a string around the back of the neck and by a girdle around the waist. In several Cantonese temples he is the main deity. The bell he carries has magical properties. Very occasionally he is to be seen with either a sceptre or a silver shoe in his hands; and on still rarer occasions he can be bearded.\n\n7 Henry, Rev. B. C., The Cross and the Dragon (London, Partridge 1883).\n\n8 Day, C. B., Chinese Peasant Cults (Shanghai 1940).\n\n9 Graham, W., \"The temples of Suifu\" in The Chinese Recorder, (vol. LXI, 1930).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206641,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 189,
        "title": "RAS-1972",
        "content_text": "THREE CHINESE DEITIES\n\n183\n\n(E), Pei Chi Sheng Ti (1), the Pen Ming Hsing Chün ($*£*) who is the local earth god, and the provincial city god. All five are connected with the fate of mankind.\n\nIn a Ch'ao Chow temple in Johore Bahru, Tai Sui a youth with a scroll (***) is on the altar of Hung Chün Lao Tsu (#$ *). (Plate 20)\n\nFather Doré says that in one temple outside the South Gate of Jukao, in the Yangtze Valley, Yin Ch'iao (F) is to be seen on the right as you face him, with Marshal Ma () on the left. Both have six arms, stand on clouds, and hold swords, amulets, gourds, bells and banners in their hands. Ma has three eyes and wears a hat, whilst Yin is bare from the waist upward and has his hair in a large upswept tuft on the top of his head. Yin is worshipped here as a member of the Ministry of Thunder.\n\nOther interesting sightings.\n\nIn Lavender Street in Singapore a Cantonese temple has sixty-two T'ai Sui images. About half the images hold scrolls and are, according to the temple keeper, the administrators of the fortune; whereas the others with silken slippers, fans, bells, etc. are those who actually provide the fortune.\n\nOne image of a young man, standing with one slipper on and one bare foot, is to be seen in Bukit Purmei temple in Singapore. He is prayed to for rain, and for good crops. (Plate 21)*\n\nCarver's drawings of Yin Ch'iao\n\nA Fukienese god carver prepared, on request, drawings of many deities. From memory he drew:\n\na. An image of T'ai Sui, seated, robed like a monk, wearing sandals, a band around his hair, and holding an open scroll with Tang Nien T'ai Sui (****).\n\nb. Yin Ch'iao's father, seated astride a large, long-beaked bird, holding a fly whisk in his right hand and a seal in his left hand. He is bearded, with a Taoist top knot and crown. His robes are covered in the Yin and Yang circle pattern.\n\nc. Yin Hung(); a standing young man with a spear in his left hand, and a mirror raised in his right, which is flashing beams towards his enemies.\n\n* Plates 22-24 also relate to representations of T'ai Sui.",
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    {
        "id": 206645,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 193,
        "title": "RAS-1972",
        "content_text": "THREE CHINESE DEITIES\n\nb. Chang Kung Sheng Chün\n張公聖君\n\nC.\n\nd. Kung Sheng Chün\n公聖君\n\nFa Tze Chu\n法子主\n\ne. Fa Tze Wang\n法子王\n\n+\n\nf. Fa Tze Kung\n法子公\n\ng. Sheng Chih\n聖\n\nh. Min Shan Fa Chu\n閩山法主\n\nt. Wu Sheng Kung\n巫聖公\n\n187\n\naltar. Fa Chu Kung is wearing a gilt crown, and robed with red robes. Seen in Seremban and Kuala Lumpur, and in a famous Foo-chow temple in Singapore.\n\nSeen in a Fukien temple in Toa Payoh, Singapore, co-located with Chiu Kung Sheng Hou (II).\n\nA Fukien god carver says that this is the Cantonese name for him. However, this is normally the short title for the Ch'aochow rain deity Feng Yu Sheng Chih (風雨聖者).\n\nIn a Foochow temple in Singapore.\n\nSeen in a Fukien temple in Tampin in Malaya.\n\nOne temple keeper said that he is called Fa Chu Kung in all places in Fukien Province, except for Pu Hsien area where he is known as b. above.\n\nDisciples, attendants and other gods sharing the same altar as Fa Chu Kung\n\nWhen Fa Chu Kung is the main deity, he is to be seen either alone, or with his two brothers, or with his two or four attendants. If he is with a large group of major and minor deities, he is comparatively near to the main deity, often on the immediate left. The most frequent main deity with whom he appears is Hsüan Tien (太上玄天).\n\nFeast and Birthdays\n\nHis feast and birthdays vary with the place, town or city in which his temple is located. In Taiwan the most frequent date is",
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    {
        "id": 207102,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 173,
        "title": "RAS-1974",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n167\n\nmore!\" Seeing that he would persist in his strange philosophy the village elders left him alone.\n\nAnother of his practices was to walk round the market in the evening to where his poorest relations would be hawking fish and pork. When he found any of them had something they couldn't sell he would note down in his pocket-book the price of the thing and ask to have it sent to his house. Quite a lot of food would accumulate in this way so Hei Sui would end up by asking the hawkers themselves to come and dine with him. At the end of the meal he would bring out his note-book and money and insist on paying each hawker for the things he had bought from him. His relations would be much embarrassed and did not like to take his money as besides eating their own produce Hei Sui had given them rice and wine. He would say \"Nothing could be happier than to have so many cousins to dinner every night! If I give a feast I must needs go to the market and buy things, then why should I not buy them from you? If I have guests, why should you not be my guests?\" If his cousins still demurred he would exclaim, \"Alas, I was only able to invite you, and not your families as well. Pray take this money home and buy a feast for them which I ought to have provided myself!\" This sometimes made the more sensitive hawkers very uncomfortable and they would in future avoid Kam T'in and sell their goods in another village.\n\nWhen Hei Sui was fifty-six he died. Two years later a pedlar from Pok Loh (†) district came to Kam T'in one day with a strange story. He said that in his district city a Shing Wong (城隍) (the guardian god of a city wall) temple had been built about two years before and at the opening ceremony of the temple it was found that the characters Tang Lung Man (鄧龍文) had appeared miraculously painted on the bottom corner of the long gown of the idol. Thinking that some mischievous person had put them there, the people tried to rub them off, but the harder they rubbed the clearer the characters showed. Now Tang Lung Man was the \"friendship name\" of Hei Sui, and on asking the date of the opening ceremony his descendants learned that it was on the very day he had died in Kam T'in, so they decided that his spirit must have entered the guardian god of Pok Loh district city. After several years when the time came for his re-burial Hei Sui's heart was found to be quite intact. The people standing round were staring in amazement at this when a strange dog suddenly sprang into the grave and seizing",
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    },
    {
        "id": 207137,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 208,
        "title": "RAS-1974",
        "content_text": "202\n\nNOTES AND QUERIES\n\nmoon) by carpenters and varnishers (the latter generally worship his two wives).\" \n\n[Note the different date on which worship is carried on in Hong Kong. The above is given without the Chinese characters found in the original.]\n\nThe Kwong Yut Tong states that between 1000-1500 persons visit the temple annually on Lo Pan's birthday, drawn mostly from bosses and workers in the construction trades. The God must be considered to be effectual, since deities who perform no miracles soon lose support and patronage.\n\nThe hillside adjoining the temple has recently been cleared of squatter huts, and it is hoped to develop it as a public park,\n\nLady Ho Tung Hall, University of Hong Kong\n\nAccording to the HKU's Jubilee publication The First Fifty Years (HKU Press, 1962) this women's hall of residence was donated by Sir Robert Hotung a few years after the War, to be named after his deceased wife. The foundation stone was laid on 14th August 1950 and the hall opened on 16 March 1951. It provided accommodation for 85 of the 206 woman students then enrolled, and was in addition to two other halls of residence for women administered by religious bodies.\n\n(2) VISIT TO OLD WANCHAI\n\nFRIDAY, 5 APRIL 1974\n\nBackground and Early Development\n\nWanchai is one of the oldest districts of British Hong Kong. Under the name Ha Wan or 'Lower Bay', it was one of the 5 wan, alternatively 'bay' () or 'circuit' (#), a term used in the 1850's and 1860's to describe the residential and commercial areas largely developed by the new Chinese population of the Island. (See The China Review Vol. 1 (1872) p. 333 for an article \"The Districts of Hong Kong and the Name Kwan-Tai-Lo'.)\n\nThe area is described as follows in a list of the city districts, with boundaries, given in the Government gazette in 1857:\n\n'Ha Wan, District No. 5.\n\nFrom Murray Barracks to Observation Point',\n\nFootnote: Those members who visited the Lu Pan temple at Ching Lin Terrace, Kennedy Town, in January may wish to know that there is an article on this subject in Colonel V. R. Burkhardt's Chinese Creeds & Customs, Vol. 2, pp. 117-120. The statement therein that the temple was built in 1928 is misleading: the entrance is dated in 1884-85.",
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    {
        "id": 207311,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 79,
        "title": "RAS-1975",
        "content_text": "NOTES ON CHIUCHOW OPERA (MA)\n\nHELGA WERLE\n\nMs. Helga Werle, whose article on Chiuchow (in Mandarin Chao-chou) puppets appeared in the 1973 Journal, describes two typical plays of the Chiuchow opera, and gives background information about this particular regional theatre of China. Ed.\n\nIn urbanized Hong Kong today one can see a performance of Chiuchow Opera at City Hall or Lee theatre two or three times a year, but the traditional purpose of this opera is the shen-kung hsi—a performance to celebrate the birthday of a deity. Many areas of Hong Kong have their organized Chiuchow communities centred upon the temple of a certain deity.\n\nThe Chiuchows have innumerable deities, often completely different from the Cantonese. Some of those worshipped in Hong Kong with temples erected in their names are:\n\nLi-shan lao-mu\nT'ai-i chen-ren\nLi lao-ch'un 李老君\nCh'i t'in ta-sheng\nSan-shan kuo-wang\nSan t'ai-tze lao-yeh\nMu-ch'a Chin-ch'a and No-ch'a called the three princes \"san t'ai-tze\", the three sons of Li Ching 李靖\nHan Chung-kung\n\nTo ensure the prosperity of each temple community the birthday of its deity must be properly celebrated. The most outstanding members of the community are chosen to form the prestigious festival committee, which has the duty to collect the necessary amount of money (between 50 and 100,000 HK$) to organize a worthy celebration. And what could rejoice a god's heart more than the luxury of a series of opera performances? After the dates are decided with the consent of the deity involved a large space is booked with a Government office (usually a public playground),\n\nPlates 5-12 at rear of the volume illustrate this article.",
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    },
    {
        "id": 207553,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 321,
        "title": "RAS-1975",
        "content_text": "NOTES AND QUERIES \n\n313 \n\nCheung could say nothing against the decision, but as far as the demarcation line was concerned, it is said that he had secretly petitioned the Imperial Government to be very careful in dealing with its (English) counterpart in fixing the Sino-British boundary. It is also believed that the boundary was finalised upon his personal recommendation.* As a matter of fact, the boundary ranged from the eastern part of the Kowloon Walled City (now the eastern side of Kai Tak Airport) to the western waterfront of Shamshuipo. From the physical point of view, the terrain to the south of the boundary is all flat and to the north all mountainous, so in terms of national defence it is absolutely a strategic advantage to hold the mountainous area. The demarcation then follows the present Boundary Street. It was completely beyond the General's anticipation that in later days the whole region of Kowloon was leased to Britain at the 24th year of Kuang Hsü (***) (1898) and the boundary extended from the Boundary Street to Shum Chun (M). [Actually to the Sham Chun river, south of the town]. \n\nGen Cheung once acted as the Commander-in-chief of naval forces in Kwangtung Province, and it was under his care that the Bocco Tigris forts (1) were repaired. Among the relics in connection with General Cheung's administration which still remain nowadays, there is a plaque inside the Hau Wong Temple (1£ §) at Kowloon City. On the plaque there is an inscription of four large Chinese characters which literally mean \"a good administration under your Highness' Protection”.† As quoted from the accompanying inscription, the general said, “As time elapses it has already been 13 years since I was appointed as the Commander at Kowloon in the 4th year of Hsien Feng reign () (1853).\" He also said: \"It is all due to your Highness' grace and instructions that security and peace prevail in the whole domain for which I feel greatly obliged. Now I have already reached the age of 70 so the time is ripe for me to retire from a long term of service.\" Judging from the two quotations above, we realize how humble and modest he was because he attributed all his achievements and merits to His Highness the Marquis Yeung. Apart from \n\n*This may well be so. His name appears as one of the members of the Joint Land Commission of 1862 for settling land titles in Kowloon: see PRO London, CO129/85, annex to Sir H. Robinson's despatch of 30th April 1862. \n\n† The reference is to the god of this famous temple the Marquis Yeung (#1) a loyal minister of Sung",
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    },
    {
        "id": 208334,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 58,
        "title": "RAS-1978",
        "content_text": "42\n\nKEITH STEVENS\n\nIn addition there were scraps of cotton, threads, one or two grains of rice, a tiny sac of cotton cloth stuffed with more cotton and several beads and slivers of mica. There were also two dried sea-horses* in the image dedicated in 1871 though there were no signs of any other remains. The strips of paper are not all that usual and are rarely found in Southern Chinese images. Precis translations of the six strips of paper are included later in this note.\n\nThe papers show that five of the seven images were dedicated and placed on altars in the County of Wu Kang (A) in South East Hunan, one hundred miles due north of Kweilin and three hundred and seventy-five miles NNW of Hong Kong, near the Hunanese boundaries with its neighbouring provinces of Kwangsi and Kweichow. The west and south-west of Hunan were not easily accessible until the 1930's due to the dangerous rapids in the upper reaches of the plentiful rivers. Then a system of highways opened up the area. Prior to that, apart from the occasional traveller, traders and, of course, the petty officials sent to such \"punishment\" posts, all that was known of the area came from tales passed on from mouth to mouth. Wu Kang is in rising country, on the edge of an area marked on old maps as the lands of the Thai minority peoples, the Ko Lao (z) and another larger minority people, the Miao (δ). The other two images come from Chi An prefecture () in Kiangsi province, some two hundred and eighty miles due east of Wu Kang. Chi An, an old walled city and a major centre on the north-flowing Kan Chiang, had closer cultural links with central rather than south China.\n\nThe first image (Plate 2), from Wu Kang and dedicated in 1756, is a household deity to protect the home and family and to bring blessings. The slip of paper relates that Worshipper Fu Shih-hsiang, together with his three sons and others from his family, all of Hsin Wu Chang Village, Yen Shan, Lung Chu district of Wu Kang county in Pao Ching prefecture (now Shao Yang), Hunan, on the 4th day of the 7th moon of the 20th year of Ch'ien Lung (1756), offered sacrifices to the gods at the City God temple in Shih Pei.† He also reported to them in writing that he and his whole family\n\n* Seahorses, found as far inland, would have a rarity value, though they are commonly used by Chinese herbalists & pharmacists.\n\n† Chinese characters are to be found on the illustrations of the slips of paper.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208335,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 59,
        "title": "RAS-1978",
        "content_text": "ALTER IMAGES FROM HUNAN AND KIANGSI\n\n43\n\nhad had made another image of Ti Chu ( ), (the tutelary deity of the home) which he presented for consecration so that it could be efficacious and able to expel all demons and evils, protect his family and bestow the three abundances (blessing, long life and off-spring) on him, his family and all his future generations. The slip also referred in passing to the \"secrets of Lao Tzu”, “the magic of Erh Lang\" \"the five Thunder Magic\" and the \"Lei Kung\"4, as charms, witnesses or aides. The image of Ti Chu was carved and decorated as a bearded and seated elderly man, in robes and wearing a tall, decorated hat. His right hand is holding his robe edge. The original colours have faded, but faintly discernible are the red of the robe and a flash of gilt on the hat.\n\nThe second image (Plate 3), also from Wu Kang county but from a different area, is of an unidentified female, surnamed Jen (£). It was presented at the City God Temple for dedication in 1903 prior to being placed on the family altar. Her decoration, red, blue and white paint, is chipped but still quite bright. She is wearing red robes with a blue and white decorated shoulder cape, and open-winged bird headdress. The slip of paper in the back of this image says that \"worshipper Yin Chang-kung, together with his son, daughter-in-law, sister-in-law, younger brother and four nephews, all of Shuang Chiang Chiao, Shan Men (about sixty kilometers north of Wu Kang), on the 16th day of the 9th moon of the 29th day of Kuang Hsü (4th November 1903) offered sacrifices to the Gods at the City God temple, reporting to them that he had had an image made of a lady surnamed Jen, and presented it to undergo consecration prior to its installation in the family shrine for the perpetual worshipping by and protection of the whole family\". Six other images in the shipment were identical or almost so, to this image, but the cavities in their backs had been emptied before they arrived in Hong Kong.\n\nThe third image (Plate 4) from Wu Kang county, again from Shan Men, was dedicated in 1871 at the City God temple. This one is identified as Duke Wei, (±), protector of the family of the person who commissioned the carving, Yin Tso-fan, and of their domestic animals and poultry. The slip of paper calling itself a \"Viscera and Stomach Document\" () relates that devotee Yin (#) together with his wife, five sons, grandson and others, on the 25th day of the 4th moon, of the 10th year of Tung Ch'ih (June",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208336,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 60,
        "title": "RAS-1978",
        "content_text": "44 \n\nKEITH STEVENS \n\n1871) offered sacrifices at the City God temple and reported, in writing, that he and the whole family with gratitude had made an image of the Duke Wei which he presented to undergo the rite of consecration, so that it would protect all members of his family and all his domestic animals and poultry. The image is of a seated soldier, dressed in armour and military cap, his right hand is clenched and rests on his right knee. His left hand, the first and fifth fingers only, pointing vertically, is held at waist height in a magical sign. Wei had a gilded face, traces of which can still be seen, five tufts of black beard, the stubble only remaining and gilt armour covered by a red and blue robe again only traces of which are still visible. This image was blackest and greasiest of all and is quite surprisingly handsome now that the film of filth has been removed. Wei could possibly be Yu-ch'ih Ching-te (*), the Door Guardian who according to Mathews' dictionary is well-known as one of the two door guardians on temples and is “depicted with a black face and the fingers of one hand twisted up\". The image, dressed in loose robes over armour and chain mail, has a gilded face but otherwise, has his fingers twisted up. In reality Yu-ch’ih was a general who served the T'ang Emperor T'ai Tsung in his wars against rebels and died in 659 A.D. \n\nThe fourth image (Plate 5), also from Shan Men district, Wu Kang county in Hunan and dedicated in 1938 is of the bodhisattva Kuan Yin. The image, easily identifiable as such by her five-leafed bodhisattva crown, beads and vase, is seated cross-legged on a lotus, and dressed in gilded robes, The slip of paper in Kuan Yin's back relates that Petitioner and worshipper Mrs. Yin Wu-chi together with her five sons, four daughters-in-law, and one grandchild, on the 21st of the 6th moon of the 27th year of the Chinese Republic (18th July 1938) offered sacrifices to the Earth God at the City God temple in Lao Chai, presented and installed a new image of Kuan Yin. This has been done, the slip said, so that this Buddhist deity can be resorted to in her natural form and can kindly bestow good luck and eternal protection and prosperity on the Yin family and its future generations. In words of glowing praise, the petitioner described the heart, the liver, the lungs, the kidneys, the soul, the gall, the eyes, teeth, the bones, the bowels and the spirit of Kuan Yin, as 'the liver of a green dragon', 'lungs of a white tiger', ‘kidneys \n\nPage 60\n\nPage 61",
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    {
        "id": 208338,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 62,
        "title": "RAS-1978",
        "content_text": "46\n\nKEITII STEVENS\n\nMu. The whole is best known as a Taoist Heaven (*). The temple at its peak bears the title of Fan Ch'ih Kung (£) \"The Palace of the Essence of Brahma\". The slip of paper in Tou Mu's back relates that Huang Wen-yuan, a sincere believer, born on the 27th day, 11th moon of the Year i wei (about December, 1835), residing south of Lu Ling City, Chi An Prefecture, Kiangsi Province, together with the whole of his family, on a lucky day of the 9th moon, of the Year keng wu during the Tung Ch'ih reign (about October, 1870), prayed before Tou Mu stating, \"I respectfully implore Most Reverend Tou Mu, a heavenly Goddess of Sacred Virtue, having the immense brilliance of T'ien Hou, generosity, the magic powers of suppressing demons and spirits, and the ability to produce amulets and prescriptions for saving people with serious afflictions, to effectively respond to my earnest prayers and wishes, and wield her supernatural powers to protect all the members of my family and to increase not only the number of children but also all kinds of happiness and prosperity\".\n\nOf the score or so images, only three deities are categorically identifiable, Kuan Ti, Kuan Yin, and Chao Kung-ming, the deities of loyalty, mercy and wealth respectively. Two of the images seem to be local Earth Gods (+) (Plate 8). They are of a style very commonly seen but with what are probably provincial characteristics. They are seated old men, clutching a fly whisk by the end of its handle allowing the handle itself to rest along the forearm and the whiskers to hang from about the elbow. They have a \"shoe\" of gold in their left hand, long white beards, white eyebrows and white hair under a green floppy form of skull cap with their hair drawn up into a bun through a hole in the top of it. They are wearing long robes bound by a red belt tied in a bow at the front, and black shoes. A female carved in the same pose, holding a fly whisk in the same manner, and dressed in a floral robe but without the “shoe\" of gold, has unbound feet, and hair, without a cap, drawn into two short pigtails. She may perhaps, be the consort of the Earth God.\n\nA final image, unidentified, has a spectacular face (Plate 9). He is an unidentified monk, seated cross-legged on a bench and with the ends of his robes hanging beneath him concealing the bench. He holds a fly whisk in his right hand in the same manner as the Earth God and in his left hand he holds a rosary. He has the face of an elderly man but with the characteristics more frequently",
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    },
    {
        "id": 208340,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 64,
        "title": "RAS-1978",
        "content_text": "48\n\nKEITH STEVENS\n\ndecorated with a large dragon across her bosom, and the \"bird\" hat with its representation of a small bird, wings outstretched, lying on top. She holds a raised fly switch in her right hand and her girdle is grasped in her left hand (the latter pose is usually reserved for male images). She is seated on a dragon throne.\n\nPerhaps readers can offer their views on the use of impersonal images on family altars and further examples of the practice in other parts of China?*\n\nNOTES\n\n1 Lao Tzu—the philosopher generally believed to have founded Taoist philosophy.\n\n2 Erh Lang (#) often identified with Yang Chien (##) the nephew of the Jade Emperor, the supreme Taoist deity.\n\n3 The Five Thunder Magic () is used in Taoist folk religion as the ultimate threat; a magic of destruction brought about by Taoists against those who broke the rules or opposed the Taoists.\n\n4 Lei Kung (2) the God of Thunder.\n\n5 usually read Wei, is read Yu in this surname.\n\n6 The image of Kuan Ti, the God of Loyalty and one of the most popular of deities throughout China also contained a slip which noted that it had been dedicated in the autumn of 1789 in the same area in Wo Kang as the images in illustration 2 and 4. The slip tells us that Devotee Pan Mu-shih, together with his wife, two sons and two daughters-in-law offered sacrifices to the deities in the City God shrine in the local temple, reporting that he and his whole family had had the image of Kuan Ti carved by a scholar. This they respectfully presented to have its eyes opened before the Gods so that it would be able to rid their dwelling of evil spirits and bring them blessings. The latter part of the text on the slip says that, \"Your Honour Kuan Ti is the cleverest, most faithful and righteous in the world both past and present. You are a true spirit, a wonderful inspiration and have the ability to suppress demons. To show you our sincere respect we shall now dress you up, worship you every morning and evening with incense and further, offer you Spring and Autumn sacrifices each year....\n\n7 The provenance of three further images in the shipment, in better condition, is unclear though possibly they came from one of the areas in Hunan or Kiangsi from which the others originated. Of these three, two are versions of Yao Wang (1) the King of Doctors, who is easily recognisable by his tiger and dragon, one below and the other above him, and the small red pearl he holds aloft between his fingers. The third image is Yao Wang's aide, a middle-aged man standing carrying a herbalist's case slung over his shoulder and a furled umbrella in his hand.\n\n* Mr. Stevens has made a further discovery in the matter of ancestral images: see the Notes and Queries section at p. 206.",
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    {
        "id": 208486,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 210,
        "title": "RAS-1978",
        "content_text": "194 \n\nNOTES AND QUERIES \n\nare in rural areas. The major Sheng Gong cult temple in Taiwan is in Taiwan City, from which place his portable image is taken by sedan chair to other cult temples in the vicinity to renew the efficacy of the images there. Evidence of the presence of his cult has been seen, too, by the writer in Sarawak, Brunei and Indonesia, in Thailand, Vietnam and Cambodia.\n\nSheng Gong is a comparatively little used short form for the local Fujian cult of Guang Ze Zun Wang (廣澤尊王) whose full personal name was Guo Zhong-fu (郭忠福) and who is equally well known as Guo Sheng Wang Gong (郭聖王公); hence the \"Sheng Gong.\" He has some half a dozen other titles but all with a very limited local use, apart from Bao An Zun Wang (保安尊王). This is occasionally included in the title of his temple (*\n\nas compared with the more popular title of the Phoenix Mountain Temple (鳳山寺). He should not be confused with another and entirely different Fujian local cult deity, Hui Ze Zun Wang(惠澤尊王)\n\nThe Saintly Guo's image is not difficult to recognise as it has certain characteristics which, whilst not individually unique, together identify him at a glance. He has a youthful, clean-shaven face; is seated dressed in robes over armour with his right foot raised parallel to the ground, pointing towards his left leg at knee height. His face is a dark red and he has protruding round eyes.\n\nThere are two images of the Saintly Guo in the one temple in North Point, Hong Kong. One is the main, large image swathed in embroidered robes donated by devotees, and the other is a small wooden carving on the main altar before and between Guo and his consort. Neither were easy to photograph, and therefore I have gone through some old photographs, the best of which is to be seen at illustration at the back of this volume.* In this photograph Guo is the main deity on the altar of a temple in Seremban, West Malaysia, flanked by two other images of another Fujian local cult, Fa Zhu Gong (法主公). Guo is prayed to for the usual blessings though in certain temples he is specifically looked upon as a healer of the sick, a protector of children and as a wealth god for businessmen. He is also the patron of those who bear the same surname as himself.\n\n* Plate 22.\n\nPage 210\n\nPage 211",
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    {
        "id": 208720,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1979",
        "page_number": 177,
        "title": "RAS-1979",
        "content_text": "150\n\nJULIAN F. PAS\n\nficant scale (17th century) till the period of Japanese control (1895-1945), one can see three successive waves of temple-building, each characterized by its own cult-symbols or deities. This phenomenon is in fact a manifestation of the relationships between the groups of settlers: competition between various groups of immigrants is reflected in the competition of their gods.\n\nDuring the first period of temple-building, the choice of universalistic gods, worshipped by various groups of settlers, points to a spirit of cooperation between them. This was a time of external pressures necessitating cooperation in order to face common threats. Examples given are the Matsu temple in Kuantu (1661), the Shennung temple near Feit'ou (1669) and the Kuan-yin temple whose location is not identified (1660-70).\n\nDuring the second period of temple building, there was a shift in cult-symbols: the choice of more particularistic deities goes hand in hand with strife and competition, or even hostility between groups of settlers of different geographical origins. Examples of such gods with a narrower appeal are K'ai-chang sheng-wang, Ch'ing-shui tsu-shih, Ting-kuang Fo, and the so-called Wang-yeh gods.\n\nThe third period of temple-development was occasioned by new political changes in Taiwan: the threat of foreign invasion (Sino-French war in 1885), and the Japanese occupation (1895-1945). A new consciousness unites the Taiwan population against these foreign threats. While some of the old universalistic gods regain popularity, new cult-symbols arise, such as the Taipei city god cult, \"emerging as the center of a consciousness that transcends particularistic interests\" (p. 40). During the Japanese occupation, great changes take place in the pattern of religious activity. Cut off from its roots on the Chinese mainland, and pressured by the Japanese rulers to undergo a process of acculturation, Taiwan religion follows a development of its own. Local cults and practices are often discouraged (e.g., second burial, spirit medium cults) and Buddhism enjoys a privileged position. Out of twelve temples built in the Peit'ou-Tamsui area during 1895-1945, ten are Buddhist.\n\n(Perhaps the author should have added a fourth period of religious activity: after 1945. The picture has been changing considerably and still is nowadays, especially since the author's research took place about ten years ago. Religious freedom has been restored: but moreover, the influx of a new wave of mainland im-",
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        "id": 208729,
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        "series_slug": "histsyn-rashkb-journal-engine",
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        "document_key": "RAS-1979",
        "page_number": 186,
        "title": "RAS-1979",
        "content_text": "CHINESE RELIGION REDISCUSSED\n\n159\n\ngroup or individual, enshrining distinctly Taoist deities for worship and aiming at promoting the cultivation and practice of a Taoist way of life. Such temples are perhaps rarely found in Taiwan, but if any of the criteria is not realized, the designation of such a temple as Taoist is incorrect and confusing. Therefore the great majority of temples in Taiwan do not fall under any of the above three categories and are to be considered as temples of the popular religion (group 4). Here again several sub-categories can be distinguished.\n\nFourth, the temples of the popular religion consist of several types. The most important and visible type is the formal community temple, established and controlled by the community or its representatives. Since the deities of some temples have proven special efficacy, they will attract worshippers from across the geographic boundaries of their own communities: one could consider them as temples of regional or even provincial (in China: national) communities. On the other hand, within a particular community (of a town or city) one frequently sees smaller social groups like hamlets or even neighborhoods with enough cohesion and economic power to build their own neighbourhood shrines or temples: one may call them neighbourhood temples: they are similar to the large community temples in origin and administration and are essentially public temples, although very often small and humble structures. In this group fall the majority of Earth-god shrines, and similar shrines built to house the bones of orphan spirits, or built to house the spirits of strange phenomena, like stones and rocks. Not all of them are public or community shrines: in many cases they are erected by individuals or individual families, which makes them private rather than community temples. Here the distinction is not always clear.\n\nThe second type of temples that I consider as belonging to the popular religion are the ancestral halls, built and controlled by clans. They are private or semi-private according to each case. They even in rare cases develop into community temples.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
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    },
    {
        "id": 208732,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 189,
        "title": "RAS-1979",
        "content_text": "162\n\nJULIAN F. PAS\n\nare, of course, an enormous number of deities mentioned and described in Taoist ritual texts, of whom the common people do not even know the names. They belong to the esoteric tradition of Taoism and are only known to Taoist priests. But besides those, the majority of deities worshipped in the temples belong to the popular religion, although many border cases may exist of mutual absorption between the three traditional religions and the popular religion. Some of the most ‘popular' deities of Taiwan religion belong to the popular or community religion: examples are Matsu, Kuanti, the earth god(s), the Wang-Yeh gods, the city god(s), Prince Nat'o or T'ai-tzu, Pao-sheng ta-ti and even the so-called supreme god of Taoism, Yü-huang Ta-ti. A number of originally Taoist or Buddhist deities have been absorbed into the folk religion and have become part of it: Kuan-yin and Ti-tsang wang for the Buddhist side; the kitchen god, Yü-huang (Jade Emperor), the 8 Immortals for the Taoist side.\n\nAccording to the third criterium mentioned above, ownership of a temple, several categories exist greatly coinciding with the division based on the other two criteria. Temples may be government-owned (Confucian temples); owned by the local community on the neighborhood or town levels (these are the community temples); or privately owned, either by individuals, families, sectarian groups or monastic institutions.\n\nFinal sub-section of Chapter Three. After this long digression, I had better return to my book review. In this last part of Chapter Three the author discusses the 'genesis of temples'. Although strictly speaking there is a difference between temple and cult, between temple and deity worshipped in it, still the two should be discussed together. In fact there is a special chapter on the Genesis of Gods. However, since the author prefers to discuss the genesis of temples separately, we had better follow him. He distinguishes several ways of temple development:\n\n(A) by process of fen-shen or \"splitting bodies\" (p. 125). The reason of the spread and construction of new temples is the god's efficacy.\n\n(ii) by process of proselytization or a conscious effort on the part of the believers to spread the cult. This applies to Buddhist temples (and Christian churches).\n\n(iii) by transformation of a private home or temple into a community temple.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
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    },
    {
        "id": 208744,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 201,
        "title": "RAS-1979",
        "content_text": "174\n\nJULIAN F. PAS\n\n44\n\nAnother incorrectness is found on p. 273:\n\n... at the level of the town, the cult of the local people and the cult of the Confucian officialdom merged imperceptibly into one and the same figure that of the City God.\" This is a quite questionable statement: in many towns the City God temple is not the main deity of the community at all: Matsu is an example, Kuan-yin another one. I admit that officialdom made great efforts to positively control the community cults and promoted the City God temples, but I'd rather like to see examples of townships where his cult has become the main focus of worship. Moreover, City Gods do not seem to have arisen from so-called \"hungry ghosts\" but are rather deified men of great merit. The genesis of these gods does not fit in with the author's theory of deity formation.\n\nIn the latter part of Chapter 7, the author discusses cult leadership. There are several forms or patterns (i) the rotating pattern: all the heads of households in turn become \"stove-master\". (I'd prefer to call him 'incense-master', since in the Chinese term lu-chu the word lu means 'stove' in some contexts, but here it means incensor or incense container); (ii) election by divination (casting the divining blocks), usually for a limited term; (iii) appointment of a committee and chairman and often of a temple manager. Here the author is not clear as to how the appointments are made. If committees appoint chairmen and managers, by whom are the committees appointed? Very often larger temples elect wealthy local businessmen or politicians to their committee, and even in smaller temples local leaders often serve on the temple committee. Wealthy and influential personalities are hoped to guarantee the good luck of a temple in more than one way.\n\nIt is now time to recapitulate the main themes of the whole book: to point out its merits and its shortcomings. First of all, the book starts off with some kind of ambiguity concerning what the author's real objective is. On p. 1 he announces his intention as \"to develop a new analytical model to account for certain features of belief and behavior in Taiwanese temple cults, and to provide a classificatory framework for temple types in urban Taiwan\"; in particular he wishes to examine certain aspects of \"community religion\". What those \"certain aspects\" entail is not clear, but an indication is given when author says that his \"major goal is to classify temples”, (p. 4). On the other hand, he also seems to aim at revealing \"the systematic nature of the folk beliefs\" (p. 4), which",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
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    },
    {
        "id": 208753,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 210,
        "title": "RAS-1979",
        "content_text": "In cases of chain-misfortune, the family will consult a medium who evokes the spirits of their deceased ancestors until settlements of complaints result in a more peaceful existence.\n\nThe duty of filial piety and related family virtues are still strongly emphasized in education and traditionally derive from Confucianism. They have, however, become part and parcel of the Chinese tradition as a whole and of the family religion in particular. Although in Taiwan families tend to be more often than not nuclear, the duty of filial behaviour is taken seriously. Several temples have used modern techniques to instill and propagate traditional virtues by putting the 24 stories of heroic filial piety on animated puppet shows (e.g., Changhua, Hsinchu).\n\n(ii) The Community: for the majority of the rural population and to a large extent of the city dwellers, religious life centers around (home and) the community temples. Traditionally, each neighborhood, hamlet, or village has its own temple, and this temple is the focal point of the whole group, around which social life is organized. Although some details discussed here also apply to Buddhist and Taoist temples, the average community temple is quite distinct from both of them. Most community temples in Taiwan are neither Buddhist nor Taoist: the gods enshrined and worshipped are of popular creation or of popular choice; they are non-denominational and are community \"property\". Only in a few cases can it be said that the gods derive from one or the other of the voluntary religions: more often, the secondary gods are of Taoist or Buddhist origin. Examples are Kuan-yin: rarely a primary deity, and formed more often of secondary importance in Matsu temples. Ti-tsang-wang is another case. He is the Chinese adaptation of the bodhisattva Ksitigarbha of Buddhism; although few temples enshrine him as their principal deity, he seems to be ubiquitous all over Taiwan as a deity on one of the main side-altars. On the Taoist side, Lü Tung-pin can be mentioned as a secondary deity, whereas Hsüan-t'ien Shang-ti is an example of a well-spread cult of a primary Taoist god. But in the majority of the cases, the most frequently worshipped deities are of purely popular origin: Matsu, Kuan Ti, the gods of pestilence, Pao-sheng Ta-ti, T'ai-tzu yüan-shuai, etc.15\n\nWhat determines the community and folk-religious character of these temples even more is their actual origin: these temples are\n\nPage 210\n\nPage 211",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
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    {
        "id": 208868,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 30,
        "title": "RAS-1980",
        "content_text": "KEITH G. STEVENS\n\nTemples and monasteries can be classified as follows:--\n\na. By religious belief-Buddhist, Daoist, Confucian and traditional folk religion,5\n\nb. By the contents of the altars - deities, ancestral tablets or charms.\n\nc. By their typological features such as the size and shape of their plans (square or rectangular); by their elevation into floors; by divisions and sub-divisions; whether free-standing or not; and whether the courtyard is enclosed or in front of the main building.\n\nd. Whether residential or non-residential.\n\ne. Whether permanent or temporary.\n\nf. By ethnic grouping (regional traditional types),6\n\nWithin Hong Kong and Macau, there are about four hundred and fifty Buddhist, Daoist, and folk religion temples, Buddhist and Daoist monasteries and nunneries, and ancestral temples. A few pre-date the advent of the British and Portuguese whilst the majority, built since 1840, have been established as specialised temples with a specific deity on their altars well known for a unique function such as destroying demons, protecting seafarers, foretelling the future, protecting mothers during childbirth and children during childhood, and the like.\n\nIt is unfortunate, out of interest in such historic places, that neither Hong Kong nor Macau have the large national temple or temples at which the official state religion was worshipped. This is due to the fact that before the arrival of the British and Portuguese, neither territory contained a county town and were primitive rural areas. Nor are there in Hong Kong or Macau the large City God temples which in Imperial China were to be found in all provincial and county capitals.\n\nWhereas the Chinese government in 1928 closed many temples throughout China during their campaign to suppress superstition,* the practices condemned by the Chinese authorities continued in Hong Kong and Macau where British and Portuguese administrators treated native susceptibilities with great caution. Hong Kong and Macau temples therefore, retained deities and practices which have probably long since disappeared on the Chinese mainland.\n\n* described in some detail by C. B. Day in his Chinese Peasant Cults (Nanking Theological Seminary English Publications, 1938), pp. 190-195.\n\nPage 30\n\nPage 31",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
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    },
    {
        "id": 208871,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 33,
        "title": "RAS-1980",
        "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\nfortune slips and interpret the fortune slips.\n\n5\n\nth\n\nCompetition between Buddhists and Daoists for the support of devotees led to grander and bigger temples. Small village shrines and temples, not in the same league, did not need to compete. Competition for devotees also led to the present circumstances in which rural shrines and temples are comparatively small and unkempt whereas their urban equivalents, though not much larger, have had to be made more attractive, usually by offering unique deities and services in order to wean devotees to their particular altars.\n\nIn Hong Kong and Macau there are a number of temples patronised primarily by people of a particular class, sub-ethnic group or occupational calling. Devotees tend to patronise their local temple irrespective of who the deities are, though they may be attracted to a more distant temple by a particular deity famous for his specialised power and efficacy. The latter might be a god whose cult is long standing and whose characteristics are unique and pertinent to the devotee's requirements. He might however be a new star, rising suddenly amid great publicity, only to wane again but not necessarily to disappear completely.\n\nLocation of temples\n\nPrior to the anti-superstition campaign in China in 1928, traditional temples were scattered across China in their tens of thousands. Not quite so abundant in Hong Kong, they are to be found squeezed in among high-rise buildings in the city and among houses in villages, and may be free-standing or joined to other structures. But apart from monasteries, rarely does one appear beyond the village bounds and when it does it is usually derelict or almost so. Buddhist, Daoist and popular religion temples do not usually materialize as full-blown two-court buildings with numerous images, large and small. Their development has been a natural progression from the small shrine on a hillside, probably beneath the overhang of or attached to a living rock, at the base of a large old tree, or in many cases inshore from a sandy beach of a bay with an easy landing for boat people. If the shrine is well attended, the protective construction around the small shrine will grow as years pass, until eventually it reaches the maximum size that devotees can afford to build and maintain.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 208883,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 45,
        "title": "RAS-1980",
        "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n17\n\nThe even larger Guan Yin temple, facing south west on the reverse of the same hill, has a similar layout, though in this complex the side halls are separated from the main hall by unroofed passageways.\n\nA third large temple, but not of traditional architectural style, the Lin Dai Temple off the Estrada do Repouso, has two separate secondary halls to the west but only one to the east. Each of the two western secondary halls are sub-divided into two altar halls, one to the front and one to the rear, making a total of seven separate altar halls.\n\nThe nearest equivalent in Hong Kong to the two largest traditional temples in Macau, are the traditional temples in Hollywood Road in Central Victoria, Temple Street in Yaumati and Stone Nullah Lane in Wanchai. Nowadays the traditional temple in Yaumati (Illustration 9) is in practice four individual temples under the management of the Tung Wah Hospital Group. Originally it was a single temple consisting of a large main hall with two side halls on either side, each hall separated from the next by an uncovered passageway. For at least thirty years, however, the complex has consisted of the main major temple, with the two secondary halls to the north being divorced from it and becoming individual temples with their own keepers, controlling committees and cults. The two secondary halls to the south have again been divorced from the main hall. One is an individual temple with its own cult etc and the other is a clinic and dispensary. The main cults in the four temples from north to south are Guan Yin, the City God, Tian Hou and again Guan Yin, though in addition the major deities worshipped in the second and fourth temples are the Ten Judges of the Underworld and She Ji (**) the Spirit of the Harvest and Crops. The carved titles of the main deities over the four temples' entrances, are interesting. The first is Fu De (**), the Earth God (and not Guan Yin as one would expect), the second has the title of the City God Temple above its entrance, the third has Tian Hou and the fourth has She Tan (***) (again not Guan Yin as one would expect). The last entrance, the clinic, has the characters for the Library over it.20\n\nThe traditional temple in Stone Nullah Lane in Wanchai is comparatively larger than other similar temples in the colony and is made up of four individual halls. The main hall, roughly 40 feet wide by 55 feet long, has three side-altars on each side of the\n\nPage 45\n\nPage 46",
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    },
    {
        "id": 208897,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 59,
        "title": "RAS-1980",
        "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n31\n\nrural areas, and the very ancient agrarian cult, the God of the Harvest, Soil and Grain, She Ji(4) whose shrines are found usually at the edge of villages and, like those of the Earth God, are too numerous to count.\n\nThe only general conclusion to be drawn from all this suggests that the vitality of the cults of deities has in general declined, whereas a limited number, in squatter resettlement areas, continue to thrive by acting as a focus for the minority Chaozhou, Hakka and Minnan immigrants.\n\nNOTES AND REFERENCES\n\nThis is Hong Kong: Temples. By Joyce Savidge, Hong Kong Government Printer, 1977.\n\n2 Dong Fong Ri Bao.\n\n* In this article the English word \"temple\" is used to include uniquely Buddhist and uniquely Daoist temples and monasteries; popular or folk religion temples (which may or may not contain Buddhist and Daoist deities); community temples (both private and public), and ancestral or clan temples. A shrine is an open-fronted room or box-like construction, either at the wayside, under a tree, outside a temple or monastery or hanging on a wall. Outside permanent shrines are referred to in Hong Kong as \"Exposed temples\" (露天廟). They are by definition unmanned.\n\nA \"community temple\" is one built by funds raised within a limited community and administered by a committee, either of a city, village or suburb, or of an ethnic group of expatriates. Private temples are built by private bodies such as:\n\n(a) A family or clan.\n\n(b) An individual monk or nun who raises funds by subscription and who leaves the temple to an acolyte at his or her death.\n\n(c) A trade or profession.\n\nPrivate temples, despite being private and closed to outsiders, are also usually controlled by a committee. A few private temples continue to remain so but gradually most become public, particularly as the number of devotees and images of deities within the temple increase. Some Buddhist temples, privately owned with the affairs and finances in the hands of the owners, are usually also the home of the owners and the ancestral tablets of the owner's family appear on the altars with or beside the deities. Privately owned is not the same as being open or closed to the public. Some indeed may be closed, but the majority are open to the public.\n\nOnly very occasionally are icons or images of deities to be found in clan temples, whereas ancestral tablets are frequently to be seen in community temples. Advantage is taken in the latter of the duties performed by the temple keeper (which clan temples do not have) which",
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    },
    {
        "id": 210068,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1984",
        "page_number": 39,
        "title": "RAS-1984",
        "content_text": "18\n\nJULIAN PAS\n\ndoes not play any role in the actual consultation; only 49 stalks are thus used. Although two sets of 49 oracles are found in the Taotsang, none has so far been spotted in actual use in Taiwan or other places.\n\nA Sample Study in Taichung, Central Taiwan\n\nMy own research and collecting of samples in Taiwan started in 1977-78 and was continued in 1980. Each time when I visited a temple, I tried to obtain a few sample sheets of the oracles either hanging on a side-wall in the temple, or stacked away in specially built wooden cabinets with small drawers for each oracle. Whenever I came across a new variety, I asked the temple superintendent's permission to collect sample sheets of the whole series. I did not always receive a friendly welcome, but in most cases, the response was excellent, especially when I explained that I was studying and trying to understand all aspects of Chinese folk religion. A donation to the temple made all wrinkles of doubt disappear. In the autumn of 1978, I discovered W. Banck's publication, which increased my interest in this area but left quite a few questions unanswered. I hope he will soon complete his second volume. In the meantime, I decided to examine the relative frequency of each type of oracle sets and to test the possibility that the proper character or affiliation of a temple also indicates the type of oracles that can be found there. After collecting about 340 samples throughout Taiwan, I came to certain basic conclusions: the set of 100 oracles, called the Kuan Ti series (Banck #2), is always found in temples dedicated to Kuan Ti (obviously) but is also usually adopted in city god temples, and often but not always in temples in honour of Hsuan-t'ien Shang-Ti, Yu-huang Ta-ti, and even Sakyamuni Buddha. In other words, this oracle is almost never found in the temples honouring the common folk deities (there are a few exceptions). It is certainly not the most frequently found oracle, as will be pointed out below. By far, the most popular series is the 60 slips Matsu oracle (Banck #1).\n\nThen I decided to take the city of Taichung as a sample case. It is located in central Taiwan and has a fast-growing population, being already over 600,000 inhabitants. The newly built harbour will continue to influence the city's growth for many years to come.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    {
        "id": 210071,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 42,
        "title": "RAS-1984",
        "content_text": "21\n\nTable 1: Registered Temples in Taichung City\n\n(112 temples with 115 oracles)\n\n  \n    \n    B-1\n    B-2\n    B-6\n    B-9\n    Not Avail.\n    Other\n    Total\n  \n  \n    (Confucian)\n    \n    \n    \n    \n    1\n    \n    1\n  \n  \n    Taoist\n    43\n    15\n    \n    11\n    \n    \n    69\n  \n  \n    Buddhist\n    14\n    6\n    6\n    \n    18\n    \n    44\n  \n  \n    \n    57\n    21\n    6\n    11\n    19\n    1\n    115\n  \n\noccasionally the temple management was unwilling to oblige. The other \"not available\" temples are the ones where no oracles are being used: six are of Buddhist affiliation; two are folk religion temples, but closely related to the state cult, and therefore, as in the case of the Confucius temple, no oracles are used; one is an earth-spirit shrine, (T’u-ti-kung miao) not using any oracles; in ten Buddhist temples no oracle samples could be obtained, because the personnel were unwilling to give them out; two other temples were not visited: one was a Buddhist monastery; the other, an earth-spirit shrine which do not always carry oracles.\n\nFinally two temples presumably have B-2 oracles, but are not included in the results. Five temples, one Buddhist and four Taoist, had been moved to other locations, mostly because of urbanization but sometimes because a larger building was needed and the original site was not spacious enough.\n\nThe above Table 1 clearly indicates that the temples in Taichung show very little diversity: among the 85 temples where oracles were found, 67% use the B-1 type (“Matsu\" oracle); 24.7% use the B-2 type (\"Kuan Ti\" oracle), while only 7%, all of Buddhist affiliation, use the B-6 type (\"Kuan Yin\" oracle). The only other type is unique in the city: the B-9 type. It is a variety of oracles found in temples dedicated to the legendary deified doctor, Pao-sheng Ta-ti; other varieties of this god's oracles were spotted out-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    },
    {
        "id": 210082,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1984",
        "page_number": 53,
        "title": "RAS-1984",
        "content_text": "32\n\nJULIAN PAS\n\ned as a particular method of prayer and if the right belief in God's guidance is maintained, we could have a new and popular way of Christian prayer, adjusted to the need of many Christians.\n\nOne final concern about the validity of I Ching and temple oracles has to be expressed: it is assumed and often clearly stated that the 64 hexagrams of the I Ching summarize and symbolize all human situations and contain advice for all possible conflicts. If that is correct, it also follows that the temple oracles do likewise. In other words, the value of all these oracles depends largely on their completeness with regard to human life. A city map which leaves out important roads or central buildings would not be very useful. So the question arises: do these oracles actually fulfill this condition? So far as I am aware, no one has ever checked and questioned the I Ching in this regard. But in the case of the temple oracles, it seems that in modern times which create new situations and therefore result in new decision making problems, the oracles may need to be complemented. One example will illustrate this: when a devotee questions the oracle about marriage, it refers to customs of traditional China, where matches were made by the families, not by the individuals concerned. This has now changed. Furthermore, the question about marriage, as expressed in the temple oracles, always assumes that a marriage has not yet taken place: the question is whether it will be advisable to proceed; whether it will work out all right. There is an implicit assumption that marriages will last. If a conflict arises 5 or 10 years later, and husband and wife doubt whether they should stay together or not, there is no answer to be found in the oracles. This is a case where the oracles need adjustment in order to keep serving a truly advisory purpose for the benefit of the believers today.",
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    },
    {
        "id": 210297,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 268,
        "title": "RAS-1984",
        "content_text": "37. Ten Zo:\n\na. Nu Rai Fo Chu\n\nb. 6 paths and 4 species Kit\n\nc. The Heaven Honorific of origin 元始天線\n\nd. Dragon kings of the 4 seas 14.\n\ne. Male and female orphan spirits 男女孤魂\n\nf. The great Jade Emperor LAWS\n\n38. the City God WP!\n\n39. The Earthgod\n\n40. Chi-zo k\n\n41. T'ien Hau APE\n\n42-43. Generals Han and Ha\n\n44-45. T'ien Hau\n\n46. Kwan T'I IPEXY\n\n47-48. Kwan Ping and Chau Chan PPT-MAT\n\n49. Kwan T'I MÝ\n\n50-51. Kwan Yin (Kannon) 19:*\n\n52-54. The Earthgod sitt laY\n\n55-57. Tzi Nan Kung W E\n\n58. The Lord of the Heaven A^ L\n\n6 paper-made tablets were hung on a paper-made 5 colours lantern.\n\nIt was a Japanese term (see Soo, 1981: 59-60). Most of the informants\n\n247\n\ndid not know what it was and no one talked about it, and no offering was made to it, either.\n\nH Decoration, except the roof, was the same as the Ming-che.\n\nH\n\nRJapanese Earthgod\nRT'ien Hau's Guardmen,\nRThe substitutes of T'ien Hau.\nRThe main God of the Temple.\nRThe guardmen of Kwan T'i.\nRSubstitute of Kwan T'i\nRThe Goddess of Mercy and her substitute.\nRThe god and his substitutes.\nQThe name was a Temple's name. The god of the temple was Lu Tzu ( ) 56 and 57 were his substitutes.\n\nIn addition there was 4 paper-made messenger-and-horses (f†). One of them was burnt after every 'Reporting' ritual and the 'Thanking' ritual of the last day.\n\nNotes:\n\nQ = Incense bowl(s) and offerings only\n\nR = Porcelain Statue\n\nT = paper-tablet\n\nH = paper-made house\n\nF = paper-made figure\n\nP = painting\n\nL = paper-made lantern",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 210998,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 60,
        "title": "RAS-1987",
        "content_text": "35 \n\npirates carried out a vicious attack on the s.s. Namoa. Some suspects were arrested in Hong Kong and two of them were committed for trial, but they were released for lack of evidence. Those arrested in Kowloon were less fortunate, for they were convicted and beheaded on the beach in front of the City, with British officials invited to witness the execution.\" The Chinese were of course also interested in keeping Chinese waters free of pirates and joint efforts were made to this end.\n\n18 \n\nOfficials at Kowloon performed more than their strictly official duties. Numerous temple inscriptions testify to their active involvement with the community activities of the territory, on both sides of the border.\" The stone tablet over the entrance of the Pei-ti Temple at Wanchai, with the temple's name inscribed in Chang Yu-t'ang's calligraphy is particularly significant.\n\n29 \n\n30 \n\nThe Chinese community in British Hong Kong were obviously very aware of the Chinese official presence across the harbour. Sometimes they looked to it for protection. For instance in 1886 when it was rumoured that 500 children would be required to consecrate the Tytam Water Works, children were sent to Kowloon City for protection, to the extent that hardly any child was to be seen anywhere for two days.\"\n\n31 \n\nThe Chinese in Hong Kong also looked to Kowloon as a source of authority and patronage, and this was most clearly seen in 1896 when the first Chinese Chamber of Commerce opened in Hong Kong. As was customary, rites were performed before the Kuan-ti M, or martial god. The Kowloon Commodore, Ch’en Kun-shan 120!!, officiated, as the dragon flag of Ch’ing China fluttered above,32 as if to establish the Chineseness of the occasion. Not surprisingly this display of loyalty to Chinese officialdom incurred the resentment of the local English press. The Daily Press leader lamented that the Hong Kong Governor had not been invited to officiate instead, and saw this as a move \"to insult the established order of the colony\".\" This, in fact, suggests that to some of the foreign community at least, Kowloon, as a Chinese base, was too close for comfort.\n\nThere were other problems. Gambling, prohibited in Hong\n\nPage 60\n\nPage 61",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211051,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 112,
        "title": "RAS-1987",
        "content_text": "87\n\nNOTES\n\n“Wong Tai Sin” is the most common transliteration in Hong Kong of the god's name. The pinyin transliteration is Huang Daxian. For Chinese names with a conventional Hong Kong transliteration which differs from the pinyin form, we will begin with the pinyin forms followed by the Hong Kong forms within brackets. For names and places in China, and for subsequent references to Chinese names and terms used in Hong Kong (except for place names such as Hong Kong and Kowloon), only pinyin system will be used.\n\nOn the reasons for the growth in popularity of Huang Daxian in Hong Kong, especially since the late 1940's, see Graeme Lang, and Lars Ragvald, “Upward mobility of a refugee god: Hong Kong's Huang Daxian,\" The Stockholm Journal of East Asian Studies. Vol, 1, 1988. We have called Huang Daxian the “refugee god” both because his cult was imported into Hong Kong early in this century during a period of persecution of traditional religion in China, and also because the god's success can be attributed in part to the refugees who flooded into the area around the temple in the late 1940's. Key decisions made by the management of the temple were also very important.\n\nOur discoveries regarding the ruined temples to Huang Daxian in Guangdong, and a second visit to these sites in 1987, will be reported in a forthcoming article.\n\nThere are undoubtedly many intriguing stories about Huang Daxian which could be collected by researchers in Guangdong province. For instance, one story connecting Huang Daxian to legends about the founding of Guangzhou was related to the first author by the manager of a local company near Guangzhou, who as a child had played in an old Huang Daxian temple in the Fangcun area (on which, see the first author's forthcoming paper). According to this story, Huang Chuping of the Jin dynasty had found the way (Tao) and become a saint at Mt. Luofu. He then, it is said, shouted at five pieces of hard rock turning them into five fairy-sheep and also ordered five fairies dressed in red, yellow, blue, white and black respectively to drive the sheep. This unlikely flock descended in the midst of Guangzhou. Huang Daxian then chanted, \"I wish that Guangzhou from now on shall enjoy bumper harvests, timely wind and rain, be prosperous and at peace, and never suffer famine or disaster”. This tale was related as explaining the origin of the old names Wuyang Cheng (City of the five sheep) and Suicheng (Ear of grain city). The story is clearly modeled on the old (documented) tales of the five saints on ram-back who brought the five ears of grain to Guangzhou. It is not clear where the manager got his story, but it may have been stimulated by an obscure phrase on one of the pillars of the main gate of the old Fangcun Huang Daxian temple. In any case, we expect that there are many such tales which remain to be uncovered. The versatile Huang Daxian, with his several incarnations and his ability to absorb stories from other traditions, may continue to surprise students of his cult for years to come. In the present paper, however, we focus only on his merger with another Taoist figure at Mt. Luofu.\n\n5 Several cases of apparently similar confusion or merging of legendary Taoist figures on the basis of similar surnames have been documented in S.H. Wong. “A study of Huang Ta-hsien [Daxian].” The Journal of the Institute of Chinese Studies of the Chinese University of Hong Kong, XVI, 1985, pp. 223-239.\n\nMt. Luofu, some 100 kilometres northeast of Guangzhou, is historically the most important site in the history of Taoist worship and practice in Guangdong province.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211155,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 216,
        "title": "RAS-1987",
        "content_text": "191\n\nA-king's \"temple\" near the shore of the Lower Bazaar may have been little more than a shrine. It is probable that a man whose power over the community was based on such activities as gambling, prostitution and piracy did not view temples as an integrative institution necessary for his control of community life. However, since they served this function in China they should not be overlooked among his own sphere of interests.\n\nWithin a few years of the establishment of British Hongkong, a temple appears to have become a recognised centre for the Chinese community. This is the conclusion I draw from schedules of Chinese buildings published in the Hongkong Blue Book.\n\nIn 1845 and 1846 a “Town Hall\" is listed.\n\nI chose to identify this with the Shing Wong Temple which was on the hillside south of Gough Street. Shing Wong was the traditional “city god.” The present Shing Wong Street takes its name from the temple.\n\nThe building was pulled down in 1877 when the area in which it was located was cleared in anticipation of the erection of a new building for the Central Government School (Queen's College).\n\nI assume that a notice about Hongkong published in The Chinese Repository of October 1843, refers to this temple: \"A new Chinese temple is about to be undertaken. Handbills and placards are out, for the purpose of raising money for the erection of the building.\"\n\nIn the 1847 schedule of Chinese buildings, two town halls are listed. It was in this year that the temple on Hollywood Road was erected, dedicated to the gods of literature and war (Man and Mo). The category of “town hall” does not appear in subsequent schedules.\n\nThe Government grant for the land on which the Hollywood Road temple was built was given to the Chinese community in 1847 to be used for educational purposes. But instead of being used exclusively as a school, the building served a number of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211655,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 70,
        "title": "RAS-1989",
        "content_text": "45\n\nOn another occasion the main Wang Yeh of the Five was on his way to Hsikang in central Taiwan on a tour of inspection when he encountered a demon causing trouble. He had gathered together a large force of spirit soldiers from the Underworld and was causing great hardship and harm to the local people. The Wang Yeh summoned the other four Wang Yeh and, with help from Kuan Yin, the local City God, and the Ma Tsu from Peikang, he defeated the demon and his army but suffered a wound to his head. Although repeated efforts have been made by craftsmen to repair the damage to his head the wound can still be seen today. Some say that the wound on the Wang Yeh's head was the result of his fight with the Yu Ying Kung, but whatever the reason might be, the people look upon the deity as a hero.\n\nIn Fulai, a village near Chia1 in central Taiwan, the main Pestilence Wang Yeh of the five on the altar is afforded an honour generally reserved for powerful major deities like Kuan Kung. He possesses a horse whose image stands alongside the side wall of the main hall of the temple.\n\nThough the Pestilence Wang Yeh are 'popular' deities they have their demonic aspects as well as their divine and are in general looked upon as dangerous, awesome and fearsome spirits to be approached with great circumspection. A number of devotees believe that the task of the Pestilence Wang Yeh is to police the World and control demons. While a small minority regard them as healing gods the majority believe that their function is to ward off and even attack demonic influence. If the attack is successful, it leads to a cure.\n\nBeing awesome deities the Pestilence Wang Yeh are only worshipped when devotees have a problem which requires the dispersal or destruction of malignant and demonic forces. Only very rarely are these deities approached by worshippers seeking advice and therefore the use of fortune slips and forms of communication such as divining blocks between the devotees and the deities are not usually to be found on the altars dedicated simply to them. Divining blocks are used however when temple committees wish to ascertain the views and wishes of Wang Yeh concerning his personal circumstances such as the location or use of his images.\n\nPestilence Wang Yeh are not approached for aid and advice as are, say, agricultural or fertility deities. Their role is limited to protection, and by extension to cures from pestilential diseases. They are, however,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211953,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 368,
        "title": "RAS-1989",
        "content_text": "Ching Lok Ancestral Hail\n\nFaan Posts\n\nSite for fetching water\n\nFaan Posts\n\nN\n\nMau Ging Tong) Ancestral Hail\n\nJau & Wong Temple\n\nSite for posting the name list\n\nPaak Mou Seung Wing used as kitchen\n\nGeneral Gods\n\nJade Emperor & City God\n\nFaan Posts\n\nA\n\n8\n\nSite for offering to gods\n\nGuardian Gods Yau-Saan Daai Si Wong Gwon Yam\n\nCompartment for villages\n\nCompartment for villages\n\nC\n\nAncestral altar\n\n0\n\nPuppet altar Theatre\n\nA-B-C-D Main paang Later used for opera\n\n(Map taken from Tanaka 1989)\n\nThe Kam Tin Jiu Festival Ground\n\n343",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 213324,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 146,
        "title": "RAS-1994",
        "content_text": "127\n\n1\n\n# NOTES\n\nThe Manchus established the Ch'ing dynasty in AD 1644, having overthrown the native Chinese Ming rulers. The Manchus were related to the central Asian group speaking a language akin to Mongol who settled in Manchuria many centuries earlier. They were usually referred to by Europeans as Tatars.\n\n2. Lach garrison town, including Chapu, contained a Tatar walled city separate from the Chinese city.\n\nIn 1840 HMS bug Algerine paid a flying visit to Chapu and was fired upon from some batteries near the town. During the attack on Chapu in 1842, these batteries were quickly put out of action by the Royal Navy.\n\n4. Under command of Vice-Admiral Sir William Parker.\n\n*The Westmorland Regiment was granted the China Dragon superscribed “China” for service during the China War of 1840-42.\n\n*The Nemesis was the first iron steamer to round the Cape of Good Hope. She was never commissioned as one of HM's vessels of war, yet was generally commanded by Royal Navy officers. She was of the greatest use throughout the First China War and after the Treaty of Nanking returned to Bombay.\n\nA joss-house is the Victorian name for a Chinese temple or shrine, the house where the joss (god, from the Portuguese \"Deos\") was situated. From contemporary sketches and descriptions, the joss house in question would appear to have been a medium-sized Buddhist establishment, and although there were no references to priests, monks, or nuns, it had residential accommodation in addition to the usual altar halls.\n\nLung Fu was a company commander, Iso-ling (grade 4a), of one of the Eight Manchu Banners.\n\n*Parker, L. II. Chinese Account of the Opium War.\n\nA Tao-tai was an imperial Circuit Intendant, a member of the hierarchy controlling several prefectures.\n\nI-li-pu (1770-1847) was a member of the Manchu Bordered Yellow Banner and an Imperial Clansman. He was banished for disobedience in 1841 but recalled and appointed acting assistant military lieutenant-governor at Chapu in early 1842, his predecessor having died of wounds during the British attack. Chapu was still occupied by the British, and I-li-pu had to remain in Hangchou, where he received orders to move to Soochou as it was understood that he was respected by the British, and the Court wished him to be on hand to carry out negotiations.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213839,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 191,
        "title": "RAS-1996",
        "content_text": "164\n\nin Tai O, following the practice of the Houwang Temple in Kowloon City, Tung Chung sets the date on the 15th of the eighth lunar month. As explained by local villagers, people in a farming community such as Tung Chung, in contrast to the fishing community of Tai O, are busy with farm work until mid-autumn. Setting the date for festival celebration in the slack season guarantees mass participation and enjoyment to the full,52\n\nDuring this festival of four days and five nights, representatives of Tung Chung's villages present the best sacrificial offerings to their local principal temple. All inhabitants from the area participate in the mass worship of their patron god. It is the climax of religious and social activities of the year as operas, Ch'iang-p'ao (rocket-snatching) contests, and other forms of entertainment are incorporated in the god's birthday observance. For the performance of the opera show, a bamboo stage is built in the open area in front of the main entrance of the Houwang Temple. On two sides of the stage, many stalls are set up in rows selling food, oblations, religious souvenirs, and even toys. Among these booths are some for the \"rocket associations\" which are formed mainly by competing villages and organizations in the names of 'ang, to vie with one another in the capture of lucky rockets. These rockets are considered relics of the temple god, or representations of the deity, which will bring good fortune and glory to the winning units. They must be returned to the temple with a thanksgiving observance on the god's birthday in the following year.\n\nBefore World War II, according to the natives, the \"rocket-snatching\" contest was held on the 18th of the eighth lunar month during which rockets were shot into the air by officers in charge of temple management. Representative members of the rocket associations, usually young men assembled in the square in front of the temple, would then scramble for the numbered wooden tablets inside the rockets just fired. Whoever got hold of the tablets could purchase the rocket numbered accordingly.\n\nAfter the War, owing to population increase, fighting over the possession of the rockets became a serious problem. In 1949, to reduce the chances of violent conflict, some rural areas decided that participants would draw lots for the rockets. In Tung Chung in recent years,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213841,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 193,
        "title": "RAS-1996",
        "content_text": "166\n\nFor family members who have emigrated to the city or overseas, the annual festival offers the opportunity for reunion that they hesitate to miss. Visitors, tourists, researchers, and guests, including elders from other village alliances, and government representatives who come to observe the celebration and participate in the related activities, are also sources of information from outside. Tung Chung may be a secluded community, but it is certainly not totally insulated from the outside world. In fact, the government and the Rural Committee of the New Territories highly value the annual festival and send representatives to the district as congratulators, or even donors, during the festival season, which has also become a time for informal communication between the government and the local people.\n\n50\n\nWhat impresses the outside world here is Tung Chung's characteristic communal culture crystallized through the ages on the basis of the collective worship of the principal local deity. If the Houwang Temple plays a significant role in maintaining the village coalition system of the area, the territorial cult itself also operates as a system marked by its all-encompassing and pervasive influence on local life and its cyclical self-renewal. Through daily or seasonal rituals, individual or collective worship, ceremonies for invoking and repaying the god's blessings, and all the associated social activities in the year, community members are able to mark, in a concrete fashion, the rhythm of their religious life-cycle. With the annual god's feast day festival signifying the climax of the cycle, the system renews itself for another round of yearly operation. It is through this system of local deity worship that the Tung Chung community has become culturally self-sustaining and integrated.\n\nTo sum up, the religious, social, and entertaining rituals centering around the Houwang worship in Tung Chung have effectively maintained village cohesion, rejuvenated the system of cultural patterns, and served to show off the pride and glory of a local tradition. Via the annual celebration of the god's feast day, a set of customs which villagers consider their own is maintained and continues to represent a living community. Through the festival's ritual cycle, bonds between the deity and worshippers are renewed and ties between community members are reaffirmed. It is the community rituals that embody a universal body of knowledge, overarching territorial cohesion and communal solidarity. Compared to the chiao ceremony which was held",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213850,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 202,
        "title": "RAS-1996",
        "content_text": "175\n\nThe number of Tung Chung's population, especially the young, have moved to the city since the 1960s in search of better jobs and education. Consequently, fields are left uncultivated and the community suffers from depopulation. Yet the local communal culture and religious tradition, passed down from generation to generation, has not simply died down overnight under the pressure of urbanization and emigration. Fellow villagers and family members, including some of those who have emigrated overseas, return home every year to celebrate the Houwang's birthday as attested by the last festival.\n\nIn fact, emigrants are always on the list of money donors in support of the annual celebration. While the actual number of village occupants in 1991, for instance, was only around 300, mostly old people and children, the donors' list that year indicated that Tung Chung consisted of 430 households amounting to a population of almost 2700. Apparently, this figure denoted the total membership of the Tung Chung community, including emigrants. It is in the territorial cult and community rituals that homecomers look for their cultural roots, ties with their ancestors, refreshers of customary beliefs and the socio-religious milieu in which they were brought up. They also return to appreciate the joys and excitement of communal entertainment, and to perform traditional homage to their native god in return for his renewed blessings.\n\nThe temple will remain at its present site even after the demolition of Tung Chung's old villages to make way for the building of a new airport at Chek Lap Kok. This age-old principal local deity is going to witness a new era of drastic man-made transformation with unprecedented impact. This time, not only will some old community members leave forever and new residents arrive, but totally different surroundings will emerge with strong metropolitan characteristics of urbanization and commercialization.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213909,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 261,
        "title": "RAS-1996",
        "content_text": "236\n\nThe rituals performed by both the 'red hat' and the 'black hat' professional religious specialists, often connected in one way or another with mortuary rites, continue as before. The difference being that before redecoration the ritual performances in the half light, by 'red hats' in particular, accompanied by the boom of their ox horns blown at intervals during the rituals, provided an even more exotic and eerie scene.\n\nThe former layout of the temple consisted, as you entered the temple from the street, of the main hall dedicated to the Lord of T'ai Shan. This led through to the rear hall dedicated to the Saviour of the Underworld, the Buddhist deity, Ti-tsang Wang, with a long and comparatively narrow annexe running down the sides of the whole length of the two halls. On the other side of the halls were large rooms dedicated to the ritual services.\n\nThe usual images one would expect in the halls of both the Lord of T'ai Shan and Ti-tsang Wang stand either before or beside the altars, and lining the walls. Many are tamed demons such as Horse Face and Buffalo Head, and the Short Black and Tall White Demons who seize the souls of humans on their due date of death, dragging them before the City God for their primary interrogation. Others include the City God himself and the Goddess of Maternity, Chu-sheng Niang-niang, both of whom occupied their own secondary altars flanking that of Ti-tsang Wang; the Judges of the Ten Courts of the Underworld; and the Civil and Military Secretaries to the Lord of T'ai Shan.\n\nand they have been\n\nHowever, since the refurbishment of the temple, which took some two and a half years, the images down the side annexe which used to stand each in its own shrine have been relocated. The comparatively large image of the local tutelary deity, the Earth God, now has a shrine of his own in the Ti-tsang hall and the other two major images, of the Lord Protector of the Realm, Hu-kuo Tsun-wang Immortal Celestial Physician, Tien-i Chen-jen moved to the Ti-tsang Wang hall where they now sit on the main altar but in front, one on either side of the altar, both newly repainted. These two deities have borne these titles for at least thirty years and during that time the temple staff who appeared to be quite knowledgeable explained that the images down the side wall of the annexe had been brought in from other temples when the latter had been demolished for one reason or another, and their identities had been lost over the years.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 214263,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 121,
        "title": "RAS-1998",
        "content_text": "84\n\nShan is one of the five sacred mountains of China and is located in Shantung. It is believed to be inhabited by many divinities both male and female with T'ai-shan Yeh the primary deity for most pilgrims to the mountain even though the main deity in the temple on the peak is the Jade Emperor. Temples dedicated to the Lord of T'ai-shan were to be found in all parts of China, where he was regarded as the guardian of life and death.\n\nAs the Supreme Lord of the Underworld he has a very large bureaucratic organisation responsible to him for the maintenance of the Book of Life, the register of the due date on which the soul of every living soul must be summoned to appear before the Judges of the Underworld. Popular belief claimed that the entrance to the Underworld was to be found in one of the temples at the base of the mountain. The arrest and escort of souls is carried out by lictors and runners from the yamen of the local City Gods who drag each soul before the local City God, together with the biography and report on the soul prepared by the local Earth God [T'u-ti] who has carried out the first, very preliminary interview to ensure that the right soul has been arrested and is ready for onward despatch. Again, after verification of the identity of the soul the City God endorses the Earth God's report and if available adds any further information on the soul he might possess, and sends the soul under escort to the First Court of the Underworld where the process of purging the soul of all sin commences. After the soul has passed through all Ten Courts and been fully purged of its sins, it is then despatched either to the Western Heaven [Celestial Paradise] or for rebirth in an incarnation to be decided upon depending upon the weight of sins incurred during the previous incarnation.\n\nIn parts of China and in Taiwan, the alter ego is Tung-yüeh Ta-ti with Yen-lo Wang being the senior and chief of the Ten Judges who are under his charge. This dual role played by both Tung-yüeh Ta-ti and Yen-lo Wang is a further complication and a confusion which appears to be insoluble. The former is not only the Supreme deity of the Underworld but also the Judge of the Seventh Court whilst Yen-lo Wang is not only the senior Judge in charge of all Courts but also the Judge of the Fifth Court. The latter has been explained as Yen-lo Wang having ten different forms, as Judges in each of the Ten Courts. This, however, would mean that T'ai-shan Yeh of the Seventh Court would also be a form of Yen-lo Wang.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214644,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 59,
        "title": "RAS-1999",
        "content_text": "were also to be found in Ta Kwu Leng and Ma Tau Wai.\n\n23\n\nIt will be seen that Kowloon City, Kowloon Market, and the suburban villages around them, apart from Sha Po, (that is, Tung Tau, Sai Tau, Hau Wong, and Hoklo Villages) had no part in the League of Seven. These areas were considered to fall immediately under the control of the Sub-Magistrate in Kowloon City, or under the control of the Kowloon Market Kaifong. Apart from these places, the League of Seven covered all the area around Kowloon City.\n\nThe Kowloon City and Kowloon Market areas worshipped at the Hau Wong Temple outside the Walled City, and did not worship at the Nga Tsin Wai Tin Hau Temple. There was a Tin Hau Temple at Sha Po where the residents in the Market also worshipped. Ma Tau Wai had a temple of its own: this was to Pak Tai, worshipped under the title Sheung Tai (7). Only the gate pillars of this temple survive today, in the Lomond Road Garden.\n\nTo the east of the area of the League of Seven was the large and ancient village of Po Kong, belonging to the Lam (*) clan. Po Kong never joined the League of Seven. Po Kong had its own temple (it was dedicated to Tin Hau), and the Po Kong people did not go to the Tin Hau Temple at Nga Tsin Wai. Chuk Yuen and Sha Tei Yuen were genealogically connected with Po Kong. According to the Nga Tsin Wai elders, the villages of Po Kong, Chuk Yuen, Sha Tei Yuen, Nga Yiu Tau, Ngau Chi Wan (including its \"Mau Tsuen” of Pak Uk Tsai, or Ping Shek), and Yuen Ling (both the Upper and Lower Villages) formed an inter-village alliance of their own, the Six Villages Alliance (AM). Ngau Chi Wan had its own temple, to the Sam Shan Kwok Wong - this temple still survives. According to Ngau Chi Wan village elders, there was no Six Villages' Ta Tsiu, but Ngau Chi Wan conducted these rituals on its own every ten years. Ngau Chi Wan also held the She (£) feast before their higher earth god, every year, when every family made an offering of food, which later formed the basis of the communal feast. Ngau Chi Wan was, clearly, rather independent where the worship of the deities was concerned, and may well have been rather less well-integrated into the Six Villages than the villages closer to Po Kong. Ngau Chi Wan was a Hakka village, founded in the very early eighteenth century. It was founded by the Lau (1) clan, but the To (†), Yeung (), Tsang (4), and Yip () clans joined the Laus during the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 214821,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 236,
        "title": "RAS-1999",
        "content_text": "202\n\nTo this day, services for the departed, whether as newly-deceased souls or as wandering spirits, command the greater part of the time of practitioners from the two religions. Apart from the varied religious services carried out in the homes of the deceased, or in the temples and monasteries where similar rites were held for the departed, both Buddhists and Taoists are prominent in the rituals carried out in public places at the Hungry Ghost Festival.23 This, the most important ritualistic pacification of wandering souls and spirits during the lunar year, is still performed throughout Hong Kong on behalf of the general public by priests of the two religions, hired by local committees and associations.\n\nWhat People Want: Individual Expectations from Acts of Worship\n\nIn approaching the gods, whether in the temples and monasteries, or at the earth god shrines on the street or in the fields, the worshippers had specific requirements in view. Then as now, worshipping itself was principally devoted to obtaining divine assistance in time of trouble or to attain the object of one's desire or supplication. These usually concerned health and wealth, as well as general preservation from all ills, for oneself and for family members, deceased as well as living. There was also the need to obtain protection (because of their great potential for harm) from the general body of those many departed souls without living male descendants to care for them.\n\nUnlike the ritual services, worshipping was not carried out with the help of intermediaries from the two religions. It is a personal act, usually conducted by the individual before the altars in temples, monasteries or nunneries, or at the tombs of deceased family members and ancestors at certain fixed times of the lunar year.\n\nAs Archdeacon Moule says - and it bears repeating because it is so basic to an understanding of how Chinese people think and act - the prayers of the worshippers one sees in the temples are being \"addressed to images representing deities of living and present power.\n\n24 In Hong Kong, a visit to a large city temple like the Wong Tai Sin Temple in New Kowloon at a major festival leaves one in no doubt that the people believe in the ability of the god to grant their requests. Nor is satisfaction kept to oneself. The word soon gets around, and since the worship",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 215070,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 166,
        "title": "RAS-2000",
        "content_text": "123\n\nscroll stands in the centre and is flanked by two images each with his right arm raised holding a bell. The faces are one red and one black, and the pair are known as the Red Taisui and the Black Taisui, all three functioning as one deity.\n\nA six-armed image of Taisui in the side hall of the Penang City God temple shares the main altar with Guan Yin and the Great Saint [Qitian Da Sheng - though better known as the Monkey God]. In Cholon, Saigon, three separate deities are portrayed on one altar, each with Taisui added to his title. These are Ziwei Xingjun, Wenchang and Xuantan, the first being a stellar deity whose likeness is pasted or nailed to doors as a popular charm to ward off demonic attack, the second is the God of Literature and the third, a Wealth God. This nomenclature would appear to be a local whim, not seen nor heard of elsewhere.\n\nOnly in very few instances does Taisui have any assistants. Several temple keepers in Taiwan and Singapore explained that Taisui, like so many protective deities, has Five Demon Armies under his command. These he despatches to cope with recalcitrant humans who fail to honour Taisui properly or who have insulted him in any way. When humans come under any form of demonic attack the cause and source of the attack is usually revealed to them by mediums, who are then in a position to advise the individual what should be done to counter and ward off the evil effects, particularly so when the attack is mounted by tamed demons under the control of a deity, Taisui. They advise the human to immediately propitiate him and request him to call off his demonic forces.\n\nIn several novels Taisui is described as having ten assistants the last four being the gods of the year, the month, the day and the hour. All were described in the Deification of the Gods as having been slain at the famous battle between the good and evil forces at Wan Xian Chen and have been named as:\n\nLi Bing\n\n李丙\n\nHuang Chengyi\n\n黃丞乙\n\nZhou Deng\n\n周登\n\nLiu Hong\n\n劉洪\n\nIn a temple in Kalgan, a city known today as Zhangjiakou in the Chinese province of Inner Mongolia, Yin Jiao's second brother, Yin",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215082,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 178,
        "title": "RAS-2000",
        "content_text": "135\n\nCelestial Stems, in the form of the Five Planetary deities, and the other five their counterparts according to the Five Elements. As an example we shall look at just one of the Five Planetary deities, the first stem, Jia, together with its counterpart humanised form the element Wood. The individual Planetary deity portrayed, Jia, is carrying a dish of peaches and is identified as Jupiter. This is the same deity as the one seen elsewhere with the small arms and hands emerging from the eye-sockets. A second wall dedicated to the Lord of the Southern Dipper, Nan Dou Xingjun, depicts the other Five Planetary deities and their counterparts.\n\nReverence of, and Ritual and Sacrifice to Taisui\n\nEach of the sixty Taisui is a guardian of the individual year, and is regarded as the deity in charge of his particular year responsible for the happiness of mankind, and for births and deaths during that year. Chinese place their offerings on the altar before or under the image of Taisui bearing their cyclic year-date of their birth. When such cyclical characters are used they are interpreted from a chart held by the temple keeper who is able to read off the year. In the City God temple in Yau Ma Ti in Jiulong, each of the sixty images which stand in serried rows down a side wall, is an identifiable deity but without its individual name or title being displayed. In Chinese folk religion temples in both Cambodia and Thailand, Taisui is presented with offerings 30 days after the safe birth of a child to ensure that a full life span is pre-ordained. In several of the Macau temples, slips of red paper have been pasted above each of the sixty images identifying the year and title of each of the Taisui. In other places, a number of characters on the front face of the base of each image identify which year of the sixty-year cycle the particular image represents, and in two temples at least, presumably for simplicity's sake, the number of the year is clearly written in ordinary characters.\n\nIn Hong Kong and South-east Asia, devotees place placatory offerings of spirit money under the image which bears the two characters for their year of birth of the sixty in the cycle, together with an oral request for a good year. Such piles of paper spirit money are a sure identification of the Taisui cult. These wads of \"hell\" paper money, either printed notes on the Bank of Hell25 or gold paper \"ingots\"26 [sheets representing offerings of precious metal], are placed beneath",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215084,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 180,
        "title": "RAS-2000",
        "content_text": "Taiyue, is also known as \n\nTaisui Xingjun \n\nDangnian Taisui \n\nZhiping Taisui \n\nTaisui Ye \n\nTaisui Dijun \n\nAku A \n\nA \n\n值干大歲 \n\n大歲爺 \n\n大歲帝君 \n\nTaisui Yin Yuanshuai \n\nYin Jiao Jiangjun \n\nYin Tianjun \n\n人成殷元帥 \n\n殷天君 \n\nYin Gao \n\n殷過 \n\nZhimian Suiyun Taisui Shen Yin Jiao \n\n六十甲子本命神 \n\nTian Xian Liushi Yuanchen \n\nLiushi Jiazi Benming Shen \n\nDevotees often refer to the Taisui of their particular year as \n\nBenming Yuanchen \n\n本命元辰 \n\nDuring the Cultural Revolution in a Shanghai Temple of the City God, Red Guards were reported having forced a devotee, an elderly lady, to break up one of the sixty wooden images of Taisui with a hammer \n\nPage 180\n\nPage 181",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215108,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 204,
        "title": "RAS-2000",
        "content_text": "161\n\nand the Fulu particular of two opera companies, the Xipi Pai and Erhuang Pai [or Fi Pai], the latter, the northern school, being especially dedicated to woodwinds3. In legend he is said to have had an emotional reunion with the soul of his dead concubine, Yang Guifei, in the palace of Guanghan on the Moon.\n\n4\n\nA tablet on a minor altar at the rear of a secondary hall in the temple of the City God in Hsinchu in northern Taiwan refers to him as Tang Xuan Zong, whilst his usual title in Taiwanese temples of the Lord of the Western Qin, Xi Qin WangyeE is not usually understood beyond Taiwan. There is no image, whereas in the Ma Tsu temple in Taipei a side altar is dedicated to him and his image, portraying him as a standard scholar-official with a black beard, is flanked by two very elderly male aides.\n\nIn South-east Asia images of the emperor have been seen in temples in Seremban and Ipoh in Malaysia, and in Singapore, in some of which he is simply referred to as Zunzhu Mingwang, the Lord Prince Ming, 尊主明王,\n\nAn image seen on the only altar in a side hall of the temple on Miaofeng Shan in Beijing's Western Hills and identified as Tang Ming Huang, is better known in the temple as the God of Happiness, Xi Shen [Photograph 2]. He is referred to as Liyuan Shen, and is portrayed as a smiling figure with beard and moustache, standing with his hands in a theatrical pose. His modern image is dressed in imperial yellow robes decorated with a large dragon and the whole body of the image is swathed in a red robe placed there by devotees.\n\nDisappointingly, there appears to be no image of the Concubine Yang on any altars. However, a modern [1996] tableau in an old temple, now converted into a theme-park, depicts in a series of life-size plaster images scenes ranging from the Tang Ming Huang's first sight of the Concubine Yang bathing, progressing through stages of his infatuation though ending before her death and his overthrow. This can be seen on a low hill overlooking the bend in the Yellow River at the south-western tip of Shanxi province, at a place known as Yang Guifei's pool. The main altar has the Tang Ming Huang and the Concubine sitting with her pouring wine for him. Before the altar stand three incense pots, a container holding fortune spills and plastic fruit as an offering and before",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215113,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 209,
        "title": "RAS-2000",
        "content_text": "166\n\ncommunities outside mainland China, and also local non-Fukienese Chinese in the vicinity of Hangzhou, sometimes individually, alone on an altar or together as a pair.\n\nFrequently confused both by devotees and professional god carvers, the two deities are known to Chaozhou-speaking devotees as the Civil and Military Lords of Peace (Wenwu An Zunwang) or individually, Zhang Xun as Wen'an Zunwang and Xu Yuan as Wu'an Zunwang. They are also known by titles respectively [possibly within Chuanzhou communities only] as Baoyi Zunwang 保儀尊王 and Baoyi Dafu 保儀大夫. Both deities hereafter will be referred to as Zhang and Xu, and in a number of temples an individual, lone deity of either Zhang or Xu is known as the patron of local Zhang or Xu clans.\n\nThe most common story of the two heroes as related by a great number of temple keepers describes how Zhang and Xu were loyalists opposed to the rebel An Lushan. They died heroically defending the provincial city of Suiyang in Henan province in AD 757, which fell to the enemy after a siege of 49 days. Most temple keepers claim that they died by their own hands rather than fall into those of the enemy, though some claim that the heroic defenders were betrayed by cowards after the food gave out.\n\nZhang was born in Henan on either the 10th of the fourth or the 12th or 29th of the fifth lunar months in AD 709 and died with Xu on either the 15th of the second or the 9th of the tenth lunar months in 757. These are now celebrated annually with temple festivals in Zhang's honour.\n\nZhang was the military mandarin in Suiyang and is occasionally referred to in temple records as Zhang Suiyang. He had been employed in military operations in Central Asia before being posted to Suiyang, where his discipline was legendary. In 756, during the rebellion of An Lushan, he fought many battles, was wounded on a number of occasions, and performed prodigies of valour. The climax was reached by his heroic defence of Suiyang against the army of An Lushan's son. He refused to yield and even sacrificed his favourite concubine to no avail. The enemy broke in, and as he scorned to offer allegiance to his conqueror, was immediately put to death. It is said that during the siege",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215141,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 237,
        "title": "RAS-2000",
        "content_text": "PATRON DEITY OF PROSTITUTES\n\nZHU BAJIE\n\n豬八戒\n\n195\n\nKEITH STEVENS\n\nZhu Bajie is better known to Westerners as Piggy or Pigsy. He is one of the three assistants to the Tripitaka [the Chinese monk, Xuanzang] who, in 629 AD, together with the Monkey King [Qitian Dasheng], set out with the monk as his escort and aides on his hazardous and enthralling trek to India to collect the sacred Buddhist scriptures. These were the heroes of the romance the Journey to the West. He is also known by his name in religion - Zhu Wuneng - Seeker after Strength.\n\nIn the story Pigsy was the former Superintendent of Navigation of the Milky Way, banished to be reincarnated on Earth for assaulting one of the daughters of the Jade Emperor. Unfortunately a mistake was made and he entered the womb of a sow and was born half-man and half-pig. He was ordained a priest by Guan Yin and is portrayed on altars and in murals as a composite deity, a human with the head of a pig. He carries a five-toothed rake as a defensive weapon which he used to good effect during the long and arduous journey escorting the pilgrim monk, Xuanzang.\n\nAlthough he is usually regarded China-wide as the epitome of gluttony, in Taiwan he is also revered by prostitutes who call on his divine title Shoushou Ye, offering him incense and chants morning and evening whilst calling on him to bring them rich guests, foolish and witless, to be fleeced. An image, one of a number on loan from devotees, depicts him sitting holding a virtually nude woman in his arms alone on one of the side altars in the City God Temple in Chia I.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215142,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 238,
        "title": "RAS-2000",
        "content_text": "196\n\nImage of Pigsy on a side altar in the City God Temple in Chia I, Southern Taiwan, holding a virtually nude woman in his arms. He is a patron of prostitutes with this image being on loan from one of his devotees.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215323,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 100,
        "title": "RAS-2001",
        "content_text": "48\n\nbetween Han ethnic groups but also both inter-ethnic fratricide and distrust, prevented legends of one ethnic group about their deities being passed to another. The stories of the minority Hainanese are therefore known to few non-Hainanese Chinese.\n\nFolk Religion Deities on Altars in Hainanese Community Temples\n\nDeities worshipped by Hainanese, both in their temples and on their household altars, can be categorised into eight groups:\n\nThe first are the deities revered China-wide such as Guan Yin, Guan Gong, the City God, the Earth God, the Gods and Goddesses of Climate and Time and the patrons of trades and professions. As these are not uniquely Hainanese deities I will not refer to them again.\n\nThere are two exceptions: the first is a deity identified as either the popular and frequently noted deity, the Thunder God, Lei Gong, or Lei Zu, the President of the Ministry of Thunder. He has been noted on two Singaporean Hainanese temple altars where he was only known as the Chief Leader of All the Heavens, Wantian Zhushi, His title was displayed on the temple list in two other Hainanese temples, one in Pontian in southern Malaysia, and the other near Kranji in northern Singapore. His image depicted him with his usual attributes a bird's beak, an axe or hammer held aloft and a chisel in his left hand. In one of the two temples, in Paya Lebar Crescent, he was riding either a tiger or a Qilin a mythical beast, and according to the temple custodian he is the only deity permitted to do so. He was identified by temple keepers as Lei Gong and his image co-located with that of Doutian Fushuai, said to be Lei Zu. However, in the other temple, at Rumba Bomba Circus, he was also portrayed astride what looks like an unusual tiger and here he was identified as Lei Zu.\n\nThe second is Ma Zu Qiong, the Respected Mother of the Hainanese3. Although Tian Hou, the patron goddess of seafarers along the entire coast of China, is revered throughout Hainanese communities, she is also known in a number of Hainanese temples by this unique title. The usual title by which Tian Hou is known in most Hainanese temples is Nantian Shengniang Tian Hou, The Saintly Lady of the Southern Heavens, 南天聖娘天后.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215355,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 132,
        "title": "RAS-2001",
        "content_text": "80\n\n21 This is present day Maoming in western Guangdong province, not too far from the Liaozhou peninsula leading down to Hainan.\n\n22 A city in south eastern Guangdong province, half way between the Liaozhou peninsula and the Pearl River.\n\n23 Note that there are two different deities, Longwei Shenggong worshipped by the Hainanese and Longwei Shengwang worshipped by the Chaozhou people. The latter is, to all intents and purposes, a local Earth God.\n\n24\n\n25 Laomu, Old Mother [or Elderly Matron], is a title often mentioned in popular stories. In Xue Dingshan's Campaign to the West Laomu was Fan Lihua's teacher who, in eight years, taught her the art of moving mountains and raising armies from a handful of beans.\n\nAn elderly Chaozhou man in a Kowloon temple confided that Lishan [‘Fan Lihua' he called her] is a fictional character to support the story of the two generals Xue, and that much of their legends have little or no historical basis.\n\n26 Xue Dingshan's father, Xue Rengui, also a general, was an early Tang hero who not only also led an expedition to the west, he also served in the Korean campaign of Tang Tai Cong. Xue Dingshan, otherwise known as Xue Gang, is claimed to have saved the life of his emperor and is now a Fukienese cult deity, the face of whose image is characterised by extraordinary and colourful decorations.\n\n27 William Mesny relates that recumbent iron images of oxen were believed to be a protection from floods when these images were placed along the banks of river courses and lakes likely to overflow. He noticed several along the banks of the Grand Canal in 1874 and was told that they had been placed there by Liu Bowen Mesny's Chinese Miscellany: Vol. IV: Shanghai: 11 February 1905.\n\n28 As in Taipan, the Senior Boss.\n\n29 The shrine and its images disappeared, doubtless into a high rise flat, though it could have gone the way of so many minor cults and disappeared due, perhaps, to the aged temple keeper's demise.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215472,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 249,
        "title": "RAS-2001",
        "content_text": "198\n\nand rock falls. We saw one such team, hard at it, with a pot-bellied sergeant doing the important job of watching them.\n\nA dignified repast\n\nOn the far side of Haa we took the road up the valley to inspect a small village, Nagyel - we were even able to go inside one of the houses and poke around. Everything was, of course, wooden and very solid. But at 9,000 feet we were a bit puffed and in need of lunch - and so headed back down the valley again. Very soon we realised that we ourselves were the visiting dignitaries for whom the large table and chairs had been set up. We had not up to now realised, but in addition to our two minibuses and the smaller one for our baggage, there was yet another. This fourth vehicle contained the catering crew of three, who had gone ahead and prepared a splendid al fresco buffet lunch. What a treat! An excellent spread and served most professionally. And not over the top at all, now we realised who the diners were to be.\n\nThe second night's accommodation was waiting for us in the capital city, Thimpu. As that was four hours away we had no time to hang around, but we were able to stop for a treat along the way. This was the Napchong Hadang Monastery, where we found we were just in time for a puja for the water god. This ritual, dating from the 17th century, lasts for three days, the third day involving a long procession through the nearby villages. We were there on the first day, and were lucky enough to enter the temple and see two lines of red-robed monks, sitting cross-legged on the floor facing each other and eating rice from their bowls. At the head of the lines was the master. When he started chanting the rice bowls disappeared under the robes pretty sharpish as all were expected to join in. The older monks, sitting nearer the master, had drums whilst the younger ones had enough to do to try not to stare at 27 members of the Royal Asiatic Society. To one side were two, as it were, oboists and to the other were two, as it might have been, bass horn players. The whole ensemble was absolutely magical, something I had never seen nor heard except on the National Geographic Channel.\n\nThe three further hours to Thimpu were spent in happy conversation on the bus, the subjects ranging from Tung Chi Wah's chances of a second term to African insects that lay their eggs under your toenails. I don't know how I did it in the face of such intellectual challenge, but I",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 216029,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 328,
        "title": "RAS-2002",
        "content_text": "262\n\nWar in 218 AD between two of the Three Kingdoms [San Guo], between Sun Quan of Wu and Liu Bei of Shu, led amongst other things to the capture of the city of Qingzhou. One of Liu Bei's generals, Guan Yu, hurried south to defend the city but was ambushed, captured and decapitated by Sun Quan after he refused to change sides. Guan was later deified as is now the immensely popular deity, the Patron of Uniformed Bodies and is known as the God of Loyalty, Guan Di. Thus, the founder of Zhenjiang had the distinction of slaying the consequent Patron deity of Soldiers, Firemen and Detectives and the second most popular god on Chinese popular religion altars.\n\nIn the first years of the 6th century AD the first emperor of the Liang dynasty, Wu Di, who was renowned for his support of Buddhism and the Buddhist clergy, visited Zhenjiang. He had been visited by a divine monk in a dream who urged Wu Di to institute a great fast in order to rescue all sentient beings from the miseries of their existence. The Emperor ordered a new monastery to be built at Tse Hsin [Zexin], known today as Jin Shan to accommodate the Congress held in AD 507, and for centuries within the monastery there was a building known as the Hall of Liang Wang. This tradition is at odds with the date usually given for the founding of the monastery - AD 317.\n\nOur next story involves a deified hero who had nothing to do with Zhenjiang in life but, for some unknown reason, his cult would appear to have become centralised along the Grand Canal and especially at Zhenjiang. He is a canonised hero of the Tang dynasty, but one of a pair whose images elsewhere appear together on popular religion temple altars. These two euhemerised heroes, Zhang Xun and Xu Yuan, ***, have been seen on altars in Jiangsu, Zhejiang, Beijing, Taiwan, Hong Kong and South-east Asia. These two protective deities are known individually as the Venerable King of Peaceful Pacification, Wen'an Zunwang ✰✰ E [Zhang Xun] and the Venerable King of Military Pacification, Wu'an Zunwang ✯✯ [Xu Yuan] though they will\n\n+\n\nbe referred to hereafter simply as Zhang and Xu.\n\nThe most common history of the two heroes as related by a great number of temple keepers describes how Zhang and Xu, loyalists during the reign of Tang Ming Huang, opposed the rebellion led by An Lushan. They died heroically in AD 757 during the civil war defending the provincial city of Suiyang in Henan province which fell to the enemy",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216032,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 331,
        "title": "RAS-2002",
        "content_text": "265\n\nin 1144, built to the west of the Bridge of a Thousand Autumns, Qianqiu Qiao, beside a small canal with landing places attached. It would seem to have been inside the present city, about where the road from the west gate crosses the canal, before you reached the City God Temple. It was restored in 1271 with a commemorative inscription composed by Liu Xiufu, and the whole establishment was enlarged during the Ming so as to have 109 rooms, with stabling for 80 horses, forty of which had to be kept constantly saddled, presumably for use by imperial messengers.\n\nMoving on to the Yuan [Mongol] dynasty, an interesting account, if indeed it is genuine, claims that Marco Polo mentioned the foundation of Nestorian Christian churches at Zhenjiang (Cinghian fu) by a Nestorian Christian governor, Mar Sargis [or Mar George] from Samarkand. Kublai Khan, the Mongol emperor of China during the 13th century employed foreigners within his civil service, one of whom was Marco Polo who spent three years as Governor of Yangzhou, the city a short distance upstream on the northern arm of the Grand Canal immediately across the Great River from Zhenjiang. The story goes that the maternal grandfather of Mar Sargis cured Genghis Khan of a sickness by administering sherbet and his secret recipe. The latter was passed down the family and each generation did good business ensuring their fortune. The story of his appointment as governor would appear to have been confirmed by various entries in the old records of Zhenjiang in which there are references to seven Christian monasteries [i.e. churches] in or near the city, adding that the Zhenjiang Christian population in about AD 1280 amounted to 215. These were started after Mar Sargis had a dream in which he was instructed to construct seven Nestorian churches. Using his fortune he is said to have completed all seven but unwittingly with one on the site of a former famous Buddhist monastery which Mar Sargis was ordered to hand back to the Buddhists. Of the remaining six two were said to have been on the ridge running inland from the former site of the British consulate.\n\nDuring the early days of the Ming, in the reign of the Yongle emperor, various expeditions sailed down the Yangzi from Nanjing, and out into the Eastern Ocean, a commander of several of the expeditions being the renowned eunuch, Zheng He. The policy of despatching such expeditions far beyond China's shores was short-lived. Between 1405 and 1425 Zheng's fleet voyaged through south-east Asia",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216037,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 336,
        "title": "RAS-2002",
        "content_text": "270\n\nwriting home in October 1861, four years after the Taiping evacuation of Zhenjiang wrote 'it gives me the blue devils to walk in the neighbourhood of this wretched city. Thousands of acres of rich land lie uncultivated and overgrown with rank grass. The cottages are all destroyed and a very few old men and women represent a tottering population. Not a junk moored off the city wall and only one very dirty street remains of what was once a large and haughty town. I don't think the rebels will be back this year. They have lost a very important post up the river and their head den [Nanjing] will soon be threatened by the Imperialists'.\n\nIn 1854 a new American Commissioner arrived en poste in Shanghai and decided to visit the Taiping headquarters in Nanjing as a US diplomatic representative. He sailed up the Yangzi in the USS Susquehanna but as they passed the Taiping fort at Zhenjiang a shot across their bows caused him to send a small party ashore to demand a reason for the 'insult' and an apology. The Zhenjiang Taiping commander explained that they were keeping a vigilant eye on traffic on the Yangzi and required all vessels to hove to until permission to proceed was received from Nanjing. The US representative repeated his demand for an apology and threatened to sail on on the morrow come what may. He also provided a sketch of the US flag so that such an insult may never be repeated. They sailed on as planned and having had many meetings with Taiping commanders at various levels, including one with the Eastern King, the US Commissioner realised that in view of the tone of the Eastern King's written response, amongst other things requiring Tribute from the Americans, any continued attempt to institute diplomatic relations with the Taiping was a waste of time. Whereupon they returned to Shanghai, wiser but no further forward. However, they did take the opportunity before returning of sailing a hundred or so miles further up stream to areas not before visited by US or British expeditions. The Americans, sad to say, appear to have obtained little new about the Taipings to add to what was already known,\n\n13\n\nZhenjiang temples\n\nThe four major temples were the Jin Shan Temple with its pagoda, the Ganlu Si [Sweet Dew Temple] on the Beigu Shan, the Dinghui Si on Jiao Shan and the City God temple. There were also a number of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216315,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 74,
        "title": "RAS-2003",
        "content_text": "23\n\nThe second courtyard is flanked on the left side by a two-story wooden Drum Tower (Gu Lou) and on the right by the matching two-story wooden Bell Tower (Zhong Lou). On the first floor of the Zhong Lou is a glass case holding a golden effigy of Kshitigarbha (Di Zang). Dizang is the bodhisattva who has the special power to rescue departed souls from Hell, and thus plays an important role in Buddhist funeral ceremonies. Upstairs on the second floor is the bronze bell which can be rung for a fee of 50 Rmb. On New Year's Eve this bell is rung 108 times at midnight. It is considered good luck to be there to hear it ring, and even better luck to be the one who rings it. The Zhong Lou was rebuilt by Qing Emperor Guang Xu in 1895, following the Taiping destruction of the temple in 1860-1862. The bell itself was made in 1894, during the 18th year of the Guang Xu reign of the Qing Dynasty. Beside the Zhong Lou is a Ming-style stone stele with a partially legible inscription which has been damaged.\n\nOn the first floor of the Gu Lou is a glass case containing a golden effigy of Guan Yu, the God of War. In the Ming and Qing dynasties Guan Yu had temples dedicated exclusively to him in every city in China. The former Guan Di Miao can still be visited in Shanghai's Nanshi District. The second floor of the Gu Lou cannot be ascended, and it no longer seems to contain a drum. Beside the Gu Lou is a Ming-style stone stele with a lengthy inscription in very good condition. The present Gu Lou dates from an 1895 reconstruction, following the Taiping destruction of the temple in 1860-1862.\n\nAcross the second courtyard from the Mi Le Dian is the Hall of the Four Heavenly Kings (Si Tian Wang Dian). This hall dates from an 1881 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1981. The hall contains enormous gilded wooden statues of all four kings, two on each side of the hall. All four wear crowns on their heads and are dressed in heavy armor. One holds a four-string guitar and has a light green face, another holds a sword in his right hand and has a black face, a third holds an umbrella in his right hand and a small stupa in his left hand, and has a white face, while a fourth holds a snake and has a black face. This depiction is somewhat different than in the past. In the centre of the Tian Wang Dian are two glass cases containing golden effigies of two rather obscure Buddhist deities. Tian Guan Mi Le, a variant incarnation of Mi Le Fo, is depicted.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]